"Just in time, sir, you perceive," said Mr. Brown; "I am punctuality itself: exactly a quarter of a minute to ten. I have brought you the pots of French mustard, and I have some very valuable articles which you must want, besides."

"Thank you, sir," said Linden, not well knowing what to say; and Mr. Brown, untying a silk handkerchief, produced three shirts, two pots of pomatum, a tobacco canister with a German pipe, four pair of silk stockings, two gold seals, three rings, and a stuffed parrot!

"Beautiful articles these, sir," said Mr. Brown, with a snuffle "of inward sweetness long drawn out," and expressive of great admiration of his offered treasures; "beautiful articles, sir, ar'n't they?"

"Very, the parrot in particular," said Clarence.

"Yes, sir," returned Mr. Brown, "the parrot is indeed quite a jewel; it belonged to the late Lady Waddilove; I offer it to you with considerable regret, for—"

"Oh!" interrupted Clarence, "pray do not rob yourself of such a jewel; it really is of no use to me."

"I know that, sir,—I know that," replied Mr. Brown; "but it will be of use to your friends; it will be inestimable to any old aunt, sir, any maiden lady living at Hackney, any curious elderly gentleman fond of a knack-knack. I knew you would know some one to send it to as a present, even though you should not want it yourself."

"Bless me!" thought Linden, "was there ever such generosity? Not content with providing for my wants, he extends his liberality even to any possible relations I may possess!"

Mr. Brown now re-tied "the beautiful articles" in his handkerchief. "Shall I leave them, sir?" said he.

"Why, really," said Clarence, "I thought yesterday that you were in jest; but you must be aware that I cannot accept presents from any gentleman so much,—so much a stranger to me as you are."

"No, sir, I am aware of that," replied Mr. Brown; "and in order to remove the unpleasantness of such a feeling, sir, on your part,—merely in order to do that, I assure you with no other view, sir, in the world,—I have just noted down the articles on this piece of paper; but as you will perceive, at a price so low as still to make them actually presents in everything but the name. Oh, sir, I perfectly understand your delicacy, and would not for the world violate it."

So saying, Mr. Brown put a paper into Linden's hands, the substance of which a very little more experience of the world would have enabled Clarence to foresee; it ran thus:—

CLARENCE LINDEN, ESQ., DR. TO Mr. MORRIS BROWN. l. s. d. To Six Pots of French Mustard......... 1 4 0 To Three Superfine Holland Shirts, with Cambric Bosoms, Complete................ 4 1 0 To Two Pots of Superior French Pomatum...... 0 10 0 To a Tobacco Canister of enamelled Tin, with a finely Executed Head of the Pretender; slight flaw in the same. 0 12 6 To a German Pipe, second hand, as good as new, belonging to the late Lady Waddilove.......... 1 18 0 To Four Pair of Black Silk Hose, ditto, belonging to her Ladyship's Husband............. 2 8 0 To Two Superfine Embossed Gold Watch Seals, with a Classical Motto and Device to each, namely, Mouse Trap, and "Prenez Garde," to one, and "Who the devil can this be from?" [One would not have thought these ingenious devices had been of so ancient a date as the year 17—.] to the other............... 1 1 0 To a remarkably fine Antique Ring, having the head of a Monkey................. 0 16 6 A ditto, with blue stones........... 0 12 6 A ditto, with green ditto........... 0 12 6 A Stuffed Green Parrot, a remarkable favourite of the late Lady W................. 2 2 0 ———— Sum Total............... 15 18 0 Deduction for Ready Money.......... 0 13 6 ———— 15 4 6 Mr. Brown's Profits for Brokerage........ 1 10 0 ———— Sum Total............... 16 14 6

Received of Clarence Linden, Esq., this day of 17—.

It would have been no unamusing study to watch the expression of Clarence's face as it lengthened over each article until he had reached the final conclusion. He then carefully folded up the paper, restored it to Mr. Brown, with a low bow, and said, "Excuse me, sir, I will not take advantage of your generosity; keep your parrot and other treasures for some more worthy person. I cannot accept of what you are pleased to term your very valuable presents!"

"Oh, very well, very well," said Mr. Brown, pocketing the paper, and seeming perfectly unconcerned at the termination of his proposals; "perhaps I can serve you in some other way?"

"In none, I thank you," replied Linden.

"Just consider, sir!—you will want lodgings; I can find them for you cheaper than you can yourself; or perhaps you would prefer going into a nice, quiet, genteel family where you can have both board and lodging, and be treated in every way as the pet child of the master?"

A thought crossed Linden's mind. He was going to stay in town some time; he was ignorant of its ways; he had neither friends nor relations, at least none whom he could visit and consult; moreover, hotels, he knew, were expensive; lodgings, though cheaper, might, if tolerably comfortable, greatly exceed the sum prudence would allow him to expend would not this plan proposed by Mr. Brown, of going into a "nice quiet genteel family," he the most advisable one he could adopt? The generous benefactor of the late and ever-to-be-remembered Lady Waddilove perceived his advantage, and making the most of Clarence's hesitation, continued,—

"I know of a charming little abode, sir, situated in the suburbs of London, quite rus in urbe, as the scholars say; you can have a delightful little back parlour, looking out upon the garden, and all to yourself, I dare say."

"And pray, Mr. Brown," interrupted Linden, "what price do you think would be demanded for such enviable accommodation? If you offer me them as 'a present,' I shall have nothing to say to them."

"Oh, sir," answered Mr. Brown, "the price will be a trifle,—a mere trifle; but I will inquire, and let you know the exact sum in the course of the day: all they want is a respectable gentlemanlike lodger; and I am sure so near a relation of Mrs. Minden will upon my recommendation be received with avidity. Then you won't have any of these valuable articles, sir? You'll repent it, sir; take my word for it—hem!

"Since," replied Clarence, dryly, "your word appears of so much more value than your articles, pardon me, if I prefer taking the former instead of the latter."

Mr. Brown forced a smile,—"Well, sir, very well, very well indeed. You will not go out before two o'clock? and at that time I shall call upon you respecting the commission you have favoured me with."

"I will await you," said Clarence; and he bowed Mr. Brown out of the room.

"Now, really," said Linden to himself, as he paced the narrow limits of his apartment, "I do not see what better plan I can pursue; but let me well consider what is my ultimate object. A high step in the world's ladder! how is this to be obtained? First, by the regular method of professions; but what profession should I adopt? The Church is incompatible with my object, the army and navy with my means. Next come the irregular methods of adventure and enterprise, such as marriage with a fortune,"—here he paused and looked at the glass,—"the speculation of a political pamphlet, or an ode to the minister; attendance on some dying miser of my own name, without a relation in the world; or, in short, any other mode of making money that may decently offer itself. Now, situated as I am, without a friend in this great city, I might as well purchase my experience at as cheap a rate and in as brief a time as possible, nor do I see any plan of doing so more promising than that proposed by Mr. Brown."

These and such like reflections, joined to the inspiriting pages of the "Newgate Calendar" and "The Covent Garden Magazine," two works which Clarence dragged from their concealment under a black tea-tray, afforded him ample occupation till the hour of two, punctual to which time Mr. Morris Brown returned.

"Well, sir," said Clarence, "what is your report?"

The friend of the late Lady W. wiped his brow and gave three long sighs before he replied: "A long walk, sir—a very long walk I have had; but I have succeeded. No thanks, sir,—no thanks,—the lady, a most charming, delightful, amiable woman, will receive you with pleasure; you will have the use of a back parlour (as I said) all the morning, and a beautiful little bedroom entirely to yourself; think of that, sir. You will have an egg for breakfast, and you will dine with the family at three o'clock: quite fashionable hours you see, sir."

"And the terms?" said Linden, impatiently.

"Why, sir," replied Mr. Brown, "the lady was too genteel to talk to me about them; you had better walk with me to her house and see if you cannot yourself agree with her."

"I will," said Clarence. "Will you wait here till I have dressed?"

Mr. Brown bowed his assent.

"I might as well," thought Clarence, as he ascended to his bedroom, "inquire into the character of this gentleman to whose good offices I am so rashly intrusting myself." He rang his bell; the chambermaid appeared, and was dismissed for the waiter. The character was soon asked, and soon given. For our reader's sake we will somewhat enlarge upon it.

