Again the Central High girls went in to see the invalid upon Janet's invitation. They found Bobby Hargrew there before them. Harum-scarum as Bobby was, nobody could accuse her of lack of sympathy; and she had already learned that her fun and frolic pleased the invalid. Bobby did not mind playing the jester for her friends.

Of course, the strange man at the hospital was the pivot on which the conversation turned.

"Were you there, too, to inquire about him?" asked Mrs. Steele of Janet.

Laura noticed a certain wistfulness in the invalid's tone and look; but she did not understand it. Merely, Mother Wit noted and pigeonholed the remark. Janet said practically:

"I can't help feeling an interest in him, as I helped him that evening he was hurt."

"But have they learned nothing about him?"

"Only that the hundred-dollar bill he gave Chet is probably all right," laughed Jess Morse.

"They say he had a big money roll," said Bobby.

"Not a poor man, of course," Laura agreed.

"And Mrs. Langworth says she is sure he has been in Alaska," Jess added.

Laura noted the swift glance that passed between the invalid and her daughter.

"Oh, my dear!" exclaimed Mrs. Steele, "you did not tell me that"

"No," said Janet, shaking her head, "But lots of men go to Alaska, Mamma."

"Ye-es," admitted Mrs. Steele.

"And come back with plenty of money," put in Bobby, smiling. "This poor man's money doesn't help him much, does it? He doesn't seem to have any friends here in Centerport. He is just as much a stranger as the man they tell about who came back to his old home town after a great many years and found a lot of changes. As he rode uptown his taxicab stopped to let a funeral go by.

"'Who's dead?' asked the returned wanderer of the taxicab driver.

"'Dan Jones,' said the driver.

"'Not Dan Jones that kept the hotel!' cried the man. 'Why, I knew him well. Can it be possible that Dan is dead?'

"'I reckon he's dead, Mister,' said the chauffeur, as the hearse went by. 'What d'you think they're doin'—rehearsin' with him?'"

"How very lonely the poor man must feel," said Mrs. Steele, after laughing at Bobby's story.

"We're going in to see him the next time," Jess said.

Mrs. Steele looked again swiftly at her daughter. "You will see him, too, won't you, Janet?" she murmured.

Her daughter seemed not to like the idea; but Jess said quickly:

"We will take Janet with us, Mrs. Steele. And Bobby, too. If Mrs. Langworth approves, I mean. 'The more the merrier.' Really, I'm awfully interested in him myself."

Laura, said nothing; but she wondered why the invalid showed so much interest in the injured man.



CHAPTER XI

A REHEARSAL

The copies of the play chosen for production by the girls of the Central High Players Club had arrived, and Mr. Mann, who was to direct the production, called the members of the club together in the small hall which was just off Mr. Sharp's office.

"And thank goodness!" murmured Bobby Hargrew, "Gee Gee cannot break into this session. What do you suppose she has suggested?"

"Mercy! how do you expect us to guess the vagaries of the Carrington mind?" returned Lily Pendleton. "Something foolish, I'll be bound."

"Sh! Remember Mr. Mann is an instructor, too," said Nellie Agnew.

"That is all right, Doctress," giggled Lily. "Mr. Mann is a good fellow and will not peach."

"Tell us the awful truth, Bobby," drawled Jess. "What is Gee Gee's latest?"

"I understand," said the younger girl, "that she has been to Mr. Sharp and begged him to exercise his authority and make us act 'Pyramus and Thisbe' instead of 'The Rose Garden.'"

"Goodness! That old thing?" flung out Dora Lockwood.

"There is a burlesque on 'Pyramus and Thisbe' that we might give," chuckled Jess. "And it's all in doggerel. Let's!"

"Reckless ones! Would you spoil all our chances?" demanded Laura.

"Aw—well——"

"Remember, we are working for a worthy cause," Dorothy Lockwood mouthed, in imitation of the scorned Miss Carrington.

"You are right, Dory," Laura said soberly. "The Red Cross is worth suffering for."

"Right-o, my dear girl," declared Jess Morse with conviction. "Let us put aside Gee Gee and listen to what Mr. Mann has to say."

They had already talked over the characters of the play. None of them was beyond the capabilities of the girls of Central High. But what delighted some of them was that there were boys' parts—and girls would fill them!

Of course, Bobby Hargrew had been cast for one of the male parts. Bobby's father had always said she should have been a boy, and was wont to call her "my eldest son." She had assumed mannish ways—sometimes when the assumption was not particularly in good taste.

"But Short and Long," she growled in her very "basest" voice, "says I can't walk like a boy. Says anybody will know I'm a girl. I have a mind to get my hair cut short"

"Don't you dare, Clara Hargrew!" Laura commanded. "You'd be sorry afterward—and so would your father."

Bobby would never do anything to hurt "Father Tom," as she always called Mr. Hargrew, so her enthusiasm for this suggested prank subsided. But she growled:

"Anyway, it's a sailor suit I am going to wear, and I guess I can walk like a sailor, just as well as Short and Long."

"Better," declared Nellie soothingly. "And then, those wide-legged trousers sailors wear are quite modest."

At this all the girls laughed. Knickers in their gymnasium and field work had become second nature to them.

"But think of me," cried Jess, "in what Chet calls 'the soup to nuts!' Really the dress-suit of mankind is awfully silly, after all."

"And uncomfortable!" declared Dora.

"Attention, young ladies!" exclaimed Mr. Mann at that moment.

He was a rotund, beaming little man, with vast enthusiasm and the patience—so Nellie declared—of an angel.

"Not a full-sized angel," Bobby had denied seriously. "He is more the size of a cherub—one of those you see pictured leaning their elbows on clouds."

But, of course, neither of the girls made this comment within Mr. Mann's hearing.

The final decisions regarding the choice of parts were now made. The copies of the play were distributed. Mr. Mann even read aloud the first two acts, instructing and advising as he went along, so that the girls could gain some general idea of what was expected of them.

Before they were finished another point came up. There was a single character in the play that had not been accorded to any girl. It was not a speaking part; but it was an important part, for the other characters talked about it, and the silent character was supposed to appear on several occasions in "The Rose Garden."

"We need a tall, dark girl," said Mr. Mann. "One who walks particularly well and who win not be overlooked by the audience even when she merely crosses the stage. Who——?"

"Margit Salgo!" exclaimed Jess, who had every bit of the new play and its needs very close to her heart.

"Of course!" cried Laura and the Lockwood twins. "Margit is just the one," Mother Wit added.

"Oh!" said Mr. Mann at last. "You mean Margaret Carrington?"

"And she walks like a queen," sighed Lily Pendleton. "I wish I could learn to walk as she does."

"You know what Mrs. Case says," put in Bobby, in an undertone. "She says your feet, Lil, have been bound like a Chinese woman's of the old regime."

"Oh, you!"

"Margit went barefoot and lived in the open for years," said Laura.

"She was 'near to Nature's heart,'" laughed Jess. "Of course, she never tried to squeeze a number six foot into narrow twos."

"Never mind the size of her feet," said Mr. Mann good-naturedly. "If she can take the part, she will be just the one for it I remember that Miss Carrington's niece does have a queenly walk. And that is just what we need. But do you think we can get her?"

"She has never joined our club," said Jess thoughtfully.

"I am not sure that she has ever been invited," Laura said. "But she is always busy——"

"Gee Gee pretty near works her to death," growled Bobby. "I shouldn't wonder if Margit flew the coop some day."

"I am not sure, Miss Hargrew," said Mr. Mann, without a smile, "that I ought not to take you to task for your language. It really is inexcusable."

"Oh, dear me, Mr. Mann, don't you begin!" begged the culprit "If I am academic in school in my speech, let me be relieved out of sessions, I pray."

"But about Margit Salgo?" queried Laura. "Do you suppose she will be able to help us? I know she will be willing to, if we ask her."

"Gee Gee will object, you bet," growled Bobby under her breath.

That was not to be known, however, without asking. Laura said she would speak to Margaret about it, while Mr. Mann intimated that he would mention to Miss Carrington, the elder, that her niece was almost necessary to the success of the play.

Margit Salgo was not so straightly kept by Miss Carrington as she was engaged from morning to night in her studies. Having been utterly neglected as far as mental development went for several years, the half-gypsy girl was much behind others of her age at Central High.

Miss Grace Gee Carrington was pushing her protege on as fast as possible. She was not yet in the classes of those, girls of her age whom she knew at Central High; but she was fast forging ahead and she took much pride in her own advancement.

Therefore she did not see Miss Carrington's sternness as Bobby, for instance, saw it. She found her aunt kind and considerate, if very firm. And the girl who had been half wild when Laura Belding first found her, as has been related in "The Girls of Central High on Track and Field," was settling into a very sedate and industrious young woman.

What girl, however, does not love to "dress up and act?" Margit Salgo was delighted when Laura explained their need to her.

"Just as sure as auntie will let me, I'll act," declared the dark beauty, flushing brilliantly and her black eyes aflame with interest. "You are a dear, Laura Belding, to think of me," and she hugged Mother Wit heartily.

Two days passed, and then came the first rehearsal. This, of course, could be little more than a reading of the parts before Mr. Mann, with the latter to advise them as to elocution and stage business. But Bobby declared she had been practicing walking like a boy and had succeeded in copying Short and Long almost exactly.

"Why me?" demanded Billy sharply, whose usual sweet temper seemed to have become dreadfully soured of late.

"Well, why not?" demanded Bobby. "Should I copy Pretty Sweet's strut?"

"Aw—him!" snorted Billy Long, turning away in vexation.

"Now, tell me," said the quick-minded Bobby Hargrew to Laura and Jess, with whom she chanced to be walking at the moment, "why it is that Billy has taken such a violent dislike to poor Purt of late? Why, he doesn't feel kindly enough toward him to send him another dead fish!"

They were going to the rehearsal, which was in the small hall of the school. Of course, there was a sight of bustle and talking. Every girl was greatly excited over her part. Some were "sure they couldn't do it," while there were those who "could not possibly remember cues."

"And I know I shall laugh just at the wrong place," said Lily Pendleton. "I always do."

"If you do," growled Bobby, "I'll do something to you that will make you feel far from laughing, I assure you."

"How savagely you talk!" sighed Nellie Agnew. "That boy's part you are to fill is already affecting you, Clara."

"'Sailor Bob' is going to be terrifically rough, I suppose," Jess said, laughing.

