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The Gods are Athirst
by Anatole France
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"Your tale does not surprise me, father," Brotteaux told him, "We see such cases of obsession; but it is not always cardboard figures that occasion it."

The Pere Longuemare, who was religious by profession, never talked about religion, while Brotteaux was for ever harping on the subject. He was conscious of a bond of sympathy between himself and the Barnabite, and took a delight in embarrassing and disturbing his peace of mind with objections against divers articles of the Christian faith.

Once when they were working together making Zerlines and Scaramouches:

"When I consider," remarked Brotteaux, "the events which have brought us to the point at which we stand, I am in doubt as to which party, in the general madness, has been the most insane; sometimes, I am greatly tempted to believe it was that of the Court."

"Sir," answered the Monk, "all men lose their wits like Nebuchadnezzar, when God forsakes them; but no man in our days ever plunged so deep in ignorance and error as the Abbe Fauchet, no man was so fatal as he to the kingdom. God must needs have been sorely exasperated against France to send her Monsieur l'Abbe Fauchet!"

"I imagine we have seen other evil-doers besides poor, unhappy Fauchet."

"The Abbe Gregoire too, was full of malice."

"And Brissot, and Danton, and Marat, and a hundred others, what of them, Father?"

"Sir, they are laics; the laity could never incur the same responsibilities as the clergy. They do not work evil from so high a standpoint, and their crimes are not of universal bearing."

"And your God, Father, what say you of His behaviour in the present Revolution?"

"I do not understand you, sir."

"Epicurus said: Either God wishes to hinder evil and cannot, or He can and does not wish to, or He cannot nor does he wish to, or He does wish to and can. If He wishes to and cannot, He is impotent; if He can and does not wish to, He is perverse; if He cannot nor does He wish to, He is impotent and perverse; if He does wish to and can, why does He not, tell me that, Father!"—and Brotteaux cast a look of triumph at his interlocutor.

"Sir," retorted the Monk, "there is nothing more contemptible than these difficulties you raise. When I look into the reasoning of infidels, I seem to see ants piling up a few blades of grass as a dam against the torrent that sweeps down from the mountains. With your leave, I had rather not argue with you; I should have too many excellent reasons and too few wits to apply them. Besides, you will find your refutation in the Abbe Guenee and twenty other apologists. I will only say that what you quote from Epicurus is foolishness; because God is arraigned in it as if he was a man, with a man's moral code. Well! sir, the sceptics, from Celsus down to Bayle and Voltaire, have cajoled fools with such-like paradoxes."

"See, Father," protested Brotteaux, "to what lengths your faith makes you go. Not satisfied with finding all truth in your Theology, you likewise refuse to discover any in the works of so many noble intellects who thought differently from yourselves."

"You are entirely mistaken, sir," replied Longuemare. "On the contrary, I believe that nothing could ever be altogether false in a man's thoughts. The atheists stand on the lowest rung of the ladder of knowledge; but even there, gleams of sense are to be found and flashes of truth, and even when darkness is thick about him, a man may lift up his eyes to God, and He will put understanding in his heart; was it not so with Lucifer?"

"Well, sir," said Brotteaux, "I cannot match your generosity and I am bound to tell you I cannot find in all the works of the Theologians one atom of good sense."

At the same time he would repudiate any desire to attack religion, which he deemed indispensable for the nations; he could only wish it had for its ministers philosophers instead of controversialists. He deplored the fact that the Jacobins were for replacing it by a newer and more pestilent religion, the cult of liberty, equality, the republic, the fatherland. He had observed this, that it is in the vigour of their youth religions are the fiercest and most cruel, and grow milder as they grow older. He was anxious, therefore, to see Catholicism preserved; it had devoured many victims in the times of its vigour, but nowadays, burdened by the weight of years and with enfeebled appetite, it was content with roasting four or five heretics in a hundred years.

"As a matter of fact," he concluded, "I have always got on very well with your God-eaters and Christ-worshippers. I kept a chaplain at Les Ilettes, where Mass was said every Sunday and all my guests attended. The philosophers were the most devout while the opera girls showed the most fervour. I was prosperous then and had crowds of friends."

"Friends," exclaimed the Pere Longuemare, "friends! Ah! sir, do you really think they loved you, all these philosophers and all these courtesans, who have degraded your soul in such wise that God himself would find it hard to know it for one of the temples built by Him for His glory?"

* * * * *

The Pere Longuemare lived for a week longer at the publican's without being interfered with. As far as possible he observed the discipline of his House and every night at the canonical hours would rise from his palliasse to kneel on the bare boards and recite the offices. Though both were reduced to a diet of wretched scraps, he duly observed fasts and abstinence. A smiling but pitiful spectator of these austerities, Brotteaux one day asked him:

"Do you really believe that God finds any satisfaction in seeing you endure cold and hunger as you do?"

"God himself," was the Monk's answer, "has given us the example of suffering."

On the ninth day since the Barnabite had come to share the philosopher's garret, the latter sallied forth at twilight to deliver his dancing-dolls to Joly, the toy-merchant of the Rue Neuve-des-Petits-Champs. He was on his way back overjoyed at having sold them all, when, as he was crossing the erstwhile Place du Carrousel, a girl in a blue satin pelisse trimmed with ermine, running by with a limping gait, threw herself into his arms and held him fast in the way suppliants have had since the world began.

She was trembling and her heart was beating so fast and loud it could be plainly heard. Wondering to see one of her common sort look so pathetic, Brotteaux, a veteran amateur of the stage, thought how Mademoiselle Raucourt, if she could have seen her, might have learnt something from her bearing.

She spoke in breathless tones, lowering her voice to a whisper for fear of being overheard by the passers-by:

"Take me with you, citoyen, and hide me, for the love of pity!... They are in my room in the Rue Fromenteau. While they were coming upstairs, I ran for refuge into Flora's room,—she is my next-door neighbour,—and leapt out of the window into the street, that is how I sprained my ankle.... They are coming; they want to put me in prison and kill me.... Last week they killed Virginie."

Brotteaux understood, of course, that the child was speaking of the delegates of the Revolutionary Committee of the Section or else the Commissaries of the Committee of General Security. At that time the Commune had as procureur a man of virtue, the citoyen Chaumette who regarded the ladies of pleasure as the direct foes of the Republic and harassed them unmercifully in his efforts to regenerate the Nation's morals. To tell the truth, the young ladies of the Palais-Egalite were no great patriots. They regretted the old state of things and did not always conceal the fact. Several had been guillotined already as conspirators, and their tragic fate had excited no little emulation among their fellows.

The citoyen Brotteaux asked the suppliant what offence she had been guilty of to bring down on herself a warrant of arrest.

She swore she had no notion, that she had done nothing anyone could blame her for.

"Well then, my girl," Brotteaux told her, "you are not suspect; you have nothing to fear. Be off with you to bed and leave me alone."

At this she confessed everything:

"I tore out my cockade and shouted: 'Vive le roi!'"

He walked down to the river-side and she kept by his side along the deserted quais. Clinging to his arm she went on:

"It is not that I care for him particularly, the King, you know; I never knew him, and I daresay he wasn't very much different from other men. But they are bad people. They are cruel to poor girls. They torment and vex and abuse me in every kind of way; they want to stop me following my trade. I have no other trade. You may be sure, if I had, I should not be doing what I do.... What is it they want? They are so hard on poor humble folks, the milkman, the charcoalman, the water carrier, the laundress. They won't rest content till they've set all poor people against them."

He looked at her; she seemed a mere child. She was no longer afraid; she was almost smiling, as she limped along lightly at his side. He asked her her name. She said she was called Athenais and was sixteen.

Brotteaux offered to see her safe to anywhere she wished to go. She did not know a soul in Paris; but she had an aunt, in service at Palaiseau, who would take her in.

Brotteaux made up his mind at once.

"Come with me, my child," he ordered, and led the way home, with her hanging on his arm.

On his arrival, he found the Pere Longuemare in the garret reading his breviary.

Holding Athenais by the hand, he drew the other's attention to her:

"Father," he said, "here is a girl from the Rue Fromenteau who has been shouting: 'Vive le roi!' The revolutionary police are on her track. She has nowhere to lay head. Will you allow the girl to pass the night here?"

The Pere Longuemare closed his breviary.

"If I understand you right," he said, "you ask me, sir, if this young girl, who is like myself subject to be molested under a warrant of arrest, may be suffered, for her temporal salvation, to spend the night in the same room as I?"

"Yes, Father."

"By what right should I object? and why must I suppose myself affronted by her presence? am I so sure that I am any better than she?"

He established himself for the night in an old broken-down armchair, declaring he should sleep excellently in it. Athenais lay on the mattress. Brotteaux stretched himself on the palliasse and blew out the candle.

The hours and half-hours sounded one after the other from the church towers, but the old man could not sleep; he lay awake listening to the mingled breathing of the man of religion and the girl of pleasure. The moon rose, symbol and witness of his old-time loves, and threw a silvery ray into the attic, illuminating the fair hair and golden lashes, the delicate nose and round, red mouth of Athenais, who lay sound asleep.

