The call died away and was renewed three times. The old man and the boy beneath the tower turned their faces towards Mecca, fell upon their knees and bowed their heads to the hot stones. The tall Arab under the palm sank down swiftly. Domini kept the glasses at her eyes. Through them, as in a sort of exaggerated vision, very far off, yet intensely distinct, she saw the man with whom she had travelled in the train. He went to and fro, to and fro on the burning ground till the fourth call of the Mueddin died away. Then, as he approached the isolated palm tree and saw the Arab beneath it fall to the earth and bow his long body in prayer, he paused and stood still as if in contemplation. The glasses were so powerful that it was possible to see the expressions on faces even at that distance. The expression on the traveller's face was, or seemed to be, at first one of profound attention. But this changed swiftly as he watched the bowing figure, and was succeeded by a look of uneasiness, then of fierce disgust, then—surely—of fear or horror. He turned sharply away like a driven man, and hurried off along the cliff edge in a striding walk, quickening his steps each moment till his departure became a flight. He disappeared behind a projection of earth where the path sank to the river bed.

Domini laid the glasses down on the wall and looked at Count Anteoni.

"You say an atheist in the desert is unimaginable?

"Isn't it true?"

"Has an atheist a hatred, a horror of prayer?"

"Chi lo sa? The devil shrank away from the lifted Cross."

"Because he knew how much that was true it symbolised."

"No doubt had it been otherwise he would have jeered, not cowered. But why do you ask me this question, Madame?"

"I have just seen a man flee from the sight of prayer."

"Your fellow-traveller?"

"Yes. It was horrible."

She gave him back the glasses.

"They reveal that which should be hidden," she said.

Count Anteoni took the glasses slowly from her hands. As he bent to do it he looked steadily at her, and she could not read the expression in his eyes.

"The desert is full of truth. Is that what you mean?" he asked.

She made no reply. Count Anteoni stretched out his hand to the shining expanse before them.

"The man who is afraid of prayer is unwise to set foot beyond the palm trees," he said.

"Why unwise?"

He answered her very gravely.

"The Arabs have a saying: 'The desert is the garden of Allah.'"

* * * * *

Domini did not ascend the tower of the hotel that morning. She had seen enough for the moment, and did not wish to disturb her impressions by adding to them. So she walked back to the Hotel du Desert with Batouch.

Count Anteoni had said good-bye to her at the door of the garden, and had begged her to come again whenever she liked, and to spend as many hours there as she pleased.

"I shall take you at your word," she said frankly. "I feel that I may."

As they shook hands she gave him her card. He took out his. "By the way," he said, "the big hotel you passed in coming here is mine. I built it to prevent a more hideous one being built, and let it to the proprietor. You might like to ascend the tower. The view at sundown is incomparable. At present the hotel is shut, but the guardian will show you everything if you give him my card."

He pencilled some words in Arabic on the back from right to left.

"You write Arabic, too?" Domini said, watching the forming of the pretty curves with interest.

"Oh, yes; I am more than half African, though my father was a Sicilian and my mother a Roman."

He gave her the card, took off his hat and bowed. When the tall white door was softly shut by Smain, Domini felt rather like a new Eve expelled from Paradise, without an Adam as a companion in exile.

"Well, Madame?" said Batouch. "Have I spoken the truth?"

"Yes. No European garden can be so beautiful as that. Now I am going straight home."

She smiled to herself as she said the last word.

Outside the hotel they found Hadj looking ferocious. He exchanged some words with Batouch, accompanying them with violent gestures. When he had finished speaking he spat upon the ground.

"What is the matter with him?" Domini asked.

"The Monsieur who is staying here would not take him to-day, but went into the desert alone. Hadj wishes that the nomads may cut his throat, and that his flesh may be eaten by jackals. Hadj is sure that he is a bad man and will come to a bad end."

"Because he does not want a guide every day! But neither shall I."

"Madame is quite different. I would give my life for Madame."

"Don't do that, but go this afternoon and find me a horse. I don't want a quiet one, but something with devil, something that a Spahi would like to ride."

The desert spirits were speaking to her body as well as to her mind. A physical audacity was stirring in her, and she longed to give it vent.

"Madame is like the lion. She is afraid of nothing."

"You speak without knowing, Batouch. Don't come for me this afternoon, but bring round a horse, if you can find one, to-morrow morning."

"This very evening I will—"

"No, Batouch. I said to-morrow morning."

She spoke with a quiet but inflexible decision which silenced him. Then she gave him ten francs and went into the dark house, from which the burning noonday sun was carefully excluded. She intended to rest after dejeuner, and towards sunset to go to the big hotel and mount alone to the summit of the tower.

It was half-past twelve, and a faint rattle of knives and forks from the salle-a-manger told her that dejeuner was ready. She went upstairs, washed her face and hands in cold water, stood still while Suzanne shook the dust from her gown, and then descended to the public room. The keen air had given her an appetite.

The salle-a-manger was large and shady, and was filled with small tables, at only three of which were people sitting. Four French officers sat together at one. A small, fat, perspiring man of middle age, probably a commercial traveller, who had eyes like a melancholy toad, was at another, eating olives with anxious rapidity, and wiping his forehead perpetually with a dirty white handkerchief. At the third was the priest with whom Domini had spoken in the church. His napkin was tucked under his beard, and he was drinking soup as he bent well over his plate.

A young Arab waiter, with a thin, dissipated face, stood near the door in bright yellow slippers. When Domini came in he stole forward to show her to her table, making a soft, shuffling sound on the polished wooden floor. The priest glanced up over his napkin, rose and bowed. The French officers stared with an interest they were too chivalrous to attempt to conceal. Only the fat little man was entirely unconcerned. He wiped his forehead, stuck his fork deftly into an olive, and continued to look like a melancholy toad entangled by fate in commercial pursuits.

Domini's table was by a window, across which green Venetian shutters were drawn. It was at a considerable distance from the other guests, who did not live in the house, but came there each day for their meals. Near it she noticed a table laid for one person, and so arranged that if he came to dejeuner he would sit exactly opposite to her. She wondered if it was for the man at whom she had just been looking through Count Anteoni's field-glasses, the man who had fled from prayer in the "Garden of Allah." As she glanced at the empty chair standing before the knives and forks, and the white cloth, she was uncertain whether she wished it to be filled by the traveller or not. She felt his presence in Beni-Mora as a warring element. That she knew. She knew also that she had come there to find peace, a great calm and remoteness in which she could at last grow, develop, loose her true self from cramping bondage, come to an understanding with herself, face her heart and soul, and—as it were—look them in the eyes and know them for what they were, good or evil. In the presence of this total stranger there was something unpleasantly distracting which she could not and did not ignore, something which roused her antagonism and which at the same time compelled her attention. She had been conscious of it in the train, conscious of it in the tunnel at twilight, at night in the hotel, and once again in Count Anteoni's garden. This man intruded himself, no doubt unconsciously, or even against his will, into her sight, her thoughts, each time that she was on the point of giving herself to what Count Anteoni called "the desert spirits." So it had been when the train ran out of the tunnel into the blue country. So it had been again when she leaned on the white wall and gazed out over the shining fastnesses of the sun. He was there like an enemy, like something determined, egoistical, that said to her, "You would look at the greatness of the desert, at immensity, infinity, God!—Look at me." And she could not turn her eyes away. Each time the man had, as if without effort, conquered the great competing power, fastened her thoughts upon himself, set her imagination working about his life, even made her heart beat faster with some thrill of—what? Was it pity? Was it a faint horror? She knew that to call the feeling merely repugnance would not be sincere. The intensity, the vitality of the force shut up in a human being almost angered her at this moment as she looked at the empty chair and realised all that it had suddenly set at work. There was something insolent in humanity as well as something divine, and just then she felt the insolence more than the divinity. Terrifically greater, more overpowering than man, the desert was yet also somehow less than man, feebler, vaguer. Or else how could she have been grasped, moved, turned to curiosity, surmise, almost to a sort of dread—all at the desert's expense—by the distant moving figure seen through the glasses?

Yes, as she looked at the little white table and thought of all this, Domini began to feel angry. But she was capable of effort, whether mental or physical, and now she resolutely switched her mind off from the antagonistic stranger and devoted her thoughts to the priest, whose narrow back she saw down the room in the distance. As she ate her fish—a mystery of the seas of Robertville—she imagined his quiet existence in this remote place, sunny day succeeding sunny day, each one surely so like its brother that life must become a sort of dream, through which the voice of the church bell called melodiously and the incense rising before the altar shed a drowsy perfume. How strange it must be really to live in Beni-Mora, to have your house, your work here, your friendships here, your duties here, perhaps here too the tiny section of earth which would hold at the last your body. It must be strange and monotonous, and yet surely rather sweet, rather safe.

