At last the portrait-head had found its right position, shrouded still in a cloth to preserve it from the marks of workmen's hands. With a deep breath the artist turned full on the steward's house, and immediately a clear merry voice called out:

"What, tall Pollux! It really is tall Pollux; how glad I am!"

With these words the girl on the balcony loudly clapped her hands; and as the sculptor hailed her in return, and shouted:

"And you are little Arsinoe, eternal gods! What the little thing has come to!" She stood on tip-toe to seem taller, nodded at him pleasantly, and laughed out: "I have not done growing yet; but as for you, you look quite dignified with the beard on your chin, and your eagle's nose. Selene did not tell me till to-day that you were living down there with the others."

The artist's eyes were fixed on the girl, as if spellbound. There are poetic natures in which the imagination immediately transmutes every new thing that strikes the eyes or the intelligence, into a romance, or rapidly embodies it in verse; and Pollux, like many of his calling, could never set his eyes on a fine human form and face, without instantly associating them with his art.

"A Galatea—a Galatea without an equal!" thought he, as he stood with his eyes fixed on Arsinoe's face and figure. "Just as if she had this instant risen from the sea—that form is just as fresh, and joyous, and healthy; and her little curls wave back from her brow as if they were still floating on the water; and now as she stoops, how full and supple in every movement. It is like a daughter of Nereus following the line of the as the waves as they rise into crests and dip again into watery valleys. She is like Selene and her mother in the shape of her head and the Greek cut of her face, but the elder sister is like the statue of Prometheus before it had a soul, and Arsinoe is like the Master's work after the celestial fire coursed through her veins."

The artist had felt and thought all this out in a few seconds, but the girl found her speechless admirer's silence too long, and exclaimed impatiently:

"You have not yet offered me any proper greeting. What are you doing down there?"

"Look here," he replied, lifting the cloth from the portrait, which was a striking likeness.

Arsinoe leaned far over the parapet of the balcony, shaded her eyes with her hand and was silent for more than a minute. Then she suddenly cried out loudly and exclaiming:

"Mother—it is my mother!" She flew into the room behind her.

"Now she will call her father and destroy all poor Selene's comfort," thought Pollux, as he pushed the heavy marble bust on which his gypsum head was fixed, into its right place.

"Well, let him come. We are the masters here now, and Keraunus dare not touch the Emperor's property." He crossed his arms and stood gazing at the bust, muttering to himself:

"Patchwork—miserable patchwork. We are cobbling up a robe for the Emperor out of mere rags; we are upholsterers and not artists. If it were only for Hadrian, and not for Diotima and her children, not another finger would I stir in the place."

The path from the steward's residence led through some passages and up a few steps to the rotunda, on which the sculptor was standing, but in little more than a minute from Arsinoe's disappearance from the balcony she was by his side. With a heightened color she pushed the sculptor away from his work and put herself in the place where he had been standing, to be able to gaze at her leisure at the beloved features. Then she exclaimed again:

"It is mother—mother!" and the bright tears ran over her cheeks, without restraint from the presence of the artist, or the laborers and slaves whom she had flown past on her way, and who stared at her with as much alarm as if she were possessed.

Pollux did not disturb her. His heart was softened as he watched the tears running down the cheeks of this light-hearted child, and he could not help reflecting that goodness was indeed well rewarded when it could win such tender and enduring love as was cherished for the poor dead mother on the pedestal before him.

After looking for some time at the sculptor's work Arsinoe grew calmer, and turning to Pollux she asked:

"Did you make it?"

"Yes," he replied, looking down.

"And entirely from memory?"

"To be sure."

"Do you know what?"

"Well."

"This shows that the Sibyl at the festival of Adonis was right when she sang in the Jalemus that the gods did half the work of the artist."

"Arsinoe!" cried Pollux, for her words made him feel as if a hot spring were seething in his heart, and he gratefully seized her hand; but she drew it away, for her sister Selene had come out on the balcony and was calling her.

It was for his elder playfellow and not for Arsinoe that Pollux had set his work in this place, but, just now, her gaze fell like a disturbing chill on his excited mood.

"There stands your mother's portrait," he called up to the balcony in an explanatory tone, pointing to the bust.

"I see it," she replied coldly. "I will look at it presently more closely. Come up Arsinoe, father wants to speak to you."

Again Pollux stood alone.

As Selene withdrew into the room, she gently shook her pale head, and said to herself:

"'It was to be for me,' Pollux said; something for me, for once—and even this pleasure is spoilt."



CHAPTER IX.

The palace-steward, to whom Selene had called up his younger daughter, had just returned from the meeting of the citizens; and his old black slave, who always accompanied him when he went out, took the saffron-colored pallium from his shoulders, and from his head the golden circlet, with which he loved to crown his curled hair when he quitted the house. Keraunus still looked heated, his eyes seemed more prominent than usual and large drops of sweat stood upon his brow, when his daughter entered the room where he was. He absently responded to Arsinoe's affectionate greeting with a few unmeaning words, and before making the important communication he had to disclose to his daughters, he walked up and down before them for some time, puffing out his fat cheeks and crossing his arms. Selene was alarmed, and Arsinoe had long been out of patience, when at last he began:

"Have you heard of the festivals which are to be held in Caesar's honor?"

Selene nodded and her sister exclaimed:

"Of course we have! Have you secured places for us on the seats kept for the town council?"

"Do not interrupt me," the steward crossly ordered his daughter. "There is no question of staring at them. All the citizens are required to allow their daughters to take part in the grand things that are to be carried out, and we all were asked how many girls we had."

"And how are we to take part in the show?" cried Arsinoe, joyfully clapping her hands.

"I wanted to withdraw before the summons was proclaimed, but Tryphon, the shipwright, who has a workshop down by the King's Harbor, held me back and called out to the assembly that his sons said that I had two pretty young daughters. Pray how did he know that?"

With these words the steward lifted his grey brows and his face grew red to the roots of his hair. Selene shrugged her shoulders, but Arsinoe said:

"Tryphon's shipyard lies just below and we often pass it; but we do not know him or his sons. Have you ever seen them Selene? At any rate it is polite of him to speak of us as pretty."

"Nobody need trouble themselves about your appearance unless they want to ask my permission to marry you," replied the steward with a growl.

"And what did you say to Tryphon?" asked Selene.

"I did as I was obliged. Your father is steward of a palace which at present belongs to Rome and the Emperor; hence I must receive Hadrian as a guest in this, the dwelling of my fathers, and therefore I, less than any other citizen—cannot withhold my share in the honors which the city council has decreed shall be paid to him."

"Then we really may," said Arsinoe, and she went up to her father to give him a coaxing pat. But Keraunus was not in the humor to accept caresses; he pushed her aside with an angry: "Leave me alone," and then went on:

"If Hadrian were to ask me 'Where are your daughters on the occasion of the festival?' and if I had to reply, 'They were not among the daughters of the noble citizens,' it would be an insult to Caesar, to whom in fact I feel very well disposed. All this I had to consider, and I gave your names and promised to send you to the great Theatre to the assembly of young girls. There you will be met by the noblest matrons and maidens of the city, and the first painters and sculptors will decide to what part of the performance your air and appearance are best fitted."

"But, father," cried Selene, "we cannot show ourselves in such an assembly in our common garments, and where are we to find the money to buy new ones?"

"We can quite well show ourselves by any other girls, in clean, white woollen dresses, prettily smartened with fresh ribbons," declared Arsinoe, interposing between her father and her sister.

"It is not that which troubles me," replied the steward; "it is the costumes, the costumes! It is only the daughters of the poorer citizens who will be paid by the council, and it would be a disgrace to be numbered among the poor—you understand me, children."

"I will not take part in the procession," said Selene resolutely, but Arsinoe interrupted her.

"It is inconvenient and horrible to be poor, but it certainly is no disgrace! The most powerful Romans of ancient times, regarded it as honorable to die poor. Our Macedonian descent remains to us even if the state should pay for our costumes."

"Silence," cried the steward. "This is not the first time that I have detected this low vein of feeling in you. Even the noble may submit to the misfortunes entailed by poverty, but the advantages it brings with it he can never enjoy unless he resigns himself to being so no longer."

It had cost the steward much trouble to give due expression to this idea, which he did not recollect to have heard from another, which seemed new to him, and which nevertheless fully represented what he felt; and he slowly sank, with all the signs of exhaustion, into a couch which formed a divan round a side recess in the spacious sitting-room.

In this room Cleopatra might have held with Antony those banquets of which the unequalled elegance and refinement had been enhanced by every grace of art and wit. On the very spot where Keraunus now reclined the dining-couch of the famous lovers had probably stood; for, though the whole hall had a carefully-laid pavement, in this recess there was a mosaic of stones of various colors of such beauty and delicacy of finish that Keraunus had always forbidden his children to step upon it. This, it is true, was less out of regard for the fine work of art than because his father had always prohibited his doing so, and his father again before him. The picture represented the marriage of Peleus and Thetis, and the divan only covered the outer border of the picture, which was decorated with graceful little Cupids.

Keraunus desired his daughter to fetch him a cup of wine, but she mixed the juice of the grape with a judicious measure of water. After he had half drunk the diluted contents of the goblet, with many faces of disgust, he said:

"Would you like to know what each of your dresses will cost if it is to be in no respect inferior to those of the others?"

