At this point in his narrative Granice stood up, and went to lean against the mantel-piece, looking down at Ascham, who had not moved from his seat, or changed his attitude of rigid fascinated attention.

"Then came the summer when we went to Wrenfield to be near old Lenman—my mother's cousin, as you know. Some of the family always mounted guard over him—generally a niece or so. But that year they were all scattered, and one of the nieces offered to lend us her cottage if we'd relieve her of duty for two months. It was a nuisance for me, of course, for Wrenfield is two hours from town; but my mother, who was a slave to family observances, had always been good to the old man, so it was natural we should be called on—and there was the saving of rent and the good air for Kate. So we went.

"You never knew Joseph Lenman? Well, picture to yourself an amoeba or some primitive organism of that sort, under a Titan's microscope. He was large, undifferentiated, inert—since I could remember him he had done nothing but take his temperature and read the Churchman. Oh, and cultivate melons—that was his hobby. Not vulgar, out-of-door melons—his were grown under glass. He had miles of it at Wrenfield—his big kitchen-garden was surrounded by blinking battalions of green-houses. And in nearly all of them melons were grown—early melons and late, French, English, domestic—dwarf melons and monsters: every shape, colour and variety. They were petted and nursed like children—a staff of trained attendants waited on them. I'm not sure they didn't have a doctor to take their temperature—at any rate the place was full of thermometers. And they didn't sprawl on the ground like ordinary melons; they were trained against the glass like nectarines, and each melon hung in a net which sustained its weight and left it free on all sides to the sun and air...

"It used to strike me sometimes that old Lenman was just like one of his own melons—the pale-fleshed English kind. His life, apathetic and motionless, hung in a net of gold, in an equable warm ventilated atmosphere, high above sordid earthly worries. The cardinal rule of his existence was not to let himself be 'worried.'... I remember his advising me to try it myself, one day when I spoke to him about Kate's bad health, and her need of a change. 'I never let myself worry,' he said complacently. 'It's the worst thing for the liver—and you look to me as if you had a liver. Take my advice and be cheerful. You'll make yourself happier and others too.' And all he had to do was to write a cheque, and send the poor girl off for a holiday!

"The hardest part of it was that the money half-belonged to us already. The old skin-flint only had it for life, in trust for us and the others. But his life was a good deal sounder than mine or Kate's—and one could picture him taking extra care of it for the joke of keeping us waiting. I always felt that the sight of our hungry eyes was a tonic to him.

"Well, I tried to see if I couldn't reach him through his vanity. I flattered him, feigned a passionate interest in his melons. And he was taken in, and used to discourse on them by the hour. On fine days he was driven to the green-houses in his pony-chair, and waddled through them, prodding and leering at the fruit, like a fat Turk in his seraglio. When he bragged to me of the expense of growing them I was reminded of a hideous old Lothario bragging of what his pleasures cost. And the resemblance was completed by the fact that he couldn't eat as much as a mouthful of his melons—had lived for years on buttermilk and toast. 'But, after all, it's my only hobby—why shouldn't I indulge it?' he said sentimentally. As if I'd ever been able to indulge any of mine! On the keep of those melons Kate and I could have lived like gods...

"One day toward the end of the summer, when Kate was too unwell to drag herself up to the big house, she asked me to go and spend the afternoon with cousin Joseph. It was a lovely soft September afternoon—a day to lie under a Roman stone-pine, with one's eyes on the sky, and let the cosmic harmonies rush through one. Perhaps the vision was suggested by the fact that, as I entered cousin Joseph's hideous black walnut library, I passed one of the under-gardeners, a handsome full-throated Italian, who dashed out in such a hurry that he nearly knocked me down. I remember thinking it queer that the fellow, whom I had often seen about the melon-houses, did not bow to me, or even seem to see me.

"Cousin Joseph sat in his usual seat, behind the darkened windows, his fat hands folded on his protuberant waistcoat, the last number of the Churchman at his elbow, and near it, on a huge dish, a fat melon—the fattest melon I'd ever seen. As I looked at it I pictured the ecstasy of contemplation from which I must have roused him, and congratulated myself on finding him in such a mood, since I had made up my mind to ask him a favour. Then I noticed that his face, instead of looking as calm as an egg-shell, was distorted and whimpering—and without stopping to greet me he pointed passionately to the melon.

"'Look at it, look at it—did you ever see such a beauty? Such firmness—roundness—such delicious smoothness to the touch?' It was as if he had said 'she' instead of 'it,' and when he put out his senile hand and touched the melon I positively had to look the other way.

"Then he told me what had happened. The Italian under-gardener, who had been specially recommended for the melon-houses—though it was against my cousin's principles to employ a Papist—had been assigned to the care of the monster: for it had revealed itself, early in its existence, as destined to become a monster, to surpass its plumpest, pulpiest sisters, carry off prizes at agricultural shows, and be photographed and celebrated in every gardening paper in the land. The Italian had done well—seemed to have a sense of responsibility. And that very morning he had been ordered to pick the melon, which was to be shown next day at the county fair, and to bring it in for Mr. Lenman to gaze on its blonde virginity. But in picking it, what had the damned scoundrelly Jesuit done but drop it—drop it crash on the sharp spout of a watering-pot, so that it received a deep gash in its firm pale rotundity, and was henceforth but a bruised, ruined, fallen melon?

"The old man's rage was fearful in its impotence—he shook, spluttered and strangled with it. He had just had the Italian up and had sacked him on the spot, without wages or character—had threatened to have him arrested if he was ever caught prowling about Wrenfield. 'By God, and I'll do it—I'll write to Washington—I'll have the pauper scoundrel deported! I'll show him what money can do!' As likely as not there was some murderous Black-hand business under it—it would be found that the fellow was a member of a 'gang.' Those Italians would murder you for a quarter. He meant to have the police look into it... And then he grew frightened at his own excitement. 'But I must calm myself,' he said. He took his temperature, rang for his drops, and turned to the Churchman. He had been reading an article on Nestorianism when the melon was brought in. He asked me to go on with it, and I read to him for an hour, in the dim close room, with a fat fly buzzing stealthily about the fallen melon.

"All the while one phrase of the old man's buzzed in my brain like the fly about the melon. 'I'LL SHOW HIM WHAT MONEY CAN DO!' Good heaven! If I could but show the old man! If I could make him see his power of giving happiness as a new outlet for his monstrous egotism! I tried to tell him something about my situation and Kate's—spoke of my ill-health, my unsuccessful drudgery, my longing to write, to make myself a name—I stammered out an entreaty for a loan. 'I can guarantee to repay you, sir—I've a half-written play as security...'

"I shall never forget his glassy stare. His face had grown as smooth as an egg-shell again—his eyes peered over his fat cheeks like sentinels over a slippery rampart.

"'A half-written play—a play of YOURS as security?' He looked at me almost fearfully, as if detecting the first symptoms of insanity. 'Do you understand anything of business?' he enquired mildly. I laughed and answered: 'No, not much.'

"He leaned back with closed lids. 'All this excitement has been too much for me,' he said. 'If you'll excuse me, I'll prepare for my nap.' And I stumbled out of the room, blindly, like the Italian."

Granice moved away from the mantel-piece, and walked across to the tray set out with decanters and soda-water. He poured himself a tall glass of soda-water, emptied it, and glanced at Ascham's dead cigar.

"Better light another," he suggested.

The lawyer shook his head, and Granice went on with his tale. He told of his mounting obsession—how the murderous impulse had waked in him on the instant of his cousin's refusal, and he had muttered to himself: "By God, if you won't, I'll make you." He spoke more tranquilly as the narrative proceeded, as though his rage had died down once the resolve to act on it was taken. He applied his whole mind to the question of how the old man was to be "disposed of." Suddenly he remembered the outcry: "Those Italians will murder you for a quarter!" But no definite project presented itself: he simply waited for an inspiration.

Granice and his sister moved to town a day or two after the incident of the melon. But the cousins, who had returned, kept them informed of the old man's condition. One day, about three weeks later, Granice, on getting home, found Kate excited over a report from Wrenfield. The Italian had been there again—had somehow slipped into the house, made his way up to the library, and "used threatening language." The house-keeper found cousin Joseph gasping, the whites of his eyes showing "something awful." The doctor was sent for, and the attack warded off; and the police had ordered the Italian from the neighbourhood.

But cousin Joseph, thereafter, languished, had "nerves," and lost his taste for toast and butter-milk. The doctor called in a colleague, and the consultation amused and excited the old man—he became once more an important figure. The medical men reassured the family—too completely!—and to the patient they recommended a more varied diet: advised him to take whatever "tempted him." And so one day, tremulously, prayerfully, he decided on a tiny bit of melon. It was brought up with ceremony, and consumed in the presence of the house-keeper and a hovering cousin; and twenty minutes later he was dead...

