"She looked at me doubtfully.

"'But war—' she said.

"I saw a doubt on her face that I had seen before, a doubt of herself and me, the first shadow of the discovery that, seen strongly and completely, must drive us apart for ever.

"Now, I was an older mind than hers, and I could sway her to this belief or that.

"'My dear one,' I said, 'you must not trouble over these things. There will be no war. Certainly there will be no war. The age of wars is past. Trust me to know the justice of this case. They have no right upon me, dearest, and no one has a right upon me. I have been free to choose my life, and I have chosen this.'

"'But war—,' she said.

"I sat down beside her. I put an arm behind her and took her hand in mine. I set myself to drive that doubt away—I set myself to fill her mind with pleasant things again. I lied to her, and in lying to her I lied also to myself. And she was only too ready to believe me, only too ready to forget.

"Very soon the shadow had gone again, and we were hastening to our bathing-place in the Grotta del Bovo Marino, where it was our custom to bathe every day. We swam and splashed one another, and in that buoyant water I seemed to become something lighter and stronger than a man. And at last we came out dripping and rejoicing and raced among the rocks. And then I put on a dry bathing-dress, and we sat to bask in the sun, and presently I nodded, resting my head against her knee, and she put her hand upon my hair and stroked it softly and I dozed. And behold! as it were with the snapping of the string of a violin, I was awakening, and I was in my own bed in Liverpool, in the life of to-day.

"Only for a time I could not believe that all these vivid moments had been no more than the substance of a dream.

"In truth, I could not believe it a dream for all the sobering reality of things about me. I bathed and dressed as it were by habit, and as I shaved I argued why I of all men should leave the woman I loved to go back to fantastic politics in the hard and strenuous north. Even if Evesham did force the world back to war, what was that to me? I was a man with the heart of a man, and why should I feel the responsibility of a deity for the way the world might go?

"You know that is not quite the way I think about affairs, about my real affairs. I am a solicitor, you know, with a point of view.

"The vision was so real, you must understand, so utterly unlike a dream that I kept perpetually recalling little irrelevant details; even the ornament of the book-cover that lay on my wife's sewing-machine in the breakfast-room recalled with the utmost vividness the gilt line that ran about the seat in the alcove where I had talked with the messenger from my deserted party. Have you ever heard of a dream that had a quality like that?"

"Like—?"

"So that afterwards you remembered little details you had forgotten."

I thought. I had never noticed the point before, but he was right.

"Never," I said. "That is what you never seem to do with dreams."

"No," he answered. "But that is just what I did. I am a solicitor, you must understand, in Liverpool, and I could not help wondering what the clients and business people I found myself talking to in my office would think if I told them suddenly I was in love with a girl who would be born a couple of hundred years or so hence, and worried about the politics of my great-great-great-grandchildren. I was chiefly busy that day negotiating a ninety-nine-year building lease. It was a private builder in a hurry, and we wanted to tie him in every possible way. I had an interview with him, and he showed a certain want of temper that sent me to bed still irritated. That night I had no dream. Nor did I dream the next night, at least, to remember.

"Something of that intense reality of conviction vanished. I began to feel sure it was a dream. And then it came again.

"When the dream came again, nearly four days later, it was very different. I think it certain that four days had also elapsed in the dream. Many things had happened in the north, and the shadow of them was back again between us, and this time it was not so easily dispelled. I began I know with moody musings. Why, in spite of all, should I go back, go back for all the rest of my days to toil and stress, insults and perpetual dissatisfaction, simply to save hundreds of millions of common people, whom I did not love, whom too often I could do no other than despise, from the stress and anguish of war and infinite misrule? And after all I might fail. They all sought their own narrow ends, and why should not I—why should not I also live as a man? And out of such thoughts her voice summoned me, and I lifted my eyes.

"I found myself awake and walking. We had come out above the Pleasure City, we were near the summit of Monte Solaro and looking towards the bay. It was the late afternoon and very clear. Far away to the left Ischia hung in a golden haze between sea and sky, and Naples was coldly white against the hills, and before us was Vesuvius with a tall and slender streamer feathering at last towards the south, and the ruins of Torre dell' Annunziata and Castellammare glittering and near."

I interrupted suddenly: "You have been to Capri, of course?"

"Only in this dream," he said, "only in this dream. All across the bay beyond Sorrento were the floating palaces of the Pleasure City moored and chained. And northward were the broad floating stages that received the aeroplanes. Aeroplanes fell out of the sky every afternoon, each bringing its thousands of pleasure-seekers from the uttermost parts of the earth to Capri and its delights. All these things, I say, stretched below.

"But we noticed them only incidentally because of an unusual sight that evening had to show. Five war aeroplanes that had long slumbered useless in the distant arsenals of the Rhinemouth were manoeuvring now in the eastward sky. Evesham had astonished the world by producing them and others, and sending them to circle here and there. It was the threat material in the great game of bluff he was playing, and it had taken even me by surprise. He was one of those incredibly stupid energetic people who seem sent by heaven to create disasters. His energy to the first glance seemed so wonderfully like capacity! But he had no imagination, no invention, only a stupid, vast, driving force of will, and a mad faith in his stupid idiot 'luck' to pull him through. I remember how we stood upon the headland watching the squadron circling far away, and how I weighed the full meaning of the sight, seeing clearly the way things must go. And then even it was not too late. I might have gone back, I think, and saved the world. The people of the north would follow me, I knew, granted only that in one thing I respected their moral standards. The east and south would trust me as they would trust no other northern man. And I knew I had only to put it to her and she would have let me go . . . . Not because she did not love me!

"Only I did not want to go; my will was all the other way about. I had so newly thrown off the incubus of responsibility: I was still so fresh a renegade from duty that the daylight clearness of what I ought to do had no power at all to touch my will. My will was to live, to gather pleasures and make my dear lady happy. But though this sense of vast neglected duties had no power to draw me, it could make me silent and preoccupied, it robbed the days I had spent of half their brightness and roused me into dark meditations in the silence of the night. And as I stood and watched Evesham's aeroplanes sweep to and fro—those birds of infinite ill omen—she stood beside me watching me, perceiving the trouble indeed, but not perceiving it clearly—her eyes questioning my face, her expression shaded with perplexity. Her face was gray because the sunset was fading out of the sky. It was no fault of hers that she held me. She had asked me to go from her, and again in the night time and with tears she had asked me to go.

"At last it was the sense of her that roused me from my mood. I turned upon her suddenly and challenged her to race down the mountain slopes. 'No,' she said, as if I had jarred with her gravity, but I was resolved to end that gravity, and make her run—no one can be very gray and sad who is out of breath—and when she stumbled I ran with my hand beneath her arm. We ran down past a couple of men, who turned back staring in astonishment at my behaviour—they must have recognised my face. And half way down the slope came a tumult in the air, clang-clank, clang-clank, and we stopped, and presently over the hill-crest those war things came flying one behind the other."

The man seemed hesitating on the verge of a description.

"What were they like?" I asked.

"They had never fought," he said. "They were just like our ironclads are nowadays; they had never fought. No one knew what they might do, with excited men inside them; few even cared to speculate. They were great driving things shaped like spear-heads without a shaft, with a propeller in the place of the shaft."

"Steel?"

"Not steel."

"Aluminum?"

"No, no, nothing of that sort. An alloy that was very common—as common as brass, for example. It was called—let me see—" He squeezed his forehead with the fingers of one hand. "I am forgetting everything," he said.

"And they carried guns?"

"Little guns, firing high explosive shells. They fired the guns backwards, out of the base of the leaf, so to speak, and rammed with the beak. That was the theory, you know, but they had never been fought. No one could tell exactly what was going to happen. And meanwhile I suppose it was very fine to go whirling through the air like a flight of young swallows, swift and easy. I guess the captains tried not to think too clearly what the real thing would be like. And these flying war machines, you know, were only one sort of the endless war contrivances that had been invented and had fallen into abeyance during the long peace. There were all sorts of these things that people were routing out and furbishing up; infernal things, silly things; things that had never been tried; big engines, terrible explosives, great guns. You know the silly way of these ingenious sort of men who make these things; they turn 'em out as beavers build dams, and with no more sense of the rivers they're going to divert and the lands they're going to flood!

"As we went down the winding stepway to our hotel again, in the twilight, I foresaw it all: I saw how clearly and inevitably things were driving for war in Evesham's silly, violent hands, and I had some inkling of what war was bound to be under these new conditions. And even then, though I knew it was drawing near the limit of my opportunity, I could find no will to go back."

He sighed.

"That was my last chance.

"We didn't go into the city until the sky was full of stars, so we walked out upon the high terrace, to and fro, and—she counselled me to go back.

"'My dearest,' she said, and her sweet face looked up to me, 'this is Death. This life you lead is Death. Go back to them, go back to your duty—'

"She began to weep, saying, between her sobs, and clinging to my arm as she said it, 'Go back—Go back.'

"Then suddenly she fell mute, and, glancing down at her face, I read in an instant the thing she had thought to do. It was one of those moments when one sees.

"'No!' I said.

"'No?' she asked, in surprise and I think a little fearful at the answer to her thought.

"'Nothing,' I said, 'shall send me back. Nothing! I have chosen. Love, I have chosen, and the world must go. Whatever happens I will live this life—I will live for you! It—nothing shall turn me aside; nothing, my dear one. Even if you died—even if you died—'

"'Yes?' she murmured, softly.

"'Then—I also would die.'