"Well," said Arsinoe anxiously.

"About seven hundred drachmae;—[$115 in 1880]—Philinus, the tailor, who is working for the theatre, tells me it will be impossible to do anything well for less."

"And you are really thinking of such insane extravagance," cried Selene. "We have no money, and I should like to know the man who would lend us any more."

The steward's younger daughter looked doubtfully at the tips of her fingers and was silent, but her eyes swimming in tears betrayed what she felt. Keraunus was rejoiced at the silent consent which Arsinoe seemed to accord to his desire to let her take part in the display at whatever cost. He forgot that he had just reproached her for her low sentiments, and said:

"The little one always feels what is right. As for you, Selene, I beg you to reflect seriously that I am your father, and that I forbid you to use this admonishing tone to me; you have accustomed yourself to it with the children and to them you may continue to use it. Fourteen hundred drachmae certainly, at the first thought of it, seems a very large sum, but if the material and the trimming required are bought with judgment, after the festival we may very likely sell it back to the man with profit."

"With profit!" cried Selene bitterly, "not half is to be got for old things-not a quarter! And even if you turn me out of the house—I will not help to drag us into deeper wretchedness; I will take no part in the performances."

The steward did not redden this time, he was not even violent; on the contrary, he simply raised his head and compared his daughters as they stood—not without an infusion of satisfaction. He was accustomed to love his daughters in his own way, Selene as the useful one, and Arsinoe as the beauty; and as on this occasion all he cared for was to satisfy his vanity, and as this end could be attained through his younger daughter alone, he said:

"Stay with the children then, for all I care. We will excuse you on the score of weak health, and certainly, child, you do look extremely pale. I would far rather find the means for the little one only."

Two sweet dimples again began to show in Arsinoe's cheeks, but Selene's lips were as white as her bloodless cheeks as she exclaimed:

"But, father—father! neither the baker nor the butcher has had a coin paid him for the last two months, and you will squander seven hundred drachmae!"

"Squander!" cried Keraunus indignantly, but still in a tone of disgust rather than anger. "I have already forbidden you to speak to me in that way. The richest of our noble youths will take part in the games; Arsinoe is handsome and perhaps one of them may choose her for his wife. And do you call it squandering, when a father does his utmost to find a suitable husband for his daughter. After all, what do you know of what I may possess?"

"We have nothing, so I cannot know of it," cried the girl beside herself.

"Indeed!" drawled Keraunus with an embarrassed smile. "And is that nothing which lies in the cup board there, and stands on the cornice shelf? For your sakes I will part with these—the onyx fibula, the rings, the golden chaplet, and the girdle of course."

"They are of mere silver-gilt!" Selene interrupted, ruthlessly. "All my grandfather's real gold you parted with when my mother died."

"She had to be cremated and buried as was due to our rank," answered Keraunus; "but I will not think now of those melancholy days."

"Nay, do think of them, father."

"Silence! All that belongs to my own adornment of course I cannot do without, for I must be prepared to meet Caesar in a dress befitting my rank; but the little bronze Eros there must be worth something, Plutarch's ivory cup, which is beautifully carved, and above all, that picture; its former possessor was convinced that it had been painted by Apelles himself herein Alexandria. You shall know at once what these little things are worth, for, as the gods vouchsafed, on my way home I met, here in the palace, Gabinius of Nicaea, the dealer in such objects. He promised me that when he had done his business with the architect he would come to me to inspect my treasures, and to pay money down for anything that might suit him. If my Apelles pleases him, he will give ten talents for that alone, and if he buys it for only the half or even the tenth of that sum, I will make you enjoy yourself for once, Selene."

"We will see," said the pale girl, shrugging her shoulders, and her sister exclaimed:

"Show him the sword too, that you always declared belonged to Caesar, and if he gives you a good sum for it you will buy me a gold bracelet."

"And Selene shall have one, too. But I have the very slenderest hopes of the sword, for a connoisseur would hardly pronounce it genuine. But I have other things, many others. Hark! that is Gabinius, no doubt. Quick, Selene, throw the chiton round me again. My chaplet, Arsinoe. A well-to-do man always gets a higher price than a poor one. I have ordered the slave to await him in the ante-room; it is always done in the best houses."

The curiosity dealer was a small, lean man, who, by prudence and good luck, had raised himself to be one of the most esteemed of his class and a rich man. Having matured his knowledge by industry, and experience, he knew better than any man how to distinguish what was good from what was indifferent or bad, what was genuine from what was spurious. No one had a keener eye; but he was abrupt in his dealings with those from whom he had nothing to gain. In circumstances where there was profit in view, he could, to be sure, be polite even to subservience and show inexhaustible patience. He commanded himself so far as to listen with an air of conviction to the steward as he told him in a condescending tone that he was tired of his little possessions, that he could just as well keep them as part with them; he merely wanted to show them to him as a connoisseur and would only part with them if a good round sum were offered for what was in fact idle capital. One piece after another passed through the dealer's slender fingers, or was placed before him that he might contemplate it; but the man spoke not, and only shook his head as he examined every fresh object. And when Keraunus told him whence this or that specimen of his treasures had been obtained, he only murmured—"Indeed" or "Really."

"Do you think so?" After the last piece of property had passed through his hands, the steward asked:

"Well, what do you think of them?"

The beginning of the sentence was spoken confidently, the end almost in fear, for the dealer only smiled and shook his head again before he said:

"There are some genuine little things among them, but nothing worth speaking of. I advise you to keep them, because you have an affection for them, while I could get very little by them."

Keraunus avoided looking towards Selene, whose large eyes, full of dread, had been fixed on the dealer's lips; but Arsinoe, who had followed his movements with no less attention, was less easily discouraged, and pointing to her father's Apelles, she said: And that picture, is that worth nothing?"

"It grieves me that I cannot tell so fair a damsel that it is inestimably valuable," said the dealer, stroking his gray whiskers. "But we have here only a very feeble copy. The original is in the Villa belonging to Phinius on the Lake of Larius, and which he calls Cothurnus. I have no use whatever for this piece."

"And this carved cup?" asked Keraunus. "It came from among the possessions of Plutarch, as I can prove, and it is said to have been the gift of the Emperor Trajan."

"It is the prettiest thing in your collection," replied Gabinius; "but it is amply paid for with four hundred drachmae."

"And this cylinder from Cyprus, with the elegant incised work?" The steward was about to take up the polished crystal, but his hand was trembling with agitation and pushed instead of lifting it from the table. It rolled away on the floor and across the smooth mosaic picture as far as the couches. Keraunus was about to stoop to pick it up, but his daughters both held him back, and Selene cried out:

"Father, you must not; the physician strictly forbade it."

While the steward pushed the girls away grumbling, the dealer had gone down on his knees to pick up the cylinder, but it seemed to cost the slightly-built man much less effort to stoop than to get up again, for some minutes had elapsed before he once more stood on his feet, in front of Keraunus. His countenance had put on an expression of eager attention, and he once more took up the painting attributed to Apelles, sat down with it on the couch, and appeared wholly absorbed in the contemplation of the picture, which hid his face from the bystanders.

But his eye was not resting on the work before him, but on the marriage-scene at his feet, in which he detected each moment some fresh and unique beauty. As the dealer sat there for some minutes with the little picture on his knee, the steward's face brightened, Selene drew a deep breath, and Arsinoe went up to her father to cling to his arm and whisper in his ear:

"Do not let him have the Apelles cheap—remember my bracelet."

Gabinius now rose, glanced at the various objects lying on the table and said in a much shorter and more business-like tone than before:

"For all these things I can give you—wait a minute—twenty-seventy-four hundred—four hundred and fifty—I can give you six hundred and fifty drachmae, not a sesterce more!"

"You are joking," cried Keraunus.

"Not a sesterce more," answered the other coldly. "I do not want to make anything, but you as a business man will understand that I do not wish to buy with a certain prospect of loss. As regards the Apelles—"

"Well?"

"It may be of some value to me, but only under certain conditions. The case is quite different as regards buying pictures. Your two young damsels know of course that my line of business leads me to admire and value all that is beautiful, but still I must request you to leave me alone with your father for a little while. I want to speak with him about this curious painting." Keraunus signed to his daughters, who immediately left the room. Before the door was closed upon them the dealer called after them:

"It is already growing dark, might I ask you to send me as bright a light as possible by one of your slaves."

"What about the picture?" asked Keraunus.

"Till the light is brought let us talk of something else," said Gabinius.

"Then take a seat on the couch," said Keraunus. "You will be doing me a pleasure and perhaps yourself as well."

As soon as the two men were seated on the divan, Gabinius began:

"Those little things which we have collected with particular liking, we do not readily part with—that I know by long experience. Many a man who has come into some property after he has sold all his little antiquities has offered me ten times the price I have paid him to get them back again, generally in vain, unfortunately. Now, what is true of others is true of you, and if you had not been in immediate need of money you would hardly have offered me these things."

"I must entreat you," began the steward, but the dealer interrupted him, saying:

"Even the richest are sometimes in want of ready money; no one knows that better than I, for I—I must confess—have large means at my command. Just at present it would be particularly easy for me to free you from all embarrassment."

