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It was rather wonderful how a child like little Lucy and Miss Martha lived with so little conversation. Martha talked no more at home than abroad; moreover, at home she had not the attitude of waiting for some one to talk to her, which people outside considered trying. Martha did not expect her cousin to talk to her. She seldom asked a question. She almost never volunteered a perfectly useless observation. She made no remarks upon self-evident topics. If the sun shone, she never mentioned it. If there was a heavy rain, she never mentioned that. Miss Martha suited her cousin exactly, and for that reason, aside from the fact that he had been devoted to little Lucy's mother, it never occurred to him to marry again. Little Lucy talked no more than Miss Martha, and nobody dreamed that she sometimes wanted somebody to talk to her. Nobody dreamed that the dear little girl, studying her lessons, learning needlework, trying very futilely to play the piano, was lonely; but she was without knowing it herself. Martha was so kind and so still; and her father was so kind and so still, engrossed in his papers or books, often sitting by himself in his own study. Little Lucy in this peace and stillness was not having her share of childhood. When other little girls came to play with her. Miss Martha enjoined quiet, and even Lily Jennings's bird-like chattering became subdued. It was only at school that Lucy got her chance for the irresponsible delight which was the simple right of her childhood, and there her zeal for her lessons prevented. She was happy at school, however, for there she lived in an atmosphere of demonstrative affection. The teachers were given to seizing her in fond arms and caressing her, and so were her girl companions; while the boys, especially Jim Patterson, looked wistfully on.
Jim Patterson was in love, a charming little poetical boy-love; but it was love. Everything which he did in those days was with the thought of little Lucy for incentive. He stood better in school than he had ever done before, but it was all for the sake of little Lucy. Jim Patterson had one talent, rather rudimentary, still a talent. He could play by ear. His father owned an old violin. He had been inclined to music in early youth, and Jim got permission to practise on it, and he went by himself in the hot attic and practised. Jim's mother did not care for music, and her son's preliminary scraping tortured her. Jim tucked the old fiddle under one round boy-cheek and played in the hot attic, with wasps buzzing around him; and he spent his pennies for catgut, and he learned to mend fiddle-strings; and finally came a proud Wednesday afternoon when there were visitors in Madame's school, and he stood on the platform, with Miss Acton playing an accompaniment on the baby grand piano, and he managed a feeble but true tune on his violin. It was all for little Lucy, but little Lucy cared no more for music than his mother; and while Jim was playing she was rehearsing in the depths of her mind the little poem which later she was to recite; for this adorable little Lucy was, as a matter of course, to figure in the entertainment. It therefore happened that she heard not one note of Jim Patterson's painfully executed piece, for she was saying to herself in mental singsong a foolish little poem, beginning:
There was one little flower that bloomed Beside a cottage door.
When she went forward, little darling blue-clad figure, there was a murmur of admiration; and when she made mistakes straight through the poem, saying,
There was a little flower that fell On my aunt Martha's floor,
for beginning, there was a roar of tender laughter and a clapping of tender, maternal hands, and everybody wanted to catch hold of little Lucy and kiss her. It was one of the irresistible charms of this child that people loved her the more for her mistakes, and she made many, although she tried so very hard to avoid them. Little Lucy was not in the least brilliant, but she held love like a precious vase, and it gave out perfume better than mere knowledge.
Jim Patterson was so deeply in love with her when he went home that night that he confessed to his mother. Mrs. Patterson had led up to the subject by alluding to little Lucy while at the dinner-table.
"Edward," she said to her husband—both she and the rector had been present at Madame's school entertainment and the tea-drinking afterward—"did you ever see in all your life such a darling little girl as the new cashier's daughter? She quite makes up for Miss Martha, who sat here one solid hour, holding her card-case, waiting for me to talk to her. That child is simply delicious, and I was so glad she made mistakes."
"Yes, she is a charming child," assented the rector, "despite the fact that she is not a beauty, hardly even pretty."
"I know it," said Mrs. Patterson, "but she has the worth of beauty."
Jim was quite pale while his father and mother were talking. He swallowed the hot soup so fast that it burnt his tongue. Then he turned very red, but nobody noticed him. When his mother came up-stairs to kiss him good night he told her.
"Mother," said he, "I have something to tell you."
"All right, Jim," replied Sally Patterson, with her boyish air.
"It is very important," said Jim.
Mrs. Patterson did not laugh; she did not even smile. She sat down beside Jim's bed and looked seriously at his eager, rapt, shamed little boy-face on the pillow. "Well?" said she, after a minute which seemed difficult to him.
Jim coughed. Then he spoke with a blurt. "Mother," said Jim, "by and by, of course not quite yet, but by and by, will you have any objection to Miss Lucy Rose as a daughter?"
Even then Sally Patterson did not laugh or even smile. "Are you thinking of marrying her, Jim?" asked she, quite as if her son had been a man.
"Yes, mother," replied Jim. Then he flung up his little arms in pink pajama sleeves, and Sally Patterson took his face between her two hands and kissed him warmly.
"She is a darling, and your choice does you credit, Jim," said she. "Of course you have said nothing to her yet?"
"I thought it was rather too soon."
"I really think you are very wise, Jim," said his mother. "It is too soon to put such ideas into the poor child's head. She is younger than you, isn't she, Jim?"
"She is just six months and three days younger," replied Jim, with majesty.
"I thought so. Well, you know, Jim, it would just wear her all out, as young as that, to be obliged to think about her trousseau and housekeeping and going to school, too."
"I know it," said Jim, with a pleased air. "I thought I was right, mother."
"Entirely right; and you, too, really ought to finish school, and take up a profession or a business, before you say anything definite. You would want a nice home for the dear little thing, you know that, Jim."
Jim stared at his mother out of his white pillow. "I thought I would stay with you, and she would stay with her father until we were both very much older," said he. "She has a nice home now, you know, mother."
Sally Patterson's mouth twitched a little, but she spoke quite gravely and reasonably. "Yes, that is very true," said she; "still, I do think you are wise to wait, Jim."
When Sally Patterson had left Jim, she looked in on the rector in his study. "Our son is thinking seriously of marrying, Edward," said she.
The rector stared at her. She had shut the door, and she laughed.
"He is very discreet. He has consulted me as to my approval of her as daughter and announced his intention to wait a little while."
The rector laughed; then he wrinkled his forehead uneasily. "I don't like the little chap getting such ideas," said he.
"Don't worry, Edward; he hasn't got them," said Sally Patterson.
"I hope not."
"He has made a very wise choice. She is that perfect darling of a Rose girl who couldn't speak her piece, and thought we all loved her when we laughed."
"Well, don't let him get foolish ideas; that is all, my dear," said the rector.
"Don't worry, Edward. I can manage him," said Sally.
But she was mistaken. The very next day Jim proposed in due form to little Lucy. He could not help it. It was during the morning intermission, and he came upon her seated all alone under a hawthorn hedge, studying her arithmetic anxiously. She was in blue, as usual, and a very perky blue bow sat on her soft, dark hair, like a bluebird. She glanced up at Jim from under her long lashes.
"Do two and seven make eight or ten? If you please, will you tell me?" said she.
"Say, Lucy," said Jim, "will you marry me by and by?"
Lucy stared at him uncomprehendingly.
"Will you?"
"Will I what?"
"Marry me by and by?"
Lucy took refuge in her little harbor of ignorance. "I don't know," said she.
"But you like me, don't you, Lucy?"
"I don't know."
"Don't you like me better than you like Johnny Trumbull?"
"I don't know."
"You like me better than you like Arnold Carruth, don't you? He has curls and wears socks."
"I don't know."
"When do you think you can be sure?"
"I don't know."
Jim stared helplessly at little Lucy. She stared back sweetly.
"Please tell me whether two and seven make six or eleven, Jim," said she.
"They make nine," said Jim.
"I have been counting my fingers and I got it eleven, but I suppose I must have counted one finger twice," said little Lucy. She gazed reflectively at her little baby-hands. A tiny ring with a blue stone shone on one finger.
"I will give you a ring, you know," Jim said, coaxingly.
"I have got a ring my father gave me. Did you say it was ten, please, Jim?"
"Nine," gasped Jim.
"All the way I can remember," said little Lucy, "is for you to pick just so many leaves off the hedge, and I will tie them in my handkerchief, and just before I have to say my lesson I will count those leaves."
Jim obediently picked nine leaves from the hawthorn hedge, and little Lucy tied them into her handkerchief, and then the Japanese gong sounded and they went back to school.
That night after dinner, just before Lucy went to bed, she spoke of her own accord to her father and Miss Martha, a thing which she seldom did. "Jim Patterson asked me to marry him when I asked him what seven and two made in my arithmetic lesson," said she. She looked with the loveliest round eyes of innocence first at her father, then at Miss Martha. Cyril Rose gasped and laid down his newspaper.
"What did you say, little Lucy?" he asked.
"Jim Patterson asked me to marry him when I asked him to tell me how much seven and two made in my arithmetic lesson."
Cyril Rose and his cousin Martha looked at each other.
"Arnold Carruth asked me, too, when a great big wasp flew on my arm and frightened me."
Cyril and Martha continued to look. The little, sweet, uncertain voice went on.
"And Johnny Trumbull asked me when I 'most fell down on the sidewalk; and Lee Westminster asked me when I wasn't doing anything, and so did Bubby Harvey."
"What did you tell them?" asked Miss Martha, in a faint voice.
"I told them I didn't know."
"You had better have the child go to bed now," said Cyril. "Good night, little Lucy. Always tell father everything."
"Yes, father," said little Lucy, and was kissed, and went away with Martha.
When Martha returned, her cousin looked at her severely. He was a fair, gentle-looking man, and severity was impressive when he assumed it.
"Really, Martha," said he, "don't you think you had better have a little closer outlook over that baby?"
"Oh, Cyril, I never dreamed of such a thing," cried Miss Martha.
"You really must speak to Madame," said Cyril. "I cannot have such things put into the child's head."
"Oh, Cyril, how can I?"
"I think it is your duty."
"Cyril, could not—you?"
