Under the Restoration he had made the most of his former condition of page to the Emperor. He attributed to his pretended Bonapartist opinions the rebuffs he met with from the different ministers when he asked for an office under the Bourbons; for, in spite of his connections, his birth, and his dangerous aptitudes, he never obtained anything. After the failure of these attempts he entered the secret cabal which led in time to the fall of the Elder branch.

When the Younger branch, preceded by the Parisian populace, had trodden down the Elder branch and was seated on the throne, Maxime reproduced his attachment to Napoleon, for whom he cared as much as for his first love. He then did great services to the newcomers, who soon found the payment for them onerous; for Maxime too often demanded payment of men who knew how to reckon those services. At the first refusal, Maxime assumed at once an attitude of hostility, threatening to reveal unpleasant details; for budding dynasties, like infants, have much soiled linen. De Marsay, during his ministry, repaired the mistake of his predecessors, who had ignored the utility of this man. He gave him those secret missions which require a conscience made malleable by the hammer of necessity, an adroitness which recoils before no methods, impudence, and, above all, the self-possession, the coolness, the embracing glance which constitute the hired bravi of thought and statesmanship. Such instruments are both rare and necessary.

As a matter of calculation, de Marsay maintained Comte Maxime de Trailles in the highest society; he described him as a man ripened by passions, taught by experience, who knew men and things, to whom travel and a certain faculty for observation had imparted an understanding of European interests, of foreign cabinets, and of all the ramifications of the great continental families. De Marsay convinced Maxime of the necessity of doing himself credit; he taught him discretion, less as a virtue than a speculation; he proved to him that the governing powers would never abandon a solid, safe, elegant, and polished instrument.

"In politics," he said, blaming Maxime for having uttered a threat, "we should never blackmail but once."

Maxime was a man who could sound the depths of that saying.

De Marsay dead, Comte Maxime de Trailles had fallen back into his former state of existence. He went to the baths every year and gambled; he returned to Paris for the winter; but, though he received some large sums from the depths of certain niggardly coffers, that sort of half-pay to a daring man kept for use at any moment and possessing many secrets of the art of diplomacy, was insufficient for the dissipations of a life as splendid as that of the king of dandies, the tyrant of several Parisian clubs. Consequently Comte Maxime was often uneasy about matters financial. Possessing no property, he had never been able to consolidate his position by being made a deputy; also, having no ostensible functions, it was impossible for him to hold a knife at the throat of any minister to compel his nomination as peer of France. At the present moment he saw that Time was getting the better of him; for his lavish dissipations were beginning to wear upon his person, as they had already worn out his divers fortunes. In spite of his splendid exterior, he knew himself, and could not be deceived about that self. He intended to "make an end"—to marry.

A man of acute mind, he was under no illusion as to the apparent consideration in which he was held; he well knew it was false. No women were truly on his side, either in the great world of Paris or among the bourgeoisie. Much secret malignity, much apparent good-humor, and many services rendered were necessary to maintain him in his present position; for every one desired his fall, and a run of ill-luck might at any time ruin him. Once sent to Clichy or forced to leave the country by notes no longer renewable, he would sink into the gulf where so many political carcasses may be seen,—carcasses of men who find no consolation in one another's company. Even this very evening he was in dread of a collapse of that threatening arch which debt erects over the head of many a Parisian. He had allowed his anxieties to appear upon his face; he had refused to play cards at Madame d'Espard's; he had talked with the women in an absent-minded manner, and finally he had sunk down silent and absorbed in the arm-chair from which he had just risen like Banquo's ghost.

Comte Maxime de Trailles now found himself the object of all glances, direct and indirect, standing as he did before the fireplace and illumined by the cross-lights of two candelabra. The few words said about him compelled him, in a way, to bear himself proudly; and he did so, like a man of sense, without arrogance, and yet with the intention of showing himself to be above suspicion. A painter could scarcely have found a better moment in which to seize the portrait of a man who, in his way, was truly extraordinary. Does it not require rare faculties to play such a part,—to enable one through thirty years to seduce women; to constrain one to employ great gifts in an underhand sphere only,—inciting a people to rebel, tracking the secrets of austere politicians, and triumphing nowhere but in boudoirs and on the back-stairs of cabinets?

Is there not something, difficult to say what, of greatness in being able to rise to the highest calculations of statesmen and then to fall coldly back into the void of a frivolous life? Where is the man of iron who can withstand the alternating luck of gambling, the rapid missions of diplomacy, the warfare of fashion and society, the dissipations of gallantry,—the man who makes his memory a library of lies and craft, who envelops such diverse thoughts, such conflicting manoeuvres, in one impenetrable cloak of perfect manners? If the wind of favor had blown steadily upon those sails forever set, if the luck of circumstances had attended Maxime, he could have been Mazarin, the Marechal de Richelieu, Potemkin, or—perhaps more truly—Lauzun, without Pignerol.

The count, though rather tall and constitutionally slender, had of late acquired some protuberance of stomach, but he "restrained it to the majestic," as Brillat-Savarin once said. His clothes were always so well made, that he kept about his whole person an air of youth, something active and agile, due no doubt to his habits of exercise,—fencing, riding, and hunting. Maxime possessed all the physical graces and elegances of aristocracy, still further increased by his personally superior bearing. His long, Bourbonine face was framed by whiskers and a beard, carefully kept, elegantly cut, and black as jet. This color, the same as that of his abundant hair, he now obtained by an Indian cosmetic, very costly and used in Persia, the secret of which he kept to himself. He deceived the most practised eye as to the white threads which for some time past had invaded his hair. The remarkable property of this dye, used by Persians for their beards only, is that it does not render the features hard; it can be shaded by indigo to harmonize well with the individual character of the skin. It was this operation that Madame Mollot may have seen,—though people in Arcis, by way of a jest, still ask themselves what it was that Madame Mollot saw.

Maxime had a very handsome forehead, blue eyes, a Greek nose, a pleasant mouth, and a well-cut chin; but the circle of his eyes was now marked with numberless lines, so fine that they might have been traced by a razor and not visible at a little distance. His temples had similar lines. The face was also slightly wrinkled. His eyes, like those of gamblers who have sat up innumerable nights, were covered with a glaze, but the glance, though it was thus weakened, was none the less terrible,—in fact, it terrified; a hidden heat was felt beneath it, a lava of passions not yet extinct. The mouth, once so fresh and rosy, now had colder tints; it was straight no longer, but inclined to the right,—a sinuosity that seemed to indicate falsehood. Vice had twisted the lips, but the teeth were white and handsome.

These blemishes disappeared on a general view of his face and person. His figure was so attractive that no young man could compete with Maxime when on horseback in the Bois, where he seemed younger and more graceful than the youngest and most graceful among them. The privilege of eternal youth has been possessed by several men in our day.

The count was all the more dangerous because he seemed to be easy and indolent, never showing the iron determination which he had about all things. This apparent indifference, which enabled him to abet a popular sedition for the purpose of strengthening the authority of a prince with as much ability as he would have bestowed upon a court intrigue, had a certain grace. People never distrust calmness and uniformity of manner, especially in France, where we are accustomed to a great deal of movement and stir about the smallest things.

The count, who was dressed in the fashion of 1839, wore a black coat, a cashmere waistcoat of dark blue embroidered with tiny flowers of a lighter blue, black trousers, gray silk stockings, and varnished leather shoes. His watch, placed in one of his waistcoat pockets, was fastened by an elegant chain to a button-hole.

"Rastignac," he said, accepting the cup of tea which the pretty Madame de Rastignac offered him, "will you come with me to the Austrian ambassador's?"

"My dear fellow, I am too recently married not to go home with my wife."

"That means that later—" said the young countess, turning round and looking at her husband.

"Later is the end of the world," replied Maxime. "But I shall certainly win my cause if I take Madame for a judge."

With a charming gesture, the count invited the pretty countess to come nearer to him. After listening a few moments and looking at her mother, she said to Rastignac:—

"If you want to go to the embassy with Monsieur de Trailles, mamma will take me home."

A few moments later the Baronne de Nucingen and the Comtesse de Rastignac went away together. Maxime and Rastignac followed a little later, and when they were both seated in the count's carriage, the latter said:—

"What do you want of me, Maxime? Why do you take me by the throat in this way? What did you say to my wife?"

"I told her I had something to say to you. You are a lucky fellow, you are! You have ended by marrying the only heiress of the Nucingen millions—after twenty years at hard labor."

"Maxime!"

"But I! here am I, exposed to the doubts of everybody. A miserable coward like du Tillet dares to ask if I have the courage to kill myself! It is high time for me to settle down. Does the ministry want to get rid of me, or does it not? You ought to know. At any rate, you must find out," continued Maxime, making a gesture with his hand to silence Rastignac. "Here is my plan: listen to it. You ought to serve me, for I have served you, and can serve you again. The life I live now is intolerable; I want an escape from it. Help me to a marriage which shall bring me half a million. Once married, appoint me minister to some wretched little republic in America. I'll stay there long enough to make my promotion to the same post in Germany legitimate. If I am worth anything, they will soon take me out of it; if I am not worth anything, they can dismiss me. Perhaps I may have a child. If so, I shall be stern with him; his mother will be rich; I'll make him a minister, perhaps an ambassador."

