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The Emancipated
by George Gissing
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Not seldom, in looking back upon her childhood and maidenhood.

Imagine a very ugly cubical brick house of two stories, in a suburb of Manchester. It stands a few yards back from the road. On one side, it is parted by a row of poplars from several mean cottages; on the other, by a narrow field from a house somewhat larger and possibly a little uglier than itself. Its outlook, over the highway, is on to a tract of country just being broken up by builders, beyond which a conglomerate of factories, with chimneys ever belching heavy fumes, closes the view; its rear windows regard a scrubby meadow, grazed generally by broken-down horses, with again a limitary prospect of vast mills.

Imagine a Sunday in this house. Half an hour later than on profane days, Mrs. Elgar descends the stairs. She is a lady of middle age, slight, not ungraceful, handsome; the look of pain about her forehead is partly habitual, but the consciousness of Sunday intensifies it. She moves without a sound. Entering the breakfast-room, she finds there two children, a girl and a boy, both attired in new-seeming garments which are obviously stiff and uncomfortable. The little girl sits on an uneasy chair, her white-stockinged legs dangling, on her lap a large copy of "Pilgrim's Progress;" the boy is half reclined on a shiny sofa, his hands in his pockets, on his face an expression of discontent. The table is very white, very cold, very uninviting.

Ten minutes later appears the master of the house, shaven, also in garments that appear now and uncomfortable, glancing hither and thither with preoccupied eyes. There is some talk in a low voice between the little girl and her mother; then the family seat themselves at table silently. Mr. Elgar turns a displeased look on the boy, and says something in a harsh voice which causes the youngster to straighten himself, curl his lip precociously, and thereafter preserve a countenance of rebellion subdued by fear. His father eats very little, speaks scarcely at all, but thinks, thinks-and most assuredly not of sacred subjects.

Breakfast over, there follows an hour of indescribable dreariness, until the neighbourhood begins to sound with the clanging of religious bells. Mr. Elgar has withdrawn to a little room of his own, where perhaps, he gives himself up to meditation on the duties of a Christian parent, though his incredulous son has ere now had a glimpse at the door, and observed him in the attitude of letter-writing. Mrs. Elgar moves about silently, the pain on her brow deepening as chapel-time approaches. At length the boy and girl go upstairs to be "got ready," which means that they indue other garments yet more uncomfortable than those they already wear. This process over, they descend again to the breakfast-room, and again sit there, waiting for the dread moment of departure. The boy is more rebellious than usual; he presently drums with his feet, and even begins to whistle, very low, a popular air. His sister looks at him, first with astonished reproach, then in dread.

Satis superque. Again and again Miriam revived these images of the past. And the more she thought of herself as a child, the less was she pleased with what her memory presented. How many instances came back to her of hypocrisy before her father or mother, hypocrisy which, strangely enough, she at the time believed a merit, though perfectly aware of her own insincerity! How many a time had she suffered from the restraints imposed upon her, and then secretly allowed herself indulgences, and then again persuaded herself that by severe attention to formalities she blotted out her sin!

But the worst was when Cecily Doran came to live in the house. Cecily was careless in religion, had been subjected to no proper severity, had not been taught to probe her con science. At once Miriam assumed an attitude of spiritual pride—the beginning of an evil which was to strengthen its hold upon her through years. She would be an example to the poor little heathen; she talked with her unctuously; she excited herself, began to find a pleasure in asceticism, and drew the susceptible girl into the same way. They would privately appoint periods of fasting, and at several successive meals irritate their hunger by taking only one or two morsels; when faintness came upon them, they gloried in the misery.

And from that stage of youth survived memories far more painful than those of childhood. Miriam shut her mind against them.

Her marriage came about in the simplest way; nothing easier to understand, granted these circumstances. The friends of the family were few, and all people of the same religious sect, of the same commercial sphere. Miriam had never spoken with a young man whom she did not in her heart despise; the one or two who might possibly have been tempted to think of her as a desirable wife were repelled by her austerity. She had now a character to support; she had made herself known for severe devotion to the things of the spirit. In her poor little world she could not submit to be less than pre-eminent, and only by the way of religion was pre-eminence to be assured. When the wealthy and pious manufacturer sought her hand, she doubted for a while, but was in the end induced to consent by the reflection that not only would she be freer, but at the same time enjoy a greatly extended credit and influence. Her pride silenced every other voice.

Religious hypocrisy is in our day a very rare thing; so little is to be gained by it. To be sure, the vast majority of English people are constantly guilty of hypocritical practices, but that, as a rule, is mere testimony to the rootedness of their orthodox faith. Mr. Elgar. shutting himself up between breakfast and chapel to write business letters—which he pre- or post-dated—was ignoble enough, but not therefore a hypocrite. Had a fatal accident happened to one of his family whilst he was thus employed, he would not have succeeded in persuading his conscience that the sin and the calamity were unconnected. His wife had never admitted a doubt of its being required by the immutable law of God that she should be sad and severe on Sunday, that Reuben should be sternly punished for whistling on that day, that little Miriam should be rewarded when she went through the long services with unnatural stillness and demureness. Nor was Miriam herself a hypocrite when, mistress of Redbeck House, she began to establish her reputation and authority throughout dissenting Bartles.

Her instruction had been rigidly sectarian. Whatever she studied was represented to her from the point of view of its relation to Christianity as her teachers understood it. The Christian faith was alone of absolute significance; all else that the mind of man could contain was of more or less importance as more or less connected with that single interest. To the time of her marriage, her outlook upon the world was incredibly restricted. She had never read a book that would not pass her mother's censorship; she had never seen a work of art; she had never heard any but "sacred" music; she had never perused a journal; she had never been to an entertainment—unless the name could be given to a magic-lantern exhibition of views in Palestine, or the like. Those with whom she associated had gone through a similar training, and knew as little of life.

She had heard of "infidelity;" yes. Live as long as she might, she would never forget one dreadful day when, in a quarrel with his mother, Reuben uttered words which signified hatred and rejection of all he had been taught to hold divine Mrs. Elgar's pallid, speechless horror; the severe chastisement inflicted on the lad by his father;—she could never look back on it all without sickness of heart. Thenceforth, her brother and his wild ways embodied for her that awful thing, infidelity. At the age which Cecily Doran had now attained, Miriam believed that there were only a few men living so unspeakably wicked as to repudiate Christianity; one or two of these, she had learnt from the pulpit, were "men of science," a term which to this day fell on her ears with sinister sound.

Thus prepared for the duties of wife, mother, and leader in society, she shone forth upon Bartles. Her husband, essentially a coarse man, did his utmost, though unconsciously, to stimulate her pride and supply her with incentives to unworthy ambition. He was rich, and boasted of it vulgarly; he was ignorant, and vaunted the fact, thanking Heaven that for him the purity of religious conviction had never been endangered by the learning that leads astray; he was proud of possessing a young and handsome wife, and for the first time evoked in her a personal vanity. Day by day was it—most needlessly—impressed upon Miriam that she must regard herself as the chief lady in Bartles, and omit no duty appertaining to such a position. She had an example to set; she was chosen as a support of religion.

Most happily, the man died. Had he remained her consort for ten years, the story of Miriam's life would have been one of those that will scarcely bear dwelling upon, too repulsive, too heart-breaking; a few words of bitterness, of ruth, and there were an end of it. His death was like the removal of a foul burden that polluted her and gradually dragged her down. Nor was it long before she herself understood it in this way, though dimly and uncertainly. She found herself looking on things with eyes which somehow had a changed power of vision. With remarkable abruptness, certain of her habits fell from her, and she remembered them only with distaste, even with disgust. And one day she said to herself passionately that never would she wed again—never, never! She was experiencing for the first time in her life a form of liberty.

Not that her faith had received any shock. To her undeveloped mind every tenet in which she had been instructed was still valid. This is the point to note. Her creed was a habit of the intellect; she held it as she did the knowledge of the motions of the earth. She had never reflected upon it, for in everything she heard or read this intellectual basis was presupposed. With doctrinal differences her reasoning faculty was familiar, and with her to think of religion was to think of the points at issue between one church and another—always, moreover, with pre-judgment in favour of her own.

But the external results of her liberty began to be of importance. She came into frequent connection with her cousin Eleanor; she saw more than hitherto of the Bradshaws' family life; she had business transactions; she read newspapers; she progressed slowly towards some practical acquaintance with the world.

Miriam knew the very moment when the thought of making great sacrifices to build a new chapel for Bartles had first entered her mind. One of her girl friends had just married, and was come to live in the neighbourhood. The husband, Welland by name, was wealthier and of more social importance than Mr. Baske had been; it soon became evident that Mrs. Welland, who also aspired to prominence in religious life, would be a formidable rival to the lady of Redbeck House. On the occasion of some local meeting, Miriam felt this danger keenly; she went home in dark mood, and the outcome of her brooding was the resolve in question.

