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The Cross-Cut
by Courtney Ryley Cooper
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"On a night like this? And what the bloody 'ell is she doing 'ere, any'ow?"

"Search me!" The bucket was at the top now.

A signal from above, and Fairchild lowered it, to extend a hand and to aid the girl to the ground, looking at her with wondering, eager eyes. In the light of the carbide torch, she was the same boyish appearing little person he had met on the Denver road, except that snow had taken the place of dust now upon the whipcord riding habit, and the brown hair which caressed the corners of her eyes was moist with the breath of the blizzard. Some way Fairchild found his voice, lost for a moment.

"Are—are you in trouble?"

"No." She smiled at him.

"But out on a night like this—in a blizzard. How did you get up here?"

She shrugged her shoulders.

"I walked. Oh," she added, with a smile, "it did n't hurt me any. The wind was pretty stiff—but then I 'm fairly strong. I rather enjoyed it."

"But what's happened—what's gone wrong? Can I help you with anything—or—"

Then it was that Harry, with a roll of his blue eyes and a funny waggle of his big shoulders, moved down the drift toward the stope, leaving them alone together. Anita Richmond watched after him with a smile, waiting until he was out of hearing distance. Then she turned seriously.

"Mother Howard told me where you were," came quietly. "It was the only chance I had to see you. I—I—maybe I was a little lonely or—or something. But, anyway, I wanted to see you and thank you and—"

"Thank me? For what?"

"For everything. For that day on the Denver road, and for the night after the Old Times dance when you came to help me. I—I have n't had an easy time. And I 've been in rather an unusual position. Most of the people I know are afraid and—some of them are n't to be trusted. I—I could n't go to them and confide in them. And—you—well, I knew the Rodaines were your enemies—and I 've rather liked you for it."

"Thank you. But—" and Fairchild's voice became a bit frigid—"I have n't been able to understand everything. You are engaged to Maurice Rodaine."

"I was, you mean."

"Then—"

"My engagement ended with my father's death," came slowly—and there was a catch in her voice. "He wanted it—it was the one thing that held the Rodaines off him. And he was dying slowly—it was all I could do to help him, and I promised. But—when he went—I felt that my—my duty was over. I don't consider myself bound to him any longer."

"You 've told Rodaine so?"

"Not yet. I—I think that maybe that was one reason I wanted to see some one whom I believed to be a friend. He 's coming after me at midnight. We 're to go away somewhere."

"Rodaine? Impossible!"

"They 've made all their plans. I—I wondered if you—if you 'd be somewhere around the house—if you 'd—"

"I 'll be there. I understand." Fairchild had reached out and touched her arm. "I—want to thank you for the opportunity. I—yes, I 'll be there," came with a short laugh. "And Harry too. There'll be no trouble—from the Rodaines!"

She came a little closer to him then and looked up at him with trustful eyes, all the brighter in the spluttering light of the carbide.

"Thank you—it seems that I 'm always thanking you. I was afraid—I did n't know where to go—to whom to turn. I thought of you. I knew you 'd help me—women can guess those things."

"Can they?" Fairchild asked it eagerly. "Then you 've guessed all along that—"

But she smiled and cut in.

"I want to thank you for those flowers. They were beautiful."

"You knew that too? I didn't send a card."

"They told me at the telegraph office that you had wired for them. They—meant a great deal to me."

"It meant more to me to be able to send them." Then Fairchild stared with a sudden idea. "Maurice 's coming for you at midnight. Why is it necessary that you be there?"

"Why—" the idea had struck her too—"it is n't. I—I just had n't thought of it. I was too badly scared, I guess. Everything 's been happening so swiftly since—since you made the strike up here."

"With them?"

"Yes, they 've been simply crazy about something. You got my note?"

"Yes."

"That was the beginning. The minute Squint Rodaine heard of the strike, I thought he would go out of his head. I was in the office—I 'm vice-president of the firm, you know," she added with a sarcastic laugh. "They had to do something to make up for the fact that every cent of father's money was in it."

"How much?" Fairchild asked the question with no thought of being rude—and she answered in the same vein.

"A quarter of a million. They 'd been getting their hands on it more and more ever since father became ill. But they could n't entirely get it into their own power until the Silver Queen strike—and then they persuaded him to sign it all over in my name into the company. That's why I 'm vice-president."

"And is that why you arranged things to buy this mine?" Fairchild knew the answer before it was given.

"I? I arrange—I never thought of such a thing."

"I felt that from the beginning. An effort was made through a lawyer in Denver who hinted you were behind it. Some way, I felt differently. I refused. But you said they were going away?"

"Yes. They 've been holding conferences—father and son—one after another. I 've had more peace since the strike here than at any time in months. They 're both excited about something. Last night Maurice came to me and told me that it was necessary for them all to go to Chicago where the head offices would be established, and that I must go with him. I did n't have the strength to fight him then—there was n't anybody near by who could help me. So I—I told him I 'd go. Then I lay awake all night, trying to think out a plan—and I thought of you."

"I 'm glad." Fairchild touched her small gloved hand then, and she did not draw it away. His fingers moved slowly under hers. There was no resistance. At last his hand closed with a tender pressure,—only to release her again. For there had come a laugh—shy, embarrassed, almost fearful—and the plea:

"Can we go back where Harry is? Can I see the strike again?"

Obediently Fairchild led the way, beyond the big cavern, through the cross-cut and into the new stope, where Harry was picking about with a gad, striving to find a soft spot in which to sink a drill. He looked over his shoulder as they entered and grinned broadly.

"Oh," he exclaimed, "a new miner!"

"I wish I were," she answered. "I wish I could help you."

"You 've done that, all right, all right." Harry waved his gad. "'E told me—about the note!"

"Did it do any good?" she asked the question eagerly. Harry chuckled.

"I 'd 'ave been a dead mackerel if it 'ad n't," came his hearty explanation. "Where you going at all dressed up like that?"

"I 'm supposed," she answered with a smile toward Fairchild, "to go to Center City at midnight. Squint Rodaine 's there and Maurice and I are supposed to join him. But—but Mr. Fairchild 's promised that you and he will arrange it otherwise."

"Center City? What's Squint doing there?"

"He does n't want to take the train from Ohadi for some reason. We 're all going East and—"

But Harry had turned and was staring upward, apparently oblivious of their presence. His eyes had become wide, his head had shot forward, his whole being had become one of strained attention. Once he cocked his head, then, with a sudden exclamation, he leaped backward.