"But you remember the circumstances," Granice went on; "how suspicion turned at once on the Italian? In spite of the hint the police had given him he had been seen hanging about the house since 'the scene.' It was said that he had tender relations with the kitchen-maid, and the rest seemed easy to explain. But when they looked round to ask him for the explanation he was gone—gone clean out of sight. He had been 'warned' to leave Wrenfield, and he had taken the warning so to heart that no one ever laid eyes on him again."

Granice paused. He had dropped into a chair opposite the lawyer's, and he sat for a moment, his head thrown back, looking about the familiar room. Everything in it had grown grimacing and alien, and each strange insistent object seemed craning forward from its place to hear him.

"It was I who put the stuff in the melon," he said. "And I don't want you to think I'm sorry for it. This isn't 'remorse,' understand. I'm glad the old skin-flint is dead—I'm glad the others have their money. But mine's no use to me any more. My sister married miserably, and died. And I've never had what I wanted."

Ascham continued to stare; then he said: "What on earth was your object, then?"

"Why, to GET what I wanted—what I fancied was in reach! I wanted change, rest, LIFE, for both of us—wanted, above all, for myself, the chance to write! I travelled, got back my health, and came home to tie myself up to my work. And I've slaved at it steadily for ten years without reward—without the most distant hope of success! Nobody will look at my stuff. And now I'm fifty, and I'm beaten, and I know it." His chin dropped forward on his breast. "I want to chuck the whole business," he ended.



III

It was after midnight when Ascham left.

His hand on Granice's shoulder, as he turned to go—"District Attorney be hanged; see a doctor, see a doctor!" he had cried; and so, with an exaggerated laugh, had pulled on his coat and departed.

Granice turned back into the library. It had never occurred to him that Ascham would not believe his story. For three hours he had explained, elucidated, patiently and painfully gone over every detail—but without once breaking down the iron incredulity of the lawyer's eye.

At first Ascham had feigned to be convinced—but that, as Granice now perceived, was simply to get him to expose himself, to entrap him into contradictions. And when the attempt failed, when Granice triumphantly met and refuted each disconcerting question, the lawyer dropped the mask suddenly, and said with a good-humoured laugh: "By Jove, Granice you'll write a successful play yet. The way you've worked this all out is a marvel."

Granice swung about furiously—that last sneer about the play inflamed him. Was all the world in a conspiracy to deride his failure?

"I did it, I did it," he muttered sullenly, his rage spending itself against the impenetrable surface of the other's mockery; and Ascham answered with a smile: "Ever read any of those books on hallucination? I've got a fairly good medico-legal library. I could send you one or two if you like..."

Left alone, Granice cowered down in the chair before his writing-table. He understood that Ascham thought him off his head.

"Good God—what if they all think me crazy?"

The horror of it broke out over him in a cold sweat—he sat there and shook, his eyes hidden in his icy hands. But gradually, as he began to rehearse his story for the thousandth time, he saw again how incontrovertible it was, and felt sure that any criminal lawyer would believe him.

"That's the trouble—Ascham's not a criminal lawyer. And then he's a friend. What a fool I was to talk to a friend! Even if he did believe me, he'd never let me see it—his instinct would be to cover the whole thing up... But in that case—if he DID believe me—he might think it a kindness to get me shut up in an asylum..." Granice began to tremble again. "Good heaven! If he should bring in an expert—one of those damned alienists! Ascham and Pettilow can do anything—their word always goes. If Ascham drops a hint that I'd better be shut up, I'll be in a strait-jacket by to-morrow! And he'd do it from the kindest motives—be quite right to do it if he thinks I'm a murderer!"

The vision froze him to his chair. He pressed his fists to his bursting temples and tried to think. For the first time he hoped that Ascham had not believed his story.

"But he did—he did! I can see it now—I noticed what a queer eye he cocked at me. Good God, what shall I do—what shall I do?"

He started up and looked at the clock. Half-past one. What if Ascham should think the case urgent, rout out an alienist, and come back with him? Granice jumped to his feet, and his sudden gesture brushed the morning paper from the table. Mechanically he stooped to pick it up, and the movement started a new train of association.

He sat down again, and reached for the telephone book in the rack by his chair.

"Give me three-o-ten... yes."

The new idea in his mind had revived his flagging energy. He would act—act at once. It was only by thus planning ahead, committing himself to some unavoidable line of conduct, that he could pull himself through the meaningless days. Each time he reached a fresh decision it was like coming out of a foggy weltering sea into a calm harbour with lights. One of the queerest phases of his long agony was the intense relief produced by these momentary lulls.

"That the office of the Investigator? Yes? Give me Mr. Denver, please... Hallo, Denver... Yes, Hubert Granice.... Just caught you? Going straight home? Can I come and see you... yes, now... have a talk? It's rather urgent... yes, might give you some first-rate 'copy.'... All right!" He hung up the receiver with a laugh. It had been a happy thought to call up the editor of the Investigator—Robert Denver was the very man he needed...

Granice put out the lights in the library—it was odd how the automatic gestures persisted!—went into the hall, put on his hat and overcoat, and let himself out of the flat. In the hall, a sleepy elevator boy blinked at him and then dropped his head on his folded arms. Granice passed out into the street. At the corner of Fifth Avenue he hailed a crawling cab, and called out an up-town address. The long thoroughfare stretched before him, dim and deserted, like an ancient avenue of tombs. But from Denver's house a friendly beam fell on the pavement; and as Granice sprang from his cab the editor's electric turned the corner.

The two men grasped hands, and Denver, feeling for his latch-key, ushered Granice into the brightly-lit hall.

"Disturb me? Not a bit. You might have, at ten to-morrow morning... but this is my liveliest hour... you know my habits of old."

Granice had known Robert Denver for fifteen years—watched his rise through all the stages of journalism to the Olympian pinnacle of the Investigator's editorial office. In the thick-set man with grizzling hair there were few traces left of the hungry-eyed young reporter who, on his way home in the small hours, used to "bob in" on Granice, while the latter sat grinding at his plays. Denver had to pass Granice's flat on the way to his own, and it became a habit, if he saw a light in the window, and Granice's shadow against the blind, to go in, smoke a pipe, and discuss the universe.

"Well—this is like old times—a good old habit reversed." The editor smote his visitor genially on the shoulder. "Reminds me of the nights when I used to rout you out... How's the play, by the way? There IS a play, I suppose? It's as safe to ask you that as to say to some men: 'How's the baby?'"

Denver laughed good-naturedly, and Granice thought how thick and heavy he had grown. It was evident, even to Granice's tortured nerves, that the words had not been uttered in malice—and the fact gave him a new measure of his insignificance. Denver did not even know that he had been a failure! The fact hurt more than Ascham's irony.

"Come in—come in." The editor led the way into a small cheerful room, where there were cigars and decanters. He pushed an arm-chair toward his visitor, and dropped into another with a comfortable groan.

"Now, then—help yourself. And let's hear all about it."

He beamed at Granice over his pipe-bowl, and the latter, lighting his cigar, said to himself: "Success makes men comfortable, but it makes them stupid."

Then he turned, and began: "Denver, I want to tell you—"

The clock ticked rhythmically on the mantel-piece. The little room was gradually filled with drifting blue layers of smoke, and through them the editor's face came and went like the moon through a moving sky. Once the hour struck—then the rhythmical ticking began again. The atmosphere grew denser and heavier, and beads of perspiration began to roll from Granice's forehead.

"Do you mind if I open the window?"

"No. It IS stuffy in here. Wait—I'll do it myself." Denver pushed down the upper sash, and returned to his chair. "Well—go on," he said, filling another pipe. His composure exasperated Granice.

"There's no use in my going on if you don't believe me."

The editor remained unmoved. "Who says I don't believe you? And how can I tell till you've finished?"

Granice went on, ashamed of his outburst. "It was simple enough, as you'll see. From the day the old man said to me, 'Those Italians would murder you for a quarter,' I dropped everything and just worked at my scheme. It struck me at once that I must find a way of getting to Wrenfield and back in a night—and that led to the idea of a motor. A motor—that never occurred to you? You wonder where I got the money, I suppose. Well, I had a thousand or so put by, and I nosed around till I found what I wanted—a second-hand racer. I knew how to drive a car, and I tried the thing and found it was all right. Times were bad, and I bought it for my price, and stored it away. Where? Why, in one of those no-questions-asked garages where they keep motors that are not for family use. I had a lively cousin who had put me up to that dodge, and I looked about till I found a queer hole where they took in my car like a baby in a foundling asylum... Then I practiced running to Wrenfield and back in a night. I knew the way pretty well, for I'd done it often with the same lively cousin—and in the small hours, too. The distance is over ninety miles, and on the third trial I did it under two hours. But my arms were so lame that I could hardly get dressed the next morning...

