"SALVATOR."

I was amused at the facetious tone of his letter and also at the whimsical nature of his request. There was a charming display of confidence and candor in his language, and nothing in the world could have induced me to deceive him or repay his confidence with ingratitude.

I gave my servant a theatre ticket, and he left the house at eight o'clock. A few minutes later, Daspry arrived. I showed him the letter.

"Well?" said he.

"Well, I have left the garden gate unlocked, so anyone can enter."

"And you—are you going away?"

"Not at all. I intend to stay right here."

"But he asks you to go—-"

"But I am not going. I will be discreet, but I am resolved to see what takes place."

"Ma foi!" exclaimed Daspry, laughing, "you are right, and I shall stay with you. I shouldn't like to miss it."

We were interrupted by the sound of the door-bell.

"Here already?" said Daspry, "twenty minutes ahead of time! Incredible!"

I went to the door and ushered in the visitor. It was Madame Andermatt. She was faint and nervous, and in a stammering voice, she ejaculated:

"My husband.... is coming.... he has an appointment.... they intend to give him the letters...."

"How do you know?" I asked.

"By chance. A message came for my husband while we were at dinner. The servant gave it to me by mistake. My husband grabbed it quickly, but he was too late. I had read it."

"You read it?"

"Yes. It was something like this: 'At nine o'clock this evening, be at Boulevard Maillot with the papers connected with the affair. In exchange, the letters.' So, after dinner, I hastened here."

"Unknown to your husband?"

"Yes."

"What do you think about it?" asked Daspry, turning to me.

"I think as you do, that Mon. Andermatt is one of the invited guests."

"Yes, but for what purpose?"

"That is what we are going to find out."

I led the men to a large room. The three of us could hide comfortably behind the velvet chimney-mantle, and observe all that should happen in the room. We seated ourselves there, with Madame Andermatt in the centre.

The clock struck nine. A few minutes later, the garden gate creaked upon its hinges. I confess that I was greatly agitated. I was about to learn the key to the mystery. The startling events of the last few weeks were about to be explained, and, under my eyes, the last battle was going to be fought. Daspry seized the hand of Madame Andermatt, and said to her:

"Not a word, not a movement! Whatever you may see or hear, keep quiet!"

Some one entered. It was Alfred Varin. I recognized him at once, owing to the close resemblance he bore to his brother Etienne. There was the same slouching gait; the same cadaverous face covered with a black beard.

He entered with the nervous air of a man who is accustomed to fear the presence of traps and ambushes; who scents and avoids them. He glanced about the room, and I had the impression that the chimney, masked with a velvet portiere, did not please him. He took three steps in our direction, when something caused him to turn and walk toward the old mosaic king, with the flowing beard and flamboyant sword, which he examined minutely, mounting on a chair and following with his fingers the outlines of the shoulders and head and feeling certain parts of the face. Suddenly, he leaped from the chair and walked away from it. He had heard the sound of approaching footsteps. Mon. Andermatt appeared at the door.

"You! You!" exclaimed the banker. "Was it you who brought me here?"

"I? By no means," protested Varin, in a rough, jerky voice that reminded me of his brother, "on the contrary, it was your letter that brought me here."

"My letter?"

"A letter signed by you, in which you offered—-"

"I never wrote to you," declared Mon. Andermatt.

"You did not write to me!"

Instinctively, Varin was put on his guard, not against the banker, but against the unknown enemy who had drawn him into this trap. A second time, he looked in our direction, then walked toward the door. But Mon. Andermatt barred his passage.

"Well, where are you going, Varin?"

"There is something about this affair I don't like. I am going home. Good evening."

"One moment!"

"No need of that, Mon. Andermatt. I have nothing to say to you."

"But I have something to say to you, and this is a good time to say it."

"Let me pass."

"No, you will not pass."

Varin recoiled before the resolute attitude of the banker, as he muttered:

"Well, then, be quick about it."

One thing astonished me; and I have no doubt my two companions experienced a similar feeling. Why was Salvator not there? Was he not a necessary party at this conference? Or was he satisfied to let these two adversaries fight it out between themselves? At all events, his absence was a great disappointment, although it did not detract from the dramatic strength of the situation.

After a moment, Mon. Andermatt approached Varin and, face to face, eye to eye, said:

"Now, after all these years and when you have nothing more to fear, you can answer me candidly: What have you done with Louis Lacombe?"

"What a question! AS if I knew anything about him!"

"You do know! You and your brother were his constant companions, almost lived with him in this very house. You knew all about his plans and his work. And the last night I ever saw Louis Lacombe, when I parted with him at my door, I saw two men slinking away in the shadows of the trees. That, I am ready to swear to."

"Well, what has that to do with me?"

"The two men were you and your brother."

"Prove it."

"The best proof is that, two days later, you yourself showed me the papers and the plans that belonged to Lacombe and offered to sell them. How did these papers come into your possession?"

"I have already told you, Mon. Andermatt, that we found them on Louis Lacombe's table, the morning after his disappearance."

"That is a lie!"

"Prove it."

"The law will prove it."

"Why did you not appeal to the law?"

"Why? Ah! Why—-," stammered the banker, with a slight display of emotion.

"You know very well, Mon. Andermatt, if you had the least certainty of our guilt, our little threat would not have stopped you."

"What threat? Those letters? Do you suppose I ever gave those letters a moment's thought?"

"If you did not care for the letters, why did you offer me thousands of francs for their return? And why did you have my brother and me tracked like wild beasts?"

"To recover the plans."

"Nonsense! You wanted the letters. You knew that as soon as you had the letters in your possession, you could denounce us. Oh! no, I couldn't part with them!"

He laughed heartily, but stopped suddenly, and said:

"But, enough of this! We are merely going over old ground. We make no headway. We had better let things stand as they are."

"We will not let them stand as they are," said the banker, "and since you have referred to the letters, let me tell you that you will not leave this house until you deliver up those letters."

"I shall go when I please."

"You will not."

"Be careful, Mon. Andermatt. I warn you—-"

"I say, you shall not go."

"We will see about that," cried Varin, in such a rage that Madame Andermatt could not suppress a cry of fear. Varin must have heard it, for he now tried to force his way out. Mon. Andermatt pushed him back. Then I saw him put his hand into his coat pocket.

"For the last time, let me pass," he cried.

"The letters, first!"

Varin drew a revolver and, pointing it at Mon. Andermatt, said:

"Yes or no?"

The banker stooped quickly. There was the sound of a pistol-shot. The weapon fell from Varin's hand. I was amazed. The shot was fired close to me. It was Daspry who had fired it at Varin, causing him to drop the revolver. In a moment, Daspry was standing between the two men, facing Varin; he said to him, with a sneer:

"You were lucky, my friend, very lucky. I fired at your hand and struck only the revolver."

Both of them looked at him, surprised. Then he turned to the banker, and said:

"I beg your pardon, monsieur, for meddling in your business; but, really, you play a very poor game. Let me hold the cards."

Turning again to Varin, Daspry said:

"It's between us two, comrade, and play fair, if you please. Hearts are trumps, and I play the seven."

Then Daspry held up, before Varin's bewildered eyes, the little iron plate, marked with the seven red spots. It was a terrible shock to Varin. With livid features, staring eyes, and an air of intense agony, the man seemed to be hypnotized at the sight of it.

"Who are you?" he gasped.

"One who meddles in other people's business, down to the very bottom."

"What do you want?"

"What you brought here tonight."

"I brought nothing."

"Yes, you did, or you wouldn't have come. This morning, you received an invitation to come here at nine o'clock, and bring with you all the papers held by you. You are here. Where are the papers?"

There was in Daspry's voice and manner a tone of authority that I did not understand; his manner was usually quite mild and conciliatory. Absolutely conquered, Varin placed his hand on one of his pockets, and said:

"The papers are here."

"All of them?"

"Yes."

"All that you took from Louis Lacombe and afterwards sold to Major von Lieben?"

"Yes."

"Are these the copies or the originals?"

"I have the originals."

"How much do you want for them?"

"One hundred thousand francs."

"You are crazy," said Daspry. "Why, the major gave you only twenty thousand, and that was like money thrown into the sea, as the boat was a failure at the preliminary trials."

"They didn't understand the plans."

"The plans are not complete."

"Then, why do you ask me for them?"

"Because I want them. I offer you five thousand francs—not a sou more."

"Ten thousand. Not a sou less."

"Agreed," said Daspry, who now turned to Mon. Andermatt, and said:

"Monsieur will kindly sign a check for the amount."

"But....I haven't got—-"

"Your check-book? Here it is."

Astounded, Mon. Andermatt examined the check-book that Daspry handed to him.

"It is mine," he gasped. "How does that happen?"

"No idle words, monsieur, if you please. You have merely to sign."

The banker took out his fountain pen, filled out the check and signed it. Varin held out his hand for it.

"Put down your hand," said Daspry, "there is something more." Then, to the banker, he said: "You asked for some letters, did you not?"

"Yes, a package of letters."

"Where are they, Varin?"

"I haven't got them."

"Where are they, Varin?"

"I don't know. My brother had charge of them."

"They are hidden in this room."

"In that case, you know where they are."

"How should I know?"

"Was it not you who found the hiding-place? You appear to be as well informed.... as Salvator."

"The letters are not in the hiding-place."

"They are."

"Open it."

Varin looked at him, defiantly. Were not Daspry and Salvator the same person? Everything pointed to that conclusion. If so, Varin risked nothing in disclosing a hiding-place already known.

"Open it," repeated Daspry.

"I have not got the seven of hearts."

"Yes, here it is," said Daspry, handing him the iron plate. Varin recoiled in terror, and cried:

"No, no, I will not."

