Let this then serve as a meagre sketch of my defunct treatise on opium: think not that I love the subject, curious and fertile though it be; perhaps, philosophically regarded, it is not a better one than gin; but ears polite endure not the plebeian monosyllable, unless indeed with a reduplicated n, as Mr. Lane will have it our whilom genie should be spelt: accordingly, I magnanimously give up the whole idea, and am liberal enough, in this my dying determination, to sign a codicil, bequeathing opium to my executors.

* * * * *

Novelism is a field so filled with copy-holders, so populously tenanted in common, that it requires no light investigation to find a site unoccupied, and a hero or heroine waiting to be hired. Nevertheless, I seem to myself to have lighted on a rich and little-cultivated corner; imagining that the subject is a good one, because still untouched, founded on facts, and with amplifiable variations that border on the probable. He that lionizes Stratford-on-Avon, will remember in one of the Shakspearian museums of that classic town, the pictured trance of hapless



CHARLOTTE CLOPTON,

as it was limned in death-seeming life. He will be shown the tombs of her ancient family in Stratford church, and the door of that fatal vault; he will hear something of her noble birth—her fine character—her fascinating beauty—her short, innocent, eventful life—her horrible death. Consider, too, the age and locality in which she lived, Elizabethan, Shakspeare's; the great contemporary characters that might be casually introduced; the mysterious suicide, in that dim dreadful pool at the end of the terraced walk among the cropped yews, of her poor only sister, Margaret; equalled only in the miserable interest by that of Charlotte herself. And then for a plot: some darkly hinted parricide of years agone, in the generation but one preceding, has dropt its curse upon the now guiltless, but, by the law of Providence, still-not-acquitted family; a parricide consequent on passionate love, differing religions, and the Montague-and-Capulet-school of hating feudal fathers—Theodore Clopton having been a Catholic, Alice Beauvoir a Protestant; an introductory recountal of old Beauvoir's withering curse on the Clopton family for Theodore's abduction of his daughter, followed by the tragic event of the father and son, Cloptons', mutual hatred, and the former found in his own park with the broken point of his son's sword in him, the latter flying the realm: the curse has slept for a generation; and now two fair daughters are all that remain to the high-bred Sir Clement and his desponding lady, on whom the Beauvoir descendant, a bitterest enemy, takes care to remind them the hovering curse must burst. This Rowland Beauvoir is the villain of the story, whose sole aim it is, after the fulfilment of his own libertine wishes, to see the curse accomplished: and Charlotte's love for a certain young Saville, whom Beauvoir hates as his handsome rival in court patronage, as well as her pointed refusal of himself, gives new and present life to his ancestral grudge. The lovers are espoused, and to make Sir Clement's joy the greater, Saville has interest sufficient to meet the old knight's humour of keeping up the ancient family name, by getting it added to his own; so that the Beauvoir hatred and parricidal curse seem likely to be frustrated. But—the first hindrance to their union is poor sister Margaret's secret and infatuated love for that scheming villain Rowland, her then too probable seduction, melancholic madness, and suicide: successively upon this follow the last illnesses and deaths of the heart-broken old people, whom Rowland's dreadful ubiquity terrifies in their very chamber of disease; and as the too likely consequence of such accumulated sorrows on a creature of exquisite sensibility, Charlotte, the only remaining heiress of that ancient lineage, gradually, and with all the semblance of death, falls into her terrible trance. Rowland, who, through his intimacy with Margaret, knows all the secret passages and sliding panels of the old mansion, and who thereby gets mysterious admission whenever he pleases, comes into that silent chamber, and finds Saville mourning over his dead-seeming bride: she, all the while, though unable to move, in an agony of self-consciousness; and at last, when Rowland in fiendish triumph pronounces the curse complete, to the extreme horror of both, by an effort of tortured mind over apparently inanimate matter, rolls her glazed eyes, and gives an involuntary groan: having thus to all appearance confirmed the curse, she lies more marble-white, more corpse-like, more entranced than ever. Then, after long lingering, draws on the horrible catastrophe: a catastrophe, alas! as far at least as regards the heroine, quite true. Fully aware of all that is going on—the preparations for burial, the misery of her lover, the gratified malice of her foe—she is placed in the coffin: the rites proceed, her heart-stricken espoused takes his last long leave, she is carried to the grave, locked in the family vault under Stratford church, and there left alone, fearfully buried alive! And then, after a day or two, how shrieks and groans are heard in the church-yard by truant school-boys, and are placed to the account of the curse: how, at last, her despairing lover demands to have the vault opened; and the wretch Rowland—partly from curiosity, partly from malice—determined to be there to see. As they and some church-followers come near the door of the vault, they hear knockings, and desperate plunges within; Saville swoons away, the crowd falls back in terror, and the hardened Rowland alone dares unlock the door. Instantly, in her shroud, mad, starved, with the flesh gnawed from her own fair shoulders, rushes out the maniac Charlotte: in phrensied half-reason she has seized Rowland by the throat, with the strength of insanity has strangled him, and then falls dead upon the steps of the vault! Of Saville—who, as having swooned, is spared all this scene of horror, and who leaves the country for ever—little or nothing is more said: and Clopton Hall remains a ruin, tenanted by ghosts and bats.

P.S. If thought fit, after the fashion of Parisian charcoal-burners in ill-ventilated bed-rooms, Charlotte may have recorded her experiences in the vault, by writing with a rusty nail on the coffin-plates.

Now, the gist of this Victor-Hugo tale of terror is its general truth: a true end of a truly-named family, in its own neighbourhood, and long since extinct: the house, now rebuilt and restyled—the vault—the picture of that poor unfortunate, (how unsearchable in real life often are the ways of Providence! how frequently the innocent suffer for the guilty!)—the gloomy well—and something extant of the story—remains still, and are known to some at Stratford. To do the thing graphically, one should go there, and gain materials on the spot: and nothing could be easier than to mix with them fifteenth-and-sixteenth-century costumes, modes of thought, and historical allusions; accessories of the humorous, if the age demands it, might relieve the pathetic; Charlotte's own innocence and piety might be made to soften her hard fate, with the assurance of a better life; Saville might become a wisely-resigned recluse; and while the sins of the fathers are not gently, though justly, visited on the children, the villain of the story meets his full reward.

Behold, then, hungry novel-monger, what grist is here for the mill! Behold, Sosii, what capabilities of orders from every library in the kingdom!—As doomed ones, and denounced ones, and undying ones, and unseen ones, seem to be such taking titles, what think you of the Buried-alive-one!—is it not new, thrilling, terrible? Who is he that would pander to the popular taste for details of dreadful, cruel, criminal, and useless abominations? "Should such a one as I?" In emptying my head of the notion, I have ministered too much already: but the sample of henbane is poured out, an offering to the infernal manes, and poisons no longer the current of my thoughts. Thy ghost, poor beautiful Charlotte! shall not be disturbed by me; thy misfortunes sleep with thee. Nevertheless, this tale about a more amiable Charlotte than Werter's, so naturally also falling into the orthodox three-volume measure, is capable of being fabricated into something of deep, romantic, tragical interest; such a character, in such circumstances, in such an age, and such a place: I commend it to those of the Anglo-Gallic school, who love the domestically horrible, and delight in unsunned sorrows: but, I throw not any one topic away as a waif, for the casual passer-by to pick up on the highway. Shadows, indeed, are flung upon the waters, but Phulax still holds the substance with tenacious teeth.

Stop awhile, my dog and shadow, and generously drop the world a morsel; be not quite so bold when no one thinks of robbing you, and spare your gasconade: the expediency of a sample has been cleverly suggested, and WE ego et canis meus, royal in munificence, do graciously accede. Will this serve the purpose, my ever-pensive public? At any rate, with some aid of intellect in readers, it is happily an extract which explains itself—the death of poor infatuated Margaret: we will suppose preliminaries, and hazard the abrupt.

* * * * *

"That bitter speech shot home; it had sped like an arrow to her brain: it had flown to her heart like the breath of pestilence: for Rowland to be rough, uncourteous, unkind, might cause indeed many a pang; but such conduct had long become a habit, and woman's charitable soul excused moroseness in him, whom she loved more than life itself, more than honour. But now, when the dread laugh of a seemingly more righteous world was daily, hourly, to be feared against her—when the cold finger of scorn was preparing to be pointed at her fading beauty, and her altered form—now, when indulgence is most due, and cruelty has a sting more scorpion than ever—to be taunted with that once-kind tongue with having rightfully inherited a curse—to be told, in a sort of fiendish triumph, that some ancient family grudge, forsooth, against her father's fame, certainly as much as the selfish motives of a libertine professed, had warped the will of Rowland to her ruin—to know, to hear, yea, from his own lips, that the oft-repented crime of her warm and credulous youth—of her too free, unsuspicious affection—had calmly been contrived by the heart she clung to for her first, her only love—here was misery, here was madness!

"Rowland, at the approach of footsteps, had hastily slunk away behind the accustomed panel, and alone in the chamber was left poor Margaret: his last sneering speech, the mockery of his sarcastic pity, were still haunting her ear with echoes full of wretchedness; and she had uttered one faint cry, and sunk swooning on a couch, when her sister entered.