"Well, then came the report about the Italian's threats, and I saw I must act at once... I meant to break into the old man's room, shoot him, and get away again. It was a big risk, but I thought I could manage it. Then we heard that he was ill—that there'd been a consultation. Perhaps the fates were going to do it for me! Good Lord, if that could only be!..."

Granice stopped and wiped his forehead: the open window did not seem to have cooled the room.

"Then came word that he was better; and the day after, when I came up from my office, I found Kate laughing over the news that he was to try a bit of melon. The house-keeper had just telephoned her—all Wrenfield was in a flutter. The doctor himself had picked out the melon, one of the little French ones that are hardly bigger than a large tomato—and the patient was to eat it at his breakfast the next morning.

"In a flash I saw my chance. It was a bare chance, no more. But I knew the ways of the house—I was sure the melon would be brought in over night and put in the pantry ice-box. If there were only one melon in the ice-box I could be fairly sure it was the one I wanted. Melons didn't lie around loose in that house—every one was known, numbered, catalogued. The old man was beset by the dread that the servants would eat them, and he took a hundred mean precautions to prevent it. Yes, I felt pretty sure of my melon... and poisoning was much safer than shooting. It would have been the devil and all to get into the old man's bedroom without his rousing the house; but I ought to be able to break into the pantry without much trouble.

"It was a cloudy night, too—everything served me. I dined quietly, and sat down at my desk. Kate had one of her usual headaches, and went to bed early. As soon as she was gone I slipped out. I had got together a sort of disguise—red beard and queer-looking ulster. I shoved them into a bag, and went round to the garage. There was no one there but a half-drunken machinist whom I'd never seen before. That served me, too. They were always changing machinists, and this new fellow didn't even bother to ask if the car belonged to me. It was a very easy-going place...

"Well, I jumped in, ran up Broadway, and let the car go as soon as I was out of Harlem. Dark as it was, I could trust myself to strike a sharp pace. In the shadow of a wood I stopped a second and got into the beard and ulster. Then away again—it was just eleven-thirty when I got to Wrenfield.

"I left the car in a dark lane behind the Lenman place, and slipped through the kitchen-garden. The melon-houses winked at me through the dark—I remember thinking that they knew what I wanted to know.... By the stable a dog came out growling—but he nosed me out, jumped on me, and went back... The house was as dark as the grave. I knew everybody went to bed by ten. But there might be a prowling servant—the kitchen-maid might have come down to let in her Italian. I had to risk that, of course. I crept around by the back door and hid in the shrubbery. Then I listened. It was all as silent as death. I crossed over to the house, pried open the pantry window and climbed in. I had a little electric lamp in my pocket, and shielding it with my cap I groped my way to the ice-box, opened it—and there was the little French melon... only one.

"I stopped to listen—I was quite cool. Then I pulled out my bottle of stuff and my syringe, and gave each section of the melon a hypodermic. It was all done inside of three minutes—at ten minutes to twelve I was back in the car. I got out of the lane as quietly as I could, struck a back road that skirted the village, and let the car out as soon as I was beyond the last houses. I only stopped once on the way in, to drop the beard and ulster into a pond. I had a big stone ready to weight them with and they went down plump, like a dead body—and at two o'clock I was back at my desk."

Granice stopped speaking and looked across the smoke-fumes at his listener; but Denver's face remained inscrutable.

At length he said: "Why did you want to tell me this?"

The question startled Granice. He was about to explain, as he had explained to Ascham; but suddenly it occurred to him that if his motive had not seemed convincing to the lawyer it would carry much less weight with Denver. Both were successful men, and success does not understand the subtle agony of failure. Granice cast about for another reason.

"Why, I—the thing haunts me... remorse, I suppose you'd call it..."

Denver struck the ashes from his empty pipe.

"Remorse? Bosh!" he said energetically.

Granice's heart sank. "You don't believe in—REMORSE?"

"Not an atom: in the man of action. The mere fact of your talking of remorse proves to me that you're not the man to have planned and put through such a job."

Granice groaned. "Well—I lied to you about remorse. I've never felt any."

Denver's lips tightened sceptically about his freshly-filled pipe. "What was your motive, then? You must have had one."

"I'll tell you—" And Granice began again to rehearse the story of his failure, of his loathing for life. "Don't say you don't believe me this time... that this isn't a real reason!" he stammered out piteously as he ended.

Denver meditated. "No, I won't say that. I've seen too many queer things. There's always a reason for wanting to get out of life—the wonder is that we find so many for staying in!" Granice's heart grew light. "Then you DO believe me?" he faltered.

"Believe that you're sick of the job? Yes. And that you haven't the nerve to pull the trigger? Oh, yes—that's easy enough, too. But all that doesn't make you a murderer—though I don't say it proves you could never have been one."

"I HAVE been one, Denver—I swear to you."

"Perhaps." He meditated. "Just tell me one or two things."

"Oh, go ahead. You won't stump me!" Granice heard himself say with a laugh.

"Well—how did you make all those trial trips without exciting your sister's curiosity? I knew your night habits pretty well at that time, remember. You were very seldom out late. Didn't the change in your ways surprise her?"

"No; because she was away at the time. She went to pay several visits in the country soon after we came back from Wrenfield, and was only in town for a night or two before—before I did the job."

"And that night she went to bed early with a headache?"

"Yes—blinding. She didn't know anything when she had that kind. And her room was at the back of the flat."

Denver again meditated. "And when you got back—she didn't hear you? You got in without her knowing it?"

"Yes. I went straight to my work—took it up at the word where I'd left off—WHY, DENVER, DON'T YOU REMEMBER?" Granice suddenly, passionately interjected.

"Remember—?"

"Yes; how you found me—when you looked in that morning, between two and three... your usual hour...?"

"Yes," the editor nodded.

Granice gave a short laugh. "In my old coat—with my pipe: looked as if I'd been working all night, didn't I? Well, I hadn't been in my chair ten minutes!"

Denver uncrossed his legs and then crossed them again. "I didn't know whether YOU remembered that."

"What?"

"My coming in that particular night—or morning."

Granice swung round in his chair. "Why, man alive! That's why I'm here now. Because it was you who spoke for me at the inquest, when they looked round to see what all the old man's heirs had been doing that night—you who testified to having dropped in and found me at my desk as usual.... I thought THAT would appeal to your journalistic sense if nothing else would!"

Denver smiled. "Oh, my journalistic sense is still susceptible enough—and the idea's picturesque, I grant you: asking the man who proved your alibi to establish your guilt."

"That's it—that's it!" Granice's laugh had a ring of triumph.

"Well, but how about the other chap's testimony—I mean that young doctor: what was his name? Ned Ranney. Don't you remember my testifying that I'd met him at the elevated station, and told him I was on my way to smoke a pipe with you, and his saying: 'All right; you'll find him in. I passed the house two hours ago, and saw his shadow against the blind, as usual.' And the lady with the toothache in the flat across the way: she corroborated his statement, you remember."

"Yes; I remember."

"Well, then?"

"Simple enough. Before starting I rigged up a kind of mannikin with old coats and a cushion—something to cast a shadow on the blind. All you fellows were used to seeing my shadow there in the small hours—I counted on that, and knew you'd take any vague outline as mine."

"Simple enough, as you say. But the woman with the toothache saw the shadow move—you remember she said she saw you sink forward, as if you'd fallen asleep."

"Yes; and she was right. It DID move. I suppose some extra-heavy dray must have jolted by the flimsy building—at any rate, something gave my mannikin a jar, and when I came back he had sunk forward, half over the table."

There was a long silence between the two men. Granice, with a throbbing heart, watched Denver refill his pipe. The editor, at any rate, did not sneer and flout him. After all, journalism gave a deeper insight than the law into the fantastic possibilities of life, prepared one better to allow for the incalculableness of human impulses.

"Well?" Granice faltered out.

Denver stood up with a shrug. "Look here, man—what's wrong with you? Make a clean breast of it! Nerves gone to smash? I'd like to take you to see a chap I know—an ex-prize-fighter—who's a wonder at pulling fellows in your state out of their hole—"

"Oh, oh—" Granice broke in. He stood up also, and the two men eyed each other. "You don't believe me, then?"

"This yarn—how can I? There wasn't a flaw in your alibi."

"But haven't I filled it full of them now?"

Denver shook his head. "I might think so if I hadn't happened to know that you WANTED to. There's the hitch, don't you see?"

Granice groaned. "No, I didn't. You mean my wanting to be found guilty—?"