The officers lifted their heads from their plates, the fat man stared, the priest looked quietly up over his napkin, and the Arab waiter slipped forward with attentive haste. For the swing door of the salle-a-manger at this moment was pushed open, and the traveller—so Domini called him in her thoughts—entered and stood looking with hesitation from one table to another.

Domini did not glance up. She knew who it was and kept her eyes resolutely on her plate. She heard the Arab speak, a loud noise of stout boots tramping over the wooden floor, and the creak of a chair receiving a surely tired body. The traveller sat down heavily. She went on slowly eating the large Robertville fish, which was like something between a trout and a herring. When she had finished it she gazed straight before her at the cloth, and strove to resume her thoughts of the priest's life in Beni-Mora. But she could not. It seemed to her as if she were back again in Count Anteoni's garden. She looked once more through the glasses, and heard the four cries of the Mueddin, and saw the pacing figure in the burning heat, the Arab bent in prayer, the one who watched him, the flight. And she was indignant with herself for her strange inability to govern her mind. It seemed to her a pitiful thing of which she should be ashamed.

She heard the waiter set down a plate upon the traveller's table, and then the noise of a liquid being poured into a glass. She could not keep her eyes down any more. Besides, why should she? Beni-Mora was breeding in her a self-consciousness—or a too acute consciousness of others—that was unnatural in her. She had never been sensitive like this in her former life, but the fierce African sun seemed now to have thawed the ice of her indifference. She felt everything with almost unpleasant acuteness. All her senses seemed to her sharpened. She saw, she heard, as she had never seen and heard till now. Suddenly she remembered her almost violent prayer—"Let me be alive! Let me feel!" and she was aware that such a prayer might have an answer that would be terrible.

Looking up thus with a kind of severe determination, she saw the man again. He was eating and was not looking towards her, and she fancied that his eyes were downcast with as much conscious resolution as hers had been a moment before. He wore the same suit as he had worn in the train, but now it was flecked with desert dust. She could not "place" him at all. He was not of the small, fat man's order. They would have nothing in common. With the French officers? She could not imagine how he would be with them. The only other man in the room—the servant had gone out for the moment—was the priest. He and the priest—they would surely be antagonists. Had he not turned aside to avoid the priest in the tunnel? Probably he was one of those many men who actively hate the priesthood, to whom the soutane is anathema. Could he find pleasant companionship with such a man as Count Anteoni, an original man, no doubt, but also a cultivated and easy man of the world? She smiled internally at the mere thought. Whatever this stranger might be she felt that he was as far from being a man of the world as she was from being a Cockney sempstress or a veiled favourite in a harem. She could not, she found, imagine him easily at home with any type of human being with which she was acquainted. Yet no doubt, like all men, he had somewhere friends, relations, possibly even a wife, children.

No doubt—then why could she not believe it?

The man had finished his fish. He rested his broad, burnt hands on the table on each side of his plate and looked at them steadily. Then he turned his head and glanced sideways at the priest, who was behind him to the right. Then he looked again at his hands. And Domini knew that all the time he was thinking about her, as she was thinking about him. She felt the violence of his thought like the violence of a hand striking her.

The Arab waiter brought her some ragout of mutton and peas, and she looked down again at her plate.

As she left the room after dejeuner the priest again got up and bowed. She stopped for a moment to speak to him. All the French officers surveyed her tall, upright figure and broad, athletic shoulders with intent admiration. Domini knew it and was indifferent. If a hundred French soldiers had been staring at her critically she would not have cared at all. She was not a shy woman and was in nowise uncomfortable when many eyes were fixed upon her. So she stood and talked a little to the priest about Count Anteoni and her pleasure in his garden. And as she did so, feeling her present calm self-possession, she wondered secretly at the wholly unnatural turmoil—she called it that, exaggerating her feeling because it was unusual—in which she had been a few minutes before as she sat at her table.

The priest spoke well of Count Anteoni.

"He is very generous," he said.

Then he paused, twisting his napkin, and added:

"But I never have any real intercourse with him, Madame. I believe he comes here in search of solitude. He spends days and even weeks alone shut up in his garden."

"Thinking," she said.

The priest looked slightly surprised.

"It would be difficult not to think, Madame, would it not?"

"Oh, yes. But Count Anteoni thinks rather as a Bashi-Bazouk fights, I fancy."

She heard a chair creak in the distance and glanced over her shoulder. The traveller had turned sideways. At once she bade the priest good-bye and walked away and out through the swing door.

All the afternoon she rested. The silence was profound. Beni-Mora was enjoying a siesta in the heat. Domini revelled in the stillness. The fatigue of travel had quite gone from her now and she began to feel strangely at home. Suzanne had arranged photographs, books, flowers in the little salon, had put cushions here and there, and thrown pretty coverings over the sofa and the two low chairs. The room had an air of cosiness, of occupation. It was a room one could sit in without restlessness, and Domini liked its simplicity, its bare wooden floor and white walls. The sun made everything right here. Without the sun—but she could not think of Beni-Mora without the sun.

She read on the verandah and dreamed, and the hours slipped quickly away. No one came to disturb her. She heard no footsteps, no movements of humanity in the house. Now and then the sound of voices floated up to her from the gardens, mingling with the peculiar dry noise of palm leaves stirring in a breeze. Or she heard the distant gallop of horses' feet. The church bell chimed the hours and made her recall the previous evening. Already it seemed far off in the past. She could scarcely believe that she had not yet spent twenty-four hours in Beni-Mora. A conviction came to her that she would be there for a long while, that she would strike roots into this sunny place of peace. When she heard the church bell now she thought of the interior of the church and of the priest with an odd sort of familiar pleasure, as people in England often think of the village church in which they have always been accustomed to worship, and of the clergyman who ministers in it Sunday after Sunday. Yet at moments she remembered her inward cry in Count Anteoni's garden, "Oh, what is going to happen to me here?" And then she was dimly conscious that Beni-Mora was the home of many things besides peace. It held warring influences. At one moment it lulled her and she was like an infant rocked in a cradle. At another moment it stirred her, and she was a woman on the edge of mysterious possibilities. There must be many individualities among the desert spirits of whom Count Anteoni had spoken. Now one was with her and whispered to her, now another. She fancied the light touch of their hands on hers, pulling gently at her, as a child pulls you to take you to see a treasure. And their treasure was surely far away, hidden in the distance of the desert sands.

As soon as the sun began to decline towards the west she put on her hat, thrust the card Count Anteoni had given her into her glove and set out towards the big hotel alone. She met Hadj as she walked down the arcade. He wished to accompany her, and was evidently filled with treacherous ideas of supplanting his friend Batouch, but she gave him a franc and sent him away. The franc soothed him slightly, yet she could see that his childish vanity was injured. There was a malicious gleam in his long, narrow eyes as he looked after her. Yet there was genuine admiration too. The Arab bows down instinctively before any dominating spirit, and such a spirit in a foreign woman flashes in his eyes like a bright flame. Physical strength, too, appeals to him with peculiar force. Hadj tossed his head upwards, tucked in his chin, and muttered some words in his brown throat as he noted the elastic grace with which the rejecting foreign woman moved till she was out of his sight. And she never looked back at him. That was a keen arrow in her quiver. He fell into a deep reverie under the arcade and his face became suddenly like the face of a sphinx.

Meanwhile Domini had forgotten him. She had turned to the left down a small street in which some Indians and superior Arabs had bazaars. One of the latter came out from the shadow of his hanging rugs and embroideries as she passed, and, addressing her in a strange mixture of incorrect French and English, begged her to come in and examine his wares.

She shook her head, but could not help looking at him with interest.

He was the thinnest man she had ever seen, and moved and stood almost as if he were boneless. The line of his delicate and yet arbitrary features was fierce. His face was pitted with small-pox and marked by an old wound, evidently made by a knife, which stretched from his left cheek to his forehead, ending just over the left eyebrow. The expression of his eyes was almost disgustingly intelligent. While they were fixed upon her Domini felt as if her body were a glass box in which all her thoughts, feelings, and desires were ranged for his inspection. In his demeanour there was much that pleaded, but also something that commanded. His fingers were unnaturally long and held a small bag, and he planted himself right before her in the road.

"Madame, come in, venez avec moi. Venez—venez! I have much—I will show—j'ai des choses extraordinaires! Tenez! Look!"

