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Squaring himself in his old bergere, and with his lips, during the effort, compressed to the same passive grimace that had an hour or two before operated for the encouragement of Mrs. Folliott—just as it was to clear the stage completely for the present more prolonged performance—he shut straight down, as he even in the act called it to himself, on any personal claim for social consideration and rendered a perfect little agony of justice to the grounds of his friend's vividness. For it was all the justice that could be expected of him that, though, secretly, he wasn't going to be interested in her being interesting, she was yet going to be so, all the same, by the very force of her lovely material (Bob Ash was such a pure pearl of a donkey!) and he was going to keep on knowing she was—yes, to the very end. When after the lapse of an hour he rose to go, the rich fact that she had been was there between them, and with an effect of the frankly, fearlessly, harmlessly intimate fireside passage for it that went beyond even the best memories of the pleasant past. He hadn't "amused" her, no, in quite the same way as in the Rue de Marignan time—it had then been he who for the most part took frequent turns, emphatic, explosive, elocutionary, over that wonderful waxed parquet while she laughed as for the young perversity of him from the depths of the second, the matching bergere. To-day she herself held and swept the floor, putting him merely to the trouble of his perpetual "Brava!" But that was all through the change of basis—the amusement, another name only for the thrilled absorption, having been inevitably for him; as how could it have failed to be with such a regular "treat" to his curiosity? With the tea-hour now other callers were turning up, and he got away on the plea of his wanting so to think it all over. He hoped again he hadn't too queer a grin with his assurance to her, as if she would quite know what he meant, that he had been thrilled to the core. But she returned, quite radiantly, that he had carried her completely away; and her sincerity was proved by the final frankness of their temporary parting. "My pleasure of you is selfish, horribly, I admit; so that if that doesn't suit you—!" Her faded beauty flushed again as she said it.
IV
In the street again, as he resumed his walk, he saw how perfectly it would have to suit him and how he probably for a long time wouldn't be suited otherwise. Between them and that time, however, what mightn't, for him, poor devil, on his new basis, have happened? She wasn't at any rate within any calculable period going to care so much for anything as for the so quaintly droll terms in which her rearrangement with her husband—thanks to that gentleman's inimitable fatuity—would have to be made. This was what it was to own, exactly, her special grace—the brightest gaiety in the finest sensibility; such a display of which combination, Mark felt as he went (if he could but have done it still more justice) she must have regaled him with! That exquisite last flush of her fadedness could only remain with him; yet while he presently stopped at a street-corner in a district redeemed from desolation but by the passage just then of a choked trolley-car that howled, as he paused for it, beneath the weight of its human accretions, he seemed to know the inward "sinking" that had been determined in a hungry man by some extravagant sight of the preparation of somebody else's dinner. Florence Ash was dining, so to speak, off the feast of appreciation, appreciation of what she had to "tell" him, that he had left her seated at; and she was welcome, assuredly—welcome, welcome, welcome, he musingly, he wistfully, and yet at the same time a trifle mechanically, repeated, stayed as he was a moment longer by the suffering shriek of another public vehicle and a sudden odd automatic return of his mind to the pretty girl, the flower of Mrs. Folliott's crowd, who had spoken to him of Newton Winch. It was extraordinarily as if, on the instant, she reminded him, from across the town, that she had offered him dinner: it was really quite strangely, while he stood there, as if she had told him where he could go and get it. With which, none the less, it was apparently where he wouldn't find her—and what was there, after all, of nutritive in the image of Newton Winch? He made up his mind in a moment that it owed that property, which the pretty girl had somehow made imputable, to the fact of its simply being just then the one image of anything known to him that the terrible place had to offer. Nothing, he a minute later reflected, could have been so "rum" as that, sick and sore, of a bleak New York eventide, he should have had nowhere to turn if not to the said Fiftieth Street.
That was the direction he accordingly took, for when he found the number given him by the same remarkable agent of fate also present to his memory he recognised the direct intervention of Providence and how it absolutely required a miracle to explain his so precipitately embracing this loosest of connections. The miracle indeed soon grew clearer: Providence had, on some obscure system, chosen this very ridiculous hour to save him from cultivation of the sin of selfishness, the obsession of egotism, and was breaking him to its will by constantly directing his attention to the claims of others. Who could say what at that critical moment mightn't have become of Mrs. Folliott (otherwise too then so sadly embroiled!) if she hadn't been enabled to air to him her grievance and her rage?—just as who could deny that it must have done Florence Ash a world of good to have put her thoughts about Bob in order by the aid of a person to whom the vision of Bob in the light of those thoughts (or in other words to whom her vision of Bob and nothing else) would mean so delightfully much? It was on the same general lines that poor Newton Winch, bereft, alone, ill, perhaps dying, and with the drawback of a not very sympathetic personality—as Mark remembered it at least—to contend against in almost any conceivable appeal to human furtherance, it was on these lines, very much, that the luckless case in Fiftieth Street was offered him as a source of salutary discipline. The moment for such a lesson might strike him as strange, in view of the quite special and independent opportunity for exercise that his spirit had during the last three days enjoyed there in his hotel bedroom; but evidently his languor of charity needed some admonition finer than any it might trust to chance for, and by the time he at last, Winch's residence recognised, was duly elevated to his level and had pressed the electric button at his door, he felt himself acting indeed as under stimulus of a sharp poke in the side.
V
Within the apartment to which he had been admitted, moreover, the fine intelligence we have imputed to him was in the course of three minutes confirmed; since it took him no longer than that to say to himself, facing his old acquaintance, that he had never seen any one so improved. The place, which had the semblance of a high studio light as well as a general air of other profusions and amplitudes, might have put him off a little by its several rather glaringly false accents, those of contemporary domestic "art" striking a little wild. The scene was smaller, but the rich confused complexion of the Pocahontas, showing through Du Barry paint and patches, might have set the example—which had been followed with the costliest candour—so that, clearly, Winch was in these days rich, as most people in New York seemed rich; as, in spite of Bob's depredations, Florence Ash was, as even Mrs. Folliott was in spite of Phil Bloodgood's, as even Phil Bloodgood himself must have been for reasons too obvious; as in fine every one had a secret for being, or for feeling, or for looking, every one at least but Mark Monteith.
These facts were as nothing, however, in presence of his quick and strong impression that his pale, nervous, smiling, clean-shaven host had undergone since their last meeting some extraordinary process of refinement. He had been ill, unmistakably, and the effects of a plunge into plain clean living, where any fineness had remained, were often startling, sometimes almost charming. But independently of this, and for a much longer time, some principle of intelligence, some art of life, would discernibly have worked in him. Remembered from college years and from those two or three luckless and faithless ones of the Law School as constitutionally common, as consistently and thereby doubtless even rather powerfully coarse, clever only for uncouth and questionable things, he yet presented himself now as if he had suddenly and mysteriously been educated. There was a charm in his wide, "drawn," convalescent smile, in the way his fine fingers—had he anything like fine fingers of old?—played, and just fidgeted, over the prompt and perhaps a trifle incoherent offer of cigars, cordials, ashtrays, over the question of his visitor's hat, stick, fur coat, general best accommodation and ease; and how the deuce, accordingly, had charm, for coming out so on top, Mark wondered, "squared" the other old elements? For the short interval so to have dealt with him what force had it turned on, what patented process, of the portentous New York order in which there were so many, had it skilfully applied? Were these the things New York did when you just gave her all her head, and that he himself then had perhaps too complacently missed? Strange almost to the point of putting him positively off at first—quite as an exhibition of the uncanny—this sense of Newton's having all the while neither missed nor muffed anything, and having, as with an eye to the coup de theatre to come, lowered one's expectations, at the start, to that abject pitch. It might have been taken verily for an act of bad faith—really for such a rare stroke of subtlety as could scarce have been achieved by a straight or natural aim.
So much as this at least came and went in Monteith's agitated mind; the oddest intensity of apprehension, admiration, mystification, which the high north-light of the March afternoon and the quite splendidly vulgar appeal of fifty overdone decorative effects somehow fostered and sharpened. Everything had already gone, however, the next moment, for wasn't the man he had come so much too intelligently himself to patronise absolutely bowling him over with the extraordinary speech: "See here, you know—you must be ill, or have had a bad shock, or some beastly upset: are you very sure you ought to have come out?" Yes, he after an instant believed his ears; coarse common Newton Winch, whom he had called on because he could, as a gentleman, after all afford to, coarse common Newton Winch, who had had troubles and been epidemically poisoned, lamentably sick, who bore in his face and in the very tension, quite exactly the "charm," of his manner, the traces of his late ordeal, and, for that matter, of scarce completed gallant emergence—this astonishing ex-comrade was simply writing himself at a stroke (into our friend's excited imagination at all events) the most distinguished of men. Oh, he was going to be interesting, if Florence Ash had been going to be; but Mark felt how, under the law of a lively present difference, that would be as an effect of one's having one's self thoroughly rallied. He knew within the minute that the tears stood in his eyes; he stared through them at his friend with a sharp "Why, how do you know? How can you?" To which he added before Winch could speak: "I met your charming sister-in-law a couple of hours since—at luncheon, at the Pocahontas; and heard from her that you were badly laid up and had spoken of me. So I came to minister to you."