Mr. Mann called them to order, and the girls finally rustled into seats and prepared to go through "The Rose Garden" for the first time. Everybody knew her first speeches, and as Mr. Mann accentuated the cues and advised about the business the girls did very well during the first act.

But with the opening of the second act there was a halt. Here was where "the dark lady" should come in. Her first appearance marked a flourishing period by Jess, who strode about the stage as the hero of the piece.

"And Margit's not here!" cried Dora Lockwood. "Shouldn't she be, Mr. Mann? Really, her entrance gives me my cue, not Adrian's speech."

Adrian was Jess Morse. She nodded her head vigorously. "Of course, Margit ought to be here to rehearse with us."

"I am afraid," said Mr. Mann, with pursed lips, "that we shall have to give up the idea of having Miss Carrington—the younger—for the part."

"Oh, oh, oh!" chorused some of the girls. "Can't Margit play?"

"Isn't that just like Gee Gee?" demanded Bobby furiously.

"She wanted to, I am sure," Laura said. "It is not Margit's fault."

"Of course it isn't," snapped Jess. "That old—"

Fortunately she got no farther. The door opened at that instant and Miss Grace Gee Carrington entered. She was a very tall woman with grayish hair, eyeglasses, and a sallow complexion. Her dignity of carriage and stern manner were quite overpowering.

"Young ladies!" she said sharply, having come into the room and closed the door, "I have a word to say. I told Mr. Mann I would come here and explain why my niece cannot take part in any such foolish and inconsequential exhibition as this that you have determined on."

She glared around, and the girls' faces assumed various expressions of disturbance. Some, even, were frightened, for Miss Carrington had always reigned by power of fear.

"I would not allow Margaret to lower herself by appearing in such a play. I disapprove greatly of girls taking boys' parts. The object of the play itself is merely to amuse. There is nothing worth while or educational about it."

Again silence, and the girls only glanced fearfully at each other.

"I have a proposition to make to you," said the stern teacher. "It is not too late to change your plans. I have Mr. Sharp's permission to make the suggestion. He will agree to your changing the play and will be—er—satisfied, I am sure, if you accept my advice and put on the play which I first suggested. This is an old Greek play with real value to it We gave it once in my own college days, and it truly made a sensation. I should be quite willing for Margaret to appear in that play, and I should, in fact, be willing to give Mr. Mann the benefit of my own experience in rehearsing the piece."

Mr. Mann actually looked frightened. The stern instructor overpowered him exactly as she did many of the girls.



CHAPTER XII

BUBBLE, BUBBLE

"Toot! Toot! Toot-te-toot! Back water!" muttered Bobby Hargrew. "Wouldn't I cut a shine acting in a Greek play? Oh, my!"

Her imprudence—and impudence—was fortunately drowned by the general murmur of objection that went up from the girls of the club. That Miss Carrington's suggestion met with general objection was so plain that even the stern woman herself must have realized it.

"Of course," she said, really "cattish," "you girls would prefer something silly."

"Perhaps, Miss Carrington," said Laura with more boldness than most of her mates possessed, "we prefer something more simple. 'The Rose Garden' does not call for more than we can give to it. I am afraid the play you suggest would take too much study."

"Ha!" snapped the tall teacher. Then she went on: "I want you all to understand that your recitations must be up to the average while you put in your time on such a mediocre performance as this you are determined upon. Of course, if the play was of an educational nature we might relax our school rules a little—"

"Oh! Oh! Bribery!" whispered Jess to Nellie.

"It seems," Mr. Mann finally found voice to say, "that the desire of the young ladies is for the piece selected. It is too late, as Miss Belding says, to make a change now."

"Then Margaret cannot act!" exclaimed Miss Carrington, and, turning angrily, she left the hall in a way that had she been one of the girls, it would have been said, "She flounced out."

The rehearsal continued; but most of the girls were in a sober state of mind. There was a general desire among them to stand high in all their studies. They had learned when first they entered upon the athletic contests and exercises of the Girls Branch League that they must keep up in studies and in deportment or they could not get into the good times of the League.

It was so with the secret society, the M. O. R.'s, and likewise in this acting club. "Fun" was merely a reward for good work in school. Not alone was Miss Carrington stiff on this point, the principal and the rest of the faculty were quite as determined that no outside adventures or activities should lower the standard of the girls of Central High.

At the present time the members of the club had a serious fact to contemplate. A girl to fill the part of the "dark lady" in the garden must be found. As it was not a speaking part, the person filling the character must more particularly look as she was described in the play.

"We want a type," said Mr. Mann. "Tall, graceful, brunette, and with queenly carriage. You must find her before the next rehearsal. I must have plenty of time to train her, for her appearance is of grave importance—as you young ladies can yourselves see."

"Oh, dear me!" groaned Nellie Agnew, when the rehearsal was finished. "And Margit Salgo would have been just the one!"

"And the poor girl certainly would have enjoyed being one of us," Laura said.

"Take it from me," said Bobby gruffly, "she's just the meanest—"

"Margit?" cried Jess.

"Gee Gee! I'm good and disgusted with her."

But Bobby, for once in her life, was very circumspect during recitations that week. She felt that Gee Gee was watching for a chance to demerit her, and the girl did not intend to give the teacher occasion for doing so.

"For once I am going to be so good, and have my lessons so perfect, that she cannot find fault."

"But trust Miss Carrington to find fault if she felt like it!" grumbled the girl a day or so later.

"Miss Hargrew, do not stride so. And keep your elbows in. Why! you walk like a grenadier. And don't sprawl in your seat that way. Are you not a lady?"

Ah, but it was hard for saucy Bobby to keep her tongue back of her teeth!

"Have you lost your tongue?" nagged Miss Carrington.

Bobby's eyes flashed a reply. But her lips "ran o'er with honey," as Jess Morse quoted, sotto voce.

"No, Miss Carrington. I am merely holding it," said the girl softly.

Miss Carrington flushed. She knew she was unfair; and Bobby's unexpected reply pilloried the teacher before the whole class. There was a bustle in the room and a not-entirely-smothered snicker.

Had there been any way of punishing the girl Miss Carrington would certainly have done it. She was neither just nor merciful, but she was exact. She could see no crevice in Bobby's armor. The incident had to pass, and the girl remained unpunished.

However, it did seem as though Miss Carrington were more watchful each day of the girls who belonged to the Players Club. She was evidently expecting those who had parts to learn to show some falling off in recitation, or the like. Her sharp tongue lashed those who faltered unmercifully. The girls began to show the strain. They became nervous.

"I really feel as though I must scream sometimes!" said Nellie Agnew, almost in tears, one afternoon as the particular chums of Central High left the building for home. "I know my lessons just as well as ever, but Gee Gee has got me so worked up that I expect to fail every time I come up to recite to her."

"She is too old to teach, anyway," snapped Jess. "My mother says so. She ought to have been put on the shelf by the Board of Education long ago."

"Oh, oh!" gasped Dora Lockwood. "What bliss if she were!"

"She is not so awfully old," said Laura thoughtfully.

"But she is awful!" sniffed Jess.

"She acts like a spoiled child," Nellie said. "If she cannot have her own way in everything she gets mad and becomes disagreeable."

This was pretty strong language from the doctor's daughter. At the moment Bobby Hargrew appeared, whistling, and with her hands in her coat pockets. She was evidently practicing her manly stride. But she did not grin when she saw the juniors approaching. Instead, in a most dolorous voice she sang out, quoting the witches' chant:

"'Double, double; toil and trouble; Fire burn and cauldron bubble.'

"Everything's stewing, girls, and it is bound to be some brew. Do you know the latest?"

"Couldn't guess," said Jess Morse. "But it is something bad, I warrant."

"Everything's going wrong, girls!" wailed Nellie.

"I just saw Mr. Mann and Lil. Couldn't help overhearing what she was giving him. What do you suppose she wants to do?"

"Play the lead instead of Laura," snapped Jess.

"That would not be so strange," Dora Lockwood observed. "Would it, Dorothy?"

"Not at all. Lil Pendleton—"

"Wait a minute," proposed Laura Belding. "Let us hear her crime before we sentence her to death."

"That's right," agreed Bobby. "Oh, she surely has put her foot in it! She told Mr. Mann that Hessie is just the girl to act 'the dark lady' in our play. What do you know about that?"

"Ow! Ow! That hurts!" squealed Dora.

"She never did?" gasped her twin.

"Hope to die!" exclaimed Bobby recklessly. "That is exactly the game she is trying to work."

"Hester Grimes! Of all persons!" groaned Nellie.

"Lil hasn't said a word about it to me," Jess Morse declared.

"No, she is going to get Mr. Mann himself to propose Hester—"

"But Hessie isn't a member of the club!" cried Nellie.

"We have set a precedent there," said Laura thoughtfully. "We took Janet Steele into the ice carnival, and she was not a member of the school."

"That was an entirely different thing!" snapped Jess.

"Why, Hester Grimes is no more fit to play that part than I am fit for the professional stage!" Nellie Agnew said. "What can Lil mean?"

"I bet a cooky," Bobby growled, "that Hester put Lil up to it. You know, Hess is crazy to get her finger into every pie; but she would never come straight out and ask to join our club."

"She'd be blackballed," said Dora tartly.

"I believe she would," agreed her twin.

Bobby chuckled. "There would be two black beans against her, and no mistake."

"What did you say to Lil, Clara?" demanded Laura thoughtfully.

"Not a word."

"How was that?" Jess asked. "You didn't have a sudden attack of lockjaw, did you?"

"Don't fret, Jess," said Bobby sharply. "I know when to keep my mouth shut on occasion. I came right away from there to find you girls. Something must be done about it."

"Oh, dear me!" groaned Nellie. "If Margit Salgo had only been allowed to take the part!"

"What did I tell you?" almost snarled Bobby. "Gee Gee has managed to queer the whole business. This play is going to be a failure."



CHAPTER XIII

MOTHER WIT HAS AN IDEA

The ice carnival had been such a success in a spectacular as well as a monetary way that many of the friends of the Central High girls and boys declared they would like to have it repeated. More than a thousand dollars—to be exact, one thousand and twenty dollars—had been made for the Red Cross.

Centerport was doing its very best to gather its quota for the great institution that was doing so much good in the world. Janet Steele confessed to Laura that she had gained more than one hundred dollar memberships, and that nearly all of these had given something in addition to their membership fee.