"Charlotte, gentle Charlotte, had nothing of the hardness of a heroine; her mind, as her most fair body, was delicate, nervous, spiritualized; but the instinct of imperious duty ever gave her strength in the day of trial. Long with an elder sister's eye had she watched and feared for Margaret; she had palliated natural levity by evident warmth of disposition, and excused follies of the judgment by kindness of the heart. Charlotte was no child; in any other case, she had been keener of perception; but in that of a young, generous, and most loving sister, suspicion had been felt as a wickedness, and had long been lulled asleep: now, however, it awaked in all its terrors; and, as Margaret lay fainting, the sorrowful condition of one soon to be a mother who never was a wife, was only too apparent. She touched her, sprinkled water on her pale face, and, as the fixed eyes opened suddenly, Charlotte started at their strange wild glare: they glittered with a freezing brilliancy, and stared around with the vacuity of an image. Could Margaret be mad? She bit her tender lips with sullen rage, and a gnashing desperation; her cheek was cold, white, and clammy as the cheek of a corpse; her hair, still woven with the strings of pearl she often wore, hung down loose and dishevelled, except that on her flushing brow the crisp curls stood on end, as a nest of snakes. And now a sudden thought seemed to strike the brain; her eyes were set in a steady horror; slowly, with dread determination, as if inspired by some fearful being, other than herself, uprose Margaret; and, while her frightened sister, shuddering, fell back, she glided, still gazing on vacancy, to the door: so, like a ghost through the dark corridor, down those old familiar stairs, and away through the Armory-hall; Charlotte now more calmly following, for her father's library, where his use was to study late, opened out of it, and surely the conscience-stricken Margaret was going in her penitence to him. But, see! she has silently passed by; her hand is on the lock of the hall-door; with one last look of despairing recklessness behind her, as taking an eternal leave of that awe-struck sister, the door turns upon its hinge, and she, still with slow solemnity, goes out. Whither, oh God!—whither? The night is black as pitch, rainy, tempestuous; the old knight's guests at Clopton Hall have gladly and right wisely preferred even such questionable accommodation as the blue chamber, the dreary white apartment looking on the moat—nay, the haunted room of the parricide himself—to encountering the dangers and darkness of a night-return so desperate; but Margaret, in her gayest evening attire, near upon so foul a midnight in November, stalks like a spectre down the splashy steps. Charlotte follows, calls, runs to her—but cannot rescue from some settled purpose, horribly suggested, that gentle fearful creature, now so changed. Suddenly in the dark she has lost her. Which way did the maniac turn?—whither in that desolate gloom shall Charlotte fly to find her? Guided by the taper still twinkling in her father's study, she rushes back in terror to the hall; and then—Help, help!—torches, torches! The household is roused, dull lanterns glance among the shrubberies; pine-lights, ill-shielded from wind and rain by cap or cloak, are seen dotting the park in every direction, and dance about through the darkness, like sportive wild-fires: Sir Clement in moody calmness looks prepared for any thing the worst, like a man who anticipates evil long-deserved; the broken-hearted mother is on her knees at the cold door-steps, striving to pierce the gloom with her eyes, and ejaculating distracted prayers: and so the live-long night—that night of doubt, and dread, and dreariness—through bitter hours of confusion and dismay, they sought poor Margaret—and found her not!

"But, with morning's light came the awful certainty. At the end of a terraced walk, mournfully shaded by high-cropped yews, stood an arbour, and behind it, half-hidden among rank weeds, was an old half-forgotten fountain; there, on many a sultry summer night, had Rowland met with Margaret, and there had she resolved in terrible remorse to perish. With the seeming fore-thought of reason, and the resolution of a phrensied fortitude, she had bound a quantity of matted weeds about her face, and twisted her hands in her fettering garments, that the shallow pool might not in cruel kindness fail to drown her; she lay scarcely half immersed in those waters of death; a few lazy tench floating sluggishly about, appeared to be curiously inspecting their ghastly, uninvited guest; and the fragments of an enamelled miniature, with some torn letters in the hand-writing of Rowland Beauvoir, were found scattered on the overflowing margin of the pool."

* * * * *

Well, unkindly whelp, if your bone has no pickings better than this, not a cur shall envy you the sorry banquet. Yet, had my genius been better educated in the science of French cookery, this might have been served up with higher seasoning as a savoury ragout: but you get it in simplicity, scarce grilled; and in sooth, good world, it is easier to sneer at a novel than to imagine one; and far more self-complacency may be gained by manfully affecting to despise the novelist, than by adding to his honours in the compliment of humble imitation.

* * * * *

Things supernatural have every where and every when exercised mortal curiosity. Fear and credulity support the arms of superstition, fierce as city griffins, rampant as the lion and the unicorn; and forasmuch as no creature, Nelson not excepted, can truly boast of having never known fear, and no man also—from polite Voltaire, shrewd Hume, Leviathan Hobbes, and erudite Gibbon, down to the most stultified Van-Diemanite—can honestly swear himself free from the influence of some sort of faith, for thus much the marvellous and the terrible meet with universal popularity. Now, one or two curious matters connected with those "more things in heaven and earth, Horatio, than are dreamt of in your philosophy," which have even occurred to mine own self, (whereof, to gratify you, shall be a little more anon), have heretofore induced me to touch upon sundry interesting points, which, like pikemen round their chief, throng about the topic of



THE MARVELLOUS.

A book, so simply titled, with haply underneath a gigantic note of admiration between two humble queries ?!? would positively, my worthy publisher, make your worship's fortune. For it should concern ghosts, dreams, omens, coincidences, good-and-bad luck, warnings, and true vaticinations: no childish collection, however, of unsupported trumpery, but authenticated cases staidly evidenced, and circumstantially detailed; no Mother Goose-cap's tales, no Dick the Ploughman's dreams, no stories from the 'Terrific Register,' nor fancies of hysterical females in Adult asylums; even Merlin witch-finders, and Taliesins should be excluded: and, in lieu of all such common-places, I should propose an anecdotic treatise in the manner scientifical. Macnish's 'Philosophy of Sleep,' Scott's 'Demonology,' treatises on Apparitions, and many a rare black-letter alchemical pamphlet, might lend us here their aid; the British Museum is full of well-attested ghost-stories, and there are very few old ladies unable to add to the supply: then, this ghost department might be climaxed by the author's own experience; forasmuch as he is ready to avouch that a person's fetch was heard by many, and seen by some, in an old country-house, a hundred miles away from the place of death, at the instant of its happening.

As to omens, aforesaid witness deposes that the sceptre, ball, and cross were struck by lightning out of King John's hand, in the Schools quadrangle at Oxford, immediately on the accession of William the Reformer; and all the world is cognusant that York Minster, the Royal Exchange, and the Houses of Parliament were destroyed by fire near about the commencement of open hostility, among ruling powers, to our church, commerce, and constitution; and I myself can tell a tale of no less than eight remarkable warnings happening one day to a poor friend, who died on the next, which none could be expected to believe unless I delivered it on oath as having been an eye-witness to the facts. Dreams also—strange, vague, mysterious word; there is a gloomy look in it, a dreary intonation that makes the very flesh creep: the records of public justice will show many a murder revealed by them, as instance the Red Barn; more than one poor client, in the clutch of a "respectable" attorney, has been helped to his rights by their influence; from Agamemnon and Pilate, down to Napoleon, the oppressors of mankind have in those had kindly warning. Dreams—how many millions false and foolish, for the one proving to be true!—but that one, how clear, determinate, and lasting, as ministered by far other agency than imagination taking its sport while reason slumbers! Who has not tales to tell of dreams? A warning not to go on board such and such a ship—which founders; a strange unlikely scene fixed upon the mind, concerning friends and circumstances miles away, exactly in the manner and at the time of its occurrence; the fore-shown coming of an unexpected guest; the pourtrayed visage of a secret enemy: these, and others like these, many can attest, and I not least. And of other marvels, though here left unconsidered, yet might much be said: truths so strange, that the pages of romance would not trench on such extravagance; combinations so unlikely, that thrice twelve cast successively by proper dice, were but probability to those. Thus, in authorial fashion, has the marvellous dwelt upon my mind; and thus would I suggest a hand-book thereof to catering booksellers and the insatiable public.

* * * * *

Against bears in a stage-coach, pointers in a drawing-room, lap dogs in a vis-a-vis, and monkeys in a lady's boudoir, my love of comfort and propriety enters strong protest; an emancipated parrot attracts my sympathy far less than bright-eyed children feeding their testy pet, for I dread the cannibal temptation of those soft fair fingers, when brought into collision with Polly's hook and eye; gigantic Newfoundlanders dragging their perpetual chains, larks and linnets trilling the faint song of liberty behind their prison bars, cold green snakes stewing in a school-boy's pocket, and dormice nestling in a lady's glove, summon my antipathies; a cargo of five hundred pigs, with whom I had once the honour of sailing from Cork to London, were far from pleasant as compagnons de voyage; neither can I sleep with kittens in the room. Nevertheless, no one can profess truer compassion, truer friendship (if you will) for the animal creation: often have I walked on in weariness, rather than increase the strain upon the Rosinantes of an omnibus; and my greatest school scrape was occasioned by thrashing the favoured scion of a noble house for cruelty to a cat. Such and such-like—for we learn from AEsop (Fable eighty-eight, to wit) that trumpeters deserve to be unpopular—is my physical zeal in the cause of poor dumb brutes: nor is my regard for them the less in matters metaphysical. Bishop Butler, we may all of us remember, in 'THE Analogy' argues that the objector against a man's immortality must show good cause why that which exists, should ever cease to exist; and, until that good cause be shown, the weight of probability is in favour of continual being. Now, for my part, I wish to be informed why this probability should not be extended to that innocent maltreated class, whom God's mercy made with equal skill, and sustains with equal care, as in the case of man, and—dare we add?—of angels. Doth He not feed the ravens? Do the young lions not gather what He giveth? Doth a sparrow fall to the ground without Our Father? and is not the unsinning multitude of Nineveh's young children climaxed with "much cattle?" It is true, there may be mighty difference between "the spirit of a man that goeth upward, and the spirit of a beast that goeth downward in the earth:" but mark this, there is a spirit in the beast; and as man's eternal heaven may lie in some superior sphere, so that temporarily designed for the lower animals may be seen in the renovated earth. It is also true, that St. Paul, arguing for the temporal livelihood of Christian ministers from the type of "not muzzling the ox that treadeth out the corn," asks, "Doth God care for oxen?"—or, in effect, doth He legislate (I speak soberly, though the sublime treads on the ridiculous,) for a stable?—and the implication is, "To thy dutiful husbandry, O man! such lesser cares are left." Sorry, righteously sorry, would it make any good man's heart to think that the Creator had ceased to care for the meanest of his creatures: in a certain sense

"He sees with equal eye, as God of all, A hero perish, or a sparrow fall;"

and, assured that carelessness in a just Creator of his poor dependent creatures must be impossible, I submit that, critically speaking, some laudable variation might be made in that text by the simple consideration that [Greek: melei] is not so strictly rendered "care for" as [Greek: kedetai]. Scripture, then, so far from militating against the possible truth, that animals have souls, would seem, by a side-long glance, to countenance the doctrine: and now let us for a passing moment turn and see what aid is given to us by moral philosophy.