Cyril grinned. "Do you think," said he, "that I am going to that elegant widow schoolma'am and say, 'Madame, my young daughter has had four proposals of marriage in one day, and I must beg you to put a stop to such proceedings'? No, Martha; it is a woman's place to do such a thing as that. The whole thing is too absurd, indignant as I am about it. Poor little soul!"
So it happened that Miss Martha Rose, the next day being Saturday, called on Madame, but, not being asked any leading question, found herself absolutely unable to deliver herself of her errand, and went away with it unfulfilled.
"Well, I must say," said Madame to Miss Parmalee, as Miss Martha tripped wearily down the front walk—"I must say, of all the educated women who have really been in the world, she is the strangest. You and I have done nothing but ask inane questions, and she has sat waiting for them, and chirped back like a canary. I am simply worn out."
"So am I," sighed Miss Parmalee.
But neither of them was so worn out as poor Miss Martha, anticipating her cousin's reproaches. However, her wonted silence and reticence stood her in good stead, for he merely asked, after little Lucy had gone to bed:
"Well, what did Madame say about Lucy's proposals?"
"She did not say anything," replied Martha.
"Did she promise it would not occur again?"
"She did not promise, but I don't think it will."
The financial page was unusually thrilling that night, and Cyril Rose, who had come to think rather lightly of the affair, remarked, absent-mindedly; "Well, I hope it does not occur again. I cannot have such ridiculous ideas put into the child's head. If it does, we get a governess for her and take her away from Madame's." Then he resumed his reading, and Martha, guilty but relieved, went on with her knitting.
It was late spring then, and little Lucy had attended Madame's school several months, and her popularity had never waned. A picnic was planned to Dover's Grove, and the romantic little girls had insisted upon a May queen, and Lucy was unanimously elected. The pupils of Madame's school went to the picnic in the manner known as a "strawride." Miss Parmalee sat with them, her feet uncomfortably tucked under her. She was the youngest of the teachers, and could not evade the duty. Madame and Miss Acton headed the procession, sitting comfortably in a victoria driven by the colored man Sam, who was employed about the school. Dover's Grove was six miles from the village, and a favorite spot for picnics. The victoria rolled on ahead; Madame carried a black parasol, for the sun was on her side and the day very warm. Both ladies wore thin, dark gowns, and both felt the languor of spring.
The straw-wagon, laden with children seated upon the golden trusses of straw, looked like a wagonload of blossoms. Fair and dark heads, rosy faces looked forth in charming clusters. They sang, they chattered. It made no difference to them that it was not the season for a straw-ride, that the trusses were musty. They inhaled the fragrance of blooming boughs under which they rode, and were quite oblivious to all discomfort and unpleasantness. Poor Miss Parmalee, with her feet going to sleep, sneezing from time to time from the odor of the old straw, did not obtain the full beauty of the spring day. She had protested against the straw-ride.
"The children really ought to wait until the season for such things," she had told Madame, quite boldly; and Madame had replied that she was well aware of it, but the children wanted something of the sort, and the hay was not cut, and straw, as it happened, was more easily procured.
"It may not be so very musty," said Madame; "and you know, my dear, straw is clean, and I am sorry, but you do seem to be the one to ride with the children on the straw, because"—Madame dropped her voice—"you are really younger, you know, than either Miss Acton or I."
Poor Miss Parmalee could almost have dispensed with her few years of superior youth to have gotten rid of that straw-ride. She had no parasol, and the sun beat upon her head, and the noise of the children got horribly on her nerves. Little Lucy was her one alleviation. Little Lucy sat in the midst of the boisterous throng, perfectly still, crowned with her garland of leaves and flowers, her sweet, pale little face calmly observant. She was the high light of Madame's school, the effect which made the whole. All the others looked at little Lucy, they talked to her, they talked at her; but she remained herself unmoved, as a high light should be. "Dear little soul," Miss Parmalee thought. She also thought that it was a pity that little Lucy could not have worn a white frock in her character as Queen of the May, but there she was mistaken. The blue was of a peculiar shade, of a very soft material, and nothing could have been prettier. Jim Patterson did not often look away from little Lucy; neither did Arnold Carruth; neither did Bubby Harvey; neither did Johnny Trumbull; neither did Lily Jennings; neither did many others.
Amelia Wheeler, however, felt a little jealous as she watched Lily. She thought Lily ought to have been queen; and she, while she did not dream of competing with incomparable little Lucy, wished Lily would not always look at Lucy with such worshipful admiration. Amelia was inconsistent. She knew that she herself could not aspire to being an object of worship, but the state of being a nonentity for Lily was depressing. "Wonder if I jumped out of this old wagon and got killed if she would mind one bit?" she thought, tragically. But Amelia did not jump. She had tragic impulses, or rather imaginations of tragic impulses, but she never carried them out. It was left for little Lucy, flower-crowned and calmly sweet and gentle under honors, to be guilty of a tragedy of which she never dreamed. For that was the day when little Lucy was lost.
When the picnic was over, when the children were climbing into the straw-wagon and Madame and Miss Acton were genteelly disposed in the victoria, a lamentable cry arose. Sam drew his reins tight and rolled his inquiring eyes around; Madame and Miss Acton leaned far out on either side of the victoria.
"Oh, what is it?" said Madame. "My dear Miss Acton, do pray get out and see what the trouble is. I begin to feel a little faint."
In fact, Madame got her cut-glass smelling-bottle out of her bag and began to sniff vigorously. Sam gazed backward and paid no attention to her. Madame always felt faint when anything unexpected occurred, and smelled at the pretty bottle, but she never fainted.
Miss Acton got out, lifting her nice skirts clear of the dusty wheel, and she scuttled back to the uproarious straw-wagon, showing her slender ankles and trimly shod feet. Miss Acton was a very wiry, dainty woman, full of nervous energy. When she reached the straw-wagon Miss Parmalee was climbing out, assisted by the driver. Miss Parmalee was very pale and visibly tremulous. The children were all shrieking in dissonance, so it was quite impossible to tell what the burden of their tale of woe was; but obviously something of a tragic nature had happened.
"What is the matter?" asked Miss Acton, teetering like a humming-bird with excitement.
"Little Lucy—" gasped Miss Parmalee.
"What about her?"
"She isn't here."
"Where is she?"
"We don't know. We just missed her."
Then the cry of the children for little Lucy Rose, although sadly wrangled, became intelligible. Madame came, holding up her silk skirt and sniffing at her smelling-bottle, and everybody asked questions of everybody else, and nobody knew any satisfactory answers. Johnny Trumbull was confident that he was the last one to see little Lucy, and so were Lily Jennings and Amelia Wheeler, and so were Jim Patterson and Bubby Harvey and Arnold Carruth and Lee Westminster and many others; but when pinned down to the actual moment everybody disagreed, and only one thing was certain—little Lucy Rose was missing.
"What shall I say to her father?" moaned Madame.
"Of course, we shall find her before we say anything," returned Miss Parmalee, who was sure to rise to an emergency. Madame sank helpless before one. "You had better go and sit under that tree (Sam, take a cushion out of the carriage for Madame) and keep quiet; then Sam must drive to the village and give the alarm, and the strawwagon had better go, too; and the rest of us will hunt by threes, three always keeping together. Remember, children, three of you keep together, and, whatever you do, be sure and do not separate. We cannot have another lost."
It seemed very sound advice. Madame, pale and frightened, sat on the cushion under the tree and sniffed at her smelling-bottle, and the rest scattered and searched the grove and surrounding underbrush thoroughly. But it was sunset when the groups returned to Madame under her tree, and the strawwagon with excited people was back, and the victoria with Lucy's father and the rector and his wife, and Dr. Trumbull in his buggy, and other carriages fast arriving. Poor Miss Martha Rose had been out calling when she heard the news, and she was walking to the scene of action. The victoria in which her cousin was seated left her in a cloud of dust. Cyril Rose had not noticed the mincing figure with the card-case and the parasol.
The village searched for little Lucy Rose, but it was Jim Patterson who found her, and in the most unlikely of places. A forlorn pair with a multiplicity of forlorn children lived in a tumble-down house about half a mile from the grove. The man's name was Silas Thomas, and his wife's was Sarah. Poor Sarah had lost a large part of the small wit she had originally owned several years before, when her youngest daughter, aged four, died. All the babies that had arrived since had not consoled her for the death of that little lamb, by name Viola May, nor restored her full measure of under-wit. Poor Sarah Thomas had spied adorable little Lucy separated from her mates by chance for a few minutes, picking wild flowers, and had seized her in forcible but loving arms and carried her home. Had Lucy not been such a silent, docile child, it could never have happened; but she was a mere little limp thing in the grasp of the over-loving, deprived mother who thought she had gotten back her own beloved Viola May.
When Jim Patterson, big-eyed and pale, looked in at the Thomas door, there sat Sarah Thomas, a large, unkempt, wild-visaged, but gentle creature, holding little Lucy and cuddling her, while Lucy, shrinking away as far as she was able, kept her big, dark eyes of wonder and fear upon the woman's face. And all around were clustered the Thomas children, unkempt as their mother, a gentle but degenerate brood, all of them believing what their mother said. Viola May had come home again. Silas Thomas was not there; he was trudging slowly homeward from a job of wood-cutting. Jim saw only the mother, little Lucy, and that poor little flock of children gazing in wonder and awe. Jim rushed in and faced Sarah Thomas. "Give me little Lucy!" said he, as fiercely as any man. But he reckoned without the unreasoning love of a mother. Sarah only held little Lucy faster, and the poor little girl rolled appealing eyes at him over that brawny, grasping arm of affection.
Jim raced for help, and it was not long before it came. Little Lucy rode home in the victoria, seated in Sally Patterson's lap. "Mother, you take her," Jim had pleaded; and Sally, in the face and eyes of Madame, had gathered the little trembling creature into her arms. In her heart she had not much of an opinion of any woman who had allowed such a darling little girl out of her sight for a moment. Madame accepted a seat in another carriage and rode home, explaining and sniffing and inwardly resolving never again to have a straw-ride.
