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Abruptly the footsteps ceased. He waited for the next, and there was silence, and then suddenly, cutting through the unexpected stillness like a keen, thin blade, came the first stroke of the bell. At that the multitudinous faces swayed to and fro, and a louder crying began all about him. The woman did not hear; she was burning something now in the candle flame. At the second stroke everything grew dim, and a breath of wind, icy cold, blew through the host of watchers. They swirled about him like an eddy of dead leaves in the spring, and at the third stroke something was extended through them to the bed. You have heard of a beam of light. This was like a beam of darkness, and looking again at it, Plattner saw that it was a shadowy arm and hand.
The green sun was now topping the black desolations of the horizon, and the vision of the room was very faint. Plattner could see that the white of the bed struggled, and was convulsed; and that the woman looked round over her shoulder at it, startled.
The cloud of watchers lifted high like a puff of green dust before the wind, and swept swiftly downward towards the temple in the gorge. Then suddenly Plattner understood the meaning of the shadowy black arm that stretched across his shoulder and clutched its prey. He did not dare turn his head to see the Shadow behind the arm. With a violent effort, and covering his eyes, he set himself to run, made, perhaps, twenty strides, then slipped on a boulder, and fell. He fell forward on his hands; and the bottle smashed and exploded as he touched the ground.
In another moment he found himself, stunned and bleeding, sitting face to face with Lidgett in the old walled garden behind the school.
* * * * *
There the story of Plattner's experiences ends. I have resisted, I believe successfully, the natural disposition of a writer of fiction to dress up incidents of this sort. I have told the thing as far as possible in the order in which Plattner told it to me. I have carefully avoided any attempt at style, effect, or construction. It would have been easy, for instance, to have worked the scene of the death-bed into a kind of plot in which Plattner might have been involved. But, quite apart from the objectionableness of falsifying a most extraordinary true story, any such trite devices would spoil, to my mind, the peculiar effect of this dark world, with its livid green illumination and its drifting Watchers of the Living, which, unseen and unapproachable to us, is yet lying all about us.
It remains to add that a death did actually occur in Vincent Terrace, just beyond the school garden, and, so far as can be proved, at the moment of Plattner's return. Deceased was a rate-collector and insurance agent. His widow, who was much younger than himself, married last month a Mr. Whymper, a veterinary surgeon of Allbeeding. As the portion of this story given here has in various forms circulated orally in Sussexville, she has consented to my use of her name, on condition that I make it distinctly known that she emphatically contradicts every detail of Plattner's account of her husband's last moments. She burnt no will, she says, although Plattner never accused her of doing so; her husband made but one will, and that just after their marriage. Certainly, from a man who had never seen it, Plattner's account of the furniture of the room was curiously accurate.
One other thing, even at the risk of an irksome repetition, I must insist upon, lest I seem to favour the credulous, superstitious view. Plattner's absence from the world for nine days is, I think, proved. But that does not prove his story. It is quite conceivable that even outside space hallucinations may be possible. That, at least, the reader must bear distinctly in mind.
XVI.
THE RED ROOM.
"I can assure you," said I, "that it will take a very tangible ghost to frighten me." And I stood up before the fire with my glass in my hand.
"It is your own choosing," said the man with the withered arm, and glanced at me askance.
"Eight-and-twenty years," said I, "I have lived, and never a ghost have I seen as yet."
The old woman sat staring hard into the fire, her pale eyes wide open. "Ay," she broke in; "and eight-and-twenty years you have lived and never seen the likes of this house, I reckon. There's a many things to see, when one's still but eight-and-twenty." She swayed her head slowly from side to side. "A many things to see and sorrow for."
I half suspected the old people were trying to enhance the spiritual terrors of their house by their droning insistence. I put down my empty glass on the table and looked about the room, and caught a glimpse of myself, abbreviated and broadened to an impossible sturdiness, in the queer old mirror at the end of the room. "Well," I said, "if I see anything to-night, I shall be so much the wiser. For I come to the business with an open mind."
"It's your own choosing," said the man with the withered arm once more.
I heard the sound of a stick and a shambling step on the flags in the passage outside, and the door creaked on its hinges as a second old man entered, more bent, more wrinkled, more aged even than the first. He supported himself by a single crutch, his eyes were covered by a shade, and his lower lip, half averted, hung pale and pink from his decaying yellow teeth. He made straight for an arm-chair on the opposite side of the table, sat down clumsily, and began to cough. The man with the withered arm gave this new-comer a short glance of positive dislike; the old woman took no notice of his arrival, but remained with her eyes fixed steadily on the fire.
"I said—it's your own choosing," said the man with the withered arm, when the coughing had ceased for a while.
"It's my own choosing," I answered.
The man with the shade became aware of my presence for the first time, and threw his head back for a moment and sideways, to see me. I caught a momentary glimpse of his eyes, small and bright and inflamed. Then he began to cough and splutter again.
"Why don't you drink?" said the man with the withered arm, pushing the beer towards him. The man with the shade poured out a glassful with a shaky hand that splashed half as much again on the deal table. A monstrous shadow of him crouched upon the wall and mocked his action as he poured and drank. I must confess I had scarce expected these grotesque custodians. There is to my mind something inhuman in senility, something crouching and atavistic; the human qualities seem to drop from old people insensibly day by day. The three of them made me feel uncomfortable, with their gaunt silences, their bent carriage, their evident unfriendliness to me and to one another.
"If," said I, "you will show me to this haunted room of yours, I will make myself comfortable there."
The old man with the cough jerked his head back so suddenly that it startled me, and shot another glance of his red eyes at me from under the shade; but no one answered me. I waited a minute, glancing from one to the other.
"If," I said a little louder, "if you will show me to this haunted room of yours, I will relieve you from the task of entertaining me."
"There's a candle on the slab outside the door," said the man with the withered arm, looking at my feet as he addressed me. "But if you go to the red room to-night——"
("This night of all nights!" said the old woman.)
"You go alone."
"Very well," I answered. "And which way do I go?"
"You go along the passage for a bit," said he, "until you come to a door, and through that is a spiral staircase, and half-way up that is a landing and another door covered with baize. Go through that and down the long corridor to the end, and the red room is on your left up the steps."
"Have I got that right?" I said, and repeated his directions. He corrected me in one particular.
"And are you really going?" said the man with the shade, looking at me again for the third time, with that queer, unnatural tilting of the face.
("This night of all nights!" said the old woman.)
"It is what I came for," I said, and moved towards the door. As I did so, the old man with the shade rose and staggered round the table, so as to be closer to the others and to the fire. At the door I turned and looked at them, and saw they were all close together, dark against the firelight, staring at me over their shoulders, with an intent expression on their ancient faces.
"Good-night," I said, setting the door open.
"It's your own choosing," said the man with the withered arm.
I left the door wide open until the candle was well alight, and then I shut them in and walked down the chilly, echoing passage.
I must confess that the oddness of these three old pensioners in whose charge her ladyship had left the castle, and the deep-toned, old-fashioned furniture of the housekeeper's room in which they foregathered, affected me in spite of my efforts to keep myself at a matter-of-fact phase. They seemed to belong to another age, an older age, an age when things spiritual were different from this of ours, less certain; an age when omens and witches were credible, and ghosts beyond denying. Their very existence was spectral; the cut of their clothing, fashions born in dead brains. The ornaments and conveniences of the room about them were ghostly—the thoughts of vanished men, which still haunted rather than participated in the world of to-day. But with an effort I sent such thoughts to the right-about. The long, draughty subterranean passage was chilly and dusty, and my candle flared and made the shadows cower and quiver. The echoes rang up and down the spiral staircase, and a shadow came sweeping up after me, and one fled before me into the darkness overhead. I came to the landing and stopped there for a moment, listening to a rustling that I fancied I heard; then, satisfied of the absolute silence, I pushed open the baize-covered door and stood in the corridor.
The effect was scarcely what I expected, for the moonlight, coming in by the great window on the grand staircase, picked out everything in vivid black shadow or silvery illumination. Everything was in its place: the house might have been deserted on the yesterday instead of eighteen months ago. There were candles in the sockets of the sconces, and whatever dust had gathered on the carpets or upon the polished flooring was distributed so evenly as to be invisible in the moonlight. I was about to advance, and stopped abruptly. A bronze group stood upon the landing, hidden from me by the corner of the wall, but its shadow fell with marvellous distinctness upon the white panelling, and gave me the impression of someone crouching to waylay me. I stood rigid for half a minute perhaps. Then, with my hand in the pocket that held my revolver, I advanced, only to discover a Ganymede and Eagle glistening in the moonlight. That incident for a time restored my nerve, and a porcelain Chinaman on a buhl table, whose head rocked silently as I passed him, scarcely startled me.
The door to the red room and the steps up to it were in a shadowy corner. I moved my candle from side to side, in order to see clearly the nature of the recess in which I stood before opening the door. Here it was, thought I, that my predecessor was found, and the memory of that story gave me a sudden twinge of apprehension. I glanced over my shoulder at the Ganymede in the moonlight, and opened the door of the red room rather hastily, with my face half turned to the pallid silence of the landing.
I entered, closed the door behind me at once, turned the key I found in the lock within, and stood with the candle held aloft, surveying the scene of my vigil, the great red room of Lorraine Castle, in which the young duke had died. Or, rather, in which he had begun his dying, for he had opened the door and fallen headlong down the steps I had just ascended. That had been the end of his vigil, of his gallant attempt to conquer the ghostly tradition of the place, and never, I thought, had apoplexy better served the ends of superstition. And there were other and older stories that clung to the room, back to the half-credible beginning of it all, the tale of a timid wife and the tragic end that came to her husband's jest of frightening her. And looking around that large sombre room, with its shadowy window bays, its recesses and alcoves, one could well understand the legends that had sprouted in its black corners, its germinating darkness. My candle was a little tongue of light in its vastness, that failed to pierce the opposite end of the room, and left an ocean of mystery and suggestion beyond its island of light.