"And before she could speak again I began to talk, talking eloquently—as I could do in that life—talking to exalt love, to make the life we were living seem heroic and glorious; and the thing I was deserting something hard and enormously ignoble that it was a fine thing to set aside. I bent all my mind to throw that glamour upon it, seeking not only to convert her but myself to that. We talked, and she clung to me, torn too between all that she deemed noble and all that she knew was sweet. And at last I did make it heroic, made all the thickening disaster of the world only a sort of glorious setting to our unparalleled love, and we two poor foolish souls strutted there at last, clad in that splendid delusion, drunken rather with that glorious delusion, under the still stars.

"And so my moment passed.

"It was my last chance. Even as we went to and fro there, the leaders of the south and east were gathering their resolve, and the hot answer that shattered Evesham's bluffing for ever, took shape and waited. And, all over Asia, and the ocean, and the South, the air and the wires were throbbing with their warnings to prepare—prepare.

"No one living, you know, knew what war was; no one could imagine, with all these new inventions, what horror war might bring. I believe most people still believed it would be a matter of bright uniforms and shouting charges and triumphs and flags and bands—in a time when half the world drew its food supply from regions ten thousand miles away—"

The man with the white face paused. I glanced at him, and his face was intent on the floor of the carriage. A little railway station, a string of loaded trucks, a signal-box, and the back of a cottage, shot by the carriage window, and a bridge passed with a clap of noise, echoing the tumult of the train.

"After that," he said, "I dreamt often. For three weeks of nights that dream was my life. And the worst of it was there were nights when I could not dream, when I lay tossing on a bed in this accursed life; and there—somewhere lost to me—things were happening—momentous, terrible things . . . I lived at nights—my days, my waking days, this life I am living now, became a faded, far-away dream, a drab setting, the cover of the book."

He thought.

"I could tell you all, tell you every little thing in the dream, but as to what I did in the daytime—no. I could not tell—I do not remember. My memory—my memory has gone. The business of life slips from me—"

He leant forward, and pressed his hands upon his eyes. For a long time he said nothing.

"And then?" said I.

"The war burst like a hurricane."

He stared before him at unspeakable things.

"And then?" I urged again.

"One touch of unreality," he said, in the low tone of a man who speaks to himself, "and they would have been nightmares. But they were not nightmares—they were not nightmares. No!"

He was silent for so long that it dawned upon me that there was a danger of losing the rest of the story. But he went on talking again in the same tone of questioning self-communion.

"What was there to do but flight? I had not thought the war would touch Capri—I had seemed to see Capri as being out of it all, as the contrast to it all; but two nights after the whole place was shouting and bawling, every woman almost and every other man wore a badge—Evesham's badge—and there was no music but a jangling war-song over and over again, and everywhere men enlisting, and in the dancing halls they were drilling. The whole island was awhirl with rumours; it was said, again and again, that fighting had begun. I had not expected this. I had seen so little of the life of pleasure that I had failed to reckon with this violence of the amateurs. And as for me, I was out of it. I was like the man who might have prevented the firing of a magazine. The time had gone. I was no one; the vainest stripling with a badge counted for more than I. The crowd jostled us and bawled in our ears; that accursed song deafened us; a woman shrieked at my lady because no badge was on her, and we two went back to our own place again, ruffled and insulted—my lady white and silent, and I aquiver with rage. So furious was I, I could have quarrelled with her if I could have found one shade of accusation in her eyes.

"All my magnificence had gone from me. I walked up and down our rock cell, and outside was the darkling sea and a light to the southward that flared and passed and came again.

"'We must get out of this place,' I said over and over. 'I have made my choice, and I will have no hand in these troubles. I will have nothing of this war. We have taken our lives out of all these things. This is no refuge for us. Let us go.'

"And the next day we were already in flight from the war that covered the world.

"And all the rest was Flight—all the rest was Flight."

He mused darkly.

"How much was there of it?"

He made no answer.

"How many days?"

His face was white and drawn and his hands were clenched. He took no heed of my curiosity.

I tried to draw him back to his story with questions.

"Where did you go?" I said.

"When?"

"When you left Capri."

"South-west," he said, and glanced at me for a second. "We went in a boat."

"But I should have thought an aeroplane?"

"They had been seized."

I questioned him no more. Presently I thought he was beginning again. He broke out in an argumentative monotone:

"But why should it be? If, indeed, this battle, this slaughter and stress is life, why have we this craving for pleasure and beauty? If there is no refuge, if there is no place of peace, and if all our dreams of quiet places are a folly and a snare, why have we such dreams? Surely it was no ignoble cravings, no base intentions, had brought us to this; it was Love had isolated us. Love had come to me with her eyes and robed in her beauty, more glorious than all else in life, in the very shape and colour of life, and summoned me away. I had silenced all the voices, I had answered all the questions—I had come to her. And suddenly there was nothing but War and Death!"

I had an inspiration. "After all," I said, "it could have been only a dream."

"A dream!" he cried, flaming upon me, "a dream—when, even now—"

For the first time he became animated. A faint flush crept into his cheek. He raised his open hand and clenched it, and dropped it to his knee. He spoke, looking away from me, and for all the rest of the time he looked away. "We are but phantoms!" he said, "and the phantoms of phantoms, desires like cloud-shadows and wills of straw that eddy in the wind; the days pass, use and wont carry us through as a train carries the shadow of its lights—so be it! But one thing is real and certain, one thing is no dream-stuff, but eternal and enduring. It is the centre of my life, and all other things about it are subordinate or altogether vain. I loved her, that woman of a dream. And she and I are dead together!

"A dream! How can it be a dream, when it drenched a living life with unappeasable sorrow, when it makes all that I have lived for and cared for, worthless and unmeaning?

"Until that very moment when she was killed I believed we had still a chance of getting away," he said. "All through the night and morning that we sailed across the sea from Capri to Salerno, we talked of escape. We were full of hope, and it clung about us to the end, hope for the life together we should lead, out of it all, out of the battle and struggle, the wild and empty passions, the empty arbitrary 'thou shalt' and 'thou shalt not' of the world. We were uplifted, as though our quest was a holy thing, as though love for another was a mission . . . .

"Even when from our boat we saw the fair face of that great rock Capri—already scarred and gashed by the gun emplacements and hiding-places that were to make it a fastness—we reckoned nothing of the imminent slaughter, though the fury of preparation hung about in the puffs and clouds of dust at a hundred points amidst the gray; but, indeed, I made a text of that and talked. There, you know, was the rock, still beautiful for all its scars, with its countless windows and arches and ways, tier upon tier, for a thousand feet, a vast carving of gray, broken by vine-clad terraces, and lemon and orange groves, and masses of agave and prickly pear, and puffs of almond blossom. And out under the archway that is built over the Piccola Marina other boats were coming; and as we came round the cape and within sight of the mainland, another little string of boats came into view, driving before the wind towards the south-west. In a little while a multitude had come out, the remoter just little specks of ultramarine in the shadow of the eastward cliff.

"'It is love and reason,' I said, 'fleeing from all this madness of war.'

"And though we presently saw a squadron of aeroplanes flying across the southern sky we did not heed it. There it was—a line of little dots in the sky—and then more, dotting the south-eastern horizon, and then still more, until all that quarter of the sky was stippled with blue specks. Now they were all thin little strokes of blue, and now one and now a multitude would heel and catch the sun and become short flashes of light. They came, rising and falling and growing larger, like some huge flight of gulls or rooks or such-like birds, moving with a marvellous uniformity, and ever as they drew nearer they spread over a greater width of sky. The southward wind flung itself in an arrow-headed cloud athwart the sun. And then suddenly they swept round to the eastward and streamed eastward, growing smaller and smaller and clearer and clearer again until they vanished from the sky. And after that we noted to the northward and very high Evesham's fighting machines hanging high over Naples like an evening swarm of gnats.

"It seemed to have no more to do with us than a flight of birds.

"Even the mutter of guns far away in the south-east seemed to us to signify nothing . . .

"Each day, each dream after that, we were still exalted, still seeking that refuge where we might live and love. Fatigue had come upon us, pain and many distresses. For though we were dusty and stained by our toilsome tramping, and half starved and with the horror of the dead men we had seen and the flight of the peasants—for very soon a gust of fighting swept up the peninsula—with these things haunting our minds it still resulted only in a deepening resolution to escape. Oh, but she was brave and patient! She who had never faced hardship and exposure had courage for herself and me. We went to and fro seeking an outlet, over a country all commandeered and ransacked by the gathering hosts of war. Always we went on foot. At first there were other fugitives, but we did not mingle with them. Some escaped northward, some were caught in the torrent of peasantry that swept along the main roads; many gave themselves into the hands of the soldiery and were sent northward. Many of the men were impressed. But we kept away from these things; we had brought no money to bribe a passage north, and I feared for my lady at the hands of these conscript crowds. We had landed at Salerno, and we had been turned back from Cava, and we had tried to cross towards Taranto by a pass over Mount Alburno, but we had been driven back for want of food, and so we had come down among the marshes by Paestum, where those great temples stand alone. I had some vague idea that by Paestum it might be possible to find a boat or something, and take once more to sea. And there it was the battle overtook us.

"A sort of soul-blindness had me. Plainly I could see that we were being hemmed in; that the great net of that giant Warfare had us in its toils. Many times we had seen the levies that had come down from the north going to and fro, and had come upon them in the distance amidst the mountains making ways for the ammunition and preparing the mounting of the guns. Once we fancied they had fired at us, taking us for spies—at any rate a shot had gone shuddering over us. Several times we had hidden in woods from hovering aeroplanes.