Jim stood on the step of the victoria all the way home. They passed poor Miss Martha Rose, still faring toward the grove, and nobody noticed her, for the second time. She did not turn back until the straw-wagon, which formed the tail of the little procession, reached her. That she halted with mad waves of her parasol, and, when told that little Lucy was found, refused a seat on the straw because she did not wish to rumple her best gown and turned about and fared home again.
The rectory was reached before Cyril Rose's house, and Cyril yielded gratefully to Sally Patterson's proposition that she take the little girl with her, give her dinner, see that she was washed and brushed and freed from possible contamination from the Thomases, who were not a cleanly lot, and later brought home in the rector's carriage. However, little Lucy stayed all night at the rectory. She had a bath; her lovely, misty hair was brushed; she was fed and petted; and finally Sally Patterson telephoned for permission to keep her overnight. By that time poor Martha had reached home and was busily brushing her best dress.
After dinner, little Lucy, very happy and quite restored, sat in Sally Patterson's lap on the veranda, while Jim hovered near. His innocent boy-love made him feel as if he had wings. But his wings only bore him to failure, before an earlier and mightier force of love than his young heart could yet compass for even such a darling as little Lucy. He sat on the veranda step and gazed eagerly and rapturously at little Lucy on his mother's lap, and the desire to have her away from other loves came over him. He saw the fireflies dancing in swarms on the lawn, and a favorite sport of the children of the village occurred to him.
"Say, little Lucy," said Jim.
Little Lucy looked up with big, dark eyes under her mist of hair, as she nestled against Sally Patterson's shoulder.
"Say, let's chase fireflies, little Lucy."
"Do you want to chase fireflies with Jim, darling?" asked Sally.
Little Lucy nestled closer. "I would rather stay with you," said she in her meek flute of a voice, and she gazed up at Sally with the look which she might have given the mother she had lost.
Sally kissed her and laughed. Then she reached down a fond hand and patted her boy's head. "Never mind, Jim," said Sally. "Mothers have to come first."
NOBLESSE
MARGARET LEE encountered in her late middle age the rather singular strait of being entirely alone in the world. She was unmarried, and as far as relatives were concerned, she had none except those connected with her by ties not of blood, but by marriage.
Margaret had not married when her flesh had been comparative; later, when it had become superlative, she had no opportunities to marry. Life would have been hard enough for Margaret under any circumstances, but it was especially hard, living, as she did, with her father's stepdaughter and that daughter's husband.
Margaret's stepmother had been a child in spite of her two marriages, and a very silly, although pretty child. The daughter, Camille, was like her, although not so pretty, and the man whom Camille had married was what Margaret had been taught to regard as "common." His business pursuits were irregular and partook of mystery. He always smoked cigarettes and chewed gum. He wore loud shirts and a diamond scarf-pin which had upon him the appearance of stolen goods. The gem had belonged to Margaret's own mother, but when Camille expressed a desire to present it to Jack Desmond, Margaret had yielded with no outward hesitation, but afterward she wept miserably over its loss when alone in her room. The spirit had gone out of Margaret, the little which she had possessed. She had always been a gentle, sensitive creature, and was almost helpless before the wishes of others.
After all, it had been a long time since Margaret had been able to force the ring even upon her little finger, but she had derived a small pleasure from the reflection that she owned it in its faded velvet box, hidden under laces in her top bureau drawer. She did not like to see it blazing forth from the tie of this very ordinary young man who had married Camille. Margaret had a gentle, high-bred contempt for Jack Desmond, but at the same time a vague fear of him. Jack had a measure of unscrupulous business shrewdness, which spared nothing and nobody, and that in spite of the fact that he had not succeeded.
Margaret owned the old Lee place, which had been magnificent, but of late years the expenditures had been reduced and it had deteriorated. The conservatories had been closed. There was only one horse in the stable. Jack had bought him. He was a wornout trotter with legs carefully bandaged. Jack drove him at reckless speed, not considering those slender, braceleted legs. Jack had a racing-gig, and when in it, with striped coat, cap on one side, cigarette in mouth, lines held taut, skimming along the roads in clouds of dust, he thought himself the man and true sportsman which he was not. Some of the old Lee silver had paid for that waning trotter.
Camille adored Jack, and cared for no associations, no society, for which he was not suited. Before the trotter was bought she told Margaret that the kind of dinners which she was able to give in Fairhill were awfully slow. "If we could afford to have some men out from the city, some nice fellers that Jack knows, it would be worth while," said she, "but we have grown so hard up we can't do a thing to make it worth their while. Those men haven't got any use for a back-number old place like this. We can't take them round in autos, nor give them a chance at cards, for Jack couldn't pay if he lost, and Jack is awful honorable. We can't have the right kind of folks here for any fun. I don't propose to ask the rector and his wife, and old Mr. Harvey, or people like the Leaches."
"The Leaches are a very good old family," said Margaret, feebly.
"I don't care for good old families when they are so slow," retorted Camille. "The fellers we could have here, if we were rich enough, come from fine families, but they are up-to-date. It's no use hanging on to old silver dishes we never use and that I don't intend to spoil my hands shining. Poor Jack don't have much fun, anyway. If he wants that trotter—he says it's going dirt cheap—I think it's mean he can't have it, instead of your hanging on to a lot of out-of-style old silver; so there."
Two generations ago there had been French blood in Camille's family. She put on her clothes beautifully; she had a dark, rather fine-featured, alert little face, which gave a wrong impression, for she was essentially vulgar. Sometimes poor Margaret Lee wished that Camille had been definitely vicious, if only she might be possessed of more of the characteristics of breeding. Camille so irritated Margaret in those somewhat abstruse traits called sensibilities that she felt as if she were living with a sort of spiritual nutmeg-grater. Seldom did Camille speak that she did not jar Margaret, although unconsciously. Camille meant to be kind to the stout woman, whom she pitied as far as she was capable of pitying without understanding. She realized that it must be horrible to be no longer young, and so stout that one was fairly monstrous, but how horrible she could not with her mentality conceive. Jack also meant to be kind. He was not of the brutal—that is, intentionally brutal—type, but he had a shrewd eye to the betterment of himself, and no realization of the torture he inflicted upon those who opposed that betterment.
For a long time matters had been worse than usual financially in the Lee house. The sisters had been left in charge of the sadly dwindled estate, and had depended upon the judgment, or lack of judgment, of Jack. He approved of taking your chances and striking for larger income. The few good old grandfather securities had been sold, and wild ones from the very jungle of commerce had been substituted. Jack, like most of his type, while shrewd, was as credulous as a child. He lied himself, and expected all men to tell him the truth. Camille at his bidding mortgaged the old place, and Margaret dared not oppose. Taxes were not paid; interest was not paid; credit was exhausted. Then the house was put up at public auction, and brought little more than sufficient to pay the creditors. Jack took the balance and staked it in a few games of chance, and of course lost. The weary trotter stumbled one day and had to be shot. Jack became desperate. He frightened Camille. He was suddenly morose. He bade Camille pack, and Margaret also, and they obeyed. Camille stowed away her crumpled finery in the bulging old trunks, and Margaret folded daintily her few remnants of past treasures. She had an old silk gown or two, which resisted with their rich honesty the inroads of time, and a few pieces of old lace, which Camille understood no better than she understood their owner.
Then Margaret and the Desmonds went to the city and lived in a horrible, tawdry little flat in a tawdry locality. Jack roared with bitter mirth when he saw poor Margaret forced to enter her tiny room sidewise; Camille laughed also, although she chided Jack gently. "Mean of you to make fun of poor Margaret, Jacky dear," she said.
For a few weeks Margaret's life in that flat was horrible; then it became still worse. Margaret nearly filled with her weary, ridiculous bulk her little room, and she remained there most of the time, although it was sunny and noisy, its one window giving on a courtyard strung with clothes-lines and teeming with boisterous life. Camille and Jack went trolley-riding, and made shift to entertain a little, merry but questionable people, who gave them passes to vaudeville and entertained in their turn until the small hours. Unquestionably these people suggested to Jack Desmond the scheme which spelled tragedy to Margaret.
She always remembered one little dark man with keen eyes who had seen her disappearing through her door of a Sunday night when all these gay, bedraggled birds were at liberty and the fun ran high. "Great Scott!" the man had said, and Margaret had heard him demand of Jack that she be recalled. She obeyed, and the man was introduced, also the other members of the party. Margaret Lee stood in the midst of this throng and heard their repressed titters of mirth at her appearance. Everybody there was in good humor with the exception of Jack, who was still nursing his bad luck, and the little dark man, whom Jack owed. The eyes of Jack and the little dark man made Margaret cold with a terror of something, she knew not what. Before that terror the shame and mortification of her exhibition to that merry company was of no import.
She stood among them, silent, immense, clad in her dark purple silk gown spread over a great hoopskirt. A real lace collar lay softly over her enormous, billowing shoulders; real lace ruffles lay over her great, shapeless hands. Her face, the delicacy of whose features was veiled with flesh, flushed and paled. Not even flesh could subdue the sad brilliancy of her dark-blue eyes, fixed inward upon her own sad state, unregardful of the company. She made an indefinite murmur of response to the salutations given her, and then retreated. She heard the roar of laughter after she had squeezed through the door of her room. Then she heard eager conversation, of which she did not catch the real import, but which terrified her with chance expressions. She was quite sure that she was the subject of that eager discussion. She was quite sure that it boded her no good.
In a few days she knew the worst; and the worst was beyond her utmost imaginings. This was before the days of moving-picture shows; it was the day of humiliating spectacles of deformities, when inventions of amusements for the people had not progressed. It was the day of exhibitions of sad freaks of nature, calculated to provoke tears rather than laughter in the healthy-minded, and poor Margaret Lee was a chosen victim. Camille informed her in a few words of her fate. Camille was sorry for her, although not in the least understanding why she was sorry. She realized dimly that Margaret would be distressed, but she was unable from her narrow point of view to comprehend fully the whole tragedy.
"Jack has gone broke," stated Camille. "He owes Bill Stark a pile, and he can't pay a cent of it; and Jack's sense of honor about a poker debt is about the biggest thing in his character. Jack has got to pay. And Bill has a little circus, going to travel all summer, and he's offered big money for you. Jack can pay Bill what he owes him, and we'll have enough to live on, and have lots of fun going around. You hadn't ought to make a fuss about it."