I resolved to make a systematic examination of the place at once, and dispel the fanciful suggestions of its obscurity before they obtained a hold upon me. After satisfying myself of the fastening of the door, I began to walk about the room, peering round each article of furniture, tucking up the valances of the bed, and opening its curtains wide. I pulled up the blinds and examined the fastenings of the several windows before closing the shutters, leant forward and looked up the blackness of the wide chimney, and tapped the dark oak panelling for any secret opening. There were two big mirrors in the room, each with a pair of sconces bearing candles, and on the mantelshelf, too, were more candles in china candlesticks. All these I lit one after the other. The fire was laid, an unexpected consideration from the old housekeeper,—and I lit it, to keep down any disposition to shiver, and when it was burning well, I stood round with my back to it and regarded the room again. I had pulled up a chintz-covered arm-chair and a table, to form a kind of barricade before me, and on this lay my revolver ready to hand. My precise examination had done me good, but I still found the remoter darkness of the place, and its perfect stillness, too stimulating for the imagination. The echoing of the stir and crackling of the fire was no sort of comfort to me. The shadow in the alcove at the end in particular, had that undefinable quality of a presence, that odd suggestion of a lurking, living thing, that comes so easily in silence and solitude. At last, to reassure myself, I walked with a candle into it, and satisfied myself that there was nothing tangible there. I stood that candle upon the floor of the alcove, and left it in that position.
By this time I was in a state of considerable nervous tension, although to my reason there was no adequate cause for the condition. My mind, however, was perfectly clear. I postulated quite unreservedly that nothing supernatural could happen, and to pass the time I began to string some rhymes together, Ingoldsby fashion, of the original legend of the place. A few I spoke aloud, but the echoes were not pleasant. For the same reason I also abandoned, after a time, a conversation with myself upon the impossibility of ghosts and haunting. My mind reverted to the three old and distorted people downstairs, and I tried to keep it upon that topic. The sombre reds and blacks of the room troubled, me; even with seven candles the place was merely dim. The one in the alcove flared in a draught, and the fire-flickering kept the shadows and penumbra perpetually shifting and stirring. Casting about for a remedy, I recalled the candles I had seen in the passage, and, with a slight effort, walked out into the moonlight, carrying a candle and leaving the door open, and presently returned with as many as ten. These I put in various knick-knacks of china with which the room was sparsely adorned, lit and placed where the shadows had lain deepest, some on the floor, some in the window recesses, until at last my seventeen candles were so arranged that not an inch of the room but had the direct light of at least one of them. It occurred to me that when the ghost came, I could warn him not to trip over them. The room was now quite brightly illuminated. There was something very cheery and reassuring in these little streaming flames, and snuffing them gave me an occupation, and afforded a helpful sense of the passage of time. Even with that, however, the brooding expectation of the vigil weighed heavily upon me. It was after midnight that the candle in the alcove suddenly went out, and the black shadow sprang back to its place there. I did not see the candle go out; I simply turned and saw that the darkness was there, as one might start and see the unexpected presence of a stranger. "By Jove!" said I aloud; "that draught's a strong one!" and, taking the matches from the table, I walked across the room in a leisurely manner, to relight the corner again. My first match would not strike, and as I succeeded with the second, something seemed to blink on the wall before me. I turned my head involuntarily, and saw that the two candles on the little table by the fireplace were extinguished. I rose at once to my feet.
"Odd!" I said. "Did I do that myself in a flash of absent-mindedness?"
I walked back, relit one, and as I did so, I saw the candle in the right sconce of one of the mirrors wink and go right out, and almost immediately its companion followed it. There was no mistake about it. The flame vanished, as if the wicks had been suddenly nipped between a finger and a thumb, leaving the wick neither glowing nor smoking, but black. While I stood gaping, the candle at the foot of the bed went out, and the shadows seemed to take another step towards me.
"This won't do!" said I, and first one and then another candle on the mantelshelf followed.
"What's up?" I cried, with a queer high note getting into my voice somehow. At that the candle on the wardrobe went out, and the one I had relit in the alcove followed.
"Steady on!" I said. "These candles are wanted," speaking with a half-hysterical facetiousness, and scratching away at a match the while for the mantel candlesticks. My hands trembled so much that twice I missed the rough paper of the matchbox. As the mantel emerged from darkness again, two candles in the remoter end of the window were eclipsed. But with the same match I also relit the larger mirror candles, and those on the floor near the doorway, so that for the moment I seemed to gain on the extinctions. But then in a volley there vanished four lights at once in different corners of the room, and I struck another match in quivering haste, and stood hesitating whither to take it.
As I stood undecided, an invisible hand seemed to sweep out the two candles on the table. With a cry of terror, I dashed at the alcove, then into the corner, and then into the window, relighting three, as two more vanished by the fireplace; then, perceiving a better way, I dropped the matches on the iron-bound deed-box in the corner, and caught up the bedroom candlestick. With this I avoided the delay of striking matches; but for all that the steady process of extinction went on, and the shadows I feared and fought against returned, and crept in upon me, first a step gained on this side of me and then on that. It was like a ragged storm-cloud sweeping out the stars. Now and then one returned for a minute, and was lost again. I was now almost frantic with the horror of the coming darkness, and my self-possession deserted me. I leaped panting and dishevelled from candle to candle, in a vain struggle against that remorseless advance.
I bruised myself on the thigh against the table, I sent a chair headlong, I stumbled and fell and whisked the cloth from the table in my fall. My candle rolled away from me, and I snatched another as I rose. Abruptly this was blown out, as I swung it off the table by the wind of my sudden movement, and immediately the two remaining candles followed. But there was light still in the room, a red light that staved off the shadows from me. The fire! Of course I could still thrust my candle between the bars and relight it!
I turned to where the flames were still dancing between the glowing coals, and splashing red reflections upon the furniture, made two steps towards the grate, and incontinently the flames dwindled and vanished, the glow vanished, the reflections rushed together and vanished, and as I thrust the candle between the bars darkness closed upon me like the shutting of an eye, wrapped about me in a stifling embrace, sealed my vision, and crushed the last vestiges of reason from my brain. The candle fell from my hand. I flung out my arms in a vain effort to thrust that ponderous blackness away from me, and, lifting up my voice, screamed with all my might—once, twice, thrice. Then I think I must have staggered to my feet. I know I thought suddenly of the moonlit corridor, and, with my head bowed and my arms over my face, made a run for the door.
But I had forgotten the exact position of the door, and struck myself heavily against the corner of the bed. I staggered back, turned, and was either struck or struck myself against some other bulky furniture. I have a vague memory of battering myself thus, to and fro in the darkness, of a cramped struggle, and of my own wild crying as I darted to and fro, of a heavy blow at last upon my forehead, a horrible sensation of falling that lasted an age, of my last frantic effort to keep my footing, and then I remember no more.
I opened my eyes in daylight. My head was roughly bandaged, and the man with the withered arm was watching my face. I looked about me, trying to remember what had happened, and for a space I could not recollect. I rolled my eyes into the corner, and saw the old woman, no longer abstracted, pouring out some drops of medicine from a little blue phial into a glass. "Where am I?" I asked; "I seem to remember you, and yet I cannot remember who you are."
They told me then, and I heard of the haunted Red Room as one who hears a tale. "We found you at dawn," said he, "and there was blood on your forehead and lips."
It was very slowly I recovered my memory of my experience. "You believe now," said the old man, "that the room is haunted?" He spoke no longer as one who greets an intruder, but as one who grieves for a broken friend.
"Yes," said I; "the room is haunted."
"And you have seen it. And we, who have lived here all our lives, have never set eyes upon it. Because we have never dared... Tell us, is it truly the old earl who——"
"No," said I; "it is not."
"I told you so," said the old lady, with the glass in her hand. "It is his poor young countess who was frightened——"
"It is not," I said. "There is neither ghost of earl nor ghost of countess in that room, there is no ghost there at all; but worse, far worse——"
"Well?" they said.
"The worst of all the things that haunt poor mortal man," said I; "and that is, in all its nakedness—Fear that will not have light nor sound, that will not bear with reason, that deafens and darkens and overwhelms. It followed me through the corridor, it fought against me in the room——"
I stopped abruptly. There was an interval of silence. My hand went up to my bandages.
Then the man with the shade sighed and spoke. "That is it," said he. "I knew that was it. A power of darkness. To put such a curse upon a woman! It lurks there always. You can feel it even in the daytime, even of a bright summer's day, in the hangings, in the curtains, keeping behind you however you face about. In the dusk it creeps along the corridor and follows you, so that you dare not turn. There is Fear in that room of hers—black Fear, and there will be—so long as this house of sin endures."
XVII.
THE PURPLE PILEUS
Mr. Coombes was sick of life. He walked away from his unhappy home, and, sick not only of his own existence but of everybody else's, turned aside down Gaswork Lane to avoid the town, and, crossing the wooden bridge that goes over the canal to Starling's Cottages, was presently alone in the damp pine woods and out of sight and sound of human habitation. He would stand it no longer. He repeated aloud with blasphemies unusual to him that he would stand it no longer.