"There stands my Apelles," exclaimed the steward. "It is yours if you make a bid that suits me."

"The light—here comes the light!" exclaimed Gabinius, taking from the slave's hand the three-branched lamp which Selene had hastily supplied with a fresh wick, and he placed it, while he murmured to Keraunus, "By your leave," down on the centre of the mosaic. The steward looked at the man on his left hand, with puzzled inquiry, but Gabinius heeded him not but went down on his knees again, felt the mosaic over with his hand, and devoured the picture of the marriage of Peleus with his eyes.

"Have you lost anything?" asked Keraunus.

"No-nothing whatever. There in the corner—now I am satisfied. Shall I place the lamp there, on the table? So—and now to return to business."

"I beg to do so, but I may as well begin by telling you that in my case it is a question not of drachmae but of Attic talents."—[ The Attic talent was worth about L200, or $1000 dollars in the 1880 exchange rate.]

"That is a matter of course, and I will offer you five; that is to say a sum for which you could buy a handsome roomy house."

Once more the blood mounted to the steward's head; for a few minutes he could not utter a word, for his heart thumped violently; but presently be so far controlled himself as to be able to answer. This time at any rate, he was determined to seize Fortune by the forelock and not to be taken advantage of, so he said:

"Five talents will not do; bid higher."

"Then let us say six."

"If you say double that we are agreed."

"I cannot put it beyond ten talents; why, for that sum you might build a small palace."

"I stand out for twelve."

"Well, be it so, but not a sesterce more."

"I cannot bear to part with my splendid work of art," sighed Keraunus. "But I will take your offer, and give you my Apelles."

"It is not that picture I am dealing for," replied Gabinius. "It is of trifling value, and you may continue to enjoy the possession of it. It is another work of art in this room that I wish to have, and which has hitherto seemed to you scarcely worth notice. I have discovered it, and one of my rich customers has asked me to find him just such a thing."

"I do not know what it is."

"Does everything in this room belong to you?"

"Whom else should it belong to?"

"Then you may dispose of it as you please?"

"Undoubtedly."

"Very well, then—the twelve Attic talents which I offer you are to be paid for the picture that is under our feet."

"The mosaic! that? It belongs to the palace."

"It belongs to your residence, and that, I heard you say yourself, has been inhabited for more than a century by your forefathers. I know the law; it pronounces that everything which has remained in undisputed possession in one family, for a hundred years, becomes their property."

"This mosaic belongs to the palace."

"I assert the contrary. It is an integral portion of your family dwelling, and you may freely dispose of it."

"It belongs to the palace."

"No, and again no; you are the owner. Tomorrow morning early you shall receive twelve Attic talents in gold, and, with the help of my son, later in the day I will take up the picture, pack it, and when it grows dark, carry it away. Procure a carpet to cover the empty place for the present. As to the secrecy of the transaction—I must of course insist on it as strongly—and more so—than yourself."

"The mosaic belongs to the palace," cried the steward, this time in a louder voice, "Do you hear? it belongs to the palace, and whoever dares touch it, I will break his bones."

As he spoke Keraunus stood up, his huge chest panting, his cheeks and forehead dyed purple, and his fist, which he held in the dealer's face, was trembling. Gabinius drew back startled, and said:

"Then you will not have the twelve talents!"

"I will—I will!" gasped Keraunus, "I will show you how I beat those who take me for a rogue. Out of my sight, villain, and let me hear not another word about the picture, and the robbery in the dark, or I will send the prefect's lictors after you and have you thrown into irons, you rascally thief!"

Gabinius hurried to the door, but he there turned round once more to the groaning and gasping colossus, and cried out, as he stood on the threshold:

"Keep your rubbish! we shall have more to say to each other yet."

When Selene and Arsinoe returned to the sitting-room they found their father breathing hard and sitting on the couch, with his head drooping forward. Much alarmed, they went close up to him, but he exclaimed quite coherently:

"Water—a drink of water!—the thief!—the scoundrel!"

Though hardly pressed, it had not cost him a struggle or a pang to refuse what would have placed him and his children in a position of ease; and yet he would not have hesitated to borrow it, aye, or twice the sum, from rich or poor, though he knew full certainly that he would never be in a position to restore it. Nor was he even proud of what he had done; it seemed to him quite natural in a Macedonian noble. It was to him altogether out of the pale of possibility that he should entertain the dealer's proposition for an instant.

But where was he to get the money for Arsinoe's outfit? how could he keep the promise given at the meeting?

He lay meditating on the divan for an hour; then he took a wax tablet out of a chest and began to write a letter on it to the prefect. He intended to offer the precious mosaic picture which had been discovered in his abode, to Titianus for the Emperor, but he did not bring his composition to an end, for he became involved in high-flown phrases. At last he doubted whether it would do at all, flung the unfinished letter back into the chest, and disposed himself to sleep.



ETEXT EDITOR'S BOOKMARKS:

A well-to-do man always gets a higher price than a poor one I must either rest or begin upon something new



THE EMPEROR

By Georg Ebers

Volume 3.



CHAPTER X.

While anxiety and trouble were brooding over the steward's dwelling, while dismay and disappointment were clouding the souls of its inhabitants, the hall of the Muses was merry with feasting and laughter.

Julia, the prefect's wife, had supplied the architect at Lochias with a carefully-prepared meal,—sufficient to fill six hungry maws, and Pontius' slave—who had received it on its arrival and had unpacked it dish after dish, and set them out on the humblest possible table had then hastened to fetch his master to inspect all these marvels of the cook's art. The architect shook his head as he contemplated the superabundant blessing, and muttered to himself:

"Titianus must take me for a crocodile, or rather for two crocodiles," and he went to the sculptor's little tabernacle, where Papias the master was also, to invite the two men to share his supper.

Besides them he asked two painters, and the chief mosaic worker of the city, who all day long had been busied in restoring the old and faded pictures on the ceilings and pavements, and under the influence of good wine and cheerful chat they soon emptied the dishes and bowls and trenchers. A man who for several hours has been using his hands or his mind, or both together, waxes hungry, and all the artists whom Pontius had brought together at Lochias had now been working for several days almost to the verge of exhaustion. Each had done his best, in the first place, no doubt, to give satisfaction to Pontius, whom all esteemed, and to himself; but also in the hope of giving proof of his powers to the Emperor and of showing him how things could be done in Alexandria. When the dishes had been removed and the replete feasters had washed and dried their hands, they filled their cups out of a jar of mixed wine, of which the dimensions answered worthily to the meal they had eaten. One of the painters then proposed that they should hold a regular drinking-bout, and elect Papias, who was as well known as a good table orator as he was as an artist, to be the leader of the feast. However, the master declared that he could not accept the honor, for that it was due to the worthiest of their company; to the man namely, who, only a few days since, had entered this empty palace and like a second Deucalion had raised up illustrious artists, such as he then saw around him in great numbers, and skilled workmen by hundreds, not out of plastic stone but out of nothing. And then—while declaring that he understood the use of the hammer and chisel better than that of the tongue, and that he had never studied the art of making speeches—he expressed his wish that Pontius would lead the revel, in the most approved form.

But he was not allowed to get to the end of this evidence of his skill, for Euphorion the door-keeper of the palace, Euphorion the father of Pollux, ran hastily into the hall of the Muses with a letter in his hand which he gave to the architect.

"To be read without an instant's delay," he added, bowing with theatrical dignity to the assembled artists. "One of the prefect's lictors brought this letter, which, if my wishes be granted, brings nothing that is unwelcome. Hold your noise you little blackguards or I will be the death of you."

These words, which so far as the tone was concerned, formed a somewhat inharmonious termination to a speech intended for the ears of great artists, were addressed to his wife's four-footed Graces who had followed him against his wish, and were leaping round the table barking for the slender remains of the consumed food.

Pontius was fond of animals and had made friends with the old woman's pets, so, as he opened the prefect's letter, he said:

"I invite the three little guests to the remains of our feast. Give them anything that is fit for them, Euphorion, and whatever seems to you most suitable to your own stomach you may put into it."

While the architect first rapidly glanced through the letter and then read it carefully, the singer had collected a variety of good morsels for his wife's favorites on a plate, and finally carried the last remaining pasty, with the dish on which it reposed, to the vicinity of his own hooked nose.

"For men or for dogs?" he asked his son, as he pointed to it with a rigid finger.

"For the gods!" replied Pollux. "Take it to mother; she will like to eat ambrosia for once."

"A jolly evening to you!" cried the singer, bowing to the artists who were emptying their cups, and he quitted the hall with his pasty and his dogs. Before he had fairly left the hall with his long strides, Papias, whose speech had been interrupted, once more raised his wine-cup and began again:

"Our Deucalion, our more than Deucalion—"

"Pardon me," interrupted Pontius. "If I once more stop your discourse which began so promisingly; this letter contains important news and our revels must be over for the night. We must postpone our symposium and your drinking-speech."

"It was not a drinking-speech, for if ever there was a moderate man—" Papias began. But Pontius stopped him again, saying:

"Titianus writes me word that he proposes coming to Lochias this evening. He may arrive at any moment; and not alone, but with my fellow-artist, Claudius Venator from Rome, who is to assist me with his advice."