The object of this design hovered there again, considerably restless, shifting from foot to foot, changing his place, beginning and giving up motions, striking matches for a fresh cigarette, offering them again, redundantly, to his guest and then not lighting himself—but all the while with the smile of another creature than the creature known to Mark; all the while with the history of something that had happened to him ever so handsomely shining out. Mark was conscious within himself from this time on of two quite distinct processes of notation—that of his practically instant surrender to the consequences of the act of perception in his host of which the two women trained suppos-ably in the art of pleasing had been altogether incapable; and that of some other condition on Newton's part that left his own poor power of divination nothing less than shamed. This last was signally the case on the former's saying, ever so responsively, almost radiantly, in answer to his account of how he happened to come: "Oh then it's very interesting!" That was the astonishing note, after what he had been through: neither Mrs. Folliott nor Florence Ash had so much as hinted or breathed to him that he might have incurred that praise. No wonder therefore he was now taken—with this fresh party's instant suspicion and imputation of it; though it was indeed for some minutes next as if each tried to see which could accuse the other of the greater miracle of penetration. Mark was so struck, in a word, with the extraordinarily straight guess Winch had had there in reserve for him that, other quick impressions helping, there was nothing for him but to bring out, himself: "There must be, my dear man, something rather wonderful the matter with you!" The quite more intensely and more irresistibly drawn grin, the quite unmistakably deeper consciousness in the dark, wide eye, that accompanied the not quite immediate answer to which remark he was afterward to remember. "How do you know that—or why do you think it?" "Because there must be—for you to see! I shouldn't have expected it."
"Then you take me for a damned fool?" laughed wonderful Newton Winch.
VI
He could say nothing that, whether as to the sense of it or as to the way of it, didn't so enrich Mark's vision of him that our friend, after a little, as this effect proceeded, caught himself in the act of almost too curiously gaping. Everything, from moment to moment, fed his curiosity; such a question, for instance, as whether the quite ordinary peepers of the Newton Winch of their earlier youth could have looked, under any provocation, either dark or wide; such a question, above all, as how this incalculable apparition came by the whole startling power of play of its extravagantly sensitive labial connections—exposed, so to its advantage (he now jumped at one explanation) by the removal of what had probably been one of the vulgar-est of moustaches. With this, at the same time, the oddity of that particular consequence was vivid to him; the glare of his curiosity fairly lasting while he remembered how he had once noted the very opposite turn of the experiment for Phil Bloodgood. He would have said in advance that poor Winch couldn't have afforded to risk showing his "real" mouth; just as he would have said that in spite of the fine ornament that so considerably muffled it Phil could only have gained by showing his. But to have seen Phil shorn—as he once had done—was earnestly to pray that he might promptly again bristle; beneath Phil's moustache lurked nothing to "make up" for it in case of removal. While he thought of which things the line of grimace, as he could only have called it, the mobile, interesting, ironic line the great double curve of which connected, in the face before him, the strong nostril with the lower cheek, became the very key to his first idea of Newton's capture of refinement. He had shaved and was happily transfigured. Phil Bloodgood had shaved and been wellnigh lost; though why should he just now too precipitately drag the reminiscence in?
That question too, at the queer touch of association, played up for Mark even under so much proof that the state of his own soul was being with the lapse of every instant registered. Phil Bloodgood had brought about the state of his soul—there was accordingly that amount of connection; only it became further remarkable that from the moment his companion had sounded him, and sounded him, he knew, down to the last truth of things, his disposition, his necessity to talk, the desire that had in the morning broken the spell of his confinement, the impulse that had thrown him so defeatedly into Mrs. Folliott's arms and into Florence Ash's, these forces seemed to feel their impatience ebb and their discretion suddenly grow. His companion was talking again, but just then, incongruously, made his need to communicate lose itself. It was as if his personal case had already been touched by some tender hand—and that, after all, was the modest limit of its greed. "I know now why you came back—did Lottie mention how I had wondered? But sit down, sit down—only let me, nervous beast as I am, take it standing!—and believe me when I tell you that I've now ceased to wonder. My dear chap, I have it! It can't but have been for poor Phil Blood-good. He sticks out of you, the brute—as how, with what he has done to you, shouldn't he? There was a man to see me yesterday—Tim Slater, whom I don't think you know, but who's 'on' everything within about two minutes of its happening (I never saw such a fellow!) and who confirmed my supposition, all my own, however, mind you, at first, that you're one of the sufferers. So how the devil can you not feel knocked? Why should you look as if you were having the time of your life? What a hog to have played it on you, on you, of all his friends!" So Newton Winch continued, and so the air between the two men might have been, for a momentary watcher—which is indeed what I can but invite the reader to become—that of a nervously displayed, but all considerate, as well as most acute, curiosity on the one side, and that on the other, after a little, of an eventually fascinated acceptance of so much free and in especial of so much right attention. "Do you mind my asking you? Because if you do I won't press; but as a man whose own responsibilities, some of 'em at least, don't differ much, I gather, from some of his, one would like to know how he was ever allowed to get to the point—! But I do plough you up?"
Mark sat back in his chair, moved but holding himself, his elbows squared on each arm, his hands a bit convulsively interlocked across him—very much in fact as he had appeared an hour ago in the old tapestry bergere; but as his rigour was all then that of the grinding effort to profess and to give, so it was considerably now for the fear of too hysterically gushing. Somehow too—since his wound was to that extent open—he winced at hearing the author of it branded. He hadn't so much minded the epithets Mrs. Folliott had applied, for they were to the appropriator of her securities. As the appropriator of his own he didn't so much want to brand him as—just more "amusingly" even, if one would.—to make out, perhaps, with intelligent help, how such a man, in such a relation, could come to tread such a path: which was exactly the interesting light that Winch's curiosity and sympathy were there to assist him to. He pleaded at any rate immediately his advertising no grievance. "I feel sore, I admit, and it's a horrid sort of thing to have had happen; but when you call him a brute and a hog I rather squirm, for brutes and hogs never live, I guess, in the sort of hell in which he now must be."
Newton Winch, before the fireplace, his hands deep in his pockets, where his guest could see his long fingers beat a tattoo on his thighs, Newton Winch dangled and swung himself, and threw back his head and laughed. "Well, I must say you take it amazingly!—all the more that to see you again this way is to feel that if, all along, there was a man whose delicacy and confidence and general attitude might have marked him for a particular consideration, you'd have been the man." And they were more directly face to face again; with Newton smiling and smiling so appreciatively; making our friend in fact almost ask himself when before a man had ever grinned from ear to ear to the effect of its so becoming him. What he replied, however, was that Newton described in those flattering terms a client temptingly fatuous; after which, and the exchange of another protest or two in the interest of justice and decency, and another plea or two in that of the still finer contention that even the basest misdeeds had always somewhere or other, could one get at it, their propitiatory side, our hero found himself on his feet again, under the influence of a sudden failure of everything but horror—a horror determined by some turn of their talk and indeed by the very fact of the freedom of it. It was as if a far-borne sound of the hue and cry, a vision of his old friend hunted and at bay, had suddenly broken in—this other friend's, this irresistibly intelligent other companion's, practically vivid projection of that making the worst ugliness real. "Oh, it's just making my wry face to somebody, and your letting me and caring and wanting to know: that," Mark said, "is what does me good; not any other hideous question. I mean I don't take any interest in my case—what one wonders about, you see, is what can be done for him. I mean, that is"—for he floundered a little, not knowing at last quite what he did mean, a great rush of mere memories, a great humming sound as of thick, thick echoes, rising now to an assault that he met with his face indeed contorted. If he didn't take care he should howl; so he more or less successfully took care—yet with his host vividly watching him while he shook the danger temporarily off. "I don't mind—though it's rather that; my having felt this morning, after three dismal dumb bad days, that one's friends perhaps would be thinking of one. All I'm conscious of now—I give you my word—is that I'd like to see him."
"You'd like to see him?"
"Oh, I don't say," Mark ruefully smiled, "that I should like him to see me—!"
Newton Winch, from where he stood—and they were together now, on the great hearth-rug that was a triumph of modern orientalism—put out one of the noted fine hands and, with an expressive headshake, laid it on his shoulder. "Don't wish him that, Monteith—don't wish him that!"
"Well, but,"—and Mark raised his eyebrows still higher—"he'd see I bear up; pretty well!"
"God forbid he should see, my dear fellow!" Newton cried as for the pang of it.
Mark had for his idea, at any rate, the oddest sense of an exaltation that grew by this use of frankness. "I'd go to him. Hanged if I wouldn't—anywhere!"
His companion's hand still rested on him. "You'd go to him?"
Mark stood up to it—though trying to sink solemnity as pretentious. "I'd go like a shot." And then he added: "And it's probably what—when we've turned round—I shall do."