"I wish we girls could help," said Laura wistfully.

"And you having done so much already!" cried Janet. "Why, you've already done more than your share! And doing a play, too!"

"I am afraid the play will not be a great success," Mother Wit sighed, but more to herself than to the other girl.

Those who wished to repeat the ice carnival success had to give the idea up, for before the end of the week there swept down over the North Woods and across frozen Lake Luna such a blizzard as the surrounding country had not seen for several years. The street cars stopped running, traffic of all sorts was tied up, and even the electricity for lighting purposes was put out of commission for twenty-four hours.

Of course, it did not keep many of the girls and boys of Central High at home. Snow piled up in the streets did not daunt them at all. But when the amateur actors undertook to rehearse they had to do so by the light of candles and kerosene lamps.

The rehearsal did not go very well, either. The girls were "snippy" to each other—at least, Jess said they were, and Bobby declared she was one of the very "snippiest—so there!"

"Girls! Girls!" begged Laura, "when there are so many other people to fight, let us not fight each other. 'Little birds should in their nests agree,' and so forth."

"Oh, poodle soup!" ejaculated Bobby, under her breath. "Don't anybody dare spring old saws and sayings on me in my present mood."

"I believe you'd bite, Bobby," whispered Nellie Agnew.

A cry went up for Lily Pendleton, and then it was found that she was not present.

"The only girl who is made of either sugar or salt," declared Josephine Morse. "Of course, the snow would keep her away!"

"But where is her friend, Miss Grimes?" asked Mr. Mann, rather tartly. "I shall have my work cut out for me in training her, I fear."

"You will, indeed," moaned Laura.

"Now, Mr. Mann!" cried Bobby boldly, "you are not really going to let that Hester Grimes act in this play, are you? She is perfectly horrid!"

"Miss Hargrew," was the somewhat sharp answer, "I hope you will not let personal dislikes enter into this play. It does not matter who or what Miss Grimes may be, if she can take the part—"

"But she'll never be able to do it in the world!"

"That is to be seen," said Mr. Mann firmly. "Remember, we are working for the benefit of the Red Cross."

"Hear! Hear!" murmured Laura. "Perhaps Hester will do very well."

"And perhaps she won't!" snapped Bobby.

"Why, she can't possibly act!" Jess Morse said hopelessly.

"You will let me be the judge of that, Miss Morse, if you please," said Mr. Mann, speaking rather tartly.

"Mercy, everybody to-day is as crisp as pie-crust—no two ways about it!" whispered Bobby to Jess.

The girls plowed home through the deep snow, most of them in no mood for amusement. Even Laura Belding had a long face when she entered the house.

"How was the funeral?" asked Chet, who was buried in one of the deep library chairs with a book.

"What?" she asked before she caught his meaning.

"You must have buried somebody by the way you look," declared her brother.

"Don't nag, Chettie," sighed his sister. "We are having terrible times."

"I judged so," Chet said dryly. "Don't you always have sich when you girls go in for acting?"

"Now—"

"I am sympathetic, Laura—I swear I am!" her brother cried, putting up his hands for pardon. "Don't shoot. But of course things always will go wrong. Who is it—Bobby? Or Jess? Or Lil?"

"It is Hester Grimes."

"Wow!" exclaimed Chet. "I didn't know she was in it at all."

Laura told him of the emergency that had arisen and how Hester Grimes seemed certain to be drawn into the affair.

"Why, that big chunk can't act," said Chet quite impolitely. "She looks enough like her father to put on his apron and stand behind one of his butcher blocks."

"Oh, that is awful!" Laura objected. "But I know she will spoil our play."

"Humph! Why didn't you, Laura, suggest somebody else for the part, as long as Margit couldn't take it?"

"I didn't know of anybody."

"I thought they called you 'Mother Wit,'" scoffed Chet. "You're not even a little bit bright."

"No, I guess you are right. I have lost all my brightness," sighed Laura. "It has been rubbed off."

"Then you admit it was merely plate," laughed Chet. "But say! why didn't you think of the girl who helped you out before?"

"Who? What girl?"

"That Red Cross girl. What's her name?"

"Janet Steele!"

"That's the one. Some pippin," said Chet with enthusiasm. I saw her this afternoon and helped her plow home—"

"Chetwood Belding! Wait till Jess Morse hears about it."

"Aw—"

"Jess will spark, old boy; you see if she doesn't"

"Jess is the best girl in the world; and she's got too much sense to object to my helping another girl home through the snow."

"All right," chuckled Laura, in a much more cheerful mood. "But don't make the mistake of praising Janet to Jess. That is where the crime comes in."

"Oh! Well, I won't," her brother declared thoughtfully.

"And where did you beau Janet from?" Laura asked.

"The hospital."

"Were you there to see that poor man?"

"Rich man, you mean," grinned her brother. "I took him some books and a lot of papers. He is able to sit up and read."

"But he doesn't know who he is?"

"He declares his name is John Something, and that he ought to be in Alaska right now. Says the last he knew he was in Sitka. Something happened to him there. Whatever it was, his brain must have been affected at that time. For he cannot remember anything about the first part of his life."

"But, Chetwood!" exclaimed Laura earnestly, "that man is not a miner. He is not tanned. His hands are not rough. He was as well groomed, the matron says, as any gentleman who ever was brought to the Centerport Hospital."

"But he was in Alaska. You should hear him tell about it."

"He has lived two lives, then," said Laura thoughtfully.

"And must be beginning his third now," put in Chet. "What do you know about that? And him with a roll of more than two thousand dollars—every bill brand-new."

"Oh, Chet!"

"Well, what is it?" her brother asked, looking curiously into Laura's suddenly glowing face.

"Does he know he has so much money?"

"Why, yes. I've been telling him to-day all about that funny bill he passed on me. He says he is glad he has so fat a purse, as he will be obliged to remain in bed long with that leg in a cast."

"But, Chet! has he got the money himself?"

"It is in the hospital safe."

"I wonder! I wonder!" the girl murmured.

"What is it now?" asked Chet

"I wonder if any other bills in his roll are like that hundred-fifty note father swapped with Mr. Monroe for you."

"Huh?" ejaculated her brother, quite puzzled.

"It was on the Drovers' Levee Bank, of Osage, Ohio. I wrote it down, and the names of the cashier and president of the bank. Do find out, Chet, if there are any more of those new bills issued by that bank in his roll."

"What for?" demanded Chet.

That Laura would not tell him, only made him promise to do as she asked. Mother Wit had an idea; but she would not explain it to anybody yet.



CHAPTER XIV

CHAINS ON HIS WHEELS

"How came you to meet Janet?" asked Laura Belding, remembering what her brother had first told her about the Red Cross girl.

"She was coming my way, of course."

"Coming your way?" Laura repeated, her eyebrows raised questioningly. "Oh! I see! You met her at the hospital."

"You said a forkful," declared the slangy youth.

"Dear me, Chet," Laura observed soberly. "I think your slang is becoming atrocious. So Janet was down there!"

"She had been calling on our friend with the broken leg, too," said Chet.

"She does seem interested in him, doesn't she?" Laura said thoughtfully. "I wonder why?"

"Because her mother's half-brother went to Alaska years ago and they never heard of him again," said Chet. "She told me."

"Oh!"

"Nothing wonderful about that," the brother declared.

"It is interesting."

"To them, I suppose," said Chet "But why don't you ask Miss Steele to join you girls in the play you are getting up?"

"I never thought of it," confessed Laura.

"Your thought-works are out of kilter, Sis," declared Chet, laughing again. "I'd certainly play Miss Steele off against the menace of Hester Grimes."

There was something besides mere sound in Chet Belding's advice, and his sister appreciated the fact. But she did not go bluntly to the other girls and suggest the Red Cross girl for the part of "the dark lady." She realized that, if the new girl could act, she would amply fill the part in the play. But Hester was supposed to have it now, and the very next day Mr. Mann gave that candidate an hour's training in the part Hester was supposed to fill.

When they all came together for rehearsal again the second day, Hester Grimes was present and she showed the effect of Mr. Mann's personal help. Yet her work was so stiffly done, and she was so awkward, that it seemed to most of the girls that she was bound to hurt and hinder rather than help in the production.

"She'd put a crimp in anything," declared Bobby Hargrew, as the Hill girls went home that afternoon.

The streets in this residential section had been pretty well cleared of snow, and people had their automobiles out once more.

"Say, Jess!" exclaimed Bobby.

"Say it," urged Josephine Morse. "I promise not to bite you."

"If Hester plays that part, what are they going to do with her hands and feet?" asked the unkind Bobby.

"Oh, hush!" exclaimed Laura.

"Well, when she's supposed to pick the rose and hold it up to the light, and kiss it, her hand is going to look like a full-grown lobster—and just as red."

"Girls, we must not!" begged Laura. "Somebody will surely tell Hester what we say, and then—"

"She'll refuse to play," said Jess.

"Oh, fine, fine!" murmured one of the Lockwood twins.

"If we get her mad it will do no good," Nellie Agnew said. "Maybe then she will insist on being 'the dark lady.'"

The boys were on the corner of Nugent Street waiting for the girls to come along.

"How goes the battle, Laura?" asked Lance Darby. "Have you learned your part yet?"

"I thought I had," sighed Laura. "But when I come to take cues and try to remember the business of the piece, I forget my lines."

"This being leading lady is pretty tough on Mother Wit," laughed Chet.

"Oh, my!" exclaimed Bobby Hargrew suddenly. "Here comes Pretty Sweet in his car. Why! he's got Lil with him. I thought that was all over."

They gaily hailed the driver of the automobile and his companion as the vehicle passed. Short and Long, with gloomy face, watched the car out of sight.

"Well," he growled, "he's got nonskid-chains on his wheels to-day, all right"

"Chains on his wheels, Billy?" asked Bobby. "What do you mean? Doesn't he always have them on in winter?"

"Humph! He forgot 'em once, anyway."

"Hey, Billy!" exclaimed Chet Belding, "you are skidding yourself, aren't you?"

"Aw——"

"Least said soonest mended," added Lance, likewise giving the smaller boy a quick, stern look.

"Oh, I see!" muttered Bobby, searching the flushed face of Short and Long. "Say, Billy——"

But Short and Long started on a quick trot for home, and left his friends to stare after him. It was Bobby who did most of the staring, however. She said to Jess and Laura, after they had parted from the other boys:

"What do you know about that boy? I'm just wise to him. I believe I know what is the matter with Short and Long."