"Never mind," replied Daspry, as he walked toward the bearded king, climbed on a chair and applied the seven of hearts to the lower part of the sword in such a manner that the edges of the iron plate coincided exactly with the two edges of the sword. Then, with the assistance of an awl which he introduced alternately into each of the seven holes, he pressed upon seven of the little mosaic stones. As he pressed upon the seventh one, a clicking sound was heard, and the entire bust of the King turned upon a pivot, disclosing a large opening lined with steel. It was really a fire-proof safe.

"You can see, Varin, the safe is empty."

"So I see. Then, my brother has taken out the letters."

Daspry stepped down from the chair, approached Varin, and said:

"Now, no more nonsense with me. There is another hiding-place. Where is it?"

"There is none."

"Is it money you want? How much?"

"Ten thousand."

"Monsieur Andermatt, are those letters worth then thousand francs to you?"

"Yes," said the banker, firmly.

Varin closed the safe, took the seven of hearts and placed it again on the sword at the same spot. He thrust the awl into each of the seven holes. There was the same clicking sound, but this time, strange to relate, it was only a portion of the safe that revolved on the pivot, disclosing quite a small safe that was built within the door of the larger one. The packet of letters was here, tied with a tape, and sealed. Varin handed the packet to Daspry. The latter turned to the banker, and asked:

"Is the check ready, Monsieur Andermatt?"

"Yes."

"And you have also the last document that you received from Louis Lacombe—the one that completes the plans of the sub-marine?"

"Yes."

The exchange was made. Daspry pocketed the document and the checks, and offered the packet of letters to Mon. Andermatt.

"This is what you wanted, Monsieur."

The banker hesitated a moment, as if he were afraid to touch those cursed letters that he had sought so eagerly. Then, with a nervous movement, he took them. Close to me, I heard a moan. I grasped Madame Andermatt's hand. It was cold.

"I believe, monsieur," said Daspry to the banker, "that our business is ended. Oh! no thanks. It was only by a mere chance that I have been able to do you a good turn. Good-night."

Mon. Andermatt retired. He carried with him the letters written by his wife to Louis Lacombe.

"Marvelous!" exclaimed Daspry, delighted. "Everything is coming our way. Now, we have only to close our little affair, comrade. You have the papers?"

"Here they are—all of them."

Daspry examined them carefully, and then placed them in his pocket.

"Quite right. You have kept your word," he said.

"But—-"

"But what?"

"The two checks? The money?" said Varin, eagerly.

"Well, you have a great deal of assurance, my man. How dare you ask such a thing?"

"I ask only what is due to me."

"Can you ask pay for returning papers that you stole? Well, I think not!"

Varin was beside himself. He trembled with rage; his eyes were bloodshot.

"The money.... the twenty thousand...." he stammered.

"Impossible! I need it myself."

"The money!"

"Come, be reasonable, and don't get excited. It won't do you any good."

Daspry seized his arm so forcibly, that Varin uttered a cry of pain. Daspry continued:

"Now, you can go. The air will do you good. Perhaps you want me to show you the way. Ah! yes, we will go together to the vacant lot near here, and I will show you a little mound of earth and stones and under it—-"

"That is false! That is false!"

"Oh! no, it is true. That little iron plate with the seven spots on it came from there. Louis Lacombe always carried it, and you buried it with the body—and with some other things that will prove very interesting to a judge and jury."

Varin covered his face with his hands, and muttered:

"All right, I am beaten. Say no more. But I want to ask you one question. I should like to know—-"

"What is it?"

"Was there a little casket in the large safe?"

"Yes."

"Was it there on the night of 22 June?"

"Yes."

"What did it contain?"

"Everything that the Varin brothers had put in it—a very pretty collection of diamonds and pearls picked up here and there by the said brothers."

"And did you take it?"

"Of course I did. Do you blame me?"

"I understand.... it was the disappearance of that casket that caused my brother to kill himself."

"Probably. The disappearance of your correspondence was not a sufficient motive. But the disappearance of the casket....Is that all you wish to ask me?"

"One thing more: your name?"

"You ask that with an idea of seeking revenge."

"Parbleu! The tables may be turned. Today, you are on top. To-morrow—-"

"It will be you."

"I hope so. Your name?"

"Arsene Lupin."

"Arsene Lupin!"

The man staggered, as though stunned by a heavy blow. Those two words had deprived him of all hope.

Daspry laughed, and said:

"Ah! did you imagine that a Monsieur Durand or Dupont could manage an affair like this? No, it required the skill and cunning of Arsene Lupin. And now that you have my name, go and prepare your revenge. Arsene Lupin will wait for you."

Then he pushed the bewildered Varin through the door.

"Daspry! Daspry!" I cried, pushing aside the curtain. He ran to me.

"What? What's the matter?"

"Madame Andermatt is ill."

He hastened to her, caused her to inhale some salts, and, while caring for her, questioned me:

"Well, what did it?"

"The letters of Louis Lacombe that you gave to her husband."

He struck his forehead and said:

"Did she think that I could do such a thing!...But, of course she would. Imbecile that I am!"

Madame Andermatt was now revived. Daspry took from his pocket a small package exactly similar to the one that Mon. Andermatt had carried away.

"Here are your letters, Madame. These are the genuine letters."

"But.... the others?"

"The others are the same, rewritten by me and carefully worded. Your husband will not find anything objectionable in them, and will never suspect the substitution since they were taken from the safe in his presence."

"But the handwriting—-"

"There is no handwriting that cannot be imitated."

She thanked him in the same words she might have used to a man in her own social circle, so I concluded that she had not witnessed the final scene between Varin and Arsene Lupin. But the surprising revelation caused me considerable embarrassment. Lupin! My club companion was none other than Arsene Lupin. I could not realize it. But he said, quite at his ease:

"You can say farewell to Jean Daspry."

"Ah!"

"Yes, Jean Daspry is going on a long journey. I shall send him to Morocco. There, he may find a death worthy of him. I may say that that is his expectation."

"But Arsene Lupin will remain?"

"Oh! Decidedly. Arsene Lupin is simply at the threshold of his career, and he expects—-"

I was impelled by curiosity to interrupt him, and, leading him away from the hearing of Madame Andermatt, I asked:

"Did you discover the smaller safe yourself—the one that held the letters?"

"Yes, after a great deal of trouble. I found it yesterday afternoon while you were asleep. And yet, God knows it was simple enough! But the simplest things are the ones that usually escape our notice." Then, showing me the seven-of-hearts, he added: "Of course I had guessed that, in order to open the larger safe, this card must be placed on the sword of the mosaic king."

"How did you guess that?"

"Quite easily. Through private information, I knew that fact when I came here on the evening of 22 June—-"

"After you left me—-"

"Yes, after turning the subject of our conversation to stories of crime and robbery which were sure to reduce you to such a nervous condition that you would not leave your bed, but would allow me to complete my search uninterrupted."

"The scheme worked perfectly."

"Well, I knew when I came here that there was a casket concealed in a safe with a secret lock, and that the seven-of-hearts was the key to that lock. I had merely to place the card upon the spot that was obviously intended for it. An hour's examination showed me where the spot was."

"One hour!"

"Observe the fellow in mosaic."

"The old emperor?"

"That old emperor is an exact representation of the king of hearts on all playing cards."

"That's right. But how does the seven of hearts open the larger safe at one time and the smaller safe at another time? And why did you open only the larger safe in the first instance? I mean on the night of 22 June."

"Why? Because I always placed the seven of hearts in the same way. I never changed the position. But, yesterday, I observed that by reversing the card, by turning it upside down, the arrangement of the seven spots on the mosaic was changed."

"Parbleu!"

"Of course, parbleu! But a person has to think of those things."

"There is something else: you did not know the history of those letters until Madame Andermatt—-"

"Spoke of them before me? No. Because I found in the safe, besides the casket, nothing but the correspondence of the two brothers which disclosed their treachery in regard to the plans."

"Then it was by chance that you were led, first, to investigate the history of the two brothers, and then to search for the plans and documents relating to the sub-marine?"

"Simply by chance."

"For what purpose did you make the search?"

"Mon Dieu!" exclaimed Daspry, laughing, "how deeply interested you are!"

"The subject fascinates me."

"Very well, presently, after I have escorted Madame Andermatt to a carriage, and dispatched a short story to the 'Echo de France,' I will return and tell you all about it."

He sat down and wrote one of those short, clear-cut articles which served to amuse and mystify the public. Who does not recall the sensation that followed that article produced throughout the entire world?

"Arsene Lupin has solved the problem recently submitted by Salvator. Having acquired possession of all the documents and original plans of the engineer Louis Lacombe, he has placed them in the hands of the Minister of Marine, and he has headed a subscription list for the purpose of presenting to the nation the first submarine constructed from those plans. His subscription is twenty thousand francs."

"Twenty thousand francs! The checks of Mon. Andermatt?" I exclaimed, when he had given me the paper to read.

"Exactly. It was quite right that Varin should redeem his treachery."

* * * * *

And that is how I made the acquaintance of Arsene Lupin. That is how I learned that Jean Daspry, a member of my club, was none other than Arsene Lupin, gentleman-thief. That is how I formed very agreeable ties of friendship with that famous man, and, thanks to the confidence with which he honored me, how I became his very humble and faithful historiographer.



VII. Madame Imbert's Safe

At three o'clock in the morning, there were still half a dozen carriages in front of one of those small houses which form only the side of the boulevard Berthier. The door of that house opened, and a number of guests, male and female, emerged. The majority of them entered their carriages and were quickly driven away, leaving behind only two men who walked down Courcelles, where they parted, as one of them lived in that street. The other decided to return on foot as far as the Porte-Maillot. It was a beautiful winter's night, clear and cold; a night on which a brisk walk is agreeable and refreshing.