"Here is my answer," said Rastignac. "An incessant battle is going on—greater than common people who are not in it have any idea of—between power in its swaddling-clothes and power in its childhood. Power in swaddling-clothes is the Chamber of Deputies which, not being restrained by an hereditary chamber—"

"Ha! ha!" said Maxime, "you are now a peer of France."

"I should say the same if I were not," said the new peer. "But don't interrupt me; you are concerned in all this. The Chamber of Deputies is fated to become the whole government, as de Marsay used to tell us (the only man by whom France could have been saved), for peoples don't die; they are slaves or free men, and that's all. Child-power is the royalty that was crowned in August, 1830. The present ministry is beaten; it dissolves the Chamber and brings on a general election in order to prevent the coming ministry from calling one; but it does not expect a victory. If it were victorious in these elections, the dynasty would be in danger; whereas, if the ministry is beaten, the dynastic party can fight to advantage for a long time. The mistakes of the Chamber will turn to the profit of a will which wants, unfortunately, to be the whole political power. When a ruler is that whole, as Napoleon was, there comes a moment when he must supplement himself; and having by that time alienated superior men, he, the great single will, can find no assistant. That assistant ought to be what is called a cabinet; but there is no cabinet in France, there is only a Will with a life lease. In France it is the government that is blamed, the opposition never; it may lose as many battles as it fights, but, like the allies in 1814, one victory suffices. With 'three glorious days' it overturned and destroyed everything. Therefore, if we are heirs of power, we must cease to govern, and wait. I belong by my personal opinions to the aristocracy, and by my public opinions to the royalty of July. The house of Orleans served me to raise the fortunes of my family, and I shall ever remain attached to it."

"The 'ever' of Monsieur de Talleyrand, be it understood," put in Maxime.

"At this moment I can't do anything for you," continued Rastignac. "We shall not be in power more than six months longer. Yes, those six months will be our last dying agony, I know that; but we know what we were when we formed ourselves, a stop-gap ministry and that was all. But you can distinguish yourself in the electoral battle that is soon to be fought. If you can bring one vote to the Chamber, a deputy faithful to the dynastic cause, you will find your wishes gratified. I will speak of your good services, and I will keep my eye on the reports of our confidential agents; I may find you some difficult task in which you can distinguish yourself. If you succeed, I can insist upon your talents, your devotion, and claim your reward. Your marriage, my dear fellow, can be made only in some ambitious provincial family of tradespeople or manufacturers. In Paris you are too well known. We must therefore look out for a millionaire parvenu, endowed with a daughter, and possessed with a desire to parade himself and his family at the Chateau des Tuileries."

"Make your father-in-law lend me twenty-five thousand francs to enable me to wait as long as that; he will then have an interest in seeing that I am not paid in holy-water if I succeed; he will further a rich marriage for his own sake."

"You are wily, Maxime, and you distrust me. But I like able men, and I will attend to your affair."

They reached the Austrian embassy. The Comte de Rastignac saw the minister of the interior in one of the salons and went to talk with him in a corner. Comte Maxime de Trailles, meantime, was apparently engrossed by the old Comtesse de Listomere, but he was, in reality, following the course of the conversation between the two peers of France; he watched their gestures, interpreted their looks, and ended by catching a favorable glance cast upon him by the minister.

Maxime and Rastignac left the embassy together about one in the morning, and before getting into their respective carriages, Rastignac said to Maxime on the steps of the portico: "Come and see me just before the elections. Between now and then I shall know in what locality the chances of the ministry are worst, and what resources two heads like yours and mine can find there."

"But my twenty-five thousand francs are needed," replied de Trailles.

"Well, you must hide yourself, that's all."

Fifty days later, one morning before dawn, the Comte de Trailles went to the rue de Varennes, mysteriously in a hired cab. At the gate of the ministry of Public Works, he sent the cab away, looked about him to see that he was not watched, and then waited in a little salon on the first floor until Rastignac should awake. A few moments later the valet who had taken in his card ushered Maxime into the minister's bed-chamber, where that statesman was making his morning toilet.

"My dear Maxime," said the latter, "I can tell you a secret which will be in the newspapers two days hence, and which, meantime, you can turn to your own profit. That poor Charles Keller, who danced the mazurka so well, as been killed in Africa. His death leaves a vacancy; he was our candidate in the arrondissement of Arcis. Here is a copy of two reports, one from the sub-prefect, the other from the commissary of police, informing the ministry that the election of the poor fellow would meet with opposition. In that of the commissary of police you will find some information about the state of the town which ought to be useful to a man of your shrewdness; it seems that the ambition of the rival candidate comes chiefly from his desire to marry a certain heiress. To one of your calibre that word is enough. The Cinq-Cygnes, the Princesse de Cadignan, and Georges de Maufrigneuse are living at Cinq-Cygne, close to Arcis; you can certainly obtain through them all the Legitimist votes, therefore—"

"Don't waste your breath," said Maxime. "Is the commissary still there?"

"Yes."

"Give me a letter to him."

"My dear fellow," replied Rastignac, giving Maxime quite a bundle of papers, "you will find there two letters written to Gondreville for you. You have been a page and he has been a senator; you can't fail therefore to understand each other. Madame Francois Keller is pious; here is a letter introducing you to her from the Marechale de Carigliano. The marechale has become dynastic; she recommends you warmly, and may go down herself. I will only add one word: Distrust the sub-prefect, whom I think capable of working this candidate, this Simon Giguet, into a support for himself with the president of the council. If you want letters, powers, credentials, write to me."

"And those twenty-five thousand francs?" said Maxime.

"Sign this note to the order of du Tillet, and here's the money."

"I shall succeed," said the count, "and you may tell the king that the deputy of Arcis shall belong to him body and soul. If I fail, I give you leave to abandon me."

An hour later Maxime de Trailles was in his tilbury on the road to Arcis.



XIII. PREFACE BEFORE LETTERING

Once in possession of the information furnished by the landlady of the Mulet and by the sub-prefect Antonin Goulard, Monsieur de Trailles had soon arranged his plan of electoral operations, and this plan evinces itself so readily that the reader must already have perceived it.

To the candidacy of Simon Giguet, the wily agent of the government policy suddenly and abruptly opposed that of Phileas Beauvisage; and in spite of the nullity and unfitness of that individual this new combination, we must admit, had several incontestable chances of success. In the light of his municipal halo Beauvisage had one enormous advantage with the mass of indifferent voters; as mayor of the town his name was known to them. Logic has much more to do with the conducting of matters and things here below than it seems to have; it is like a woman to whom, after many infidelities, we still return. What common-sense prescribes is that voters called upon to choose their representative in public matters should be thoroughly informed as to his capacity, his honesty, and his general character. Too often, in practice, unfortunate twists are given to this principle; but whenever the electoral sheep, left to their own instincts, can persuade themselves that they are voting from their own intelligence and their own lights, we may be certain to see them following that line eagerly and with a sentiment of self-love. Now to know a man's name, electorally speaking, is a good beginning toward a knowledge of the man himself.

Passing from indifferent to interested electors, we may be sure that Phileas was certain of rallying to himself the Gondreville party, now deprived by death of their own candidate. The question for them was to punish the presumption of Simon Giguet, and any candidate would be acceptable to the viceroy of Arcis. The mere nomination of a man against his grandson was a flagrant act of hostility and ingratitude, and a check to the count's provincial importance which must be removed and punished at any cost.

Still, when the first news of his electoral ambition reached his father-in-law, Beauvisage was met by an astonishment little flattering to his feelings and not encouraging. The old notary had gauged his son-in-law once for all, and to his just and upright mind the idea of Phileas as a public man produced in its way the disagreeable effect that discordant instruments produce upon the ear. If it be true that no man is a prophet in his own country, he is often even less so in his own family. Still, the first impression once passed, Grevin would doubtless acclimatize himself to the idea of an expedient which would chime in with the plans he had already made for Severine's future. Besides, for the safety of Gondreville's interests, so seriously threatened, what sacrifice of his own opinion would the old notary not have made?

With the legitimist and the republican parties who could have no weight in the election, except that of increasing a majority, the candidacy of Beauvisage had a singular recommendation,—namely, his utter incapacity. Conscious of not possessing sufficient strength to elect a deputy of their own, the two extremes of the antidynastic opposition seized, almost with ardor, the opportunity to stick a thorn in the side in what they called "the present order of things," and it might confidently be expected that in this frame of mind they would joyfully and with all their hearts support a candidate so supremely ridiculous that a large slice of the ridicule must fall upon the government which supported him.

Moreover, in the opinions of the Left-Centre which had provisionally adopted Simon Giguet as its candidate, this move of Beauvisage was likely to produce a serious split; for he too had declared himself a man of the dynastic opposition, and, until further orders, Monsieur de Trailles (though all the while assuring him of the support of the ministry) encouraged his retaining that political tint, which was clearly the most popular in that region. But whatever baggage of political convictions the incorruptible deputy of Arcis might bring with him to Paris, his horoscope was drawn: it was very certain that after his first appearance in the salons of the Tuileries an august seduction would make a henchman of him, if ministerial blandishments had not already produced that result.

The public side of this matter being thus well-planned and provided for, the ministerial agent could turn his attention to the personal aspect of the question, namely, that of turning the stuff he was making into a deputy to the still further use of being made into a father-in-law.

First point, the dot; second point, the daughter; and both appeared to suit him. The first did not dazzle him; but as to the second, he did not conceal from himself the imperfections of a provincial education which he should have to unmake, but this was no serious objection to his sapient conjugal pedagogy.