Margaret, pale as death, stared at the girl, pertly slim, and common and pretty, who stared back laughingly, although still with the glimmer of uncomprehending pity in her black eyes.
"What does—he—want—me—for?" gasped Margaret.
"For a show, because you are so big," replied Camille. "You will make us all rich, Margaret. Ain't it nice?"
Then Camille screamed, the shrill raucous scream of the women of her type, for Margaret had fallen back in a dead faint, her immense bulk inert in her chair. Jack came running in alarm. Margaret had suddenly gained value in his shrewd eyes. He was as pale as she.
Finally Margaret raised her head, opened her miserable eyes, and regained her consciousness of herself and what lay before her. There was no course open but submission. She knew that from the first. All three faced destitution; she was the one financial asset, she and her poor flesh. She had to face it, and with what dignity she could muster.
Margaret had great piety. She kept constantly before her mental vision the fact in which she believed, that the world which she found so hard, and which put her to unspeakable torture, was not all.
A week elapsed before the wretched little show of which she was to be a member went on the road, and night after night she prayed. She besieged her God for strength. She never prayed for respite. Her realization of the situation and her lofty resolution prevented that. The awful, ridiculous combat was before her; there was no evasion; she prayed only for the strength which leads to victory.
However, when the time came, it was all worse than she had imagined. How could a woman gently born and bred conceive of the horrible ignominy of such a life? She was dragged hither and yon, to this and that little town. She traveled through sweltering heat on jolting trains; she slept in tents; she lived—she, Margaret Lee—on terms of equality with the common and the vulgar. Daily her absurd unwieldiness was exhibited to crowds screaming with laughter. Even her faith wavered. It seemed to her that there was nothing for evermore beyond those staring, jeering faces of silly mirth and delight at sight of her, seated in two chairs, clad in a pink spangled dress, her vast shoulders bare and sparkling with a tawdry necklace, her great, bare arms covered with brass bracelets, her hands incased in short, white kid gloves, over the fingers of which she wore a number of rings—stage properties.
Margaret became a horror to herself. At times it seemed to her that she was in the way of fairly losing her own identity. It mattered little that Camille and Jack were very kind to her, that they showed her the nice things which her terrible earnings had enabled them to have. She sat in her two chairs—the two chairs proved a most successful advertisement—with her two kid-cushiony hands clenched in her pink spangled lap, and she suffered agony of soul, which made her inner self stern and terrible, behind that great pink mask of face. And nobody realized until one sultry day when the show opened at a village in a pocket of green hills—indeed, its name was Greenhill—and Sydney Lord went to see it.
Margaret, who had schooled herself to look upon her audience as if they were not, suddenly comprehended among them another soul who understood her own. She met the eyes of the man, and a wonderful comfort, as of a cool breeze blowing over the face of clear water, came to her. She knew that the man understood. She knew that she had his fullest sympathy. She saw also a comrade in the toils of comic tragedy, for Sydney Lord was in the same case. He was a mountain of flesh. As a matter of fact, had he not been known in Greenhill and respected as a man of weight of character as well as of body, and of an old family, he would have rivaled Margaret. Beside him sat an elderly woman, sweet-faced, slightly bent as to her slender shoulders, as if with a chronic attitude of submission. She was Sydney's widowed sister, Ellen Waters. She lived with her brother and kept his house, and had no will other than his.
Sydney Lord and his sister remained when the rest of the audience had drifted out, after the privileged hand-shakes with the queen of the show. Every time a coarse, rustic hand reached familiarly after Margaret's, Sydney shrank.
He motioned his sister to remain seated when he approached the stage. Jack Desmond, who had been exploiting Margaret, gazed at him with admiring curiosity. Sydney waved him away with a commanding gesture. "I wish to speak to her a moment. Pray leave the tent," he said, and Jack obeyed. People always obeyed Sydney Lord.
Sydney stood before Margaret, and he saw the clear crystal, which was herself, within all the flesh, clad in tawdry raiment, and she knew that he saw it.
"Good God!" said Sydney, "you are a lady!"
He continued to gaze at her, and his eyes, large and brown, became blurred; at the same time his mouth tightened.
"How came you to be in such a place as this?" demanded Sydney. He spoke almost as if he were angry with her.
Margaret explained briefly.
"It is an outrage," declared Sydney. He said it, however, rather absently. He was reflecting. "Where do you live?" he asked.
"Here."
"You mean—?"
"They make up a bed for me here, after the people have gone."
"And I suppose you had—before this—a comfortable house."
"The house which my grandfather Lee owned, the old Lee mansion-house, before we went to the city. It was a very fine old Colonial house," explained Margaret, in her finely modulated voice.
"And you had a good room?"
"The southeast chamber had always been mine. It was very large, and the furniture was old Spanish mahogany."
"And now—" said Sydney.
"Yes," said Margaret. She looked at him, and her serious blue eyes seemed to see past him. "It will not last," she said.
"What do you mean?"
"I try to learn a lesson. I am a child in the school of God. My lesson is one that always ends in peace."
"Good God!" said Sydney.
He motioned to his sister, and Ellen approached in a frightened fashion. Her brother could do no wrong, but this was the unusual, and alarmed her.
"This lady—" began Sydney.
"Miss Lee," said Margaret. "I was never married. I am Miss Margaret Lee."
"This," said Sydney, "is my sister Ellen, Mrs. Waters. Ellen, I wish you to meet Miss Lee."
Ellen took into her own Margaret's hand, and said feebly that it was a beautiful day and she hoped Miss Lee found Greenhill a pleasant place to—visit.
Sydney moved slowly out of the tent and found Jack Desmond. He was standing near with Camille, who looked her best in a pale-blue summer silk and a black hat trimmed with roses. Jack and Camille never really knew how the great man had managed, but presently Margaret had gone away with him and his sister.
Jack and Camille looked at each other.
"Oh, Jack, ought you to have let her go?" said Camille.
"What made you let her go?" asked Jack.
"I—don't know. I couldn't say anything. That man has a tremendous way with him. Goodness!"
"He is all right here in the place, anyhow," said Jack. "They look up to him. He is a big-bug here. Comes of a family like Margaret's, though he hasn't got much money. Some chaps were braggin' that they had a bigger show than her right here, and I found out."
"Suppose," said Camille, "Margaret does not come back?"
"He could not keep her without bein' arrested," declared Jack, but he looked uneasy. He had, however, looked uneasy for some time. The fact was, Margaret had been very gradually losing weight. Moreover, she was not well. That very night, after the show was over, Bill Stark, the little dark man, had a talk with the Desmonds about it.
"Truth is, before long, if you don't look out, you'll have to pad her," said Bill; "and giants don't amount to a row of pins after that begins."
Camille looked worried and sulky. "She ain't very well, anyhow," said she. "I ain't going to kill Margaret."
"It's a good thing she's got a chance to have a night's rest in a house," said Bill Stark.
"The fat man has asked her to stay with him and his sister while the show is here," said Jack.
"The sister invited her," said Camille, with a little stiffness. She was common, but she had lived with Lees, and her mother had married a Lee. She knew what was due Margaret, and also due herself.
"The truth is," said Camille, "this is an awful sort of life for a woman like Margaret. She and her folks were never used to anything like it."
"Why didn't you make your beauty husband hustle and take care of her and you, then?" demanded Bill, who admired Camille, and disliked her because she had no eyes for him.
"My husband has been unfortunate. He has done the best he could," responded Camille. "Come, Jack; no use talking about it any longer. Guess Margaret will pick up. Come along. I'm tired out."
That night Margaret Lee slept in a sweet chamber with muslin curtains at the windows, in a massive old mahogany bed, much like hers which had been sacrificed at an auction sale. The bed-linen was linen, and smelled of lavender. Margaret was too happy to sleep. She lay in the cool, fragrant sheets and was happy, and convinced of the presence of the God to whom she had prayed. All night Sydney Lord sat down-stairs in his book-walled sanctum and studied over the situation. It was a crucial one. The great psychological moment of Sydney Lord's life for knight-errantry had arrived. He studied the thing from every point of view. There was no romance about it. These were hard, sordid, tragic, ludicrous facts with which he had to deal. He knew to a nicety the agonies which Margaret suffered. He knew, because of his own capacity for sufferings of like stress. "And she is a woman and a lady," he said, aloud.
If Sydney had been rich enough, the matter would have been simple. He could have paid Jack and Camille enough to quiet them, and Margaret could have lived with him and his sister and their two old servants. But he was not rich; he was even poor. The price to be paid for Margaret's liberty was a bitter one, but it was that or nothing. Sydney faced it. He looked about the room. To him the walls lined with the dull gleams of old books were lovely. There was an oil portrait of his mother over the mantel-shelf. The weather was warm now, and there was no need for a hearth fire, but how exquisitely home-like and dear that room could be when the snow drove outside and there was the leap of flame on the hearth! Sydney was a scholar and a gentleman. He had led a gentle and sequestered life. Here in his native village there were none to gibe and sneer. The contrast of the traveling show would be as great for him as it had been for Margaret, but he was the male of the species, and she the female. Chivalry, racial, harking back to the beginning of nobility in the human, to its earliest dawn, fired Sydney. The pale daylight invaded the study. Sydney, as truly as any knight of old, had girded himself, and with no hope, no thought of reward, for the battle in the eternal service of the strong for the weak, which makes the true worth of the strong.
There was only one way. Sydney Lord took it. His sister was spared the knowledge of the truth for a long while. When she knew, she did not lament; since Sydney had taken the course, it must be right. As for Margaret, not knowing the truth, she yielded. She was really on the verge of illness. Her spirit was of too fine a strain to enable her body to endure long. When she was told that she was to remain with Sydney's sister while Sydney went away on business, she made no objection. A wonderful sense of relief, as of wings of healing being spread under her despair, was upon her. Camille came to bid her good-by.