No case can be conceived more hard or more unjust than that of a sentient creature (on the hypothesis of its having no soul, no conscience, necessarily quite innocent), thrown into a world of cruelty and tyranny, without the chance of compensation for sufferings undeserved. Neither can any good government be so partial, as (limiting the whole existence of animals to an hour, a day, a year,) to allow one of a litter to be pampered with continual luxuries, and another to be tortured for all its little life by blows, famine, disease—and in its lingering death by the scientific scalpels of a critical Majendie or a cold-blooded Spallanzani. Remember, that in the so-called parallel case of partialities among men—the this-world's choice of a Jacob, the this-world's rejection of an Esau—the answer is obvious: there are two scales to the balance, there is yet another world. Far be it from us to think that all things are not then to be cleared up; that the innocent little ones of Kedar and the exterminated Canaanites will not then be heard one by one, and no longer be mingled up indiscriminately in an overwhelming national judgment; that the pleas of evil education and example, of hereditary taint and common usage, will be then thrown aside as vain excuse; and that eventual justice will not with facility explain every riddle in the moral government of God. But in the case of soulless extinguished animals, there is, there can be no compensation, no explanation; whether in pain or pleasure, they have lived and they have died forgotten by their Maker, and left to the casual kindness or cruelty of, towards them at least, irresponsible masters. How different the view opened to us by the possibility of soul being apportioned in various measure among the lower animals: there is a clue given "to justify the ways of God to"—brutes: we need not then consider, with a certain French abbe, that they are fallen angels, doing penance for their sins; we need not, with old Pythagoras and latter Brahmins, account them stationed lodges, homes of transmigration for the spirits of men in process of being purged from their offences: we need not regard them as Avatars of Vishnu, or incarnations of Apis, visible deities craving the idolatries of India and Egypt. The truth commends itself by mere simplicity: nakedness betrays its Eve-like innocence of guile or error: those living creatures whom we call brutes and beasts, have, in their degree, the breath of God within them, as well as His handiwork upon them. And, candid theologian, tell me why—in that Millenium so long looked-for, when, after a fiery purgation, this earth shall have its sabbath, and when those who for a time were "caught up into the air," descending again with their Lord and his ten thousand saints, shall bodily dwell with others risen in the flesh for that happy season on this renovated globe—tell me why there should not be some tithe of the animal creation made to rise again to minister in pleasure, as they once ministered in pain? And for the rest, the other nine, what hinders them from tenanting a thousand happy fields in other of the large domains of space? What hinders those poor dumb slaves from enjoying some emancipate existence—we need not perhaps accord them more of immortality than justice, demands for compensation—for a definite time, a millennium let us think, in scores of those million orbs that twinkle in the galaxy?

Space stretches wide enough for every grain Of the broad sands that curb our swelling seas, Each separate in its sphere, to stand apart As far as sun from sun.

Shall I then say what hinders?—the littleness of man's mind, refusing possibility of room for those countless quadrillions; and the selfishness of his pride, scorning the more generous savage, whose doctrine (certainly too lax in liberality) raises the beast to a level with mankind, and

"Who thinks, admitted to that equal sky, His faithful dog shall bear him company."

Truly, the Creator's justice, and mercy, and the majesty of his kingdom, give hope of after-life to all creation: Saint Antony of Padua did waste time in homilizing birds, beasts, and fishes; but may they not find blessings, though ignorant of priests?—And now, suffer me, in my current fashion, to glance at a few other considerations affecting this topic. It will be admitted, I suppose, that the lower animals possess, in their degree, similar cerebral or at least nervous mechanism with ourselves; in their degree, I say; for a zooephyte and a caterpillar have brains, though not in the head; and to this day Waterton does not know whether he shot a man or a monkey, so closely is his nondescript linked with either hand to the grovelling Australian and the erect orang outang. Brutes are nerved as we are, and uncivilized man possesses instincts like them: all we can with any show of reason deny them is moral sense, and in our arbitrary refusal of this, and our summary disposal of what we are pleased to term instinct, we take credit to ourselves for exclusive participation in that immaterial essence which is called Soul. But is it, in candour, true that brutes have no moral sense? Obviously, since moral sense is a growing thing, and ascending in the scale of being, and since man is its chief receptacle on earth, we ought to be able to take the best instances of animal morals from those creatures which have come most within the influence of human example; as pets of every kind, but mainly dogs. Does not a puppy, that has stolen a sweet morsel from some butcher's stall, fly, though none pursue him? Is a fox-hound not conscience-stricken for his harry of the sheep-fold? and who will deny some sense of duty, and no little strength of affection, in a shepherd's dog? Have not Cowper's now historic hares displayed an educated and unnatural confidence; and many a gray parrot, though limited in speech, said many a witty thing?—Again, read some common collection of canine anecdotes: What essential difference is there between the affectionate watch kept by man over his brother's bed of sickness, and that which has been known of more than one poor cur, whose solicitude has extended even to dying on his master's grave? The soldier's faithful poodle licks his wounds upon the stormy battle-field; and Landseer's colley-dog tears up the turf, and howls the shepherd's requiem. What real distinction can we make between a high sense of duty in the captain who is the last to leave his sinking ship, and that in the watchful terrier, whom neither tempting morsels nor menaced blows can induce to desert the ploughman's smock committed to his care? Once more: Who does not recognise individuality of character in animals? A dog, or a horse, or a tame deer, or, in fact, any domesticated creature, will act throughout life, in a certain course of disposition, at least as consistently as most masters: it will also have its whims and ways, likings and dislikings, habits, fears, joys, and sorrows; and, verily, in patience, courage, gratitude, and obedience, will put its monarch to the blush.

But upon this theme—meagre as the sketch may be, fanciful, illogical—my cursory notions have too long detained you. I had intended barely to have introduced a black-looking Greek composite, serving for name to an unwritten essay which we will imagine in existence as



PSYCHOTHERION,

AN INCONCLUSIVE ARGUMENT ON THE SOULS OF BRUTES;

And my thoughts have run on thus far so little conclusively (I humbly admit to you), that we will, to save trouble, leave the riddle as unsolved as ever, and gain no better advantage than thus having loosely adverted to another fancy of your author's mind.

* * * * *

Not yet is my mind a simple freeman, a private, unincumbered, individual self-possessor: its slaves are not yet all manumitted; I lack not subjects; I am no lord of depopulated regions; albeit my aim is indeed akin to that of old Rufus, and Goldsmith's tyrannical Squire of Auburn; I wish to clear my hunting-grounds, to make a solitude, and call it peace. Slowly, but still surely, am I working out that will. Meanwhile, however, there is no need to advertise for heroes; they are only too rife, clinging like bats to the curtains of my chambers of imagery, or with attendant satellites hanging in bunches, as swarming bees about their monarch, to the rafters of my brain. Selection is the hardest difficulty; here is the labour, here the toil; because for just selection there should be good reasons. Now, amongst other my multitudinous authorial projects, this perhaps is not the worst; namely, by a series of dissimilar novels, psychological rather than religious, and for interest's sake laid in diverse ages and countries, to illustrate separately the most rampant errors of the Papacy. For example, say that Lewis's 'Monk' is a strong delineation of the evils consequent on constrained and unchosen celibacy; though its colouring be meretricious, though its details offend the moralities of nature, still it is a book replete to thoughtful minds with terrible teaching—be not high-minded, but fear. In like manner, guilty thoughts dropped upon innocent young hearts in that foul corner,



THE CONFESSIONAL,

might make a stirring tale, or haply a series of them: the cowled hypocrite suggesting crime to those whose answer is all innocence; his schemes of ambition, or avarice, or lust, slowly elaborated by the fiend-like purposes to which he puts his ill-used knowledge of the human heart; his sacrilegious violation of the holy grievings made by mistaken penitence. History should bring its collateral assistance: the Medicean Queens, Venice, bloody Spain, hard-visaged monks calmly directing the engines of torture, the poison of anonymous calumny, and dread secrets more dreadfully betrayed, could furnish much of truthful precedent. The bad obstructions placed between the sinner and his God by selfish priestcraft; the souls that would return again, like Noah's weary dove, enticed by ravens to forsake the ark, mate with them, and feed on their banquet of corruption; the social, religious, philosophic, and eternal harms brought out in full detail; the progress of this world's misery in the lives of the confessing, and of studious crime in the heart of the absolver: a scene laid among the high Alps, and the sunny plains they topple over; the time, that of some murderous Simon de Montfort; the actors, Waldensian saints, and demon inquisitors; the prominent characters, a plausible intriguing friar, (as of old a monk of Cluni,) whose ambition is the popedom, and whose conscience has no scruple about means, bloody, bad, vindictive, atheistic; and then his victims, a youth that he trains from infancy to the sole end of poisoning, subtly and slowly, all who stand in his path; a girl who loves this youth, and who, flying from the foul friar in the day of temptation, betakes her to the mountains, and ultimately saves her lover from his terrible destination in guilt, by hiding him in her own haven of refuge, the persecuted little church; and with these materials to work upon, I need hardly detail to you an intricate plot and an obvious denouement.

This class of theme, it is probable, has exercised the talents of many; but as the evils of confessing to deceitful man, and of blind trust in his deleterious advice, have not specifically met my eye, the subject is new to me, and may be so to others. Still, I stay not now further to enlarge upon it; I must press on; and will not cruelly encourage the birth of thoughts brought forth only to be destroyed, like father Saturn's babes—the anthropophagite.

