William Bannister sat up with a grunt, rubbed his eyes, and, seeing strangers, began to cry.

It was so obvious to Mrs. Porter and her companion, both from the evidence of their guilty consciences and the look of respectful reproach on Mamie's face, that the sound of their voices had disturbed the child, that they were routed from the start.

"Oh, dear me! He is awake," said the lady doctor.

"I am afraid we did not lower our voices," added Mrs. Porter. "And yet William is usually such a sound sleeper. Perhaps we had better——"

"Just so," said the doctor.

"——go downstairs while the nurse gets him off to sleep again."

"Quite."

The door closed behind them.

* * * * *

"Oh, Steve!" said Mamie.

The White Hope had gone to sleep again with the amazing speed of childhood, and Mamie was looking pityingly at the bedraggled object which had emerged cautiously from behind the waterproof.

"I got mine," muttered Steve ruefully. "You ain't got a towel anywhere, have you, Mame?"

Mamie produced a towel and watched him apologetically as he attempted to dry himself.

"I'm so sorry, Steve."

"Cut it out. It was my fault. I oughtn't to have been there. Say, it was a bit of luck the kid waking just then."

"Yes," said Mamie.

Observe the tricks that conscience plays us. If Mamie had told Steve what had caused William to wake he would certainly have been so charmed by her presence of mind, exerted on his behalf to save him from the warm fate which Mrs. Porter's unconscious hand had been about to bring down upon him, that he would have forgotten his diffidence then and there and, as the poet has it, have eased his bosom of much perilous stuff.

But conscience would not allow Mamie to reveal the secret. Already she was suffering the pangs of remorse for having, in however good a cause, broken her idol's rest with a push that might have given the poor lamb a headache. She could not confess the crime even to Steve.

And if Steve had had the pluck to tell Mamie that he loved her, as he stood before her dripping with the water which he had suffered in silence rather than betray her, she would have fallen into his arms. For Steve at that moment had all the glamour for her of the self-sacrificing hero of a moving-picture film. He had not actually risked death for her, perhaps, but he had taken a sudden cold shower-bath without a murmur—all for her.

Mamie was thrilled. She looked at him with the gleaming eyes of devotion.

But Steve, just because he knew that he was wet and fancied that he must look ridiculous, held his peace.

And presently, his secret still locked in his bosom, and his collar sticking limply to his neck, he crept downstairs, avoiding the society of his fellow man, and slunk out into the night where, if there was no Mamie, there were, at any rate, dry clothes.



Chapter IV

The Widening Gap

The new life hit Kirk as a wave hits a bather; and, like a wave, swept him off his feet, choked him, and generally filled him with a feeling of discomfort.

He should have been prepared for it, but he was not. He should have divined from the first that the money was bound to produce changes other than a mere shifting of headquarters from Sixty-First Street to Fifth Avenue. But he had deluded himself at first with the idea that Ruth was different from other women, that she was superior to the artificial pleasures of the Society which is distinguished by the big S.

In a moment of weakness, induced by hair-ruffling, he had given in on the point of the hygienic upbringing of William Bannister; but there, he had imagined, his troubles were to cease. He had supposed that he was about to resume the old hermit's-cell life of the studio and live in a world which contained only Ruth, Bill, and himself.

He was quickly undeceived. Within two days he was made aware of the fact that Ruth was in the very centre of the social whirlpool and that she took it for granted that he would join her there. There was nothing of the hermit about Ruth now. She was amazingly undomestic.

Her old distaste for the fashionable life of New York seemed to have vanished absolutely. As far as Kirk could see, she was always entertaining or being entertained. He was pitched head-long into a world where people talked incessantly of things which bored him and did things which seemed to him simply mad. And Ruth, whom he had thought he understood, revelled in it all.

At first he tried to get at her point of view, to discover what she found to enjoy in this lunatic existence of aimlessness and futility. One night, as they were driving home from a dinner which had bored him unspeakably, he asked the question point-blank. It seemed to him incredible that she could take pleasure in an entertainment which had filled him with such depression.

"Ruth," he said impulsively, as the car moved off, "what do you see in this sort of thing? How can you stand these people? What have you in common with them?"

"Poor old Kirk. I know you hated it to-night. But we shan't be dining with the Baileys every night."

Bailey Bannister had been their host on that occasion, and the dinner had been elaborate and gorgeous. Mrs. Bailey was now one of the leaders of the younger set. Bailey, looking much more than a year older than when Kirk had seen him last, had presided at the head of the table with great dignity, and the meeting with him had not contributed to the pleasure of Kirk's evening.

"Were you awfully bored? You seemed to be getting along quite well with Sybil."

"I like her. She's good fun."

"She's certainly having good fun. I'd give anything to know what Bailey really thinks of it. She is the most shockingly extravagant little creature in New York. You know the Wilburs were quite poor, and poor Sybil was kept very short. I think that marrying Bailey and having all this money to play with has turned her head."

It struck Kirk that the criticism applied equally well to the critic.

"She does the most absurd things. She gave a freak dinner when you were away that cost I don't know how much. She is always doing something. Well, I suppose Bailey knows what he is about; but at her present pace she must be keeping him busy making money to pay for all her fads. You ought to paint a picture of Bailey, Kirk, as the typical patient American husband. You couldn't get a better model."

"Suggest it to him, and let me hide somewhere where I can hear what he says. Bailey has his own opinion of my pictures."

Ruth laughed a little nervously. She had always wondered exactly what had taken place that day in the studio, and the subject was one which she was shy of exhuming. She turned the conversation.

"What did you ask me just now? Something about——"

"I asked you what you had in common with these people."

Ruth reflected.

"Oh, well, it's rather difficult to say if you put it like that. They're just people, you know. They are amusing sometimes. I used to know most of them. I suppose that is the chief thing which brings us together. They happen to be there, and if you're travelling on a road you naturally talk to your fellow travellers. But why? Don't you like them? Which of them didn't you like?"

It was Kirk's turn to reflect.

"Well, that's hard to answer, too. I don't think I actively liked or disliked any of them. They seemed to me just not worth while. My point is, rather, why are we wasting a perfectly good evening mixing with them? What's the use? That's my case in a nut-shell."

"If you put it like that, what's the use of anything? One must do something. We can't be hermits."

A curious feeling of being infinitely far from Ruth came over Kirk. She dismissed his dream as a whimsical impossibility not worthy of serious consideration. Why could they not be hermits? They had been hermits before, and it had been the happiest period of both their lives. Why, just because an old man had died and left them money, must they rule out the best thing in life as impossible and plunge into a nightmare which was not life at all?

He had tried to deceive himself, but he could do so no longer. Ruth had changed. The curse with which his sensitive imagination had invested John Bannister's legacy was, after all no imaginary curse. Like a golden wedge, it had forced Ruth and himself apart.

Everything had changed. He was no longer the centre of Ruth's life. He was just an encumbrance, a nuisance who could not be got rid of and must remain a permanent handicap, always in the way.

So thought Kirk morbidly as the automobile passed through the silent streets. It must be remembered that he had been extremely bored for a solid three hours, and was predisposed, consequently, to gloomy thoughts.

Whatever his faults, Kirk rarely whined. He had never felt so miserable in his life, but he tried to infuse a tone of lightness into the conversation. After all, if Ruth's intuition fell short of enabling her to understand his feelings, nothing was to be gained by parading them.

"I guess it's my fault," he said, "that I haven't got abreast of the society game as yet. You had better give me a few pointers. My trouble is that, being new to them, I can't tell whether these people are types or exceptions. Take Clarence Grayling, for instance. Are there any more at home like Clarence?"

"My dear child, all Bailey's special friends are like Clarence, exactly like. I remember telling him so once."

"Who was the specimen with the little black moustache who thought America crude and said that the only place to live in was southern Italy? Is he an isolated case or an epidemic?"

"He is scarcer than Clarence, but he's quite a well-marked type. He is the millionaire's son who has done Europe and doesn't mean you to forget it."

"There was a chesty person with a wave of hair coming down over his forehead. A sickeningly handsome fellow who looked like a poet. I think they called him Basil. Does he run around in flocks, or is he unique?"

Ruth did not reply for a moment. Basil Milbank was a part of the past which, in the year during which Kirk had been away, had come rather startlingly to life.

There had been a time when Basil had been very near and important to her. Indeed, but for the intervention of Mrs. Porter, described in an earlier passage, she would certainly have married Basil. Then Kirk had crossed her path and had monopolized her. During the studio period the recollection of Basil had grown faint. After that, just at the moment when Kirk was not there to lend her strength, he had come back into her life. For nearly a year she had seen him daily; and gradually—at first almost with fear—she had realized that the old fascination was by no means such a thing of the past as she had supposed.

She had hoped for Kirk's return as a general, sorely pressed, hopes for reinforcements. With Kirk at her side she felt Basil would slip back into his proper place in the scheme of things. And, behold! Kirk had returned and still the tension remained unrelaxed.

For Kirk had changed. After the first day she could not conceal it from herself. That it was she who had changed did not present itself to her as a possible explanation of the fact that she now felt out of touch with her husband. All she knew was that they had been linked together by bonds of sympathy, and were so no longer.

She found Kirk dull. She hated to admit it, but the truth forced itself upon her. He had begun to bore her.

She collected her thoughts and answered his question.

"Basil Milbank? Oh, I should call him unique."