"I hope you have a nice visit in this lovely house," said Camille, and kissed her. Camille was astute, and to be trusted. She did not betray Sydney's confidence. Sydney used a disguise—a dark wig over his partially bald head and a little make-up-and he traveled about with the show and sat on three chairs, and shook hands with the gaping crowd, and was curiously happy. It was discomfort; it was ignominy; it was maddening to support by the exhibition of his physical deformity a perfectly worthless young couple like Jack and Camille Desmond, but it was all superbly ennobling for the man himself.
Always as he sat on his three chairs, immense, grotesque—the more grotesque for his splendid dignity of bearing—there was in his soul of a gallant gentleman the consciousness of that other, whom he was shielding from a similar ordeal. Compassion and generosity, so great that they comprehended love itself and excelled its highest type, irradiated the whole being of the fat man exposed to the gaze of his inferiors. Chivalry, which rendered him almost god-like, strengthened him for his task. Sydney thought always of Margaret as distinct from her physical self, a sort of crystalline, angelic soul, with no encumbrance of earth. He achieved a purely spiritual conception of her. And Margaret, living again her gentle lady life, was likewise ennobled by a gratitude which transformed her. Always a clear and beautiful soul, she gave out new lights of character like a jewel in the sun. And she also thought of Sydney as distinct from his physical self. The consciousness of the two human beings, one of the other, was a consciousness as of two wonderful lines of good and beauty, moving for ever parallel, separate, and inseparable in an eternal harmony of spirit.
CORONATION
JIM BENNET had never married. He had passed middle life, and possessed considerable property. Susan Adkins kept house for him. She was a widow and a very distant relative. Jim had two nieces, his brother's daughters. One, Alma Beecher, was married; the other, Amanda, was not. The nieces had naively grasping views concerning their uncle and his property. They stated freely that they considered him unable to care for it; that a guardian should be appointed and the property be theirs at once. They consulted Lawyer Thomas Hopkinson with regard to it; they discoursed at length upon what they claimed to be an idiosyncrasy of Jim's, denoting failing mental powers.
"He keeps a perfect slew of cats, and has a coal fire for them in the woodshed all winter," said Amanda.
"Why in thunder shouldn't he keep a fire in the woodshed if he wants to?" demanded Hopkinson. "I know of no law against it. And there isn't a law in the country regulating the number of cats a man can keep." Thomas Hopkinson, who was an old friend of Jim's, gave his prominent chin an upward jerk as he sat in his office arm-chair before his clients.
"There is something besides cats," said Alma
"What?"
"He talks to himself."
"What in creation do you expect the poor man to do? He can't talk to Susan Adkins about a blessed thing except tidies and pincushions. That woman hasn't a thought in her mind outside her soul's salvation and fancy-work. Jim has to talk once in a while to keep himself a man. What if he does talk to himself? I talk to myself. Next thing you will want to be appointed guardian over me, Amanda."
Hopkinson was a bachelor, and Amanda flushed angrily.
"He wasn't what I call even gentlemanly," she told Alma, when the two were on their way home.
"I suppose Tom Hopkinson thought you were setting your cap at him," retorted Alma. She relished the dignity of her married state, and enjoyed giving her spinster sister little claws when occasion called. However, Amanda had a temper of her own, and she could claw back.
"YOU needn't talk," said she. "You only took Joe Beecher when you had given up getting anybody better. You wanted Tom Hopkinson yourself. I haven't forgotten that blue silk dress you got and wore to meeting. You needn't talk. You know you got that dress just to make Tom look at you, and he didn't. You needn't talk."
"I wouldn't have married Tom Hopkinson if he had been the only man on the face of the earth," declared Alma with dignity; but she colored hotly.
Amanda sniffed. "Well, as near as I can find out Uncle Jim can go on talking to himself and keeping cats, and we can't do anything," said she.
When the two women were home, they told Alma's husband, Joe Beecher, about their lack of success. They were quite heated with their walk and excitement. "I call it a shame," said Alma. "Anybody knows that poor Uncle Jim would be better off with a guardian."
"Of course," said Amanda. "What man that had a grain of horse sense would do such a crazy thing as to keep a coal fire in a woodshed?"
"For such a slew of cats, too," said Alma, nodding fiercely.
Alma's husband, Joe Beecher, spoke timidly and undecidedly in the defense. "You know," he said, "that Mrs. Adkins wouldn't have those cats in the house, and cats mostly like to sit round where it's warm."
His wife regarded him. Her nose wrinkled. "I suppose next thing YOU'LL be wanting to have a cat round where it's warm, right under my feet, with all I have to do," said she. Her voice had an actual acidity of sound.
Joe gasped. He was a large man with a constant expression of wondering inquiry. It was the expression of his babyhood; he had never lost it, and it was an expression which revealed truly the state of his mind. Always had Joe Beecher wondered, first of all at finding himself in the world at all, then at the various happenings of existence. He probably wondered more about the fact of his marriage with Alma Bennet than anything else, although he never betrayed his wonder. He was always painfully anxious to please his wife, of whom he stood in awe. Now he hastened to reply: "Why, no, Alma; of course I won't."
"Because," said Alma, "I haven't come to my time of life, through all the trials I've had, to be taking any chances of breaking my bones over any miserable, furry, four-footed animal that wouldn't catch a mouse if one run right under her nose."
"I don't want any cat," repeated Joe, miserably. His fear and awe of the two women increased. When his sister-in-law turned upon him he fairly cringed.
"Cats!" said Amanda. Then she sniffed. The sniff was worse than speech.
Joe repeated in a mumble that he didn't want any cats, and went out, closing the door softly after him, as he had been taught. However, he was entirely sure, in the depths of his subjugated masculine mind, that his wife and her sister had no legal authority whatever to interfere with their uncle's right to keep a hundred coal fires in his woodshed, for a thousand cats. He always had an inner sense of glee when he heard the two women talk over the matter. Once Amanda had declared that she did not believe that Tom Hopkinson knew much about law, anyway.
"He seems to stand pretty high," Joe ventured with the utmost mildness.
"Yes, he does," admitted Alma, grudgingly.
"It does not follow he knows law," persisted Amanda, "and it MAY follow that he likes cats. There was that great Maltese tommy brushing round all the time we were in his office, but I didn't dare shoo him off for fear it might be against the law." Amanda laughed, a very disagreeable little laugh. Joe said nothing, but inwardly he chuckled. It was the cause of man with man. He realized a great, even affectionate, understanding of Jim.
The day after his nieces had visited the lawyer's office, Jim was preparing to call on his friend Edward Hayward, the minister. Before leaving he looked carefully after the fire in the woodshed. The stove was large. Jim piled on the coal, regardless outwardly that the housekeeper, Susan Adkins, had slammed the kitchen door to indicate her contempt. Inwardly Jim felt hurt, but he had felt hurt so long from the same cause that the sensation had become chronic, and was borne with a gentle patience. Moreover, there was something which troubled him more and was the reason for his contemplated call on his friend. He evened the coals on the fire with great care, and replenished from the pail in the icebox the cats' saucers. There was a circle of clean white saucers around the stove. Jim owned many cats; counting the kittens, there were probably over twenty. Mrs. Adkins counted them in the sixties. "Those sixty-seven cats," she said.
Jim often gave away cats when he was confident of securing good homes, but supply exceeded the demand. Now and then tragedies took place in that woodshed. Susan Adkins came bravely to the front upon these occasions. Quite convinced was Susan Adkins that she had a good home, and it behooved her to keep it, and she did not in the least object to drowning, now and then, a few very young kittens. She did this with neatness and despatch while Jim walked to the store on an errand and was supposed to know nothing about it. There was simply not enough room in his woodshed for the accumulation of cats, although his heart could have held all.
That day, as he poured out the milk, cats of all ages and sizes and colors purred in a softly padding multitude around his feet, and he regarded them with love. There were tiger cats, Maltese cats, black-and-white cats, black cats and white cats, tommies and females, and his heart leaped to meet the pleading mews of all. The saucers were surrounded. Little pink tongues lapped. "Pretty pussy! pretty pussy!" cooed Jim, addressing them in general. He put on his overcoat and hat, which he kept on a peg behind the door. Jim had an arm-chair in the woodshed. He always sat there when he smoked; Susan Adkins demurred at his smoking in the house, which she kept so nice, and Jim did not dream of rebellion. He never questioned the right of a woman to bar tobacco smoke from a house. Before leaving he refilled some of the saucers. He was not sure that all of the cats were there; some might be afield, hunting, and he wished them to find refreshment when they returned. He stroked the splendid striped back of a great tiger tommy which filled his armchair. This cat was his special pet. He fastened the outer shed door with a bit of rope in order that it might not blow entirely open, and yet allow his feline friends to pass, should they choose. Then he went out.
The day was clear, with a sharp breath of frost. The fields gleamed with frost, offering to the eye a fine shimmer as of diamond-dust under the brilliant blue sky, overspread in places with a dapple of little white clouds.
"White frost and mackerel sky; going to be falling weather," Jim said, aloud, as he went out of the yard, crunching the crisp grass under heel.
Susan Adkins at a window saw his lips moving. His talking to himself made her nervous, although it did not render her distrustful of his sanity. It was fortunate that Susan had not told Jim that she disliked his habit. In that case he would have deprived himself of that slight solace; he would not have dreamed of opposing Susan's wishes. Jim had a great pity for the nervous whims, as he regarded them, of women—a pity so intense and tender that it verged on respect and veneration. He passed his nieces' house on the way to the minister's, and both were looking out of windows and saw his lips moving.
"There he goes, talking to himself like a crazy loon," said Amanda.
Alma nodded.
Jim went on, blissfully unconscious. He talked in a quiet monotone; only now and then his voice rose; only now and then there were accompanying gestures. Jim had a straight mile down the broad village street to walk before he reached the church and the parsonage beside it.
Jim and the minister had been friends since boyhood. They were graduates and classmates of the same college. Jim had had unusual educational advantages for a man coming from a simple family. The front door of the parsonage flew open when Jim entered the gate, and the minister stood there smiling. He was a tall, thin man with a wide mouth, which either smiled charmingly or was set with severity. He was as brown and dry as a wayside weed which winter had subdued as to bloom but could not entirely prostrate with all its icy storms and compelling blasts. Jim, advancing eagerly toward the warm welcome in the door, was a small man, and bent at that, but he had a handsome old face, with the rose of youth on the cheeks and the light of youth in the blue eyes, and the quick changes of youth, before emotions, about the mouth.