He untied the mouth of the bag. Domini looked into it, expecting to see something precious—jewels perhaps. She saw only a quantity of sand, laughed, and moved to go on. She thought the Arab was an impudent fellow trying to make fun of her.

"No, no, Madame! Do not laugh! Ce sable est du desert. Il y a des histoires la-dedans. Il y a l'histoire de Madame. Come bazaar! I will read for Madame—what will be—what will become—I will read—I will tell. Tenez!" He stared down into the bag and his face became suddenly stern and fixed. "Deja je vois des choses dans la vie de Madame. Ah! Mon Dieu! Ah! Mon Dieu!"

"No, no," Domini said.

She had hesitated, but was now determined.

"I have no time to-day."

The man cast a quick and sly glance at her, then stared once more into the bag. "Ah! Mon Dieu! Ah! Mon Dieu!" he repeated. "The life to come—the life of Madame—I see it in the bag!"

His face looked tortured. Domini walked on hurriedly. When she had got to a little distance she glanced back. The man was standing in the middle of the road and glaring into the bag. His voice came down the street to her.

"Ah! Mon Dieu! Ah! Mon Dieu! I see it—I see—je vois la vie de Madame—Ah! Mon Dieu!"

There was an accent of dreadful suffering in his voice. It made Domini shudder.

She passed the mouth of the dancers' street. At the corner there was a large Cafe Maure, and here, on rugs laid by the side of the road, numbers of Arabs were stretched, some sipping tea from glasses, some playing dominoes, some conversing, some staring calmly into vacancy, like animals drowned in a lethargic dream. A black boy ran by holding a hammered brass tray on which were some small china cups filled with thick coffee. Halfway up the street he met three unveiled women clad in voluminous white dresses, with scarlet, yellow, and purple handkerchiefs bound over their black hair. He stopped and the women took the cups with their henna-tinted fingers. Two young Arabs joined them. There was a scuffle. White lumps of sugar flew up into the air. Then there was a babel of voices, a torrent of cries full of barbaric gaiety.

Before it had died out of Domini's ears she stood by the statue of Cardinal Lavigerie. Rather militant than priestly, raised high on a marble pedestal, it faced the long road which, melting at last into a faint desert track, stretched away to Tombouctou. The mitre upon the head was worn surely as if it were a helmet, the pastoral staff with its double cross was grasped as if it were a sword. Upon the lower cross was stretched a figure of the Christ in agony. And the Cardinal, gazing with the eyes of an eagle out into the pathless wastes of sand that lay beyond the palm trees, seemed, by his mere attitude, to cry to all the myriad hordes of men the deep-bosomed Sahara mothered in her mystery and silence, "Come unto the Church! Come unto me!"

He called men in from the desert. Domini fancied his voice echoing along the sands till the worshippers of Allah and of his Prophet heard it like a clarion in Tombouctou.

When she reached the great hotel the sun was just beginning to set. She drew Count Anteoni's card from her glove and rang the bell. After a long interval a magnificent man, with the features of an Arab but a skin almost as black as a negro, opened the door.

"Can I go up the tower to see the sunset?" she asked, giving him the card.

The man bowed low, escorted her through a long hall full of furniture shrouded in coverings, up a staircase, along a corridor with numbered rooms, up a second staircase and out upon a flat-terraced roof, from which the tower soared high above the houses and palms of Beni-Mora, a landmark visible half-a-day's journey out in the desert. A narrow spiral stair inside the tower gained the summit.

"I'll go up alone," Domini said. "I shall stay some time and I would rather not keep you."

She put some money into the Arab's hand. He looked pleased, yet doubtful too for a moment. Then he seemed to banish his hesitation and, with a deprecating smile, said something which she could not understand. She nodded intelligently to get rid of him. Already, from the roof, she caught sight of a great visionary panorama glowing with colour and magic. She was impatient to climb still higher into the sky, to look down on the world as an eagle does. So she turned away decisively and mounted the dark, winding stair till she reached a door. She pushed it open with some difficulty, and came out into the air at a dizzy height, shutting the door forcibly behind her with an energetic movement of her strong arms.

The top of the tower was small and square, and guarded by a white parapet breast high. In the centre of it rose the outer walls and the ceiling of the top of the staircase, which prevented a person standing on one side of the tower from seeing anybody who was standing at the opposite side. There was just sufficient space between parapet and staircase wall for two people to pass with difficulty and manoeuvring.

But Domini was not concerned with such trivial details, as she would have thought them had she thought of them. Directly she had shut the little door and felt herself alone—alone as an eagle in the sky—she took the step forward that brought her to the parapet, leaned her arms on it, looked out and was lost in a passion of contemplation.

At first she did not discern any of the multitudinous minutiae in the great evening vision beneath and around her. She only felt conscious of depth, height, space, colour, mystery, calm. She did not measure. She did not differentiate. She simply stood there, leaning lightly on the snowy plaster work, and experienced something that she had never experienced before, that she had never imagined. It was scarcely vivid; for in everything that is vivid there seems to be something small, the point to which wonders converge, the intense spark to which many fires have given themselves as food, the drop which contains the murmuring force of innumerable rivers. It was more than vivid. It was reliantly dim, as is that pulse of life which is heard through and above the crash of generations and centuries falling downwards into the abyss; that persistent, enduring heart-beat, indifferent in its mystical regularity, that ignores and triumphs, and never grows louder nor diminishes, inexorably calm, inexorably steady, undefeated—more—utterly unaffected by unnumbered millions of tragedies and deaths.

Many sounds rose from far down beneath the tower, but at first Domini did not hear them. She was only aware of an immense, living silence, a silence flowing beneath, around and above her in dumb, invisible waves. Circles of rest and peace, cool and serene, widened as circles in a pool towards the unseen limits of the satisfied world, limits lost in the hidden regions beyond the misty, purple magic where sky and desert met. And she felt as if her brain, ceaselessly at work from its birth, her heart, unresting hitherto in a commotion of desires, her soul, an eternal flutter of anxious, passionate wings, folded themselves together gently like the petals of roses when a summer night comes into a garden.

She was not conscious that she breathed while she stood there. She thought her bosom ceased to rise and fall. The very blood dreamed in her veins as the light of evening dreamed in the blue.

She knew the Great Pause that seems to divide some human lives in two, as the Great Gulf divided him who lay in Abraham's bosom from him who was shrouded in the veil of fire.



BOOK II. THE VOICE OF PRAYER



CHAPTER VII

The music of things from below stole up through the ethereal spaces to Domini without piercing her dream. But suddenly she started with a sense of pain so acute that it shook her body and set the pulses in her temples beating. She lifted her arms swiftly from the parapet and turned her head. She had heard a little grating noise which seemed to be near to her, enclosed with her on this height in the narrow space of the tower. Slight as it was, and short—already she no longer heard it—it had in an instant driven her out of Heaven, as if it had been an angel with a flaming sword. She felt sure that there must be something alive with her at the tower summit, something which by a sudden movement had caused the little noise she had heard. What was it? When she turned her head she could only see the outer wall of the staircase, a section of the narrow white space which surrounded it, an angle of the parapet and blue air.

She listened, holding her breath and closing her two hands on the parapet, which was warm from the sun. Now, caught back to reality, she could hear faintly the sounds from below in Beni-Mora. But they did not concern her, and she wished to shut them out from her ears. What did concern her was to know what was with her up in the sky. Had a bird alighted on the parapet and startled her by scratching at the plaster with its beak? Could a mouse have shuffled in the wall? Or was there a human being up there hidden from her by the masonry?

This last supposition disturbed her almost absurdly for a moment. She was inclined to walk quickly round to the opposite side of the tower, but something stronger than her inclination, an imperious shyness, held her motionless. She had been carried so far away from the world that she felt unable to face the scrutiny of any world-bound creature. Having been in the transparent region of magic it seemed to her as if her secret, the great secret of the absolutely true, the naked personality hidden in every human being, were set blazing in her eyes like some torch borne in a procession, just for that moment. The moment past, she could look anyone fearlessly in the face; but not now, not yet.

While she stood there, half turning round, she heard the sound again and knew what caused it. A foot had shifted on the plaster floor. There was someone else then looking out over the desert. A sudden idea struck her. Probably it was Count Anteoni. He knew she was coming and might have decided to act once more as her cicerone. He had not heard her climbing the stairs, and, having gone to the far side of the tower, was no doubt watching the sunset, lost in a dream as she had been.

She resolved not to disturb him—if it was he. When he had dreamed enough he must inevitably come round to where she was standing in order to gain the staircase. She would let him find her there. Less troubled now, but in an utterly changed mood, she turned, leaned once more on the parapet and looked over, this time observantly, prepared to note the details that, combined and veiled in the evening light of Africa, made the magic which had so instantly entranced her.