"But all these things do not matter now, these nights of flight and pain . . . We were in an open place near those great temples at Paestum, at last, on a blank stony place dotted with spiky bushes, empty and desolate and so flat that a grove of eucalyptus far away showed to the feet of its stems. How I can see it! My lady was sitting down under a bush resting a little, for she was very weak and weary, and I was standing up watching to see if I could tell the distance of the firing that came and went. They were still, you know, fighting far from each other, with those terrible new weapons that had never before been used: guns that would carry beyond sight, and aeroplanes that would do—What they would do no man could foretell.

"I knew that we were between the two armies, and that they drew together. I knew we were in danger, and that we could not stop there and rest!

"Though all these things were in my mind, they were in the background. They seemed to be affairs beyond our concern. Chiefly, I was thinking of my lady. An aching distress filled me. For the first time she had owned herself beaten and had fallen a-weeping. Behind me I could hear her sobbing, but I would not turn round to her because I knew she had need of weeping, and had held herself so far and so long for me. It was well, I thought, that she would weep and rest and then we would toil on again, for I had no inkling of the thing that hung so near. Even now I can see her as she sat there, her lovely hair upon her shoulder, can mark again the deepening hollow of her cheek.

"'If we had parted,' she said, 'if I had let you go.'

"'No,' said I.' Even now, I do not repent. I will not repent; I made my choice, and I will hold on to the end.'

"And then—

"Overhead in the sky flashed something and burst, and all about us I heard the bullets making a noise like a handful of peas suddenly thrown. They chipped the stones about us, and whirled fragments from the bricks and passed . . . ."

He put his hand to his mouth, and then moistened his lips.

"At the flash I had turned about . . .

"You know—she stood up—

"She stood up, you know, and moved a step towards me—as though she wanted to reach me—

"And she had been shot through the heart."

He stopped and stared at me. I felt all that foolish incapacity an Englishman feels on such occasions. I met his eyes for a moment, and then stared out of the window. For a long space we kept silence. When at last I looked at him he was sitting back in his corner, his arms folded, and his teeth gnawing at his knuckles.

He bit his nail suddenly, and stared at it.

"I carried her," he said, "towards the temples, in my arms—as though it mattered. I don't know why. They seemed a sort of sanctuary, you know, they had lasted so long, I suppose.

"She must have died almost instantly. Only—I talked to her all the way."

Silence again.

"I have seen those temples," I said abruptly, and indeed he had brought those still, sunlit arcades of worn sandstone very vividly before me.

"It was the brown one, the big brown one. I sat down on a fallen pillar and held her in my arms . . . Silent after the first babble was over. And after a little while the lizards came out and ran about again, as though nothing unusual was going on, as though nothing had changed . . . It was tremendously still there, the sun high and the shadows still; even the shadows of the weeds upon the entablature were still—in spite of the thudding and banging that went all about the sky.

"I seem to remember that the aeroplanes came up out of the south, and that the battle went away to the west. One aeroplane was struck, and overset and fell. I remember that—though it didn't interest me in the least. It didn't seem to signify. It was like a wounded gull, you know—flapping for a time in the water. I could see it down the aisle of the temple—a black thing in the bright blue water.

"Three or four times shells burst about the beach, and then that ceased. Each time that happened all the lizards scuttled in and hid for a space. That was all the mischief done, except that once a stray bullet gashed the stone hard by—made just a fresh bright surface.

"As the shadows grew longer, the stillness seemed greater.

"The curious thing," he remarked, with the manner of a man who makes a trivial conversation, "is that I didn't think—at all. I sat with her in my arms amidst the stones—in a sort of lethargy—stagnant.

"And I don't remember waking up. I don't remember dressing that day. I know I found myself in my office, with my letters all slit open in front of me, and how I was struck by the absurdity of being there, seeing that in reality I was sitting, stunned, in that Paestum Temple with a dead woman in my arms. I read my letters like a machine. I have forgotten what they were about."

He stopped, and there was a long silence.

Suddenly I perceived that we were running down the incline from Chalk Farm to Euston. I started at this passing of time. I turned on him with a brutal question, with the tone of "Now or never."

"And did you dream again?"

"Yes."

He seemed to force himself to finish. His voice was very low.

"Once more, and as it were only for a few instants. I seemed to have suddenly awakened out of a great apathy, to have risen into a sitting position, and the body lay there on the stones beside me. A gaunt body. Not her, you know. So soon—it was not her . . . .

"I may have heard voices. I do not know. Only I knew clearly that men were coming into the solitude and that that was a last outrage.

"I stood up and walked through the temple, and then there came into sight—first one man with a yellow face, dressed in a uniform of dirty white, trimmed with blue, and then several, climbing to the crest of the old wall of the vanished city, and crouching there. They were little bright figures in the sunlight, and there they hung, weapon in hand, peering cautiously before them.

"And further away I saw others and then more at another point in the wall. It was a long lax line of men in open order.

"Presently the man I had first seen stood up and shouted a command, and his men came tumbling down the wall and into the high weeds towards the temple. He scrambled down with them and led them. He came facing towards me, and when he saw me he stopped.

"At first I had watched these men with a mere curiosity, but when I had seen they meant to come to the temple I was moved to forbid them. I shouted to the officer.

"'You must not come here,' I cried, 'I am here. I am here with my dead.'

"He stared, and then shouted a question back to me in some unknown tongue.

"I repeated what I had said.

"He shouted again, and I folded my arms and stood still. Presently he spoke to his men and came forward. He carried a drawn sword.

"I signed to him to keep away, but he continued to advance. I told him again very patiently and clearly: 'You must not come here. These are old temples and I am here with my dead.'

"Presently he was so close I could see his face clearly. It was a narrow face, with dull gray eyes, and a black moustache. He had a scar on his upper lip, and he was dirty and unshaven. He kept shouting unintelligible things, questions, perhaps, at me.

"I know now that he was afraid of me, but at the time that did not occur to me. As I tried to explain to him, he interrupted me in imperious tones, bidding me, I suppose, stand aside.

"He made to go past me, and I caught hold of him.

"I saw his face change at my grip.

"'You fool,' I cried. 'Don't you know? She is dead!'

"He started back. He looked at me with cruel eyes. I saw a sort of exultant resolve leap into them—delight. Then, suddenly, with a scowl, he swept his sword back—so—and thrust."

He stopped abruptly.

I became aware of a change in the rhythm of the train. The brakes lifted their voices and the carriage jarred and jerked. This present world insisted upon itself, became clamourous. I saw through the steamy window huge electric fights glaring down from tall masts upon a fog, saw rows of stationary empty carriages passing by, and then a signal-box hoisting its constellation of green and red into the murky London twilight, marched after them. I looked again at his drawn features.

"He ran me through the heart. It was with a sort of astonishment—no fear, no pain—but just amazement, that I felt it pierce me, felt the sword drive home into my body. It didn't hurt, you know. It didn't hurt at all."

The yellow platform lights came into the field of view, passing first rapidly, then slowly, and at last stopping with a jerk. Dim shapes of men passed to and fro without.

"Euston!" cried a voice.

"Do you mean—?"

"There was no pain, no sting or smart. Amazement and then darkness sweeping over everything. The hot, brutal face before me, the face of the man who had killed me, seemed to recede. It swept out of existence—"

"Euston!" clamoured the voices outside; "Euston!"

The carriage door opened admitting a flood of sound, and a porter stood regarding us. The sounds of doors slamming, and the hoof-clatter of cab-horses, and behind these things the featureless remote roar of the London cobble-stones, came to my ears. A truckload of lighted lamps blazed along the platform.

"A darkness, a flood of darkness that opened and spread and blotted out all things."

"Any luggage, sir?" said the porter.

"And that was the end?" I asked.

He seemed to hesitate. Then, almost inaudibly, he answered, "no."

"You mean?"

"I couldn't get to her. She was there on the other side of the temple— And then—"

"Yes," I insisted. "Yes?"

"Nightmares," he cried; "nightmares indeed! My God! Great birds that fought and tore."



THE CONE

The night was hot and overcast, the sky red, rimmed with the lingering sunset of mid-summer. They sat at the open window, trying to fancy the air was fresher there. The trees and shrubs of the garden stood stiff and dark; beyond in the roadway a gas-lamp burnt, bright orange against the hazy blue of the evening. Farther were the three lights of the railway signal against the lowering sky. The man and woman spoke to one another in low tones.

"He does not suspect?" said the man, a little nervously.

"Not he," she said peevishly, as though that too irritated her. "He thinks of nothing but the works and the prices of fuel. He has no imagination, no poetry."

"None of these men of iron have," he said sententiously. "They have no hearts."

"He has not," she said. She turned her discontented face towards the window. The distant sound of a roaring and rushing drew nearer and grew in volume; the house quivered; one heard the metallic rattle of the tender. As the train passed, there was a glare of light above the cutting and a driving tumult of smoke; one, two, three, four, five, six, seven, eight black oblongs—eight trucks—passed across the dim grey of the embankment, and were suddenly extinguished one by one in the throat of the tunnel, which, with the last, seemed to swallow down train, smoke, and sound in one abrupt gulp.

"This country was all fresh and beautiful once," he said; "and now—it is Gehenna. Down that way—nothing but pot-banks and chimneys belching fire and dust into the face of heaven . . . . . But what does it matter? An end comes, an end to all this cruelty . . . . . To-morrow." He spoke the last word in a whisper.

"To-morrow," she said, speaking in a whisper too, and still staring out of the window.

"Dear!" he said, putting his hand on hers.