But, at the end of a few minutes, he had the disagreeable impression that he was being followed. Turning around, he saw a man sulking amongst the trees. He was not a coward; yet he felt it advisable to increase his speed. Then his pursuer commenced to run; and he deemed it prudent to draw his revolver and face him. But he had no time. The man rushed at him and attacked him violently. Immediately, they were engaged in a desperate struggle, wherein he felt that his unknown assailant had the advantage. He called for help, struggled, and was thrown down on a pile of gravel, seized by the throat, and gagged with a handkerchief that his assailant forced into his mouth. His eyes closed, and the man who was smothering him with his weight arose to defend himself against an unexpected attack. A blow from a cane and a kick from a boot; the man uttered two cries of pain, and fled, limping and cursing. Without deigning to pursue the fugitive, the new arrival stooped over the prostrate man and inquired:

"Are you hurt, monsieur?"

He was not injured, but he was dazed and unable to stand. His rescuer procured a carriage, placed him in it, and accompanied him to his house on the avenue de la Grande-Armee. On his arrival there, quite recovered, he overwhelmed his saviour with thanks.

"I owe you my life, monsieur, and I shall not forget it. I do not wish to alarm my wife at this time of night, but, to-morrow, she will be pleased to thank you personally. Come and breakfast with us. My name is Ludovic Imbert. May I ask yours?"

"Certainly, monsieur."

And he handed Mon. Imbert a card bearing the name: "Arsene Lupin."

* * * * *

At that time, Arsene Lupin did not enjoy the celebrity which the Cahorn affair, his escape from the Prison de la Sante, and other brilliant exploits, afterwards gained for him. He had not even used the name of Arsene Lupin. The name was specially invented to designate the rescuer of Mon. Imbert; that is to say, it was in that affair that Arsene Lupin was baptized. Fully armed and ready for the fray, it is true, but lacking the resources and authority which command success, Arsene Lupin was then merely an apprentice in a profession wherein he soon became a master.

With what a thrill of joy he recalled the invitation he received that night! At last, he had reached his goal! At last, he had undertaken a task worthy of his strength and skill! The Imbert millions! What a magnificent feast for an appetite like his!

He prepared a special toilet for the occasion; a shabby frock-coat, baggy trousers, a frayed silk hat, well-worn collar and cuffs, all quite correct in form, but bearing the unmistakable stamp of poverty. His cravat was a black ribbon pinned with a false diamond. Thus accoutred, he descended the stairs of the house in which he lived at Montmartre. At the third floor, without stopping, he rapped on a closed door with the head of his cane. He walked to the exterior boulevards. A tram-car was passing. He boarded it, and some one who had been following him took a seat beside him. It was the lodger who occupied the room on the third floor. A moment later, this man said to Lupin:

"Well, governor?"

"Well, it is all fixed."

"How?"

"I am going there to breakfast."

"You breakfast—there!"

"Certainly. Why not? I rescued Mon. Ludovic Imbert from certain death at your hands. Mon. Imbert is not devoid of gratitude. He invited me to breakfast."

There was a brief silence. Then the other said:

"But you are not going to throw up the scheme?"

"My dear boy," said Lupin, "When I arranged that little case of assault and battery, when I took the trouble at three o'clock in the morning, to rap you with my cane and tap you with my boot at the risk of injuring my only friend, it was not my intention to forego the advantages to be gained from a rescue so well arranged and executed. Oh! no, not at all."

"But the strange rumors we hear about their fortune?"

"Never mind about that. For six months, I have worked on this affair, investigated it, studied it, questioned the servants, the money-lenders and men of straw; for six months, I have shadowed the husband and wife. Consequently, I know what I am talking about. Whether the fortune came to them from old Brawford, as they pretend, or from some other source, I do not care. I know that it is a reality; that it exists. And some day it will be mine."

"Bigre! One hundred millions!"

"Let us say ten, or even five—that is enough! They have a safe full of bonds, and there will be the devil to pay if I can't get my hands on them."

The tram-car stopped at the Place de l'Etoile. The man whispered to Lupin:

"What am I to do now?"

"Nothing, at present. You will hear from me. There is no hurry."

Five minutes later, Arsene Lupin was ascending the magnificent flight of stairs in the Imbert mansion, and Mon. Imbert introduced him to his wife. Madame Gervaise Imbert was a short plump woman, and very talkative. She gave Lupin a cordial welcome.

"I desired that we should be alone to entertain our saviour," she said.

From the outset, they treated "our saviour" as an old and valued friend. By the time dessert was served, their friendship was well cemented, and private confidences were being exchanged. Arsene related the story of his life, the life of his father as a magistrate, the sorrows of his childhood, and his present difficulties. Gervaise, in turn, spoke of her youth, her marriage, the kindness of the aged Brawford, the hundred millions that she had inherited, the obstacles that prevented her from obtaining the enjoyment of her inheritance, the moneys she had been obliged to borrow at an exorbitant rate of interest, her endless contentions with Brawford's nephews, and the litigation! the injunctions! in fact, everything!

"Just think of it, Monsieur Lupin, the bonds are there, in my husband's office, and if we detach a single coupon, we lose everything! They are there, in our safe, and we dare not touch them."

Monsieur Lupin shivered at the bare idea of his proximity to so much wealth. Yet he felt quite certain that Monsieur Lupin would never suffer from the same difficulty as his fair hostess who declared she dare not touch the money.

"Ah! they are there!" he repeated, to himself; "they are there!"

A friendship formed under such circumstances soon led to closer relations. When discreetly questioned, Arsene Lupin confessed his poverty and distress. Immediately, the unfortunate young man was appointed private secretary to the Imberts, husband and wife, at a salary of one hundred francs a month. He was to come to the house every day and receive orders for his work, and a room on the second floor was set apart as his office. This room was directly over Mon. Imbert's office.

Arsene soon realized that his position as secretary was essentially a sinecure. During the first two months, he had only four important letters to recopy, and was called only once to Mon. Imbert's office; consequently, he had only one opportunity to contemplate, officially, the Imbert safe. Moreover, he noticed that the secretary was not invited to the social functions of the employer. But he did not complain, as he preferred to remain, modestly, in the shade and maintain his peace and freedom.

However, he was not wasting any time. From the beginning, he made clandestine visits to Mon. Imbert's office, and paid his respects to the safe, which was hermetically closed. It was an immense block of iron and steel, cold and stern in appearance, which could not be forced open by the ordinary tools of the burglar's trade. But Arsene Lupin was not discouraged.

"Where force fails, cunning prevails," he said to himself. "The essential thing is to be on the spot when the opportunity occurs. In the meantime, I must watch and wait."

He made immediately some preliminary preparations. After careful soundings made upon the floor of his room, he introduced a lead pipe which penetrated the ceiling of Mon. Imbert's office at a point between the two screeds of the cornice. By means of this pipe, he hoped to see and hear what transpired in the room below.

Henceforth, he passed his days stretched at full length upon the floor. He frequently saw the Imberts holding a consultation in front of the safe, investigating books and papers. When they turned the combination lock, he tried to learn the figures and the number of turns they made to the right and left. He watched their movements; he sought to catch their words. There was also a key necessary to complete the opening of the safe. What did they do with it? Did they hide it?

One day, he saw them leave the room without locking the safe. He descended the stairs quickly, and boldly entered the room. But they had returned.

"Oh! excuse me," said, "I made a mistake in the door."

"Come in, Monsieur Lupin, come in," cried Madame Imbert, "are you not at home here? We want your advice. What bonds should we sell? The foreign securities or the government annuities?"

"But the injunction?" said Lupin, with surprise.

"Oh! it doesn't cover all the bonds."

She opened the door of the safe and withdrew a package of bonds. But her husband protested.

"No, no, Gervaise, it would be foolish to sell the foreign bonds. They are going up, whilst the annuities are as high as they ever will be. What do you think, my dear friend?"

The dear friend had no opinion; yet he advised the sacrifice of the annuities. Then she withdrew another package and, from it, she took a paper at random. It proved to be a three-per-cent annuity worth two thousand francs. Ludovic placed the package of bonds in his pocket. That afternoon, accompanied by his secretary, he sold the annuities to a stock-broker and realized forty-six thousand francs.

Whatever Madame Imbert might have said about it, Arsene Lupin did not feel at home in the Imbert house. On the contrary, his position there was a peculiar one. He learned that the servants did not even know his name. They called him "monsieur." Ludovic always spoke of him in the same way: "You will tell monsieur. Has monsieur arrived?" Why that mysterious appellation?

Moreover, after their first outburst of enthusiasm, the Imberts seldom spoke to him, and, although treating him with the consideration due to a benefactor, they gave him little or no attention. They appeared to regard him as an eccentric character who did not like to be disturbed, and they respected his isolation as if it were a stringent rule on his part. On one occasion, while passing through the vestibule, he heard Madame Imbert say to the two gentlemen:

"He is such a barbarian!"

"Very well," he said to himself, "I am a barbarian."

And, without seeking to solve the question of their strange conduct, he proceeded with the execution of his own plans. He had decided that he could not depend on chance, nor on the negligence of Madame Imbert, who carried the key of the safe, and who, on locking the safe, invariably scattered the letters forming the combination of the lock. Consequently, he must act for himself.

Finally, an incident precipitated matters; it was the vehement campaign instituted against the Imberts by certain newspapers that accused the Imberts of swindling. Arsene Lupin was present at certain family conferences when this new vicissitude was discussed. He decided that if he waited much longer, he would lose everything. During the next five days, instead of leaving the house about six o'clock, according to his usual habit, he locked himself in his room. It was supposed that he had gone out. But he was lying on the floor surveying the office of Mon. Imbert. During those five evenings, the favorable opportunity that he awaited did not take place. He left the house about midnight by a side door to which he held the key.

But on the sixth day, he learned that the Imberts, actuated by the malevolent insinuations of their enemies, proposed to make an inventory of the contents of the safe.

"They will do it to-night," thought Lupin.

And truly, after dinner, Imbert and his wife retired to the office and commenced to examine the books of account and the securities contained in the safe. Thus, one hour after another passed away. He heard the servants go upstairs to their rooms. No one now remained on the first floor. Midnight! The Imberts were still at work.