"Look out!" he exclaimed. "'Urry, look out!"

"But what is it?"

"It's coming down! I 'eard it!" Excitedly he pointed above, toward the black vein of lead and silver. "'Urry for that 'ole in the wall—'urry, I tell you!" He ran past them toward the fissure, yelling at Fairchild. "Pick 'er up and come on! I tell you I 'eard the wall moving—it's coming down, and if it does, it 'll bust in the 'ole tunnel!"



CHAPTER XXIII

Hardly realizing what he was doing or why he was doing it, Fairchild seized Anita in his arms, and raising her to his breast as though she were a child, rushed out through the cross-cut and along the cavern to the fissure, there to find Harry awaiting them.

"Put 'er in first!" said the Cornishman anxiously. "The farther the safer. Did you 'ear anything more?"

Fairchild obeyed, shaking his head in a negative to Harry's question, then squeezed into the fissure, edging along beside Anita, while Harry followed.

"What is it?" she asked anxiously.

"Harry heard some sort of noise from above, as if the earth was crumbling. He 's afraid the whole mine 's going to cave in again."

"But if it does?"

"We can get out this way—somehow. This connects up with a spring-hole; it leads out by Crazy Laura's house."

"Ugh!" Anita shivered. "She gives me the creeps!"

"And every one else; what's doing, Harry?"

"Nothing. That's the funny part of it!"

The big Cornishman had crept to the edge of the fissure and had stared for a moment toward the cross-cut leading to the stope. "If it was coming, it ought to 'ave showed up by now. I 'm going back. You stay 'ere."

"But—"

"Stay 'ere, I said. And," he grinned in the darkness, "don't let 'im 'old your 'and, Miss Richmond."

"Oh, you go on!" But she laughed. And Harry laughed with her.

"I know 'im. 'E 's got a wye about 'im."

"That's what you said about Miss Richmond once!"

"Have you two been talking about me?"

"Often." Then there was silence—for Harry had left the fissure to go into the stope and make an investigation. A long moment and he was back, almost creeping, and whispering as he reached the end of the fissure.

"Come 'ere—both of you! Come 'ere!"

"What is it?"

"Sh-h-h-h-h-h. Don't talk too loud. We 've been blessed with luck already. Come 'ere."

He led the way, the man and woman following him. In the stope the Cornishman crawled carefully to the staging, and standing on tiptoes, pressed his ear against the vein above him. Then he withdrew and nodded sagely.

"That's what it is!" came his announcement at last. "You can 'ear it!"

"But what?"

"Get up there and lay your ear against that vein. See if you 'ear anything. And be quiet about it. I 'm scared to make a move, for fear somebody 'll 'ear me."

Fairchild obeyed. From far away, carried by the telegraphy of the earth—and there are few conductors that are better—was the steady pound, pound, pound of shock after shock as it traveled along the hanging wall. Now and then a rumble intervened, as of falling rock, and scrambling sounds, like a heavy wagon passing over a bridge.

Fairchild turned, wondering, then reached for Anita.

"You listen," he ordered, as he lifted her to where she could hear. "Do you get anything?"

The girl's eyes shone.

"I know what that is," she said quickly. "I 've heard that same sort of thing before—when you 're on another level and somebody 's working above. Is n't that it, Mr. Harkins?"

Harry nodded.

"That's it," came tersely. Then bending, he reached for a pick, and muffling the sound as best he could between his knees, knocked the head from the handle. Following this, he lifted the piece of hickory thoughtfully and turned to Fairchild. "Get yourself one," he ordered. "Miss Richmond, I guess you 'll 'ave to stay 'ere. I don't see 'ow we can do much else with you."

"But can't I go along—wherever you 're going?"

"There's going to be a fight," said Harry quietly. "And I 'm going to knock somebody's block off!"

"But—I 'd rather be there than here. I—I don't have to get in it. And—I 'd want to see how it comes out. Please—!" she turned to Fairchild—"won't you let me go?"

"If you 'll stay out of danger."

"It's less danger for me there than—than home. And I 'd be scared to death here. I wouldn't if I was along with you two, because I know—" and she said it with almost childish conviction—"that you can whip 'em."

Harry chuckled.

"Come along, then. I 've got a 'unch, and I can't sye it now. But it 'll come out in the wash. Come along."

He led the way out through the shaft and into the blizzard, giving the guard instructions to let no one pass in their absence. Then he suddenly kneeled.

"Up, Miss Richmond. Up on my back. I 'm 'efty—and we 've got snowdrifts to buck."

She laughed, looked at Fairchild as though for his consent, then crawled to the broad back of Harry, sitting on his shoulders like a child "playing horse."

They started up the mountain side, skirting the big gullies and edging about the highest drifts, taking advantage of the cover of the pines, and bending against the force of the blizzard, which seemed to threaten to blow them back, step for step. No one spoke; instinctively Fairchild and Anita had guessed Harry's conclusions. The nearest mine to the Blue Poppy was the Silver Queen, situated several hundred feet above it in altitude and less than a furlong away. And the metal of the Silver Queen and the Blue Poppy, now that the strike had been made, had assayed almost identically the same. It was easy to make conclusions.

They reached the mouth of the Silver Queen. Harry relieved Anita from her position on his shoulders, and then reconnoitered a moment before he gave the signal to proceed. Within the tunnel they went, to follow along its regular, rising course to the stope where, on that garish day when Taylor Bill and Blindeye Bozeman had led the enthusiastic parade through the streets, the vein had shown. It was dark there—no one was at work. Harry unhooked his carbide from his belt, lit it and looked around. The stope was deeper now than on the first day, but not enough to make up for the vast amount of ore which had been taken out of the mine in the meanwhile. On the floor were tons of the metal, ready for tramming. Harry looked at them, then at the stope again.

"It ain't coming from 'ere!" he announced. "It's—" then his voice dropped to a whisper—"what's that?"

Again a rumbling had come from the distance, as of an ore car traveling over the tram tracks. Harry extinguished his light, and drawing Anita and Fairchild far to the end of the stope, flattened them and himself on the ground. A long wait, while the rumbling came closer, still closer; then, in the distance, a light appeared, shining from a side of the tunnel. A clanging noise, followed by clattering sounds, as though of steel rails hitting against each other. Finally the tramming once more,—and the light approached.

Into view came an ore car, and behind it loomed the great form of Taylor Bill as he pushed it along. Straight to the pile of ore he came, unhooked the front of the tram, tripped it and piled the contents of the car on top of the dump which already rested there. With that, carbide pointing the way, he turned back, pushing the tram before him. Harry crept to his feet.

