Daae's confused speech was received with laughter and applause, and Soelling's weak protests were lost in the general delight at the invitation. I have often noticed that such improvised festivities are usually the most enjoyable, and so it was for us that evening. Niels Daae treated us to his ducks and to his most amusing jokes, Soelling sang his best songs, our jovial host Mathiesen told his wittiest stories, and the merriment was in full swing when we heard cries in the street, and then a rush of confused noises broken by screams of pain.

"There's been an accident," cried Soelling, running out to the door.

We all followed him and discovered that a pair of run-away horses had thrown a carriage against a tree, hurling the driver from his box, under the wheels. His right arm had been broken near the shoulder. In the twinkling of an eye the hall of festivities was transformed into an emergency hospital. Soelling shook his head as he examined the injury, and ordered the transport of the patient to the city hospital. It was his belief that the arm would have to be amputated, cut off at the shoulder joint, just as had been the case with our skeleton. "Damned odd coincidence, isn't it?" he remarked to me.

Our merry mood had vanished and we took our way, quiet and depressed, through the old avenues toward our home. For the first time in its existence possibly, our venerable "barracks," as we called the dormitory, saw its occupants returning home from an evening's bout just as the night watchman intoned his eleven o'clock verse.

"Just eleven," exclaimed Soelling. "It's too early to go to bed, and too late to go anywhere else. We'll go up to your room, little Simsen, and see if we can't have some sort of a lesson this evening. You have your colored plates and we'll try to get along with them. It's a nuisance that we should have lost those arms just this evening."

"The Doctor can have all the arms and legs he wants," grinned Hans, who came out of the doorway just in time to hear Soelling's last word.

"What do you mean, Hans?" asked Soelling in astonishment.

"It'll be easy enough to get them," said Hans. "They've torn down the planking around the Holy Trinity churchyard, and dug up the earth to build a new wall. I saw it myself, as I came past the church. Lord, what a lot of bones they've dug out there! There's arms and legs and heads, many more than the Doctor could possibly need."

"Much good that does us," answered Soelling. "They shut the gates at seven o'clock and it's after eleven already."

"Oh, yes, they shut them," grinned Hans again. "But there's another way to get in. If you go through the gate of the porcelain factory and over the courtyard, and through the mill in the fourth courtyard that leads out into Spring Street, there you will see where the planking is torn down and you can get into the churchyard easily."

"Hans, you're a genius!" exclaimed Soelling in delight. "Here, Simsen, you know that factory inside and out, you're so friendly with that fellow Outzen who lives there. Run along to him and let him give you the key of the mill. It will be easy to find an arm that isn't too much decayed. Hurry along, now; the rest of us will wait for you upstairs."

To be quite candid I must confess that I was not particularly eager to fulfill Soelling's command. I was at an age to have still a sufficient amount of reverence for death and the grave, and the mysterious occurrence of the stolen arms still ran through my mind. But I was still more afraid of Soelling's irony and of the laughter of my comrades, so I trotted off as carelessly as if I had been sent to buy a package of cigarettes.

It was some time before I could arouse the old janitor of the factory from his peaceful slumbers. I told him that I had an important message from Outzen, and hurried upstairs to the latter's room. Outzen was a strictly moral character; knowing this, I was prepared to have him refuse me the key which would let me into the fourth courtyard and from there into the cemetery. As I expected, Outzen took the matter very seriously. He closed the Hebrew Bible which he had been studying as I entered, turned up his lamp and looked at me in astonishment as I made my request.

"Why, my dear Simsen, it is a most sinful deed that you are about to do," he said gravely. "Take my advice and desist. You will get no key from me for any such cause. The peace of the grave is sacred. No man dare disturb it."

"And how about the gravedigger? He puts the newly dead down beside the old corpses, and lives as peacefully as anyone else."

"He is doing his duty," answered Outzen calmly. "But to disturb the peace of the grave from sheer daring, with the fumes of the punch still in your head,—that is a different matter,—that will surely be punished!"

His words irritated me. It is not very flattering, particularly if one is not yet twenty, to be told that you are about to perform a daring deed simply because you are drunk. Without any further reply to his protests I took the key from its place on the wall and ran downstairs two steps at a time, vowing to myself that I would take home an arm let cost what it would. I would show Outzen, and Soelling, and all the rest, what a devil of a fellow I was.

My heart beat rapidly as I stole through the long dark corridor, past the ruins of the old convent of St. Clara, into the so-called third courtyard. Here I took a lantern from the hall, lit it and crossed to the mill where the clay was prepared for the factory. The tall wheels and cylinders, with their straps and bolts, looked like weird creatures of the night in the dim light of my tallow candle. I felt my courage sinking even here, but I pulled myself together, opened the last door with my key and stepped out into the fourth courtyard. A moment later I stood on the dividing line between the cemetery and the factory.

The entire length of the tall blackened planking had been torn down. The pieces of it lay about, and the earth had been dug up to considerable depth, to make a foundation for a new wall between Life and Death. The uncanny emptiness of the place seized upon me. I halted involuntarily as if to harden myself against it. It was a raw, cold, stormy evening. The clouds flew past the moon in jagged fragments, so that the churchyard, with its white crosses and stones, lay now in full light, now in dim shadow. Now and then a rush of wind rattled over the graves, roared through the leafless trees, bent the complaining bushes, and caught itself in the little eddy at the corner of the church, only to escape again over the roofs, turning the old weather vane with a sharp scream of the rusty iron.

I looked toward the left—there I saw several weird white shapes moving gently in the moonlight. "White sheets," I said to myself, "it's nothing but white sheets! This drying of linen in the churchyard ought to be stopped."

I turned in the opposite direction and saw a heap of bones scarce two paces distant from me. Holding my lantern lower, I approached them and stretched out my hand—there was a rattling in the heap; something warm and soft touched my fingers.

I started and shivered. Then I exclaimed: "The rats! nothing but the rats in the churchyard! I must not get frightened. It will be so foolish—they would laugh at me. Where the devil is that arm? I can't find one that isn't broken!"

With trembling knees and in feverish haste I examined one heap after another. The light in my lantern flickered in the wind and suddenly went out. The foul smell of the smoking wick rose to my face and I felt as if I were about to faint. It took all my energy to recover my control. I walked two or three steps ahead, and saw at a little distance a coffin which had been still in good shape when taken out of the earth.

I approached it and saw that it was of old-fashioned shape, made of heavy oaken boards that were already rotting. On its cover was a metal plate with an illegible inscription. The old wood was so brittle that it would have been very easy for me to open the coffin with any sort of a tool. I looked about me and saw a hatchet and a couple of spades lying near the fence. I took one of the latter, put its flat end between the boards—the old coffin fell apart with a dull crackling protest.

I turned my head aside, put my hand in through the opening, felt about, and taking a firm hold on one arm of the skeleton, I loosened it from the body with a quick jerk. The movement loosened the head as well, and it rolled out through the opening right to my very feet. I took up the skull to lay it in the coffin again—and then I saw a greenish phosphorescent glimmer in its empty eye sockets, a glimmer which came and went. Mad terror shook me at the sight. I looked up at the houses in the distance, then back again to the skull; the empty sockets shone more brightly than before. I felt that I must have some natural explanation for this appearance or I would go mad. I took up the head again—and never in my life have I had so overpowering an impression of the might of death and decay than in this moment. Myriads of disgusting clammy insects poured out of every opening of the skull, and a couple of shining, wormlike centipedes—Geophiles, the scientists call them—crawled about in the eye sockets. I threw the skull back into the coffin, sprang over the heaps of bones without even taking time to pick up my lantern, and ran like a hunted thing through the dark mill, over the factory courtyards, until I reached the outer gate. Here I washed the arm at the fountain, and smoothed my disarranged clothing. I hid my booty under my overcoat, nodded to the sleepy old janitor as he opened the door to me, and a few moments later I entered my own room with an expression which I had attempted to make quite calm and careless.

"What the devil is the matter with you, Simsen?" cried Soelling as he saw me. "Have you seen a ghost? Or is the punch wearing off already? We thought you'd never come; why, it's nearly twelve o'clock!"

Without a word I drew back my overcoat and laid my booty on the table.