Madame Beauvisage, when the matter was laid before her, swept her husband into it at a single bound. Maxime recognized her for an ambitious woman who, in spite of her forty-four years, still had the air of being conscious of a heart. Hence he saw that the game had better begin with a false attack on her to fall back later on the daughter. How far these advanced works could be pushed, circumstances would show. In either case, Maxime was well aware that his title, his reputation as a man of the world, and his masterly power of initiating them into the difficult and elegant mysteries of Parisian society were powerful reasons to bind the two women to him, not to speak of their gratitude for the political success of Monsieur Beauvisage of which he was the author.

But however all this might be, his matrimonial campaign offered one very serious difficulty. The consent of old Grevin would have to be obtained, and he was not a man to allow Cecile to be married without investigating to its depths the whole past of a suitor. This inquiry made, was it not to be feared that the thirty years' stormy biography of a roue would seem to the cautious old man a poor security for the future?

However, the species of governmental mission with which Monsieur de Trailles appeared in Arcis might seem to be an offset and even a condonation that would neutralize the effect of such disclosures. By getting the Comte de Gondreville to confide the news of that mission to old Grevin before it was publicly made known, he had flattered the old man's vanity and obtained a certain foothold in his mind. Moreover, he determined, when the time came, to forestall the old notary's distrust by seeming to distrust himself, and to propose, as a precaution against his old habits of extravagance, to introduce a clause into the marriage-contract providing for the separation of property and settling the wife's fortune upon herself. In this way he gave security against any return to his old habits of prodigality. As for himself, it was his affair to obtain such empire over his wife by the power of sentiment that he could recover practically the marital power of which the contract dispossessed him.

At first nothing occurred to contradict the wisdom and clearsightedness of all these intentions. The Beauvisage candidacy being made public took fire like a train of gunpowder, and Monsieur de Trailles was able to feel such assurance of the success of his efforts that he wrote to Rastignac informing him of the fortunate and highly successful progress of his mission.

But, all of a sudden, in face of the triumphant Beauvisage rose another candidate; and, be it said in passing for the sake of our history, this rivalry presented itself under such exceptional and unforeseen circumstances that it changed what might have been a trivial electoral struggle into a drama possessing wider and more varied interests.

The man who now appears in this narrative will play so considerable a part in it that it seems necessary to install him, as it were, by means of retrospective and somewhat lengthy explanations. But to suspend the course of the narrative for this purpose would be to fly in the face of every rule of art and expose the present pious guardian of literary orthodoxy to the wrath of critics. In presence of this difficulty, the author would find himself greatly embarrassed, if his lucky star had not placed in his hands a correspondence in which, with a vim and animation that he himself could never have imparted to them, all the details that are essential to a full explanation will be found related.

These letters must be read with attention. They bring upon the scene many persons already well-known in the Comedy of Human Life, and they reveal a vast number of facts necessary to the understanding and development of the present drama. Their statements made, and brought to the point where we now seem to abandon our narrative, the course of that narrative will, without concussion and quite naturally, resume its course; and we like to persuade ourselves that, by thus introducing this series of letters, the unity of our tale, which seemed for a moment in danger, will be maintained.



PART II. LETTERS EXPLANATORY



I. THE COMTE DE L'ESTORADE TO MONSIEUR MARIE-GASTON

[See "The Memoirs of Two Young Married Women."]

Dear Monsieur,—In accordance with your desire I have seen the prefect of police, in order to ascertain if the pious intention of which you wrote me in your letter, dated from Carrara, would meet with opposition from the authorities.

The prefect informed me that the imperial decree of the 23rd Prairial, year XII., by which the whole system of burials is still regulated, establishes, in the most unequivocal manner, the right of all persons to be interred on their own property. You have only to obtain a permit from the prefecture of the Seine-et-Oise, and then, without further formality, you can remove the remains of Madame Marie-Gaston to the mausoleum you propose to erect in your park at Ville d'Avray.

But I shall venture myself to offer an objection. Are you quite sure that you will not expose yourself to certain difficulties made by the Chaulieus, with whom you are not on the best of terms?

Will they not, to a certain extent, be justified in complaining that the removal from a public cemetery to private grounds of the body of one who is dear to them as well as to you, would make their visits to her grave entirely dependent on your good will and pleasure? For of course, and this is evident, you will always have the right to forbid their entrance to your property.

I know that, legally, the body of the wife, living or dead, belongs to the husband, to the exclusion of her relations, even the nearest; but, under the influence of the ill-will of which they have already given you proof, the relations of Madame Marie-Gaston might have the distressing idea of carrying the matter into court, and if so, how painful to you! You would gain the suit, no doubt, for the Duc de Chaulieu's influence is not what it was under the Restoration; but have you reflected on the venom which the speech of a lawyer might shed upon such a question? and remember that he will speak as the echo of honorable affections—those of a father, mother, and two brothers asking not to be deprived of the sad happiness of praying at the grave of their lost one.

If you will let me express my thought, it is not without keen regret that I see you engaged in creating fresh nourishment for your grief, already so long inconsolable. We had hoped that, after passing two years in Italy, you would return to us more resigned, and able to take up an active life which might distract your mind. Evidently, this species of temple which you propose, in the fervor of your recollections, to erect in a spot where they are, alas! already too numerous, can only serve to perpetuate their bitterness; and I cannot approve the revival you are proposing to make of them.

Nevertheless, as we should always serve a friend according to his wishes, not our own, I have done your commission relating to Monsieur Dorlange, the sculptor, but I must tell you frankly that he showed no eagerness to enter into your wishes. His first remark, when I announced myself as coming from you, was that he did not know you; and this reply, singular as it may seem to you, was made so naturally that at first I thought there must be some mistake, the result, possibly, of confusion of name. However, before long your oblivious friend was willing to agree that he studied with you at the college of Tours and also that hew as the same Monsieur Dorlange who, in 1831 and under quite exceptional circumstances, carried off the grand prize for sculpture. No doubt remained in my mind as to his identity. I attributed his want of memory to the long interruption (of which you yourself told me) in your intercourse. I think that that interruption wounded him more than you are aware, and when he seemed to have forgotten your very name, it was simply a revenge he could not help taking when the occasion offered.

But that was not the real obstacle. Remembering the fraternal intimacy that once existed between Monsieur Dorlange and yourself, I could not suppose his wounded feelings inexorable. So, after explaining to him the nature of the work you wanted him to do, I was about to say a few words as to the grievance he might have against you, when I suddenly found myself face to face with an obstacle of a most unexpected nature.

"Monsieur," he said to me, "the importance of the order you wish to give me, the assurance that no expense should be spared for the grandeur and perfection of the work, the invitation you convey to me to go to Carrara and choose the marble and see it excavated, all that is truly a great piece of good fortune for an artist, and at any other time I should gladly have accepted it. But at the present moment, without having actually decided to abandon the career of Art, I am on the point of entering that of politics. My friends urge me to present myself at the coming elections, and you will easily see that, if elected, my parliamentary duties and my initiation into an absolutely new life would, for a long time at least, preclude my entering with sufficient absorption of mind into the work you propose to me." And then, after a pause, he added; "I should have to satisfy a great grief which seeks consolation from this projected mausoleum. Such grief would, naturally, be impatient; whereas I should be slow, preoccupied in mind, and probably hindered. It is therefore better that the proposal should be made elsewhere; but this will not prevent me from feeling, as I ought, both gratified and honored by the confidence shown in me."

I thought for a moment of asking him whether, in case his election failed, I could then renew the proposal, but on the whole I contented myself with expressing regret and saying that I would inform you of the result of my mission. It is useless to add that I shall know in a few days the upshot of this sudden parliamentary ambition which has, so inopportunely, started up in your way.

I think myself that this candidacy may be only a blind. Had you not better write yourself to Monsieur Dorlange? for his whole manner, though perfectly polite and proper, seemed to show a keen remembrance of the wrong you did him in renouncing his friendship, with that of your other friends, at the time of your marriage. I know it may cost you some pain to explain the really exceptional circumstances of your marriage; but after what I have seen in the mind of your old friend, I think, if you really wish for the assistance of his great talent, you should personally take some steps to obtain it.

But if you feel that any such action is more than you have strength for, I suggest another means. In all matters in which my wife has taken part I have found her a most able negotiator; and in this particular case I should feel the utmost confidence in her intervention. She herself suffered from the exclusiveness of Madame Marie-Gaston's love for you. No one can explain to him better than she the absorbing conjugal life which drew its folds so closely around you. And it seems to me that the magnanimity and comprehension which she always showed to her "dear lost treasure," as she calls her, might be conveyed by her to your friend.

You have plenty of time to think over this suggestion, for Madame de l'Estorade is, just now, still suffering from a serious illness, brought on by maternal terror. A week ago our little Nais came near being crushed to death before her eyes; and without the courageous assistance of a stranger who sprang to the horses' heads and stopped them short, God knows what dreadful misfortune would have overtaken us. This cruel emotion produced in Madame de l'Estorade a nervous condition which seriously alarmed us for a time. Though she is now much better, it will be several days before she could see Monsieur Dorlange in case her feminine mediation may seem to you desirable.