A good reason for selection at last presents itself. Sundry collateral ancestors of mine [every body from Cain downwards must have had ancestors; so no quibbling, please, nor quarrelling about so exploded an absurdity as family-pride,] were lucky enough in days lang syne to appropriate to themselves, amongst other matters, a respectable allowance of forfeited monastic territory; and I know it by this token: that in yonder venerable chest of archives and muniments, rest in their own dust of ages, duly and clearly assorted, all those abbey deeds from the times of Henry Beauclerc. Here's a fine unlooked-for opportunity of making dull ancestral spots classic ground, famous among men; here's a chance of immortalizing the crumbling ruins of an obscure, but interesting, abbey-church; here's a fair field for dragging in all that one knows or does not know, all that parchments can prove, or fancy can invent, of redoubtable or reprobate progenitors, and investing the place of their possessions with a glory beyond heraldry. Much is on my mind of the desperate evils consequent on the Romish rule of idol-worship: and why not lay my scene on the wild banks of the Swale, among the bleak, rough moors that stand round Richmond, and the gullies that run between the Yorkshire hills? Why not talk about those names of gentle blood, familiar to the ear as household words, Uvedale and Scrope, Vavasour and Ratcliffe? Why not press into the service of instructive novelism truths stranger than fiction, among characters more marked, and names of higher note, than the whole hot-pressed family of the Fitzes?

All this might be accomplished, were it worth the worry, in



THE PRIOR OF MARRICK.

And now for a story of idolatry. It seems an absurdity, an insanity; it is one—both. But think it out. Is it quite impossible, quite incredible? Let me sketch the outline of so strange infatuation. Our prior was once a good man—an easy, kind, and amiable: he takes the cowl in early youth, partly because he is the younger son of an unfighting family, and must, partly because he is melancholy, and will. And wherefore melancholy? There was brought up with him, from the very nursery, a fair girl, the weeping orphan of a neighbouring squire, who had buckled on his harness, and fallen in the wars: they loved, of course, and the deeper, because secretly and without permission: they were too young to marry, and indeed had thought little of the matter; still, substance and shadow, body and soul, were scarcely more needful to each other, or more united. But—a hacking cough—a hectic cheek—a wasting frame, were to blue-eyed Mary the remorseless harbingers of death, and Eustace, standing on her early grave, was in heart a widower: henceforth he had no aim in life; the cloister was—so thought he, as many do—his best refuge, to dream upon the past, to soothe his present sorrows, and earn for a future world the pleasures lost in this. Time, the best anodyne short of what Eustace could not buy at Rome—true-healing godliness—alleviates his grief, and makes him less sad, but not wiser; years pass, the desire of preeminence in his own small world has hitherto furnished incentives to existence, and he find himself a prior too soon; for he has nothing more to live for. Yes: there is an object; the turmoil of small ambition with its petty cares is past, and the now motiveless man lingers in yearning thought on the only white spot in his gloomy journey, the green oasis of his desert life, that dream of early love. He has long loved the fair, quiet image of our Lady of Marrick, unwittingly, for another Mary's sake; half-oblivious of the past in scheming for the present, he has knelt at midnight before that figure of the Virgin-mother, and knew not why he trembled; he thought it the ecstacy of devotion, the warm-gushing flood of calmness, which prayer confers upon care confessed. But now, he sees it, he knows it; there is, indeed, good cause: how miraculously the white marble face grows into resemblance with hers! the same sainted look of delicate unearthly beauty, the same white cheek, so still and unruffled even by a smile, the same turn of heavenly triumph on the lip, the same wild compassion in the eye! Great God—he loves again!—that staid, grave, melancholy man, loves with more than youthful fondness; the image is now dearer than the most sacred; there is a halo round it, like light from heaven: he adores its placid, eternal, changeless aspect; if it could move, the charm would half dissolve; he loves it—as an image! And then how rapturously joins he with the wondering choir of more stagnant worshippers, while they yield to this substantial form, this stone-transmigration of his love, this tangible, unpassionate, abiding, present deity, the holy hymns of praise, due only to the unseen God! How gladly he sings her titles, ascribing all excellence to her! How tenderly falls he at her feet, with eyes lighted as in youth! How earnestly he prays to his fixed image—to it, not through it, for his heart is there! How zealously he longs for her honour, her worship among men—hers, the presiding idol of that Gothic pile, the hallowed Lady, the goddess-queen of Marrick! Stop—can he do nothing for her, can he venture nothing in her service? Other shrines are rich, other images decked in gold and jewels; there is yet an object for his useless life, there are yet ends to be attained, ends—that can justify the means. He longs for wealth, he plots for it, he dares for it: he plans lying miracles, and thousands flock to the shrine; he waylays dying men, and, by threatened dread of torments of the damned, extortionizes conscience into unjust riches for himself; he accuses the innocent, and reaps the fine; he connives at the guilty, and fingers the bribe. So wealth flows in, and the altar of his idol is hung with cloth of gold, her diadem is alight with gems, costly offerings deck her temple, bending crowds kneel to her divinity. Is he not happy? Is he not content? Oh, no: an insatiate demon has possessed him; with more than Pygmalion's insanity, he loves that image; he dreams, he thinks of that one unchanging form. The marvelling brotherhood, credulous witnesses of such deep devotion, hold him for a saint; and Rome, at the wish of the world, sends him, as to a living St. Eustatius, the patent of canonization: they praise him, honour him, pray to him; but he contemptuously (and they take it for humility) spurns a gift which speaks of any other heaven than the presence of that one fair, beautiful, beloved statue. A thought fills him, and that with joy: he has heard of sacrifices in old time, immolations, offerings up of self, as the highest act of a devout worshipper; he cares not for earth nor for heaven; and one night, in his enthusiastic vigils, the phrensy of idolatry arms that old man's own weak hand against himself, and he falls at the statue's feet, self-murdered, its martyr.

Here were scope for psychology; here were subtle unwindings of motive, trackings of reason, intricate anatomizations of the heart. All ages, before these last in which we live, have been worshippers, even to excess, of "unknown gods," "too superstitious:" we, upon whom the ends of the world are fallen, may be thought to be beyond a danger into which the wisest of old time were entrapped: we scarcely allow that the Brahmin may, notwithstanding, be a learned man and a shrewd, when we see him fall before his monster; we have not wits to understand how the Babylonian, Persian, Grecian, and Roman dynasties could be so besotted. For this superior illumination of mind, let us thank not ourselves, but the Light of the world; and, warned by the history of ages, let us beware how we place created things to mediate between us and the most High; let us be shy of symbolic emblems—of pictures, images, observances—lest they grow into forms that engross the mind, and fill it with a swarm of substantial idols.

Now, this tale of the 'Prior of Marrick' would, but for the present premature abortion, have seen daylight in the form of an auto-biography—the catastrophe, of course, being added by some brother-monk, who winds up all with his moral: and to get at this auto-biographical sketch—a thing of fragments and wild soliloquies, incidentally laying bare the heart's disease, and the poisonous breathings of idolatrous influence—I could easily, and after the true novelist fashion, fabricate a scheme, somewhat as follows: Let me go gayly to the Moors by rail, coach, or cart, say for a sportsman's pastime, a truant vicar's week, or an audit-clerk's holiday: I drop upon the ruined abbey, now indeed with scarcely a vestige of its former beauty remaining, but still used as a burial-place; being a bit of an antiquary, I rout up the sexton, (sexton, cobbler, and general huckster,) resolved to lionize the old desecrated precinct: I find the sexton a character, a humourist; he, cobbler-like, looks inquisitively at my caoutchouc shooting-shoes, and hints that he too is an artist in the water-proof line; then follows question as how, and rejoinder as thus. Our sexton has got a name among his neighbours for his capital double-leather brogues, warranted to carry you dry-shod through a river; and, warmed by my brandy-flask and bonhomie, considering me moreover little likely to set up a rival shop, cunningly communicates his secret: he puts parchment between the leathers—Parchment, my good man? where can you get your parchment hereabouts? I spoke innocently, for I thought only of ticketing some grouse for my friends southward: but the question staggered my sexton so sensibly, that I came to the uncharitable conclusion—he had stolen it. And then follows confession: how, among the rubbish in a vault, he had found a small oak chest—broke it open—no coins, no trinkets, "no nothing,"—except parchment; a lot of leaves tidily written, and—warranted to keep out the wet. A few shillings and a tankard make the treasure mine, I promising as extra to send a huge bundle of ancient indentures in place of the precious manuscript. Thus, in the way of Mackenzie's 'Man of Feeling,' we become fragmentary where we fear to be tedious; and so, in a good historic epoch, among the wars of the Roses, surrounded by friars and nuns, outlaws and border-riders, chivalrous knights and sturdy bowyers, consign I to the oblivescent firm of Capulet and Co. my happily destroyed 'Prior of Marrick.'

* * * * *

A crank boat needs ballast; and of happy fortune is it for a disposition towards natural levity, when educational gravity has helped to steady it. Upon the vivacious, let the reflective supervene: to the gay, suffer in its season the addition of the serious. Amongst other wholesome topics of meditation—for wholesome it is to the healthy spirit, although of some little danger to the presumptuous and inflated—the study of the sure word of Prophecy has more than once excited the writing propensity of your author's mind. On most matters it has been my fate, rather from habits of incurable revery than from any want of opportunities, to think more than to read; and therefore it is, with very due diffidence, that as far as others and their judgments are concerned, I can ever hope to claim originality or novelty. To my own conscience, however, these things are reversed; for contemplation has produced that as new to my own mind, which may be old to others deeper read, and has thought those ideas original, which are only so to its own fancy. Very little, then, must such as I reasonably hope to add on Prophetical Interpretation; the Universal Wisdom of two millenaries cannot be expected to gain any thing from the passing thought of a hodiernal unit: if any fancies in my brain are really new, and hitherto unbroached upon the subject, it can scarcely be doubted but that they are false; so very little reliance do principles of catholicity allow to be placed upon "private interpretations."

With thus much of apology to those alike who will find, and those who will not find, any thing of novelty in my notions, I still do not withhold them. By here a little and there a little, is the general mind instructed: it would be better for the world if every mighty tome really contributed its grain.