She had not inherited all her husband's possessions; indeed, there fell to her something less than half his personal estate. For a time, this had not concerned her; now she was beginning to think of it occasionally with discontent, followed by reproach of conscience. Like reproach did she suffer for the jealousy and envy excited in her by Mrs. Welland's arrival. A general uneasiness of mind was gradually induced, and the chapel-building project, with singular confusion of motives, represented to her at once a worldly ambition and a discipline for the soul. It was a long time before she spoke of it, and in the interval she suffered more and more from a vague mental unrest.

Letters were coming to her from Cecily. Less by what they contained than by what they omitted, she knew that Cecily was undergoing a great change. Miriam put at length certain definite questions, and the answers she received were unsatisfactory, alarming. The correspondence became a distinct source of trouble. Not merely on Cecily's account; she was led by it to think of the world beyond her horizon, and to conceive dissatisfactions such as had never taken form to her.

Her physical health began to fall off; she had seasons of depression, during which there settled upon her superstitious fears. Ascetic impulses returned, and by yielding to them she established a new cause of bodily weakness. And the more she suffered, the more intolerable to her grew the thought of resigning her local importance. Her pride, whenever irritated, showed itself in ways which exposed her to the ridicule of envious acquaintances. At length Bartles was surprised with an announcement of what had so long been in her mind; a newspaper paragraph made known, as if with authority, the great and noble work Mrs. Baske was about to undertake. For a day or two Miriam enjoyed the excitement this produced—the inquiries, the felicitations, the reports of gossip. She held her head more firmly than ever; she seemed of a sudden to be quite re-established in health.

Another day or two, and she was lying seriously ill—so ill that her doctor summoned aid from Manchester.

What a distance between those memories, even the latest of them, and this room in Villa Sannazaro! Its foreign aspect, its brightness, its comfort, the view from the windows, had from the first worked upon her with subtle influences of which she was unconscious. By reason of her inexperience of life, it was impossible for Miriam to analyze her own being, and note intelligently the modifications it underwent. Introspection meant to her nothing but debates held with conscience—a technical conscience, made of religious precepts. Original reflection, independent of these precepts, was to her very simply a form of sin, a species of temptation for which she had been taught to prepare herself. With anxiety, she found herself slipping away from that firm ground whence she was won't to judge all within and about her; more and more difficult was it to keep in view that sole criterion in estimating the novel impressions she received. To review the criterion itself was still beyond her power. She suffered from the conviction that trials foreseen were proving too strong for her. Whenever her youth yielded to the allurement of natural joys, there followed misery of penitence. Not that Miriam did in truth deem it a sin to enjoy the sunshine and the breath of the sea and the beauty of mountains (though such delights might become excessive, like any other, and so veil temptation), but she felt that for one in her position of peril there could not be too strict a watch kept upon the pleasures that were admitted. Hence she could never forget herself in pleasure; her attitude must always be that of one on guard.

The name of Italy signified perilous enticement, and she was beginning to feel it. The people amid whom she lived were all but avowed scorners of her belief, and yet she was beginning to like their society. Every letter she wrote to Bartles seemed to her despatched on a longer journey than the one before; her paramount interests were fading, fading; she could not exert herself to think of a thousand matters which used to have the power to keep her active all day long. The chapel-plans were hidden away; she durst not go to the place where they would have met her eye.

She suffered in her pride. On landing at Naples, she had imagined that her position among the Spences and their friends would not be greatly different from that she had held at Bartles. They were not "religious" people; all the more must they respect her, feeling rebuked in her presence. The chapel project would enhance her importance. How far otherwise had it proved! They pitied her, compassionated her lack of knowledge, of opportunities. With the perception of this, there came upon her another disillusion In classing the Spences with people who were not "religious," she had understood them as lax in the observance of duties which at all events they recognized as such. By degrees she learnt that they were very far from holding the same views as herself concerning religious obligation; they were anything but conscience-smitten in the face of her example. Was it, then, possible that persons who lived in a seemly manner could be sceptics, perhaps "infidels"? What of Cecily Doran? She had not dared to ask Cecily face to face how far her disbelief went; the girl seemed to have no creed but that of worldly delight. How had she killed her conscience in so short a time? Obviously, her views were those of Mrs. Lessingham; probably those of Mr. Mallard. Were these people strange and dreadful exceptions, or did they represent a whole world of which she had not suspected the existence?

Yes, she was beginning to feel the allurement of Italy. Instead of sitting turned away from her windows when musing, she often passed an hour with her eyes on the picture they framed, content to be idle, satisfied with form and colour, not thinking at all. Habits of personal idleness crept upon her; she seldom cared to walk, but found pleasure in the motion of a carriage, and lay back on the cushions, instead of sitting quite upright as at first. She began to wish for music; the sound of Eleanor's piano would tempt her to make an excuse for going into the room, and then she would remain, listening. The abundant fruits of the season became a temptation to her palate; she liked to see shops and stalls overflowing with the vineyard's delicious growth.

She knew for the first time the seduction of books. From what unutterable weariness had she been saved when she assented to Eleanor's proposal and began to learn Italian! First there was the fear lest she should prove slow at acquiring, suffer yet another fall from her dignity; but this apprehension was soon removed. She had a brain, and could use it; Eleanor's praise fell upon her ears delightfully. Then there was that little volume of English verse which Eleanor left on the table; its name, "The Golden Treasury," made her imagine it of a religious tone; she was undeceived in glancing through it. Poetry had hitherto made no appeal to her; she did not care much for the little book. But one day Cecily caught it up in delight, and read to her for half an hour; she affected indifference, but had in reality learnt something, and thereafter read for herself.

The two large mirrors in her room had, oddly enough, no unimportant part among the agencies working for her development. It was almost inevitable that, in moving about, she should frequently regard her own figure. From being something of an annoyance, this necessity at length won attractiveness, till she gazed at herself far oftener than she need have done. As for her face she believed it pas sable, perhaps rather more than that; but the attire that had possessed distinction at Bartles looked very plain, to say the least, in the light of her new experience. One day she saw herself standing side by side with Cecily, and her eyes quickly turned away.

To what was she sinking!

But Dante lay unopened, together with the English books. Miriam had spent a day or two of alternate languor and irritableness, unable to attend to anything serious. Just now she had in her hand Cecily's letter, the letter which told of what had happened. There was no reason for referring to it again; this afternoon Cecily herself had been here. But Miriam read over the pages, and dwelt upon them.

At dinner, no remark was made on the subject that occupied the minds of all three. Afterwards they sat together, as usual, and Eleanor played. In one of the silences, Miriam turned to Spence and asked him if he had seen Mr. Mallard.

"Yes; I found him after a good deal of going about," replied the other, glad to have done with artificial disregard of the subject.

"Does he know that they are going to Capri!"

"He evidently hadn't heard of it. I suppose he'll have a note from Mrs. Lessingham this evening or to-morrow."

Miriam waited a little, then asked:

"What is his own wish? What does he think ought to be arranged?"

"Just what Cecily told you," interposed Eleanor, before her husband could reply.

"I thought he might have spoken more freely to Edward."

"Well," answered Spence, "he is strongly of opinion that Reuben ought to go to England very soon. But I suppose Cecily told you that as well?"

"She seemed to be willing. But why doesn't Mr. Mallard speak to her himself?"

"Mallard isn't exactly the man for this delicate business," said Spence, smiling.

Miriam glanced from him to Eleanor. She would have said no more, had it been in her power to keep silence; but an involuntary persistence, the same in kind as that often manifested by questioning children—an impulsive feeling that the next query must elicit something which would satisfy a vague desire, obliged her to speak again.

"Is it his intention not to see Cecily at all?"

"I think very likely it is, Miriam," answered Eleanor, when her husband showed that he left her to do so.

"I understand."

To which remark Eleanor, when Miriam was gone, attached the interrogative, "I wonder whether she does?" The Spences did not feel it incumbent upon them to direct her in the matter; it were just as well if she followed a mistaken clue.

Two days later, Mrs. Lessingham and her niece, accompanied by Reuben Elgar, departed for Capri. The day after that, Mr. and Mrs. Bradshaw in very deed said good-bye to Naples and travelled northwards. They purposed spending Christmas in Rome, and thence by quicker stages they would return to the land of civilization. Spence went to the station to see them off, and at lunch, after speaking of this and other things, he said to Miriam:

"Mallard wishes to see you. I told him I thought five o'clock this afternoon would be a convenient time."