"I never even heard his name," said Papias, who was wont to trouble himself as little about the persons as about the works of other artists.

"I wonder at that," said Pontius, closing the double tablets which announced the Emperor's advent.

"Can he do anything?" asked Pollux.

"More than any one of us," replied Pontius. "He is a mighty man."

"That is splendid!" exclaimed Pollux. "I like to see great men. When one looks me in the eye I always feel as if some of his superabundance overflowed into me, and irresistibly I draw myself up and think how fine it would be if one day I might reach as high as that man's chin."

"Beware of morbid ambition," said Papias to his pupil in a warning voice. "It is not the man who stands on tiptoe, but he who does his duty diligently, that can attain anything great."

"He honestly does his," said the architect rising, and he laid his hand on the young sculptor's shoulder. "We all do; to-morrow by sunrise each must be at his post again. For my colleague's sake it will be well that you should all be there in good time."

The artists rose, expressing their thanks and regrets. "You will not escape the continuation of this evening's entertainment," cried one of the painters, and Papias, as he parted from Pontius, said:

"When we next meet I will show you what I understand by a drinking-speech. It will do perhaps for your Roman guest. I am curious to hear what he will say about our Urania. Pollux has done his share of the work very well, and I have already devoted an hour's work to it, which has improved it. The more humble our material, the better I shall be pleased if the work satisfies Caesar; he himself has tried his hand at sculpture."

"If only Hadrian could hear that!" cried one of the painters. "He likes to think himself a great artist—one of the foremost of our time. It is said that he caused the life of the great architect, Apollodorus—who carried out such noble works for Trajan—to be extinguished—and why? because formerly that illustrious man had treated the imperial bungler as a mere dabbler, and would not accept his plan for the temple of Venus at Rome."

"Mere talk!" answered Pontius to this accusation. "Apollodorus died in prison, but his incarceration had little enough to do with the Emperor's productions—excuse me, gentlemen, I must once more look through the sketches and plans."

The architect went away, but Pollux continued the conversation that had been begun by saying:

"Only I cannot understand how a man who practises so many arts at once as Hadrian does, and at the same time looks after the state and its government, who is a passionate huntsman and who dabbles in every kind of miscellaneous learning, contrives, when he wants to practise one particular form of art, to recall all his five senses into the nest from which he has let them fly, here, there, and everywhere. The inside of his head must be like that salad-bowl—which we have reduced to emptiness—in which Papias discovered three sorts of fish, brown and white meat, oysters and five other substances."

"And who can deny," added Papias, "that if talent is the father, and meat the mother of all productiveness, practice must be the artist's teacher! Since Hadrian took to sculpture and painting it has become the universal fashion here to practise these arts, and among the wealthier youth who come to my workroom, many have very good abilities; but not one of them brings anything to any good issue, because so much of their time is taken up by the gymnasium, the bath, the quail-fights, the suppers, and I know not what besides, so that they do nothing by way of practice."

"True," said a painter. "Without the restraint and worry of apprenticeship no one can ever rise to happy and independent creativeness; and in the schools of rhetoric or in hunting or fighting no one can study drawing. It is not till a pupil has learned to sit steady and worry himself over his work for six hours on end that I begin to believe he will ever do any good work. Have you any of you seen the Emperor's work?"

"I have," answered a mosaic worker. "Many years ago Hadrian sent a picture to me that he had painted; I was to make a mosaic from it. It was a fruit piece. Melons, gourds, apples, and green leaves. The drawing was but so-so, and the color impossibly vivid, still the composition was pleasing from its solidity and richness. And after all, when one sees it, one cannot but feel that such superfluity is better than meagreness and feebleness. The larger fruits, especially under the exuberant sappy foliage, were so huge that they might have been grown in the garden of luxury itself, still the whole had a look of reality. I mitigated the colors somewhat in my transcript; you may still see a copy of the picture at my house, it hangs in the studio where my men draw. Nealkes, the rich hanging-maker, has had a tapestry woven from it which Pontius proposes to use as a hanging for a wall of the work-room, but I have made a fine frame on purpose for it."

"Say rather for its designer."

"Or yet rather," added the most loquacious of the painters, "for the visit he may possibly pay your workshops."

"I only wish the Emperor may come to ours too! I should like to sell him my picture of Alexander saluted by the priests in the temple of Jupiter Ammon."

"I hope that when you agree about the price you will remember we are partners," said his fellow-artist smugly.

"I will follow your example strictly," replied the other.

"Then you will certainly not be a loser," cried Papias, "for Eustorgius is fully aware of the worth of his works. And if Hadrian is to order works from every master whose art he dabbles in, he will require a fleet on purpose to carry his purchases to Rome."

"It is said," continued Eustorgius, laughing, "that he is a painter among poets, a sculptor among painters, an astronomer among musicians, and a sophist among artists—that is to say, that he pursues every art and science with some success as his secondary occupation."

As he spoke the last words Pontius returned to the table where the artists were standing round the winejar; he had heard the painter's last remark and interrupted him by saying:

"But my friend you forget that he is a monarch among monarchs—and not merely among those of today—in the fullest meaning of the word. Each of us separately can produce something better and more perfect in his own line; but how great is the man who by earnestness and skill can even apprehend everything that the mind has ever been able to conceive of, or the creative spirit of the artist to embody! I know him, and I know that he loves a really thorough master, and tries to encourage him with princely liberality. But his ears are everywhere, and he promptly becomes the implacable enemy of those who provoke his resentment. So bridle your restive Alexandrian tongues, and let me tell you that my colleague from Rome is in the closest intimacy with Hadrian. He is of the same age, resembles him greatly, and repeats to him everything that he hears said about him. So cease talking about Caesar and pass no severer judgments on dilettanti in the purple than on your wealthy pupils, who paint and chisel for the mere love of it, and for whom you find it so easy to lisp out 'charming,' or 'wonderfully pretty,' or 'remarkably nice.' Take my warning in good part, you know I mean it well."

He spoke the last words with a cordial, manly feeling, of which his voice was peculiarly capable, and which was always certain to secure him the confidence even of the recalcitrant.

The artists exchanged greetings and hand-shakings and left the hall; a slave carried away the wine-jar and wiped the table, on which Pontius proceeded to lay out his sketches and plans. But he was not alone, for Pollux was soon at his side, and with a comical expression of pathos and laying his finger on his nose, he said:

"I have come out of my cage to say something more to you."

"Well?"

"The hour is approaching when I may hope to repay the beneficent deeds, which, at various times, you have done to my interior. My mother will to-morrow morning, set before you that dish of cabbage. It could not be done sooner, because the only perfect sausage-maker, the very king of his trade, prepares these savory cylinders only once a week. A few hours ago he completed the making of the sausages, and to-morrow morning my mother will warm up for our breakfasts the noble mess, which she is preparing for us this evening—for, as I have told you, it is in its warmed-up state that it is the ideal of its kind. What will follow by way of sweets we shall owe again to my mother's art; but the cheering and invigorating element—I mean the wine that I drives dull care away, we owe to my sister."

"I will come," said Pontius, "if my guest leaves me an hour free, and I shall enjoy the excellent dish. But what does a gay bird like you know of dull care?"

"The words fit into the metre," replied Pollux. "I inherit from my father—who, when he is not gate-keeping, sings and recites—a troublesome tendency whenever anything incites me to drift into rhythm."

"But to-day you have been more silent than usual, and yet you seemed to me to be extraordinarily content. Not your face only, but your whole length—a good measure—from the sole of your foot to the crown of your head was like a brimming cask of satisfaction."

"Well, there is much that is lovely in this world!" cried Pollux, stretching himself comfortably and lifting his arms with his hands clasped far above his head towards heaven.

"Has anything specially pleasant happened to you?"

"There is no need for that! Here I live in excellent company, the work progresses, and—well, why should I deny it? There was something specially to mark to-day; I met an old acquaintance again."

"An old one?"

"I have already known her sixteen years; but when I first saw her she was in swaddling clothes."

"Then this venerable damsel friend is more than sixteen, perhaps seventeen! Is Eros the friend of the happy, or does happiness only follow in his train?" As the architect thoughtfully said these words to himself, Pollux listened attentively to a noise outside, and said:

"Who can be passing out there at this hour? Do you not hear the bark of a big dog mingle with the snapping of the three Graces?"

"It is Titianus conducting the architect from Rome," replied Pontius excitedly.

"I will go to meet him. But one thing more my friend, you too have an Alexandrian tongue. Beware of laughing at the Emperor's artistic efforts in the presence of this Roman. I repeat it: the man who is now coming is superior to us all, and there is nothing more repellant to me than when a small man assumes a strutting air of importance because he fancies he has discovered in some great man a weak spot where his own little body happens to be sound. The artist I am expecting is a grand man, but the Emperor Hadrian is a grander. Now retire behind your screens, and tomorrow morning I will be your guest."



CHAPTER XI.

Pontius threw his pallium over the chiton he commonly wore at his work and went forward to meet the sovereign of the world, whose arrival had been announced to him in the prefect's letter. He was perfectly calm, and if his heart beat a little faster than usual, it was only because he was pleased once more to meet the wonderful man whose personality had made a deep impression on him before.