"When 'we' have turned round?"
"Well"—he was a trifle disconcerted at the tone—"I say that because you'll have helped me."
"Oh, I do nothing but want to help you!" Winch replied—which made it right again; especially as our friend still felt himself reassuringly and sustainingly grasped. But Winch went on: "You would go to him—in kindness?"
"Well—to understand."
"To understand how he could swindle you?"
"Well," Mark kept on, "to try and make out with him how, after such things—!" But he stopped; he couldn't name them.
It was as if his companion knew. "Such things as you've done for him of course—such services as you've rendered him."
"Ah, from far back. If I could tell you," our friend vainly wailed—"if I could tell you!"
Newton Winch patted his shoulder. "Tell me—tell me!"
"The sort of relation, I mean; ever so many things of a kind—!" Again, however, he pulled up; he felt the tremor of his voice.
"Tell me, tell me," Winch repeated with the same movement.
The tone in it now made their eyes meet again, and with this presentation of the altered face Mark measured as not before, for some reason, the extent of the recent ravage. "You must have been ill indeed."
"Pretty bad. But I'm better. And you do me good"—with which the light of convalescence came back.
"I don't awfully bore you?"
Winch shook his head. "You keep me up—and you see how no one else comes near me."
Mark's eyes made out that he was better—though it wasn't yet that nothing was the matter with him. If there was ever a man with whom there was still something the matter—! Yet one couldn't insist on that, and meanwhile he clearly did want company. "Then there we are. I myself had no one to go to."
"You save my life," Newton renewedly grinned.
VII
"Well, it's your own fault," Mark replied to that, "if you make me take advantage of you." Winch had withdrawn his hand, which was back, violently shaking keys or money, in his trousers pocket; and in this position he had abruptly a pause, a sensible, absence, that might have represented either some odd drop of attention, some turn-off to another thought, or just simply the sudden act of listening. His guest had indeed himself—under suggestion—the impression of a sound. "Mayn't you perhaps—if you hear something—have a call?"
Mark had said it so lightly, however, that he was the more struck with his host's appearing to turn just paler; and, with it, the latter now was listening. "You hear something?"
"I thought you did." Winch himself, on Mark's own pressure of the outside bell, had opened the door of the apartment—an indication then, it sufficiently appeared, that Sunday afternoons were servants', or attendants', or even trained nurses' holidays. It had also marked the stage of his convalescence, and to that extent—after his first flush of surprise—had but smoothed Monteith's way. At present he barely gave further attention; detaching himself as under some odd cross-impulse, he had quitted the spot and then taken, in the wide room, a restless turn—only, however, to revert in a moment to his friend's just-uttered deprecation of the danger of boring him. "If I make you take advantage of me—that is blessedly talk to me—it's exactly what I want to do. Talk to me—talk to me!" He positively waved it on; pulling up again, however, in his own talk, to say with a certain urgency: "Hadn't you better sit down?"
Mark, who stayed before the fire, couldn't but excuse himself. "Thanks—I'm very well so. I think of things and I fidget."
Winch stood a moment with his eyes on the ground. "Are you very sure?"
"Quite—I'm all right if you don't mind."
"Then as you like!" With which, shaking to extravagance again his long legs, Newton had swung off—only with a movement that, now his back was turned, affected his visitor as the most whimsical of all the forms of his rather unnatural manner. He was curiously different with his back turned, as Mark now for the first time saw it—dangling and somewhat wavering, as from an excess of uncertainty of gait; and this impression was so strange, it created in our friend, uneasily and on the spot, such a need of explanation, that his speech was stayed long enough to give Winch time to turn round again. The latter had indeed by this moment reached one of the limits of the place, the wide studio bay, where he paused, his back to the light and his face afresh presented, to let his just passingly depressed and quickened eyes take in as much as possible of the large floor, range over it with such brief freedom of search as the disposition of the furniture permitted. He was looking for something, though the betrayed reach of vision was but of an instant. Mark caught it, however, and with his own sensibility all in vibration, found himself feeling at once that it meant something and that what it meant was connected with his entertainer's slightly marked appeal to him, the appeal of a moment before, not to remain standing. Winch knew by this time quite easily enough that he was hanging fire; which meant that they were suddenly facing each other across the wide space with a new consciousness.
Everything had changed—changed extraordinarily with the mere turning of that gentleman's back, the treacherous aspect of which its owner couldn't surely have suspected. If the question was of the pitch of their sensibility, at all events, it wouldn't be Mark's that should vibrate to least purpose. Visibly it had come to his host that something had within the few instants remarkably happened, but there glimmered on him an induction that still made him keep his own manner. Newton himself might now resort to any manner he liked. His eyes had raked the floor to recover the position of something dropped or misplaced, and something, above all, awkward or compromising; and he had wanted his companion not to command this scene from the hearth-rug, the hearthrug where he had been just before holding him, hypnotising him to blindness, because the object in question would there be most exposed to sight Mark embraced this with a further drop—while the apprehension penetrated—of his power to go on, and with an immense desire at the same time that his eyes should seem only to look at his friend; who broke out now, for that matter, with a fresh appeal. "Aren't you going to take advantage of me, man—aren't you going to take it?"
Everything had changed, we have noted, and nothing could more have proved it than the fact that, by the same turn, sincerity of desire had dropped out of Winch's chords, while irritation, sharp and almost imperious, had come in. "That's because he sees I see something!" Mark said to himself; but he had no need to add that it shouldn't prevent his seeing more—for the simple reason that, in a miraculous fashion, this was exactly what he did do in glaring out the harder. It was beyond explanation, but the very act of blinking thus in an attempt at showy steadiness became one and the same thing with an optical excursion lasting the millionth of a minute and making him aware that the edge of a rug, at the point where an arm-chair, pushed a little out of position, over-straddled it, happened just not wholly to have covered in something small and queer, neat and bright, crooked and compact, in spite of the strong toe-tip surreptitiously applied to giving it the right lift Our gentleman, from where he hovered, and while looking straight at the master of the scene, yet saw, as by the tiny flash of a reflection from fine metal, under the chair. What he recognised, or at least guessed at, as sinister, made him for a moment turn cold, and that chill was on him while Winch again addressed him—as differently as possible from any manner yet used. "I beg of you in God's name to talk to me—to talk to me!"
It had the ring of pure alarm and anguish, but was by this turn at least more human than the dazzling glitter of intelligence to which the poor man had up to now been treating him. "It's you, my good friend, who are in deep trouble," Mark was accordingly quick to reply, "and I ask your pardon for being so taken up with my own sorry business."
"Of course I'm in deep trouble"—with which Winch came nearer again; "but turning you on was exactly what I wanted."
Mark Monteith, at this, couldn't, for all his rising dismay, but laugh out; his sense of the ridiculous so swallowed up, for that brief convulsion, his sense of the sinister. Of such conivence in pain, it seemed, was the fact of another's pain, and of so much worth again disinterested sympathy! "Your interest was then——?"
"My interest was in your being interesting. For you are! And my nerves—!" said Newton Winch with a face from which the mystifying smile had vanished, yet in which distinction, as Mark so persistently appreciated it, still sat in the midst of ravage.
Mark wondered and wondered—he made strange things out. "Your nerves have needed company." He could lay his hand on him now, even as shortly before he had felt Winch's own pressure of possession and detention. "As good for you yourself, that—or still better," he went on—"than I and my grievance were to have found you. Talk to we, talk to we, Newton Winch!" he added with an immense inspiration of charity.
"That's a different matter—that others but too much can do! But I'll say this. If you want to go to Phil Bloodgood——!"
"Well?" said Mark as he stopped. He stopped, and Mark had now a hand on each of his shoulders and held him at arm's-length, held him with a fine idea that was not disconnected from the sight of the small neat weapon he had been fingering in the low luxurious morocco chair—it was of the finest orange colour—and then had laid beside him on the carpet; where, after he had admitted his visitor, his presence of mind coming back to it and suggesting that he couldn't pick it up without making it more conspicuous, he had thought, by some swing of the foot or other casual manoeuvre, to dissimulate its visibility.
They were at close quarters now as not before and Winch perfectly passive, with eyes that somehow had no shadow of a secret left and with the betrayal to the sentient hands that grasped him of an intense, an extraordinary general tremor. To Mark's challenge he opposed afresh a brief silence, but the very quality of it, with his face speaking, was that of a gaping wound. "Well, you needn't take that trouble. You see I'm such another."
"Such another as Phil——-?"
He didn't blink. "I don't know for sure, but I guess I'm worse."
"Do you mean you're guilty——-?"
"I mean I shall be wanted. Only I've stayed to take it."
Mark threw back his head, but only tightened his hands. He inexpressibly understood, and nothing in life had ever been so strange and dreadful to him as his thus helping himself by a longer and straighter stretch, as it were, to the monstrous sense of his friend's "education." It had been, in its immeasurable action, the education of business, of which the fruits were all around them. Yet prodigious was the interest, for prodigious truly—it seemed to loom before Mark—must have been the system. "To 'take' it?" he echoed; and then, though faltering a little, "To take what?"