"Do you mean," asked Laura, "what makes him act so to Purt?"

"You have guessed my meaning, Mother Wit."

"What is the trouble between them?" demanded Jess. "Although Billy never was much in love with Purt Sweet."

"Don't you two girls remember the Saturday night that man was hurt on Market Street?"

"I should say I do remember it!" Laura agreed. "He is in the hospital yet, and he doesn't know who he is or where he came from."

"Oh, it's nothing to do with his identity," Bobby hastened to say. "It is about the car that ran him down. You know the police never have found the guilty driver."

"Goodness!" gasped Jess. "You surely don't mean——"

"I mean that the car had no chains on its rear wheels. That is all that was noticed about it Nobody got the number. But I heard Short and Long say he knew somebody who had been driving a car that day without chains. And the boys left us, didn't they, to look up the car?"

"What has that to do with Purt Sweet?" demanded Laura.

"Why, you heard what Billy just said about him and his chains!" cried Bobby. "'He's got nonskid-chains on his wheels to-day, all right.' Didn't you hear him? And he's had a grouch against Pretty Sweet ever since the time—about—that the man was hurt."

"Oh, Purt wouldn't have done such a thing. He might have run the man down; but he would never have run off and left him in the street!"

"I don't know," Jess said. "He'd be frightened half to death, of course, if he did knock the man down."

"I do not believe Prettyman Sweet is heartless," declared Laura warmly. "The boys are making a mistake. I'm going to tell Chet so."

But when she took her brother to task about this matter she could not get Chet to admit a thing. He refused to say anything illuminating about the car that had run down the stranger at the hospital, or if the boys suspected anybody in particular.

"If we think we know anything, I can't tell you," Chet declared "Billy? Why, he's always sore at Purt Sweet. You can't tell anything by him!"

Just the same it was evident that the boys were hiding much from their girl chums; and, of course, that being the case, the girls were made all the more curious.



CHAPTER XV

PIE AND POETRY

Laura's sleeves were rolled up to her plump elbows and she had an enveloping apron on that covered her dress from neck to toe. There was flour on her arms, on one cheek, and even on the tip of her nose.

Out-of-doors old Boreas, Jess said, held sway. Shutters flapped, the branches of the hard maple creaked against the clapboarded ell of the house, and there was an occasional throaty rattle in the chimney that made one think that the Spirit of the Wind was dying there.

"You certainly are poetic," drawled Bobby, who had come into the Beldings' big kitchen, too, and was comfortably seated on the end of the table at which Laura had been rolling out piecrust.

"Now, if that crust is only crisp!" murmured Mother Wit.

"If it isn't," chuckled Chet, stamping the snow off his shoes, "we'll make you eat it all."

"I'm willing to take the contract of eating it, sight unseen, if Laura made the pie," interjected Lance Darby, opening the door suddenly.

"Come in! Come in!" cried Jess. "Want to freeze us all?"

"You would better not be so reckless, Lance," Laura said, smiling. "These are mock cherry pies; and I never do know whether I get sugar enough in them until they are done. Some cranberries are sourer than others, you know."

"M-m! Ah!" sighed Chet ecstatically. "If there is one thing I like——"

Lance began to sing-song:

"'There was a young woman named Hooker, Who wasn't so much of a looker; But she could build a pie That would knock out your eye! So along came a fellow and took 'er!'"

"Oh! Oh! We're all running to poetry," groaned Chet. "This will never do."

"'Poetry,' indeed!" scoffed Jess Morse. "I want to know how Lance dares trespass upon Bobby's domain of limericks?"

"And I wish to know," Laura added haughtily, "how he dares intimate that I am not 'a good looker'?"

"'Peccavi!"' groaned Lance. "I have sinned! But, anyway, Bobby is off the limerick business. Aren't you, Bobby?"

"She hasn't sprung a good one for an age," declared Chet.

"A shortage," sighed Laura.

"Gee Gee says the lowest form of wit is the pun, and the most execrable form of rhyme is the limerick," declared Jess soberly.

"Just for that," snapped Bobby, "I'll give you a bunch of them. Only these must be written down to be appreciated."

She produced a long slip of paper from her pocket, uncrumpled it, and began to read:

"'There was a fine lady named Cholmondely, In person and manner so colmondely That the people in town From noble to clown Did nothing but gaze at her, dolmondely.'

Now, isn't that refined and beautiful?"

"It is—not!" said Chet. "That is only a play upon pronunciation."

"Carping critics!" exclaimed Lance. "Go ahead, Bobby. Let's hear the others."

As Bobby had been saving them up for just such an opportunity as this, she proceeded to read:

"'There lived in the City of Worcester A lively political borcester, Who would sit on his gate When his own candidate Was passing, and crow like a rorcester!"

"Help! Help!" moaned Chet, falling into the cook's rocking chair and making it creak tremendously.

"Don't break up the furniture," his sister advised him, as she took a peep at the pies in the oven.

"'Pies and poetry'!" exclaimed Jess. "Go ahead, Bobby. Relieve your constitution of those sad, sad doggerels."

Nothing loath, the younger girl, and with twinkling eyes, sing-songed the following:

"'There was a young sailor of Gloucester, Who had a sweetheart, but he loucest'er. She bade him good-day, So some people say, Because he too frequently boucest'er.'

Take notice all you 'bossy' youths."

"Isn't English the funny language?" demanded Chet, sitting up again. "And spelling! My! Do you wonder foreigners find English so difficult? Here's one that I found in an almanac at the drug store," and he fished out a clipping and read it to them:

"'A lady once purchased some myrrh Of a druggist who said unto hyrrh: "For a dose, my dear Miss, Put a few drops of this In a glass with some water, and styrrh."'"

"Do, do stop!" begged Laura.

"I promise not to offend again," said Lance. "Besides, I hope to taste some of the pie, and a pie-taster should not be a poetaster."

"Oh! Oh! Awful!" Jess cried.

"I've run out of limericks myself," confessed Chet.

"But one more!" Bobby hastened to say. Then dramatically she mouthed, with her black eyes fastened on Chet:

"'Said Chetwood to young Short and Long, "Just list to my warning in song: If you know of the crime, For both reason and rhyme Betray it—and so ring the gong!"'"

The other girls burst out laughing at the expression on the boys' faces. Chet and Lance looked much disturbed, and Chet finally scowled upon the teasing Bobby and shook his head.

"What do you know about that?" whispered Lance to his chum.

"You are altogether too smart, Bobby," declared Chet. "What do you mean?"

"We know you and Short and Long are trying to hide something from us," said Jess quickly.

"You might as well tell us all about it," Laura put in quietly. "What has Billy really got against Purt Sweet?"

"I don't admit he has anything against Purt," said Chet quickly.

"Nothing but suspicion," muttered Lance, likewise shaking his head.

"Then there is something in it?" Laura said quickly. "Can it be possible that Purt Sweet would do such an awful thing and not really betray himself before this?"

"There you've said it, Laura!" cried Lance. "That is what I tell both Chet and Billy. If Pretty was guilty, he would be scared so that he would never dare go out again in his car."

"Oh! Oh!" cried Bobby with dancing eyes. "Then my rhyme is a true bill?"

"Aw, Lance would have to give it away!" growled Chet.

"Boys are as clannish as they can be!" said Jess severely. "We are just as much interested as you are, Chet. What made Billy believe Pretty Sweet ran the man down?"

"Oh, well," sighed Chet, "we might as well give in to you girls, I suppose."

"Besides," laughed his sister, "the pies are almost done, and both you and Lance will want to sample them."

"Go on. Tell 'em, Chet," said Lance.

"Why, Billy had been riding that day in the Sweets' car. You know Purt is too lazy to breathe sometimes, and he wouldn't get out his chains and put 'em on. Billy knew that the chains were not on at dinner time that evening, for he passed the Sweet place and saw the car standing outside the garage with the radiator blanketed.

"Well, the only thing we were sure of about the car that ran that man down—the Alaskan miner, you know—was that the rear wheels had no chains on them, and that it was a Perriton car like Purt's."

"Yes, it was a Perriton," said his sister.

"So we fellows hiked up there to Sweets'. Purt was out with the car. He came home in about an hour, and he was still skidding over the ice. We tried to get out of him where he had been, but he wouldn't tell. We had to almost muzzle Billy, or he would have accused him right there and then. And Billy has been savage over it ever since."

"Really then," said Laura, "there is nothing sure about it."

"Well, it is sure the car was a Perriton. And since then we have found out that Purt's is the only Perriton in town that isn't out of commission for the winter. You can talk as you please about it: If the police only knew what we know, sure thing Purt would be neck-deep in trouble right now!"



CHAPTER XVI

EMBER NIGHT

The three girls of Central High and their boy friends had not come together on this stormy Saturday morning merely to feast on "pie and poetry."

The ice carnival had made them so much money that Laura and her friends desired to try something else besides the play which was now in rehearsal. They wanted to "keep the ball rolling," increasing the collections for the Red Cross from day to day.

Fairs and bazaars were being held; special collectors like Janet Steele were going about the city; noonday meetings were inaugurated in downtown churches and halls; a dozen new and old ways of raising money were being tried.

And so Mother Wit had evolved what she called "Ember Night," and the young people who helped carry the thing through were delighted with the idea. To tell the truth, the idea had been suggested to Laura Belding during the big storm when the lighting plant of the city was put out of order for one night.

She and her friends laid the plans for the novel fete on this Saturday after Laura's pie baking and after they had discussed the possibility of Prettyman Sweet being the guilty person whose car had run down the strange man now at the Centerport Hospital.

They put pies and poetry, and even Purt Sweet, aside, to discuss Laura's idea. Each member of the informal committee meeting in the Beldings' kitchen was given his or her part to do.

Laura herself was to see Colonel Swayne, who was the president of the Light and Power Company and who was likewise Mother Wit's very good friend. Jess agreed to interview the local chief of the Salvation Army. Chet would see the Chief of Police to get his permission. Each one had his or her work cut put.

"Every cat must catch mice," said Mother Wit.

Plans for Ember Night were swiftly made, and it was arranged to hold the fete the next Tuesday evening, providing the weather was clear. Jess, whose mother held a position on the Centerport Clarion, wrote a piece about this street carnival for the Sunday paper, and the idea was popular with nearly every one.

Exchange Place was the heart of the city—a wide square on which fronted the city hall, the court house, the railroad station, and several other of the more important buildings of the place.