In the happy consciousness of having done all that lay in his power and of deserving no blame, he went through the ante-chambers and chief entrance of the palace into the fore-court, where a crowd of slaves were busied by torch-light in laying new marble slabs. Neither these workmen nor their overseers had paid any heed to the barking of the dogs and the loud talking which had for some little time been audible in the vicinity of the gate-keeper's lodge; for a special rate of payment had been promised to the laborers and their foremen if they should have finished a set piece of the new pavement by a certain hour, to the satisfaction of the architect. No one who heard the deep man's-voice ring through the court from the doorway guessed to whom it belonged.

The Emperor had been delayed by adverse winds and had not run into the harbor till a little before midnight.

Titianus, who was watching for him, he greeted as an old friend with heartfelt warmth, and with him and Antinous he stepped into the prefect's chariot, while Phlegon the secretary, Hermogenes his physician, and Mastor with the luggage, among which were their campbeds, were to follow in another vehicle. The harbor watchmen hastened to array themselves indignantly to oppose the chariot, as it rolled noisily along the street, and the huge dog that destroyed the peace of the night with its baying; but as soon as they recognized Titianus they respectfully made way. The gate-keeper and his wife, obedient to the prefect's warning, had remained up, and as soon as the singer heard the chariot approaching which bore the Emperor, he hastened to open the palace-gates. The broken-up pavement and the swarms of men engaged in repairing it, obliged Titianus and his companions to quit the chariot here and to pass close to the little gate-house. Hadrian, whose observation nothing ever escaped which came in his way and seemed worth noticing, stood still before Euphorion's door and looked into the comfortable little room, with its decoration of flowers and birds and the statue of Apollo; while dame Doris in her newest garments, stood on the threshold to watch for the prefect. And Titianus greeted her warmly, for he was wont whenever he came to Lochias to exchange a few merry or wise words with her. The little dogs had already crept into their basket, but as soon as they caught sight of a strange dog they rushed past their mistress into the open air, and dame Doris found herself obliged, while she returned the kindly greeting of her patron, to shout at Euphrosyne, Thalia and Aglaia more than once by their pretty names.

"Splendid, splendid!" cried Hadrian, pointing into the little house. "An idyl, a perfect idyl. Who would have expected to find such a smiling nook of peace in the most restless and busy town in the empire."

"I and Pontius were equally surprised at this little nest, and we therefore left it untouched," said the prefect.

"Intelligent people understand each other, and I owe you thanks for preserving this little home," answered the Emperor. "What an omen, what a favorable, in every way favorable augury, it offers me. The Graces receive me here into these old walls, Aglaia, Thalia and Euphrosyne!"

"Good luck to you, Master," old Doris called out to the prefect.

"We come late," said Hadrian.

"That does not matter," said the old woman. "Here at Lochias for the last week we have quite forgotten to distinguish day from night, and a blessing can never come too late."

"I have brought with me to-day an illustrious guest," said Titianus. "The great Roman architect Claudius Venator. He only disembarked a few minutes since."

"Then a draught of wine will do him good. We have in the house some good white Mareotic from my daughter's garden by the lake. If your friend will do us humble folks so much honor, I beg he will step into our room; it is clean, is it not sir? and the cup I will give him to drink it out of would not disgrace the Emperor himself. Who knows what you will find up in the midst of all the muddle yonder?"

"I will accept your invitation with pleasure," answered Hadrian. "I can see by your face that you have a pleasure in entertaining us, and any one might envy you your little house."

"When the climbing-rose and the honey-suckle are out it is much prettier," said Doris, as she filled the cup. "Here is some water for mixing."

The Emperor took the cup carved by Pollux, looked at it with admiration, and before putting it to his lips said:

"A masterpiece, dame; what would Caesar find to drink out of here where the gate-keeper uses such a treasure? Who executed this admirable work, pray?"

"My son carved it for me in his spare time."

"He is a highly-skilled sculptor," Titianus explained.

When the Emperor had half emptied the cup with much satisfaction he set it on the table, and said:

"A very noble drink! I thank you, mother."

"And I you, for styling me mother: there is no better title a woman can have who has brought up good children; and I have three who need never be ashamed to be seen."

"I wish you all luck with them, good little mother," replied the Emperor.

"We shall meet again, for I am going to spend some days at Lochias."

"Now, in all this bustle?" asked Doris.

"This great architect," said Titianus, in explanation, "is to advise and help our Pontius."

"He needs no help!" cried the old woman. "He is a man of the best stamp. His foresight and energy, my son says, are incomparable. I have seen him giving his orders myself, and I know a man when I see him!"

"And what particularly pleased you in him?" asked Hadrian, who was much amused with the shrewd old woman's freedom.

"He never for a moment loses his temper in all the hurry, never speaks a word too much or too little; he can be stern when it is necessary, but he is kind to his inferiors. What his merits are as an artist I am not capable of judging, but I am quite certain that he is a just and able man."

"I know him myself," replied Caesar, "and you describe him rightly; but he seemed to me sterner than he has shown himself to you."

"Being a man he must be able to be severe; but he is so only when it is. necessary, and how kind he can be he shows himself every day. A man grows to the mould of his own mind when he is a great deal alone; and this I have noticed, that a man who is repellant and sharp to those beneath him is not in himself anything really great; for it shows that he considers it necessary to guard against the danger of being looked upon as of no more consequence than the poorer folks he deals with. Now, a man of real worth knows that it can be seen in his bearing, even when he treats one of us as an equal. Pontius does so, and Titianus, and you who are his friend, no less. It is a good thing that you should have come—but, as I said before, the architect up there can do very well without you."

"You do not seem to rate my capacity very highly, and I regret it, for you have lived with your eyes open and have learned to judge men keenly."

Doris looked shrewdly at the Emperor with her kindly glance, as if taking his mental measure, and then answered confidently:

"You—you are a great man too—it is quite possible that you might see things that would escape Pontius. There are a few choice souls whom the Muses particularly love and you are one of them."

"What leads you to suppose so?"

"I see it in your gaze—in your brow."

"You have the gift of divination, then?"

"No, I am not one of that sort; but I am the mother of two sons on whom also the Immortals have bestowed the special gift, which I cannot exactly describe. It was in them I first saw it, and wherever I have met with it since in other men and artists—they have been the elect of their circle. And you too—I could swear to it, that you are foremost of the men among whom you live."

"Do not swear lightly," laughed the Emperor. "We will meet and talk together again little mother, and when I depart I will ask you again whether you have not been deceived in me. Come now, Telemachus, the dame's birds seem to delight you very much."

These words were addressed to Antinous, who had been going from cage to cage contemplating the feathered pets, all sleeping snugly, with much curiosity and pleasure.

"Is that your son?" asked Doris.

"No, dame, he is only my pupil; but I feel as if he were my son."

"He is a beautiful lad!"

"Why, the old lady still looks after the young men!"

"We do not give that up till we are a hundred or till the Parcae cut the thread of life."

"What a confession!"

"Let me finish my speech.—We never cease to take pleasure in seeing a handsome young fellow, but so long as we are young we ask ourselves what he may have in store for us, and as we grow old we are perfectly satisfied to be able to show him kindness. Listen young master. You will always find me here if you want anything in which I can serve you. I am like a snail and very rarely leave my shell."

"Till our next meeting," cried Hadrian, and he and his companions went out into the court.

There the difficulty was to find a footing on the disjointed pavement. Titianus went on in front of the Emperor and Antinous, and so but few words of friendly pleasure could be exchanged by the monarch and his vicegerent on the occasion of their meeting again. Hadrian stepped cautiously forward, his face wearing meanwhile a satisfied smile. The verdict passed by the simple shrewd woman of the people had given him far greater pleasure than the turgid verse in which Mesomedes and his compeers were wont to sing his praises, or the flattering speeches with which he was loaded by the sophists and rhetoricians.

The old woman had taken him for no more than an artist; she could not know who he was, and yet she had recognized—or had Titianus been indiscreet? Did she know or suspect whom she was talking to? Hadrian's deeply suspicious nature was more and more roused; he began to fancy that the gate-keeper's wife had learnt her speech by heart, and that her welcome had been preconcerted; he suddenly paused and desired the prefect to wait for him, and Antinous to remain behind with the clog. He turned round, retraced his steps to the gatehouse and slipped close up to it in a very unprincely way. He stood still by the door of the little house which was still open, and listened to the conversation between Doris and her husband.

"A fine tall man," said Euphorion, "he is a little like the Emperor."

"Not a bit," replied Doris. "Only think of the full-length statue of Hadrian in the garden of the Paneum; it has a dissatisfied satirical expression, and the architect has a grave brow, it is true, but pure friendly kindness lights up his features. It is only the beard that reminds you of the one when you look at the other. Hadrian might be very glad if he were like the prefect's guest."

"Yes, he is handsomer—how shall I say it—more like the gods than that cold marble figure," Euphorion declared. "A grand noble, he is no doubt, but still an artist too; I wonder whether he could be induced by Pontius or Papias or Aristeas or one of the great painters to take the part of Calchas the soothsayer in our group at the festival? He would perform it in quite another way than that dry stick Philemon the ivory carver. Hand me my lute; I have already forgotten again the beginning of the last verse. Oh! my wretched memory! Thank you."