Mr. Morris Brown originally came into the world with the simple appellation of Moses, a name which his father—honest man—had, as the Minories can still testify, honourably borne before him. Scarcely, however, had the little Moses attained the age of five, when his father, for causes best known to himself, became a Christian. Somehow or other there is a most potent connection between the purse and the conscience, and accordingly the blessings of Heaven descended in golden showers upon the proselyte. "I shall die worth a plum," said Moses the elder (who had taken unto himself the Christian cognomen of Brown); "I shall die worth a plum," repeated he, as he went one fine morning to speculate at the Exchange. A change of news, sharp and unexpected as a change of wind, lowered the stocks and blighted the plum. Mr. Brown was in the "Gazette" that week, and his wife in weeds for him the next. He left behind him, besides the said wife, several debts and his son Moses. Beggared by the former, our widow took a small shop in Wardour Street to support the latter. Patient, but enterprising—cautious of risking pounds, indefatigable in raising pence—the little Moses inherited the propensities of his Hebrew ancestors; and though not so capable as his immediate progenitor of making a fortune, he was at least far less likely to lose one. In spite, however, of all the industry both of mother and son, the gains of the shop were but scanty; to increase them capital was required, and all Mr. Moses Brown's capital lay in his brain. "It is a bad foundation," said the mother, with a sigh. "Not at all!" said the son, and leaving the shop, he turned broker. Now a broker is a man who makes an income out of other people's funds,—a gleaner of stray extravagances; and by doing the public the honour of living upon them may fairly be termed a little sort of state minister in his way. What with haunting sales, hawking china, selling the curiosities of one old lady and purchasing the same for another, Mr. Brown managed to enjoy a very comfortable existence. Great pains and small gains will at last invert their antithesis, and make little trouble and great profit; so that by the time Mr. Brown had attained his fortieth year, the petty shop had become a large warehouse; and, if the worthy Moses, now christianized into Morris, was not so sanguine as his father in the gathering of plums, he had been at least as fortunate in the collecting of windfalls. To say truth, the abigail of the defunct Lady Waddilove had been no unprofitable helpmate to our broker. As ingenious as benevolent, she was the owner of certain rooms of great resort in the neighbourhood of St. James's,—rooms where caps and appointments were made better than anywhere else, and where credit was given and character lost upon terms equally advantageous to the accommodating Mrs. Brown.

Meanwhile her husband, continuing through liking what he had begun through necessity, slackened not his industry in augmenting his fortune; on the contrary, small profits were but a keener incentive to large ones,—as the glutton only sharpened by luncheon his appetite for dinner. Still was Mr. Brown the very Alcibiades of brokers, the universal genius, suiting every man to his humour. Business of whatever description, from the purchase of a borough to that of a brooch, was alike the object of Mr. Brown's most zealous pursuit: taverns, where country cousins put up; rustic habitations, where ancient maidens resided; auction or barter; city or hamlet,—all were the same to that enterprising spirit, which made out of every acquaintance—a commission! Sagacious and acute, Mr. Brown perceived the value of eccentricity in covering design, and found by experience that whatever can be laughed at as odd will be gravely considered as harmless. Several of the broker's peculiarities were, therefore, more artificial than natural; and many were the sly bargains which he smuggled into effect under the comfortable cloak of singularity. No wonder, then, that the crafty Morris grew gradually in repute as a person of infinite utility and excellent qualifications; or that the penetrating friends of his deceased sire bowed to the thriving itinerant, with a respect which they denied to many in loftier professions and more general esteem.



CHAPTER IX.

Trust me you have an exceeding fine lodging here,—very neat and private.—BEN JONSON.

It was a tolerably long walk to the abode of which the worthy broker spoke in such high terms of commendation. At length, at the suburbs towards Paddington, Mr. Brown stopped at a very small house; it stood rather retired from its surrounding neighbours, which were of a loftier and more pretending aspect than itself, and, in its awkward shape and pitiful bashfulness, looked exceedingly like a school-boy finding himself for the first time in a grown up party, and shrinking with all possible expedition into the obscurest corner he can discover. Passing through a sort of garden, in which a spot of grass lay in the embraces of a stripe of gravel, Mr. Brown knocked upon a very bright knocker at a very new door. The latter was opened, and a foot-boy appeared.

"Is Mrs. Copperas within?" asked the broker.

"Yees, sir," said the boy.

"Show this gentleman and myself up stairs," resumed Brown.

"Yees," reiterated the lackey.

Up a singularly narrow staircase, into a singularly diminutive drawing-room, Clarence and his guide were ushered. There, seated on a little chair by a little work-table, with one foot on a little stool and one hand on a little book, was a little—very little lady.

"This is the young gentleman," said Mr. Brown; and Clarence bowed low, in token of the introduction.

The lady returned the salutation with an affected bend, and said, in a mincing and grotesquely subdued tone, "You are desirous, sir, of entering into the bosom of my family. We possess accommodations of a most elegant description; accustomed to the genteelest circles, enjoying the pure breezes of the Highgate hills, and presenting to any guest we may receive the attractions of a home rather than of a lodging, you will find our retreat no less eligible than unique. You are, I presume, sir, in some profession, some city avocation—or—or trade?"

"I have the misfortune," said he, smiling, "to belong to no profession."

The lady looked hard at the speaker, and then at the broker. With certain people to belong to no profession is to be of no respectability.

"The most unexceptionable references will be given-and required," resumed Mrs. Copperas.

"Certainly," said Mr. Brown, "certainly, the gentleman is a relation of Mrs. Minden, a very old customer of mine."

"In that case," said Mrs. Copperas, "the affair is settled;" and, rising, she rang the bell, and ordered the foot-boy, whom she addressed by the grandiloquent name of "De Warens" to show the gentleman the apartments. While Clarence was occupied in surveying the luxuries of a box at the top of the house, called a bed-chamber, which seemed just large and just hot enough for a chrysalis, and a corresponding box below, termed the back parlour, which would certainly not have been large enough for the said chrysalis when turned into a butterfly, Mr. Morris Brown, after duly, expatiating on the merits of Clarence, proceeded to speak of the terms; these were soon settled, for Clarence was yielding and the lady not above three times as extortionate as she ought to have been.

Before Linden left the house, the bargain was concluded. That night his trunks were removed to his new abode, and having with incredible difficulty been squeezed into the bedroom, Clarence surveyed them with the same astonishment with which the virtuoso beheld the flies in amber,—

"Not that the things were either rich or rare, He wondered how the devil they got there!"



CHAPTER X.

Such scenes had tempered with a pensive grace The maiden lustre of that faultless face; Had hung a sad and dreamlike spell upon The gliding music of her silver tone, And shaded the soft soul which loved to lie In the deep pathos of that volumed eye.—O'Neill; or, The Rebel.

The love thus kindled between them was of no common or calculating nature: it was vigorous and delicious, and at times so suddenly intense as to appear to their young hearts for a moment or so with almost an awful character.—Inesilla.

The reader will figure to himself a small chamber, in a remote wing of a large and noble mansion. The walls were covered with sketches whose extreme delicacy of outline and colouring betrayed the sex of the artist; a few shelves filled with books supported vases of flowers. A harp stood neglected at the farther end of the room, and just above hung the slender prison of one of those golden wanderers from the Canary Isles which hear to our colder land some of the gentlest music of their skies and zephyrs. The window, reaching to the ground, was open, and looked, through the clusters of jessamine and honeysuckle which surrounded the low veranda, beyond upon thick and frequent copses of blossoming shrubs, redolent of spring and sparkling in the sunny tears of a May shower which had only just wept itself away. Embosomed in these little groves lay plots of flowers, girdled with turf as green as ever wooed the nightly dances of the fairies; and afar off, through one artful opening, the eye caught the glittering wanderings of water, on whose light and smiles the universal happiness of the young year seemed reflected.

But in that chamber, heedless of all around, and cold to the joy with which everything else, equally youthful, beautiful, and innocent, seemed breathing and inspired, sat a very young and lovely female. Her cheek leaned upon her hand, and large tears flowed fast and burningly over the small and delicate fingers. The comb that had confined her tresses lay at her feet, and the high dress which concealed her swelling breast had been loosened, to give vent to the suffocating and indignant throbbings which had rebelled against its cincture; all appeared to announce that bitterness of grief when the mind, as it were, wreaks its scorn upon the body in its contempt for external seemings, and to proclaim that the present more subdued and softened sorrow had only succeeded to a burst far less quiet and uncontrolled. Woe to those who eat the bread of dependence their tears are wrung from the inmost sources of the heart.

Isabel St. Leger was the only child of a captain in the army who died in her infancy; her mother had survived him but a few months; and to the reluctant care and cold affections of a distant and wealthy relation of the same name the warm-hearted and penniless orphan was consigned. Major-General Cornelius St. Leger, whose riches had been purchased in India at the price of his constitution, was of a temper as hot as his curries, and he wreaked it the more unsparingly on his ward, because the superior ill-temper of his maiden sister had prevented his giving vent to it upon her. That sister, Miss Diana St. Leger, was a meagre gentlewoman of about six feet high, with a loud voice and commanding aspect. Long in awe of her brother, she rejoiced at heart to find some one whom she had such right and reason to make in awe of herself; and from the age of four to that of seventeen Isabel suffered every insult and every degradation which could be inflicted upon her by the tyranny of her two protectors. Her spirit, however, was far from being broken by the rude shocks it received; on the contrary, her mind, gentleness itself to the kind, rose indignantly against the unjust. It was true that the sense of wrong did not break forth audibly; for, though susceptible, Isabel was meek, and her pride was concealed by the outward softness and feminacy of her temper: but she stole away from those who had wounded her heart or trampled upon its feelings, and nourished with secret but passionate tears the memory of the harshness or injustice she had endured. Yet she was not vindictive: her resentment was a noble not a debasing feeling; once, when she was yet a child, Miss Diana was attacked with a fever of the most malignant and infectious kind; her brother loved himself far too well to risk his safety by attending her; the servants were too happy to wreak their hatred under the pretence of obeying their fears; they consequently followed the example of their master; and Miss Diana St. Leger might have gone down to her ancestors "unwept, unhonoured, and unsung," if Isabel had not volunteered and enforced her attendance. Hour after hour her fairy form flitted around the sick-chamber; or sat mute and breathless by the feverish bed; she had neither fear for contagion nor bitterness for past oppression; everything vanished beneath the one hope of serving, the one gratification of feeling herself, in the wide waste of creation, not utterly without use, as she had been hitherto without friends.