"Of course! If somebody else had accused you, the story might have been worth looking into. As it is, a child could have invented it. It doesn't do much credit to your ingenuity."

Granice turned sullenly toward the door. What was the use of arguing? But on the threshold a sudden impulse drew him back. "Look here, Denver—I daresay you're right. But will you do just one thing to prove it? Put my statement in the Investigator, just as I've made it. Ridicule it as much as you like. Only give the other fellows a chance at it—men who don't know anything about me. Set them talking and looking about. I don't care a damn whether YOU believe me—what I want is to convince the Grand Jury! I oughtn't to have come to a man who knows me—your cursed incredulity is infectious. I don't put my case well, because I know in advance it's discredited, and I almost end by not believing it myself. That's why I can't convince YOU. It's a vicious circle." He laid a hand on Denver's arm. "Send a stenographer, and put my statement in the paper."

But Denver did not warm to the idea. "My dear fellow, you seem to forget that all the evidence was pretty thoroughly sifted at the time, every possible clue followed up. The public would have been ready enough then to believe that you murdered old Lenman—you or anybody else. All they wanted was a murderer—the most improbable would have served. But your alibi was too confoundedly complete. And nothing you've told me has shaken it." Denver laid his cool hand over the other's burning fingers. "Look here, old fellow, go home and work up a better case—then come in and submit it to the Investigator."



IV

The perspiration was rolling off Granice's forehead. Every few minutes he had to draw out his handkerchief and wipe the moisture from his haggard face.

For an hour and a half he had been talking steadily, putting his case to the District Attorney. Luckily he had a speaking acquaintance with Allonby, and had obtained, without much difficulty, a private audience on the very day after his talk with Robert Denver. In the interval between he had hurried home, got out of his evening clothes, and gone forth again at once into the dreary dawn. His fear of Ascham and the alienist made it impossible for him to remain in his rooms. And it seemed to him that the only way of averting that hideous peril was by establishing, in some sane impartial mind, the proof of his guilt. Even if he had not been so incurably sick of life, the electric chair seemed now the only alternative to the strait-jacket.

As he paused to wipe his forehead he saw the District Attorney glance at his watch. The gesture was significant, and Granice lifted an appealing hand. "I don't expect you to believe me now—but can't you put me under arrest, and have the thing looked into?"

Allonby smiled faintly under his heavy grayish moustache. He had a ruddy face, full and jovial, in which his keen professional eyes seemed to keep watch over impulses not strictly professional.

"Well, I don't know that we need lock you up just yet. But of course I'm bound to look into your statement—"

Granice rose with an exquisite sense of relief. Surely Allonby wouldn't have said that if he hadn't believed him!

"That's all right. Then I needn't detain you. I can be found at any time at my apartment." He gave the address.

The District Attorney smiled again, more openly. "What do you say to leaving it for an hour or two this evening? I'm giving a little supper at Rector's—quiet, little affair, you understand: just Miss Melrose—I think you know her—and a friend or two; and if you'll join us..."

Granice stumbled out of the office without knowing what reply he had made.

He waited for four days—four days of concentrated horror. During the first twenty-four hours the fear of Ascham's alienist dogged him; and as that subsided, it was replaced by the exasperating sense that his avowal had made no impression on the District Attorney. Evidently, if he had been going to look into the case, Allonby would have been heard from before now.... And that mocking invitation to supper showed clearly enough how little the story had impressed him!

Granice was overcome by the futility of any farther attempt to inculpate himself. He was chained to life—a "prisoner of consciousness." Where was it he had read the phrase? Well, he was learning what it meant. In the glaring night-hours, when his brain seemed ablaze, he was visited by a sense of his fixed identity, of his irreducible, inexpugnable SELFNESS, keener, more insidious, more unescapable, than any sensation he had ever known. He had not guessed that the mind was capable of such intricacies of self-realization, of penetrating so deep into its own dark windings. Often he woke from his brief snatches of sleep with the feeling that something material was clinging to him, was on his hands and face, and in his throat—and as his brain cleared he understood that it was the sense of his own loathed personality that stuck to him like some thick viscous substance.

Then, in the first morning hours, he would rise and look out of his window at the awakening activities of the street—at the street-cleaners, the ash-cart drivers, and the other dingy workers flitting hurriedly by through the sallow winter light. Oh, to be one of them—any of them—to take his chance in any of their skins! They were the toilers—the men whose lot was pitied—the victims wept over and ranted about by altruists and economists; and how gladly he would have taken up the load of any one of them, if only he might have shaken off his own! But, no—the iron circle of consciousness held them too: each one was hand-cuffed to his own hideous ego. Why wish to be any one man rather than another? The only absolute good was not to be... And Flint, coming in to draw his bath, would ask if he preferred his eggs scrambled or poached that morning?

On the fifth day he wrote a long urgent letter to Allonby; and for the succeeding two days he had the occupation of waiting for an answer. He hardly stirred from his rooms, in his fear of missing the letter by a moment; but would the District Attorney write, or send a representative: a policeman, a "secret agent," or some other mysterious emissary of the law?

On the third morning Flint, stepping softly—as if, confound it! his master were ill—entered the library where Granice sat behind an unread newspaper, and proferred a card on a tray.

Granice read the name—J. B. Hewson—and underneath, in pencil, "From the District Attorney's office." He started up with a thumping heart, and signed an assent to the servant.

Mr. Hewson was a slight sallow nondescript man of about fifty—the kind of man of whom one is sure to see a specimen in any crowd. "Just the type of the successful detective," Granice reflected as he shook hands with his visitor.

And it was in that character that Mr. Hewson briefly introduced himself. He had been sent by the District Attorney to have "a quiet talk" with Mr. Granice—to ask him to repeat the statement he had made about the Lenman murder.

His manner was so quiet, so reasonable and receptive, that Granice's self-confidence returned. Here was a sensible man—a man who knew his business—it would be easy enough to make HIM see through that ridiculous alibi! Granice offered Mr. Hewson a cigar, and lighting one himself—to prove his coolness—began again to tell his story.

He was conscious, as he proceeded, of telling it better than ever before. Practice helped, no doubt; and his listener's detached, impartial attitude helped still more. He could see that Hewson, at least, had not decided in advance to disbelieve him, and the sense of being trusted made him more lucid and more consecutive. Yes, this time his words would certainly carry conviction...



V

Despairingly, Granice gazed up and down the shabby street. Beside him stood a young man with bright prominent eyes, a smooth but not too smoothly-shaven face, and an Irish smile. The young man's nimble glance followed Granice's.

"Sure of the number, are you?" he asked briskly.

"Oh, yes—it was 104."

"Well, then, the new building has swallowed it up—that's certain."

He tilted his head back and surveyed the half-finished front of a brick and limestone flat-house that reared its flimsy elegance above a row of tottering tenements and stables.

"Dead sure?" he repeated.

"Yes," said Granice, discouraged. "And even if I hadn't been, I know the garage was just opposite Leffler's over there." He pointed across the street to a tumble-down stable with a blotched sign on which the words "Livery and Boarding" were still faintly discernible.

The young man dashed across to the opposite pavement. "Well, that's something—may get a clue there. Leffler's—same name there, anyhow. You remember that name?"

"Yes—distinctly."

Granice had felt a return of confidence since he had enlisted the interest of the Explorer's "smartest" reporter. If there were moments when he hardly believed his own story, there were others when it seemed impossible that every one should not believe it; and young Peter McCarren, peering, listening, questioning, jotting down notes, inspired him with an exquisite sense of security. McCarren had fastened on the case at once, "like a leech," as he phrased it—jumped at it, thrilled to it, and settled down to "draw the last drop of fact from it, and had not let go till he had." No one else had treated Granice in that way—even Allonby's detective had not taken a single note. And though a week had elapsed since the visit of that authorized official, nothing had been heard from the District Attorney's office: Allonby had apparently dropped the matter again. But McCarren wasn't going to drop it—not he! He positively hung on Granice's footsteps. They had spent the greater part of the previous day together, and now they were off again, running down clues.

But at Leffler's they got none, after all. Leffler's was no longer a stable. It was condemned to demolition, and in the respite between sentence and execution it had become a vague place of storage, a hospital for broken-down carriages and carts, presided over by a blear-eyed old woman who knew nothing of Flood's garage across the way—did not even remember what had stood there before the new flat-house began to rise.

"Well—we may run Leffler down somewhere; I've seen harder jobs done," said McCarren, cheerfully noting down the name.

As they walked back toward Sixth Avenue he added, in a less sanguine tone: "I'd undertake now to put the thing through if you could only put me on the track of that cyanide."

