Yet a word of protest is called for against those exaggerated sensational statements on this subject, so persistently forced on public attention by well-meaning but mistaken persons. A tendency has shown itself of late, in many quarters, to attribute that increase of sensual vices imagined to mark the age, not to temporary outward causes, provisional phases of our civilization, but to a growth of depravity in character, an intrinsic lowering of moral sanctions and heightening of foul passions in the people. Such a belief I hold to be both false in its basis and pernicious in its influence. To every competent student of human nature, history demonstrates a progressive diminution in the intensity of the physical passions, and a corresponding increase of moral sensibility and the power of conscience. The extension of sensual vice at the present time, if it be a fact, is owing to accidental conditions which will not be permanent, and is itself very far from being so common or so fearful as some alarmists think. Those alarmists are doing more hurt than good by their overdrawn descriptions and excited declamation. They are fastening a morbid attention on a morbid subject. There is an innocent ignorance, which, if dangerous in some cases, is, in many cases, the highest safety. There is a wholesome unconsciousness, a noble preoccupation with good and pure things, which is a far more promising protective from evil and its temptations than a keen scent and an eager notice of every tainted thing in the wind. If you choose the crow for your guide, you must expect your goal to be carrion. The travellers, who, after making the tour of the United States, write books taken up with the frequency of divorce among us, or devoted to such limited and exceptional aspects as that presented by the Mormon settlement at Utah, are not to be accepted as sound expositors of our social and moral condition. A De Tocqueville is a truer and more adequate teacher. Many recent writers on the relation of the sexes in the present age, writers belonging to the medical, priestly, and literary professions, appear to be infested with the suspicion that certain wicked and disgusting customs are almost universal. They seem occupied in looking everywhere to trace the signs of those customs. Their writings are less adapted to prevent or cure the deprecated evil than they are to fix a diseased gaze on it, and thus to aggravate its mischief. Their readers must get more harm than benefit from them. The belief in the exceptionality and the loneliness of vice is a restraint from it; the belief in its commonness is a demoralizing provocative to it. There are well-meant books now having a wide circulation in consequence of the efforts made to push them, which I cannot help believing do more injury than many books which are universally condemned. They give their readers the suspicion that the vilest forms of sensuality are universally prevalent, and induce in them the habit of looking for their signals in every direction. To every pure and lofty soul, such a suspicion and habit are enough to turn the sunshine into a stench and make the very landscape loathsome. The crowding of population in manufacturing and commercial centres, our thronged and exposed hotel-life, the expensive habits of fashion, the excessive luxury of wealth and vanity, are, undoubtedly, causes of much personal vice. But, notwithstanding all this, the vile and degraded men and women are the marked exception in every community among us. The vile and degraded are more segregated into a class by themselves, and are therefore more conspicuous and obtrusive than ever before. Licentiousness may have been more prevalent formerly than now, as I believe it was; but less prominent and less noticed, because of its greater diffusion. It was not so concentrated into relief. The unstainedly honorable and virtuous are the vast majority, and will, when a few evil conditions of society are outgrown, rapidly become an ever larger majority. Especially do I believe it to be a truth, which none but the ignorant or the vicious can question, that every city and village in America, outside of Mormondom, abounds with matrons and maidens, the face of any one of whom Purity herself might take for her escutcheon.

But, after we allow every just abatement from the overcharged representations of the extent of sensual vice in our time, there remains cause enough to make every lover of virtue anxious to employ all available means to lessen the force of social temptation and to increase the firmness Of individual resistance. And there cannot be a reasonable doubt that high-toned friendships of earnest men and women would be a holy and powerful restraint from illicit habits. To represent such attachments and intercourse as dangerous lures to evil, or, as a popular novelist of the day has called them, "delusions and snares," is an inversion of their true influence. Consider the following picture drawn by a young Frenchman from his own experience amid the exposures of Paris:

"The house of Julius Fontaine is another home for me; he and his wife are a family for me. When I am gay, I go to them to pour out my gayety; if I am sad, I go to them to have my grief consoled; they receive kindly both my joy and my sorrow. No fixed day nor hour of admission, no ceremony and grand toilet; they receive me when I arrive; they welcome rue in whatever costume I present myself. I enjoy to the utmost, with these good friends, the pleasure of being spoiled; I give myself up to it with delight. As soon as I enter, they install me in a comfortable arm-chair, in a choice situation in the corner of the fireplace. They speak to me of every thing that is interesting to Ime; they listen to all my nonsense; they give me advice, if I ask for it; they consult me about all they intend doing. I am initiated, by a lively conversation, into the most minute details of the household; they relate to me the little triumphs and misdeeds of the children, whom they caress or scold before me. If the hour arrives for the meal, my place is set; and, invited or not, there are sure to be on the table some dishes for which they know my preference. In playing with the children, in dreaming aloud, in talking seriously, sometimes in a little discussion or backbiting, in laughing, and exchanging those nothings which charm, we know not why, the hours glide away. I leave as late as possible; we give cordial grasps of the hand, which express our regret at parting. The next day, or a few days after, I find myself there with renewed pleasure. It seems as if each evening we become more necessary to one another. They almost make me forget that they are two, and that I am one."

Such a friendship must be a guardian guidance of virtue and happiness. The cultivation of such relations cannot be too strongly recommended. The odious vices of sensuality would die out before them. Profligacy either rots or petrifies the heart; but a pure friendship inspires, cleanses, expands, and strengthens the soul. It is the nutriment of genius and of every form of philanthropic virtue. "How can one who hates men love a woman without blushing?" is one of Richter's incisive questions.

In now taking up the subject before us, the meaning of the thing in debate should first be perceived; for, while the ignorant are always the least competent, they are often the most forward, to give decisions. Truly understood, the Platonic sentiment does not denote love, in the distinctive significance of that word, but a pure and fervent friendship. Ideal love is ordinary love taken up, out of material organs and relations, into pure mentality, with the preserved correspondence of all it had on that lower plane where it naturally lives. Platonic love is a high personal passion, like the former, with the exception that no physical influence of sex enters into it; imagination exalting the soul, instead of inflaming the senses. Actual love is the marriage of total persons for mutual happiness, and for the transmission of themselves in new beings. Ideal love is either the memory of actual love, or the notion of it prevented from becoming actual by some impediment. Platonic love is the marriage of souls for the production of spiritual offspring, ideas, feelings, and volitions. The first looks ultimately to the perpetuation of life by providing new receptacles for it; the last looks ultimately to the enhancement of life by a sympathetic reflection of it. The children of actual love are organic reproductions of the being of the parents; the children of Platonic love are spiritual reflections of the being of the parents. The perfected offspring of love are boys and girls; the perfected offspring of friendship are states of consciousness.

Love, in its high and pure forms, is confined to one object. Friendship has this advantage, that it may be given to all, however numerous, whose conduct and qualities of character are fitted to command it. It is, therefore, less perilous, less exposed to fatal wreck, more capable of consolations and replacements. Love and friendship are properly not antagonists, but coadjutors. They naturally go together where there is adaptedness for them, mutually quickening and increasing each other. The former should never exist without the ennobling companionship and clarifying mixture of the latter. But there are numberless instances in which, while the former is impossible, or would be wrong, the latter is abundantly capable of nurture, and would prove a boon of unspeakable solace.

Six immortal names will serve to set in relief the distinction between that impassioned friendship of man and woman which constitutes Platonic love, and those forms of ideal love which are often erroneously confounded with it.

The affection of Petrarch for Laura, after her death, was ideal love. The love which, in her life, had pervaded his system, then rose, strained of its carnal elements, and re-appeared in his mind alone, with the ideal equivalents of all it had before. She became a heavenly idea exciting emotions in him, instead of an earthly object productive of sensations; yet a correspondence of all that had been in the sensations was still seen, purged and eternized, in the emotions.

The affection for Beatrice which consecrated the soul of Dante was Platonic love, or a divine friendship. It was free from sensual ingredients from the first. It was his spirit, ruled by an intense sympathy, mentally confronting hers, as a live mirror before a live mirror; creating in his own, in correspondent states of consciousness, all the entrancing shapes of truth, beauty, and goodness he saw passing in hers, revealed from God, revealing God, and clothed with power to redeem the gazer from every thing corrupt. Dante promised to immortalize Beatrice by dedicating to her such a strain of love as had never before celebrated a woman. He kept his promise wonderfully. But the essence of his love was not a new creation; it was simply an ardent, sexless, worshipping friendship, that Platonic passion which, wholly cleansed from sense, adored a beautiful soul as a type of the Divine Beauty, a medium of celestial realities, which shone through it in half-veiled reminiscences. The originality of the Dantean love consists, first, in the unique personality of the poet, and the equally peerless personality which his genius has given to his lady; secondly, in associating and blending with the Platonic substance of that love the constituents and scenery of the Christian doctrines of God and the future life.

Abelard and Heloise began with ordinary friendship, in the relation of teacher and pupil. The extreme beauty, genius, and graces of the parties soon poured into their intercourse an intoxicating potion, which swept the senses into the mental whirl; and friendship fermented into love. After their misfortunes and separation, the love, refined from passion to memory, rose out of the senses into the thoughts, and circulated in idea, instead of detaching itself in act. We imagine Petrarch offering enamored tribute to Laura, who warmly persuades his homage, but coldly repels his ardor. We think of Abelard and Heloise in pensive converse, hand in hand, eye to eye, living over the past with tender regrets. But we see Dante kneeling before Beatrice, in profound humility and intellectual entrancement, touching the hem of her robe, while she points upward to the supernal Glory, whose light is falling on her face.

What distinguishes this Platonic affection from ordinary friendship is, that the magic of imagination, with a religious emphasis, is in it. What distinguishes it from love is, that the consciousness of sex has nothing to do with it, while that element is essential in the latter. If woman is generally the object to whom this affection attaches, it is not because she is woman, but because she is purer, lovelier, more self-abnegating, a clearer mirror of divinity. Precisely the same affection exists, when favorable conditions meet, between man and man; as is abundantly shown in the sonnets of Shakespeare, in the writings of Plato himself, and in many other places.