She felt a wild impulse to warn him, to explain the real significance of this man whom he classed contemptuously with Clarence Grayling and that absurd little Dana Ferris as somebody of no account. She wanted to cry out to him that she was in danger and that only he could help her. But she could not speak, and Kirk went on in the same tone of half-tolerant contempt:

"Who is he?"

She controlled herself with an effort, and answered indifferently.

"Oh, Basil? Well, you might say he's everything. He plays polo, leads cotillions, yachts, shoots, plays the piano wonderfully—everything. People usually like him very much." She paused. "Women especially."

She had tried to put something into her tone which might serve to awaken him, something which might prepare the way for what she wanted to say—and what, if she did not say it now—when the mood was on her, she could never say. But Kirk was deaf.

"He looks that sort of man," he said.

And, as he said it, the accumulated boredom of the past three hours found vent in a vast yawn.

Ruth set her teeth. She felt as if she had received a blow.

When he spoke again it was on the subject of street-paving defects in New York City.

* * * * *

It was true, as Ruth had said, that they did not dine with the Baileys every night, but that seemed to Kirk, as the days went on, the one and only bright spot in the new state of affairs. He could not bring himself to treat life with a philosophical resignation. His was not open revolt. He was outwardly docile, but inwardly he rebelled furiously.

Perhaps the unnaturally secluded life which he had led since his marriage had unfitted him for mixing in society even more than nature had done. He had grown out of the habit of mixing. Crowds irritated him. He hated doing the same thing at the same time as a hundred other people.

Like most Bohemians, he was at his best in a small circle. He liked his friends as single spies, not in battalions. He was a man who should have had a few intimates and no acquaintances; and his present life was bounded north, south, east, and west by acquaintances. Most of the men to whom he spoke he did not even know by name.

He would seek information from Ruth as they drove home.

"Who was the pop-eyed second-story man with the bald head and the convex waistcoat who glued himself to me to-night?"

"If you mean the fine old gentleman with the slightly prominent eyes and rather thin hair, that was Brock Mason, the vice-president of consolidated groceries. You mustn't even think disrespectfully of a man as rich as that."

"He isn't what you would call a sparkling talker."

"He doesn't have to be. His time is worth a hundred dollars a minute, or a second—I forget which."

"Put me down for a nickel's worth next time."

And then they began to laugh over Ruth's suggestion that they should save up and hire Mr. Mason for an afternoon and make him keep quiet all the time; for Ruth was generally ready to join him in ridiculing their new acquaintances. She had none of that reverence for the great and the near-great which, running to seed, becomes snobbery.

It was this trait in her which kept alive, long after it might have died, the hope that her present state of mind was only a phase, and that, when she had tired of the new game, she would become the old Ruth of the studio. But, when he was honest with himself, he was forced to admit that she showed no signs of ever tiring of it.

They had drifted apart. They were out of touch with each other. It was not an uncommon state of things in the circle in which Kirk now found himself. Indeed, it seemed to him that the semi-detached couple was the rule rather than the exception.

But there was small consolation in this reflection. He was not at all interested in the domestic troubles of the people he mixed with. His own hit him very hard.

Ruth had criticized little Mrs. Bailey, but there was no doubt that she herself had had her head turned quite as completely by the new life.

The first time that Kirk realized this was when he came upon an article in a Sunday paper, printed around a blurred caricature which professed to be a photograph of Mrs. Kirk Winfield, in which she was alluded to with reverence and gusto as one of society's leading hostesses. In the course of the article reference was made to no fewer than three freak dinners of varying ingenuity which she had provided for her delighted friends.

It was this that staggered Kirk. That Mrs. Bailey should indulge in this particular form of insanity was intelligible. But that Ruth should have descended to it was another thing altogether.

He did not refer to the article when he met Ruth, but he was more than ever conscious of the gap between them—the gap which was widening every day.

The experiences he had undergone during the year of his wandering had strengthened Kirk considerably, but nature is not easily expelled; and the constitutional weakness of character which had hampered him through life prevented him from making any open protests or appeal. Moreover, he could understand now her point of view, and that disarmed him.

He saw how this state of things had come about. In a sense, it was the natural state of things. Ruth had been brought up in certain surroundings. Her love for him, new and overwhelming, had enabled her to free herself temporarily from these surroundings and to become reconciled to a life for which, he told himself, she had never been intended. Fate had thrown her back into her natural sphere. And now she revelled in the old environment as an exile revels in the life of the homeland from which he has been so long absent.

That was the crux of the tragedy. Ruth was at home. He was not. Ruth was among her own people. He was a stranger among strangers, a prisoner in a land where men spoke with an alien tongue.

There was nothing to be done. The gods had played one of their practical jokes, and he must join in the laugh against himself and try to pretend that he was not hurt.



Chapter V

The Real Thing

Kirk sat in the nursery with his chin on his hands, staring gloomily at William Bannister. On the floor William Bannister played some game of his own invention with his box of bricks.

They were alone. It was the first time they had been alone together for two weeks. As a rule, when Kirk paid his daily visit, Lora Delane Porter was there, watchful and forbidding, prepared, on the slightest excuse, to fall upon him with rules and prohibitions. To-day she was out, and Kirk had the field to himself, for Mamie, whose duty it was to mount guard, and who had been threatened with many terrible things by Mrs. Porter if she did not stay on guard, had once more allowed her too sympathetic nature to get the better of her and had vanished.

Kirk was too dispirited to take advantage of his good fortune. He had a sense of being there on parole, of being on his honour not to touch. So he sat in his chair, and looked at Bill; while Bill, crooning to himself, played decorously with bricks.

The truth had been a long time in coming home to Kirk, but it had reached him at last. Ever since his return he had clung to the belief that it was a genuine conviction of its merits that had led Ruth to support her aunt's scheme for Bill's welfare. He himself had always looked on the exaggerated precautions for the maintenance of the latter's health as ridiculous and unnecessary; but he had acquiesced in them because he thought that Ruth sincerely believed them indispensable.

After all, he had not been there when Bill so nearly died, and he could understand that the shock of that episode might have distorted the judgment even of a woman so well balanced as Ruth. He was quite ready to be loyal to her in the matter, however distasteful it might be to him.

But now he saw the truth. A succession of tiny incidents had brought light to him. Ruth might or might not be to some extent genuine in her belief in the new system, but her chief motive for giving it her support was something quite different. He had tried not to admit to himself, but he could do so no longer. Ruth allowed Mrs. Porter to have her way because it suited her to do so; because, with Mrs. Porter on the premises, she had more leisure in which to amuse herself; because, to put it in a word, the child had begun to bore her.

Everything pointed to that. In the old days it had been her chief pleasure to be with the boy. Their walks in the park had been a daily ceremony with which nothing had been allowed to interfere. But now she always had some excuse for keeping away from him.

Her visits to the nursery, when she did go there, were brief and perfunctory. And the mischief of it was that she always presented such admirable reasons for abstaining from Bill's society, when it was suggested to her that she should go to him, that it was impossible to bring her out into the open and settle the matter once and for all.

Patience was one of the virtues which set off the defects in Kirk's character; but he did not feel very patient now as he sat and watched Bill playing on the floor.

"Well, Bill, old man, what do you make of it all?" he said at last.

The child looked up and fixed him with unwinking eyes. Kirk winced. They were so exactly Ruth's eyes. That wide-open expression when somebody, speaking suddenly to her, interrupted a train of thought, was one of her hundred minor charms.

Bill had reproduced it to the life. He stared for a moment; then, as if there had been some telepathy between them, said: "I want mummy."

Kirk laughed bitterly.

"You aren't the only one. I want mummy, too."

"Where is mummy?"

"I couldn't tell you exactly. At a luncheon-party somewhere."

"What's luncheon-party?"

"A sort of entertainment where everybody eats too much and talks all the time without ever saying a thing that's worth hearing."

Bill considered this gravely.

"Why?"

"Because they like it, I suppose."

"Why do they like it?"

"Goodness knows."

"Does mummy like it?"

"I suppose so."

"Does mummy eat too much?"

"She doesn't. The others do."

"Why?"

William Bannister's thirst for knowledge was at this time perhaps his most marked characteristic. No encyclopaedia could have coped with it. Kirk was accustomed to do his best, cheerfully yielding up what little information on general subjects he happened to possess, but he was like Mrs. Partington sweeping back the Atlantic Ocean with her broom.

"Because they've been raised that way," he replied to the last question. "Bill, old man, when you grow up, don't you ever become one of these fellows who can't walk two blocks without stopping three times to catch up with their breath. If you get like that mutt Dana Ferris you'll break my heart. And you're heading that way, poor kid."

"What's Ferris?"

"He's a man I met at dinner the other night. When he was your age he was the richest child in America, and everybody fussed over him till he grew up into a wretched little creature with a black moustache and two chins. You ought to see him. He would make you laugh; and you don't get much to laugh at nowadays. I guess it isn't hygienic for a kid to laugh. Bill, honestly—what do you think of things? Don't you ever want to hurl one of those sterilized bricks of yours at a certain lady? Or has she taken all the heart out of you by this time?"

This was beyond Bill, as Kirk's monologues frequently were. He changed the subject.

"I wish I had a cat," he said, by way of starting a new topic.

"Well, why haven't you a cat? Why haven't you a dozen cats if you want them?"

"I asked Aunty Lora could I have a cat, and she said: 'Certainly not, cats are—cats are——"

"Unhygienic?"

"What's that?"