Granice's heart sank. Yes—there was the weak spot; he had felt it from the first! But he still hoped to convince McCarren that his case was strong enough without it; and he urged the reporter to come back to his rooms and sum up the facts with him again.

"Sorry, Mr. Granice, but I'm due at the office now. Besides, it'd be no use till I get some fresh stuff to work on. Suppose I call you up tomorrow or next day?"

He plunged into a trolley and left Granice gazing desolately after him.

Two days later he reappeared at the apartment, a shade less jaunty in demeanor.

"Well, Mr. Granice, the stars in their courses are against you, as the bard says. Can't get a trace of Flood, or of Leffler either. And you say you bought the motor through Flood, and sold it through him, too?"

"Yes," said Granice wearily.

"Who bought it, do you know?"

Granice wrinkled his brows. "Why, Flood—yes, Flood himself. I sold it back to him three months later."

"Flood? The devil! And I've ransacked the town for Flood. That kind of business disappears as if the earth had swallowed it."

Granice, discouraged, kept silence.

"That brings us back to the poison," McCarren continued, his note-book out. "Just go over that again, will you?"

And Granice went over it again. It had all been so simple at the time—and he had been so clever in covering up his traces! As soon as he decided on poison he looked about for an acquaintance who manufactured chemicals; and there was Jim Dawes, a Harvard classmate, in the dyeing business—just the man. But at the last moment it occurred to him that suspicion might turn toward so obvious an opportunity, and he decided on a more tortuous course. Another friend, Carrick Venn, a student of medicine whom irremediable ill-health had kept from the practice of his profession, amused his leisure with experiments in physics, for the exercise of which he had set up a simple laboratory. Granice had the habit of dropping in to smoke a cigar with him on Sunday afternoons, and the friends generally sat in Venn's work-shop, at the back of the old family house in Stuyvesant Square. Off this work-shop was the cupboard of supplies, with its row of deadly bottles. Carrick Venn was an original, a man of restless curious tastes, and his place, on a Sunday, was often full of visitors: a cheerful crowd of journalists, scribblers, painters, experimenters in divers forms of expression. Coming and going among so many, it was easy enough to pass unperceived; and one afternoon Granice, arriving before Venn had returned home, found himself alone in the work-shop, and quickly slipping into the cupboard, transferred the drug to his pocket.

But that had happened ten years ago; and Venn, poor fellow, was long since dead of his dragging ailment. His old father was dead, too, the house in Stuyvesant Square had been turned into a boarding-house, and the shifting life of New York had passed its rapid sponge over every trace of their obscure little history. Even the optimistic McCarren seemed to acknowledge the hopelessness of seeking for proof in that direction.

"And there's the third door slammed in our faces." He shut his note-book, and throwing back his head, rested his bright inquisitive eyes on Granice's furrowed face.

"Look here, Mr. Granice—you see the weak spot, don't you?"

The other made a despairing motion. "I see so many!"

"Yes: but the one that weakens all the others. Why the deuce do you want this thing known? Why do you want to put your head into the noose?"

Granice looked at him hopelessly, trying to take the measure of his quick light irreverent mind. No one so full of a cheerful animal life would believe in the craving for death as a sufficient motive; and Granice racked his brain for one more convincing. But suddenly he saw the reporter's face soften, and melt to a naive sentimentalism.

"Mr. Granice—has the memory of it always haunted you?"

Granice stared a moment, and then leapt at the opening. "That's it—the memory of it... always..."

McCarren nodded vehemently. "Dogged your steps, eh? Wouldn't let you sleep? The time came when you HAD to make a clean breast of it?"

"I had to. Can't you understand?"

The reporter struck his fist on the table. "God, sir! I don't suppose there's a human being with a drop of warm blood in him that can't picture the deadly horrors of remorse—"

The Celtic imagination was aflame, and Granice mutely thanked him for the word. What neither Ascham nor Denver would accept as a conceivable motive the Irish reporter seized on as the most adequate; and, as he said, once one could find a convincing motive, the difficulties of the case became so many incentives to effort.

"Remorse—REMORSE," he repeated, rolling the word under his tongue with an accent that was a clue to the psychology of the popular drama; and Granice, perversely, said to himself: "If I could only have struck that note I should have been running in six theatres at once."

He saw that from that moment McCarren's professional zeal would be fanned by emotional curiosity; and he profited by the fact to propose that they should dine together, and go on afterward to some music-hall or theatre. It was becoming necessary to Granice to feel himself an object of pre-occupation, to find himself in another mind. He took a kind of gray penumbral pleasure in riveting McCarren's attention on his case; and to feign the grimaces of moral anguish became a passionately engrossing game. He had not entered a theatre for months; but he sat out the meaningless performance in rigid tolerance, sustained by the sense of the reporter's observation.

Between the acts, McCarren amused him with anecdotes about the audience: he knew every one by sight, and could lift the curtain from every physiognomy. Granice listened indulgently. He had lost all interest in his kind, but he knew that he was himself the real centre of McCarren's attention, and that every word the latter spoke had an indirect bearing on his own problem.

"See that fellow over there—the little dried-up man in the third row, pulling his moustache? HIS memoirs would be worth publishing," McCarren said suddenly in the last entr'acte.

Granice, following his glance, recognized the detective from Allonby's office. For a moment he had the thrilling sense that he was being shadowed.

"Caesar, if HE could talk—!" McCarren continued. "Know who he is, of course? Dr. John B. Stell, the biggest alienist in the country—"

Granice, with a start, bent again between the heads in front of him. "THAT man—the fourth from the aisle? You're mistaken. That's not Dr. Stell."

McCarren laughed. "Well, I guess I've been in court enough to know Stell when I see him. He testifies in nearly all the big cases where they plead insanity."

A cold shiver ran down Granice's spine, but he repeated obstinately: "That's not Dr. Stell."

"Not Stell? Why, man, I KNOW him. Look—here he comes. If it isn't Stell, he won't speak to me."

The little dried-up man was moving slowly up the aisle. As he neared McCarren he made a slight gesture of recognition.

"How'do, Doctor Stell? Pretty slim show, ain't it?" the reporter cheerfully flung out at him. And Mr. J. B. Hewson, with a nod of amicable assent, passed on.

Granice sat benumbed. He knew he had not been mistaken—the man who had just passed was the same man whom Allonby had sent to see him: a physician disguised as a detective. Allonby, then, had thought him insane, like the others—had regarded his confession as the maundering of a maniac. The discovery froze Granice with horror—he seemed to see the mad-house gaping for him.

"Isn't there a man a good deal like him—a detective named J. B. Hewson?"

But he knew in advance what McCarren's answer would be. "Hewson? J. B. Hewson? Never heard of him. But that was J. B. Stell fast enough—I guess he can be trusted to know himself, and you saw he answered to his name."



VI

Some days passed before Granice could obtain a word with the District Attorney: he began to think that Allonby avoided him.

But when they were face to face Allonby's jovial countenance showed no sign of embarrassment. He waved his visitor to a chair, and leaned across his desk with the encouraging smile of a consulting physician.

Granice broke out at once: "That detective you sent me the other day—"

Allonby raised a deprecating hand.

"—I know: it was Stell the alienist. Why did you do that, Allonby?"

The other's face did not lose its composure. "Because I looked up your story first—and there's nothing in it."

"Nothing in it?" Granice furiously interposed.

"Absolutely nothing. If there is, why the deuce don't you bring me proofs? I know you've been talking to Peter Ascham, and to Denver, and to that little ferret McCarren of the Explorer. Have any of them been able to make out a case for you? No. Well, what am I to do?"

Granice's lips began to tremble. "Why did you play me that trick?"

"About Stell? I had to, my dear fellow: it's part of my business. Stell IS a detective, if you come to that—every doctor is."

The trembling of Granice's lips increased, communicating itself in a long quiver to his facial muscles. He forced a laugh through his dry throat. "Well—and what did he detect?"

"In you? Oh, he thinks it's overwork—overwork and too much smoking. If you look in on him some day at his office he'll show you the record of hundreds of cases like yours, and advise you what treatment to follow. It's one of the commonest forms of hallucination. Have a cigar, all the same."

"But, Allonby, I killed that man!"

The District Attorney's large hand, outstretched on his desk, had an almost imperceptible gesture, and a moment later, as if an answer to the call of an electric bell, a clerk looked in from the outer office.

"Sorry, my dear fellow—lot of people waiting. Drop in on Stell some morning," Allonby said, shaking hands.

McCarren had to own himself beaten: there was absolutely no flaw in the alibi. And since his duty to his journal obviously forbade his wasting time on insoluble mysteries, he ceased to frequent Granice, who dropped back into a deeper isolation. For a day or two after his visit to Allonby he continued to live in dread of Dr. Stell. Why might not Allonby have deceived him as to the alienist's diagnosis? What if he were really being shadowed, not by a police agent but by a mad-doctor? To have the truth out, he suddenly determined to call on Dr. Stell.

