SET. O lord, sir, what d'ye mean? Corrupt my honesty? They have indeed very persuading faces. But—

SIR JO. 'Tis too little, there's more, man. There, take all. Now—

SET. Well, Sir Joseph, you have such a winning way with you—

SIR JO. And how, and how, good Setter, did the little rogue look when she talked of Sir Joseph? Did not her eyes twinkle and her mouth water? Did not she pull up her little bubbies? And—agad, I'm so overjoyed—And stroke down her belly? and then step aside to tie her garter when she was thinking of her love? Heh, Setter!

SET. Oh, yes, sir.

SIR JO. How now, bully? What, melancholy because I'm in the lady's favour? No matter, I'll make your peace: I know they were a little smart upon you. But I warrant I'll bring you into the lady's good graces.

BLUFF. Pshaw, I have petitions to show from other-guess toys than she. Look here; these were sent me this morning. There, read. [Shows letters]. That—that's a scrawl of quality. Here, here's from a countess too. Hum—No, hold—that's from a knight's wife—she sent it me by her husband. But here, both these are from persons of great quality.

SIR JO. They are either from persons of great quality, or no quality at all, 'tis such a damned ugly hand. [While SIR JOSEPH reads, BLUFFE whispers SETTER.]

SET. Captain, I would do anything to serve you; but this is so difficult.

BLUFF. Not at all. Don't I know him?

SET. You'll remember the conditions?

BLUFF. I'll give it you under my hand. In the meantime, here's earnest. [Gives him money.] Come, knight, I'm capitulating with Mr. Setter for you.

SIR JO. Ah, honest Setter; sirrah, I'll give thee anything but a night's lodging.

SCENE VIII.

SHARPER tugging in HEARTWELL.

SHARP. Nay, prithee leave railing, and come along with me. May be she mayn't be within. 'Tis but to yond corner-house.

HEART. Whither? Whither? Which corner-house.

SHARP. Why, there: the two white posts.

HEART. And who would you visit there, say you? (O'ons, how my heart aches.)

SHARP. Pshaw, thou'rt so troublesome and inquisitive. My, I'll tell you; 'tis a young creature that Vainlove debauched and has forsaken. Did you never hear Bellmour chide him about Sylvia?

HEART. Death, and hell, and marriage! My wife! [Aside.]

SHARP. Why, thou art as musty as a new-married man that had found his wife knowing the first night.

HEART. Hell, and the Devil! Does he know it? But, hold; if he should not, I were a fool to discover it. I'll dissemble, and try him. [Aside.] Ha, ha, ha. Why, Tom, is that such an occasion of melancholy? Is it such an uncommon mischief?

SHARP. No, faith; I believe not. Few women but have their year of probation before they are cloistered in the narrow joys of wedlock. But, prithee, come along with me or I'll go and have the lady to myself. B'w'y George. [Going.]

HEART. O torture! How he racks and tears me! Death! Shall I own my shame or wittingly let him go and whore my wife? No, that's insupportable. O Sharper!

SHARP. How now?

HEART. Oh, I am married.

SHARP. (Now hold, spleen.) Married!

HEART. Certainly, irrecoverably married.

SHARP. Heaven forbid, man! How long?

HEART. Oh, an age, an age! I have been married these two hours.

SHARP. My old bachelor married! That were a jest. Ha, ha, ha.

HEART. Death! D'ye mock me? Hark ye, if either you esteem my friendship, or your own safety—come not near that house—that corner- house—that hot brothel. Ask no questions.

SHARP. Mad, by this light.

Thus grief still treads upon the heels of pleasure: Married in haste, we may repent at leisure.

SCENE IX.

SHARPER, SETTER.

SET. Some by experience find these words misplaced: At leisure married, they repent in haste.

As I suppose my master Heartwell.

SHARP. Here again, my Mercury!

SET. Sublimate, if you please, sir: I think my achievements do deserve the epithet—Mercury was a pimp too, but, though I blush to own it, at this time, I must confess I am somewhat fallen from the dignity of my function, and do condescend to be scandalously employed in the promotion of vulgar matrimony.

SHARP. As how, dear, dexterous pimp?

SET. Why, to be brief, for I have weighty affairs depending—our stratagem succeeded as you intended—Bluffe turns errant traitor; bribes me to make a private conveyance of the lady to him, and put a shame-settlement upon Sir Joseph.

SHARP. O rogue! Well, but I hope—

SET. No, no; never fear me, sir. I privately informed the knight of the treachery, who has agreed seemingly to be cheated, that the captain may be so in reality.

SHARP. Where's the bride?

SET. Shifting clothes for the purpose, at a friend's house of mine. Here's company coming; if you'll walk this way, sir, I'll tell you.

SCENE X.

BELLMOUR, BELINDA, ARAMINTA, and VAINLOVE.

VAIN. Oh, 'twas frenzy all: cannot you forgive it? Men in madness have a title to your pity. [To ARAMINTA.]

ARAM. Which they forfeit, when they are restored to their senses.

VAIN. I am not presuming beyond a pardon.

ARAM. You who could reproach me with one counterfeit, how insolent would a real pardon make you! But there's no need to forgive what is not worth my anger.

BELIN. O' my conscience, I could find in my heart to marry thee, purely to be rid of thee—at least thou art so troublesome a lover, there's hopes thou'lt make a more than ordinary quiet husband. [To BELLMOUR.]

BELL. Say you so? Is that a maxim among ye?

BELIN. Yes: you fluttering men of the mode have made marriage a mere French dish.

BELL. I hope there's no French sauce. [Aside.]

BELIN. You are so curious in the preparation, that is, your courtship, one would think you meant a noble entertainment—but when we come to feed, 'tis all froth, and poor, but in show. Nay, often, only remains, which have been I know not how many times warmed for other company, and at last served up cold to the wife.

BELL. That were a miserable wretch indeed, who could not afford one warm dish for the wife of his bosom. But you timorous virgins form a dreadful chimaera of a husband, as of a creature contrary to that soft, humble, pliant, easy thing, a lover; so guess at plagues in matrimony, in opposition to the pleasures of courtship. Alas! courtship to marriage, is but as the music in the play-house, until the curtain's drawn; but that once up, then opens the scene of pleasure.

BELIN. Oh, foh,—no: rather courtship to marriage, as a very witty prologue to a very dull play.

SCENE XI.

[To them] SHARPER.

SHARP. Hist! Bellmour. If you'll bring the ladies, make haste to Sylvia's lodgings, before Heartwell has fretted himself out of breath.

BELL. You have an opportunity now, madam, to revenge yourself upon Heartwell, for affronting your squirrel. [To BELINDA.]

BELIN. Oh, the filthy rude beast.

ARAM. 'Tis a lasting quarrel; I think he has never been at our house since.

BELL. But give yourselves the trouble to walk to that corner-house, and I'll tell you by the way what may divert and surprise you.

SCENE XII.

SCENE: Sylvia's Lodgings.

HEARTWELL and BOY.

HEART. Gone forth, say you, with her maid?

BOY. There was a man too, that fetched them out—Setter, I think they called him.

HEART. So-h—that precious pimp too—damned, damned strumpet! could she not contain herself on her wedding-day? not hold out till night? Oh, cursed state! how wide we err, when apprehensive of the load of life.

We hope to find That help which Nature meant in womankind, To man that supplemental self-designed; But proves a burning caustic when applied, And Adam, sure, could with more ease abide The bone when broken, than when made a bride.



SCENE XIII.

[To him] BELLMOUR, BELINDA, VAINLOVE, ARAMINTA.

BELL. Now George, what, rhyming! I thought the chimes of verse were past, when once the doleful marriage-knell was rung.

HEART. Shame and confusion, I am exposed. [VAINLOVE and ARAMINTA talk apart.]

BELIN. Joy, joy, Mr. Bridegroom; I give you joy, sir.

HEART. 'Tis not in thy nature to give me joy. A woman can as soon give immortality.

BELIN. Ha, ha, ha! oh Gad, men grow such clowns when they are married.

BELL. That they are fit for no company but their wives.

BELIN. Nor for them neither, in a little time. I swear, at the month's end, you shall hardly find a married man that will do a civil thing to his wife, or say a civil thing to anybody else. How he looks already, ha, ha, ha.

BELL. Ha, ha, ha!

HEART. Death, am I made your laughing-stock? For you, sir, I shall find a time; but take off your wasp here, or the clown may grow boisterous; I have a fly-flap.

BELIN. You have occasion for't, your wife has been blown upon.

BELL. That's home.

HEART. Not fiends or furies could have added to my vexation, or anything, but another woman. You've racked my patience; begone, or by—

BELL. Hold, hold. What the devil—thou wilt not draw upon a woman?

VAIN. What's the matter?

ARAM. Bless me! what have you done to him?

BELIN. Only touched a galled beast until he winced.

VAIN. Bellmour, give it over; you vex him too much. 'Tis all serious to him.

BELIN. Nay, I swear, I begin to pity him myself.

HEART. Damn your pity!—but let me be calm a little. How have I deserved this of you? any of ye? Sir, have I impaired the honour of your house, promised your sister marriage, and whored her? Wherein have I injured you? Did I bring a physician to your father when he lay expiring, and endeavour to prolong his life, and you one and twenty? Madam, have I had an opportunity with you and baulked it? Did you ever offer me the favour that I refused it? Or—

BELIN. Oh foh! what does the filthy fellow mean? Lord, let me be gone.

ARAM. Hang me, if I pity you; you are right enough served.

BELL. This is a little scurrilous though.

VAIN. Nay, 'tis a sore of your own scratching—well, George?

HEART. You are the principal cause of all my present ills. If Sylvia had not been your mistress, my wife might have been honest.

VAIN. And if Sylvia had not been your wife, my mistress might have been just. There, we are even. But have a good heart, I heard of your misfortune, and come to your relief.