"It's what your Aunt Lora might think a cat was. Or did she say pestilential?"

"I don't amember."

"But she wouldn't let you have one?"

"Mamie said a cat might scratch me."

"Well, you wouldn't mind that?" said Kirk anxiously.

He had come to be almost morbidly on the look-out for evidence which might go to prove that this cotton-wool existence was stealing from the child the birthright of courage which was his from both his parents. Much often depends on little things, and, if Bill had replied in the affirmative to the question, it would probably have had the result of sending Kirk there and then raging through the house conducting a sort of War of Independence.

The only thing that had kept him from doing so before was the reflection that Mrs. Porter's system could not be definitely taxed with any harmful results. But his mind was never easy. Every day found him still nervously on the alert for symptoms.

Bill soothed him now by answering "No" in a very decided voice. All well so far, but it had been an anxious moment.

It seemed incredible to Kirk that the life he was leading should not in time turn the child into a whimpering bundle of nerves. His conversations with Bill were, as a result, a sort of spiritual parallel to the daily taking of his temperature with the thermometer. Sooner or later he always led the talk round to some point where Bill must make a definite pronouncement which would show whether or not the insidious decay had begun to set in.

So far all appeared to be well. In earlier conversations Bill, subtly questioned, had stoutly maintained that he was not afraid of Indians, dogs, pirates, mice, cows, June-bugs, or noises in the dark. He had even gone so far as to state that if an Indian chief found his way into the nursery he, Bill, would chop his head off. The most exacting father could not have asked more. And yet Kirk was not satisfied: he remained uneasy.

It so happened that this afternoon Bill, who had had hitherto to maintain his reputation for intrepidity entirely by verbal statements, was afforded an opportunity of providing a practical demonstration that his heart was in the right place. The game he was playing with the bricks was one that involved a certain amount of running about with a puffing accompaniment of a vaguely equine nature. And while performing this part of the programme he chanced to trip. He hesitated for a moment, as if uncertain whether to fall or remain standing; then did the former with a most emphatic bump.

He scrambled up, stood looking at Kirk with a twitching lip, then gave a great gulp, and resumed his trotting. The whole exhibition of indomitable heroism was over in half a minute, and he did not even bother to wait for applause.

The effect of the incident on Kirk was magical. He was in the position of an earnest worshipper who, tortured with doubts, has prayed for a sign. This was a revelation. A million anti-Indian statements, however resolute, were nothing to this.

This was the real thing. Before his eyes this super-child of his had fallen in a manner which might quite reasonably have led to tears; which would, Kirk felt sure, have produced bellows of anguish from every other child in America. And what had happened? Not a moan. No, sir, not one solitary cry. Just a gulp which you had to strain your ears to hear, and which, at that, might have been a mere taking-in of breath such as every athlete must do, and all was over.

This child of his was the real thing. It had been proved beyond possibility of criticism.

There are moments when a man on parole forgets his promise. All thought of rules and prohibitions went from Kirk. He rose from his seat, grabbed his son with both hands, and hugged him. We cannot even begin to estimate the number of bacilli which must have rushed, whooping with joy, on to the unfortunate child. Under a microscope it would probably have looked like an Old Home Week. And Kirk did not care. He simply kept on hugging. That was the sort of man he was—thoroughly heartless.

"Bill, you're great!" he cried.

Bill had been an amazed party to the incident. Nothing of this kind had happened to him for so long that he had forgotten there were children to whom this sort of thing did happen. Then he recollected a similar encounter with a bearded man down in the hall when he came in one morning from his ride in the automobile. A moment later he had connected his facts.

This man who had no beard was the same man as the man who had a beard, and this behaviour was a personal eccentricity of his. The thought crossed his mind that Aunty Lora would not approve of this.

And then, surprisingly, there came the thought that he did not care whether Aunty Lora approved or not. He liked it, and that was enough for him.

The seeds of revolt had been sown in the bosom of William Bannister.

It happened that Ruth, returning from her luncheon-party, looked in at the nursery on her way upstairs. She was confronted with the spectacle of Bill seated on Kirk's lap, his face against Kirk's shoulder. Kirk, though he had stopped speaking as the door opened, appeared to be in the middle of a story, for Bill, after a brief glance at the newcomer, asked: "What happened then?"

"Kirk, really!" said Ruth.

Kirk did not appear in the least ashamed of himself.

"Ruth, this kid is the most amazing kid. Do you know what happened just now? He was running along and he tripped and came down flat. And he didn't even think of crying. He just picked himself up, and——"

"That was very brave of you, Billy. But, seriously, Kirk, you shouldn't hug him like that. Think what Aunt Lora would say!"

"Aunt Lora be——Bother Aunt Lora!"

"Well, I won't give you away. If she heard, she would write a book about it. And she was just starting to come up when I was downstairs. We came in together. You had better fly while there's time."

It was sound advice, and Kirk took it.

It was not till some time later, going over the incident again in his mind, he realized how very lightly Ruth had treated what, if she really adhered to Mrs. Porter's views on hygiene, should have been to her a dreadful discovery. The reflection was pleasant to him for a moment; it seemed to draw Ruth and himself closer together; then he saw the reverse side of it.

If Ruth did not really believe in this absurd hygienic nonsense, why had she permitted it to be practised upon the boy? There was only one answer, and it was the one which Kirk had already guessed at. She did it because it gave her more freedom, because it bored her to look after the child herself, because she was not the same Ruth he had left at the studio when he started with Hank Jardine for Colombia.



Chapter VI

The Outcasts

Three months of his new life had gone by before Kirk awoke from the stupor which had gripped him as the result of the general upheaval of his world. Ever since his return from Colombia he had honestly been intending to resume his painting, and, attacking it this time in a business-like way, to try to mould himself into the semblance of an efficient artist.

His mind had been full of fine resolutions. He would engage a good teacher, some competent artist whom fortune had not treated well and who would be glad of the job—Washington Square and its neighbourhood were full of them—and settle down grimly, working regular hours, to recover lost ground.

But the rush of life, as lived on the upper avenue, had swept him away. He had been carried along on the rapids of dinners, parties, dances, theatres, luncheons, and the rest, and his great resolve had gone bobbing away from him on the current.

He had recovered it now and climbed painfully ashore, feeling bruised and exhausted, but determined.

* * * * *

Among the motley crowd which had made the studio a home in the days of Kirk's bachelorhood had been an artist—one might almost say an ex-artist—named Robert Dwight Penway. An over-fondness for rye whisky at the Brevoort cafe had handicapped Robert as an active force in the world of New York art. As a practical worker he was not greatly esteemed—least of all by the editors of magazines, who had paid advance cheques to him for work which, when delivered at all, was delivered too late for publication. These, once bitten, were now twice shy of Mr. Penway. They did not deny his great talents, which were, indeed, indisputable; but they were fixed in their determination not to make use of them.

Fate could have provided no more suitable ally for Kirk. It was universally admitted around Washington Square and—grudgingly—down-town that in the matter of theory Mr. Penway excelled. He could teach to perfection what he was too erratic to practise.

Robert Dwight Penway, run to earth one sultry evening in the Brevoort, welcomed Kirk as a brother, as a rich brother. Even when his first impression, that he was to have the run of the house on Fifth Avenue and mix freely with touchable multi-millionaires, had been corrected, his altitude was still brotherly. He parted from Kirk with many solemn promises to present himself at the studio daily and teach him enough art to put him clear at the top of the profession. "Way above all these other dubs," asserted Mr. Penway.

Robert Dwight Penway's attitude toward his contemporaries in art bore a striking resemblance to Steve's estimate of his successors in the middle-weight department of the American prize-ring.

Surprisingly to those who knew him, Mr. Penway was as good as his word. Certainly Kirk's terms had been extremely generous; but he had thrown away many a contract of equal value in his palmy days. Possibly his activity was due to his liking for Kirk; or it may have been that the prospect of sitting by with a cigar while somebody else worked, with nothing to do all day except offer criticism, and advice, appealed to him.

At any rate, he appeared at the studio on the following afternoon, completely sober and excessively critical. He examined the canvases which Kirk had hauled from shelves and corners for his inspection. One after another he gazed upon them in an increasingly significant silence. When the last one was laid aside he delivered judgment.

"Golly!" he said.

Kirk flushed. It was not that he was not in complete agreement with the verdict. Looking at these paintings, some of which he had in the old days thought extremely good, he was forced to admit that "Golly" was the only possible criticism.

He had not seen them for a long time, and absence had enabled him to correct first impressions. Moreover, something had happened to him, causing him to detect flaws where he had seen only merits. Life had sharpened his powers of judgment. He was a grown man looking at the follies of his youth.

"Burn them!" said Mr. Penway, lighting a cigar with the air of one restoring his tissues after a strenuous ordeal. "Burn the lot. They're awful. Darned amateur nightmares. They offend the eye. Cast them into a burning fiery furnace."

Kirk nodded. The criticism was just. It erred, if at all, on the side of mildness. Certainly something had happened to him since he perpetrated those daubs. He had developed. He saw things with new eyes.

"I guess I had better start right in again at the beginning," he sad.

"Earlier than that," amended Mr. Penway.

* * * * *

So Kirk settled down to a routine of hard work; and, so doing, drove another blow at the wedge which was separating his life from Ruth's. There were days now when they did not meet at all, and others when they saw each other for a few short moments in which neither seemed to have much to say.

Ruth had made a perfunctory protest against the new departure.