He was a pale-faced little man, with dark eyes and a fine and very black moustache. He had a very stiff, upright collar slightly frayed, that gave him an illusory double chin, and his overcoat (albeit shabby) was trimmed with astrachan. His gloves were a bright brown with black stripes over the knuckles, and split at the finger ends. His appearance, his wife had said once in the dear, dead days beyond recall—before he married her, that is—was military. But now she called him—it seems a dreadful thing to tell of between husband and wife, but she called him "a little grub." It wasn't the only thing she had called him, either.
The row had arisen about that beastly Jennie again. Jennie was his wife's friend, and, by no invitation of Mr. Coombes, she came in every blessed Sunday to dinner, and made a shindy all the afternoon. She was a big, noisy girl, with a taste for loud colours and a strident laugh; and this Sunday she had outdone all her previous intrusions by bringing in a fellow with her, a chap as showy as herself. And Mr. Coombes, in a starchy, clean collar and his Sunday frock-coat, had sat dumb and wrathful at his own table, while his wife and her guests talked foolishly and undesirably, and laughed aloud. Well, he stood that, and after dinner (which, "as usual," was late), what must Miss Jennie do but go to the piano and play banjo tunes, for all the world as if it were a week-day! Flesh and blood could not endure such goings on. They would hear next door, they would hear in the road, it was a public announcement of their disrepute. He had to speak.
He had felt himself go pale, and a kind of rigour had affected his respiration as he delivered himself. He had been sitting on one of the chairs by the window—the new guest had taken possession of the arm-chair. He turned his head. "Sun Day!" he said over the collar, in the voice of one who warns. "Sun Day!" What people call a "nasty" tone, it was.
Jennie had kept on playing, but his wife, who was looking through some music that was piled on the top of the piano, had stared at him. "What's wrong now?" she said; "can't people enjoy themselves?"
"I don't mind rational 'njoyment, at all," said little Coombes, "but I ain't a-going to have week-day tunes playing on a Sunday in this house."
"What's wrong with my playing now?" said Jennie, stopping and twirling round on the music-stool with a monstrous rustle of flounces.
Coombes saw it was going to be a row, and opened too vigorously, as is common with your timid, nervous men all the world over. "Steady on with that music-stool!" said he; "it ain't made for 'eavy-weights."
"Never you mind about weights," said Jennie, incensed. "What was you saying behind my back about my playing?"
"Surely you don't 'old with not having a bit of music on a Sunday, Mr. Coombes?" said the new guest, leaning back in the arm-chair, blowing a cloud of cigarette smoke and smiling in a kind of pitying way. And simultaneously his wife said something to Jennie about "Never mind 'im. You go on, Jinny."
"I do," said Mr. Coombes, addressing the new guest.
"May I arst why?" said the new guest, evidently enjoying both his cigarette and the prospect of an argument. He was, by-the-by, a lank young man, very stylishly dressed in bright drab, with a white cravat and a pearl and silver pin. It had been better taste to come in a black coat, Mr. Coombes thought.
"Because," began Mr. Coombes, "it don't suit me. I'm a business man. I 'ave to study my connection. Rational 'njoyment—"
"His connection!" said Mrs. Coombes scornfully. "That's what he's always a-saying. We got to do this, and we got to do that—"
"If you don't mean to study my connection," said Mr. Coombes, "what did you marry me for?"
"I wonder," said Jennie, and turned back to the piano.
"I never saw such a man as you," said Mrs. Coombes.
"You've altered all round since we were married. Before—"
Then Jennie began at the turn, turn, turn again.
"Look here!" said Mr. Coombes, driven at last to revolt, standing up and raising his voice. "I tell you I won't have that." The frock-coat heaved with his indignation.
"No vi'lence, now," said the long young man in drab, sitting up.
"Who the juice are you?" said Mr. Coombes fiercely.
Whereupon they all began talking at once. The new guest said he was Jennie's "intended," and meant to protect her, and Mr. Coombes said he was welcome to do so anywhere but in his (Mr. Coombes') house; and Mrs. Coombes said he ought to be ashamed of insulting his guests, and (as I have already mentioned) that he was getting a regular little grub; and the end was, that Mr. Coombes ordered his visitors out of the house, and they wouldn't go, and so he said he would go himself. With his face burning and tears of excitement in his eyes, he went into the passage, and as he struggled with his overcoat—his frock-coat sleeves got concertinaed up his arm—and gave a brush at his silk hat, Jennie began again at the piano, and strummed him insultingly out of the house. Turn, turn, turn. He slammed the shop door so that the house quivered. That, briefly, was the immediate making of his mood. You will perhaps begin to understand his disgust with existence.
As he walked along the muddy path under the firs,—it was late October, and the ditches and heaps of fir needles were gorgeous with clumps of fungi,—he recapitulated the melancholy history of his marriage. It was brief and commonplace enough. He now perceived with sufficient clearness that his wife had married him out of a natural curiosity and in order to escape from her worrying, laborious, and uncertain life in the workroom; and, like the majority of her class, she was far too stupid to realise that it was her duty to co-operate with him in his business. She was greedy of enjoyment, loquacious, and socially-minded, and evidently disappointed to find the restraints of poverty still hanging about her. His worries exasperated her, and the slightest attempt to control her proceedings resulted in a charge of "grumbling." Why couldn't he be nice— as he used to be? And Coombes was such a harmless little man, too, nourished mentally on Self-Help, and with a meagre ambition of self-denial and competition, that was to end in a "sufficiency." Then Jennie came in as a female Mephistopheles, a gabbling chronicle of "fellers," and was always wanting his wife to go to theatres, and "all that." And in addition were aunts of his wife, and cousins (male and female) to eat up capital, insult him personally, upset business arrangements, annoy good customers, and generally blight his life. It was not the first occasion by many that Mr. Coombes had fled his home in wrath and indignation, and something like fear, vowing furiously and even aloud that he wouldn't stand it, and so frothing away his energy along the line of least resistance. But never before had he been quite so sick of life as on this particular Sunday afternoon. The Sunday dinner may have had its share in his despair—and the greyness of the sky. Perhaps, too, he was beginning to realise his unendurable frustration as a business man as the consequence of his marriage. Presently bankruptcy, and after that—— Perhaps she might have reason to repent when it was too late. And destiny, as I have already intimated, had planted the path through the wood with evil-smelling fungi, thickly and variously planted it, not only on the right side, but on the left.
A small shopman is in such a melancholy position, if his wife turns out a disloyal partner. His capital is all tied up in his business, and to leave her means to join the unemployed in some strange part of the earth. The luxuries of divorce are beyond him altogether. So that the good old tradition of marriage for better or worse holds inexorably for him, and things work up to tragic culminations. Bricklayers kick their wives to death, and dukes betray theirs; but it is among the small clerks and shopkeepers nowadays that it comes most often to a cutting of throats. Under the circumstances it is not so very remarkable—and you must take it as charitably as you can—that the mind of Mr. Coombes ran for a while on some such glorious close to his disappointed hopes, and that he thought of razors, pistols, bread-knives, and touching letters to the coroner denouncing his enemies by name, and praying piously for forgiveness. After a time his fierceness gave way to melancholia. He had been married in this very overcoat, in his first and only frock-coat that was buttoned up beneath it. He began to recall their courting along this very walk, his years of penurious saving to get capital, and the bright hopefulness of his marrying days. For it all to work out like this! Was there no sympathetic ruler anywhere in the world? He reverted to death as a topic.
He thought of the canal he had just crossed, and doubted whether he shouldn't stand with his head out, even in the middle, and it was while drowning was in his mind that the purple pileus caught his eye. He looked at it mechanically for a moment, and stopped and stooped towards it to pick it up, under the impression that it was some such small leather object as a purse. Then he saw that it was the purple top of a fungus, a peculiarly poisonous-looking purple: slimy, shiny, and emitting a sour odour. He hesitated with his hand an inch or so from it, and the thought of poison crossed his mind. With that he picked the thing, and stood up again with it in his hand.
The odour was certainly strong—acrid, but by no means disgusting. He broke off a piece, and the fresh surface was a creamy white, that changed like magic in the space of ten seconds to a yellowish-green colour. It was even an inviting-looking change. He broke off two other pieces to see it repeated. They were wonderful things these fungi, thought Mr. Coombes, and all of them the deadliest poisons, as his father had often told him. Deadly poisons!
There is no time like the present for a rash resolve. Why not here and now? thought Mr. Coombes. He tasted a little piece, a very little piece indeed—a mere crumb. It was so pungent that he almost spat it out again, then merely hot and full-flavoured: a kind of German mustard with a touch of horse-radish and—well, mushroom. He swallowed it in the excitement of the moment. Did he like it or did he not? His mind was curiously careless. He would try another bit. It really wasn't bad—it was good. He forgot his troubles in the interest of the immediate moment. Playing with death it was. He took another bite, and then deliberately finished a mouthful. A curious, tingling sensation began in his finger-tips and toes. His pulse began to move faster. The blood in his ears sounded like a mill-race. "Try bi' more," said Mr. Coombes. He turned and looked about him, and found his feet unsteady. He saw, and struggled towards, a little patch of purple a dozen yards away. "Jol' goo' stuff," said Mr. Coombes. "E—lomore ye'." He pitched forward and fell on his face, his hands outstretched towards the cluster of pilei. But he did not eat any more of them. He forgot forthwith.