HEART. When execution's over, you offer a reprieve.

VAIN. What would you give?

HEART. Oh! Anything, everything, a leg or two, or an arm; nay, I would be divorced from my virility to be divorced from my wife.

SCENE XIV.

[To them] SHARPER.

VAIN. Faith, that's a sure way: but here's one can sell you freedom better cheap.

SHARP. Vainlove, I have been a kind of a godfather to you yonder. I have promised and vowed some things in your name which I think you are bound to perform.

VAIN. No signing to a blank, friend.

SHARP. No, I'll deal fairly with you. 'Tis a full and free discharge to Sir Joseph Wittal and Captain Bluffe; for all injuries whatsoever, done unto you by them, until the present date hereof. How say you?

VAIN. Agreed.

SHARP. Then, let me beg these ladies to wear their masks, a moment. Come in, gentlemen and ladies.

HEART. What the devil's all this to me?

VAIN. Patience.

SCENE the Last

[To them] SIR JOSEPH, BLUFFE, SYLVIA, LUCY, SETTER.

BLUFF. All injuries whatsoever, Mr. Sharper.

SIR JO. Ay, ay, whatsoever, Captain, stick to that; whatsoever.

SHARP. 'Tis done, these gentlemen are witnesses to the general release.

VAIN. Ay, ay, to this instant moment. I have passed an act of oblivion.

BLUFF. 'Tis very generous, sir, since I needs must own—

SIR JO. No, no, Captain, you need not own, heh, heh, heh. 'Tis I must own—

BLUFF.—That you are over-reached too, ha, ha, ha, only a little art military used—only undermined, or so, as shall appear by the fair Araminta, my wife's permission. Oh, the devil, cheated at last! [LUCY unmasks.]

SIR JO. Only a little art-military trick, captain, only countermined, or so. Mr. Vainlove, I suppose you know whom I have got—now, but all's forgiven.

VAIN. I know whom you have not got; pray ladies convince him. [ARAM. and BELIN. unmask.]

SIR JO. Ah! oh Lord, my heart aches. Ah! Setter, a rogue of all sides.

SHARP. Sir Joseph, you had better have pre-engaged this gentleman's pardon: for though Vainlove be so generous to forgive the loss of his mistress, I know not how Heartwell may take the loss of his wife. [SYLVIA unmasks.]

HEART. My wife! By this light 'tis she, the very cockatrice. O Sharper! Let me embrace thee. But art thou sure she is really married to him?

SET. Really and lawfully married, I am witness.

SHARP. Bellmour will unriddle to you. [HEARTWELL goes to BELLMOUR.]

SIR JO. Pray, madam, who are you? For I find you and I are like to be better acquainted.

SYLV. The worst of me is, that I am your wife—

SHARP. Come, Sir Joseph, your fortune is not so bad as you fear. A fine lady, and a lady of very good quality.

SIR JO. Thanks to my knighthood, she's a lady—

VAIN. That deserves a fool with a better title. Pray use her as my relation, or you shall hear on't.

BLUFF. What, are you a woman of quality too, spouse?

SET. And my relation; pray let her be respected accordingly. Well, honest Lucy, fare thee well. I think, you and I have been play-fellows off and on, any time this seven years.

LUCY. Hold your prating. I'm thinking what vocation I shall follow while my spouse is planting laurels in the wars.

BLUFF. No more wars, spouse, no more wars. While I plant laurels for my head abroad, I may find the branches sprout at home.

HEART. Bellmour, I approve thy mirth, and thank thee. And I cannot in gratitude (for I see which way thou art going) see thee fall into the same snare out of which thou hast delivered me.

BELL. I thank thee, George, for thy good intention; but there is a fatality in marriage, for I find I'm resolute.

HEART. Then good counsel will be thrown away upon you. For my part, I have once escaped; and when I wed again, may she be—ugly, as an old bawd.

VAIN. Ill-natured, as an old maid—

BELL. Wanton, as a young widow—

SHARP. And jealous, as a barren wife.

HEART. Agreed.

BELL. Well; 'midst of these dreadful denunciations, and notwithstanding the warning and example before me, I commit myself to lasting durance.

BELIN. Prisoner, make much of your fetters. [Giving her hand.]

BELL. Frank, will you keep us in countenance?

VAIN. May I presume to hope so great a blessing?

ARAM. We had better take the advantage of a little of our friend's experience first.

BELL. O' my conscience she dares not consent, for fear he should recant. [Aside.] Well, we shall have your company to church in the morning. May be it may get you an appetite to see us fall to before you. Setter, did not you tell me?—

SET. They're at the door: I'll call 'em in.

A DANCE.

BELL. Now set we forward on a journey for life. Come take your fellow- travellers. Old George, I'm sorry to see thee still plod on alone.

HEART. With gaudy plumes and jingling bells made proud, The youthful beast sets forth, and neighs aloud. A morning-sun his tinselled harness gilds, And the first stage a down-hill greensward yields. But, oh— What rugged ways attend the noon of life! Our sun declines, and with what anxious strife, What pain we tug that galling load, a wife. All coursers the first heat with vigour run; But 'tis with whip and spur the race is won.

[Exeunt Omnes.]

EPILOGUE. Spoken by MRS. BARRY.

As a rash girl, who will all hazards run, And be enjoyed, though sure to be undone, Soon as her curiosity is over, Would give the world she could her toy recover, So fares it with our poet; and I'm sent To tell you he already does repent: Would you were all as forward to keep Lent. Now the deed's done, the giddy thing has leisure To think o' th' sting, that's in the tail of pleasure. Methinks I hear him in consideration: What will the world say? Where's my reputation? Now that's at stake. No, fool, 'tis out o' fashion. If loss of that should follow want of wit, How many undone men were in the pit! Why that's some comfort to an author's fears, If he's an ass, he will be tryed by's peers. But hold, I am exceeding my commission: My business here was humbly to petition; But we're so used to rail on these occasions, I could not help one trial of your patience: For 'tis our way, you know, for fear o' th' worst, To be beforehand still, and cry Fool first. How say you, sparks? How do you stand affected? I swear, young Bays within is so dejected, 'Twould grieve your hearts to see him; shall I call him? But then you cruel critics would so maul him! Yet may be you'll encourage a beginner; But how? Just as the devil does a sinner. Women and wits are used e'en much at one, You gain your end, and damn 'em when you've done.



THE DOUBLE-DEALER A COMEDY

Interdum tamen et vocem Comoedia tollit.—HOR. Ar. Po.

Huic equidem consilio palmam do: hic me magnifice effero, qui vim tantam in me et potestatem habeam tantae astutiae, vera dicendo ut eos ambos fallam.

SYR. in TERENT. Heaut.



TO THE RIGHT HONOURABLE CHARLES MONTAGUE, ONE OF THE LORDS OF THE TREASURY.

Sir,—I heartily wish this play were as perfect as I intended it, that it might be more worthy your acceptance, and that my dedication of it to you might be more becoming that honour and esteem which I, with everybody who is so fortunate as to know you, have for you. It had your countenance when yet unknown; and now it is made public, it wants your protection.

I would not have anybody imagine that I think this play without its faults, for I am conscious of several. I confess I designed (whatever vanity or ambition occasioned that design) to have written a true and regular comedy, but I found it an undertaking which put me in mind of Sudet multum, frustraque laboret ausus idem. And now, to make amends for the vanity of such a design, I do confess both the attempt and the imperfect performance. Yet I must take the boldness to say I have not miscarried in the whole, for the mechanical part of it is regular. That I may say with as little vanity as a builder may say he has built a house according to the model laid down before him, or a gardener that he has set his flowers in a knot of such or such a figure. I designed the moral first, and to that moral I invented the fable, and do not know that I have borrowed one hint of it anywhere. I made the plot as strong as I could because it was single, and I made it single because I would avoid confusion, and was resolved to preserve the three unities of the drama. Sir, this discourse is very impertinent to you, whose judgment much better can discern the faults than I can excuse them; and whose good nature, like that of a lover, will find out those hidden beauties (if there are any such) which it would be great immodesty for me to discover. I think I don't speak improperly when I call you a lover of poetry; for it is very well known she has been a very kind mistress to you: she has not denied you the last favour, and she has been fruitful to you in a most beautiful issue. If I break off abruptly here, I hope everybody will understand that it is to avoid a commendation which, as it is your due, would be most easy for me to pay, and too troublesome for you to receive.

I have since the acting of this play harkened after the objections which have been made to it, for I was conscious where a true critic might have put me upon my defence. I was prepared for the attack, and am pretty confident I could have vindicated some parts and excused others; and where there were any plain miscarriages, I would most ingenuously have confessed 'em. But I have not heard anything said sufficient to provoke an answer. That which looks most like an objection does not relate in particular to this play, but to all or most that ever have been written, and that is soliloquy. Therefore I will answer it, not only for my own sake, but to save others the trouble, to whom it may hereafter be objected.

I grant that for a man to talk to himself appears absurd and unnatural, and indeed it is so in most cases; but the circumstances which may attend the occasion make great alteration. It oftentimes happens to a man to have designs which require him to himself, and in their nature cannot admit of a confidant. Such for certain is all villainy, and other less mischievous intentions may be very improper to be communicated to a second person. In such a case, therefore, the audience must observe whether the person upon the stage takes any notice of them at all or no. For if he supposes any one to be by when he talks to himself, it is monstrous and ridiculous to the last degree. Nay, not only in this case, but in any part of a play, if there is expressed any knowledge of an audience, it is insufferable. But otherwise, when a man in soliloquy reasons with himself, and pro's and con's, and weighs all his designs, we ought not to imagine that this man either talks to us or to himself; he is only thinking, and thinking such matter as were inexcusable folly in him to speak. But because we are concealed spectators of the plot in agitation, and the poet finds it necessary to let us know the whole mystery of his contrivance, he is willing to inform us of this person's thoughts; and to that end is forced to make use of the expedient of speech, no other better way being yet invented for the communication of thought.