But once more, in closing, my dear Monsieur Gaston, would it not be better to abandon your idea? A vast expense, a painful quarrel with the Chaulieus, and, for you, a renewal of your bitter sorrow—this is what I fear. Nevertheless, I am, at all times and for all things, entirely at your orders, as indeed my sentiments of esteem and gratitude command.



II. THE COMTESSE DE L'ESTORADE TO MADAME OCTAVE DE CAMPS

Paris, February, 1839.

Dear Madame de Camps,—Of all the proofs of sympathy which the accident to my dear child has brought me, not one has touched me so much as your excellent letter.

In reply to your affectionate solicitude I must tell you that in that terrible moment Nais was marvellously calm and self-possessed. It could not, I think, be possible to see death nearer; yet neither before nor after the accident did my valiant little daughter even blench; her whole behavior showed the utmost resolution, and, thank God! her health has not suffered for a moment.

As for me, in consequence of such terror, I was seized with convulsive spasms, and for several days, as I now hear, the doctors were very uneasy, and even feared for my reason. But thanks to the strength of my constitution, I am now almost myself again, and nothing would remain of this cruel agitation if, by a singular fatality, it were not connected with another unpleasant circumstance which has lately seen fit to fasten upon my life.

Before receiving from your letter these fresh assurances of your regard, I had thought of invoking the help of your friendship and advice; and to-day, when you tell me that it would make you happy and proud to take the place of my poor Louise de Chaulieu, the precious friend of whom death has deprived me, can I hesitate for a moment?

I take you at your word, and that delightful cleverness with which you foiled the fools who commented on your marriage to Monsieur de Camps [see "Madame Firmiani"], that singular tact with which we saw you steer your way through circumstances that were full of embarrassment and danger, in short the wonderful art which enabled you to keep both your secret and your dignity, I now ask you to put to the service of assisting me in the dilemma I mentioned just now.

Unfortunately in consulting a physician we naturally want to see him and tell him our symptoms viva voce, and it is here that Monsieur de Camps with his industrial genius seems to me most aggravating. Thanks to those villanous iron-works which he has taken it into his head to purchase, you are almost lost to Paris and to society! Formerly when we had you here, at hand, in ten minutes talk, without embarrassment, without preparation, I could have told you everything; but now I am obliged to think over what I have to say, to gather myself together, and pass into the solemnity of a written statement.

But after all, perhaps it is better to plunge boldly in, and since, in spite of circumlocutions and preambles, I shall have sooner or later to come to the point, why not say at once that my trouble concerns the stranger who saved my daughter's life.

Stranger! yes, a stranger to Monsieur de l'Estorade and to all who have told you about the accident, but not a stranger to me, whom, for the last three months, this man has condescended to honor with the most obstinate attention. That the mother of three children, one of them a big boy of fifteen, should at thirty-three years of age become the object of an ardent passion will seem to you, as it does to me, an impossible fact; and that is the ridiculous misfortune about which I want to consult you.

When I say that this stranger is known to me, I must correct myself; for I know neither his name, nor his abode, nor anything about him. I have never met him in society, and I may add that, although he wears the ribbon of the Legion of honor, there is nothing in his air and manner—which are totally devoid of elegance—to make me suppose I ever shall meet him in our world.

It was at Saint-Thomas d'Aquin, where, as you know, I go to hear mass, that this annoying obsession began. I used almost daily to take my children to walk in the Tuileries, as the house we have hired here has no garden. This habit being noticed by my persecutor, I found him repeatedly there and wherever else I might be met outside of my own home. Perfectly discreet, although so audacious, this singular follower never accompanied me to my own door; he kept at a sufficient distance to give me the comfort of feeling that his foolish assiduity would not be observed by others.

Heaven only knows the sacrifices and annoyances I have borne to be rid of him. I never go to church now except on Sundays; I often keep my dear children at home to the injury of their health; or else I make excuses not to accompany them, and against all the principles of my education and prudence, I leave them to the care of the servants. Visits, shopping I do only in a carriage, which did not prevent my shadow from being at hand when the accident happened to Nais, and saving her life, an act that was brave and providential.

But it is precisely this great obligation I am now under which makes—does it not, I appeal to you?—a most deplorable complication.

In the first place, about thanking him. If I do that, I encourage him, and he would certainly take advantage of it to change the character of our present intercourse. But if I pass him without notice—think of it! a mother—a mother who owes him the life of her daughter, to pretend not to see him! to pass him without a single word of gratitude!

That, however, is the intolerable alternative in which I find myself placed, and you can now see how much I need the counsels of your experience. What can I do to break the unpleasant habit this man has taken of being my shadow? How shall I thank him without encouraging him? or not thank him without incurring self-reproach?

Those are the problems submitted to your wisdom. If you will do me the kindness to solve them—and I know no one so capable—I shall add gratitude to all the other affectionate sentiments which, as you know, I have so long felt for you.



III. THE COMTE DE L'ESTORADE TO MONSIEUR MARIE-GASTON

Paris, February, 1839.

Perhaps, my dear Monsieur Gaston, the public journals will have told you before this letter can arrive of the duel fought yesterday between your friend Monsieur Dorlange and the Duc de Rhetore. But the papers, while announcing the fact as a piece of news, are debarred by custom and propriety from inferring the motives of a quarrel, and therefore they will only excite your curiosity without satisfying it.

I have, fortunately, heard from a very good source, all the details of the affair, and I hasten to transmit them to you; they are, I think, of a nature to interest you to the highest degree.

Three days ago, that is to say on the very evening of the day when I paid my visit to Monsieur Dorlange, the Duc de Rhetore occupied a stall at the Opera-house. Next to him sat Monsieur de Ronquerolles, who has recently returned from a diplomatic mission which kept him out of France for several years. During the entr'acte these gentlemen did not leave their seats to walk about the foyer; but, as is often done, they stood up, with their backs to the stage, facing the audience and consequently Monsieur Dorlange, who was seated directly behind them, seeming to be absorbed in an evening newspaper. There had been that day a very scandalous, or what is called a very interesting, session of the Chamber of deputies.

The conversation between the duke and the marquis having naturally turned on the events of Parisian society which had taken place during Monsieur de Ronquerolles' absence, the latter made the following remark which was of a nature to rouse the attention of Monsieur Dorlange.

"Your poor sister Madame de Macumer! what a sad end, after her singular marriage!"

"Ah! you know," replied Monsieur de Rhetore, in that high-pitched tone of his, "my sister had too much imagination not to be romantic and visionary. She loved her first husband, Monsieur de Macumer, passionately, but after a time one gets tired of everything, even widowhood. This Marie-Gaston crossed her path. He is agreeable in person; my sister was rich; he was deeply in debt and behaved with corresponding eagerness and devotion. The result was that the scoundrel not only succeeded Monsieur de Macumer and killed his wife with jealousy, but he got out of her every penny the law allowed the poor foolish woman to dispose of. My sister's property amounted to at least twelve hundred thousand francs, not counting a delightful villa splendidly furnished which she built at Ville d'Avray. Half of this that man obtained, the other half went to the Duc and Duchesse de Chaulieu, my father and mother, who were entitled to it by law as heirs ascendant. As for my brother Lenoncourt and myself, we were simply disinherited."

As soon as your name, my dear Monsieur Gaston, was uttered, Monsieur Dorlange laid aside his newspaper, and then, as Monsieur de Rhetore ended his remarks, he rose and said:—

"Pardon me, Monsieur le duc, if I venture to correct your statement; but, as a matter of conscience, I ought to inform you that you are totally misinformed."

"What is that you say?" returned the duke, blinking his eyes and speaking in that contemptuous tone we can all imagine.

"I say, Monsieur le duc, that Marie-Gaston is my friend from childhood; he has never been thought a scoundrel; on the contrary, the world knows him as a man of honor and talent. So far from killing his wife with jealousy, he made her perfectly happy during the three years their marriage lasted. As for the property—"

"Have you considered, monsieur," said the Duc de Rhetore, interrupting him, "the result of such language?"

"Thoroughly, monsieur; and I repeat that the property left to Marie-Gaston by the will of his wife is so little desired by him that, to my knowledge, he is about to spend a sum of two or three hundred thousand francs in building a mausoleum for a wife whom he has never ceased to mourn."

"After all, monsieur, who are you?" said the Duc de Rhetore, again interrupting him with ill-restrained impatience.

"Presently," replied Monsieur Dorlange, "I shall have the honor to tell you; you must now permit me to add that the property of which you say you have been disinherited Madame Marie-Gaston had the right to dispose of without any remorse of conscience. It came from her first husband, the Baron de Macumer; and she had, previously to that marriage, given up her own property in order to constitute a fortune for your brother, the Duc de Lenoncourt-Givry, who, as younger son, had not, like you, Monsieur le Duc, the advantages of an entail."

So saying, Monsieur Dorlange felt in his pocket for his card-case.

"I have no cards with me," he said at last, "but my name is Dorlange, a theatrical name, easy to remember, and I live at No. 42 rue de l'Ouest."

"Not a very central quarter," remarked Monsieur de Rhetore, ironically. Then turning to Monsieur de Ronquerolles, whom he thus constituted one of his seconds, "I beg your pardon, my dear fellow," he said, "for the voyage of discovery you will have to undertake for me to-morrow morning." And then almost immediately he added: "Come to the foyer; we can talk there with greater safety."

By his manner of accenting the last word it was impossible to mistake the insulting meaning he intended to attach to it.