"By all the devils," exclaimed Soelling in anatomical enthusiasm, "where did you find that superb arm? Simsen knows what he's about all right. It's a girl's arm; isn't it beautiful? Just look at the hand—how fine and delicate it is! Must have worn a No. 6 glove. There's a pretty hand to caress and kiss!"

The arm passed from one to the other amid general admiration. Every word that was said increased my disgust for myself and for what I had done. It was a woman's arm, then—what sort of a woman might she have been? Young and beautiful possibly—her brothers' pride, her parents' joy. She had faded away in her youth, cared for by loving hands and tender thoughts. She had fallen asleep gently, and those who loved her had desired to give her in death the peace she had enjoyed throughout her lifetime. For this they had made her coffin of thick, heavy oaken boards. And this hand, loved and missed by so many—it lay there now on an anatomical table, encircled by clouds of tobacco smoke, stared at by curious glances, and made the object of coarse jokes. O God! how terrible it was!

"I must have that arm," exclaimed Soelling, when the first burst of admiration had passed. "When I bleach it and touch it up with varnish, it will be a superb specimen. I'll take it home with me."

"No," I exclaimed, "I can't permit it. It was wrong of me to bring it away from the churchyard. I'm going right back to put the arm in its place."

"Well, will you listen to that?" cried Soelling, amid the hearty laughter of the others. "Simsen's so lyric, he certainly must be drunk. I must have that arm at any cost."

"Not much," cut in Niels Daae; "you have no right to it. It was buried in the earth and dug out again; it is a find, and all the rest of us have just as much right to it as you have."

"Yes, every one of us has some share in it," said some one else.

"But what are you going to do about it?" remarked Soelling. "It would be vandalism to break up that arm. What God has joined together let no man put asunder," he concluded with pathos.

"Let's auction it off," exclaimed Daae. "I will be the auctioneer, and this key to the graveyard will serve me for a hammer."

The laughter broke out anew as Daae took his place solemnly at the head of the table and began to whine out the following announcement: "I hereby notify all present that on the 25th of November, at twelve o'clock at midnight, in corridor No. 5 of the student barracks, a lady's arm in excellent condition, with all its appurtenances of wrist bones, joints, and finger tips, is to be offered at public auction. The buyer can have possession of his purchase immediately after the auction, and a credit of six weeks will be given to any reliable customer. I bid a Danish shilling."

"One mark," cried Soelling mockingly.

"Two," cried somebody else.

"Four," exclaimed Soelling. "It's worth it. Why don't you join in, Simsen? You look as if you were sitting in a hornet's nest."

I bid one mark more, and Soelling raised me a thaler. There were no more bids, the hammer fell, and the arm belonged to Soelling.

"Here, take this," he said, handing me a mark piece; "it's part of your commission as grave robber. You shall have the rest later, unless you prefer that I should turn it over to the drinking fund." With these words Soelling wrapped the arm in a newspaper, and the gay crowd ran noisily down the stairs and through the streets, until their singing and laughter were lost in the distance.

I stood alone, still dazed and bewildered, staring at the piece of money in my hand. My thoughts were far too much excited that I should hope to sleep. I turned up my lamp and took out one of my books to try and study myself into a quieter mood. But without success.

Suddenly I heard a sound like that of a swinging pendulum. I raised my head and listened attentively. There was no clock either in my room or in the neighboring ones—but I could still hear the sound. At the same moment my lamp began to flicker. The oil was apparently exhausted. I was about to rise to fill it again, when my eyes fell upon the door, and I saw the graveyard key, which I had hung there, moving slowly back and forth with a rhythmic swing. Just as its motion seemed about to die away, it would receive a gentle push as from an unseen hand, and would swing back and forth more than ever. I stood there with open mouth and staring eyes, ice-cold chills ran down my back, and drops of perspiration stood out on my forehead. Finally, I could endure it no longer. I sprang to the door, seized the key with both hands and put it on my desk under a pile of heavy books. Then I breathed a sigh of relief.

My lamp was about to go out and I discovered that I had no more oil. With feverish haste I threw my clothes off, blew out the light and sprang into bed as if to smother my fears.

But once alone in the darkness the fears grew worse than ever. They grew into dreams and visions. It seemed to me as if I were out in the graveyard again, and heard the screaming of the rusty weather vane as the wind turned it. Then I was in the mill again; the wheels were turning and stretching out ghostly hands to draw me into the yawning maw of the machine. Then again, I found myself in a long, low, pitch-black corridor, followed by Something I could not see—Something that drove me to the mouth of a bottomless abyss. I would start up out of my half sleep, listen and look about me, then fall back again into an uneasy slumber.

Suddenly something fell from the ceiling onto the bed, and "buzz—buzz—buzz" sounded about my head. It was a huge fly which had been sleeping in a corner of my room and had been roused by the heat of the stove. It flew about in great circles, now around the bed, now in all four corners of the chamber—"buzz—buzz—buzz"—it was unendurable! At last I heard it creep into a bag of sugar which had been left on the window sill. I sprang up and closed the bag tight. The fly buzzed worse than ever, but I went back to bed and attempted to sleep again, feeling that I had conquered the enemy.

I began to count: I counted slowly to one hundred, two hundred, finally up to one thousand, and then at last I experienced that pleasant weakness which is the forerunner of true sleep. I seemed to be in a beautiful garden, bright with many flowers and odorous with all the perfumes of spring. At my side walked a beautiful young girl. I seemed to know her well, and yet it was not possible for me to remember her name, or even to know how we came to be wandering there together. As we walked slowly through the paths she would stop to pick a flower or to admire a brilliant butterfly swaying in the air. Suddenly a cold wind blew through the garden. The young girl trembled and her cheeks grew pale. "I am cold," she said to me, "do you not see? It is Death who is approaching us."

I would have answered, but in the same moment another stronger and still more icy gust roared through the garden. The leaves turned pale on the trees, the flowerets bent their heads, and the bees and butterflies fell lifeless to the earth. "That is Death," whispered my companion, trembling.

A third icy gust blew the last leaves from the bushes, white crosses and gravestones appeared between the bare twigs—and I was in the churchyard again and heard the screaming of the rusty weather vane. Beside me stood a heavy brass-bound coffin with a metal plate on the cover. I bent down to read the inscription, the cover rolled off suddenly, and from out the coffin rose the form of the young girl who had been with me in the garden. I stretched out my arms to clasp her to my breast—then, oh horror! I saw the greenish-gleaming, empty eye sockets of the skull. I felt bony arms around me, dragging me back into the coffin. I screamed aloud for help and woke up.

My room seemed unusually light; but I remembered that it was a moonlight night and thought no more of it. I tried to explain the visions of my dream with various natural noises about me. The imprisoned fly buzzed as loudly as a whole swarm of bees; one half of my window had blown open, and the cold night air rushed in gusts into my room.

I sprang up to close the window, and then I saw that the strong white light that filled my room did not come from the moon, but seemed to shine out from the church opposite. I heard the chiming of the bells, soft at first, as if in far distance, then stronger and stronger until, mingled with the rolling notes of the organ, a mighty rush of sound struck against my windows. I stared out into the street and could scarcely believe my eyes. The houses in the market place just beyond were all little one-story buildings with bow windows and wooden eave troughs ending in carved dragon heads. Most of them had balconies of carved woodwork, and high stone stoops with gleaming brass rails.

But it was the church most of all that aroused my astonishment. Its position was completely changed. Its front turned toward our house where usually the side had stood. The church was brilliantly lighted, and now I perceived that it was this light which filled my room. I stood speechless amid the chiming of the bells and the roaring of the organ, and I saw a long wedding procession moving slowly up the center aisle of the church toward the altar. The light was so brilliant that I could distinguish each one of the figures. They were all in strange old-time costumes; the ladies in brocades and satins with strings of pearls in their powdered hair, the gentlemen in uniform with knee breeches, swords, and cocked hats held under their arms. But it was the bride who drew my attention most strongly. She was clothed in white satin, and a faded myrtle wreath was twisted through the powdered locks beneath her sweeping veil. The bridegroom at her side wore a red uniform and many decorations. Slowly they approached the altar, where an old man in black vestments and a heavy white wig was awaiting them. They stood before him, and I could see that he was reading the ritual from a gold-lettered book.