Miss St. Leger recovered. "For your recovery, in the first place," said the doctor, "you will thank Heaven; in the second, you will thank your young relation;" and for several days the convalescent did overwhelm the happy Isabel with her praises and caresses. But this change did not last long: the chaste Diana had been too spoiled by the prosperity of many years for the sickness of a single month to effect much good in her disposition. Her old habits were soon resumed; and though it is probable that her heart was in reality softened towards the poor Isabel, that softening by no means extended to her temper. In truth, the brother and sister were not without affection for one so beautiful and good, but they had been torturing slaves all their lives, and their affection was, and could be, but that of a taskmaster or a planter.

But Isabel was the only relation who ever appeared within their walls; and among the guests with whom the luxurious mansion was crowded, she passed no less for the heiress than the dependant; to her, therefore, was offered the homage of many lips and hearts, and if her pride was perpetually galled and her feelings insulted in private, her vanity (had that equalled her pride and her feelings in its susceptibility) would in no slight measure have recompensed her in public. Unhappily, however, her vanity was the least prominent quality she possessed; and the compliments of mercenary adulation were not more rejected by her heart than despised by her understanding.

Yet did she bear within her a deep fund of buried tenderness, and a mine of girlish and enthusiastic romance,—dangerous gifts to one so situated, which, while they gave to her secret moments of solitude a powerful but vague attraction, probably only prepared for her future years the snare which might betray them into error or the delusion which would colour them with regret.

Among those whom the ostentatious hospitality of General St. Leger attracted to his house was one of very different character and pretensions to the rest. Formed to be unpopular with the generality of men, the very qualities that made him so were those which principally fascinate the higher description of women of ancient birth, which rendered still more displeasing the pride and coldness of his mien; of talents peculiarly framed to attract interest as well as esteem; of a deep and somewhat morbid melancholy, which, while it turned from ordinary ties, inclined yearningly towards passionate affections; of a temper where romance was only concealed from the many to become more seductive to the few; unsocial, but benevolent; disliked, but respected; of the austerest demeanour, but of passions the most fervid, though the most carefully concealed,—this man united within himself all that repels the common mass of his species, and all that irresistibly wins and fascinates the rare and romantic few. To these qualities were added a carriage and bearing of that high and commanding order which men mistake for arrogance and pretension, and women overrate in proportion to its contrast to their own. Something of mystery there was in the commencement of the deep and eventful love which took place between this person and Isabel, which I have never been able to learn whatever it was, it seemed to expedite and heighten the ordinary progress of love; and when in the dim twilight, beneath the first melancholy smile of the earliest star, their hearts opened audibly to each other, that confession had been made silently long since and registered in the inmost recesses of the soul.

But their passion, which began in prosperity, was soon darkened. Whether he took offence at the haughtiness of Isabel's lover, or whether he desired to retain about him an object which he could torment and tyrannize over, no sooner did the General discover the attachment of his young relation than he peremptorily forbade its indulgence, and assumed so insolent and overbearing an air towards the lover that the latter felt he could no longer repeat his visits to or even continue his acquaintance with the nabob.

To add to these adverse circumstances, a relation of the lover, from whom his expectations had been large, was so enraged, not only at the insult his cousin had received, but at the very idea of his forming an alliance with one in so dependent a situation and connected with such new blood as Isabel St. Leger, that, with that arrogance which relations, however distant, think themselves authorized to assume, he enjoined his cousin, upon pain of forfeiture of favour and fortune, to renounce all idea of so disparaging an alliance. The one thus addressed was not of a temper patiently to submit to such threats: he answered them with disdain; and the breach, so dangerous to his pecuniary interest, was already begun.

So far had the history of our lover proceeded at the time in which we have introduced Isabel to the reader, and described to him the chamber to which, in all her troubles and humiliations, she was accustomed to fly, as to a sad but still unviolated sanctuary of retreat.

The quiet of this asylum was first broken by a slight rustling among the leaves; but Isabel's back was turned towards the window, and in the engrossment of her feelings she heard it not. The thick copse that darkened the left side of the veranda was pierced, and a man passed within the covered space, and stood still and silent before the window, intently gazing upon the figure, which (though the face was turned from him) betrayed in its proportions that beauty which in his eyes had neither an equal nor a fault.

The figure of the stranger, though not very tall, was above the ordinary height, and gracefully rather than robustly formed. He was dressed in the darkest colours and the simplest fashion, which rendered yet more striking the nobleness of his mien, as well as the clear and almost delicate paleness of his complexion; his features were finely and accurately formed; and had not ill health, long travel, or severe thought deepened too much the lines of the countenance, and sharpened its contour, the classic perfection of those features would have rendered him undeniably and even eminently handsome. As it was, the paleness and the somewhat worn character of his face, joined to an expression at first glance rather haughty and repellent, made him lose in physical what he certainly gained in intellectual beauty. His eyes were large, deep, and melancholy, and had the hat which now hung over his brow been removed, it would have displayed a forehead of remarkable boldness and power.

Altogether, the face was cast in a rare and intellectual mould, and, if wanting in those more luxuriant attractions common to the age of the stranger, who could scarcely have attained his twenty-sixth year, it betokened, at least, that predominance of mind over body which in some eyes is the most requisite characteristic of masculine beauty.

With a soft and noiseless step, the stranger moved from his station without the window, and, entering the room, stole towards the spot on which Isabel was sitting. He leaned over her chair, and his eye rested upon his own picture, and a letter in his own writing, over which the tears of the young orphan flowed fast.

A moment more of agitated happiness for one, of unconscious and continued sadness for the other,—

"'T is past, her lover's at her feet."

And what indeed "was to them the world beside, with all its changes of time and tide"? Joy, hope, all blissful and bright sensations, lay mingled, like meeting waters, in one sunny stream of heartfelt and unfathomable enjoyment; but this passed away, and the remembrance of bitterness and evil succeeded.

"Oh, Algernon!" said Isabel, in a low voice, "is this your promise?"

"Believe me," said Mordaunt, for it was indeed he, "I have struggled long with my feelings, but in vain; and for both our sakes, I rejoice at the conquest they obtained. I listened only to a deceitful delusion when I imagined I was obeying the dictates of reason. Ah, dearest, why should we part for the sake of dubious and distant evils, when the misery of absence is the most certain, the most unceasing evil we can endure?"

"For your sake, and therefore for mine!" interrupted Isabel, struggling with her tears. "I am a beggar and an outcast. You must not link your fate with mine. I could bear, Heaven knows how willingly, poverty and all its evils for you and with you; but I cannot bring them upon you."

"Nor will you," said Mordaunt, passionately, as he covered the hand he held with his burning kisses. "Have I not enough for both of us? It is my love, not poverty, that I beseech you to share."

"No! Algernon, you cannot deceive me; your own estate will be torn from you by the law: if you marry me, your cousin will not assist you; I, you know too well, can command nothing; and I shall see you, for whom in my fond and bright dreams I have presaged everything great and exalted, buried in an obscurity from which your talents can never rise, and suffering the pangs of poverty and dependence and humiliation like my own; and—and—I—should be the wretch who caused you all. Never, Algernon, never!—I love you too—too well!"

But the effort which wrung forth the determination of the tone in which these words were uttered was too violent to endure; and, as the full desolation of her despair crowded fast and dark upon the orphan's mind, she sank back upon her chair in very sickness of soul, nor heeded, in her unconscious misery, that her hand was yet clasped by her lover and that her head drooped upon his bosom.

"Isabel," he said, in a low, sweet tone, which to her ear seemed the concentration of all earthly music,—"Isabel, look up,—my own, my beloved,—look up and hear me. Perhaps you say truly when you tell me that the possessions of my house shall melt away from me, and that my relation will not offer to me the precarious bounty which, even if he did offer, I would reject; but, dearest, are there not a thousand paths open to me,—the law, the state, the army?—you are silent, Isabel,—speak!"

Isabel did not reply, but the soft eyes which rested upon his told, in their despondency, how little her reason was satisfied by the arguments he urged.

"Besides," he continued, "we know not yet whether the law may not decide in my favour: at all events years may pass before the judgment is given; those years make the prime and verdure of our lives; let us not waste them in mourning over blighted hopes and severed hearts; let us snatch what happiness is yet in our power, nor anticipate, while the heavens are still bright above us, the burden of the thunder or the cloud."