The type of affection now defined, many people consider a mere theory, spun by a finical fancy, incapable of reduction to practice in the substantial relations of life. But such critics criticise themselves. They identify their own limitations with the diagram of human nature. This is the procedure ever characteristic of arrogant folly, to make its actual experience the measure of possible experience. All beauty that is sufficiently marked, does, in its very nature, awaken a blessed ravishment in every soul that is sufficiently harmonious and sensitive. The charm operates to this result through the imagination. Now, if the imagination distribute the spell through the body, as well as through the soul, ordinary love is the consequence; but, if imagination be confined within the intellect, Platonic love is the consequence. Some persons, no doubt, are incapable of the latter; the instant any form of beauty strikes their perceptions, it is deflected downward, and dips into the senses. Every esthetic impression, even the loveliness of painting, music, or a soft landscape, affects them voluptuously. But it is an outrage for them to attribute this peculiarity of constitutional structure, or temperamental key, to everybody else. There are persons built after a nobler pattern, keyed to a loftier music, susceptible of a more undefiled and eternal stir of the atoms of consciousness. They look on a beautiful woman, with a delight circling purely in the mind, with a serene melodious joy, like that given them by an exquisite picture, statue, or landscape. Dante tells us, in his Vita Nuova, that he carried about with him a list of the loveliest ladies in Florence. To attach any prurient association to the act, would be blasphemy; it can only be understood by reference to that sweet, poetic, religious worship of lovely forms, which seems to rise through contemplation of beauty to adoration of God. One man, brought into intimate relation with an attractive and gifted woman, feels as if he were a vase of fiery quicksilver; another feels as if he were a mirror of divine ideas. The latter is capable of a friendship with her as fervent as love, but without its alloy; the former is not. St. Beuve says of Maurice de Guerin, "The sympathetic friendship of a beautiful woman appeased instead of inflaming him."

The exalted friendship of man and woman, known as Platonic love, is not, then, an empty mirage of sentimentality. But is it not too dangerous to be cultivated? Is it not liable to go too far, and to work fatal mischiefs? Many, judging from unworthy instances, With an inadequate knowledge of the data, answer these questions with a sweeping affirmative. But justice requires a careful discrimination. Unquestionably there are some who are unfit for this relation, in danger of perversion and betrayal at every step of its progress. Such should either shun the connection, or keep themselves with double guards of discreet reserve and watchfullness. Love and friendship, with them, are two electrical regions, insulated by a thin line of non-conduction. The more highly charged region tends, at the touch of any stimulative sign, to break through the barrier, and to flood the whole being with its own kind. For those of inflammable temperament and weak conscience, it is obvious enough what jeopardy must attend their playing about the conscious edges of relations on which such thunders of soul and fate hang, ready to be unleashed at a look. But there is another class of persons, with whom the fire of affection is harmless. Like those weird heat-lightnings that play in the firmament on summer evenings, it retains the lambent warmth and luminous loveliness, without the blasting violence. Of the intellectual and sensual regions, only the former is surcharged; the latter is either exhausted, or separated by an insulation so sure that it cannot possibly flash into the other. The unclean electricity of lust cannot find its way through the non-conductors of esteem, reverence, duty, and honor. Those are safe, who, shielded by such holy barriers, pay their worship, in the mental holy of holies, to the supernal charms of truth and virtue, to the dazzling sanctity of the principle of good. It is only the gross and weak who are discharged to their ruin by the lures of vice and pleasure. A profound reverence for a person at the same time inflames the soul and refrigerates the senses.

The common apprehension of danger from friendship between men and women is exaggerated. Those who fear such a danger should study the moral exaltation and the unspeakable usefullness and comfort of the friendship between Gunther, the court physician, and Matilda, the queen, depicted by Auerbach, with such careful truth, in his great novel, "On the Height." Friendship is more likely to spring from love than love from friendship, in all but degraded characters. Desire is unprincipled. Love rests on a basis of desire, and naturally fights against the obstacles that oppose its gratification. It is, therefore, taken by itself, essentially dangerous. But friendship rests on a basis of esteem. Esteem is the very voice and face of moral and religious principle, the essential enemy of low temptations. It is the clear cold signet with which the soul stamps a commanding veto against every vicious act. Whenever there is danger that friendship will become another passion, where there are legal or moral duties forbidding it, the true course is not to dismiss and denounce the friendship, but to preserve it in its undegenerate integrity, by strengthening the sanctions, restraints, and obligations that should properly guide and guard it. The element of sense and sex sometimes breaks out with horrible fury in the closest relations. The cruel crime of Hebrew Amnon, the dark tale of Italian Cenci, numerous Greek tragedies, many of the terrible English tragedies of Massinger, Ford, Beaumont and Fletcher, and Beddoes, furnish harrowing examples. The amours of the unworthy yield no better argument against profound and earnest friendships between men and women than the morbid cases referred to yield against the proper affection of parent and child, brother and sister. One does not refuse to exercise his mind for fear it will lead to insanity; but he takes care to exercise it healthily. So he should not repudiate the friendship of a woman, because it may lead to harm; he should cherish the friendship, and beware of the harm. It is a profanation to judge of the natural effect of intimacy with the innocent or the wise and virtuous from the effects of intimacy with the depraved and guileful. Poor, sinful Tannhauser, long enslaved in the Venusberg, yearned to be free from the degrading bonds of sensuality. Utterly vain were his agonizing prayers to Venus to release him. But when, with a sudden ardor of faith and resolve, he cried to the Virgin Mary, the grotto in which he was confined instantly faded away, with all its unhallowed seductions.

The degree of danger in these connections will always depend on the characters of the parties. We cannot lay down, as tests, general rules which have much value irrespective of particular persons. Jean Paul, at twenty-six, wrote a prize-essay on "How far Friendship may proceed with the other sex without Love, and the Difference between it and Love." The essay won the prize; but, if ever published, it is not contained in his collected writings. Probably the author's maturer judgment pronounced it of but little value. In one of the volumes of the "Southern Literary Messenger" there is a very pleasing tale, entitled "How far Friendship may go with a Woman;" arguing that it is sure to end in love. The same conclusion is also advocated with much spirit in "A Debate on Friendship," in the thirty-fourth volume of "Knickerbocker." The opposite and better view is gracefully and effectively maintained in an article entitled "De l'Amitie," in the fifteenth volume of "Harper's Magazine." Such special pleadings, however, will have slight weight with a sincere inquirer after the truth.

The most important principle for the guidance of such an inquirer is this: Friendship can be carried, without adulteration or peril, to a degree proportioned to the nobleness and consecration of the parties. It is shocking for those drawn together by a common pursuit of pleasures, to judge, by the standard applicable to themselves, those attracted towards each other by a common service of authorities. As a general rule, sensuality is in inverse ratio to intellectuality, but sensibility in direct ratio.

Accordingly, there is a select class of men and women, of the loftiest genius and character, the native haunt of whose souls is in the purest regions of nature and experience, who are made for friendship; and who, destitute of this, are deprived of their truest and fullest happiness. The movement of imagination which beauty starts in them keeps to the chariot-paths of celestial ideas, and is never switched into the burning tracks of sense. Friendship then reigns in sovereign distinction from love, sometimes by an unfittedness for the latter, sometimes by the interposition of moral principles and sentiments which lift their insulating behests as an impenetrable wall between the different regions.

One of the most striking of the testimonies borne to the value of the friendship of a woman is that of Sir Edward Bulwer Lytton:

"It is a wonderful advantage to a man, in every pursuit or avocation, to secure an adviser in a sensible woman. In woman there is at once a subtile delicacy of tact, and a plain soundness of judgment, which ire rarely combined to an equal degree in man. A woman, if she be really your friend, will have a sensitive regard for your character, honor, repute. She will seldom counsel you to do a shabby thing; for a woman Triend always desires to be proud of you. At the same time, her constitutional timidity makes her more cautious than your male friend. She, therefore, seldom counsels you to do an imprudent thing. By friendships I mean pure friendships, those in which there s no admixture of the passion of love, except in the married state. A man's best female friend is a wife of good sense and good heart, whom he loves, and who loves him. If he have that, he need not seek elsewhere. But supposing the man to be without such a helpmate, female friendship he must have, or his intellect will be without a garden, and there will be many an unheeded gap even in its strongest fence.

"Better and safer, of course, are such friendships, where disparities of years or circumstances put the idea of love out of the question. Middle life has rarely the advantage youth and age have. Moliere's old housekeeper was a great help to his genius; and Monaigne's philosophy takes both a gentler and loftier character of wisdom from the date in which he finds, in Marie de Gournay, an adopted daughter, 'certainly beloved by me,' says the Horace of essayists, with more than paternal love, and involved in my solitude of retirement, as one of the best parts of my being. Female friendship, indeed, is to a man the bulwark, sweetener, ornament, of his existence. To his mental culture it is invaluable; without it, all his knowledge of books will never give him knowledge of the world."

Mrs. Jameson quotes the opinion of Auguste Comte, that "the only true and firm friendship is that between man and woman, because it is the only one free from all possible competition." And she adds, "In this I am inclined to agree with him, and to regret that our conventional morality, or immorality, places men and women in such a relation socially as to render such friendships difficult and rare." Sydney Smith said, and the remark applies as forcibly to America as to England, "It is a great happiness to form a sincere friendship with a woman; but a friendship among persons of different sexes rarely or never takes place in this country." The strong jealousy felt in these countries for any intimate relations of affection between men and women other than fathers and daughters, mothers and sons, brothers and sisters, husbands and wives; the readiness to cast coarse insinuations on them, is more discreditable to our hearts than it is creditable to our morals. It implies the belief that they cannot be attached as spirits without becoming entangled as animals. It is absurd to pretend that the multiplication of virtuous friendships between the sexes would foster licentiousness. Their flourishes best in their absence. Their lifeelement, esteem, is death to licentiousness. A holy thought, with its train of vestal emotions, like Diana and her nymphs, hunts impure desire out of the blood. One of the most known and remarkable friendships of woman and man was that of the Pope Hildebrand and the Countess Matilda of Tuscany. Their relation was based on veneration for each other's commanding and austerely virtuous characters, ardent sympathy in convictions, plans, dangers, labors, and sufferings. They were both supremely devoted to the Church, to the support of its creed, and to the extension of its power. An enthusiastic community in so much experience made them enthusiastic friends. The vile charges of impurity brought against them by their vulgar foes then, and repeated since by prejudiced historians, are a matter of indignation and disgust to every impartial judge.

