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The Divine Fire
by May Sinclair
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"I think there's a d——d lot more interest than principle in it."

"You young goat! I'm out of it. Honour bright. So if you feel inclined to slog away and boom the lady, there's no reason why you shouldn't."

"Is there any reason why I should?" inquired Rickman with treacherous severity. So immense was his calm that Dicky was taken in by it and blundered.

"Well, yes," said he, "in that case, we might consider our little account settled."

"Our little account, Dicky, will be run up on the wrong side of the paper if you don't take care."

"Wot d'you mean?"

"I mean that when you've got a particularly filthy job on hand, it's as well to keep away from people who are not fond of dirt. At any rate, I advise you not to come too near me."

Dicky for the first time that evening looked uncomfortable. It occurred to Dicky that whisky and soda was not the very best drink to talk business on.

"I've noticed, Rickman," said he, "that since you've been living down in the country, you don't seem able to understand a joke."

But Rickman had got his legs on the other side of the window ledge, and as Dicky approached him he slid down on to the esplanade and slipped into the night.



CHAPTER XXXIII

Hardly knowing how he got there he found himself on the top of Harcombe Hill. His head was bare and the soles of his thin slippers were cut with the flints of the hillside lane. He had walked, walked, walked, driven by a fury in his body and a fever in his feet.

His first idea had been to get as far away as possible from his companion. He felt that he never could be clean again after his contact with Dicky. How had the thing happened? Yesterday London seemed as far away from Harmouth as Babylon from Arcadia, and Rickman was not more infinitely removed from Lucia than Lucia was from Poppy; yet here they were, all three tangled together in Dicky's complicated draw-net. He held them all, Lucia by her honour, Poppy by her vanity, and him, Rickman, by the lusts and follies of his youth. This was what it had led him to, that superb triumphal progress of the passions. In language as plain as he could put it, he—he—had been offered a bribe to advertise Poppy Grace for the benefit of Dicky, who kept her. To advertise a little painted—he disposed of poor Poppy in a powerful word which would have given her propriety a fit if it could have heard him. That he himself should ever have been infatuated with Poppy seemed to him now incredible, monstrous. In the last three weeks he had not only grown sober, but mature. That youth of his which once seemed immortal, had then ceased to be a part of him. He had cut himself loose from it and put it behind him with all its miseries and tumults and pollutions. But he couldn't get rid of it. Like an unclean spirit cast out of him it seemed to have entered into Dicky as into a convenient herd of swine. And in Dicky's detestable person it rose up against him and pursued him. For Dicky, though sensual as any swine, was cautious. Dicky, even with an unclean spirit in him, was not in the least likely to rush violently down any steep place into the sea and so perish out of his life.

That Dicky should have appeared on his last night here seemed the vilest stroke that fate had dealt him yet. But Dicky could not follow him up Harcombe Hill.

He looked before him. The lights of Harmouth opened out a thin line to the esplanade, dividing the sea from the land by fire instead of foam; strewn in the bed of the valley they revealed, as through some pure and liquid medium, its darkness and its depth. Above them the great flank of Muttersmoor stretched like the rampart of the night. Night itself was twilight against that black and tragic line.

And Rickman, standing bareheaded on the hillside, was lifted up out of his immense misery and unrest. He remembered how this land that he loved so passionately had once refused him the inspiration that he sought. And now it seemed to him that it could refuse him nothing, that Nature under cover of the darkness gave up her inmost ultimate secret. And if it be true that Nature's innermost ultimate secret is known only to the pure, it was a sign of his own cleansing, this sense of comfort and reconciliation, of unspoiled communion, of profound immeasurable peace. In that moment his genius seemed to have passed behind veils upon veils of separation, to possess that tender and tragic beauty, to become one with the soul of the divine illimitable night.

He was not in the least deceived as to the true source of his inspiration. In all this, if you went back far enough, his body counted; his body which he had made a house of shame and hunger and desire, shaken by its own shivering nerves and leaping desperate pulses. But what of that now? What matter, since that tumult of his blood had set throbbing such subtle, such infinite vibrations in his soul. That was what counted. He could tell by it the quality and immensity of his passion, by just that spiritual resonance and response. It was the measure of Lucia's power to move him, the measure too of his nearness to her no less than of his separation.

She could not take away what she had given; and among his sources of inspiration, of the unique and unforgettable secret that had passed into him with the night, on Harcombe Hill, as he looked towards Muttersmoor, she also counted. She would be always there, a part of it, a part of him, whether she would or no—if that was any consolation.



CHAPTER XXXIV

He had made no empty promise when he assured her that he would do his best; for there was something that could still be done. He built great hopes on the result of the coming interview with his father. His idea was to go up to town by the early morning train and talk the whole thing over as calmly as might be. He would first of all appeal to his father's better feelings; he would make him see this thing as he saw it, he would rouse in him the spirit of integrity, the spirit of mercy and pity, the spirit of justice and chivalry and honour.

But if all the arts of persuasion failed to touch him, Rickman Junior had in reserve one powerful argument against which Rickman Senior would hardly be able to contend. There would no doubt be inspirations, but as to the main lines of his pleading he was already clear. He felt entirely confident and light-hearted as he rose at five the next morning to catch that early train.

Rickman Senior was not in the shop when Rickman Junior arrived on the scene. He was in a great bare room on an upper floor of the second-hand department. He looked more than ever studious and ascetic, having exchanged his soft felt hat for a velvet skull-cup, and his frock coat for a thin alpaca. He was attended by a charwoman with scrubbing brush and pail, a boy with ladder and broom, and a carpenter with foot-rule, note-book and pencil. He moved among them with his most solemn, most visionary air, the air, not so much of a Wesleyan minister, as of a priest engaged in some high service of dedication. He was in fact making arrangements for the reception of no less than fifteen thousand volumes, the collection of the late Sir Joseph Harden, of Court House, Harmouth. And as he looked around him his face expressed the smooth and delicately voluptuous satisfaction of the dreamer who has touched his dream.

This look of beatitude faded perceptibly when the message came that Mr. Keith was in the front shop and wished to see him. Mr. Keith, it appeared, had no time to spare. Isaac had, in fact, experienced a slight shock at the earliness of Keith's return. His first thought was that at the last moment there had been some serious hitch with Pilkington. He found Keith sitting before the counter in the attitude of a rather imperious customer; but the warm pressure of his son's hand removed this disagreeable effect of superiority. Keith's face wore signs of worry and agitation that confirmed Isaac's original fear.

"Well," he said a little anxiously, "I didn't expect you back as early as this."

"I haven't come to stop. I've got to catch the twelve-thirty back again. I came up because I wanted to talk to you."

"Come," said Isaac, "into the office."

He laid his hand on Keith's shoulder as they went. He felt very kindly towards him at that moment. His heart was big with trust in the brilliant, impetuous boy. When he touched Keith's hand he had felt that intellectual virtue had gone out of it. He guessed that there was a crisis in the affairs of the House of Rickman, and that Keith had come with warning and with help. He knew his power of swift and effectual action in a crisis. Yes, yes; Keith's wits might go wool-gathering; but he was safe enough when he had gathered his wool.

"Well?" he repeated, lifting grave interrogative eyebrows. He had seated himself; but Keith remained standing, a sign with him of extreme perturbation.

"I thought I could explain things better if I saw you," he began.

"Quite so; quite so. I hope you haven't come to tell me there's been any 'itch."

"Well, I told you as much when I wrote."

"I understood you advised me to withdraw, because you thought Pilkington wanted a big price."

"I didn't know what he wanted; I knew what we ought to give."

"That was settled by looking in the register. You don't mean to say he's going to back out of it?"

Keith was so preoccupied that he failed to see the drift of his father's questioning. "You see," he continued, following his own thoughts, "it's not as if we had only ourselves to consider. There's Miss Harden."

"Ah, yes, Pilkington did make some mention of a young lady."

"She was good enough to say she'd rather we bought the library than anybody. I think we're bound to justify her confidence."

"Certainly, most certainly, we are," said Isaac with solemnity. He was agreeably flattered by this tribute to the greatness of his house.

"I thought I did right in promising that we would do our very best for her."

"Of course you were. But that's all settled. Mr. Pilkington knows that I'm prepared to meet his wishes."

"His wishes?"

"He gave me to understand that he was anxious to have a sum to hand over to the young lady. In fact, he wrote me a most touching appeal."

"What d——d impertinence! He had no business to appeal!"

"Well, per'aps it wasn't strictly business-like. But I think, under the circumstances, 'e was morally—morally—justified. And I think he will consider I've responded very handsomely."

"You've made him an offer, then?"

"I made it three days ago, provisionally, and he's accepted it," said Isaac, with some heat. "Why, he's got the cheque."

"For how much?"

"For twelve hundred."

"My dear father, you know, really, that won't do."

"Do you think it was foolish to pay the two hundred extra?"

Isaac gazed at him over his fine gold-rimmed spectacles; and as he gazed he kept drawing his beard slowly through one lean and meditative hand. It was thus that he grasped his son's argument and drew it to a point.

"Foolish? It was—Don't you see? We—we simply can't do it."

"Why, you said yourself we could go as far as four thousand five, or four thousand at the very least."