"Really," she said, "it does seem absurd for you to spend all your time down at that old studio. It isn't as if you had to. But, of course, if you want to——"

And she had gone on to speak of other subjects. It was plain to Kirk that his absence scarcely affected her. She was still in the rapids, and every day carried her farther away from him.

It did not hurt him now. A sort of apathy seemed to have fallen on him. The old days became more and more remote. Sometimes he doubted whether anything remained of her former love for him, and sometimes he wondered if he still loved her. She was so different that it was almost as if she were a stranger. Once they had had everything in common. Now it seemed to him that they had nothing—not even Bill.

He did not brood upon it. He gave himself no time for that. He worked doggedly on under the blasphemous but efficient guidance of Mr. Penway. He was becoming a man with a fixed idea—the idea of making good.

He began to make headway. His beginnings were small, but practical. He no longer sat down when the spirit moved him to dash off vague masterpieces which might turn into something quite unexpected on the road to completion; he snatched at anything definite that presented itself.

Sometimes it was a couple of illustrations to a short story in one of the minor magazines, sometimes a picture to go with an eulogy of a patent medicine. Whatever it was, he seized upon it and put into it all the talent he possessed. And thanks to the indefatigable coaching of Robert Dwight Penway, a certain merit was beginning to creep into his work. His drawing was growing firmer. He no longer shirked difficulties.

Mr. Penway was good enough to approve of his progress. Being free from any morbid distaste for himself, he attributed that progress to its proper source. As he said once in a moment of expansive candour, he could, given a free hand and something to drink and smoke while doing it, make an artist out of two sticks and a lump of coal.

"Why, I've made you turn out things that are like something on earth, my boy," he said proudly. "And that," he added, as he reached out for the bottle of Bourbon which Kirk had provided for him, "is going some."

Kirk was far too grateful to resent the slightly unflattering note a more spirited man might have detected in the remark.

* * * * *

Only once during those days did Kirk allow himself to weaken and admit to himself how wretched he was. He was drawing a picture of Steve at the time, and Steve had the sympathy which encourages weakness in others.

It was a significant sign of his changed attitude towards his profession that he was not drawing Steve as a figure in an allegorical picture or as "Apollo" or "The Toiler," but simply as a well-developed young man who had had the good sense to support his nether garments with Middleton's Undeniable Suspenders. The picture, when completed, would show Steve smirking down at the region of his waist-line and announcing with pride and satisfaction: "They're Middleton's!" Kirk was putting all he knew into the work, and his face, as he drew, was dark and gloomy.

Steve noted this with concern. He had perceived for some time that Kirk had changed. He had lost all his old boyish enjoyment of their sparring-bouts, and he threw the medicine-ball with an absent gloom almost equal to Bailey's.

It had not occurred to Steve to question Kirk about this. If Kirk had anything on his mind which he wished to impart he would say it. Meanwhile, the friendly thing for him to do was to be quiet and pretend to notice nothing.

It seemed to Steve that nothing was going right these days. Here was he, chafing at his inability to open his heart to Mamie. Here was Kirk, obviously in trouble. And—a smaller thing, but of interest, as showing how universal the present depression was—there was Bailey Bannister, equally obviously much worried over something or other.

For Bailey had reinstated Steve in the place he had occupied before old John Bannister had dismissed him, and for some time past Steve had marked him down as a man with a secret trouble. He had never been of a riotously cheerful disposition, but it had been possible once to draw him into conversation at the close of the morning's exercises. Now he hardly spoke. And often, when Steve arrived in the morning, he was informed that Mr. Bannister had started for Wall Street early on important business.

These things troubled Steve. His simple soul abhorred a mystery.

But it was the case of Kirk that worried him most, for he half guessed that the latter's gloom had to do with Ruth; and he worshipped Ruth.

Kirk laid down his sketch and got up.

"I guess that'll do for the moment, Steve," he said.

Steve relaxed the attitude of proud satisfaction which he had assumed in order to do justice to the Undeniable Suspenders. He stretched himself and sat down.

"You certainly are working to beat the band just now, squire," he remarked.

"It's a pretty good thing, work, Steve," said Kirk. "If it does nothing else, it keeps you from thinking."

He knew it was feeble of him, but he was powerfully impelled to relieve himself by confiding his wretchedness to Steve. He need not say much, he told himself plausibly—only just enough to lighten the burden a little.

He would not be disloyal to Ruth—he had not sunk to that—but, after all Steve was Steve. It was not like blurting out his troubles to a stranger. It would harm nobody, and do him a great deal of good, if he talked to Steve.

He relit his pipe, which had gone out during a tense spell of work on the suspenders.

"Well, Steve," he said, "what do you think of life? How is this best of all possible worlds treating you?"

Steve deposed that life was pretty punk.

"You're a great describer, Steve. You've hit it first time. Punk is the word. It's funny, if you look at it properly. Take my own case. The superficial observer, who is apt to be a bonehead, would say that I ought to be singing psalms of joy. I am married to the woman I wanted to marry. I have a son who, not to be fulsome, is a perfectly good sort of son. I have no financial troubles. I eat well. I have ceased to tremble when I see a job of work. In fact, I have advanced in my art to such an extent that shrewd business men like Middleton put the pictorial side of their Undeniable Suspenders in my hands and go off to play golf with their minds easy, having perfect confidence in my skill and judgment. If I can't be merry and bright, who can? Do you find me merry and bright, Steve?"

"I've seen you in better shape," said Steve cautiously.

"I've felt in better shape."

Steve coughed. The conversation was about to become delicate.

"What's eating you, colonel?" he asked presently.

Kirk frowned in silence at the Undeniable for a few moments. Then the pent-up misery of months exploded in a cascade of words. He jumped up and began to walk restlessly about the studio.

"Damn it! Steve, I ought not to say a word, I know. It's weak and cowardly and bad taste and everything else you can think of to speak of it—even to you. One's supposed to stand this sort of roasting at the stake with a grin, as if one enjoyed it. But, after all, you are different. It's not as if it was any one. You are different, aren't you?"

"Sure."

"Well, you know what's wrong as well as I do."

"Surest thing you know. It's hit me, too."

"How's that?"

"Well, things ain't the same. That's about what it comes to."

Kirk stopped and looked at him. His expression was wistful. "I ought not to be talking about it."

"You go right ahead, squire," said Steve soothingly. "I know just how you feel, and I guess talking's not going to do any harm. Act as if I wasn't here. Look on it as a monologue. I don't amount to anything."

"When did you go to the house last, Steve?"

Steve reflected.

"About a couple of weeks ago, I reckon."

"See the kid?"

Steve shook his head.

"Seeing his nibs ain't my long suit these days. I may be wrong, but I got the idea there was a dead-line for me about three blocks away from the nursery. I asked Keggs was the coast clear, but he said the Porter dame was in the ring, so I kind of thought I'd better away. I don't seem to fit in with all them white tiles and thermometers."

"You used to see him every day when we were here. And you didn't seem to contaminate him, as far as any one could notice."

There was a silence.

"Do you see him often, colonel?"

Kirk laughed.

"Oh, yes. I'm favoured. I pay a state visit every day. Think of that! I sit in a chair at the other end of the room while Mrs. Porter stands between to see that I don't start anything. Bill plays with his sterilized bricks. Occasionally he and I exchange a few civil words. It's as jolly and sociable as you could want. We have great times."

"Say, on the level, I wonder you stand for it."

"I've got to stand for it."

"He's your kid."

"Not exclusively. I have a partner, Steve."

Steve snorted dolefully.

"Ain't it hell the way things break loose in this world!" he sighed. "Who'd have thought two years ago——"

"Do you make it only two? I should have put it at about two thousand."

"Honest, squire, if any one had told me then that Miss Ruth had it in her to take up with all these fool stunts——"

"Well, I can't say I was prepared for it."

Steve coughed again. Kirk was in an expansive mood this afternoon, and the occasion was ideal for the putting forward of certain views which he had long wished to impart. But, on the other hand, the subject was a peculiarly delicate one. It has been well said that it is better for a third party to quarrel with a buzz-saw than to interfere between husband and wife; and Steve was constitutionally averse to anything that savoured of butting in.

Still, Kirk had turned the talk into this channel. He decided to risk it.

"If I were you," he said, "I'd get busy and start something."

"Such as what?"

Steve decided to abandon caution and speak his mind. Him, almost as much as Kirk, the existing state of things had driven to desperation. Though in a sense he was only a spectator, the fact that the altered conditions of Kirk's life involved his almost complete separation from Mamie gave him what might be called a stake in the affair. The brief and rare glimpses which he got of her nowadays made it absolutely impossible for him to conduct his wooing on a business-like basis. A diffident man cannot possibly achieve any success in odd moments. Constant propinquity is his only hope.

That fact alone, he considered, almost gave him the right to interfere. And, apart from that, his affection for Kirk and Ruth gave him a claim. Finally, he held what was practically an official position in the family councils on the strength of being William Bannister Winfield's godfather.

He loved William Bannister as a son, and it had been one of his favourite day dreams to conjure up a vision of the time when he should be permitted to undertake the child's physical training. He had toyed lovingly with the idea of imparting to this promising pupil all that he knew of the greatest game on earth. He had watched him in the old days staggering about the studio, and had pictured him grown to his full strength, his muscles trained, his brain full of the wisdom of one who, if his mother had not kicked, would have been middle-weight champion of America.