The most persuasive recommendation of these friendships is seen in the class of persons who are their most distinguished cultivators and exemplars. Men overflowing with the tenderest sensibility, devoted to the loftiest ends, bravest to dare, firmest to suffer, quickest to renounce, studious, afflicted, holy, unconquerable souls, are the ones who put the highest estimate on the friendships of women; who instinctively seek to win the confidence and interest of the best women they meet; who are surest to surround themselves with a group of pure and noble women, from whose sympathy, through conversation and correspondence, they draw unfailing supplies of comfort, strength and hope. Find a person to whom a tender friendship is an absolute necessity, as it was to the classic De Tocqueville, who said, "I cannot be happy, or even calm, unless I meet with the encouragement and sympathy of some of my fellow-creatures," and you will never find him sneering at Platonic love. Klopstock, soul of ethereal softness and sanctity; Jean Paul, who added the finest heart of womanhood to the athletic soul of manhood; Richardson, so blameless in his life, so pathetic in his writings, so pleasing in his half naive, half grandiose, personality; William Humboldt, the loving son and brother, the irreproachable statesman, the majestic scholar, the model of a Christian gentleman; Matthieu de Montmorency, hero and saint; Schleiermacher, the unflinching thinker and prophet, devout rouser, yearning comrade, encircled by Rahel Levin, Charlotte Von Kathen, Dorothea Veit, Henrietta Herz, and the rest; Charming, brave seeker and servant of truth, spotless patriot, lofty friend of humanity, burning aspirant to God, finest and grandest American character, these, and such as these, are the men who have most valued friendships with choice and unspotted women. On the other hand, the contemners of such a sentiment will be found most fitly represented by Thersites, who continued to ridicule Achilles for the tender- heartedness he showed towards the dead queen of the Amazons, until the hero killed the rancorous scoffer with one blow of his fist.

But, of all the class of men we have been speaking of, no one has more thoroughly tasted the contents of this relation in personal experience, or more completely mastered and displayed its secrets by psychological criticism, than Jacobi. Jacobi sat, for half his life, in the centre of a sort of Platonic academy of noble women, such as his own sisters, and the Princess Galitzin, Sophia Delaroche, and Cornelia Goethe, revolving, both in native feeling and critical thought, all the treasures of pure affection. Bettine, after a visit to him, said, "Jacobi is tender as a Psyche awakened too early." In his two works, "Allwill's Correspondence" and "Woldemar," he unfolds the true philosophy of Platonic love, in its psychological foundations and workings, and in all its subtilest ramifications, more fully than anybody else has ever done it. Jacobi held the glass before his own bosom, dipped the pen in his own heart, and drew the noble though fevered Woldemar after the life. The chief characters in this romance of philosophy and sentiment are Woldemar; his brother Biderthal, to whom he is passionately attached; Dorenburg; the three sisters, Caroline, Luise, and Henriette Hornich; and their dear neighbor and associate, Allwina Clarenau. Caroline and Luise marry Biderthal and Dorenburg; Allwina becomes Woldemar's wife; but Henriette becomes his friend. This friendship becomes so comprehensive and intense in its vitality, that life would be nothing to them without it. After a while, an element of strange perturbation and suspicion enters into it; they fear it is becoming love, and are most wretched. But at length, after much perplexity and distress, all comes clear; and they are again blessed with a perfect spiritual sympathy, as serene and pure as that between two seraphs.

The story and many of its separate incidents have been greatly censured and ridiculed; but Jacobi had an insight, a knowledge, a mastery, in these delicate matters, far superior to that of his critics. Whoso really fathoms his exposition must justify and admire it. The characters of Woldemar and Henriette are extraordinary and exceptional; they are nevertheless true; and their experience is accurately depicted, and offers an invaluable lesson for those who can read it. "I had, from a child," Woldemar writes, "a sweet lovingness for every thing which came in beauty towards my senses or my soul. I was full of pleasure, courage, and sadness. I bore something in my heart which divided me from all things; yea, from myself, I strove so earnestly to embrace and unite myself with all. But what made my heart so loving, so foolish, so warm and good, that I never found in any one. Before the rising and before the setting sun, under the moon and the stars, full of love and full of despair, I have wept as Pygmalion before the image of his goddess." After many vain trials to win a sufficing friendship, after long observation of others and study of himself, Woldemar concluded it unattainable, and laid the hope aside. "I found," he says, "that, collectively and singly, we nourish too many and too eager desires, are too deeply harassed by the pursuits, cares, joys, and pains of life, are too much tortured, excited, distracted, for two men anywhere, in these times, to become and remain so completely one as my loving enthusiasm had made me dream." But Henriette revived this long-forgotten dream in Woldemar, and made it real; and in his friendship we see carried out the idea of a man in whom a foreign personality has so overlaid and taken up his own, absorbing his will and determining his re-actions, that, in his relation to her, the element of sex is excluded, as it is in his relation to himself; and marriage with her would seem to him worse than incest.

The Duchess de Duras, in a letter to Madame Swetchine, expresses herself as being "indignant with the refinements of Woldemar,"

"The mixture of true and false, the combination of just reasoning with perverted sentiment. This love which is not friendship! and this friendship which is not love! Well, in the name of God, to love, is it not to love? Ah, Madame la Duchesse! do you think, then, that all the infinitely complicated minglings and windings of human feeling are so lucid and simple? Is Jacobi, the German Plato, so stupid a metaphysician and so low a moralist that you can so easily teach him acumen and ethics? Scorn or mirth is misdirected against him." Had Madame Swetchine read "Woldemar," we may be sure her verdict would have been different.

France has stood for a long time in advance of every other nation, in regard to the friendships of its men and women, pure as well as impure; it is a slander to limit them to the latter class. The reason of this is to be traced in historic causes, going back to the birth and dispersed influence of chivalry. Chivalry burst into its most gorgeous flower in Provence; Toulouse was the capital whence its light and perfume radiated through France. It spread thence into Spain, Italy, Germany, England, and other places; but nowhere reached the height and copiousness of power it had in the land of its origin. Its most fervent manifestation, at the summit of its state, was seen in the worship of woman, the chaste and enthusiastic homage paid by the knight to the lady of his choice. This ideal idolatry of woman, which played so dazzling a part in the poems of the minstrels and in the inner life and historic feats of the knights, subsided, in the gradual change of times, into delight in the society and conversation of woman. The peculiar combination of influences that presided over this process may be briefly indicated.

Few women at the present time appreciate the debt of honor and gratitude they owe to the troubadour or wandering minstrel of the early Middle Age. Moncaut has well revealed it in his "History of Modern Love." Feudal tyranny then held the whole sex in the sternest slavery. One day, the wife, or the young daughter, confined in the upper story of the walled fortress, sees, passing by the castle, a poor youth with a guitar suspended from his neck, humming a languishing air. She gazes on him; she hearkens to his song; she thanks him with a gesture and a smile. He has brought a momentary relief to the weariness of her sad captivity. Cast a glance on this roaming singer, this houseless rhymer; the last representative of that noble poesy born before Homer. This gentle son of poverty, seeking his bread with the strings of his viol, this Bohemian of the eleventh century, goes to regenerate barbarian society. The influence of music and poesy, which nothing mortal can resist, will win him permission in all places to sing what no one would dare to say. He will publish the sighs of woman for liberty, at a time when her life is an imprisonment; the prerogatives of love, its independence, when the father disposes of his daughter without deigning to consult her wishes or her vows. Before the ladies of the castles, he will celebrate the splendid deeds of the knights; before the knights, he will compassionate the tears and hardships of the ladies shut up in the castles; and thence will arise a double current of attraction and of sympathy between the oppressed women who suffer, and the generous men who long to deliver them.

But causes far deeper and wider than that of minstrelsy wrought in the favorable influence of chivalry on the condition of women, causes psychological, physiological, and social. The exalting effect of love is well known; its inciting and glorifying power is seen even in birds and beasts at the pairing-time, in a new brilliancy of plumage, and a wonderful increase of courage. Love produces a greater secretion of force in the brain and other nervous centres. This exuberance of spirit, or exaltation of function, is usually a transient phenomenon, the gratification of its impulses bringing its cause to a termination. It may, however, be made permanent by such an appropriation of the product as will re-act to keep the cause alive. That is to say, materialize a passion, and you destroy its power, its flame dies in the damps of indulgence; but spiritualize a passion, and you perpetuate its power, its flame becomes a spur, pricking the sides of intent.

The love of woman has in all ages given birth in man to passionate desires, poetic dreams, deferential attentions, persuasive forms of politeness; but only once in the whole of history has this softening, quickening, exalting power restrained from a destructive outlet, and stimulated to an unparalleled richness of manifestation, stamped with chastity by the dominant conscience and imagination of the time broken out in one great swell as an inspiration to glorious deeds, illuminating the world, and making an immortal epoch. Such, in one of its aspects, is the significance of chivalry, whose crest-wave broke into bloom in the Provencal literature; whose consummate flower, lifted far aloft, was Dante's homage to Beatrice. The inspiration of chivalry was the love of woman; but that love was spiritual. It aimed not at a personal union, to die away in marriage, but at a deathless fruition in heroic achievements. This ideal appropriation of love, to engender self-abnegating valor and beneficent deeds, originated from the meeting of the two currents of martial history and the Christian religion in a prepared people and period.