The physician received him kindly, and reverted without embarrassment to the conditions of their previous meeting. "We have to do that occasionally, Mr. Granice; it's one of our methods. And you had given Allonby a fright."

Granice was silent. He would have liked to reaffirm his guilt, to produce the fresh arguments which had occurred to him since his last talk with the physician; but he feared his eagerness might be taken for a symptom of derangement, and he affected to smile away Dr. Stell's allusion.

"You think, then, it's a case of brain-fag—nothing more?"

"Nothing more. And I should advise you to knock off tobacco. You smoke a good deal, don't you?"

He developed his treatment, recommending massage, gymnastics, travel, or any form of diversion that did not—that in short—

Granice interrupted him impatiently. "Oh, I loathe all that—and I'm sick of travelling."

"H'm. Then some larger interest—politics, reform, philanthropy? Something to take you out of yourself."

"Yes. I understand," said Granice wearily.

"Above all, don't lose heart. I see hundreds of cases like yours," the doctor added cheerfully from the threshold.

On the doorstep Granice stood still and laughed. Hundreds of cases like his—the case of a man who had committed a murder, who confessed his guilt, and whom no one would believe! Why, there had never been a case like it in the world. What a good figure Stell would have made in a play: the great alienist who couldn't read a man's mind any better than that!

Granice saw huge comic opportunities in the type.

But as he walked away, his fears dispelled, the sense of listlessness returned on him. For the first time since his avowal to Peter Ascham he found himself without an occupation, and understood that he had been carried through the past weeks only by the necessity of constant action. Now his life had once more become a stagnant backwater, and as he stood on the street corner watching the tides of traffic sweep by, he asked himself despairingly how much longer he could endure to float about in the sluggish circle of his consciousness.

The thought of self-destruction recurred to him; but again his flesh recoiled. He yearned for death from other hands, but he could never take it from his own. And, aside from his insuperable physical reluctance, another motive restrained him. He was possessed by the dogged desire to establish the truth of his story. He refused to be swept aside as an irresponsible dreamer—even if he had to kill himself in the end, he would not do so before proving to society that he had deserved death from it.

He began to write long letters to the papers; but after the first had been published and commented on, public curiosity was quelled by a brief statement from the District Attorney's office, and the rest of his communications remained unprinted. Ascham came to see him, and begged him to travel. Robert Denver dropped in, and tried to joke him out of his delusion; till Granice, mistrustful of their motives, began to dread the reappearance of Dr. Stell, and set a guard on his lips. But the words he kept back engendered others and still others in his brain. His inner self became a humming factory of arguments, and he spent long hours reciting and writing down elaborate statements of his crime, which he constantly retouched and developed. Then gradually his activity languished under the lack of an audience, the sense of being buried beneath deepening drifts of indifference. In a passion of resentment he swore that he would prove himself a murderer, even if he had to commit another crime to do it; and for a sleepless night or two the thought flamed red on his darkness. But daylight dispelled it. The determining impulse was lacking and he hated too promiscuously to choose his victim... So he was thrown back on the unavailing struggle to impose the truth of his story. As fast as one channel closed on him he tried to pierce another through the sliding sands of incredulity. But every issue seemed blocked, and the whole human race leagued together to cheat one man of the right to die.

Thus viewed, the situation became so monstrous that he lost his last shred of self-restraint in contemplating it. What if he were really the victim of some mocking experiment, the centre of a ring of holiday-makers jeering at a poor creature in its blind dashes against the solid walls of consciousness? But, no—men were not so uniformly cruel: there were flaws in the close surface of their indifference, cracks of weakness and pity here and there...

Granice began to think that his mistake lay in having appealed to persons more or less familiar with his past, and to whom the visible conformities of his life seemed a final disproof of its one fierce secret deviation. The general tendency was to take for the whole of life the slit seen between the blinders of habit: and in his walk down that narrow vista Granice cut a correct enough figure. To a vision free to follow his whole orbit his story would be more intelligible: it would be easier to convince a chance idler in the street than the trained intelligence hampered by a sense of his antecedents. This idea shot up in him with the tropic luxuriance of each new seed of thought, and he began to walk the streets, and to frequent out-of-the-way chop-houses and bars in his search for the impartial stranger to whom he should disclose himself.

At first every face looked encouragement; but at the crucial moment he always held back. So much was at stake, and it was so essential that his first choice should be decisive. He dreaded stupidity, timidity, intolerance. The imaginative eye, the furrowed brow, were what he sought. He must reveal himself only to a heart versed in the tortuous motions of the human will; and he began to hate the dull benevolence of the average face. Once or twice, obscurely, allusively, he made a beginning—once sitting down at a man's side in a basement chop-house, another day approaching a lounger on an east-side wharf. But in both cases the premonition of failure checked him on the brink of avowal. His dread of being taken for a man in the clutch of a fixed idea gave him an unnatural keenness in reading the expression of his interlocutors, and he had provided himself in advance with a series of verbal alternatives, trap-doors of evasion from the first dart of ridicule or suspicion.

He passed the greater part of the day in the streets, coming home at irregular hours, dreading the silence and orderliness of his apartment, and the critical scrutiny of Flint. His real life was spent in a world so remote from this familiar setting that he sometimes had the mysterious sense of a living metempsychosis, a furtive passage from one identity to another—yet the other as unescapably himself!

One humiliation he was spared: the desire to live never revived in him. Not for a moment was he tempted to a shabby pact with existing conditions. He wanted to die, wanted it with the fixed unwavering desire which alone attains its end. And still the end eluded him! It would not always, of course—he had full faith in the dark star of his destiny. And he could prove it best by repeating his story, persistently and indefatigably, pouring it into indifferent ears, hammering it into dull brains, till at last it kindled a spark, and some one of the careless millions paused, listened, believed...

It was a mild March day, and he had been loitering on the west-side docks, looking at faces. He was becoming an expert in physiognomies: his eagerness no longer made rash darts and awkward recoils. He knew now the face he needed, as clearly as if it had come to him in a vision; and not till he found it would he speak. As he walked eastward through the shabby reeking streets he had a premonition that he should find it that morning. Perhaps it was the promise of spring in the air—certainly he felt calmer than for many days...

He turned into Washington Square, struck across it obliquely, and walked up University Place. Its heterogeneous passers always allured him—they were less hurried than in Broadway, less enclosed and classified than in Fifth Avenue. He walked slowly, watching for his face.

At Union Square he felt a sudden relapse into discouragement, like a votary who has watched too long for a sign from the altar. Perhaps, after all, he should never find his face... The air was languid, and he felt tired. He walked between the bald grass-plots and the twisted trees, making for an empty seat. Presently he passed a bench on which a girl sat alone, and something as definite as the twitch of a cord made him stop before her. He had never dreamed of telling his story to a girl, had hardly looked at the women's faces as they passed. His case was man's work: how could a woman help him? But this girl's face was extraordinary—quiet and wide as a clear evening sky. It suggested a hundred images of space, distance, mystery, like ships he had seen, as a boy, quietly berthed by a familiar wharf, but with the breath of far seas and strange harbours in their shrouds... Certainly this girl would understand. He went up to her quietly, lifting his hat, observing the forms—wishing her to see at once that he was "a gentleman."

"I am a stranger to you," he began, sitting down beside her, "but your face is so extremely intelligent that I feel... I feel it is the face I've waited for... looked for everywhere; and I want to tell you—"

The girl's eyes widened: she rose to her feet. She was escaping him!

In his dismay he ran a few steps after her, and caught her roughly by the arm.

"Here—wait—listen! Oh, don't scream, you fool!" he shouted out.

He felt a hand on his own arm; turned and confronted a policeman. Instantly he understood that he was being arrested, and something hard within him was loosened and ran to tears.

"Ah, you know—you KNOW I'm guilty!"

He was conscious that a crowd was forming, and that the girl's frightened face had disappeared. But what did he care about her face? It was the policeman who had really understood him. He turned and followed, the crowd at his heels...



VII

In the charming place in which he found himself there were so many sympathetic faces that he felt more than ever convinced of the certainty of making himself heard.

It was a bad blow, at first, to find that he had not been arrested for murder; but Ascham, who had come to him at once, explained that he needed rest, and the time to "review" his statements; it appeared that reiteration had made them a little confused and contradictory. To this end he had willingly acquiesced in his removal to a large quiet establishment, with an open space and trees about it, where he had found a number of intelligent companions, some, like himself, engaged in preparing or reviewing statements of their cases, and others ready to lend an interested ear to his own recital.