One of the train stepped forward and unbuckled the bridegroom's sword, that his right hand might be free to take that of the bride. She seemed about to raise her own hand to his, when she suddenly sank fainting at his feet. The guests hurried toward the altar, the lights went out, the music stopped, and the figures floated together like pale white mists.

But outside in the square it was still brighter than before, and I suddenly saw the side portal of the church burst open and the wedding procession move out across the market place.

I turned as if to flee, but could not move a muscle. Quiet, as if turned to stone, I stood and watched the ghostly figures that came nearer and nearer. The clergyman led the train, then came the bridegroom and the bride, and as the latter raised her eyes to me I saw that it was the young girl of the garden. Her eyes were so full of pain, so full of sad entreaty that I could scarce endure them; but how shall I explain the feeling that shot through me as I suddenly discovered that the right sleeve of her white satin gown hung empty at her side? The train disappeared, and the tone of the church bells changed to a strange, dry, creaking sound, and the gate below me complained as it turned on its rusty hinges. I faced toward my own door. I knew that it was shut and locked, but I knew that the ghostly procession were coming to call me to account, and I felt that no walls could keep them out. My door flew open, there was a rustling as of silken gowns, but the figures seemed to float in in the changing forms of swaying white mists. Closer and closer they gathered around me, robbing me of breath, robbing me of the power to move. There was a silence as of the grave—and then I saw before me the old priest with his gold-lettered book. He raised his hand and spoke with a soft, deep voice: "The grave is sacred! Let no one dare to disturb the peace of the dead."

"The grave is sacred!" an echo rolled through the room as the swaying figures moved like reeds in the wind.

"What do you want? What do you demand?" I gasped in the grip of a deathly fear.

"Give back to the grave that which belongs to it," said the deep voice again.

"Give back to the grave that which belongs to it," repeated the echo as the swaying forms pressed closer to me.

"But it's impossible—I can't—I have sold it—sold it at auction!" I screamed in despair. "It was buried and found in the earth—and sold for five marks eight shillings——"

A hideous scream came from the ghostly ranks. They threw themselves upon me as the white fog rolls in from the sea, they pressed upon me until I could no longer breathe. Beside myself, I threw open the window and attempted to spring out, screaming aloud: "Help! help! murder! they are murdering me!"

The sound of my own voice awoke me. I found myself in my night clothes on the window sill, one leg already out of the window and both hands clutching at the center post. On the street below me stood the night watchman, staring up at me in astonishment, while faint white clouds of mist rolled out of my window like smoke. All around outside lay the November fog, gray and moist, and as the fresh air of the early dawn blew cool on my face I felt my senses returning to me. I looked down at the night watchman—God bless him! He was a big, strong, comfortably fat fellow made of real flesh and blood, and no ghost shape of the night. I looked at the round tower of the church—how massive and venerable it stood there, gray in the gray of the morning mists. I looked over at the market place. There was a light in the baker shop and a farmer stood before it, tying his horse to a post. Back in my own room everything was in its usual place. Even the little paper bag with the sugar lay there on the window sill, and the imprisoned fly buzzed louder than ever. I knew that I was really awake and that the day was coming. I sprang back hastily from the window and was about to jump into bed, when my foot touched something hard and sharp.

I stooped to see what it was, felt about on the floor in the half light, and touched a long, dry, skeleton arm which held a tiny roll of paper in its bony fingers. I felt about again, and found still another arm, also holding a roll of paper. Then I began to think that my reason must be going. What I had seen thus far was only an unusually vivid dream—a vision of my heated imagination. But I knew that I was awake now, and yet here lay two—no, three (for there was still another arm)—hard, undeniable, material proofs that what I had thought was hallucination, might have been reality. Trembling in the thought that madness was threatening me, I tore open the first roll of paper. On it was written the name: "Soelling." I caught at the second and opened it. There stood the word: "Nansen."

I had just strength enough left to catch the third paper and open it—there was my own name: "Simsen."

Then I sank fainting to the floor.

When I came to myself again, Niels Daae stood beside me with an empty water bottle, the contents of which were dripping off my person and off the sofa upon which I was lying. "Here, drink this," he said in a soothing tone. "It will make you feel better."

I looked about me wildly, as I sipped at the glass of brandy which put new life into me once more. "What has happened?" I asked weakly.

"Oh, nothing of importance," answered Niels. "You were just about to commit suicide by means of charcoal gas. Those are mighty bad ventilators on your old stove there. The wind must have blown them shut, unless you were fool enough to close them yourself before you went to bed. If you had not opened the window, you would have already been too far along the path to Paradise to be called back by a glass of brandy. Take another."

"How did you get up here?" I asked, sitting upright on the sofa.

"Through the door in the usual simple manner," answered Niels Daae. "I was on watch last night in the hospital; but Mathiesen's punch is heavy and my watching was more like sleeping, so I thought it better to come away in the early morning. As I passed your barracks here, I saw you sitting in the window in your nightshirt and calling down to the night watchman that some one was murdering you. I managed to wake up Jansen down below you, and got into the house through his window. Do you usually sleep on the bare floor?"

"But where did the arms come from?" I asked, still half bewildered.

"Oh, the devil take those arms," cried Niels. "Just see if you can stand up all right now. Oh, those arms there? Why, those are the arms I cut off your skeletons. Clever idea, wasn't it? You know how grumpy Soelling gets if anything interferes with his tutoring. You see, I'd had the geese sent me, and I wanted you to all come with me to Mathiesen's place. I knew you were going to read the osteology of the arm, so I went up into Soelling's room, opened it with his own keys and took the arms from his skeleton. I did the same here while you were downstairs in the reading room. Have you been stupid enough to take them down off their frames, and take away their tickets? I had marked them so carefully, that each man should get his own again."

I dressed hastily and went out with Niels into the fresh, cool morning air. A few minutes later we separated, and I turned toward the street where Soelling lived. Without heeding the protest of his old landlady, I entered the room where he still slept the sleep of the just. The arm, still wrapped in newspaper, lay on his desk. I took it up, put the mark piece in its place and hastened with all speed to the churchyard.

How different it looked in the early dawn! The fog had risen and shining frost pearls hung in the bare twigs of the tall trees where the sparrows were already twittering their morning song. There was no one to be seen. The churchyard lay quiet and peaceful. I stepped over the heaps of bones to where the heavy oaken coffin lay under a tree. Cautiously I pushed the arm back into its interior, and hammered the rusty nails into their places again, just as the first rays of the pale November sun touched a gleam of light from the metal plate on the cover.—Then the weight was lifted from my soul.



OTTO LARSSEN

THE MANUSCRIPT

Two gentlemen sat chatting together one evening.

Their daily business was to occupy themselves with literature. At the present moment they were engaged in drinking whisky,—an occupation both agreeable and useful,—and in chatting about books, the theater, women and many other things. Finally they came around to that inexhaustible subject for conversation, the mysterious life of the soul, the hidden things, the Unknown, that theme for which Shakespeare has given us an oft-quoted and oft-abused device, which one of them, Mr. X., now used to point his remarks. Raising his glass, he looked at himself meditatively in a mirror opposite, and, in a good imitation of the manner of his favourite actor, he quoted:

"There are more things in heaven and earth than are dreamt of in thy philosophy, Horatio."

Mr. Y. arranged a fresh glass for himself, and answered:

"I believe it. I believe also that it is given but to a few chosen ones to see these things. It never fell to my lot, I know. Fortunately for me, perhaps. For,—at least so it appears to me,—these chosen ones appear on closer investigation to be individuals of an abnormal condition of brain. As far as I personally am concerned, I know of nothing more strange than the usual logical and natural sequence of events on our globe. I confess things do sometimes happen outside of this orderly sequence; but for the cold-blooded and thoughtful person the Strange, the apparently Inexplicable, usually turns out to be a sum of Chance, that Chance we will never be quite clever enough to fully take into our calculations.

"As an instance I would like to tell you the story of what happened several years back to a friend of mine, a young French writer. He had a good, sincere mind, but he had also a strong leaning toward mysticism,—something which was just then in danger of becoming as much of a fashion in France as it is here now. The event of which I am about to tell you threw him into what was almost a delirium, which came near to robbing him of his normal intelligence, and therefore came near to robbing French readers of a few excellent books.