He had resigned himself to the fact that the infant's social status made it impossible that he should be the real White Hope whom he had once pictured beating all comers in the roped ring; but, after all, there was a certain mild fame to be acquired even by an amateur. And now that dream was over—unless Kirk could be goaded into strong action in time.

"Why don't you sneak the kid away somewhere?" he suggested. "Why don't you go right in at them and say: 'It's my kid, and I'm going to take him away into the country out of all this white-tile stuff and let him roll in the mud same as he used to.' Why, say, there's that shack of yours in Connecticut, just made for it. That kid would have the time of his life there."

"You think that's the solution, do you, Steve?"

"I'm dead sure it is." Steve's voice became more and more enthusiastic as the idea unfolded itself. "Why, it ain't only the kid I'm thinking of. There's Miss Ruth. Say, you don't mind me pulling this line of talk?"

"Go ahead. I began it. What about Miss Ruth?"

"Well, you know just what's the matter with her. She's let this society game run away with her. I guess she started it because she felt lonesome when you were away; and now it's got her and she can't drop it. All she wants is a jolt. It would slow her up and show her just where she was. She's asking for it. One good, snappy jolt would put the whole thing right. And this thing of jerking the kid away to Connecticut would be the right dope, believe me."

Kirk shook his head.

"It wouldn't do, Steve. It isn't that I don't want to do it; but one must play to the rules. I can't explain what I mean. I can only say it's impossible. Let's think of a parallel case. When you were in the ring, there must have been times when you had a chance of hitting your man low. Why didn't you do it? It would have jolted him, all right."

"Why, I'd have lost on a foul."

"Well, so should I lose on a foul if I started the sort of rough-house you suggest."

"I don't get you."

"Well, if you want it in plain English, Ruth would never forgive me. Is that clear enough?"

"You're dead wrong, boss," said Steve excitedly. "I know her."

"I thought I did. Well, anyway, Steve, thanks for the suggestion; but, believe me, nothing doing. And now, if you feel like it, I wish you would resume your celebrated imitation of a man exulting over the fact that he is wearing Middleton's Undeniable. There isn't much more to do, and I should like to get through with it to-day, if possible. There, hold that pose. It's exactly right. The honest man gloating over his suspenders. You ought to go on the stage, Steve."



Chapter VII

Cutting the Tangled Knot

There are some men whose mission in life it appears to be to go about the world creating crises in the lives of other people. When there is thunder in the air they precipitate the thunderbolt.

Bailey Bannister was one of these. He meant extraordinarily well, but he was a dangerous man for that very reason, and in a properly constituted world would have been segregated or kept under supervision. He would not leave the tangled lives of those around him to adjust themselves. He blundered in and tried to help. He nearly always produced a definite result, but seldom the one at which he aimed.

That he should have interfered in the affairs of Ruth and Kirk at this time was, it must be admitted, unselfish of him, for just now he was having troubles of his own on a somewhat extensive scale. His wife's extravagance was putting a strain on his finances, and he was faced with the choice of checking her or increasing his income. Being very much in love, he shrank from the former task and adopted the other way out of the difficulty.

It was this that had led to the change in his manner noticed by Steve. In order to make more money he had had to take risks, and only recently had he begun to perceive how extremely risky these risks were. For the first time in its history the firm of Bannister was making first-hand acquaintance with frenzied finance.

It is, perhaps, a little unfair to lay the blame for this entirely at the door of Bailey's Sybil. Her extravagance was largely responsible; but Bailey's newly found freedom was also a factor in the developments of the firm's operations. If you keep a dog, a dog with a high sense of his abilities and importance, tied up and muzzled for a length of time and then abruptly set it free the chances are that it will celebrate its freedom. This had happened in the case of Bailey.

Just as her father's money had caused Ruth to plunge into a whirl of pleasures which she did not really enjoy, merely for the novelty of it, so the death of John Bannister and his own consequent accession to the throne had upset Bailey's balance and embarked him on an orgy of speculation quite foreign to his true nature. All their lives Ruth and Bailey had been repressed by their father, and his removal had unsteadied them.

Bailey, on whom the shadow of the dead man had pressed particularly severely, had been quite intoxicated by sudden freedom. He had been a cipher in the firm of Bannister & Son. In the firm of Bannister & Co. he was an untrammelled despot. He did that which was right in his own eyes, and there was no one to say him nay.

It was true that veteran members of the firm, looking in the glass, found white hairs where no white hairs had been and wrinkles on foreheads which, under the solid rule of old John Bannister, had been smooth; but it would have taken more than these straws to convince Bailey that the wind which was blowing was an ill-wind. He had developed in a day the sublime self-confidence of a young Napoleon. He was all dash and enterprise—the hurricane fighter of Wall Street.

With these private interests to occupy him, it is surprising that he should have found time to take the affairs of Ruth and Kirk in hand. But he did.

For some time he had watched the widening gulf between them with pained solicitude. He disliked Kirk personally; but that did not influence him. He conceived it to be his duty to suppress private prejudices. Duty seemed to call him to go to Kirk's aid and smooth out his domestic difficulties.

What urged him to this course more than anything else was Ruth's growing intimacy with Basil Milbank; for, in the period which had elapsed since the conversation recorded earlier in the story, when Kirk had first made the other's acquaintance, the gifted Basil had become a very important and menacing figure in Ruth's life.

To Ruth, as to most women, his gifts were his attraction. He danced well; he talked well; he did everything well. He appealed to a side of Ruth's nature which Kirk scarcely touched—a side which had only come into prominence in the last year.

His manner was admirable. He suggested sympathy without expressing it. He could convey to Ruth that he thought her a misunderstood and neglected wife while talking to her about the weather. He could make his own knight-errant attitude toward her perfectly plain without saying a word, merely by playing soft music to her on the piano; for he had the gift of saying more with his finger-tips than most men could have said in a long speech carefully rehearsed.

Kirk's inability to accompany Ruth into her present life had given Basil his chance. Into the gap which now lay between them he had slipped with a smooth neatness born of experience.

Bailey hated Basil. Men, as a rule, did, without knowing why. Basil's reputation was shady, without being actually bad. He was a suspect who had never been convicted. New York contained several husbands who eyed him askance, but could not verify their suspicions, and the apparent hopelessness of ever doing so made them look on Basil as a man who had carried smoothness into the realms of fine art. He was considered too gifted to be wholesome. The men of his set, being for the most part amiably stupid, resented his cleverness.

Bailey, just at present, was feeling strongly on the subject of Basil. He was at that stage of his married life when he would have preferred his Sybil to speak civilly to no other man than himself. And only yesterday Sybil had come to him to inform him with obvious delight that Basil Milbank had invited her to join his yacht party for a lengthy voyage.

This had stung Bailey. He was not included in the invitation. The whole affair struck him as sinister. It was true that Sybil had never shown any sign of being fascinated by Basil; but, he told himself, there was no knowing. He forbade Sybil to accept the invitation. To soothe her disappointment, he sent her off then and there to Tiffany's with a roving commission to get what she liked; for Bailey, the stern, strong man, the man who knew when to put his foot down, was no tyrant. But he would have been indignant at the suggestion that he had bribed Sybil to refuse Basil's invitation.

One of the arguments which Sybil had advanced in the brief discussion which had followed the putting down of Bailey's foot had been that Ruth had been invited and accepted, so why should not she? Bailey had not replied to this—it was at this point of the proceedings that the Tiffany motive had been introduced, but he had not forgotten it. He thought it over, and decided to call upon Ruth. He did so.

It was unfortunate that the nervous strain of being the Napoleon of Wall Street had had the effect of increasing to a marked extent the portentousness of Bailey's always portentous manner. Ruth rebelled against it. There was an insufferable suggestion of ripe old age and fatherliness in his attitude which she found irritating in the extreme. All her life she had chafed at authority, and now, when Bailey set himself up as one possessing it, she showed the worst side of herself to him.

He struck this unfortunate note from the very beginning.

"Ruth," he said, "I wish to speak seriously to you."

Ruth looked at him with hostile eyes, but did not speak. He did not know it, poor man, but he had selected an exceedingly bad moment for his lecture. It so happened that, only half an hour before, she and Kirk had come nearer to open warfare than they had ever come.

It had come about in this way. Kirk had slept badly the night before, and, as he lay awake in the small hours, his conscience had troubled him.

Had he done all that it was in him to do to bridge the gap between Ruth and himself? That was what his conscience had wanted to know. The answer was in the negative. On the following day, just before Bailey's call, he accordingly sought Ruth out, and—rather nervously, for Ruth made him feel nervous nowadays—suggested that he and she and William Bannister should take the air in each other's company and go and feed the squirrels in the park.

Ruth declined. It is possible that she declined somewhat curtly. The day was close and oppressive, and she had a headache and a general feeling of ill-will toward her species. Also, in her heart, she considered that the scheme proposed smacked too much of Sunday afternoon domesticity in Brooklyn. The idea of papa, mamma, and baby sporting together in a public park offended her sense of the social proprieties.

She did not reveal these thoughts to Kirk because she was more than a little ashamed of them. A year ago, she knew, she would not have objected to the idea. A year ago such an expedition would have been a daily occurrence with her. Now she felt if William Bannister wished to feed squirrels, Mamie was his proper companion.