Isabel was one of the least selfish and most devoted of human beings, yet she must be forgiven if at that moment her resolution faltered, and the overpowering thought of being in reality his forever flashed upon her mind. It passed from her the moment it was formed; and, rising from a situation in which the touch of that dear hand and the breath of those wooing lips endangered the virtue and weakened the strength of her resolves, she withdrew herself from his grasp, and while she averted her eyes, which dared not encounter his, she said in a low but firm voice,—

"It is in vain, Algernon; it is in vain. I can be to you nothing but a blight or burden, nothing but a source of privation and anguish. Think you that I will be this?—no, I will not darken your fair hopes and impede your reasonable ambition. Go (and here her voice faltered for a moment, but soon recovered its tone), go, Algernon, dear Algernon; and if my foolish heart will not ask you to think of me no more, I can at least implore you to think of me only as one who would die rather than cost you a moment of that poverty and debasement, the bitterness of which she has felt herself, and who for that very reason tears herself away from you forever."

"Stay, Isabel, stay!" cried Mordaunt, as he caught hold of her robe, "give me but one word more, and you shall leave me. Say that if I can create for myself a new source of independence; if I can carve out a road where the ambition you erroneously impute to me can be gratified, as well as the more moderate wishes our station has made natural to us to form,—say, that if I do this, I may permit myself to hope,—say, that when I have done it, I may claim you as my own!"

Isabel paused, and turned once more her face towards his own. Her lips moved, and though the words died within her heart, yet Mordaunt read well their import in the blushing cheek and the heaving bosom, and the lips which one ray of hope and comfort was sufficient to kindle into smiles. He gazed, and all obstacles, all difficulties, disappeared; the gulf of time seemed passed, and he felt as if already he had earned and won his reward.

He approached her yet nearer; one kiss on those lips, one pressure of that thrilling hand, one long, last embrace of that shrinking and trembling form,—and then, as the door closed upon his view, he felt that the sunshine of Nature had passed away, and that in the midst of the laughing and peopled earth he stood in darkness and alone.



CHAPTER XI.

He who would know mankind must be at home with all men. STEPHEN MONTAGUE.

We left Clarence safely deposited in his little lodgings. Whether from the heat of his apartment or the restlessness a migration of beds produces in certain constitutions, his slumbers on the first night of his arrival were disturbed and brief. He rose early and descended to the parlour; Mr. de Warens, the nobly appellatived foot-boy, was laying the breakfast-cloth. From three painted shelves which constituted the library of "Copperas Bower," as its owners gracefully called their habitation, Clarence took down a book very prettily bound; it was "Poems by a Nobleman." No sooner had he read two pages than he did exactly what the reader would have done, and restored the volume respectfully to its place. He then drew his chair towards the window, and wistfully eyed sundry ancient nursery maids, who were leading their infant charges to the "fresh fields and pastures new" of what is now the Regent's Park.

In about an hour Mrs. Copperas descended, and mutual compliments were exchanged; to her succeeded Mr. Copperas, who was well scolded for his laziness: and to them, Master Adolphus Copperas, who was also chidingly termed a naughty darling for the same offence. Now then Mrs. Copperas prepared the tea, which she did in the approved method adopted by all ladies to whom economy is dearer than renown, namely, the least possible quantity of the soi-disant Chinese plant was first sprinkled by the least possible quantity of hot water; after this mixture had become as black and as bitter as it could possibly be without any adjunct from the apothecary's skill, it was suddenly drenched with a copious diffusion, and as suddenly poured forth—weak, washy, and abominable,—into four cups, severally appertaining unto the four partakers of the matutinal nectar.

Then the conversation began to flow. Mrs. Copperas was a fine lady, and a sentimentalist,—very observant of the little niceties of phrase and manner. Mr. Copperas was a stock-jobber and a wit,—loved a good hit in each capacity; was very round, very short, and very much like a John Dory; and saw in the features and mind of the little Copperas the exact representative of himself.

"Adolphus, my love," said Mrs. Copperas, "mind what I told you, and sit upright. Mr. Linden, will you allow me to cut you a leetle piece of this roll?"

"Thank you," said Clarence, "I will trouble you rather for the whole of it."

Conceive Mrs. Copperas's dismay! From that moment she saw herself eaten out of house and home; besides, as she afterwards observed to her friend Miss Barbara York, the "vulgarity of such an amazing appetite!"

"Any commands in the city, Mr. Linden?" asked the husband; "a coach will pass by our door in a few minutes,—must be on 'Change in half an hour. Come, my love, another cup of tea; make haste; I have scarcely a moment to take my fare for the inside, before coachee takes his for the outside. Ha! ha! ha! Mr. Linden."

"Lord, Mr. Copperas," said his helpmate, "how can you be so silly? setting such an example to your son, too; never mind him, Adolphus, my love; fie, child! a'n't you ashamed of yourself? never put the spoon in your cup till you have done tea: I must really send you to school to learn manners. We have a very pretty little collection of books here, Mr. Linden, if you would like to read an hour or two after breakfast,—child, take your hands out of your pockets,—all the best English classics I believe,—'Telemachus,' and Young's 'Night Thoughts,' and 'Joseph Andrews,' and the 'Spectator,' and Pope's Iliad, and Creech's Lucretius; but you will look over them yourself! This is Liberty Hall, as well as Copperas Bower, Mr. Linden!"

"Well, my love," said the stock-jobber, "I believe I must be off. Here Tom," Tom (Mr. de Warens had just entered the room with some more hot water, to weaken still further "the poor remains of what was once"—the tea!), "Tom, just run out and stop the coach; it will be by in five minutes."

"Have not I prayed and besought you, many and many a time, Mr. Copperas," said the lady, rebukingly, "not to call De Warens by his Christian name? Don't you know that all people in genteel life, who only keep one servant, invariably call him by his surname, as if he were the butler, you know?"

"Now, that is too good, my love," said Copperas. "I will call poor Tom by any surname you please, but I really can't pass him off for a butler! Ha—ha—ha—you must excuse me there, my love!"

"And pray, why not, Mr. Copperas? I have known many a butler bungle more at a cork than he does; and pray tell me who did you ever see wait better at dinner?"

"He wait at dinner, my love! it is not he who waits."

"Who then, Mr. Copperas?"

"Why we, my love; it's we who wait for dinner; but that's the cook's fault, not his."

"Pshaw! Mr. Copperas; Adolphus, my love, sit upright, darling."

Here De Warens cried from the bottom of the stairs,—"Measter, the coach be coming up."

"There won't be room for it to turn then," said the facetious Mr. Copperas, looking round the apartment as if he took the words literally.

"What coach is it, boy?"

Now that was not the age in which coaches scoured the city every half hour, and Mr. Copperas knew the name of the coach as well as he knew his own.

"It be the Swallow coach, sir."

"Oh, very well: then since I have swallowed in the roll, I will now roll in the Swallow—ha—ha—ha! Good-by, Mr. Linden."

No sooner had the witty stock-jobber left the room than Mrs. Copperas seemed to expand into a new existence. "My husband, sir," said she, apologetically, "is so odd, but he's an excellent sterling character; and that, you know, Mr. Linden, tells more in the bosom of a family than all the shining qualities which captivate the imagination. I am sure, Mr. Linden, that the moralist is right in admonishing us to prefer the gold to the tinsel. I have now been married some years, and every year seems happier than the last; but then, Mr. Linden, it is such a pleasure to contemplate the growing graces of the sweet pledge of our mutual love.—Adolphus, my dear, keep your feet still, and take your hands out of your pockets!"

A short pause ensued.

"We see a great deal of company," said Mrs. Copperas, pompously, "and of the very best description. Sometimes we are favoured by the society of the great Mr. Talbot, a gentleman of immense fortune and quite the courtier: he is, it is true, a little eccentric in his dress: but then he was a celebrated beau in his young days. He is our next neighbour; you can see his house out of the window, just across the garden—there! We have also, sometimes, our humble board graced by a very elegant friend of mine, Miss Barbara York, a lady of very high connections, her first cousin was a lord mayor.—Adolphus, my dear, what are you about? Well, Mr. Linden, you will find your retreat quite undisturbed; I must go about the household affairs; not that I do anything more than superintend, you know, sir; but I think no lady should be above consulting her husband's interests; that's what I call true old English conjugal affection. Come, Adolphus, my dear."

And Clarence was now alone. "I fear," thought he, "that I shall get on very indifferently with these people. But it will not do for me to be misanthropical, and (as Dr. Latinas was wont to say) the great merit of philosophy, when we cannot command circumstances, is to reconcile us to them."



CHAPTER XII.

A retired beau is one of the most instructive spectacles in the world. STEPHEN MONTAGUE.