"Truly," he thought to himself, "a terrible enemy for the Republic!"

When Athenais awoke, the day was breaking. The Monk had disappeared. Brotteaux was reading Lucretius under the skylight, learning from the maxims of the Latin poet to live without fears and without desires; but for all this he felt himself at the moment devoured with regrets and disquietudes.

Opening her eyes, Athenais was dumfounded to see the roof beams of a garret above her head. Then she remembered, smiled at her preserver and extended towards him with a caressing gesture her pretty little dirty hands.

Rising on her elbow, she pointed to the dilapidated armchair in which the Monk had passed the night.

"He is not there?... He has not gone to denounce me, has he?"

"No, no, my child. You could not find a more honest soul than that old madman."

Athenais asked in what the old fellow's madness consisted; and when Brotteaux informed her it was religion, she gravely reproached him for speaking so, declaring that men without faith were worse than the beasts that perish and that for her part she often prayed to God, hoping He would forgive her her sins and receive her in His blessed mercy.

Then, noticing that Brotteaux held a book in his hand, she thought it was a book of the Mass and said:

"There you see, you too, you say your prayers! God will reward you for what you have done for me."

Brotteaux having told her that it was not a Mass-book, and that it had been written before ever the Mass had been invented in the world, she opined it was an Interpretation of Dreams, and asked if it did not contain an explanation of an extraordinary dream she had had. She could not read and these were the only two sorts of books she had heard tell of.

Brotteaux informed her that this book was only by way of explaining the dream of life. Finding this a hard saying, the pretty child did not try to understand it and dipped the end of her nose in the earthenware crock that replaced the silver basins Brotteaux had once been accustomed to use. Next, she arranged her hair before her host's shaving-glass with scrupulous care and gravity. Her white arms raised above her head, she let fall an observation from time to time with long intervals between:

"You, you were rich once."

"What makes you think that?"

"I don't know. But you were rich,—and you are an aristocrat, I am certain of it."

She drew from her pocket a little Holy Virgin of silver in a round ivory shrine, a bit of sugar, thread, scissors, a flint and steel, two or three cases for needles and the like, and after selecting what she required, sat down to mend her skirt, which had got torn in several places.

"For your own safety, my child, put this in your cap!" Brotteaux bade her, handing her a tricolour cockade.

"I will do that gladly, sir," she agreed, "but it will be for the love of you and not for love of the Nation."

When she was dressed and had made herself look her best, taking her skirt in both hands, she dropped a curtsey as she had been taught to do in her village, and addressing Brotteaux:

"Sir," she said, "I am your very humble servant."

She was prepared to oblige her benefactor in all ways he might wish, but she thought it more becoming that he asked for no favour and she offered none; it seemed to her a pretty way to part so, and what good manners required.

Brotteaux slipped a few assignats into her hand to pay her coach-hire to Palaiseau. It was the half of his fortune, and, albeit he was notorious for his lavishness towards women, it was the first time he had ever made so equal a partition of his goods with any of the sex.

She asked him his name.

"I am called Maurice."

It was with reluctance he opened the garret door for her:

"Good-bye, Athenais."

She kissed him. "Monsieur Maurice," she said, "when you think of me, if ever you do, call me Marthe; that is the name I was christened, the name they called me by in the village.... Good-bye and thank you.... Your very humble servant, Monsieur Maurice."



XV

The prisons were full to bursting and must be emptied; the work of judging, judging, must go on without truce or respite. Seated against the tapestried walls with their fasces and red caps of liberty, like their fellows of the fleurs-de-lis, the judges preserved the same gravity, the same dreadful calm, as their Royal predecessors. The Public Prosecutor and his Deputies, worn out with fatigue, consumed with the fever of sleeplessness and brandy, could only shake off their exhaustion by a violent effort; their broken health made them tragic figures to look upon. The jurors, divers in character and origin, some educated, others ignorant, craven or generous, gentle or violent, hypocritical or sincere, but all men who, knowing the fatherland and the Republic in danger, suffered or feigned to suffer the same anguish, to burn with the same ardour; all alike primed to atrocities of virtue or of fear, they formed but one living entity, one single head, dull and irritable, one single soul, a beast of the apocalypse that by the mere exercise of its natural functions produced a teeming brood of death. Kind-hearted or cruel by caprice of sensibility, when shaken momentarily by a sudden pang of pity, they would acquit with streaming eyes a prisoner whom an hour before they would have condemned to the guillotine with taunts. The further they proceeded with their task, the more impetuously did they follow the impulses of their heart.

Judge and jury toiled, fevered and half asleep with overwork, distracted by the excitement outside and the orders of the sovereign people, menaced by the threats of the sansculottes and tricoteuses who crowded the galleries and the public enclosure, relying on insane evidence, acting on the denunciations of madmen, in a poisonous atmosphere that stupefied the brain, set ears hammering and temples beating and darkened the eyes with a veil of blood. Vague rumours were current among the public of jurors bought by the gold of the accused. But to these the jury as a body replied with indignant protest and merciless condemnations. In truth they were men neither worse nor better than their fellows. Innocence more often than not is a piece of good fortune rather than a virtue; any other who should have consented to put himself in their place would have acted as they did and accomplished to the best of his commonplace soul these appalling tasks.

Antoinette, so long expected, sat at last in the fatal chair, in a black gown, the centre of such a concentration of hate that only the certainty of what the sentence would be made the court observe the forms of law. To the deadly questions the accused replied sometimes with the instinct of self-preservation, sometimes with her wonted haughtiness, and once, thanks to the hideous suggestion of one of her accusers, with the noble dignity of a mother. The witnesses were confined to outrage and calumny; the defence was frozen with terror. The tribunal, forcing itself to respect the rules of procedure, was only waiting till all formalities were completed to hurl the head of the Austrian in the face of Europe.

Three days after the execution of Marie Antoinette Gamelin was called to the bedside of the citoyen Fortune Trubert, who lay dying, within thirty paces of the Military Bureau where he had worn out his life, on a pallet of sacking, in the cell of some expelled Barnabite father. His livid face was sunk in the pillow. His eyes, which already were almost sightless, turned their glassy pupils upon his visitor; his parched hand grasped Evariste's and pressed it with unexpected vigour. Three times he had vomited blood in two days. He tried to speak; his voice, at first hoarse and feeble as a whisper, grew louder, deeper:

"Wattignies! Wattignies!... Jourdan has forced the enemy into their camp ... raised the blockade at Maubeuge.... We have retaken Marchiennes, ca ira ... ca ira ..." and he smiled.

These were no dreams of a sick man, but a clear vision of the truth that flashed through the brain so soon to be shrouded in eternal darkness. Hereafter the invasion seemed arrested; the Generals were terrorized and saw that the one best thing for them to do was to be victorious. Where voluntary recruiting had failed to produce what was needed, a strong and disciplined army, compulsion was succeeding. One effort more, and the Republic would be saved.

After a half hour of semi-consciousness, Fortune Trubert's face, hollow-cheeked and worn by disease, lit up again and his hands moved.

He lifted his finger and pointed to the only piece of furniture in the room, a little walnut-wood writing-desk. The voice was weak and breathless, but the mind quite unclouded:

"Like Eudamidas," he said, "I bequeath my debts to my friend,—three hundred and twenty livres, of which you will find the account ... in that red book yonder ... good-bye, Gamelin. Never rest; wake and watch over the defence of the Republic. Ca ira."

The shades of night were deepening in the cell. The difficult breathing of the dying man was the only sound, and his hands scratching on the sheet.

At midnight he uttered some disconnected phrases:

"More saltpetre.... See the muskets are delivered. Health? Oh! excellent.... Get down the church-bells...."

He breathed his last at five in the morning.

By order of the Section his body lay in state in the nave of the erstwhile church of the Barnabites, at the foot of the Altar of the Fatherland, on a camp bed, covered with a tricolour flag and the brow wreathed with an oak crown.

Twelve old men clad in the Roman toga, with palms in their hands, twelve young girls wearing long veils and carrying flowers, surrounded the funeral couch. At the dead man's feet stood two children, each holding an inverted torch. One of them Evariste recognized as his concierge's little daughter Josephine, who in her childish gravity and beauty reminded him of those charming genii of Love and Death the Romans used to sculpture on their tombs.

The funeral procession made its way to the Cemetery of Saint-Andre-des-Arts to the strains of the Marseillaise and the Ca-ira.

As he laid the kiss of farewell on Fortune Trubert's brow, Evariste wept. His tears flowed in self-pity, for he envied his friend who was resting there, his task accomplished.

On reaching home, he received notice that he was posted a member of the Council General of the Commune. After standing as candidate for four months, he had been elected unopposed, after several ballots, by some thirty suffrages. No one voted nowadays; the Sections were deserted; rich and poor alike only sought to shirk the performance of public duties. The most momentous events had ceased to rouse either enthusiasm or curiosity; the newspapers were left unread. Out of the seven hundred thousand inhabitants of the capital Evariste doubted if as many as three or four thousand still preserved the old Republican spirit.