She looked down into the village and could see its extent, precisely how it was placed in the Sahara, in what relation exactly it stood to the mountain ranges, to the palm groves and the arid, sunburnt tracts, where its life centred and where it tailed away into suburban edges not unlike the ragged edges of worn garments, where it was idle and frivolous, where busy and sedulous. She realised for the first time that there were two distinct layers of life in Beni-Mora—the life of the streets, courts, gardens and market-place, and above it the life of the roofs. Both were now spread out before her, and the latter, in its domestic intimacy, interested and charmed her. She saw upon the roofs the children playing with little dogs, goats, fowls, mothers in rags of gaudy colours stirring the barley for cous-cous, shredding vegetables, pounding coffee, stewing meat, plucking chickens, bending over bowls from which rose the steam of soup; small girls, seated in dusty corners, solemnly winding wool on sticks, and pausing, now and then, to squeak to distant members of the home circle, or to smell at flowers laid beside them as solace to their industry. An old grandmother rocked and kissed a naked baby with a pot belly. A big grey rat stole from a rubbish heap close by her, flitted across the sunlit space, and disappeared into a cranny. Pigeons circled above the home activities, delicate lovers of the air, wandered among the palm tops, returned and fearlessly alighted on the brown earth parapets, strutting hither and thither and making their perpetual, characteristic motion of the head, half nod, half genuflection. Veiled girls promenaded to take the evening cool, folding their arms beneath their flowing draperies, and chattering to one another in voices that Domini could not hear. More close at hand certain roofs in the dancers' street revealed luxurious sofas on which painted houris were lolling in sinuous attitudes, or were posed with a stiffness of idols, little tables set with coffee cups, others round which were gathered Zouaves intent on card games, but ever ready to pause for a caress or for some jesting absurdity with the women who squatted beside them. Some men, dressed like girls, went to and fro, serving the dancers with sweetmeats and with cigarettes, their beards flowing down with a grotesque effect over their dresses of embroidered muslin, their hairy arms emerging from hanging sleeves of silk. A negro boy sat holding a tomtom between his bare knees and beating it with supple hands, and a Jewess performed the stomach dance, waving two handkerchiefs stained red and purple, and singing in a loud and barbarous contralto voice which Domini could hear but very faintly. The card-players stopped their game and watched her, and Domini watched too. For the first time, and from this immense height, she saw this universal dance of the east; the doll-like figure, fantastically dwarfed, waving its tiny hands, wriggling its minute body, turning about like a little top, strutting and bending, while the soldiers—small almost from here as toys taken out of a box—assumed attitudes of deep attention as they leaned upon the card-table, stretching out their legs enveloped in balloon-like trousers.

Domini thought of the recruits, now, no doubt, undergoing elsewhere their initiation. For a moment she seemed to see their coarse peasant faces rigid with surprise, their hanging jaws, their childish, and yet sensual, round eyes. Notre Dame de la Garde must seem very far away from them now.

With that thought she looked quickly away from the Jewess and the soldiers. She felt a sudden need of something more nearly in relation with her inner self. She was almost angry as she realised how deep had been her momentary interest in a scene suggestive of a license which was surely unattractive to her. Yet was it unattractive? She scarcely knew. But she knew that it had kindled in her a sudden and very strong curiosity, even a vague, momentary desire that she had been born in some tent of the Ouled Nails—no, that was impossible. She had not felt such a desire even for an instant. She looked towards the thickets of the palms, towards the mountains full of changing, exquisite colours, towards the desert. And at once the dream began to return, and she felt as if hands slipped under her heart and uplifted it.

What depths and heights were within her, what deep, dark valleys, and what mountain peaks! And how she travelled within herself, with swiftness of light, with speed of the wind. What terrors of activity she knew. Did every human being know similar terrors?

The colours everywhere deepened as day failed. The desert spirits were at work. She thought of Count Anteoni again, and resolved to go round to the other side of the tower. As she moved to do this she heard once more the shifting of a foot on the plaster floor, then a step. Evidently she had infected him with an intention similar to her own. She went on, still hearing the step, turned the corner and stood face to face in the strong evening light with the traveller. Their bodies almost touched in the narrow space before they both stopped, startled. For a moment they stood still looking at each other, as people might look who have spoken together, who know something of each other's lives, who may like or dislike, wish to avoid or to draw near to each other, but who cannot pretend that they are complete strangers, wholly indifferent to each other. They met in the sky, almost as one bird may meet another on the wing. And, to Domini, at any rate, it seemed as if the depth, height, space, colour, mystery and calm—yes, even the calm—which were above, around and beneath them, had been placed there by hidden hands as a setting for their encounter, even as the abrupt pageant of the previous day, into which the train had emerged from the blackness of the tunnel, had surely been created as a frame for the face which had looked upon her as if out of the heart of the sun. The assumption was absurd, unreasonable, yet vital. She did not combat it because she felt it too powerful for common sense to strive against. And it seemed to her that the stranger felt it too, that she saw her sensation reflected in his eyes as he stood between the parapet and the staircase wall, barring—in despite of himself—her path. The moment seemed long while they stood motionless. Then the man took off his soft hat awkwardly, yet with real politeness, and stood quickly sideways against the parapet to let her pass. She could have passed if she had brushed against him, and made a movement to do so. Then she checked herself and looked at him again as if she expected him to speak to her. His hat was still in his hand, and the light desert wind faintly stirred his short brown hair. He did not speak, but stood there crushing himself against the plaster work with a sort of fierce timidity, as if he dreaded the touch of her skirt against him, and longed to make himself small, to shrivel up and let her go by in freedom.

"Thank you," she said in French.

She passed him, but was unable to do so without touching him. Her left arm was hanging down, and her bare hand knocked against the back of the hand in which he held his hat. She felt as if at that moment she touched a furnace, and she saw him shiver slightly, as over-fatigued men sometimes shiver in daylight. An extraordinary, almost motherly, sensation of pity for him came over her. She did not know why. The intense heat of his hand, the shiver that ran over his body, his attitude as he shrank with a kind of timid, yet ferocious, politeness against the white wall, the expression in his eyes when their hands touched—a look she could not analyse, but which seemed to hold a mingling of wistfulness and repellance, as of a being stretching out arms for succour, and crying at the same time, "Don't draw near to me! Leave me to myself!"—everything about him moved her. She felt that she was face to face with a solitariness of soul such as she had never encountered before, a solitariness that was cruel, that was weighed down with agony. And directly she had passed the man and thanked him formally she stopped with her usual decision of manner. She had abruptly made up her mind to talk to him. He was already moving to turn away. She spoke quickly, and in French.

"Isn't it wonderful here?" she said; and she made her voice rather loud, and almost sharp, to arrest his attention.

He turned round swiftly, yet somehow reluctantly, looked at her anxiously, and seemed doubtful whether he would reply.

After a silence that was short, but that seemed, and in such circumstances was, long, he answered, in French:

"Very wonderful, Madame."

The sound of his own voice seemed to startle him. He stood as if he had heard an unusual noise which had alarmed him, and looked at Domini as if he expected that she would share in his sensation. Very quietly and deliberately she leaned her arms again on the parapet and spoke to him once more.

"We seem to be the only travellers here."

The man's attitude became slightly calmer. He looked less momentary, less as if he were in haste to go, but still shy, fierce and extraordinarily unconventional.

"Yes, Madame; there are not many here."

After a pause, and with an uncertain accent, he added:

"Pardon, Madame—for yesterday."

There was a sudden simplicity, almost like that of a child, in the sound of his voice as he said that. Domini knew at once that he alluded to the incident at the station of El-Akbara, that he was trying to make amends. The way he did it touched her curiously. She felt inclined to stretch out her hand to him and say, "Of course! Shake hands on it!" almost as an honest schoolboy might. But she only answered:

"I know it was only an accident. Don't think of it any more."

She did not look at him.

"Where money is concerned the Arabs are very persistent," she continued.

The man laid one of his brown hands on the top of the parapet. She looked at it, and it seemed to her that she had never before seen the back of a hand express so much of character, look so intense, so ardent, and so melancholy as his.

"Yes, Madame."

He still spoke with an odd timidity, with an air of listening to his own speech as if in some strange way it were phenomenal to him. It occurred to her that possibly he had lived much in lonely places, in which his solitude had rarely been broken, and he had been forced to acquire the habit of silence.

"But they are very picturesque. They look almost like some religious order when they wear their hoods. Don't you think so?"