She could not put all this baldly to Kirk, so she placed the burden of her refusal on the adequate shoulders of Lora Delane Porter. Aunt Lora, she said, would never hear of William Bannister wandering at large in such an unhygienic fashion. Upon which Kirk, whose patience was not so robust as it had been, and who, like Ruth, found the day oppressive and making for irritability, had cursed Aunt Lora heartily, given it as his opinion that between them she and Ruth were turning the child from a human being into a sort of spineless, effeminate exhibit in a museum, and had taken himself off to the studio muttering disjointed things.

Ruth was still quivering with the indignation of a woman who has been cheated of the last word when Bailey appeared and announced that he wished to speak seriously to her.

Bailey saw the hostility in her eyes and winced a little before it. He was not feeling altogether at his ease. He had had experience of Ruth in this mood, and she had taught him to respect it.

But he was not going to shirk his duty. He resumed:

"I am only speaking for your own good," he said. "I know that it is nothing but thoughtlessness on your part, but I am naturally anxious——"

"Bailey," interrupted Ruth, "get to the point."

Bailey drew a long breath.

"Well, then," he said, baulked of his preamble, and rushing on his fate, "I think you see too much of Basil Milbank."

Ruth raised her eyebrows.

"Oh?"

The mildness of her tone deceived Bailey.

"I do not like to speak of these things," he went on more happily; "but I feel that I must. It is my duty. Basil Milbank has not a good reputation. He is not the sort of man who—ah—who—in fact, he has not a good reputation."

"Oh?"

"I understand that he has invited you to form one of his yacht party."

"How did you know?"

"Sybil told me. He invited her. I refused to allow her to accept the invitation."

"And what did Sybil say?"

"She was naturally a little disappointed, of course, but she did as I requested."

"I wonder she didn't pack her things and go straight off."

"My dear Ruth!"

"That is what I should have done."

"You don't know what you are saying."

"Oh? Do you think I should let Kirk dictate to me like that?"

"He is certain to disapprove of your going when he hears of the invitation. What will you do?"

Ruth's eyes opened. For a moment she looked almost ugly.

"What shall I do? Why, go, of course."

She clenched her teeth. A woman's mind can work curiously, and she was associating Kirk with Bailey in what she considered an unwarrantable intrusion into her private affairs. It was as if Kirk, and not Bailey, were standing there, demanding that she should not associate with Basil Milbank.

"I shall make it my business," said Bailey, "to warn Kirk that this man is not a desirable companion for you."

The discussion of this miserable yacht affair had brought back to Bailey all the jealousy which he had felt when Sybil had first told him of it. All the vague stories he had ever heard about Basil were surging in his mind like waves of some corrosive acid. He had become a leading member of the extreme wing of the anti-Milbank party. He regarded Basil with the aversion which a dignified pigeon might feel for a circling hawk; and he was now looking on this yacht party as a deadly peril from which Ruth must be saved at any cost.

"I shall speak to him very strongly," he added.

Ruth's suppressed anger blazed up in the sudden way which before now had disconcerted her brother.

"Bailey, what do you mean by coming here and saying this sort of thing? You're becoming a perfect old woman. You spend your whole time prying into other people's affairs. I'm sorry for Sybil."

Bailey cast one reproachable look at her and left the room with pained dignity. Something seemed to tell him that no good could come to him from a prolongation of the interview. Ruth, in this mood, always had been too much for him, and always would be. Well, he had done his duty as far as he was concerned. It now remained to do the same by Kirk.

He hailed a taxi and drove to the studio.

Kirk was busy and not anxious for conversation, least of all with Bailey. He had not forgotten their last tete-a-tete.

Bailey, however, was regarding him with a feeling almost of friendliness. They were bound together by a common grievance against Basil Milbank.

"I came here, Winfield," he said, after a few moments of awkward conversation on neutral topics, "because I understand that this man Milbank has invited Ruth to join his yacht party."

"What yacht party?"

"This man Milbank is taking a party for a cruise shortly in his yacht."

"Who is Milbank?"

"Surely you have met him? Yes, he was at my house one night when you and Ruth dined there shortly after your return."

"I don't remember him. However, it doesn't matter. But why does the fact that he has asked Ruth on his yacht excite you? Are you nervous about the sea?"

"I dislike this man Milbank very much, Winfield. I think Ruth sees too much of him."

Kirk stiffened. His eyebrows rose the fraction of an inch.

"Oh?" he said.

It seemed to Bailey for an instant that he had been talking all his life to people who raised their eyebrows and said "Oh!" but he continued manfully.

"I do not think that Ruth should know him, Winfield."

"Wouldn't Ruth be rather a good judge of that?"

His tone nettled Bailey, but the man conscious of doing his duty acquires an artificial thickness of skin, and he controlled himself. But he had lost that feeling of friendliness, of sympathy with a brother in misfortune which he had brought in with him.

"I disagree with you entirely," he said.

"Another thing," went on Kirk. "If this man Milbank—I still can't place him—is such a thug, or whatever it is that he happens to be, how did he come to be at your house the night you say I met him?"

Bailey winced. He wished the world was not perpetually reminding him that Basil and Sybil were on speaking terms.

"Sybil invited him. I may say he has asked Sybil to make one of the yacht party. I absolutely forbade it."

"But, Heavens! What's wrong with the man?"

"He has a bad reputation."

"Has he, indeed!"

"And I wish my wife to associate with him as little as possible. And I should advise you to forbid Ruth to see more of him than she can help."

Kirk laughed. The idea struck him as comic.

"My good man, I don't forbid Ruth to do things."

Bailey, objecting to being called any one's good man, especially Kirk's, permitted his temper to get the better of him.

"Then you should," he snapped. "I have no wish to quarrel with you. I came in here in a friendly spirit to warn you; but I must say that for a man who married a girl, as you married Ruth, in direct opposition to the wishes of her family, you take a curious view of your obligations. Ruth has always been a headstrong, impulsive girl, and it is for you to see that she is protected from herself. If you are indifferent to her welfare, then all I can say is that you should not have married her. You appear to think otherwise. Good afternoon."

He stalked out of the studio, leaving Kirk uncomfortably conscious that he had had the worst of the argument. Bailey had been officious, no doubt, and his pompous mode of expression was not soothing, but there was no doubt that he had had right on his side.

Marrying Ruth did not involve obligations. He had never considered her in that light, but perhaps she was a girl who had to be protected from herself. She was certainly impulsive. Bailey had been right there, if nowhere else.

Who was this fellow Milbank who had sprung suddenly from nowhere into the position of a menace? What were Ruth's feelings toward him? Kirk threw his mind back to the dinner-party at Bailey's and tried to place him.

Was it the man—yes, he had it now. It was the man with the wave of hair over his forehead, the fellow who looked like a poet. Memory came to him with a rush. He recalled his instinctive dislike for the fellow.

So that was Milbank, was it? He got up and put away his brushes. There would be no more work for him that afternoon.

He walked slowly home. The heat of the day had grown steadily more oppressive. It was one of those airless, stifling afternoons which afflict New York in the summer. He remembered seeing something about a record in the evening paper which he had bought on his way to the studio, a whole column about heat and humidity. It certainly felt unusually warm even for New York.

It was one of those days when nerves are strained, when molehills become mountains, and mountains are all Everests. He had felt it when he talked with Ruth about Bill and the squirrels, and he felt it now. He was conscious of being extraordinarily irritated, not so much with any particular person as with the world in general. The very vagueness of Bailey's insinuations against Basil Milbank increased his resentment.

What a pompous ass Bailey was! What a fool he had been to give Bailey such a chance of snubbing him! What an extraordinarily futile and unpleasant world it was altogether!

He braced himself with an effort. It was this heat which was making him magnify trifles. Bailey was a fool. Probably there was nothing whatever wrong with this fellow Milbank. Probably he had some personal objection to the man, and that was all.

And yet the image of Basil which had come back to his mind was not reassuring. He had mistrusted him that night, and he mistrusted him now.

What should he do? Ruth was not Sybil. She was not the sort of woman a man could forbid to do things. It would require tact to induce her to refuse Basil's invitation.

As he reached the door an idea came to him, so simple that he wondered that it had not occurred to him before. It was, perhaps, an echo of his conversation with Steve.

He would get Ruth to come away with him to the shack in the Connecticut woods. As he dwelt on the idea the heat of the day seemed to become less oppressive and his heart leaped. How cool and pleasant it would be out there! They would take Bill with them and live the simple life again, in the country this time instead of in town. Perhaps out there, far away from the over-crowded city, he and Ruth would be able to come to an understanding and bridge over that ghastly gulf.

As for his work, he could do that as well in the woods as in New York. And, anyhow, he had earned a vacation. For days Mr. Penway had been hinting that the time had arrived for a folding of the hands.

Mr. Penway's views on New York and its record humidity were strong and crisply expressed. His idea, he told Kirk, was that some sport with a heart should loan him a couple of hundred bucks and let him beat it to the seashore before he melted.

In the drawing-room Ruth was playing the piano softly, as she had done so often at the studio. Kirk went to her and kissed her. A marked coolness in her reception of the kiss increased the feeling of nervousness which he had felt at the sight of her. It came back to him that they had parted that afternoon, for the first time, on definitely hostile terms.

He decided to ignore the fact. Something told him that Ruth had not forgotten, but it might be that cheerfulness now would blot out the resentment of past irritability.

But in his embarrassment he was more than cheerful. As Steve had been on the occasion of his visit to old John Bannister, he was breezy, breezy with an effort that was as painful to Ruth as it was to himself, breezy with a horrible musical comedy breeziness.