Miriam assented, but not without betraying surprise and uneasiness. Subsequently she just mentioned to Eleanor that she would receive the visitor in her own sitting-room. There, as five o'clock drew near, she waited in painful agitation. What it was Mallard's purpose to say to her she could not with any degree of certainty conjecture. Had Reuben told him of the part she had played in connection with that eventful day at Pompeii? What would be his tone? Did he come to ask for particulars concerning her brother? Intend what he might, she dreaded the interview. And yet—fact of which she made no secret to herself—she had rather he came than not. When it was a few minutes past five, and no foot had yet sounded in the corridor, all other feeling was lost in the misgiving that he might have changed his mind. Perhaps he had decided to write instead, and her heart sank at the thought. She felt an overpowering curiosity as to the way in which this event had affected the strange man. Reports were no satisfaction to her; she desired to see him and hear him speak.

The footsteps at last! She trembled, went hot and cold, had a parched throat. Mallard entered, and she did not offer him her hand; perhaps he might reject it. In consequence there was an absurdly formal bow on both sides.

"Please sit down, Mr. Mallard."

She saw that he was looking at the "St. Cecilia," but with what countenance her eyes could not determine. To her astonishment, he spoke of the picture, and in an unembarrassed tone.

"An odd thing that this should be in your room."

"Yes. We spoke of it the first time Cecily came."

Her accents were not firm. At once he fixed his gaze on her, and did not remove it until her temples throbbed and she cast down her eyes in helpless abashment.

"I have had a long letter from your brother, Mrs. Baske. It seems he posted it just before they left for Capri. I can only reply to it in one way, and it gives me so much pain to do so that I am driven to ask your help. He writes begging me to take another view of this matter, and permit them to be married before very long. The letter is powerfully written; few men could plead their cause with such eloquence and force. But it cannot alter my determination. I must reply briefly and brutally. What I wish to ask you is, whether with sincerity you can urge my arguments upon your brother, and give me this assistance in the most obvious duty?"

"I have no influence with him, Mr. Mallard."

Again he looked at her persistently, and said with deliberation:

"I think you must have some. And this is one of the cases in which a number of voices may possibly prevail, though one or two are ineffectual. But—if you will forgive me my direct words—your voice is, of course, useless if you cannot speak in earnest."

She was able now to return his look, for her pride was being aroused. The face she examined bore such plain marks of suffering that with difficulty she removed her eyes from it. Nor could she make reply to him, so intensely were her thoughts occupied with what she saw.

"Perhaps," he said, "you had rather not undertake anything at once." Then, his voice changing slightly, "I have no wish to seem a suppliant, Mrs. Baske. My reasons for saying that this marriage shall not, if I can prevent it, take place till Miss Doran is of age, are surely simple and convincing enough; I can't suppose that it is necessary to insist upon them to you. But I feel I had no right to leave any means unused. By speaking to you, I might cause you to act more earnestly than you otherwise would. That was all."

"I am very willing to help you," she replied, with carefully courteous voice.

"After all, I had rather we didn't put it in that way," Mallard resumed, with a curious doggedness, as if her tone were distasteful to him. "My own part in the business is accidental. Please tell me: is it, or not, your own belief that a delay is desirable?"

The reply was forced from her.

"I certainly think it is."

"May I ask you if you have reasoned with your brother about it?"

"I haven't had any communication with him since—since we knew of this." She paused; but, before Mallard had shown an intention to speak, added abruptly, "I should have thought that Miss Doran might have been trusted to understand and respect your wishes."

"Miss Doran knows my wishes," he answered drily, "but I haven't insisted upon them to her, and am not disposed to do so."

"Would it not be very simple and natural if you did?"

The look he gave her was stern all but to anger.

"It wouldn't be a very pleasant task to me, Mrs. Baske, to lay before her my strongest arguments against her marrying Mr. Elgar. And if I don't do that, it seems to me that it is better to let her know my wishes through Mrs. Lessingham. As you say, it is to be hoped she will understand and respect them."

He rose from his chair. For some reason, Miriam could not utter the words that one part of her prompted. She wished to assure him that she would do her best with Reuben, but at the same time she resented his mode of addressing her, and the conflict made her tongue-tied.

"I won't occupy more of your time, Mrs. Baske."

She would have begged him to resume his seat. The conversation had been so short; she wanted to hear him speak more freely. But her request, she knew, would be disregarded With an effort, she succeeded in holding out her hand Mallard held it lightly for an instant.

"I will write to him," fell from her lips, when already he had turned to the door. "If necessary, I will go and see him."

"Thank you," he replied with civility, and left her.



CHAPTER XIV

ON THE WINGS OF THE MORNING

"I cannot answer your long letter; to such correspondence there is no end. Come and spend a day here with us; I promise to listen patiently, and you shall hear how things are beginning to shape themselves in my mind, now I have had leisure to reflect. Cecily sends a line. Do come. Take the early boat on Monday; Spence will give you all particulars, and see you off at Santa Lucia. We really have some very sober plans, not unapproved by Mrs. Lessingham. Will meet you at the Marina."

Miriam received this on Sunday morning, and went to her own room to read it. The few lines of Cecily's writing which were enclosed, she glanced over with careless eye; yet not with mere carelessness either, but as if something of aversion disinclined her to peruse them attentively. That sheet she at once laid aside; Reuben's note she still held in her hand, and kept re-reading it.

She went to the window and looked over towards Capri. A slight mist softened its outlines this morning; it seemed very far away, on the dim borders of sea and sky. For a long time she had felt the luring charm of that island, always before her eyes, yet never more than a blue mountainous shape. Lately she had been reading of it, and her fancy, new to such picturings, was possessed by the mysterious dread of its history in old time, the grandeur of its cliffs, the loveliness of its green hollows, and the wonder of its sea-caves. Her childhood had known nothing of fairyland, and now, in this tardy awakening of the imaginative part of her nature, she thought sometimes of Capri much as a child is wont to think of the enchanted countries, nameless, regionless, in books of fable.

What thoughts for Sunday! But Miriam was far on the way of those who recognize themselves as overmastered by temptation, and grow almost reckless in the sins they cannot resist. So long it was since she had been able to attend the accustomed public worship, and now its substitute in the privacy of her room had become irksome. She blushed to be practising hypocrisy; the Spences were careful to refrain from interfering with her to-day, and here, withdrawn from their sight, she passed the hours in wearisome idleness—in worse than that.

She could not look again at Cecily's letter. More; she could not let her eyes turn to Raphael's picture. But before the mirrors she paused often and long, losing herself in self regard.

Early on the morrow, she drove down with Spence to Santa Lucia, and went on board the Capri boat. There were few passengers, a handful of Germans and an English family—father, mother, two daughters, and two sons Sitting apart, Miriam cast many glances at her country people, and not without envy. They were comely folk, in the best English health, refined in bearing, full of enjoyment. Now and then a few words of their talk fell upon her ears, and it was merry, kindly, intimate talk, the fruit of a lifetime of domestic happiness. It made her think again of what her own home-life had been. Such companionship of parents and children was inconceivable in her experience. The girls observed her, and, she believed, spoke of her. Must she not look strange in their eyes? Probably they felt sorry for her, as an invalid whose countenance was darkened by recent pain.

The boat made first of all for Sorrento, where a few more persons came on board. Miriam was by this time enjoying the view of the coast. From this point she kept her gaze fixed on Capri. One more delay on the voyage; the steamer stopped near the Blue Grotto, that such of the passengers as wished might visit it before landing. Miriam kept her place, and for the present was content to watch the little boats, as they rocked for a few moments at the foot of the huge cliff and then suddenly disappeared through the entrance to the cavern. When the English family returned, she listened to their eager, wondering conversation. A few minutes more, and she was landing at the Marina, where Reuben awaited her.

He had a carriage ready for the drive up the serpent road to the hotel where Mrs. Lessingham and her niece were staying. His own quarters were elsewhere—at the Pagano, dear to artists.

"Well, have you enjoyed the voyage? What did you think of Sorrento? We watched the steamer across from there; we were up on the road to Anacapri, yonder. You don't look so well as when I saw you last—nothing like."

He waited for no reply to his questions, and talked with nervous brokenness. Seated in the carriage, he could not keep still from one moment to the next. His eyes had the unquiet of long-continued agitation, the look that results from intense excitement when it has become the habit of day after day.

"Mallard has been talking to you," he said suddenly.

"Why do you say that?"

"I know he has, from your letter.—Look at the views!"

"What plans did you speak of?"

"Oh, we'll talk about it afterwards. But Mallard has been talking you over?"

Miriam had no resolve by which to guide herself. She knew not distinctly why she had come to Capri. Her familiar self-reliance and cold disregard of anything but a few plain rules in regulating her conduct, were things of the past. She felt herself idly swayed by conflicting influences, unable even to debate what course she should take; the one emotion of which she was clearly conscious was of so strange and disturbing a kind that, so far from impelling her to act, it seemed merely to destroy all her customary motives and leave her subject to the will of others. It was the return of weakness such as had possessed her mind when she lay ill, when she was ceaselessly troubled with a desire for she knew not what, and, unable to utter it had no choice but to admit the suggestions and biddings of those who cared for her. She could not even resent this language of Reuben's, to which formerly she would have opposed her unyielding pride; his proximity infected her with nervousness, but at the same time made her flaccid before his energy.