In the center of the square a Red Cross booth was built and trimmed with Christmas greens, which had just come into market. Members of the several city chapters appeared in uniform to take part in the fete. There was a platform for speakers, and a bandstand, and before eight o'clock on Tuesday evening a great crowd had assembled to take part in the exercises.

That one of the Central High school girls had suggested and really planned the affair, made it all the more popular.

"What won't Laura Belding think of next?" asked those who knew her.

But Laura did not put herself forward in the affair. She presided over one of the red pots borrowed from the Salvation Army that were slung from their tripods at each intersecting corner of the streets radiating from Exchange Place, and for a half mile on all sides of the square.

Under each pot was a bundle of resinous and oil-soaked wood that would burn brightly for an hour. At the booth in Exchange Place fuel for a much larger bonfire was laid.

The crowd gathered more densely as nine o'clock drew near. The mayor himself stepped upon the speaker's platform. The police had roped off lanes through the crowd from the Red Cross booth to the nearest corners.

Janet Steele came late and she chanced to pass Laura's corner, which was in sight of the speaker's stand and the booth. She halted to speak with Laura a moment.

"Isn't it just fine?" she said. "I wish mother could see this crowd."

"I imagine you would like to have her see lots of things," returned Laura. "Our friend at the hospital, for instance."

"Who—who do you mean?" gasped Janet, evidently disturbed.

"The man who was hurt, I mean."

"Oh! He is quite interesting," said the other girl and slipped away. Laura's suggestion had seemingly startled her.

The band played, and then the mayor stepped forward to make his speech. At just this moment a motor car moved quietly in beside the curb near which Laura Belding stood guarding her red pot. Somebody called her name in a low tone, and Laura turned to greet Prettyman Sweet's mother with a smile.

Mrs. Sweet was alone in the tonneau of her car, which Purt himself was driving. The school exquisite, who was so often the butt of the boys' jokes, but was just now an object of suspicion, admired Laura Belding immensely. He got out of the car to come and stand with her on the corner.

"Got your nonskid-chains on, Purt?" asked Laura.

"On the rear wheels? Surely," said Sweet, eyeing the girl in some surprise, because of her question.

"My dear Laura!" cried Mrs. Sweet "Won't you come and talk to me while we are waiting?"

"Can't now, Mrs. Sweet. I am on duty," laughed Laura.

They could not hear what the mayor said, for they were two blocks away. But they had an excellent view of the stand and the Red Cross booth, and the crowd that pressed close to the police ropes.

Suddenly the mayor threw up his hand in command, and almost instantly—as though he had himself switched off the light—all the street lamps in the business section of Centerport went out The arc light over the spot where Laura stood blinked, glowed for a moment, and then subsided. Mrs. Sweet cried out in alarm.

"This is all right," Laura called to her. "Now watch."

The mayor, in the half-darkness, stepped down from the platform and threw into the heart of the big bonfire the combustibles that set it off. The flames leaped up, spreading rapidly. The crowd cheered as eight boys, dressed in the knee-length dominos they had worn on the night of the ice carnival, dashed into the ring with resinous torches. They thrust the torches into the flames and the instant the torches were alight, they wheeled and dashed away through the lanes the police had kept open.

The red flames dancing before the Red Cross booth, and the sparking, flaming torches which the boys swung above their heads as they ran through the crowd to the various corners where the red pots hung, made an inspiring picture in the unwonted gloom of the streets.

"See how the Red Cross spreads!" cried Laura. "There's Nellie's fire going."

They could see the spark of new fire under the pot a block away. A short figure with flaming torch was approaching Laura's corner at high speed.

"Here comes Short and Long, I do believe," drawled Prettyman Sweet.

"My pot will soon be boiling," laughed Laura. "What are you going to throw in, Purt? And you, Mrs. Sweet? Give all you can—and as often as you can."

"Oh, I'll start you off, Laura," declared Purt, pulling out a handful of coins that rang the next moment in the bottom of the iron pot.

"Here's my purse, Prettyman!" called his mother, leaning from the car. "You put in my offering."

The few bystanders around Laura's corner began laughingly to contribute before the torch reached the spot. But Short and Long arrived the next moment. He stooped, thrust the blazing torch into the middle of the fuel under Laura's pot, and wheeled to run to his next comer.

The flames crackled, springing up ravenously. The boy's cotton gown flapped across the fire and before he could leap away the flames had seized upon the domino!

"Oh, Billy!" shrieked Laura Belding. "You are on fire!"

The short boy leaped away; but he could not leave the flames behind him. He threw down the torch and tried to tear off the domino. In a moment he was a pillar of flame!

"A blanket! A robe! Quick, Purt!" cried Laura, and started toward the victim of the accident, bare-handed.

For once Purt Sweet did as he was told, and did it quickly. He ran with the robe from the front seat of the automobile. Laura grabbed one end and together they wrapped their schoolmate in the heavy folds.

Short and Long was cast to the street and they rolled him in the blanket. The fire was smothered, but what injury had it done to the boy?

He was unconscious; for in falling he had struck his head, and the wound was bleeding. Mrs. Sweet was crying and wringing her hands.

"Oh, it's awful! Purt! Purt! Take me home!" she sobbed.

"No, Purt!" exclaimed Laura. "Take him to the hospital"

"Of course we will," gasped the youth. "Help me lift him, Laura. Oh, the poor kid!"

Only the few people near by had seen the accident. Not even a policeman came. Laura and Purt staggered to the car with the wrapped-up body of the smaller lad. His face was horribly blackened, but that might be nothing but smoke. Just how badly Billy Long was injured they could not guess.

Mrs. Sweet shrank back into the corner of the tonneau seat and begged Laura to get in with the injured boy.

"I can't! I can't touch him!" wailed the woman. "It's awful! Suppose he should be dead?"

"He's not dead," declared Purt. "We won't let him die—the poor kid! Here, mother, you hold his head and we'll lay him down on the seat. Let his head and shoulders lie right in your lap."

"Oh, Laura! Do come!" cried the woman.

"I can't, Mrs. Sweet!" returned Laura, sobbing. "I've got to stay and watch my pot boil. Do be quick, Purt!"

She stepped out of the car. Purt slammed the tonneau door and leaped to the steering wheel. In a moment the self-starter sputtered, and then the car wheels began to roll.

Mrs. Sweet was actually forced to do something that she had never done before—personally help somebody in trouble. Perhaps the experience would do her good, Laura thought.

In tears the latter returned to the corner. The fire was brightly blazing underneath her swinging pot. There was already quite a collection of coins and a few bills in the bottom of the receptacle. But although Laura stuck to the post of duty, her heart was no longer in the ceremonies of Ember Night. She wished heartily that she had never suggested the entertainment, even if it did benefit the Red Cross.



CHAPTER XVII

A STARTLING ANNOUNCEMENT

It did really prove to be one of the most successful forms of money-raising for the Red Cross that had been attempted in Centerport. And later they tried Ember Night in Lumberport and Keyport.

Laura Belding was not proud of her success, however, for poor Short and Long had been badly burned. Fortunately his face was only blackened, and the doctors decided that he had not inhaled any of the scorching flame.

Laura and Purt had wrapped him in the blanket so quickly that the fire was smothered almost at once. Yet there were bad burns on his arms and body—burns that would leave ineffaceable scars.

The girls of Central High had two interests now to take them to the hospital. The stranger who did not know his name and Short and Long both came in for a lot of attention.

The latter had never known before how popular with his schoolmates he was. Fruit, flowers, candy and the nicest confections from the Hill kitchens found their way in profusion to Billy's bedside.

After a day or two the doctors let him see whoever came, and he could talk all right. It made him forget the smart of his burns.

Of course his sister Alice came frequently, and she had to bring Tommy, the irrepressible, along. Tommy was more interested in the good things to eat at his brother's bedside, however, than he was in Billy's bodily condition.

There was so much jelly, and blanc-mange, and other goodies that the invalid could not possibly consume all. Tommy sat and ate, and ate, until the nurse said:

"Tommy, don't you know that you are distending your stomach with all those sweets? It is not good for you."

When Tommy learned that "distending" meant that his stomach was being stretched, he was delighted.

"Gimme some more, Allie," he begged his sister. "Please do, Allie dear. I want to stwetch my 'tomach. It's never been big 'nough to hold all I want to eat."

The interest of Laura and her close friends in the strange man with the broken leg did not lag. He talked freely with his visitors; but mostly about Alaska and his adventures in the gold mines.

As near as he could guess, he must have come out of the mines with his "pile," as he expressed it, almost ten years before.

"What under the canopy I have been doing since, I don't know. But if I've got down to two thousand dollars capital, I must have been having an awfully good time spending money; for I know I had a poke full of gold dust when I struck the coast and went over to Sitka."

"More likely he was robbed," said Chet.

"He looks about as much like a miner as Pa Belding," Laura declared.

There was too much going on just then, however, for Mother Wit to try out the thought that had come to her mind regarding this man. All these interests had to be sidetracked for school and lessons. And just at this time recitations seemed to be particularly hard. With rehearsals for the play, and all, mere knowledge was very difficult to acquire.

"I know I'm not half prepared in physics," wailed Nellie Agnew, as she and other juniors trooped into school one day, two weeks before Christmas.

"And I," said Jess Morse, "know about as much regarding this political economy as I do about sweeping up the Milky Way with a star brush."

"How poetic!" cried Laura, laughing. "I wonder if we all are as well prepared?"

"They expect too much of us," declared Dora Lockwood.

"Much too much!" echoed her sister.

"I wonder," said Laura, "if we don't expect too much of the teachers?"

In the physics recitation Nellie Agnew, as she prophesied, came to grief.

Miss Carrington seemed to have an uncanny knowledge of whom to call on at such times. She seemed aware that Nellie had not prepared her lesson properly. It might be that the wary teacher read her pupils' faces. Nellie's was so woebegone that it was scarcely possible to overlook the fact that she probably felt her shortcomings in the task at hand.

Miss Carrington called on the doctor's daughter almost the first one in physics. To say "unprepared!" to Miss Carrington was to bring upon one's head the shattered vials of her wrath. There was no excuse for not trying, that strict instructor considered.

So Nellie tried. She stumbled along in her first answer "like a blind man in a blind alley," so Jess Morse declared. It was pitiful, and all the class sympathized. The gentle Nellie was led to make the most ridiculous statements by the silky-voiced teacher.