He could have adopted no more fatal tone with Ruth at that moment. All the afternoon she had been a complicated tangle of fretted nerves. Her quarrel with Kirk, Bailey's visit, a conscience that would not lie down and go to sleep at her orders, but insisted on running riot—all these things had unfitted her to bear up amiably under sudden, self-conscious breeziness.

And the heat of the day, charged now with the oppressiveness of long-overdue thunder, completed her mood. When Kirk came in and began to speak, the softest notes of the human voice would have jarred upon her. And Kirk, in his nervousness, was almost shouting.

His voice rang through the room, and Ruth winced away from it like a stricken thing. From out of the hell of nerves and heat and interfering brothers there materialized itself, as she sat there, a very vivid hatred of Kirk.

Kirk, meanwhile, uneasy, but a little guessing at the fury behind Ruth's calm face, was expounding his great scheme, his panacea for all the ills of domestic misunderstandings and parted lives.

"Ruth, old girl."

Ruth shuddered.

"Ruth, old girl, I've had a bully good idea. It's getting too warm for anything in New York. Did you ever feel anything like it is to-day? Why shouldn't you and I pop down to the shack and camp out there for a week or so? And we would take Bill with us. Just we three, with somebody to do the cooking. It would be great. What do you say?"

What Ruth said languidly was: "It's quite impossible."

It was damping; but Kirk felt that at all costs he must refuse to be damped. He clutched at his cheerfulness and held it.

"Nonsense," he retorted. "Why is it impossible? It's a great idea."

Ruth half hid a yawn. She knew she was behaving abominably, and she was glad of it.

"It's impossible as far as I'm concerned. I have a hundred things to do before I can leave New York."

"Well, I could do with a day or two to clear up a few bits of work I have on hand. Why couldn't we start this day week?"

"It is out of the question for me. About then I shall be on Mr. Milbank's yacht. He has invited me to join his party. The actual day is not settled, but it will be in about a week's time."

"Oh!" said Kirk.

Ruth said nothing.

"Have you accepted the invitation?"

"I have not actually answered his letter. I was just going to when you came in."

"But you mean to accept it?"

"Certainly. Several of my friends will be there. Sybil for one."

"Not Sybil."

"Oh, I know Bailey has made some ridiculous objection to her going, but I mean to persuade her."

Kirk did not answer. She looked at him steadily.

"So Bailey did call on you this afternoon? He told me he was going to, but I hoped he would think better of it. But apparently there are no limits to Bailey's stupidity."

"Yes, Bailey came to the studio. He seemed troubled about this yacht party."

"Did he advise you to forbid me to go?"

"Well, yes; he did."

"And now you have come to do it?"

"Not at all. I told Bailey that you were not the sort of woman one forbade to do things."

"I'm not."

There was a pause.

"All the same, I wish you wouldn't go."

Ruth did not answer.

"It would be very jolly out at the shack."

Ruth shuddered elaborately and gave a little laugh.

"Would it? It's rather a question of taste. Personally, I can't imagine anything more depressing and uncomfortable than being cooped up in a draughty frame house miles away from anywhere. There's no reason why you should not go, though, if you like that sort of thing. Of course, you must not take Bill."

"Why not?"

Kirk spoke calmly enough, but he was very near the breaking point. All his good resolutions had vanished under the acid of Ruth's manner.

"I couldn't let him rough it like that. Aunt Lora would have a fit."

Conditions being favourable, it only needs a spark to explode a powder magazine; and there are moments when a word can turn an outwardly calm and patient man into a raging maniac. This introduction of Mrs. Porter's name into the discussion at this particular point broke down the last remnants of Kirk's self-control.

For a few seconds his fury so mastered him that he could not speak. Then, suddenly, the storm passed and he found himself cool and venomous. He looked at Ruth curiously. It seemed incredible to him that he had ever loved her.

"We had better get this settled," he said in a hard, quiet voice.

Ruth started. She had never heard him speak like this before. She had not imagined him capable of speaking in that way. Even in the days when she had loved him most she had never looked up to him. She had considered his nature weak, and she had loved his weakness. Except in the case of her father, she had always dominated the persons with whom she mixed; and she had taken it for granted that her will was stronger than Kirk's. Something in his voice now told her that she had under-estimated him.

"Get what settled?" she asked, and was furious with herself because her voice shook.

"Is Mrs. Porter the mother of the child, or are you? What has Mrs. Porter to do with it? Why should I ask her permission? How does it happen to be any business of Mrs. Porter's at all?"

Ruth felt baffled. He was giving her no chance to take the offensive. There was nothing in his tone which she could openly resent. He was not shouting at her, he was speaking quietly. There was nothing for her to do but answer the question, and she knew that her answer would give him another point in the contest. Even as she spoke she knew that her words were ridiculous.

"Aunt Lora has been wonderful with him. No child could have been better looked after."

"I know she has used him as a vehicle for her particular form of insanity, but that's not the point. What I am asking is why she was introduced at all."

"I told you. When you were away, Bill nearly——"

"Died. I know. I'm not forgetting that. And naturally for a time you were frightened. It is just possible that for the moment you lost your head and honestly thought that Mrs. Porter's methods were the only chance for him. But that state of mind could not last all the time with you. You are not a crank like your aunt. You are a perfectly sensible, level-headed woman. And you must have seen the idiocy of it all long before I came back. Why did you let it go on?"

Ruth did not answer.

"I will tell you why. Because it saved you trouble. Because it gave you more leisure for the sort of futile waste of time which seems to be the only thing you care for nowadays. Don't trouble to deny it. Do you think I haven't seen in these last few months that Bill bores you to death? Oh, I know you always have some perfect excuse for keeping away from him. It's too much trouble for you to be a mother to him, so you hedge with your conscience by letting Mrs. Porter pamper him and sterilize his toys and all the rest of it, and try to make yourself think that you have done your duty to him. You know that, as far as everything goes that matters, any tenement child is better off than Bill."

"I——"

"You had better let me finish what I have got to say. I will be as brief as I can. That is my case as regards Bill. Now about myself. What do you think I am made of? I've stood it just as long as I could; you have tried me too hard. I'm through. Heaven knows why it should have come to this. It is not so very long ago that Bill was half the world to you and I was the other half. Now, apparently, there is not room in your world for either of us."

Ruth had risen. She was trembling.

"I think we had better end this."

He broke in on her words.

"End it? Yes, you're right. One way or the other. Either go back to the old life or start a new one. What we are living now is a horrible burlesque."

"What do you mean? How start a new life?"

"I mean exactly what I say. In the life you are living now I am an anachronism. I'm a survival. I'm out of date and in the way. You would be freer without me."

"That's absurd."

"Is the idea so novel? Is our marriage the only failure in New York?"

"Do you mean that we ought to separate?"

"Only a little more, a very little more, than we are separated now. Never see each other again instead of seeing each other for a few minutes every day. It's not a very big step to take."

Ruth sat down and rested her chin on her hand, staring at nothing. Kirk went to the window and looked out.

Over the park the sky was black. In the room behind him the light had faded till it seemed as if night were come. The air was heavy and stifling. A flicker of lightning came and went in the darkness over the trees.

He turned abruptly.

"It is the only reasonable thing to do. Our present mode of life is a farce. We are drifting farther apart every day. Perhaps I have changed. I know you have. We are two strangers chained together. We have made a muddle of it, and the best thing we can do is to admit it.

"I am no good to you. I have no part in your present life. You're the queen and I'm just the prince consort, the fellow who happens to be Mrs. Winfield's husband. It's not a pleasant part to have to play, and I have had enough of it. We had better separate before we hate each other. You have your amusements. I have my work. We can continue them apart. We shall both be better off."

He stopped. Ruth did not speak. She was still sitting in the same attitude. It was too dark to see her face. It formed a little splash of white in the dusk. She did not move.

Kirk went to the door.

"I'm going up to say good-bye to Bill. Have you anything to say against that? And I shall say good-bye to him in my own way."

She made no sign that she had heard him.

"Good-bye," he said again.

The door closed.

Up in the nursery Bill crooned to himself as he played on the floor. Mamie sat in a chair, sewing. The opening of the door caused them to look up simultaneously.

"Hello," said Bill.

His voice was cordial without being enthusiastic. He was glad to see Kirk, but tin soldiers were tin soldiers and demanded concentrated attention. When you are in the middle of intricate manoeuvres you cannot allow yourself to be more than momentarily distracted by anything.

"Mamie," said Kirk hoarsely, "go out for a minute, will you? I shan't be long."

Mamie obediently departed. Later, when Keggs was spreading the news of Kirk's departure in the servants' hall, she remembered that his manner had struck her as strange.

Kirk sat down in the chair she had left and looked at Bill. He felt choked. There was a mist before his eyes.

"Bill."

The child, absorbed in his game, did not look up.

"Bill, old man, come here a minute. I've something to say."

Bill looked up, nodded, moved a couple of soldiers, and got up. He came to Kirk's side. His chosen mode of progression at this time was a kind of lurch. He was accustomed to breathe heavily during the journey, and on arrival at the terminus usually shouted triumphantly.

Kirk put an arm round him. Bill stared gravely up into his face. There was a silence. From outside came a sudden rumbling crash. Bill jumped.

"Funder," he said in a voice that shook a little.

"Not afraid of thunder, are you?" said Kirk.

Bill shook his head stoutly.

"Bill."

"Yes, daddy?"

Kirk fought to keep his voice steady.