The two gentlemen having left their seats, without this scene attracting any notice, in consequence of the stalls being empty for the most part during the entr'acte, Monsieur Dorlange saw at some distance the celebrated sculptor Stidmann, and went up to him.

"Have you a note-book of any kind in your pocket?" he said.

"Yes, I always carry one."

"Will you lend it to me and let me tear out a page? I have an idea in my mind which I don't want to lose. If I do not see you again after the play to make restitution, I will send it to you to-morrow morning without fail."

Returning to his place, Monsieur Dorlange sketched something rapidly, and when the curtain rose and the two gentlemen returned to their seats, he touched the Duc de Rhetore lightly on the shoulder and said, giving him the drawing:—

"My card, which I have the honor to present to you."

This "card" was a charming sketch of an architectural design placed in a landscape. Beneath it was written "Plan for a mausoleum to be erected to the memory of Madame Marie-Gaston, nee Chaulieu, by her husband; from the designs of Charles Dorlange, sculptor, 42 rue de l'Ouest."

It was impossible to let Monsieur de Rhetore know more delicately that he had to do with a suitable adversary; and you will remark, my dear Monsieur Gaston, that Monsieur Dorlange made this drawing the means of enforcing his denial and giving proof of your disinterestedness and the sincerity of your grief.

After the play was over, Monsieur de Rhetore parted from Monsieur de Ronquerolles, and the latter went up to Monsieur Dorlange and endeavored, very courteously, to bring about a reconciliation, remarking to him that, while he was right in the subject-matter, his method of proceeding was unusual and offensive; Monsieur de Rhetore, on the other hand, had shown great moderation, and would now be satisfied with a mere expression of regret; in short, Monsieur de Ronquerolles said all that can be said on such an occasion.

Monsieur Dorlange would not listen to anything which seemed a submission on his part, and the next day he received a visit from Monsieur de Ronquerolles and General Montriveau on behalf of the Duc de Rhetore. Again an effort was made to induce Monsieur Dorlange to give another turn to his words. But your friend would not depart from this ultimatum:—

"Will Monsieur de Rhetore withdraw the words I felt bound to notice; if so, I will withdraw mine."

"But that is impossible," they said to him. "Monsieur de Rhetore has been personally insulted; you, on the contrary, have not been. Right or wrong, he has the conviction that Monsieur Marie-Gaston has done him an injury. We must always make certain allowances for wounded self-interests; you can never get absolute justice from them."

"It comes to this, then," replied Monsieur Dorlange, "that Monsieur de Rhetore may continue to calumniate my friend at his ease; in the first place, because he is in Italy; and secondly, because Marie-Gaston would always feel extreme repugnance to come to certain extremities with the brother of his wife. It is precisely that powerlessness, relatively speaking, to defend himself, which constitutes my right—I will say more—my duty to interfere. It was not without a special permission of Providence that I was enabled to catch a few of the malicious words that were said of him, and, as Monsieur de Rhetore declines to modify any of them, we must, if it please you, continue this matter to the end."

The duel then became inevitable; the terms were arranged in the course of the day, and the meeting, with pistols, was appointed for the day after. On the ground Monsieur Dorlange was perfectly cool. When the first fire was exchanged without result, the seconds proposed to put an end to the affair.

"No, one more shot!" he said gaily, as if he were shooting in a pistol-gallery.

This time he was shot in the fleshy part of the thigh, not a dangerous wound, but one which caused him to lose a great deal of blood. As they carried him to the carriage which brought him, Monsieur de Rhetore, who hastened to assist them, being close beside him, he said, aloud:—

"This does not prevent Marie-Gaston from being a man of honor and a heart of gold."

Then he fainted.

This duel, as you can well believe, has made a great commotion; Monsieur Dorlange has been the hero of the hour for the last two days; it is impossible to enter a single salon without finding him the one topic of conversation. I heard more, perhaps, in the salon of Madame de Montcornet than elsewhere. She receives, as you know, many artists and men of letters, and to give you an idea of the manner in which your friend is considered, I need only stenograph a conversation at which I was present in the countess's salon last evening.

The chief talkers were Emile Blondet of the "Debats," and Monsieur Bixiou, the caricaturist, one of the best-informed ferrets of Paris. They are both, I think, acquaintances of yours, but, at any rate, I am certain of your intimacy with Joseph Bridau, our great painter, who shared in the talk, for I well remember that he and Daniel d'Arthez were the witnesses of your marriage.

"The first appearance of Dorlange in art," Joseph Bridau was saying, when I joined them, "was fine; the makings of a master were already so apparent in the work he did for his examinations that the Academy, under pressure of opinion, decided to crown him—though he laughed a good deal at its programme."

"True," said Bixiou, "and that 'Pandora' he exhibited in 1837, after his return from Rome, is also a very remarkable figure. But as she won him, at once, the cross and any number of commissions from the government and the municipality, together with scores of flourishing articles in the newspapers, I don't see how he can rise any higher after all that success."

"That," said Blondet, "is a regular Bixiou opinion."

"No doubt; and well-founded it is. Do you know the man?"

"No; he is never seen anywhere."

"Exactly; he is a bear, but a premeditated bear; a reflecting and determined bear."

"I don't see," said Joseph Bridau, "why this savage inclination for solitude should be so bad for an artist. What does a sculptor gain by frequenting salons where gentlemen and ladies have taken to a habit of wearing clothes?"

"Well, in the first place, a sculptor can amuse himself in a salon; and that will keep him from taking up a mania, or becoming a visionary; besides, he sees the world as it is, and learns that 1839 is not the fifteenth nor the sixteenth century."

"Has Dorlange any such delusions?" asked Emile Blondet.

"He? he will talk to you by the hour of returning to the life of the great artists of the middle ages with the universality of their studies and their knowledge, and that frightfully laborious life of theirs; which may help us to understand the habits and ways of a semi-barbarous society, but can never exist in ours. He does not see, the innocent dreamer, that civilization, by strangely complicating all social conditions, absorbs for business, for interests, for pleasures, thrice as much time as a less advanced society required for the same purposes. Look at the savage in his hut; he hasn't anything to do. Whereas we, with the Bourse, the opera, the newspapers, parliamentary discussions, salons, elections, railways, the Cafe de Paris and the National Guard—what time have we, if you please, to go to work?"

"Beautiful theory of a do-nothing!" cried Emile Blondet, laughing.

"No, my dear fellow, I am talking truth. The curfew no longer rings at nine o'clock. Only last night my concierge Ravenouillet gave a party; and I think I made a great mistake in not accepting the indirect invitation he gave me to be present."

"Nevertheless," said Joseph Bridau, "it is certain that if a man doesn't mingle in the business, the interests, and the pleasures of our epoch, he can make out of the time he thus saves a pretty capital. Independently of his orders, Dorlange has, I think, a little competence; so that nothing hinders him from arranging his life to suit himself."

"But you see he goes to the opera; for it was there he found his duel. Besides, you are all wrong in representing him as isolated from this contemporaneous life, for I happen to know that he is just about to harness himself to it by the most rattling and compelling chains of the social system—I mean political interests."

"Does he want to be a statesman?" asked Emile Blondet, sarcastically.

"Yes, no doubt that's in his famous programme of universality; and you ought to see the consistency and perseverance he puts into that idea! Only last year two hundred and fifty thousand francs dropped into his mouth as if from the skies, and he instantly bought a hovel in the rue Saint-Martin to make himself eligible for the Chamber. Then—another pretty speculation—with the rest of the money he bought stock in the 'National,' where I meet him every time I want to have a laugh over the republican Utopia. He has his flatterers on the staff of that estimable newspaper; they have persuaded him that he's a born orator and can cut the finest figure in the Chamber. They even talk of getting up a candidacy for him; and on some of their enthusiastic days they go so far as to assert that he bears a distant likeness to Danton."

"But this is getting burlesque," said Emile Blondet.

I don't know if you have ever remarked, my dear Monsieur Gaston, that in men of real talent there is always great leniency of judgment. In this, Joseph Bridau is pre-eminent.

"I think with you," he said, "that if Dorlange takes this step, and enters politics, he will be lost to art. But, after all, why should he not succeed in the Chamber? He expresses himself with great facility, and seems to me to have ideas at his command. Look at Canalis when he was made deputy! 'What! a poet!' everybody cried out,—which didn't prevent him from making himself a fine reputation as orator, and becoming a minister."

"But the first question is how to get into the Chamber," said Emile Blondet. "Where does Dorlange propose to stand?"

"Why, naturally, for one of the rotten boroughs of the 'National.' I don't know if it has yet been chosen."

"General rule," said the writer for the "Debats." "To obtain your election, even though you may have the support of an active and ardent party, you must also have a somewhat extended political notoriety, or, at any rate, some provincial backing of family or fortune. Has Dorlange any of those elements of success?"

"As for the backing of a family, that element is particularly lacking," replied Bixiou; "in fact, in his case, it is conspicuously absent."

"Really?" said Emile Blondet. "Is he a natural child?"

"Nothing could be more natural,—father and mother unknown. But I believe, myself, that he can be elected. It is the ins and outs of his political ideas that will be the wonder."

"He is a republican, I suppose, if he is a friend of those 'National' gentlemen, and resembles Danton?"