"And you are a physician's daughter!" Miss Carrington burst out at last. "For shame!"

"If I were Nell," said Dora Lockwood to her twin, "I'd cut pills altogether after this. I'd rather take math with Mr. Sharp himself."

Miss Grace G. Carrington was never content to let a pupil fail and sit down. She nagged and browbeat poor Nellie until the girl lost her nerve and began to cry. By that time the other girls were all angry and upset, and that physics recitation was bound to go badly.

When Jess was called on she rose with blazing cheeks and angry eyes to face their tormentor. Miss Carrington saw antagonism writ large upon Jess Morse's face.

"I presume, Miss Morse, you think I cannot puzzle you?" said Miss Carrington in her very nastiest way.

"You can doubtless puzzle me," said Jess sharply. "But you cannot make me cry, Miss Carrington."

"Sit down!" ejaculated the angry teacher. "That goes for a demerit."

"And it is about as fair as your demerits usually are," cried Jess.

"Two, Miss Morse," said the teacher. "One more and you will not act in that play next week."

"If I'd been born dumb," sighed Jess afterward, "it would have been money in my pocket. I almost had to bite the tip of my tongue off to keep from saying something more."

"And so ruin the whole play?" said Laura softly.

"Huh! I guess Hester Grimes will do that," declared Jess. "She moves about the stage like an automaton. She is going to get us a big laugh, but in the wrong place. Now, you see."

The girls rehearsed every afternoon, and the athletic work was neglected. Mrs. Case excused those who were engaged in producing the play. "The Rose Garden" was not such an easily acted play as they had at first supposed. Mr. Mann was patient with them; but in Hester Grimes' case he could not help the feeling of annoyance that took possession of him.

Hester Grimes took offence so easily.

"Every rehearsal I look for her to cut up rusty," Jess cried. "And somebody has got to play the part of the dark lady! It is not a part that can be cut out of the cast, although it is not a speaking part."

Hester had begun to complain, too, because she had no lines. She considered that she was being deprived of her rights, and was of less importance than the other girls, because she was dumb on the stage.

"Why! even Bobby Hargrew," she complained, "with her silly sailor part, has lines to repeat, besides that sailor's hornpipe in the first act. Of course, you girls would wish the least important part onto me."

"What nonsense, Hester!" cried Jess. "If you really understood the play and the significance of your part, you would not say such a thing. And do, do be less like a wooden image."

"Humph! I guess I know my part, Jess Morse," snapped Hester. "It doesn't matter at all what I do on the stage."

"What did I tell you?" groaned Bobby. "'Double! Double!' and-so-forth. There is trouble brewing. If we all had measles or chicken-pox, and so couldn't give the play, we'd be in luck, I verily believe."

"Oh, don't, Bobby!" begged Dora Lockwood. "You are so reckless."

"Just the same, I feel it in my bones that Hester is going to kick over the traces," said Bobby grimly.

"If only Margit Salgo had been allowed to have the part," groaned Dorothy.

"It's Gee Gee's fault if the play is a failure," snapped Bobby.

Never had the disagreeable teacher at Central High been so little liked as at this time. They blamed Miss Carrington more than they did Hester.

As the party of troubled girls left the school-house on this particular afternoon, Lily Pendleton ran after them.

"What do you think has happened?" she cried.

"It's something bad, of course," groaned Nellie Agnew.

"Who is hurt?" asked Laura.

"It isn't that," said Lily. "But poor Purt Sweet!"

"Now what has he done?" asked Jess.

"It is what they say he has done, not what he really has done," wailed Lily. "The police have been to his house. And what do you think?"

"I bet his mother's had a fit!" exclaimed Bobby, in an undertone.

"The police accuse Purt of running down that man on Market Street the other Saturday night," said Lily warmly. "And Purt doesn't know anything more about it than a baby! Isn't it awful, girls?"



CHAPTER XVIII

WHERE WAS PURT?

The police examination of Purt Sweet was no light matter. Two of Centerport's detective force had been working on the case ever since the stranger had been knocked down on Market Street, and, like Chet Belding and his friends, the detectives finally had come to the conclusion that Prettyman Sweet's automobile was the only Perriton car in the city that had not been in storage on that night.

The detectives' visit to the Sweet residence, and Purt's later call upon the Chief of Police at his command, were dreadfully shocking to the boy's mother. Purt had to reassure her and insist that he was not going to be arrested and sent to jail at once; so he had not much time to be frightened himself. Indeed, he came out in rather good colors on this particular occasion.

The boy's father had long since died. Purt had been indulged by his mother to a ridiculous degree, and as a usual thing Purt's conversation and his activities were ridiculed by his schoolmates.

"This disgrace will kill me, Prettyman!" wailed Mrs. Sweet.

"Where does the disgrace come in," pleaded poor Purt, "when I haven't really done anything?"

"But they say you have!"

"I can't help what they say."

"You were out that evening with the car. I remember it very well," his mother declared.

"What of it? I wasn't on Market Street the whole evening," grumbled the boy.

"Where were you then?" she demanded.

It seemed as though everybody else asked Purt Sweet that question, from the Chief of Police down; and it was the one question the boy would not answer.

He grew red, and sputtered, and begged the question, every time anybody sought to discover just where he was with the automobile on that Saturday evening after dinner. Even when Chief Donovan threatened him with arrest, Purt said:

"If I should tell you it wouldn't do any good. It would not relieve me of suspicion and would maybe only make trouble for other people. I was out with our car, and that is all there is to it. But I did not run that man down. I was not on Market Street."

He stuck to this. And his honest manner impressed the head of the police force. Besides, Mrs. Sweet was very wealthy, and if Purt was arrested she would immediately bail him and would engage the best counsel in the county to defend her son. It is one thing to accuse a person of a fault. As Chief Donovan very well knew, it is an entirely different matter to prove such accusation.

The news of Purt's trouble was not long in getting to Short and Long in the hospital. Chet and Lance really thought the smaller boy would express some satisfaction over Purt's trouble. But to their surprise Billy took up cudgels for the dandy as soon as he was told that the police suspected him of the offense.

"What's the matter with you, Short?" demanded the big fellow. "You've been sure Purt was guilty all the time."

"I don't care!" declared Billy. "He's one of us fellows, isn't he?"

"Admitted he goes to Central High," Chet said.

"But he isn't one of our gang," Lance added.

"I don't care! The police are always too fresh," said Billy, who had reason for believing that the Centerport police sometimes made serious mistakes. Billy had had his own experience, as related in "The Girls of Central High on Lake Luna."

"Then you don't believe Purt did it?" demanded Lance.

"No, I don't. I was mistaken," declared Short and Long. "Purt's all right"

"Wow! Wow!" murmured Chet.

"See how he brought me here in his car when I was hurt. And look at the stuff Purt's given me while I've been here," said Billy excitedly. "He'd never have hurt that man and run away without seeing what he'd done. No, sir!"

"Crackey, Billy!" said Chet, "you've turned square around."

"I know I have. And I ought to be ashamed of myself for ever distrusting Purt," said the invalid vigorously.

"Then why won't Purt tell where he was?" demanded Lance doubtfully.

"I don't care where he was," said Billy. "If he says he didn't hit the man, he didn't. That's all. And we've got to prove it, boys."

"Some job you suggest," said Chet slowly. "It looks to me as though Pretty Sweet was in a bad hole, and no mistake."

Even the most charitable of his schoolmates took this view of Purt Sweet's trouble. His denial of guilt did not establish the fact of his innocence. His inability, or refusal, to explain where he was at the time of the accident on Market Street in front of Mr. Belding's jewelry store made the situation very difficult indeed.

"If he could only put forward an alibi," Lance Darby said, when the Hill crowd of Central High boys and girls discussed the matter.

"But he won't say a word!" cried Nellie. "I believe he is innocent."

"Then why doesn't he tell where he was at the time?" demanded Laura sternly.

"Is he scared to tell the truth?" asked Jess.

"I don't think he is," Chet observed thoughtfully. "Somehow he acts differently from usual."

"You're right," Bobby declared, with frank approval of one of whom she had never approved before. "I believe there's a big change in old Purt."

"Well, it's strange," Laura remarked. "He never showed such obstinacy before."

"He's never shown any particular courage before, either," said her brother. "That's what gets me!"

"Where does the courage come in?" demanded Lance.

"I believe Chet is right," Jess said. "Purt is trying to shield somebody."

"From what?" and "Who?" were the chorused demands.

"I don't know," Jess told them. "There is somebody else mixed up in this trouble. It stands to reason Purt would not be so obstinate if he had nothing to hide. And we are pretty much of the opinion—all of us—that he really did not run that man down. Therefore, if he is not shielding some other person, what is he about?"

"I've asked him frankly," Chet said, "and all I could get out of him was that he 'couldn't tell.' No sense to that," growled the big fellow.

It seemed that Purt Sweet had pretty well succeeded in puzzling his friends as well as the police. The latter were evidently waiting to get something provable on poor Purt. Then a warrant would be issued for his arrest.

By this time the stranger who had been the start of all the trouble and mystery—the man from Alaska, as the hospital force called him—was able to be up and wheeled in a chair, although his leg was not yet out of plaster.

Billy Long heard of this, and he grew very anxious to see the man whose accident was the beginning of Purt's trouble. Billy had quickly become a favorite with both the nurses and doctors of the Centerport Hospital. He was brave in bearing pain, and he was as generous as he could be with the goodies and fruit and flowers that were brought to him. He divided these with the other patients in his ward, and cheered his mates with his lively chatter.

At first, however, there had been an hour or so every other day when a screen was placed about Billy's bed and the doctor and nurse had a very bad time, indeed, dressing the dreadful burns the boy had sustained.

Short and Long could not help screaming at times, and when he did not really scream the others in the ward could hear his half-stifled moans and sobs. These experiences were hard to bear.

When the dressings were over and his courage was restored the screen was removed from about Billy's cot and he would grin ruefully enough at his nearer neighbors.

"I'm an awful baby. Too tender-hearted—that's me all over," he said once. "I never could stand seeing anybody hurt—and I can see just what they are doing to me all the time!"

Billy knew that the man from Alaska was being wheeled up and down the corridor, and he begged so hard to speak with him that the nurse went out and asked the orderly to wheel the chair in to Billy's cot.

"So you are the brave boy I've heard about, are you?" said the stranger, smiling at the bandaged boy from Central High.