The prophecies of Holy Writ appear to me to have one great peculiarity, distinguishing them from all other prophecies, if any, real or pretended; and that peculiarity I deferentially conceive to be this: that, whereas all human prophecies profess to have but one fulfilment, the divine have avowedly many true fulfilments. The former may indeed light upon some one coincidence, and may exult in the accident as a proof of truth; the latter bounds as it were (like George Herbert's sabbaths) from one to another, and another, through some forty centuries, equally fulfilled in each case, but still looking forward with hope to some grander catastrophe: it is not that they are loosely suited, like the Delphic oracles, to whatever may turn up, but that they, by a felicitous adaptation, sit closely into each era which the Architect of Ages has arranged. Pythonic divination may be likened to a loose bag, which would hold and involve with equal ease almost any circumstance; biblical prophecy to an exact mould, into which alone, though not all similar in perfection, its own true casts will fit: or again, in another view of the matter, accept this similitude: let the All-seeing Eye be the centre of many concentric circles, beholding equally in perspective the circumference of each, and for accordance with human periods of time measuring off segments by converging radii: separately marked on each segment of the wheel within wheel, in the way of actual fulfilment, as well as type and antitype, will appear its satisfied word of prophecy, shining onward yet as it becomes more and more final, until time is melted in eternity. Thus, it is perhaps not impossible that every interpretation of wise and pious men may alike be right, and hold together; for different minds travel on the different peripheries. So our Lord (to take a familiar instance) speaks of his second advent in terms equally applicable to the destruction of one city, of the accumulated hosts at Armageddon, and of this material earth: Antiochus and Antichrist occur prospectively within the same pair of radii at differing distances; and, in like manner and varying degrees, may, for aught we can tell, such incarnations of the evil principle as papal Rome, or revolutionary Europe, or infidel Cosmopolitism; or, again, such heads of parties, such indexes of the general mind, as a Caesar, an Attila, a Cromwell, a Napoleon, a—whoever be the next. So also of hours, days, years, eras; all may and do coeexist in harmonious and mutual relations. Good men, those who combine prayer with study, need not fear necessary difference of result, from holding different views; the grand error is too loosely generalizing; a little circle suits our finite ken; we cannot, as yet, mentally span the universe. These crude and cursory remarks may serve to introduce a likely-looking idea to which my thoughts have given entertainment, and which, with others of a similar sort, were once to have come forth in an essay-form, headed



THE SEVEN CHURCHES;

moreover, for aught that has come across my reading, to be additionally styled 'A New Interpretation, for these Latter Days.' Without desiring to do other than quite confirm the literal view, as having related primarily to those local churches of old times, geographically in Asia Minor; without attempting to dispute that they may have an individual reference to varieties of personal character, and probably of different Christian sects; I imagine that we may discover, in the Apocalyptic prospect of these seven churches, an historical view of Christianity, from the earliest ages to the last: beginning as it did, purely, warmly, and laboriously, with the apostolic emblematic Ephesus, and to end with the "shall He find faith on earth" of lukewarm Laodicea: thus Smyrna would symbolize the state of the church under Diocletian, the "tribulation ten days:" Pergamus, perhaps the Byzantine age, "where Satan's seat is" the Balaam and Balak of empire and priesthood; Thyatira, the avowed commencement of the Papacy, "Jezebel," &c.; Sardis, the dreary void of the dark ages, the "ready to die;" Philadelphia, the rise of Protestantism, "an open door, a little strength;" and Laodicea, (the riches of civilization choking the plant of Christianity,) its decline, and, but for the Founder's second coming, its fall; if, indeed, this were possible.

The elucidation of these several hints might show some striking confirmations of the notion; which, as every thing else in this book, would humbly claim your indulgence, reader, for my sketches must be rapid, and their descriptions brief. Concurrently, however, with this, (which I know not whether any prophetic scholiasts have mentioned or not,) there may be deduced a still further interpretation, equally, as far as I am concerned, underived from the lucubrations of others. This other interpretation involves a typical view of the general characteristics of Christendom's seven true churches, as they are to be found standing at the coming of their Lord; the Asiatic seven may be assimilated, in their religious peculiarities, with the national Protestant churches of modern Europe: what order should be preserved in this assimilation, unless indeed it be that of eldership, it might be difficult to decide; but, excluding those communities which idol-worship has unchurched, and leaving out of view such anomalies as America presents, having no national religion, we shall find seven true churches now existing, between which and the Asiatics many curious parallels might be run: the seven are, those of England, Scotland, Holland, Prussia, perhaps Switzerland, Sweden, and Germany. Without professing to be quite confident as to the list, the idea remains the same: it is but a light hint on a weighty subject, demanding more investigation than my slender powers can at present compass. It is merely thrown out as undigested matter; a crude notion let it rest: if ever I aspire to the dignity and dogmatism of a theological teacher, it must be after more and deeper inquiry of the Newtons, Faber, Frere, Croly, Keith, and other learned interpreters, than it is possible or proper to make in a hurry: volumes have been, and volumes might be again, written for and against any prophecy unfulfilled; it is dangerous to teach speculations; for, if found false, they tend to bring holy truths into disrepute. Let me then put upon the shelf, as a humble layman should, my hitherto unaccomplished prophetical treatise; and receive its mention for little more than my true revelation of another phase of authorship.

* * * * *

And many like attempts have been hazarded by me in the mode theological; though, from some cause or other, they have mostly fallen abortive. Were mention here made of the more completed efforts of your author's mind, in this walk of literature, or of others, it might too evidently lay bare the mystery of my mask; a piece of secret information intended not as yet to be bestowed. But this book—purporting to be the medley of my mind, the bona fide emptying of its multifarious fancies—must of necessity, if honest, pourtray all the wanings and waxings of an ever-changing lunar disposition: so, haply you shall turn from a play to a sermon, from a novel to a moral treatise, from a satire or an epigram to a religious essay. Such and so inconsistent is authorial man. Here then, in somewhat of order, should have followed lengthily various other writings of serious import, half-fashioned, and from conflicting reasons left—perhaps for ever—half-finished. But considering the crude and apparently careless nature of this present book, and taking into account the solemn and responsible manner in which such high topics ought invariably to be treated, I have struck out, without remorse or mercy, all except a mere mention of the subjects alluded to. The contiguity of lighter matter demands this sacrifice; not that I am one of those who deem a cheerful face and a prayerful heart incongruous: there is danger in a man, however religious, when his brow lowers, and his cheek is stern; so did Cromwell murder Charles; so did Mary (though bigoted, sincere,) consign Cranmer to the flames and Jane to the scaffold: innocence and mirth are near of kin, and the tear of penitence is no stranger to the laughter-loving eye. But I ramble as usual. Let it suffice to say, that in accordance with common prejudices, I suffer my mind to be shorn of its consecrated rays; for albeit my moral censor has spared the prophetical ideas, and one or two other serious sobrieties, on the ground that, although they are mere hints, they are at all events hints of good, still more experimental and more hazardous pieces of biblical criticism have been not unwisely immolated. The full cause of this will appear in the mere title of the first of these half-attempted essays, viz:



THE WISDOM OF REVISION;

whereof my predication shall be simply and strictly nil.

The next piece of serious study, as yet little more than a root in my mind, was to have fructified in the form of



HOMELY EXPOSITIONS,

or domestic readings in Scripture for daily use in family worship, with an easy, sensible, useful sort of commentary; a book calculated expressly for the understandings, wants, vices, temptations, and peculiarities of household servants, and quite opposed to the usual plans of injuriously raising doubts to lay them, of insisting upon obsolete Judaisms, of strict theological controversy, of enlarging to satiety on the meaning of passages too obvious to require explanation, and ingeniously slurring over those which really need it; indeed, of pursuing the courses generally adopted by the mass of commentators.

A further notion extended to



LAY SERMONS,

whereof are many written: their principal peculiarities consist in being each of a quarter-hour length, as little as possible regarding Jews and their didactic histories, and, as much as might be, crowding ideas, and images, and out-of-the-way knowledge of all sorts, into the good service of illustrating Gospel truths.

Another religious essay has been relinquished, although to a great degree effected, from the apprehension that it may suggest matter fanciful or false: also, in part, from the material being perhaps of too slender a character to insist upon. Its name stood thus,



SCRIPTURAL PHYSICS;

being an attempt to vindicate the wisdom of Holy Writ in matters of natural science; for example, cosmogony, geology, the probable centre of the earth, the vitality and circulation of the blood, hints of magnetism and electricity, a solar system, a plurality of worlds, the earth's shape, inclined axis, situation in space, and connection with other spheres, the separate existence of disembodied life, the laws of optics, much of recondite natural history:—all these can be easily proved to be alluded to in detached, or ingeniously compared, passages of the Hebrew Scriptures. It is very likely, however, that Huntington has anticipated some of this, although I have never met with his writings; and a great deal more of it is mentioned in notes and sermons which many have read or heard. Until, therefore, I become surer of neither invading the provinces of others, nor of detracting from their wisdom, let those ill-written fancies still lie dormant in my desk.

A fifth tractate on things theological, still in the egg state, was to have been indued with the rather startling appellation of



AN APOLOGY FOR HEATHENISM;

especially as contrasted with practical atheism, which, truth to tell, is the contradictory sort of religion most universally professed among the moderns: working out the idea, that any-how it is better to have many objects of veneration than none, and that, although idol-worship is a dreadful sin, still it is not so utterly hopeless as actual ungodliness. That, among the heathens, temporal judgment ever vindicated the true Divinity; whereas the consummation of the more modern unworshiping world will be an eternal one: so, by the difference in punishments comparing that of their criminalities. Showing also that, however corrupted afterwards by impure rites and fatuous iniquities, heathenism was, in its most ancient form, little more than the hieroglyphic dress of truth: this exemplified by Moses and the brazen serpent, by interpretations of Grecian mythology, shown, after the manner of perhaps too ingenious Lord Bacon, to be consistent with philosophy and religion; by the way, in which Egyptian priests satisfied so good and shrewd, though credulous, a mind as that of Herodotus; by Hesiod's 'Theogony;' by the practical testimony of the whole educated world in earliest times to the deep meaning involved in idolatrous rites; by the mysteries of Eleusis in particular; by the characters of all most enlightened heathens—as Cicero, Socrates, and Plato—(half-convinced of the Godhead's unity, and still afraid to disavow His plurality,) contrasted with those of the school of Pyrrho, and Lucretius, and the later Epicureans. The possibility of early allusions to the Trinity, as "Let us make man," etc., having led to the idea of more than one God; and if so, in some sort, its veniality.