He rolled over and sat up with a look of astonishment on his face. His carefully brushed silk hat had rolled away towards the ditch. He pressed his hand to his brow. Something had happened, but he could not rightly determine what it was. Anyhow, he was no longer dull—he felt bright, cheerful. And his throat was afire. He laughed in the sudden gaiety of his heart. Had he been dull? He did not know; but at any rate he would be dull no longer. He got up and stood unsteadily, regarding the universe with an agreeable smile. He began to remember. He could not remember very well, because of a steam roundabout that was beginning in his head. And he knew he had been disagreeable at home, just because they wanted to be happy. They were quite right; life should be as gay as possible. He would go home and make it up, and reassure them. And why not take some of this delightful toadstool with him, for them to eat? A hatful, no less. Some of those red ones with white spots as well, and a few yellow. He had been a dull dog, an enemy to merriment; he would make up for it. It would be gay to turn his coat-sleeves inside out, and stick some yellow gorse into his waistcoat pockets. Then home—singing—-for a jolly evening.
After the departure of Mr. Coombes, Jennie discontinued playing, and turned round on the music-stool again. "What a fuss about nothing!" said Jennie.
"You see, Mr. Clarence, what I've got to put up with," said Mrs. Coombes.
"He is a bit hasty," said Mr. Clarence judicially.
"He ain't got the slightest sense of our position," said Mrs. Coombes; "that's what I complain of. He cares for nothing but his old shop; and if I have a bit of company, or buy anything to keep myself decent, or get any little thing I want out of the housekeeping money, there's disagreeables. 'Economy' he says; 'struggle for life,' and all that. He lies awake of nights about it, worrying how he can screw me out of a shilling. He wanted us to eat Dorset butter once. If once I was to give in to him—there!"
"Of course," said Jennie.
"If a man values a woman," said Mr. Clarence, lounging back in the arm-chair, "he must be prepared to make sacrifices for her. For my own part," said Mr. Clarence, with his eye on Jennie, "I shouldn't think of marrying till I was in a position to do the thing in style. It's downright selfishness. A man ought to go through the rough-and-tumble by himself, and not drag her—"
"I don't agree altogether with that," said Jennie. "I don't see why a man shouldn't have a woman's help, provided he doesn't treat her meanly, you know. It's meanness—"
"You wouldn't believe," said Mrs. Coombes. "But I was a fool to 'ave 'im. I might 'ave known. If it 'adn't been for my father, we shouldn't 'ave 'ad not a carriage to our wedding."
"Lord! he didn't stick out at that?" said Mr. Clarence, quite shocked.
"Said he wanted the money for his stock, or some such rubbish. Why, he wouldn't have a woman in to help me once a week if it wasn't for my standing out plucky. And the fusses he makes about money—comes to me, well, pretty near crying, with sheets of paper and figgers. 'If only we can tide over this year,' he says, 'the business is bound to go.' 'If only we can tide over this year,' I says; 'then it'll be, if only we can tide over next year. I know you,' I says. 'And you don't catch me screwing myself lean and ugly. Why didn't you marry a slavey?' I says, 'if you wanted one—instead of a respectable girl,' I says."
So Mrs. Coombes. But we will not follow this unedifying conversation further. Suffice it that Mr. Coombes was very satisfactorily disposed of, and they had a snug little time round the fire. Then Mrs. Coombes went to get the tea, and Jennie sat coquettishly on the arm of Mr. Clarence's chair until the tea-things clattered outside. "What was that I heard?" asked Mrs. Coombes playfully, as she entered, and there was badinage about kissing. They were just sitting down to the little circular table when the first intimation of Mr. Coombes' return was heard.
This was a fumbling at the latch of the front door.
"'Ere's my lord," said Mrs. Coombes. "Went out like a lion and comes back like a lamb, I'll lay."
Something fell over in the shop: a chair, it sounded like. Then there was a sound as of some complicated step exercise in the passage. Then the door opened and Coombes appeared. But it was Coombes transfigured. The immaculate collar had been torn carelessly from his throat. His carefully-brushed silk hat, half-full of a crush of fungi, was under one arm; his coat was inside out, and his waistcoat adorned with bunches of yellow-blossomed furze. These little eccentricities of Sunday costume, however, were quite overshadowed by the change in his face; it was livid white, his eyes were unnaturally large and bright, and his pale blue lips were drawn back in a cheerless grin. "Merry!" he said. He had stopped dancing to open the door. "Rational 'njoyment. Dance." He made three fantastic steps into the room, and stood bowing.
"Jim!" shrieked Mrs. Coombes, and Mr. Clarence sat petrified, with a dropping lower jaw.
"Tea," said Mr. Coombes. "Jol' thing, tea. Tose-stools, too. Brosher."
"He's drunk," said Jennie in a weak voice. Never before had she seen this intense pallor in a drunken man, or such shining, dilated eyes.
Mr. Coombes held out a handful of scarlet agaric to Mr. Clarence. "Jo' stuff," said he; "ta' some."
At that moment he was genial. Then at the sight of their startled faces he changed, with the swift transition of insanity, into overbearing fury. And it seemed as if he had suddenly recalled the quarrel of his departure. In such a huge voice as Mrs. Coombes had never heard before, he shouted, "My house. I'm master 'ere. Eat what I give yer!" He bawled this, as it seemed, without an effort, without a violent gesture, standing there as motionless as one who whispers, holding out a handful of fungus.
Clarence approved himself a coward. He could not meet the mad fury in Coombes' eyes; he rose to his feet, pushing back his chair, and turned, stooping. At that Coombes rushed at him. Jennie saw her opportunity, and, with the ghost of a shriek, made for the door.
Mrs. Coombes followed her. Clarence tried to dodge. Over went the tea-table with a smash as Coombes clutched him by the collar and tried to thrust the fungus into his mouth. Clarence was content to leave his collar behind him, and shot out into the passage with red patches of fly agaric still adherent to his face. "Shut 'im in!" cried Mrs. Coombes, and would have closed the door, but her supports deserted her; Jennie saw the shop door open, and vanished thereby, locking it behind her, while Clarence went on hastily into the kitchen. Mr. Coombes came heavily against the door, and Mrs. Coombes, finding the key was inside, fled upstairs and locked herself in the spare bedroom.
So the new convert to joie de vivre emerged upon the passage, his decorations a little scattered, but that respectable hatful of fungi still under his arm. He hesitated at the three ways, and decided on the kitchen. Whereupon Clarence, who was fumbling with the key, gave up the attempt to imprison his host, and fled into the scullery, only to be captured before he could open the door into the yard. Mr. Clarence is singularly reticent of the details of what occurred. It seems that Mr. Coombes' transitory irritation had vanished again, and he was once more a genial playfellow. And as there were knives and meat choppers about, Clarence very generously resolved to humour him and so avoid anything tragic. It is beyond dispute that Mr. Coombes played with Mr. Clarence to his heart's content; they could not have been more playful and familiar if they had known each other for years. He insisted gaily on Clarence trying the fungi, and, after a friendly tussle, was smitten with remorse at the mess he was making of his guest's face. It also appears that Clarence was dragged under the sink and his face scrubbed with the blacking brush—he being still resolved to humour the lunatic at any cost—and that finally, in a somewhat dishevelled, chipped, and discoloured condition, he was assisted to his coat and shown out by the back door, the shopway being barred by Jennie. Mr. Coombes' wandering thoughts then turned to Jennie. Jennie had been unable to unfasten the shop door, but she shot the bolts against Mr. Coombes' latch-key, and remained in possession of the shop for the rest of the evening.
It would appear that Mr. Coombes then returned to the kitchen, still in pursuit of gaiety, and, albeit a strict Good Templar, drank (or spilt down the front of the first and only frock-coat) no less than five bottles of the stout Mrs. Coombes insisted upon having for her health's sake. He made cheerful noises by breaking off the necks of the bottles with several of his wife's wedding-present dinner-plates, and during the earlier part of this great drunk he sang divers merry ballads. He cut his finger rather badly with one of the bottles—the only bloodshed in this story—and what with that, and the systematic convulsion of his inexperienced physiology by the liquorish brand of Mrs. Coombes' stout, it may be the evil of the fungus poison was somehow allayed. But we prefer to draw a veil over the concluding incidents of this Sunday afternoon. They ended in the coal cellar, in a deep and healing sleep.
An interval of five years elapsed. Again it was a Sunday afternoon in October, and again Mr. Coombes walked through the pine wood beyond the canal. He was still the same dark-eyed, black-moustached little man that he was at the outset of the story, but his double chin was now scarcely so illusory as it had been. His overcoat was new, with a velvet lapel, and a stylish collar with turn-down corners, free of any coarse starchiness, had replaced the original all-round article. His hat was glossy, his gloves newish—though one finger had split and been carefully mended. And a casual observer would have noticed about him a certain rectitude of bearing, a certain erectness of head that marks the man who thinks well of himself. He was a master now, with three assistants. Beside him walked a larger sunburnt parody of himself, his brother Tom, just back from Australia. They were recapitulating their early struggles, and Mr. Coombes had just been making a financial statement.
"It's a very nice little business, Jim," said brother Tom. "In these days of competition you're jolly lucky to have worked it up so. And you're jolly lucky, too, to have a wife who's willing to help like yours does."
"Between ourselves," said Mr. Coombes, "it wasn't always so. It wasn't always like this. To begin with, the missus was a bit giddy. Girls are funny creatures."
"Dear me!"
"Yes. You'd hardly think it, but she was downright extravagant, and always having slaps at me. I was a bit too easy and loving, and all that, and she thought the whole blessed show was run for her. Turned the 'ouse into a regular caravansery, always having her relations and girls from business in, and their chaps. Comic songs a' Sunday, it was getting to, and driving trade away. And she was making eyes at the chaps, too! I tell you, Tom, the place wasn't my own."