He had scarce spoken when a long sharp sound shrilled in from the outer door, seeming of so high and peremptory a pitch that with the start it gave him his grasp of his host's shoulders relaxed an instant, though to the effect of no movement in them but what came from just a sensibly intenser vibration of the whole man. "For that!" said Newton Winch.
"Then you've known——-?"
"I've expected. You've helped me to wait." And then as Mark gave an ironic wail: "You've tided me over. My condition has wanted somebody or something. Therefore, to complete this service, will you be so good as to open the door?"
Deep in the eyes Mark looked him, and still to the detection of no glimmer of the earlier man in the depths. The earlier man had been what he invidiously remembered—yet would he had been the whole simpler story! Then he moved his own eyes straight to the chair under which the revolver lay and which was but a couple of yards away. He felt his companion take this consciousness in, and it determined in them another long, mute exchange. "What do you mean to do?"
"Nothing."
"On your honour?"
"My 'honour'?" his host returned with an accent that he felt even as it sounded he should never forget.
It brought to his own face a crimson flush—he dropped his guarding hands. Then as for a last look at him: "You're wonderful!"
"We are wonderful," said Newton Winch, while, simultaneously with the words, the pressed electric bell again and for a longer time pierced the warm cigaretted air.
Mark turned, threw up his arms, and it was only when he had passed through the vestibule and laid his hand on the door-knob that the horrible noise dropped. The next moment he was face to face with two visitors, a nondescript personage in a high hat and an astrakhan collar and cuffs, and a great belted constable, a splendid massive New York "officer" of the type he had had occasion to wonder at much again in the course of his walk, the type so by itself—his wide observation quite suggested—among those of the peacemakers of the earth. The pair stepped straight in—no word was said; but as he closed the door behind them Mark heard the infallible crack of a discharged pistol and, so nearly with it as to make all one violence, the sound of a great fall; things the effect of which was to lift him, as it were, with his company, across the threshold of the room in a shorter time than that taken by this record of the fact. But their rush availed little; Newton was stretched on his back before the fire; he had held the weapon horribly to his temple, and his upturned face was disfigured. The emissaries of the law, looking down at him, exhaled simultaneously a gruff imprecation, and then while the worthy in the high hat bent over the subject of their visit the one in the helmet raised a severe pair of eyes to Mark. "Don't you think, sir, you might have prevented it?"
Mark took a hundred things in, it seemed to him—things of the scene, of the moment, and of all the strange moments before; but one appearance more vividly even than the others stared out at him. "I really think I must practically have caused it."
CRAPY CORNELIA
I
THREE times within a quarter of an hour—shifting the while his posture on his chair of contemplation—had he looked at his watch as for its final sharp hint that he should decide, that he should get up. His seat was one of a group fairly sequestered, unoccupied save for his own presence, and from where he lingered he looked off at a stretch of lawn freshened by recent April showers and on which sundry small children were at play. The trees, the shrubs, the plants, every stem and twig just ruffled as by the first touch of the light finger of the relenting year, struck him as standing still in the blest hope of more of the same caress; the quarter about him held its breath after the fashion of the child who waits with the rigour of an open mouth and shut eyes for the promised sensible effect of his having been good. So, in the windless, sun-warmed air of the beautiful afternoon, the Park of the winter's end had struck White-Mason as waiting; even New York, under such an impression, was "good," good enough—for him; its very sounds were faint, were almost sweet, as they reached him from so seemingly far beyond the wooded horizon that formed the remoter limit of his large shallow glade. The tones of the frolic infants ceased to be nondescript and harsh—were in fact almost as fresh and decent as the frilled and puckered and ribboned garb of the little girls, which had always a way, in those parts, of so portentously flaunting the daughters of the strange native—that is of the overwhelmingly alien—populace at him.
Not that these things in particular were his matter of meditation now; he had wanted, at the end of his walk, to sit apart a little and think—and had been doing that for twenty minutes, even though as yet to no break in the charm of procrastination. But he had looked without seeing and listened without hearing: all that had been positive for him was that he hadn't failed vaguely to feel. He had felt in the first place, and he continued to feel—yes, at forty-eight quite as much as at any point of the supposed reign of younger intensities—the great spirit of the air, the fine sense of the season, the supreme appeal of Nature, he might have said, to his time of life; quite as if she, easy, indulgent, indifferent, cynical Power, were offering him the last chance it would rest with his wit or his blood to embrace. Then with that he had been entertaining, to the point and with the prolonged consequence of accepted immobilization, the certitude that if he did call on Mrs. Worthingham and find her at home he couldn't in justice to himself not put to her the question that had lapsed the other time, the last time, through the irritating and persistent, even if accidental, presence of others. What friends she had—the people who so stupidly, so wantonly stuck! If they should, he and she, come to an understanding, that would presumably have to include certain members of her singularly ill-composed circle, in whom it was incredible to him that he should ever take an interest. This defeat, to do himself justice—he had bent rather predominantly on that, you see; ideal justice to her, with her possible conception of what it should consist of, being another and quite a different matter—he had had the fact of the Sunday afternoon to thank for; she didn't "keep" that day for him, since they hadn't, up to now, quite begun to cultivate the appointment or assignation founded on explicit sacrifices. He might at any rate look to find this pleasant practical Wednesday—should he indeed, at his actual rate, stay it before it ebbed—more liberally and intendingly given him.
The sound he at last most wittingly distinguished in his nook was the single deep note of half-past five borne to him from some high-perched public clock. He finally got up with the sense that the time from then on ought at least to be felt as sacred to him. At this juncture it was—while he stood there shaking his garments, settling his hat, his necktie, his shirt-cuffs, fixing the high polish of his fine shoes as if for some reflection in it of his straight and spare and grizzled, his refined and trimmed and dressed, his altogether distinguished person, that of a gentleman abundantly settled, but of a bachelor markedly nervous—at this crisis it was, doubtless, that he at once most measured and least resented his predicament. If he should go he would almost to a certainty find her, and if he should find her he would almost to a certainty come to the point. He wouldn't put it off again—there was that high consideration for him of justice at least to himself. He had never yet denied himself anything so apparently fraught with possibilities as the idea of proposing to Mrs. Worthingham—never yet, in other words, denied himself anything he had so distinctly wanted to do; and the results of that wisdom had remained for him precisely the precious parts of experience. Counting only the offers of his honourable hand, these had been on three remembered occasions at least the consequence of an impulse as sharp and a self-respect as reasoned; a self-respect that hadn't in the least suffered, moreover, from the failure of each appeal. He had been met in the three cases—the only ones he at all compared with his present case—by the frank confession that he didn't somehow, charming as he was, cause himself to be superstitiously believed in; and the lapse of life, afterward, had cleared up many doubts.
It wouldn't have done, he eventually, he lucidly saw, each time he had been refused; and the candour of his nature was such that he could live to think of these very passages as a proof of how right he had been—right, that is, to have put himself forward always, by the happiest instinct, only in impossible conditions. He had the happy consciousness of having exposed the important question to the crucial test, and of having escaped, by that persistent logic, a grave mistake. What better proof of his escape than the fact that he was now free to renew the all-interesting inquiry, and should be exactly, about to do so in different and better conditions? The conditions were better by as much more—as much more of his career and character, of his situation, his reputation he could even have called it, of his knowledge of life, of his somewhat extended means, of his possibly augmented charm, of his certainly improved mind and temper—as was involved in the actual impending settlement. Once he had got into motion, once he had crossed the Park and passed out of it, entering, with very little space to traverse, one of the short new streets that abutted on its east side, his step became that of a man young enough to find confidence, quite to find felicity, in the sense, in almost any sense, of action. He could still enjoy almost anything, absolutely an unpleasant thing, in default of a better, that might still remind him he wasn't so old. The standing newness of everything about him would, it was true, have weakened this cheer by too much presuming on it; Mrs. Worthingham's house, before which he stopped, had that gloss of new money, that glare of a piece fresh from the mint and ringing for the first time on any counter, which seems to claim for it, in any transaction, something more than the "face" value.
This could but be yet more the case for the impression of the observer introduced and committed. On our friend's part I mean, after his admission and while still in the hall, the sense of the general shining immediacy, of the still unhushed clamour of the shock, was perhaps stronger than he had ever known it. That broke out from every corner as the high pitch of interest, and with a candour that—no, certainly—he had never seen equalled; every particular expensive object shrieking at him in its artless pride that it had just "come home." He met the whole vision with something of the grimace produced on persons without goggles by the passage from a shelter to a blinding light; and if he had—by a perfectly possible chance—been "snap-shotted" on the spot, would have struck you as showing for his first tribute to the temple of Mrs. Worthingham's charming presence a scowl almost of anguish. He wasn't constitutionally, it may at once be explained for him, a goggled person; and he was condemned, in New York, to this frequent violence of transition—having to reckon with it whenever he went out, as who should say, from himself. The high pitch of interest, to his taste, was the pitch of history, the pitch of acquired and earned suggestion, the pitch of association, in a word; so that he lived by preference, incontestably, if not in a rich gloom, which would have been beyond his means and spirits, at least amid objects and images that confessed to the tone of time.