It was quite true that Mrs. Copperas saw a great deal of company, for at a certain charge, upon certain days, any individual might have the honour of sharing her family repast; and many, of various callings, though chiefly in commercial life, met at her miscellaneous board. Clarence must, indeed, have been difficult to please, or obtuse of observation, if, in the variety of her guests, he had not found something either to interest or amuse him. Heavens! what a motley group were accustomed, twice in the week, to assemble there! the little dining-parlour seemed a human oven; and it must be owned that Clarence was no slight magnet of attraction to the female part of the guests. Mrs. Copperas's bosom friend in especial, the accomplished Miss Barbara York, darted the most tender glances on the handsome young stranger; but whether or not a nose remarkably prominent and long prevented the glances from taking full effect, it is certain that Clarence seldom repaid them with that affectionate ardour which Miss Barbara York had ventured to anticipate. The only persons indeed for whom he felt any sympathetic attraction were of the same sex as himself. The one was Mr. Talbot, the old gentleman whom Mrs. Copperas had described as the perfect courtier; the other, a young artist of the name of Warner. Talbot, to Clarence's great astonishment (for Mrs. Copperas's eulogy had prepared him for something eminently displeasing) was a man of birth, fortune, and manners peculiarly graceful and attractive. It is true, however, that, despite of his vicinity, and Mrs. Copperas's urgent solicitations, he very seldom honoured her with his company, and he always cautiously sent over his servant in the morning to inquire the names and number of her expected guests; nor was he ever known to share the plenteous board of the stock-jobber's lady whenever any other partaker of its dainties save Clarence and the young artist were present. The latter, the old gentleman really liked; and as for one truly well born and well bred there is no vulgarity except in the mind, the slender means, obscure birth, and struggling profession of Warner were circumstances which, as they increased the merit of a gentle manner and a fine mind, spoke rather in his favour than the reverse. Mr. Talbot was greatly struck by Clarence Linden's conversation and appearance; and indeed there was in Talbot's tastes so strong a bias to aristocratic externals that Clarence's air alone would have been sufficient to win the good graces of a man who had, perhaps, more than most courtiers of his time, cultivated the arts of manner and the secrets of address.

"You will call upon me soon?" said he to Clarence, when, after dining one day with the Copperases and their inmate, he rose to return home. And Clarence, delighted with the urbanity and liveliness of his new acquaintance, readily promised that he would.

Accordingly the next day Clarence called upon Mr. Talbot. The house, as Mrs. Copperas had before said, adjoined her own, and was only separated from it by a garden. It was a dull mansion of brick, which had disdained the frippery of paint and whitewashing, and had indeed been built many years previously to the erection of the modern habitations which surrounded it. It was, therefore, as a consequence of this priority of birth, more sombre than the rest, and had a peculiarly forlorn and solitary look. As Clarence approached the door, he was struck with the size of the house; it was of very considerable extent, and in the more favourable situations of London, would have passed for a very desirable and spacious tenement. An old man, whose accurate precision of dress bespoke the tastes of the master, opened the door, and after ushering Clarence through two long, and, to his surprise, almost splendidly furnished rooms, led him into a third, where, seated at a small writing-table, he found Mr. Talbot. That person, one whom Clarence then little thought would hereafter exercise no small influence over his fate, was of a figure and countenance well worthy the notice of a description.

His own hair, quite white, was carefully and artificially curled, and gave a Grecian cast to features whose original delicacy, and exact though small proportions, not even age could destroy. His eyes were large, black, and sparkled with almost youthful vivacity; and his mouth, which was the best feature he possessed, developed teeth white and even as rows of ivory. Though small and somewhat too slender in the proportions of his figure, nothing could exceed the ease and the grace of his motions and air; and his dress, though singularly rich in its materials, eccentric in its fashion, and from its evident study, unseemly to his years, served nevertheless to render rather venerable than ridiculous a mien which could almost have carried off any absurdity, and which the fashion of the garb peculiarly became. The tout ensemble was certainly that of a man who was still vain of his exterior, and conscious of its effect; and it was as certainly impossible to converse with Mr. Talbot for five minutes without merging every less respectful impression in the magical fascination of his manner.

"I thank you, Mr. Linden," said Talbot, rising, "for your accepting so readily an old man's invitation. If I have felt pleasure in discovering that we were to be neighbours, you may judge what that pleasure is to-day at finding you my visitor."

Clarence, who, to do him justice, was always ready at returning a fine speech, replied in a similar strain, and the conversation flowed on agreeably enough. There was more than a moderate collection of books in the room, and this circumstance led Clarence to allude to literary subjects; these Mr. Talbot took up with avidity, and touched with a light but graceful criticism upon many of the then modern and some of the older writers. He seemed delighted to find himself understood and appreciated by Clarence, and every moment of Linden's visit served to ripen their acquaintance into intimacy. At length they talked upon Copperas Bower and its inmates.

"You will find your host and hostess," said the gentleman, "certainly of a different order from the persons with whom it is easy to see you have associated; but, at your happy age, a year or two may be very well thrown away upon observing the manners and customs of those whom, in later life, you may often be called upon to conciliate or perhaps to control. That man will never be a perfect gentleman who lives only with gentlemen. To be a man of the world, we must view that world in every grade and in every perspective. In short, the most practical art of wisdom is that which extracts from things the very quality they least appear to possess; and the actor in the world, like the actor on the stage, should find 'a basket-hilted sword very convenient to carry milk in.' [See the witty inventory of a player's goods in the "Tatler."] As for me, I have survived my relations and friends. I cannot keep late hours, nor adhere to the unhealthy customs of good society; nor do I think that, to a man of my age and habits, any remuneration would adequately repay the sacrifice of health or comfort. I am, therefore, well content to sink into a hermitage in an obscure corner of this great town, and only occasionally to revive my 'past remembrances of higher state,' by admitting a few old acquaintances to drink my bachelor's tea and talk over the news of the day. Hence, you see, Mr. Linden, I pick up two or three novel anecdotes of state and scandal, and maintain my importance at Copperas Bower by retailing them second-hand. Now that you are one of the inmates of that abode, I shall be more frequently its guest. By the by, I will let you into a secret: know that I am somewhat a lover of the marvellous, and like to indulge a little embellishing exaggeration in any place where there is no chance of finding me out. Mind, therefore, my dear Mr. Linden, that you take no ungenerous advantage of this confession; but suffer me, now and then, to tell my stories my own way, even when you think truth would require me to tell them in another."

"Certainly," said Clarence, laughing; "let us make an agreement: you shall tell your stories as you please, if you will grant me the same liberty in paying my compliments; and if I laugh aloud at the stories, you shall promise me not to laugh aloud at the compliments."

"It is a bond," said Talbot; "and a very fit exchange of service it is. It will be a problem in human nature to see who has the best of it: you shall pay your court by flattering the people present, and I mine by abusing those absent. Now, in spite of your youth and curling locks, I will wager that I succeed the best; for in vanity there is so great a mixture of envy that no compliment is like a judicious abuse: to enchant your acquaintance, ridicule his friends."

"Ah, sir," said Clarence, "this opinion of yours is, I trust, a little in the French school, where brilliancy is more studied than truth, and where an ill opinion of our species always has the merit of passing for profound."

Talbot smiled, and shook his head. "My dear young friend," said he, "it is quite right that you, who are coming into the world, should think well of it; and it is also quite right that I, who am going out of it, should console myself by trying to despise it. However, let me tell you, my young friend, that he whose opinion of mankind is not too elevated will always be the most benevolent, because the most indulgent, to those errors incidental to human imperfection to place our nature in too flattering a view is only to court disappointment, and end in misanthropy. The man who sets out with expecting to find all his fellow-creatures heroes of virtue will conclude by condemning them as monsters of vice; and, on the contrary, the least exacting judge of actions will be the most lenient. If God, in His own perfection, did not see so many frailties in us, think you He would be so gracious to our virtues?"

"And yet," said Clarence, "we remark every day examples of the highest excellence."

"Yes," replied Talbot, "of the highest but not of the most constant excellence. He knows very little of the human heart who imagines we cannot do a good action; but, alas! he knows still less of it who supposes we can be always doing good actions. In exactly the same ratio we see every day the greatest crimes are committed; but we find no wretch so depraved as to be always committing crimes. Man cannot be perfect even in guilt."

In this manner Talbot and his young visitor conversed, till Clarence, after a stay of unwarrantable length, rose to depart.

"Well," said Talbot, "if we now rightly understand each other, we shall be the best friends in the world. As we shall expect great things from each other sometimes, we will have no scruple in exacting a heroic sacrifice every now and then; for instance, I will ask you to punish yourself by an occasional tete-a-tete with an ancient gentleman; and, as we can also by the same reasoning pardon great faults in each other, if they are not often committed, so I will forgive you, with all my heart, whenever you refuse my invitations, if you do not refuse them often. And now farewell till we meet again."

It seemed singular and almost unnatural to Linden that a man like Talbot, of birth, fortune, and great fastidiousness of taste and temper, should have formed any sort of acquaintance, however slight and distant, with the facetious stock-jobber and his wife; but the fact is easily explained by a reference to the vanity which we shall see hereafter made the ruling passion of Talbot's nature. This vanity, which branching forth into a thousand eccentricities, displayed itself in the singularity of his dress, the studied yet graceful warmth of his manner, his attention to the minutiae of life, his desire, craving and insatiate, to receive from every one, however insignificant, his obolus of admiration,—this vanity, once flattered by the obsequious homage it obtained from the wonder and reverence of the Copperases, reconciled his taste to the disgust it so frequently and necessarily conceived; and, having in great measure resigned his former acquaintance and wholly outlived his friends, he was contented to purchase the applause which had become to him a necessary of life at the humble market more immediately at his command.