The same day the Twenty-one came up for trial. Innocent or guilty of the calamities and crimes of the Republic, vain, incautious, ambitious and impetuous, at once moderate and violent, feeble in their fear as in their clemency, quick to declare war, slow to carry it out, haled before the Tribunal to answer for the example they had given, they were not the less the first and the most brilliant children of the Revolution, whose delight and glory they had been. The judge who will question them with artful bias; the pallid accuser yonder who, where he sits behind his little table, is planning their death and dishonour; the jurors who will presently try to stifle their defence; the public in the galleries which overwhelms them with howls of insult and abuse,—all, judge, jury, people, have applauded their eloquence in other days, extolled their talents and their virtues. But judge, jury, people have short memories now.

Once Evariste had made Vergniaud his god, Brissot his oracle. But he had forgotten; if any vestige of his old wonder still lingered in his memory, it was to think that these monsters had seduced the noblest citizens.

Returning to his lodging after the sitting, Gamelin heard heart-breaking cries as he entered the house. It was little Josephine; her mother was whipping her for playing in the Place with good-for-nothing boys and dirtying the fine white frock she had worn for the obsequies of the citoyen Trubert.



XVI

After three months during which he had made a daily holocaust of victims, illustrious or insignificant, to the fatherland, Evariste had a case that interested him personally; there was one prisoner he made it his special business to track down to death.

Ever since he had sat on the juror's bench, he had been eagerly watching, among the crowd of culprits who appeared before him, for Elodie's seducer; of this man he had elaborated in his busy fancy a portrait, some details of which were accurate. He pictured him as young, handsome, haughty, and felt convinced he had fled to England. He thought he had discovered him in a young emigre named Maubel, who, having come back to France and been denounced by his host, had been arrested in an inn at Passy; Fouquier-Tinville was in charge of the prosecution,—among a thousand others. Letters had been found on him which the accusation regarded as proofs of a plot concocted between Maubel and the agents of Pitt, but which were in fact only letters written to the emigre by a banking-house in London which he had entrusted with certain funds. Maubel, who was young and good-looking, seemed to be mainly occupied in affairs of gallantry. His pocket-book afforded a clue to some correspondence with Spain, then at war with France; but these communications were really of a purely private nature, and if the court of preliminary enquiry did not ignore the bill, it was only in virtue of the maxim that justice should never be in too great a hurry to release a prisoner.

Gamelin was handed a report of Maubel's first semi-private examination and he was struck by what it revealed of the young man's character, which he took to agree with what he believed to be that of Elodie's betrayer. Thereafter he spent long hours in the private room of the Clerk of the Court, poring eagerly over the papers relating to this case. His suspicion received a remarkable confirmation on his discovering in a note-book belonging to the emigre, but long out of date, the address of the Amour peintre, in company, it is true, with those of the Green Monkey, the Dauphin's Head, and several more print and picture shops. But when he was informed that in this same note-book had been found three or four petals of a red carnation carefully wrapped in a piece of silk paper, remembering how the red carnation was Elodie's favourite flower, the one she cultivated on her window-sill, wore in her hair and used to give (he had reason to know) as a love-token, Evariste's last doubts vanished. Being now convinced he knew the facts, he resolved to question Elodie, though without letting her know the circumstances that had led him to discover the culprit.

As he was climbing the stairs to his lodgings, he perceived even on the lower landings a stifling smell of fruit, and on reaching the studio, found Elodie helping the citoyenne Gamelin to make quince preserve. While the old housewife was kindling the stove and turning over in her mind ways of saving the fuel and moist sugar without prejudicing the quality of the preserves, the citoyenne Blaise, seated in a straw-bottomed chair, with an apron of brown holland and her lap full of the golden fruit, was peeling the quinces, quartering and throwing them into a shallow copper basin. The strings of her coif were thrown back over her shoulders, the meshes of her black hair coiled above her moist forehead; from her whole person breathed a domestic charm and an intimate grace that induced gentle thoughts and voluptuous dreams of tranquil pleasures.

Without stirring from her seat, she lifted her beautiful eyes, that gleamed like molten gold, to her lover's face, and said:

"See, Evariste, we are working for you. We mean you to have a store of delicious quince jelly to last you the winter; it will settle your stomach and make your heart merry."

But Gamelin, stepping nearer, uttered a name in her ear:

"Jacques Maubel...."

At that moment Combalot the cobbler showed his red nose at the half-open door. He had brought, along with some pairs of shoes he had re-heeled, the bill for the repairs.

For fear of being taken for a bad citizen, he made a point of using the new calendar. The citoyenne Gamelin, who liked to see clearly what was what in her accounts, was all astray among the Fructidors and Vendemiaires. She heaved a sigh.

"Jesus!" she complained, "they want to alter everything,—days, months, seasons of the year, the sun and the moon! Lord God, Monsieur Combalot, what ever is this pair of over-shoes down for the 8 Vendemiaire?"

"Citoyenne, just cast your eye over your almanac, and you'll get the hang of it."

She took it down from the wall, glanced at it and immediately turning her head another way.

"It hasn't a Christian look!" she cried in a shocked tone.

"Not only that, citoyenne," said the cobbler, "but now we have only three Sundays in the month instead of four. And that's not all; we shall soon have to change our ways of reckoning. There will be no more farthings and half-farthings, everything will be regulated by distilled water."

At the words the citoyenne Gamelin, whose lips were trembling, threw up her eyes to the ceiling and sighed out:

"They are going too far!"

And, while she was lost in lamentations, looking like the holy women in a wayside calvary, a bad coal that had caught alight in the fire when her attention was diverted, began to fill the studio with a poisonous smother which, added to the stifling smell of quinces, was like to make the air unbreathable.

Elodie complained that her throat was tickling her and begged to have the window opened. But, directly the citoyen Combalot had taken his leave and the citoyenne Gamelin had gone back to her stove, Evariste repeated the same name in the girl's ear:

"Jacques Maubel," he reiterated.

She looked up at him in some surprise, and very quietly, still going on cutting a quince in quarters:

"Well!... Jacques Maubel...?"

"He is the man."

"The man! what man?"

"You once gave him a red carnation."

She declared she did not understand and asked him to explain himself.

"That aristocrat! that emigre! that scoundrel!"

She shrugged her shoulders, and denied with the most natural air that she had never known a Jacques Maubel.

It was true; she had never known anyone of the name.

She denied she had ever given red carnations to anybody but Evariste; but perhaps, on this point, her memory was not very good.

He had little experience of women and was far from having fully fathomed Elodie's character; still, he deemed her quite capable of cajoling and deceiving a cleverer man than himself.

"Why deny?" he asked. "I know all."

Again she asseverated she had never known anybody called Maubel. And, having done peeling the quinces, she asked for a basin of water, because her fingers were sticky. This Gamelin brought her, and, as she washed her hands, she repeated her denials.

Again he repeated that he knew, and this time she made no reply.

She did not guess the object of her lover's question and she was a thousand miles from suspecting that this Maubel, whom she had never heard spoken of before, was to appear before the Revolutionary Tribunal; she could make nothing of the suspicions with which she was assailed, but she knew them to be unfounded. For this reason, having very little hope of dissipating them, she had very little wish to do so either. She ceased to deny having known Maubel, preferring to leave her jealous lover to go astray on a false trail, when from one moment to the next, the smallest incident might start him on the right road. Her little lawyer's clerk of former days, now grown into a patriot dragoon and lady-killer, had quarrelled by now with his aristocratic mistress. Whenever he met Elodie in the street, he would gaze at her with a glance that seemed to say:

"Come, my beauty! I feel sure I am going to forgive you for having betrayed you, and I am really quite ready to take you back into favour." She made no further attempt therefore to cure what she called her lover's crotchets, and Gamelin remained firm in the conviction that Jacques Maubel was Elodie's seducer.

* * * * *

Through the days that ensued the Tribunal devoted its undivided attention to the task of crushing Federalism, which, like a hydra, had threatened to devour Liberty. They were busy days; and the jurors, worn out with fatigue, despatched with the utmost possible expedition the case of the woman Roland, instigator and accomplice of the crimes of the Brissotin faction.

Meantime Gamelin spent every morning at the Courts to press on Maubel's trial. Some important pieces of evidence were to be found at Bordeaux; he insisted on a Commissioner being sent to ride post to fetch them. They arrived at last. The deputy of the Public Prosecutor read them, pulled a face and told Evariste:

"It is not good for much, your new evidence! there is nothing in it! mere fiddle-faddle.... If only it was certain that this ci-devant Comte de Maubel ever really emigrated...!"

In the end Gamelin succeeded. Young Maubel was served with his act of accusation and brought before the Revolutionary Tribunal on the 19 Brumaire.

From the first opening of the sitting the President showed the gloomy and dreadful face he took care to assume for the hearing of cases where the evidence was weak. The Deputy Prosecutor stroked his chin with the feather of his pen and affected the serenity of a conscience at ease. The Clerk read the act of accusation; it was the hollowest sham the Court had ever heard so far.