Another very wrong objection has been made by some who have not taken leisure to distinguish the characters. The hero of the play, as they are pleased to call him (meaning Mellefont), is a gull, and made a fool, and cheated. Is every man a gull and a fool that is deceived? At that rate I'm afraid the two classes of men will be reduced to one, and the knaves themselves be at a loss to justify their title. But if an open-hearted honest man, who has an entire confidence in one whom he takes to be his friend, and whom he has obliged to be so, and who, to confirm him in his opinion, in all appearance and upon several trials has been so: if this man be deceived by the treachery of the other, must he of necessity commence fool immediately, only because the other has proved a villain? Ay, but there was caution given to Mellefont in the first act by his friend Careless. Of what nature was that caution? Only to give the audience some light into the character of Maskwell before his appearance, and not to convince Mellefont of his treachery; for that was more than Careless was then able to do: he never knew Maskwell guilty of any villainy; he was only a sort of man which he did not like. As for his suspecting his familiarity with my Lady Touchwood, let 'em examine the answer that Mellefont makes him, and compare it with the conduct of Maskwell's character through the play.

I would beg 'em again to look into the character of Maskwell before they accuse Mellefont of weakness for being deceived by him. For upon summing up the enquiry into this objection, it may be found they have mistaken cunning in one character for folly in another.

But there is one thing at which I am more concerned than all the false criticisms that are made upon me, and that is, some of the ladies are offended. I am heartily sorry for it, for I declare I would rather disoblige all the critics in the world than one of the fair sex. They are concerned that I have represented some women vicious and affected. How can I help it? It is the business of a comic poet to paint the vices and follies of humankind; and there are but two sexes, male and female, men and women, which have a title to humanity, and if I leave one half of them out, the work will be imperfect. I should be very glad of an opportunity to make my compliment to those ladies who are offended; but they can no more expect it in a comedy than to be tickled by a surgeon when he's letting 'em blood. They who are virtuous or discreet should not be offended, for such characters as these distinguish them, and make their beauties more shining and observed; and they who are of the other kind may nevertheless pass for such, by seeming not to be displeased or touched with the satire of this comedy. Thus have they also wrongfully accused me of doing them a prejudice, when I have in reality done them a service.

You will pardon me, sir, for the freedom I take of making answers to other people in an epistle which ought wholly to be sacred to you; but since I intend the play to be so too, I hope I may take the more liberty of justifying it where it is in the right.

I must now, sir, declare to the world how kind you have been to my endeavours; for in regard of what was well meant, you have excused what was ill performed. I beg you would continue the same method in your acceptance of this dedication. I know no other way of making a return to that humanity you shewed, in protecting an infant, but by enrolling it in your service, now that it is of age and come into the world. Therefore be pleased to accept of this as an acknowledgment of the favour you have shewn me, and an earnest of the real service and gratitude of,

Sir, your most obliged, humble servant,

WILLIAM CONGREVE.



TO MY DEAR FRIEND MR. CONGREVE, ON HIS COMEDY CALLED THE DOUBLE-DEALER.

Well then, the promised hour is come at last; The present age of wit obscures the past. Strong were our sires; and as they fought they writ, Conqu'ring with force of arms and dint of wit. Theirs was the giant race, before the flood; And thus, when Charles returned, our empire stood. Like Janus he the stubborn soil manured, With rules of husbandry the rankness cured, Tamed us to manners, when the stage was rude, And boist'rous English wit with art indued. Our age was cultivated thus at length; But what we gained in skill we lost in strength. Our builders were with want of genius curst; The second temple was not like the first: Till you, the best Vitruvius, come at length, Our beauties equal, but excel our strength. Firm Doric pillars found your solid base, The fair Corinthian crowns the higher space; Thus all below is strength, and all above is grace. In easy dialogue is Fletcher's praise: He moved the mind, but had no power to raise. Great Johnson did by strength of judgment please Yet doubling Fletcher's force, he wants ease. In diff'ring talents both adorned their age; One for the study, t'other for the stage. But both to Congreve justly shall submit, One matched in judgment, both o'er-matched in wit. In him all beauties of this age we see, Etherege his courtship, Southern's purity, The satire, wit, and strength of manly Wycherly. All this in blooming youth you have achieved, Nor are your foiled contemporaries grieved; So much the sweetness of your manners move, We cannot envy you, because we love. Fabius might joy in Scipio, when he saw A beardless consul made against the law, And join his suffrage to the votes of Rome; Though he with Hannibal was overcome. Thus old Romano bowed to Raphael's fame, And scholar to the youth he taught became.

O that your brows my laurel had sustained, Well had I been deposed if you had reigned! The father had descended for the son, For only you are lineal to the throne. Thus when the state one Edward did depose, A greater Edward in his room arose. But now, not I, but poetry is cursed; For Tom the Second reigns like Tom the First. But let 'em not mistake my patron's part, Nor call his charity their own desert. Yet this I prophesy: Thou shalt be seen (Though with some short parenthesis between) High on the throne of wit; and seated there, Not mine (that's little) but thy laurel wear. Thy first attempt an early promise made; That early promise this has more than paid. So bold, yet so judiciously you dare, That your least praise is to be regular. Time, place, and action may with pains be wrought, But genius must be born, and never can be taught. This is your portion, this your native store, Heav'n, that but once was prodigal before, To Shakespeare gave as much; she could not give him more.

Maintain your post: that's all the fame you need; For 'tis impossible you should proceed. Already I am worn with cares and age, And just abandoning th' ungrateful stage: Unprofitably kept at heav'n's expense, I live a rent-charge on his providence. But you, whom every muse and grace adorn, Whom I foresee to better fortune born, Be kind to my remains; and oh, defend, Against your judgment, your departed friend! Let not th' insulting foe my fame pursue; But shade those laurels which descend to you: And take for tribute what these lines express: You merit more; nor could my love do less.

JOHN DRYDEN.



PROLOGUE Spoken by MRS. BRACEGIRDLE.

Moors have this way (as story tells) to know Whether their brats are truly got or no; Into the sea the new-born babe is thrown, There, as instinct directs, to swim or drown. A barbarous device, to try if spouse Has kept religiously her nuptial vows.

Such are the trials poets make of plays, Only they trust to more inconstant seas; So does our author, this his child commit To the tempestuous mercy of the pit, To know if it be truly born of wit.

Critics avaunt, for you are fish of prey, And feed, like sharks, upon an infant play. Be ev'ry monster of the deep away; Let's have a fair trial and a clear sea.

Let nature work, and do not damn too soon, For life will struggle long e'er it sink down: And will at least rise thrice before it drown. Let us consider, had it been our fate, Thus hardly to be proved legitimate: I will not say, we'd all in danger been, Were each to suffer for his mother's sin: But by my troth I cannot avoid thinking, How nearly some good men might have 'scaped sinking. But, heav'n be praised, this custom is confined Alone to th' offspring of the muses kind: Our Christian cuckolds are more bent to pity; I know not one Moor-husband in the city. I' th' good man's arms the chopping bastard thrives, For he thinks all his own that is his wives'.

Whatever fate is for this play designed, The poet's sure he shall some comfort find: For if his muse has played him false, the worst That can befall him, is, to be divorced: You husbands judge, if that be to be cursed.



DRAMATIS PERSONAE.

MEN.

MASKWELL, a villain; pretended friend to Mellefont, gallant to Lady Touchwood, and in love with Cynthia,—Mr. Betterton.

LORD TOUCHWOOD, uncle to Mellefont,—Mr. Kynaston.

MELLEFONT, promised to, and in love with Cynthia,—Mr. Williams.

CARELESS, his friend,—Mr. Verbruggen.

LORD FROTH, a solemn coxcomb,—Mr. Bowman.

BRISK, a pert coxcomb,—Mr. Powell.

SIR PAUL PLYANT, an uxorious, foolish old knight; brother to Lady Touchwood, and father to Cynthia,—Mr. Dogget.

WOMEN.

LADY TOUCHWOOD, in love with Mellefont,—Mrs. Barry.

CYNTHIA, daughter to Sir Paul by a former wife, promised to Mellefont,—Mrs. Bracegirdle.

LADY FROTH, a great coquette; pretender to poetry, wit, and learning,—Mrs. Mountfort.

LADY PLYANT, insolent to her husband, and easy to any pretender,—Mrs. Leigh.

CHAPLAIN, BOY, FOOTMEN, AND ATTENDANTS.

THE SCENE: A gallery in the Lord Touchwood's house, with chambers adjoining.



ACT I.

SCENE I.

A gallery in the Lord Touchwood's home, with chambers adjoining.

Enter CARELESS, crossing the stage, with his hat, gloves, and sword in his hands; as just risen from table: MELLEFONT following him.

MEL. Ned, Ned, whither so fast? What, turned flincher! Why, you wo' not leave us?

CARE. Where are the women? I'm weary of guzzling, and begin to think them the better company.

MEL. Then thy reason staggers, and thou'rt almost drunk.

CARE. No, faith, but your fools grow noisy; and if a man must endure the noise of words without sense, I think the women have more musical voices, and become nonsense better.

MEL. Why, they are at the end of the gallery; retired to their tea and scandal, according to their ancient custom, after dinner. But I made a pretence to follow you, because I had something to say to you in private, and I am not like to have many opportunities this evening.

CARE. And here's this coxcomb most critically come to interrupt you.

SCENE II.

[To them] BRISK.

BRISK. Boys, boys, lads, where are you? What, do you give ground? Mortgage for a bottle, ha? Careless, this is your trick; you're always spoiling company by leaving it.

CARE. And thou art always spoiling company by coming in o't.