"This was the way it happened:

"It was about ten years back, and I was spending the spring and summer in Paris. I had a room with the family of a concierge on the left bank, rue de Vaugirard, near the Luxembourg Gardens.

"A few steps from my modest domicile lived my friend Lucien F. We had become acquainted through a chain of circumstances which do not belong to this story, but these circumstances had made firm friends of us, a friendship which was a source of great pleasure and also of assistance to me in my study of Paris conditions. This friendship also enabled me to enjoy better and cheaper whisky than one can usually meet with in the city by the Seine, a real good 'Jameson Highland.'

"Lucien F. had already published several books which had aroused attention through the oddity of their themes, and their gratifying success had made it possible for him to establish himself in a comfortably furnished bachelor apartment on the corner of the rue de Vaugirard and the rue de Conde.

"The apartment had a corridor and three rooms; a dining room, a bedroom, and a charming study with an inclosed balcony, the three windows of which,—a large one in the center and two smaller ones at the side,—sent a flood of light in over the great writing table which filled nearly the entire balcony. Inside the room, near the balcony, stood a divan covered with a bearskin rug. Upon this divan I spent many of my hours in Paris, occupied in the smoking of my friend's excellent cigars, and the sampling of his superlatively good whisky. At the same time I could lie staring up at the tops of the trees in the Luxembourg Gardens, while Lucien worked at his desk. For, unlike most writers, he could work best when he was not alone.

"If I remained away several days, he would invariably ring my bell early some morning, and drag me out of bed with the remark: 'The whisky is ready. I can't write if you are not there.'

"During the particular days of which I shall tell you, he was engaged in the writing of a fantastic novelette, 'The Force of the Wind,' a work which interested him greatly, and which he would interrupt unwillingly at intervals to furnish copy for the well-known newspaper that numbered him among the members of its staff. His books were printed by the same house that did the printing for the paper.

"Often, as I lay in my favorite position on the divan, the bell would ring and we would be honored by a visit from the printer's boy Adolphe, a little fellow in a blue blouse, the true type of Paris gamin. Adolphe rejoiced in a broken nose, a pair of crafty eyes, and had his fists always full of manuscripts which he treated with a carelessness that would have driven a literary novice to despair. The long rolls of yellow paper would hang out of his trousers pockets as if ready to fall apart at his next movement. And the disrespectful manner in which he crammed my friend Lucien's scarcely dried essay into the breast of his blouse would have certainly called forth remarks from a journalist of more self-conceit.

"But his eyes were so full of sly cunning, and there was such an atmosphere of Paris about the stocky little fourteen-year-old chap, that we would often keep him longer with us, and treat him to a glass of anisette to hear his opinion of the writers whose work he handled. He was an amusing cross between a tricky little Paris gamin and a real child, and he hit off the characteristics of the various writers with as keen a touch of actuality as he could put into his stories of how many centimes he had won that morning at 'craps' from his friend Pierre. Pierre was another employee of the printing house, Adolphe's comrade in his study of the mysteries of Paris streets, and now his rival. They were both in love with the same girl, the fifteen-year-old daughter of the keeper of 'La Prunelle' Cafe, and her favor was often the prize of the morning's game.

"Now and then this rivalry between the two young Parisians would drop into a hand-to-hand fight. I myself was witness to such a skirmish one day, in front of 'La Prunelle.' The rivals pulled each other's hair mightily while the manuscripts flew about over the pavement, and Virginie, in her short skirts, stood at the door of the cafe and laughed until she seemed about to shake to pieces.

"Pierre was the strongest, and Adolphe came off with a bloody nose. He gathered up his manuscripts in grim silence and left the battlefield and the still laughing Virginie with an expression of deep anger on his wounded face.

"The following day, when I teased him a little because of his defeat, he smiled a sly smile and remarked:

"'Yes, but I won a franc from him, the big stupid animal. And so it was I, after all, who took Virginie out that evening. We went to the Cafe "Neant," where I let them put me in the coffin and pretend to be decaying, to amuse her. She thought it was lots of fun.'

"One morning Lucien had come for me as usual, put me on the divan, and seated himself at his writing table. He was just putting the last words to his novel, and the table was entirely covered with the scattered leaves, closely written. I could just see his neck as he sat there, a thin-sinewed, expressive neck. He bent over his work, blind and deaf for anything else. I lay there and gazed out over the tops of the trees in the park up into the blue summer sky. The window on the left side of the desk stood wide open, for it was a warm and sultry day. I sipped my whisky slowly. The air was heavy, and thunder threatened in the distance. After a little while the clouds gathered together, heavy, low-hanging, copper-hued, real thunder clouds, and the trees in the park rustled softly. The air was stifling, and lay heavy as lead on my breast.

"'Lucien!'

"Lucien did not hear or see anything, his pen flew over the paper.

"I fell back lazily on my divan.

"Then suddenly, there was a mighty tumult. A strong gust of wind swept through the street, bending the trees in the gardens quite out of my horizon. With a crash the right-hand window in the balcony flew wide open, and like a cyclone, the wind swept through, clearing the table in an instant of all the loose sheets of paper that had lain scattered about it.

"'The devil! Why don't you shut the window!' I cried, springing up from the sofa.

"'Spare your energy, it's too late,' said Lucien with a gentle mockery in his soft voice. 'Look there!'—he pointed out into the street, where his sheets of paper went swirling about in the heavy air like white doves.

"A second later came the rain, a veritable cloud-burst. We shut the windows and gave ourselves up to melancholy thoughts about the lost manuscript, the recovery of which now seemed utterly hopeless.

"'That's one thousand francs, at least, that the wind has robbed me of,' sighed Lucien. 'Well, elfin, that doesn't matter so much. But do you know anything more tiresome than to work over the same subject a second time? I can't think of doing it. It would fairly make me sick to try it.'

"We were in a sad mood that morning. When we went out to breakfast at about two o'clock, we looked about for some traces of the lost manuscript.

"There was nothing to be seen. It had vanished completely, whirled off to all four corners of the earth probably, this manuscript from which Lucien had expected so much. Truly it was 'The Force of the Wind.'"

* * * * *

"Now comes the strange part of the story. One morning, two weeks later, Lucien stood in the door of my little room, pale as a ghost. He had a bundle of printer's proofs in his hand, and held them out to me without a word.

"I looked at it and read:

"'"The Force of the Wind," by Lucien F.'

"It was a good bundle of proofs, the entire first proofs of Lucien's novel, that novel the manuscript of which we had seen blown out of the balcony window and whirled away by the winds.

"'My dear man,' I exclaimed, as I handed him back the proofs. 'You have been industrious indeed, to write your entire novel over again in so short a time—and to have proofs already——'

"Lucien did not answer. He stood silent, staring at me with a weird look in his otherwise so sensible eyes. After a moment he stammered:

"'I did not write the novel over again. I have not touched a pen since the day the manuscript blew out of the window.'

"'Are you a sleep-walker, Lucien?'

"'Why do you ask?'

"'Why, that would be the only natural explanation. They say we can do a great many things in sleep, of which we know nothing when we wake. I've heard queer stories of that. Men have committed murders in their sleep. It happens quite often that sleep-walkers write letters in a handwriting they do not recognize when awake.'

"'I have never been a sleep-walker,' answered Lucien.

"'Oh, you never can tell,' I remarked. 'Would you rather explain it as magic? Or as the work of fairies? Or do you believe in ghosts? Your muse has fascinated you, you mystic!' And I laughed and trilled a line from 'The Mascot,' which we had seen the evening before at the Lyric.

"But my merriment did not seem to strike an answering note in Lucien. He turned from me in silence, and with an offended expression took his hat and his proofs, and—humorist and skeptic as he was ordinarily, he parted from me with the words, uttered in a theatrical tone:

"'There are more things in heaven and earth than are dreamed of in thy philosophy.'

"He turned on his heel and left the room.

"To be candid, I was unpleasantly affected by the little scene. I could not for an instant doubt Lucien's honesty,—he was so pale, so frightened almost—so touching in the alarm and excitement of his soul. Of course the only explanation that I could see was that he had written his novel in a sleep-walking state.

"For certainly no printer could set up type from a manuscript that did not exist,—to say nothing of printing it and sending out proofs.

"Several days passed, but Lucien did not come near me. I went to his place once or twice, but the door was locked. Had the devil carried him off bodily? Or had this strange and inexplicable occurrence robbed him of his sanity, and robbed me of his friendship and his excellent whisky?