He had ever felt that an indispensable presence—with a need of it moreover that interfered at no point with his gentle habit, not to say his subtle art, of drawing out what was left him of his youth, of thinly and thriftily spreading the rest of that choicest jam-pot of the cupboard of consciousness over the remainder of a slice of life still possibly thick enough to bear it; or in other words of moving the melancholy limits, the significant signs, constantly a little further on, very much as property-marks or staked boundaries are sometimes stealthily shifted at night. He positively cherished in fact, as against the too inveterate gesture of distressfully guarding his eyeballs—so many New York aspects seemed to keep him at it—an ideal of adjusted appreciation, of courageous curiosity, of fairly letting the world about him, a world of constant breathless renewals and merciless substitutions, make its flaring assault on its own inordinate terms. Newness was value in the piece—for the acquisitor, or at least sometimes might be, even though the act of "blowing" hard, the act marking a heated freshness of arrival, or other form of irruption, could never minister to the peace of those already and long on the field; and this if only because maturer tone was after all most appreciable and most consoling when one staggered back to it, wounded, bleeding, blinded, from the riot of the raw—or, to put the whole experience more prettily, no doubt, from excesses of light.
II
If he went in, however, with something of his more or less inevitable scowl, there were really, at the moment, two rather valid reasons for screened observation; the first of these being that the whole place seemed to reflect as never before the lustre of Mrs. Worthingham's own polished and prosperous little person—to smile, it struck him, with her smile, to twinkle not only with the gleam of her lovely teeth, but with that of all her rings and brooches and bangles and other gewgaws, to curl and spasmodically cluster as in emulation of her charming complicated yellow tresses, to surround the most animated of pink-and-white, of ruffled and ribboned, of frilled and festooned Dresden china shepherdesses with exactly the right system of rococo curves and convolutions and other flourishes, a perfect bower of painted and gilded and moulded conceits. The second ground of this immediate impression of scenic extravagance, almost as if the curtain rose for him to the first act of some small and expensively mounted comic opera, was that she hadn't, after all, awaited him in fond singleness, but had again just a trifle inconsiderately exposed him to the drawback of having to reckon, for whatever design he might amiably entertain, with the presence of a third and quite superfluous person, a small black insignificant but none the less oppressive stranger. It was odd how, on the instant, the little lady engaged with her did affect him as comparatively black—very much as if that had absolutely, in such a medium, to be the graceless appearance of any item not positively of some fresh shade of a light colour or of some pretty pretension to a charming twist. Any witness of their meeting, his hostess should surely have felt, would have been a false note in the whole rosy glow; but what note so false as that of the dingy little presence that she might actually, by a refinement of her perhaps always too visible study of effect, have provided as a positive contrast or foil? whose name and intervention, moreover, she appeared to be no more moved to mention and account for than she might have been to "present"—whether as stretched at her feet or erect upon disciplined haunches—some shaggy old domesticated terrier or poodle.
Extraordinarily, after he had been in the room five minutes—a space of time during which his fellow-visitor had neither budged nor uttered a sound—he had made Mrs. Worthingham out as all at once perfectly pleased to see him, completely aware of what he had most in mind, and singularly serene in face of his sense of their impediment. It was as if for all the world she didn't take it for one, the immobility, to say nothing of the seeming equanimity, of their tactless companion; at whom meanwhile indeed our friend himself, after his first ruffled perception, no more adventured a look than if advised by his constitutional kindness that to notice her in any degree would perforce be ungraciously to glower. He talked after a fashion with the woman as to whose power to please and amuse and serve him, as to whose really quite organised and indicated fitness for lighting up his autumn afternoon of life his conviction had lately strained itself so clear; but he was all the while carrying on an intenser exchange with his own spirit and trying to read into the charming creature's behaviour, as he could only call it, some confirmation of his theory that she also had her inward flutter and anxiously counted on him. He found support, happily for the conviction just named, in the idea, at no moment as yet really repugnant to him, the idea bound up in fact with the finer essence of her appeal, that she had her own vision too of her quality and her price, and that the last appearance she would have liked to bristle with was that of being forewarned and eager.
He had, if he came to think of it, scarce definitely warned her, and he probably wouldn't have taken to her so consciously in the first instance without an appreciative sense that, as she was a little person of twenty superficial graces, so she was also a little person with her secret pride. She might just have planted her mangy lion—not to say her muzzled house-dog—there in his path as a symbol that she wasn't cheap and easy; which would be a thing he couldn't possibly wish his future wife to have shown herself in advance, even if to him alone. That she could make him put himself such questions was precisely part of the attaching play of her iridescent surface, the shimmering interfusion of her various aspects; that of her youth with her independence—her pecuniary perhaps in particular, that of her vivacity with her beauty, that of her facility above all with her odd novelty; the high modernity, as people appeared to have come to call it, that made her so much more "knowing" in some directions than even he, man of the world as he certainly was, could pretend to be, though all on a basis of the most unconscious and instinctive and luxurious assumption. She was "up" to everything, aware of everything—if one counted from a short enough time back (from week before last, say, and as if quantities of history had burst upon the world within the fortnight); she was likewise surprised at nothing, and in that direction one might reckon as far ahead as the rest of her lifetime, or at any rate as the rest of his, which was all that would concern him: it was as if the suitability of the future to her personal and rather pampered tastes was what she most took for granted, so that he could see her, for all her Dresden-china shoes and her flutter of wondrous befrilled contemporary skirts, skip by the side of the coming age as over the floor of a ball-room, keeping step with its monstrous stride and prepared for every figure of the dance. Her outlook took form to him suddenly as a great square sunny window that hung in assured fashion over the immensity of life. There rose toward it as from a vast swarming plaza a high tide of emotion and sound; yet it was at the same time as if even while he looked her light gemmed hand, flashing on him in addition to those other things the perfect polish of the prettiest pink finger-nails in the world, had touched a spring, the most ingenious of ecent devices for instant ease, which dropped half across the scene a soft-coloured mechanical blind, a fluttered, fringed awning of charmingly toned silk, such as would make a bath of cool shade for the favoured friend leaning with her there—that is for the happy couple itself—on the balcony. The great view would be the prospect and privilege of the very state he coveted—since didn't he covet it?—the state of being so securely at her side; while the wash of privacy, as one might count it, the broad fine brush dipped into clear umber and passed, full and wet, straight across the strong scheme of colour, would represent the security itself, all the uplifted inner elegance, the condition, so ideal, of being shut out from nothing and yet of having, so gaily and breezily aloft, none of the burden or worry of anything. Thus, as I say, for our friend, the place itself, while his vivid impression lasted, portentously opened and spread, and what was before him took, to his vision, though indeed at so other a crisis, the form of the "glimmering square" of the poet; yet, for a still more remarkable fact, with an incongruous object usurping at a given instant the privilege of the frame and seeming, even as he looked, to block the view.
The incongruous object was a woman's head, crowned with a little sparsely feathered black hat, an ornament quite unlike those the women mostly noticed by White-Mason were now "wearing," and that grew and grew, that came nearer and nearer, while it met his eyes, after the manner of images in the kinematograph. It had presently loomed so large that he saw nothing else—not only among the things at a considerable distance, the things Mrs. Worthingham would eventually, yet unmistakably, introduce him to, but among those of this lady's various attributes and appurtenances as to which he had been in the very act of cultivating his consciousness. It was in the course of another minute the most extraordinary thing in the world: everything had altered, dropped, darkened, disappeared; his imagination had spread its wings only to feel them flop all grotesquely at its sides as he recognised in his hostess's quiet companion, the oppressive alien who hadn't indeed interfered with his fanciful flight, though she had prevented his immediate declaration and brought about the thud, not to say the felt violent shock, of his fall to earth, the perfectly plain identity of Cornelia Rasch. It was she who had remained there at attention; it was she their companion hadn't introduced; it was she he had forborne to face with his fear of incivility. He stared at her—everything else went.
"Why it has been you all this time?"
Miss Rasch fairly turned pale. "I was waiting to see if you'd know me."
"Ah, my dear Cornelia"—he came straight out with it—"rather!"
"Well, it isn't," she returned with a quick change to red now, "from having taken much time to look at me!"
She smiled, she even laughed, but he could see how she had felt his unconsciousness, poor thing; the acquaintance, quite the friend of his youth, as she had been, the associate of his childhood, of his early manhood, of his middle age in fact, up to a few years back, not more than ten at the most; the associate too of so many of his associates and of almost all of his relations, those of the other time, those who had mainly gone for ever; the person in short whose noted disappearance, though it might have seemed final, had been only of recent seasons. She was present again now, all unexpectedly—he had heard of her having at last, left alone after successive deaths and with scant resources, sought economic salvation in Europe, the promised land of American thrift—she was present as this almost ancient and this oddly unassertive little rotund figure whom one seemed no more obliged to address than if she had been a black satin ottoman "treated" with buttons and gimp; a class of object as to which the policy of blindness was imperative. He felt the need of some explanatory plea, and before he could think had uttered one at Mrs. Worthingham's expense. "Why, you see we weren't introduced——!"