For a time he was content to let himself go on the tranquil current of this existence; but although his auditors gave him for the most part an encouraging attention, which, in some, went the length of really brilliant and helpful suggestion, he gradually felt a recurrence of his old doubts. Either his hearers were not sincere, or else they had less power to aid him than they boasted. His interminable conferences resulted in nothing, and as the benefit of the long rest made itself felt, it produced an increased mental lucidity which rendered inaction more and more unbearable. At length he discovered that on certain days visitors from the outer world were admitted to his retreat; and he wrote out long and logically constructed relations of his crime, and furtively slipped them into the hands of these messengers of hope.

This occupation gave him a fresh lease of patience, and he now lived only to watch for the visitors' days, and scan the faces that swept by him like stars seen and lost in the rifts of a hurrying sky.

Mostly, these faces were strange and less intelligent than those of his companions. But they represented his last means of access to the world, a kind of subterranean channel on which he could set his "statements" afloat, like paper boats which the mysterious current might sweep out into the open seas of life.

One day, however, his attention was arrested by a familiar contour, a pair of bright prominent eyes, and a chin insufficiently shaved. He sprang up and stood in the path of Peter McCarren.

The journalist looked at him doubtfully, then held out his hand with a startled deprecating, "WHY—?"

"You didn't know me? I'm so changed?" Granice faltered, feeling the rebound of the other's wonder.

"Why, no; but you're looking quieter—smoothed out," McCarren smiled.

"Yes: that's what I'm here for—to rest. And I've taken the opportunity to write out a clearer statement—"

Granice's hand shook so that he could hardly draw the folded paper from his pocket. As he did so he noticed that the reporter was accompanied by a tall man with grave compassionate eyes. It came to Granice in a wild thrill of conviction that this was the face he had waited for...

"Perhaps your friend—he IS your friend?—would glance over it—or I could put the case in a few words if you have time?" Granice's voice shook like his hand. If this chance escaped him he felt that his last hope was gone. McCarren and the stranger looked at each other, and the former glanced at his watch.

"I'm sorry we can't stay and talk it over now, Mr. Granice; but my friend has an engagement, and we're rather pressed—"

Granice continued to proffer the paper. "I'm sorry—I think I could have explained. But you'll take this, at any rate?"

The stranger looked at him gently. "Certainly—I'll take it." He had his hand out. "Good-bye."

"Good-bye," Granice echoed.

He stood watching the two men move away from him through the long light hall; and as he watched them a tear ran down his face. But as soon as they were out of sight he turned and walked hastily toward his room, beginning to hope again, already planning a new statement.

Outside the building the two men stood still, and the journalist's companion looked up curiously at the long monotonous rows of barred windows.

"So that was Granice?"

"Yes—that was Granice, poor devil," said McCarren.

"Strange case! I suppose there's never been one just like it? He's still absolutely convinced that he committed that murder?"

"Absolutely. Yes."

The stranger reflected. "And there was no conceivable ground for the idea? No one could make out how it started? A quiet conventional sort of fellow like that—where do you suppose he got such a delusion? Did you ever get the least clue to it?"

McCarren stood still, his hands in his pockets, his head cocked up in contemplation of the barred windows. Then he turned his bright hard gaze on his companion.

"That was the queer part of it. I've never spoken of it—but I DID get a clue."

"By Jove! That's interesting. What was it?"

McCarren formed his red lips into a whistle. "Why—that it wasn't a delusion."

He produced his effect—the other turned on him with a pallid stare.

"He murdered the man all right. I tumbled on the truth by the merest accident, when I'd pretty nearly chucked the whole job."

"He murdered him—murdered his cousin?"

"Sure as you live. Only don't split on me. It's about the queerest business I ever ran into... DO ABOUT IT? Why, what was I to do? I couldn't hang the poor devil, could I? Lord, but I was glad when they collared him, and had him stowed away safe in there!"

The tall man listened with a grave face, grasping Granice's statement in his hand.

"Here—take this; it makes me sick," he said abruptly, thrusting the paper at the reporter; and the two men turned and walked in silence to the gates.

The End



THE DILETTANTE

As first published in Harper's Monthly, December 1903

It was on an impulse hardly needing the arguments he found himself advancing in its favor, that Thursdale, on his way to the club, turned as usual into Mrs. Vervain's street.

The "as usual" was his own qualification of the act; a convenient way of bridging the interval—in days and other sequences—that lay between this visit and the last. It was characteristic of him that he instinctively excluded his call two days earlier, with Ruth Gaynor, from the list of his visits to Mrs. Vervain: the special conditions attending it had made it no more like a visit to Mrs. Vervain than an engraved dinner invitation is like a personal letter. Yet it was to talk over his call with Miss Gaynor that he was now returning to the scene of that episode; and it was because Mrs. Vervain could be trusted to handle the talking over as skilfully as the interview itself that, at her corner, he had felt the dilettante's irresistible craving to take a last look at a work of art that was passing out of his possession.

On the whole, he knew no one better fitted to deal with the unexpected than Mrs. Vervain. She excelled in the rare art of taking things for granted, and Thursdale felt a pardonable pride in the thought that she owed her excellence to his training. Early in his career Thursdale had made the mistake, at the outset of his acquaintance with a lady, of telling her that he loved her and exacting the same avowal in return. The latter part of that episode had been like the long walk back from a picnic, when one has to carry all the crockery one has finished using: it was the last time Thursdale ever allowed himself to be encumbered with the debris of a feast. He thus incidentally learned that the privilege of loving her is one of the least favors that a charming woman can accord; and in seeking to avoid the pitfalls of sentiment he had developed a science of evasion in which the woman of the moment became a mere implement of the game. He owed a great deal of delicate enjoyment to the cultivation of this art. The perils from which it had been his refuge became naively harmless: was it possible that he who now took his easy way along the levels had once preferred to gasp on the raw heights of emotion? Youth is a high-colored season; but he had the satisfaction of feeling that he had entered earlier than most into that chiar'oscuro of sensation where every half-tone has its value.

As a promoter of this pleasure no one he had known was comparable to Mrs. Vervain. He had taught a good many women not to betray their feelings, but he had never before had such fine material to work in. She had been surprisingly crude when he first knew her; capable of making the most awkward inferences, of plunging through thin ice, of recklessly undressing her emotions; but she had acquired, under the discipline of his reticences and evasions, a skill almost equal to his own, and perhaps more remarkable in that it involved keeping time with any tune he played and reading at sight some uncommonly difficult passages.

It had taken Thursdale seven years to form this fine talent; but the result justified the effort. At the crucial moment she had been perfect: her way of greeting Miss Gaynor had made him regret that he had announced his engagement by letter. It was an evasion that confessed a difficulty; a deviation implying an obstacle, where, by common consent, it was agreed to see none; it betrayed, in short, a lack of confidence in the completeness of his method. It had been his pride never to put himself in a position which had to be quitted, as it were, by the back door; but here, as he perceived, the main portals would have opened for him of their own accord. All this, and much more, he read in the finished naturalness with which Mrs. Vervain had met Miss Gaynor. He had never seen a better piece of work: there was no over-eagerness, no suspicious warmth, above all (and this gave her art the grace of a natural quality) there were none of those damnable implications whereby a woman, in welcoming her friend's betrothed, may keep him on pins and needles while she laps the lady in complacency. So masterly a performance, indeed, hardly needed the offset of Miss Gaynor's door-step words—"To be so kind to me, how she must have liked you!"—though he caught himself wishing it lay within the bounds of fitness to transmit them, as a final tribute, to the one woman he knew who was unfailingly certain to enjoy a good thing. It was perhaps the one drawback to his new situation that it might develop good things which it would be impossible to hand on to Margaret Vervain.

The fact that he had made the mistake of underrating his friend's powers, the consciousness that his writing must have betrayed his distrust of her efficiency, seemed an added reason for turning down her street instead of going on to the club. He would show her that he knew how to value her; he would ask her to achieve with him a feat infinitely rarer and more delicate than the one he had appeared to avoid. Incidentally, he would also dispose of the interval of time before dinner: ever since he had seen Miss Gaynor off, an hour earlier, on her return journey to Buffalo, he had been wondering how he should put in the rest of the afternoon. It was absurd, how he missed the girl.... Yes, that was it; the desire to talk about her was, after all, at the bottom of his impulse to call on Mrs. Vervain! It was absurd, if you like—but it was delightfully rejuvenating. He could recall the time when he had been afraid of being obvious: now he felt that this return to the primitive emotions might be as restorative as a holiday in the Canadian woods. And it was precisely by the girl's candor, her directness, her lack of complications, that he was taken. The sense that she might say something rash at any moment was positively exhilarating: if she had thrown her arms about him at the station he would not have given a thought to his crumpled dignity. It surprised Thursdale to find what freshness of heart he brought to the adventure; and though his sense of irony prevented his ascribing his intactness to any conscious purpose, he could but rejoice in the fact that his sentimental economies had left him such a large surplus to draw upon.