All the above might be applied with some force, and, if so, with no little value, to modern false semblances of religion, and non-religion; to Roman Catholicism, with its images, its services in an unknown tongue, its symbols, its adoption of heathen festivals, its actual placing of many Gods in the throne of One; to Mammonism, as practically a religion as if the golden calf of Babylon were standard at Cornhill; to Voluptatism—if I may fabricate a name for pleasure-hunters, following still, with Corybantic fury, the orgic revels of Osiris or Astarte: in brief, to all the shades of human heresy, on this side or on that of the golden mean, the worship of one true God, as revealed to us in His three mysterious characters.

But, query? Has not all this, and the very title, for any thing I know, been done already by another, by a wiser? and, if so, by whom?—Speak, some friend: it is the misfortune of mere thinkers (and this present amygdaloid mass, this breccia book, exemplifies it well) to stumble frequently upon fancies too good not to have been long ago appropriated by others like-minded. A read, or heard, hint may be the unerring clue, and we vainly imagine some old labyrinth to be our new discovery: education renders up the master-key, and we come to regard ancient treasuries as wealth of our own amassing, from which we deem it our right to filch as recklessly as he from the mint of Croesus, who so filled his pockets—ay, his mouth—that we read he [Greek: hebebusto]. Who, in this age of literature, can be fully condemned, or heartily acquitted of plagiarism? An age—and none so little in advance or in arrear of it as I—of easy writing and discursive reading, of ideas unpatented, and books that have outlived copy-right. But this has detained us long enough: for the present, my brain is quit of its heathenish exculpations: let us pass on; many regiments are yet to be reviewed; their uniforms [Hibernice] are various, but their flag is one.

A last serious subject—(they grow tedious)—is a fair field for ingenious explanation and Oriental poetry,



THE SIMILES OF SCRIPTURE:

(of course "similes" is an English word: the author of a recent 'Essay on Magna Charta' has been learned enough to write it "similae," for which original piece of Latinity let him be congratulated; I safely follow Johnson, who would have roared like a lion at "similia;" and, though Shakspeare does write it "similies," it may stoutly be contended that this is of mixed metal, and that Matthew Prior's "similes" is the purer sample: all the above being a praiseworthy parenthesis.)

The similes of Scripture, then, were to have been demonstrated apt and happy: for there is indeed both majesty, and loveliness, and propriety, and strict resemblance in them. "As a rolling thing before the whirlwind,"—"as when a standard-bearer fainteth"—"as the rushing of mighty waters,"—"as gleaning grapes when the vintage is done,"—"as a dream,"—"as the morning dew,"—"as"—but the whole book is a garden of similitudes; they are "like the sand upon the sea-shore for multitude." It is, however, too true, that often-times the baldness of translation deprives poetry, Eastern especially, of its fervour, its glow, its gush, and blush of beauty: to quote Aristotle's example, it too frequently converts the rosy-fingered Morn into the red-fisted; and so the poetry of dawning-day, with its dew-dropped flowers, its healthy refreshment, its "rosy-fingers" drawing aside the star-spangled curtain of night, falls at once into the low notion of a foggy morning, and is suggestive only of red-fisted Abigails struggling continuously with the deposits of a London atmosphere. In like manner, (for all this has not been an episode beside the purpose,) many a roughly rendered similitude of Scripture might be advantageously vindicated; local diversities and Orientalisms might be explained in such a treatise: for example, in the 'Canticles,' the "beloved among the sons," is compared with an apple-tree among the trees of the wood: now, amongst us, an apple-tree is stunted and unsightly, and always degenerates in a wood; whereas the Eastern apple-tree, probably one of the citron class, (to be more correct,) may be a magnificent monarch of the forest. "Camphire," to a Western mind, is not suggestive of the sweetest perfume, and perhaps the word may be amended into the marginal "cypress," or cedar, or some other: as "a bottle in the smoke," loses its propriety for an image, until shown to be a wine-skin. "Who is this that cometh out of the wilderness, like pillars of smoke?"—probably intending the swiftly-rushing columns of sand flying on the wings of the whirlwind. "Thine eyes are like the fish-pools in Heshbon," might well be softened into fountains—tearful, calm, resplendent, and rejoicing; and in showing the poetic fitness of comparing the bride to a landscape, it might clearly be set out how emblematic of Jewish millennial prosperity and of Christian universality, that bride was; while comparisons of a like un-European imagery might be taken from other Eastern poets, who will not scruple to compare that rare beauty, a straight Grecian nose, with a tower, and admire above all things the Cleopatra-coloured hair which they call purple, and we auburn. Very much might be done in this vein of literature, but it must be by a man at once an Oriental scholar and a natural poet: the idioms of ancient and modern times should be more considered, and something of apologetic explanation offered to an English ear for phrases such as "the mountains skipping like rams," "the horse swallowing the ground with fierceness," and represented as being afraid as a grasshopper. A thousand like instances could be displayed with little searching; let the above be taken as they are meant, for good, and as of zeal for showing the best of books to the best advantage: but it will appear that this essay trenches on the former one so slenderly hinted at, as 'The Wisdom of Revision,' therefore has been stated too much at length already. Let it then rest on the shelf till a better season. For this time, good reader, I, following up the object of self-relieving, thank you for your patience, and will turn to other themes of a more sublunary aspect.

* * * * *

One of the most natural and indigenous productions of a true author's mind, is, by common consent, an epic poem: verily, a wearisome, unnecessary, unfashionable bit of writing. Nevertheless, let my candour humbly acknowledge that, for the larger canticle of two mortal days, I was brooding over, and diligently brewing up, a right happy, capital, and noble-minded thesis, no other than



HOME.

Alas, for the epidemy to which, few can doubt, ideas are subject! Alas, for the conflict of prolific geniuses, wherewith the world's quiet is disturbed! not impossibly, this very book now in progress of inditing will come to be classed as a "Patch-work," an "Olla Podrida," a "Book without a name," or some other such like rechauffee publication; whereas I protest its idea to be exclusively mine own, and conceived long before its seeming congeners saw the light in definite advertisements—at least to my beholding. And similarly went it with my poor epic: scarcely had a general plan suggested itself to my musings, and divers particular morsels thereof assumed "their unpremeditative lay;" scarcely had I jotted down a staid synopsis, and a goodly array of metrical specimens; when some intrusive newspaper displayed to me in black and white a good-natured notice of somebody else's 'Home, an Epic.' So, as in the case of 'Nero,' and haply of other subjects, had it come to pass, that my high-mettled racer had made another false start; that my just-discovered island, so gladly to have been self-appropriated, was found to have, sticking on one corner of it, the flag of another king; that the havoc of my brain, subsiding calmly into the pendulum regularities of metre, was much ado about nothing; and all those pretty fancies were the catalogued property of another. Such a subject, too! intrinsically worthy of a niche in the temple of Fame, besides Hope, Memory, and Imagination, if only one could manage it well enough to be named in the same breath with Campbell, Rogers, and Akenside. Well, it was a mental mortification; for I am full of moral land-marks, and would not (poetically speaking) for the world move rooted termini into other people's grounds. Whether the field has been well or ill preoccupied I wot not, having neither seen the poem nor heard its maker's name: therefore shall my charity hope well of it, and mourn over the unmerited oblivion which generally greets modern poetry—yea, upon its very natal-day. Nevertheless, as an upright man will never wish barefacedly to steal from others, so does he determine at all times to claim independently his own: to be robbed, and not resent it (I speak foolishly), is the next mean thing after pilfering itself; and rash will be thy daring, O literary larcener! (can such things be?) if thou art found unpermissively appropriating even such sorry spoil as these poor seedlings of still possible volumes.

Prose and verse are allowed to have some disguising differences, at least in termination; and as we must not—so hints the public taste—spoil honest prose, bad as it may be, with too much intermixture of worse verse, it will be prudent in me to be sparing of my specimens. Yet, who will endure so staccato a page of jerking sentences as a confirmed synopsis?—"Well, any thing rather than poetry," says the world; so, for better or worse, I will jot down prosaically a few of my all but impromptu imaginings on Home.

After some general propositions, it would be proper to indulge the orthodoxy of invocation; not to Muses, however, but to the subject itself; for now-a-days, in lieu of definite deities, our worship has regard to theories, doctrines, and other abstract idolisms: and thereafter should follow at length an historical retrospect of domestic life, from the savage to the transition states of hunters and warriors; Nimrods and New Zealanders; Actaeons and Avanese, Attilas, Roderics, and all the Ercles' vein or that of mad Cambyses, Hindoos and Fuegians, Greece, Egypt, Etruria, and Troy, in those old days when funds and taxes were not invented, but people had to fight for their dinner, and be their own police: so in a due course of circumconsideration to more modern conditions, from ourselves as central civilization, to Cochin China, and extreme Mexico, to Archangel and Polynesia.

Divers national peculiarities of the physique of homes; as, Tartars' tents, Esquimaux snow-pits, Caffre kraals, Steppe huts, South-sea palm-thatch, tree-villages, caves, log-cabins, and so forth. Then, a wide view of the homes of higher society, first Continental, afterwards British through all the different phases of comfort to be found in heath-hovels, cottages, ornees, villas, parsonage-houses, squirealities, seats, town mansions, and royal palaces. Thus, with a contrastive peep or two about the feverish neighbourhood of a factory, up this musty alley, and down that winding lane, we should have considered briefly all the external accidents of home. The miserable condition of the homeless, whether rich or poor; an oak with its tap-root broken, a house on wheels, a boat without a compass, and all that sort of thing: together with due declamation about soldiers spending twenty years in India, shipwrecked Robinson Crusoes far from native Hull, cadets going out hopelessly forever, emigrants, convicts, missionaries, and all other absentees, voluntary or involuntary. Tirades upon abject poverty, wanton affluence, poor laws, mendicancy, and Ireland; not omitting some thrilling cases of barbaric destitution.