There is no dilemma in which Vanity cannot find an expedient to develop its form, no stream of circumstances in which its buoyant and light nature will not rise to float upon the surface. And its ingenuity is as fertile as that of the player who (his wardrobe allowing him no other method of playing the fop) could still exhibit the prevalent passion for distinction by wearing stockings of different colours.



CHAPTER XIII.

Who dares Interpret then my life for me as 't were One of the undistinguishable many? COLERIDGE: Wallenstein.

The first time Clarence had observed the young artist, he had taken a deep interest in his appearance. Pale, thin, undersized, and slightly deformed, the sanctifying mind still shed over the humble frame a spell more powerful than beauty. Absent in manner, melancholy in air, and never conversing except upon subjects on which his imagination was excited, there was yet a gentleness about him which could not fail to conciliate and prepossess; nor did Clarence omit any opportunity to soften his reserve, and wind himself into his more intimate acquaintance. Warner, the only support of an aged and infirm grandmother (who had survived her immediate children), was distantly related to Mrs. Copperas; and that lady extended to him, with ostentatious benevolence, her favour and support. It is true that she did not impoverish the young Adolphus to enrich her kinsman, but she allowed him a seat at her hospitable board, whenever it was not otherwise filled; and all that she demanded in return was a picture of herself, another of Mr. Copperas, a third of Master Adolphus, a fourth of the black cat, and from time to time sundry other lesser productions of his genius, of which, through the agency of Mr. Brown, she secretly disposed at a price that sufficiently remunerated her for whatever havoc the slender appetite of the young painter was able to effect.

By this arrangement, Clarence had many opportunities of gaining that intimacy with Warner which had become to him an object; and though the painter, constitutionally diffident and shy, was at first averse to, and even awed by, the ease, boldness, fluent speech, and confident address of a man much younger than himself, yet at last he could not resist the being decoyed into familiarity; and the youthful pair gradually advanced from companionship into friendship. There was a striking contrast between the two: Clarence was bold and frank, Warner close and timid. Both had superior abilities; but the abilities of Clarence were for action, those of Warner for art: both were ambitious; but the ambition of Clarence was that of circumstances rather than character. Compelled to carve his own fortunes without sympathy or aid, he braced his mind to the effort, though naturally too gay for the austerity, and too genial for the selfishness of ambition. But the very essence of Warner's nature was the feverish desire of fame: it poured through his veins like lava; it preyed as a worm upon his cheek; it corroded his natural sleep; it blackened the colour of his thoughts; it shut out, as with an impenetrable wall, the wholesome energies and enjoyments and objects of living men; and, taking from him all the vividness of the present, all the tenderness of the past, constrained his heart to dwell forever and forever amidst the dim and shadowy chimeras of a future he was fated never to enjoy.

But these differences of character, so far from disturbing, rather cemented their friendship; and while Warner (notwithstanding his advantage of age) paid involuntary deference to the stronger character of Clarence, he, in his turn, derived that species of pleasure by which he was most gratified, from the affectionate and unenvious interest Clarence took in his speculations of future distinction, and the unwearying admiration with which he would sit by his side, and watch the colours start from the canvas, beneath the real though uncultured genius of the youthful painter.

Hitherto, Warner had bounded his attempts to some of the lesser efforts of the art; he had now yielded to the urgent enthusiasm of his nature, and conceived the plan of an historical picture. Oh! what sleepless nights, what struggles of the teeming fancy with the dense brain, what labours of the untiring thought wearing and intense as disease itself, did it cost the ambitious artist to work out in the stillness of his soul, and from its confused and conflicting images, the design of this long meditated and idolized performance! But when it was designed; when shape upon shape grew and swelled, and glowed from the darkness of previous thought upon the painter's mind; when, shutting his eyes in the very credulity of delight, the whole work arose before him, glossy with its fresh hues, bright, completed, faultless, arrayed as it were, and decked out for immortality,—oh! then what a full and gushing moment of rapture broke like a released stream upon his soul! What a recompense for wasted years, health, and hope! What a coronal to the visions and transports of Genius: brief, it is true, but how steeped in the very halo of a light that might well be deemed the glory of heaven!

But the vision fades, the gorgeous shapes sweep on into darkness, and, waking from his revery, the artist sees before him only the dull walls of his narrow chamber; the canvas stretched a blank upon its frame; the works, maimed, crude, unfinished, of an inexperienced hand, lying idly around; and feels himself—himself, but one moment before the creator of a world of wonders, the master spirit of shapes glorious and majestical beyond the shapes of men-dashed down from his momentary height, and despoiled both of his sorcery and his throne.

It was just in such a moment that Warner, starting up, saw Linden (who had silently entered his room) standing motionless before him.

"Oh, Linden!" said the artist, "I have had so superb a dream,—a dream which, though I have before snatched some such vision by fits and glimpses, I never beheld so realized, so perfect as now; and—but you shall see, you shall judge for yourself; I will sketch out the design for you;" and, with a piece of chalk and a rapid hand, Warner conveyed to Linden the outline of his conception. His young friend was eager in his praise and his predictions of renown, and Warner listened to him with a fondness which spread over his pale cheek a richer flush than lover ever caught from the whispers of his beloved.

"Yes," said he, as he rose, and his sunken and small eye flashed out with a feverish brightness, "yes, if my hand does not fail my thought, it shall rival even—" Here the young painter stopped short, abashed at that indiscretion of enthusiasm about to utter to another the hoarded vanities hitherto locked in his heart of hearts as a sealed secret, almost from himself.

"But come," said Clarence, affectionately, "your hand is feverish and dry, and of late you have seemed more languid than you were wont,—come, Warner, you want exercise: it is a beautiful evening, and you shall explain your picture still further to me as we walk."

Accustomed to yield to Clarence, Warner mechanically and abstractedly obeyed; they walked out into the open streets.

"Look around us," said Warner, pausing, "look among this toiling and busy and sordid mass of beings who claim with us the fellowship of clay. The poor labour; the rich feast: the only distinction between them is that of the insect and the brute; like them they fulfil the same end and share the same oblivion; they die, a new race springs up, and the very grass upon their graves fades not so soon as their memory. Who that is conscious of a higher nature would not pine and fret himself away to be confounded with these? Who would not burn and sicken and parch with a delirious longing to divorce himself from so vile a herd? What have their petty pleasures and their mean aims to atone for the abasement of grinding down our spirits to their level? Is not the distinction from their blended and common name a sufficient recompense for all that ambition suffers or foregoes? Oh, for one brief hour (I ask no more) of living honour, one feeling of conscious, unfearing certainty that Fame has conquered Death! and then for this humble and impotent clay, this drag on the spirit which it does not assist but fetter, this wretched machine of pains and aches, and feverish throbbings, and vexed inquietudes, why, let the worms consume it, and the grave hide—for Fame there is no grave."

At that moment one of those unfortunate women who earn their polluted sustenance by becoming the hypocrites of passions abruptly accosted them.

"Miserable wretch!" said Warner, loathingly, as he pushed her aside; but Clarence, with a kindlier feeling, noticed that her haggard cheek was wet with tears, and that her frame, weak and trembling, could scarcely support itself; he, therefore, with that promptitude of charity which gives ere it discriminates put some pecuniary assistance in her hand and joined his comrade.

"You would not have spoken so tauntingly to the poor girl had you remarked her distress," said Clarence.

"And why," said Warner, mournfully, "why be so cruel as to prolong, even for a few hours, an existence which mercy would only seek to bring nearer to the tomb? That unfortunate is but one of the herd, one of the victims to pleasures which debase by their progress and ruin by their end. Yet perhaps she is not worse than the usual followers of love,—of love, that passion the most worshipped, yet the least divine,—selfish and exacting,—drawing its aliment from destruction, and its very nature from tears."

"Nay," said Clarence, "you confound the two loves, the Eros and the Anteros; gods whom my good tutor was wont so sedulously to distinguish: you surely do not inveigh thus against all love?"

"I cry you mercy," said Warner, with something of sarcasm in his pensiveness of tone. "We must not dispute; so I will hold my peace: but make love all you will; what are the false smiles of a lip which a few years can blight as an autumn leaf? what the homage of a heart as feeble and mortal as your own? Why, I, with a few strokes of a little hair and an idle mixture of worthless colours, will create a beauty in whose mouth there shall be no hollowness, in whose lip there shall be no fading; there, in your admiration, you shall have no need of flattery and no fear of falsehood; you shall not be stung with jealousy nor maddened with treachery; nor watch with a breaking heart over the waning bloom, and departing health, till the grave open, and your perishable paradise is not. No: the mimic work is mightier than the original, for it outlasts it; your love cannot wither it, or your desertion destroy; your very death, as the being who called it into life, only stamps it with a holier value."

"And so then," said Clarence, "you would seriously relinquish, for the mute copy of the mere features, those affections which no painting can express?"