She turned with a start, and their eyes searched one another's. Hers softened to his gaze. "My dear one!" she said, and then: "It seems so strange—that you should have come into my life like this—to open—" She paused.

"To open?" he said.

"All this wonderful world—" she hesitated, and spoke still more softly—"this world of love to me."

Then suddenly the door clicked and closed. They turned their heads, and he started violently back. In the shadow of the room stood a great shadowy figure—silent. They saw the face dimly in the half-light, with unexpressive dark patches under the penthouse brows. Every muscle in Raut's body suddenly became tense. When could the door have opened? What had he heard? Had he heard all? What had he seen? A tumult of questions.

The new-comer's voice came at last, after a pause that seemed interminable. "Well?" he said.

"I was afraid I had missed you, Horrocks," said the man at the window, gripping the window-ledge with his hand. His voice was unsteady.

The clumsy figure of Horrocks came forward out of the shadow. He made no answer to Raut's remark. For a moment he stood above them.

The woman's heart was cold within her. "I told Mr. Raut it was just possible you might come back," she said, in a voice that never quivered.

Horrocks, still silent, sat down abruptly in the chair by her little work-table. His big hands were clenched; one saw now the fire of his eyes under the shadow of his brows. He was trying to get his breath. His eyes went from the woman he had trusted to the friend he had trusted, and then back to the woman.

By this time and for the moment all three half understood one another. Yet none dared say a word to ease the pent-up things that choked them.

It was the husband's voice that broke the silence at last.

"You wanted to see me?" he said to Raut.

Raut started as he spoke. "I came to see you," he said, resolved to lie to the last.

"Yes," said Horrocks.

"You promised," said Raut, "to show me some fine effects of moonlight and smoke."

"I promised to show you some fine effects of moonlight and smoke," repeated Horrocks in a colourless voice.

"And I thought I might catch you to-night before you went down to the works," proceeded Raut, "and come with you."

There was another pause. Did the man mean to take the thing coolly? Did he after all know? How long had he been in the room? Yet even at the moment when they heard the door, their attitudes. . . . Horrocks glanced at the profile of the woman, shadowy pallid in the half-light. Then he glanced at Raut, and seemed to recover himself suddenly. "Of course," he said, "I promised to show you the works under their proper dramatic conditions. It's odd how I could have forgotten."

"If I am troubling you—" began Raut.

Horrocks started again. A new light had suddenly come into the sultry gloom of his eyes. "Not in the least," he said.

"Have you been telling Mr. Raut of all these contrasts of flame and shadow you think so splendid?" said the woman, turning now to her husband for the first time, her confidence creeping back again, her voice just one half-note too high. "That dreadful theory of yours that machinery is beautiful, and everything else in the world ugly. I thought he would not spare you, Mr. Raut. It's his great theory, his one discovery in art."

"I am slow to make discoveries," said Horrocks grimly, damping her suddenly. "But what I discover . . . . ." He stopped.

"Well?" she said.

"Nothing;" and suddenly he rose to his feet.

"I promised to show you the works," he said to Raut, and put his big, clumsy hand on his friend's shoulder. "And you are ready to go?"

"Quite," said Raut, and stood up also.

There was another pause. Each of them peered through the indistinctness of the dusk at the other two. Horrocks' hand still rested on Raut's shoulder. Raut half fancied still that the incident was trivial after all. But Mrs. Horrocks knew her husband better, knew that grim quiet in his voice, and the confusion in her mind took a vague shape of physical evil. "Very well", said Horrocks, and, dropping his hand, turned towards the door.

"My hat?" Raut looked round in the half-light.

"That's my work-basket," said Mrs. Horrocks, with a gust of hysterical laughter. Their hands came together on the back of the chair. "Here it is!" he said. She had an impulse to warn him in an undertone, but she could not frame a word. "Don't go!" and "Beware of him!" struggled in her mind, and the swift moment passed.

"Got it?" said Horrocks, standing with the door half open.

Raut stepped towards him. "Better say good-bye to Mrs. Horrocks," said the ironmaster, even more grimly quiet in his tone than before.

Raut started and turned. "Good-evening, Mrs. Horrocks," he said, and their hands touched.

Horrocks held the door open with a ceremonial politeness unusual in him towards men. Raut went out, and then, after a wordless look at her, her husband followed. She stood motionless while Raut's light footfall and her husband's heavy tread, like bass and treble, passed down the passage together. The front door slammed heavily. She went to the window, moving slowly, and stood watching—leaning forward. The two men appeared for a moment at the gateway in the road, passed under the street lamp, and were hidden by the black masses of the shrubbery. The lamp-light fell for a moment on their faces, showing only unmeaning pale patches, telling nothing of what she still feared, and doubted, and craved vainly to know. Then she sank down into a crouching attitude in the big arm-chair, her eyes wide open and staring out at the red lights from the furnaces that flickered in the sky. An hour after she was still there, her attitude scarcely changed.

The oppressive stillness of the evening weighed heavily upon Raut. They went side by side down the road in silence, and in silence turned into the cinder-made by-way that presently opened out the prospect of the valley.

A blue haze, half dust, half mist, touched the long valley with mystery. Beyond were Hanley and Etruria, grey and dark masses, outlined thinly by the rare golden dots of the street lamps, and here and there a gaslit window, or the yellow glare of some late-working factory or crowded public-house. Out of the masses, clear and slender against the evening sky, rose a multitude of tall chimneys, many of them reeking, a few smokeless during a season of "play." Here and there a pallid patch and ghostly stunted beehive shapes showed the position of a pot-bank, or a wheel, black and sharp against the hot lower sky, marked some colliery where they raise the iridescent coal of the place. Nearer at hand was the broad stretch of railway, and half invisible trains shunted—a steady puffing and rumbling, with every run a ringing concussion and a rhythmic series of impacts, and a passage of intermittent puffs of white steam across the further view. And to the left, between the railway and the dark mass of the low hill beyond, dominating the whole view, colossal, inky-black, and crowned with smoke and fitful flames, stood the great cylinders of the Jeddah Company Blast Furnaces, the central edifices of the big ironworks of which Horrocks was the manager. They stood heavy and threatening, full of an incessant turmoil of flames and seething molten iron, and about the feet of them rattled the rolling-mills, and the steam hammer beat heavily and splashed the white iron sparks hither and thither. Even as they looked, a truckful of fuel was shot into one of the giants, and the red flames gleamed out, and a confusion of smoke and black dust came boiling upwards towards the sky.

"Certainly you get some fine effects of colour with your furnaces," said Raut, breaking a silence that had become apprehensive.

Horrocks grunted. He stood with his hands in his pockets, frowning down at the dim steaming railway and the busy ironworks beyond, frowning as if he were thinking out some knotty problem.

Raut glanced at him and away again. "At present your moonlight effect is hardly ripe," he continued, looking upward. "The moon is still smothered by the vestiges of daylight."

Horrocks stared at him with the expression of a man who has suddenly awakened. "Vestiges of daylight? . . . . Of course, of course." He too looked up at the moon, pale still in the midsummer sky. "Come along," he said suddenly, and, gripping Raut's arm in his hand, made a move towards the path that dropped from them to the railway.

Raut hung back. Their eyes met and saw a thousand things in a moment that their eyes came near to say. Horrocks' hand tightened and then relaxed. He let go, and before Raut was aware of it, they were arm in arm, and walking, one unwillingly enough, down the path.

"You see the fine effect of the railway signals towards Burslem," said Horrocks, suddenly breaking into loquacity, striding fast, and tightening the grip of his elbow the while. "Little green lights and red and white lights, all against the haze. You have an eye for effect, Raut. It's a fine effect. And look at those furnaces of mine, how they rise upon us as we come down the hill. That to the right is my pet—seventy feet of him. I packed him myself, and he's boiled away cheerfully with iron in his guts for five long years. I've a particular fancy for him. That line of red there—a lovely bit of warm orange you'd call it, Raut—that's the puddlers' furnaces, and there, in the hot light, three black figures—did you see the white splash of the steam-hammer then?—that's the rolling mills. Come along! Clang, clatter, how it goes rattling across the floor! Sheet tin, Raut,—amazing stuff. Glass mirrors are not in it when that stuff comes from the mill. And, squelch!—there goes the hammer again. Come along!"

He had to stop talking to catch at his breath. His arm twisted into Raut's with benumbing tightness. He had come striding down the black path towards the railway as though he was possessed. Raut had not spoken a word, had simply hung back against Horrocks' pull with all his strength.

"I say," he said now, laughing nervously, but with an undernote of snarl in his voice, "why on earth are you nipping my arm off, Horrocks, and dragging me along like this?"

At length Horrocks released him. His manner changed again. "Nipping your arm off?" he said. "Sorry. But it's you taught me the trick of walking in that friendly way."

"You haven't learnt the refinements of it yet then," said Raut, laughing artificially again. "By Jove! I'm black and blue." Horrocks offered no apology. They stood now near the bottom of the hill, close to the fence that bordered the railway. The ironworks had grown larger and spread out with their approach. They looked up to the blast furnaces now instead of down; the further view of Etruria and Hanley had dropped out of sight with their descent. Before them, by the stile rose a notice-board, bearing still dimly visible, the words, "BEWARE OF THE TRAINS," half hidden by splashes of coaly mud.

"Fine effects," said Horrocks, waving his arm. "Here comes a train. The puffs of smoke, the orange glare, the round eye of light in front of it, the melodious rattle. Fine effects! But these furnaces of mine used to be finer, before we shoved cones in their throats, and saved the gas."