Now come we lawfully to descant upon matters more mental and sentimental—the metaphysique of the subject—the pleasures and pains of Home. As thus, most cursorily: the nursery, with its dear innocent joys; the school-boy, holiday feelings and scholastic cruelties; the desk-abhorring clerk; the over-worked milliner; the starving family of factory children, and of agricultural labourers, and of workers in coal mines and iron furnaces, with earnest exhortations to the rich to pour their horns of plenty on the poor. England, once a safer and a happier land, under the law of charity: now fast verging into a despotic centralized system, kept together by bayonets and constables' staves. Home a refuge for all; for queens and princes from their cumbrous state, as well as for clowns from their hedging and ditching. The home of love, and its thousand blessings, founded on mutual confidence, religion, open-heartedness, communion of interest, absence of selfishness, and so on: the honoured father, due subordination, and results; the loving wife, obedient children, and cheerful servants. Absolute, though most kind, monarchy the best government for a home; with digressions about Austria and China, and such laudable paternal rule; and contra, bitter castigation of republican misrule, its evils and their results, for which see Old Athens and New York, and certain spots half-way between them.

The pains of home: most various indeed, caused by all sorts of opposite harms—too much constraint or too little, open bad example or impossible good example, omissions and commissions, duty relaxed by indulgence, and duty tightened into tyranny; but mainly and generally attributable to the non-assertion or other abuse of parental authority. The spoiled child, and his progress of indulgence, unchecked passions, dissipation, crime, and ruin. Interested interlopers, as former friends, relatives, flatterers, and busy parasites, undermining that bond of confidence without which home falls to pieces; the gloomy spirit of reserve, discouraging every thing like generous open-heartedness; menial influences lowering their subject to their own base level; discords, religious, political, and social; the harmful consequence of over-expenditure to ape the hobbies or grandeur of the wealthier; foolish education beyond one's sphere, as the baker's daughter taking lessons in Italian, and opera-stricken butcher's-boys strumming the guitar; immoral tendencies, gambling, drinking, and other dissipations; and the aggregate of discomforts, of every sort and kind; with cures for all these evils; and to end finally by a grand climax of supplication, invocation, imprecation, resignation, and beatification, in the regular crash of a stout-expiring overture.

It's all very well, objects reader, and very easy to consider this done; but the difficulty is—not so much to do it, answers writer, as to escape the bother of prolixity by proving how much has been done, and how speedily all might be even completed, had poor poesy in these ticketing times only a fair field and no disfavour; for there is at hand good grist, ready ground, baked and caked, and waiting for its eaters. But in this age of prose-devouring and verse-despising, hardy indeed should I be, if I adventured to bore the poor, much-abused, uncomplaining public with hundreds of lines out of a dormant epic; the very phrase is a lullaby; it's as catching as a yawn; well will it be for me if my thread-bare domino conceals me, for whose better fame could brook the scandal of having fathered or fostered so slumbering an embryo?—Let then a few shreds and patches suffice—a brick or two for the house: and verily I know they will, be they never so scanty; for what man of education does not now entertain a just abhorrence of the Muses, the nine antiquated maiden aunts destined for ever to be pensioned on that money-making nice young man, Mammon's great heir-at-law, Prose Prose, Esq.?

With humblest fear, then, and infinite apology, behold, in all sober seriousness, what the labour of such a file as I am might betimes work into a respectable commencement; I don't pretend it is one; but valeat quantum, take it as it stands, unweeded, unpruned, uncared-for, unaltered,

Home, happy word, dear England's ancient boast, Thou strongest castle on her sea-girt coast, Thou full fair name for comfort, love, and rest, Haven of refuge found and peace possest, Oasis in the desert, star of light Spangling the dreary dark of this world's night, All-hallowed spot of angel-trodden ground Where Jacob's ladder plants its lowest round, Imperial realm amid the slavish world, Where Freedom's banner ever floats unfurl'd, Fair island of the blest, earth's richest wealth, Her plague-struck body's little all of health, Home, gentle name, I woo thee to my song, To thee my praise, to thee my prayers belong: Inspire me with thy beauty, bid me teem With gracious musings worthy of my theme: Spirit of Love, the soul of Home thou art, Fan with divinest thoughts my kindling heart; Spirit of Power, in pray'rs thine aid I ask, Uphold me, bless me to my holy task; Spirit of Truth, guide thou my wayward wing; Love, Power, and Truth, be with me while I sing.

V'la: my consolation is that somewhere may be read, in hot-pressed print, too, many worse poeticals than these, which, however, nine readers out of ten will have had the worldly wisdom to skip; and the tenth is soon satiated: yet a tithe is something, at least so think the modern Levites; so, then, on second thoughts, a victim who is so good a listener must not be let off quite so cheaply. However, to vary a little this melancholy musing, and to gild the compulsory pill, Reserve shall be served up sonnet-wise. (P. S. I love the sonnet, maligned as it is both by ill-attempting friend and semi-sneering foe: of course, in our epic, Reserve ambles not about in this uncertain rhyme, but duly stalks abroad in the uniform dress; iambically still, though extricated from those involutions, time out of mind the requisite of sonnets.) Stand forth to be chastised, unpopular

RESERVE.

Thou chilling, freezing fiend, Love's mortal bane, Lethargic poison of the moral sense, Killing those high-soul'd children of the brain, Warm Enterprise and noble Confidence, Fly from the threshold, traitor—get thee hence! Without thee, we are open, cheerful, kind; Mistrusting none but self, injurious self, Of and to others wishing only good; With thee, suspicions crowd the gloomy mind, Suggesting all the world a viperous brood That acts a base bad part in hope of pelf: Virtue stands shamed, Truth mute misunderstood, Honour unhonoured, Courage lacking nerve, Beneath thy dull domestic curse, Reserve.

Without professing much tendency to the uxorious, all may blamelessly confess that they see exceeding beauty in a good wife; and we need never apologize for the unexpected company of ladies: at off-hand then let this one sit for her portrait. Enduring listener, will the following serve our purpose in striving worthily to apostrophize

THE WIFE.

Behold, how fair of eye, and mild of mien, Walks forth of marriage yonder gentle queen: What chaste sobriety whene'er she speaks, What glad content sits smiling on her cheeks, What plans of goodness in that bosom glow, What prudent care is throned upon her brow, What tender truth in all she does or says, What pleasantness and peace in all her ways! For ever blooming on that cheerful face Home's best affections grow divine in grace; Her eyes are ray'd with love, serene and bright; Charity wreathes her lips with smiles of light; Her kindly voice hath music in its notes; And heav'n's own atmosphere around her floats!

Thus, wife-like, for better or worse, is the above portrait charmant consigned to the dingy digits of an unidistinguishing printer's-devil; so doth Caesar's dust come to stop a bung-hole. One morsel more, about children, blessed children, and for this bout I shall have tilted sufficiently in the Muses' court; or, if it must be so said, unhandsome critic, stilted to satiety in false heroics: stay—not false; judge me, my heart. Suppose then an imaginary parent thus to speak about his

INFANT DAUGHTERS.

Oh ye, my beauteous nest of snow-white doves, What wealth could price for me your guileless loves? My earthly cherubim, my precious pearls, My pretty flock of loving little girls, My stores of happiness with least alloy, My treasuries of hope and trembling joy! Yon toothless darling, nestled soft and warm On a young yearning mother's cradling arm; The soft angelic smiles of natural grace Tinting with love that other little face; And the sweet budding of this sinless mind In winning ways, that round my heart-strings wind, Dear winning ways—dear nameless winning ways, That send me joyous to my God in praise.

Enough! not heartlessly, but to shame the heartlessness of YOUR ennui, let me veil those holiest affections; yes, even at the risk of leaving nominatives widowed of their faithful verbs, will I, until required, epicise no more. Let these mauled bits be intimations of what a little care might have made a little better. Gladly will I keep all the remainder in a state quiescent, even to doubling Horace's wholesome prescription of nine years: for it is impossible but that your fervent poet, in the heat of inspiration, (credit me, lack-wits, there is such a thing,) should blurt out many an unpalatable bit of advice, rebuke, or virtuous indignation against homes in general, for the which sundry conscience-stricken particulars might uncharitably arraign him. But divers other notions are crowding into the retina of my mind's-eye: I must leave my epic as you see it, and bid farewell, a long farewell, to 'Home.' Still shall my egotism have to appear for many weary pages a most impartial and universal friend to the world of bibliopolists; I cater multifariously for all varieties of the literary profession: booksellers at least must own me as their friend, though the lucky purse of Fortunatus saves me from being impaled upon the point of poor Goldsmith's epigram, and I leave to [——] the questionable praise of being their hack. For Bentley and Hatchard, alike with Rivington and Frazer, for Colburn and Nisbet, as well as Knight, Tilt, Tyas, Moxon, and Murray, I seem to be gratuitously pouring out in equal measure my versatile meditations; at this sign all customers may be suited; only, shop-lifters will be visited with the utmost rigour of that obnoxious monosyllable.—Well, poor Epic, good night to you, and my benison on those who love you.