"I know how brave you've heard me," said Billy soberly. "I do a lot of hollering when they are plastering me up."

The man laughed and said: "Just the same I am glad to know you. My name seems to have got away from me for the time being. My mind's slipped a cog, as you might say. What do they call you, son?"

Billy told him his name. "And," he added, "I was right there in front of Chet Belding's father's jewelry store when that automobile knocked you down."

"You don't mean it?"

"Yes, sir. I saw the machine. It was a Perriton car all right. It might even have been Pretty Sweet's car. But it wasn't Pretty Sweet driving it, I am sure."

The boy's earnestness caught the man's full attention. "I guess this Sweet boy they tell about is a friend of yours, son?" he said.

"He is a friend all right, all right," said Billy Long. "And I never knew it till right here when I got hurt. Purt—that's what we call him—is a good fellow. And I am sure he wouldn't do such a thing as to knock you down and then run away without finding out if he had hurt you."

"I don't know how that may be," said the man seriously. "But whoever it was that ran me down did me a bad turn. I can't find my name—or who I am—or where I belong. I tell you what it is, Billy Long, that is a serious condition for anybody to be in."

"I guess that's so," admitted the boy. "And you got your leg broken, too, in two places."

"I don't mind much about the broken leg," said the man who had lost his name. "What I am sore about, Billy Long, is not having any name to use. It—it is awfully embarrassing."

"Yes, sir, I guess it is."

"So, you see, I don't feel very kindly toward this Sweet boy, if he was the one who knocked me down."

"Oh, but I'm sure he isn't the one."

"Why are you so sure?"

"Because he wouldn't be so mean about it, and lie, and all, if he had done it. You see, a boy who has been so nice to me as he has, couldn't really be so mean as all that to anybody else."

"Not conclusive," said the man. "You only make a statement. You don't offer proof."

"But I—Well!" ejaculated Billy, "I'd do most anything to make you see that Purt couldn't be guilty of knocking you down."

"I'll tell you," said the man without a name, smiling again, "I haven't any particular hard feelings against your friend. Or I wouldn't have if I could get my name and memory back. So you find out some way of helping me recover my memory—you and your young friends, Billy Long—and I'll forgive the Sweet boy, whether he hurt me or not"

"Suppose the cops arrest him?" asked Billy worriedly.

"I'll do all I can to keep them from annoying Sweet if you boys and girls can find out who I am and where I belong," declared the man, laughing somewhat ruefully.

And Billy shook hands on that To his mind the task was not impossible.



CHAPTER XIX

LAURA LISTENS

Laura Belding had evolved an idea regarding "Mr. Nemo of Nowhere," as Bobby dubbed the stranger at the hospital. In fact, she had two ideas which were entwined in her thought. But up to this point she had found no time to work out either.

She had taken nobody into her confidence; for Mother Wit was not one to "tell all she knew in a minute." On both points Laura desired to consider her way with caution.

She went shopping with her mother to several stores on Market Street one afternoon, skipping the rehearsal of "The Rose Garden" for this purpose. The Christmas crowds were greater than she had ever seen them before. But the enthusiasm for the Red Cross drive had by no means faltered in spite of the season.

Ember Night had gathered nearly five thousand dollars for the cause. Laura treasured a very nicely worded letter of appreciation from the mayor's secretary, thanking the Central High girl for her suggestion, which had proved so efficacious in money-raising. Laura was not exhibiting this letter to very many people, but she was secretly proud of it.

In every store she entered Laura saw a Red Cross booth, while collectors with padlocked boxes were weaving in and out among the shoppers.

"Give Again! Warranted Not to Hurt You!" was the slogan. Wearing a Red Cross button did not absolve one from being solicited.

And she saw that the people were giving with a smile. Centerport was still enthusiastic over the drive. Laura seriously considered what she and her Central High girl friends were trying to do for the fund. Would the play be a success? If they only gave one performance and the audience was not enthusiastic enough to warrant a second, and then a third, she would consider that they had failed.

All of a sudden, while she was thinking of this very serious fact, Laura came face to face with Janet Steele.

"You are just the girl I wished most to see, Janet!" cried the Central High girl.

"I always want to see you, Laura Belding," declared the Red Cross girl, who was evidently off duty and homeward bound.

"Thank you, dear," Laura said. "You must prove that. I want you to do me a favor."

"What can I possibly do for you?" laughed Janet. "Hurry and tell me."

"You may not be so willing after you hear what it is."

"You doubt my willingness to prove my friendship?" demanded Janet soberly.

"Not a bit of it! But, listen here." She told Janet swiftly what she desired, and from the sparkle in her eyes and the rising flush in her face it was easily seen that Laura had not asked a favor that Janet would not willingly give.

"Oh, but my dear!" she cried, "I shall have to ask mother."

"I presume you will," said Laura, smiling. "Shall I go along with you and see what she says?"

"Can you?"

"I have done all my mother's errands—look at these bundles," said Laura. "We might as well have this matter settled at once. Your mother won't mind my coming in this way, will she?"

"You may come in any way you wish, and any time you wish, my dear," said Janet warmly. "Mother very much approves of you."

"It is sweet of you to say so," returned the girl of Central High. "I shall be quite sure she approves of me if she lets you do what I want in this case, Janet," and she laughed again as they turned off the busy main street into a quieter one.

The invalid was at the long window, and beckoned to Laura to come in before she saw that that was the visitor's intention.

"I cannot begin to tell you how delighted we are to have you girls call," Mrs. Steele said, when she had greeted both her daughter and Laura with a kiss. "It would be so nice if Janet could go to school; then she might bring home a crowd of young folks every afternoon," and the invalid laughed.

"But, you see, Miss Belding, I am so trying in the morning. It does seem that it is all Aunt Jinny and Janet can do to get me out of my bed, and dressed, and fed, and seated here on my throne for the day."

"It seems too bad that the weather is not so you can go out," Laura said.

"Oh, I almost never go out," Mrs. Steele replied. "Though I tell Janet that when spring comes, if we can only get the agent to repair that porch, she can wheel me back and forth on it in my chair."

"Better than that, dear Mrs. Steele," Laura promised, "we will come with our car and take you for a ride all over Centerport, and along the Lakeside Drive. It is beautiful in the spring."

"How nice of you!" cried the invalid. "But that, of course, depends upon whether we are in Centerport when the pleasant weather comes," said Mrs. Steele sadly.

"Oh, my dear!" exclaimed Laura, "do you mean that you think of going away?"

"Now, Mother!" murmured Janet, as though the thought was repugnant to her, too.

"How can we tell?" cried the invalid, just a little excitedly. "You know, Janet, if we should hear of your uncle——"

"Oh, Mother!" sighed the girl, "I do wish you would give up hope of Uncle Jack's ever turning up again."

"Don't talk that way," said her mother sharply. "You do not know Jack as I do. He was only my half brother, but the very nicest boy who ever lived. Why, he gave up all his share of the income from my father's estate to me, and went off to the wilds to seek his own fortune.

"How was he to know that some of the investments poor father made would turn out badly, and that our income would be reduced to a mere pittance? For I tell you, Miss Belding," added the invalid less vehemently, "that we have almost nothing, divided by three, to live on. That is, an income for one must support us three. Aunt Jinny is one of us, you know."

"Now, Mother!" begged Janet "Sha'n't I get tea for us?"

"Of course! What am I thinking of?" returned her mother. "Tell Aunt Jinny to make it in the flowered teapot I fancy the flowered teapot to-day—and the blue-striped cups and saucers.

"Do you know, Miss Belding, what the complete delight of wealth is? It is an ability to see variety about one in the home. You need not use the same old cups and saucers every day! If I were rich I would have the furniture changed in my room every few days. Sameness is my bete noire."

"It must be very hard for you, shut in so much," said Laura quietly.

"And poor Janet is shut in a good deal of the time with me, and suffers because of my crotchets. Ah, if we could only find Jack Weld—my half brother, you know, Miss Belding. He went away to make his fortune, and I believe he made it. He has probably settled down somewhere, in good health and with plenty, and without an idea as to our situation. He never was a letter writer. And he had every reason to suppose that we were well fixed for life. Then, we have moved about so much——"

Janet came back with the tea things. Mrs. Steele left the subject of her brother, and Laura found opportunity of broaching the matter on which she had come. What she wished Janet to do pleased the latter's mother immensely. She was, in fact, delighted.

"How nice of you to suggest it, Miss Belding," said Mrs. Steele. "I know Janet will be glad to do it. Will you not, Janet?"

"I—I'll try," said her daughter, flushed and excited at the prospect Laura's suggestion opened before her.



CHAPTER XX

TWO THINGS ABOUT HESTER

Scarcely was Bobby Hargrew of a happier disposition and of more volatile temperament than the Lockwood twins. Dora and Dorothy, while still chubby denizens of the nursery, saw that the world was bound to be full of fun for them if they attacked it in the right spirit.

Dora and Dorothy's mother had died when they were very small, and the twins had been left to the mercy of relatives and servants, some of whom did not understand the needs of the growing girls as their mother would have done. Much of this is told in "The Girls of Central High on Lake Luna."

Almost as soon as the twins could stagger about in infant explorations of the house and grounds, they were wont to exchange the red and blue ribbons tied on their dimpled wrists by their nurse to tell them apart. For never were two creatures so entirely alike as Dora and Dorothy Lockwood.

And they had grown to maidenhood with, seemingly, the same features, the same voices, the same tastes, and with an unbounded love for and confidence in each other. As they always dressed alike nobody could be sure which was Dora and which Dorothy.

Now that they were well along in high school, the twins had been put on their honor not to recite for each other or to help each other in any unfair way. There really was a very close tie between them—almost an uncanny chord of harmony. Indeed, if one was punished the other wept!

The teachers of Central High were fond of the twins—all save Miss Carrington. Her attitude of considering the pupils her deadly enemies extended to the happy-go-lucky sisters. She did not believe there was such a thing as "school-girl honor." That is why she had such a hard time with her pupils.

In the play the girls of Central High were rehearsing, Dora and Dorothy played two distinct characters. Makeup and costume made this possible. But at the first dress rehearsal the twins pretty nearly broke up the scene in which they both appeared on the stage, by reciting each other's parts.