BRISK. Pooh, ha, ha, ha, I know you envy me. Spite, proud spite, by the gods! and burning envy. I'll be judged by Mellefont here, who gives and takes raillery better than you or I. Pshaw, man, when I say you spoil company by leaving it, I mean you leave nobody for the company to laugh at. I think there I was with you. Ha, Mellefont?

MEL. O' my word, Brisk, that was a home thrust; you have silenced him.

BRISK. Oh, my dear Mellefont, let me perish if thou art not the soul of conversation, the very essence of wit and spirit of wine. The deuce take me if there were three good things said, or one understood, since thy amputation from the body of our society. He, I think that's pretty and metaphorical enough; i'gad I could not have said it out of thy company. Careless, ha?

CARE. Hum, ay, what is't?

BRISK. O mon coeur! What is't! Nay, gad, I'll punish you for want of apprehension. The deuce take me if I tell you.

MEL. No, no, hang him, he has no taste. But, dear Brisk, excuse me, I have a little business.

CARE. Prithee get thee gone; thou seest we are serious.

MEL. We'll come immediately, if you'll but go in and keep up good humour and sense in the company. Prithee do, they'll fall asleep else.

BRISK. I'gad, so they will. Well, I will, I will; gad, you shall command me from the Zenith to the Nadir. But the deuce take me if I say a good thing till you come. But prithee, dear rogue, make haste, prithee make haste, I shall burst else. And yonder your uncle, my Lord Touchwood, swears he'll disinherit you, and Sir Paul Plyant threatens to disclaim you for a son-in-law, and my Lord Froth won't dance at your wedding to-morrow; nor, the deuce take me, I won't write your Epithalamium—and see what a condition you're like to be brought to.

MEL. Well, I'll speak but three words, and follow you.

BRISK. Enough, enough. Careless, bring your apprehension along with you.

SCENE III.

MELLEFONT, CARELESS.

CARE. Pert coxcomb.

MEL. Faith, 'tis a good-natured coxcomb, and has very entertaining follies. You must be more humane to him; at this juncture it will do me service. I'll tell you, I would have mirth continued this day at any rate; though patience purchase folly, and attention be paid with noise, there are times when sense may be unseasonable as well as truth. Prithee do thou wear none to-day, but allow Brisk to have wit, that thou may'st seem a fool.

CARE. Why, how now, why this extravagant proposition?

MEL. Oh, I would have no room for serious design, for I am jealous of a plot. I would have noise and impertinence keep my Lady Touchwood's head from working: for hell is not more busy than her brain, nor contains more devils than that imaginations.

CARE. I thought your fear of her had been over. Is not to-morrow appointed for your marriage with Cynthia, and her father, Sir Paul Plyant, come to settle the writings this day on purpose?

MEL. True; but you shall judge whether I have not reason to be alarmed. None besides you and Maskwell are acquainted with the secret of my Aunt Touchwood's violent passion for me. Since my first refusal of her addresses she has endeavoured to do me all ill offices with my uncle, yet has managed 'em with that subtilty, that to him they have borne the face of kindness; while her malice, like a dark lanthorn, only shone upon me where it was directed. Still, it gave me less perplexity to prevent the success of her displeasure than to avoid the importunities of her love, and of two evils I thought myself favoured in her aversion. But whether urged by her despair and the short prospect of time she saw to accomplish her designs; whether the hopes of revenge, or of her love, terminated in the view of this my marriage with Cynthia, I know not, but this morning she surprised me in my bed.

CARE. Was there ever such a fury! 'Tis well nature has not put it into her sex's power to ravish. Well, bless us, proceed. What followed?

MEL. What at first amazed me—for I looked to have seen her in all the transports of a slighted and revengeful woman—but when I expected thunder from her voice, and lightning in her eyes, I saw her melted into tears and hushed into a sigh. It was long before either of us spoke: passion had tied her tongue, and amazement mine. In short, the consequence was thus, she omitted nothing that the most violent love could urge, or tender words express; which when she saw had no effect, but still I pleaded honour and nearness of blood to my uncle, then came the storm I feared at first, for, starting from my bed-side like a fury, she flew to my sword, and with much ado I prevented her doing me or herself a mischief. Having disarmed her, in a gust of passion she left me, and in a resolution, confirmed by a thousand curses, not to close her eyes till they had seen my ruin.

CARE. Exquisite woman! But what the devil, does she think thou hast no more sense than to get an heir upon her body to disinherit thyself? for as I take it this settlement upon you is, with a proviso, that your uncle have no children.

MEL. It is so. Well, the service you are to do me will be a pleasure to yourself: I must get you to engage my Lady Plyant all this evening, that my pious aunt may not work her to her interest. And if you chance to secure her to yourself, you may incline her to mine. She's handsome, and knows it; is very silly, and thinks she has sense, and has an old fond husband.

CARE. I confess, a very fair foundation for a lover to build upon.

MEL. For my Lord Froth, he and his wife will be sufficiently taken up with admiring one another and Brisk's gallantry, as they call it. I'll observe my uncle myself, and Jack Maskwell has promised me to watch my aunt narrowly, and give me notice upon any suspicion. As for Sir Paul, my wise father-in-law that is to be, my dear Cynthia has such a share in his fatherly fondness, he would scarce make her a moment uneasy to have her happy hereafter.

CARE. So you have manned your works; but I wish you may not have the weakest guard where the enemy is strongest.

MEL. Maskwell, you mean; prithee why should you suspect him?

CARE. Faith I cannot help it; you know I never liked him: I am a little superstitious in physiognomy.

MEL. He has obligations of gratitude to bind him to me: his dependence upon my uncle is through my means.

CARE. Upon your aunt, you mean.

MEL. My aunt!

CARE. I'm mistaken if there be not a familiarity between them you do not suspect, notwithstanding her passion for you.

MEL. Pooh, pooh! nothing in the world but his design to do me service; and he endeavours to be well in her esteem, that he may be able to effect it.

CARE. Well, I shall be glad to be mistaken; but your aunt's aversion in her revenge cannot be any way so effectually shown as in bringing forth a child to disinherit you. She is handsome and cunning and naturally wanton. Maskwell is flesh and blood at best, and opportunities between them are frequent. His affection to you, you have confessed, is grounded upon his interest, that you have transplanted; and should it take root in my lady, I don't see what you can expect from the fruit.

MEL. I confess the consequence is visible, were your suspicions just. But see, the company is broke up, let's meet 'em.

SCENE IV.

[To them] LORD TOUCHWOOD, LORD FROTH, SIR PAUL PLYANT, and BRISK.

LORD TOUCH. Out upon't, nephew. Leave your father-in-law and me to maintain our ground against young people!

MEL. I beg your lordship's pardon. We were just returning.

SIR PAUL. Were you, son? Gadsbud, much better as it is. Good, strange! I swear I'm almost tipsy; t'other bottle would have been too powerful for me,—as sure as can be it would. We wanted your company, but Mr. Brisk—where is he? I swear and vow he's a most facetious person, and the best company. And, my Lord Froth, your lordship is so merry a man, he, he, he.

LORD FROTH. Oh, foy, Sir Paul, what do you mean? Merry! Oh, barbarous! I'd as lieve you called me fool.

SIR PAUL. Nay, I protest and vow now, 'tis true; when Mr. Brisk jokes, your lordship's laugh does so become you, he, he, he.

LORD FROTH. Ridiculous! Sir Paul, you're strangely mistaken, I find champagne is powerful. I assure you, Sir Paul, I laugh at nobody's jest but my own, or a lady's, I assure you, Sir Paul.

BRISK. How? how, my lord? what, affront my wit! Let me perish, do I never say anything worthy to be laughed at?

LORD FROTH. Oh, foy, don't misapprehend me; I don't say so, for I often smile at your conceptions. But there is nothing more unbecoming a man of quality than to laugh; 'tis such a vulgar expression of the passion; everybody can laugh. Then especially to laugh at the jest of an inferior person, or when anybody else of the same quality does not laugh with one—ridiculous! To be pleased with what pleases the crowd! Now when I laugh, I always laugh alone.

BRISK. I suppose that's because you laugh at your own jests, i'gad, ha, ha, ha.

LORD FROTH. He, he, I swear though, your raillery provokes me to a smile.

BRISK. Ay, my lord, it's a sign I hit you in the teeth, if you show 'em.

LORD FROTH. He, he, he, I swear that's so very pretty, I can't forbear.

CARE. I find a quibble bears more sway in your lordship's face than a jest.

LORD TOUCH. Sir Paul, if you please we'll retire to the ladies, and drink a dish of tea to settle our heads.

SIR PAUL. With all my heart. Mr. Brisk, you'll come to us, or call me when you joke; I'll be ready to laugh incontinently.

SCENE V.

MELLEFONT, CARELESS, LORD FROTH, BRISK.

MEL. But does your lordship never see comedies?

LORD FROTH. Oh yes, sometimes; but I never laugh.

MEL. No?

LORD FROTH. Oh no; never laugh indeed, sir.

CARE. No! why, what d'ye go there for?

LORD FROTH. To distinguish myself from the commonalty and mortify the poets; the fellows grow so conceited, when any of their foolish wit prevails upon the side-boxes. I swear,—he, he, he, I have often constrained my inclinations to laugh,—he, he, he, to avoid giving them encouragement.

MEL. You are cruel to yourself, my lord, as well as malicious to them.

LORD FROTH. I confess I did myself some violence at first, but now I think I have conquered it.

BRISK. Let me perish, my lord, but there is something very particular in the humour; 'tis true it makes against wit, and I'm sorry for some friends of mine that write; but, i'gad, I love to be malicious. Nay, deuce take me, there's wit in't, too. And wit must be foiled by wit; cut a diamond with a diamond, no other way, i'gad.

LORD FROTH. Oh, I thought you would not be long before you found out the wit.

CARE. Wit! In what? Where the devil's the wit in not laughing when a man has a mind to't?