"We 've got to follow!" he whispered. "It's a blind entrance to the tunnel som'eres."

They rose and trailed the light along the tracks, flattening themselves against the timbers of the tunnel as the form of Taylor Bill, faintly outlined in the distance, turned from the regular track, opened a great door in the side of the tunnel, which, to all appearances, was nothing more than the ordinary heavy timbering of a weak spot in the rocks, pulled it far back, then swerved the tram within. Then, he stopped and raised a portable switch, throwing it into the opening. A second later the door closed behind him, and the sound of the tram began to fade in the distance. Harry went forward, creeping along the side of the tunnel, feeling his way, stopping to listen now and then for the sound of the fading ore car. Behind him were Fairchild and Anita, following the same procedure. And all three stopped at once.

The hollow sound was coming directly to them now. Harry once more brought out his carbide to light it for a moment and to examine the timbering.

"It's a good job!" he commented. "You could n't tell it five feet off!"

"They 've made a cross-cut!" This time it was Anita's voice, plainly angry in spite of its whispering tones. "No wonder they had such a wonderful strike," came scathingly. "That other stope down there—"

"Ain't nothing but a salted proposition," said Harry. "They 've cemented up the top of it with the real stuff and every once in a while they blow a lot of it out and cement it up again to make it look like that's the real vein."

"And they 're working our mine!" Red spots of anger were flashing before Fairchild's eyes.

"You 've said it! That's why they were so anxious to buy us out. And that's why they started this two-million-dollar stock proposition, when they found they could n't do it. They knew if we ever 'it that vein that it would n't be any time until they 'd be caught on the job. That's why they 're ready to pull out—with somebody else 's million. They 're getting at the end of their rope. Another thing; that explains them working at night."

Anita gritted her teeth.

"I see it now—I can get the reason. They 've been telephoning Denver and holding conferences and all that sort of thing. And they planned to leave these two men behind here to take all the blame."

"They'll get enough of it!" added Harry grimly. "They 're miners. They could see that they were making a straight cross-cut tunnel on to our vein. They ain't no children, Blindeye and Taylor Bill. And 'ere 's where they start getting their trouble."

He pulled at the door and it yielded grudgingly. The three slipped past, following along the line of the tram track in the darkness, Harry's pick handle swinging beside him as they sneaked along. Rods that seemed miles; at last lights appeared in the distance. Harry stopped to peer ahead. Then he tossed aside his weapon.

"There 's only two of 'em—Blindeye and Taylor Bill. I could whip 'em both myself but I 'll take the big 'un. You—" he turned to Fairchild—"you get Blindeye."

"I 'll get him."

Anita stopped and groped about for a stone.

"I 'll be ready with something in case of accident," came with determination. "I 've got a quarter of a million in this myself!"

They went on, fifty yards, a hundred. Creeping now, they already were within the zone of light, but before them the two men, double-jacking at a "swimmer", had their backs turned. Onward—until Harry and Fairchild were within ten feet of the "high-jackers", while Anita waited, stone in hand, in the background. Came a yell, high-pitched, fiendish, racking, as Harry leaped forward. And before the two "high-jackers" could concentrate enough to use their sledge and drill as weapons, they were whirled about, battered against the hanging wall, and swirling in a daze of blows which seemed to come from everywhere at once. Wildly Harry yelled as he shot blow after blow into the face of an ancient enemy. High went Fairchild's voice as he knocked Blindeye Bozeman staggering for the third time against the hanging wall, only to see him rise and to knock him down once more. And from the edge of the zone of light came a feminine voice, almost hysterical with the excitement of it all, the voice of a girl who, in her tensity, had dropped the piece of stone she had carried, to stand there, hands clenched, figure doubled forward, eyes blazing, and crying:

"Hit him again! Hit him again! Hit him again—for me!"

And Fairchild hit, with the force of a sledge hammer. Dizzily the sandy-haired man swung about in his tracks, sagged, then fell, unconscious. Fairchild leaped upon him, calling at the same time to the girl:

"Find me a rope! I 'll truss his hands while he 's knocked out!"

Anita leaped into action, to kneel at Fairchild's side a moment later with a hempen strand, as he tied the man's hands behind his back. There was no need to worry about Harry. The yells which were coming from farther along the stope, the crackling blows, all told that Harry was getting along exceedingly well. Glancing out of a corner of his eye, Fairchild saw now that the big Cornishman had Taylor Bill flat on his back and was putting on the finishing touches. And then suddenly the exultant yells changed to ones of command.

"Talk English! Talk English, you bloody blighter! 'Ear me, talk English!"

"What's he mean?" Anita bent close to Fairchild.

"I don't know—I don't think Taylor Bill can talk anything else. Put your finger on this knot while I tighten it. Thanks."

Again the command had come from farther on:

"Talk English! 'Ear me—I'll knock the bloody 'ell out of you if you don't. Talk English—like this: 'Throw up your 'ands!' 'Ear me?"

Anita swerved swiftly and went to her feet. Harry looked up at her wildly, his mustache bristling like the spines of a porcupine.

"Did you 'ear 'im sye it?" he asked. "No? Sye it again!"

"Throw up your 'ands!" came the answer of the beaten man on the ground. Anita ran forward.

"It's a good deal like it," she answered. "But the tone was higher."

"Raise your tone!" commanded Harry, while Fairchild, finishing his job of tying his defeated opponent, rose, staring in wonderment. Then the answer came:

"That's it—that's it. It sounded just like it!"

And Fairchild remembered too,—the English accent of the highwayman on the night of the Old Times Dance. Harry seemed to bounce on the prostrate form of his ancient enemy.

"Bill," he shouted, "I 've got you on your back. And I 've got a right to kill you. 'Onest I 'ave. And I 'll do it too—unless you start talking. I might as well kill you as not.—It's a penitentiary offense to 'it a man underground unless there 's a good reason. So I 'm ready to go the 'ole route. So tell it—tell it and be quick about it. Tell it—was n't you him?"

"Him—who?" the voice was weak, frightened.

"You know 'oo—the night of the Old Times dance! Didn't you pull that 'old-up?"

There was a long silence. Finally:

"Where's Rodaine?"

"In Center City." It was Anita who spoke. "He 's getting ready to run away and leave you two to stand the brunt of all this trouble."

Again a silence. And again Harry's voice:

"Tell it. Was n't you the man?"