"Hullo, Jim!" cried Dr. Edward Hayward. Hayward, for a doctor of divinity, was considered somewhat lacking in dignity at times; still, he was Dr. Hayward, and the failing was condoned. Moreover, he was a Hayward, and the Haywards had been, from the memory of the oldest inhabitant, the great people of the village. Dr. Hayward's house was presided over by his widowed cousin, a lady of enough dignity to make up for any lack of it in the minister. There were three servants, besides the old butler who had been Hayward's attendant when he had been a young man in college. Village people were proud of their minister, with his degree and what they considered an imposing household retinue.
Hayward led, and Jim followed, to the least pretentious room in the house—not the study proper, which was lofty, book-lined, and leather-furnished, curtained with broad sweeps of crimson damask, but a little shabby place back of it, accessible by a narrow door. The little room was lined with shelves; they held few books, but a collection of queer and dusty things—strange weapons, minerals, odds and ends—which the minister loved and with which his lady cousin never interfered.
"Louisa," Hayward had told his cousin when she entered upon her post, "do as you like with the whole house, but let my little study alone. Let it look as if it had been stirred up with a garden-rake—that little room is my territory, and no disgrace to you, my dear, if the dust rises in clouds at every step."
Jim was as fond of the little room as his friend. He entered, and sighed a great sigh of satisfaction as he sank into the shabby, dusty hollow of a large chair before the hearth fire. Immediately a black cat leaped into his lap, gazed at him with greenjewel eyes, worked her paws, purred, settled into a coil, and slept. Jim lit his pipe and threw the match blissfully on the floor. Dr. Hayward set an electric coffee-urn at its work, for the little room was a curious mixture of the comfortable old and the comfortable modern.
"Sam shall serve our luncheon in here," he said, with a staid glee.
Jim nodded happily.
"Louisa will not mind," said Hayward. "She is precise, but she has a fine regard for the rights of the individual, which is most commendable." He seated himself in a companion chair to Jim's, lit his own pipe, and threw the match on the floor. Occasionally, when the minister was out, Sam, without orders so to do, cleared the floor of matches.
Hayward smoked and regarded his friend, who looked troubled despite his comfort. "What is it, Jim?" asked the minister at last.
"I don't know how to do what is right for me to do," replied the little man, and his face, turned toward his friend, had the puzzled earnestness of a child.
Hayward laughed. It was easily seen that his was the keener mind. In natural endowments there had never been equality, although there was great similarity of tastes. Jim, despite his education, often lapsed into the homely vernacular of which he heard so much. An involuntarily imitative man in externals was Jim, but essentially an original. Jim proceeded.
"You know, Edward, I have never been one to complain," he said, with an almost boyish note of apology.
"Never complained half enough; that's the trouble," returned the other.
"Well, I overheard something Mis' Adkins said to Mis' Amos Trimmer the other afternoon. Mis' Trimmer was calling on Mis' Adkins. I couldn't help overhearing unless I went outdoors, and it was snowing and I had a cold. I wasn't listening."
"Had a right to listen if you wanted to," declared Hayward, irascibly.
"Well, I couldn't help it unless I went outdoors. Mis' Adkins she was in the kitchen making lightbread for supper, and Mis' Trimmer had sat right down there with her. Mis' Adkins's kitchen is as clean as a parlor, anyway. Mis' Adkins said to Mis' Trimmer, speaking of me—because Mis' Trimmer had just asked where I was and Mis' Adkins had said I was out in the woodshed sitting with the cats and smoking—Mis' Adkins said, 'He's just a doormat, that's what he is.' Then Mis' Trimmer says, 'The way he lets folks ride over him beats me.' Then Mis' Adkins says again: 'He's nothing but a door-mat. He lets everybody that wants to just trample on him and grind their dust into him, and he acts real pleased and grateful.'"
Hayward's face flushed. "Did Mrs. Adkins mention that she was one of the people who used you for a door-mat?" he demanded.
Jim threw back his head and laughed like a child, with the sweetest sense of unresentful humor. "Lord bless my soul, Edward," replied Jim, "I don't believe she ever thought of that."
"And at that very minute you, with a hard cold, were sitting out in that draughty shed smoking because she wouldn't allow you to smoke in your own house!"
"I don't mind that, Edward," said Jim, and laughed again.
"Could you see to read your paper out there, with only that little shed window? And don't you like to read your paper while you smoke?"
"Oh yes," admitted Jim; "but my! I don't mind little things like that! Mis' Adkins is only a poor widow woman, and keeping my house nice and not having it smell of tobacco is all she's got. They can talk about women's rights—I feel as if they ought to have them fast enough, if they want them, poor things; a woman has a hard row to hoe, and will have, if she gets all the rights in creation. But I guess the rights they'd find it hardest to give up would be the rights to have men look after them just a little more than they look after other men, just because they are women. When I think of Annie Berry—the girl I was going to marry, you know, if she hadn't died—I feel as if I couldn't do enough for another woman. Lord! I'm glad to sit out in the woodshed and smoke. Mis' Adkins is pretty good-natured to stand all the cats."
Then the coffee boiled, and Hayward poured out some for Jim and himself. He had a little silver service at hand, and willow-ware cups and saucers. Presently Sam appeared, and Hayward gave orders concerning luncheon.
"Tell Miss Louisa we are to have it served here," said he, "and mind, Sam, the chops are to be thick and cooked the way we like them; and don't forget the East India chutney, Sam."
"It does seem rather a pity that you cannot have chutney at home with your chops, when you are so fond of it," remarked Hayward when Sam had gone.
"Mis' Adkins says it will give me liver trouble, and she isn't strong enough to nurse."
"So you have to eat her ketchup?"
"Well, she doesn't put seasoning in it," admitted Jim. "But Mis' Adkins doesn't like seasoning herself, and I don't mind."
"And I know the chops are never cut thick, the way we like them."
"Mis' Adkins likes her meat well done, and she can't get such thick chops well done. I suppose our chops are rather thin, but I don't mind."
"Beefsteak and chops, both cut thin, and fried up like sole-leather. I know!" said Dr. Hayward, and he stamped his foot with unregenerate force.
"I don't mind a bit, Edward."
"You ought to mind, when it is your own house, and you buy the food and pay your housekeeper. It is an outrage!"
"I don't mind, really, Edward."
Dr. Hayward regarded Jim with a curious expression compounded of love, anger, and contempt. "Any more talk of legal proceedings?" he asked, brusquely.
Jim flushed. "Tom ought not to tell of that."
"Yes, he ought; he ought to tell it all over town. He doesn't, but he ought. It is an outrage! Here you have been all these years supporting your nieces, and they are working away like field-mice, burrowing under your generosity, trying to get a chance to take action and appropriate your property and have you put under a guardian."
"I don't mind a bit," said Jim; "but—"
The other man looked inquiringly at him, and, seeing a pitiful working of his friend's face, he jumped up and got a little jar from a shelf. "We will drop the whole thing until we have had our chops and chutney," said he. "You are right; it is not worth minding. Here is a new brand of tobacco I want you to try. I don't half like it, myself, but you may."
Jim, with a pleased smile, reached out for the tobacco, and the two men smoked until Sam brought the luncheon. It was well cooked and well served on an antique table. Jim was thoroughly happy. It was not until the luncheon was over and another pipe smoked that the troubled, perplexed expression returned to his face.
"Now," said Hayward, "out with it!"
"It is only the old affair about Alma and Amanda, but now it has taken on a sort of new aspect."
"What do you mean by a new aspect?"
"It seems," said Jim, slowly, "as if they were making it so I couldn't do for them."
Hayward stamped his foot. "That does sound new," he said, dryly. "I never thought Alma Beecher or Amanda Bennet ever objected to have you do for them."
"Well," said Jim, "perhaps they don't now, but they want me to do it in their own way. They don't want to feel as if I was giving and they taking; they want it to seem the other way round. You see, if I were to deed over my property to them, and then they allowance me, they would feel as if they were doing the giving."
"Jim, you wouldn't be such a fool as that?"
"No, I wouldn't," replied Jim, simply. "They wouldn't know how to take care of it, and Mis' Adkins would be left to shift for herself. Joe Beecher is real good-hearted, but he always lost every dollar he touched. No, there wouldn't be any sense in that. I don't mean to give in, but I do feel pretty well worked up over it."
"What have they said to you?"
Jim hesitated.
"Out with it, now. One thing you may be sure of: nothing that you can tell me will alter my opinion of your two nieces for the worse. As for poor Joe Beecher, there is no opinion, one way or the other. What did they say?"
Jim regarded his friend with a curiously sweet, far-off expression. "Edward," he said, "sometimes I believe that the greatest thing a man's friends can do for him is to drive him into a corner with God; to be so unjust to him that they make him understand that God is all that mortal man is meant to have, and that is why he finds out that most people, especially the ones he does for, don't care for him."
Hayward looked solemnly and tenderly at the other's almost rapt face. "You are right, I suppose, old man," said he; "but what did they do?"
"They called me in there about a week ago and gave me an awful talking to."
"About what?"
Jim looked at his friend with dignity. "They were two women talking, and they went into little matters not worth repeating," said he. "All is-they seemed to blame me for everything I had ever done for them, and for everything I had ever done, anyway. They seemed to blame me for being born and living, and, most of all, for doing anything for them."
"It is an outrage!" declared Hayward. "Can't you see it?"
"I can't seem to see anything plain about it," returned Jim, in a bewildered way. "I always supposed a man had to do something bad to be given a talking to; but it isn't so much that, and I don't bear any malice against them. They are only two women, and they are nervous. What worries me is, they do need things, and they can't get on and be comfortable unless I do for them; but if they are going to feel that way about it, it seems to cut me off from doing, and that does worry me, Edward."
The other man stamped. "Jim Bennet," he said, "they have talked, and now I am going to."
"You, Edward?"