"Bill, old man, I'm afraid you won't see me again for some time. I'm going away."

"In a ship?"

"No, not in a ship."

"In a train?"

"Perhaps."

"Take me with you, daddy."

"I'm afraid I can't, Bill."

"Shan't I ever see you again?"

Kirk winced. How direct children are! What was it they called it in the papers? "The custody of the child." How little it said and how much it meant!

The sight of Bill's wide eyes and quivering mouth reminded him that he was not the only person involved in the tragedy of those five words. He pulled himself together. Bill was waiting anxiously for an answer to his question. There was no need to make Bill unhappy before his time.

"Of course you will," he said, trying to make his voice cheerful.

"Of course I will," echoed Bill dutifully.

Kirk could not trust himself to speak again. The old sensation of choking had come back to him. The room was a blur.

He caught Bill to him in a grip that made the child cry out, held him for a long minute, then put him gently down and made blindly for the door.

The storm had burst by the time Kirk found himself in the street. The thunder crashed and great spears of lightning flashed across the sky. A few heavy drops heralded the approach of the rain, and before he had reached the corner it was beating down in torrents.

He walked on, raising his face to the storm, finding in it a curious relief. A magical coolness had crept into the air, and with it a strange calm into his troubled mind. He looked back at the scene through which he had passed as at something infinitely remote. He could not realize distinctly what had happened. He was only aware that everything was over, that with a few words he had broken his life into small pieces. Too impatient to unravel the tangled knot, he had cut it, and nothing could mend it now.

"Why?"

The rain had ceased as suddenly as it had begun. The sun was struggling through a mass of thin cloud over the park. The world was full of the drip and rush of water. All that had made the day oppressive and strained nerves to breaking point had gone, leaving peace behind. Kirk felt like one waking from an evil dream.

"Why did it happen?" he asked himself. "What made me do it?"

A distant rumble of thunder answered the question.



Chapter VIII

Steve to the Rescue

It is an unfortunate fact that, when a powder-magazine explodes, the damage is not confined to the person who struck the match, but extends to the innocent bystanders. In the present case it was Steve Dingle who sustained the worst injuries.

Of the others who might have been affected, Mrs. Lora Delane Porter was bomb-proof. No explosion in her neighbourhood could shake her. She received the news of Kirk's outbreak with composure. Privately, in her eugenic heart, she considered his presence superfluous now that William Bannister was safely launched upon his career.

In the drama of which she was the self-appointed stage-director, Kirk was a mere super supporting the infant star. Her great mind, occupied almost entirely by the past and the future, took little account of the present. So long as Kirk did not interfere with her management of Bill, he was at liberty, so far as she was concerned, to come or go as he pleased.

Steve could not imitate her admirable detachment. He was a poor philosopher, and all that his mind could grasp was that Kirk was in trouble and that Ruth had apparently gone mad.

The affair did not come to his ears immediately. He visited the studio at frequent intervals and found Kirk there, working hard and showing no signs of having passed through a crisis which had wrecked his life. He was quiet, it is true, but then he was apt to be quiet nowadays.

Probably, if it had not been for Keggs, he would have been kept in ignorance of what had happened for a time.

Walking one evening up Broadway, he met Keggs taking the air and observing the night-life of New York like himself.

Keggs greeted Steve with enthusiasm. He liked Steve, and it was just possible that Steve might not have heard about the great upheaval. He suggested a drink at a neighbouring saloon.

"We have not seen you at our house lately, Mr. Dingle," he remarked, having pecked at his glass of beer like an old, wise bird.

He looked at Steve with a bright eye, somewhat puffy at the lids, but full of life.

"No," said Steve. "That's right. Guess I must have been busy."

Keggs uttered a senile chuckle and drank more beer.

"They're rum uns," he went on. "I've been in some queer places, but this beats 'em all."

"What do you mean?" inquired Steve, as a second chuckle escaped his companion.

"Why, it's come to an 'ead, things has, Mr. Dingle. That's what I mean. You won't have forgotten all about the pampering of that child what I told you of quite recent. Well, it's been and come to an 'ead."

"Yes? Continue, colonel. This listens good."

"You ain't 'eard?"

"Not a word."

Keggs smiled a happy smile and sipped his beer. It did the old man good, finding an entirely new audience like this.

"Why, Mr. Winfield 'as packed up and left."

Steve gasped.

"Left!" he cried. "Not quit? Not gone for good?"

"For his own good, I should say. Finds himself better off away from it all, if you ask me. But 'adn't you reelly heard, Mr. Dingle? God bless my soul! I thought it was public property by now, that little bit of noos. Why, Mr. Winfield 'asn't been living with us for the matter of a week or more."

"For the love of Mike!"

"I'm telling you the honest truth, Mr. Dingle. Two weeks ago come next Saturday Mr. Winfield meets me in the 'all looking wild and 'arassed—it was the same day there was that big thunder-storm—and he looks at me, glassy like, and says to me: 'Keggs, 'ave my bag packed and my boxes, too; I'm going away for a time. I'll send a messenger for 'em.' And out he goes into the rain, which begins to come down cats and dogs the moment he was in the street.

"I start to go out after him with his rain-coat, thinking he'd get wet before he could find a cab, they being so scarce in this city, not like London, where you simply 'ave to raise your 'and to 'ave a dozen flocking round you, but he don't stop; he just goes walking off through the rain and all, and I gets back into the house, not wishing to be wetted myself on account of my rheumatism, which is always troublesome in the damp weather. And I says to myself: ''Ullo, 'ullo, 'ullo, what's all this?'

"See what I mean? I could tell as plain as if I'd been in the room with them that they had been having words. And since that day 'e ain't been near the 'ouse, and where he is now is more than I can tell you, Mr. Dingle."

"Why, he's at the studio."

"At the studio, is he? Well, I shouldn't wonder if he wasn't better off. 'E didn't strike me as a man what was used to the ways of society. He's happier where he is, I expect."

And, having summed matters up in this philosophical manner, Keggs drained his glass and cocked an expectant eye at Steve.

Steve obeyed the signal and ordered a further supply of the beer for which Mr. Keggs had a plebian and unbutlerlike fondness. His companion turned the conversation to the prospects of one of that group of inefficient middleweights whom Steve so heartily despised, between whom and another of the same degraded band a ten-round contest had been arranged and would shortly take place.

Ordinarily this would have been a subject on which Steve would have found plenty to say, but his mind was occupied with what he had just heard, and he sat silent while the silver-haired patron of sport opposite prattled on respecting current form.

Steve felt stunned. It was unthinkable that this thing had really occurred.

Mr. Keggs, sipping beer, discussed the coming fight. He weighed the alleged left hook of one principal against the much-advertised right swing of the other. He spoke with apprehension of a yellow streak which certain purists claimed to have discovered in the gladiator on whose chances he proposed to invest his cash.

Steve was not listening to him. A sudden thought had come to him, filling his mind to the exclusion of all else.

The recollection of his talk with Kirk at the studio had come back to him. He had advised Kirk, as a solution of his difficulties, to kidnap the child and take him to Connecticut. Well, Kirk was out of the running now, but he, Steve, was still in it.

He would do it himself.

The idea thrilled him. It was so in keeping with his theory of the virtue of the swift and immediate punch, administered with the minimum of preliminary sparring. There was a risk attached to the scheme which appealed to him. Above all, he honestly believed that it would achieve its object, the straightening out of the tangle which Ruth and Kirk had made of their lives.

When once an idea had entered Steve's head he was tenacious of it. He had come to the decision that Ruth needed what he called a jolt to bring her to herself, much as a sleep-walker is aroused by the touch of a hand, and he clung to it.

He interrupted Mr. Keggs in the middle of a speech touching on his man's alleged yellow streak.

"Will you be at home to-night, colonel?" he asked.

"I certainly will, Mr. Dingle."

"Mind if I look in?"

"I shall be delighted. I can offer you a cigar that I think you'll appreciate, and we can continue this little chat at our leisure. Mrs. Winfield's dining out, and that there Porter, thank Gawd, 'as gone to Boston."



Chapter IX

At One in the Morning

William Bannister Winfield slept the peaceful sleep of childhood in his sterilized cot. The light gleamed faintly on the white tiles. It lit up the brass knobs on the walls, the spotless curtains, the large thermometer.

An intruder, interested in these things, would have seen by a glance at this last that the temperature of the room was exactly that recommended by doctors as the correct temperature for the nursery of a sleeping child; no higher, no lower. The transom over the door was closed, but the window was open at the top to precisely the extent advocated by the authorities, due consideration having been taken for the time of year and the condition of the outer atmosphere.

The hour was one in the morning.

Childhood is a readily adaptable time of life, and William Bannister, after a few days of blank astonishment, varied by open mutiny, had accepted the change in his surroundings and daily existence with admirable philosophy. His memory was not far-reaching, and, as time went on and he began to accommodate himself to the new situation, he had gradually forgotten the days at the studio, as, it is to be supposed, he had forgotten the clouds of glory which he had trailed on his entry into this world. If memories of past bear-hunts among the canvases on the dusty floor ever came to him now, he never mentioned it.

A child can weave romance into any condition of life in which fate places him; and William Bannister had managed to interest himself in his present existence with a considerable gusto. Scraps of conversation between Mrs. Porter and Mamie, overheard and digested, had given him a good working knowledge of the system of hygiene of which he was the centre. He was vague as to details, but not vaguer than most people.