Euphorion loudly struck the strings and sang in a voice that was still tolerably sweet and very well trained:

"'Sabina hail! Oh Sabina!—Hail; victorious hail to the conquering goddess Sabina!' If only Pollux were here he would remind me of the right words. 'Hail; victorious hail, to the thousand-fold Sabina!'—That is nonsense. 'Hail, hail! divine hail to thee O all-conquering Sabina.' No it was not that either. If a crocodile would only swallow this Sabina I would give him that hot cake in yonder dish with pleasure, for his pudding. But stay—I have it. 'Hail, a thousand-fold hail to the conquering goddess Sabina!'"

Hadrian had heard all he wanted; while Euphorion went on repeating his line a score or more of times to impress it on his recalcitrant memory. Caesar turned his back on the gate-house, and while he and his companions picked their way not without difficulty through the workmen who squatted here and there and everywhere on the ground, he clapped Titianus more than once on his shoulder, and after he had been received and welcomed by Pontius, he exclaimed:

"I bless my decision to come here now! I have had a good evening, a quite delightful evening."

The Emperor had not felt so cheerful and free from care for years as on this occasion, and when in spite of the late hour he found the workmen still busy everywhere, and saw all that had already been restored in the old palace and what was being done for its renovation, the restless man could not resist expressing his satisfaction, and exclaimed to Antinous:

"Here we may see that even in our sordid times miracles may be wrought by good-will, industry, and skill. Explain to me my good Pontius how you were able to construct that enormous scaffold."



CHAPTER XII.

More pleasant hours were to follow on the amusing arrival of the Emperor at his half-finished residence at Lochias that night. Pontius proposed to him to inspect several well-preserved rooms, which had in the first instance been reserved for the gentlemen of his suite; and one of these with an open outlook on the harbor, the town, and the island of Antirrhodus he suggested should be provisionally furnished for the Emperor's reception. Thanks to the architect's foresight, to Mastor's practised hand, and to the numbers of men employed in the palace who were accustomed to all kinds of service—provision was soon made for the night, for Hadrian and his companions. The comfortable couch which the prefect had sent to Lochias for Pontius was carried into the Emperor's sleeping-room, and the camp-beds for Antinous and the suite were soon set up in the other rooms. Tables, pillows, and various household vessels which had already been sent in from the manufactories of Alexandria, and which stood packed in bales and cases in the large central court of the palace were soon taken out, and so far as they were applicable for use were carried into the hastily-arranged rooms. Even before Hadrian, under the prefect's guidance, had reached the last room in which restorations were being carried out, Pontius was ready with his arrangements, and could assure the Emperor that to-night he would find a good bed and very tolerable quarters, and that by to-morrow he should have a really elegantly-furnished room.

"Charming, quite delightful," cried the Emperor, as he entered his room. "One might fancy you had some industrious demons at your command. Pour some water over my hands, Mastor, and then to supper! I am as hungry as a beggar's clog."

"I think we shall find all you need," replied Titianus, while Hadrian washed his hands and his bearded face.

"Have you eaten all that I sent down to Lochias to-day, my dear Pontius?"

"Alas! we have," sighed Pontius.

"But I gave orders that a supper for five should be sent."

"It sufficed for six hungry artists," answered the architect, "if only I could have guessed for whom the food was intended! And now what is to be done? There are wine and bread still in the hall of the Muses, meanwhile"

"That must satisfy us," said the Emperor, as he wiped his face. "In the Dacian war, in Numidia, and often when out hunting, I have been glad if only one or the other was to be obtained."

Antinous, who was very hungry and tired, made a melancholy face at these words of his master, and Hadrian perceiving it, added with a smile:

"But youth needs something more to live upon than bread and wine. You pointed out to me just now the residence of the palace-steward. Might we not find there a morsel of meat or cheese, or something of the kind?"

"Hardly," replied Pontius. "For the man stuffs his fat stomach and his eight children with bread and porridge. But an attempt will at any rate be worth making."

"Then send to him; but conduct us at once to the hall where the Muses have preserved some bread and wine for me and these good fellows, though they do not always provide them for their disciples."

Pontius at once conducted the Emperor into the hall. On the way thither, Hadrian asked:

"Is the steward so miserably paid that he is forced to content himself with such meagre fare?"

"He has a residence rent free, and two hundred drachmae a month."

"That is not so very little. What is the man's name, and of what kith and kin is he?"

"He is called Keraunus, and is of ancient Macedonian descent. His ancestors from time immemorial have held the office he now fills, and he even supposes himself to be related to the extinct royal dynasty through the mistress of some one of the Lagides. Keraunus sits in the town council and never stirs out in the streets without his slave, who is one of the sort which the merchants in the slave market throw into the bargain with the buyer. He is as fat as a stuffed pig, dresses like a senator, loves antiquities and curiosities, for which he will let himself be cheated of his last coin, and bears his poverty with more of pride than of dignity; and still he is an honorable man, and can be made useful, if he is taken on the right side."

"Altogether a queer fellow. And you say he is fat, is he jolly?"

"As far from it as possible."

"Ah, people who are fat and cross are my aversion. What is this by way of an erection?"

"Behind that screen works Papias' best scholar. His name is Pollux, and he is the son of the couple who keep the gate-house. You will be pleased with him."

"Call him here," said the Emperor.

But before the architect could comply with his desire the sculptor's head had appeared above the screen. The young man had heard the approaching voices and steps; he greeted the prefect respectfully from his elevated position, and after satisfying his curiosity was about to spring down from the stool on which he had climbed when Pontius called to him that Claudius Venator, the architect from Rome, wished to make his acquaintance.

"That is very kind in him, and still more kind in you," Pollux answered from above, "since it is only from you that he can know that I exist beneath the moon, and use the hammer and chisel. Allow me to descend from my four-legged cothurnus, for at present you are forced to look up to me, and from all I have heard of your talents from Pontius, nothing can be more absolutely the reverse of what it ought to be."

"Nay, stop where you are," answered Hadrian. "We, as fellow-artists, may waive ceremony.—What are you doing in there?"

"I will push the screen back in a moment and show you our Urania. It is very good for an artist to hear the opinion of a man who thoroughly understands the thing."

"Presently, friend-presently; first let me enjoy a scrap of bread, for the severity of my hunger might very possibly influence my judgment."

As he was speaking the architect offered the Emperor a salver with bread, salt, and a cup of wine, which his own slave had carried to him. When Pollux observed this modest meal, he called out:

"That is prisoners' fare, Pontius; have we nothing better in the house than that?"

"Possibly you yourself assisted in demolishing the dainty dishes I had sent down for the architect," cried Titianus, pretending to threaten him.

"You are defacing a fair memory," sighed the sculptor, with mock melancholy. "But, by Hercules, I did my fair share of the work of destruction. If only now—but stay! I have an idea worthy of Aristotle himself! that breakfast, to which I invited you to-morrow morning, most noble Pontius, is all ready at my mother's, and can be warmed up in a few minutes. Do not be alarmed, worthy sir, but the dish in question is cabbage with sausages—a mess which, like the soul of an Egyptian, possesses at the instant of resurrection, nobler qualities than when it first sees the light."

"Excellent," cried Hadrian. "Cabbage and sausages!" He wiped his full lips with his hand, smiling with gratification, and he broke into a hearty laugh of amusement as he heard a loud "Ah!" of satisfaction from Antinous, who drew nearer to the canvas screen. "There is another whose mouth waters and whose imagination revels in a happy future," said the Emperor to the prefect, pointing to his favorite.

But he had misinterpreted the lad's exclamation, for it was the mere name of the dish—which his mother had often set on the table of his humble home in Bithynia—which reminded him of his native country and his childhood, and transplanted him in thought back into their midst. It was a swift leap at his heart, and not merely the pleasant watering of his gums, that had forced the "Ah" to his lips. Still, he was glad to see his native dish again, and would not have exchanged it against the richest banquet. Pollux had meanwhile come out of his nook, and said:

"In a quarter of an hour I shall set before you the breakfast which has been turned into a supper. Mitigate your worst hunger with some bread and salt, and then my mother's cabbage-stew will not only satisfy you, but will be enjoyed with calm appreciation."

"Greet dame Doris from me," Hadrian called after the sculptor; and when Pollux had quitted the hall he turned to Titianus and Pontius and said:

"What a splendid young fellow. I am curious to see what he can do as an artist."

"Then follow me," replied Pontius, leading the way.

"What do you say to this Urania? Papias made the head of the Muse, but the figure and the drapery Pollux formed with his own hand in a few days."

The imperial artist stood in front of the statue, with his arms crossed, and remained there for some time in silence. Then he nodded his bearded head approvingly, and said gravely:

"A well-considered work, and carried out with remarkable freedom; this mantle drawn over the bosom would not disgrace a Phidias. All is broad, characteristic and true. Did the young artist work from the model here at Lochias?"

"I have seen no model, and I believe that he evolved the whole figure out of his head," replied Pontius.

"Impossible, perfectly impossible," cried the Emperor, in the tone of a man who knows well what he is talking about. "Such lines, such forms not Praxiteles himself could have invented. He must have seen them, have formed them as he stood face to face with the living copy. We will ask him. What is to be made out of that newly-set-up mass of clay?"