"Ay," said the painter, with an energy unusual to his quiet manner, and slightly wandering in his answer from Clarence's remark, "ay, one serves not two mistresses: mine is the glory of my art. Oh! what are the cold shapes of this tame earth, where the footsteps of the gods have vanished, and left no trace, the blemished forms, the debased brows, and the jarring features, to the glorious and gorgeous images which I can conjure up at my will? Away with human beauties, to him whose nights are haunted with the forms of angels and wanderers from the stars, the spirits of all things lovely and exalted in the universe: the universe as it was; when to fountain, and stream, and hill, and to every tree which the summer clothed, was allotted the vigil of a Nymph! when through glade, and by waterfall, at glossy noontide, or under the silver stars, the forms of Godhead and Spirit were seen to walk; when the sculptor modelled his mighty work from the beauty and strength of Heaven, and the poet lay in the shade to dream of the Naiad and the Faun, and the Olympian dwellers whom he walked in rapture to behold; and the painter, not as now, shaping from shadow and in solitude the dim glories of his heart, caught at once his inspiration from the glow of earth and its living wanderers, and, lo, the canvas breathed! Oh! what are the dull realities and the abortive offspring of this altered and humbled world—the world of meaner and dwarfish men—to him whose realms are peopled with visions like these?"

And the artist, whose ardour, long excited and pent within, had at last thus audibly, and to Clarence's astonishment, burst forth, paused, as if to recall himself from his wandering enthusiasm. Such moments of excitement were indeed rare with him, except when utterly alone, and even then, were almost invariably followed by that depression of spirit by which all over-wrought susceptibility is succeeded. A change came over his face, like that of a cloud when the sunbeam which gilded leaves it; and, with a slight sigh and a subdued tone, he resumed,—

"So, my friend, you see what our art can do even for the humblest professor, when I, a poor, friendless, patronless artist, can thus indulge myself by forgetting the present. But I have not yet explained to you the attitude of my principal figure;" and Warner proceeded once more to detail the particulars of his intended picture. It must be confessed that he had chosen a fine though an arduous subject: it was the Trial of Charles the First; and as the painter, with the enthusiasm of his profession and the eloquence peculiar to himself, dwelt upon the various expressions of the various forms which that extraordinary judgment-court afforded, no wonder that Clarence forgot, with the artist himself, the disadvantages Warner had to encounter in the inexperience of an unregulated taste and an imperfect professional education.



CHAPTER XIV.

All manners take a tincture from our own, Or come discoloured through our passions shown.—POPE.

What! give up liberty, property, and, as the Gazeteer says, lie down to be saddled with wooden shoes?—Vicar of Wakefield.

There was something in the melancholy and reflective character of Warner resembling that of Mordaunt; had they lived in these days perhaps both the artist and the philosopher had been poets. But (with regard to the latter) at that time poetry was not the customary vent for deep thought or passionate feeling. Gray, it is true, though unjustly condemned as artificial and meretricious in his style, had infused into the scanty works which he has bequeathed to immortality a pathos and a richness foreign to the literature of the age; and, subsequently, Goldsmith, in the affecting yet somewhat enervate simplicity of his verse, had obtained for Poetry a brief respite from a school at once declamatory and powerless, and led her forth for a "Sunshine Holiday" into the village green and under the hawthorn shade. But, though the softer and meeker feelings had struggled into a partial and occasional vent, those which partook more of passion and of thought, the deep, the wild, the fervid, were still without "the music of a voice." For the after century it was reserved to restore what we may be permitted to call the spirit of our national literature; to forsake the clinquant of the French mimickers of classic gold; to exchange a thrice-adulterated Hippocrene for the pure well of Shakspeare and of Nature; to clothe philosophy in the gorgeous and solemn majesty of appropriate music; and to invest passion with a language as burning as its thought and rapid as its impulse. At that time reflection found its natural channel in metaphysical inquiry or political speculation; both valuable, perhaps, but neither profound. It was a bold, and a free, and an inquisitive age, but not one in which thought ran over its set and stationary banks, and watered even the common flowers of verse: not one in which Lucretius could have embodied the dreams of Epicurus; Shakspeare lavished the mines of a superhuman wisdom upon his fairy palaces and enchanted isles; or the Beautifier [Wordsworth] of this common earth have called forth

"The motion of the spirit that impels All thinking things, all objects of all thought;"

or Disappointment and Satiety have hallowed their human griefs by a pathos wrought from whatever is magnificent and grand and lovely in the unknown universe; or the speculations of a great but visionary mind [Shelley] have raised, upon subtlety and doubt, a vast and irregular pile of verse, full of dim-lighted cells, and winding galleries, in which what treasures lie concealed! That was an age in which poetry took one path and contemplation another; those who were addicted to the latter pursued it in its orthodox roads; and many, whom Nature, perhaps intended for poets, the wizard Custom converted into speculators or critics.

It was this which gave to Algernon's studies their peculiar hue; while, on the other hand, the taste for the fine arts which then universally prevailed, directed to the creations of painting, rather than those of poetry, more really congenial to his powers, the intense imagination and passion for glory which marked and pervaded the character of the artist.

But as we have seen that that passion for glory made the great characteristic difference between Clarence and Warner, so also did that passion terminate any resemblance which Warner bore to Algernon Mordaunt. With the former a rank and unwholesome plant, it grew up to the exclusion of all else; with the latter, subdued and regulated, it sheltered, not withered, the virtues by which it was surrounded. With Warner, ambition was a passionate desire to separate himself by fame from the herd of other men; with Mordaunt, to bind himself by charity yet closer to his kind: with the one, it produced a disgust to his species; with the other, a pity and a love: with the one, power was the badge of distinction; with the other, the means to bless! But our story lingers.

It was now the custom of Warner to spend the whole day at his work, and wander out with Clarence, when the evening darkened, to snatch a brief respite of exercise and air. Often, along the lighted and populous streets, would the two young and unfriended competitors for this world's high places roam with the various crowd, moralizing as they went or holding dim conjecture upon their destinies to be. And often would they linger beneath the portico of some house where, "haunted with great resort," Pleasure and Pomp held their nightly revels, to listen to the music that, through the open windows, stole over the rare exotics with which wealth mimics the southern scents, and floated, mellowing by distance, along the unworthy streets; and while they stood together, silent and each feeding upon separate thoughts, the artist's pale lip would curl with scorn, as he heard the laugh and the sounds of a frivolous and hollow mirth ring from the crowd within, and startle the air from the silver spell which music had laid upon it. "These," would he say to Clarence, "these are the dupes of the same fever as ourselves: like us, they strive and toil and vex their little lives for a distinction from their race. Ambition comes to them, as to all: but they throw for a different prize than we do; theirs is the honour of a day, ours is immortality; yet they take the same labour and are consumed by the same care. And, fools that they are, with their gilded names and their gaudy trappings, they would shrink in disdain from that comparison with us which we, with a juster fastidiousness, blush at this moment to acknowledge."

From these scenes they would rove on, and, both delighting in contrast, enter some squalid and obscure quarter of the city. There, one night, quiet observers of their kind, they paused beside a group congregated together by some common cause of obscene merriment or unholy fellowship—a group on which low vice had set her sordid and hideous stamp—to gaze and draw strange humours or a motley moral from that depth and ferment of human nature into whose sink the thousand streams of civilization had poured their dregs and offal.

"You survey these," said the painter, marking each with the curious eye of his profession: "they are a base horde, it is true; but they have their thirst of fame, their aspirations even in the abyss of crime or the loathsomeness of famished want. Down in yon cellar, where a farthing rushlight glimmers upon haggard cheeks, distorted with the idiotcy of drink; there, in that foul attic, from whose casement you see the beggar's rags hang to dry, or rather to crumble in the reeking and filthy air; farther on, within those walls which, black and heavy as the hearts they hide, close our miserable prospect,—there, even there, in the mildewed dungeon, in the felon's cell, on the very scaffold's self, Ambition hugs her own hope or scowls upon her own despair. Yes! the inmates of those walls had their perilous game of honour, their 'hazard of the die,' in which vice was triumph and infamy success. We do but share their passion, though we direct it to a better object."

Pausing for a moment, as his thoughts flowed into a somewhat different channel of his character, Warner continued, "We have now caught a glimpse of the two great divisions of mankind; they who riot in palaces, and they who make mirth hideous in rags and hovels: own that it is but a poor survey in either. Can we be contemptible with these or loathsome with those? Or rather have we not a nobler spark within us, which we have but to fan into a flame that shall burn forever, when these miserable meteors sink into the corruption from which they rise?"

"But," observed Clarence, "these are the two extremes; the pinnacle of civilization, too worn and bare for any more noble and vigorous fruit, and the base upon which the cloud descends in rain and storm. Look to the central portion of society; there the soil is more genial, and its produce more rich."

"Is it so, in truth?" answered Warner; "pardon me, I believe not: the middling classes are as human as the rest. There is the region, the heart, of Avarice,—systematized, spreading, rotting, the very fungus and leprosy of social states; suspicion, craft, hypocrisy, servility to the great, oppression to the low, the waxlike mimicry of courtly vices, the hardness of flint to humble woes; thought, feeling, the faculties and impulses of man, all ulcered into one great canker, Gain,—these make the general character of the middling class, the unleavened mass of that mediocrity which it has been the wisdom of the shallow to applaud. Pah! we too are of this class, this potter's earth, this paltry mixture of mud and stone; but we, my friend, we will knead gold into our clay."