Once more a long wait. Finally:

"What do I get out of it?"

Fairchild moved to the man's side.

"My promise and my partner's promise that if you tell the whole truth, we 'll do what we can to get you leniency. And you might as well do it; there 's little chance of you getting away otherwise. As soon as we can get to the sheriff's office, we 'll have Rodaine under arrest, anyway. And I don't think that he 's going to hurt himself to help you. So tell the truth; weren't you the man who held up the Old Times dance?"

Taylor Bill's breath traveled slowly past his bruised lips.

"Rodaine gave me a hundred dollars to pull it," came finally.

"And you stole the horse and everything—"

"And cached the stuff by the Blue Poppy, so 's I 'd get the blame?" Harry wiggled his mustache fiercely. "Tell it or I 'll pound your 'ead into a jelly!"

"That's about the size of it."

But Fairchild was fishing in his pockets for pencil and paper, finally to bring them forth.

"Not that we doubt your sincerity, Bill," he said sarcastically, "but I think things would be a bit easier if you'd just write it out. Let him up, Harry."

The big Cornishman obeyed grudgingly. But as he did so, he shook a fist at his bruised, battered enemy.

"It ain't against the law to 'it a man when 'e 's a criminal," came at last. The thing was weighing on Harry's mind. "I don't care anyway if it is—"

"Oh, there 's nothing to that," Anita cut in. "I know all about the law—father has explained it to me lots of times when there 've been cases before him. In a thing of this kind, you 've got a right to take any kind of steps necessary. Stop worrying about it."

"Well," and Harry stood watching a moment as Taylor Bill began the writing of his confession, "it's such a relief to get four charges off my mind, that I did n't want to worry about any more. Make hit fulsome, Bill—tell just 'ow you did it!"

And Taylor Bill, bloody, eyes black, lips bruised, obeyed. Fairchild took the bescrawled paper and wrote his name as a witness, then handed it to Harry and Anita for their signatures. At last, he placed it in his pocket and faced the dolorous high-jacker.

"What else do you know, Bill?"

"About what? Rodaine? Nothing—-except that we were in cahoots on this cross-cut. There is n't any use denying it"—there had come to the surface the inherent honor that is in every metal miner, a stalwartness that may lie dormant, but that, sooner or later, must rise. There is something about taking wealth from the earth that is clean. There is something about it which seems honest in its very nature, something that builds big men in stature and in ruggedness, and it builds an honor which fights against any attempt to thwart it. Taylor Bill was finding that honor now. He seemed to straighten. His teeth bit at his swollen, bruised lips. He turned and faced the three persons before him.

"Take me down to the sheriff's office," he commanded. "I 'll tell everything. I don't know so awful much—because I ain't tried to learn anything more than I could help. But I 'll give up everything I 've got."

"And how about him?" Fairchild pointed to Blindeye, just regaining consciousness. Taylor Bill nodded.

"He 'll tell—he 'll have to."

They trussed the big miner then, and dragging Bozeman to his feet, started out of the cross-cut with them. Harry's carbide pointing the way through the blind door and into the main tunnel. Then they halted to bundle themselves tighter against the cold blast that was coming from without. On—to the mouth of the mine. Then they stopped—short.

A figure showed in the darkness, on horseback. An electric flashlight suddenly flared against the gleam of the carbide. An exclamation, an excited command to the horse, and the rider wheeled, rushing down the mountain side, urging his mount to dangerous leaps, sending him plunging through drifts where a misstep might mean death, fleeing for the main road again. Anita Richmond screamed:

"That's Maurice! I got a glimpse of his face! He 's gotten away—go after him somebody—go after him!"

But it was useless. The horseman had made the road and was speeding down it. Rushing ahead of the others, Fairchild gained a point of vantage where he could watch the fading black smudge of the horse and rider as it went on and on along the rocky road, finally to reach the main thoroughfare and turn swiftly. Then he went back to join the others.

"He 's taken the Center City road!" came his announcement. "Is there a turn-off on it anywhere?"

"No." Anita gave the answer. "It goes straight through—but he 'll have a hard time making it there in this blizzard. If we only had horses!"

"They would n't do us much good now! Climb on my back as you did on Harry's. You can handle these two men alone?" This to his partner. The Cornishman grunted.

"Yes. They won't start anything. Why?"

"I 'm going to take Miss Richmond and hurry ahead to the sheriff's office. He might not believe me. But he 'll take her word—and that 'll be sufficient until you get there with the prisoners. I 've got to persuade him to telephone to Center City and head off the Rodaines!"



CHAPTER XXIV

He stooped and Anita, laughing at her posture, clambered upon his back, her arms about his neck, arms which seemed to shut out the biting blast of the blizzard as he staggered through the high-piled snow and downward to the road. There he continued to carry her; Fairchild found himself wishing that he could carry her forever, and that the road to the sheriff's office were twenty miles away instead of two. But her voice cut in on his wishes.

"I can walk now."

"But the drifts—"

"We can get along so much faster!" came her plea. "I 'll hold on to you—and you can help me along."

Fairchild released her and she seized his arm. For a quarter of a mile they hurried along, skirting the places where the snow had collected in breast-high drifts, now and then being forced nearly down to the bank of the stream to avoid the mountainous piles of fleecy white. Once, as they floundered through a knee-high mass, Fairchild's arm went quickly about her waist and he lifted her against him as he literally carried her through. When they reached the other side, the arm still held its place,—and she did not resist. Fairchild wanted to whistle, or sing, or shout. But breath was too valuable—and besides, what little remained had momentarily been taken from him. A small hand had found his, where it encircled her. It had rested there, calm and warm and enthralling, and it told Fairchild more than all the words in the world could have told just then—that she realized that his arm was about her—and that she wanted it there. Some way, after that, the stretch of road faded swiftly. Almost before he realized it, they were at the outskirts of the city.

Grudgingly he gave up his hold upon her, as they hurried for the sidewalks and for the sheriff's office. There Fairchild did not attempt to talk—he left it all to Anita, and Bardwell, the sheriff, listened. Taylor Bill had confessed to the robbery at the Old Times dance and to his attempt to so arrange the evidence that the blame would fall on Harry. Taylor Bill and Blindeye Bozeman had been caught at work in a cross-cut tunnel which led to the property of the Blue Poppy mine, and one of them, at least, had admitted that the sole output of the Silver Queen had come from this thieving encroachment. Then Anita completed the recital,—of the plans of the Rodaines to leave and of their departure for Center City. At last, Fairchild spoke, and he told the happenings which he had encountered in the ramshackle house occupied by Crazy Laura. It was sufficient. The sheriff reached for the telephone.