"He came and spoke to me about you," she admitted. "But he left me to do as I saw fit."

"After putting the case against me as strongly as it could be put. I know; you needn't tell me anything about the conversation. Let us leave it till afterwards.—You see how this road winds, so that the incline may be gentle enough for carriages. There are stony little paths, just like the beds of mountain streams, going straight down to the Marina. I lost myself again and again yesterday among the gardens and vineyards. Look back over the bay to Naples!"

But in a minute or two the other subject was resumed, again with a suddenness that told of inability to keep from speaking his thoughts.

"You understand, I dare say, why Mallard is making such a fuss?"

"How could I help understanding?"

"But do you understand?"

"What do you mean?" she asked irritably.

"Does he speak like a man who is disinterested?"

"It is not my business to discuss Mr. Mallard's motives."

"It certainly is mine—and yours too, if you care anything for me."

They reached the hotel without further debate of this subject. It was not much after one o'clock; all lunched together in private, talking only of Capri. Later they walked to the villa of Tiberius. Elgar kept up an appearance of light-hearted enjoyment; Cecily was less able to disguise her preoccupation. Mrs. Lessingham seemed to have accepted the inevitable. Her first annoyance having passed, she was submitting to that personal charm in Elgar which all women sooner or later confessed; her behaviour to him was indulgent, and marked only with a very gentle reserve when he talked too much paradox.

Elgar went to his hotel for dinner, and left the others to themselves through the evening. The next day was given to wandering about the island. On the return at sunset, Miriam and Reuben had a long talk together, in which it was made manifest that the "plans" were just as vague as ever. Reuben had revived the mention of literary work, that was all, and proposed to make his head-quarters in Paris, in order that he might not be too far from Cecily, who would, it was presumed, remain on the Continent. This evening he dined with the ladies. Afterwards Cecily played. When Miriam and Mrs. Lessingham chanced to be conversing together, Elgar stepped up to the piano, and murmured:

"Will you come out into the garden for a few minutes? There's a full moon; it's magnificent."

Cecily let her fingers idle upon the keys, then rose and went to where her aunt was sitting. There was an exchange of words in a low tone, and she left the room. Elgar at once approached Mrs. Lessingham to take leave of her.

"The Grotta Azzurra to-morrow," he said gaily. "Perhaps you won't care to go again? My grave sister will make a very proper chaperon."

"Let us discuss that when to-morrow comes. Please to limit your moon-gazing to five minutes."

"At the utmost."

From the hotel garden opened a clear prospect towards Naples, which lay as a long track of lights beyond the expanse of deep blue. The coast was distinctly outlined against the far sky glowed intermittently the fire of Vesuvius. Above the trees of the garden shone white crags, unsubstantial, unearthly in the divine moonlight. There was no sound, yet to intense listening the air became full of sea-music. It was the night of Homer, the island-charm of the Odyssey.

"Answer me quickly, Cecily; we have only a few minutes, and I want to say a great deal. You have talked with Miriam?"

"Yes."

"You know that she repeats what Mallard has instructed her to say? Their one object now is to get me at a distance from you. You see how your aunt has changed—in appearance; her policy is to make me think that she will be my friend when I am away. I can speak with certainty after observing her for so long; in reality she is as firm against me as ever. Don't you notice, too, something strange in Miriam's behaviour?"

"She is not like herself."

"As unlike as could be. Mallard has influenced her strongly. Who knows what he told her?"

"Of you?

"Perhaps of himself."

"Dear, he could not speak to her in that way!"

"A man in love—and in love with Cecily Doran—can do anything. The Spences are his close friends; they too have been working on Miriam."

"But why, why do you return to this? We have spoken of the worst they can do. To fear anything from their' persuasions is to distrust me."

"Cecily, I don't distrust you, but I can't live away from you. I might have gone straight from Naples, but I can't go now; every hour with you has helped to make it impossible. In talking to your aunt and to Miriam, I have been consciously false. Come further this way, into the shadow. Who is over there?"

"Some one we don't know."

Her voice had sunk to a whisper. Elgar led her by the hand into a further recess of the garden; the hand was almost crushed between his own as he continued:

"You must come with me, Cecily. We will go away together, and be married at once."

She panted rather than breathed.

"You must! I can't leave you! I had rather throw myself from these Capri rocks than go away with more than two years of solitude before me."

Cecily made no answer.

"If you think, you will see this is best in every way. It will be kindest to poor Mallard, putting an end at once to any hopes he may have."

"We can't be married without his consent," Cecily whispered.

"Oh yes; I can manage that. I have already thought of everything. Be up early to-morrow morning, and leave the hotel at half-past seven, as if you were going for a walk. Neither your aunt nor Miriam will be stirring by then. Go down the road as far as beyond the next turning, and I will be there with a carriage. At the Marina I will have a boat ready to take us over to Sorrento; we will drive to Castellamare, and there take train direct for Caserta and onwards, so missing Naples altogether. You shall travel as my sister. We will go to London, and be married there. Of course you can't bring luggage, but what does that matter? We can stop anywhere and buy what things you need. I have quite enough money for the present."

"But think of the shock to them all!" she pleaded, trembling through her frame. "How ill I should seem to repay their long kindness! I can't do this, my dearest; oh, I can't do this! I will see Mr. Mallard, as I wished—"

"You shall not see him!" he interrupted violently. "I couldn't bear it. How do I know—"

"How cruel to speak like that to me!"

"Of your own cruelty you never think. You have made me mad with love of you, and have no right to refuse to marry me when I show you the way. If I didn't love you so much, I could bear well enough to let you speak with any one. Your love is very different from mine, or you couldn't hesitate a moment."

"Let me think! I can't answer you to-night."

"To-night, or never!—Oh yes, I understand well enough, all your reasons for hesitating. It would mean relinquishing the wedding-dress and the carriages and all the rest of the show that delights women. You are afraid of Mrs. Grundy crying shame when it is known that you have travelled across Europe with me. You feel it will be difficult to resume your friendships afterwards. I grant all these things, but I didn't think they would have meant so much to Cecily."

"You know well that none of these reasons have any weight with me. It is only in joking that you can speak of them. But the unkindness to them all, dear! Think of it!"

"Why say 'to them all'? Wouldn't it be simpler to say 'the unkindness to Mallard'?"

She looked up into his face.

"Why does love make a man speak so bitterly and untruthfully? Nothing could make me do you such a wrong."

"Because you are so pure of heart and mind that nothing but truth can be upon your lips. If I were not very near madness, I could never speak so to you. My own dear love, think only of what I suffer day after day! And what folly is it that would keep us apart! Suppose they had none but conscientious motives; in that case, these people take upon themselves to say what is good for us, what we may be allowed and what not; they treat us as children. Of course, it is all for your protection. I am not fit to be your husband, my beautiful girl! Tell me—who knows me better, Mallard or yourself?"

"No one knows you as I do, dearest, nor ever will."

"And do you think me too vile a creature to call you my wife?"

"I need not answer that. You are as much nobler than I am as your strength is greater than mine."

"But they would remind you that you are an heiress. I have not made so good a use of my own money as I might have done, and the likelihood is that I shall squander yours, bring you to beggary. Do you believe that?"

"I know it is not true."

"Then what else can they oppose to our wish? Here are all the objections, and all seem to be worthless. Yet there might be one more. You are very young—how I rejoice in knowing it, sweet flower!—perhaps your love of me is a mere illusion. It ought to be tested by time; very likely it may die away, and give place to something truer."

"If so let me die myself sooner than survive such happiness!"

"Why, then what have they to say for themselves? Their opposition is mistake, stubborn error. And are we to sacrifice two whole years, the best time of our lives, to such obstinacy? Either of us may die, Cecily. Suppose it to be my lot, what would be your thoughts then?"

His head bent to hers, and their faces touched.

"Dare you risk that, my love?"

"I dare not."

Her answer trembled upon his hearing as though it came upon the night air from the sea.

"You will come with me to-morrow?"

"I will."

He sought her offered lips, and for a few instants their whispering in the shadow ceased. Then he repeated rapidly the directions he had already given her.

"Put on your warmest cloak; it will be cold on the water. Now I can say good-night. Kiss me once more, and once more promise."

She pressed her arms about him.

"I am giving you my life. If I had more, I would give it. Be faithful to me!"

"Then, you do doubt me?"

"Never! But say it to-night, to give me strength."

"I will be faithful to you whilst I have life."

She issued from shadows into broad moonlight, looked once round, once at the gleaming crags, and passed again into gloom.

"I think it very unlikely," Mrs. Lessingham was saying to Miriam, in her pleasantest voice of confidence, "that Mr. Mallard will insist on the whole term."