"No—but I didn't suppose I should have to be named to you."
"Well, my dear woman, you haven't—do me that justice!" He could at least make this point. "I felt all the while—!" However, it would have taken him long to say what he had been feeling; and he was aware now of the pretty projected light of Mrs. Worthingham's wonder. She looked as if, out for a walk with her, he had put her to the inconvenience of his stopping to speak to a strange woman in the street.
"I never supposed you knew her!"—it was to him his hostess excused herself.
This made Miss Rasch spring up, distinctly flushed, distinctly strange to behold, but not vulgarly nettled—Cornelia was incapable of that; only rather funnily bridling and laughing, only showing that this was all she had waited for, only saying just the right thing, the thing she could make so clearly a jest. "Of course if you had you'd have presented him."
Mrs. Worthingham looked while answering at White-Mason. "I didn't want you to go—which you see you do as soon as he speaks to you. But I never dreamed——!"
"That there was anything between us? Ah, there are no end of things!" He, on his side, though addressing the younger and prettier woman, looked at his fellow-guest; to whom he even continued: "When did you get back? May I come and see you the very first thing?"
Cornelia gasped and wriggled—she practically giggled; she had lost every atom of her little old, her little young, though always unaccountable prettiness, which used to peep so, on the bare chance of a shot, from behind indefensible features, that it almost made watching her a form of sport. He had heard vaguely of her, it came back to him (for there had been no letters; their later acquaintance, thank goodness, hadn't involved that) as experimenting, for economy, and then as settling, to the same rather dismal end, somewhere in England, "at one of those intensely English places, St. Leonards, Cheltenham, Bognor, Dawlish—which, awfully, was it?"—and she now affected him for all the world as some small squirming, exclaiming, genteelly conversing old maid of a type vaguely associated with the three-volume novels he used to feed on (besides his so often encountering it in "real life,") during a far-away stay of his own at Brighton. Odder than any element of his ex-gossip's identity itself, however, was the fact that she somehow, with it all, rejoiced his sight. Indeed the supreme oddity was that the manner of her reply to his request for leave to call should have absolutely charmed his attention. She didn't look at him; she only, from under her frumpy, crapy, curiously exotic hat, and with her good little near-sighted insinuating glare, expressed to Mrs. Worthingham, while she answered him, wonderful arch things, the overdone things of a shy woman. "Yes, you may call—but only when this dear lovely lady has done with you!" The moment after which she had gone.
III
Forty minutes later he was taking his way back from the queer miscarriage of his adventure; taking it, with no conscious positive felicity, through the very spaces that had witnessed shortly before the considerable serenity of his assurance. He had said to himself then, or had as good as said it, that, since he might do perfectly as he liked, it couldn't fail for him that he must soon retrace those steps, humming, to all intents, the first bars of a wedding-march; so beautifully had it cleared up that he was "going to like" letting Mrs. Worthingham accept him. He was to have hummed no wedding-march, as it seemed to be turning out—he had none, up to now, to hum; and yet, extraordinarily, it wasn't in the least because she had refused him. Why then hadn't he liked as much as he had intended to like it putting the pleasant act, the act of not refusing him, in her power? Could it all have come from the awkward minute of his failure to decide sharply, on Cornelia's departure, whether or no he would attend her to the door? He hadn't decided at all—what the deuce had been in him?—but had danced to and fro in the room, thinking better of each impulse and then thinking worse. He had hesitated like an ass erect on absurd hind legs between two bundles of hay; the upshot of which must have been his giving the falsest impression. In what way that was to be for an instant considered had their common past committed him to crapy Cornelia? He repudiated with a whack on the gravel any ghost of an obligation.
What he could get rid of with scanter success, unfortunately, was the peculiar sharpness of his sense that, though mystified by his visible flurry—and yet not mystified enough for a sympathetic question either—his hostess had been, on the whole, even more frankly diverted: which was precisely an example of that newest, freshest, finest freedom in her, the air and the candour of assuming, not "heartlessly," not viciously, not even very consciously, but with a bright pampered confidence which would probably end by affecting one's nerves as the most impertinent stroke in the world, that every blest thing coming up for her in any connection was somehow matter for her general recreation. There she was again with the innocent egotism, the gilded and overflowing anarchism, really, of her doubtless quite unwitting but none the less rabid modern note. Her grace of ease was perfect, but it was all grace of ease, not a single shred of it grace of uncertainty or of difficulty—which meant, when you came to see, that, for its happy working, not a grain of provision was left by it to mere manners. This was clearly going to be the music of the future—that if people were but rich enough and furnished enough and fed enough, exercised and sanitated and manicured and generally advised and advertised and made "knowing" enough, avertis enough, as the term appeared to be nowadays in Paris, all they had to do for civility was to take the amused ironic view of those who might be less initiated. In his time, when he was young or even when he was only but a little less middle-aged, the best manners had been the best kindness, and the best kindness had mostly been some art of not insisting on one's luxurious differences, of concealing rather, for common humanity, if not for common decency, a part at least of the intensity or the ferocity with which one might be "in the know."
Oh, the "know"—Mrs. Worthingham was in it, all instinctively, inevitably, and as a matter of course, up to her eyes; which didn't, however, the least little bit prevent her being as ignorant as a fish of everything that really and intimately and fundamentally concerned him, poor dear old White-Mason. She didn't, in the first place, so much as know who he was—by which he meant know who and what it was to be a White-Mason, even a poor and a dear and old one, "anyway." That indeed—he did her perfect justice—was of the very essence of the newness and freshness and beautiful, brave, social irresponsibility by which she had originally dazzled him: just exactly that circumstance of her having no instinct for any old quality or quantity or identity, a single historic or social value, as he might say, of the New York of his already almost legendary past; and that additional one of his, on his side, having, so far as this went, cultivated blankness, cultivated positive prudence, as to her own personal background—the vagueness, at the best, with which all honest gentlefolk, the New Yorkers of his approved stock and conservative generation, were content, as for the most part they were indubitably wise, to surround the origins and antecedents and queer unimaginable early influences of persons swimming into their ken from those parts of the country that quite necessarily and naturally figured to their view as "Godforsaken" and generally impossible.
The few scattered surviving representatives of a society once "good"—rari nantes in gurgite vasto—were liable, at the pass things had come to, to meet, and even amid old shades once sacred, or what was left of such, every form of social impossibility, and, more irresistibly still, to find these apparitions often carry themselves (often at least in the case of the women) with a wondrous wild gallantry, equally imperturbable and inimitable, the sort of thing that reached its maximum in Mrs. Worthingham. Beyond that who ever wanted to look up their annals, to reconstruct their steps and stages, to dot their i's in fine, or to "go behind" anything that was theirs? One wouldn't do that for the world—a rudimentary discretion forbade it; and yet this check from elementary undiscussable taste quite consorted with a due respect for them, or at any rate with a due respect for oneself in connection with them; as was just exemplified in what would be his own, what would be poor dear old White-Mason's, insurmountable aversion to having, on any pretext, the doubtless very queer spectre of the late Mr. Worthingham presented to him. No question had he asked, or would he ever ask, should his life—that is should the success of his courtship—even intimately depend on it, either about that obscure agent of his mistress's actual affluence or about the happy head-spring itself, and the apparently copious tributaries, of the golden stream.
From all which marked anomalies, at any rate, what was the moral to draw? He dropped into a Park chair again with that question, he lost himself in the wonder of why he had come away with his homage so very much unpaid. Yet it didn't seem at all, actually, as if he could say or conclude, as if he could do anything but keep on worrying—just in conformity with his being a person who, whether or no familiar with the need to make his conduct square with his conscience and his taste, was never wholly exempt from that of making his taste and his conscience square with his conduct. To this latter occupation he further abandoned himself, and it didn't release him from his second brooding session till the sweet spring sunset had begun to gather and he had more or less cleared up, in the deepening dusk, the effective relation between the various parts of his ridiculously agitating experience. There were vital facts he seemed thus to catch, to seize, with a nervous hand, and the twilight helping, by their vaguely whisked tails; unquiet truths that swarmed out after the fashion of creatures bold only at eventide, creatures that hovered and circled, that verily brushed his nose, in spite of their shyness. Yes, he had practically just sat on with his "mistress"—heaven save the mark!—as if not to come to the point; as if it had absolutely come up that there would be something rather vulgar and awful in doing so. The whole stretch of his stay after Cornelia's withdrawal had been consumed by his almost ostentatiously treating himself to the opportunity of which he was to make nothing. It was as if he had sat and watched himself—that came back to him: Shall I now or sha'n't I? Will I now or won't I? "Say within the next three minutes, say by a quarter past six, or by twenty minutes past, at the furthest—always if nothing more comes up to prevent."