"Yes, I am. It is entirely true what those two women, Susan Adkins and Mrs. Trimmer, said about you. You ARE a door-mat, and you ought to be ashamed of yourself for it. A man should be a man, and not a door-mat. It is the worst thing in the world for people to walk over him and trample him. It does them much more harm than it does him. In the end the trampler is much worse off than the trampled upon. Jim Bennet, your being a doormat may cost other people their souls' salvation. You are selfish in the grain to be a door-mat."
Jim turned pale. His child-like face looked suddenly old with his mental effort to grasp the other's meaning. In fact, he was a child—one of the little ones of the world—although he had lived the span of a man's life. Now one of the hardest problems of the elders of the world was presented to him. "You mean—" he said, faintly.
"I mean, Jim, that for the sake of other people, if not for your own sake, you ought to stop being a door-mat and be a man in this world of men."
"What do you want me to do?"
"I want you to go straight to those nieces of yours and tell them the truth. You know what your wrongs are as well as I do. You know what those two women are as well as I do. They keep the letter of the Ten Commandments—that is right. They attend my church—that is right. They scour the outside of the platter until it is bright enough to blind those people who don't understand them; but inwardly they are petty, ravening wolves of greed and ingratitude. Go and tell them; they don't know themselves. Show them what they are. It is your Christian duty."
"You don't mean for me to stop doing for them?"
"I certainly do mean just that—for a while, anyway."
"They can't possibly get along, Edward; they will suffer."
"They have a little money, haven't they?"
"Only a little in savings-bank. The interest pays their taxes."
"And you gave them that?"
Jim colored.
"Very well, their taxes are paid for this year; let them use that money. They will not suffer, except in their feelings, and that is where they ought to suffer. Man, you would spoil all the work of the Lord by your selfish tenderness toward sinners!"
"They aren't sinners."
"Yes, they are—spiritual sinners, the worst kind in the world. Now—"
"You don't mean for me to go now?"
"Yes, I do—now. If you don't go now you never will. Then, afterward, I want you to go home and sit in your best parlor and smoke, and have all your cats in there, too."
Jim gasped. "But, Edward! Mis' Adkins—"
"I don't care about Mrs. Adkins. She isn't as bad as the rest, but she needs her little lesson, too."
"Edward, the way that poor woman works to keep the house nice—and she don't like the smell of tobacco smoke."
"Never mind whether she likes it or not. You smoke."
"And she don't like cats."
"Never mind. Now you go."
Jim stood up. There was a curious change in his rosy, child-like face. There was a species of quickening. He looked at once older and more alert. His friend's words had charged him as with electricity. When he went down the street he looked taller.
Amanda Bennet and Alma Beecher, sitting sewing at their street windows, made this mistake.
"That isn't Uncle Jim," said Amanda. "That man is a head taller, but he looks a little like him."
"It can't be Uncle Jim," agreed Alma. Then both started.
"It is Uncle Jim, and he is coming here," said Amanda.
Jim entered. Nobody except himself, his nieces, and Joe Beecher ever knew exactly what happened, what was the aspect of the door-mat erected to human life, of the worm turned to menace. It must have savored of horror, as do all meek and downtrodden things when they gain, driven to bay, the strength to do battle. It must have savored of the god-like, when the man who had borne with patience, dignity, and sorrow for them the stings of lesser things because they were lesser things, at last arose and revealed himself superior, with a great height of the spirit, with the power to crush.
When Jim stopped talking and went home, two pale, shocked faces of women gazed after him from the windows. Joe Beecher was sobbing like a child. Finally his wife turned her frightened face upon him, glad to have still some one to intimidate.
"For goodness' sake, Joe Beecher, stop crying like a baby," said she, but she spoke in a queer whisper, for her lips were stiff.
Joe stood up and made for the door.
"Where are you going?" asked his wife.
"Going to get a job somewhere," replied Joe, and went. Soon the women saw him driving a neighbor's cart up the street.
"He's going to cart gravel for John Leach's new sidewalk!" gasped Alma.
"Why don't you stop him?" cried her sister. "You can't have your husband driving a tip-cart for John Leach. Stop him, Alma!"
"I can't stop him," moaned Alma. "I don't feel as if I could stop anything."
Her sister gazed at her, and the same expression was on both faces, making them more than sisters of the flesh. Both saw before them a stern boundary wall against which they might press in vain for the rest of their lives, and both saw the same sins of their hearts.
Meantime Jim Bennet was seated in his best parlor and Susan Adkins was whispering to Mrs. Trimmer out in the kitchen.
"I don't know whether he's gone stark, staring mad or not," whispered Susan, "but he's in the parlor smoking his worst old pipe, and that big tiger tommy is sitting in his lap, and he's let in all the other cats, and they're nosing round, and I don't dare drive 'em out. I took up the broom, then I put it away again. I never knew Mr. Bennet to act so. I can't think what's got into him."
"Did he say anything?"
"No, he didn't say much of anything, but he said it in a way that made my flesh fairly creep. Says he, 'As long as this is my house and my furniture and my cats, Mis' Adkins, I think I'll sit down in the parlor, where I can see to read my paper and smoke at the same time.' Then he holds the kitchen door open, and he calls, 'Kitty, kitty, kitty!' and that great tiger tommy comes in with his tail up, rubbing round his legs, and all the other cats followed after. I shut the door before these last ones got into the parlor." Susan Adkins regarded malevolently the three tortoise-shell cats of three generations and various stages of growth, one Maltese settled in a purring round of comfort with four kittens, and one perfectly black cat, which sat glaring at her with beryl-colored eyes.
"That black cat looks evil," said Mrs. Trimmer.
"Yes, he does. I don't know why I didn't drown him when he was a kitten."
"Why didn't you drown all those Malty kittens?"
"The old cat hid them away until they were too big. Then he wouldn't let me. What do you suppose has come to him? Just smell that awful pipe!"
"Men do take queer streaks every now and then," said Mrs. Trimmer. "My husband used to, and he was as good as they make 'em, poor man. He would eat sugar on his beefsteak, for one thing. The first time I saw him do it I was scared. I thought he was plum crazy, but afterward I found out it was just because he was a man, and his ma hadn't wanted him to eat sugar when he was a boy. Mr. Bennet will get over it."
"He don't act as if he would."
"Oh yes, he will. Jim Bennet never stuck to anything but being Jim Bennet for very long in his life, and this ain't being Jim Bennet."
"He is a very good man," said Susan with a somewhat apologetic tone.
"He's too good."
"He's too good to cats."
"Seems to me he's too good to 'most everybody. Think what he has done for Amanda and Alma, and how they act!"
"Yes, they are ungrateful and real mean to him; and I feel sometimes as if I would like to tell them just what I think of them," said Susan Adkins. "Poor man, there he is, studying all the time what he can do for people, and he don't get very much himself."
Mrs. Trimmer arose to take leave. She had a long, sallow face, capable of a sarcastic smile. "Then," said she, "if I were you I wouldn't begrudge him a chair in the parlor and a chance to read and smoke and hold a pussy-cat."
"Who said I was begrudging it? I can air out the parlor when he's got over the notion."
"Well, he will, so you needn't worry," said Mrs. Trimmer. As she went down the street she could see Jim's profile beside the parlor window, and she smiled her sarcastic smile, which was not altogether unpleasant. "He's stopped smoking, and he ain't reading," she told herself. "It won't be very long before he's Jim Bennet again."
But it was longer than she anticipated, for Jim's will was propped by Edward Hayward's. Edward kept Jim to his standpoint for weeks, until a few days before Christmas. Then came self-assertion, that self-assertion of negation which was all that Jim possessed in such a crisis. He called upon Dr. Hayward; the two were together in the little study for nearly an hour, and talk ran high, then Jim prevailed.
"It's no use, Edward," he said; "a man can't be made over when he's cut and dried in one fashion, the way I am. Maybe I'm doing wrong, but to me it looks like doing right, and there's something in the Bible about every man having his own right and wrong. If what you say is true, and I am hindering the Lord Almighty in His work, then it is for Him to stop me. He can do it. But meantime I've got to go on doing the way I always have. Joe has been trying to drive that tip-cart, and the horse ran away with him twice. Then he let the cart fall on his foot and mash one of his toes, and he can hardly get round, and Amanda and Alma don't dare touch that money in the bank for fear of not having enough to pay the taxes next year in case I don't help them. They only had a little money on hand when I gave them that talking to, and Christmas is 'most here, and they haven't got things they really need. Amanda's coat that she wore to meeting last Sunday didn't look very warm to me, and poor Alma had her furs chewed up by the Leach dog, and she's going without any. They need lots of things. And poor Mis' Adkins is 'most sick with tobacco smoke. I can see it, though she doesn't say anything, and the nice parlor curtains are full of it, and cat hairs are all over things. I can't hold out any longer, Edward. Maybe I am a door-mat; and if I am, and it is wicked, may the Lord forgive me, for I've got to keep right on being a door-mat."
Hayward sighed and lighted his pipe. However, he had given up and connived with Jim.
On Christmas eve the two men were in hiding behind a clump of cedars in the front yard of Jim's nieces' house. They watched the expressman deliver a great load of boxes and packages. Jim drew a breath of joyous relief.
"They are taking them in," he whispered—"they are taking them in, Edward!"
Hayward looked down at the dim face of the man beside him, and something akin to fear entered his heart. He saw the face of a lifelong friend, but he saw something in it which he had never recognized before. He saw the face of one of the children of heaven, giving only for the sake of the need of others, and glorifying the gifts with the love and pity of an angel.
"I was afraid they wouldn't take them!" whispered Jim, and his watching face was beautiful, although it was only the face of a little, old man of a little village, with no great gift of intellect. There was a full moon riding high; the ground was covered with a glistening snow-level, over which wavered wonderful shadows, as of wings. One great star prevailed despite the silver might of the moon. To Hayward Jim's face seemed to prevail, as that star, among all the faces of humanity.
Jim crept noiselessly toward a window, Hayward at his heels. The two could see the lighted interior plainly.