She saw the brown hand lifted from the parapet, and heard her companion's feet shift on the floor of the tower. But this time he said nothing. As she could not see his hand now she looked out again over the panorama of the evening, which was deepening in intensity with every passing moment, and immediately she was conscious of two feelings that filled her with wonder: a much stronger and sweeter sense of the African magic than she had felt till now, and the certainty that the greater force and sweetness of her feeling were caused by the fact that she had a companion in her contemplation. This was strange. An intense desire for loneliness had driven her out of Europe to this desert place, and a companion, who was an utter stranger, emphasised the significance, gave fibre to the beauty, intensity to the mystery of that which she looked on. It was as if the meaning of the African evening were suddenly doubled. She thought of a dice-thrower who throws one die and turns up six, then throws two and turns up twelve. And she remained silent in her surprise. The man stood silently beside her. Afterwards she felt as if, during this silence in the tower, some powerful and unseen being had arrived mysteriously, introduced them to one another and mysteriously departed.

The evening drew on in their silence and the dream was deeper now. All that Domini had felt when first she approached the parapet she felt more strangely, and she grasped, with physical and mental vision, not only the whole, but the innumerable parts of that which she looked on. She saw, fancifully, the circles widen in the pool of peace, but she saw also the things that had been hidden in the pool. The beauty of dimness, the beauty of clearness, joined hands. The one and the other were, with her, like sisters. She heard the voices from below, and surely also the voices of the stars that were approaching with the night, blending harmoniously and making a music in the air. The glowing sky and the glowing mountains were as comrades, each responsive to the emotions of the other. The lights in the rocky clefts had messages for the shadowy moon, and the palm trees for the thin, fire-tipped clouds about the west. Far off the misty purple of the desert drew surely closer, like a mother coming to fold her children in her arms.

The Jewess still danced upon the roof to the watching Zouaves, but now there was something mystic in her tiny movements which no longer roused in Domini any furtive desire not really inherent in her nature. There was something beautiful in everything seen from this altitude in this wondrous evening light.

Presently, without turning to her companion, she said:

"Could anything look ugly in Beni-Mora from here at this hour, do you think?"

Again there was the silence that seemed characteristic of this man before he spoke, as if speech were very difficult to him.

"I believe not, Madame."

"Even that woman down there on that roof looks graceful—the one dancing for those soldiers."

He did not answer. She glanced at him and pointed.

"Down there, do you see?"

She noticed that he did not follow her hand and that his face became stern. He kept his eyes fixed on the trees of the garden of the Gazelles near Cardinal Lavigerie's statue and replied:

"Yes, Madame."

His manner made her think that perhaps he had seen the dance at close quarters and that it was outrageous. For a moment she felt slightly uncomfortable, but determined not to let him remain under a false impression, she added carelessly:

"I have never seen the dances of Africa. I daresay I should think them ugly enough if I were near, but from this height everything is transformed."

"That is true, Madame."

There was an odd, muttering sound in his voice, which was deep, and probably strong, but which he kept low. Domini thought it was the most male voice she had ever heard. It seemed to be full of sex, like his hands. Yet there was nothing coarse in either the one or the other. Everything about him was vital to a point that was so remarkable as to be not actually unnatural but very near the unnatural.

She glanced at him again. He was a big man, but very thin. Her experienced eyes of an athletic woman told her that he was capable of great and prolonged muscular exertion. He was big-boned and deep-chested, and had nervous as well as muscular strength. The timidity in him was strange in such a man. What could it spring from? It was not like ordinary shyness, the gaucherie of a big, awkward lout unaccustomed to woman's society but able to be at his ease and boisterous in the midst of a crowd of men. Domini thought that he would be timid even of men. Yet it never struck her that he might be a coward, unmanly. Such a quality would have sickened her at once, and she knew she would have at once divined it. He did not hold himself very well, but was inclined to stoop and to keep his head low, as if he were in the habit of looking much on the ground. The idiosyncrasy was rather ugly, and suggested melancholy to her, the melancholy of a man given to over-much meditation and afraid to face the radiant wonder of life.

She caught herself up at this last thought. She—thinking naturally that life was full of radiant wonder! Was she then so utterly transformed already by Beni-Mora? Or had the thought come to her because she stood side by side with someone whose sorrows had been unfathomably deeper than her own, and so who, all unconsciously, gave her a knowledge of her own—till then unsuspected—hopefulness?

She looked at her companion again. He seemed to have relinquished his intention of leaving her, and was standing quietly beside her, staring towards the desert, with his head slightly drooped forward. In one hand he held a thick stick. He had put his hat on again. His attitude was much calmer than it had been. Already he seemed more at ease with her. She was glad of that. She did not ask herself why. But the intense beauty of evening in this land and at this height made her wish enthusiastically that it could produce a happiness such as it created in her in everyone. Such beauty, with its voices, its colours, its lines of tree and leaf, of wall and mountain ridge, its mystery of shapes and movements, stillness and dreaming distance, its atmosphere of the far off come near, chastened by journeying, fine with the unfamiliar, its solemn changes towards the impenetrable night, was too large a thing and fraught with too much tender and lovable invention to be worshipped in any selfishness. It made her feel as if she could gladly be a martyr for unseen human beings, as if sacrifice would be an easy thing if made for those to whom such beauty would appeal. Brotherhood rose up and cried in her, as it surely sang in the sunset, in the mountains, the palm groves and the desert. The flame above the hills, their purple outline, the moving, feathery trees; dark under the rose-coloured glory of the west, and most of all the immeasurably remote horizons, each moment more strange and more eternal, made her long to make this harsh stranger happy.

"One ought to find happiness here," she said to him very simply.

She saw his hand strain itself round the wood of his stick.

"Why?" he said.

He turned right round to her and looked at her with a sort of anger.

"Why should you suppose so?" he added, speaking quite quickly, and without his former uneasiness and consciousness.

"Because it is so beautiful and so calm."

"Calm!" he said. "Here!"

There was a sound of passionate surprise in his voice. Domini was startled. She felt as if she were fighting, and must fight hard if she were not to be beaten to the dust. But when she looked at him she could find no weapons. She said nothing. In a moment he spoke again.

"You find calm here," he said slowly. "Yes, I see."

His head dropped lower and his face hardened as he looked over the edge of the parapet to the village, the blue desert. Then he lifted his eyes to the mountains and the clear sky and the shadowy moon. Each element in the evening scene was examined with a fierce, painful scrutiny, as if he was resolved to wring from each its secret.

"Why, yes," he added in a low, muttering voice full of a sort of terrified surprise, "it is so. You are right. Why, yes, it is calm here."

He spoke like a man who had been suddenly convinced, beyond power of further unbelief, of something he had never suspected, never dreamed of. And the conviction seemed to be bitter to him, even alarming.

"But away out there must be the real home of peace, I think," Domini said.

"Where?" said the man, quickly.

She pointed towards the south.

"In the depths of the desert," she said. "Far away from civilisation, far away from modern men and modern women, and all the noisy trifles we are accustomed to."

He looked towards the south eagerly. In everything he did there was a flamelike intensity, as if he could not perform an ordinary action, or turn his eyes upon any object, without calling up in his mind, or heart, a violence of thought or of feeling.

"You think it—you think there would be peace out there, far away in the desert?" he said, and his face relaxed slightly, as if in obedience to some thought not wholly sad.

"It may be fanciful," she replied. "But I think there must. Surely Nature has not a lying face."

He was still gazing towards the south, from which the night was slowly emerging, a traveller through a mist of blue. He seemed to be held fascinated by the desert which was fading away gently, like a mystery which had drawn near to the light of revelation, but which was now slipping back into an underworld of magic. He bent forward as one who watches a departure in which he longs to share, and Domini felt sure that he had forgotten her. She felt, too, that this man was gripped by the desert influence more fiercely even than she was, and that he must have a stronger imagination, a greater force of projection even than she had. Where she bore a taper he lifted a blazing torch.

A roar of drums rose up immediately beneath them. From the negro village emerged a ragged procession of thick-lipped men, and singing, capering women tricked out in scarlet and yellow shawls, headed by a male dancer clad in the skins of jackals, and decorated with mirrors, camels' skulls and chains of animals' teeth. He shouted and leaped, rolled his bulging eyes, and protruded a fluttering tongue. The dust curled up round his stamping, naked feet.

"Yah-ah-la! Yah-ah-la!"

The howling chorus came up to the tower, with a clash of enormous castanets, and of poles beaten rhythmically together.

"Yi-yi-yi-yi!" went the shrill voices of the women.