War was the chief institution and experience of man down to the Middle Age; Christianity had then become sovereign of the common beliefs and fears. The priests, who governed thought and conscience almost without check, were vowed to perpetual chastity; that was held up as the highest virtue. But gallantry has always marked the soldier. This element of military life, inoculated with the fire of imagination and the sanctity of the gospel, as happened in the poetic atmosphere of priestly and feudal Provence, was transformed into that pure, intense worship of woman which was sung by the Christian troubadours, and admired and emulated alike by lords, minstrels, and squires. For when the priesthood adopted the sons of war, and sent them forth under Christian sanctions, they naturally imparted to them, as far as possible, their own duties and sentiments. The result was the knight, with his lyre, cross, and sword, mixture of poet, warrior and saint; impersonating, in strange but beautiful union, the military, the literary, and the ecclesiastic ideal, in which the sensual flame fostered in the atmosphere of battle was blended with the mental purity nourished by the exercises of the cloister, and tempered with the rich fancy evoked under the stimulus of the academy. Chivalry was the child of martial adventure and religious faith, married by the culture of the Church. The gallant worship of woman native to the camp, the poetic worship of woman created in the court of minstrelsy, and the religious worship of woman set forth by the Church in the apotheosis of the Virgin Mary, blent in chivalry, produced that stainless and ardent devotion of the knight to his lady, which was appropriated as at once the incitement and the reward of brave and disinterested actions. Dipped in that pure pool of sentiment which the Angel of Christianity stirred, the darts of Cupid were cleansed from aphrodisiacs. The thought of a pure and lovely woman was then naturally allied with the thought of Divinity; the association of garter and star was not difficult.

The enthusiasm thus copiously generated, forbidden by the reigning spirit and circumstances of the age to escape, either through the vent of sensual indulgence, or through that of mere dreaming sentimentalism, was forced to flow forth in the only remaining channel, that of self-consecration to perilous adventures, glorious services, feats of toil and penance. When arms and knight-errantry fell out of fashion, in a more settled age, this force of enthusiasm, no longer flashing forth in warlike emprise, illumined the saloon; the current of feeling, instead of being directed upon the field, circled in the breast, and sparkled out in genial talk and graceful forms. The idolatrous devotion to woman, which had nerved the arm of the knight, and upheld chivalry, now subsided into a respectful sympathy with woman, and, animating the heart of the gentleman, became the ornament and sweetener of society, the inspiring basis of intercourse. In consequence of the stimulus and position resulting from the extreme honor paid to the great feudal dames and their beautiful sisters, in that palmy era, the higher class of women in France obtained a social development whose advantages they have never since lost.

France also had another period quite unique for the varied and wonderful development it gave to the genius and character of woman. An anonymous writer, in the English "National Review," has described this epoch in a passage of marked wisdom and brilliancy. "The court of France," he says, "in the reign of Louis XIII, the regency of Anne of Austria, and the early part of the reign of Louis XIV, produced a company of ladies, in whose presence all the remaining tract of history looks dim. Cousin has nobly drawn the portraits of their leaders. The wars of the League had left the great nobles of France in the enjoyment of an amount of personal freedom, importance, and dignity, greater than was ever before or since the lot of any aristocracy. Chivalrous traditions; the custom of appeal to arms for the settlement of personal quarrels, a custom which is said to have cost the country some nine hundred of its best gentlemen in about as many years; the worship of womanhood, carried to a pharisaical strictness of observance, were conditions, which, though socially disastrous in various ways, exalted the individual worth, power, and majesty of men to the most imposing height, and rendered a corresponding exaltation imperative upon the women, in order to secure that personal predominance which it is their instinct to seek. The political state of France was one which afforded the members of its court extraordinary occasions for the display of character. That state was one of a vast transition. Feudal privileges had to be either moderated, defined, and constitutionalized, or else destroyed. The revolution which was about to operate in England, and to end in liberty, was already working in France with a manifestly opposite destiny. Richelieu and Mazarin were slowly and surely bringing about an absolute despotism, as the only solution of the political difficulties of the State consistent with its greatness, and, probably, even with its unity. The opposition of the nobles to the diminution of their power was carried on with far greater boldness and grandeur of personal effect, inasmuch as it was done without directly affronting the monarchical authority in the persons of its weak representatives, Louis XIII. and Anne of Austria. The two great ministers were the objects against which the whole wrath of the nobility was directed. Hence the war against encroaching monarchy was in great part waged in the court itself; and the king and the queen- regent were themselves found from time to time in the ranks of the indignant aristocracy. Here, then, was a wonderful field for individual effect; and that field was open to women no less, or even more, than to men; for the struggle on the part of the latter was, upon the whole, a selfish and ignoble one. No national idea inspired it; every one was for himself and his house; and the women were perfectly able to sympathize and assist in quarrels of this personal and intelligible interest. In these days, too, rose Port-Royal, with its female reformers, saints, and theologians, offering an asylum to weary and repentant worldliness and passion, or a fresh field for vanity which had exhausted its ordinary irritants. On every side lay great temptations and great opportunities; and the women of the period seem to have been endowed with singular qualifications for the illustration of both."

The historic tradition of her great, lovely, brilliant, accomplished women is one chief reason why friendships of women with men are more common and important in France than in most other countries. Besides, the French are a more ideal people than others; live more from the brain, less from the spinal axis; take a deeper delight in the mere social reflection and echoing of life. And in this, on account of their instinctive swiftness of susceptibility, perception, and adroitness, refined women can have no rivals in the other sex. The luxury of the British is taciturnity; but to this day the favorite excitement of the French is conversation; and conversation is the food of friendship.

The inner history of the Catholic Church, so wealthy in many departments of experience, is especially rich in an original class of profound friendships of men and women, friendships between devout ladies and their spiritual directors. Without referring to the abuses which would sometimes occur in the instances of weak or sinister characters, these religious friendships have often been surprisingly permeating and transparent. This follows from the nature of the case. For the most ardent healthy devotees of religion are persons of the most exalted ideas and affections, most deeply endowed with the sensibility of genius. Every coarse passion both alien to their souls and awed away by the infinite realities they adore in common, the historic abyss of the Church scintillating around them with the memories and presences of saints, martyrs, angels, it is natural that all the purer sympathies of their being, enkindled and consecrated, should yearn together. The woman also confides every secret, unveils the inmost states of her spirit, to her confessor; takes counsel of him; holds with him the most confidential communion known outside of marriage. And the priest, in turn, shut out from the chief personal ties and vents of family, spontaneously bestows, so far as is blameless, his best human affections, turned back elsewhere, on the sister, daughter, mother, friend, fellow-worshipper, who looks up to him with such affecting trust, opening her heart to him, telling him her hopes and griefs, her errors, prayers, and fears. Madame de Sevigne, speaking of the attachment of women for their confessors, says, "They would rather talk ill of themselves than not talk of themselves." When pure and beautiful women, wonderfully dowered with spiritual charms, and noble priests, eminently possessed of every virtue and authority of character, so often meet, amid such inspiring circumstances, beneath the august sanctions of the church, drawn forward by the sublime mysteries of religion, and blending the potential perfections of heaven with the actual experiences of earth, it would be no less than a miracle if many friendships of singular sincerity and power did not spring up. They have sprung up in every part and period of Christendom; more in the Catholic Church than anywhere else, because its ritual and doctrine, its organized religious life and its practice of direction, furnish for them unequalled facilities and provocatives.

The friendship all divine which Jesus showed for many women, of whom Mary and Martha, the sisters of his friend Lazarus, are examples—the friendship which drew such matchless devotion from them, has been perpetuated in the Church in a relation of peculiar tenderness between the priest and the devotee.

"Many women followed Jesus from Galilee, ministering unto him." With what godlike benignity he spoke to the Samaritan woman, to the Syrophenician woman, and to the poor adulteress! With what indescribable compassion he turned to the women who accompanied him towards Calvary, bewailing and lamenting him, and said, "Daughters of Jerusalem, weep not for me". And what words shall be set beside those which fell from his lips when, as he hung on the cross, he saw his mother, and the disciple standing by whom he loved, and he saith unto his mother, "Woman, behold thy son!" then he saith to the disciple, "Behold thy mother!" Verily, from that hour, the Church has taken woman to itself, as the recipient of a ministration full of respect and purity. In any enumeration of renowned ecclesiastical friendships, Saint Chrysostom and Saint Olympias, the gold-mouthed bishop of Constantinople and the rich and noble widow, deserve to head the list. Under the guidance of the eloquent preacher, she labored to perfect herself in the religious life, and gave her time and wealth to all kinds of charity and good works. From her Christian affection he drew precious strength and comfort. When he was carried from his church and driven into exile, the weeping Olympias fell at his feet, and clasped them so closely that the officers had to use force in tearing him from her. Sixteen letters addressed to her by Chrysostom during his banishment are still extant, silently pronouncing her eulogy throughout the Christian world. A friendship like the foregoing, only still more complete, was that of Saint Jerome and Saint Paula. The talents, scholarship, services, and enthusiasm of Jerome are universally known; and the chief personal attachment of his life is scarcely less familiar to the public. Paula, immortalized not less in literary history as his friend than in the ecclesiastical calendar for her virtues, was one of the most distinguished women of the age. She had great riches and high rank, as well as pronounced talents and worth. The blood of the Scipios, of the Gracchi, and of Paulus Emilius, met in her veins. Jerome was her spiritual director at Rome for two years and a half-her other soul while life remained. She built and supported at her own expense an extensive monastery for Jerome and his monks at Bethlehem. When she died, Jerome wrote to her daughter the long and celebrated letter called "Epitaph of Paula," in which he exhausts the hyperboles of praise. The features of a rare character and the proofs of an extraordinary affection may be discerned within the extravagances of this eloquent panegyric. The tombs of Jerome and Paula are still to be seen side by side in the monastery at Bethlehem. Saint Clara of Assisi, on account of her high rank, great wealth, and extreme loveliness, had many offers of marriage, many temptations to enter into the gayeties and luxuries of the world. But she preferred the thorny path of mortification and the crown of celestial beatitude. The melting pathos of the preaching of Saint Francis, with the penetrative charm of his spirit, drew her to throw herself at his feet and supplicate his guidance. He approved her desire to devote herself wholly to the religious life in seclusion; and, when she had made her escape by night from the proud castle, clad in her festal garments, and with a palm-branch in her hand, he and his poor brotherhood met her at the chapel-door, with lighted tapers and hymns of praise, and led her to the altar. Francis cut off her long golden hair, and threw his own penitential habit over her. She became his disciple, daughter, and friend, never wavering, though exposed to dangers and trials of the severest character. Under his direction, she formed the famous order of Franciscan nuns, afterwards named from her the Poor Clares.