Keith looked steadily at his father, who was too deeply and solemnly absorbed to perceive the meaning of the look. "That was not quite what I said. I said—if we were not prepared to go so far, it was our duty to withdraw. I thought I had made that clear to you."

"You 'aven't made it clear to me why you're objecting to that two hundred now."

Isaac was beginning to feel that stupidity was now his refuge.

"I'm not objecting to your reckless extravagance, as you seem to think. I'm trying to suggest that twelve hundred is a ridiculously small offer for a collection which can't be worth less than four thousand."

"It may be worth that to a collector. It isn't worth it to me."

"It's worth it to any dealer who knows his business."

"Pretty business, if you have to buy at fancy prices and sell at a risk."

"I allowed for the risk in the valuation—I always do. There's one point where you are extravagant, if you like. What's the use of paying me for advice if you won't take it?"

Isaac's stupidity increased.

"'Ow do you mean—paying you for your advice?"

"Paying a valuer, then, if you won't accept his valuation."

So unwilling was he to admit the sharpness of his father's practice that he tried to persuade himself that they had merely disagreed on a point of connoisseurship. "My advice, if you remember, was to withdraw decently, or pay a decent price."

"I've paid my price, and I'm certainly not going to withdraw."

"Well, but I'm afraid, if you won't withdraw, I must. You haven't paid my price, and I can't be responsible."

Isaac caressed his beard gently, and looked at Keith with a gaze so clear that it might have passed for pure. He was saying to himself, as he had said once before, "There's a woman in it."

"Don't you see," Keith broke out, "the atrocious position that I'm in? I promised Miss Harden that we'd do our best for her, and now we're taking advantage of the situation to drive an iniquitous bargain with her."

As Keith made this powerful statement Isaac smiled, puzzled and indulgent, as at some play of diverting but incomprehensible humour. In fact, he never could clearly distinguish between Keith's sense of humour and his sense of honour; both seemed equally removed from the safe, intelligible methods of ordinary men. He wasn't sure but what there was something fine in it, something in keeping with the intellectual extravagance that distinguished his son from other people's sons. There were moments when it amused and interested him, but he did not care to have it obtruded on him in business hours.

"I'm driving no bargain with the lady at all. The books aren't hers, they're Pilkington's. I'm dealing with him."

"And you refuse to consider her interests?"

"How can you say so when I'm paying two hundred more than I need do, on her account alone? You must explain that clearly to her."

"Not I. You can explain it yourself. To me, you see, the whole thing's simply a colossal fraud. I won't have anything to do with it."

"You 'aven't anything to do with it. I made the bargain, and I keep to it."

"Very well, then, you must choose between your bargain and me."

"Wot do you mean, choose between my bargain and you?"

"I mean exactly what I say. I know (if you don't) that that two hundred ought to be three thousand, and if it isn't paid I shall have to shunt the business. I never meant to stay in it for ever, but in this case I shall simply clear out at once, that's all. See?"

"No. I don't see. I don't see myself paying three thousand to a man who's willing to take two hundred."

"See my point, I mean. If the three thousand isn't paid, I go. On the other hand, if it is paid, I stay."

This was one of those inspirations on which he had counted, and it presented itself to him as a "clincher." At the same instant he realized that he was selling himself into slavery for three thousand pounds. No, not for three thousand pounds, for his honour's sake and Lucia Harden's.

Isaac looked graver, alarmed even; it struck him that Keith's peculiar vein of extravagance was becoming dangerous.

"You can calculate the interest at four per cent., and knock a hundred and twenty off my salary, if you like; but I'll stay. It's pretty clear, isn't it? I think, on the whole, it might be as well for you to close with the offer. It seems to me that if I'm worth anything at all, I'm worth three thousand."

"I haven't priced your services yet." Isaac's gaze shifted. He was beginning to feel something of that profound discomfort he had experienced before in the presence of his son. "Now, when you spoke to Miss 'Arden, had she any notion of the value of the library?"

"None whatever, till I told her."

"Do you mean to stand there and say that you were fool enough to tell her?"

"Certainly; I thought it only fair to her."

"And did you think it was fair to me?"

"Why not? If you're not dealing with her what difference could it make?"

He said to himself, "I've got him there!"

Isaac was indeed staggered by the blow, and lost his admirable composure.

"Do you know wot you've done? You've compromised me. You've compromised the honour and the reputation of my 'Ouse. And you've done it for a woman. You can't 'ide it; you're a perfect fool where women are concerned."

"If anybody's compromised, I think it's me. I pledged my word."

"And wot business had you to pledge it?"

"Oh, I thought it safe. I didn't think you'd dishonour my draft on your reputation."

"Draft indeed! That's it. You might just as well 'ave taken my cheque-book out of the drawer there and forged my signature at the bottom. Why, it's moral forgery—that's wot it is. I can see it all. You thought you were acting very generous and grand with this young lady. I say you were mean. You did it on the cheap. You'd no expense, or risk, or responsibility at all. I know you can't see it that way, but that's 'ow it is."

Keith did not defend himself against this view of his conduct, and Isaac preserved his attitude of moral superiority.

"I'm not blaming you, my boy. It's my own fault. I shouldn't 'ave sent you out like that, with cart blansh, so to speak, and without it. I should 'ave given you some responsibility."

"Oh, thanks, I couldn't very well have done with more than I had."

"Ah—you don't know the kind of responsibility I mean. You seem very ready to play fast and loose with my business. I daresay, now, you think since you 'aven't much to lose, you 'aven't much to gain?"

"Well, frankly, I can't see that I have—much. But I've got to catch a train in twenty minutes, and I want to know what you're going to do? Am I worth three thousand, or am I not?"

"You're worth a great deal more to me. You've got an education I 'aven't got; you've got brains; you've got tact, when you choose to use it. You've got expert knowledge, and I can't carry on my business without that. I'm not unreasonable. I can see that you can't act to advantage if you're not made responsible, if you haven't any direct interest in the business." He fixed his son with a glance that was nothing if not spiritually fine. Keith found himself struggling against an infamous, an intolerable suspicion.

"And that," said Isaac, "is wot I mean to give you. I've thought it well over, and I believe it's worth my while." He went on, joining his finger-tips, like a man who fits careful thought to careful thought, suggesting the final adjustment of a plan long ago determined and approved, for something in Keith's face made him anxious that this offer should not appear to be born of the subject under discussion.

"It was always my intention to take you into partnership. I didn't mean to do it quite so soon, but rather than 'ear this talk of flinging up the business, I'm prepared to do it now."

"On the same conditions?"

Now that Rickman's should eventually become Rickman and Son was a very natural development, and in any ordinary circumstances Isaac could hardly have made a more innocent and suitable proposal. But it was no longer possible for Keith to ignore its significance. It meant that his father was ready to buy his services at any price; to bribe him into silence.

His worst misgivings had never included such a possibility. In fact, before going down to Devonshire he had never had any serious misgivings at all. His position in his father's shop had hitherto presented no difficulties to a sensitive honour. He had not been sure that his honour was particularly sensitive, not more so, he supposed, than other people's. Acting as part of the machinery of Rickman's, he had sometimes made a clever bargain; he had never, so far as he knew, driven a hard one. He was expected to make clever bargains, to buy cheap and sell dear, to watch people's faces, lowering the price by their anxiety to sell, raising it by their eagerness to buy. That was his stern duty in the second-hand department. But there had been so many occasions on which he had never done his duty; times when he was tempted to actual defiance of it, when a wistful calculating look in the eyes of some seedy scholar would knock all the moral fibre out of him, and a two and sixpenny book would go for ninepence or a shilling. And such was his conception of loyalty to Rickman's, that he generally paid for these excesses out of his own pocket, so that conscience was satisfied both ways. Therefore there had been no moral element in his dislike to Rickman's; he had shrunk from it with the half-fantastic aversion of the mind, not with this sickening hatred of the soul. After three weeks of Lucia Harden's society, he had perceived how sordid were the beginnings from which his life had sprung. As his boyish dreams had been wrought like a broidery of stars on the floor of the back-shop, so honour, an unattainable ideal, had stood out in forlorn splendour against a darker and a dirtier background. He had felt himself obscurely tainted and involved. Now he realized, as he had never realized before, that the foundations of Rickman's were laid in bottomless corruption. It was a House built, not only on every vile and vulgar art known to trade, but on many instances of such a day's work as this. And it was into this pit of infamy that his father was blandly inviting him to descend. He had such an abominably clear vision of it that he writhed and shuddered with shame and disgust; he could hardly have suffered more if he had gone down into it bodily himself. He endured in imagination the emotions that his father should have felt and apparently did not feel.

He came out of his shudderings and writhings unspeakably consoled and clean; knowing that it is with such nausea and pangs that the soul of honour is born.

Their eyes met; and it was the elder Rickman's turn for bitterness. It had come, the moment that he had dreaded. He was afraid to meet his son's eyes, for he knew that they had judged him. He felt that he stood revealed in that sudden illumination of the boy's radiant soul. An instinct of self-preservation now prompted him to belittle Keith's character. He had found amazing comfort in the reflection that Keith was not all that he ought to be. As far as Isaac could make out, he was always running after the women. He was a regular young profligate, an infidel he was. What right had he to sit in judgement?