The President asked the accused if he had not been aware of the laws passed against the emigres.

"I was aware of them and I observed them," answered Maubel, "and I left France provided with passports in proper form."

As to the reasons for his journey to England and his return to France he had satisfactory explanations to offer. His face was pleasant, with a look of frankness and confidence that was agreeable. The women in the galleries looked at the young man with a favourable eye. The prosecution maintained that he had made a stay in Spain at the time that Nation was at war with France; he averred he had never left Bayonne at that period. One point alone remained obscure. Among the papers he had thrown in the fire at the time of his arrest, and of which only fragments had been found, some words in Spanish had been deciphered and the name of "Nieves."

On this subject Jacques Maubel refused to give the explanations demanded; and, when the President told him that it was in the accused's own interest to clear up the point, he answered that a man ought not always to do what his own interest requires.

Gamelin only thought of convicting Maubel of a crime; three times over he pressed the President to ask the accused if he could explain about the carnation the dried petals of which he hoarded so carefully in his pocket-book.

Maubel replied that he did not consider himself obliged to answer a question that had no concern with the case at law, as no letter had been found concealed in the flower.

The jury retired to the hall of deliberations, favourably impressed towards the young man whose mysterious conduct appeared chiefly connected with a lover's secrets. This time the good patriots, the purest of the pure themselves, would gladly have voted for acquittal. One of them, a ci-devant noble, who had given pledges to the Revolution, said:

"Is it his birth they bring up against him? I, too, I have had the misfortune to be born in the aristocracy."

"Yes, but you have left them," retorted Gamelin, "and he has not."

And he spoke with such vehemence against this conspirator, this emissary of Pitt, this accomplice of Coburg, who had climbed the mountains and sailed the seas to stir up enemies to Liberty, he demanded the traitor's condemnation in such burning words, that he awoke the never-resting suspicions, the old stern temper of the patriot jury.

One of them told him cynically:

"There are services that cannot well be refused between colleagues."

The verdict of death was recorded by a majority of one.

The condemned man heard his sentence with a quiet smile. His eyes, which had been gazing unconcernedly about the hall, as they fell on Gamelin's face, took on an expression of unspeakable contempt.

No one applauded the decision of the court.

Jacques Maubel was taken back to the Conciergerie; here he wrote a letter while he waited the hour of execution, which was to take place the same evening, by torchlight:

_My dear sister,—The tribunal sends me to the scaffold, affording me the only joy I have been able to appreciate since the death of my adored Nieves. They have taken from me the only relic I had left of her, a pomegranate flower, which they called, I cannot tell why, a carnation.

I loved the arts; at Paris, in happier times, I made a collection of paintings and engravings, which are now in a sure place, and which will be delivered to you so soon as this is possible. I pray you, dear sister, to keep them in memory of me._

He cut a lock of his hair, enclosed it in the letter, which he folded and wrote outside:

_To the citoyenne Clemence Dezeimeries, nee Maubel,

La Reole._

He gave all the silver he had on him to the turnkey, begging him to forward this letter to its destination, asked for a bottle of wine, which he drank in little sips while waiting for the cart....

After supper Gamelin ran to the Amour Peintre and burst into the blue chamber where every night Elodie was waiting for him.

"You are avenged," he told her. "Jacques Maubel is no more. The cart that took him to his death has just passed beneath your window, escorted by torch-bearers."

She understood:

"Wretch! it is you have killed him, and he was not my lover. I did not know him.... I have never seen him.... What was this man? He was young, amiable ... innocent. And you have killed him, wretch! wretch!"

She fell in a faint. But, amid the shadows of this momentary death, she felt herself overborne by a flood at once of horror and voluptuous ecstasy. She half revived; her heavy lids lifted to show the whites of the eyes, her bosom swelled, her hands beat the air, seeking for her lover. She pressed him to her in a strangling embrace, drove her nails into the flesh, and gave him with her bleeding lips, without a word, without a sound, the longest, the most agonized, the most delicious of kisses.

She loved him with all her flesh, and the more terrible, cruel, atrocious she thought him, the more she saw him reeking with the blood of his victims, the more consuming was her hunger and thirst for him.



XVII

The 24 Frimaire, at ten in the forenoon, under a clear bright sun that was melting the ice formed in the night, the citoyens Guenot and Delourmel, delegates of the Committee of General Security, proceeded to the Barnabites and asked to be conducted to the Committee of Surveillance of the Section, in the Capitular hall, whose only occupant for the moment was the citoyen Beauvisage, who was piling logs on the fire. But they did not see him just at first because of his short, thickset stature.

In a hunchback's cracked voice the citoyen Beauvisage begged the delegates to seat themselves and put himself entirely at their service.

Guenot then asked him if he knew a ci-devant Monsieur des Ilettes, residing near the Pont-Neuf.

"It is an individual," he added, "whose arrest I am instructed to effect,"—and he exhibited the order from the Committee of General Security.

Beauvisage, after racking his memory for a while, replied that he knew no individual of that name, that the suspect in question might not be an inhabitant of his Section, certain portions of the Sections du Museum, de l'Unite, de Marat-et-Marseille being likewise in the near neighbourhood of the Pont-Neuf; that, if he did live in the Section, it must be under another name than that borne on the Committee's order; that, nevertheless, it would not be long before they laid hands on him.

"Let's lose no time," urged Guenot. "Our vigilance was aroused in this case by a letter from one of the man's accomplices that was intercepted and put into the hands of the Committee a fortnight ago, but which the citoyen Lacroix took action upon only yesterday evening. We are overdone with business; denunciations flow in from every quarter in such abundance one does not know which to attend to."

"Denunciations," replied Beauvisage proudly, "are coming in freely, too, to the Committee of Vigilance of our Section. Some make these revelations out of patriotism, others lured by the bait of a bank-bill for a hundred sols. Many children denounce their parents, whose property they covet."

"This letter," resumed Guenot, "emanates from a ci-devant called Rochemaure, a woman of gallantry, at whose house they played biribi, and is addressed to one citoyen Rauline; but is really for an emigre in the service of Pitt. I have brought it with me to communicate to you the portion relating to this man des Ilettes."

He drew the letter from his pocket.

"It begins with copious details as to those members of the Convention who might, according to the woman's tale, be gained over by the offer of a sum of money or the promise of a well-paid post under a new Government, more stable than the present. Then comes the following passage:

_"I have just returned from a visit to Monsieur des Ilettes, who lives near the Pont-Neuf in a garret where you must be either a cat or an imp to get at him; he is reduced to earning a living by making punch-and-judies. He is a man of judgment, for which reason I report to you, sir, the main gist of his conversation. He does not believe that the existing state of things will last long. Nor does he foresee its being ended by the victory of the coalition, and events appear to justify his opinion; for, as you are aware, sir, for some time past tidings from the front have been bad. He would rather seem to believe in the revolt of the poor and the women of the humbler classes, who remain still deeply attached to their religion. He holds that the widespread alarm caused by the Revolutionary Tribunal will soon reunite all France against the Jacobins. 'This tribunal,' he said, in his joking way, 'which sentences the Queen of France and a bread-hawker, is like that William Shakespeare the English admire so much, etc....' He thinks it not impossible that Robespierre may marry Madame Royale and have himself named Protector of the Kingdom.

"I should be grateful to you, sir, if you would transmit me the amount owing to me, that is to say one thousand pounds sterling, by the channel you are in the habit of using; but whatever you do, do not write to Monsieur Morhardt; he has lately been arrested, thrown into prison, etc., etc...."_

"This worthy des Ilettes makes dancing-dolls, it appears," observed Beauvisage, "that is a valuable clue ... though certainly there are many petty trades of the sort carried on in the Section."

"That reminds me," said Delourmel, "I promised to bring home a doll for my little girl Nathalie, my youngest, who is ill with scarlatina. The fever is not a dangerous one, but it demands careful nursing, and Nathalie, a very forward child for her age, and with a very active brain, has but delicate health."

"I," remarked Guenot, "I have only a boy. He plays hoop with barrel-hoops and makes little montgolfier balloons by inflating paper bags."

"Very often," Beauvisage put in his word, "it is with articles that are not toys at all that children like best to play. My nephew Emile, a little chap of seven, a very intelligent child, amuses himself all day long with little wooden bricks with which he builds houses.... Do you snuff, citoyens?"—and Beauvisage held out his open snuff-box to the two delegates.

"Now we must set about nabbing our rascal," said Delourmel, who had long moustaches and great eyes that rolled in his head. "I feel quite in the mood this morning for a dish of aristocrat's lights and liver, washed down with a glass of white wine."

Beauvisage suggested to the delegates going to the Place Dauphine to see if his colleague Dupont senior was at his shop there; he would be sure to know this man, des Ilettes.

So they set off in the keen morning air, accompanied by four grenadiers of the Section.