"No doubt that will much depend on the next year," Miriam replied, trying to seem impartial.

"No doubt whatever. I am glad we came here. They are both much quieter and more sensible. In a few days I think your brother will have made up his mind."

"I hope so."

"Cecily lost her head a little at first, but I see that her influence is now in the sober direction, as one would have anticipated. When Mr. Elgar has left us, no doubt Mr. Mallard will come over, and we shall have quiet talk, What an odd man he is! How distinctly I could have foreseen his action in these circumstances! And I know just how it will be, as soon as things have got into a regular course again. Mr. Mallard hates disturbance and agitation. Of course he has avoided seeing Cecily as yet; imagine his exasperated face if he became involved in a 'scene'!"

And Mrs. Lessingham laughed urbanely.

A short and troubled sleep at night's heaviest; then long waiting for the first glimmer of dawn. Row unreal the world seemed to her! She tried to link this present morning with the former days, but her life had lost its continuity; the past was past in a sense she had never known; and as for the future, it was like gazing into darkness that throbbed and flashed. It meant nothing to her to say that this was Capri—that the blue waves and the wind of morning would presently bear her to Sorrento; the familiar had no longer a significance; her consciousness was but a point in space and eternity. She had no regret of her undertaking, no fear of what lay before her, but a profound sadness, as though the burden of all mortal sorrows were laid upon her soul.

At seven o'clock she was ready. A very few things that could be easily carried she would take with her; her cloak would hide them. Now she must wait for the appointed moment. It seemed to be very cold; she shivered.

A minute or two before the half-hour, she left her room silently. On the stairs a servant passed her, and looked surprised in giving the "Buon giorno." She walked quickly through the garden, and was on the firm road. At the place indicated stood Elgar beside the carriage, and without exchanging a word they took their seats.

At the Marina, they had but to step from the carriage to the boat. Elgar's luggage was thrown on board, and the men pushed off from the quay.

Bitterly cold, but what a glorious sunrise! Against the flushed sky, those limestone heights of Capri caught the golden radiance and shone wondrously. The green water, gently swelling but unbroken, was like some rarer element, too limpid for this world's shores. With laughter and merry talk between themselves, the boatmen hoisted their sail.

And the gods sent a fair breeze from the west, and it smote upon the sail, and the prow cleft its track of foam, and on they sped over the back of the barren sea.



CHAPTER XV

"WOLF!"

It was a case of between two stools, and Clifford Marsh did not like the bump. From that dinner with Elgar he came home hilariously dismayed; when his hilarity had evaporated with the wine that was its cause, dismay possessed him wholly. Miss Doran was not for him, and in the meantime he had offended Madeline beyond forgiveness. With what countenance could he now turn to her again? Her mother would welcome his surrender—and it was drawing on towards the day when submission even to his stepfather could no longer be postponed—but he suspected that Madeline's resolve to have done with him was strengthened by resentment of her mother's importunities. To be sure, it was some sort of consolation to know that if indeed he went his way for good, bitterness and regrets would be the result to the Denyer family, who had no great facility in making alliances of this kind; in a few years time, Madeline would be wishing that she had not let her pride interfere with a chance of marriage. But, on the other hand, there was the awkward certainty that he too would lament making a fool of himself. He by no means liked the thought of relinquishing Madeline; he had not done so, even when heating his brain with contemplation of Cecily Doran. In what manner could he bring about between her and himself a drama which might result in tears and mutual pardon?

But whilst he pondered this, fate was at work on behalf. On the day which saw the departure of the Bradshaws, there landed at Naples, from Alexandria, a certain lean, wiry man, with shoulders that stooped slightly, with grizzled head and parchment visage; a man who glanced about him in a keen, anxious way, and had other nervous habits. Having passed the custom-house, he hired a porter to take his luggage—two leather bags and a heavy chest, all much the worse for wear—to that same hotel at which Mallard was just now staying. There he refreshed himself, and, it being early in the afternoon, went forth again, as if on business; for decidedly he was no tourist. When he had occasion to speak, his Italian was fluent and to the point; he conducted himself as one to whom travel and intercourse with every variety of men were life-long habits.

His business conducted him to the Mergellina, to the house of Mrs. Gluck, where he inquired for Mrs. Denyer. He was led upstairs, and into the room where sit Mrs. Denyer and her daughters. The sight of him caused commotion. Barbara, Madeline, and Zillah pressed around him, with cries of "Papa!" Their mother rose and looked at him with concern.

When the greetings were over, Mr. Denyer seated himself and wiped his forehead with a silk handkerchief. He was ominously grave. His eyes avoided the faces before him, as if in shame. He looked at his boots, which had just been blacked, but were shabby, and then glanced at the elegant skirts of his wife and daughters; he looked at his shirt-cuffs, which were clean but frayed, and then gathered courage to lift his eyes as far as the dainty hands folded upon laps in show of patience.

"Madeline," he began, in a voice which was naturally harsh, but could express much tenderness, as now, "what news of Clifford?"

"He's still here, papa," was the answer, in a very low voice.

"I am glad of that. Girls, I've got something to tell you. I wish it was something pleasant."

His parchment cheek showed a distinct flush. The attempt to keep his eyes on the girls was a failure; he seemed to be about to confess a crime.

"I've brought you bad news, the worst I ever brought you yet. My dears, I can hold out no longer; I'm at the end of my means. If I could have kept this from you, Heaven knows I would have done, but it is better to tell you all plainly."

Mrs. Denyer's brows were knitted; her lips were compressed in angry obstinacy; she would not look up from the floor. The girls glanced at her, then at one another. Barbara tried to put on a sceptical expression, but failed; Madeline was sunk in trouble; Zillah showed signs of tearfulness.

"I can only hope," Mr. Denyer continued, "that you don't owe very much here. I thought, after my last letter"—he seemed more abashed than ever—"you might have looked round for something a little—" He glanced at the ornaments of the room, but at the same time chanced to catch his wife's eye, and did not finish the sentence. "But never mind that; time enough now that the necessity has come. You know me well enough, Barbara, and you Maddy, and you, Zillah, my child, to be sure that I wouldn't deny you anything it was in my power to give. But fortune's gone against me this long time. I shall have to make a new start, new efforts. I'm going out to Vera Cruz again."

He once more wiped his forehead, and took the opportunity to look askance at Mrs. Denyer, dubiously, half reproachfully.

"And what are we to do?" asked his wife, with resentful helplessness.

"I am afraid you must go to England," Mr. Denyer replied apologetically, turning his look to the girls a gain. "After settling here, and paying the expenses of the journey, I shall have a little left, very little indeed. But I'm going to Vera Cruz on a distinct engagement, and I shall soon be able to send you something. I'm afraid you had better go to Aunt Dora's again; I've heard from her lately, and she has the usual spare rooms."

The girls exchanged looks of dismay. The terrible silence was broken by Zillah, who spoke in quavering accents.

"Papa dear, I have made up my mind to get a place as a nursery governess. I shall very soon be able to do so."

"And I shall do the same, papa—or something of the kind," came abruptly from Madeline.

"You, Maddy?" exclaimed her father, who had received the youngest girl's announcement with a look of sorrowful resignation, but was shocked at the other's words.

"I am no longer engaged to Mr. Marsh," Madeline proceeded, casting down her eyes. "Please don't say anything, mamma. I have made up my mind. I shall look for employment."

Her father shook his head in distress. He had never enjoyed the control or direction of his daughters, and his long absences during late years had put him almost on terms of ceremony with them. In time gone by, their mother had been to him an object of veneration; it was his privilege to toil that she might live in luxury; but his illusions regarding her had received painful shocks, and it was to the girls that he now sacrificed himself. Their intellect, their attainments, at once filled him with pride and made him humble in their presence. But for his reluctance to impose restraints upon their mode of life, he might have avoided this present catastrophe; he had cried "Wolf!" indeed, in his mild way, but took no energetic measures when he found his cry disregarded—all the worse for him now that he could postpone the evil day no longer.

"You are the best judge of your own affairs, Madeline," he replied despondently. "I'm very sorry, my girl."

"All I can say is," exclaimed Mrs. Denyer, as if with dignified reticence, "that I think we should have had longer warning of this!"

"My dear, I have warned you repeatedly for nearly a year."

"I mean serious warning. Who was to imagine that things would come to such a pass as this?"

"You never told us there was danger of absolute beggary, papa," remarked Barbara, in a tone not unlike her mother's.

"I ought to have spoken more plainly," was her father's meek answer. "You are quite right, Barbara. I feel that I am to blame."

"I don't think you are at all," said Madeline, with decision. "Your letters were plain enough, if we had chosen to pay any attention to them."