"I must get to work," murmured Lupin.

He opened his window. It opened on a court. Outside, everything was dark and quiet. He took from his desk a knotted rope, fastened it to the balcony in front of his window, and quietly descended as far as the window below, which was that of the of Imbert's office. He stood upon the balcony for a moment, motionless, with attentive ear and watchful eye, but the heavy curtains effectually concealed the interior of the room. He cautiously pushed on the double window. If no one had examined it, it ought to yield to the slightest pressure, for, during the afternoon, he had so fixed the bolt that it would not enter the staple.

The window yielded to his touch. Then, with infinite care, he pushed it open sufficiently to admit his head. He parted the curtains a few inches, looked in, and saw Mon. Imbert and his wife sitting in front of the safe, deeply absorbed in their work and speaking softly to each other at rare intervals.

He calculated the distance between him and them, considered the exact movements he would require to make in order to overcome them, one after the other, before they could call for help, and he was about to rush upon them, when Madame Imbert said:

"Ah! the room is getting quite cold. I am going to bed. And you, my dear?"

"I shall stay and finish."

"Finish! Why, that will take you all night."

"Not at all. An hour, at the most."

She retired. Twenty minutes, thirty minutes passed. Arsene pushed the window a little farther open. The curtains shook. He pushed once more. Mon. Imbert turned, and, seeing the curtains blown by the wind, he rose to close the window.

There was not a cry, not the trace of struggle. With a few precise moments, and without causing him the least injury, Arsene stunned him, wrapped the curtain about his head, bound him hand and foot, and did it all in such a manner that Mon. Imbert had no opportunity to recognize his assailant.

Quickly, he approached the safe, seized two packages that he placed under his arm, left the office, and opened the servants' gate. A carriage was stationed in the street.

"Take that, first—and follow me," he said to the coachman. He returned to the office, and, in two trips, they emptied the safe. Then Arsene went to his own room, removed the rope, and all other traces of his clandestine work.

A few hours later, Arsene Lupin and his assistant examined the stolen goods. Lupin was not disappointed, as he had foreseen that the wealth of the Imberts had been greatly exaggerated. It did not consist of hundreds of millions, nor even tens of millions. Yet it amounted to a very respectable sum, and Lupin expressed his satisfaction.

"Of course," he said, "there will be a considerable loss when we come to sell the bonds, as we will have to dispose of them surreptitiously at reduced prices. In the meantime, they will rest quietly in my desk awaiting a propitious moment."

Arsene saw no reason why he should not go to the Imbert house the next day. But a perusal of the morning papers revealed this startling fact: Ludovic and Gervaise Imbert had disappeared.

When the officers of the law seized the safe and opened it, they found there what Arsene Lupin had left—nothing.

* * * * *

Such are the facts; and I learned the sequel to them, one day, when Arsene Lupin was in a confidential mood. He was pacing to and fro in my room, with a nervous step and a feverish eye that were unusual to him.

"After all," I said to him, "it was your most successful venture."

Without making a direct reply, he said:

"There are some impenetrable secrets connected with that affair; some obscure points that escape my comprehension. For instance: What caused their flight? Why did they not take advantage of the help I unconsciously gave them? It would have been so simple to say: 'The hundred millions were in the safe. They are no longer there, because they have been stolen.'"

"They lost their nerve."

"Yes, that is it—they lost their nerve...On the other hand, it is true—-"

"What is true?"

"Oh! nothing."

What was the meaning of Lupin's reticence? It was quite obvious that he had not told me everything; there was something he was loath to tell. His conduct puzzled me. It must indeed be a very serious matter to cause such a man as Arsene Lupin even a momentary hesitation. I threw out a few questions at random.

"Have you seen them since?"

"No."

"And have you never experienced the slightest degree of pity for those unfortunate people?"

"I!" he exclaimed, with a start.

His sudden excitement astonished me. Had I touched him on a sore spot? I continued:

"Of course. If you had not left them alone, they might have been able to face the danger, or, at least, made their escape with full pockets."

"What do you mean?" he said, indignantly. "I suppose you have an idea that my soul should be filled with remorse?"

"Call it remorse or regrets—anything you like—-"

"They are not worth it."

"Have you no regrets or remorse for having stolen their fortune?"

"What fortune?"

"The packages of bonds you took from their safe."

"Oh! I stole their bonds, did I? I deprived them of a portion of their wealth? Is that my crime? Ah! my dear boy, you do not know the truth. You never imagined that those bonds were not worth the paper they were written on. Those bonds were false—they were counterfeit—every one of them—do you understand? THEY WERE COUNTERFEIT!"

I looked at him, astounded.

"Counterfeit! The four or five millions?"

"Yes, counterfeit!" he exclaimed, in a fit of rage. "Only so many scraps of paper! I couldn't raise a sou on the whole of them! And you ask me if I have any remorse. THEY are the ones who should have remorse and pity. They played me for a simpleton; and I fell into their trap. I was their latest victim, their most stupid gull!"

He was affected by genuine anger—the result of malice and wounded pride. He continued:

"From start to finish, I got the worst of it. Do you know the part I played in that affair, or rather the part they made me play? That of Andre Brawford! Yes, my boy, that is the truth, and I never suspected it. It was not until afterwards, on reading the newspapers, that the light finally dawned in my stupid brain. Whilst I was posing as his "saviour," as the gentleman who had risked his life to rescue Mon. Imbert from the clutches of an assassin, they were passing me off as Brawford. Wasn't that splendid? That eccentric individual who had a room on the second floor, that barbarian that was exhibited only at a distance, was Brawford, and Brawford was I! Thanks to me, and to the confidence that I inspired under the name of Brawford, they were enabled to borrow money from the bankers and other money-lenders. Ha! what an experience for a novice! And I swear to you that I shall profit by the lesson!"

He stopped, seized my arm, and said to me, in a tone of exasperation:

"My dear fellow, at this very moment, Gervaise Imbert owes me fifteen hundred francs."

I could not refrain from laughter, his rage was so grotesque. He was making a mountain out of a molehill. In a moment, he laughed himself, and said:

"Yes, my boy, fifteen hundred francs. You must know that I had not received one sou of my promised salary, and, more than that, she had borrowed from me the sum of fifteen hundred francs. All my youthful savings! And do you know why? To devote the money to charity! I am giving you a straight story. She wanted it for some poor people she was assisting—unknown to her husband. And my hard-earned money was wormed out of me by that silly pretense! Isn't it amusing, hein? Arsene Lupin done out of fifteen hundred francs by the fair lady from whom he stole four millions in counterfeit bonds! And what a vast amount of time and patience and cunning I expended to achieve that result! It was the first time in my life that I was played for a fool, and I frankly confess that I was fooled that time to the queen's taste!"



VIII. The Black Pearl

A violent ringing of the bell awakened the concierge of number nine, avenue Hoche. She pulled the doorstring, grumbling:

"I thought everybody was in. It must be three o'clock!"

"Perhaps it is some one for the doctor," muttered her husband.

"Third floor, left. But the doctor won't go out at night."

"He must go to-night."

The visitor entered the vestibule, ascended to the first floor, the second, the third, and, without stopping at the doctor's door, he continued to the fifth floor. There, he tried two keys. One of them fitted the lock.

"Ah! good!" he murmured, "that simplifies the business wonderfully. But before I commence work I had better arrange for my retreat. Let me see.... have I had sufficient time to rouse the doctor and be dismissed by him? Not yet.... a few minutes more."

At the end of ten minutes, he descended the stairs, grumbling noisily about the doctor. The concierge opened the door for him and heard it click behind him. But the door did not lock, as the man had quickly inserted a piece of iron in the lock in such a manner that the bolt could not enter. Then, quietly, he entered the house again, unknown to the concierge. In case of alarm, his retreat was assured. Noiselessly, he ascended to the fifth floor once more. In the antechamber, by the light of his electric lantern, he placed his hat and overcoat on one of the chairs, took a seat on another, and covered his heavy shoes with felt slippers.

"Ouf! Here I am—and how simple it was! I wonder why more people do not adopt the profitable and pleasant occupation of burglar. With a little care and reflection, it becomes a most delightful profession. Not too quiet and monotonous, of course, as it would then become wearisome."

He unfolded a detailed plan of the apartment.

"Let me commence by locating myself. Here, I see the vestibule in which I am sitting. On the street front, the drawing-room, the boudoir and dining-room. Useless to waste any time there, as it appears that the countess has a deplorable taste.... not a bibelot of any value!...Now, let's get down to business!... Ah! here is a corridor; it must lead to the bed chambers. At a distance of three metres, I should come to the door of the wardrobe-closet which connects with the chamber of the countess." He folded his plan, extinguished his lantern, and proceeded down the corridor, counting his distance, thus:

"One metre.... two metres.... three metres....Here is the door....Mon Dieu, how easy it is! Only a small, simple bolt now separates me from the chamber, and I know that the bolt is located exactly one metre, forty-three centimeters, from the floor. So that, thanks to a small incision I am about to make, I can soon get rid of the bolt."

He drew from his pocket the necessary instruments. Then the following idea occurred to him:

"Suppose, by chance, the door is not bolted. I will try it first."

He turned the knob, and the door opened.

"My brave Lupin, surely fortune favors you....What's to be done now? You know the situation of the rooms; you know the place in which the countess hides the black pearl. Therefore, in order to secure the black pearl, you have simply to be more silent than silence, more invisible than darkness itself."