"Yes, of course; but he despises his co-religionists, declaring they are only good for carrying a point, and for violence and bullying. Provisionally, he is satisfied with a monarchy hedged in by republican institutions; but he insists that our civic royalty will infallibly be lost through the abuse of influence, which he roughly calls corruption. This will lead him towards the little Church of the Left-centre; but there again—for there's always a but—he finds only a collection of ambitious minds and eunuchs unconsciously smoothing the way to a revolution, which he, for his part, sees looming on the horizon with great regret, because, he says, the masses are too little prepared, and too little intelligent, not to let it slip through their fingers. Legitimacy he simply laughs at; he doesn't admit it to be a principle in any way. To him it is simply the most fixed and consistent form of monarchical heredity; he sees no other superiority in it than that of old wine over new. But while he is neither legitimist, nor conservative, nor Left-centre, and is republican without wanting a republic, he proclaims himself a Catholic, and sits astride the hobby of that party, namely,—liberty of education. But this man, who wants free education for every one, is afraid of the Jesuits; and he is still, as in 1829, uneasy about the encroachments of the clergy and the Congregation. Can any of you guess the great party which he proposes to create in the Chamber, and of which he intends to be the leader? That of the righteous man, the impartial man, the honest man! as if any such thing could live and breathe in the parliamentary cook-shops; and as if, moreover, all opinions, to hide their ugly nothingness, had not, from time immemorial, wrapped themselves in that banner."

"Does he mean to renounce sculpture absolutely?" asked Joseph Bridau.

"Not yet; he is just finishing the statue of some saint, I don't know which; but he lets no one see it, and says he does not intend to send it to the Exhibition this year—he has ideas about it."

"What ideas?" asked Emile Blondet.

"Oh! that religious works ought not to be delivered over to the judgment of critics, or to the gaze of a public rotten with scepticism; they ought, he thinks, to go, without passing through the uproar of the world, piously and modestly to the niches for which they are intended."

"Ah ca!" exclaimed Emile Blondet, "and it is this fervent Catholic who fights a duel!"

"Better or worse than that. This Catholic lives with a woman whom he brought back from Italy,—a species of Goddess of Liberty, who serves him as model and housekeeper."

"What a tongue that Bixiou has; he keeps a regular intelligence office," said some of the little group as it broke up at the offer of tea from Madame de Montcornet.

You see from this, my dear Monsieur Gaston, that the political aspirations of Monsieur Dorlange are not regarded seriously by his friends. I do not doubt that you will write to him soon to thank him for the warmth with which he defended you from calumny. That courageous devotion has given me a true sympathy for him, and I shall hope that you will use the influence of early friendship to turn his mind from the deplorable path he seems about to enter. I make no judgment on the other peculiarities attributed to him by Monsieur Bixiou, who has a cutting and a flippant tongue; I am more inclined to think, with Joseph Bridau, that such mistakes are venial. But a fault to be forever regretted, according to my ideas, will be that of abandoning his present career to fling himself into the maelstrom of politics. You are yourself interested in turning him from this idea, if you strongly desire to entrust that work to his hands. Preach to him as strongly as you can the wisdom of abiding by his art.

On the subject of the explanation I advised you to have with him, I must tell you that your task is greatly simplified. You need not enter into any of the details which would be to you so painful. Madame de l'Estorade, to whom I spoke of the role of mediator which I wanted her to play, accepted the part very willingly. She feels confident of being able, after half an hour's conversation, to remove the painful feeling from your friend's mind, and drive away the clouds between you.

While writing this long letter, I have sent for news of his condition. He is going on favorably, and the physicians say that, barring all unforeseen accidents, his friends need have no anxiety as to his state. It seems he is an object of general interest, for, to use the expression of my valet, people are "making cue" to leave their names at his door. It must be added that the Duke de Rhetore is not liked, which may partly account for this sympathy. The duke is stiff and haughty, but there is little in him. What a contrast the brother is to her who lives in our tenderest memory. She was simple and kind, yet she never derogated from her dignity; nothing equalled the lovable qualities of her heart but the charms of her mind.



IV. THE COMTESSE DE L'ESTORAADE TO MADAME OCTAVE DE CAMPS

Paris, February, 1839.

Nothing could be more judicious than what you have written me, my dear friend. It was certainly to have been expected that my "bore" would have approached me on the occasion of our next meeting. His heroism gave him the right to do so, and politeness made it a duty. Under pain of being thought unmannerly he was bound to make inquiries as to the results of the accident on my health and that of Nais. But if, contrary to all these expectations, he did not descend from his cloud, my resolution, under your judicious advice, was taken. If the mountain did not come to me, I should go to the mountain; like Hippolyte in the tale of Theramene, I would rush upon the monster and discharge my gratitude upon him at short range. I have come to think with you that the really dangerous side of this foolish obsession on his part is its duration and the inevitable gossip in which, sooner or later, it would involve me.

Therefore, I not only accepted the necessity of speaking to my shadow first, but under pretence that my husband wished to call upon him and thank him in person, I determined to ask him his name and address, and if I found him a suitable person I intended to ask him to dinner on the following day; believing that if he had but a shadow of common-sense, he would, when he saw the manner in which I live with my husband, my frantic passion, as you call it, for my children, in short, the whole atmosphere of my well-ordered home, he would, as I say, certainly see the folly of persisting in his present course. At any rate half the danger of his pursuit was over if it were carried on openly. If I was still to be persecuted, it would be in my own home, where we are all, more or less, exposed to such annoyances, which an honest woman possessing some resources of mind can always escape with honor.

Well, all these fine schemes and all your excellent advice have come to nothing. Since the accident, or rather since the day when my physician first allowed me to go out, nothing, absolutely nothing have I seen of my unknown lover. But, strange to say, although his presence was intolerably annoying, I am conscious that he still exercises a sort of magnetism over me. Without seeing him, I feel him near me; his eyes weigh upon me, though I do not meet them. He is ugly, but his ugliness has something energetic and powerfully marked, which makes one remember him as a man of strong and energetic faculties. In fact, it is impossible not to think about him; and now that he appears to have relieved me of his presence, I an conscious of a void—that sort of void the ear feels when a sharp and piercing noise which has long annoyed it ceases. What I am going to add may seem to you great foolishness; but are we always mistress of such mirages of the imagination?

I have often told you of my arguments with Louise de Chaulieu in relation to the manner in which women ought to look at life. I used to tell her that the passion with which she never ceased to pursue the ideal was ill-regulated and fatal to happiness. To this she answered: "You have never loved, my dearest; love has this rare phenomenon about it: we may live all our lives without ever meeting the being to whom nature has assigned the power of making us happy. But if the day of splendor comes when that being unexpectedly awakes your heart from sleep, what will you do then?" [See "Memoirs of Two Young Married Women."]

The words of those about to die are often prophetic. What if this man were to be the tardy serpent with whom Louise threatened me? That he could ever be really dangerous to me; that he could make me fail in my duty, that is certainly not what I fear; I am strong against all such extremes. But I did not, like you, my dear Madame de Camps, marry a man whom my heart had chosen. It was only by dint of patience, determination, and reason that I was able to build up the solid and serious attachment which binds me to Monsieur de l'Estorade. Ought I not, therefore, to be doubly cautious lest anything distract me from that sentiment, be it only the diversion of my thoughts in this annoying manner, to another man?

I shall say to you, as, MONSIEUR, Louis XIV.'s brother, said to his wife, to whom he was in the habit of showing what he had written and asking her to decipher it: See into my heart and mind, dear friend, disperse the mists, quiet the worries, and the flux and reflux of will which this affair stirs up in me. My poor Louise was mistaken, was she not? I am not a woman, am I, on whom the passion of love could gain a foothold? The man who, on some glorious day, will render me happy is my Armand, my Rene, my Nais, three angels for whom I have hitherto lived—there can never be for me, I feel it deeply, another passion!



V. THE COMTESSE DE L'ESTORADE TO MADAME OCTAVE DE CAMPS

Paris, March, 1839.

About the year 1820 in the course of the same week two news (to use the schoolboy phrase of my son Armand) entered the college of Tours. One had a charming face, the other would have been thought ugly if health, frankness, and intelligence beaming on his features had not compensated for their irregularity and inelegance.

Here you will stop me, and ask whether I have come to the end of my own adventure, that I should now be writing this feuilleton-story. No, this tale is really a continuation of that adventure, though it seems little like it; so, give it your best attention and do not interrupt me again.

One of these lads, the handsome one, was dreamy, contemplative, and a trifle elegaic; the other, ardent, impetuous, and always in action. They were two natures which completed each other; a priceless blessing to every friendship that is destined to last. Both had the same bar-sinister on them at their birth. The dreamer was the natural son of the unfortunate Lady Brandon. His name was Marie-Gaston; which, indeed, seems hardly an actual name. The other, born of wholly unknown parents, was named Dorlange, which is certainly no name at all. Dorlange, Valmon, Volmar, Melcourt, are heard upon the stage and nowhere else; already they belong to a past style, and will soon rejoin Alceste, Arnolphe, Clitandre, Damis, Eraste, Philinte, and Arsinoe.

Another reason why the poor ill-born lads should cling together was the cruel abandonment to which they were consigned. For the seven years their studies lasted there was not a day, even during the holidays, when the door of their prison opened. Now and then Marie-Gaston received a visit from an old woman who had served his mother; through her the quarterly payment for his schooling was regularly made. That of Dorlange was also made with great punctuality through a banker in Tours. A point to be remarked is that the price paid for the schooling of the latter was the highest which the rules of the establishment allowed; hence the conclusion that his unknown parents were persons in easy circumstances. Among his comrades, Dorlange attained to a certain respect which, had it been withheld, he would very well have known how to enforce with his fists. But under their breaths, his comrades remarked that he was never sent for to see friends in the parlor, and that outside the college walls no one appeared to take an interest in him.