Shrewd even in anger, he took refuge in an adroit misconstruction of Keith's language. "I lay down no conditions. I'm much too anxious about you. I want to see you in a house of your own, settled down and married to some good girl who'll keep you steady and respectable. It's a simple straightforward offer, and you take it or leave it."

"I'll take it on two conditions. First, as I said before, that we either withdraw or pay over that three thousand. Second, that in the future no bargains are made without my knowledge—and consent. That means giving me the entire control of my own department."

"It means reducing me to a mere cypher."

"Such bargains are questions for experts, and should be left to experts."

"If I were to leave them to experts like you I should be bankrupt in a fortnight."

"I'm sorry, but you must choose between your methods and mine. There's ten minutes to do it in."

"It won't take ten minutes to see what will ruin me quickest. As I told you before, I'm not going back on my bargain."

"Nor I on mine."

Isaac spent three minutes in reflection. He reflected first, that Keith had been in the past "a young profligate"; secondly, that he was at the present moment in love; thirdly, that in the future he would infallibly be hungry. He would think very differently when he had forgotten the lady; or if he didn't think differently he would behave differently when his belly pinched him. Isaac was a firm believer in the persuasive power of the primitive appetites.

"Only seven minutes," murmured Keith. "I'm sorry to hurry you, father, but I really must catch that train."

"Wait—steady. Do you know wot you're about? You shan't do anything rash for want of a clear understanding. Mind—as you stand there, you're nothing but a paid shop-assistant; and if you leave the shop, you leave it without a penny to your name."

"Quite so. My name will hardly be any the worse for that. You're sure you've decided? You—really—do not—want—to keep me?"

After all, did he want to keep him, to be unsettled in his conscience and ruined in his trade? What, after all, had Keith brought into the business but three alien and terrible spirits, the spirit of superiority, the spirit of criticism, the spirit of tempestuous youth? He would be glad to be rid of him, to be rid of those clear young eyes, of the whole brilliant and insurgent presence. Not that he believed that it would really go. He had a genial vision of the hour of Keith's humiliation and return, a vivid image of Keith crawling back on that empty belly.

At that moment Keith smiled, a smile that had in it all the sweetness of his youth. It softened his father's mood, though it could not change it.

"I'm afraid I can't afford to pay your price, my boy."

He was the first to turn away.

And Keith understood too thoroughly to condemn. That was it. His father couldn't pay his price. The question was, could he afford to pay it himself?

As the great swinging doors closed behind him, he realized that whatever price he had paid for it, he had redeemed his soul. And he had bought his liberty.



CHAPTER XXXV

Really, as Miss Harden's solicitor pointed out to her in the presence of Miss Palliser, things looked very black against the young man. It was clear, from the letter Mr. Schofield had received from Mr. Jewdwine that morning, that the library was worth at least three times the amount these Rickmans had paid for it. Barring the fact that sale by private contract was irregular and unsatisfactory, he completely exonerated Mr. Pilkington from all blame in the matter. His valuation had evidently been made in all good faith, if in some ignorance. But the young man, who by Pilkington's account had been acting all along as his father's agent, must have been perfectly aware of the nature of the bargain he had made. There was every reason to suppose that he had known all about the bill of sale before he came down to Harmouth; and there could be no doubt he had made use of his very exceptional opportunities to inform himself precisely of the value of the books he was cataloguing. He must have known that they had been undervalued by Mr. Pilkington, and seen his chance of buying them for a mere song.

So what does he do? He carefully conceals his knowledge from the persons most concerned; obviously, that he and his father may keep the market to themselves. Then at the last moment he comes and pretends to give Miss Harden a chance of forestalling the purchase, knowing well that before she can take a single step the purchase will be concluded. Then he hurries up to town; and the next thing you hear is that he's very sorry, but arrangements have unfortunately already been made with Mr. Pilkington. No doubt, as agent of the sale, that young man would pocket a very substantial commission. Clearly in the face of the evidence, it was impossible to acquit him of dishonesty; but no action could be brought against him, because the matter lay entirely between him and Mr. Pilkington.

Lucia and Kitty had listened attentively to the masterly analysis of Mr. Rickman's motives; and at the end Kitty admitted that appearances were certainly against him; while Lucia protested that he was a poet and therefore constitutionally incapable of the peculiar sort of cleverness imputed to him. The man of law submitted that because he was a poet it did not follow that he was not an uncommonly knowing young man too. Whereupon Kitty pointed out one or two flaws in the legal argument. In the first place, urged Kitty, the one thing that this knowing young man did not know was the amount of security the library represented.

Mr. Schofield smiled in genial forbearance with a lady's ignorance. He must have known, for such information is always published for the benefit of all whom it may concern.

But Kitty went on triumphantly. There was nothing to prove it, nothing to show that this knowing young man knew all the facts when he first undertook to work for Miss Harden. So far from concealing the facts later on, he had, to her certain knowledge, written at once to Mr. Jewdwine advising him to buy in the library, literally over old Rickman's head. That old Rickman's action had not followed on young Rickman's visit to town was sufficiently proved by the dates. The letter to Mr. Pilkington enclosing the cheque for twelve hundred had been written and posted at least twelve hours before his arrival. What the evidence did prove was that he had moved heaven and earth to make his father withdraw from his bargain.

Mr. Schofield coldly replied that the better half of Miss Palliser's arguments rested on the statements of the young man himself, to which he was hardly inclined to attach so much importance as she did. If his main assertion was correct, that he had written to inform Mr. Jewdwine of the facts, it was a little odd, to say the least of it, that Mr. Jewdwine made no mention of having received that letter. And that he had not received it might be fairly inferred from the discrepancy between young Rickman's exaggerated account of the value and Mr. Jewdwine's more moderate estimate.

Lucia and Kitty first looked at each other, and then away to opposite corners of the room. And at that moment Kitty was certain, while Lucia doubted; for Kitty went by the logic of the evidence and Lucia by the intuition which was one with her desire. Surely it was more likely that Rickman had never written to Horace than that Horace should have failed her, if he knew? Meanwhile the cold legal voice went on to shatter the last point in Kitty's defence, observing that if Rickman had not had time to get up to town before his father wrote to Mr. Pilkington he had had plenty of time to telegraph. He added that the young man's moral character need not concern them now. Whatever might be thought of his conduct it was not actionable. And to the legal mind what was not actionable was irrelevant.

But for Lucia, to whom at the moment material things were unrealities, the burning question was the honesty or dishonesty of Rickman; for it involved the loyalty or disloyalty, or rather, the ardour or the indifference of Horace. If Rickman were cleared of the grosser guilt, her cousin was, on a certain minor count, condemned; and there could be no doubt which of the two she was the more anxious to acquit.

"I suppose you'll see him if he calls?" asked Kitty when they were alone.

"See who?"

"Mr. Savage Keith Rickman." Even in the midst of their misery Kitty could not forbear a smile.

But for once Lucia was inaccessible to the humour of the name.

"Of course I shall see him," she said gravely.



CHAPTER XXXVI

He called soon after six that evening, coming straight from the station to the house. Miss Palliser was in the library, but his face as he entered bore such unmistakable signs of emotion that Kitty in the kindness of her heart withdrew.

He was alone there, as he had been on that evening of his first coming. He looked round at the place he had loved so well, and knew that he was looking at it now for the last time. At his feet the long shadow from the bust of Sophocles lay dusk upon the dull crimson; the level light from the west streamed over the bookshelves, lying softly on brown Russia leather and milk-white vellum, lighting up the delicate gold of the tooling, glowing in the blood-red splashes of the lettering pieces; it fell slant-wise on the black chimney piece, chiselling afresh the Harden motto: Invictus. There was nothing meretricious, nothing flagrantly modern there, as in that place of books he had just left; its bloom was the bloom of time, the beauty of a world already passing away. Yet how he had loved it; how he had given himself up to it; how it had soothed him with its suggestion of immortal things. And now, for this last time, he felt himself surrounded by intelligences, influences; above the voices of his anguish and his shame he heard the stately generations calling; they approved; they upheld him in his resolution.

He turned and saw Lucia standing beside him. She had come in unheard, as on that evening which seemed now so long ago.

She held out her hand. Not to have shaken hands with the poor fellow, would, she felt, have been to condemn him without a hearing.

He did not see the offered hand, nor yet the chair it signed to him to take. As if he knew that he was on his trial, he stood rigidly before her. His eyes alone approached her, looking to hers to see if they condemned him.

Lucia's eyes were strictly non-committal. They, too, seemed to stand still, to wait, wide and expectant, for his defence. Her attitude was so far judicial that she was not going to help him by a leading question. She merely relieved the torture of his visible bodily constraint by inviting him to sit down. He dropped into a chair that stood obliquely by the window, and screwed himself round in it so as to face her.

"I saw my father this morning," he began. "I went up by the early train."

"I know."

"Then you know by this time that I was a day too late."

"Mr. Pilkington sent me your father's letter."

"What did you think of it?"

The question, so cool, so sudden, so direct, was not what she felt she had a right to expect from him.

"Well—what did you think of it yourself?"