These nuns, clad in gowns of gray wool, knotted girdles, white coifs and black veils, engaged in touching works of humility and charity, have been seen in many nations now for seven centuries, keeping alive the example of their foundress. When the body of Saint Francis, on its way to burial, was borne by the church of San Damiano, where Clara and her nuns dwelt, she came forth with them weeping, saluted the remains of her friend, and kissed his hands and his garments. The memory of the relation of these sainted friends is perpetuated in many pictures of the Madonna, wherein Clara is portrayed on one side of the throne of the Virgin, and Francis on the other, both barefooted, and wearing the gray tunic and knotted cord emblematic of poverty. Perhaps the most fervent and interesting of all the friendships between director and devotee, of which the documents have been published, is that of Saint Francis of Sales and Madame de Chantal. Full materials for studying this relation are furnished in the letters that passed between the parties, both of whom were of a temperament strung to the most exquisite tones of consciousness, with minds both wise and strong, and with characters under the control of austere principles of duty and piety. Michelet, in his work on the Confessional, gives a skilful and forcible picture of this rapt friendship; but his own pervading sensuousness, not to say sensuality, does the sentiment gross injustice by mixing in it so much of flesh and earth. The union of these two mystics in spirit and deed was as taintless as that of two angels in heaven.

If throbs of agonizing passion sometimes mounted up, the invariable heroism with which they were veiled and suppressed simply adds the martyr merit to the saintly one. Saint Francis had an irresistible attractiveness of figure and face, a temper and bearing of singular sweetness. Childlike, and so fair in appearance that it was difficult to withdraw the eyes from him, he united the greatest social insight and skill with the greatest sincerity and simplicity. Madame de Chantal, early left a widow, with several children and an aged and infirm father, administered the business of her household with systematic prudence, and filled her leisure hours with fervent religious exercises. Saint Francis and Madame de Chantal seem to have been predestined for friends. Their biographers relate, that, long before they had seen each other, they met in mystical visions and ecstasies. Archbishop Fremiot, brother of Madame de Chantal, and an intimate acquaintance of Saint Francis, invited him to preach at Dijon. During his sermon, the preacher noticed one lady particularly above the rest; and, as he came down from the desk, asked, "Who is that young widow who listened so attentively to the word?" The archbishop replied, "That is my sister, the Baroness de Chantal." An inspired understanding appears to have at once united their minds. "It is enchantment," Michelet says, "to read the vivacious and delightful letters which open the correspondence of Saint Francis with his dear sister and dear daughter. Nothing can be more pure, nothing can be more ardent." He says the sentiment she awakened powerfully assisted his spiritual progress. He thought of her at the moment of partaking of the sacrament. "I have given you and your widowed heart and your children daily to the Lord, in offering up his Son." She dispensed with her former confessor, and confided her spirit to Saint Francis. She desired to take the conventual vows; but he restrained her a long time. In the name of his mother, he gave her his young sister to educate.

This occupation tranquillized her mind; but the beloved child soon died at her house, in her arms. She prayed God "to take her own life, or one of her children, in place of her dear pupil." Saint Francis now consented that she should withdraw from the world. Her household presented a piteous scene-her old father and father-in-law in tears; her son, afterwards the father of Madame de Sevigne, prostrating himself on the threshold to prevent her departure. But the passionate response in her to the supposed call of Heaven broke all lower ties; and she passed over the body of her son, and said farewell for ever to her home. Saint Francis intrusted her with the formation of a new religious order—the celebrated Order of the Visitation. In nurturing this order, writing, travelling, praying in its interests, with intervals of silent retreat, she spent the rest of her days. Her intense temperament, her absolute faith and submission, her systematic attention to business, her mystical ecstasies, her heroic sacrifice, form a most original combination. Her life seems an alternation of sober processes, stormy raptures, and stifling calms. Her restless sensibility, girdled by fixed principle, gives us the picture of a sea of fire breaking on a shore of frost. Her essay on "Desire and the Agony of Disappointment" is a gush forced from the bottom of a heart full of baffled feeling, under the pressure of a mountain of pain. The constancy and power of her attachment to Saint Francis, through all, are marvellous. On the day of his mother's death, he writes, "I have given you the place of my mother in my memorial at the mass: now you hold in my heart both her place and your own." She writes to him, "Pray that I may not survive you." Twenty years did she outlive him; finding, to the last, her greatest pleasure in remembering him, carrying out his wishes, and corresponding about him with his friends. Ten years after the death of Saint Francis, Madame de Chantal had his tomb opened in the presence of her community, and made an address before the embalmed body. A testimony to the deep impression their friendship had made is found in the myth, that, when on this occasion she reverently lifted to her head the dead hand of the saint, it acknowledged her devotion by an answering caress. The winning qualities of Madame Guion awakened an enthusiastic interest in many of those whom her remarkable religious experience brought into close relations with her. Especially they produced in her confessor, Father Lacombe, such a ruling admiration, reverence, and tenderness, that he was subdued into a caricature of her. He followed her everywhere, could not dine without her, made her directions his law. When her peculiar doctrines of the Quietist life, and her fame, had caused a disturbance in the Church, her enemies circulated scandals about the friends. The spotless and heavenly-minded woman smiled, and paid no heed to the wrong. But Father Lacombe, under the combined power of his Quietistic fanaticism, poor health, bitter persecutions, and relentless imprisonment, lost the balance of his mind altogether, and died. Fenelon also, interested in Madame Guion by her genuine piety, and by sympathy with many of her views, and finding this interest greatly deepened on personal acquaintance, formed a strong attachment for her. Convinced of her innocence, and knowing her rare worth, the misfortunes and sufferings brought on her by her persecutors served but to redouble his kindness. Her enemies then became his; and they made him pay dearly for his fidelity, by robbing him of waiting honors, and throwing him into disgrace at court.

His friendship for Madame Guion was like that of a guardian angel. It never failed. One can imagine what her feelings towards him must have been. Many noble women had a strong friendship for Fenelon. He could not come into the confiding relations of his office with them without that result. His face was all intelligence and all harmony; his voice, music; his manner, fascination; his character, heaven. His unconscious suavity, his abnegated personality, formed a mighty magnet; and every soul, with any steel of nobleness in it, fondly swayed to him. Madame Maintenon gave him, for years, all the reverence and affection of which her commonplace nature was capable; and then, at the command of her selfish bigotry, became chilled. The impassioned and unhappy La Maisonfort, so talented and so beautiful, whose pathetic story is charged with every element of romance, adored him. And the Duchess de Chevreuse and the Duchess de Beauvilliers always paid him an homage whose grace and sweetness the happiest man that ever lived might well sigh for. To the latter of these queenly women, then a sorrowing widow, he wrote, in the last letter he penned, "We shall soon find again that which we have not lost: every day we approach it with swift strides; yet a little while, and there will be no more cause for tears." Among the penitents of Bossuet, there was one—a widow, named Cornuau, to whom the great prelate gave more of his heart than to any of the rest. In submitting her spiritual life to his oversight, they were often brought together, both by letters and by personal interviews. The affectionate docility and loyalty of the novice won his kind esteem, and the condescending benignity and greatness of the noble genius kindled her enthusiasm. And so the opposite ends of the chain of their attachment were fastened. After displaying exemplary zeal, for fifteen years, in all the works of duty assigned her, she was permitted to become a nun, taking the name of Bossuet in addition to the title of Sister Saint Benigne. Despite her humble origin and the mediocrity of her intellect, Bossuet preferred her above all the high-born and brilliant ladies who constantly knelt for his benedictions. It was only natural, that, notwithstanding the work of grace, she should sometimes feel jealous. But once, after she had expressed herself "ready to burst with jealousy" of a certain great lady, whom she falsely supposed esteemed more than herself by the lofty director, when the object of her jealousy was smitten with a frightful disease, Sister Benigne, with sublime self-sacrifice, went to Paris, and became her nurse; "shut herself up with her, watched over and loved her." When Bossuet died, La Cornuau, "happily guided by her friendship, forgetting her own vanity, and mindful only of the fame of her spiritual father, did more for him, perhaps, than any panegyrist." She published the two hundred letters he had written to her, "noble letters, written in profound secrecy, never intended to see the light, but worthy of exposure to the perusal of the whole world."

A friendship, such as we might suppose would be characteristic of such ecstatic natures, was cherished between the two celebrated Spanish mystics, Saint Theresa and Saint John of the Cross. The fullest expressions of it may be found in their respective writings, now translated into many languages, and easy of access almost anywhere. Unquestionably there have been very numerous Friendships, worthy of notice, between clergymen and devout women, in the Protestant sects. But they are different from those in the Catholic communion, which has, in this respect, great advantages. In the Protestant establishment, all are on a free equality; and the religion is an element fused into the life. With the Catholics, the overwhelming authority of the Church invests the priests with godlike attributes; while celibacy detaches their hearts from the home and family, leaving them ready for other calls. The laity are placed in a passive attitude, except as to faith and affection, which are more active for the restrictions applied elsewhere; and religion is pursued and practised as an art by itself. The church ritual, by its dramatic contents and movement, peerless in its pathetic, imaginative power, intensifies and cleanses the passions of those who appreciatively celebrate or witness it, and who are naturally attracted together, as, in blended devotional emotions and aims, they cultivate that supernatural art whose infinite interests make all earthly concerns appear dwarfed and pale.