"Possibly the bust of some princess of the house of the Lagides. To-morrow you shall see a head of Berenice by our young friend, which seems to me to be one of the best things ever done in Alexandria."

"And is the lad a proficient in magic?" asked Hadrian. "It seems to me simply impossible that he should have completed this statue and a woman's bust in these few days."

Pontius explained to the Emperor that Pollux had mounted the head on a bust already to hand, and as he answered his questions without reserve, he revealed to him what stupendous exertions of the arts had been called into requisition to give the dilapidated palace a suitable and, in its kind, even brilliant appearance. He frankly confessed that here he was working only for effect, and talked to Hadrian exactly as he would have discussed the same subject with any other fellow-artist.

While the Emperor and the architect were thus eagerly conversing, and the prefect was hearing from Phlegon, the secretary, all the experience of their journey, Pollux reappeared in the hall of the Muses accompanied by his father. The singer carried before him a steaming mess, fresh cakes of bread, and the pasty which a few hours previously he had carried home to his wife from the architect's table. Pollux held to his breast a tolerably large two-handled jar full of Mareotic wine, which he had hastily wreathed with branches of ivy.

A few minutes later the Emperor was reclining on a mattress that had been laid for him, and was making his way valiantly through the savory mess. He was in the happiest humor; he called Antinous and his secretary, heaped abundant portions with his own hand on their plates, which he bade them hold out to him, declaring as he did so that it was to prevent their fishing the best of the sausages out of the cabbage for themselves. He also spoke highly of the Mareotic wine. When they came to opening the pasty the expression of his face changed; he frowned and asked the prefect in a suspicious tone, severely and sternly:

"How came these people by such a pasty as this?"

"Where did you get it from?" asked the prefect of the singer.

"From the banquet which the architect gave to the artists here," answered Euphorion. "The bones were given to the Graces and this dish, which had not been touched, to me and my wife. She devoted it with pleasure to Pontius' guest."

Titianus laughed and exclaimed:

"This then accounts for the total disappearance of the handsome supper which we sent down to the architect. This pasty-allow me to look at it—this pasty was prepared by a recipe obtained from Verus. He invited us to breakfast yesterday and instructed my cook how to prepare it."

"No Platonist ever propagated his master's doctrines with greater zeal than Verus does the merits of this dish," said the Emperor, who had recovered his good humor as soon as he perceived that no artful preparation for his arrival was to be suspected in this matter. "What follies that spoilt child of fortune can commit! Does he still insist on cooking with his own hands?"

"No, not quite that," replied the prefect. "But he had a couch placed for him in the kitchen on which he stretched himself at full length and told my cook exactly how to prepare the pasty, of which you are—I should say, of which the Emperor is particularly fond. It consists of pheasant, ham, cow's udder and a baked crust."

"I am quite of Hadrian's opinion," laughed the Emperor; doing all justice to the excellent pie. "You entertain me splendidly my friend, and I am very much your debtor. What did you say your name is young man?"

"Pollux."

"Your Urania, Pollux, is a fine piece of work, and Pontius says you executed the drapery without a model. I said, and I repeat, that it is simply impossible."

"You judge rightly, a young girl stood for it."

The Emperor glanced at the architect, as much as to say, I knew it!

Pontius asked in astonishment:

"When? I have never seen a female form within these walls."

"Recently."

"But I have never quitted Lochias for a minute. I have never gone to rest before midnight, and have been on my legs again long before sunrise."

"But still there were several hours between your going to sleep, and waking up again," replied Pollux. "Ah, youth—youth!" exclaimed the Emperor, and a satirical smile played upon his lips.

"Part Damon and Phyllis by iron doors, and they will find their way to each other through the key-hole."

Euphorion looked seriously at his son, the architect shook his head and refrained from further questions, but Hadrian rose from his couch, dismissed Antinous and his secretary to bed, requested Titianus to go home and to give his wife his kindly greetings, and then desired Pollux to conduct him within this screen, since he himself was not tired and was accustomed to do with only a few hours sleep.

The young sculptor was strongly attracted by this commanding personage. It had not escaped him that the gray-bearded stranger greatly resembled the Emperor; but Pontius had prepared him for the likeness, and in fact there was much in the eyes and mouth of the Roman architect that he had never traced in any portrait of Hadrian 'Imperator.' And as they stood before his scarcely-finished statue his respect increased for the new visitor to Lochias; for, with earnest frankness, he pointed out to him certain faults, and while praising the merits of the rapidly-executed figure he explained in a few brief and pithy phrases his own conception of the ideal Urania. Then shortly but clearly, he stated his views as to how the plastic artist must deal with the problems of his art.

The young man's heart beat faster, and more than once he turned hot and cold by turns as he heard things uttered by the bearded lips of this imposing man, in a rich voice and in lucid phrases, which he had often divined or vaguely felt, but for which, while learning, observing, and working, he had never sought expression in words. And how kindly the great master took up his timid observations, how convincingly he answered them. Such a man as this he had never met, never had he bowed with such full consent before the superiority and sovereign power of another mind.

The second hour after midnight had begun, when Hadrian, standing before the rough-cast clay bust, asked Pollux:

"What is this to be?"

"A portrait of a girl."

"Probably of the complaisant model who ventures into Lochias at night?"

"No; a lady of rank will sit to me."

"An Alexandrian?"

"Oh, no. A beauty in the train of the Empress."

"What is her name? I know all the Roman ladies."

"Balbilla."

"Balbilla? There are many of that name. What is she like, the lady you mean?" asked Hadrian, with a cunning glance of amusement.

"That is easier to ask than to answer," replied the artist, who, seeing his gray-bearded companion smile, recovered his gay vivacity, "But stay—you have seen a peacock spread its tail—now only imagine that every eye in the train of Hera's bird was a graceful round curl, and that in the middle of the circle there was a charming, intelligent girl's face, with a merry little nose, and a rather too high forehead, and you will have the portrait of the young damsel who has graciously permitted me to model from her person."

Hadrian laughed heartily, threw off his cloak, and exclaimed:

"Stand aside—I know your maiden—and if I mean a different one you shall tell me."

While he was still speaking he had plunged his powerful hands into the yielding clay, and kneading and pinching like a practised modeller, wiping off and pressing on, he formed a woman's face with a towering structure of curls, which resembled Balbilla, but which reproduced every conspicuous peculiarity with such whimsical exaggeration that Pollux could not contain his delight. When at last Hadrian stepped back from the happy caricature and called upon him to say whether that were not indeed the Roman lady, Pollux exclaimed:

"It is as surely she, as you are not merely a great architect, but an admirable sculptor. The thing is coarse, but unmistakably characteristic."

The Emperor himself seemed to enjoy his artistic joke hugely, for he looked at it, and laughed again and again. Pontius, however, seemed to view it differently; he had listened with eager sympathy to the conversation between Hadrian and the sculptor, and had watched the former as he began his work; but as it went on he turned away, for he hated that distortion of fine forms, which he often found that the Egyptians took a special delight in. It was positively painful to him to see a graceful, highly-gifted and defenceless creature, to whom, too, he felt himself bound by ties of gratitude, mocked at in this way by such a man as Hadrian. He had only to-day met Balbilla for the first time, but he had heard from Titianus that she was staying at the Caesareum with the Empress, and the prefect had also told him that she was the granddaughter of that same governor, Claudius Balbillus, who had granted freedom to his own grandfather, a learned Greek slave.

He had met her with grateful sympathy and devotion; her bright and lively nature had delighted him, and at each thoughtless word she uttered he would have liked to give her some warning sign, as though she were near to him through some tie of blood, or some old established friendship that might warrant his right to do so. The defiant, half gallant way in which Verus, the dissipated lady-killer, had spoken to her had enraged him and filled him with anxiety, and long after the illustrious visitors had left Lochias he had thought of her again and again, and had resolved, if it were possible, to keep a watchful eye on the descendant of the benefactor of his family. He felt it as a sacred duty to shelter and protect her, seeming to him as she did, an airy, pretty, defenceless song-bird.

The Emperor's caricature had the same effect on his feelings as though some one had insulted and scorned, before his eyes, something that ought to be regarded as sacred. And there stood the monarch, a man no longer young, gazing at his performance and never weary of the amusement it afforded him. It pained Pontius keenly, for like all noble natures, he could not bear to discover anything mean or vulgar in a man to whom he had always looked up as to a strong exceptional character. As an artist Hadrian ought not to have vilified beauty, as a man he ought not to have insulted unprotected innocence.

In the soul of the architect, who had hitherto been one of the Emperor's warmest admirers, a slight aversion began to dawn, and he was glad, when, at last, Hadrian decided to withdraw to rest.

The Emperor found in his room every requisite he was accustomed to use, and while his slave undressed him, lighted his night-lamp and adjusted his pillows, he said:

"This is the best evening I have enjoyed for years. Is Antinous comfortably in bed?"

"As much so as in Rome."

"And the big dog?"

"I will lay his rug in the passage at your door."

"Has he had any food?"

"Bones, bread and water."

"I hope you have had something to eat this evening."

"I was not hungry, and there was plenty of bread and wine."

"To-morrow we shall be better supplied. Now, good-night. Weigh your words for fear you should betray me. A few days here undisturbed would be delightful!"