"Have you seen 'The Last Judgment of Kings' played?" Delourmel asked his companions; "the piece is worth seeing. The author shows you all the Kings of Europe on a desert island where they have taken refuge, at the foot of a volcano which swallows them up. It is a patriotic work."

At the corner of the Rue du Harlay Delourmel's eye was caught by a little cart, as brilliantly painted as a reliquary, which an old woman was pushing, wearing over her coif a hat of waxed cloth.

"What is that old woman selling?" he asked.

The old dame answered for herself:

"Look, gentlemen, make your choice. I have beads and rosaries, crosses, St. Anthonys, holy cerecloths, St. Veronica handkerchiefs, Ecce homos, Agnus Deis, hunting-horns and rings of St. Hubert, and articles of devotion of every sort and kind."

"Why, it is the very arsenal of fanaticism!" cried Delourmel in horror,—and he proceeded to a summary examination of the poor woman, who made the same answer to every question:

"My son, it's forty years I have been selling articles of devotion."

Another Delegate of the Committee of General Security, noticing a blue-coated National Guard passing, directed him to convey the astonished old woman to the Conciergerie.

The citoyen Beauvisage pointed out to Delourmel that it would have been more in the competence of the Committee of Surveillance to arrest the woman and bring her before the Section; that in any case, one never knew nowadays what attitude to take up towards the old religion so as to act up to the views of the Government, and whether it was best to allow everything or forbid everything.

On nearing the joiner's shop, the delegates and the commissary could hear angry shouts mingling with the hissing of the saw and the grinding of the plane. A quarrel had broken out between the joiner, Dupont senior, and his neighbour Remacle, the porter, because of the citoyenne Remacle, whom an irresistible attraction was for ever drawing into the recesses of the workshop, whence she would return to the porter's lodge all covered with shavings and saw-dust. The injured porter bestowed a kick on Mouton, the carpenter's dog, which at that very moment his own little daughter Josephine was nursing lovingly in her arms. Josephine was furious and burst into a torrent of imprecations against her father, while the carpenter shouted in a voice of exasperation:

"Wretch! I tell you you shall not beat my dog."

"And I," retorted the porter brandishing his broom, "I tell you you shall not...."

He did not finish the sentence; the joiner's plane had hurtled close past his head.

The instant he caught sight of the citoyen Beauvisage and the attendant delegates, he rushed up to him and cried:

"Citoyen Commissary you are my witness, this villain has just tried to murder me."

The citoyen Beauvisage, in his red cap, the badge of his office, put out his long arms in the attitude of a peacemaker, and addressing the porter and the joiner:

"A hundred sols," he announced, "to whichever of you will inform us where to find a suspect, wanted by the Committee of General Security, a ci-devant named des Ilettes, a maker of dancing-dolls."

With one accord porter and carpenter designated Brotteaux's lodging, the only quarrel now between them being who should have the assignat for a hundred sols promised the informer.

Delourmel, Guenot, and Beauvisage, followed by the four grenadiers, Remacle the porter, Dupont the carpenter, and a dozen little scamps of the neighbourhood filed up the stairs which shook under their tread, and finally mounted the ladder to the attics.

Brotteaux was in his garret busy cutting out his dancing figures, while the Pere Longuemare sat facing him, stringing their scattered limbs on threads, smiling to himself to see rhythm and harmony thus growing under his fingers.

At the sound of muskets being grounded on the landing, the monk trembled in every limb, not that he was a whit less courageous than Brotteaux, who never moved a muscle, but the habit of respect for human conventions had never disciplined him to assume an attitude of self-composure. Brotteaux gathered from the citoyen Delourmel's questions the quarter from which the blow had come and saw too late how unwise it is to confide in women. He obeyed the citoyen Commissary's order to go with him, first picking up his Lucretius and his three shirts.

"The citoyen," he said, pointing to the Pere Longuemare, "is an assistant I have taken to help me make my marionettes. His home is here."

But the monk failing to produce a certificate of citizenship, was put under arrest along with Brotteaux.

As the procession filed past the porter's door, the citoyenne Remacle, leaning on her broom, looked at her lodger with the eyes of virtue beholding crime in the clutches of the law. Little Josephine, dainty and disdainful, held back Mouton by his collar when the dog tried to fawn on the friend who had often given him a lump of sugar. A gaping crowd filled the Place de Thionville.

At the foot of the stairs Brotteaux came face to face with a young peasant woman who was on the point of going up. She carried a basket on her arm full of eggs and in her hand a flat cake wrapped in a napkin. It was Athenais, who had come from Palaiseau to present her saviour with a token of her gratitude. When she observed a posse of magistrates and four grenadiers and "Monsieur Maurice" being led away a prisoner, she stopped in consternation and asked if it was really true; then she stepped up to the Commissary and said in a gentle voice:

"You are not taking him to prison? it can't be possible.... Why! you don't know him! God himself is not better or kinder."

The citoyen Delourmel pushed her away and beckoned to the grenadiers to come forward. Then Athenais let loose a torrent of the foulest abuse, the filthiest and most abominable invective, at the magistrates and soldiers, who thought that all the rinsings of the Palais-Royal and the Rue Fromenteau were being emptied over their devoted heads. After which, in a voice that filled the whole Place de Thionville and sent a shudder through the throng of curious onlookers:

"Vive le roi! Vive le roi!" she yelled.



XVIII

The citoyenne Gamelin was devoted to old Brotteaux, and taking him altogether, thought him the best and greatest man she had ever known. She had not bidden him good-bye when he was arrested, because she would not have dared to defy the powers that be and because in her lowly estate she looked upon cowardice as a duty. But she had received a blow she could not recover from.

She could not eat and lamented she had lost her appetite just when she had at last the means to satisfy it. She still admired her son; but she durst not let her mind dwell on the appalling duties he was engaged upon and congratulated herself she was only an ignorant woman who had no call to judge his conduct.

The poor mother had found a rosary at the bottom of a trunk; she hardly knew how to use it, but often fumbled the beads in her trembling fingers. She had lived to grow old without any overt exercise of her religion, but she had always been a pious woman, and she would pray to God all day long, in the chimney corner, to save her boy and that good, kind Monsieur Brotteaux. Elodie often came to see her; they durst not look each other in the eyes, and sitting side by side they would talk at random of indifferent matters.

One day in Pluviose, when the snow, falling in heavy flakes, darkened the sky and deadened the noises of the city, the citoyenne Gamelin, who was alone in the lodging heard a knock at the door. She started violently; for months now the slightest noise had set her trembling. She opened the door. A young man of eighteen or twenty walked in, his hat on his head. He was dressed in a bottle-green box-coat, the triple collar of which covered his bust and descended to the waist. He wore top-boots of an English cut. His chestnut hair fell in ringlets about his shoulders. He stepped into the middle of the studio, as if wishful that all the light admitted by the snow-encumbered skylight might fall on him, and stood there some moments without moving or speaking.

At last, in answer to the citoyenne Gamelin's look of amazement:

"Don't you know your daughter?"

The old dame clasped her hands:

"Julie!... It is you.... Good God! is it possible?..."

"Why, yes, it is I. Kiss me, mother."

The citoyenne Gamelin pressed her daughter to her bosom, and dropped a tear on the collar of the box-coat. Then she began again in an anxious voice:

"You, in Paris!..."

"Ah! mother, but why did I not come alone! For myself, they will never know me in this dress."

It was a fact the box-coat sufficiently disguised her shape, and she did not look very different from a great many very young men, who, like her, wore their hair long and parted in two masses on the forehead. Her features, which were delicately cut and charming, but burnt by the sun, drawn with fatigue, worn with anxiety, had a bold, masculine expression. She was slim, with long straight limbs and an easy carriage; only the clear treble of her voice could have betrayed her sex.

Her mother asked her if she was hungry. She said she would be glad of something to eat, and when bread, wine and ham had been set before her, she fell to, one elbow on the table, with a pretty gluttony, like Ceres in the hut of the old woman Baubo.

Then, the glass still at her lips:

"Mother," she asked, "do you know when my brother will be back? I have come to speak to him."

The good woman looked at her daughter in embarrassment and said nothing.

"I must see him. My husband was arrested this morning and taken to the Luxembourg."

By this name of "husband" she designated Fortune de Chassagne, a ci-devant noble and officer in Bouille's regiment. He had first loved her when she was a work-girl at a milliner's in the Rue des Lombards, and had carried her away with him to England, whither he had fled after the 10th August. He was her lover; but she thought it more becoming to speak of him as her husband before her mother. Indeed, she told herself that the hardships they had shared had surely united them in a wedlock consecrated by suffering.

More than once they had spent the night side by side on a bench in one of the London parks and gathered up scraps of broken bread under the table in the taverns in Piccadilly.

Her mother could find no answer and gazed at her mournfully.

"Don't you hear what I say, mother? Time presses, I must see Evariste at once; he, and he only, can save Fortune's life."

"Julie," answered her mother at last, "it is better you should not speak to your brother."

"Why, what do you mean, mother?"

"I mean what I say, it is better you do not speak to your brother about Monsieur de Chassagne."

"But, mother, I must!"