Arsene Lupin was employed fully a half-hour in opening the second door—a glass door that led to the countess' bedchamber. But he accomplished it with so much skill and precaution, that even had had the countess been awake, she would not have heard the slightest sound. According to the plan of the rooms, that he holds, he has merely to pass around a reclining chair and, beyond that, a small table close to the bed. On the table, there was a box of letter-paper, and the black pearl was concealed in that box. He stooped and crept cautiously over the carpet, following the outlines of the reclining-chair. When he reached the extremity of it, he stopped in order to repress the throbbing of his heart. Although he was not moved by any sense of fear, he found it impossible to overcome the nervous anxiety that one usually feels in the midst of profound silence. That circumstance astonished him, because he had passed through many more solemn moments without the slightest trace of emotion. No danger threatened him. Then why did his heart throb like an alarm-bell? Was it that sleeping woman who affected him? Was it the proximity of another pulsating heart?

He listened, and thought he could discern the rhythmical breathing of a person asleep. It gave him confidence, like the presence of a friend. He sought and found the armchair; then, by slow, cautious movements, advanced toward the table, feeling ahead of him with outstretched arm. His right had touched one of the feet of the table. Ah! now, he had simply to rise, take the pearl, and escape. That was fortunate, as his heart was leaping in his breast like a wild beast, and made so much noise that he feared it would waken the countess. By a powerful effort of the will, he subdued the wild throbbing of his heart, and was about to rise from the floor when his left hand encountered, lying on the floor, an object which he recognized as a candlestick—an overturned candlestick. A moment later, his hand encountered another object: a clock—one of those small traveling clocks, covered with leather. ———-

Well! What had happened? He could not understand. That candlestick, that clock; why were those articles not in their accustomed places? Ah! what had happened in the dread silence of the night?

Suddenly a cry escaped him. He had touched—oh! some strange, unutterable thing! "No! no!" he thought, "it cannot be. It is some fantasy of my excited brain." For twenty seconds, thirty seconds, he remained motionless, terrified, his forehead bathed with perspiration, and his fingers still retained the sensation of that dreadful contact.

Making a desperate effort, he ventured to extend his arm again. Once more, his hand encountered that strange, unutterable thing. He felt it. He must feel it and find out what it is. He found that it was hair, human hair, and a human face; and that face was cold, almost icy.

However frightful the circumstances may be, a man like Arsene Lupin controls himself and commands the situation as soon as he learns what it is. So, Arsene Lupin quickly brought his lantern into use. A woman was lying before him, covered with blood. Her neck and shoulders were covered with gaping wounds. He leaned over her and made a closer examination. She was dead.

"Dead! Dead!" he repeated, with a bewildered air.

He stared at those fixed eyes, that grim mouth, that livid flesh, and that blood—all that blood which had flowed over the carpet and congealed there in thick, black spots. He arose and turned on the electric lights. Then he beheld all the marks of a desperate struggle. The bed was in a state of great disorder. On the floor, the candlestick, and the clock, with the hands pointing to twenty minutes after eleven; then, further away, an overturned chair; and, everywhere, there was blood, spots of blood and pools of blood.

"And the black pearl?" he murmured.

The box of letter-paper was in its place. He opened it, eagerly. The jewel-case was there, but it was empty.

"Fichtre!" he muttered. "You boasted of your good fortune much too soon, my friend Lupin. With the countess lying cold and dead, and the black pearl vanished, the situation is anything but pleasant. Get out of here as soon as you can, or you may get into serious trouble."

Yet, he did not move.

"Get out of here? Yes, of course. Any person would, except Arsene Lupin. He has something better to do. Now, to proceed in an orderly way. At all events, you have a clear conscience. Let us suppose that you are the commissary of police and that you are proceeding to make an inquiry concerning this affair——Yes, but in order to do that, I require a clearer brain. Mine is muddled like a ragout."

He tumbled into an armchair, with his clenched hands pressed against his burning forehead.

* * * * *

The murder of the avenue Hoche is one of those which have recently surprised and puzzled the Parisian public, and, certainly, I should never have mentioned the affair if the veil of mystery had not been removed by Arsene Lupin himself. No one knew the exact truth of the case.

Who did not know—from having met her in the Bois—the fair Leotine Zalti, the once-famous cantatrice, wife and widow of the Count d'Andillot; the Zalti, whose luxury dazzled all Paris some twenty years ago; the Zalti who acquired an European reputation for the magnificence of her diamonds and pearls? It was said that she wore upon her shoulders the capital of several banking houses and the gold mines of numerous Australian companies. Skilful jewelers worked for Zalti as they had formerly wrought for kings and queens. And who does not remember the catastrophe in which all that wealth was swallowed up? Of all that marvelous collection, nothing remained except the famous black pearl. The black pearl! That is to say a fortune, if she had wished to part with it.

But she preferred to keep it, to live in a commonplace apartment with her companion, her cook, and a man-servant, rather than sell that inestimable jewel. There was a reason for it; a reason she was not afraid to disclose: the black pearl was the gift of an emperor! Almost ruined, and reduced to the most mediocre existence, she remained faithful to the companion of her happy and brilliant youth. The black pearl never left her possession. She wore it during the day, and, at night, concealed it in a place known to her alone.

All these facts, being republished in the columns of the public press, served to stimulate curiosity; and, strange to say, but quite obvious to those who have the key to the mystery, the arrest of the presumed assassin only complicated the question and prolonged the excitement. Two days later, the newspapers published the following item:

"Information has reached us of the arrest of Victor Danegre, the servant of the Countess d'Andillot. The evidence against him is clear and convincing. On the silken sleeve of his liveried waistcoat, which chief detective Dudouis found in his garret between the mattresses of his bed, several spots of blood were discovered. In addition, a cloth-covered button was missing from that garment, and this button was found beneath the bed of the victim.

"It is supposed that, after dinner, in place of going to his own room, Danegre slipped into the wardrobe-closet, and, through the glass door, had seen the countess hide the precious black pearl. This is simply a theory, as yet unverified by any evidence. There is, also, another obscure point. At seven o'clock in the morning, Danegre went to the tobacco-shop on the Boulevard de Courcelles; the concierge and the shop-keeper both affirm this fact. On the other hand, the countess' companion and cook, who sleep at the end of the hall, both declare that, when they arose at eight o'clock, the door of the antechamber and the door of the kitchen were locked. These two persons have been in the service of the countess for twenty years, and are above suspicion. The question is: How did Danegre leave the apartment? Did he have another key? These are matters that the police will investigate."

As a matter of fact, the police investigation threw no light on the mystery. It was learned that Victor Danegre was a dangerous criminal, a drunkard and a debauchee. But, as they proceeded with the investigation, the mystery deepened and new complications arose. In the first place, a young woman, Mlle. De Sincleves, the cousin and sole heiress of the countess, declared that the countess, a month before her death, had written a letter to her and in it described the manner in which the black pearl was concealed. The letter disappeared the day after she received it. Who had stolen it?

Again, the concierge related how she had opened the door for a person who had inquired for Doctor Harel. On being questioned, the doctor testified that no one had rung his bell. Then who was that person? And accomplice?

The theory of an accomplice was thereupon adopted by the press and public, and also by Ganimard, the famous detective.

"Lupin is at the bottom of this affair," he said to the judge.

"Bah!" exclaimed the judge, "you have Lupin on the brain. You see him everywhere."

"I see him everywhere, because he is everywhere."

"Say rather that you see him every time you encounter something you cannot explain. Besides, you overlook the fact that the crime was committed at twenty minutes past eleven in the evening, as is shown by the clock, while the nocturnal visit, mentioned by the concierge, occurred at three o'clock in the morning."

Officers of the law frequently form a hasty conviction as to the guilt of a suspected person, and then distort all subsequent discoveries to conform to their established theory. The deplorable antecedents of Victor Danegre, habitual criminal, drunkard and rake, influenced the judge, and despite the fact that nothing new was discovered in corroboration of the early clues, his official opinion remained firm and unshaken. He closed his investigation, and, a few weeks later, the trial commenced. It proved to be slow and tedious. The judge was listless, and the public prosecutor presented the case in a careless manner. Under those circumstances, Danegre's counsel had an easy task. He pointed out the defects and inconsistencies of the case for the prosecution, and argued that the evidence was quite insufficient to convict the accused. Who had made the key, the indispensable key without which Danegre, on leaving the apartment, could not have locked the door behind him? Who had ever seen such a key, and what had become of it? Who had seen the assassin's knife, and where is it now?

"In any event," argued the prisoner's counsel, "the prosecution must prove, beyond any reasonable doubt, that the prisoner committed the murder. The prosecution must show that the mysterious individual who entered the house at three o'clock in the morning is not the guilty party. To be sure, the clock indicated eleven o'clock. But what of that? I contend, that proves nothing. The assassin could turn the hands of the clock to any hour he pleased, and thus deceive us in regard to the exact hour of the crime."

Victor Danegre was acquitted.

He left the prison on Friday about dusk in the evening, weak and depressed by his six months' imprisonment. The inquisition, the solitude, the trial, the deliberations of the jury, combined to fill him with a nervous fear. At night, he had been afflicted with terrible nightmares and haunted by weird visions of the scaffold. He was a mental and physical wreck.

Under the assumed name of Anatole Dufour, he rented a small room on the heights of Montmartre, and lived by doing odd jobs wherever he could find them. He led a pitiful existence. Three times, he obtained regular employment, only to be recognized and then discharged. Sometimes, he had an idea that men were following him—detectives, no doubt, who were seeking to trap and denounce him. He could almost feel the strong hand of the law clutching him by the collar.

One evening, as he was eating his dinner at a neighboring restaurant, a man entered and took a seat at the same table. He was a person about forty years of age, and wore a frock-coat of doubtful cleanliness. He ordered soup, vegetables, and a bottle of wine. After he had finished his soup, he turned his eyes on Danegre, and gazed at him intently. Danegre winced. He was certain that this was one of the men who had been following him for several weeks. What did he want? Danegre tried to rise, but failed. His limbs refused to support him. The man poured himself a glass of wine, and then filled Danegre's glass. The man raised his glass, and said:

"To your health, Victor Danegre."

Victor started in alarm, and stammered:

"I!....I!.... no, no....I swear to you...."