BRISK. O Lord, why can't you find it out? Why, there 'tis, in the not laughing. Don't you apprehend me? My lord, Careless is a very honest fellow, but harkee, you understand me, somewhat heavy, a little shallow, or so. Why, I'll tell you now, suppose now you come up to me—nay, prithee, Careless, be instructed. Suppose, as I was saying, you come up to me holding your sides, and laughing as if you would—well—I look grave, and ask the cause of this immoderate mirth. You laugh on still, and are not able to tell me, still I look grave, not so much as smile.

CARE. Smile, no, what the devil should you smile at, when you suppose I can't tell you!

BRISK. Pshaw, pshaw, prithee don't interrupt me. But I tell you, you shall tell me at last, but it shall be a great while first.

CARE. Well, but prithee don't let it be a great while, because I long to have it over.

BRISK. Well then, you tell me some good jest or some very witty thing, laughing all the while as if you were ready to die, and I hear it, and look thus. Would not you be disappointed?

CARE. No; for if it were a witty thing I should not expect you to understand it.

LORD FROTH. Oh, foy, Mr. Careless, all the world allows Mr. Brisk to have wit; my wife says he has a great deal. I hope you think her a judge.

BRISK. Pooh, my lord, his voice goes for nothing; I can't tell how to make him apprehend. Take it t'other way. Suppose I say a witty thing to you?

CARE. Then I shall be disappointed indeed.

MEL. Let him alone, Brisk, he is obstinately bent not to be instructed.

BRISK. I'm sorry for him, the deuce take me.

MEL. Shall we go to the ladies, my lord?

LORD FROTH. With all my heart; methinks we are a solitude without 'em.

MEL. Or what say you to another bottle of champagne?

LORD FROTH. Oh, for the universe not a drop more, I beseech you. Oh, intemperate! I have a flushing in my face already. [Takes out a pocket- glass and looks in it.]

BRISK. Let me see, let me see, my lord, I broke my glass that was in the lid of my snuff-box. Hum! Deuce take me, I have encouraged a pimple here too. [Takes the glass and looks.]

LORD FROTH. Then you must mortify him with a patch; my wife shall supply you. Come, gentlemen, allons, here is company coming.

SCENE VI.

LADY TOUCHWOOD and MASKWELL.

LADY TOUCH. I'll hear no more. You are false and ungrateful; come, I know you false.

MASK. I have been frail, I confess, madam, for your ladyship's service.

LADY TOUCH. That I should trust a man whom I had known betray his friend!

MASK. What friend have I betrayed? or to whom?

LADY TOUCH. Your fond friend Mellefont, and to me; can you deny it?

MASK. I do not.

LADY TOUCH. Have you not wronged my lord, who has been a father to you in your wants, and given you being? Have you not wronged him in the highest manner, in his bed?

MASK. With your ladyship's help, and for your service, as I told you before. I can't deny that neither. Anything more, madam?

LADY TOUCH. More! Audacious villain! Oh, what's more, is most my shame. Have you not dishonoured me?

MASK. No, that I deny; for I never told in all my life: so that accusation's answered; on to the next.

LADY TOUCH. Death, do you dally with my passion? Insolent devil! But have a care,—provoke me not; for, by the eternal fire, you shall not 'scape my vengeance. Calm villain! How unconcerned he stands, confessing treachery and ingratitude! Is there a vice more black? Oh, I have excuses thousands for my faults; fire in my temper, passions in my soul, apt to ev'ry provocation, oppressed at once with love, and with despair. But a sedate, a thinking villain, whose black blood runs temperately bad, what excuse can clear?

MASK. Will you be in temper, madam? I would not talk not to be heard. I have been [she walks about disordered] a very great rogue for your sake, and you reproach me with it; I am ready to be a rogue still, to do you service; and you are flinging conscience and honour in my face, to rebate my inclinations. How am I to behave myself? You know I am your creature, my life and fortune in your power; to disoblige you brings me certain ruin. Allow it I would betray you, I would not be a traitor to myself: I don't pretend to honesty, because you know I am a rascal; but I would convince you from the necessity of my being firm to you.

LADY TOUCH. Necessity, impudence! Can no gratitude incline you, no obligations touch you? Have not my fortune and my person been subjected to your pleasure? Were you not in the nature of a servant, and have not I in effect made you lord of all, of me, and of my lord? Where is that humble love, the languishing, that adoration, which once was paid me, and everlastingly engaged?

MASK. Fixt, rooted in my heart, whence nothing can remove 'em, yet you—

LADY TOUCH. Yet, what yet?

MASK. Nay, misconceive me not, madam, when I say I have had a gen'rous and a faithful passion, which you had never favoured, but through revenge and policy.

LADY TOUCH. Ha!

MASK. Look you, madam, we are alone,—pray contain yourself and hear me. You know you loved your nephew when I first sighed for you; I quickly found it: an argument that I loved, for with that art you veiled your passion 'twas imperceptible to all but jealous eyes. This discovery made me bold; I confess it; for by it I thought you in my power. Your nephew's scorn of you added to my hopes; I watched the occasion, and took you, just repulsed by him, warm at once with love and indignation; your disposition, my arguments, and happy opportunity accomplished my design; I pressed the yielding minute, and was blest. How I have loved you since, words have not shown, then how should words express?

LADY TOUCH. Well, mollifying devil! And have I not met your love with forward fire?

MASK. Your zeal, I grant, was ardent, but misplaced; there was revenge in view; that woman's idol had defiled the temple of the god, and love was made a mock-worship. A son and heir would have edged young Mellefont upon the brink of ruin, and left him none but you to catch at for prevention.

LADY TOUCH. Again provoke me! Do you wind me like a larum, only to rouse my own stilled soul for your diversion? Confusion!

MASK. Nay, madam, I'm gone, if you relapse. What needs this? I say nothing but what you yourself, in open hours of love, have told me. Why should you deny it? Nay, how can you? Is not all this present heat owing to the same fire? Do you not love him still? How have I this day offended you, but in not breaking off his match with Cynthia? which, ere to-morrow, shall be done, had you but patience.

LADY TOUCH. How, what said you, Maskwell? Another caprice to unwind my temper?

MASK. By heav'n, no; I am your slave, the slave of all your pleasures; and will not rest till I have given you peace, would you suffer me.

LADY TOUCH. O Maskwell! in vain I do disguise me from thee, thou know'st me, knowest the very inmost windings and recesses of my soul. O Mellefont! I burn; married to morrow! Despair strikes me. Yet my soul knows I hate him too: let him but once be mine, and next immediate ruin seize him.

MASK. Compose yourself, you shall possess and ruin him too,—will that please you?

LADY TOUCH. How, how? Thou dear, thou precious villain, how?

MASK. You have already been tampering with my Lady Plyant.

LADY TOUCH. I have: she is ready for any impression I think fit.

MASK. She must be throughly persuaded that Mellefont loves her.

LADY TOUCH. She is so credulous that way naturally, and likes him so well, that she will believe it faster than I can persuade her. But I don't see what you can propose from such a trifling design, for her first conversing with Mellefont will convince her of the contrary.

MASK. I know it. I don't depend upon it. But it will prepare something else, and gain us leisure to lay a stronger plot. If I gain a little time, I shall not want contrivance.

One minute gives invention to destroy,

What to rebuild will a whole age employ.



ACT II.

SCENE I.

LADY FROTH and CYNTHIA.

CYNT. Indeed, madam! Is it possible your ladyship could have been so much in love?

LADY FROTH. I could not sleep; I did not sleep one wink for three weeks together.

CYNT. Prodigious! I wonder want of sleep, and so much love and so much wit as your ladyship has, did not turn your brain.

LADY FROTH. Oh, my dear Cynthia, you must not rally your friend. But really, as you say, I wonder too. But then I had a way. For, between you and I, I had whimsies and vapours, but I gave them vent.

CYNT. How, pray, madam?

LADY FROTH. Oh, I writ, writ abundantly. Do you never write?

CYNT. Write what?

LADY FROTH. Songs, elegies, satires, encomiums, panegyrics, lampoons, plays, or heroic poems?

CYNT. O Lord, not I, madam; I'm content to be a courteous reader.

LADY FROTH. Oh, inconsistent! In love and not write! If my lord and I had been both of your temper, we had never come together. Oh, bless me! What a sad thing would that have been, if my lord and I should never have met!

CYNT. Then neither my lord nor you would ever have met with your match, on my conscience.

LADY FROTH. O' my conscience, no more we should; thou say'st right. For sure my Lord Froth is as fine a gentleman and as much a man of quality! Ah! nothing at all of the common air. I think I may say he wants nothing but a blue ribbon and a star to make him shine, the very phosphorus of our hemisphere. Do you understand those two hard words? If you don't, I'll explain 'em to you.

CYNT. Yes, yes, madam, I'm not so ignorant.—At least I won't own it, to be troubled with your instructions. [Aside.]

LADY FROTH. Nay, I beg your pardon; but being derived from the Greek, I thought you might have escaped the etymology. But I'm the more amazed to find you a woman of letters and not write! Bless me! how can Mellefont believe you love him?

CYNT. Why, faith, madam, he that won't take my word shall never have it under my hand.

LADY FROTH. I vow Mellefont's a pretty gentleman, but methinks he wants a manner.

CYNT. A manner! What's that, madam?

LADY FROTH. Some distinguishing quality, as, for example, the bel air or brillant of Mr. Brisk; the solemnity, yet complaisance of my lord, or something of his own that should look a little Je-ne-sais-quoish; he is too much a mediocrity, in my mind.

CYNT. He does not indeed affect either pertness or formality; for which I like him. Here he comes.

LADY FROTH. And my lord with him. Pray observe the difference.

SCENE II.

[To them] LORD FROTH, MELLEFONT, and BRISK.

CYNT. Impertinent creature! I could almost be angry with her now. [Aside.]