"My child, Evariste can never forgive Monsieur de Chassagne for his treatment of you. You know how angrily he used to speak of him, what names he called him."

"Yes, he called him seducer," said Julie with a little hissing laugh, shrugging her shoulders.

"My child, it was a mortal blow to his pride. Evariste has vowed never again to mention Monsieur de Chassagne's name, and for two years now he has not breathed one word of him or of you. But his feelings have not altered; you know him, he can never forgive you."

"But, mother, as Fortune has married me ... in London...."

The poor mother threw up her eyes and hands:

"Fortune is an aristocrat, an emigre, and that is cause enough to make Evariste treat him as an enemy."

"Mother, give me a direct answer. Do you mean that if I ask him to go to the Public Prosecutor and the Committee of General Security and take the necessary steps to save Fortune's life, do you mean that he will not consent?... But, mother, he would be a monster if he refused!"

"My child, your brother is an honest man and a good son. But do not ask him, oh! do not ask him to intercede for Monsieur de Chassagne.... Listen to me, Julie. He does not confide his thoughts to me and, no doubt, I should not be competent to understand them ... but he is a juror; he has principles; he acts as his conscience dictates. Do not ask him anything, Julie."

"Ah! I see you know him now. You know that he is cold, callous, that he is a bad man, that ambition and vainglory are his only guides. And you always loved him better than me. When we lived together, all three of us, you set him up as my pattern to copy. His staid demeanour and grave speech impressed you; you thought he possessed all the virtues. And me, me you always blamed, you gave me all the vices, because I was frank and free, and because I climbed trees. You could never endure me. You loved nobody but him. There, I hate him, your model Evariste; he is a hypocrite."

"Hush, Julie! I have been a good mother to you as well as to him. I had you taught a trade. It has been no fault of mine that you are not an honest woman and did not marry in your station. I loved you tenderly and I love you still. I forgive you and I love you. But do not speak ill of Evariste. He is a good son. He has always taken care of me. When you left me, my child, when you abandoned your trade and forsook your shop, to go and live with Monsieur de Chassagne, what would have become of me without him? I should have died of hunger and wretchedness."

"Do not talk so, mother; you know very well we would have cherished you with all affection, Fortune and I, if you had not turned your face from us, at Evariste's instigation. Never tell me! he is incapable of a kindly action. It was to make me odious in your eyes that he made a pretence of caring for you. He! love you?... Is he capable of loving anyone? He has neither heart nor head. He has no talent, not a scrap. To paint, a man must have a softer, tenderer nature than his."

She threw a glance round the canvases in the studio, which she found to be no better and no worse than when she left her home.

"There you see his soul! he has put it in his pictures, cold and sombre as it is. His Orestes, his Orestes with the dull eye and cruel mouth, and looking as if he had been impaled, is himself all over.... But, mother, cannot you understand at all? I cannot leave Fortune in prison. You know these Jacobins, these patriots, all Evariste's crew. They will kill him. Mother, little mother, darling mother, I cannot have them kill him. I love him! I love him! He has been so good to me, and we have been so unhappy together. Look, this box-coat is one of his coats. I had never a shift left. A friend of Fortune's lent me a jacket and I got a post with an eating-house keeper at Dover, while he worked at a barber's. We knew quite well that to return to France was to risk our lives; but we were asked if we would go to Paris to carry out an important mission.... We agreed,—we would have accepted a mission to hell! Our travelling expenses were paid and we were given a letter of exchange on a Paris banker. We found the offices closed; the banker is in prison and going to be guillotined. We had not a brass farthing. All the individuals with whom we were in correspondence and to whom we could appeal are fled or imprisoned. Not a door to knock at. We slept in a stable in the Rue de la Femme-sans-tete. A charitable bootblack, who slept on the same straw with us there, lent my lover one of his boxes, a brush and a pot of blacking three quarters empty. For a fortnight Fortune made his living and mine by blacking shoes in the Place de Greve.

"But on Monday a Member of the Commune put his foot on the box to have his boots polished. He had been a butcher once, a man Fortune had before now given a kick behind to for selling meat of short weight. When Fortune raised his head to ask for his two sous, the rascal recognized him, called him aristocrat, and threatened to have him arrested. A crowd collected, made up of honest folks and a few blackguards, who began to shout "Death to the emigre!" and called for the gendarmes. At that moment I came up with Fortune's bowl of soup. I saw him taken off to the Section and shut up in the church of Saint-Jean. I tried to kiss him, but they hustled me away. I spent the night like a dog on the church steps.... They took him away this morning...."

Julie could not finish, her sobs choked her.

She threw her hat on the floor and fell on her knees at her mother's feet.

"They took him away this morning to the Luxembourg prison. Mother, mother, help me to save him; have pity on your child!"

Drowned in her tears, she threw open her box-coat and, the better to prove herself a woman and a wife, bared her bosom; seizing her mother's hands, she held them close over her throbbing breasts.

"My darling, my daughter, Julie, my Julie!" sobbed the widow Gamelin,—and pressed her streaming cheeks to the girl's.

For some moments they clung together without a word. The poor mother was racking her brains for some way of helping her daughter, and Julie was watching the kind look in those tearful eyes.

"Perhaps," thought Evariste's mother, "perhaps, if I speak to him, he will be melted. He is good, he is tender-hearted. If politics had not hardened him, if he had not been influenced by the Jacobins, he would never have had these cruel feelings, that terrify me because I cannot understand them."

She took Julie's head in her two hands:

"Listen, my child. I will speak to Evariste. I will sound him, get him to see you and hear your story. The sight of you might anger him; his first impulse might be to turn against you.... And then, I know him; this costume would offend him; he is uncompromising in everything that touches morals, that shocks the proprieties. I was a bit startled to see my Julie dressed as a man."

"Oh! mother, the emigration and the fearful disorders of the kingdom have made these disguises quite a common thing. They are adopted in order to follow a trade, to escape recognition, to get a borrowed passport or a certificate approved. In London I saw young Girey dressed as a girl,—and he made a very pretty girl; you must own, mother, that is a more scandalous disguise than mine."

"My poor child, you have no need to justify yourself in my eyes, whether in this or any other thing. I am your mother; for me you will always be blameless. I will speak to Evariste, I will say...."

She broke off. She knew what her son was; she felt it in her heart, but she would not believe it, she would not know it.

"He is kind-hearted. He will do it for my sake ... for your sake, he will do what I ask him."

The two women, weary to the death, fell silent. Julie sank asleep, her head pillowed on the knees where she had rested as a child, while the mother, the rosary between her hands, wept, like another mater dolorosa, over the calamities she felt drawing stealthily nearer and nearer in the silence of this day of snow when everything was hushed, footsteps and carriage wheels and the very heaven itself.

Suddenly, with a keenness of hearing sharpened by anxiety, she caught the sound of her son's steps on the stairs.

"Evariste!" she cried. "Hide"—and she hurried the girl into the bedroom.

"How are you to-day, mother dear?"

Evariste hung up his hat on its peg, changed his blue coat for a working jacket and sat down before his easel. For some days he had been working at a sketch in charcoal of a Victory laying a wreath on the brow of a dead soldier, who had died for the fatherland. Once the subject would have called out all his enthusiasm, but the Tribunal consumed all his days and absorbed his whole soul, while his hand had lost its knack from disuse and had grown heavy and inert.

He hummed over the Ca ira.

"I hear you singing," said the citoyenne Gamelin; "you are light-hearted, Evariste?"

"We have reason to be glad, mother; there is good news. La Vendee is crushed, the Austrians beaten, the Army of the Rhine has forced the lines of Lautern and of Wissembourg. The day is at hand when the Republic triumphant will show her clemency. Why must the conspirators' audacity increase the mightier the Republic waxes in strength, and traitors plot to strike the fatherland a blow in the dark at the very moment her lightnings overwhelm the enemies that assail her openly?"

The citoyenne Gamelin, as she sat knitting a stocking, was watching her son's face over her spectacles.

"Berzelius, your old model, has been to ask for the ten livres you owed him; I paid him. Little Josephine has had a belly-ache from eating too much of the preserves the carpenter gave her. So I made her a drop of herb tea.... Desmahis has been to see you; he was sorry he did not find you in. He wanted to engrave a design by you. He thinks you have great talent. He is a fine fellow; he looked at your sketches and admired them."

"When peace is re-established and conspiracy suppressed," said the painter, "I shall begin on my Orestes again. It is not my way to flatter myself; but that head is worthy of David's brush."

He outlined with a majestic sweep the arm of his Victory.

"She holds out palms," he said. "But it would be finer if her arms themselves were palms."

"Evariste!"

"Mother?"

"I have had news ... guess, of whom...."

"I do not know."

"Of Julie ... of your sister.... She is not happy."

"It would be a scandal if she were."

"Do not speak so, my son, she is your sister. Julie is not a bad woman; she had a good disposition, which misfortune has developed. She loves you. I can assure you, Evariste, that she only desires a hard-working, exemplary life and her fondest wish is to be reconciled to her friends. There is nothing to prevent your seeing her again. She has married Fortune Chassagne."