With these words the Emperor turned over on his couch and was soon asleep.

Mastor, too, lay down to rest after he had spread a rug for the dog in the corridor outside the Emperor's sleeping-room. His head rested on a curved shield of stout cowhide under which lay his short sword; the bed was but a hard one, but Mastor had for years been used to rest on nothing better, and still had enjoyed the dreamless slumbers of a child; but to-night sleep avoided him, and from time to time he pressed his hand on his wearily open eyes to wipe away the salt dew which rose to them again and again. For a long time he had restrained these tears bravely enough, for the Emperor liked to see none but cheerful faces among his servants; nay, he had once said that it was in consequence of his bright eyes that he had entrusted to him the care of his person. Poor, cheerful Mastor! He was nothing but a slave, still he had a heart which lay open to joy and suffering, to pleasure and trouble, to hatred and to love.

In his childhood his native village had fallen into the hands of the foes of his race. He and his brother had been carried away as slaves, first into Asia Minor, and then as they were both particularly pretty fair-haired boys, to Rome. There they had been bought for the Emperor; Mastor had been chosen to wait on Hadrian's person, his brother had been put to work in the gardens. Nothing was lacking to either except his liberty; nothing tormented them but their longing for their native home, and even this altogether faded away after he had married the pretty little daughter of a superintendent of the gardens, a slave like himself. She was a lively little woman with sparkling eyes, whom no one could pass by without noticing.

The slave's duties left him but little time to enjoy the society of his pretty partner and of the two children she bore him, but the consciousness of possessing them made him happy when he followed his master to the chase, or in the journeys through the empire. Now, for seven months he had heard nothing of his family; but a short letter had reached him at Pelusium, which had been sent with the despatches for the Emperor from Ostia to Egypt. He could not read, and in consequence of the Emperor's rapid travelling, it was not till he reached Lochias, that he was put in possession of its contents.

Before going to rest Antinous had read him the letter, which had been written for his brother by a public scribe, and its contents were enough to wreck the heart even of a slave. His pretty little wife had fled from her home and from the Emperor's service to follow a Greek ship's captain across the world; his eldest child, a boy, the darling of his heart, was dead; and his fair-haired tender little Tullia, with her pearly teeth, her round little arms, and her pretty tiny fingers that had often tried to pull his close-cropped hair, and had fondly stroked and patted it, had been carried off to the miserable refuge, under whose squalid roof the children of deceased slaves were reared. Only two hours since, and in fancy he had possessed a home, and a group of human beings, whom he could love. Now, this was all over and with however hard a hand the deepest woes might fall on him, he might not sob or groan aloud, or even roll from side to side as again and again he was violently prompted to do, for his lord slept lightly and the least noise might wake him. At sunrise he must appear before the Emperor as cheerful as usual, and yet he felt as if he must himself perish miserably as his happiness had done. His heart was bursting with anguish, still he neither groaned nor stirred.



CHAPTER XIII.

The night had been almost as sleepless to Keraunus' daughter Selene as it had been to the hapless slave. Her father's vain wish to let Arsinoe take a part with the daughters of the wealthier citizens had filled the girl's heart with fresh terrors. It was the final blow which would demolish the structure of their social existence, standing as it did on quaking ground, and which must fling her family and herself into disgrace and want. When their last treasure of any value was sold, and the creditors could no longer be put off, particularly during the Emperor's presence in the city, when they should try to sell up all her father's little property, or to carry him off to a debtor's prison, was it not then as good as certain that some one else would be appointed to fill his place, and that she and the other children would fall into misery? And there lay Arsinoe by her side, and slept with as calm and deep a breath as blind Helios and the other little ones.

Before going to bed she had tried with all the fervency and eloquence of which she was mistress, to persuade, entreat, and implore the heedless girl to refuse as positively as she herself had refused to take any part in the processions; but Arsinoe had at first repulsed her crossly, and finally had defiantly declared that means might yet very likely be found, and that what her father permitted, Selene had no right to interfere in, still less to forbid. And when afterwards she saw Arsinoe sleeping so calmly by her side, she felt as if she would like to shake her; but she was so accustomed to bear all the troubles of the family alone, and to be unkindly repelled by her sister whenever she attempted to admonish her, that she forbore.

Arsinoe had a good and tender heart, but she was young, pretty, and vain. With affectionate persuasion she might be won over to anything, but Selene, when ever she remonstrated with her, made her feel her superiority over herself, acquired from her care of the family and her maternal character. Thus, not a day passed without some quarrelling and tears between these two sisters who were so dissimilar, and yet, both so well disposed. Arsinoe was always the first to offer her hand for a reconciliation, but Selene would rarely have a kinder answer ready to her affectionate advances than, "Let be," or "Oh yes, I know!" and their outward intercourse bore an aspect of coolness, which was easily worked up to an outbreak of hostile speeches. Hundreds of times they would go to bed without wishing each other 'good-night,' and still more often would they avoid any morning greeting when they first met in the day.

Arsinoe liked talking, but in Selene's presence she was taciturn; there were few things in which Selene took pleasure, while her sister delighted in every thing which can charm youth. It was the steward's eldest daughter who attended to the daily needs of the children, their food and clothes; it was the second who superintended their games, and their dolls. The eldest watched and taught them with anxious care, detecting in every little fault the germ of some evil tendency in the future, while the other enticed them into follies, it is true, but opened their minds to joyous impressions, and attained more by kisses and kind words than Selene could by fault-finding. The children would call Selene when they wanted her, but would fly to Arsinoe as soon as they saw her. Their hearts were hers, and Selene felt this bitterly; it seemed to her to be unjust, for she saw clearly that her sister could reap, from mere frivolous play in her idle hours, a sweeter reward than she could earn by the anxiety, trouble and exhausting toil, in which she often spent her nights.

But children are not unjust in this way. It is true that they keep an account in their heart and not in their head. Those who give them the warmth of affection they pay back most honestly.

On this particular night it was not, it is certain, with very sisterly feelings that Selene looked at the sleeping Arsinoe, and the words on the girl's lips as she had dropped asleep, had sounded very unkind; but, nevertheless, they felt warmly towards each other, and any one who should have attempted to say a word against the one in the presence of the other would soon have found out how close a bond held together these two hearts, dissimilar as they were. But no girl of nineteen can pass a night altogether without sleeping, however sadly she may turn and turn over and over again in her bed. So slumber overmastered Selene every now and then for a quarter of an hour, and each time she dreamed of her sister.

Once she saw Arsinoe dressed out like a queen, followed by beggar children and pelted with bad words—then she saw her on the rotunda below the balcony romping with Pollux, and in their bold sport they broke her mother's bust. At last she dreamed that she herself was playing—as in the days of her childhood—in the gate-keeper's garden with the sculptor. They were making cakes of sand together, and Arsinoe jumped on the cakes as soon as they were made, and trod them all into dust.

The pretty pale girl had for a long time ceased to know the refreshing, dreamless, sound sleep of youth, for the sweetest slumbers are more apt to seek out those who by day have some rest, than those who are worn out by fatigue, and evening after evening Selene was one of these. Every night she had dreams, but tonight they were almost exclusively sad in character, and so terrifying that she woke herself repeatedly with her own groaning, or disturbed Arsinoe's peaceful sleep by loud cries.

These cries did not disturb her father, he—to-night, as every night—had begun to snore soon after he had gone to rest, never to cease till it was time to rise again.

Selene was always busy in the house before any one, even before the slaves; and the approach of day this time seemed to the sleepless girl a real release. When she rose it was still perfectly dark, but she knew that the rising of the December sun could not be long to wait for.

Without paying any heed to the sleepers, or making any special effort to tread noiselessly, or to do what she had to do without disturbing them, she lighted her little lamp, at the night-lamp, washed herself, arranged her hair, and then knocked at the doors of the old slaves.

As soon as they had yawned out "directly," or a sleepy "very well," she went into her father's room and took his jug to fetch him fresh water in it. The best well in the palace was on a small terrace on the west side; it was supplied by the city aqueducts, and was constructed of five marble monsters, bearing up on twisted fishtails a huge shell, in which sat a bearded river-god. Their horse-shaped heads poured water into a vast basin, which, in the lapse of centuries, had grown full of a green and filmy vegetation.

In order to reach this fountain, Selene had to go along the corridor where lay the rooms occupied by the Emperor and his followers. She only knew that an architect from Rome had taken up his quarters at Lochias, for, some time after midnight, she had been to get out meat and salt for him, but in what rooms the strangers had been lodged no one had told her. But this morning as she followed the path she was accustomed to tread day by day at the same hour, she felt an anxious shiver. She felt as if everything were not quite the same as usual, and just as she had set her foot on the cop step of the flight leading to the corridor, she raised her lamp to discover whence came the sound she thought she could hear, she perceived in the gloom a fearful something which as she approached it resembled a dog, and which was larger—much larger—than a dog should be.

Her blood ran cold with terror; for a few moments she stood as if spellbound, and was only conscious that the growling and snarling that she heard meant mischief and threatening to herself. At last she found strength to turn to fly, but at the same instant a loud and furious bark echoed behind her and she heard the monster's quick leaps as he flew after her along the stone pavement.