"You will swear what? That you are not yourself? The servant of the countess?"

"What servant? My name is Dufour. Ask the proprietor."

"Yes, Anatole Dufour to the proprietor of this restaurant, but Victor Danegre to the officers of the law."

"That's not true! Some one has lied to you."

The new-comer took a card from his pocket and handed it to Victor, who read on it: "Grimaudan, ex-inspector of the detective force. Private business transacted." Victor shuddered as he said:

"You are connected with the police?"

"No, not now, but I have a liking for the business and I continue to work at it in a manner more—profitable. From time to time I strike upon a golden opportunity—such as your case presents."

"My case?"

"Yes, yours. I assure you it is a most promising affair, provided you are inclined to be reasonable."

"But if I am not reasonable?"

"Oh! my good fellow, you are not in a position to refuse me anything I may ask."

"What is it.... you want?" stammered Victor, fearfully.

"Well, I will inform you in a few words. I am sent by Mademoiselle de Sincleves, the heiress of the Countess d'Andillot."

"What for?"

"To recover the black pearl."

"Black pearl?"

"That you stole."

"But I haven't got it."

"You have it."

"If I had, then I would be the assassin."

"You are the assassin."

Danegre showed a forced smile.

"Fortunately for me, monsieur, the Assizecourt was not of your opinion. The jury returned an unanimous verdict of acquittal. And when a man has a clear conscience and twelve good men in his favor—"

The ex-inspector seized him by the arm and said:

"No fine phrases, my boy. Now, listen to me and weigh my words carefully. You will find they are worthy of your consideration. Now, Danegre, three weeks before the murder, you abstracted the cook's key to the servants' door, and had a duplicate key made by a locksmith named Outard, 244 rue Oberkampf."

"It's a lie—it's a lie!" growled Victor. "No person has seen that key. There is no such key."

"Here it is."

After a silence, Grimaudan continued:

"You killed the countess with a knife purchased by you at the Bazar de la Republique on the same day as you ordered the duplicate key. It has a triangular blade with a groove running from end to end."

"That is all nonsense. You are simply guessing at something you don't know. No one ever saw the knife."

"Here it is."

Victor Danegre recoiled. The ex-inspector continued:

"There are some spots of rust upon it. Shall I tell you how they came there?"

"Well!.... you have a key and a knife. Who can prove that they belong to me?"

"The locksmith, and the clerk from whom you bought the knife. I have already refreshed their memories, and, when you confront them, they cannot fail to recognize you."

His speech was dry and hard, with a tone of firmness and precision. Danegre was trembling with fear, and yet he struggled desperately to maintain an air of indifference.

"Is that all the evidence you have?"

"Oh! no, not at all. I have plenty more. For instance, after the crime, you went out the same way you had entered. But, in the centre of the wardrobe-room, being seized by some sudden fear, you leaned against the wall for support."

"How do you know that? No one could know such a thing," argued the desperate man.

"The police know nothing about it, of course. They never think of lighting a candle and examining the walls. But if they had done so, they would have found on the white plaster a faint red spot, quite distinct, however, to trace in it the imprint of your thumb which you had pressed against the wall while it was wet with blood. Now, as you are well aware, under the Bertillon system, thumb-marks are one of the principal means of identification."

Victor Danegre was livid; great drops of perspiration rolled down his face and fell upon the table. He gazed, with a wild look, at the strange man who had narrated the story of his crime as faithfully as if he had been an invisible witness to it. Overcome and powerless, Victor bowed his head. He felt that it was useless to struggle against this marvelous man. So he said:

"How much will you give me, if I give you the pearl?"

"Nothing."

"Oh! you are joking! Or do you mean that I should give you an article worth thousands and hundreds of thousands and get nothing in return?"

"You will get your life. Is that nothing?"

The unfortunate man shuddered. Then Grimaudan added, in a milder tone:

"Come, Danegre, that pearl has no value in your hands. It is quite impossible for you to sell it; so what is the use of your keeping it?"

"There are pawnbrokers.... and, some day, I will be able to get something for it."

"But that day may be too late."

"Why?"

"Because by that time you may be in the hands of the police, and, with the evidence that I can furnish—the knife, the key, the thumb-mark—what will become of you?"

Victor rested his head on his hands and reflected. He felt that he was lost, irremediably lost, and, at the same time, a sense of weariness and depression overcame him. He murmured, faintly:

"When must I give it to you?"

"To-night—-within an hour."

"If I refuse?"

"If you refuse, I shall post this letter to the Procureur of the Republic; in which letter Mademoiselle de Sincleves denounces you as the assassin."

Danegre poured out two glasses of wine which he drank in rapid succession, then, rising, said:

"Pay the bill, and let us go. I have had enough of the cursed affair."

Night had fallen. The two men walked down the rue Lepic and followed the exterior boulevards in the direction of the Place de l'Etoile. They pursued their way in silence; Victor had a stooping carriage and a dejected face. When they reached the Parc Monceau, he said:

"We are near the house."

"Parbleu! You only left the house once, before your arrest, and that was to go to the tobacco-shop."

"Here it is," said Danegre, in a dull voice.

They passed along the garden wall of the countess' house, and crossed a street on a corner of which stood the tobacco-shop. A few steps further on, Danegre stopped; his limbs shook beneath him, and he sank to a bench.

"Well! what now?" demanded his companion.

"It is there."

"Where? Come, now, no nonsense!"

"There—in front of us."

"Where?"

"Between two paving-stones."

"Which?"

"Look for it."

"Which stones?"

Victor made no reply.

"Ah; I see!" exclaimed Grimaudan, "you want me to pay for the information."

"No.... but....I am afraid I will starve to death."

"So! that is why you hesitate. Well, I'll not be hard on you. How much do you want?"

"Enough to buy a steerage pass to America."

"All right."

"And a hundred francs to keep me until I get work there."

"You shall have two hundred. Now, speak."

"Count the paving-stones to the right from the sewer-hole. The pearl is between the twelfth and thirteenth."

"In the gutter?"

"Yes, close to the sidewalk."

Grimaudan glanced around to see if anyone were looking. Some tram-cars and pedestrians were passing. But, bah, they will not suspect anything. He opened his pocketknife and thrust it between the twelfth and thirteenth stones.

"And if it is not there?" he said to Victor.

"It must be there, unless someone saw me stoop down and hide it."

Could it be possible that the back pearl had been cast into the mud and filth of the gutter to be picked up by the first comer? The black pearl—a fortune!

"How far down?" he asked.

"About ten centimetres."

He dug up the wet earth. The point of his knife struck something. He enlarged the hole with his finger. Then he abstracted the black pearl from its filthy hiding-place.

"Good! Here are your two hundred francs. I will send you the ticket for America."

On the following day, this article was published in the 'Echo de France,' and was copied by the leading newspapers throughout the world:

"Yesterday, the famous black pearl came into the possession of Arsene Lupin, who recovered it from the murderer of the Countess d'Andillot. In a short time, fac-similes of that precious jewel will be exhibited in London, St. Petersburg, Calcutta, Buenos Ayres and New York.

"Arsene Lupin will be pleased to consider all propositions submitted to him through his agents."

* * * * *

"And that is how crime is always punished and virtue rewarded," said Arsene Lupin, after he had told me the foregoing history of the black pearl.

"And that is how you, under the assumed name of Grimaudan, ex-inspector of detectives, were chosen by fate to deprive the criminal of the benefit of his crime."

"Exactly. And I confess that the affair gives me infinite satisfaction and pride. The forty minutes that I passed in the apartment of the Countess d'Andillot, after learning of her death, were the most thrilling and absorbing moments of my life. In those forty minutes, involved as I was in a most dangerous plight, I calmly studied the scene of the murder and reached the conclusion that the crime must have been committed by one of the house servants. I also decided that, in order to get the pearl, that servant must be arrested, and so I left the wainscoat button; it was necessary, also, for me to hold some convincing evidence of his guilt, so I carried away the knife which I found upon the floor, and the key which I found in the lock. I closed and locked the door, and erased the finger-marks from the plaster in the wardrobe-closet. In my opinion, that was one of those flashes—"

"Of genius," I said, interrupting.

"Of genius, if you wish. But, I flatter myself, it would not have occurred to the average mortal. To frame, instantly, the two elements of the problem—an arrest and an acquittal; to make use of the formidable machinery of the law to crush and humble my victim, and reduce him to a condition in which, when free, he would be certain to fall into the trap I was laying for him!"

"Poor devil—"

"Poor devil, do you say? Victor Danegre, the assassin! He might have descended to the lowest depths of vice and crime, if he had retained the black pearl. Now, he lives! Think of that: Victor Danegre is alive!"

"And you have the black pearl."

He took it out of one of the secret pockets of his wallet, examined it, gazed at it tenderly, and caressed it with loving fingers, and sighed, as he said:

"What cold Russian prince, what vain and foolish rajah may some day possess this priceless treasure! Or, perhaps, some American millionaire is destined to become the owner of this morsel of exquisite beauty that once adorned the fair bosom of Leontine Zalti, the Countess d'Andillot."



IX. Sherlock Holmes Arrives Too Late

"It is really remarkable, Velmont, what a close resemblance you bear to Arsene Lupin!"

"How do you know?"

"Oh! like everyone else, from photographs, no two of which are alike, but each of them leaves the impression of a face.... something like yours."

Horace Velmont displayed some vexation.

"Quite so, my dear Devanne. And, believe me, you are not the first one who has noticed it."

"It is so striking," persisted Devanne, "that if you had not been recommended to me by my cousin d'Estevan, and if you were not the celebrated artist whose beautiful marine views I so admire, I have no doubt I should have warned the police of your presence in Dieppe."