Mrs. Vervain was at home—as usual. When one visits the cemetery one expects to find the angel on the tombstone, and it struck Thursdale as another proof of his friend's good taste that she had been in no undue haste to change her habits. The whole house appeared to count on his coming; the footman took his hat and overcoat as naturally as though there had been no lapse in his visits; and the drawing-room at once enveloped him in that atmosphere of tacit intelligence which Mrs. Vervain imparted to her very furniture.

It was a surprise that, in this general harmony of circumstances, Mrs. Vervain should herself sound the first false note.

"You?" she exclaimed; and the book she held slipped from her hand.

It was crude, certainly; unless it were a touch of the finest art. The difficulty of classifying it disturbed Thursdale's balance.

"Why not?" he said, restoring the book. "Isn't it my hour?" And as she made no answer, he added gently, "Unless it's some one else's?"

She laid the book aside and sank back into her chair. "Mine, merely," she said.

"I hope that doesn't mean that you're unwilling to share it?"

"With you? By no means. You're welcome to my last crust."

He looked at her reproachfully. "Do you call this the last?"

She smiled as he dropped into the seat across the hearth. "It's a way of giving it more flavor!"

He returned the smile. "A visit to you doesn't need such condiments."

She took this with just the right measure of retrospective amusement.

"Ah, but I want to put into this one a very special taste," she confessed.

Her smile was so confident, so reassuring, that it lulled him into the imprudence of saying, "Why should you want it to be different from what was always so perfectly right?"

She hesitated. "Doesn't the fact that it's the last constitute a difference?"

"The last—my last visit to you?"

"Oh, metaphorically, I mean—there's a break in the continuity."

Decidedly, she was pressing too hard: unlearning his arts already!

"I don't recognize it," he said. "Unless you make me—" he added, with a note that slightly stirred her attitude of languid attention.

She turned to him with grave eyes. "You recognize no difference whatever?"

"None—except an added link in the chain."

"An added link?"

"In having one more thing to like you for—your letting Miss Gaynor see why I had already so many." He flattered himself that this turn had taken the least hint of fatuity from the phrase.

Mrs. Vervain sank into her former easy pose. "Was it that you came for?" she asked, almost gaily.

"If it is necessary to have a reason—that was one."

"To talk to me about Miss Gaynor?"

"To tell you how she talks about you."

"That will be very interesting—especially if you have seen her since her second visit to me."

"Her second visit?" Thursdale pushed his chair back with a start and moved to another. "She came to see you again?"

"This morning, yes—by appointment."

He continued to look at her blankly. "You sent for her?"

"I didn't have to—she wrote and asked me last night. But no doubt you have seen her since."

Thursdale sat silent. He was trying to separate his words from his thoughts, but they still clung together inextricably. "I saw her off just now at the station."

"And she didn't tell you that she had been here again?"

"There was hardly time, I suppose—there were people about—" he floundered.

"Ah, she'll write, then."

He regained his composure. "Of course she'll write: very often, I hope. You know I'm absurdly in love," he cried audaciously.

She tilted her head back, looking up at him as he leaned against the chimney-piece. He had leaned there so often that the attitude touched a pulse which set up a throbbing in her throat. "Oh, my poor Thursdale!" she murmured.

"I suppose it's rather ridiculous," he owned; and as she remained silent, he added, with a sudden break—"Or have you another reason for pitying me?"

Her answer was another question. "Have you been back to your rooms since you left her?"

"Since I left her at the station? I came straight here."

"Ah, yes—you COULD: there was no reason—" Her words passed into a silent musing.

Thursdale moved nervously nearer. "You said you had something to tell me?"

"Perhaps I had better let her do so. There may be a letter at your rooms."

"A letter? What do you mean? A letter from HER? What has happened?"

His paleness shook her, and she raised a hand of reassurance. "Nothing has happened—perhaps that is just the worst of it. You always HATED, you know," she added incoherently, "to have things happen: you never would let them."

"And now—?"

"Well, that was what she came here for: I supposed you had guessed. To know if anything had happened."

"Had happened?" He gazed at her slowly. "Between you and me?" he said with a rush of light.

The words were so much cruder than any that had ever passed between them that the color rose to her face; but she held his startled gaze.

"You know girls are not quite as unsophisticated as they used to be. Are you surprised that such an idea should occur to her?"

His own color answered hers: it was the only reply that came to him.

Mrs. Vervain went on, smoothly: "I supposed it might have struck you that there were times when we presented that appearance."

He made an impatient gesture. "A man's past is his own!"

"Perhaps—it certainly never belongs to the woman who has shared it. But one learns such truths only by experience; and Miss Gaynor is naturally inexperienced."

"Of course—but—supposing her act a natural one—" he floundered lamentably among his innuendoes—"I still don't see—how there was anything—"

"Anything to take hold of? There wasn't—"

"Well, then—?" escaped him, in crude satisfaction; but as she did not complete the sentence he went on with a faltering laugh: "She can hardly object to the existence of a mere friendship between us!"

"But she does," said Mrs. Vervain.

Thursdale stood perplexed. He had seen, on the previous day, no trace of jealousy or resentment in his betrothed: he could still hear the candid ring of the girl's praise of Mrs. Vervain. If she were such an abyss of insincerity as to dissemble distrust under such frankness, she must at least be more subtle than to bring her doubts to her rival for solution. The situation seemed one through which one could no longer move in a penumbra, and he let in a burst of light with the direct query: "Won't you explain what you mean?"

Mrs. Vervain sat silent, not provokingly, as though to prolong his distress, but as if, in the attenuated phraseology he had taught her, it was difficult to find words robust enough to meet his challenge. It was the first time he had ever asked her to explain anything; and she had lived so long in dread of offering elucidations which were not wanted, that she seemed unable to produce one on the spot.

At last she said slowly: "She came to find out if you were really free."

Thursdale colored again. "Free?" he stammered, with a sense of physical disgust at contact with such crassness.

"Yes—if I had quite done with you." She smiled in recovered security. "It seems she likes clear outlines; she has a passion for definitions."

"Yes—well?" he said, wincing at the echo of his own subtlety.

"Well—and when I told her that you had never belonged to me, she wanted me to define MY status—to know exactly where I had stood all along."

Thursdale sat gazing at her intently; his hand was not yet on the clue. "And even when you had told her that—"

"Even when I had told her that I had HAD no status—that I had never stood anywhere, in any sense she meant," said Mrs. Vervain, slowly—"even then she wasn't satisfied, it seems."

He uttered an uneasy exclamation. "She didn't believe you, you mean?"

"I mean that she DID believe me: too thoroughly."

"Well, then—in God's name, what did she want?"

"Something more—those were the words she used."

"Something more? Between—between you and me? Is it a conundrum?" He laughed awkwardly.

"Girls are not what they were in my day; they are no longer forbidden to contemplate the relation of the sexes."

"So it seems!" he commented. "But since, in this case, there wasn't any—" he broke off, catching the dawn of a revelation in her gaze.

"That's just it. The unpardonable offence has been—in our not offending."

He flung himself down despairingly. "I give it up!—What did you tell her?" he burst out with sudden crudeness.

"The exact truth. If I had only known," she broke off with a beseeching tenderness, "won't you believe that I would still have lied for you?"

"Lied for me? Why on earth should you have lied for either of us?"

"To save you—to hide you from her to the last! As I've hidden you from myself all these years!" She stood up with a sudden tragic import in her movement. "You believe me capable of that, don't you? If I had only guessed—but I have never known a girl like her; she had the truth out of me with a spring."

"The truth that you and I had never—"

"Had never—never in all these years! Oh, she knew why—she measured us both in a flash. She didn't suspect me of having haggled with you—her words pelted me like hail. 'He just took what he wanted—sifted and sorted you to suit his taste. Burnt out the gold and left a heap of cinders. And you let him—you let yourself be cut in bits'—she mixed her metaphors a little—'be cut in bits, and used or discarded, while all the while every drop of blood in you belonged to him! But he's Shylock—and you have bled to death of the pound of flesh he has cut out of you.' But she despises me the most, you know—far the most—" Mrs. Vervain ended.

The words fell strangely on the scented stillness of the room: they seemed out of harmony with its setting of afternoon intimacy, the kind of intimacy on which at any moment, a visitor might intrude without perceptibly lowering the atmosphere. It was as though a grand opera-singer had strained the acoustics of a private music-room.