"Shouldn't 'a' thought it."
"It was so. Well—I reasoned with her. I said, 'I ain't a duke, to keep a wife like a pet animal. I married you for 'elp and company.' I said, 'You got to 'elp and pull the business through.' She wouldn't 'ear of it. 'Very well,' I says?? 'I'm a mild man till I'm roused,' I says, 'and it's getting to that.' But she wouldn't 'ear of no warnings."
"Well?"
"It's the way with women. She didn't think I 'ad it in me to be roused. Women of her sort (between ourselves, Tom) don't respect a man until they're a bit afraid of him. So I just broke out to show her. In comes a girl named Jennie, that used to work with her, and her chap. We 'ad a bit of a row, and I came out 'ere—it was just such another day as this—and I thought it all out. Then I went back and pitched into them."
"You did?"
"I did. I was mad, I can tell you. I wasn't going to 'it 'er if I could 'elp it, so I went back and licked into this chap, just to show 'er what I could do. 'E was a big chap, too. Well, I chucked him, and smashed things about, and gave 'er a scaring, and she ran up and locked 'erself into the spare room."
"Well?"
"That's all. I says to 'er the next morning, 'Now you know,' I says, 'what I'm like when I'm roused.' And I didn't have to say anything more."
"And you've been happy ever after, eh?"
"So to speak. There's nothing like putting your foot down with them. If it 'adn't been for that afternoon I should 'a' been tramping the roads now, and she'd 'a' been grumbling at me, and all her family grumbling for bringing her to poverty—I know their little ways. But we're all right now. And it's a very decent little business, as you say."
They proceeded on their way meditatively. "Women are funny creatures," said Brother Tom.
"They want a firm hand," says Coombes.
"What a lot of these funguses there are about here!" remarked Brother Tom presently. "I can't see what use they are in the world."
Mr. Coombes looked. "I dessay they're sent for some wise purpose," said Mr. Coombes.
And that was as much thanks as the purple pileus ever got for maddening this absurd little man to the pitch of decisive action, and so altering the whole course of his life.
XVIII.
A SLIP UNDER THE MICROSCOPE.
Outside the laboratory windows was a watery-grey fog, and within a close warmth and the yellow light of the green-shaded gas lamps that stood two to each table down its narrow length. On each table stood a couple of glass jars containing the mangled vestiges of the crayfish, mussels, frogs, and guinea-pigs upon which the students had been working, and down the side of the room, facing the windows, were shelves bearing bleached dissections in spirits, surmounted by a row of beautifully executed anatomical drawings in white-wood frames and overhanging a row of cubical lockers. All the doors of the laboratory were panelled with blackboard, and on these were the half-erased diagrams of the previous day's work. The laboratory was empty, save for the demonstrator, who sat near the preparation-room door, and silent, save for a low, continuous murmur and the clicking of the rocker microtome at which he was working. But scattered about the room were traces of numerous students: hand-bags, polished boxes of instruments, in one place a large drawing covered by newspaper, and in another a prettily bound copy of News from Nowhere, a book oddly at variance with its surroundings. These things had been put down hastily as the students had arrived and hurried at once to secure their seats in the adjacent lecture theatre. Deadened by the closed door, the measured accents of the professor sounded as a featureless muttering.
Presently, faint through the closed windows came the sound of the Oratory clock striking the hour of eleven. The clicking of the microtome ceased, and the demonstrator looked at his watch, rose, thrust his hands into his pockets, and walked slowly down the laboratory towards the lecture theatre door. He stood listening for a moment, and then his eye fell on the little volume by William Morris. He picked it up, glanced at the title, smiled, opened it, looked at the name on the fly-leaf, ran the leaves through with his hand, and put it down. Almost immediately the even murmur of the lecturer ceased, there was a sudden burst of pencils rattling on the desks in the lecture theatre, a stirring, a scraping of feet, and a number of voices speaking together. Then a firm footfall approached the door, which began to open, and stood ajar, as some indistinctly heard question arrested the new-comer.
The demonstrator turned, walked slowly back past the microtome, and left the laboratory by the preparation-room door. As he did so, first one, and then several students carrying notebooks entered the laboratory from the lecture theatre, and distributed themselves among the little tables, or stood in a group about the doorway. They were an exceptionally heterogeneous assembly, for while Oxford and Cambridge still recoil from the blushing prospect of mixed classes, the College of Science anticipated America in the matter years ago—mixed socially, too, for the prestige of the College is high, and its scholarships, free of any age limit, dredge deeper even than do those of the Scotch universities. The class numbered one-and-twenty, but some remained in the theatre questioning the professor, copying the black-board diagrams before they were washed off, or examining the special specimens he had produced to illustrate the day's teaching. Of the nine who had come into the laboratory three were girls, one of whom, a little fair woman, wearing spectacles and dressed in greyish-green, was peering out of the window at the fog, while the other two, both wholesome-looking, plain-faced schoolgirls, unrolled and put on the brown holland aprons they wore while dissecting. Of the men, two went down the laboratory to their places, one a pallid, dark-bearded man, who had once been a tailor; the other a pleasant-featured, ruddy young man of twenty, dressed in a well-fitting brown suit; young Wedderburn, the son of Wedderburn, the eye specialist. The others formed a little knot near the theatre door. One of these, a dwarfed, spectacled figure, with a hunchback, sat on a bent wood stool; two others, one a short, dark youngster, and the other a flaxen-haired, reddish-complexioned young man, stood leaning side by side against the slate sink, while the fourth stood facing them, and maintained the larger share of the conversation.
This last person was named Hill. He was a sturdily built young fellow, of the same age as Wedderburn; he had a white face, dark grey eyes, hair of an indeterminate colour, and prominent, irregular features. He talked rather louder than was needful, and thrust his hands deeply into his pockets. His collar was frayed and blue with the starch of a careless laundress, his clothes were evidently ready-made, and there was a patch on the side of his boot near the toe. And as he talked or listened to the others, he glanced now and again towards the lecture theatre door. They were discussing the depressing peroration of the lecture they had just heard, the last lecture it was in the introductory course in zoology. "From ovum to ovum is the goal of the higher vertebrata," the lecturer had said in his melancholy tones, and so had neatly rounded off the sketch of comparative anatomy he had been developing. The spectacled hunchback had repeated it, with noisy appreciation, had tossed it towards the fair-haired student with an evident provocation, and had started one of these vague, rambling discussions on generalities, so unaccountably dear to the student mind all the world over.
"That is our goal, perhaps—I admit it, as far as science goes," said the fair-haired student, rising to the challenge. "But there are things above science."
"Science," said Hill confidently, "is systematic knowledge. Ideas that don't come into the system—must anyhow—be loose ideas." He was not quite sure whether that was a clever saying or a fatuity until his hearers took it seriously.
"The thing I cannot understand," said the hunchback, at large, "is whether Hill is a materialist or not."
"There is one thing above matter," said Hill promptly, feeling he had a better thing this time; aware, too, of someone in the doorway behind him, and raising his voice a trifle for her benefit, "and that is, the delusion that there is something above matter."
"So we have your gospel at last," said the fair student. "It's all a delusion, is it? All our aspirations to lead something more than dogs' lives, all our work for anything beyond ourselves. But see how inconsistent you are. Your socialism, for instance. Why do you trouble about the interests of the race? Why do you concern yourself about the beggar in the gutter? Why are you bothering yourself to lend that book "— he indicated William Morris by a movement of the head—"to everyone in the lab.?"
"Girl," said the hunchback indistinctly, and glanced guiltily over his shoulder.
The girl in brown, with the brown eyes, had come into the laboratory, and stood on the other side of the table behind him, with her rolled-up apron in one hand, looking over her shoulder, listening to the discussion. She did not notice the hunchback, because she was glancing from Hill to his interlocutor. Hill's consciousness of her presence betrayed itself to her only in his studious ignorance of the fact; but she understood that, and it pleased her. "I see no reason," said he, "why a man should live like a brute because he knows of nothing beyond matter, and does not expect to exist a hundred years hence."
"Why shouldn't he?" said the fair-haired student.
"Why should he?" said Hill.
"What inducement has he?"
"That's the way with all you religious people. It's all a business of inducements. Cannot a man seek after righteousness for righteousness' sake?"
There was a pause. The fair man answered, with a kind of vocal padding, "But—you see—inducement—when I said inducement," to gain time. And then the hunchback came to his rescue and inserted a question. He was a terrible person in the debating society with his questions, and they invariably took one form—a demand for a definition, "What's your definition of righteousness?" said the hunchback at this stage.
Hill experienced a sudden loss of complacency at this question, but even as it was asked, relief came in the person of Brooks, the laboratory attendant, who entered by the preparation-room door, carrying a number of freshly killed guinea-pigs by their hind legs. "This is the last batch of material this session," said the youngster who had not previously spoken. Brooks advanced up the laboratory, smacking down a couple of guinea-pigs at each table. The rest of the class, scenting the prey from afar, came crowding in by the lecture theatre door, and the discussion perished abruptly as the students who were not already in their places hurried to them to secure the choice of a specimen. There was a noise of keys rattling on split rings as lockers were opened and dissecting instruments taken out. Hill was already standing by his table, and his box of scalpels was sticking out of his pocket. The girl in brown came a step towards him, and, leaning over his table, said softly, "Did you see that I returned your book, Mr. Hill?"
During the whole scene she and the book had been vividly present in his consciousness; but he made a clumsy pretence of looking at the book and seeing it for the first time. "Oh, yes," he said, taking it up. "I see. Did you like it?"