The instances already cited of the friendships thus originating suffice to indicate the wealth in this kind of experience which must remain for ever unknown to the public. But one example which has just been brought to light, and is worthy to rank with the best of earlier times, should be mentioned here. It is the relation of Madame Swetchine and the most renowned preacher of our century, Lacordaire. This friendship has been beautifully portrayed by Montalembert. A full account of it will be found farther on in these pages. The friendship that joined the souls, and still links the names, of Vittoria Colonna and Michael Angelo, is one of the most celebrated in history. Her married life with the chivalrous and magnificent Marquis of Pescara, in his palace on the bewitching isle of Ischia, was one of the most romantically happy unions ever known; and nothing could be more noble than her impassioned fidelity to his memory. It was in the twelfth year of her widowhood that she first met with Michael Angelo, then sixty-three years old. Such were their respective attributes of personal worth and majesty, rank and fame, exaltation of character and genius, stainless purity, dignity, earnestness, and devotion, that they could not fail to regard each other with ardent esteem. For ten years, till death separated them, this esteem, with a consequent sympathy and happiness, steadily grew. To her he dedicated many works of his chisel and his pencil, and addressed several exquisite poems.

Their example affords a fine illustration of the sentiment of Platonic love; and his verses repeatedly give it a rhetorical expression equally fine. He says,

Better plea Love cannot have, than that, in loving thee, Glory to that eternal Peace is paid, Who such divinity to thee imparts As hallows and makes pure all gentle hearts. His hope is treacherous only whose love dies With beauty, which is varying every hour. But in chaste hearts, uninfluenced by the power Of outward change, there blooms a deathless flower, That breathes on earth the air of Paradise.

Vittoria said, "He who admires only the works of Michael Angelo values the smallest part in him." One of the only two portraits he ever painted was hers. The aged Angelo stood by the couch of Vittoria at her death. When the last breath had gone, "he raised her hand, and kissed it with a sacred respect." It is touching to know, that the sublime old man, years afterwards, recalling that scene to a friend, lamented, that, in the awe of the moment, he had refrained from pressing his lips on those of the sainted Colonna. Hermann Grimm says, "How great the loss was which he sustained can be realized only by him who has himself felt the void which the removal of a superior intellect irretrievably leaves behind it. It must have been to him as if a long-used, magnificent book, in which he found words suiting every mood, had been suddenly closed, never to be re-opened. Nothing can compensate for the loss of a friend who has journeyed with us for many years, sharing our experiences. Vittoria was the only one who had ever fully opened her soul to him. What profit could he draw from the reverence of those who would have ceased to understand him, had he shown himself as he was in truth? His only consolation was the thought, that his own career was near its close."

Among the celebrated French women, who have had a genius and a passion for friendships, Mademoiselle de Scudery deserves prominent mention. Her great talents, virtuous character, and affectionate disposition, made her a favorite in the distinguished society she frequented. The great Conde, Madame de Longueville, and the other famous visitors of the Hotel Rambouillet, honored her, and took delight in her companionship. Her ardent devotion to her friends, her beautiful and heroic fidelity to them, her chivalrous vein of sentiment and character, Cousin has illustrated with his minute learning and generous eloquence. Why Madame de Longueville was in disgrace with the court party, Mademoiselle de Scudery, with a fearless and noble constancy, dedicated a book to her, and, in consequence, lost her pension, and had to write for her bread. For this her aristocratic friends, instead of forsaking her, admired and clung to her the more. Her famous work, the "Grand Cyrus," in ten thick volumes, to which Cousin has brought to light a complete key, is filled with disguised portraits of her friends and associates, and with descriptions of the times.

She draws her own likeness under the name of Sappho. In this work, the pictures, incidents, and conversations reflect a state of society, in which "the degrees and shades of friendship, from deep Platonic love to the slight impression one person makes on another at first meeting, are the real pre-occupations of existence; the smallest grace of mind or manner is observed, and of importance; there is an intense epicurism in companionship; it is both the first occupation and the greatest pleasure of life." The second edition of an English translation of the whole ten volumes of the "Grand Cyrus" was published in London in 1691. The translator, F. G., Esq., erroneously attributes the authorship to "that famous wit of France, Monsieur de Scudery, Governour of Nostre-Dame." He confounds the sister with the brother. It is dedicated to Queen Mary, wife of William of Orange, in a style of sonorous pomp, worthy of the court of Nadir Shah. In his preface, F. G. says, "If you ask what the subject is; 'Tis the Height of Prowess, intermixed with Virtuous and Heroick Love; consequently the language lofty, and becoming the Grandeur of the Illustrious Personages that speak; so far from the least Sully of what may be thought Vain or Fulsom, that there is not anything to provoke a Blush from the most modest Virgin; while Love and Honour are in a seeming Contention which shall best instruct the willing ear with most Delight." In describing the deep and rare friendships with which the "Grand Cyrus" abounds, Mademoiselle de Scudery had but to look into her own heart, and make copies from her experience. Especially might the union of Sappho and Phaon stand for the picture of her own connection with Pelisson." The exchange of their thoughts was so sincere that all those in Sappho's mind passed into Phaon's, and all those in Phaon's came into Sappho's. They told each other every particular of their lives; and so perfect was their union, that nothing was ever seen equal to it. Never did love join so much purity to so much ardor. He wished for nothing beyond the possession of her heart. They understood each other without words, and saw their whole hearts in each other's eyes." Pelisson was twenty-nine, and Mademoiselle de Scudery forty-five, when they first met. Their instant mutual interest deepened, on more thorough acquaintance, into the warmest esteem and affection, and remained unshaken for over forty years. The perfection of their intimacy was known to every one; and every one believed in its entire purity. Cousin says it is touching to see these two noble persons made so happy by their friendship, a friendship which even the coarse and slanderous Tallement respected so much that he refrained from casting a single sneer at it. The story of Pelisson's imprisonment in the Bastile is known to the whole world by the anecdote of the spider.

His only companion, during those wretched years, was a large spider, which he had tamed, and was accustomed to feed and play with. One day, the brute of a jailer trod on him, and killed him; and Passon wept. His friend employed all her ingenuity, during his confinement, in inventing means of communication with him. "At times, when he was ready to fall into despair, a few lines would reach him, and bring him comfort." At length his prison was opened, and fortune smiled again. At his death, Mademoiselle de Scudery, though eighty-six years old, wrote and published a simple and affecting memoir of him, paying a deserved tribute to his character, in which, she said, there reigned a singular and most charming combination of tenderness, delicacy, and generosity. The most constant among the large circle of admiring friends drawn around Madame de Sevigne by her merits and charms was a cultivated Italian gentleman named Corbinelli, who lived in Paris, on a moderate income, asking only leisure, and the gratification of his high tastes. He was "one of those rare exceptions who seem created by nature to be the benevolent spectators of human events, without taking any part in them beyond that of observation and interest for the actors." He had talents equal to the greatest achievements, but was indolent and unambitious.

He was one of the earliest to discern and to proclaim Madame de Sevigne's exquisite superiority of mind, disposition, and manners, and to pay reverential court to her. Lamartine gives this account of the friendship that ensued—an account not less instructive than interesting: "His admiration, his worship, which sought no return, gained him admittance to her house, where he was regarded as one of the family, and became a necessary appendage. Madame de Sevigne, at first charmed by his wit, afterward touched by his disinterested attachment, concluded by making him the confidant of her most secret emotions. Every heart that beats warmly beneath its own bosom seeks to hear itself repeated in that of another. Corbinelli became the echo of Madame de Sevigne's mind, soul, and existence. He participated in her adoration of her daughter. At Paris, he visited her every day: he sometimes followed her to Livry; and, when absent, corresponded with her frequently.

"The dominion which his friend exercised over him was so gentle, that he experienced no feeling of slavery while submitting 'implicitly to the rule of her tastes. So absolute was her empire, that, when she became a devotee, he became a mystic: he followed her, as the satellite accompanies the planet, from the worldly gayeties of her youth, even to the foot of the altar, and the ascetic self-denial of Port-Royal. He survived her, as though he had survived himself, and lived to the extraordinary age of one hundred and four years, animated to unusual life by his gentle and amiable feelings. Such was Madame de Sevigne's principal friend. If his name were erased from her letters, the monument would be mutilated." La Rochefoucauld, whose reputation the indignant eloquence of Cousin has so damaged, was the object of an admiring friendship, of which he was not worthy, from Madame de Sevigne and Madame de la Fayette. But of all the friends to whom the ardent, imaginative, faithful heart of Madame de Sevigne attached itself, no one, after her husband and her daughter, held so commanding a place as Fouquet, the unfortunate minister of Louis XIV. Fouquet must have had rare traits, besides his acknowledged greatness of mind, to have won such a pure and unconquerable affection. Cast down from power, disgraced, closely imprisoned for fifteen years in the fortress of Pignerol, scoffed at by those who had fawned on him in his prosperity, and forgotten by nearly all whom he had befriended, never did Madame de Sevigne forget him, or cease, for one day, her efforts to alleviate his condition— cheering him with letters, and toiling to secure his liberation. D'Alembert had a long and sedulously improved friendship with Madame du Deffand, of whom Henault said, "Friendship was a passion with her; and no woman ever had more friends, or better deserved them."

There was a basis for this eulogy; but it needs much qualification. She and D'Alembert prized each other's society highly, and passed much time together. But jealousy and exaction are tenacious occupants, easily recalled to the heart even of an aged and friendly woman. When D'Alembert formed a closer friendship with Mademoiselle Lespinasse, the young and charming companion of Madame du Deffand, the latter imperiously dictated the renunciation of the new friend as the condition of retaining the old. The superiority of temper, genius, and worth in Mademoiselle Lespinasse did not permit D'Alembert to hesitate; and she repaid him with memorable fidelity. The affectionate and dependent girl was harshly driven out. In her anguish, she took laudanum, but not with a fatal result. D'Alembert then called Du Deffand an old viper; but his friend checked him, and would never allow any abuse of her former mistress, much less herself indulge in vituperation of her. When D'Alembert was attacked by a malignant fever, she went to his bedside, and nursed him day and night till he was convalescent. Marmontel says, "Malice itself never assailed their pure and innocent intimacy." She afterwards formed an attachment, of the most romantic character, to the young Spanish Marquis de Mora, who reciprocated her affection with impassioned ardor. He died while on the road to join her; and she was not long in following him into the grave, though, in the mean time, a still stronger passion for Guibert had weaned her from D'Alembert. The fervent tenderness of the latter for her remained unaltered, and he was inconsolable at her departure. On hearing of her death, Madame du Deffand said, "Had she only died fifteen years earlier, I should not have lost D'Alembert." Her letters are famous in the literature of love. Sir James Mackintosh says, "They are, in my opinion, the truest picture of deep passion ever traced by a human being." Margaret Fuller writes, "I am swallowing by gasps that cauldrony beverage of selfish passion and morbid taste, the letters of Lespinasse. It is good for me. The picture, so minute in its touches, is true as death." Madame de Stael had many devoted friendships, as would naturally be expected from the overwhelming wealth and ardor of her nature. Affinity of genius and a common love of liberty drew Benjamin Constant and her into intimate relations; and she maintained for years still closer relations with the all-knowing, all-cultured August Schlegel, whose devouring egotism and ever-sensitive vanity put all her patience and generosity to the proof.