Dora was an old, old woman—a village witch with a cane—while Dorothy was a frisky young matron from the city. When they met by the rustic well in the rose garden, haunted by that "dark lady" who was giving Mr. Mann so much trouble, Dora uttered the sprightly lines of her blooming sister, while the latter mouthed the old hag's prophecies.

It was ridiculous, of course, and the girls could not go on with the rehearsal for some minutes because of their laughter. But Mr. Mann was not so well pleased. Dora and Dorothy promised not to do it again.

"If I'd done anything like that, you'd all have jumped on me," Hester Grimes declared with a sniff. "It wouldn't have been considered funny at all."

"And it wouldn't have been," murmured Jess to Laura.

"There is one thing about you, Hessie," said Bobby, in her most honeyed tone, "that 'precludes,' as Gee Gee would say, your doing such a thing."

"What's that, Miss Smarty?"

"You are not twins," declared Bobby, with gravity. "So you could not very well play that trick."

"Oh, my!" murmured Nellie, "what would we do if Hester were twins?"

"Don't mention it!" begged Jess. "The thought is terrifying."

But there proved to be a second thing about Hester which came out prominently within the week. This was something that not many of the girls of Central High had suspected before the moment of revelation.

The first performance of "The Rose Garden" was set for Friday night. There would follow a matinee and evening performance on Saturday—provided, of course, the first performance encouraged the managers to go on with the production.

"It all depends," sighed Jess, bearing a deal of the responsibility for the success of the piece on her young shoulders. "If we are punk, then nobody will come back to see the show a second time, or advise other folks to see it. And if we don't make a heap of money for the Red Cross, after all the advertising we've had, what will folks think of us?"

They were really all worried by the fear of failure. All but Hester. She did not appear to care. And it did seem as though every time she rehearsed she made the "dark lady" of the rose garden more wooden and impossible than before.

At length Mr. Mann had given her up as hopeless. It seemed impossible to make Hester act like a human being even, let alone like a graceful lady.

"So you see, now that he lets me alone, I do very well," asserted Hester, with vast assurance and a characteristic toss of her head. "I knew I was right all the time. Now, finally, Mr. Mann admits it."

When she said this to Lily, even Lily had her doubts. When Bobby heard her say it, she fairly hooted her scorn.

Of course, Hester instantly flew into a rage with Bobby. This was only two days before the fateful Friday and before recitations in the morning. The girls had gathered in the main lower corridor of Central High. The bell for classes had not yet rung.

"I'll show you how smart you are, Clara Hargrew!" Hester almost screamed. "I've a good mind to slap you!"

"That might make me smart, Hess," drawled the smaller girl coolly. "But it would not change the facts in the case at all. You are spoiling the whole play—the most effective scenes in it, too—by your obstinacy. Mr. Mann has given you up as a bad egg, that's all. If the play is a failure, it will be your fault."

And for once Laura Belding did not interfere to stop Bobby's tart tongue. Perhaps the bell for assembly rang too quickly for Mother Wit to interfere. At any rate, before Hester could make any rejoinder, they were hurrying in to their seats.

But the big girl was in a towering rage. She was fairly pale, she was so angry. Her teeth were clenched. Her eyes sparkled wrathfully. She was in no mood to face Miss Grace G. Harrington, who chanced to have the juniors before her for mediaeval history during the first period on this Wednesday morning.

Naturally, with the first performance of the play but two days away, those girls who were to act in it could not give their undivided attention to recitations. But Miss Carrington had determined to make no concessions.

She was firmly convinced that Central High should support no such farcical production as "The Rose Garden." Anything classical—especially if it were beyond the acting ability of the girls—would have pleased the obstinate woman.

"Something," as Nellie said, "in which we would all be draped in Greek style, in sheets, and wear sandals and flesh colored hose, covered from neck to instep, and with long speeches in blank verse to mouth. That is the sort of a performance to satisfy Miss Carrington."

"Amen!" agreed Bobby.

"Wait till she sees Bobby's knickers," chuckled Dora Lockwood. "You know Gee Gee always looks as though she wanted to put on blinders when she comes into the girls' gym."

Of course, these remarks were not passed in history class. But Dora was somehow inattentive just the same on this morning. She sat on one side of Hester Grimes and Dorothy on the other. The angry girl between the twins looked like a vengeful high priestess of Trouble—and Trouble appeared.

Miss Carrington asked Dora a direct question, speaking her name as she always did, and glaring at the twin in question near-sightedly, in an endeavor to see the girl's lips move when she answered. She was sure of Dora's seat; but, of course, she could not be sure whether Dora or Dorothy was sitting in it. Her refusal to accept the fact that the twins were on their honor kept Miss Carrington in doubt.

"Relate some incident, with date, in the life of Saladin, Dora," the teacher commanded.

Dora hesitated. This was a "jump question," as the pupils called it. Miss Carrington, as she frequently did, had gone back several lessons for this query, and Dora was hazy about Saladin.

"Come, Dora!" ejaculated the teacher harshly. "Have you no answer?"

Dorothy leaned forward to look across Hester's desk at her sister. She was anxious that Dora should not fail. She would have imparted, could she have done so, her knowledge of Saladin to her twin. But there was only nervous anxiety in her look and manner.

The moment Dora's lips opened and she began her reply, Hester turned sharply and stared at Dorothy. It was a despicable trick—a mean and contemptible attempt to get the twins into trouble. And Hester did it deliberately.

She knew that Miss Carrington was much more near-sighted than she was willing to acknowledge. Seeing Hester look at Dorothy caused the teacher to believe that Dorothy was answering for her sister.

"Stop!" commanded Miss Carrington, rising quickly from her seat on the platform.

Dora, who had begun very well at last, halted in her answer and looked surprised. Miss Carrington was glaring now at Dorothy.

"How dare you, Dorothy Lockwood?" she demanded, her face quite red with anger. "There is no trusting any of you girls. Cheat!"

There was a sudden intake of breath all over the room. Some of the girls looked positively horror-stricken. For the teacher to use such an expression shocked Laura, and Jess, and Nellie for an instant, as though the word had been addressed to them personally.

"Oh!" gasped Jess.

The. teacher flashed her a glance. "Silence, Miss Morse!"

Dorothy had risen slowly to her feet. "What—what do you mean, Miss Carrington?" she whispered. "Do you say I—I have cheated?"

"Cheat!" repeated the teacher, with an index finger pointing Dorothy down. "I saw you. I heard you. You started to answer for your sister."

"I did not!" cried the accused girl.

"She certainly did not, Miss Carrington!" repeated Dora, rising likewise.

"Silence!" exclaimed Miss Carrington. "I would not believe either of you. You are both disgracing your classmates and Central High."

A sibilant hiss rose in the back of the room. The girls were more angry at this outburst of the teacher than all of them dared show.

Dorothy burst into a fit of weeping. She covered her face with her hands and ran out of the room. Dora, defying Miss Carrington, muttered:

"Ugly, mean thing!"

Then she ran after her sister. The room was in tense excitement. Miss Carrington saw suddenly that she positively had nobody on her side. She began to question the girls immediately surrounding the twins' seats.

"You saw her answer for her sister, Miss Morse?"

"I did not," declared Jess icily.

"Were you not looking at Dorothy, Laura?" asked the teacher.

"No, Miss Carrington. I was looking at Dora."

"And Dora answered!" cried the usually gentle and retiring Nellie Agnew.

"Why——Miss Grimes!" exclaimed the disturbed teacher. "You know that Dorothy was answering for her sister?"

"Oh, no, Miss Carrington," denied Hester.

"But you looked at her?"

"Yes."

"What for?" snapped the teacher.

"Why," drawled Hester, "that pin Dorothy wears in her blouse was on crooked and it attracted my attention."

That was the second thing about Hester Grimes. She was not alone a dunce when it came to acting, she was a prevaricator as well.



CHAPTER XXI

AND A THIRD THING

What might have happened following this explosion of bad temper and ill-feeling, had Mr. Sharp himself not entered the room, nobody will ever know. Miss Carrington had been led into a most unjust and unkind criticism of the Lockwood twins. She had been deliberately led into it by Hester Grimes. She knew Hester had done this.

The other girls knew it, too; and they all, the young folks, believed that the teacher had been most cruel and unfair.

Mr. Sharp could not have failed to appreciate the fact that there was a tense feeling in the room that never arose from an ordinary recitation in mediaeval history. But he smilingly overlooked anything of the kind.

"Pardon me, Miss Carrington—and you, young ladies," he said, bowing and smiling. "I have been in the senior classes, and now I am here to make the same statement I made there, and that I shall make to the sophomores later. May I speak to your class, Miss Carrington?"

Miss Carrington could not find her voice, but she bowed her permission for the principal to go on.

"Several of you young ladies," said Mr. Sharp, "are to take part in the play on Friday evening. Your work, in school, I fear, is being scamped a bit. Do the best you can; give your interest and attention as well as you may to the recitations.

"But I wish to announce that, until after this week, we teachers will excuse such failures as you may make in your work; only, of course, all faults will have to be made up after the holidays. We want you to give the play in a way to bring honor upon the school as a whole.

"I have enjoyed your last two rehearsals, and feel confident that, with a few raw spots smoothed over, you will produce 'The Rose Garden' in a way to please your friends and satisfy your critics. The faculty as a whole feel as I do about it. Go in and win!"

The little speech cleared the atmosphere of the class-room immediately. It did not please Miss Carrington, of course; but the girls felt that they could even forgive her after what Mr. Sharp had said.

Dora and Dorothy Lockwood had been insulted and maligned. They did not appear again at that recitation.

"But do you think old Gee Gee would say that she was wrong, and beg their pardon?" demanded Bobby, at recess. "Not on your life!"

"I don't know that a teacher in her situation could publicly acknowledge she was utterly in the wrong," Laura observed thoughtfully.

"I would like to know why not?" demanded Jess Morse.

"Why, you see, the fault really lies upon the conscience of one of us girls," said Laura, looking significantly at Hester.

The latter turned furiously, as though she had been waiting for and expecting just this criticism. But surely she had not expected it from this source. All the girls were amazed to hear Laura speak so harshly.

"Oh, Laura!" murmured Jess. "Now you have done it! She's going to blow up!"

"And she'll leave us flat on the play business," groaned Bobby.

Hester came across the reception room to Laura with flashing eyes and her face mottled with rage.

"What is that you say, Laura Belding?" she demanded.

"I will repeat it," said Laura firmly. "The whole trouble is on your conscience. You deliberately led Miss Carrington astray."