"I want to ask you some questions about it—some time."
"Certainly," said Hill. "I shall be glad." He stopped awkwardly. "You liked it?" he said.
"It's a wonderful book. Only some things I don't understand."
Then suddenly the laboratory was hushed by a curious, braying noise. It was the demonstrator. He was at the blackboard ready to begin the day's instruction, and it was his custom to demand silence by a sound midway between the "Er" of common intercourse and the blast of a trumpet. The girl in brown slipped back to her place: it was immediately in front of Hill's, and Hill, forgetting her forthwith, took a notebook out of the drawer of his table, turned over its leaves hastily, drew a stumpy pencil from his pocket, and prepared to make a copious note of the coming demonstration. For demonstrations and lectures are the sacred text of the College students. Books, saving only the Professor's own, you may—it is even expedient to—ignore.
Hill was the son of a Landport cobbler, and had been hooked by a chance blue paper the authorities had thrown out to the Landport Technical College. He kept himself in London on his allowance of a guinea a week, and found that, with proper care, this also covered his clothing allowance, an occasional waterproof collar, that is; and ink and needles and cotton, and such-like necessaries for a man about town. This was his first year and his first session, but the brown old man in Landport had already got himself detested in many public-houses by boasting of his son, "the Professor." Hill was a vigorous youngster, with a serene contempt for the clergy of all denominations, and a fine ambition to reconstruct the world. He regarded his scholarship as a brilliant opportunity. He had begun to read at seven, and had read steadily whatever came in his way, good or bad, since then. His worldly experience had been limited to the island of Portsea, and acquired chiefly in the wholesale boot factory in which he had worked by day, after passing the seventh standard of the Board school. He had a considerable gift of speech, as the College Debating Society, which met amidst the crushing machines and mine models in the metallurgical theatre downstairs, already recognised—recognised by a violent battering of desks whenever he rose. And he was just at that fine emotional age when life opens at the end of a narrow pass like a broad valley at one's feet, full of the promise of wonderful discoveries and tremendous achievements. And his own limitations, save that he knew that he knew neither Latin nor French, were all unknown to him.
At first his interest had been divided pretty equally between his biological work at the College and social and theological theorising, an employment which he took in deadly earnest. Of a night, when the big museum library was not open, he would sit on the bed of his room in Chelsea with his coat and a muffler on, and write out the lecture notes and revise his dissection memoranda, until Thorpe called him out by a whistle—the landlady objected to open the door to attic visitors—and then the two would go prowling about the shadowy, shiny, gas-lit streets, talking, very much in the fashion of the sample just given, of the God idea, and Righteousness, and Carlyle, and the Reorganisation of Society. And in the midst of it all, Hill, arguing not only for Thorpe, but for the casual passer-by, would lose the thread of his argument glancing at some pretty painted face that looked meaningly at him as he passed. Science and Righteousness! But once or twice lately there had been signs that a third interest was creeping into his life, and he had found his attention wandering from the fate of the mesoblastic somites or the probable meaning of the blastopore, to the thought of the girl with the brown eyes who sat at the table before him.
She was a paying student; she descended inconceivable social altitudes to speak to him. At the thought of the education she must have had, and the accomplishments she must possess, the soul of Hill became abject within him. She had spoken to him first over a difficulty about the alisphenoid of a rabbit's skull, and he had found that, in biology at least, he had no reason for self-abasement. And from that, after the manner of young people starting from any starting-point, they got to generalities, and while Hill attacked her upon the question of socialism—some instinct told him to spare her a direct assault upon her religion—she was gathering resolution to undertake what she told herself was his aesthetic education. She was a year or two older than he, though the thought never occurred to him. The loan of News from Nowhere was the beginning of a series of cross loans. Upon some absurd first principle of his, Hill had never "wasted time" Upon poetry, and it seemed an appalling deficiency to her. One day in the lunch hour, when she chanced upon him alone in the little museum where the skeletons were arranged, shamefully eating the bun that constituted his midday meal, she retreated, and returned to lend him, with a slightly furtive air, a volume of Browning. He stood sideways towards her and took the book rather clumsily, because he was holding the bun in the other hand. And in the retrospect his voice lacked the cheerful clearness he could have wished.
That occurred after the examination in comparative anatomy, on the day before the College turned out its students, and was carefully locked up by the officials, for the Christmas holidays. The excitement of cramming for the first trial of strength had for a little while dominated Hill, to the exclusion of his other interests. In the forecasts of the result in which everyone indulged he was surprised to find that no one regarded him as a possible competitor for the Harvey Commemoration Medal, of which this and the two subsequent examinations disposed. It was about this time that Wedderburn, who so far had lived inconspicuously on the uttermost margin of Hill's perceptions, began to take on the appearance of an obstacle. By a mutual agreement, the nocturnal prowlings with Thorpe ceased for the three weeks before the examination, and his landlady pointed out that she really could not supply so much lamp oil at the price. He walked to and fro from the College with little slips of mnemonics in his hand, lists of crayfish appendages, rabbits' skull-bones, and vertebrate nerves, for example, and became a positive nuisance to foot passengers in the opposite direction.
But, by a natural reaction, Poetry and the girl with the brown eyes ruled the Christmas holiday. The pending results of the examination became such a secondary consideration that Hill marvelled at his father's excitement. Even had he wished it, there was no comparative anatomy to read in Landport, and he was too poor to buy books, but the stock of poets in the library was extensive, and Hill's attack was magnificently sustained. He saturated himself with the fluent numbers of Longfellow and Tennyson, and fortified himself with Shakespeare; found a kindred soul in Pope, and a master in Shelley, and heard and fled the siren voices of Eliza Cook and Mrs. Hemans. But he read no more Browning, because he hoped for the loan of other volumes from Miss Haysman when he returned to London.
He walked from his lodgings to the College with that volume of Browning in his shiny black bag, and his mind teeming with the finest general propositions about poetry. Indeed, he framed first this little speech and then that with which to grace the return. The morning was an exceptionally pleasant one for London; there was a clear, hard frost and undeniable blue in the sky, a thin haze softened every outline, and warm shafts of sunlight struck between the house blocks and turned the sunny side of the street to amber and gold. In the hall of the College he pulled off his glove and signed his name with fingers so stiff with cold that the characteristic dash under the signature he cultivated became a quivering line. He imagined Miss Haysman about him everywhere. He turned at the staircase, and there, below, he saw a crowd struggling at the foot of the notice-board. This, possibly, was the biology list. He forgot Browning and Miss Haysman for the moment, and joined the scrimmage. And at last, with his cheek flattened against the sleeve of the man on the step above him, he read the list—
CLASS I H. J. Somers Wedderburn William Hill
and thereafter followed a second class that is outside our present sympathies. It was characteristic that he did not trouble to look for Thorpe on the physics list, but backed out of the struggle at once, and in a curious emotional state between pride over common second-class humanity and acute disappointment at Wedderburn's success, went on his way upstairs. At the top, as he was hanging up his coat in the passage, the zoological demonstrator, a young man from Oxford, who secretly regarded him as a blatant "mugger" of the very worst type, offered his heartiest congratulations.
At the laboratory door Hill stopped for a second to get his breath, and then entered. He looked straight up the laboratory and saw all five girl students grouped in their places, and Wedderburn, the once retiring Wedderburn, leaning rather gracefully against the window, playing with the blind tassel and talking, apparently, to the five of them. Now, Hill could talk bravely enough and even overbearingly to one girl, and he could have made a speech to a roomful of girls, but this business of standing at ease and appreciating, fencing, and returning quick remarks round a group was, he knew, altogether beyond him. Coming up the staircase his feelings for Wedderburn had been generous, a certain admiration perhaps, a willingness to shake his hand conspicuously and heartily as one who had fought but the first round. But before Christmas Wedderburn had never gone up to that end of the room to talk. In a flash Hill's mist of vague excitement condensed abruptly to a vivid dislike of Wedderburn. Possibly his expression changed. As he came up to his place, Wedderburn nodded carelessly to him, and the others glanced round. Miss Haysman looked at him and away again, the faintest touch of her eyes. "I can't agree with you, Mr. Wedderburn," she said.
"I must congratulate you on your first-class, Mr. Hill," said the spectacled girl in green, turning round and beaming at him.
"It's nothing," said Hill, staring at Wedderburn and Miss Haysman talking together, and eager to hear what they talked about.
"We poor folks in the second class don't think so," said the girl in spectacles.
What was it Wedderburn was saying? Something about William Morris! Hill did not answer the girl in spectacles, and the smile died out of his face. He could not hear, and failed to see how he could "cut in." Confound Wedderburn! He sat down, opened his bag, hesitated whether to return the volume of Browning forthwith, in the sight of all, and instead drew out his new notebooks for the short course in elementary botany that was now beginning, and which would terminate in February. As he did so, a fat, heavy man, with a white face and pale grey eyes—Bindon, the professor of botany, who came up from Kew for January and February—came in by the lecture theatre door, and passed, rubbing his hands together and smiling, in silent affability down the laboratory.
* * * * *
In the subsequent six weeks Hill experienced some very rapid and curiously complex emotional developments. For the most part he had Wedderburn in focus—a fact that Miss Haysman never suspected. She told Hill (for in the comparative privacy of the museum she talked a good deal to him of socialism and Browning and general propositions) that she had met Wedderburn at the house of some people she knew, and "he's inherited his cleverness; for his father, you know, is the great eye-specialist."