She looked at him and saw that she had said a cruel thing.

"Can't you imagine what I think of it?"

This again was too sudden; it took her at a disadvantage, compelling her instantly to commit herself to a theory of innocence or complicity.

"If you can't," said he, "of course there's no more to be said." He said it very simply, as if he were not in the least offended, and she looked at him again.

No. There was no wounded dignity about him, there was the tragic irremediable misery of a man condemned unheard. And could that be her doing—Lucia's? She who used to be so kind and just? Never in all her life had she condemned anybody unheard.

But she had to choose between this man who a month ago was an utter stranger to her, and Horace who was of her own blood, her own class, her own life. Did she really want Mr. Rickman to be tainted that Horace might be clean? And she knew he trusted her; he had made his appeal to the spirit that had once divined him. He might well say, "could she not imagine what he thought of it?"

"Yes," she said gently, "I think I can. If you had not told me what the library was worth, of course I should have thought your father very generous in giving as much for it as he has done."

"I did tell you I was anxious he—we—should not buy it; because I knew we couldn't give you a proper price."

"Yes, you told me. And I wanted you to buy it, because I thought you would do your best for me."

"I know. I know. If it wasn't for that—but that's the horrible part of it."

"Why? You did your best, did you not?"

"Yes. I really thought it would be all right if I went up and saw him. I felt certain he would see it as I did—"

"Well?"

He answered with painful hesitation. "Well—he didn't see it. My father hasn't very much imagination—he couldn't realize the thing in the same way, because he wasn't in it as I was. He'd seen nobody but Pilkington, you see."

Something in her face told him that this line of defence was distasteful to her, that he had no right to make a personal matter of an abstract question of justice. It was through those personalities that he had always erred.

"I don't see what that has to do with it," she said.

"He—he thought it was only a question of a bargain between Pilkington and him."

"What you mean is that he wouldn't admit that I came into it at all?"

She saw that she was putting him to the torture. He could not defend himself without exposing his father; but she meant that he should defend himself, that he should if possible stand clear.

"Yes. He hadn't seen you. He wouldn't go back on his bargain, and I couldn't make him. God knows I tried hard enough!

"Did you think you could do anything by trying?"

"I thought I could do a good deal. I had a hold on him, you see. I happen to be extremely useful to him in this branch of his business. I was trained for it; in fact, I'm hopelessly mixed up with it. Well, he can't do very much without me, and I told him that if he didn't give up the library I should give him up. It wasn't a nice thing to have to say to your father—"

"And you said it?" Her face expressed both admiration and a certain horror.

"Yes. I told him he must choose between me and his bargain."

"That must have been hard."

"He didn't seem to find it so. Anyhow, he hasn't chosen me."

"I meant hard for you to have to say it."

"I assure you it came uncommonly easy at the moment."

"Don't—don't."

"I'm not going to defend him simply because he happens to be my father. I don't even defend myself."

"You? You didn't know."

"I knew quite enough. I knew he might cheat you without meaning to. I didn't think he'd do it so soon or so infamously, but, to tell the truth, I went up to town on purpose to prevent it."

"I know—I know that was what you went for." She seemed to be answering some incessant voice that accused him, and he perceived that the precipitancy of his action suggested a very different interpretation. His position was odious enough in all conscience, but as yet it had not occurred to him that he could be suspected of complicity in the actual fraud.

"Why didn't I do something to prevent it before?"

"But—didn't you?"

"I did everything I could. I wrote to my father—if that's anything; the result, as you see, was a cheque for the two hundred that should have been three thousand."

"Did it never occur to you to write to anybody else, to Mr. Jewdwine, for instance?"

She brought out the question shrinkingly, as if urged against her will by some intolerable compulsion, and he judged that this time they had touched what was, for her, a vital point.

"Of course it occurred to me. Haven't you heard from him?"

"I have. But hardly in time for him to do anything."

He reflected. Jewdwine had written; therefore his intentions had been good. But he had delayed considerably in writing; evidently, then, he had been embarrassed. He had not mentioned that he had heard from him; and why shouldn't he have mentioned it? Oh, well—after all, why should he? At the back of his mind there had crawled a wriggling, worm-like suspicion of Jewdwine. He saw it wriggling and stamped on it instantly.

There were signs of acute anxiety on Miss Harden's face. It was as if she implored him to say something consoling about Jewdwine, something that would make him pure in her troubled sight. A light dawned on him.

"Did you write to him?" she asked.

He saw what she wanted him to say, and he said it. "Yes, I wrote. But I suppose I did it too late, like everything else I've done."

He had told the truth, but not the whole truth, which would have been damaging to Jewdwine. To deny altogether that he had written would have been a clumsy and unnecessary falsehood, easily detected. Something more masterly was required of him, and he achieved it without an instant's hesitation, and with his eyes open to the consequences. He knew that he was deliberately suppressing the one detail that proved his own innocence. But as their eyes met he saw that she knew it, too; that she divined him through the web that wrapped him round.

"Well," she said, "if you wrote to Mr. Jewdwine, you did indeed do your best."

The answer, on her part, was no less masterly in its way. He could not help admiring its significant ambiguity. It was both an act of justice, an assurance of her belief in him, and a superb intimation of her trust in Horace Jewdwine. And it was not only superb, it was almost humble in that which it further confessed and implied—her gratitude to him for having made that act of justice consistent with loyalty to her cousin. How clever of her to pack so many meanings into one little phrase!

"I did it too late," he said, emphasizing the point which served for Jewdwine's vindication.

"Never mind that. You did it."

"Miss Harden, is it possible that you still believe in me?" The question was wrung from him; for her belief in him remained incredible.

"Why should it not be possible?"

"Any man of business would tell you that appearances are against me."

"Well, I don't believe in appearances; and I do believe in you. You are not a man of business, you see."

"Thank goodness, I'm not, now."

"You never were, I think."

"No. And yet, I'm so horribly mixed up with this business, that I can never think of myself as an honest man again."

She seemed to be considering whether this outburst was genuine or only part of his sublime pretence.

"And I could never think of you as anything else. I should say, from all I have seen of you, that you are if anything too honest, too painfully sincere."

("Yes, yes," her heart cried out, "I believe in him, because he didn't tell the truth about that letter to Horace." She could have loved him for that lie.)

He was now at liberty to part with her on that understanding, leaving her to think him all that was disinterested and honourable and fine. But he could not do it. Not in the face of her almost impassioned declaration of belief. At that moment he was ready rather to fall at her feet in the torture of his shame. And as he looked at her, tears came into his eyes, those tears that cut through the flesh like knives, that are painful to bring forth and terrible to see.

"I've not been an honest man, though. I've no right to let you believe in me."

Her face was sweeter than ever with its piteous, pathetic smile struggling through the white eclipse of grief.

"What have you done?"

"It's not what I've done. It's what I didn't do. I told you that I knew the library was going to be sold. I told you that yesterday, and you naturally thought I only knew it yesterday, didn't you?"

"Well, yes, but I don't see—"

She paused, and his confession dropped into the silence with an awful weight.

"I knew—all the time."

She leaned back in her chair, the change of bodily posture emphasizing the spiritual recoil.

"All the time, and you never told me?"

"All the time and I never told you. I'd almost forgotten when you offered me that secretaryship, but I knew it when I let you engage me; I knew it before I came down. I never would have come if I'd realized what it meant, but when I did know, I stayed all the same."

"What do you think you ought to have done?"

"Of course—I ought to have gone away—since I couldn't be honest and tell you."

"And why" (she said it very gently but with no change in her attitude), "why couldn't you be honest and tell me?"

"I'm not sure that I'd any right to tell you what I hadn't any right to know. I'm only sure of one thing—as I did know, I oughtn't to have stayed. But," he reiterated sorrowfully, "I did stay."

"You stayed to help me."

"Yes; with all my dishonesty I wouldn't have done it if I hadn't made myself believe that. As it's turned out, I've helped to ruin you."

"Please—please don't. As far as I'm concerned you've nothing to reproach yourself with. Your position was a very difficult one."

"I ought never to have got into it."

"Still, you did your best."

"My best! You can't say I did what an honourable man would have done; I mean at the beginning."

"No—no. I'm afraid I can't say that."

He did not expect anything but sincerity from her, neither did he desire that her sense of honour should be less fine than his. But he longed for some word of absolution, some look even that should reinstate him in his self-esteem; and it seemed to him that there was none.

"You can't think worse of me than I think myself," he said, and turned mournfully away.

She sat suddenly upright, with one hand on the arm of her chair, as if ready to rise and cut off his retreat.

"Wait," she said. "Have you any idea what you are going to do?"

The question held him within a foot's length of her chair, where the light fell full on his face.

"I only know I'm not going back to the shop."

"You were in earnest, then? It really has come to that?"

"It couldn't very well come to anything else."

She looked up at him gravely, realizing for the first time, through her own sorrow, the precise nature and the consequences of his action. He had burnt his ships, parted with his means of livelihood, in a Quixotic endeavour to serve her interests, and redeem his own honour.

"Forgive my asking, but for the present this leaves you stranded?"

"It leaves me free."

She rose. "I know what that means. You won't mind my paying my debts at once, instead of later?"