"She has written to you?"

"No."

"How, then, have you had news of her, mother?"

"It was not by letter, Evariste; it was...."

He sprang up and stopped her with a savage cry:

"Not another word, mother! Do not tell me they have both returned to France.... As they are doomed to perish, at least let it not be at my hands. For their own sake, for yours, for mine, let me not know they are in Paris.... Do not force the knowledge on me; otherwise...."

"What do you mean, my son? you would think, you would dare...?"

"Mother, hear what I say; if I knew my sister Julie to be in that room ..." (and he pointed at the closed door), "I should go instantly to denounce her to the Committee of Vigilance of the Section."

The poor mother, her face as white as her coif, dropped her knitting from her trembling hands and sighed in a voice fainter than the faintest whisper:

"I would not believe it, but I see it now; my boy is a monster...."

As pale as she, the froth gathering on his lips, Evariste fled from the house and ran to find at Elodie's side forgetfulness, sleep, the delicious foretaste of extinction.



XIX

While the Pere Longuemare and the girl Athenais were examined at the Section, Brotteaux was led off between two gendarmes to the Luxembourg, where the door-keeper refused to admit him, declaring he had no room left. The old financier was next taken to the Conciergerie and brought into the Gaoler's office, quite a small room, divided in two by a glazed partition. While the clerk was inscribing his name in the prison registers, Brotteaux could see through the panes two men lying each on a tattered mattress, both as still as death and with glazed eyes that seemed to see nothing. Plates, bottles and bits of broken bread and meat littered the floor round them. They were prisoners condemned to death and waiting for the cart to arrive.

The ci-devant Monsieur des Ilettes was thrust into a dungeon, where by the light of a lantern he could just make out two figures stretched on the ground, one savage-looking and hideously mutilated, the other graceful and pleasing. The two prisoners offered him a share of their straw, and this, rotten and swarming with vermin as it was, was better than having to lie on the earth, which was befouled with excrement. Brotteaux sank down on a bench in the pestiferous darkness and sat there, his head against the wall, speechless and motionless. So intense was his agony of mind he would have dashed out his brains against the stones if he had had the strength. He could not breathe. His eyes swam, and a long-drawn murmur, as soft as silence, filled his ears. He felt his whole being bathed in a delicious semi-consciousness. For one incomparable moment everything was harmony, serenity, light, fragrance, sweetness. Then he ceased to know or feel anything.

When he returned to himself, the first notion that entered his head was to regret his coma and, a philosopher even in the stupor of despair, he reflected how he had had to plunge to the depths of an underground dungeon, there to await execution, to enjoy the most exquisite of all voluptuous sensations he had ever tasted. He tried hard to lose consciousness again, but without success; on the contrary, little by little he felt the poisonous air of the dungeon fill his lungs and bring with it, along with the fever of life, a full consciousness of his intolerable wretchedness.

Meantime his two companions regarded his silence as a cruel personal insult. Brotteaux, who was of a sociable turn, endeavoured to satisfy their curiosity; but when they discovered he was only what they called "a political," one of the mild sort whose crime was only a matter of words and opinions, they lost all respect and sympathy for him. The offences charged against these two prisoners had more grit; the older of the men was a murderer, the other had been manufacturing forged assignats. Both made the best of their situation and even found some alleviations in it. Brotteaux's thoughts suddenly turned to the world above him,—how over his head all was noise and bustle, light and life, while the pretty shopwomen in the Palais de Justice behind their counters, loaded with perfumery and pretty knicknacks, smiled on their customers, happy people free to go where they pleased,—and the picture doubled his despair.

Night fell, unmarked in the darkness and silence of the dungeon, but yet gloomy and oppressive. One leg extended on his bench and his back propped against the wall, Brotteaux fell into a doze. And lo! he saw himself seated at the foot of a leafy beech, in which the birds were singing; the setting sun bathed the river in liquid fire and the clouds were edged with purple. The night wore through. A burning fever consumed him and he greedily drained his pitcher to the dregs, but the fetid water only increased his distress.

Next day the gaoler who brought the food promised Brotteaux, if he could afford the cost, to give him the privileges of a prisoner who pays for his accommodation, so soon as there should be room, and it was not likely to be long first. And so it turned out; two days later he invited the old financier to leave his dungeon. At every step he took upwards, Brotteaux felt life and vigour coming back to him, and when he saw a room with a red-tiled floor and in it a bed of sacking covered with a dingy woollen counterpane, he wept for joy. The gilded bed carved with doves billing and cooing that he had once had made for the prettiest of the dancers at the Opera had not seemed so desirable or promised him such delights.

This bed of sacking was in a large hall, very fairly clean, which held seventeen others like it, separated by high partitions of planks. The company that occupied these quarters, composed of ex-nobles, tradesmen, bankers, working-men, hit the old publican's taste well enough, for he could accommodate himself to persons of all qualities. He noticed that these, cut off like himself from every opportunity of pleasure and foredoomed to perish at the hand of the executioner, were of a very merry humour and showed a marked taste for wit and raillery. His bent was to think lightly of mankind, so he attributed the high spirits of his companions to the frivolity of their minds, which prevented them from looking seriously at their situation. Moreover, he was strengthened in his opinion by observing how the more intelligent among them were profoundly sad. He remarked before long, that, for the most part, wine and brandy supplied the inspiration of a gaiety that betrayed its source by its violent and sometimes almost insane character. They did not all possess courage; but all made a display of it. This caused Brotteaux no surprise; he was well aware how men will readily enough avow cruelty, passion, even avarice, but never cowardice, because such an admission would bring them, among savages and even in civilized society, into mortal danger. That is the reason, he reflected, why all nations are nations of heroes and all armies are made up of brave men only.

More potent, even, than wine and brandy were the rattle of weapons and keys, the clash of locks and bolts, the cry of sentries, the stamping of feet at the door of the Tribunal, to intoxicate the prisoners and fill their minds with melancholy, insanity, or frenzy. Some there were who cut their throat with a razor or threw themselves from a window.

Brotteaux had been living for three days in these privileged quarters when he learned through the turnkey that the Pere Longuemare was languishing on the rotten verminous straw of the common prison with the thieves and murderers. He had him put on paying terms in the same room as himself, where a bed had fallen vacant. Having promised to pay for the monk, the old publican, who had no large sum of money about him, struck out the idea of making portraits at a crown apiece. By the help of a gaoler, he procured a supply of small black frames in which to put pretty little designs in hair which he executed with considerable cleverness. These productions sold well, being highly appreciated among people whose thoughts were set on leaving souvenirs to their friends.

The Pere Longuemare kept a good heart and a high spirit. While waiting his summons to appear before the Revolutionary Tribunal, he was preparing his defence. Drawing no distinction between his own case and that of the Church, he promised himself to expose to his judges the disorders and scandals to which the Spouse of Christ was exposed by the Civil Constitution of the Clergy; he proposed to depict the eldest daughter of the Church waging sacrilegious war upon the Pope, the French clergy robbed, outraged, subjected to the odious domination of laics, the regulars, Christ's true army, despoiled and scattered. He cited St. Gregory the Great and St. Irenaeus, quoted numerous articles of the Canon Law and whole paragraphs from the Decretals.

All day long he sat scribbling on his knees, at the foot of his bed, dipping stumps of pens worn to the feathers in ink, soot, coffee-grounds, covering with illegible writing candle-wrappers, packing-paper, newspapers, playing cards, even thinking of using his shirt for the same purpose after starching it. Leaf by leaf the pile grew; pointing to this mass of undecipherable scrawls, he would say:

"Ah! when I appear before my judges, I will inundate them with light."

Another day, casting a look of satisfaction on his defence, which grew bulkier day by day, and thinking of these magistrates he was burning to confound, he cried:

"I wouldn't like to be in their shoes!"

The prisoners whom fate had brought together in this prison-room were Royalists or Federalists, there was even a Jacobin amongst the rest; they held widely different views as to the right way of conducting the business of the State, but not one of them all preserved the smallest vestige of Christian beliefs. Feuillants, Constitutionals, Girondists, all, like Brotteaux, considered the Christians' God a very bad thing for themselves and an excellent one for the people; as for the Jacobins, they were for installing in the place of Jehovah a Jacobin god, anxious to refer the dispensation of Jacobinism on earth to a higher source. But as they could not conceive, either one or the other, of anybody being so absurd as to believe in any revealed religion, seeing that the Pere Longuemare was no fool, they took him to be a knave. By way, no doubt, of preparing for martyrdom, he made confession of faith at every opportunity, and the more sincerity he displayed, the more like an impostor he seemed.

In vain Brotteaux stood surety for the monk's good faith; Brotteaux himself was reputed to believe only a part of what he said. His ideas were too singular not to appear affected and satisfied nobody entirely. He dubbed Jean-Jacques a dull, paltry rascal. Voltaire, on the other hand, he accounted among the divinely-gifted men, though not on the same level as the amiable Helvetius, or Diderot, or the Baron d'Holbach. In his opinion the greatest genius of the century was Boulanger. He also thought highly of the astronomer Lalande and of Dupuis, author of a Memoir on the origin of the Constellations.