"How?" said Raut. "Cones?"

"Cones, my man, cones. I'll show you one nearer. The flames used to flare out of the open throats, great—what is it?—pillars of cloud by day, red and black smoke, and pillars of fire by night. Now we run it off in pipes, and burn it to heat the blast, and the top is shut by a cone. You'll be interested in that cone."

"But every now and then," said Raut, "you get a burst of fire and smoke up there."

"The cone's not fixed, it's hung by a chain from a lever, and balanced by an equipoise. You shall see it nearer. Else, of course, there'd be no way of getting fuel into the thing. Every now and then the cone dips, and out comes the flare."

"I see," said Raut. He looked over his shoulder. "The moon gets brighter," he said.

"Come along," said Horrocks abruptly, gripping his shoulder again, and moving him suddenly towards the railway crossing. And then came one of those swift incidents, vivid, but so rapid that they leave one doubtful and reeling. Halfway across, Horrocks' hand suddenly clenched upon him like a vice, and swung him backward and through a half-turn, so that he looked up the line. And there a chain of lamp-lit carriage-windows telescoped swiftly as it came towards them, and the red and yellow lights of an engine grew larger and larger, rushing down upon them. As he grasped what this meant, he turned his face to Horrocks, and pushed with all his strength against the arm that held him back between the rails. The struggle did not last a moment. Just as certain as it was that Horrocks held him there, so certain was it that he had been violently lugged out of danger.

"Out of the way," said Horrocks, with a gasp, as the train came rattling by, and they stood panting by the gate into the ironworks.

"I did not see it coming," said Raut, still, even in spite of his own apprehensions, trying to keep up an appearance of ordinary intercourse.

Horrocks answered with a grunt. "The cone," he said, and then, as one who recovers himself, "I thought you did not hear."

"I didn't," said Raut.

"I wouldn't have had you run over then for the world," said Horrocks.

"For a moment I lost my nerve," said Raut.

Horrocks stood for half a minute, then turned abruptly towards the ironworks again. "See how fine these great mounds of mine, these clinker-heaps, look in the night! That truck yonder, up above there! Up it goes, and out-tilts the slag. See the palpitating red stuff go sliding down the slope. As we get nearer, the heap rises up and cuts the blast furnaces. See the quiver up above the big one. Not that way! This way, between the heaps. That goes to the puddling furnaces, but I want to show you the canal first." He came and took Raut by the elbow, and so they went along side by side. Raut answered Horrocks vaguely. What, he asked himself, had really happened on the line? Was he deluding himself with his own fancies, or had Horrocks actually held him back in the way of the train? Had he just been within an ace of being murdered?

Suppose this slouching, scowling monster did know anything? For a minute or two then Raut was really afraid for his life, but the mood passed as he reasoned with himself. After all, Horrocks might have heard nothing. At any rate, he had pulled him out of the way in time. His odd manner might be due to the mere vague jealousy he had shown once before. He was talking now of the ash-heaps and the canal. "Eigh?" said Horrocks.

"What?" said Raut. "Rather! The haze in the moonlight. Fine!"

"Our canal," said Horrocks, stopping suddenly. "Our canal by moonlight and firelight is an immense effect. You've never seen it? Fancy that! You've spent too many of your evenings philandering up in Newcastle there. I tell you, for real florid effects—But you shall see. Boiling water . . ."

As they came out of the labyrinth of clinker-heaps and mounds of coal and ore, the noises of the rolling-mill sprang upon them suddenly, loud, near, and distinct. Three shadowy workmen went by and touched their caps to Horrocks. Their faces were vague in the darkness. Raut felt a futile impulse to address them, and before he could frame his words, they passed into the shadows. Horrocks pointed to the canal close before them now: a weird-looking place it seemed, in the blood-red reflections of the furnaces. The hot water that cooled the tuyeres came into it, some fifty yards up—a tumultuous, almost boiling affluent, and the steam rose up from the water in silent white wisps and streaks, wrapping damply about them, an incessant succession of ghosts coming up from the black and red eddies, a white uprising that made the head swim. The shining black tower of the larger blast-furnace rose overhead out of the mist, and its tumultuous riot filled their ears. Raut kept away from the edge of the water, and watched Horrocks.

"Here it is red," said Horrocks, "blood-red vapour as red and hot as sin; but yonder there, where the moonlight falls on it, and it drives across the clinker-heaps, it is as white as death."

Raut turned his head for a moment, and then came back hastily to his watch on Horrocks. "Come along to the rolling-mills," said Horrocks. The threatening hold was not so evident that time, and Raut felt a little reassured. But all the same, what on earth did Horrocks mean about "white as death" and "red as sin?" Coincidence, perhaps?

They went and stood behind the puddlers for a little while, and then through the rolling-mills, where amidst an incessant din the deliberate steam-hammer beat the juice out of the succulent iron, and black, half-naked Titans rushed the plastic bars, like hot sealing-wax, between the wheels. "Come on," said Horrocks in Raut's ear, and they went and peeped through the little glass hole behind the tuyeres, and saw the tumbled fire writhing in the pit of the blast-furnace. It left one eye blinded for a while. Then, with green and blue patches dancing across the dark, they went to the lift by which the trucks of ore and fuel and lime were raised to the top of the big cylinder.

And out upon the narrow rail that overhung the furnace, Raut's doubts came upon him again. Was it wise to be here? If Horrocks did know—everything! Do what he would, he could not resist a violent trembling. Right under foot was a sheer depth of seventy feet. It was a dangerous place. They pushed by a truck of fuel to get to the railing that crowned the place. The reek of the furnace, a sulphurous vapor streaked with pungent bitterness, seemed to make the distant hillside of Hanley quiver. The moon was riding out now from among a drift of clouds, halfway up the sky above the undulating wooded outlines of Newcastle. The steaming canal ran away from below them under an indistinct bridge, and vanished into the dim haze of the flat fields towards Burslem.

"That's the cone I've been telling you of," shouted Horrocks; "and, below that, sixty feet of fire and molten metal, with the air of the blast frothing through it like gas in soda-water."

Raut gripped the hand-rail tightly, and stared down at the cone. The heat was intense. The boiling of the iron and the tumult of the blast made a thunderous accompaniment to Horrocks' voice. But the thing had to be gone through now. Perhaps, after all . . .

"In the middle," bawled Horrocks, "temperature near a thousand degrees. If you were dropped into it . . . . flash into flame like a pinch of gunpowder in a candle. Put your hand out and feel the heat of his breath. Why, even up here I've seen the rain-water boiling off the trucks. And that cone there. It's a damned sight too hot for roasting cakes. The top side of it's three hundred degrees."

"Three hundred degrees!" said Raut.

"Three hundred centigrade, mind!" said Horrocks. "It will boil the blood out of you in no time."

"Eigh?" said Raut, and turned.

"Boil the blood out of you in . . . No, you don't!"

"Let me go!" screamed Raut. "Let go my arm!"

With one hand he clutched at the hand-rail, then with both. For a moment the two men stood swaying. Then suddenly, with a violent jerk, Horrocks had twisted him from his hold. He clutched at Horrocks and missed, his foot went back into empty air; in mid-air he twisted himself, and then cheek and shoulder and knee struck the hot cone together.

He clutched the chain by which the cone hung, and the thing sank an infinitesimal amount as he struck it. A circle of glowing red appeared about him, and a tongue of flame, released from the chaos within, flickered up towards him. An intense pain assailed him at the knees, and he could smell the singeing of his hands. He raised himself to his feet, and tried to climb up the chain, and then something struck his head. Black and shining with the moonlight, the throat of the furnace rose about him.

Horrocks, he saw, stood above him by one of the trucks of fuel on the rail. The gesticulating figure was bright and white in the moonlight, and shouting, "Fizzle, you fool! Fizzle, you hunter of women! You hot-blooded hound! Boil! boil! boil!"

Suddenly he caught up a handful of coal out of the truck, and flung it deliberately, lump after lump, at Raut.

"Horrocks!" cried Raut. "Horrocks!"

He clung crying to the chain, pulling himself up from the burning of the cone. Each missile Horrocks flung hit him. His clothes charred and glowed, and as he struggled the cone dropped, and a rush of hot suffocating gas whooped out and burned round him in a swift breath of flame.

His human likeness departed from him. When the momentary red had passed, Horrocks saw a charred, blackened figure, its head streaked with blood, still clutching and fumbling with the chain, and writhing in agony—a cindery animal, an inhuman, monstrous creature that began a sobbing intermittent shriek.

Abruptly, at the sight, the ironmaster's anger passed. A deadly sickness came upon him. The heavy odour of burning flesh came drifting up to his nostrils. His sanity returned to him.

"God have mercy upon me!" he cried. "O God! what have I done?"

He knew the thing below him, save that it still moved and felt, was already a dead man—that the blood of the poor wretch must be boiling in his veins. An intense realisation of that agony came to his mind, and overcame every other feeling. For a moment he stood irresolute, and then, turning to the truck, he hastily tilted its contents upon the struggling thing that had once been a man. The mass fell with a thud, and went radiating over the cone. With the thud the shriek ended, and a boiling confusion of smoke, dust, and flame came rushing up towards him. As it passed, he saw the cone clear again.

Then he staggered back, and stood trembling, clinging to the rail with both hands. His lips moved, but no words came to them.

Down below was the sound of voices and running steps. The clangour of rolling in the shed ceased abruptly.