* * * * *

To any one, much in the habit of thoughtful revery, how very unsatisfactory those notions look in writing. He can't half unravel the chaotic cobwebs of his mind; as he plods along penning it, a thousand fancies flit about him too intangibly for fixed words, and his ever-teeming hot imagination cannot away with the slow process of concreted composition. For me, I must write impromptu, or not at all; none of your conventional impromptus, toils of half-a-day, as little instantaneous as sundry patent lights; no working-up of laborious epigrams, sedulously sharpened antitheses, or scintillative trifles, diligently filed and polished; but the positive impromptu of longing to be an adept at shorthand-writing, by way of catching as they fly those swift-winged thoughts; not quick enough by half; most of those bright colours unfixed; most of those fair semi-notions unrecorded. To say nothing of reasons of time, there being other things to do, and reasons of space, there being other things to write. And thus, good friend, affectionately believe the best of these crude intimations of things intellectual, which the husbandry of good diligence, and the golden shower of Danae's enamoured, and the smiles of the Sun of encouragement might heretofore have ripened into authorship; nay, more, perhaps may still: believe, generously, that if I could coil off quietly, like unwrapped cocoons, all these epics, tragics, theologies, pathetics, analytics, and didactics, they would show in fairer forms, and better-defined proportions: believe, also, truly, that I could, if I would, and that I would, if the game were worth its candle.

But, sooth to say, the over-gorged public may well regard that small-tomed author with most favourable eye, who condenses himself within the narrowest limits; a diable boiteux, not the huge spirit of the Hartz; concentrated meat-lozenges, not soup maigre; pocket-pistols of literature, not lumbering parks of its artillery. Verily, there is a mightier mass of typography than of readers; and the reading world, from very brevity of life, must rush, at a Bedouin pace, over the illimitable plains of newspaper publication, while the pyramids of dusty folio are left to stand in solitary proud neglect. The cursory railroad spirit is abroad: we abhor that old painful ploughing through axle-deep ruts: the friend who will skate with us, is welcomer than he who holds us freezing by the button; and the teacher, who suggestively bounds in his balloon on the tops of a chain of arguments, is more popular in lecturing than he of the old school, who must duteously and laboriously struggle up and down those airy promontories.

I love an avenue, though, like Lord Ashburton's magnificent mile of yew-trees, it may lead to nothing, and therefore have not expunged this unnecessary preface: rather, will I bluntly come upon a next subject, another work in my unseen circulating library,



THE SEVEN SAYINGS OF GRECIAN WISDOM,

ILLUSTRATED IN SEVEN TALES.

Cordially may this theme be commended to the more illuminating booksellers: well would it be greeted by the picture-loving public. It might come out from time to time as a periodical, in a classical wrapper: might be decorated with the sages' physiognomies, copied from antique gems, with the fancied passage in each one's life that provoked the saying, and with specific illustrations of the exemplifying story. There should be a brilliant preface, introducing the seven sages to each other and the reader, after the ensample of Plutarch, and exhausting all the antiquarianism, all the memoirism, and all the varia-lectionism of the subject. The different tales should be of different countries and ages of the world, to insure variety, and give an easier exit to ennui. As thus: Solon's "Know thyself" might be fitted to an Eastern favourite raised suddenly to power, or a poor and honest Glasgow weaver all upon a day served as heir to a Scotch barony, when he forthwith falls into fashionable vices. Chilo's "Note the end of life" might concern the merriment of the drunkard's career, and its end—delirium tremens, or spontaneous combustion: better, perhaps, as less vulgarian, the grandeur and assassination of some Milanese ducal tyrant. The "Watch your opportunity" of Pittacus could be shown in the fortunes of some Whittington of trade, some Washington of peace, or some Napoleon of war. Bias's uncharitable bias, believing the worst of the world, might seem to some a truism, to others a falsehood, according as their fellows have served them well or ill; but a brief history of some hypocrite's life, some misanthrope's experience, or some Arabian Stylobatist's resolve to be perched above this black earth on a column like a stork, might help to prove that "the majority are wicked." As for Periander's aphorism, that "to industry all things are possible," pyramid-building old Egypt, or the Druids of Stonehenge, or Scottish proverbial perseverance in Australian sheep rearing and Canadian timber clearing, will carry the point by acclamation. Cleobulus, praising "moderation in all things," would glorify a moral warning of universal application, as to pleasures, riches, and rank; or especially perhaps as preferring true temperance before its modern tee-total false pretences; or lauding some Richard Cromwell's choice of a quiet country life, before the turbulent honours of a proffered Protectorate; while Thales, with his all but old English proverb of "more haste, less speed," would apply admirably to Sultan Mahmoud's ruinous reforms; or to the actual injury gulled Britain has done to the condition of negroes in general by a vastly too precipitate abolition of the slave-trade: a vile evil, indeed, but a cancer of too long creeping to be cured in a day, a rottenness too deeply seated in the frame-work of the world to be extirpated by such caustic surgery as fire and sword; or to be quacked into health by patent gold-salve.

Seven such tales, shrewdly setting out their several aims, and illustrative of good moral maxims which wise heathens live by, would (I trow and trust) be somewhat better, more original—ay, and more entertaining, too—than the common run of magazine adventures. It may not here be fair to particularize further than in the way of avowing my unmitigated contempt for the exploits of highwaymen, swindlers, men about town, and ladies of the pave. I protest against gilding crimes, and palliating follies. Serve the public tables with better food, good Pandarus. Those commentators on the Newgate calendar, those bringers-into-fashion of the mysteries of vice, must not be quite acquitted of the evils they have caused: brilliancy of dialogue, and graphic power of delineation, are only weapons in a madman's hand, if the moral be corrupting and profane. To cheerful, hearty, care-dispelling humour, to such merry faces as Pickwick and Co.—inimitable Pickwick—hail, all hail! but triumphs of burglary, and escapes of murderers, aroint ye!

Why then should I throw this cargo overboard?—Friend, my ship is too full; if I could only do one thing at a time, and could finish it within the limits of its originating fit, these things all might be less abortive. But I doubt if my glorification of Greek aphorisms ever reaches any higher apotheosis than the airy castles sketchily built above.

* * * * *

Similar in idea with these last tales, but essentially more sacred as to character, would be an illustrative elucidation of the seven last sayings of our Blessed Lord, when dying in the crucifixion. The Romish Church, in some of her imposing ceremonies, has caused the sayings to be exhibited on seven banners, which are occasionally carried before the holy cross: from this I probably derived the idea of detaching these sentences from the frame-work of their contexts, and regarding them in some sort as aphorisms. For a name, not to be tautologous, should be proposed a Graeco-Anglicism,



THE HEPTALOGIA;

OUR SAVIOUR'S SEVEN LAST SAYINGS.

The addition of "hagia" might be rather too Attic for English ears; and I know not whether "the Sacred Heptalogia" would not also be too mystical. This series of tales is capable of like illustration with the last, except in the matter of portraits, unless indeed some eminent fathers of the church, or some authenticated enamels, gems, or coins, (if any,) displaying our Lord's likeness, served the purpose; and of course the character of the stories should not be much in dissonance with the sacredness of the text. The first might well enforce forgiveness of enemies, especially if their hatred springs from misapprehension. "Father, forgive them; for they know not what they do:" many a true story of religious persecution, as of Inquisitorial torture, exacted by sincere bigotry, and endured by equally sincere conviction, would illustrate the prayer, and the scene might be laid among Waldensian saints and the friars of Madrid. The second tale might enlarge upon a promised Paradise, the assurance of pardon, and the efficacy of repentance: the certainty of hope and life being co-extensive, so that it might still be said of the seeming worst, the brigand and the blasphemer, "To-day shalt thou be with me in Paradise;" a story to check presumption, while it encourages the humility of pentitent hope; the details of a prodigal's career and his return, say a falsely philosophizing German student, or the excesses of some not ungenerous outburst of youthful wantonness; haply, a fair and passionate Neapolitan. The third might well regard filial piety: "Behold thy son—behold thy mother:" illustrated perhaps by a slave scene in Morocco, or the last adieus between a Maccabaean mother, and her noble children rushing on duteous death; or the dangers of a son, during the Reign of Terror, protecting his proscribed parents; or allusive to the case of many razed and fired homes in the Irish rebellion. The fourth, necessarily a tale of overwhelming calamity ultimately triumphant, "My God, my God, why hast thou forsaken me?"—the confidence of my God still, even in His recognised judgments trusted in as merciful: the history of many an unrecorded Job; a parent bereaved of his fair dear children; an aged merchant beggared by the roguery of others, and his very name blamelessly dishonoured; the extremity of a martyr's sufferings; or some hunted soul's temptation. The fifth, "I thirst;" which might be commented on, either morally only, as referring to a thirst after religion, virtue, and knowledge—or physically also, in some story of well-endured miseries at sea on a wrecking craft; or of Christian resignation even to the horrible death of drought among the torrid sands of Africa; or some noble act, like that of Sir Philip Sidney on the battle-field, or David's libation of that desired draught from the well of Bethlehem. I need not remark that all these sayings might primarily be applied to their Good Utterer, if it seemed more advisable to shape the publication into seven sermons: but this, it will at once be perceived, is not the present object; the word "sermons" has to most men a repulsive sound, and a tale, similar in disguised motive, may win, where an orderly discourse might unhappily repel: a teacher's best influences are the indirect: like the conquering troops at Culloden, his charge will be oblique; his weapon will strike the unguarded flank, and not the opposing target. The sixth, "It is finished;" perhaps, not only as a fact on the true, the necessary value of the Christian scheme of redemption being so completed; but, more generally, to display the evils and dangers of leaving mental, spiritual, or even worldly good designs unfinished: a tale of natural procrastination conquered, difficulties overcome, prejudices broken down, and gigantic good effected: a Russian Peter, a literary Johnson, a missionary Neff, a Wesley, or a Henry Martyn. The seventh, descanting upon noble patience, and agonies vanquished by faith, the death and glorious expectance of a martyr, the end of one of Fox's heroes; "Father, into Thy hands I commend my spirit." Of necessity in these Christian tales there would be more of sameness than in those heathen; because it would be improper and impolitic, with such theses, to enter much into the lower human passions and the common events of life. But my intentions of further proceeding in this matter have, as at present, very sensibly subsided; for many wise and many good might reasonably object to making those holy last dying words mere pegs to hang moral tales upon. The idea might please one little sect, and anger half the world; I care not to behold it accomplished, and question my own capabilities; only, as it has been an authorial project heretofore conceived by me, suffer it to boast this brief existence.