"But look," said Clarence, pointing to the group before them, "look, yon wretched mother, whose voice an instant ago uttered the coarsest accents of maudlin and intoxicated prostitution, is now fostering her infant, with a fondness stamped upon her worn cheek and hollow eye, which might shame the nice maternity of nobles; and there, too, yon wretch whom, in the reckless effrontery of hardened abandonment, we ourselves heard a few minutes since boast of his dexterity in theft, and openly exhibit its token,—look, he is now, with a Samaritan's own charity, giving the very goods for which his miserable life was risked to that attenuated and starving stripling! No, Warner, no! even this mass is not unleavened. The vilest infamy is not too deep for the Seraph Virtue to descend and illumine its abyss!"

"Out on the weak fools!" said the artist, bitterly: "it would be something, if they could be consistent even in crime!" and, placing his arm in Linden's, he drew him away.

As the picture grew beneath the painter's hand, Clarence was much struck with the outline and expression of countenance given to the regicide Bradshaw.

"They are but an imperfect copy of the living original from whom I have borrowed them," said Warner, in answer to Clarence's remark upon the sternness of the features. "But that original—a relation of mine, is coming here to-day: you shall see him."

While Warner was yet speaking, the person in question entered. His were, indeed, the form and face worthy to be seized by the painter. The peculiarity of his character made him affect a plainness of dress unusual to the day, and approaching to the simplicity, but not the neatness, of Quakerism. His hair—then, with all the better ranks, a principal object of cultivation—was wild, dishevelled, and, in wiry flakes of the sablest hue, rose abruptly from a forehead on which either thought or passion had written its annals with an iron pen; the lower part of the brow, which overhung the eye, was singularly sharp and prominent; while the lines, or rather furrows, traced under the eyes and nostrils, spoke somewhat of exhaustion and internal fatigue. But this expression was contrasted and contradicted by the firmly compressed lip; the lighted, steady, stern eye; the resolute and even stubborn front, joined to proportions strikingly athletic and a stature of uncommon height.

"Well, Wolfe," said the young painter to the person we have described, "it is indeed a kindness to give me a second sitting."

"Tusk, boy!" answered Wolfe, "all men have their vain points, and I own that I am not ill pleased that these rugged features should be assigned, even in fancy, to one of the noblest of those men who judged the mightiest cause in which a country was ever plaintiff, a tyrant criminal, and a world witness!" While Wolfe was yet speaking his countenance, so naturally harsh, took a yet sterner aspect, and the artist, by a happy touch, succeeded in transferring it to the canvas.

"But, after all," continued Wolfe, "it shames me to lend aid to an art frivolous in itself, and almost culpable in times when Freedom wants the head to design, and perhaps the hand to execute, far other and nobler works than the blazoning of her past deeds upon perishable canvas."

A momentary anger at the slight put upon his art crossed the pale brow of the artist; but he remembered the character of the man and continued his work in silence. "You consider then, sir, that these are times in which liberty is attacked?" said Clarence.

"Attacked!" repeated Wolfe,—"attacked!" and then suddenly sinking his voice into a sort of sneer, "why, since the event which this painting is designed to commemorate, I know not if we have ever had one solitary gleam of liberty break along the great chaos of jarring prejudice and barbarous law which we term forsooth a glorious constitution. Liberty attacked! no, boy; but it is a time when liberty may be gained."

Perfectly unacquainted with the excited politics of the day, or the growing and mighty spirit which then stirred through the minds of men, Clarence remained silent; but his evident attention flattered the fierce republican, and he proceeded.

"Ay," he said slowly, and as if drinking in a deep and stern joy from his conviction in the truth of the words he uttered,—"ay, I have wandered over the face of the earth, and I have warmed my soul at the fires which lay hidden under its quiet surface; I have been in the city and the desert,—the herded and banded crimes of the Old World, and the scattered but bold hearts which are found among the savannahs of the New; and in either I have beheld that seed sown which, from a mustard grain, too scanty for a bird's beak, shall grow up to be a shelter and a home for the whole family of man. I have looked upon the thrones of kings, and lo, the anointed ones were in purple and festive pomp; and I looked beneath the thrones, and I saw Want and Hunger, and despairing Wrath gnawing the foundations away. I have stood in the streets of that great city where Mirth seems to hold an eternal jubilee, and beheld the noble riot while the peasant starved; and the priest built altars to Mammon, piled from the earnings of groaning Labour and cemented with blood and tears. But I looked farther, and saw, in the rear, chains sharpened into swords, misery ripening into justice, and famine darkening into revenge; and I laughed as I beheld, for I knew that the day of the oppressed was at hand."

Somewhat awed by the prophetic tone, though revolted by what seemed to him the novelty and the fierceness of the sentiments of the republican, Clarence, after a brief pause, said,—

"And what of our own country?"

Wolfe's brow darkened. "The oppression here," said he, "has not been so weighty, therefore the reaction will be less strong; the parties are more blended, therefore their separation will be more arduous; the extortion is less strained, therefore the endurance will be more meek; but, soon or late, the struggle must come: bloody will it be, if the strife be even; gentle and lasting, if the people predominate."

"And if the rulers be the strongest?" said Clarence.

"The struggle will be renewed," replied Wolfe, doggedly.

"You still attend those oratorical meetings, cousin, I think?" said Warner.

"I do," said Wolfe; "and if you are not so utterly absorbed in your vain and idle art as to be indifferent to all things nobler, you will learn yourself to take interest in what concerns—I will not say your country, but mankind. For you, young man" (and the republican turned to Clarence), "I would fain hope that life has not already been diverted from the greatest of human objects; if so, come to-morrow night to our assembly, and learn from worthier lips than mine the precepts and the hopes for which good men live or die."

"I will come at all events to listen, if not to learn," said Clarence, eagerly, for his curiosity was excited. And the republican, having now fulfilled the end of his visit, rose and departed.



CHAPTER XV.

Bound to suffer persecution And martyrdom with resolution, T'oppose himself against the hate And vengeance of the incensed state.—Hudibras.

Born of respectable though not wealthy parents, John Wolfe was one of those fiery and daring spirits which, previous to some mighty revolution, Fate seems to scatter over various parts of the earth, even those removed from the predestined explosion,—heralds of the events in which they are fitted though not fated to be actors. The period at which he is presented to the reader was one considerably prior to that French Revolution so much debated and so little understood. But some such event, though not foreseen by the common, had been already foreboded by the more enlightened, eye; and Wolfe, from a protracted residence in France among the most discontented of its freer spirits, had brought hope to that burning enthusiasm which had long made the pervading passion of his existence.

Bold to ferocity, generous in devotion to folly in self-sacrifice, unflinching in his tenets to a degree which rendered their ardour ineffectual to all times, because utterly inapplicable to the present, Wolfe was one of those zealots whose very virtues have the semblance of vice, and whose very capacities for danger become harmless from the rashness of their excess.

It was not among the philosophers and reasoners of France that Wolfe had drawn strength to his opinions: whatever such companions might have done to his tenets, they would at least have moderated his actions. The philosopher may aid or expedite a change; but never does the philosopher in any age or of any sect countenance a crime. But of philosophers Wolfe knew little, and probably despised them for their temperance: it was among fanatics—ignorant, but imaginative—that he had strengthened the love without comprehending the nature of republicanism. Like Lucian's painter, whose flattery portrayed the one-eyed prince in profile, he viewed only that side of the question in which there was no defect, and gave beauty to the whole by concealing the half. Thus, though on his return to England herding with the common class of his reforming brethren, Wolfe possessed many peculiarities and distinctions of character which, in rendering him strikingly adapted to the purpose of the novelist, must serve as a caution to the reader not to judge of the class by the individual.

With a class of Republicans in England there was a strong tendency to support their cause by reasoning. With Wolfe, whose mind was little wedded to logic, all was the offspring of turbulent feelings, which, in rejecting argument, substituted declamation for syllogism. This effected a powerful and irreconcilable distinction between Wolfe and the better part of his comrades; for the habits of cool reasoning, whether true or false, are little likely to bias the mind towards those crimes to which Wolfe's unregulated emotions might possibly urge him, and give to the characters to which they are a sort of common denominator something of method and much of similarity. But the feelings—those orators which allow no calculation and baffle the tameness of comparison—rendered Wolfe alone, unique, eccentric in opinion or action, whether of vice or virtue.

Private ties frequently moderate the ardour of our public enthusiasm. Wolfe had none. His nearest relation was Warner, and it may readily be supposed that with the pensive and contemplative artist he had very little in common. He had never married, nor had ever seemed to wander from his stern and sterile path, in the most transient pursuit of the pleasures of sense. Inflexibly honest, rigidly austere,—in his moral character his bitterest enemies could detect no flaw,—poor, even to indigence, he had invariably refused all overtures of the government; thrice imprisoned and heavily fined for his doctrines, no fear of a future, no remembrance of the past punishment could ever silence his bitter eloquence or moderate the passion of his distempered zeal; kindly, though rude, his scanty means were ever shared by the less honest and disinterested followers of his faith; and he had been known for days to deprive himself of food, and for nights of shelter, for the purpose of yielding food and shelter to another.