LADY FROTH. My lord, I have been telling Cynthia how much I have been in love with you; I swear I have; I'm not ashamed to own it now. Ah! it makes my heart leap, I vow I sigh when I think on't. My dear lord! Ha, ha, ha, do you remember, my lord? [Squeezes him by the hand, looks kindly on him, sighs, and then laughs out.]

LORD FROTH. Pleasant creature! perfectly well, ah! that look, ay, there it is; who could resist? 'twas so my heart was made a captive first, and ever since t'has been in love with happy slavery.

LADY FROTH. Oh, that tongue, that dear deceitful tongue! that charming softness in your mien and your expression, and then your bow! Good my lord, bow as you did when I gave you my picture; here, suppose this my picture. [Gives him a pocket-glass.] Pray mind, my lord; ah! he bows charmingly; nay, my lord, you shan't kiss it so much; I shall grow jealous, I vow now. [He bows profoundly low, then kisses the glass.]

LORD FROTH. I saw myself there, and kissed it for your sake.

LADY FROTH. Ah! Gallantry to the last degree. Mr. Brisk, you're a judge; was ever anything so well bred as my lord?

BRISK. Never anything, but your ladyship; let me perish.

LADY FROTH. Oh, prettily turned again; let me die, but you have a great deal of wit. Mr. Mellefont, don't you think Mr. Brisk has a world of wit?

MEL. O yes, madam.

BRISK. O dear, madam—

LADY FROTH. An infinite deal!

BRISK. O heav'ns, madam—

LADY FROTH. More wit than anybody.

BRISK. I'm everlastingly your humble servant, deuce take me, madam.

LORD FROTH. Don't you think us a happy couple?

CYNT. I vow, my lord, I think you the happiest couple in the world, for you're not only happy in one another, and when you are together, but happy in yourselves, and by yourselves.

LORD FROTH. I hope Mellefont will make a good husband too.

CYNT. 'Tis my interest to believe he will, my Lord.

LORD FROTH. D'ye think he'll love you as well as I do my wife? I'm afraid not.

CYNT. I believe he'll love me better.

LORD FROTH. Heav'ns! that can never be. But why do you think so?

CYNT. Because he has not so much reason to be fond of himself.

LORD FROTH. Oh, your humble servant for that, dear madam. Well, Mellefont, you'll be a happy creature.

MEL. Ay, my lord, I shall have the same reason for my happiness that your lordship has, I shall think myself happy.

LORD FROTH. Ah, that's all.

BRISK. [To LADY FROTH.] Your ladyship is in the right; but, i'gad, I'm wholly turned into satire. I confess I write but seldom, but when I do—keen iambics, i'gad. But my lord was telling me your ladyship has made an essay toward an heroic poem.

LADY FROTH. Did my lord tell you? Yes, I vow, and the subject is my lord's love to me. And what do you think I call it? I dare swear you won't guess—The Sillabub, ha, ha, ha.

BRISK. Because my lord's title's Froth, i'gad, ha, ha, ha, deuce take me, very a propos and surprising, ha, ha, ha.

LADY FROTH. He, ay, is not it? And then I call my lord Spumoso; and myself, what d'ye think I call myself?

BRISK. Lactilla, may be,—i'gad, I cannot tell.

LADY FROTH. Biddy, that's all; just my own name.

BRISK. Biddy! I'gad, very pretty. Deuce take me if your ladyship has not the art of surprising the most naturally in the world. I hope you'll make me happy in communicating the poem.

LADY FROTH. Oh, you must be my confidant, I must ask your advice.

BRISK. I'm your humble servant, let me perish. I presume your ladyship has read Bossu?

LADY FROTH. Oh yes, and Racine, and Dacier upon Aristotle and Horace. My lord, you must not be jealous, I'm communicating all to Mr. Brisk.

LORD FROTH. No, no, I'll allow Mr. Brisk; have you nothing about you to shew him, my dear?

LADY FROTH. Yes, I believe I have. Mr. Brisk, come, will you go into the next room? and there I'll shew you what I have.

LORD FROTH. I'll walk a turn in the garden, and come to you.

SCENE III.

MELLEFONT, CYNTHIA.

MEL. You're thoughtful, Cynthia?

CYNT. I'm thinking, though marriage makes man and wife one flesh, it leaves 'em still two fools; and they become more conspicuous by setting off one another.

MEL. That's only when two fools meet, and their follies are opposed.

CYNT. Nay, I have known two wits meet, and by the opposition of their wit render themselves as ridiculous as fools. 'Tis an odd game we're going to play at. What think you of drawing stakes, and giving over in time?

MEL. No, hang't, that's not endeavouring to win, because it's possible we may lose; since we have shuffled and cut, let's even turn up trump now.

CYNT. Then I find it's like cards, if either of us have a good hand it is an accident of fortune.

MEL. No, marriage is rather like a game at bowls: fortune indeed makes the match, and the two nearest, and sometimes the two farthest, are together, but the game depends entirely upon judgment.

CYNT. Still it is a game, and consequently one of us must be a loser.

MEL. Not at all; only a friendly trial of skill, and the winnings to be laid out in an entertainment. What's here, the music? Oh, my lord has promised the company a new song; we'll get 'em to give it us by the way. [Musicians crossing the stage.] Pray let us have the favour of you, to practise the song before the company hear it.

SONG.

I.

Cynthia frowns whene'er I woo her, Yet she's vext if I give over; Much she fears I should undo her, But much more to lose her lover: Thus, in doubting, she refuses; And not winning, thus she loses.

II.

Prithee, Cynthia, look behind you, Age and wrinkles will o'ertake you; Then too late desire will find you, When the power must forsake you: Think, O think o' th' sad condition, To be past, yet wish fruition.

MEL. You shall have my thanks below. [To the musicians, they go out.]

SCENE IV.

[To them] SIR PAUL PLYANT and LADY PLYANT.

SIR PAUL. Gadsbud! I am provoked into a fermentation, as my Lady Froth says; was ever the like read of in story?

LADY PLYANT. Sir Paul, have patience, let me alone to rattle him up.

SIR PAUL. Pray, your ladyship, give me leave to be angry. I'll rattle him up, I warrant you, I'll firk him with a certiorari.

LADY PLYANT. You firk him, I'll firk him myself; pray, Sir Paul, hold you contented.

CYNT. Bless me, what makes my father in such a passion? I never saw him thus before.

SIR PAUL. Hold yourself contented, my Lady Plyant. I find passion coming upon me by inflation, and I cannot submit as formerly, therefore give way.

LADY PLYANT. How now! will you be pleased to retire and—

SIR PAUL. No, marry will I not be pleased: I am pleased to be angry, that's my pleasure at this time.

MEL. What can this mean?

LADY PLYANT. Gads my life, the man's distracted; why, how now, who are you? What am I? Slidikins, can't I govern you? What did I marry you for? Am I not to be absolute and uncontrollable? Is it fit a woman of my spirit and conduct should be contradicted in a matter of this concern?

SIR PAUL. It concerns me and only me. Besides, I'm not to be governed at all times. When I am in tranquillity, my Lady Plyant shall command Sir Paul; but when I am provoked to fury, I cannot incorporate with patience and reason: as soon may tigers match with tigers, lambs with lambs, and every creature couple with its foe, as the poet says.

LADY PLYANT. He's hot-headed still! 'Tis in vain to talk to you; but remember I have a curtain-lecture for you, you disobedient, headstrong brute.

SIR PAUL. No, 'tis because I won't be headstrong, because I won't be a brute, and have my head fortified, that I am thus exasperated. But I will protect my honour, and yonder is the violator of my fame.

LADY PLYANT. 'Tis my honour that is concerned, and the violation was intended to me. Your honour! You have none but what is in my keeping, and I can dispose of it when I please: therefore don't provoke me.

SIR PAUL. Hum, gadsbud, she says true. Well, my lady, march on; I will fight under you, then: I am convinced, as far as passion will permit. [LADY PLYANT and SIR PAUL come up to MELLEFONT.]

LADY PLYANT. Inhuman and treacherous—

SIR PAUL. Thou serpent and first tempter of womankind.

CYNT. Bless me! Sir, madam, what mean you?

SIR PAUL. Thy, Thy, come away, Thy; touch him not. Come hither, girl; go not near him, there's nothing but deceit about him. Snakes are in his peruke, and the crocodile of Nilus is in his belly; he will eat thee up alive.

LADY PLYANT. Dishonourable, impudent creature!

MEL. For heav'n's sake, madam, to whom do you direct this language?

LADY PLYANT. Have I behaved myself with all the decorum and nicety befitting the person of Sir Paul's wife? Have I preserved my honour as it were in a snow-house for these three years past? Have I been white and unsullied even by Sir Paul himself?

SIR PAUL. Nay, she has been an invincible wife, even to me; that's the truth on't.

LADY PLYANT. Have I, I say, preserved myself like a fair sheet of paper for you to make a blot upon?

SIR PAUL. And she shall make a simile with any woman in England.

MEL. I am so amazed, I know not what to say.

SIR PAUL. Do you think my daughter, this pretty creature—gadsbud, she's a wife for a cherubim!—do you think her fit for nothing but to be a stalking horse, to stand before you, while you take aim at my wife? Gadsbud, I was never angry before in my life, and I'll never be appeased again.

MEL. Hell and damnation! This is my aunt; such malice can be engendered nowhere else. [Aside.]

LADY PLYANT. Sir Paul, take Cynthia from his sight; leave me to strike him with the remorse of his intended crime.

CYNT. Pray, sir, stay, hear him; I dare affirm he's innocent.

SIR PAUL. Innocent! Why, hark'ee—come hither, Thy—hark'ee, I had it from his aunt, my sister Touchwood. Gadsbud, he does not care a farthing for anything of thee but thy portion. Why, he's in love with my wife. He would have tantalised thee, and made a cuckold of thy poor father, and that would certainly have broke my heart. I'm sure, if ever I should have horns, they would kill me; they would never come kindly—I should die of 'em like a child that was cutting his teeth—I should indeed, Thy—therefore come away; but providence has prevented all, therefore come away when I bid you.