He stared stupidly, as if her words had stunned him. She was seated at her writing table, and had begun filling in a cheque before he completely grasped the horrible significance of what she had said.

"What are you doing?" he asked.

"I'm writing thirty instead of fifteen, because that is what you ought to have asked for in the beginning. You see I am more business-like now than I was then."

He smiled.

"And do you really suppose I am going to take it?"

He meant his smile to be bitter, but somehow it was not. After all, she was so helpless and so young.

"Of course you are going to take it."

"I needn't ask what you think of me."

This time the smile was bitterness itself.

"But it's yours—what I owe you. I'm only paying it to-day instead of some other day."

"But you have not got to pay me anything. What do you think you're paying me for?"

"For your work, for the catalogue, of course."

"That infamous catalogue ought never to have been made—not by me at any rate."

"But you made it. You made it for me. I ordered it."

"You ordered it from my father. In ordinary circumstances you would have owed him fifteen pounds. But even he wouldn't take it now. I think he considers himself quite sufficiently paid."

"You are mixing up two things that are absolutely distinct."

"No. I'm only refusing to be mixed up with them."

"But you are mixed up with them."

He laughed at that shot, as a brave man laughs at a hurt.

"You needn't remind me of that. I meant—any more than I can help; though it may seem to you that I haven't very much lower to sink."

"Believe me, I don't associate you with this wretched business. I want you to forget it."

"I can't forget it. If I could, it would only be by refusing to degrade myself further in connection with it."

His words were clumsy and wild as the hasty terrified movements of a naked soul, trying to gather round it the last rags of decency and honour.

"There is no connection," she added, more gently than ever, seeing how she hurt him. "Don't you see that it lies between you and me?"

He saw that as she spoke she was curling the cheque into a convenient form for slipping into his hand in the moment of leave-taking.

"Indeed—indeed you must," she whispered.

He drew back sharply.

"Miss Harden, won't you leave me a shred of self-respect?"

"And what about mine?" said she.

It was too much even for chivalry to bear.

"That's not exactly my affair, is it?"

He hardly realised the full significance of his answer, but he deemed it apt. If, as she had been so careful to point out to him, her honour and his moved on different planes, how could her self-respect be his affair?

"It ought to be," she murmured in a tone whose sweetness should have been a salve to any wound. But he did not perceive its meaning any more than he had perceived his own, being still blinded by what seemed to him the cruelty and degradation of the final blow.

She had stripped him; then she stabbed.

To hide his shame and his hurt, he turned his face from her and left her. So strangely and so drunkenly did he go, with such a mist in his eyes, and such anguish and fury in his heart and brain, that on the threshold of the Harden library he stumbled past Miss Palliser without seeing her.

She found Lucia standing where he had left her, looking at a little roll of pale green paper that her fingers curled and uncurled.

"Lucia," she said, "what have you done to him?"

Lucia let the little roll of paper fall from her fingers to the floor.

"I don't know, Kitty. Something horrible, I think."



BOOK III

THE HOUSE OF BONDAGE



CHAPTER XXXVII

Mrs. Downey's boarding-house was the light of Tavistock Place, Bloomsbury. In the brown monotony of the street it stood out splendid, conspicuous. Its door and half its front were painted a beautiful, a remarkable pea-green, while its door knob and door-knocker were of polished brass. Mrs. Downey's boarding-house knew nothing of concealment or disguise. Every evening, at the hour of seven, through its ground-floor window it offered to the world a scene of stupefying brilliance. The blinds were up, the curtains half-drawn, revealing the allurements of the interior.

From both sides of the street, the entire length of the dinner-table was visible. Above it, a handsome gilt gaselier spread out its branches, and on this gaselier as many as three gas-jets burned furiously at once. In the intense illumination the faces of the boarders could be distinctly seen. They sat, as it were, transfigured, in a nebulous whorl or glory of yellow light. It fell on the high collars, the quite remarkably high collars of the young gentlemen, and on those gay, those positively hilarious blouses which the young ladies at Mrs. Downey's wear. Beside the water-bottles and tumblers of red glass it lay like a rosy shadow on the cloth. It gave back their green again to the aspidistras that, rising from a ruche of pink paper, formed the central ornament of the table. It made a luminous body of Mrs. Downey's face. The graver values were not sacrificed to this joyous expenditure of gas-light, for the wall-paper (the design was in chocolate, on a ground of ochre) sustained the note of fundamental melancholy. At the back of the apartment, immediately behind Mrs. Downey, an immense mahogany sideboard shone wine-dark in a gorgeous gloom. On the sideboard stood a Family Bible, and on the Family Bible a tea-urn, a tea-urn that might have been silver. There was design in this arrangement; but for the Bible the tea-urn would have been obliterated by Mrs. Downey; thus elevated, it closed, it crowned the vista with a beauty that was final, monumental and supreme.

You had only to glance through those windows to see that Mrs. Downey's combined the splendid publicity of an hotel with the refinements of a well-appointed home. That it offered, together with a luxurious table, the society of youthful persons of both sexes. And if everything around Mrs. Downey was on a liberal scale, so was Mrs. Downey herself. She was expansive in her person, prodigal in sympathy, exuberant in dress. If she had one eye to the main chance, the other smiled at you in pure benignity. On her round face was a festal flush, flooding and effacing the little care-worn lines and wrinkles which appeared on it by day. It wore the colour of the hour which, evening after evening, renewed for her the great drama and spectacle of the Dinner.

Her table was disposed with a view to scenic effect. It was not by accident that Mrs. Downey herself was seated at the obscure or sideboard end, and that she gathered round her there the older and less attractive members of her circle. This arrangement was flattering to them, for it constituted an order of precedence and they were in the seats of honour. It had also the further advantage of giving prominence to the young people whose brilliant appearance of an evening was as good as an advertisement for Mrs. Downey's.

First then, at the top of the table, sat two elderly ladies, dishevelled birds of passage, guests of a day and a night. Next, on Mrs. Downey's right, came old Miss Bramble, with old Mr. Partridge opposite on the left. The young gentleman at the extreme bottom or public end of the table was Mr. Spinks. He was almost blatantly visible from the street. At Mr. Spinks's side sat Miss Ada Bishop, the young lady in the fascinating pink blouse; and opposite him, Miss Flossie Walker, in the still more fascinating blue. To the left of Miss Bishop in the very centre of the table was a middle-aged commercial gentleman, Mr. Soper (not specially conspicuous); and facing him and on Miss Walker's right came Miss Roots, who might be any age you please between thirty and forty. Between them at the present moment, there was an empty chair.

Miss Roots was the link between the melancholy decadence above the aspidistras and the glorious and triumphant youth below. As far as could be inferred with any certainty she had leanings to the side of youth. Her presence was no restraint upon its glad and frolicsome humour. It felt that it could trust her. She had never been known to betray any of the secrets that passed at the risk of their lives from Miss Bishop's side of the table to Miss Walker's. There was reason to suppose that Miss Roots was aware of the surreptitious manufacture of bread pellets by Mr. Spinks (Mr. Spinks being the spirit of youth incarnate); but when one of these missiles struck Miss Roots full in the throat, when it should have just delicately grazed the top of Miss Flossie's frizzled hair, Miss Roots not only ignored the incident at the time, but never made the faintest allusion to it afterwards. Therefore Mr. Spinks voted Miss Roots to be a brick, and a trump, and what he called a real lady.

Very curious and interesting was the behaviour of these people among themselves. It was an eternal game of chivy or hide-and-seek, each person being by turn the hunter and the hunted. Mrs. Downey tried to talk to the birds of passage; but the birds of passage would talk to nobody but each other. Miss Bramble took not the slightest notice of Mr. Partridge. Mr. Partridge did everything he could to make himself agreeable to Miss Bramble; but she was always looking away over the aspidistras, towards the young end of the table, with a little air of strained attention, at once alien and alert. Mr. Spinks spent himself in perpetual endeavours to stimulate a sense of humour in Miss Walker, who hadn't quite enough of it, with very violent effects on Miss Bishop, who had it in excess; while Mr. Soper was incessantly trying to catch the eye of Miss Roots around the aspidistras, an enterprise in which he was but rarely successful; Miss Walker finally making no attempt to bridge over the space between her chair and Miss Roots.

That empty seat was reserved for Mr. Rickman, who was generally late. On his arrival the blinds would be pulled down in deference to his wish for a more perfect privacy. Meanwhile they remained up, so that wandering persons in hansoms, lonely persons having furnished apartments, persons living expensively in hotels or miserably in other boarding-houses, might look in, and long to be received into Mrs. Downey's, to enjoy the luxury, the comfort, the society.

The society—Yes; as Mrs. Downey surveyed her table and its guests, her imagination ignored the base commercial tie; she felt herself to be a social power, having called into existence an assembly so various, so brilliant, and so gay. One thing only interfered with Mrs. Downey's happiness, Mr. Rickman's habit of being late. Such a habit would not have mattered so much in any of the other boarders, because, remarkable as they were collectively, individually, Mrs. Downey seldom thought of them unless they happened to be there, whereas with Mr. Rickman, now, whether he was there or not, she could think of nothing else.

And to-night Mr. Rickman was later than ever.