A MOONLIGHT FABLE

There was once a little man whose mother made him a beautiful suit of clothes. It was green and gold and woven so that I cannot describe how delicate and fine it was, and there was a tie of orange fluffiness that tied up under his chin. And the buttons in their newness shone like stars. He was proud and pleased by his suit beyond measure, and stood before the long looking-glass when first he put it on, so astonished and delighted with it that he could hardly turn himself away.

He wanted to wear it everywhere and show it to all sorts of people. He thought over all the places he had ever visited and all the scenes he had ever heard described, and tried to imagine what the feel of it would be if he were to go now to those scenes and places wearing his shining suit, and he wanted to go out forthwith into the long grass and the hot sunshine of the meadow wearing it. Just to wear it! But his mother told him, "No." She told him he must take great care of his suit, for never would he have another nearly so fine; he must save it and save it and only wear it on rare and great occasions. It was his wedding suit, she said. And she took his buttons and twisted them up with tissue paper for fear their bright newness should be tarnished, and she tacked little guards over the cuffs and elbows and wherever the suit was most likely to come to harm. He hated and resisted these things, but what could he do? And at last her warnings and persuasions had effect and he consented to take off his beautiful suit and fold it into its proper creases and put it away. It was almost as though he gave it up again. But he was always thinking of wearing it and of the supreme occasion when some day it might be worn without the guards, without the tissue paper on the buttons, utterly and delightfully, never caring, beautiful beyond measure.

One night when he was dreaming of it, after his habit, he dreamed he took the tissue paper from one of the buttons and found its brightness a little faded, and that distressed him mightily in his dream. He polished the poor faded button and polished it, and if anything it grew duller. He woke up and lay awake thinking of the brightness a little dulled and wondering how he would feel if perhaps when the great occasion (whatever it might be) should arrive, one button should chance to be ever so little short of its first glittering freshness, and for days and days that thought remained with him, distressingly. And when next his mother let him wear his suit, he was tempted and nearly gave way to the temptation just to fumble off one little bit of tissue paper and see if indeed the buttons were keeping as bright as ever.

He went trimly along on his way to church full of this wild desire. For you must know his mother did, with repeated and careful warnings, let him wear his suit at times, on Sundays, for example, to and fro from church, when there was no threatening of rain, no dust nor anything to injure it, with its buttons covered and its protections tacked upon it and a sunshade in his hand to shadow it if there seemed too strong a sunlight for its colours. And always, after such occasions, he brushed it over and folded it exquisitely as she had taught him, and put it away again.

Now all these restrictions his mother set to the wearing of his suit he obeyed, always he obeyed them, until one strange night he woke up and saw the moonlight shining outside his window. It seemed to him the moonlight was not common moonlight, nor the night a common night, and for a while he lay quite drowsily with this odd persuasion in his mind. Thought joined on to thought like things that whisper warmly in the shadows. Then he sat up in his little bed suddenly, very alert, with his heart beating very fast and a quiver in his body from top to toe. He had made up his mind. He knew now that he was going to wear his suit as it should be worn. He had no doubt in the matter. He was afraid, terribly afraid, but glad, glad.

He got out of his bed and stood a moment by the window looking at the moonshine-flooded garden and trembling at the thing he meant to do. The air was full of a minute clamor of crickets and murmurings, of the infinitesimal shouting of little living things. He went very gently across the creaking boards, for fear that he might wake the sleeping house, to the big dark clothes-press wherein his beautiful suit lay folded, and he took it out garment by garment and softly and very eagerly tore off its tissue-paper covering and its tacked protections, until there it was, perfect and delightful as he had seen it when first his mother had given it to him—a long time it seemed ago. Not a button had tarnished, not a thread had faded on this dear suit of his; he was glad enough for weeping as in a noiseless hurry he put it on. And then back he went, soft and quick, to the window and looked out upon the garden and stood there for a minute, shining in the moonlight, with his buttons twinkling like stars, before he got out on the sill and, making as little of a rustling as he could, clambered down to the garden path below. He stood before his mother's house, and it was white and nearly as plain as by day, with every window-blind but his own shut like an eye that sleeps. The trees cast still shadows like intricate black lace upon the wall.

The garden in the moonlight was very different from the garden by day; moonshine was tangled in the hedges and stretched in phantom cobwebs from spray to spray. Every flower was gleaming white or crimson black, and the air was aquiver with the thridding of small crickets and nightingales singing unseen in the depths of the trees.

There was no darkness in the world, but only warm, mysterious shadows; and all the leaves and spikes were edged and lined with iridescent jewels of dew. The night was warmer than any night had ever been, the heavens by some miracle at once vaster and nearer, and spite of the great ivory-tinted moon that ruled the world, the sky was full of stars.

The little man did not shout nor sing for all his infinite gladness. He stood for a time like one awe-stricken, and then, with a queer small cry and holding out his arms, he ran out as if he would embrace at once the whole warm round immensity of the world. He did not follow the neat set paths that cut the garden squarely, but thrust across the beds and through the wet, tall, scented herbs, through the night stock and the nicotine and the clusters of phantom white mallow flowers and through the thickets of southern-wood and lavender, and knee-deep across a wide space of mignonette. He came to the great hedge and he thrust his way through it, and though the thorns of the brambles scored him deeply and tore threads from his wonderful suit, and though burs and goosegrass and havers caught and clung to him, he did not care. He did not care, for he knew it was all part of the wearing for which he had longed. "I am glad I put on my suit," he said; "I am glad I wore my suit."

Beyond the hedge he came to the duck-pond, or at least to what was the duck-pond by day. But by night it was a great bowl of silver moonshine all noisy with singing frogs, of wonderful silver moonshine twisted and clotted with strange patternings, and the little man ran down into its waters between the thin black rushes, knee-deep and waist-deep and to his shoulders, smiting the water to black and shining wavelets with either hand, swaying and shivering wavelets, amid which the stars were netted in the tangled reflections of the brooding trees upon the bank. He waded until he swam, and so he crossed the pond and came out upon the other side, trailing, as it seemed to him, not duckweed, but very silver in long, clinging, dripping masses. And up he went through the transfigured tangles of the willow-herb and the uncut seeding grass of the farther bank. And so he came glad and breathless into the highroad. "I am glad," he said, "beyond measure, that I had clothes that fitted this occasion."

The highroad ran straight as an arrow flies, straight into the deep blue pit of sky beneath the moon, a white and shining road between the singing nightingales, and along it he went, running now and leaping, and now walking and rejoicing, in the clothes his mother had made for him with tireless, loving hands. The road was deep in dust, but that for him was only soft whiteness, and as he went a great dim moth came fluttering round his wet and shimmering and hastening figure. At first he did not heed the moth, and then he waved his hands at it and made a sort of dance with it as it circled round his head. "Soft moth!" he cried, "dear moth! And wonderful night, wonderful night of the world! Do you think my clothes are beautiful, dear moth? As beautiful as your scales and all this silver vesture of the earth and sky?"

And the moth circled closer and closer until at last its velvet wings just brushed his lips . . . . .

And next morning they found him dead with his neck broken in the bottom of the stone pit, with his beautiful clothes a little bloody and foul and stained with the duckweed from the pond. But his face was a face of such happiness that, had you seen it, you would have understood indeed how that he had died happy, never knowing the cool and streaming silver for the duckweed in the pond.



THE DIAMOND MAKER

Some business had detained me in Chancery Lane nine in the evening, and thereafter, having some inkling of a headache, I was disinclined either for entertainment or further work. So much of the sky as the high cliffs of that narrow canon of traffic left visible spoke of a serene night, and I determined to make my way down to the Embankment, and rest my eyes and cool my head by watching the variegated lights upon the river. Beyond comparison the night is the best time for this place; a merciful darkness hides the dirt of the waters, and the lights of this transitional age, red glaring orange, gas-yellow, and electric white, are set in shadowy outlines of every possible shade between grey and deep purple. Through the arches of Waterloo Bridge a hundred points of light mark the sweep of the Embankment, and above its parapet rise the towers of Westminster, warm grey against the starlight. The black river goes by with only a rare ripple breaking its silence, and disturbing the reflections of the lights that swim upon its surface.

"A warm night," said a voice at my side.

I turned my head, and saw the profile of a man who was leaning over the parapet beside me. It was a refined face, not unhandsome, though pinched and pale enough, and the coat collar turned up and pinned round the throat marked his status in life as sharply as a uniform. I felt I was committed to the price of a bed and breakfast if I answered him.

I looked at him curiously. Would he have anything to tell me worth the money, or was he the common incapable—incapable even of telling his own story? There was a quality of intelligence in his forehead and eyes, and a certain tremulousness in his nether lip that decided me.

"Very warm," said I; "but not too warm for us here."

"No," he said, still looking across the water, "it is pleasant enough here . . . . just now."

"It is good," he continued after a pause, "to find anything so restful as this in London. After one has been fretting about business all day, about getting on, meeting obligations, and parrying dangers, I do not know what one would do if it were not for such pacific corners." He spoke with long pauses between the sentences. "You must know a little of the irksome labour of the world, or you would not be here. But I doubt if you can be so brain-weary and footsore as I am . . . . Bah! Sometimes I doubt if the game is worth the candle. I feel inclined to throw the whole thing over—name, wealth and position—and take to some modest trade. But I know if I abandoned my ambition—hardly as she uses me—I should have nothing but remorse left for the rest of my days."

He became silent. I looked at him in astonishment. If ever I saw a man hopelessly hard-up it was the man in front of me. He was ragged and he was dirty, unshaven and unkempt; he looked as though he had been left in a dust-bin for a week. And he was talking to me of the irksome worries of a large business. I almost laughed outright. Either he was mad or playing a sorry jest on his own poverty.