This sally was greeted with an outburst of laughter. The large dining-hall of the Chateau de Thibermesnil contained on this occasion, besides Valmont, the following guests: Father Gelis, the parish priest, and a dozen officers whose regiments were quartered in the vicinity and who had accepted the invitation of the banker Georges Devanne and his mother. One of the officers then remarked:

"I understand that an exact description of Arsene Lupin has been furnished to all the police along this coast since his daring exploit on the Paris-Havre express."

"I suppose so," said Devanne. "That was three months ago; and a week later, I made the acquaintance of our friend Velmont at the casino, and, since then, he has honored me with several visits—an agreeable preamble to a more serious visit that he will pay me one of these days—or, rather, one of these nights."

This speech evoked another round of laughter, and the guests then passed into the ancient "Hall of the Guards," a vast room with a high ceiling, which occupied the entire lower part of the Tour Guillaume—William's Tower—and wherein Georges Devanne had collected the incomparable treasures which the lords of Thibermesnil had accumulated through many centuries. It contained ancient chests, credences, andirons and chandeliers. The stone walls were overhung with magnificent tapestries. The deep embrasures of the four windows were furnished with benches, and the Gothic windows were composed of small panes of colored glass set in a leaden frame. Between the door and the window to the left stood an immense bookcase of Renaissance style, on the pediment of which, in letters of gold, was the world "Thibermesnil," and, below it, the proud family device: "Fais ce que veulx" (Do what thou wishest). When the guests had lighted their cigars, Devanne resumed the conversation.

"And remember, Velmont, you have no time to lose; in fact, to-night is the last chance you will have."

"How so?" asked the painter, who appeared to regard the affair as a joke. Devanne was about to reply, when his mother mentioned to him to keep silent, but the excitement of the occasion and a desire to interest his guests urged him to speak.

"Bah!" he murmured. "I can tell it now. It won't do any harm."

The guests drew closer, and he commenced to speak with the satisfied air of a man who has an important announcement to make.

"To-morrow afternoon at four o'clock, Sherlock Holmes, the famous English detective, for whom such a thing as mystery does not exist; Sherlock Holmes, the most remarkable solver of enigmas the world has ever known, that marvelous man who would seem to be the creation of a romantic novelist—Sherlock Holmes will be my guest!"

Immediately, Devanne was the target of numerous eager questions. "Is Sherlock Holmes really coming?" "Is it so serious as that?" "Is Arsene Lupin really in this neighborhood?"

"Arsene Lupin and his band are not far away. Besides the robbery of the Baron Cahorn, he is credited with the thefts at Montigny, Gruchet and Crasville."

"Has he sent you a warning, as he did to Baron Cahorn?"

"No," replied Devanne, "he can't work the same trick twice."

"What then?"

"I will show you."

He rose, and pointing to a small empty space between the two enormous folios on one of the shelves of the bookcase, he said:

"There used to be a book there—a book of the sixteenth century entitled 'Chronique de Thibermesnil,' which contained the history of the castle since its construction by Duke Rollo on the site of a former feudal fortress. There were three engraved plates in the book; one of which was a general view of the whole estate; another, the plan of the buildings; and the third—I call your attention to it, particularly—the third was the sketch of a subterranean passage, an entrance to which is outside the first line of ramparts, while the other end of the passage is here, in this very room. Well, that book disappeared a month ago."

"The deuce!" said Velmont, "that looks bad. But it doesn't seem to be a sufficient reason for sending for Sherlock Holmes."

"Certainly, that was not sufficient in itself, but another incident happened that gives the disappearance of the book a special significance. There was another copy of this book in the National Library at Paris, and the two books differed in certain details relating to the subterranean passage; for instance, each of them contained drawings and annotations, not printed, but written in ink and more or less effaced. I knew those facts, and I knew that the exact location of the passage could be determined only by a comparison of the two books. Now, the day after my book disappeared, the book was called for in the National Library by a reader who carried it away, and no one knows how the theft was effected."

The guests uttered many exclamations of surprise.

"Certainly, the affair looks serious," said one.

"Well, the police investigated the matter, and, as usual, discovered no clue whatever."

"They never do, when Arsene Lupin is concerned in it."

"Exactly; and so I decided to ask the assistance of Sherlock Holmes, who replied that he was ready and anxious to enter the lists with Arsene Lupin."

"What glory for Arsene Lupin!" said Velmont. "But if our national thief, as they call him, has no evil designs on your castle, Sherlock Holmes will have his trip in vain."

"There are other things that will interest him, such as the discovery of the subterranean passage."

"But you told us that one end of the passage was outside the ramparts and the other was in this very room!"

"Yes, but in what part of the room? The line which represents the passage on the charts ends here, with a small circle marked with the letters 'T.G.,' which no doubt stand for 'Tour Guillaume.' But the tower is round, and who can tell the exact spot at which the passage touches the tower?"

Devanne lighted a second cigar and poured himself a glass of Benedictine. His guests pressed him with questions and he was pleased to observe the interest that his remarks had created. The he continued:

"The secret is lost. No one knows it. The legend is to the effect that the former lords of the castle transmitted the secret from father to son on their deathbeds, until Geoffroy, the last of the race, was beheaded during the Revolution in his nineteenth year."

"That is over a century ago. Surely, someone has looked for it since that time?"

"Yes, but they failed to find it. After I purchased the castle, I made a diligent search for it, but without success. You must remember that this tower is surrounded by water and connected with the castle only by a bridge; consequently, the passage must be underneath the old moat. The plan that was in the book in the National Library showed a series of stairs with a total of forty-eight steps, which indicates a depth of more than ten meters. You see, the mystery lies within the walls of this room, and yet I dislike to tear them down."

"Is there nothing to show where it is?"

"Nothing."

"Mon. Devanne, we should turn our attention to the two quotations," suggested Father Gelis.

"Oh!" exclaimed Mon. Devanne, laughing, "our worthy father is fond of reading memoirs and delving into the musty archives of the castle. Everything relating to Thibermesnil interests him greatly. But the quotations that he mentions only serve to complicate the mystery. He has read somewhere that two kings of France have known the key to the puzzle."

"Two kings of France! Who were they?"

"Henry the Fourth and Louis the Sixteenth. And the legend runs like this: On the eve of the battle of Arques, Henry the Fourth spent the night in this castle. At eleven o'clock in the evening, Louise de Tancarville, the prettiest woman in Normandy, was brought into the castle through the subterranean passage by Duke Edgard, who, at the same time, informed the king of the secret passage. Afterward, the king confided the secret to his minister Sully, who, in turn, relates the story in his book, "Royales Economies d'Etat," without making any comment upon it, but linking with it this incomprehensible sentence: 'Turn one eye on the bee that shakes, the other eye will lead to God!'"

After a brief silence, Velmont laughed and said:

"Certainly, it doesn't throw a dazzling light upon the subject."

"No; but Father Gelis claims that Sully concealed the key to the mystery in this strange sentence in order to keep the secret from the secretaries to whom he dictated his memoirs."

"That is an ingenious theory," said Velmont.

"Yes, and it may be nothing more; I cannot see that it throws any light on the mysterious riddle."

"And was it also to receive the visit of a lady that Louis the Sixteenth caused the passage to be opened?"

"I don't know," said Mon. Devanne. "All I can say is that the king stopped here one night in 1784, and that the famous Iron Casket found in the Louvre contained a paper bearing these words in the king's own writing: 'Thibermesnil 3-4-11.'"

Horace Velmont laughed heartily, and exclaimed:

"At last! And now that we have the magic key, where is the man who can fit it to the invisible lock?"

"Laugh as much as you please, monsieur," said Father Gelis, "but I am confident the solution is contained in those two sentences, and some day we will find a man able to interpret them."

"Sherlock Holmes is the man," said Mon. Devanne, "unless Arsene Lupin gets ahead of him. What is your opinion, Velmont?"

Velmont arose, placed his hand on Devanne's shoulder, and declared:

"I think that the information furnished by your book and the book of the National Library was deficient in a very important detail which you have now supplied. I thank you for it."

"What is it?"

"The missing key. Now that I have it, I can go to work at once," said Velmont.

"Of course; without losing a minute," said Devanne, smiling.

"Not even a second!" replied Velmont. "To-night, before the arrival of Sherlock Holmes, I must plunder your castle."

"You have no time to lose. Oh! by the way, I can drive you over this evening."

"To Dieppe?"

"Yes. I am going to meet Monsieur and Madame d'Androl and a young lady of their acquaintance who are to arrive by the midnight train."

Then addressing the officers, Devanne added:

"Gentlemen, I shall expect to see all of you at breakfast to-morrow."

The invitation was accepted. The company dispersed, and a few moments later Devanne and Velmont were speeding toward Dieppe in an automobile. Devanne dropped the artist in front of the Casino, and proceeded to the railway station. At twelve o'clock his friends alighted from the train. A half hour later the automobile was at the entrance to the castle. At one o'clock, after a light supper, they retired. The lights were extinguished, and the castle was enveloped in the darkness and silence of the night.

* * * * *

The moon appeared through a rift in the clouds, and filled the drawing-room with its bright white light. But only for a moment. Then the moon again retired behind its ethereal draperies, and darkness and silence reigned supreme. No sound could be heard, save the monotonous ticking of the clock. It struck two, and then continued its endless repetitions of the seconds. Then, three o'clock.

Suddenly, something clicked, like the opening and closing of a signal-disc that warns the passing train. A thin stream of light flashed to every corner of the room, like an arrow that leaves behind it a trail of light. It shot forth from the central fluting of a column that supported the pediment of the bookcase. It rested for a moment on the panel opposite like a glittering circle of burnished silver, then flashed in all directions like a guilty eye that scrutinizes every shadow. It disappeared for a short time, but burst forth again as a whole section of the bookcase revolved on a picot and disclosed a large opening like a vault.

A man entered, carrying an electric lantern. He was followed by a second man, who carried a coil of rope and various tools. The leader inspected the room, listened a moment, and said:

"Call the others."