"I'm really beginning to be afraid," said Mrs. Downey, "that he can't be coming."

The middle-aged gentleman, Mr. Soper, was heard muttering something to the effect that he thought they could bear up if he didn't come. Whereupon Mrs. Downey begged Mr. Soper's pardon in a manner which was a challenge to him to repeat his last remark. Therefore he repeated it.

"I say, I 'ope we can manage to bear up."

"Speak for yourself, Mr. Soper." (This from Mr. Spinks who adored Rickman.)

"Well, really, I can't think how it is you and he don't seem to hit it off together. A young fellow that can make himself so pleasant when he likes."

"Ah-h! When he likes. And when he doesn't like? When he comes into the room like a young lord with his head in the air, and plumps himself down straight in front of you, and looks at you as if you were a sorter ea'wig or a centerpede? Call that pleasant?"

Mr. Spinks chuckled behind his table napkin. "He means a centre piece. Wouldn't he make a handsome one!"

Mr. Soper combined a certain stateliness of carriage with a restless insignificance of feature.

"We all know," said Mrs. Downey, "that Mr. Rickman is a very reserved gentleman. He has his own thoughts."

"Thoughts? I've got my thoughts. But they don't make me disagreeable to everybody."

Mr. Spinks craned forward as far as the height of his collar permitted him. "I wouldn't be too cock-sure if I were you, Mr. Soper."

The young end of the table heaved and quivered with primeval mirth. Even Flossie Walker was moved to a faint smile. For Mr. Soper, though outwardly taciturn and morose, was possessed inwardly by a perfect fury of sociability, an immortal and insatiable craving to converse. It was an instinct which, if gratified, would have undermined the whole fabric of the Dinner, being essentially egoistic, destructive and malign. Mr. Soper resented the rapidity with which Rickman had been accepted by the boarding-house; he himself, after two years' residence, only maintaining a precarious popularity by little offerings of bon-bons to the ladies. Hence the bitterness of his present mood.

"There are thoughts and thoughts," said Mrs. Downey severely, for the commercial gentleman had touched her in a very sensitive place. "And when Mr. Rickman is in wot I call 'is vein, there's nobody like him for making a dinner go off."

Here Mr. Soper achieved a sardonic, a really sardonic smile. "Oh, of course, if you're eludin' to the young gentleman's appetite—"

But this was insufferable, it was wounding Mrs. Downey in the tenderest spot of all. The rose of her face became a peony.

"I'm doing no such thing. If any gentleman wishes to pay me a compliment—" her gay smile took for granted that no gentleman could be so barbarous as not to feel that wish—"let him show an appetite. As for the ladies, I wish they had an appetite to show. Mr. Partridge, let me give you a little more canary pudding. It's as light as light. No? Oh—come, Mr. Partridge."

Mr. Partridge's gesture of refusal was so vast, so expressive, that it amounted to a solemn personal revelation which implied, not so much that Mr. Partridge rejected canary pudding as that he renounced pleasure, of which canary pudding was but the symbol and the sign.

"Mr. Spinks then? He'll let me give him another slice, I know."

"You bet. Tell you wot it is, Mrs. Downey, the canary that pudding was made of, must have been an uncommonly fine bird."

There was a swift step on the pavement, the determined click of a latch-key, and the clang of a closing door.

"Why, here is Mr. Rickman," said Mrs. Downey, betraying the preoccupation of her soul.

Rickman's entrance produced a certain vibration down both sides of the table, a movement unanimous, yet discordant, as if the nerves of this social body that was "Mrs. Downey's" were being played upon every way at once. Each boarder seemed to be preparing for an experience that, whether agreeable or otherwise, would be disturbing to the last degree. The birds of passage raised their heads with a faint flutter. Miss Walker contemplated a chromo-lithograph with a dreamy air. Mr. Soper strove vainly to fix himself in an attitude of dignified detachment.

The boarding-house was about to suffer the tremendous invasion of a foreign element. For a moment it was united.

Mrs. Downey's face revealed a grave anxiety. She was evidently asking herself: "Was he, or was he not, in his vein?"

A glance at the object of his adoration decided the question for Mr. Spinks. Rickman was, thank goodness, not in his vein, in which state he was incomprehensible to anybody but Miss Roots. He was in that comparatively commonplace condition which rendered him accessible to Mr. Spinks.

"Ladies and gentlemen, allow me to introduce my friend, the lyte Mr. Ryzors. Jemima, show the deceased gentleman to his chair. Miss Walker, Mr. Ryzors. He is really 'appy to myke your acquaintance, Miss Walker, though at first sight he may not appear so. Wot you might be apt to mistyke for coldness is merely 'is intense reserve."

"Oh, dry up, Spinks."

No, Mr. Rickman was certainly not in his vein this evening. He made no apology whatever for his lateness. He ignored the commercial gentleman's "Good-evening, Rickman." As he slipped into his place between Miss Walker and Miss Roots he forgot his usual "Busy to-day at the Museum, Miss Roots?"—a question that recognized her as a fellow worker in the fields of literature, thus lightening the obscurity that hid her labours there.

And for Miss Flossie's timid greeting (the lifting of her upper lip that just showed two dear little white teeth) he gave back a reluctant and embarrassed smile. He used to like sitting by Flossie because she was so pretty and so plump. He used to be sorry for her, because she worked so hard, and, though plump, was so pathetically anaemic and so shy. Critically considered, her body, in spite of its plumpness, was a little too small for her head, and her features were a little too small for her face, but then they were so very correct, as correct as her demeanour and the way she did her hair. She had clusters and curls and loops and coils of hair, black as her eyes, which were so black that he couldn't tell the iris from the pupil. Not that Flossie had ever let him try. And now he had forgotten whether they were black or blue, forgotten everything about them and her. Flossie might be as correct as Flossie pleased, she simply didn't matter.

When she saw him smile she turned up her eyes to the chromo-lithograph again. The little clerk brought with her from the City an air of incorruptible propriety, assumed for purposes of self-protection, and at variance with her style of hair-dressing and the blueness and gaiety of her blouse. With all that it implied and took for granted, it used to strike him as pathetic. But now, he didn't find Flossie in the least pathetic.

He was waiting for the question which was bound to come.

It came from Spinks, and in a form more horrible than any that he had imagined.

"I say, Rickets, wot did you want all those shirts for down in Devonshire?"

Instead of replying Rickets blew his nose, making his pocket-handkerchief conceal as much of his face as possible. At that moment he caught Miss Bishop staring at him, and if there was one thing that Mr. Rickman disliked more than another it was being stared at. Particularly by Miss Bishop. Miss Bishop had red hair, a loose vivacious mouth, and her stare was grossly interrogative.

Flossie sent out a little winged look at him like a soft dark butterfly. It skimmed and hovered about him, and flitted, too ethereal to alight.

Miss Bishop however had no scruples, and put it to him point blank.

"Devonshire?" said Miss Bishop, "what were you doing down there?" She planted her elbows on the table and propped her chin on her finger-tips; her stare thus tilted was partly covered by her eyelids.

"If you really want," said Mr. Spinks, "to see that gentleman opposite, you'll have to take a telescope." The adoring youth conceived that it had been given to him alone of the boarders to penetrate the mind of Rickman, that he was the guardian of his mood, whose mission it was to protect him from the impertinent approaches of the rest.

"A telescope? Wot d'you mean?"

"Don't you think he's got a sort of a far-away look? Especially about the mouth and nose?"

Whether it was from being stared at or for some other reason, but by this time Mr. Rickman had certainly become a little distant. He was not getting on well with anybody or anything, not even with Mrs. Downey's excellent dinner, nor yet with the claret, an extra ordered for his private drinking, always to Mrs. Downey's secret trepidation. She gave a half-timid, half-tender look at him and signalled to her ladies to withdraw. She herself remained behind, superintending the removal of the feast; keeping a motherly eye, too, on the poor boy and his claret. Ever since that one dreadful Sunday morning when she had found him asleep in full evening dress upon his bedroom floor, Mrs. Downey was always expecting to see him drop under the table. He had never done it yet, but there was no knowing when he mightn't.

Whatever the extent of Mr. Rickman's alleged intemperance, his was not the vice of the solitary drinker, and to-night the claret was nearly all drunk by Spinks and Soper. It had the effect of waking in the commercial gentleman the demon of sociability that slept.

What Mr. Soper wanted to know was whether Rickman could recommend 'Armouth as a holiday resort? Could he tell him of any first-class commercial hotel or boarding-house down there? To which Rickman replied that he really couldn't tell him anything at all.

"Perhaps," said Mrs. Downey, peering over the edge of the table-cloth she was helping to fold. "Perhaps he has his reasons."

The claret had made Mr. Soper not only sociable but jocose. "Reasons? That's a new name for 'em. If he don't want more than one at a time, I wish he'd introduce the rest of 'em to me."

"I daresay he would be very happy, if he thought you would understand them, Mr. Soper."

"Understand 'em? Why, I don't suppose they talk Greek."

"Ryzors," said Spinks indignantly, "could give 'em points if they did. He speaks the language."

Mr. Soper replied that in that case perhaps Mr. Rickman would oblige him with the Greek for "crumby bits."