"My father is a cobbler," said Hill, quite irrelevantly, and perceived the want of dignity even as he said it. But the gleam of jealousy did not offend her. She conceived herself the fundamental source of it. He suffered bitterly from a sense of Wedderburn's unfairness, and a realisation of his own handicap. Here was this Wedderburn had picked up a prominent man for a father, and instead of his losing so many marks on the score of that advantage, it was counted to him for righteousness! And while Hill had to introduce himself and talk to Miss Haysman clumsily over mangled guinea-pigs in the laboratory, this Wedderburn, in some backstairs way, had access to her social altitudes, and could converse in a polished argot that Hill understood perhaps, but felt incapable of speaking. Not, of course, that he wanted to. Then it seemed to Hill that for Wedderburn to come there day after day with cuffs unfrayed, neatly tailored, precisely barbered, quietly perfect, was in itself an ill-bred, sneering sort of proceeding. Moreover, it was a stealthy thing for Wedderburn to behave insignificantly for a space, to mock modesty, to lead Hill to fancy that he himself was beyond dispute the man of the year, and then suddenly to dart in front of him, and incontinently to swell up in this fashion. In addition to these things, Wedderburn displayed an increasing disposition to join in any conversational grouping that included Miss Haysman, and would venture, and indeed seek occasion, to pass opinions derogatory to socialism and atheism. He goaded Hill to incivilities by neat, shallow, and exceedingly effective personalities about the socialist leaders, until Hill hated Bernard Shaw's graceful egotisms, William Morris's limited editions and luxurious wall-papers, and Walter Crane's charmingly absurd ideal working men, about as much as he hated Wedderburn. The dissertations in the laboratory, that had been his glory in the previous term, became a danger, degenerated into inglorious tussels with Wedderburn, and Hill kept to them only out of an obscure perception that his honour was involved. In the debating society Hill knew quite clearly that, to a thunderous accompaniment of banged desks, he could have pulverised Wedderburn. Only Wedderburn never attended the debating society to be pulverised, because—nauseous affectation!—he "dined late."
You must not imagine that these things presented themselves in quite such a crude form to Hill's perception. Hill was a born generaliser. Wedderburn to him was not so much an individual obstacle as a type, the salient angle of a class. The economic theories that, after infinite ferment, had shaped themselves in Hill's mind, became abruptly concrete at the contact. The world became full of easy-mannered, graceful, gracefully-dressed, conversationally dexterous, finally shallow Wedderburns, Bishops Wedderburn, Wedderburn M.P.'s, Professors Wedderburn, Wedderburn landlords, all with finger-bowl shibboleths and epigrammatic cities of refuge from a sturdy debater. And everyone ill-clothed or ill-dressed, from the cobbler to the cab-runner, was a man and a brother, a fellow-sufferer, to Hill's imagination. So that he became, as it were, a champion of the fallen and oppressed, albeit to outward seeming only a self-assertive, ill-mannered young man, and an unsuccessful champion at that. Again and again a skirmish over the afternoon tea that the girl students had inaugurated left Hill with flushed cheeks and a tattered temper, and the debating society noticed a new quality of sarcastic bitterness in his speeches.
You will understand now how it was necessary, if only in the interests of humanity, that Hill should demolish Wedderburn in the forthcoming examination and outshine him in the eyes of Miss Haysman; and you will perceive, too, how Miss Haysman fell into some common feminine misconceptions. The Hill-Wedderburn quarrel, for in his unostentatious way Wedderburn reciprocated Hill's ill-veiled rivalry, became a tribute to her indefinable charm; she was the Queen of Beauty in a tournament of scalpels and stumpy pencils. To her confidential friend's secret annoyance, it even troubled her conscience, for she was a good girl, and painfully aware, from Ruskin and contemporary fiction, how entirely men's activities are determined by women's attitudes. And if Hill never by any chance mentioned the topic of love to her, she only credited him with the finer modesty for that omission. So the time came on for the second examination, and Hill's increasing pallor confirmed the general rumour that he was working hard. In the aerated bread shop near South Kensington Station you would see him, breaking his bun and sipping his milk, with his eyes intent upon a paper of closely written notes. In his bedroom there were propositions about buds and stems round his looking-glass, a diagram to catch his eye, if soap should chance to spare it, above his washing basin. He missed several meetings of the debating society, but he found the chance encounters with Miss Haysman in the spacious ways of the adjacent art museum, or in the little museum at the top of the College, or in the College corridors, more frequent and very restful. In particular, they used to meet in a little gallery full of wrought-iron chests and gates, near the art library, and there Hill used to talk, under the gentle stimulus of her flattering attention, of Browning and his personal ambitions. A characteristic she found remarkable in him was his freedom from avarice. He contemplated quite calmly the prospect of living all his life on an income below a hundred pounds a year. But he was determined to be famous, to make, recognisably in his own proper person, the world a better place to live in. He took Bradlaugh and John Burns for his leaders and models, poor, even impecunious, great men. But Miss Haysman thought that such lives were deficient on the aesthetic side, by which, though she did not know it, she meant good wall-paper and upholstery, pretty books, tasteful clothes, concerts, and meals nicely cooked and respectfully served.
At last came the day of the second examination, and the professor of botany, a fussy, conscientious man, rearranged all the tables in a long narrow laboratory to prevent copying, and put his demonstrator on a chair on a table (where he felt, he said, like a Hindoo god), to see all the cheating, and stuck a notice outside the door, "Door closed," for no earthly reason that any human being could discover. And all the morning from ten till one the quill of Wedderburn shrieked defiance at Hill's, and the quills of the others chased their leaders in a tireless pack, and so also it was in the afternoon. Wedderburn was a little quieter than usual, and Hill's face was hot all day, and his overcoat bulged with textbooks and notebooks against the last moment's revision. And the next day, in the morning and in the afternoon, was the practical examination, when sections had to be cut and slides identified. In the morning Hill was depressed because he knew he had cut a thick section, and in the afternoon came the mysterious slip.
It was just the kind of thing that the botanical professor was always doing. Like the income tax, it offered a premium to the cheat. It was a preparation under the microscope, a little glass slip, held in its place on the stage of the instrument by light steel clips, and the inscription set forth that the slip was not to be moved. Each student was to go in turn to it, sketch it, write in his book of answers what he considered it to be, and return to his place. Now, to move such a slip is a thing one can do by a chance movement of the finger, and in a fraction of a second. The professor's reason for decreeing that the slip should not be moved depended on the fact that the object he wanted identified was characteristic of a certain tree stem. In the position in which it was placed it was a difficult thing to recognise, but once the slip was moved so as to bring other parts of the preparation into view, its nature was obvious enough.
Hill came to this, flushed from a contest with staining re-agents, sat down on the little stool before the microscope, turned the mirror to get the best light, and then, out of sheer habit, shifted the slips. At once he remembered the prohibition, and, with an almost continuous motion of his hands, moved it back, and sat paralysed with astonishment at his action.
Then, slowly, he turned his head. The professor was out of the room; the demonstrator sat aloft on his impromptu rostrum, reading the Q. Jour. Mi. Sci.; the rest of the examinees were busy, and with their backs to him. Should he own up to the accident now? He knew quite clearly what the thing was. It was a lenticel, a characteristic preparation from the elder-tree. His eyes roved over his intent fellow-students, and Wedderburn suddenly glanced over his shoulder at him with a queer expression in his eyes. The mental excitement that had kept Hill at an abnormal pitch of vigour these two days gave way to a curious nervous tension. His book of answers was beside him. He did not write down what the thing was, but with one eye at the microscope he began making a hasty sketch of it. His mind was full of this grotesque puzzle in ethics that had suddenly been sprung upon him. Should he identify it? or should he leave this question unanswered? In that case Wedderburn would probably come out first in the second result. How could he tell now whether he might not have identified the thing without shifting it? It was possible that Wedderburn had failed to recognise it, of course. Suppose Wedderburn too had shifted the slide? He looked up at the clock. There were fifteen minutes in which to make up his mind. He gathered up his book of answers and the coloured pencils he used in illustrating his replies and walked back to his seat.
He read through his manuscript, and then sat thinking and gnawing his knuckle. It would look queer now if he owned up. He must beat Wedderburn. He forgot the examples of those starry gentlemen, John Burns and Bradlaugh. Besides, he reflected, the glimpse of the rest of the slip he had had was, after all, quite accidental, forced upon him by chance, a kind of providential revelation rather than an unfair advantage. It was not nearly so dishonest to avail himself of that as it was of Broome, who believed in the efficacy of prayer, to pray daily for a first-class. "Five minutes more," said the demonstrator, folding up his paper and becoming observant. Hill watched the clock hands until two minutes remained; then he opened the book of answers, and, with hot ears and an affectation of ease, gave his drawing of the lenticel its name.
When the second pass list appeared, the previous positions of Wedderburn and Hill were reversed, and the spectacled girl in green, who knew the demonstrator in private life (where he was practically human), said that in the result of the two examinations taken together Hill had the advantage of a mark—167 to 166 out of a possible 200. Everyone admired Hill in a way, though the suspicion of "mugging" clung to him. But Hill was to find congratulations and Miss Haysman's enhanced opinion of him, and even the decided decline in the crest of Wedderburn, tainted by an unhappy memory. He felt a remarkable access of energy at first, and the note of a democracy marching to triumph returned to his debating-society speeches; he worked at his comparative anatomy with tremendous zeal and effect, and he went on with his aesthetic education. But through it all, a vivid little picture was continually coming before his mind's eye—of a sneakish person manipulating a slide.