The current opinion concerning Madame de Stael, that she was an exacting and disagreeable woman, is unjust. Schiller, who shrank from her impetuous eloquence, and Heine, whose reckless satire depicts her as going through Europe, a whirlwind in petticoats, both do her wrong. William von Humboldt, who knew her well, pronounces a glowing eulogy on her exalted traits, and says that Goethe, from prejudice and ignorance, was very unjust to her. Madame Mole says, "Women are not half grateful enough to Madame de Stael for the honor she conferred upon her sex by taking up the noble side of every question, armed with her pen and her eloquence, and never once calculating what the consequences might be. As time goes on, and details sink into insignificance, she will rise as the grand figure who withstood Bonaparte at the head of six hundred thousand men, with Europe at his back. His vanity was such that he could not bear one woman should refuse to praise him; for that was her only guilt." She was capable of the utmost magnanimity and disinterestedness. Every exalted sentiment struck a powerful chord in her heart. She lived in justice, freedom, beneficence, love, aspiration. The friendship of Matthieu de Montmorency, the most intimate and devoted of all her friends, is enough to prove her exalted worth, making every abatement for her acknowledged foibles. This chivalrous nobleman came, in his youth, to America with Lafayette, and fought for the new Republic. Although one of the foremost members of the aristocracy, it was on his motion in the Constituent Assembly that the privileges of the nobility were abolished. Sympathy in opinions and in the generous strain of their characters was the basis of a connection between him and Madame de Stael, that constantly grew in strength with the trials to which it was subjected, and was not severed even by death. When his brother, ardently loved, fell under the axe of the Revolution, it was her delicate sympathy, her ingenious and indefatigable goodness, that first soothed his anguish, assuaged the horror that threatened his reason, and prepared the way for religion and peace. And in turn, when she was exiled by Napoleon, Montmorency journeyed to Switzerland to visit her, at the risk of being banished himself, as he immediately was. "Matthieu, the friend of twenty years, is the most faultless being I have ever known." "How could he think I should tarry in Germany, when, by leaving it, I had a chance of seeing him? All Germany could not pay me for the loss of two days of his society." No unkindness, suspicion, or ignobleness of any sort, ever interrupted or mixed in the affection of these high friends. When Montmorency died, suddenly, in church, years after the death of Madame de Stael, the daughter of the latter, the Duchess de Broglie, instinctively exclaimed, on hearing of the event, "Ah, my God! I seem to see the grief of my poor mother." The prejudice in England and America against friendships between men and women has operated considerably to lessen their frequency, still more to keep them from public attention when they do exist. Undoubtedly, many a charming English woman, many a charming American woman, in her time the centre of the social circles of fashion, letters, and politics, has been surrounded by a company of friends as devoted at heart as those who have gathered with more public homage about the famous dames of France and Germany. Such groups will be called to mind by the English names of Mrs. Montagu, Lady Melbourne, Lady Holland; the American names of Mrs. Madison, Mrs. Hamilton, Mrs. Seaton, Mrs. Schuyler, and many others. But, since, with the most of these latter, the details have not been taken from the category of private property, by publications of memoirs and journals, it would be impertinent to single them out for personal mention, even where it is possible.

Magdalen Herbert, mother of George Herbert, befriended Dr. Donne in his distresses, ministering to the wants of his family with generous delicacy, and comforting him by her society. His discernment of her wit and piety, her gracious and noble disposition, combined with his gratitude to make him her fast and fervent friend. His conversation, together with that of Bishop Andrews, whose renown Clarendon and Milton unite to swell, appears to have given Lady Herbert great delight. Lasting evidence of the impression her character and kindness made on him is found in his verses and letters addressed to her, and in the funeral sermon which, with many tears, he preached for her. He says in verse, in her advancing age,

No spring nor summer beauty has such grace As I have seen on an autumnal face.

And he gratefully writes to her in his quaint prose, "Your favors to me are everywhere. I use them and have them. I enjoy them at London and leave them there, and yet find them at Mitcham. Such riddles as these become things inexpressible; and such is your goodness." There was a choice, ever-comforting, and sacred friendship between the great John Locke and the excellent Lady Damaris Masham, the only daughter of that ornament of the English Church, the learned and benignant Cudworth.

She was one of the most gifted, cultivated, and elegant women of her time. The genius and moral worth of Locke are well known to all. Domesticated in the family of Lady Masham for many years before his death, giving her all the advantage of his talents, acquirements, and sympathy, "she returned the obligation with singular benevolence and gratitude, always treating him with the utmost generosity and respect; for she had an inviolable friendship for him." She watched by him in his last illness. He asked her to read a psalm to him. As death approached, he desired her to break off reading, and in a few minutes breathed his closing breath. She wrote the fine sketch of his character published in the "Historical Dictionary." She says his manners made him very agreeable to all sorts of people, and nobody was better received than he among those of the highest rank. "His greatest amusement was to talk with sensible people, and he courted their conversation." The amiable, unfortunate Cowper, the most shrinking and melancholy of men, too gentle and too unworldly for common companionship, was especially fitted for the soothing ministrations and the healing sympathy of women. He was dependent on these friendships, and found his chief happiness in them. But for them, his career would have been as brief as it was wretched; and his name, now haloed with such sadly pleasing attractions, would have had no place in English literature, except in the dark list of madmen and suicides. Who that has read his matchless lines on his mother's picture will not bless the good women who shed so many rays of peace and bliss on his unhappy lot. His cousin, the angelic Lady Hesketh, whose disinterested tenderness lavished grateful attentions on him, with a sweet skill that failed neither in his youth nor in his age, was as a light from heaven on his path through the whole journey. Some touching verses, and innumerable references in his letters, attest his appreciation of her. Mrs. Throckmorton and her husband, in whose grounds he loved to walk, and in whose kindly and refined society he spent so many delightful hours, furnished a healthy relief from the gloom of his austere religion, in the atmosphere of their genial catholicity; and were an invaluable comfort and benefit to him. Lady Austen also, a sprightly and accomplished woman, of intellectual tastes, quick sympathies, and charming manners, whose appearance at Olney "added fresh plumes to the wings of time," was at one period an inexpressible blessing to him. "Lady Austen's conversation acted on Cowper's mind as the harp of David on the troubled spirit of Saul." He christened her "Sister Ann," and wrote cordial verses to her. Constant communications with her withdrew his attention from depressing superstitions, and enlivened his spirits. At her suggestion it was, and under her sustaining encouragement, that he composed the immortal ballad of "John Gilpin," the "Dirge for the Royal George," and his greatest work, "The Task." Love being proscribed by his repeated subjection to insanity, friendship was the resource in which he was thrice fortunate.

Far above all others in the number of his female friends, in importance, must be ranked Mary Unwin, whose name is indissolubly joined with his in the memories of all who are familiar with his plaintive story. Mrs. Unwin, wife of a clergyman, religious after the most scrupulous evangelical type, was first drawn to Cowper by a sectarian interest. They were fated to be friends, as by the striking of a die. "That woman," he soon wrote to Lady Hesketh, "is a blessing to me; and I never see her without being the better for her company." This is the secret of the charm of all true friendship—that it soothes the heart, clarifies the mind, heightens the soul. One feels so much the better for it. Almost penniless as he was, a shiftless manager, assailed by terrible depression and even madness, the Unwins took him under their roof, and gave him a home on the most generous terms. From this time until her death, the friendship of Mary was a necessity to Cowper, the greatest support and enjoyment the hapless poet knew, combining with his native humor and gentleness to combat his melancholy malady with frequent and long victories. In his fits of insanity, she watched and waited on him day and night, defying alike personal hardships and the slanderous remarks of the vile. The only drawback on Cowper's indebtedness to Mrs. Unwin was her jealous wish to restrict him to the society of her own sect of religionists, that harrowing type of piety represented by John Newton. Otherwise, he might have enjoyed much more frequent and prolonged periods of what he cheerily characterized as "absences of Mr. Blue-devil." Lady Hesketh said of her, "She seems in truth to have no will left on earth but for his good. How she has supported the constant attendance she has gone through with the last thirteen years is to me, I confess, wonderful." Cowper himself said, "It is to her, under Providence, I owe it that I am alive at all." With a devotion in which self appeared to be lost, "there she sat, on the hardest and smallest chair, leaving the best to him, knitting, with the finest possible needles, stockings of the nicest texture. He wore no others than of her knitting." After nearly a generation of her fond and sedulous ministering, repeatedly stricken with paralysis, her mind decayed, mute, almost blind, as she sat by his side, a pathetic memento of what she had been, Cowper composed for her that unsurpassed tribute, his exquisite and imperishable lines, "To Mary":

The twentieth year has well-nigh past, Since first our sky was overcast: Ah! would that this might be our last, My Mary!

Thy spirits have a fainter flow: I see thee daily weaker grow; 'Tis my distress that brought thee low, My Mary!

Thy needles, once a shining store, For my sake restless heretofore, Now rust, disused, and shine no more, My Mary!

Thy indistinct expressions seem Like language uttered in a dream; Yet me they charm, whate'er the theme, My Mary!

Thy silver locks, once auburn bright, Are still more lovely in my sight Than golden beams of orient light, My Mary!