"After three useless attempts to find him at home, and after writing him a letter which he did not answer, I gave up Lucien without any further attempt to understand his enigmatical behavior. A short time after, I left for my home without having seen or heard anything more of him.

"Months passed. I remained at home, and one evening when, during the course of a gay party, the conversation came around to the subject of mysticism and occult occurrences, I dished up my story of the enigmatical manuscript. The Unknown, the Occult, was the rage just then, and my story was received with great applause and called forth numerous quotations as to 'more things in heaven and earth.' I came to think so much of it myself that I wrote it out and sent it to Professor Flammarion, who was just then making a study of the Unknown, which he preserved in his later book 'L'Inconnu.'

"The occupying myself with the story brought my mind around again to memories of Lucien. One day, I saw a notice in Le Figaro to the effect that his book, 'The Force of the Wind,' had appeared in a second large edition, and had aroused much attention, particularly in spiritualistic circles. I seemed to see him again before me, with his long nervous neck, which was so expressive. The vision of this neck rose up before me whenever I drank the same sort of whisky that I had drunk so often with him, and the longing to hear something more of my lost friend came over me. I sat down one evening when in a sentimental mood, and wrote to him, asking him to tell me something of himself and to send me his book.

"A week later I received the little book and the following letter which I have here in my pocket. It is somewhat crumpled, for I have read it several times. But no matter. I will read it to you now, if you will pardon my awkward translating of the French original.

"Here it is:

"DEAR FRIEND:

"Many thanks for your letter. Here is the book. I have to thank you also that you did not lay my behavior of your last days in Paris up against me. It must have seemed strange to you. I will try to explain it.

"I have been nervous from childhood. The fact that most of my books have treated of fantastic subjects,—somewhat in the manner of Edgar Allan Poe—has made me more susceptible for all that world which lies beyond and about the world of every-day life. I have sought after,—and yet feared—the mystical; cool and lucid as I can be at times, I have always had an inclination for the enigmatical, the Unknown.

"But the first thing that ever happened in my life that I could not explain or understand was the affair of the manuscript. You remember the day I stood in your room? I must have looked the picture of misery. The affair had played more havoc with my nerves than you can very well understand. Your mockery hurt me, and yet under all I felt ashamed of my own thoughts concerning this foolish occurrence. I could not explain the phenomenon, and I shivered at the things that it suggested to me. In this condition, which lasted several weeks, I could not bear to see you or anyone else, and I was impolite enough even to leave your letter unanswered.

"The book appeared and made a hit, since that sort of thing was the center of interest just then. But almost a month passed before I could arouse myself from that condition of fear and—I had almost said, softening of the brain—which prevented my enjoyment of my success.

"Then the explanation came. Thanks to this occurrence I know now that I shall never again be in danger of being 'haunted.'

"And I know now that Chance can bring about stranger happenings than can any fancied visitations from the spirit world. Here you have the story of this 'mystic' occurrence, which came near endangering my sanity, and which turns out to be a chance combination of a gust of wind, a sudden downpour of rain, and the strange elements in the character of our little friend Adolphe the printer's boy.

"You remember that funny little chap with the crafty eye, his talent for gambling, and his admiration for the girl of 'La Prunelle'? A queer little mixture this child who has himself alone to look to for livelihood and care, the typical race of the Paris streets, the modified gamin from 'Les Miserables.'

"About a month after the appearance of my book I lay on the divan one day,—your favorite place, you remember?—and lost myself in idle reasonings on the same old subject that never left my mind day or night, when the bell rang and Adolphe appeared, to call for the essay on 'Le Boulevarde.' There was an unusually nervous gleam in his eyes that day. I gave him an anisette and tried to find out what his trouble was. I did find it out, and I found out a good deal more besides.

"Thanks to his good fortune as a gambler, Virginie came to look upon him with favor. Pierre was quite out of the race and Adolphe's affection was reciprocated as much as his heart could desire. But with his good fortune in love came all the suffering, all the torture, the suspicions that tear the hearts of us men when we set our hopes upon a woman's truth. Young as he was he went through them all, and now he was torturing himself with the thought that she did not really love him and was only pretending, while she gave her heart to another. Perhaps he was right—why not?

"I talked to Adolphe as man to man, and managed to bring back a gleam of his usual jollity and sly humor. He took another glass of anisette, and said suddenly:

"'M. Lucien—I did something——'

"'Did what?' I asked.

"'Something I should have told you long ago—it was wrong, and you've always been so nice to me——'

"You remember the day, two months ago, when we had such a sudden wind and rain storm, a regular cloud-burst? I was down here in this neighborhood fetching manuscripts from M. Labouchere and M. Laroy. I was to have come up here for copy from you, too. But then—you'll understand after all I've been telling you,—I came around past 'La Prunelle' and Virginie stood in the doorway, and she'd promised to go out with me that evening. So I ran up to speak to her. And then when I went on again, I saw a sheet with your writing lying in the street. You know I know all the gentlemen's writing, whose copy I fetch. Then I was frightened. I thought to myself, 'The devil,' I thought, 'here I've lost M. Lucien's manuscript.' I couldn't remember calling for it, but I thought I must have done so before I got M. Laroy's. I can't remember much except Virginie these days. I took up the sheet and saw three others a little further on. And I saw a lot more shining just behind the railing of the Luxembourg Garden. You know how hard it rained. The water held the paper down, so the wind couldn't carry it any further. I ran into the Garden and picked up all the sheets, thirty-two of them. All of them, except the first four I found in the street, had blown in behind the railing. And I can tell you I was precious glad that I had them all together. I ran back to the office, told them I had dropped the manuscript in the street, but asked them not to say anything to you about it. But the sheets were all there,—you always number them so clearly, and 'handsome August,' the compositor, promised he wouldn't tell on me. I knew if the foreman heard of it, he'd put me out, for he had a grudge against me. So nobody knew anything about it. But I thought I ought to tell you, 'cause you've been so nice to me. Maybe you'll understand how one gets queer at times, when a girl like Virginie tells you she likes you better than Pierre, and yet you think she might deceive you for his sake—that big, stupid animal—But now I'll be going. Much obliged for your kindness, M. Lucien, and for the anisette—' And he left me.

"There you have the explanation, the very simple and natural explanation of the phenomenon that almost drove me crazy.

"The entire 'supernatural' occurrence was caused by a careless boy's love affairs, by a gust of southwest wind, by a sudden heavy rain, and by the chance that I had used English ink, the kind that water cannot blur. All these simple natural things made me act so foolishly toward a good friend, the sort of friend I have always known you to be. Let me hear from you, and tell me what you people up North think of my book. I give you my word that the 'Unknown Powers' shall never again make me foolish enough to risk losing your friendship!

"Yours

"LUCIEN."

"So this is my story. Yes, 'there are more things in heaven and earth—' But the workings of Chance are the strangest of all. And this whisky is really very good. Here's to you."



BERNHARD SEVERIN INGEMANN

THE SEALED ROOM

For many years there stood in a side street in Kiel an unpretentious old frame house which had a forbidding, almost sinister appearance, with its old-fashioned balcony and its overhanging upper stories. For the last twenty years the house had been occupied by a greatly respected widow, Madame Wolff, to whom the dwelling had come by inheritance. She lived there quietly with her one daughter, in somewhat straitened circumstances.

What gave the house a mysterious notoriety, augmenting the sinister quality in its appearance, was the fact that one of its rooms, a corner room on the main floor, had not been opened for generations. The door was firmly fastened and sealed with plaster, as well as the window looking out upon the street. Above the door was an old inscription, dated 1603, which threatened sudden death and eternal damnation to any human being who dared to open the door or efface the inscription. Neither door nor window had been opened in the two hundred years that had passed since the inscription was put up. But for a generation back or more, the partition wall and the sealed door had been covered with wall paper, and the inscription had been almost forgotten.