Then eight men, stout fellows with resolute faces, entered the room, and immediately commenced to remove the furnishings. Arsene Lupin passed quickly from one piece of furniture to another, examined each, and, according to its size or artistic value, he directed his men to take it or leave it. If ordered to be taken, it was carried to the gaping mouth of the tunnel, and ruthlessly thrust into the bowels of the earth. Such was the fate of six armchairs, six small Louis XV chairs, a quantity of Aubusson tapestries, some candelabra, paintings by Fragonard and Nattier, a bust by Houdon, and some statuettes. Sometimes, Lupin would linger before a beautiful chest or a superb picture, and sigh:

"That is too heavy.... too large.... what a pity!"

In forty minutes the room was dismantled; and it had been accomplished in such an orderly manner and with as little noise as if the various articles had been packed and wadded for the occasion.

Lupin said to the last man who departed by way of the tunnel:

"You need not come back. You understand, that as soon as the auto-van is loaded, you are to proceed to the grange at Roquefort."

"But you, patron?"

"Leave me the motor-cycle."

When the man had disappeared, Arsene Lupin pushed the section of the bookcase back into its place, carefully effaced the traces of the men's footsteps, raised a portiere, and entered a gallery, which was the only means of communication between the tower and the castle. In the center of this gallery there was a glass cabinet which had attracted Lupin's attentions. It contained a valuable collection of watches, snuff-boxes, rings, chatelaines and miniatures of rare and beautiful workmanship. He forced the lock with a small jimmy, and experienced a great pleasure in handling those gold and silver ornaments, those exquisite and delicate works of art.

He carried a large linen bag, specially prepared for the removal of such knick-knacks. He filled it. Then he filled the pockets of his coat, waistcoat and trousers. And he was just placing over his left arm a number of pearl reticules when he heard a slight sound. He listened. No, he was not deceived. The noise continued. Then he remembered that, at one end of the gallery, there was a stairway leading to an unoccupied apartment, but which was probably occupied that night by the young lady whom Mon. Devanne had brought from Dieppe with his other visitors.

Immediately he extinguished his lantern, and had scarcely gained the friendly shelter of a window-embrasure, when the door at the top of the stairway was opened and a feeble light illuminated the gallery. He could feel—for, concealed by a curtain, he could not see—that a woman was cautiously descending the upper steps of the stairs. He hoped she would come no closer. Yet, she continued to descend, and even advanced some distance into the room. Then she uttered a faint cry. No doubt she had discovered the broken and dismantled cabinet.

She advanced again. Now he could smell the perfume, and hear the throbbing of her heart as she drew closer to the window where he was concealed. She passed so close that her skirt brushed against the window-curtain, and Lupin felt that she suspected the presence of another, behind her, in the shadow, within reach of her hand. He thought: "She is afraid. She will go away." But she did not go. The candle, that she carried in her trembling hand, grew brighter. She turned, hesitated a moment, appeared to listen, then suddenly drew aside the curtain.

They stood face to face. Arsene was astounded. He murmured, involuntarily:

"You—you—mademoiselle."

It was Miss Nelly. Miss Nelly! his fellow passenger on the transatlantic steamer, who had been the subject of his dreams on that memorable voyage, who had been a witness to his arrest, and who, rather than betray him, had dropped into the water the kodak in which he had concealed the bank-notes and diamonds. Miss Nelly! that charming creature, the memory of whose face had sometimes sheered, sometimes saddened the long hours of imprisonment.

It was such an unexpected encounter that brought them face to face in that castle at that hour of the night, that they could not move, nor utter a word; they were amazed, hypnotized, each at the sudden apparition of the other. Trembling with emotion, Miss Nelly staggered to a seat. He remained standing in front of her.

Gradually, he realized the situation and conceived the impression he must have produced at that moment with his arms laden with knick-knacks, and his pockets and a linen sack overflowing with plunder. He was overcome with confusion, and he actually blushed to find himself in the position of a thief caught in the act. To her, henceforth, he was a thief, a man who puts his hand in another's pocket, who steals into houses and robs people while they sleep.

A watch fell upon the floor; then another. These were followed by other articles which slipped from his grasp one by one. Then, actuated by a sudden decision, he dropped the other articles into an armchair, emptied his pockets and unpacked his sack. He felt very uncomfortable in Nelly's presence, and stepped toward her with the intention of speaking to her, but she shuddered, rose quickly and fled toward the salon. The portiere closed behind her. He followed her. She was standing trembling and amazed at the sight of the devastated room. He said to her, at once:

"To-morrow, at three o'clock, everything will be returned. The furniture will be brought back."

She made no reply, so he repeated:

"I promise it. To-morrow, at three o'clock. Nothing in the world could induce me to break that promise....To-morrow, at three o'clock."

Then followed a long silence that he dared not break, whilst the agitation of the young girl caused him a feeling of genuine regret. Quietly, without a word, he turned away, thinking: "I hope she will go away. I can't endure her presence." But the young girl suddenly spoke, and stammered:

"Listen.... footsteps....I hear someone...."

He looked at her with astonishment. She seemed to be overwhelmed by the thought of approaching peril.

"I don't hear anything," he said.

"But you must go—you must escape!"

"Why should I go?"

"Because—you must. Oh! do not remain here another minute. Go!"

She ran, quickly, to the door leading to the gallery and listened. No, there was no one there. Perhaps the noise was outside. She waited a moment, then returned reassured.

But Arsene Lupin had disappeared.

* * * * *

As soon as Mon. Devanne was informed of the pillage of his castle, he said to himself: It was Velmont who did it, and Velmont is Arsene Lupin. That theory explained everything, and there was no other plausible explanation. And yet the idea seemed preposterous. It was ridiculous to suppose that Velmont was anyone else than Velmont, the famous artist, and club-fellow of his cousin d'Estevan. So, when the captain of the gendarmes arrived to investigate the affair, Devanne did not even think of mentioning his absurd theory.

Throughout the forenoon there was a lively commotion at the castle. The gendarmes, the local police, the chief of police from Dieppe, the villagers, all circulated to and fro in the halls, examining every nook and corner that was open to their inspection. The approach of the maneuvering troops, the rattling fire of the musketry, added to the picturesque character of the scene.

The preliminary search furnished no clue. Neither the doors nor windows showed any signs of having been disturbed. Consequently, the removal of the goods must have been effected by means of the secret passage. Yet, there were no indications of footsteps on the floor, nor any unusual marks upon the walls.

Their investigations revealed, however, one curious fact that denoted the whimsical character of Arsene Lupin: the famous Chronique of the sixteenth century had been restored to its accustomed place in the library and, beside it, there was a similar book, which was none other than the volume stolen from the National Library.

At eleven o'clock the military officers arrived. Devanne welcomed them with his usual gayety; for, no matter how much chagrin he might suffer from the loss of his artistic treasures, his great wealth enabled him to bear his loss philosophically. His guests, Monsieur and Madame d'Androl and Miss Nelly, were introduced; and it was then noticed that one of the expected guests had not arrived. It was Horace Velmont. Would he come? His absence had awakened the suspicions of Mon. Devanne. But at twelve o'clock he arrived. Devanne exclaimed:

"Ah! here you are!"

"Why, am I not punctual?" asked Velmont.

"Yes, and I am surprised that you are.... after such a busy night! I suppose you know the news?"

"What news?"

"You have robbed the castle."

"Nonsense!" exclaimed Velmont, smiling.

"Exactly as I predicted. But, first escort Miss Underdown to the dining-room. Mademoiselle, allow me—"

He stopped, as he remarked the extreme agitation of the young girl. Then, recalling the incident, he said:

"Ah! of course, you met Arsene Lupin on the steamer, before his arrest, and you are astonished at the resemblance. Is that it?"

She did not reply. Velmont stood before her, smiling. He bowed. She took his proffered arm. He escorted her to her place, and took his seat opposite her. During the breakfast, the conversation related exclusively to Arsene Lupin, the stolen goods, the secret passage, and Sherlock Holmes. It was only at the close of the repast, when the conversation had drifted to other subjects, that Velmont took any part in it. Then he was, by turns, amusing and grave, talkative and pensive. And all his remarks seemed to be directed to the young girl. But she, quite absorbed, did not appear to hear them.

Coffee was served on the terrace overlooking the court of honor and the flower garden in front of the principal facade. The regimental band played on the lawn, and scores of soldiers and peasants wandered through the park.

Miss Nelly had not forgotten, for one moment, Lupin's solemn promise: "To-morrow, at three o'clock, everything will be returned."

At three o'clock! And the hands of the great clock in the right wing of the castle now marked twenty minutes to three. In spite of herself, her eyes wandered to the clock every minute. She also watched Velmont, who was calmly swinging to and fro in a comfortable rocking chair.

Ten minutes to three!....Five minutes to three!....Nelly was impatient and anxious. Was it possible that Arsene Lupin would carry out his promise at the appointed hour, when the castle, the courtyard, and the park were filled with people, and at the very moment when the officers of the law were pursuing their investigations? And yet....Arsene Lupin had given her his solemn promise. "It will be exactly as he said," thought she, so deeply was she impressed with the authority, energy and assurance of that remarkable man. To her, it no longer assumed the form of a miracle, but, on the contrary, a natural incident that must occur in the ordinary course of events. She blushed, and turned her head.

Three o'clock! The great clock struck slowly: one.... two.... three....Horace Velmont took out his watch, glanced at the clock, then returned the watch to his pocket. A few seconds passed in silence; and then the crowd in the courtyard parted to give passage to two wagons, that had just entered the park-gate, each drawn by two horses. They were army-wagons, such as are used for the transportation of provisions, tents, and other necessary military stores. They stopped in front of the main entrance, and a commissary-sergeant leaped from one of the wagons and inquired for Mon. Devanne. A moment later, that gentleman emerged from the house, descended the steps, and, under the canvas covers of the wagons, beheld his furniture, pictures and ornaments carefully packaged and arranged.