"No need for hurry," he announced. "Young Rodaine can't possibly make that trip in less than two hours. How long did it take you to come down here?"

"About an hour, I should judge."

"Then we 've got plenty of time—hello—Central? Long distance, please. What's that? Yeh—Long Distance. Want to put in a call for Center City." A long wait, while a metallic voice streamed over the wire into the sheriff's ear. He hung up the receiver. "Blocked," he said shortly. "The wire 's down. Three or four poles fell from the force of the storm. Can't get in there before morning."

"But there 's the telegraph!"

"It 'd take half an hour to get the operator out of bed—office is closed. Nope. We 'll take the short cut. And we 'll beat him there by a half-hour!"

Anita started.

"You mean the Argonaut tunnel?"

"Yes. Call up there and tell them to get a motor ready for us to shoot straight through. We can make it at thirty miles an hour, and the skip in the Reunion Mine will get us to the surface in five minutes. The tunnel ends sixteen hundred feet underground, about a thousand feet from Center City," he explained, as he noted Fairchild's wondering gaze. "You stay here. We 've got to wait for those prisoners—and lock 'em up. I 'll be getting my car warmed up to take us to the tunnel."

Anita already was at the 'phone, and Fairchild sank into a chair, watching her with luminous eyes. The world was becoming brighter; it might be night, with a blizzard blowing, to every one else,—but to Fairchild the sun was shining as it never had shone before. A thumping sound came from without. Harry entered with his two charges, followed shortly by Bardwell, the sheriff, while just beneath the office window a motor roared in the process of "warming up." The sheriff looked from one to the other of the two men.

"These people have made charges against you," he said shortly. "I want to know a little more about them before I go any farther. They say you 've been high-jacking."

Taylor Bill nodded in the affirmative.

"And that you robbed the Old Times dance and framed the evidence against this big Cornishman?"

Taylor Bill scraped a foot on the floor.

"It's true. Squint Rodaine wanted me to do it. He 'd been trying for thirty years to get that Blue Poppy mine. There was some kind of a mix-up away back there that I did n't know much about—fact is, I did n't know anything. The Silver Queen didn't amount to much and when demonetization set in, I quit—you 'll remember, Sheriff—and went away. I 'd worked for Squint before, and when I came back a couple of years ago, I naturally went to him for a job again. Then he put this proposition up to me at ten dollars a day and ten per cent. It looked too good to be turned down."

"How about you?" Bardwell faced Blindeye. The sandy lashes blinked and the weak eyes turned toward the floor.

"I—was in on it."

That was enough. The sheriff reached for his keys. A moment more and a steel door clanged upon the two men while the officer led the way to his motor car. There he looked quizzically at Anita Richmond, piling without hesitation into the front seat.

"You going too?"

"I certainly am," and she covered her intensity with a laugh, "there are a number of things that I want to say to Mr. Maurice Rodaine—and I have n't the patience to wait!"

Bardwell chuckled. The doors of the car slammed and the engine roared louder than ever. Soon they were churning along through the driving snow toward the great buildings of the Argonaut Tunnel Company, far at the other end of town. There men awaited them, and a tram motor, together with its operator,—happy in the expectation of a departure from the usual routine of hauling out the long strings of ore and refuse cars from the great tunnel which, driving straight through the mountains, had been built in the boom days to cut the workings of mine after mine, relieving the owners of those holdings of the necessity of taking their product by the slow method of burro packs to the railroads, and gaining for the company a freight business as enriching as a bonanza itself. The four pursuers took their places on the benches of the car behind the motor. The trolley was attached. A great door was opened, allowing the cold blast of the blizzard to whine within the tunnel. Then, clattering over the frogs, green lights flashing from the trolley wire, the speeding journey was begun.

It was all new to Fairchild, engrossing, exciting. Close above them were the ragged rocks of the tunnel roof, seeming to reach down as if to seize them as they roared and clattered beneath. Seepage dripped at intervals, flying into their faces like spray as they dashed through it. Side tracks appeared momentarily when they passed the opening of some mine where the ore cars stood in long lines, awaiting their turn to be filled. The air grew warmer. The minutes were passing, and they were nearing the center of the tunnel. Great gateways sped past them; the motor smashed over sidetracks and spurs and switches as they clattered by the various mine openings, the operator reaching above him to hold the trolley steady as they went under narrow, low places where the timbers had been placed, thick and heavy, to hold back the sagging earth above.

Three miles, four, five, while Anita Richmond held close to Fairchild as the speed became greater and the sparks from the wire above threw their green, vicious light over the yawning stretch before them. A last spurt, slightly down-grade, with the motor pushing the wheels at their greatest velocity; then the crackling of electricity suddenly ceased, the motor slowed in its progress, finally to stop. The driver pointed to the right.

"Over there, sheriff—about fifty feet; that's the Reunion opening."

"Thanks!" They ran across the spur tracks in the faint light of a dirty incandescent, gleaming from above. A greasy being faced them and Bardwell, the sheriff, shouted his mission.

"Got to catch some people that are making a get-away through Center City. Can you send us up in the skip?"

"Yes, two at a time."

"All right!" The sheriff turned to Harry. "You and I 'll go on the first trip and hurry for the Ohadi road. Fairchild and Miss Richmond will wait for the second and go to Sheriff Mason's office and tell him what's up. Meet us there," he said to Fairchild, as he went forward. Already the hoist was working; from far above came the grinding of wheels on rails as the skip was lowered. A wave of the hand, then Bardwell and Harry entered the big, steel receptacle. At the wall the greasy workman pulled three times on the electric signal; a moment more and the skip with its two occupants had passed out of sight.

A long wait followed while Fairchild strove to talk of many things,—and failed in all of them. Things were happening too swiftly for them to be put into crisp sentences by a man whose thoughts were muddled by the fact that beside him waited a girl in a whipcord riding suit—the same girl who had leaped from an automobile on the Denver highway and—

It crystallized things for him momentarily.

"I 'm going to ask you something after a while—something that I 've wondered and wondered about. I know it was n't anything—but—"

She laughed up at him.

"It did look terrible, didn't it?"

"Well, it would n't have been so mysterious if you had n't hurried away so quick. And then—"

"You really did n't think I was the Smelter bandit, did you?" the laugh still was on her lips. Fairchild scratched his head.