The two lads, who were both destined to become distinguished men, were poor scholars; though each had his own way of studying. By the time he was fifteen Marie-Gaston had written a volume of verses, satires, elegies, meditations, not to speak of two tragedies. The favorite studies of Dorlange led him to steal logs of wood, out of which, with his knife, he carved madonnas, grotesque figures, fencing-masters, saints, grenadiers of the Old Guard, and, but this was secretly, Napoleons.

In 1827, their school-days ended, the two friends left college together and were sent to Paris. A place had been chosen for Dorlange in the atelier of the sculptor Bosio, and from that moment a rather fantastic course was pursued by an unseen protection that hovered over him. When he reached the house in Paris to which the head-master of the school had sent him, he found a dainty little apartment prepared for his reception. Under the glass shade of the clock was a large envelope addressed to him, so placed as to strike his eye the moment that he entered the room. In that envelope was a note, written in pencil, containing these words:—

The day after your arrival in Paris go at eight in the morning punctually to the garden of the Luxembourg, Allee de l'Observatoire, fourth bench to the right, starting from the gate. This order is strict. Do not fail to obey it.

Punctual to the minute, Dorlange was not long at the place of rendezvous before he was met by a very small man, whose enormous head, bearing an immense shock of hair, together with a pointed nose, chin, and crooked legs made him seem like a being escaped from one of Hoffman's tales. Without saying a word, for to his other physical advantages this weird messenger added that of being deaf and dumb, he placed in the young man's hand a letter and a purse. The letter said that the family of Dorlange were glad to see that he wished to devote himself to art. They urged him to work bravely and to profit by the instructions of the great master under whose direction he was placed. They hoped he would live virtuously; and, in any case, an eye would be kept upon his conduct. There was no desire, the letter went on to say, that he should be deprived of the respectable amusements of his age. For his needs and for his pleasures, he might count upon the sum of six hundred and fifty francs every three months, which would be given to him in the same place by the same man; but he was expressly forbidden to follow the messenger after he had fulfilled his commission; if this injunction were directly or indirectly disobeyed, the punishment would be severe; it would be nothing less than the withdrawal of the stipend and, possibly, total abandonment.

Do you remember, my dear Madame de Camps, that in 1831 you and I went together to the Beaux-Arts to see the exhibition of works which were competing for the Grand Prix in sculpture? The subject given out for competition was Niobe weeping for her children. Do you also remember my indignation at one of the competing works around which the crowd was so compact that we could scarcely approach it? The insolent youth had dared to turn that sacred subject into jest! His Niobe was infinitely touching in her beauty and grief, but to represent her children, as he did, by monkeys squirming on the ground in the most varied and grotesque attitudes, what a deplorable abuse of talent—!

You tried in vain to make me see that the monkeys were enchantingly graceful and clever, and that a mother's blind idolatry could not be more ingeniously ridiculed; I held to the opinion that the conception was monstrous, and the indignation of the old academicians who demanded the expulsion of this intolerable work, seemed to me most justifiable. But the Academy, instigated by the public and by the newspapers, which talked of opening a subscription to send the young sculptor to Rome, were not of my opinion and that of their older members. The extreme beauty of the Niobe atoned for all the rest and the defamer of mothers saw his work crowned, in spite of an admonition given to him by the venerable secretary on the day of the distribution of the prizes. But, poor fellow! I excuse him, for I now learn that he never knew his mother. It was Dorlange, the poor abandoned child at Tours, the friend of Marie-Gaston.

From 1827 to 1831 the two friends were inseparable. Dorlange, regularly supplied with means, was a sort of Marquis d'Aligre; Gaston, on the contrary, was reduced to his own resources for a living, and would have lived a life of extreme poverty had it not been for his friend. But where friends love each other—and the situation is more rare than people imagine—all on one side and nothing on the other is a determining cause for association. So, without any reckoning between them, our two pigeons held in common their purse, their earnings, their pains, pleasures, hopes, in fact, they held all things in common, and lived but one life between the two. This state of things lasted till Dorlange had won the Grand Prix, and started for Rome. Henceforth community of interests was no longer possible. But Dorlange, still receiving an ample income through his mysterious dwarf, bethought himself of making over to Gaston the fifteen hundred francs paid to him by the government for the "prix de Rome." But a good heart in receiving is more rare than the good heart that gives. His mind being ulcerated by constant misfortune Marie-Gaston refused, peremptorily, what pride insisted on calling alms. Work, he said, had been provided for him by Daniel d'Arthez, one of our greatest writers, and the payment for that, added to his own small means, sufficed him. This proud rejection, not properly understood by Dorlange, produced a slight coolness between the two friends; nevertheless, until the year 1833, their intimacy was maintained by a constant exchange of letters. But here, on Marie-Gaston's side, perfect confidence ceased, after a time, to exist. He was hiding something; his proud determination to depend wholly on himself was a sad mistake. Each day brought him nearer to penury. At last, staking all upon one throw, he imprudently involved himself in journalism. Assuming all the risks of an enterprise which amounted to thirty thousand francs, a stroke of ill-fortune left him nothing to look forward to but a debtor's prison, which yawned before him.

It was at this moment that his meeting with Louise de Chaulieu took place. During the nine months that preceded their marriage, Marie-Gaston's letters to his friend became fewer and far-between. Dorlange ought surely to have been the first to know of this change in the life of his friend, but not one word of it was confided to him. This was exacted by the high and mighty lady of Gaston's love, Louise de Chaulieu, Baronne de Macumer.

When the time for the marriage came, Madame de Macumer pushed this mania for secrecy to extremes. I, her nearest and dearest friend, was scarcely informed of the event, and no one was admitted to the ceremony except the witnesses required by law. Dorlange was still absent. The correspondence between them ceased, and if Marie-Gaston had entered the convent of La Trappe, he could not have been more completely lost to his friend.

When Dorlange returned from Rome in 1836, the sequestration of Marie-Gaston's person and affection was more than ever close and inexorable. Dorlange had too much self-respect to endeavor to pass the barriers thus opposed to him, and the old friends not only never saw each other, but no communication passed between them.

But when the news of Madame Marie-Gaston's death reached him Dorlange forgot all and hastened to Ville d'Avray to comfort his friend. Useless eagerness! Two hours after that sad funeral was over, Marie-Gaston, without a thought for his friends or for a sister-in-law and two nephews who were dependent on him, flung himself into a post-chaise and started for Italy. Dorlange felt that this egotism of sorrow filled the measure of the wrong already done to him; and he endeavored to efface from his heart even the recollection of a friendship which sympathy under misfortune could not recall.

My husband and I loved Louise de Chaulieu too tenderly not to continue our affection for the man who had been so much to her. Before leaving France, Marie-Gaston had requested Monsieur de l'Estorade to take charge of his affairs, and later he sent him a power-of-attorney to enable him to do so properly.

Some weeks ago his grief, still living and active, suggested to him a singular idea. In the midst of the beautiful park at Ville d'Avray is a little lake, with an island upon it which Louise dearly loved. To that island, a shady calm retreat, Marie-Gaston wished to remove the body of his wife, after building a mausoleum of Carrara marble to receive it. He wrote to us to communicate this idea, and, remembering Dorlange in this connection, he requested my husband to see him and ask him to undertake the work. At first Dorlange feigned not to remember even the name of Marie-Gaston, and he made some civil pretext to decline the commission. But see and admire the consistency of such determinations when people love each other! That very evening, being at the opera, he heard the Duc de Rhetore speak insultingly of his former friend, and he vehemently resented the duke's words. A duel followed in which he was wounded; the news of this affair has probably already reached you. So here is a man facing death at night for a friend whose very name he pretended not to know in the morning!

You will ask, my dear Madame de Camps, what this long tale has to do with my own ridiculous adventure. That is what I would tell you now if my letter were not so immoderately long. I told you my tale would prove to be a feuilleton-story, and I think the moment has come to make the customary break in it. I hope I have not sufficiently exalted your curiosity to have the right not to satisfy it. To be concluded, therefore, whether you like it or not, in the following number.



VI. THE COMTESSE DE L'ESTORADE TO MADAME OCTAVE DE CAMPS

Paris, March, 1839.

The elements of the long biographical dissertation I lately sent you, my dear friend, were taken chiefly from a recent letter from Monsieur Marie-Gaston. On leaning of the brave devotion shown in his defence his first impulse was to rush to Paris and press the hand of the friend who avenged himself thus nobly for neglect and forgetfulness. Unfortunately the evening before his departure he met with a dangerous fall at Savarezza, one of the outlying quarries of Carrara, and dislocated his ankle. Being obliged to postpone his journey, he wrote to Monsieur Dorlange to express his gratitude; and, by the same courier, he sent me a voluminous letter, relating the whole past of their lifelong friendship and asking me to see Monsieur Dorlange and be the mediator between them. He was not satisfied with the expression of his warm gratitude, he wanted also to show him that in spite of contrary appearances, he had never ceased to deserve the affection of his early friend.