Her father looked up apprehensively, deprecating defence of himself at the cost of family discord. But he was powerless to prevent the gathering storm. Mrs. Denyer gazed sternly at her recalcitrant daughter, and at length discharged upon the girl's head all the wrath with which this situation inspired her. Barbara took her mother's side. Zillah wept and sobbed words of reconciliation. The unhappy cause of the tumult took refuge at the window, sunk in gloom.

However, there was no doubt about it this time; trunks must be packed, bills must be paid, indignities must be swallowed. The Aunt Dora of whom Mr. Denyer had spoken was his own sister, the wife of a hotel-keeper at Southampton. Some seven years ago, in a crisis of the Denyers' fate, she had hospitably housed them for several months, and was now willing to do as much again, notwithstanding the arrogance with which Mrs. Denyer had repaid her. To the girls it had formerly mattered little where they lived; at their present age, it was far otherwise. The hotel was of a very modest description; society would become out of the question in such a retreat. Madeline and Zillah might choose, as the less of two evils, the lot for which they declared themselves ready; but Barbara had no notion of turning governess. She shortly went to her bedroom, and spent a very black hour indeed.

They were to start to-morrow morning. With rage Barbara saw the interdiction of hopes which were just becoming serious. Another month of those after-dinner colloquies in the drawing-room, and who could say what point of intimacy Mr. Musselwhite might have reached. He was growing noticeably more articulate; he was less absentminded. Oh, for a month more!

This evening she took her usual place, and at length had the tormenting gratification of seeing Mr. Musselwhite approach in the usual way. Though sitting next to him at dinner, she had said nothing of what would happen on the morrow; the present was a better opportunity.

"You have no book this evening, Miss Denyer!"

"No."

"No headache, I hope?"

"Yes, I have a little headache."

He looked at her with gentlemanly sympathy.

"I have had to see to a lot of things in a hurry. Unexpectedly, we have to leave Naples to-morrow; we are going to England."

"Indeed? You don't say so! Really, I'm very sorry to hear that, Miss Denyer."

"I am sorry too—to have to leave Italy for such a climate at this time of the year." She shuddered. "But my father has just arrived from Alexandria, and—for family reasons—wishes us to travel on with him."

Mr. Musselwhite seemed to reflect anxiously. He curled his moustaches, he plucked his whiskers, he looked about the room with wide eyes.

"How lonely it will be at the dinner-table!" he said at length. "So many have gone of late. But I hoped there was no danger of your going, Miss Denyer."

"We had no idea of it ourselves till to-day."

A long silence, during which Mr. Musselwhite's reflections grew intense.

"You are going to London?" he asked mechanically.

"Not at first. I hardly know. I think we shall be for some time with friends at Southampton."

"Indeed? How odd! I also have friends at Southampton. A son of Sir Edward Mull; he married a niece of mine."

Barbara could have cried with mortification. She muttered she knew not what. Then again came a blank in the dialogue.

"I trust we may meet again," was Mr. Musselwhite's next sentence. It cost him an effort; he reddened a little, and moved his feet about.

"There is no foreseeing. I—we—I am sorry to say my father has brought us rather unpleasant news."

She knew not whether it was a stroke of policy, or grossly imprudent, to make this confession. But it came to her lips, and she uttered it half in recklessness. It affected Mr. Musselwhite strangely. His countenance fell, and a twinge seemed to catch one of his legs; at the same time it made him fluent.

"I grieve to hear that, Miss Denyer; I grieve indeed. Your departure would have been bad enough, but I really grieve to think you should have cause of distress."

"Thank you for your sympathy, Mr. Musselwhite."

"But perhaps we may meet again in England, for all that? Will you permit me to give you my London address—a—a little club that I belong to, and where my friends often send letters? I mean that I should be so very glad if it were ever possible for me to serve you in any trifle. As you know, I don't keep any—any establishment in England at present; but possibly—as you say, there is no anticipating the future. I should be very happy indeed if we chanced to meet, there or abroad."

"You are very kind, Mr. Musselwhite."

"If I might ask you for your own probable address?"

"It is so uncertain. But I am sure mamma would have pleasure in sending it, when we arc settled."

"Thank you so very much." He looked up after long meditation. "I really do not know what I shall do when you are gone, Miss Denyer."

And then, without warning, he said good-night and walked away. Barbara, who had thought that the conversation was just about to become interesting, felt her heart sink into unfathomable depths. She went back to her bedroom and cried wretchedly for a long time.

In consequence of private talk with his wife, when the family conclave had broken up, Mr. Denyer went in search of Clifford Marsh. They had met only once hitherto, six months ago, when Mr. Denyer paid a flying visit to London, and had just time to make the acquaintance of his prospective son-in-law. This afternoon they walked together for an hour about the Chiaia, with the result that an understanding of some kind seemed to be arrived at between them.

Mr. Denyer returned to the pension, and, when dinnertime approached, surprised Madeline with the proposal that she should come out and dine with him at a restaurant.

"The fact is," he whispered to her, with a laugh, "my appearance is not quite up to the standard of your dinner-table. I'm rather too careless about these things; it's doubtful whether I possess a decent suit. Let us go and find a quiet corner somewhere—if a fashionable young lady will do me so much honour."

Through Madeline's mind there passed a suspicion, but a restaurant-dinner hit her taste, and she accepted the invitation readily. Before long, they drove into the town. Perhaps in recognition of her having taken his part against idle reproaches, her father began, as soon as they were alone, to talk in a grave, earnest way about his affairs; and Madeline, who liked above all things to be respectfully treated, entered into the subject with dutiful consideration. He showed her exactly how his misfortunes had accumulated, how this and that project had been a failure, what unadvised steps he had taken in fear of impending calamity Snugly seated at the little marble table, they grew very confidential indeed. Mr. Denyer avowed his hope—the hope ever-retreating, though sometimes it had seemed within reach—of being able some day to find rest for the sole of his foot, to settle down with his family and enjoy a quiet close of life. Possibly this undertaking at Vera Cruz would be his last exile; he explained it in detail, and dwelt on its promising aspects. Madeline felt compassionate and remorseful.

Of her own intimate concerns no word was said, but it happened strangely enough, just as they had finished dinner, that Clifford Marsh came strolling into the restaurant. He saw them, and with expressions of surprise explained that he had just turned in for a cup of coffee. Mr. Denyer invited him to sit down with them, and they had coffee together. Clifford kept up a flow of characteristic talk, never directly addressing Madeline, nor encountering her look. He referred casually to his meeting with Mr. Denyer that afternoon.

"I shall be going back myself very shortly. It is probable that there will be something of a change in my circumstances; I may decide to give up a few hours each day to commercial pursuits. It all depends on—on uncertain things."

"You won't come out with me to Vera Cruz?" said Mr. Denyer, jocosely.

"No; I am a man of the old world. I must live in the atmosphere of art, or I don't care to live at all."

Madeline's slight suspicion was confirmed. When they were about to leave the restaurant, Mr. Denyer said that he must go to the railway-station, to make a few inquiries. There was no use in Madeline's going such a distance; would Clifford be so good as to see her safely home? Madeline made a few objections—she would really prefer to accompany her father; she would not trouble Mr. Marsh—but in the end she found herself seated by Clifford in a carriage, passing rapidly through the streets.

Now was Clifford's opportunity; he had prepared for it.

"Madeline—you must let me call you by that name again, even if it is for the last time—I have heard what has happened."

"Happily it does not affect you, Mr. Marsh."

"Indeed it does. It affects me so far, that it alters the whole course of my life. In spite of everything that has seemed to come between us, I have never allowed myself to think of our engagement as at an end. The parcel you sent me the other day is unopened; if you do not open it yourself no one ever shall. Whatever you may do, I cannot break faith. You ought to know me better than to misinterpret a few foolish and hasty words, and appearances that had a meaning you should have understood. The time has come now for putting an end to those misconceptions."

"They no longer concern me. Please to speak of something else."

"You must, at all events, understand my position before we part. This morning I was as firmly resolved as ever to risk everything, to renounce the aid of my relatives if it must be and face poverty for the sake of art. Now all is changed. I shall accept my step-father's offer, and all its results becoming, if it can't be helped, a mere man of business. I do this because of my sacred duties to you. As an artist, there's no telling how long it might be before I could ask you again to be my wife; as a man of business, I may soon be in a position to do so. Don't interrupt me, I entreat! It is no matter to me if you repulse me now, in your anger. I consider the engagement as still existing between us, and, such being the ease, it is plainly my duty to take such steps as will enable me to offer you a home. By remaining an artist, I should satisfy one part of my conscience, but at the expense of all my better feelings; it might even be supposed—though, I trust, not by you—that I made my helplessness an excuse for forgetting you when most you needed kindness. I shall go back to England, and devote myself with energy to the new task, however repulsive it may prove. Whether you think of me or not, I do it for your sake; you cannot rob me of that satisfaction. Some day I shall again stand before you, and ask you for what you once promised. If then you refuse—well, I must bear the loss of all my hopes."