The wits of the company made a thousand jokes at the poor Barnabite's expense, the point of which he never saw; his simplicity saved him from every pitfall. To drown the suspense that racked them and escape the torments of idleness, the prisoners played at draughts, cards and backgammon. No instrument of music was allowed. After supper they would sing, or recite verses. Voltaire's La Pucelle brought a little cheerfulness to these aching hearts, and the company never wearied of hearing the telling passages repeated. But, unable to distract their thoughts from the appalling vision that always loomed before their mind's eye, they strove sometimes to make a diversion of it, and in the chamber of the eighteen beds, before turning in for the night, they would play the game of the Revolutionary Tribunal. The parts were distributed according to tastes and aptitudes. While some represented the judges and prosecutor, others were the accused or the witnesses, others again the headsman and his men. The trials invariably wound up with the execution of the condemned, who were laid at full length on a bed, the neck underneath a plank. The scene then shifted to the infernal regions. The most agile of the troop, wrapped in white sheets, played spectres. There was a young avocat from Bordeaux, a man named Dubosc, short, dark, one-eyed, humpbacked, bandy-legged, the very black deuce in person, who used to come all horned and hoofed, to drag the Pere Longuemare feet first out of his bed, announcing to the culprit that he was condemned to the everlasting flames of hell and doomed past redemption for having made of the Creator of the Universe a jealous being, a blockhead, and a bully, an enemy of human happiness and love.

"Ah! ha! ha!" the devil would scream discordantly, "so you taught, you old bonze, that God delights to see His creatures languish in contrition and deny themselves His dearest gifts. Impostor, hypocrite, sneak, sit on nails and eat egg-shells for all eternity!"

The Pere Longuemare, for all reply, would observe that the speech showed the philosopher's cloven hoof behind the devil's and that the meanest imp of hell would never have talked such foolishness, having at least rubbed shoulders with Theology and for certain being less ignorant than an Encyclopaedist.

But when the Girondist avocat called him a Capuchin, he turned scarlet with anger and declared that a man incapable of distinguishing a Barnabite from a Franciscan was too blind to see a fly in milk.

The Revolutionary Tribunal was always draining the prisons, which the Committees were as unceasingly replenishing; in three months the chamber of the eighteen was half full of new faces. The Pere Longuemare lost his tormentor. The avocat Dubosc was haled before the Revolutionary Tribunal and condemned to death as a Federalist and for having conspired against the unity of the Republic. On leaving the court, he returned, as the prisoners always did, by a corridor that ran through the prison and opened on the room he had enlivened for three months with his gaiety. As he made his farewells to his companions, he maintained the same light tone and cheerful air that were habitual with him.

"Forgive me, sir," he said to the Pere Longuemare, "for having hauled you feet foremost from your bed. I will never do it again."

Then, turning to old Brotteaux:

"Good-bye, I go before you into the land of nowhere. I gladly return to Nature the atoms of my composition, only hoping she will make a better use of them for the future, for it must be owned she did not make much of a job of me."

So he went on his way to the gaoler's room, leaving Brotteaux sorrowful and the Pere Longuemare trembling and green as a leaf, more dead than alive to see the impious wretch laugh on the brink of the abyss.

When Germinal brought back the bright days, Brotteaux, who was of an ardent temperament, tramped down several times every day to the courtyard giving on the women's quarters, near the fountain where the female prisoners used to come of a morning to wash their linen. An iron railing separated the two barracks; but the bars were not so close together as to hinder hands joining and lips meeting. Under the kindly shade of night loving couples would press against the obstacle. At such times Brotteaux would retire discreetly to the staircase and, sitting on a step, would draw from the pocket of his plum-coloured surtout his little Lucretius and read, by the light of a lantern, some of the author's sternly consolatory maxims: "Sic ubi non erimus.... When we shall have ceased to be, nothing will have power to move us, not even the heavens and earth and sea confounding their shattered fragments...." But, in the act of enjoying his exalted wisdom, Brotteaux would find himself envying the Barnabite this craze that veiled the universe from his eyes.

Month by month terror grew more intense. Every night the tipsy gaolers, their watch-dogs at their heels, would march from cell to cell, delivering acts of accusation, howling out names they mutilated, waking the prisoners and for twenty victims marked on their list terrifying two hundred. Along these corridors, reeking with bloody memories, passed every day, without a murmur, twenty, thirty, fifty condemned prisoners, old men, women, young men and maidens, so widely different in rank and character and opinion that the question rose involuntarily to the lips,—had they not been chosen by lot?

And the card playing went on, the Burgundy drinking, the making of plans, the assignations for after dark at the rails. The company, new almost to a man, now consisted in great part of "extremists" and "irreconcilables." But still the room of the eighteen beds remained the home of elegance and good breeding; barring two prisoners recently transferred from the Luxembourg to the Conciergerie and added to the company, by whom they were suspected of being spies, the citoyens Navette and Bellier by name, there were none but honest folk there who reposed a mutual trust in each other. Glass in hand, the victories of the Republic were celebrated by all. Amongst the rest were several poets, as there always are in any gathering of people with nothing to do. The most accomplished composed odes on the triumphs of the Army of the Rhine, which they recited with much mouthing. They were uproariously applauded. Brotteaux was the only lukewarm admirer of the victors and the bards who sang their victories.

"Since Homer began it," he observed one day, "it has always been a mania with poets, this extolling the powers of fighting-men. War is not an art, and luck alone decides the fate of battles. With two generals, both blockheads, face to face, one of them must inevitably be victorious. Wait till some day one of these warriors you make gods of swallows you all up like the stork in the fable who gobbles up the frogs. Ah! then he would be really and truly a God! For you can always tell the gods by their appetite."

Brotteaux's head had never been turned by the glamour of arms. He felt no triumph at the victories of the Republic, which he had foreseen. He did not like the new regime, which military success confirmed. He was a malcontent. Another would have been the same for less cause.

One morning it was announced that the Commissaries of the Committee of General Security were going to institute a search in the prisoners' quarters, that they would seize assignats, articles of gold and silver, knives, scissors; that similar proceedings had been taken at the Luxembourg, where letters, papers, and books had been taken possession of.

Thereupon everyone tried to think of some hiding place in which to secure whatever he held most precious. The Pere Longuemare carried away his defence in armfuls to a rain-gutter, while Brotteaux slipped his Lucretius among the ashes on the hearth.

When the Commissaries, wearing tricolour ribands at their necks, arrived to carry out their perquisition, they found scarcely anything but such trifles as it had been deemed judicious to let them discover. On their departure, the Pere Longuemare ran to his rain-pipe and rescued as much of his defence as wind and water had spared. Brotteaux pulled out his Lucretius from the fireplace all black with soot.

"Let us make the best of the present," he thought, "for I augur from sundry tokens that our time is straitly measured from henceforth."

One soft night in Prairial, while over the prison yard the moon riding high in a pale sky showed her two silver horns, the ex-financier, who, as his way was, sat reading Lucretius on a step of the stone stairs, heard a voice call him, a woman's voice, a delightful voice, which he did not know. He went down into the court and saw behind the railing a form which he recognized as little as he did the voice, but which reminded him, in its half-seen fascinating outlines, of all the women he had loved. A flood of silvery blue moonlight fell on it. Next instant Brotteaux recognized the pretty actress of the Rue Feydeau, Rose Thevenin.

"You here, my child! It is a joy to see you, but it stabs my heart. Since when have you been here, and why?"

"Since yesterday,"—and she added very low:

"I have been denounced as a Royalist. They accuse me of conspiring to set free the Queen. Knowing you were here, I tried at once to see you. Listen to me, dear friend ... you will let me call you so?... I know people in power; I have sympathizers, I am sure of it, on the Committee of Public Safety itself. I will set my friends to work; they will deliver me, and I will deliver you."

But Brotteaux in a voice that took on an accent of urgency:

"By everything you hold dear, my child, do nothing of the sort! Do not write, do not petition; ask nothing of anybody, I conjure you, let yourself be forgotten."

As she appeared unconvinced by what he said, he went on more beseechingly still:

"Not a word, Rose, let them forget you; there lies safety. Anything your friends might attempt would only hasten your undoing. Time is everything; only a short delay, a very short one, I hope, is needed to save you.... Above all, never try to melt the judges, the jurors, a Gamelin. They are not men, they are things; there is no arguing with things. Let them forget you; if you take my advice, sweetheart, I shall die happy, happy to have saved your life."

She answered:

"I will do as you say.... Never talk of dying...."

He shrugged his shoulders.

"My life is ended, my child. Do you live and be happy."

She took his hands and laid them on her bosom:

"Hear what I say, dear friend.... I have only seen you once for a day, and yet you are not indifferent to me. And if what I am going to tell you can renew your attachment to life, oh! believe my promise,—I will be for you ... whatever you shall wish me to be."

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