The room adjoining the sealed chamber was a large hall, utilized only for rare important events. Such an occasion arose with the wedding of the only daughter of the house. For that evening the great hall, as it was called, was brilliantly decorated and illuminated for a ball. The building had deep cellars and the old floors were elastic. Madame Wolff had in vain endeavored to avoid using the great hall at all, for the foolish old legend of the sealed chamber aroused a certain superstitious dread in her heart, and she rarely if ever entered the hall herself. But merry Miss Elizabeth, her pretty young daughter, was passionately fond of dancing, and her mother had promised that she should have a ball on her wedding day. Her betrothed, Secretary Winther, was also a good dancer, and the two young people combated the mother's prejudice against the hall and laughed at her fear of the sealed room. They thought it would be wiser to appear to ignore the stupid legend altogether, and thus to force the world to forget it. In spite of secret misgivings Madame Wolff yielded to their arguments. And for the first time in many years the merry strains of dance music were heard in the great hall that lay next the mysterious sealed chamber.

The bridal couple, as well as the wedding guests, were in the gayest mood, and the ball was an undoubted success. The dancing was interrupted for an hour while supper was served in an adjoining room. After the repast the guests returned to the hall, and it was several hours more before the last dance was called. The season was early autumn and the weather still balmy. The windows had been opened to freshen the air. But the walls retained their dampness and suddenly the dancers noticed that the old wall paper which covered the partition wall between the hall and the sealed chamber had been loosened through the jarring of the building, and had fallen away from the sealed door with its mysterious inscription.

The story of the sealed chamber had been almost forgotten by most of those present, forgotten with many other old legends heard in childhood. The inscription thus suddenly revealed naturally aroused great interest, and there was a general curiosity to know what the mysterious closed room might hide. Conjectures flew from mouth to mouth. Some insisted that the closed door must hide the traces of a hideous murder, or some other equally terrible crime. Others suggested that perhaps the room had been used as a hiding place for garments and other articles belonging to some person who had died of a pestilence, and that the room had been sealed for fear of spreading the disease. Still others thought that in the sealed chamber there might be found a secret entrance from the cellars, which had made the room available as a hiding place for robbers or smugglers. The guests had quite forgotten their dancing in the interest awakened by the sight of the mysterious door.

"For mercy's sake, don't let's go too near it!" exclaimed some of the young ladies. But the majority thought it would be great fun to see what was hidden there. Most of the men said that they considered it foolish not to have opened the door long ago, and examined the room. The young bridegroom did not join in this opinion, however. He upheld the decision of his mother-in-law not to allow any attempt to effect an entrance into the room. He knew that there was a clause in the title deeds to the house which made the express stipulation that no owner should ever permit the corner room to be opened. There was discussion among the guests as to whether such a clause in a title deed could be binding for several hundred years, and many doubted its validity at any time. But most of them understood why Madame Wolff did not wish any investigation, even should any of those present have sufficient courage to dare the curse and break open the door.

"Nonsense! What great courage is necessary for that?" exclaimed Lieutenant Flemming Wolff, a cousin of the bride of the evening. This gentleman had a reputation that was not of the best. He was known to live mostly on debt and pawn tickets, and was of a most quarrelsome disposition. As a duelist he was feared because of his specialty. This was the ability, and the inclination, through a trick in the use of the foils, to disfigure his opponent's face badly, without at all endangering his life. In this manner he had already sadly mutilated several brave officers and students, who had had the bad luck to stand up against him. He himself was anything but pleasant to look upon, his natural plainness having been rendering repellent by a life of low debauchery. He cherished a secret grudge against the bridegroom and bitter feelings toward the bride, because the latter had so plainly shown her aversion for him when he had ventured to pay suit to her.

The family had not desired any open break with this disagreeable relative, and had therefore sent him an invitation to the wedding. They had taken it for granted that, under the circumstances, he would prefer to stay away. But he had appeared at the ball, and, perhaps to conceal his resentment, he had been the most indefatigable dancer of the evening. At supper he had partaken freely of the strongest wines, and was plainly showing the effect of them by this time. His eyes rolled wildly, and those who knew him took care not to contradict him, or to have anything to say to him at all.

With a boastful laugh he repeated his assertion that it didn't take much courage to open a sealed door, especially when there might be a fortune concealed behind it. In his opinion it was cowardly to let oneself be frightened by a century-old legend. He wouldn't let that bother him if he had influence enough in the family to win the daughter and induce the mother to give a ball in the haunted hall. With this last hit he hoped to arouse the young husband's ire. But the latter merely shrugged his shoulders and turned away with a smile of contempt.

Lieutenant Wolff fired up at this, and demanded to know whether the other intended to call his, the lieutenant's, courage into question by his behavior.

"Not in the slightest, when it is a matter of obtaining a loan, or of mutilating an adversary with a trick at fencing," answered the bridegroom angrily, taking care, however, that neither the bride nor any of the other ladies should hear his words. Then he continued in a whisper: "But I don't believe you'd have the courage to remain here alone and in darkness, before this closed door, for a single hour. If you wish to challenge me for this doubt, I am at your disposal as soon as you have proven me in the wrong. But I choose the weapons."

"They must be chosen by lot, sir cousin," replied the lieutenant, his cheek pale and his jaws set. "I will expect you to breakfast to-morrow morning at eight o'clock."

The bridegroom nodded, and took the other's cold dry hand for an instant. The men who had overheard the short conversation looked upon it as a meaningless incident, the memory of which would disappear from the lieutenant's brain with the vanishing wine fumes.

The ball was now over. The bride left the hall with her husband and several of the guests who were to accompany the young couple to their new home. The lights went out in the old house. The door of the dancing hall had been locked from the outside. Lieutenant Flemming Wolff remained alone in the room, having hidden himself in a dark corner where he had not been seen by the servants, who had extinguished the lights and locked the door. The night watchman had just called out two o'clock when the solitary guest found himself, still giddy from the heavy wine, alone in the great dark hall in front of the mysterious door.

The windows were at only a slight elevation from the street, and a spring would take him to safety should his desire to remain there, or to solve the mystery of the sealed room, vanish. But next morning all the windows in the great hall were found closed, just as the servants had left them the night before. The night watchman reported that he had heard a hollow-sounding crash in that unoccupied part of the house during the night. But that was nothing unusual, as there was a general belief in the neighborhood that the house was haunted.

For hollow noises were often heard there, and sounds as of money falling on the floor, and rattling and clinking as of a factory machine. Enlightened people, it is true, explained these sounds as echoes of the stamping and other natural noises from a large stable just behind the old house. But in spite of these explanations and their eminent feasibility, the dread of the unoccupied portion of the house was so great that not even the most reckless man servant could be persuaded to enter it alone after nightfall.

Next morning at eight o'clock Winther appeared at his mother-in-law's door, saying that he had forgotten something of importance in the great hall the night before. Madame Wolff had not yet arisen, but the maid who let in the early visitor noticed with surprise that he had a large pistol sticking out of one of his pockets.

Winther had been to his cousin's apartment and found it locked. He now entered the great hall, and at first glance thought it empty. To his alarm and astonishment, however, he saw that the sealed door had been broken open. He approached it with anxiety, and found his wife's cousin, the doughty duelist, lying pale and lifeless on the threshold. Beside him lay a large stone which had struck his head in falling and must have killed him at once. Over the door was a hole in the wall, just the size of the stone. The latter had evidently rested on the upper edge of the door, and must certainly have fallen on its opening. The unfortunate man lay half in the mysterious chamber and half in the hall, just as he must have fallen when the stone struck him.

The formal investigation of the closed room was made in the presence of the police authorities. It contained nothing but a small safe which was built into the wall. When the safe had been opened by force, an inner chamber, which had to be broken open by itself, was found to contain a number of rolls of gold pieces, many jewels and numerous notes and I.O.U.'s. The treasure was covered by an old document. From this latter it was learned that the owner of the house two hundred years ago had been a silk weaver by the name of Flemming Ambrosius Wolff. He was said to have lent money on security for many years, but had died apparently a poor man, because he had so carefully hidden his riches that little of it was found after his death.

With a niggardliness that bordered on madness, he had believed that he could hide his treasure forever by shutting it up in the sealed room. The curse over the door was to frighten away any venturesome mortal, and further security was given by the clause in the title deed.

The universally disliked Lieutenant Flamming Wolff must have had many characteristics in common with this disagreeable old ancestor, to whose treasure he would have fallen heir had he not lost his life in the discovering of it. The old miser had not hidden his wealth for all eternity, as he had hoped, but had only brought about the inheriting of it by Madame Wolff, the owner of the house, and the next of kin. The first use to which this lady put the money was to tear down the uncanny old building and to erect in its stead a beautiful new home for her daughter and son-in-law.