The cloud of dust increased, enveloping the lower part of the procession, till the black heads and waving arms emerged as if from a maelstrom. The thunder of the drums was like the thunder of a cataract in which the singers, disappearing towards the village, seemed to be swept away.

The man at Domini's side raised himself up with a jerk, and all the former fierce timidity and consciousness came back to his face. He turned round, pulled open the door behind him, and took off his hat.

"Excuse me, Madame," he said. "Bon soir!"

"I am coming too," Domini answered.

He looked uncomfortable and anxious, hesitated, then, as if driven to do it in spite of himself, plunged downward through the narrow doorway of the tower into the darkness. Domini waited for a moment, listening to the heavy sound of his tread on the wooden stairs. She frowned till her thick eyebrows nearly met and the corners of her lips turned down. Then she followed slowly. When she was on the stairs and the footsteps died away below her she fully realised that for the first time in her life a man had insulted her. Her face felt suddenly very hot, and her lips very dry, and she longed to use her physical strength in a way not wholly feminine. In the hall, among the shrouded furniture, she met the smiling doorkeeper. She stopped.

"Did the gentleman who has just gone out give you his card?" she said abruptly.

The Arab assumed a fawning, servile expression.

"No, Madame, but he is a very good gentleman, and I know well that Monsieur the Count—"

Domini cut him short.

"Of what nationality is he?"

"Monsieur the Count, Madame?"

"No, no."

"The gentleman? I do not know. But he can speak Arabic. Oh, he is a very nice—"

"Bon soir," said Domini, giving him a franc.

When she was out on the road in front of the hotel she saw the stranger striding along in the distance at the tail of the negro procession. The dust stirred up by the dancers whirled about him. Several small negroes skipped round him, doubtless making eager demands upon his generosity. He seemed to take no notice of them, and as she watched him Domini was reminded of his retreat from the praying Arab in the desert that morning.

"Is he afraid of women as he is afraid of prayer?" she thought, and suddenly the sense of humiliation and anger left her, and was succeeded by a powerful curiosity such as she had never felt before about anyone. She realised that this curiosity had dawned in her almost at the first moment when she saw the stranger, and had been growing ever since. One circumstance after another had increased it till now it was definite, concrete. She wondered that she did not feel ashamed of such a feeling so unusual in her, and surely unworthy, like a prying thing. Of all her old indifference that side which confronted people had always been the most sturdy, the most solidly built. Without affectation she had been a profoundly incurious woman as to the lives and the concerns of others, even of those whom she knew best and was supposed to care for most. Her nature had been essentially languid in human intercourse. The excitements, troubles, even the passions of others had generally stirred her no more than a distant puppet-show stirs an absent-minded passer in the street.

In Africa it seemed that her whole nature had been either violently renewed, or even changed. She could not tell which. But this strong stirring of curiosity would, she believed, have been impossible in the woman she had been but a week ago, the woman who travelled to Marseilles dulled, ignorant of herself, longing for change. Perhaps instead of being angry she ought to welcome it as a symptom of the re-creation she longed for.

While she changed her gown for dinner that night she debated within herself how she would treat her fellow-guest when she met him in the salle-a-manger. She ought to cut him after what had occurred, she supposed. Then it seemed to her that to do so would be undignified, and would give him the impression that he had the power to offend her. She resolved to bow to him if they met face to face. Just before she went downstairs she realised how vehement her internal debate had been, and was astonished. Suzanne was putting away something in a drawer, bending down and stretching out her plump arms.

"Suzanne!" Domini said.

"Yes, Mam'zelle!"

"How long have you been with me?"

"Three years, Mam'zelle."

The maid shut the drawer and turned round, fixing her shallow, blue-grey eyes on her mistress, and standing as if she were ready to be photographed.

"Would you say that I am the same sort of person to-day as I was three years ago?"

Suzanne looked like a cat that has been startled by a sudden noise.

"The same, Mam'zelle?"

"Yes. Do you think I have altered in that time?"

Suzanne considered the question with her head slightly on one side.

"Only here, Mam'zelle," she replied at length.

"Here!" said Domini, rather eagerly. "Why, I have only been here twenty-six hours."

"That is true. But Mam'zelle looks as if she had a little life here, a little emotion. Mon Dieu! Mam'zelle will pardon me, but what is a woman who feels no emotion? A packet. Is it not so, Mam'zelle?"

"Well, but what is there to be emotional about here?"

Suzanne looked vaguely crafty.

"Who knows, Mam'zelle? Who can say? Mon Dieu! This village is dull, but it is odd. No band plays. There are no shops for a girl to look into. There is nothing chic except the costumes of the Zouaves. But one cannot deny that it is odd. When Mam'zelle was away this afternoon in the tower Monsieur Helmuth—"

"Who is that?"

"The Monsieur who accompanies the omnibus to the station. Monsieur Helmuth was polite enough to escort me through the village. Mon Dieu, Mam'zelle, I said to myself, 'Anything might occur here.'"

"Anything! What do you mean?"

But Suzanne did not seem to know. She only made her figure look more tense than ever, tucked in her round little chin, which was dimpled and unmeaning, and said:

"Who knows, Mam'zelle? This village is dull, that is true, but it is odd. One does not find oneself in such places every day."

Domini could not help laughing at these Delphic utterances, but she went downstairs thoughtfully. She knew Suzanne's practical spirit. Till now the maid had never shown any capacity of imagination. Beni-Mora was certainly beginning to mould her nature into a slightly different shape. And Domini seemed to see an Eastern potter at work, squatting in the sun and with long and delicate fingers changing the outline of the statuette of a woman, modifying a curve here, an angle there, till the clay began to show another woman, but with, as it were, the shadow of the former one lurking behind the new personality.

The stranger was not at dinner. His table was laid and Domini sat expecting each moment to hear the shuffling tread of his heavy boots on the wooden floor. When he did not come she thought she was glad. After dinner she spoke for a moment to the priest and then went upstairs to the verandah to take coffee. She found Batouch there. He had renounced his determined air, and his cafe-au-lait countenance and huge body expressed enduring pathos, as of an injured, patient creature laid out for the trampling of Domini's cruel feet.

"Well?" she said, sitting down by the basket table.

"Well, Madame?"

He sighed and looked on the ground, lifted one white-socked foot, removed its yellow slipper, shook out a tiny stone from the slipper and put it on again, slowly, gracefully and very sadly. Then he pulled the white sock up with both hands and glanced at Domini out of the corners of his eyes.

"What's the matter?"

"Madame does not care to see the dances of Beni-Mora, to hear the music, to listen to the story-teller, to enter the cafe of El Hadj where Achmed sings to the keef smokers, or to witness the beautiful religious ecstasies of the dervishes from Oumach. Therefore I come to bid Madame respectfully goodnight and to take my departure."

He threw his burnous over his left shoulder with a sudden gesture of despair that was full of exaggeration. Domini smiled.

"You've been very good to-day," she said.

"I am always good, Madame. I am of a serious disposition. Not one keeps Ramadan as I do."

"I am sure of it. Go downstairs and wait for me under the arcade."

Batouch's large face became suddenly a rendezvous of all the gaieties.

"Madame is coming out to-night?"

"Presently. Be in the arcade."

He swept away with the ample magnificence of joyous bearing and movement that was like a loud Te Deum.

"Suzanne! Suzanne!"

Domini had finished her coffee.

"Mam'zelle!" answered Suzanne, appearing.

"Would you like to come out with me to-night?"

"Mam'zelle is going out?"

"Yes, to see the village by night."

Suzanne looked irresolute. Craven fear and curiosity fought a battle within her, as was evident by the expressions that came and went in her face before she answered.

"Shall we not be murdered, Mam'zelle, and are there interesting things to see?"

"There are interesting things to see—dancers, singers, keef smokers. But if you are afraid don't come."

"Dancers, Mam'zelle! But the Arabs carry knives. And is there singing? I—I should not like Mam'zelle to go without me. But——"

"Come and protect me from the knives then. Bring my jacket—any one. I don't suppose I shall put it on."

As she spoke the distant tomtoms began. Suzanne started nervously and looked at Domini with sincere apprehension.

"We had better not go, Mam'zelle. It is not safe out here. Men who make a noise like that would not respect us."

"I like it."

"That sound? But it is always the same and there is no music in it."

"Perhaps there is more in it than music. The jacket?"