"Darned if I know what I thought. And I don't know what I think yet."

"But you 've managed to live through it."

"Yes—but—"

She touched his arm and put on a scowl.

"It's very, very awful!" came in a low, mock-awed voice. "But—" then the laugh came again—"maybe if you 're good and—well, maybe I 'll tell you after a while."

"Honest?"

"Of course I 'm honest! Is n't that the skip?"

Fairchild walked to the shaft. But the skip was not in sight. A long ten minutes they waited, while the great steel carrier made the trip to the surface with Harry and Sheriff Bardwell, then came lumbering down again. Fairchild stepped in and lifted Anita to his side.

The journey was made in darkness,—darkness which Fairchild longed to turn to his advantage, darkness which seemed to call to him to throw his arms about the girl at his side, to crush her to him, to seek out with an instinct that needed no guiding light the laughing, pretty lips which had caused him many a day of happiness, many a day of worried wonderment. He strove to talk away the desire—but the grinding of the wheels in the narrow shaft denied that. His fingers twitched, his arms trembled as he sought to hold back the muscles, then, yielding to the impulse, he started—

"Da-a-a-g-gone it!"

"What's the matter?"

"Nothing."

But Fairchild was n't telling the truth. They had reached the light just at the wrong, wrong moment. Out of the skip he lifted her, then inquired the way to the sheriff's office of this, a new county. The direction was given, and they went there. They told their story. The big-shouldered, heavily mustached man at the desk grinned cheerily.

"That there's the best news I 've heard in forty moons," he announced. "I always did hate that fellow. You say Bardwell and your partner went out on the Ohadi road to head the young 'un off?"

"Yes. They had about a fifteen-minute start on us. Do you think—?"

"We 'll wait here. They 're hefty and strong. They can handle him alone."

But an hour passed without word from the two Searchers. Two more went by. The sheriff rose from his chair, stamped about the room, and looked out at the night, a driving, aimless thing in the clutch of a blizzard.

"Hope they ain't lost," came at last.

"Had n't we better—?"

But a noise from without cut off the conversation. Stamping feet sounded on the steps, the knob turned, and Sheriff Bardwell, snow-white, entered, shaking himself like a great dog, as he sought to rid himself of the effects of the blizzard.

"Hello, Mason," came curtly.

"Hello, Bardwell, what 'd you find?"

The sheriff of Clear Creek county glanced toward Anita Richmond and was silent. The girl leaped to her feet.

"Don't be afraid to talk on my account," she begged. "Where's Harry? Is he all right? Did he come back with you?"

"Yes—he's back."

"And you found Maurice?"

Bardwell was silent again, biting at the end of his mustache. Then he squared himself.

"No matter how much a person dislikes another one—it's, it's—always a shock," came at last. Anita came closer.

"You mean that he 's dead?"

The sheriff nodded, and Fairchild came suddenly to his feet. Anita's face had grown suddenly old,—the oldness that precedes the youth of great relief.

"I 'm sorry—for any one who must die," came finally. "But perhaps—perhaps it was better. Where was he?"

"About a mile out. He must have rushed his horse too hard. The sweat was frozen all over it—nobody can push a beast like that through these drifts and keep it alive."

"He did n't know much about riding."

"I should say not. Did n't know much of anything when we got to him. He was just about gone—tried to stagger to his feet when we came up, but could n't make it. Kind of acted like he 'd lost his senses through fear or exposure or something. Asked me who I was, and I said Bardwell. Seemed to be tickled to hear my name—but he called it Barnham. Then he got up on his hands and knees and clutched at me and asked me if I 'd drawn out all the money and had it safe. Just to humor him, I said I had. He tried to say something after that, but it was n't much use. The first thing we knew he 'd passed out. That's where Harry is now—took him over to the mortuary. There isn't anybody named Barnham, is there?"

"Barnham?" The name had awakened recollections for Fairchild; "why he's the fellow that—"

But Anita cut in.

"He 's a lawyer in Denver. They 've been sending all the income from stock sales to him for deposit. If Maurice asked if he 'd gotten the money out, it must mean that they meant to run with all the proceeds. We 'll have to telephone Denver."

"Providing the line's working." Bardwell stared at the other sheriff. "Is it?"

"Yes—to Denver."

"Then let's get headquarters in a hurry. You know Captain Lee, don't you? You do the talking. Tell him to get hold of this fellow Barnham and pinch him, and then send him up to Ohadi in care of Pete Carr or some other good officer. We 've got a lot of things to say to him."

The message went through. Then the two sheriffs rose and looked at their revolvers.

"Now for the tough one." Bardwell made the remark, and Mason smiled grimly. Fairchild rose and went to them.

"May I go along?"

"Yes, but not the girl. Not this time."

Anita did not demur. She moved to the big rocker beside the old base burner and curled up in it. Fairchild walked to her side.

"You won't run away," he begged.

"I? Why?"

"Oh—I don't know. It—it just seems too good to be true!"

She laughed and pulled her cap from her head, allowing her wavy, brown hair to fall about her shoulders, and over her face. Through it she smiled up at him, and there was something in that smile which made Fairchild's heart beat faster than ever.

"I 'll be right here," she answered, and with that assurance, he followed the other two men out into the night.

Far down the street, where the rather bleak outlines of the hotel showed bleaker than ever in the frigid night, a light was gleaming in a second-story window. Mason turned to his fellow sheriff.

"He usually stays there. That must be him—waiting for the kid."

"Then we 'd better hurry—before somebody springs the news."

The three entered, to pass the drowsy night clerk, examine the register and to find that their conjecture had been correct. Tiptoeing, they went to the door and knocked. A high-pitched voice came from within.

"That you, Maurice?"

Fairchild answered in the best imitation he could give.

"Yes. I 've got Anita with me."

Steps, then the door opened. For just a second, Squint Rodaine stared at them in ghastly, sickly fashion. Then he moved back into the room, still facing them.

"What's the idea of this?" came his forced query. Fairchild stepped forward.

"Simply to tell you that everything 's blown up as far as you 're concerned, Mr. Rodaine."

"You needn't be so dramatic about it. You act like I 'd committed a murder! What 've I done that you should—?"

"Just a minute. I would n't try to act innocent. For one thing, I happened to be in the same house with you one night when you showed Crazy Laura, your wife, how to make people immortal. And we 'll probably learn a few more things about your character when we 've gotten back there and interviewed—"

He stopped his accusations to leap forward, clutching wildly. But in vain. With a lunge, Squint Rodaine had turned, then, springing high from the floor, had seemed to double in the air as he crashed through the big pane of the window and out to the twenty-foot plunge which awaited him.