On receiving Monsieur Gaston's letter, my first idea was to write to the sculptor and ask him to come and see me, but finding that he was not entirely recovered from his wound, I went, accompanied by my husband and Nais, to the artist's studio, which we found in a pleasant little house in the rue de l'Ouest, behind the garden of the Luxembourg, one of the most retired quarters of Paris. We were received in the vestibule by a woman about whom Monsieur de l'Estorade had already said a word to me. It appears that the laureat of Rome did not leave Italy without bringing away with him an agreeable souvenir in the form of a bourgeoise Galatea, half housekeeper, half model; about whom certain indiscreet rumors are current. But let me hasten to say that there was absolutely nothing in her appearance or manner to lead me to credit them. In fact, there was something cold and proud and almost savage about her, which is, they tell me, a strong characteristic of the Transteverine peasant-women. When she announced our names Monsieur Dorlange was standing in a rather picturesque working costume with his back to us, and I noticed that he hastily drew an ample curtain before the statue on which he was engaged.

At the moment when he turned round, and before I had time to look at him, imagine my astonishment when Nais ran forward and, with the artlessness of a child, flung her arms about his neck crying out:—

"Are! here is my monsieur who saved me!"

What! the monsieur who saved her? Then Monsieur Dorlange must be the famous Unknown?—Yes, my dear friend, I now recognized him. Chance, that cleverest of romance-makers, willed that Monsieur Dorlange and my bore were one. Happily, my husband had launched into the expression of his feelings as a grateful father; I thus had time to recover myself, and before it became my turn to say a word, I had installed upon my face what you are pleased to call my grand l'Estorade air; under which, as you know, I mark twenty-five degrees below zero, and can freeze the words on the lips of any presuming person.

As for Monsieur Dorlange, he seemed to me less troubled than surprised by the meeting. Then, as if he thought we kept him too long on the topic of our gratitude, he abruptly changed the subject.

"Madame," he said to me, "since we are, as it seems, more acquainted than we thought, may I dare to gratify my curiosity?"—

I fancied I saw the claw of a cat preparing to play with its mouse, so I answered, coldly:—

"Artists, I am told, are often indiscreet in their curiosity."

I put a well-marked stiffness into my manner which completed the meaning of the words. I could not see that it baffled him.

"I hope," he replied, "that my question is not of that kind. I only desire to ask if you have a sister."

"No, monsieur," I replied, "I have no sister—none, at least, that I know of," I added, jestingly.

"I thought it not unlikely, however," continued Monsieur Dorlange, in the most natural manner possible; "for the family in which I have met a lady bearing the strongest resemblance to you is surrounded by a certain mysterious atmosphere which renders all suppositions possible."

"Is there any indiscretion in asking the name of that family?"

"Not the least; they are people whom you must have known in Paris in 1829-1830. They lived in great state and gave fine parties. I myself met them in Italy."

"But their name?" I said.

"De Lanty," he replied, without embarrassment or hesitation.

And, in fact, my dear Madame de Camps, a family of that name did live in Paris about that time, and you probably remember, as I do, that many strange stories were told about them. As Monsieur Dorlange answered my question he turned back towards his veiled statue.

"The sister whom you have not, madame," he said to me abruptly, "I shall permit myself to give you, and I venture to hope that you will see a certain family likeness in her."

So saying, he removed the cloth that concealed his work, and there I stood, under the form of a saint, with a halo round my head. Could I be angry at the liberty thus taken?

My husband and Nais gave a cry of admiration at the wonderful likeness they had before their eyes. As for Monsieur Dorlange, he at once explained the cause of his scenic effect.

"This statue," he said, "is a Saint-Ursula, ordered by a convent in the provinces. Under circumstances which it would take too long to relate, the type of this saint, the person whom I mentioned just now, was firmly fixed in my memory. I should vainly have attempted to create by my imagination another type for that saint, it could not have been so completely the expression of my thought. I therefore began to model this figure which you see from memory, then one day, madame, at Saint-Thomas d'Aquin, I saw you, and I had the superstition to believe that you were sent to me by Providence. After that, I worked from you only, and as I did not feel at liberty to ask you to come to my studio, the best I could do was to study you when we met, and I multiplied my chances of doing so. I carefully avoided knowing your name and social position, for I feared to bring you down from the ideal and materialize you."

"Oh! I have often seen you following us," said Nais, with her clever little air.

How little we know children, and their turn for observation! As for my husband, it seemed to me that he ought to have pricked up his ears at this tale of the daring manner in which his wife had been used as a model. Monsieur de l'Estorade is certainly no fool; in all social matters he has the highest sense of conventional propriety, and as for jealousy, I think if I gave him the slightest occasion he would show himself ridiculously jealous. But now, the sight of his "beautiful Renee," as he calls me, done into white marble in the form of a saint, had evidently cast him into a state of admiring ecstasy. He, with Nais, were taking an inventory to prove the fidelity of the likeness—yes, it was really my attitude, really my eyes, really my mouth, really those two little dimples in my cheeks!

I felt it my duty to take up the role that Monsieur de l'Estorade laid aside, so I said, very gravely, to the presuming artist:—

"Do you not think, monsieur, that to appropriate without permission, or—not to mince my words—steal a person's likeness, may seem a very strange proceeding?"

"For that reason, madame," he replied, in a respectful tone, "I was fully determined to abide by your wishes in the matter. Although my statue is fated to be buried in the oratory of a distant convent, I should not have sent it to its destination without obtaining your permission to do so. I could have known your name whenever I wished; I already knew your address; and I intended, when the time came, to confess the liberty I had taken, and ask you to visit my studio. I should then have said what I say now: if the likeness displeases you I can, with a few strokes of my chisel, so change it as to make it unrecognizable."

My husband, who apparently thought the likeness not sufficiently close, turned, at this moment, to Monsieur Dorlange, and said, with a delighted air:—

"Do you not think, monsieur, that Madame de l'Estorade's nose is rather more delicate than you have made it?"

All this unexpectedness so upset me that I felt unfitted to intervene on behalf of Monsieur Marie-Gaston, and I should, I believe, have pleaded his cause very ill if Monsieur Dorlange had not stopped me at the first words I said about it.

"I know, madame," he said, "all that you can possibly tell me about my unfaithful friend. I do not forgive, but I forget my wrong. Things having so come about that I have nearly lost my life for his sake, it would certainly be very illogical to keep a grudge against him. Still, as regards that mausoleum at Ville d'Avray, nothing would induce me to undertake it. I have already mentioned to Monsieur de l'Estorade one hindrance that is daily growing more imperative; but besides that, I think it a great pity that Marie-Gaston should thus ruminate on his grief; and I have written to tell him so. He ought to be more of a man, and find in study and in work the consolations we can always find there."

The object of our visit being thus disposed of, I saw no hope of getting to the bottom of the other mystery it had opened, so I rose to take leave, and as I did so Monsieur Dorlange said to me:—

"May I hope that you will not exact the injury I spoke of to my statue?"

"It is for my husband and not for me to reply to that question," I said; "however, we can talk of it later, for Monsieur de l'Estorade hopes that you will give us the honor of a visit."

Monsieur bowed in respectful acquiescence, and we came away,—I, in great ill-humor; I was angry with Nais, and also with my husband, and felt much inclined to make him a scene, which he would certainly not have understood.

Now what do you think of all this? Is the man a clever swindler, who invented that fable for some purpose, or is he really an artist, who took me in all simplicity of soul for the living realization of his idea? That is what I intend to find out in the course of a few days, for now I am committed to your programme, and to-morrow Monsieur and Madame de l'Estorade will have the honor of inviting Monsieur Dorlange to dinner.



VII. THE COMTESSE DE L'ESTORADE TO MADAME OCTAVE DE CAMPS

Paris, March, 1839.

My dear friend,—Monsieur Dorlange dined with us yesterday. My intention was to invite him alone to a formal family dinner, so as to have him more completely under my eye, and put him to the question at my ease. But Monsieur de l'Estorade, to whom I had not explained my charitable motives, showed me that such an invitation might wound the sensibilities of our guest; it might seem to him that the Comte de l'Estorade thought the sculptor Dorlange unfitted for the society of his friends.

"We can't," said my husband gaily, "treat him like the sons of our farmers who come here with the epaulet of a lieutenant on their shoulder, and whom we invite with closed doors because we can't send them to the servants' hall."

We therefore invited to meet him Monsieur Joseph Bridau, the painter, the Chevalier d'Espard, Monsieur and Madame de la Bastie (formerly, you remember, Mademoiselle Modeste Mignon) and the Marquis de Ronquerolles. When my husband invited the latter, he asked him if he had any objection to meeting the adversary of the Duc de Rhetore.

"So far from objecting," replied Monsieur de Ronquerolles, "I am glad of the opportunity to meet a man of talent, who in the affair you speak of behaved admirably." And he added, after my husband had told him of our great obligation to Monsieur Dorlange, "Then he is a true hero, your sculptor! if he goes on this way, we can't hold a candle to him."

In his studio, with a bare throat leaving his head, which is rather too large for his body, free, and dressed in a sort of Oriental costume, Monsieur Dorlange looked to me a great deal better than he does in regular evening dress. Though I must say that when he grows animated in speaking his face lights up, a sort of a magnetic essence flows from his eyes which I had already noticed in our preceding encounters. Madame de la Bastie was as much struck as I was by this peculiarity.