Suzanne went gingerly to fetch it. The faint cry of the African hautboy rose up above the tomtoms. The evening fete was beginning. To-night Domini felt that she must go to the distant music and learn to understand its meaning, not only for herself, but for those who made it and danced to it night after night. It stirred her imagination, and made her in love with mystery, and anxious at least to steal to the very threshold of the barbarous world. Did it stir those who had had it in their ears ever since they were naked, sunburned babies rolling in the hot sun of the Sahara? Could it seem as ordinary to them as the cold uproar of the piano-organ to the urchins of Whitechapel, or the whine of the fiddle to the peasants of Touraine where Suzanne was born? She wanted to know. Suzanne returned with the jacket. She still looked apprehensive, but she had put on her hat and fastened a sprig of red geranium in the front of her black gown. The curiosity was in the ascendant.

"We are not going quite alone, Mam'zelle?"

"No, no. Batouch will protect us."

Suzanne breathed a furtive sigh.

The poet was in the white arcade with Hadj, who looked both wicked and deplorable, and had a shabby air, in marked contrast to Batouch's ostentatious triumph. Domini felt quite sorry for him.

"You come with us too," she said.

Hadj squared his shoulders and instantly looked vivacious and almost smart. But an undecided expression came into his face.

"Where is Madame going?"

"To see the village."

Batouch shot a glance at Hadj and smiled unpleasantly.

"I will come with Madame."

Batouch still smiled.

"We are going to the Ouled Nails," he said significantly to Hadj.

"I—I will come."

They set out. Suzanne looked gently at the poet's legs and seemed comforted.

"Take great care of Mademoiselle Suzanne," Domini said to the poet. "She is a little nervous in the dark."

"Mademoiselle Suzanne is like the first day after the fast of Ramadan," replied the poet, majestically. "No one would harm her were she to wander alone to Tombouctou."

The prospect drew from Suzanne a startled gulp. Batouch placed himself tenderly at her side and they set out, Domini walking behind with Hadj.



CHAPTER VIII

The village was full of the wan presage of the coming of the moon. The night was very still and very warm. As they skirted the long gardens Domini saw a light in the priest's house. It made her wonder how he passed his solitary evenings when he went home from the hotel, and she fancied him sitting in some plainly-furnished little room with Bous-Bous and a few books, smoking a pipe and thinking sadly of the White Fathers of Africa and of his frustrated desire for complete renunciation. With this last thought blended the still remote sound of the hautboy. It suggested anything rather than renunciation; mysterious melancholy—successor to passion—the cry of longing, the wail of the unknown that draws some men and women to splendid follies and to ardent pilgrimages whose goal is the mirage.

Hadj was talking in a low voice, but Domini did not listen to him. She was vaguely aware that he was abusing Batouch, saying that he was a liar, inclined to theft, a keef smoker, and in a general way steeped to the lips in crime. But the moon was rising, the distant music was becoming more distinct. She could not listen to Hadj.

As they turned into the street of the sand-diviner the first ray of the moon fell on the white road. Far away at the end of the street Domini could see the black foliage of the trees in the Gazelles' garden, and beyond, to the left, a dimness of shadowy palms at the desert edge. The desert itself was not visible. Two Arabs passed, shrouded in burnouses, with the hoods drawn up over their heads. Only their black beards could be seen. They were talking violently and waving their arms. Suzanne shuddered and drew close to the poet. Her plump face worked and she glanced appealingly at her mistress. But Domini was not thinking of her, or of violence or danger. The sound of the tomtoms and hautboys seemed suddenly much louder now that the moon began to shine, making a whiteness among the white houses of the village, the white robes of the inhabitants, a greater whiteness on the white road that lay before them. And she was thinking that the moon whiteness of Beni-Mora was more passionate than pure, more like the blanched face of a lover than the cool, pale cheek of a virgin. There was excitement in it, suggestion greater even than the suggestion of the tremendous coloured scenes of the evening that preceded such a night. And she mused of white heat and of what it means—the white heat of the brain blazing with thoughts that govern, the white heat of the heart blazing with emotions that make such thoughts seem cold. She had never known either. Was she incapable of knowing them? Could she imagine them till there was physical heat in her body if she was incapable of knowing them? Suzanne and the two Arabs were distant shadows to her when that first moon-ray touched their feet. The passion of the night began to burn her, and she thought she would like to take her soul and hold it out to the white flame.

As they passed the sand-diviner's house Domini saw his spectral figure standing under the yellow light of the hanging lantern in the middle of his carpet shop, which was lined from floor to ceiling with dull red embroideries and dim with the fumes of an incense brazier. He was talking to a little boy, but keeping a wary eye on the street, and he came out quickly, beckoning with his long hands, and calling softly, in a half-chuckling and yet authoritative voice:

"Venez, Madame, venez! Come! come!"

Suzanne seized Domini's arm.

"Not to-night!" Domini called out.

"Yes, Madame, to-night. The vie of Madame is there in the sand to-night. Je la vois, je la vois. C'est la dans le sable to-night."

The moonlight showed the wound on his face. Suzanne uttered a cry and hid her eyes with her hands. They went on towards the trees. Hadj walked with hesitation.

"How loud the music is getting," Domini said to him.

"It will deafen Madame's ears if she gets nearer," said Hadj, eagerly. "And the dancers are not for Madame. For the Arabs, yes, but for a great lady of the most respectable England! Madame will be red with disgust, with anger. Madame will have mal-au-coeur."

Batouch began to look like an idol on whose large face the artificer had carved an expression of savage ferocity.

"Madame is my client," he said fiercely. "Madame trusts in me."

Hadj laughed with a snarl:

"He who smokes the keef is like a Mehari with a swollen tongue," he rejoined.

The poet looked as if he were going to spring upon his cousin, but he restrained himself and a slow, malignant smile curled about his thick lips like a snake.

"I shall show to Madame a dancer who is modest, who is beautiful, Hadj-ben-Ibrahim," he said softly.

"Fatma is sick," said Hadj, quickly.

"It will not be Fatma."

Hadj began suddenly to gesticulate with his thin, delicate hands and to look fiercely excited.

"Halima is at the Fontaine Chaude," he cried.

"Keltoum will be there."

"She will not. Her foot is sick. She cannot dance. For a week she will not dance. I know it."

"And—Irena? Is she sick? Is she at the Hammam Salahine?"

Hadj's countenance fell. He looked at his cousin sideways, always showing his teeth.

"Do you not know, Hadj-ben-Ibrahim?"

"Ana ma 'audi ma nek oul lek!"[*] growled Hadj in his throat.

[*] "I have nothing to say to you."

They had reached the end of the little street. The whiteness of the great road which stretched straight through the oasis into the desert lay before them, with the statue of Cardinal Lavigerie staring down it in the night. At right angles was the street of the dancers, narrow, bounded with the low white houses of the ouleds, twinkling with starry lights, humming with voices, throbbing with the clashing music that poured from the rival cafes maures, thronged with the white figures of the desert men, strolling slowly, softly as panthers up and down. The moonlight was growing brighter, as if invisible hands began to fan the white flame of passion which lit up Beni-Mora. A patrol of Tirailleurs Indigenes passed by going up the street, in yellow and blue uniforms, turbans and white gaiters, their rifles over their broad shoulders. The faint tramp of their marching feet was just audible on the sandy road.

"Hadj can go home if he is afraid of anything in the dancing street," said Domini, rather maliciously. "Let us follow the soldiers."

Hadj started as if he had been stung, and looked at Domini as if he would like to strangle her.

"I am afraid of nothing," he exclaimed proudly. "Madame does not know Hadj-ben-Ibrahim."

Batouch laughed soundlessly, shaking his great shoulders. It was evident that he had divined his cousin's wish to supplant him and was busily taking his revenge. Domini was amused, and as they went slowly up the street in the wake of the soldiers she said:

"Do you often come here at night, Hadj-ben-Ibrahim?"

"Oh, yes, Madame, when I am alone. But with ladies—"

"You were here last night, weren't you, with the traveller from the hotel?"

"No, Madame. The Monsieur of the hotel preferred to visit the cafe of the story-teller, which is far more interesting. If Madame will permit me to take her—"

But this last assault was too much for the poet's philosophy. He suddenly threw off all pretence of graceful calm, and poured out upon Hadj a torrent of vehement Arabic, accompanying it with passionate gestures which filled Suzanne with horror and Domini with secret delight. She liked this abrupt unveiling of the raw. There had always lurked in her an audacity, a quick spirit of adventure more boyish than feminine. She had reached the age of thirty-two without ever gratifying it, or even fully realising how much she longed to gratify it. But now she began to understand it and to feel that it was imperious.

"I have a barbarian in me," she thought.

"Batouch!" she said sharply.

The poet turned a distorted face to her.