Blocked by the form of Fairchild, the two sheriffs sought in vain to use the guns which they had drawn from their holsters. Hurriedly they gained the window, but already the form of Rodaine had unrolled itself from the snow bank into which it had fallen, dived beneath the protection of the low coping which ran above the first-floor windows of the hotel, skirted the building in safety and whirled into the alley that lay beyond. Squint Rodaine was gone. Frantically, Fairchild turned for the door, but a big hand stopped him.

"Let him go—let him think he 's gotten away," said grizzled Sheriff Mason. "He ain't got a chance. There 's snow everywhere—and we can trail him like a hound dawg trailing a rabbit. And I think I know where he 's bound for. Whatever that was you said about Crazy Laura hit awful close to home. It ain't going to be hard to find that rattler!"



CHAPTER XXV

Fairchild felt the logic of the remark and ceased his worriment. Quietly, as though nothing had happened, the three men went down the stairs, passed the sleeping night clerk and headed back to the sheriff's office, where waited Anita and Harry, who had completed his last duties in regard to the chalky-faced Maurice Rodaine. The telephone jangled. It was Denver. Mason talked a moment over the wire, then turned to his fellow officer.

"They 've got Barnham. He was in his office, evidently waiting for a call from here. What's more, he had close to a million dollars in currency strapped around him. Pete Carr 's bringing him and the boodle up to Ohadi on the morning train. Guess we 'd better stir up some horses now and chase along, had n't we?"

"Yes, and get a gentle one for me," cautioned Harry. "It's been eight years since I 've sit on the 'urricane deck of a 'orse!"

"That goes for me too," laughed Fairchild.

"And me—I like automobiles better," Anita was twisting her long hair into a braid, to be once more shoved under her cap. Fairchild looked at her with a new sense of proprietorship.

"You 're not going to be warm enough!"

"Oh, yes, I will."

"But—"

"I'll end the argument," boomed old Sheriff Mason, dragging a heavy fur coat from a closet. "If she gets cold in this—I 'm crazy."

There was little chance. In fact, the only difficulty was to find the girl herself, once she and the great coat were on the back of a saddle horse. The start was made. Slowly the five figures circled the hotel and into the alley, to follow the tracks in the snow to a barn far at the edge of town. They looked within. A horse and saddle were missing, and the tracks in the snow pointed the way they had gone. There was nothing necessary but to follow.

A detour, then the tracks led the way to the Ohadi road, and behind them came the pursuers, heads down against the wind, horses snorting and coughing as they forced their way through the big drifts, each following one another for the protection it afforded. A long, silent, cold-gripped two hours,—then finally the lights of Ohadi.

But even then the trail was not difficult. The little town was asleep; hardly a track showed in the streets beyond the hoofprints of a horse leading up the principal thoroughfare and on out to the Georgeville road. Onward, until before them was the bleak, rat-ridden old roadhouse which formed Laura's home, and a light was gleaming within.

Silently the pursuers dismounted and started forward, only to stop short. A scream had come to them, faint in the bluster of the storm, the racking scream of a woman in a tempest of anger. Suddenly the light seemed to bob about in the old house; it showed first at one window—then another—as though some one were running from room to room. Once two gaunt shadows stood forth—of a crouching man and a woman, one hand extended in the air, as she whirled the lamp before her for an instant and brought herself between its rays and those who watched.

Again the chase and then the scream, louder than ever, accompanied by streaking red flame which spread across the top floor like wind-blown spray. Shadows weaved before the windows, while the flames seemed to reach out and enwrap every portion of the upper floor. The staggering figure of a man with the blaze all about him was visible; then a woman who rushed past him. Groping as though blinded, the burning form of the man weaved a moment before a window, clawing in a futile attempt to open it, the flames, which seemed to leap from every portion of his body, enwrapping him. Slowly, a torch-like, stricken thing, he sank out of sight, and as the pursuers outside rushed forward, the figure of a woman appeared on the old veranda, half naked, shrieking, carrying something tightly locked in her arms, and plunged down the steps into the snow.

Fairchild, circling far to one side, caught her, and with all his strength resisted her squirming efforts until Harry and Bardwell had come to his assistance. It was Crazy Laura, the contents of her arms now showing in the light of the flames as they licked every window of the upper portion of the house,—five heavy, sheepskin-bound books of the ledger type, wrapped tight in a grasp that not even Harry could loosen.

"Don't take them from me!" the insane woman screamed. "He tried it, didn't he? And where 's he now—up there burning! He hit me—and I threw the lamp at him! He wanted my books—he wanted to take them away from me—but I would n't let him. And you can't have them—hear me—let go of my arm—let go!"

She bit at them. She twisted and butted them with her gray head. She screamed and squirmed,—at last to weaken. Slowly Harry forced her arms aside and took from them the precious contents,—whatever they might be. Grimly old Sheriff Mason wrapped her in his coat and led her to a horse, there to force her to mount and ride with him into town. The house—with Squint Rodaine—was gone. Already the flame was breaking through the roof in a dozen places. It would be ashes before the antiquated fire department of the little town of Ohadi could reach there.

Back in the office of Sheriff Bardwell the books—were opened, and Fairchild uttered an exclamation.

"Harry! Did n't she talk about her books at the Coroner's inquest?"

"Yeh. That's them. Them 's her dairy."

"Diary," Anita corrected. "Everybody knows about that—she writes everything down in there. And the funny part about it, they say, is that when she's writing, her mind is straight and she knows what she's done and tells about it. They 've tried her out."

Fairchild was leaning forward.

"See if there 's any entry along early in July—about the time of the inquest."

Bardwell turned the closely written pages, with their items set forth with a slight margin and a double line dividing them from the events tabulated above. At last he stopped.

"Testified to-day at the inquest," he read. "I lied. Roady made me do it. I never saw anybody quarreling. Besides, I did it myself."

"What's she mean—did it herself?" the sheriff looked up. "Guess we 'll have to go 'way back for that."

"First let's see how accurate the thing is," Fairchild interrupted. "See if there 's an item under November 9 of this year."

The sheriff searched, then read:

"I dug a grave to-night. It was not filled. The immortal thing left me. I knew it would. Roady had come and told me to dig a grave and put it in there. I did. We filled it with quicklime. Then we went upstairs and it was gone. I do not understand it. If Roady wanted me to kill him, why did n't he say so. I will kill if Roady will be good to me. I 've killed before for him."