"If high aims and high positions," said I, "have their drawbacks of hard work and anxiety, they have their compensations. Influence, the power of doing good, of assisting those weaker and poorer than ourselves; and there is even a certain gratification in display . . . . . "

My banter under the circumstances was in very vile taste. I spoke on the spur of the contrast of his appearance and speech. I was sorry even while I was speaking.

He turned a haggard but very composed face upon me. Said he: "I forgot myself. Of course you would not understand."

He measured me for a moment. "No doubt it is very absurd. You will not believe me even when I tell you, so that it is fairly safe to tell you. And it will be a comfort to tell someone. I really have a big business in hand, a very big business. But there are troubles just now. The fact is . . . . I make diamonds."

"I suppose," said I, "you are out of work just at present?"

"I am sick of being disbelieved," he said impatiently, and suddenly unbuttoning his wretched coat he pulled out a little canvas bag that was hanging by a cord round his neck. From this he produced a brown pebble. "I wonder if you know enough to know what that is?" He handed it to me.

Now, a year or so ago, I had occupied my leisure in taking a London science degree, so that I have a smattering of physics and mineralogy. The thing was not unlike an uncut diamond of the darker sort, though far too large, being almost as big as the top of my thumb. I took it, and saw it had the form of a regular octahedron, with the curved faces peculiar to the most precious of minerals. I took out my penknife and tried to scratch it—vainly. Leaning forward towards the gas-lamp, I tried the thing on my watch-glass, and scored a white line across that with the greatest ease.

I looked at my interlocutor with rising curiosity. "It certainly is rather like a diamond. But, if so, it is a Behemoth of diamonds. Where did you get it?"

"I tell you I made it," he said. "Give it back to me."

He replaced it hastily and buttoned his jacket. "I will sell it you for one hundred pounds," he suddenly whispered eagerly. With that my suspicions returned. The thing might, after all, be merely a lump of that almost equally hard substance, corundum, with an accidental resemblance in shape to the diamond. Or if it was a diamond, how came he by it, and why should he offer it at a hundred pounds?

We looked into one another's eyes. He seemed eager, but honestly eager. At that moment I believed it was a diamond he was trying to sell. Yet I am a poor man, a hundred pounds would leave a visible gap in my fortunes and no sane man would buy a diamond by gaslight from a ragged tramp on his personal warranty only. Still, a diamond that size conjured up a vision of many thousands of pounds. Then, thought I, such a stone could scarcely exist without being mentioned in every book on gems, and again I called to mind the stories of contraband and light-fingered Kaffirs at the Cape. I put the question of purchase on one side.

"How did you get it?" said I.

"I made it."

I had heard something of Moissan, but I knew his artificial diamonds were very small. I shook my head.

"You seem to know something of this kind of thing. I will tell you a little about myself. Perhaps then you may think better of the purchase." He turned round with his back to the river, and put his hands in his pockets. He sighed. "I know you will not believe me."

"Diamonds," he began—and as he spoke his voice lost its faint flavour of the tramp and assumed something of the easy tone of an educated man—are to be made by throwing carbon out of combination in a suitable flux and under a suitable pressure; the carbon crystallises out, not as black-lead or charcoal-powder, but as small diamonds. So much has been known to chemists for years, but no one yet had hit upon exactly the right flux in which to melt up the carbon, or exactly the right pressure for the best results. Consequently the diamonds made by chemists are small and dark, and worthless as jewels. Now I, you know, have given up my life to this problem—given my life to it.

"I began to work at the conditions of diamond making when I was seventeen, and now I am thirty-two. It seemed to me that it might take all the thought and energies of a man for ten years, or twenty years, but, even if it did, the game was still worth the candle. Suppose one to have at last just hit the right trick before the secret got out and diamonds became as common as coal, one might realize millions. Millions!"

He paused and looked for my sympathy. His eyes shone hungrily. "To think," said he, "that I am on the verge of it all, and here!

"I had," he proceeded, "about a thousand pounds when I was twenty-one, and this, I thought, eked out by a little teaching, would keep my researches going. A year or two was spent in study, at Berlin chiefly, and then I continued on my own account. The trouble was the secrecy. You see, if once I had let out what I was doing, other men might have been spurred on by my belief in the practicability of the idea; and I do not pretend to be such a genius as to have been sure of coming in first, in the case of a race for the discovery. And you see it was important that if I really meant to make a pile, people should not know it was an artificial process and capable of turning out diamonds by the ton. So I had to work all alone. At first I had a little laboratory, but as my resources began to run out I had to conduct my experiments in a wretched unfurnished room in Kentish Town, where I slept at last on a straw mattress on the floor among all my apparatus. The money simply flowed away. I grudged myself everything except scientific appliances. I tried to keep things going by a little teaching, but I am not a very good teacher, and I have no university degree, nor very much education except in chemistry, and I found I had to give a lot of time and labour for precious little money. But I got nearer and nearer the thing. Three years ago I settled the problem of the composition of the flux, and got near the pressure by putting this flux of mine and a certain carbon composition into a closed-up gun-barrel, filling up with water, sealing tightly, and heating."

He paused.

"Rather risky," said I.

"Yes. It burst, and smashed all my windows and a lot of my apparatus; but I got a kind of diamond powder nevertheless. Following out the problem of getting a big pressure upon the molten mixture from which the things were to crystallise, I hit upon some researches of Daubree's at the Paris Laboratorie des Poudres et Salpetres. He exploded dynamite in a tightly screwed steel cylinder, too strong to burst, and I found he could crush rocks into a muck not unlike the South African bed in which diamonds are found. It was a tremendous strain on my resources, but I got a steel cylinder made for my purpose after his pattern. I put in all my stuff and my explosives, built up a fire in my furnace, put the whole concern in, and—went out for a walk."

I could not help laughing at his matter-of-fact manner. "Did you not think it would blow up the house? Were there other people in the place?"

"It was in the interest of science," he said, ultimately. "There was a costermonger family on the floor below, a begging-letter writer in the room behind mine, and two flower-women were upstairs. Perhaps it was a bit thoughtless. But possibly some of them were out.

"When I came back the thing was just where I left it, among the white-hot coals. The explosive hadn't burst the case. And then I had a problem to face. You know time is an important element in crystallisation. If you hurry the process the crystals are small—it is only by prolonged standing that they grow to any size. I resolved to let this apparatus cool for two years, letting the temperature go down slowly during the time. And I was now quite out of money; and with a big fire and the rent of my room, as well as my hunger to satisfy, I had scarcely a penny in the world.

"I can hardly tell you all the shifts I was put to while I was making the diamonds. I have sold newspapers, held horses, opened cab-doors. For many weeks I addressed envelopes. I had a place as assistant to a man who owned a barrow, and used to call down one side of the road while he called down the other.

"Once for a week I had absolutely nothing to do, and I begged. What a week that was! One day the fire was going out and I had eaten nothing all day, and a little chap taking his girl out, gave me sixpence—to show off. Thank heaven for vanity! How the fish-shops smelt! But I went and spent it all on coals, and had the furnace bright red again, and then—Well, hunger makes a fool of a man.

"At last, three weeks ago, I let the fire out. I took my cylinder and unscrewed it while it was still so hot that it punished my hands, and I scraped out the crumbling lava-like mass with a chisel, and hammered it into a powder upon an iron plate. And I found three big diamonds and five small ones. As I sat on the floor hammering, my door opened, and my neighbour, the begging-letter writer came in. He was drunk—as he usually is. "'Nerchist,' said he. 'You're drunk,' said I. ''Structive scoundrel,' said he. 'Go to your father,' said I, meaning the Father of Lies. 'Never you mind,' said he, and gave me a cunning wink, and hiccuped, and leaning up against the door, with his other eye against the door-post, began to babble of how he had been prying in my room, and how he had gone to the police that morning, and how they had taken down everything he had to say—''siffiwas a ge'm,' said he. Then I suddenly realised I was in a hole. Either I should have to tell these police my little secret, and get the whole thing blown upon, or be lagged as an Anarchist. So I went up to my neighbour and took him by the collar, and rolled him about a bit, and then I gathered up my diamonds and cleared out. The evening newspapers called my den the Kentish Town Bomb Factory. And now I cannot part with the things for love or money.

"If I go in to respectable jewellers they ask me to wait, and go and whisper to a clerk to fetch a policeman, and then I say I cannot wait. And I found out a receiver of stolen goods, and he simply stuck to the one I gave him and told me to prosecute if I wanted it back. I am going about now with several hundred thousand pounds-worth of diamonds round my neck, and without either food or shelter. You are the first person I have taken into my confidence. But I like your face and I am hard-driven."

He looked into my eyes.

"It would be madness," said I, "for me to buy a diamond under the circumstances. Besides, I do not carry hundreds of pounds about in my pocket. Yet I more than half believe your story. I will, if you like, do this: come to my office to-morrow . . . ."

"You think I am a thief!" said he keenly. "You will tell the police. I am not coming into a trap."

"Somehow I am assured you are no thief. Here is my card. Take that, anyhow. You need not come to any appointment. Come when you will."

He took the card, and an earnest of my good-will.

"Think better of it and come," said I.

He shook his head doubtfully. "I will pay back your half-crown with interest some day—such interest as will amaze you," said he. "Anyhow, you will keep the secret? . . . . Don't follow me."

He crossed the road and went into the darkness towards the little steps under the archway leading into Essex Street, and I let him go. And that was the last I ever saw of him.