"You may direct your life as you choose," Madeline replied scornfully, "but you will please to understand that I give you no encouragement to hope anything from me. I almost believe you capable of saying, some day, that you took this step because I urged you to it. I have no interest whatever in your future; our paths are separate. Let this be the end of it."

But it was very far from the end of it. When the carriage stopped at Mrs. Gluck's, mutual reproaches were at their height.

"You shall not leave me yet, Madeline," said Clifford, as he alighted. "Come to the other side of the road, and let us walk along for a few minutes. You shall not go in, if I have to hold you by force."

Madeline yielded, and in the light of the moon they walked side by side, continuing their dialogue.

"You are heartless! You have played with me from the first."

"If so, I only treated you as you thought to treat me."

"That you can attribute such baseness to me proves how incapable you are of distinguishing between truth and falsehood. How wretchedly I have been deceived in you!"

From upbraiding, he fell to lamentation. His life was wrecked; he had lost his ideals; and all through her unworthiness. Then, as Madeline was still unrelenting, he began to humble himself. He confessed his levity; he had not considered the risk he ran of losing her respect; all he had done was in pique at her treatment of him. And in the end he implored her forgiveness, besought her to restore him to life by accepting his unqualified submission. To part from her on such terms as these meant despair; the consequences would be tragic. And when he could go no further in amorous supplication, when she felt that her injured pride had exacted the uttermost from his penitence, Madeline at length relented.

"Still," she said, after his outburst of gratitude, "don't think that I ask you to become a man of business. You shall never charge me with that. It is your nature to reproach other people when anything goes wrong with you; I know you only too well. You must decide for yourself; I will take no responsibility."

Yes, he accepted that; it was purely his own choice. Rather than lose her, he would toil at any most ignoble pursuit, amply repaid by the hope she granted him.

They had walked some distance, and were out of sight of the Mergellina, on the ascending road of Posillipo, all the moonlit glory of the bay before them.

"It will be long before we see it again," said Madeline, sadly.

"We will spend our honeymoon here," was Clifford's hopeful reply.



CHAPTER XVI

LETTERS

On the thirteenth day after the flight from Capri, Edward Spence, leaving the villa for his afternoon walk, encountered the postman and received from him three letters. One was addressed to Ross Mallard, Esq., care of Edward Spence, Esq.; another, to Mrs. Spence; the third, to Mrs. Baske. As he reascended the stairs, somewhat more quickly than his wont, Spence gave narrow attention to the handwriting on the envelopes. He found Eleanor where he had left her a few minutes before, at the piano, busy with a difficult passage of Brahms. She looked round in surprise, and on seeing the letters started up eagerly.

"Do you know Elgar's hand?" Spence asked. "These two from London are his, I should imagine. This for you is from Mrs. Lessingham, isn't it?"

"Yes; I think this is the news, at last," said Eleanor, inspecting Mrs. Baske's letter, not without feminine emotion. "I'll take it to her. Shall you go over with the other?"

"He'll be here after dinner; the likelihood is that I shouldn't find him."

"Occasionally—very occasionally—you lack tact, my husband. He would hardly care to open this and read it in our presence."

"More than occasionally, my dear girl, you remind me of the woman whose price is above rubies. I'll go over and leave it for him at once. Just to show the male superiority, however, I shall be careful to make my walk a few minutes longer than usual—a thing of which you would be quite incapable whilst the contents of Miriam's letter were unknown to you."

Alone again, Eleanor sent the letter to Miriam's room by a servant, and with uncertain fingers broke the envelope of that addressed to herself. Already she had heard once from Mrs. Lessingham, who ten days ago left Naples to join certain friends in Rome; the first hurried glance over the present missive showed that it contained no intelligence. She had scarcely begun to read it attentively, when the door opened and Miriam came in.

Her face was pale with agitation, and her eyes had the strangest light in them; to one who knew nothing of the circumstances, she would have appeared exultant. Eleanor could not but gaze at her intently.

"From Reuben!"

"Yes." Miriam suppressed her voice, and held out the sheet of note-paper, which fluttered. "Read it."

The body of the letter was as follows:—

"I hope we have caused you no anxiety; from the first moment when our departure was known, you must have understood that we had resolved to put an end to useless delay. We travelled to London as brother and sister, and to-day have become man and wife. The above will be our address for a short time; we have not yet decided where we shall ultimately live.

"By this same post I write to Mallard, addressed to him at the villa. I hope he has had the good sense to wait quietly for news.

"Cecily sends her love to you—though she half fears that you will reject it. I cannot see why you should. We have done the only sensible thing, and of course in a month or two it will be just the same, to everybody concerned, as if we had been married in the most foolish way that respectability can contrive. Let us hear from you very soon, dear sister. We talk much of you, and hope to have many a bright day with you yet—more genuinely happy than that we spent in tracking out old Tiberius."

Eleanor looked up, and again was struck with the singular light in her cousin's eyes.

"Well, it only tells us what we anticipated. Of course he made false declarations. If Mr. Mallard were really as grim as he sometimes looks, the result to both of them might be unpleasant."

"But the marriage could not be undone?" Miriam asked quickly.

"Oh no. Scarcely desirable that it should be."

Miriam took the letter, and in a few minutes went back again to her room.

At nine o'clock in the evening, the Spences, who sat alone, received the foreseen visit from Mallard. They welcomed him silently. As he sat down, he had a smile on his face; he drew a letter deliberately from his pocket, and, without preface, began to read it aloud, still in a deliberate manner.

"Let me first of all make a formal announcement. We have this morning been married by registrar's licence. We intend to live for a few weeks at this present address, where we have taken some furnished rooms until better arrangements can be made. I lose no time in writing to you, for of course there is business between us that you will desire to transact as soon as may be.

"In obtaining the licence, I naturally gave false information regarding Cecily's age; this was an inevitable consequence of the step we had taken. You know my opinions on laws and customs: for the multitude they are necessary, and an infraction of them by the average man is, logically enough, called a sin against society; for Cecily and myself, in relation to such a matter as our becoming man and wife, the law is idle form. Personally, I could have wished to dispense with the absurdity altogether, but, as things are, this involves an injustice to a woman. I told my falsehoods placidly, for they were meaningless in my eyes. I have the satisfaction of knowing that you cannot, without inconsistency, find fault with me.

"And now I speak as one who would gladly be on terms of kindness with you. You know me, Mallard; you must be aware how impossible it was for me to wait two years. As for Cecily, her one word, again and again repeated on the journey, was, 'How unkind I shall seem to them!' and I know that it was the seeming disrespect to you which most of all distressed her. For her sake, I make it my petition that you will let the past be past. She cannot yet write to you, but is sad in the thought of having incurred your displeasure. Whatever you say to me, let it be said privately; do not hurt Cecily. I mentioned 'business; the word and the thing are equally hateful to me. I most sincerely wish Cecily had nothing, that the vile question of money might never arise. Herein, at all events, you will do me justice; I am no fortune-hunter.

"If you come to London, send a line and appoint a place of meeting. But could not everything be done through lawyers? You must judge; but, again I ask it, do not give Cecily more pain."

The listeners were smiling gravely. After a silence, the letter was discussed, especially its second paragraph. Mallard was informed of the note which Miriam had received.

"I shall go to-morrow," he said, "and 'transact my business.' On the whole, it might as well be done through lawyers, but I had better be in London."

"And then?" asked Eleanor.

"I shall perhaps go and spend a week with the people at Sowerby Bridge. But you shall hear from me."

"Will you speak to Mrs. Baske?"

"I don't think it is necessary. She has expressed no wish that I should?"

"No; but she might like to be assured that her brother won't be prosecuted for perjury."

"Oh, set her mind at ease!"

"Show Mallard the letter from Mrs. Lessingham," said Spence, with a twinkle of the eyes.

"I will read it to him."

She did so. And the letter ran thus:

"Still no news? I am uneasy, though there can be no rational doubt as to what form the news will take when it comes. The material interests in question are enough to relieve us from anxiety. But I wish they would be quick and communicate with us.

"One reconciles one's self to the inevitable, and, for my own part, the result of my own reflections is that I am something more than acquiescent. After all, granted that these two must make choice of each other, was it not in the fitness of things that they should act as they have done? For us comfortable folk, life is too humdrum; ought we not to be grateful to those who supply us with a strong emotion, and who remind us that there is yet poetry in the world? I should apologize for addressing such thoughts to you, dear Eleanor, for you have still the blessing of a young heart, and certainly do not lack poetry. I speak for myself, and after all I am much disposed to praise these young people for their unconventional behaviour.

"What if our darkest anticipations were fulfilled? Beyond all doubt they are now sincerely devoted to each other, and will remain so for at least twelve months. Those twelve months will be worth a life-time of level satisfaction. We shall be poor creatures in comparison when we utter our 'Didn't I tell you so?'