"Still referring to somebody she 's killed," cut in Anita. "I wonder if it could be possible—"

"I 've just thought of the date!" Harry broke in excitedly. "It was along about June 7, 1892. I 'm sure it was around there."

The old books were mulled over, one after the other. At last Bardwell leaned forward and pointed to a certain page.

"Here's an item under May 28. It says: 'Roady has been at me again! He wants me to fix things so that the three men in the Blue Poppy mine will get caught in there by a cave-in.'" The sheriff looked up. "This seems to read a little better than the other stuff. It's not so jagged. Don't guess she was as much off her nut then as she is now. Let's see. Where 's the place? Oh, yes: 'If I 'll help him, I can have half, and we 'll live together again, and he 'll be good to me and I can have the boy. I know what it's all about. He wants to get the mine without Sissie Larsen having anything to do with it. Sissie has cemented up the hole he drilled into the pay ore and has n't told Fairchild about it, because he thinks Roady will go partnerships with him and help him buy in. But Roady won't do it. He wants that extra money for me. He told me so. Roady is good to me sometimes. He kisses me and makes over me just like he did the night our boy was born. But that's when he wants me to do something. If he 'll keep his promise I 'll fix the mine so they won't get out. Then we can buy it at public sale or from the heirs; and Roady and I will live together again.'"

"The poor old soul," there was aching sympathy in Anita Richmond's voice. "I—I can't help it if she was willing to kill people. The poor old thing was crazy."

"Yes, and she 's 'ad us bloody near crazy too. Maybe there 's another entry."

"I 'm coming to it. It's along in June. The date 's blurred. Listen: 'I did what Roady wanted me to. I sneaked into the mine and planted dynamite in the timbers. I wanted to wait until the third man was there, but I could n't. Fairchild and Larsen were fussing. Fairchild had learned about the hole and wanted to know what Larsen had found. Finally Larsen pulled a gun and shot Fairchild. He fell, and I knew he was dead. Then Larsen bent over him, and when he did I hit him—on the head with a single-jack hammer. Then I set off the charge. Nobody ever will know how it happened unless they find the bullet or the gun. I don't care if they do. Roady wanted me to do it.'"

Fairchild started to speak, but the sheriff stopped him.

"Wait, here 's another item:

"'I failed. I did n't kill either of them. They got out someway and drove out of town to-night. Roady is mad at me. He won't come near me. And I 'm so lonesome for him!'"

"The explanation!" Fairchild almost shouted it as he seized the book and read it again. "Sheriff, I 've got to make a confession. My father always thought that he had killed a man. Not that he told me—but I could guess it easily enough, from other things that happened. When he came to, he found a single-jack hammer lying beside him, and Larsen's body across him. Could n't he naturally believe that he had killed him while in a daze? He was afraid of Rodaine—that Rodaine would get up a lynching party and string him up. Harry here and Mrs. Howard helped him out of town. And this is the explanation!"

Bardwell smiled quizzically.

"It looks like there 's going to be a lot of explanations. What time was it when you were trapped in that mine, Harkins?"

"Along about the first of November."

The sheriff turned to the page. It was there,—the story of Crazy Laura and her descent into the Blue Poppy mine, and again the charge of dynamite which wrecked the tunnel. With a little sigh, Bardwell closed the book and looked out at the dawn, forcing its way through the blinding snow.

"Yes, I guess we 'll find a lot of things in this old book," came at last. "But I think right now that the best thing any of us can find is a little sleep."

Rest,—rest for five wearied persons, but the rest of contentment and peace. And late in the afternoon, three of them were gathered in the old-fashioned parlor of Mother Howard's boarding house, waiting for the return of that dignitary from a sudden mission upon which Anita Richmond had sent her, involving a trip to the old Richmond mansion. Harry turned away from his place at the window.

"The district attorney 'ad a long talk with Barnham," he announced, "and 'e 's figured out a wye for all the stock'olders in the Silver Queen to get what's coming to them. As it is, they's about a 'unnerd thousand short some'eres."

Fairchild looked up.

"What's the scheme?"

"To call a meeting of the stock'olders and transfer all that money over to a special fund to buy Blue Poppy stock. We 'll 'ave to raise money anyway to work the mine like we ought to. And it 'd cost something. You always 'ave to underwrite that sort of thing. I sort of like it, even if we 'd 'ave to sell stock a little below par. It 'd keep Ohadi from getting a bad name and all that."

"I think so too." Anita Richmond laughed, "It suits me fine."

Fairchild looked down at her and smiled.

"I guess that's the answer," he said. "Of course that does n't include the Rodaine stock. In other words, we give a lot of disappointed stockholders par value for about ninety cents on the dollar. But Farrell can look after all that. He 's got to have something to keep him busy as attorney for the company."

A step on the veranda, and Mother Howard entered, a package under her arm, which she placed in Anita's lap. The girl looked up at the man who stood beside her.

"I promised," she said, "that I 'd tell you about the Denver road."

He leaned close.

"That is n't all you promised—just before I left you this morning," came his whispered voice, and Harry, at the window, doubled in laughter.

"Why did n't you speak it all out?" he gurgled. "I 'eard every word."

Anita's eyes snapped.

"Well, I don't guess that's any worse than me standing behind the folding doors listening to you and Mother Howard gushing like a couple of sick doves!"

"That 'olds me," announced Harry. "That 'olds me. I ain't got a word to sye!"

Anita laughed.

"Persons who live in glass houses, you know. But about this explanation. I 'm going to ask a hypothetical question. Suppose you and your family were in the clutches of persons who were always trying to get you into a position where you 'd be more at their mercy. And suppose an old friend of the family wanted to make the family a present and called up from Denver for you to come on down and get it—not for yourself, but just to have around in case of need. Then suppose you went to Denver, got the valuable present and then, just when you were getting up speed to make the first grade on Lookout, you heard a shot behind you and looked around to see the sheriff coming. And if he caught you, it 'd mean a lot of worry and the worst kind of gossip, and maybe you 'd have to go to jail for breaking laws and everything like that? In a case of that kind, what'd you do?"

"Run to beat bloody 'ell!" blurted out Harry.

"And that's just what she did," added Fairchild. "I know because I saw her."

Anita was unwrapping the package.

"And seeing that I did run," she added with a laugh, "and got away with it, who would like to share in what remains of one beautiful bottle of Manhattan cocktails?"

There was not one dissenting voice!

THE END

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