STEEN STEENSEN BLICHER

THE RECTOR OF VEILBYE

These extracts from the diary of Erik Sorensen, District Judge, followed by two written statements by the rector of Aalsoe, give a complete picture of the terrible events that took place in the parish of Veilbye during Judge Sorensen's first year of office. Should anyone be inclined to doubt the authenticity of these documents let him at least have no doubt about the story, which is, alas! only too sadly true. The memory of these events is still fresh in the district, and the events themselves have been the direct cause of a change in the method of criminal trials. A suspected murderer is now tried through all the courts before his conviction can be determined. Readers versed in the history of law will doubtless know by this during what epoch the story is laid.



I

[From the Diary of District Judge Erik Soerensen.]

Now am I, unworthy one, by the grace of God made judge over this district. May the Great Judge above give me wisdom and uprightness that I may fulfill my difficult task in all humility! From the Lord alone cometh judgment.

It is not good that man should live alone. Now that I am able to support a wife I will look about me for a help-meet. I hear much good said about the daughter of the Rector of Veilbye. Since her mother's death she has been a wise and economical keeper of her father's house. And as she and her brother the student are the only children, she will inherit a tidy sum when the old man dies.

Morten Bruus of Ingvorstrup was here to-day and wanted to make me a present of a fat calf. But I answered him in the words of Moses, "Cursed be he who taketh gifts." He is of a very quarrelsome nature, a sharp bargainer, and a boastful talker. I do not want to have any dealings with him, except through my office as judge.

I have prayed to God for wisdom and I have consulted with my own heart, and I believe that Mistress Mette Quist is the only woman with whom I could live and die. But I will watch her for a time in secret. Beauty is deceptive and charm is a dangerous thing. But I must say that she is the most beautiful woman I have yet seen.

I think that Morten Bruus a very disagreeable person—I scarcely know why myself. But whenever I see him something comes over me, something that is like the memory of an evil dream. And yet it is so vague and so faint, that I could not say whether I had really ever seen the man in my dreams or not. It may be a sort of presentiment of evil; who knows?

He was here again and offered me a pair of horses—beautiful animals—at a ridiculously low price. It looked queer to me. I know that he paid seventy thalers for them, and he wanted to let me have them for the same price. They are at the least worth one hundred thalers, if not more. Was it intended for a bribe? He may have another lawsuit pending. I do not want his horses.

I paid a visit to the Rector of Veilbye to-day. He is a fine, God-fearing man, but somewhat quick-tempered and dictatorial. And he is close with his money, too, as I could see. Just as I arrived a peasant was with him trying to be let off the payment of part of his tithe. The man is surely a rogue, for the sum is not large. But the rector talked to him as I wouldn't have talked to a dog, and the more he talked the more violent he became.

Well, we all have our faults. The rector meant well in spite of his violence, for later on he told his daughter to give the man a sandwich and a good glass of beer. She is certainly a charming and sensible girl. She greeted me in a modest and friendly manner, and my heart beat so that I could scarcely say a word in reply. My head farm hand served in the rectory three years. I will question him,—one often hears a straight and true statement from servants.

A surprise! My farm hand Rasmus tells me that Morten Bruus came a-wooing to the rectory at Veilbye some years back, but was sent away with a refusal. The rector seemed to be pleased with him, for the man is rich. But his daughter would not hear to it at all. Pastor Soeren may have tried hard to persuade her to consent at first. But when he saw how much she disliked the man he let her do as she would. It was not pride on her part, Rasmus said, for she is as simple and modest as she is good and beautiful. And she knows that her own father is peasant-born as well as Bruus.

Now I know what the Ingvorstrup horses were intended for. They were to blind the judge and to lead him aside from the narrow path of righteousness. The rich Morten Bruus covets poor Ole Andersen's peat moor and pasture land. It would have been a good bargain for Morten even at seventy thalers. But no indeed, my good fellow, you don't know Erik Soerensen!

Rector Soeren Quist of Veilbye came to see me this morning. He has a new coachman, Niels Bruus, brother to the owner of Ingvorstrup. Niels is lazy and impertinent. The rector wanted him arrested, but he had no witnesses to back up his complaint. I advised him to get rid of the man somehow, or else to get along with him the best he could until the latter's time was up. The rector was somewhat hasty at first, but later on he listened calmly and thanked me for my good advice. He is inclined to be violent at times, but can always be brought to listen to reason. We parted good friends.

I spent a charming day in Veilbye yesterday. The rector was not at home, but Mistress Mette received me with great friendliness. She sat by the door spinning when I arrived, and it seemed to me that she blushed. It was hardly polite for me to wait so long before speaking. When I sit in judgement I never lack for words, but in the presence of this innocent maiden I am as stupid as the veriest simpleton of a chicken thief. But I finally found my voice and the time passed quickly until the rector's return. Then Mistress Mette left us and did not return until she brought in our supper.

Just as she stepped through the doorway the rector was saying to me, "Isn't it about time that you should think of entering into the holy estate of matrimony?" (We had just been speaking of a recent very fine wedding in the neighborhood.) Mistress Mette heard the words and flushed a deep red. Her father laughed and said to her, "I can see, my dear daughter, that you have been standing before the fire."

I shall take the good man's advice and will very soon try my fate with her. For I think I may take the rector's words to be a secret hint that he would not object to me as a son-in-law. And the daughter? Was her blush a favorable sign?

Poor Ole Anderson keeps his peat moor and his pasture land, but rich Morten Bruus is angry at me because of it. When he heard the decision he closed his eyes and set his lips tight, and his face was as pale as a whitewashed wall. But he controlled himself and as he went out he called back to his adversary, "Wish you joy of the bargain Ole Anderson. The peat bog won't beggar me, and the cattle at Ingvorstrup have all the hay they can eat." I could hear his loud laughter outside and the cracking of his whip. It is not easy to have to sit in judgment. Every decision makes but one enemy the more.

Yesterday was the happiest day of my life. We celebrated our betrothal in the Rectory of Veilbye. My future father-in-law spoke to the text, "I gave my handmaid into thy bosom" (Genesis xvi, 5). His words touched my heart. I had not believed that this serious and sometimes brusque man could talk so sweetly. When the solemnity was over, I received the first kiss from my sweet betrothed, and the assurance of her great love for me.

At supper and later on we were very merry. Many of the dead mother's kin were present. The rector's family were too far away. After supper we danced until day-break and there was no expense spared in the food and wine. My future father-in-law was the strongest man present, and could easily drink all the others under the table. The wedding is to take place in six weeks. God grant us rich blessings.

It is not good that my future father-in-law should have this Niels Bruus in his service. He is a defiant fellow, a worthy brother of him of Ingvorstrup. If it were I, he should have his wages and be turned off, the sooner the better. But the good rector is stubborn and insists that Niels shall serve out his time. The other day he gave the fellow a box on the ear, at which Niels cried out that he would make him pay for it. The rector told me of this himself, for no one else had been present. I talked to Niels, but he would scarcely answer me. I fear he has a stubborn and evil nature. My sweet betrothed also entreats her father to send the fellow away, but the rector will not listen to reason. I do not know what the old man will do when his daughter leaves his home for mine. She saves him much worry and knows how to make all things smooth and easy. She will be a sweet wife for me.

As I thought, it turned out badly. But there is one good thing about it, Niels has now run off of himself. The rector is greatly angered, but I rejoice in secret that he is rid of that dangerous man. Bruus will probably seek retaliation, but we have law and justice in the land to order such matters.

This was the way of it: The rector had ordered Niels to dig up a bit of soil in the garden. After a time when he went out himself to look at the work, he found Niels leaning on his spade eating nuts. He had not even begun to dig. The rector scolded him, but the fellow answered that he had not taken service as a gardener. He received a good box on the ear for that. At this he threw away his spade and swore valiantly at his master. The old rector lost his temper entirely, seized the spade and struck at the man several times. He should not have done this, for a spade is a dangerous weapon, especially in the hands of a man as strong as is the pastor in spite of his years. Niels fell to the ground as if dead. But when the pastor bent over him in alarm, he sprang up suddenly, jumped the hedge and ran away to the woods.