What had already come up to prevent was, in the strangest and drollest, or at least in the most preposterous, way in the world, that not Cornelia's presence, but her very absence, with its distraction of his thoughts, the thoughts that lumbered after her, had made the difference; and without his being the least able to tell why and how. He put it to himself after a fashion by the image that, this distraction once created, his working round to his hostess again, his reverting to the matter of his errand, began suddenly to represent a return from so far. That was simply all—or rather a little less than all; for something else had contributed. "I never dreamed you knew her," and "I never dreamed you did," were inevitably what had been exchanged between them—supplemented by Mrs. Worthingham's mere scrap of an explanation: "Oh yes—to the small extent you see. Two years ago in Switzerland when I was at a high place for an 'aftercure,' during twenty days of incessant rain, she was the only person in an hotel full of roaring, gorging, smoking Germans with whom I could have a word of talk. She and I were the only speakers of English, and were thrown together like castaways on a desert island and in a raging storm. She was ill besides, and she had no maid, and mine looked after her, and she was very grateful—writing to me later on and saying she should certainly come to see me if she ever returned to New York. She has returned, you see—and there she was, poor little creature!" Such was Mrs. Worthingham's tribute—to which even his asking her if Miss Rasch had ever happened to speak of him caused her practically to add nothing. Visibly she had never thought again of any one Miss Rasch had spoken of or anything Miss Rasch had said; right as she was, naturally, about her being a little clever queer creature. This was perfectly true, and yet it was probably—by being all she could dream of about her—what had paralysed his proper gallantry. Its effect had been not in what it simply stated, but in what, under his secretly disintegrating criticism, it almost luridly symbolised.
He had quitted his seat in the Louis Quinze drawing-room without having, as he would have described it, done anything but give the lady of the scene a superior chance not to betray a defeated hope—not, that is, to fail of the famous "pride" mostly supposed to prop even the most infatuated women at such junctures; by which chance, to do her justice, she had thoroughly seemed to profit. But he finally rose from his later station with a feeling of better success. He had by a happy turn of his hand got hold of the most precious, the least obscure of the flitting, circling things that brushed his ears. What he wanted—as justifying for him a little further consideration—was there before him from the moment he could put it that Mrs. Worthingham had no data. He almost hugged that word,—it suddenly came to mean so much to him. No data, he felt, for a conception of the sort of thing the New York of "his time" had been in his personal life—the New York so unexpectedly, so vividly and, as he might say, so perversely called back to all his senses by its identity with that of poor Cornelia's time: since even she had had a time, small show as it was likely to make now, and his time and hers had been the same. Cornelia figured to him while he walked away as, by contrast and opposition, a massive little bundle of data; his impatience to go to see her sharpened as he thought of this: so certainly should he find out that wherever he might touch her, with a gentle though firm pressure, he would, as the fond visitor of old houses taps and fingers a disfeatured, overpapered wall with the conviction of a wainscot-edge beneath, recognise some small extrusion of history.
IV
There would have been a wonder for us meanwhile in his continued use, as it were, of his happy formula—brought out to Cornelia Rasch within ten minutes, or perhaps only within twenty, of his having settled into the quite comfortable chair that, two days later, she indicated to him by her fireside. He had arrived at her address through the fortunate chance of his having noticed her card, as he went out, deposited, in the good old New York fashion, on one of the rococo tables of Mrs. Worthingham's hall. His eye had been caught by the pencilled indication that was to affect him, the next instant, as fairly placed there for his sake. This had really been his luck, for he shouldn't have liked to write to Mrs. Worthingham for guidance—that he felt, though too impatient just now to analyze the reluctance. There was nobody else he could have approached for a clue, and with this reflection he was already aware of how it testified to their rare little position, his and Cornelia's—position as conscious, ironic, pathetic survivors together of a dead and buried society—that there would have been, in all the town, under such stress, not a member of their old circle left to turn to. Mrs. Worthingham had practically, even if accidentally, helped him to knowledge; the last nail in the coffin of the poor dear extinct past had been planted for him by his having thus to reach his antique contemporary through perforation of the newest newness. The note of this particular recognition was in fact the more prescribed to him that the ground of Cornelia's return to a scene swept so bare of the associational charm was certainly inconspicuous. What had she then come back for?—he had asked himself that; with the effect of deciding that it probably would have been, a little, to "look after" her remnant of property. Perhaps she had come to save what little might still remain of that shrivelled interest; perhaps she had been, by those who took care of it for her, further swindled and despoiled, so that she wished to get at the facts. Perhaps on the other hand—it was a more cheerful chance—her investments, decently administered, were making larger returns, so that the rigorous thrift of Bognor could be finally relaxed.
He had little to learn about the attraction of Europe, and rather expected that in the event of his union with Mrs Worthingham he should find himself pleading for it with the competence of one more in the "know" about Paris and Rome, about Venice and Florence, than even she could be. He could have lived on in his New York, that is in the sentimental, the spiritual, the more or less romantic visitation of it; but had it been positive for him that he could live on in hers?—unless indeed the possibility of this had been just (like the famous vertige de l'abime, like the solicitation of danger, or otherwise of the dreadful) the very hinge of his whole dream. However that might be, his curiosity was occupied rather with the conceivable hinge of poor Cornelia's: it was perhaps thinkable that even Mrs. Worthingham's New York, once it should have become possible again at all, might have put forth to this lone exile a plea that wouldn't be in the chords of Bognor. For himself, after all, too, the attraction had been much more of the Europe over which one might move at one's ease, and which therefore could but cost, and cost much, right and left, than of the Europe adapted to scrimping. He saw himself on the whole scrimping with more zest even in Mrs. Worthingham's New York than under the inspiration of Bognor. Apart from which it was yet again odd, not to say perceptibly pleasing to him, to note where the emphasis of his interest fell in this fumble of fancy over such felt oppositions as the new, the latest, the luridest power of money and the ancient reserves and moderations and mediocrities. These last struck him as showing by contrast the old brown surface and tone as of velvet rubbed and worn, shabby, and even a bit dingy, but all soft and subtle and still velvety—which meant still dignified; whereas the angular facts of current finance were as harsh and metallic and bewildering as some stacked "exhibit" of ugly patented inventions, things his mediaeval mind forbade his taking in. He had for instance the sense of knowing the pleasant little old Rasch fortune—pleasant as far as it went; blurred memories and impressions of what it had been and what it hadn't, of how it had grown and how languished and how melted; they came back to him and put on such vividness that he could almost have figured himself testify for them before a bland and encouraging Board. The idea of taking the field in any manner on the subject of Mrs. Worthingham's resources would have affected him on the other hand as an odious ordeal, some glare of embarrassment and exposure in a circle of hard unhelpful attention, of converging, derisive, unsuggestive eyes.
In Cornelia's small and quite cynically modern flat—the house had a grotesque name, "The Gainsborough," but at least wasn't an awful boarding-house, as he had feared, and she could receive him quite honourably, which was so much to the good—he would have been ready to use at once to her the greatest freedom of friendly allusion: "Have you still your old 'family interest' in those two houses in Seventh Avenue?—one of which was next to a corner grocery, don't you know? and was occupied as to its lower part by a candy-shop where the proportion of the stock of suspectedly stale popcorn to that of rarer and stickier joys betrayed perhaps a modest capital on the part of your father's, your grandfather's, or whoever's tenant, but out of which I nevertheless remember once to have come as out of a bath of sweets, with my very garments, and even the separate hairs of my head, glued together. The other of the pair, a tobacconist's, further down, had before it a wonderful huge Indian who thrust out wooden cigars at an indifferent world—you could buy candy cigars too, at the pop-corn shop, and I greatly preferred them to the wooden; I remember well how I used to gape in fascination at the Indian and wonder if the last of the Mohicans was like him; besides admiring so the resources of a family whose 'property' was in such forms. I haven't been round there lately—we must go round together; but don't tell me the forms have utterly perished!" It was after that fashion he might easily have been moved, and with almost no transition, to break out to Cornelia—quite as if taking up some old talk, some old community of gossip, just where they had left it; even with the consciousness perhaps of overdoing a little, of putting at its maximum, for the present harmony, recovery, recapture (what should he call it?) the pitch and quantity of what the past had held for them.
He didn't in fact, no doubt, dart straight off to Seventh Avenue, there being too many other old things and much nearer and long subsequent; the point was only that for everything they spoke of after he had fairly begun to lean back and stretch his legs, and after she had let him, above all, light the first of a succession of cigarettes—for everything they spoke of he positively cultivated extravagance and excess, piling up the crackling twigs as on the very altar of memory; and that by the end of half an hour she had lent herself, all gallantly, to their game. It was the game of feeding the beautiful iridescent flame, ruddy and green and gold, blue and pink and amber and silver, with anything they could pick up, anything that would burn and flicker. Thick-strown with such gleanings the occasion seemed indeed, in spite of the truth that they perhaps wouldn't have proved, under cross-examination, to have rubbed shoulders in the other life so very hard. Casual contacts, qualified communities enough, there had doubtless been, but not particular "passages," nothing that counted, as he might think of it, for their "very own" together, for nobody's else at all. These shades of historic exactitude didn't signify; the more and the less that there had been made perfect terms—and just by his being there and by her rejoicing in it—with their present need to have had all their past could be made to appear to have given them. It was to this tune they proceeded, the least little bit as if they knowingly pretended—he giving her the example and setting her the pace of it, and she, poor dear, after a first inevitable shyness, an uncertainty of wonder, a breathlessness of courage, falling into step and going whatever length he would.