Partakers of my sad decline, Thy hands their little force resign; Yet, gently prest, press gently mine, My Mary!

Yet ah! by constant heed, I know How oft the sadness that I show Transforms thy smiles to looks of woe, My Mary!

And should my future lot be cast With much resemblance of the past, Thy worn-out heart will break at last, My Mary!

Lady Hesketh, ever a true angel, came and dwelt with the afflicted pair. And when Cowper, after four wretched years of separation, plunged, as he expressed it, in deeps unvisited by any human soul save his, followed his faithful sister-spirit to a better world, Lady Hesketh, that model of a third friend, built, in St. Edmund's Chapel, where he was buried, a monument displaying two tablets, both bearing poetical inscriptions; one dedicated to William Cowper, the other to Mary Unwin. The friendship of Garrick and Mrs. Clive is memorable for its sprightliness, sincerity, unbroken harmony-saving a few momentary quarrels for relish—long duration, and the large measure of happiness it yielded. Their correspondence is very entertaining, and reflects honor on them both. Their talents and virtues contributed in a high degree to adorn and elevate the profession to which they belonged. It is an interesting fact, equally creditable to all the parties, that "Pivy," as they affectionately called Kittie Clive, was as dear to the excellent Mrs. Garrick as to her brilliant husband. The friendship of David Garrick was also one of the most delightful features in the life of the admirable Hannah More. A letter written by Hannah on seeing him play Lear, greatly pleased him, and led to their acquaintance. Acquaintance soon ripened into a warm esteem, and produced a friendship of the most cordial—and intimate character, which lasted until death. He declared that the nine muses had taken up their residence in her mind; and both in his conversation and his letters he constantly called her "Nine." One day when she and Johnson, and a few others, were at table with the Garricks, David read to the company her Sir Eldred, with such inimitable feeling that the happy authoress burst into tears. Friendship filled a large space in the life of Hannah More, administering incalculable strength in her labors, joy in her successes, comfort in her afflictions. It has left its memorials in the records of a host of visits, gifts, letters, poems, dedications. Her correspondence with Sir William Pepys shows what an invaluable resource a wise, pure, comprehensive friendship is in the life of a thoughtful woman. Bishop Porteus bequeathed her a legacy of a hundred pounds. She consecrated an urn to him near her house with an inscription in memory of his long and faithful friendship. Mr. Turner, of Belmont, to whom she was for six years betrothed, but broke off the engagement after he had three times postponed the appointed wedding-day, always retained the highest esteem for her, and left her a thousand pounds at his death. She also maintained a most friendly relation, as long as his increasing habit of intemperance allowed it, with her early tutor, Langhorne, the translator of Plutarch. On occasion of an anticipated visit from her, Langhorne wrote a very pretty poem, beginning,

Blow, blow, my sweetest rose! For Hannah More will soon be here; And all that crowns the ripening year Should triumph where she goes.

Joanna Baillie and Sir Walter Scott were deeply attached friends. United by a generous admiration for genius, by esteem for exalted worth and by community of tastes, they were drawn still more closely together by many mutual kindnesses, visits, and frequent correspondence. A copy of Scott's "Marmion," fresh from the press, was placed in Joanna's hands. She cut the leaves and began to read it aloud to a small circle of friends, when she suddenly came upon the following magnificent and electrifying tribute to herself:

Or, if to touch such chord be thine, Restore the ancient tragic line, And emulate the notes that rung From the wild harp that silent hung By silver Avon's holy shore Till twice an hundred years rolled o'er; When she, the bold enchantress, came With fearless hand and heart in flame, From the pale willow snatched the treasure, And swept it with a kindred measure, Till Avon's swans, while rung the grove With Monfort's hate and Basil's love, Awakening at the inspired strain, Deemed their own Shakespeare lived again!

Joanna, though taken by surprise, read on in a firm voice, till she observed the uncontrollable emotion of a friend by her side. Then she too gave way. It is delightful to partake by sympathy in so generous a gift of joy. What a pity it is that such a loving magnanimity as that of glorious Sir Walter is not more frequent among authors! The chief advantage of Fox over Pitt consisted in the fascinating demonstrativeness of his heart and manners. This won him hosts of idolizing friends, foremost among whom were many of the choicest ladies of the kingdom.

Pre-eminent among these were the two dazzlingly lovely women, ardent friends of each other too, Mrs. Catherine Crewe and Georgiana Cavendish, Duchess of Devonshire. They were indefatigable in canvassing for him. On one occasion, when the conflict for votes was intense, a butcher offered to vote for Fox on condition that the Duchess of Devonshire would allow him a kiss. The enthusiastic canvasser, perhaps the most beautiful woman then living, granted it amid deafening cheers. Nor was Mrs. Crewe less efficient. At a private banquet in honor of Fox's triumph, the Prince of Wales gave as a toast, "True Blue, and Mrs. Crewe." She gave in return, "True Blue, and all of you." The Duchess of Devonshire exerted all her powers, though in vain, to reconcile Burke with Fox, after their quarrel. On the death of Fox, she wrote a poetic tribute to his memory. Dr. Beattie, author of "The Minstrel," so many of whose touching lines have rung through souls of sensibility and are familiar to all lovers of poetry—such, for example, as,

Ah, who can tell how hard it is to climb The steep where Fame's proud temple shines afar: Ah, who can tell how many a soul sublime Has felt the influence of malignant star, And with inglorious fortune waged eternal war!

enjoyed a delightful friendship with the Duchess of Gordon. He spent the happiest hours of his saddened life at her castle, in the enjoyment of her unvarying kindness. He sent her books; they exchanged letters; and in all the brilliant whirl of her life as a reigning beauty, an ardent politician, and a leader of fashion, she fully appreciated his worth, and reciprocated his attentions and esteem until his death.

A friendship of an uncommon character, containing the elements of a romance, has left a monument of itself in two volumes, called "Letters of William Von Humboldt to a Female Friend." Humboldt, then an undergraduate at Goettingen, during one of his vacations spent three days at Pyrmont. Much of this time he passed in the society of a lovely and very superior young lady who was staying there with her father. Each was deeply interested in the other, without suspecting that the feeling was mutual. On parting, Humboldt gave his fair friend an album-leaf as a memento. The image of the fascinating student was indelibly impressed on her imagination, a centre of ideal activity and accumulation. So, it afterwards seemed, was her image left in his imagination. Twenty-six years passed in absence and silence. Humboldt had become famous and prominent, and was blessed with a happy family. Charlotte had been married, and was now a childless widow. Deprived of her parents, her husband, her property, she was overwhelmed with misfortunes. Her large property having been devoted to the State, it occurred to her that her old friend, of the three youthful days at Pyrmont, now a minister of the king, might assist her to recover, at least a portion of it, or at all events give her valuable advice as to what to do. She gathered courage to write him a letter, enclosing his old album-leaf, recalling their early meeting, telling how sacredly the memory of him had been enshrined in her soul, and begging him to counsel and console her in her great distress. The character of the letter was such, revealing a spirit so rich, high, and pure, that the generous nature of Humboldt was much moved. He at once replied with great kindness and wisdom, and with oars of practical aid. Thus began a correspondence which lasted until his death, twenty years later, during the whole of which period they only met twice for a brief time. Charlotte's portion of the correspondence, which is clot published—so affectionately reverential, so transparently sincere and trustful, evidently gave the great scholar and statesman extreme pleasure, a most varied stimulus. His letters reveal the fragrant warmth of his heart, the rare virtues and treasures of his soul, his saintly wisdom, in a most attractive manner. They were prized by Charlotte as the religion and sanctuary of her existence, and left to be given to the world as a holy bequest after her death. An interesting fact in the character of Charlotte, often noticed in these letters, and full of fruits in her life, is that she always had an intense desire to have a friend in the fullest sense of the word—a desire which was early heightened by the repeated enthusiastic perusal of Richardson's "Clarissa Harlowe." This dream had many partial realizations—the most complete and lasting in Humboldt. Rarely has any relation of individuals been so original, and awakened so much interest, as that between Goethe and his child-friend Bettine. In publishing their correspondence, many years after its close, Bettine prefaces it with the remark: "This book is for the good, and not for the bad." She foresaw how the bad would misinterpret it, yet felt that she could afford to defy their incompetent construal. She loved Goethe to idolatry—her whole soul vibrating beneath the power of the possession; but the ideality of the passion, in her naive and spontaneous nature, was a perfect safeguard from evil. Under this spell, all her rich, unquestioning ardors of reverence and fondness were as sacredly guided as the movements of Mignon, dancing blindfold amidst the eggs, with never a false step. Goethe's conduct towards the trustful and impassioned girl was exceedingly discreet, in its mingled kindness and wisdom. He felt the sweetness of her worship; he guarded her, as a father would, from its dangers. But, above all, he was profoundly interested in the spectacle of her young, original, unveiled soul. The electric soil of her brain teemed with a miraculous efflorescence, on which he never tired of gazing. It was to him like sitting apart in some still place, and watching the secret forces and workings of nature, reflected in a small mirror. Thus Bettine writes from the strange fullness of her mind, in mystic language, to Goethe's mother: "Would that I sat, a beggar-child, before his door, and took a piece of bread from his hand, and that he knew, by my glance, of what spirit I am the child. Then would he draw me nigh to him, and cover me with his cloak, that I might be warm. I know he would never bid me go again. I should wander in the house, and no one would know who I was nor whence I came; and years would pass, and life would pass, and in his features the whole world would be reflected to me, and I should not need to learn any thing more." And Goethe replies, "Your dear letters bestow on me so much that is delightful, that they may justly precede all else: they give me a succession of holidays, whose return always blesses me anew. Write to me all that passes in your mind. Farewell. Be ever near me, and continue to refresh me." Mont Blanc stoops, with all his snows, to kiss the rosy vale nestling at his feet. Goethe, in the course of his life, stood in the most intimate relations with a large number of the rarest women. Few men have ever appreciated female character so well. No one has exhibited their virtues, and pleaded their cause with a more impressive combination of insight, sympathy, and veneration.