At the moment Mr. Rickman did not look like obliging Mr. Soper with anything. The provocation was certainly immense. Mr. Soper's voice inspired him with a fury of disgust. The muscles of his mouth twitched; the blood rushed visibly to his forehead; he stood looming over the table like a young pink thunder-god.

Mrs. Downey and Mr. Partridge retreated in some alarm. Mr. Soper, however, was one of those people who are not roused but merely disconcerted by the spectacle of passion. Mr. Soper said he supposed he could "make a 'armless remark." And still thirsting for companionship he pursued Mrs. Downey to the drawing-room. As he went, he fingered his little box of bon-bons as if it had been a talisman or charm.

Rickman poured himself out some claret which he drank slowly, with closed eyelids, leaning back in his chair. "For God's sake, Spinks," he muttered; "don't speak to me."

"All right, old chappy, I won't." But he whispered, "I wouldn't go off just yet, Ryzors, if I were you" (by "going off," Mr. Spinks meant departure in a train of thought). "He'll be back in another minute."

He was back already, sociable, elated, smoking a cigar. Upstairs with the ladies he and his bon-bons had met with unprecedented success. Rickman opened his eyes.

"Ever try," said Mr. Soper, "a Flor di Dindigul? 'Ave one. You'll find the flavour very delicate and mild." He held it out, that Flor di Dindigul, as an olive branch to the tempestuous young man.

It was not accepted. It was not even seen.

Rickman rose to his feet. To his irritated vision the opposite wall seemed to heave and bulge forward, its chocolate design to become distended and to burst, spreading itself in blotches on the yellow ochre. On the face of the hideous welter swam the face of Mr. Soper, as it were bodiless and alone.

He drew in his breath with a slight shudder, pushed his chair back from the table, and strode out of the room.

Spinks looked after him sorrowfully.

"Wy couldn't you leave him alone, Soper? You might see he didn't want to talk."

"How could I see wot he wanted? One minute 'e's as chatty and sociable—and the next he's up like three dozen of bottled stout. It's wot I sy. You can't dee-pend on 'im with any certainty."

That opinion was secretly shared by Miss Flossie Walker.



CHAPTER XXXVIII

Rickman, it seemed, was doomed to inspire that sense of agonizing uncertainty.

It was the second evening after his return. The Dinner was not going off well. Miss Walker was depressed, Mr. Spinks was not in his accustomed spirits, and Mrs. Downey had been going about with red eyes all day. Mr. Rickman had confided to her the deplorable state of his finances. And Mrs. Downey had said to herself she had known from the first that he would not be permanent.

He didn't want to be permanent. He desired to vanish, to disappear from the boarding-house and the boarders, and from Poppy Grace on the balcony next door; to get away from every face and every voice that he had known before he knew Lucia Harden's. Being convinced that he would never see her again, he wanted to be alone with his vivid and piercing memory of her. At first it was the pain that pierced. She had taken out her little two-edged sword and stabbed him. It wouldn't have mattered, he said, if the sword had been a true little sword, but it wasn't; it had snapt and left a nasty bit of steel inside him. Her last phrase was the touch that finished him. But the very sting of it created a healthy reaction. By his revolt against that solitary instance of her cruelty he had recovered his right to dwell upon her kindness. He dwelt upon it until at times he entered again into possession of the tender, beautiful, dominating dream. So intense was his hallucination, that as he walked alone in any southerly direction he still felt Muttersmoor on his right hand and Harcombe on his left, and he had waked in the morning to the sound of the sea beating upon Harmouth beach.

But these feelings visited him more rarely in the boarding-house than elsewhere. That was why he wanted to get away from it. The illusion was destroyed by these irrelevant persons of the dinner-table. Not that he noticed them much; but when he did it was to discover in them some quality that he had not observed before. He found imbecility in the manners of Spinks, coarseness and violence in the figures of Mrs. Downey and Miss Bishop, insipidity in the whole person of Miss Flossie Walker. And now, as he looked round the table, he wondered how it was he ever came there. After living for four weeks with Lucia Harden or the thought of her, he had a positive difficulty in recognizing even Spinks and Flossie as people he had once intimately known. Miss Roots alone, for some inscrutable reason, seemed familiar, in keeping with that divine experience to which the actual hour did violence. It was almost as if she understood.

A shrewdly sympathetic glance went out from a pair of hazel eyes set in a plain, clever, strenuous face. Miss Roots was glad, she said, to see him back again. He turned to her with the question that had never failed to flatter and delight. Was Miss Roots doing anything specially interesting now? But there was no interest in his tone.

Miss Roots looked up with a smile that would have been gay if it had not been so weary. Yes, she was collecting material for a book on Antimachus of Colophon. No, not her own book.

(At the mention of Antimachus of Colophon, Mr. Soper folded his arms and frowned with implacable resentment. Mr. Soper was convinced that these subjects were introduced on purpose to exclude him from the conversation.)

Miss Roots, like Mr. Rickman, lived apart from the murmur of the boarding-house. She had raised a barrier of books in a bedroom six feet by nine, behind which she worked obscurely. She had never been known to converse until Mr. Rickman came. A sort of fluctuating friendship had sprung up between Mr. Rickman and Miss Roots. He had an odd feeling, half pity, half liking, for this humble servant of literature, doomed to its labour, ignorant of its delight. And yet Miss Roots had a heart which went out to the mad-cap journalist, wild with youth and the joy of letters. And now these things were coming back to her. The sources of intellectual desire had been drying up with the blood in her cheeks; but when Rickman came they began to flow again. When Rickman talked as only he could talk, Miss Roots felt a faint fervour, a reminiscent thrill. She preened her poor little thoughts as if for pairing time, when soul fluttered to soul across the dinner-table. She knew that, intellectually speaking, she had been assigned to Rickman; for Mrs. Downey held that just as Mr. Rickman was the first to rouse Miss Roots to conversation, so Miss Roots alone had the power of drawing him out to the best advantage.

"Indeed?" said Rickman in a voice devoid of all intelligence.

Now if anything could have drawn Mr. Rickman out it was Antimachus of Colophon. Four weeks ago he would have been more interested in Antimachus than Miss Roots herself, he would have talked about him by the hour together. So that when he said nothing but "Indeed?" she perceived that something was the matter with him. But she also perceived that he was anxious to be talked to, therefore she talked on.

Miss Roots was right; though his mind was unable to take in a word she said to him, he listened, soothed by the singular refinement of her voice. It was a quality he had not noticed in it four weeks ago. Suddenly a word flashed out, dividing the evening with a line of light.

"So you've been staying in Harmouth?"

He started noticeably, and looked at her as if he had not heard. Miss Roots seemed unaware of having said anything specially luminous; she repeated her question with a smile.

"Why?" he asked. "Have you been there?"

"I've not only been there, I was born there."

He looked at her. Miss Roots had always been, to say the least of it, prosaic, and now it was as if poetry had dropped from her lips, as if she had said, "I too was born in Arcadia."

"I suppose," she said, "you saw that beautiful old house by the river?"

"Which beautiful old house by the river?"

"Court House. You see it from the bridge. You must have noticed it."

"Oh, yes, I know the one you mean."

"Did you happen to see or hear anything of the lady who lives in it? Miss Lucia Harden?"

"I—I must have seen her, but I can't exactly say. Do you know her?"

His words seemed to be torn from him in pieces, shaken by the violent beating of his heart.

"Know her?" said Miss Roots. "I lived five years with her. I taught her."

He looked at her again in wonder, in wonder and a sort of tenderness. For a second his heart had come to life again and leapt like a lunatic to his lips. Happily his wits were there before it. He stroked his upper lip, as if brushing away some wild phrase that sat there.

"Then I'm sure," he said, contriving a smile, "that Miss Harden is an exceedingly well educated lady."

Miss Roots' hazel eyes looked up at him intelligently; but as they met that unnatural smile of gallantry there was a queer compression of her shrewd and strenuous face. She changed the subject. He wondered if by any chance she knew; if she corresponded with Miss Harden; if Miss Harden had mentioned him in the days before her troubles came; if Miss Roots were trying to test him, to draw him out as she had never drawn him out before. No, it was not in the least likely that Miss Harden should have mentioned him; if she had, Miss Roots would have said so. She would never have set a trap for him; she was a kind and straightforward little lady. Her queer look meant nothing, it was only her way of dealing with a compliment.

The sweat on his forehead witnessed to the hot labour of his thought. He wondered whether anybody had observed it.

Mr. Soper had, and drew his own conclusions.

"'E's been at it again," said Mr. Soper, with significance. But nobody took any notice of him; and upstairs in the drawing-room that night his bon-bons failed to charm.

"I suppose you're pleased," said he, approaching his hostess, "now you've got Mr. Rickman back again?"

A deeper flush than the Dinner could account for was Mrs. Downey's sole reply.

"'is manners 'aven't improved since 'is residence in the country. I met 'im in the City to-day—wy, we were on the same slab of pavement—and 'e went past and took no more notice of me than if I'd been the Peabody statue."

"Depend upon it, he was full of something."

"Full of unsociability and conceit. And wot is 'e? Wot is 'e? 'Is father keeps a bookshop."