CYNT. I must obey.

SCENE V.

LADY PLYANT, MELLEFONT.

LADY PLYANT. Oh, such a thing! the impiety of it startles me—to wrong so good, so fair a creature, and one that loves you tenderly—'tis a barbarity of barbarities, and nothing could be guilty of it—

MEL. But the greatest villain imagination can form, I grant it; and next to the villainy of such a fact is the villainy of aspersing me with the guilt. How? which way was I to wrong her? For yet I understand you not.

LADY PLYANT. Why, gads my life, cousin Mellefont, you cannot be so peremptory as to deny it, when I tax you with it to your face? for now Sir Paul's gone, you are corum nobus.

MEL. By heav'n, I love her more than life or—

LADY PLYANT. Fiddle faddle, don't tell me of this and that, and everything in the world, but give me mathemacular demonstration; answer me directly. But I have not patience. Oh, the impiety of it, as I was saying, and the unparalleled wickedness! O merciful Father! How could you think to reverse nature so, to make the daughter the means of procuring the mother?

MEL. The daughter to procure the mother!

LADY PLYANT. Ay, for though I am not Cynthia's own mother, I am her father's wife, and that's near enough to make it incest.

MEL. Incest! O my precious aunt, and the devil in conjunction. [Aside.]

LADY PLYANT. Oh, reflect upon the horror of that, and then the guilt of deceiving everybody; marrying the daughter, only to make a cuckold of the father; and then seducing me, debauching my purity, and perverting me from the road of virtue in which I have trod thus long, and never made one trip, not one faux pas. Oh, consider it! What would you have to answer for if you should provoke me to frailty? Alas! humanity is feeble, heav'n knows! very feeble, and unable to support itself.

MEL. Where am I? is it day? and am I awake? Madam—

LADY PLYANT. And nobody knows how circumstances may happen together. To my thinking, now I could resist the strongest temptation. But yet I know, 'tis impossible for me to know whether I could or not; there's no certainty in the things of this life.

MEL. Madam, pray give me leave to ask you one question.

LADY PLYANT. O Lord, ask me the question; I'll swear I'll refuse it, I swear I'll deny it—therefore don't ask me; nay, you shan't ask me, I swear I'll deny it. O Gemini, you have brought all the blood into my face; I warrant I am as red as a turkey-cock. O fie, cousin Mellefont!

MEL. Nay, madam, hear me; I mean—

LADY PLYANT. Hear you? No, no; I'll deny you first and hear you afterwards. For one does not know how one's mind may change upon hearing. Hearing is one of the senses, and all the senses are fallible. I won't trust my honour, I assure you; my honour is infallible and uncomeatable.

MEL. For heav'n's sake, madam—

LADY PLYANT. Oh, name it no more. Bless me, how can you talk of heav'n, and have so much wickedness in your heart? May be you don't think it a sin—they say some of you gentlemen don't think it a sin. May be it is no sin to them that don't think it so; indeed, if I did not think it a sin—But still my honour, if it were no sin. But then, to marry my daughter for the conveniency of frequent opportunities, I'll never consent to that; as sure as can be, I'll break the match.

MEL. Death and amazement! Madam, upon my knees—

LADY PLYANT. Nay, nay, rise up; come, you shall see my good-nature. I know love is powerful, and nobody can help his passion. 'Tis not your fault; nor, I swear, it is not mine. How can I help it, if I have charms? And how can you help it, if you are made a captive? I swear it is pity it should be a fault. But my honour,—well, but your honour, too—but the sin!—well, but the necessity—O Lord, here's somebody coming, I dare not stay. Well, you must consider of your crime; and strive as much as can be against it,—strive, be sure. But don't be melancholic; don't despair. But never think that I'll grant you anything. O Lord, no. But be sure you lay aside all thoughts of the marriage, for though I know you don't love Cynthia, only as a blind for your passion to me, yet it will make me jealous. O Lord, what did I say? Jealous! no, no, I can't be jealous, for I must not love you; therefore don't hope,—but don't despair neither. Oh, they're coming, I must fly.

SCENE VI.

MELLEFONT alone.

MEL. [After a pause.] So then, spite of my care and foresight, I am caught, caught in my security. Yet this was but a shallow artifice, unworthy of my Machiavellian aunt. There must be more behind: this is but the first flash, the priming of her engine. Destruction follows hard, if not most presently prevented.

SCENE VII.

[To him] MASKWELL.

MEL. Maskwell, welcome, thy presence is a view of land, appearing to my shipwrecked hopes. The witch has raised the storm, and her ministers have done their work: you see the vessels are parted.

MASK. I know it. I met Sir Paul towing away Cynthia. Come, trouble not your head; I'll join you together ere to-morrow morning, or drown between you in the attempt.

MEL. There's comfort in a hand stretched out to one that's sinking; though ne'er so far off.

MASK. No sinking, nor no danger. Come, cheer up; why, you don't know that while I plead for you, your aunt has given me a retaining fee. Nay, I am your greatest enemy, and she does but journey-work under me.

MEL. Ha! how's this?

MASK. What d'ye think of my being employed in the execution of all her plots? Ha, ha, ha, by heav'n, it's true: I have undertaken to break the match; I have undertaken to make your uncle disinherit you; to get you turned out of doors; and to—ha, ha, ha, I can't tell you for laughing. Oh, she has opened her heart to me! I am to turn you a-grazing, and to—ha, ha, ha, marry Cynthia myself. There's a plot for you.

MEL. Ha! Oh, see, I see my rising sun! Light breaks through clouds upon me, and I shall live in day—Oh, my Maskwell! how shall I thank or praise thee? Thou hast outwitted woman. But, tell me, how couldst thou thus get into her confidence? Ha! How? But was it her contrivance to persuade my Lady Plyant to this extravagant belief?

MASK. It was; and to tell you the truth, I encouraged it for your diversion. Though it made you a little uneasy for the present, yet the reflection of it must needs be entertaining. I warrant she was very violent at first.

MEL. Ha, ha, ha, ay, a very fury; but I was most afraid of her violence at last. If you had not come as you did, I don't know what she might have attempted.

MASK. Ha, ha, ha, I know her temper. Well, you must know, then, that all my contrivances were but bubbles, till at last I pretended to have been long secretly in love with Cynthia; that did my business, that convinced your aunt I might be trusted; since it was as much my interest as hers to break the match. Then, she thought my jealousy might qualify me to assist her in her revenge. And, in short, in that belief, told me the secrets of her heart. At length we made this agreement, if I accomplish her designs (as I told you before) she has engaged to put Cynthia with all her fortune into my power.

MEL. She is most gracious in her favour. Well, and, dear Jack, how hast thou contrived?

MASK. I would not have you stay to hear it now; for I don't know but she may come this way. I am to meet her anon; after that, I'll tell you the whole matter. Be here in this gallery an hour hence; by that time I imagine our consultation may be over.

MEL. I will; till then success attend thee.

SCENE VIII.

MASKWELL alone.

Till then, success will attend me; for when I meet you, I meet the only obstacle to my fortune. Cynthia, let thy beauty gild my crimes; and whatsoever I commit of treachery or deceit, shall be imputed to me as a merit. Treachery? What treachery? Love cancels all the bonds of friendship, and sets men right upon their first foundations.

Duty to kings, piety to parents, gratitude to benefactors, and fidelity to friends, are different and particular ties. But the name of rival cuts 'em all asunder, and is a general acquittance. Rival is equal, and love like death an universal leveller of mankind. Ha! But is there not such a thing as honesty? Yes, and whosoever has it about him, bears an enemy in his breast. For your honest man, as I take it, is that nice, scrupulous, conscientious person, who will cheat nobody but himself; such another coxcomb as your wise man, who is too hard for all the world, and will be made a fool of by nobody but himself; ha, ha, ha. Well, for wisdom and honesty give me cunning and hypocrisy; oh, 'tis such a pleasure to angle for fair-faced fools! Then that hungry gudgeon credulity will bite at anything. Why, let me see, I have the same face, the same words and accents when I speak what I do think, and when I speak what I do not think, the very same; and dear dissimulation is the only art not to be known from nature.

Why will mankind be fools, and be deceived, And why are friends' and lovers' oaths believed, When each, who searches strictly his own mind, May so much fraud and power of baseness find?



ACT III.

SCENE I.

LORD TOUCHWOOD and LADY TOUCHWOOD.

LADY TOUCH. My lord, can you blame my brother Plyant if he refuse his daughter upon this provocation? The contract's void by this unheard-of impiety.

LORD TOUCH. I don't believe it true; he has better principles. Pho, 'tis nonsense. Come, come, I know my Lady Plyant has a large eye, and would centre everything in her own circle; 'tis not the first time she has mistaken respect for love, and made Sir Paul jealous of the civility of an undesigning person, the better to bespeak his security in her unfeigned pleasures.

LADY TOUCH. You censure hardly, my lord; my sister's honour is very well known.

LORD TOUCH. Yes, I believe I know some that have been familiarly acquainted with it. This is a little trick wrought by some pitiful contriver, envious of my nephew's merit.

LADY TOUCH. Nay, my lord, it may be so, and I hope it will be found so. But that will require some time; for in such a case as this, demonstration is necessary.

LORD TOUCH. There should have been demonstration of the contrary too, before it had been believed.

LADY TOUCH. So I suppose there was.

LORD TOUCH. How? Where? When?

LADY TOUCH. That I can't tell; nay, I don't say there was. I am willing to believe as favourably of my nephew as I can.

LORD TOUCH. I don't know that. [Half aside.]

LADY TOUCH. How? Don't you believe that, say you, my lord?