She showed herself ready for it, grasping gladly at the perception of what he must mean; and if she didn't immediately and completely fall in—not in the first half-hour, not even in the three or four others that his visit, even whenever he consulted his watch, still made nothing of—she yet understood enough as soon as she understood that, if their finer economy hadn't so beautifully served, he might have been conveying this, that, and the other incoherent and easy thing by the comparatively clumsy method of sound and statement. "No, I never made love to you; it would in fact have been absurd, and I don't care—though I almost know, in the sense of almost remembering!—who did and who didn't; but you were always about, and so was I, and, little as you may yourself care who I did it to, I dare say you remember (in the sense of having known of it!) any old appearances that told. But we can't afford at this time of day not to help each other to have had—well, everything there was, since there's no more of it now, nor any way of coming by it except so; and therefore let us make together, let us make over and recreate, our lost world; for which we have after all and at the worst such a lot of material. You were in particular my poor dear sisters' friend—they thought you the funniest little brown thing possible; so isn't that again to the good? You were mine only to the extent that you were so much in and out of the house—as how much, if we come to that, wasn't one in and out, south of Thirtieth Street and north of Washington Square, in those days, those spacious, sociable, Arcadian days, that we flattered ourselves we filled with the modern fever, but that were so different from any of these arrangements of pretended hourly Time that dash themselves forever to pieces as from the fiftieth floors of sky-scrapers."
This was the kind of thing that was in the air, whether he said it or not, and that could hang there even with such quite other things as more crudely came out; came in spite of its being perhaps calculated to strike us that these last would have been rather and most the unspoken and the indirect. They were Cornelia's contribution, and as soon as she had begun to talk of Mrs. Worthingham—he didn't begin it!—they had taken their place bravely in the centre of the circle. There they made, the while, their considerable little figure, but all within the ring formed by fifty other allusions, fitful but really intenser irruptions that hovered and wavered and came and went, joining hands at moments and whirling round as in chorus, only then again to dash at the slightly huddled centre with a free twitch or peck or push or other taken liberty, after the fashion of irregular frolic motions in a country dance or a Christmas game.
"You're so in love with her and want to marry her!"—she said it all sympathetically and yearningly, poor crapy Cornelia; as if it were to be quite taken for granted that she knew all about it. And then when he had asked how she knew—why she took so informed a tone about it; all on the wonder of her seeming so much more "in" it just at that hour than he himself quite felt he could figure for: "Ah, how but from the dear lovely thing herself? Don't you suppose she knows it?"
"Oh, she absolutely 'knows' it, does she?"—he fairly heard himself ask that; and with the oddest sense at once of sharply wanting the certitude and yet of seeing the question, of hearing himself say the words, through several thicknesses of some wrong medium. He came back to it from a distance; as he would have had to come back (this was again vivid to him) should he have got round again to his ripe intention three days before—after his now present but then absent friend, that is, had left him planted before his now absent but then present one for the purpose. "Do you mean she—at all confidently!—expects?" he went on, not much minding if it couldn't but sound foolish; the time being given it for him meanwhile by the sigh, the wondering gasp, all charged with the unutterable, that the tone of his appeal set in motion. He saw his companion look at him, but it might have been with the eyes of thirty years ago; when—very likely.—he had put her some such question about some girl long since dead. Dimly at first, then more distinctly, didn't it surge back on him for the very strangeness that there had been some such passage as this between them—yes, about Mary Cardew!—in the autumn of '68?
"Why, don't you realise your situation?" Miss Rasch struck him as quite beautifully wailing—above all to such an effect of deep interest, that is, on her own part and in him.
"My situation?"—he echoed, he considered; but reminded afresh, by the note of the detached, the far-projected in it, of what he had last remembered of his sentient state on his once taking ether at the dentist's.
"Yours and hers—the situation of her adoring you. I suppose you at least know it," Cornelia smiled.
Yes, it was like the other time and yet it wasn't. She was like—poor Cornelia was—everything that used to be; that somehow was most definite to him. Still he could quite reply "Do you call it—her adoring me—my situation?"
"Well, it's a part of yours, surely—if you're in love with her."
"Am I, ridiculous old person! in love with her?" White-Mason asked.
"I may be a ridiculous old person," Cornelia returned—"and, for that matter, of course I am! But she's young and lovely and rich and clever: so what could be more natural?"
"Oh, I was applying that opprobrious epithet—!" He didn't finish, though he meant he had applied it to himself. He had got up from his seat; he turned about and, taking in, as his eyes also roamed, several objects in the room, serene and sturdy, not a bit cheap-looking, little old New York objects of '68, he made, with an inner art, as if to recognise them—made so, that is, for himself; had quite the sense for the moment of asking them, of imploring them, to recognise him, to be for him things of his own past. Which they truly were, he could have the next instant cried out; for it meant that if three or four of them, small sallow carte-de-visite photographs, faithfully framed but spectrally faded, hadn't in every particular, frames and balloon skirts and false "property" balustrades of unimaginable terraces and all, the tone of time, the secret for warding and easing off the perpetual imminent ache of one's protective scowl, one would verily but have to let the scowl stiffen, or to take up seriously the question of blue goggles, during what might remain of life.
V
What he actually took up from a little old Twelfth-Street table that piously preserved the plain mahogany circle, with never a curl nor a crook nor a hint of a brazen flourish, what he paused there a moment for commerce with, his back presented to crapy Cornelia, who sat taking that view of him, during this opportunity, very protrusively and frankly and fondly, was one of the wasted mementos just mentioned, over which he both uttered and suppressed a small comprehensive cry. He stood there another minute to look at it, and when he turned about still kept it in his hand, only holding it now a litde behind him. "You must have come back to stay—with all your beautiful things. What else does it mean?"
"'Beautiful'?" his old friend commented with her brow all wrinkled and her lips thrust out in expressive dispraise. They might at that rate have been scarce more beautiful than she herself. "Oh, don't talk so—after Mrs. Worthingham's! They're wonderful, if you will: such things, such things! But one's own poor relics and odds and ends are one's own at least; and one has—yes—come back to them. They're all I have in the world to come back to. They were stored, and what I was paying—!" Miss Rasch wofully added.
He had possession of the small old picture; he hovered there; he put his eyes again to it intently; then again held it a little behind him as if it might have been snatched away or the very feel of it, pressed against him, was good to his palm. "Mrs. Worthingham's things? You think them beautiful?"
Cornelia did now, if ever, show an odd face. "Why certainly prodigious, or whatever. Isn't that conceded?"
"No doubt every horror, at the pass we've come to, is conceded. That's just what I complain of."
"Do you complain?"—she drew it out as for surprise: she couldn't have imagined such a thing.
"To me her things are awful. They're the newest of the new."
"Ah, but the old forms!"
"Those are the most blatant. I mean the swaggering reproductions."
"Oh but," she pleaded, "we can't all be really old."
"No, we can't, Cornelia. But you can—!" said White-Mason with the frankest appreciation.
She looked up at him from where she sat as he could imagine her looking up at the curate at Bognor. "Thank you, sir! If that's all you want——!"
"It is" he said, "all I want—or almost."
"Then no wonder such a creature as that," she lightly moralised, "won't suit you!"
He bent upon her, for all the weight of his question, his smoothest stare. "You hold she certainly won't suit me?"
"Why, what can I tell about it? Haven't you by this time found out?"
"No, but I think I'm finding." With which he began again to explore.
Miss Rasch immensely wondered. "You mean you don't expect to come to an understanding with her?" And then as even to this straight challenge he made at first no answer: "Do you mean you give it up?"
He waited some instants more, but not meeting her eyes—only looking again about the room. "What do you think of my chance?"
"Oh," his companion cried, "what has what I think to do with it? How can I think anything but that she must like you?"
"Yes—of course. But how much?"
"Then don't you really know?" Cornelia asked.
He kept up his walk, oddly preoccupied and still not looking at her. "Do you, my dear?"
She waited a little. "If you haven't really put it to her I don't suppose she knows."
This at last arrested him again. "My dear Cornelia, she doesn't know——!"
He had paused as for the desperate tone, or at least the large emphasis of it, so that she took him up. "The more reason then to help her to find it out."
"I mean," he explained, "that she doesn't know anything."
"Anything?"
"Anything else, I mean—even if she does know that."
Cornelia considered of it. "But what else need she—in particular—know? Isn't that the principal thing?"
"Well"—and he resumed his circuit—"she doesn't know anything that we know. But nothing," he re-emphasised—"nothing whatever!" |
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