"Whilst in a confessing mood, I will admit that I had formed rather a different idea of Cecily; I was disposed to think of her as the modern woman who has put unreasoning passion under her feet, and therefore this revelation was at first a little annoying to me. But I see now that my view of her failed by incompleteness. The modern woman need by no means be a mere embodied intellect; she will choose to enjoy as well as to understand, and to enjoy greatly she will sacrifice all sorts of things that women have regarded as supremely important. Indeed, I cannot say that I am disappointed in Cecily; rightly seen, she has justified the system on which I educated her. My object was to teach her to think for herself, to be self-reliant. The jeune fille, according to society's pattern, is my abhorrence: an ignorant, deceitful, vain, immoral creature. Cecily is as unlike that as possible; she has behaved independently and with sincerity. I really admire her very much, and hope that her life may not fall below its beginning.

"Let me hear as soon as a word reaches you. I am with charming people, and yet I think longingly of the delightful evenings at Villa Sannazaro, your music and your talk. You and your husband have a great place in my heart; you are of the salt of the earth. Spare me a little affection, for I am again a lonely woman."

This letter also was discussed, and its philosophy appreciated. Mallard spoke little; he had clasped his hands behind his head, and listened musingly.

There was no effusion in the leave-taking, though it might be for a long time. Warm clasping of hands, but little said.

"A good-bye for me to Mrs. Baske," was Mallard's last word.

And his haggard but composed face turned from Villa Sannazaro.



PART II.



CHAPTER I

A CORNER OF SOCIETY

In a London drawing-room, where the murmur of urbane colloquy rose and fell, broken occasionally by the voice of the nomenclator announcing new arrivals, two ladies, seated in a recess, were exchanging confidences. One was a novelist of more ability than repute; the other was a weekly authority on musical performances.

"Her head is getting turned, poor girl. I feel sorry for her."

"Such ridiculous flattery! And really it is difficult to understand. She is pretty, and speaks French; neither the one thing nor the other is uncommon, I believe. Do you see anything remarkable in her?"

"Well, she is rather more than pretty; and there's a certain cleverness in her talk. But at her age this kind of thing is ruinous. I blame Mrs. Lessingham. She should bid her stay at home and mind her baby."

"By-the-bye, what truth is there in that story? The Naples affair, you know?"

"N'en sais rien. But I hear odd things about her husband. Mr. Bickerdike knew him a few years ago. He ran through a fortune, and fell into most disreputable ways of life. Somebody was saying that he got his living as 'bus-conductor, or something of the kind."

"I could imagine that, from the look of him."

It was Mrs. Lessingham's Wednesday evening. The house at Craven Hill opened its doors at ten o'clock, and until midnight there was no lack of company. Singular people, more or less; distinguished from society proper by the fact that all had a modicum of brains. Some came from luxurious homes, some from garrets. Visitors from Paris were frequent; their presence made a characteristic of the salon. This evening, for instance, honour was paid by the hostess to M. Amedeee Silvenoire, whose experiment in unromantic drama had not long ago gloriously failed at the Odeon; and Madame Jacquelin, the violinist, was looked for.

Mrs. Lessingham had not passed a season in London for several years. When, at the end of April, she took this house, there came to live with her the widow and daughter of a man of letters who had died in poverty. She had known the Delphs in Paris, in the days when Cecily was with her and in the winter just past she had come upon Irene Delph copying at the Louvre; the girl showed a good deal of talent but was hard beset by the difficulty of living whilst she worked. In the spirit of her generous brother, Mrs. Lessingham persuaded the two to come and live with her through the season; a room in the house was a studio for Irene, who took to portraits. Mrs. Delph, a timid woman whose nerves had failed under her misfortunes, did not appear on formal occasions like the present, but Irene was becoming an ornament of the drawing-room. To be sure, but for her good looks and her artistic aptitude, she would not have been here-no reason, perhaps, for stinted praise of her friend's generosity.

An enjoyable thing to see Mrs. Lessingham in conversation with one of her French guests. She threw off full fifteen years, and looked thirty at most. Her handsome features had a vivid play of expression in harmony with the language she was speaking; her eyes were radiant as she phrased a thought which in English would have required many words for the—blunting of its point. M. Silvenoire, who—with the slight disadvantage of knowing no tongue but his own—was making a study of English social life, found himself at ease this evening for the first time since he had been in London. Encouraged to talk his best, he frankly and amusingly told Mrs. Lessingham of the ideas he had formed regarding conversation in the drawing-rooms of English ladies.

"Civilization is spreading among us," she replied, with a laugh. "Once or twice it has been my privilege to introduce young Frenchmen, who were studying our language, to English families abroad, and in those cases I privately recommended to them a careful study of Anthony Trollope's novels, that they might learn what is permissible in conversation and what is not. But here and there in London you will find it possible to discuss things that interest reasonable beings."

At the door sounded the name of "Mr. Biekerdike," and there advanced towards the hostess a tall, ugly young man, known by repute to all the English people present. He was the author of a novel called "A Crown of Lilies," which was much talked of just now, and excited no less ridicule than admiration, On the one hand, it was lauded for delicate purity and idealism; on the other, it was scoffed at for artificiality and affected refinement. Mrs. Lessingham had met him for the first time a week ago. Her invitation was not due to approval of his book, but to personal interest which the author moved in her; she was curious to discover how far the idealism of "A Crown of Lilies" was a genuine fruit of the man's nature. Mr. Bickerdike's countenance did not promise clarity of soul; his features were distinctly coarse, and the glance he threw round the room on entering made large demands.

Irene Delph was talking with a young married lady named Mrs. Travis; they both regarded Mr. Bickerdike with close scrutiny.

"Who could have imagined such an author for the book!" murmured the girl, in wonder.

"I could perfectly well," murmured back Mrs. Travis, with a smile which revealed knowledge of humanity.

"I pictured a very youthful man, with a face of effeminate beauty—probably a hectic colour in his cheeks."

"Such men don't write 'the novel of the season.' This gentleman is very shrewd; he gauges the public. Some day, if he sees fit, he will write a brutal book, and it will have merit."

Mr. Bickerdike unfortunately did not speak French, so M. Silvenoire was unable to exchange ideas with him. The Parisian, having learnt what this gentleman's claims were, regarded him through his pince-nez with a subtle smile. But in a few moments he had something more interesting to observe.

"Mrs. Elgar," cried the voice at the door.

Cecily was met half-way by her aunt, "You are alone?"

"Reuben has a headache. Perhaps he will come to fetch me, but more likely not."

All the eyes in the room had one direction. Alike those who ingenuously admired and those who wished to seem indifferent paid the homage of observation to Mrs. Elgar, as she stood exchanging greetings with the friends who came forward. Yes, there was something more than attractive features and a pleasant facility of speech. In Cecily were blended a fresh loveliness and a grace as of maidenhood with the perfect charm of wedded youth. The air about her was charged with something finer than the delicate fragrance which caressed the senses. One had but to hear her speak, were it only the most ordinary phrase of courtesy, and that wonderful voice more than justified profound interest. Strangers took her for a few years older than she was, not judging so much by her face as the finished ease of her manners; when she conversed, it was hard to think of her as only one-and-twenty.

"She is a little pale this evening," said Irene to Mrs. Travis.

The other assented; then asked:

"Why don't you paint her portrait?"

"Heaven forbid! I have quite enough discouragement in my attempts at painting, as it is."

M. Silvenoire was bowing low, as Mrs. Lessingham presented him. To his delight, he heard his own language fluently, idiomatically spoken; he remarked, too, that Mrs. Elgar had a distinct pleasure in speaking it. She seated herself, and flattered him into ecstasies by the respect with which she received his every word. She had seen it mentioned in the Figaro that a new play of his was in preparation; when was it likely to be put on the stage? The theatre in London—of course, he understood that no one took it au serieux?

The Parisian could do nothing but gaze about the room, following her movements, when their dialogue was at an end. Mon Dieu! And who, then, was Mr. Elgar? Might not one hope for an invitation to madame's assemblies? A wonderful people, these English, after all.

Mr. Bickerdike secured, after much impatience, the desired introduction. For reasons of his own, he made no mention of his earlier acquaintance with Elgar. Did she know of it? In any case she appeared not to, but spoke of things which did not interest Mr. Bickerdike in the least. At length he was driven to bring forward the one subject on which he desired her views.

"Have you, by chance, read my book, Mrs. Elgar?"

M. Silvenoire would have understood her smile; the Englishman thought it merely amiable, and prepared for the accustomed compliment.

"Yes, I have read it, Mr. Bickerdike. It seemed to me a charmingly written romance."

The novelist, seated upon too low a chair, leaning forward so that his knees and chin almost touched, was not in himself a very graceful object; the contrast with his neighbour made him worse than grotesque. His visage was disagree ably animal as it smiled with condescension.

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