No human being had witnessed the act, and he was cocksure that no higher power existed to see, it; but for all that it worried him. Memories are not dead things but alive; they dwindle in disuse, but they harden and develop in all sorts of queer ways if they are being continually fretted. Curiously enough, though at the time he perceived clearly that the shifting was accidental, as the days wore on, his memory became confused about it, until at last he was not sure—although he assured himself that he was sure—whether the movement had been absolutely involuntary. Then it is possible that Hill's dietary was conducive to morbid conscientiousness; a breakfast frequently eaten in a hurry, a midday bun, and, at such hours after five as chanced to be convenient, such meat as his means determined, usually in a chop-house in a back street off the Brompton Road. Occasionally he treated himself to threepenny or ninepenny classics, and they usually represented a suppression of potatoes or chops. It is indisputable that outbreaks of self-abasement and emotional revival have a distinct relation to periods of scarcity. But apart from this influence on the feelings, there was in Hill a distinct aversion to falsity that the blasphemous Landport cobbler had inculcated by strap and tongue from his earliest years. Of one fact about professed atheists I am convinced; they may be—they usually are—fools, void of subtlety, revilers of holy institutions, brutal speakers, and mischievous knaves, but they lie with difficulty. If it were not so, if they had the faintest grasp of the idea of compromise, they would simply be liberal churchmen. And, moreover, this memory poisoned his regard for Miss Haysman. For she now so evidently preferred him to Wedderburn that he felt sure he cared for her, and began reciprocating her attentions by timid marks of personal regard; at one time he even bought a bunch of violets, carried it about in his pocket, and produced it, with a stumbling explanation, withered and dead, in the gallery of old iron. It poisoned, too, the denunciation of capitalist dishonesty that had been one of his life's pleasures. And, lastly, it poisoned his triumph in Wedderburn. Previously he had been Wedderburn's superior in his own eyes, and had raged simply at a want of recognition. Now he began to fret at the darker suspicion of positive inferiority. He fancied he found justifications for his position in Browning, but they vanished on analysis. At last—moved, curiously enough, by exactly the same motive forces that had resulted in his dishonesty—he went to Professor Bindon, and made a clean breast of the whole affair. As Hill was a paid student, Professor Bindon did not ask him to sit down, and he stood before the professor's desk as he made his confession.
"It's a curious story," said Professor Bindon, slowly realising how the thing reflected on himself, and then letting his anger rise,—"a most remarkable story. I can't understand your doing it, and I can't understand this avowal. You're a type of student—Cambridge men would never dream—I suppose I ought to have thought—why did you cheat?"
"I didn't cheat," said Hill.
"But you have just been telling me you did."
"I thought I explained—"
"Either you cheated or you did not cheat."
"I said my motion was involuntary."
"I am not a metaphysician, I am a servant of science—of fact. You were told not to move the slip. You did move the slip. If that is not cheating—"
"If I was a cheat," said Hill, with the note of hysterics in his voice, "should I come here and tell you?"
"Your repentance, of course, does you credit," said Professor Bindon, "but it does not alter the original facts."
"No, sir," said Hill, giving in in utter self-abasement.
"Even now you cause an enormous amount of trouble. The examination list will have to be revised."
"I suppose so, sir."
"Suppose so? Of course it must be revised. And I don't see how I can conscientiously pass you."
"Not pass me?" said Hill. "Fail me?"
"It's the rule in all examinations. Or where should we be? What else did you expect? You don't want to shirk the consequences of your own acts?"
"I thought, perhaps——" said Hill. And then, "Fail me? I thought, as I told you, you would simply deduct the marks given for that slip."
"Impossible!" said Bindon. "Besides, it would still leave you above Wedderburn. Deduct only the marks! Preposterous! The Departmental Regulations distinctly say——"
"But it's my own admission, sir."
"The Regulations say nothing whatever of the manner in which the matter comes to light. They simply provide——"
"It will ruin me. If I fail this examination, they won't renew my scholarship."
"You should have thought of that before."
"But, sir, consider all my circumstances——"
"I cannot consider anything. Professors in this College are machines. The Regulations will not even let us recommend our students for appointments. I am a machine, and you have worked me. I have to do——"
"It's very hard, sir."
"Possibly it is."
"If I am to be failed this examination, I might as well go home at once."
"That is as you think proper." Bindon's voice softened a little; he perceived he had been unjust, and, provided he did not contradict himself, he was disposed to amelioration. "As a private person," he said, "I think this confession of yours goes far to mitigate your offence. But you have set the machinery in motion, and now it must take its course. I—I am really sorry you gave way."
A wave of emotion prevented Hill from answering. Suddenly, very vividly, he saw the heavily-lined face of the old Landport cobbler, his father. "Good God! What a fool I have been!" he said hotly and abruptly.
"I hope," said Bindon, "that it will be a lesson to you."
But, curiously enough, they were not thinking of quite the same indiscretion.
There was a pause.
"I would like a day to think, sir, and then I will let you know—about going home, I mean," said Hill, moving towards the door.
* * * * *
The next day Hill's place was vacant. The spectacled girl in green was, as usual, first with the news. Wedderburn and Miss Haysman were talking of a performance of The Meistersingers when she came up to them.
"Have you heard?" she said.
"Heard what?"
"There was cheating in the examination."
"Cheating!" said Wedderburn, with his face suddenly hot. "How?"
"That slide—"
"Moved? Never!"
"It was. That slide that we weren't to move—"
"Nonsense!" said Wedderburn. "Why! How could they find out? Who do they say—?"
"It was Mr. Hill."
Hill!"
"Mr. Hill!"
"Not—surely not the immaculate Hill?" said Wedderburn, recovering.
"I don't believe it," said Miss Haysman. "How do you know?"
"I didn't," said the girl in spectacles. "But I know it now for a fact. Mr. Hill went and confessed to Professor Bindon himself."
"By Jove!" said Wedderburn. "Hill of all people. But I am always inclined to distrust these philanthropists-on-principle—"
"Are you quite sure?" said Miss Haysman, with a catch in her breath.
"Quite. It's dreadful, isn't it? But, you know, what can you expect? His father is a cobbler."
Then Miss Haysman astonished the girl in spectacles.
"I don't care. I will not believe it," she said, flushing darkly under her warm-tinted skin. "I will not believe it until he has told me so himself— face to face. I would scarcely believe it then," and abruptly she turned her back on the girl in spectacles, and walked to her own place.
"It's true, all the same," said the girl in spectacles, peering and smiling at Wedderburn.
But Wedderburn did not answer her. She was indeed one of those people who seemed destined to make unanswered remarks.
XIX.
THE CRYSTAL EGG.
There was, until a year ago, a little and very grimy-looking shop near Seven Dials, over which, in weather-worn yellow lettering, the name of "C. Cave, Naturalist and Dealer in Antiquities," was inscribed. The contents of its window were curiously variegated. They comprised some elephant tusks and an imperfect set of chessmen, beads and weapons, a box of eyes, two skulls of tigers and one human, several moth-eaten stuffed monkeys (one holding a lamp), an old-fashioned cabinet, a fly-blown ostrich egg or so, some fishing-tackle, and an extraordinarily dirty, empty glass fish-tank. There was also, at the moment the story begins, a mass of crystal, worked into the shape of an egg and brilliantly polished. And at that two people who stood outside the window were looking, one of them a tall, thin clergyman, the other a black-bearded young man of dusky complexion and unobtrusive costume. The dusky young man spoke with eager gesticulation, and seemed anxious for his companion to purchase the article.
While they were there, Mr. Cave came into his shop, his beard still wagging with the bread and butter of his tea. When he saw these men and the object of their regard, his countenance fell. He glanced guiltily over his shoulder, and softly shut the door. He was a little old man, with pale face and peculiar watery blue eyes; his hair was a dirty grey, and he wore a shabby blue frock-coat, an ancient silk hat, and carpet slippers very much down at heel. He remained watching the two men as they talked. The clergyman went deep into his trouser pocket, examined a handful of money, and showed his teeth in an agreeable smile. Mr. Cave seemed still more depressed when they came into the shop.
The clergyman, without any ceremony, asked the price of the crystal egg. Mr. Cave glanced nervously towards the door leading into the parlour, and said five pounds. The clergyman protested that the price was high, to his companion as well as to Mr. Cave—it was, indeed, very much more than Mr. Cave had intended to ask when he had stocked the article—and an attempt at bargaining ensued. Mr. Cave stepped to the shop door, and held it open. "Five pounds is my price," he said, as though he wished to save himself the trouble of unprofitable discussion. As he did so, the upper portion of a woman's face appeared above the blind in the glass upper panel of the door leading into the parlour, and stared curiously at the two customers. "Five pounds is my price," said Mr. Cave, with a quiver in his voice.
The swarthy young man had so far remained a spectator, watching Cave keenly. Now he spoke. "Give him five pounds," he said. The clergyman glanced at him to see if he were in earnest, and when he looked at Mr. Cave again, he saw that the latter's face was white. "It's a lot of money," said the clergyman, and, diving into his pocket, began counting his resources. He had little more than thirty shillings, and he appealed to his companion, with whom he seemed to be on terms of considerable intimacy. This gave Mr. Cave an opportunity of collecting his thoughts, and he began to explain in an agitated manner that the crystal was not, as a matter of fact, entirely free for sale. His two customers were naturally surprised at this, and inquired why he had not thought of that before he began to bargain. Mr. Cave became confused, but he stuck to his story, that the crystal was not in the market that afternoon, that a probable purchaser of it had already appeared. The two, treating this as an attempt to raise the price still further, made as if they would leave the shop. But at this point the parlour door opened, and the owner of the dark fringe and the little eyes appeared. |
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