"Madame!"

"That will do. Take us to the dancing-house."

Batouch shot a last ferocious glance at Hadj and they went on into the crowd of strolling men.

The little street, bright with the lamps of the small houses, from which projected wooden balconies painted in gay colours, and with the glowing radiance of the moon, was mysterious despite its gaiety, its obvious dedication to the cult of pleasure. Alive with the shrieking sounds of music, the movement and the murmur of desert humanity made it almost solemn. This crowd of boys and men, robed in white from head to heel, preserved a serious grace in its vivacity, suggested besides a dignified barbarity a mingling of angel, monk and nocturnal spirit. In the distance of the moonbeams, gliding slowly over the dusty road with slippered feet, there was something soft and radiant in their moving whiteness. Nearer, their pointed hoods made them monastical as a procession stealing from a range of cells to chant a midnight mass. In the shadowy dusk of the tiny side alleys they were like wandering ghosts intent on unholy errands or returning to the graveyard.

On some of the balconies painted girls were leaning and smoking cigarettes. Before each of the lighted doorways from which the shrill noise of music came, small, intent crowds were gathered, watching the performance that was going on inside. The robes of the Arabs brushed against the skirts of Domini and Suzanne, and eyes stared at them from every side with a scrutiny that was less impudent than seriously bold.

"Madame!"

Hadj's thin hand was pulling Domini's sleeve.

"Well, what is it?"

"This is the best dancing-house. The children dance here."

Domini's height enabled her to peer over the shoulders of those gathered before the door, and in the lighted distance of a white-walled room, painted with figures of soldiers and Arab chiefs, she saw a small wriggling figure between two rows of squatting men, two baby hands waving coloured handkerchiefs, two little feet tapping vigorously upon an earthen floor, for background a divan crowded with women and musicians, with inflated cheeks and squinting eyes. She stood for a moment to look, then she turned away. There was an expression of disgust in her eyes.

"No, I don't want to see children," she said. "That's too—"

She glanced at her escort and did not finish.

"I know," said Batouch. "Madame wishes for the real ouleds."

He led them across the street. Hadj followed reluctantly. Before going into this second dancing-house Domini stopped again to see from outside what it was like, but only for an instant. Then a brightness came into her eyes, an eager look.

"Yes, take me in here," she said.

Batouch laughed softly, and Hadj uttered a word below his breath.

"Madame will see Irena here," said Batouch, pushing the watching Arabs unceremoniously away.

Domini did not answer. Her eyes were fixed on a man who was sitting in a corner far up the room, bending forward and staring intently at a woman who was in the act of stepping down from a raised platform decorated with lamps and small bunches of flowers in earthen pots.

"I wish to sit quite near the door," she whispered to Batouch as they went in.

"But it is much better—"

"Do what I tell you," she said. "The left side of the room."

Hadj looked a little happier. Suzanne was clinging to his arm. He smiled at her with something of mischief, but he took care, when a place was cleared on a bench for their party, to sit down at the end next the door, and he cast an anxious glance towards the platform where the dancing-girls attached to the cafe sat in a row, hunched up against the bare wall, waiting their turn to perform. Then suddenly he shook his head, tucked in his chin and laughed. His whole face was transformed from craven fear to vivacious rascality. While he laughed he looked at Batouch, who was ordering four cups of coffee from the negro attendant. The poet took no notice. For the moment he was intent upon his professional duties. But when the coffee was brought, and set upon a round wooden stool between two bunches of roses, he had time to note Hadj's sudden gaiety and to realise its meaning. Instantly he spoke to the negro in a low voice. Hadj stopped laughing. The negro sped away and returned with the proprietor of the cafe, a stout Kabyle with a fair skin and blue eyes.

Batouch lowered his voice to a guttural whisper and spoke in Arabic, while Hadj, shifting uneasily on the end seat, glanced at him sideways out of his almond-shaped eyes. Domini heard the name "Irena," and guessed that Batouch was asking the Kabyle to send for her and make her dance. She could not help being amused for a moment by the comedy of intrigue, complacently malignant on both sides, that was being played by the two cousins, but the moment passed and left her engrossed, absorbed, and not merely by the novelty of the surroundings, by the strangeness of the women, of their costumes, and of their movements. She watched them, but she watched more closely, more eagerly, rather as a spy than as a spectator, one who was watching them with an intentness, a still passion, a fierce curiosity and a sort of almost helpless wonder such as she had never seen before, and could never have found within herself to put at the service of any human marvel.

Close to the top of the room on the right the stranger was sitting in the midst of a mob of Arabs, whose flowing draperies almost concealed his ugly European clothes. On the wall immediately behind him was a brilliantly-coloured drawing of a fat Ouled Nail leering at a French soldier, which made an unconventional background to his leaning figure and sunburnt face, in which there seemed now to be both asceticism and something so different and so powerful that it was likely, from moment to moment, to drive out the asceticism and to achieve the loneliness of all conquering things. This fighting expression made Domini think of a picture she had once seen representing a pilgrim going through a dark forest attended by his angel and his devil. The angel of the pilgrim was a weak and almost childish figure, frail, bloodless, scarcely even radiant, while the devil was lusty and bold, with a muscular body and a sensual, aquiline face, which smiled craftily, looking at the pilgrim. There was surely a devil in the watching traveller which was pushing the angel out of him. Domini had never before seemed to see clearly the legendary battle of the human heart. But it had never before been manifested to her audaciously in the human face.

All around the Arabs sat, motionless and at ease, gazing on the curious dance of which they never tire—a dance which has some ingenuity, much sensuality and provocation, but little beauty and little mystery, unless—as happens now and then—an idol-like woman of the South, with all the enigma of the distant desert in her kohl-tinted eyes, dances it with the sultry gloom of a half-awakened sphinx, and makes of it a barbarous manifestation of the nature that lies hidden in the heart of the sun, a silent cry uttered by a savage body born in a savage land.

In the cafe of Tahar, the Kabyle, there was at present no such woman. His beauties, huddled together on their narrow bench before a table decorated with glasses of water and sprigs of orange blossom in earthen vases, looked dull and cheerless in their gaudy clothes. Their bodies were well formed, but somnolent. Their painted hands hung down like the hands of marionettes. The one who was dancing suggested Duty clad in Eastern garb and laying herself out carefully to be wicked. Her jerks and wrigglings, though violent, were inhuman, like those of a complicated piece of mechanism devised by a morbid engineer. After a glance or two at her Domini felt that she was bored by her own agilities. Domini's wonder increased when she looked again at the traveller.

For it was this dance of the ennui of the East which raised up in him this obvious battle, which drove his secret into the illumination of the hanging lamps and gave it to a woman, who felt half confused, half ashamed at possessing it, and yet could not cast it away.

If they both lived on, without speaking or meeting, for another half century, Domini could never know the shape of the devil in this man, the light of the smile upon its face.

The dancing woman had observed him, and presently she began slowly to wriggle towards him between the rows of Arabs, fixing her eyes upon him and parting her scarlet lips in a greedy smile. As she came on the stranger evidently began to realise that he was her bourne. He had been leaning forward, but when she approached, waving her red hands, shaking her prominent breasts, and violently jerking her stomach, he sat straight up, and then, as if instinctively trying to get away from her, pressed back against the wall, hiding the painting of the Ouled Nail and the French soldier. A dark flush rose on his face and even flooded his forehead to his low-growing hair. His eyes were full of a piteous anxiety and discomfort, and he glanced almost guiltily to right and left of him as if he expected the hooded Arab spectators to condemn his presence there now that the dancer drew their attention to it. The dancer noticed his confusion and seemed pleased by it, and moved to more energetic demonstrations of her art. She lifted her arms above her head, half closed her eyes, assumed an expression of languid ecstasy and slowly shuddered. Then, bending backward, she nearly touched the floor, swung round, still bending, and showed the long curve of her bare throat to the stranger, while the girls, huddled on the bench by the musicians, suddenly roused themselves and joined their voices in a shrill and prolonged twitter. The Arabs did not smile, but the deepness of their attention seemed to increase like a cloud growing darker. All the luminous eyes in the room were steadily fixed upon the man leaning back against the hideous picture on the wall and the gaudy siren curved almost into an arch before him. The musicians blew their hautboys and beat their tomtoms more violently, and all things, Domini thought, were filled with a sense of climax. She felt as if the room, all the inanimate objects, and all the animate figures in it, were instruments of an orchestra, and as if each individual instrument was contributing to a slow and great, and irresistible crescendo. The stranger took his part with the rest, but against his will, and as if under some terrible compulsion.