"See poor Alma trying on her furs," whispered Jim, in a rapture. "See Amanda with her coat. They have found the money. See Joe heft the turkey." Suddenly he caught Hayward's arm, and the two crept away. Out on the road, Jim fairly sobbed with pure delight. "Oh, Edward," he said, "I am so thankful they took the things! I was so afraid they wouldn't, and they needed them! Oh, Edward, I am so thankful!" Edward pressed his friend's arm.
When they reached Jim's house a great tiger-cat leaped to Jim's shoulder with the silence and swiftness of a shadow. "He's always watching for me," said Jim, proudly. "Pussy! Pussy!" The cat began to purr loudly, and rubbed his splendid head against the man's cheek.
"I suppose," said Hayward, with something of awe in his tone, "that you won't smoke in the parlor to-night?"
"Edward, I really can't. Poor woman, she's got it all aired and beautifully cleaned, and she's so happy over it. There's a good fire in the shed, and I will sit there with the pussy-cats until I go to bed. Oh, Edward, I am so thankful that they took the things!"
"Good night, Jim."
"Good night. You don't blame me, Edward?"
"Who am I to blame you, Jim? Good night."
Hayward watched the little man pass along the path to the shed door. Jim's back was slightly bent, but to his friend it seemed bent beneath a holy burden of love and pity for all humanity, and the inheritance of the meek seemed to crown that drooping old head. The door-mat, again spread freely for the trampling feet of all who got comfort thereby, became a blessed thing. The humble creature, despised and held in contempt like One greater than he, giving for the sake of the needs of others, went along the narrow foot-path through the snow. The minister took off his hat and stood watching until the door was opened and closed and the little window gleamed with golden light.
THE AMETHYST COMB
MISS JANE CAREW was at the railroad station waiting for the New York train. She was about to visit her friend, Mrs. Viola Longstreet. With Miss Carew was her maid, Margaret, a middleaged New England woman, attired in the stiffest and most correct of maid-uniforms. She carried an old, large sole-leather bag, and also a rather large sole-leather jewel-case. The jewel-case, carried openly, was rather an unusual sight at a New England railroad station, but few knew what it was. They concluded it to be Margaret's special handbag. Margaret was a very tall, thin woman, unbending as to carriage and expression. The one thing out of absolute plumb about Margaret was her little black bonnet. That was askew. Time had bereft the woman of so much hair that she could fasten no head-gear with security, especially when the wind blew, and that morning there was a stiff gale. Margaret's bonnet was cocked over one eye. Miss Carew noticed it.
"Margaret, your bonnet is crooked," she said.
Margaret straightened her bonnet, but immediately the bonnet veered again to the side, weighted by a stiff jet aigrette. Miss Carew observed the careen of the bonnet, realized that it was inevitable, and did not mention it again. Inwardly she resolved upon the removal of the jet aigrette later on. Miss Carew was slightly older than Margaret, and dressed in a style somewhat beyond her age. Jane Carew had been alert upon the situation of departing youth. She had eschewed gay colors and extreme cuts, and had her bonnets made to order, because there were no longer anything but hats in the millinery shop. The milliner in Wheaton, where Miss Carew lived, had objected, for Jane Carew inspired reverence.
"A bonnet is too old for you. Miss Carew," she said. "Women much older than you wear hats."
"I trust that I know what is becoming to a woman of my years, thank you. Miss Waters," Jane had replied, and the milliner had meekly taken her order.
After Miss Carew had left, the milliner told her girls that she had never seen a woman so perfectly crazy to look her age as Miss Carew. "And she a pretty woman, too," said the milliner; "as straight as an arrer, and slim, and with all that hair, scarcely turned at all."
Miss Carew, with all her haste to assume years, remained a pretty woman, softly slim, with an abundance of dark hair, showing little gray. Sometimes Jane reflected, uneasily, that it ought at her time of life to be entirely gray. She hoped nobody would suspect her of dyeing it. She wore it parted in the middle, folded back smoothly, and braided in a compact mass on the top of her head. The style of her clothes was slightly behind the fashion, just enough to suggest conservatism and age. She carried a little silver-bound bag in one nicely gloved hand; with the other she held daintily out of the dust of the platform her dress-skirt. A glimpse of a silk frilled petticoat, of slender feet, and ankles delicately slim, was visible before the onslaught of the wind. Jane Carew made no futile effort to keep her skirts down before the wind-gusts. She was so much of the gentlewoman that she could be gravely oblivious to the exposure of her ankles. She looked as if she had never heard of ankles when her black silk skirts lashed about them. She rose superbly above the situation. For some abstruse reason Margaret's skirts were not affected by the wind. They might have been weighted with buckram, although it was no longer in general use. She stood, except for her veering bonnet, as stiffly immovable as a wooden doll.
Miss Carew seldom left Wheaton. This visit to New York was an innovation. Quite a crowd gathered about Jane's sole-leather trunk when it was dumped on the platform by the local expressman. "Miss Carew is going to New York," one said to another, with much the same tone as if he had said, "The great elm on the common is going to move into Dr. Jones's front yard."
When the train arrived, Miss Carew, followed by Margaret, stepped aboard with a majestic disregard of ankles. She sat beside a window, and Margaret placed the bag on the floor and held the jewel-case in her lap. The case contained the Carew jewels. They were not especially valuable, although they were rather numerous. There were cameos in brooches and heavy gold bracelets; corals which Miss Carew had not worn since her young girlhood. There were a set of garnets, some badly cut diamonds in ear-rings and rings, some seed-pearl ornaments, and a really beautiful set of amethysts. There were a necklace, two brooches—a bar and a circle—earrings, a ring, and a comb. Each piece was charming, set in filigree gold with seed-pearls, but perhaps of them all the comb was the best. It was a very large comb. There was one great amethyst in the center of the top; on either side was an intricate pattern of plums in small amethysts, and seed-pearl grapes, with leaves and stems of gold. Margaret in charge of the jewel-case was imposing. When they arrived in New York she confronted everybody whom she met with a stony stare, which was almost accusative and convictive of guilt, in spite of entire innocence on the part of the person stared at. It was inconceivable that any mortal would have dared lay violent hands upon that jewel-case under that stare. It would have seemed to partake of the nature of grand larceny from Providence.
When the two reached the up-town residence of Viola Longstreet, Viola gave a little scream at the sight of the case.
"My dear Jane Carew, here you are with Margaret carrying that jewel-case out in plain sight. How dare you do such a thing? I really wonder you have not been held up a dozen times."
Miss Carew smiled her gentle but almost stern smile—the Carew smile, which consisted in a widening and slightly upward curving of tightly closed lips.
"I do not think," said she, "that anybody would be apt to interfere with Margaret."
Viola Longstreet laughed, the ringing peal of a child, although she was as old as Miss Carew. "I think you are right, Jane," said she. "I don't believe a crook in New York would dare face that maid of yours. He would as soon encounter Plymouth Rock. I am glad you have brought your delightful old jewels, although you never wear anything except those lovely old pearl sprays and dull diamonds."
"Now," stated Jane, with a little toss of pride, "I have Aunt Felicia's amethysts."
"Oh, sure enough! I remember you did write me last summer that she had died and you had the amethysts at last. She must have been very old."
"Ninety-one."
"She might have given you the amethysts before. You, of course, will wear them; and I—am going to borrow the corals!"
Jane Carew gasped.
"You do not object, do you, dear? I have a new dinner-gown which clamors for corals, and my bank-account is strained, and I could buy none equal to those of yours, anyway."
"Oh, I do not object," said Jane Carew; still she looked aghast.
Viola Longstreet shrieked with laughter. "Oh, I know. You think the corals too young for me. You have not worn them since you left off dotted muslin. My dear, you insisted upon growing old—I insisted upon remaining young. I had two new dotted muslins last summer. As for corals, I would wear them in the face of an opposing army! Do not judge me by yourself, dear. You laid hold of Age and held him, although you had your complexion and your shape and hair. As for me, I had my complexion and kept it. I also had my hair and kept it. My shape has been a struggle, but it was worth while. I, my dear, have held Youth so tight that he has almost choked to death, but held him I have. You cannot deny it. Look at me, Jane Carew, and tell me if, judging by my looks, you can reasonably state that I have no longer the right to wear corals."
Jane Carew looked. She smiled the Carew smile. "You DO look very young, Viola," said Jane, "but you are not."
"Jane Carew," said Viola, "I am young. May I wear your corals at my dinner to-morrow night?"
"Why, of course, if you think—"
"If I think them suitable. My dear, if there were on this earth ornaments more suitable to extreme youth than corals, I would borrow them if you owned them, but, failing that, the corals will answer. Wait until you see me in that taupe dinner-gown and the corals!"
Jane waited. She visited with Viola, whom she loved, although they had little in common, partly because of leading widely different lives, partly because of constitutional variations. She was dressed for dinner fully an hour before it was necessary, and she sat in the library reading when Viola swept in.
Viola was really entrancing. It was a pity that Jane Carew had such an unswerving eye for the essential truth that it could not be appeased by actual effect. Viola had doubtless, as she had said, struggled to keep her slim shape, but she had kept it, and, what was more, kept it without evidence of struggle. If she was in the least hampered by tight lacing and length of undergarment, she gave no evidence of it as she curled herself up in a big chair and (Jane wondered how she could bring herself to do it) crossed her legs, revealing one delicate foot and ankle, silk-stockinged with taupe, and shod with a coral satin slipper with a silver heel and a great silver buckle. On Viola's fair round neck the Carew corals lay bloomingly; her beautiful arms were clasped with them; a great coral brooch with wonderful carving confined a graceful fold of the taupe over one hip, a coral comb surmounted the shining waves of Viola's hair. Viola was an ash-blonde, her complexion was as roses, and the corals were ideal for her. As Jane regarded her friend's beauty, however, the fact that Viola was not young, that she was as old as herself, hid it and overshadowed it.
"Well, Jane, don't you think I look well in the corals, after all?" asked Viola, and there was something pitiful in her voice.
When a man or a woman holds fast to youth, even if successfully, there is something of the pitiful and the tragic involved. It is the everlasting struggle of the soul to retain the joy of earth, whose fleeting distinguishes it from heaven, and whose retention is not accomplished without an inner knowledge of its futility. |
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