Afterwards I had two letters from him asking me to send bank-notes—not cheques—to certain addresses. I weighed the matter over and took what I conceived to be the wisest course. Once he called upon me when I was out. My urchin described him as a very thin, dirty, and ragged man, with a dreadful cough. He left no message. That was the finish of him so far as my story goes. I wonder sometimes what has become of him. Was he an ingenious monomaniac, or a fraudulent dealer in pebbles, or has he really made diamonds as he asserted? The latter is just sufficiently credible to make me think at times that I have missed the most brilliant opportunity of my life. He may of course be dead, and his diamonds carelessly thrown aside—one, I repeat, was almost as big as my thumb. Or he may be still wandering about trying to sell the things. It is just possible he may yet emerge upon society, and, passing athwart my heavens in the serene altitude sacred to the wealthy and the well-advertised, reproach me silently for my want of enterprise. I sometimes think I might at least have risked five pounds.



THE LORD OF THE DYNAMOS

The chief attendant of the three dynamos that buzzed and rattled at Camberwell, and kept the electric railway going, came out of Yorkshire, and his name was James Holroyd. He was a practical electrician, but fond of whisky, a heavy red-haired brute with irregular teeth. He doubted the existence of the deity, but accepted Carnot's cycle, and he had read Shakespeare and found him weak in chemistry. His helper came out of the mysterious East, and his name was Azuma-zi. But Holroyd called him Pooh-bah. Holroyd liked a nigger because he would stand kicking—a habit with Holroyd—and did not pry into the machinery and try to learn the ways of it. Certain odd possibilities of the negro mind brought into abrupt contact with the crown of our civilisation Holroyd never fully realised, though just at the end he got some inkling of them.

To define Azuma-zi was beyond ethnology. He was, perhaps, more negroid than anything else, though his hair was curly rather than frizzy, and his nose had a bridge. Moreover, his skin was brown rather than black, and the whites of his eyes were yellow. His broad cheekbones and narrow chin gave his face something of the viperine V. His head, too, was broad behind, and low and narrow at the forehead, as if his brain had been twisted round in the reverse way to a European's. He was short of stature and still shorter of English. In conversation he made numerous odd noises of no known marketable value, and his infrequent words were carved and wrought into heraldic grotesqueness. Holroyd tried to elucidate his religious beliefs, and—especially after whisky—lectured to him against superstition and missionaries. Azuma-zi, however, shirked the discussion of his gods, even though he was kicked for it.

Azuma-zi had come, clad in white but insufficient raiment, out of the stokehole of the Lord Clive, from the Straits Settlements, and beyond, into London. He had heard even in his youth of the greatness and riches of London, where all the women are white and fair, and even the beggars in the streets are white, and he arrived, with newly earned gold coins in his pocket, to worship at the shrine of civilisation. The day of his landing was a dismal one; the sky was dun, and a wind-worried drizzle filtered down to the greasy streets, but he plunged boldly into the delights of Shadwell, and was presently cast up, shattered in health, civilised in costume, penniless and, except in matters of the direst necessity, practically a dumb animal, to toil for James Holroyd and to be bullied by him in the dynamo shed at Camberwell. And to James Holroyd bullying was a labour of love.

There were three dynamos with their engines at Camberwell. The two that had been there since the beginning were small machines; the larger one was new. The smaller machines made a reasonable noise; their straps hummed over the drums, every now and then the brushes buzzed and fizzled, and the air churned steadily, whoo! whoo! whoo! between their poles. One was loose in its foundations and kept the shed vibrating. But the big dynamo drowned these little noises altogether with the sustained drone of its iron core, which somehow set part of the ironwork humming. The place made the visitor's head reel with the throb, throb, throb of the engines, the rotation of the big wheels, the spinning ball-valves, the occasional spittings of the steam, and over all the deep, unceasing, surging note of the big dynamo. This last noise was from an engineering point of view a defect, but Azuma-zi accounted it unto the monster for mightiness and pride.

If it were possible we would have the noises of that shed always about the reader as he reads, we would tell all our story to such an accompaniment. It was a steady stream of din, from which the ear picked out first one thread and then another; there was the intermittent snorting, panting, and seething of the steam engines, the suck and thud of their pistons, the dull beat on the air as the spokes of the great driving-wheels came round, a note the leather straps made as they ran tighter and looser, and a fretful tumult from the dynamos; and over all, sometimes inaudible, as the ear tired of it, and then creeping back upon the senses again, was this trombone note of the big machine. The floor never felt steady and quiet beneath one's feet, but quivered and jarred. It was a confusing, unsteady place, and enough to send anyone's thoughts jerking into odd zigzags. And for three months, while the big strike of the engineers was in progress, Holroyd, who was a blackleg, and Azuma-zi, who was a mere black, were never out of the stir and eddy of it, but slept and fed in the little wooden shanty between the shed and the gates.

Holroyd delivered a theological lecture on the text of his big machine soon after Azuma-zi came. He had to shout to be heard in the din. "Look at that," said Holroyd; "where's your 'eathen idol to match 'im?" And Azuma-zi looked. For a moment Holroyd was inaudible, and then Azuma-zi heard: "Kill a hundred men. Twelve per cent. on the ordinary shares," said Holroyd, "and that's something like a Gord!"

Holroyd was proud of his big dynamo, and expatiated upon its size and power to Azuma-zi until heaven knows what odd currents of thought that and the incessant whirling and shindy set up within the curly black cranium. He would explain in the most graphic manner the dozen or so ways in which a man might be killed by it, and once he gave Azuma-zi a shock as a sample of its quality. After that, in the breathing-times of his labour—it was heavy labour, being not only his own, but most of Holroyd's—Azuma-zi would sit and watch the big machine. Now and then the brushes would sparkle and spit blue flashes, at which Holroyd would swear, but all the rest was as smooth and rhythmic as breathing. The band ran shouting over the shaft, and ever behind one as one watched was the complacent thud of the piston. So it lived all day in this big airy shed, with him and Holroyd to wait upon it; not prisoned up and slaving to drive a ship as the other engines he knew—mere captive devils of the British Solomon—had been, but a machine enthroned. Those two smaller dynamos, Azuma-zi by force of contrast despised; the large one he privately christened the Lord of the Dynamos. They were fretful and irregular, but the big dynamo was steady. How great it was! How serene and easy in its working! Greater and calmer even than the Buddhas he had seen at Rangoon, and yet not motionless, but living! The great black coils spun, spun, spun, the rings ran round under the brushes, and the deep note of its coil steadied the whole. It affected Azuma-zi queerly.

Azuma-zi was not fond of labour. He would sit about and watch the Lord of the Dynamos while Holroyd went away to persuade the yard porter to get whisky, although his proper place was not in the dynamo shed but behind the engines, and, moreover, if Holroyd caught him skulking he got hit for it with a rod of stout copper wire. He would go and stand close to the colossus and look up at the great leather band running overhead. There was a black patch on the band that came round, and it pleased him somehow among all the clatter to watch this return again and again. Odd thoughts spun with the whirl of it. Scientific people tell us that savages give souls to rocks and trees—and a machine is a thousand times more alive than a rock or a tree. And Azuma-zi was practically a savage still; the veneer of civilisation lay no deeper than his slop suit, his bruises, and the coal grime on his face and hands. His father before him had worshipped a meteoric stone, kindred blood it may be had splashed the broad wheels of Juggernaut.

He took every opportunity Holroyd gave him of touching and handling the great dynamo that was fascinating him. He polished and cleaned it until the metal parts were blinding in the sun. He felt a mysterious sense of service in doing this. He would go up to it and touch its spinning coils gently. The gods he had worshipped were all far away. The people in London hid their gods.

At last his dim feelings grew more distinct, and took shape in thoughts and at last in acts. When he came into the roaring shed one morning he salaamed to the Lord of the Dynamos, and then when Holroyd was away, he went and whispered to the thundering machine that he was its servant, and prayed it to have pity on him and save him from Holroyd. As he did so a rare gleam of light came in through the open archway of the throbbing machine-shed, and the Lord of the Dynamos, as he whirled and roared, was radiant with pale gold. Then Azuma-zi knew that his service was acceptable to his Lord. After that he did not feel so lonely as he had done, and he had indeed been very much alone in London. And even when his work time was over, which was rare, he loitered about the shed.

Then, the next time Holroyd maltreated him, Azuma-zi went presently to the Lord of the Dynamos and whispered, "Thou seest, O my Lord!" and the angry whir of the machinery seemed to answer him. Thereafter it appeared to him that whenever Holroyd came into the shed a different note came into the sounds of the dynamo. "My Lord bides his time," said Azuma-zi to himself. "The iniquity of the fool is not yet ripe." And he waited and watched for the day of reckoning. One day there was evidence of short circuiting, and Holroyd, making an unwary examination—it was in the afternoon—got a rather severe shock. Azuma-zi from behind the engine saw him jump off and curse at the peccant coil.

"He is warned," said Azuma-zi to himself. "Surely my Lord is very patient."

Holroyd had at first initiated his "nigger" into such elementary conceptions of the dynamo's working as would enable him to take temporary charge of the shed in his absence. But when he noticed the manner in which Azuma-zi hung about the monster he became suspicious. He dimly perceived his assistant was "up to something," and connecting him with the anointing of the coils with oil that had rotted the varnish in one place, he issued an edict, shouted above the confusion of the machinery, "Don't 'ee go nigh that big dynamo any more, Pooh-bah, or a'll take thy skin off!" Besides, if it pleased Azuma-zi to be near the big machine, it was plain sense and decency to keep him away from it.