"A very fine bookshop, too," said Miss Roots. It was the first time that she had ever spoken of her own accord to Mr. Soper.

"He may have come out lately, but you should have seen the way 'e began, in a dirty little second 'and shop in the City. A place," said Mr. Soper, "I wouldn't 'ave put my nose into if I was paid. Crammed full of narsty, mangy, 'Olloway Street rubbish."

"Look here now," said Mr. Spinks, now scarlet with fury, "you needn't throw his business in his face, for he's chucked it."

"I don't think any the better of him for that."

"Don't you? Well, he won't worry himself into fits about your opinion."

"'Ad he got a new berth then, when he flung up the old one?"

Now one thing Mrs. Downey, with all her indulgence, did not permit, and that was any public allusion to her boarders' affairs. She might not refuse to discuss them privately with Miss Bramble or Miss Roots, but that was a very different thing. Therefore she maintained a dignified silence.

"Well, then, I should like to know 'ow he's going to pay 'is way."

Before the grossness of this insinuation Mrs. Downey abandoned her policy of silence.

"Some day," said Mrs. Downey, "Mr. Rickman will be in a very different position to wot he is now. You mark my words." (And nobody marked them but little Flossie Walker.)

Two tears rolled down Mrs. Downey's face and mingled with the tartan of her blouse. A murmur of sympathy went round the room, and Mr. Soper perceived that the rest of the company were sitting in an atmosphere of emotion from which he was shut out.

"I beg of you, Mr. Soper, that you will let Mr. Rickman be, for once this evening. Living together as we do, we all ought," said Mrs. Downey, "to respect each other's feelings."

"Ah—feelings. Wot sort of respect does your young gentleman ever show to mine? Takes me up one day and cuts me dead the next."

"He wouldn't have dreamed of such a thing if he hadn't been worried in his mind. Mr. Rickman, Mr. Soper, is in trouble."

Mr. Soper was softened. "Is he? Well, really, I'm very sorry to hear it, very sorry, I'm sure."

"My fear is," said Mrs. Downey, controlling her voice with difficulty, "that he may be leaving us."

"If he does, Mrs. Downey, nobody will regret it more than I do."

"Well, I hope it won't come to that."

Mrs. Downey did not consider it politic to add that she was prepared to make any sacrifice to prevent it. It was as well that Mr. Soper should realize the consequences of an inability to pay your way. She was not prepared to make any sacrifice for the sake of keeping him.

"But what," said Mrs. Downey to herself, "will the Dinner be without Mr. Rickman?"

The Dinner was, in her imagination, a function, a literary symposium. At the present moment, if you were to believe Mrs. Downey, no dinner-table in London could show such a gathering of remarkable people. But to none of these remarkable people did Mrs. Downey feel as she felt to Mr. Rickman, who was the most remarkable of them all. By her own statement she had enjoyed exceptional opportunities for studying the ways of genius. There was a room at Mrs. Downey's which she exhibited with pride as "Mr. Blenkinsop's room." Mr. Blenkinsop was a poet, and Mr. Rickman had succeeded him. If Mrs. Downey did not immediately recognize Mr. Rickman as a genius it was because he was so utterly unlike Mr. Blenkinsop. But she had felt from the first that, as she expressed it, "there was something about him," though what it was she couldn't really say. Only from the first she had had that feeling in her heart—"He will not be permanent." The joy she had in his youth and mystery was drenched with the pathos of mutability. Mrs. Downey rebelled against mutability's decree. "Perhaps," she said, "we might come to some arrangement."

All night long in her bedroom on the ground-floor, Mrs. Downey lay awake considering what arrangement could be come to. This was but a discreet way of stating her previous determination to make any sacrifice if only she could keep him. The sacrifice which Mrs. Downey (towards the small hours of the morning) found herself contemplating amounted to no less than four shillings a week. Occupying his present bed-sitting room he should remain for twenty-one shillings a week instead of twenty-five.

Unfortunately, at breakfast the next morning their evil genius prompted Mr. Spinks and Mr. Soper to display enormous appetites, and Mrs. Downey, to her everlasting shame, was herself tempted of the devil. A fall of four shillings a week, serious enough in itself, was not to be contemplated with gentlemen eating their heads off in that fashion. It would have to be made up in some way, to be taken out of somebody or something. She would—yes, she would take it out of them all round by taking it out of the Dinner. And yet when it came to the point, Mrs. Downey's soul recoiled from the immorality of this suggestion. There rose before her, as in a vision, the Dinner of the future, solid in essentials but docked of its splendour, its character and its pride. No; that must not be. What the Dinner was now it must remain as long as there were eight boarders to eat it. If Mrs. Downey made any sacrifice she must make it pure.

"On the condition," said Mrs. Downey by way of putting a business-like face on it, "on the condition of his permanence."

But it seemed that twenty-one shillings were more than Mr. Rickman could afford to pay.

Mrs. Downey spent another restless night, and again towards the small hours of the morning she decided on a plan. After breakfast she watched Mr. Soper out of the dining-room, closed the door behind him with offensive and elaborate precaution, and approached Mr. Rickman secretly. If he would promise not to tell the other gentlemen, she would let him have the third floor back for eighteen shillings.

Mr. Rickman stood by the door like one in great haste to be gone. He could not afford eighteen shillings either. He would stay where he was on the old terms for a fortnight, at the end of which time, he said firmly, he would be obliged to go. Mr. Rickman's blue eyes were dark and profound with the pathos of recent illness and suffering, so that he appeared to be touched by Mrs. Downey's kindness. But he wasn't touched by it; no, not the least bit in the world. His heart inside him was like a great lump of dried leather. Mrs. Downey looked at him, sighed, and said no more. Things were more serious with him than she had supposed.

Things were very serious indeed.

His absence at Harmouth had entailed consequences that he had not foreseen. During those four weeks, owing to the perturbation of his mind and the incessant demands on his time, he had written nothing. True, while he was away his poems had found a publisher; but he had nothing to expect from them; it would be lucky if they paid their expenses. On his return to town he found that his place on The Planet had been filled up. At the most he could only reckon on placing now and then, at infrequent intervals, an article or a poem. The places would be few, for from the crowd of popular magazines he was excluded by the very nature of his genius. To make matters worse, he owed about thirty pounds to Dicky Pilkington. The sum of two guineas, which The Museion owed him for his sonnet, would, if he accepted Mrs. Downey's last offer, keep him for exactly two weeks. And afterwards? Afterwards, of course, he would have to borrow another ten pounds from Dicky, hire some den at a few shillings a week, and try his luck for as many months as his money held out. Then there would be another "afterwards," but that need not concern him now.

The only thing that concerned him was the occult tie between him and Miss Roots. Up to the day fixed for his departure he was drawn by an irresistible fascination to Miss Roots. His manner to her became marked by an extreme gentleness and sympathy. Of course it was impossible to believe that it was Miss Roots who lit the intellectual flame that burnt in Lucia. Enough to know that she had sat with her in the library and in the room where she made music; that she had walked with her in the old green garden, and on Harcombe Hill and Muttersmoor. Enough to sit beside Miss Roots and know that all the time her heart was where his was, and that if he were to speak of these things she would kindle and understand. But he did not speak of them; for from the way Miss Roots had referred to Lucia Harden and to Court House, it was evident that she knew nothing of what had happened to them, and he did not feel equal to telling her. Lucia's pain was so great a part of his pain that as yet he could not touch it. But though he never openly approached the subject of Harmouth, he was for ever skirting it, keeping it in sight.

He came very near to it one evening, when, finding himself alone with Miss Roots in the back drawing-room, he asked her how long it was since she had been in Devonshire. It seemed that it was no longer ago than last year. Only last year? It was still warm then, the link between her and the woman whom he loved. He found himself looking at Miss Roots, scanning the lines of her plain face as if it held for him some new and wonderful significance. For him that faced flamed transfigured as in the moment when she had first spoken of Lucia. The thin lips which had seemed to him so utterly unattractive had touched Lucia's, and were baptized into her freshness and her charm; her eyes had looked into Lucia's and carried something of their light. In her presence he drifted into a sort of mysticism peculiar to lovers, seeing the hand of a holy destiny in the chance that had seated him beside her. Though her shrewdness might divine his secret he felt that with her it would be safe.

As for his other companions of the dinner-table he was obliged to admit that they displayed an admirable delicacy. After Mrs. Downey's revelation not one of them had asked him what he had been doing those four weeks. Spinks had a theory, which he kept to himself. Old Rickets had been having a high old time. He had eloped with a barmaid or an opera girl. For those four weeks, he had no doubt, Rickets had been gloriously, ruinously, on the loose. Mrs. Downey's speculations had taken the same turn. Mr. Rickman's extraordinary request that all his clean linen should be forwarded to him at once had set her mind working; it suggested a young man living in luxury beyond his means. Mrs. Downey's fancy kindled and blushed by turns as it followed him into a glorious or disreputable unknown. Whatever the adventures of those four weeks she felt that they were responsible for his awful state of impecuniosity. And yet she desired to keep him. "There is something about him," said Mrs. Downey to Miss Roots, and paused searching for the illuminating word; "something that goes to your heart without 'is knowing it."

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