LORD TOUCH. No, I don't say so. I confess I am troubled to find you so cold in his defence.

LADY TOUCH. His defence! Bless me, would you have me defend an ill thing?

LORD TOUCH. You believe it, then?

LADY TOUCH. I don't know; I am very unwilling to speak my thoughts in anything that may be to my cousin's disadvantage: besides, I find, my lord, you are prepared to receive an ill impression from any opinion of mine which is not consenting with your own. But, since I am like to be suspected in the end, and 'tis a pain any longer to dissemble, I own it to you; in short I do believe it, nay, and can believe anything worse, if it were laid to his charge. Don't ask me my reasons, my lord, for they are not fit to be told you.

LORD TOUCH. I'm amazed: there must be something more than ordinary in this. [Aside.] Not fit to be told me, madam? You can have no interests wherein I am not concerned, and consequently the same reasons ought to be convincing to me, which create your satisfaction or disquiet.

LADY TOUCH. But those which cause my disquiet I am willing to have remote from your hearing. Good my lord, don't press me.

LORD TOUCH. Don't oblige me to press you.

LADY TOUCH. Whatever it was, 'tis past. And that is better to be unknown which cannot be prevented; therefore let me beg you to rest satisfied.

LORD TOUCH. When you have told me, I will.

LADY TOUCH. You won't.

LORD TOUCH. By my life, my dear, I will.

LADY TOUCH. What if you can't?

LORD TOUCH. How? Then I must know, nay, I will. No more trifling. I charge you tell me. By all our mutual peace to come; upon your duty—

LADY TOUCH. Nay, my lord, you need say no more, to make me lay my heart before you, but don't be thus transported; compose yourself. It is not of concern to make you lose one minute's temper. 'Tis not, indeed, my dear. Nay, by this kiss you shan't be angry. O Lord, I wish I had not told you anything. Indeed, my lord, you have frighted me. Nay, look pleased, I'll tell you.

LORD TOUCH. Well, well.

LADY TOUCH. Nay, but will you be calm? Indeed it's nothing but—

LORD TOUCH. But what?

LADY TOUCH. But will you promise me not to be angry? Nay, you must—not to be angry with Mellefont? I dare swear he's sorry, and were it to do again, would not—

LORD TOUCH. Sorry for what? 'Death, you rack me with delay.

LADY TOUCH. Nay, no great matter, only—well, I have your promise. Pho, why nothing, only your nephew had a mind to amuse himself sometimes with a little gallantry towards me. Nay, I can't think he meant anything seriously, but methought it looked oddly.

LORD TOUCH. Confusion and hell, what do I hear?

LADY TOUCH. Or, may be, he thought he was not enough akin to me, upon your account, and had a mind to create a nearer relation on his own; a lover you know, my lord. Ha, ha, ha. Well, but that's all. Now you have it; well remember your promise, my lord, and don't take any notice of it to him.

LORD TOUCH. No, no, no. Damnation!

LADY TOUCH. Nay, I swear you must not. A little harmless mirth; only misplaced, that's all. But if it were more, 'tis over now, and all's well. For my part I have forgot it, and so has he, I hope,—for I have not heard anything from him these two days.

LORD TOUCH. These two days! Is it so fresh? Unnatural villain! Death, I'll have him stripped and turned naked out of my doors this moment, and let him rot and perish, incestuous brute!

LADY TOUCH. Oh, for heav'n's sake, my lord, you'll ruin me if you take such public notice of it; it will be a town talk. Consider your own and my honour; nay, I told you you would not be satisfied when you knew it.

LORD TOUCH. Before I've done I will be satisfied. Ungrateful monster! how long?

LADY TOUCH. Lord, I don't know; I wish my lips had grown together when I told you. Almost a twelvemonth. Nay, I won't tell you any more till you are yourself. Pray, my lord, don't let the company see you in this disorder. Yet, I confess, I can't blame you; for I think I was never so surprised in my life. Who would have thought my nephew could have so misconstrued my kindness? But will you go into your closet, and recover your temper. I'll make an excuse of sudden business to the company, and come to you. Pray, good, dear my lord, let me beg you do now. I'll come immediately and tell you all; will you, my lord?

LORD TOUCH. I will—I am mute with wonder.

LADY TOUCH. Well, but go now, here's somebody coming.

LORD TOUCH. Well, I go. You won't stay? for I would hear more of this.

LADY TOUCH. I follow instantly. So.

SCENE II.

LADY TOUCHWOOD, MASKWELL.

MASK. This was a masterpiece, and did not need my help, though I stood ready for a cue to come in and confirm all, had there been occasion.

LADY TOUCH. Have you seen Mellefont?

MASK. I have; and am to meet him here about this time.

LADY TOUCH. How does he bear his disappointment?

MASK. Secure in my assistance, he seemed not much afflicted, but rather laughed at the shallow artifice, which so little time must of necessity discover. Yet he is apprehensive of some farther design of yours, and has engaged me to watch you. I believe he will hardly be able to prevent your plot, yet I would have you use caution and expedition.

LADY TOUCH. Expedition indeed, for all we do must be performed in the remaining part of this evening, and before the company break up, lest my lord should cool and have an opportunity to talk with him privately. My lord must not see him again.

MASK. By no means; therefore you must aggravate my lord's displeasure to a degree that will admit of no conference with him. What think you of mentioning me?

LADY TOUCH. How?

MASK. To my lord, as having been privy to Mellefont's design upon you, but still using my utmost endeavours to dissuade him, though my friendship and love to him has made me conceal it; yet you may say, I threatened the next time he attempted anything of that kind to discover it to my lord.

LADY TOUCH. To what end is this?

MASK. It will confirm my lord's opinion of my honour and honesty, and create in him a new confidence in me, which (should this design miscarry) will be necessary to the forming another plot that I have in my head.—To cheat you as well as the rest. [Aside.]

LADY TOUCH. I'll do it—I'll tell him you hindered him once from forcing me.

MASK. Excellent! Your ladyship has a most improving fancy. You had best go to my lord, keep him as long as you can in his closet, and I doubt not but you will mould him to what you please; your guests are so engaged in their own follies and intrigues, they'll miss neither of you.

LADY TOUCH. When shall we meet?—at eight this evening in my chamber? There rejoice at our success, and toy away an hour in mirth.

MASK. I will not fail.

SCENE III.

MASKWELL alone.

I know what she means by toying away an hour well enough. Pox, I have lost all appetite to her; yet she's a fine woman, and I loved her once. But I don't know: since I have been in a great measure kept by her, the case is altered; what was my pleasure is become my duty, and I have as little stomach to her now as if I were her husband. Should she smoke my design upon Cynthia, I were in a fine pickle. She has a damned penetrating head, and knows how to interpret a coldness the right way; therefore I must dissemble ardour and ecstasy; that's resolved. How easily and pleasantly is that dissembled before fruition! Pox on't that a man can't drink without quenching his thirst. Ha! yonder comes Mellefont, thoughtful. Let me think. Meet her at eight—hum—ha! By heav'n I have it.—If I can speak to my lord before. Was it my brain or providence? No matter which—I will deceive 'em all, and yet secure myself. 'Twas a lucky thought! Well, this double-dealing is a jewel. Here he comes, now for me. [MASKWELL, pretending not to see him, walks by him, and speaks as it were to himself.]

SCENE IV.

[To him] MELLEFONT, musing.

MASK. Mercy on us, what will the wickedness of this world come to?

MEL. How now, Jack? What, so full of contemplation that you run over?

MASK. I'm glad you're come, for I could not contain myself any longer, and was just going to give vent to a secret, which nobody but you ought to drink down. Your aunt's just gone from hence.

MEL. And having trusted thee with the secrets of her soul, thou art villainously bent to discover 'em all to me, ha?

MASK. I'm afraid my frailty leans that way. But I don't know whether I can in honour discover 'em all.

MEL. All, all, man! What, you may in honour betray her as far as she betrays herself. No tragical design upon my person, I hope.

MASK. No, but it's a comical design upon mine.

MEL. What dost thou mean?

MASK. Listen and be dumb; we have been bargaining about the rate of your ruin—

MEL. Like any two guardians to an orphan heiress. Well?

MASK. And whereas pleasure is generally paid with mischief, what mischief I do is to be paid with pleasure.

MEL. So when you've swallowed the potion you sweeten your mouth with a plum.

MASK. You are merry, sir, but I shall probe your constitution. In short, the price of your banishment is to be paid with the person of—

MEL. Of Cynthia and her fortune. Why, you forget you told me this before.

MASK. No, no. So far you are right; and I am, as an earnest of that bargain, to have full and free possession of the person of—your aunt.

MEL. Ha! Pho, you trifle.

MASK. By this light, I'm serious; all raillery apart. I knew 'twould stun you. This evening at eight she will receive me in her bedchamber.

MEL. Hell and the devil, is she abandoned of all grace? Why, the woman is possessed.

MASK. Well, will you go in my stead?

MEL. By heav'n, into a hot furnace sooner.

MASK. No, you would not; it would not be so convenient, as I can order matters.

MEL. What d'ye mean?

MASK. Mean? Not to disappoint the lady, I assure you. Ha, ha, ha, how gravely he looks. Come, come, I won't perplex you. 'Tis the only thing that providence could have contrived to make me capable of serving you, either to my inclination or your own necessity.

MEL. How, how, for heav'n's sake, dear Maskwell?

MASK. Why, thus. I'll go according to appointment; you shall have notice at the critical minute to come and surprise your aunt and me together. Counterfeit a rage against me, and I'll make my escape through the private passage from her chamber, which I'll take care to leave open. 'Twill be hard if then you can't bring her to any conditions. For this discovery will disarm her of all defence, and leave her entirely at your mercy—nay, she must ever after be in awe of you.

MEL. Let me adore thee, my better genius! By heav'n I think it is not in the power of fate to disappoint my hopes—my hopes? My certainty!