This is the story of the unfortunate affair as my father-in-law tells it to me. My beloved Mette is much worried about it. She fears the man may do harm to the cattle, or set fire to the house, or in some such way take his revenge. But I tell her there is little fear of that.

Three weeks more and my beloved leaves her father's house for mine. She has been here and has gone over the house and the farm. She is much pleased with everything and praises our orderliness. She is an angel, and all who know her say that I am indeed a fortunate man. To God be the praise!

Strange, where that fellow Niels went to! Could he have left the country altogether? It is an unpleasant affair in any case, and there are murmurings and secret gossip among the peasants. The talk has doubtless started in Ingvorstrup. It would not be well to have the rector hear it. He had better have taken my advice, but it is not my province to school a servant of God, and a man so much older than I. The idle gossip may blow over ere long. I will go to Veilbye to-morrow and find out if he has heard anything.

The bracelet the goldsmith has made for me is very beautiful. I am sure it will please my sweet Mette.

My honored father-in-law is much distressed and down-hearted. Malicious tongues have repeated to him the stupid gossip that is going about in the district. Morten Bruus is reported to have said that "he would force the rector to bring back his brother, if he had to dig him out of the earth." The fellow may be in hiding somewhere, possibly at Ingvorstrup. He has certainly disappeared completely, and no one seems to know where he is. My poor betrothed is much grieved and worried. She is alarmed by bad dreams and by presentiments of evil to come.

God have mercy on us all! I am so overcome by shock and horror that I can scarcely hold the pen. It has all come in one terrible moment, like a clap of thunder. I take no account of time, night and morning are the same to me and the day is but a sudden flash of lightning destroying the proud castle of my hopes and desires. A venerable man of God—the father of my betrothed—is in prison! And as a suspected murderer! There is still hope that he may be innocent. But this hope is but as a straw to a drowning man. A terrible suspicion rests upon him——And I, unhappy man that I am, must be his judge. And his daughter is my betrothed bride! May the Saviour have pity on us!

It was yesterday that this horrible thing came. About half an hour before sunrise Morten Bruus came to my house and had with him the cotter Jens Larsen of Veilbye, and the widow and daughter of the shepherd of that parish. Morten Bruus said to me that he had the Rector of Veilbye under suspicion of having killed his brother Niels. I answered that I had heard some such talk but had regarded it as idle and malicious gossip, for the rector himself had assured me that the fellow had run away. "If that was so," said Morten, "if Niels had really intended to run away, he would surely at first come to me to tell me of it. But it is not so, as these good people can prove to you, and I demand that you shall hear them as an officer of the law."

"Think well of what you are doing," I said. "Think it over well, Morten Bruus, and you, my good people. You are bringing a terrible accusation against a respected and unspotted priest and man of God. If you can prove nothing, as I strongly suspect, your accusations may cost you dear."

"Priest or no priest," cried Bruus, "it is written, 'thou shalt not kill!' And also is it written, that the authorities bear the sword of justice for all men. We have law and order in the land, and the murderer shall not escape his punishment, even if he have the district judge for a son-in-law."

I pretended not to notice his thrust and began, "It shall be as you say. Kirsten Mads' daughter, what is it that you know of this matter in which Morten Bruus accuses your rector? Tell the truth, and the truth only, as you would tell it before the judgment seat of the Almighty. The law will demand from you that you shall later repeat your testimony under oath."

The woman told the following story: The day on which Niels Bruus was said to have run away from the rectory, she and her daughter were passing along the road near the rectory garden a little after the noon hour. She heard some one calling and saw that it was Niels Bruus looking out through the garden hedge. He asked the daughter if she did not want some nuts and told the women that the rector had ordered him to dig in the garden, but that he did not take the command very seriously and would much rather eat nuts. At that moment they heard a door open in the house and Niels said, "Now I'm in for a scolding." He dropped back behind the hedge and the women heard a quarrel in the garden. They could hear the words distinctly but they could see nothing, as the hedge was too high. They heard the rector cry, "I'll punish you, you dog. I'll strike you dead at my feet!" Then they heard several sounding slaps, and they heard Niels curse back at the rector and call him evil names. The rector did not answer this, but the women heard two dull blows and saw the head of a spade and part of the handle rise and fall twice over the hedge. Then it was very quiet in the garden, and the widow and her daughter were frightened and hurried on to their cattle in the field. The daughter gave the same testimony, word for word. I asked them if they had not seen Niels Bruus coming out of the garden. But they said they had not, although they had turned back several times to look.

This accorded perfectly with what the rector had told me. It was not strange that the women had not seen the man run out of the garden, for he had gone toward the wood which is on the opposite side of the garden from the highroad. I told Morten Bruus that this testimony was no proof of the supposed murder, especially as the rector himself had narrated the entire occurrence to me exactly as the women had described it. But he smiled bitterly and asked me to examine the third witness, which I proceeded to do.

Jens Larsen testified that he was returning late one evening from Tolstrup (as he remembered, it was not the evening of Niels Bruus's disappearance, but the evening of the following day), and was passing the rectory garden on the easterly side by the usual footpath. From the garden he heard a noise as of some one digging in the earth. He was frightened at first for it was very late, but the moon shone brightly and he thought he would see who it was that was at work in the garden at that hour. He put off his wooden shoes and pushed aside the twigs of the hedge until he had made a peep hole. In the garden he saw the rector in his usual house coat, a white woolen nightcap on his head. He was busily smoothing down the earth with the flat of his spade. There was nothing else to be seen. Just then the rector had started and partly turned toward the hedge, and the witness, fearing he might be discovered, slipped down and ran home hastily.

Although I was rather surprised that the rector should be working in his garden at so late an hour, I still saw nothing in this statement that could arouse suspicion of murder. I gave the complainant a solemn warning and advised him not only to let fall his accusation, but to put an end to the talk in the parish. He replied, "Not until I see what it is that the rector buried in his garden."

"That will be too late," I said. "You are playing a dangerous game. Dangerous to your own honor and welfare."

"I owe it to my brother," he replied, "and I demand that the authorities shall not refuse me assistance."

My office compelled me to accede to his demands. Accompanied by the accuser and his witnesses I took my way to Veilbye. My heart was very heavy, not so much because of any fear that we might find the missing man buried in the garden, but because of the surprise and distress I must cause the rector and my beloved. As we went on our way I thought over how severely the law would allow me to punish the calumniators. But alas, Merciful Heavens! What a terrible discovery was in store for me!

I had wished to have a moment alone with the rector to prepare him for what was coming. But as I drove through the gate Morten Bruus spurred his horse past me and galloped up to the very door of the house just as the rector opened it. Bruus cried out in his very face, "People say that you have killed my brother and buried him in your garden. I am come with the district judge to seek for him."

The poor rector was so shocked and astounded that he could not find a word to answer. I sprang from my wagon and addressed him: "You have now heard the accusation. I am forced by my office to fulfill this man's demands. But your own honor demands that the truth shall be known and the mouth of slander silenced."

"It is hard enough," began the rector finally, "for a man in my position to have to clear himself from such a suspicion. But come with me. My garden and my entire house are open to you."

We went through the house to the garden. On the way we met my betrothed, who was startled at seeing Bruus. I managed to whisper hastily to her, "Do not be alarmed, dear heart. Your enemies are going to their own destruction." Morten Bruus led the way to the eastern side of the garden near the hedge. We others followed with the rector's farm hands, whom he himself had ordered to join us with spades.

The accuser stood and looked about him until we approached. Then he pointed to one spot. "This looks as if the earth had been disturbed lately. Let us begin here."

"Go to work at once," commanded the rector angrily.

The men set to work, but they were not eager enough to suit Bruus, who seized a spade himself to fire them on. A few strokes only sufficed to show that the firm earth of this particular spot had not been touched for many years. We all rejoiced—except Bruus—and the rector was very happy. He triumphed openly over his accuser, and laughed at him, "Can't you find anything, you libeler?"

Bruus did not answer. He pondered for a few moments, then called out, "Jens Larsen, where was it you saw the rector digging?"

Jens Larsen had been standing to one side with his hands folded, watching the work. At Bruus's words he aroused himself as if from a dream, looked around him and pointed to a corner of the garden several yards from where we stood. "I think it was over there."