"Don't you think that admiration in a woman is only another form of love?"

"But when she is no longer young?" Rose retorted, with a laugh.

"When she is no longer young, nature doubtless suggests other means of enthusiasm. Her heart is no longer a bond of union between her and things. Then her calmer eyes are perhaps able to look at beauty itself, without having all the joys of a woman's love-filled life to kindle their fires."

The Rubens pictures were around us, in all their brilliancy and in all their glory, uttering cries of passion and luxury with voices of flesh and blood and youth. They were another proof of what I had just said; and I confessed to my companion:

"It is not so long ago, Rose, that I used to pass unmoved through this dazzling room where the Rubens flourish in their luscious beauty. I used to look at them: now, I see them; I used to brush by them: now, I grasp them. I enter into all this riot of happiness around us, which is a thousand miles away from you, Rose; and it adds to my own joy in life...."

"But then what has come to you?" exclaimed the girl.

I could not help smiling, for, when I tried to explain myself, it seemed to me that, in the depths of my heart, I was playing with words:

"All that hurt me yesterday has become a source of admiration to me to-day. Excess appears riches and plenty, tumult becomes orderly; and I seem to see in these works the glorification of all that we are bound to hold supreme in life: health, beauty, strength, love. Is not the exaggerated splendour of these pictures a triumphant challenge, the expression of a magnificent principle?"

We stood silent for a moment; then I added:

"We never actually realise all that we have in our minds; but one would think that this man's life and work reached the farthest bounds of his visions. Or else we are unable even to catch a glimpse of what he saw."

And, musing upon that mystery, our frail feminine imagination seemed to us like a landscape fading into the mist: when the day is clear, we can distinguish the chain of blue mountains whose summits touch the sky, but our imagination, if it would not be lost in the haze, must keep to the foreground, in the avenues laid out by man.

I resumed:

"We are very far, Rose, from the parsimony of the Primitives, each of whose works contains almost a human life. In their room and in this, you will find all the contradictory and complementary instruction which one would like to give you. Over there, sobriety, patience, assiduous effort, absolute conscientiousness in the smallest detail; life bowed in all humility, but yet steadfast and fervent; imagination and beauty that do not strive to shine: if you want a proof, look at the great number that remained anonymous! Here, on the contrary, prodigality, exultant love, blood coursing triumphantly through conquered veins. Rubens is the apostle of wholehearted happiness. The biggest things seem easy when you are in his presence. If ever you feel tired and ready to be discouraged, you should come and look at him. Oh, I wonder, yes, I wonder to what, to whom I owe this new enthusiasm? What have I seen, what have I learnt? Through what chance acquaintance, what casual word, what gesture or action, doubtless far removed from Rubens and his works, did I suddenly enter into that wonderful kingdom?"

And, in fact, that is how it had happened. An unknown treasure falls into the cup of emotion; and the level is raised. Oh, to feel the long-slumbering sensation rise within one's self; to see that which was obscure to us yesterday become crystal-clear to-day; to love more passionately, to understand a little better, to know a little more: that is, to us women, the real progress, the only progress which we must desire and seek after! But how can I hope that Rose will progress if she never feels?

3

In vain I roamed about with her for an hour, not among the pictures, whose value she could not yet appreciate, but among the dreams that were born of them, among the most moving and delectable visions; vain my emotion, vain my rapture: no answering spark lit her indifferent eyes. True, there was no question of failure or success; I was putting nothing to the test: that would have been insanity. But why this weight of oppression on my spirits? I could not get rid of disturbing memories: memories of childish raptures finding utterance by chance; memories of those first loves which fasten upon anything in their haste to live; memories of virgin hearts nurtured on dreams!

O enthusiasm, admiration, love, if you were not at first wanderers, neither seeking nor choosing, if you did not blaze fiercely and foolishly like a flame burning in the noon-day sun, will you ever be able to light the darkness with all the splendours that are awaiting your spark in order to burst into life?

O sweet eyes of my Roseline, sweet eyes that shine under your soft, fair lashes like two opals set in pure gold, will you close for all time without having gazed for a moment upon the wonders of the earth, upon the real sky of our human life? Is it true that your beams extinguish life and beauty wherever they rest?



CHAPTER VI

1

It is six o'clock in the evening; I am taking Rose along the boulevards, which are so interesting at this time of the year. As usual, I am astonished at everything that does not astonish her. I look at her as she walks, beautiful and impassive; I keep step with her stride; and my thoughts hover to and fro between this life of hers which refuses to take form and my ideals which are gradually fading out of existence.

Alas, the days pass over her without arousing either desire or weariness! From time to time, I suggest some simple, trifling work for her. But, whether the task be mental or material, whether the duty be light or complex, she acquiesces in the suggestion only to make it easier for her to put it aside later, gently and as a matter of course, like tired arms laying down a burden too heavy for them.

This evening, I am merciful to her indolence. Going through the hall of her boarding-house just now, I saw the long table laid, at which the boarders meet. And I think of those destinies which have been linked with Rose's during the past fortnight, while I am still unable to obtain a clear idea of any one of them from her involved and incoherent accounts.

The house, which is in the old-fashioned style, has at the back a sort of glass-covered balcony overhanging the garden of the house next door. Here the boarders take their coffee after meals, while the proprietress, a gentle, amiable creature, strives to establish some sort of intimacy among them, to create an imaginary family out of these strangers who have come from all parts of the world with varying objects and for diverse reasons.

I know from experience the surprises latent in people like these. To look at them, one would set them down as belonging to stereotyped models: invalids, travellers, globe-trotters, runaways or students, as the case may be. I call up figures from my own recollection and describe them to Rose to encourage her to tell me her impressions. Stray reminiscences marshal themselves, images rise before my eyes, obliterating the things and people around me, and a vision appears over which my memory plays like a reflection in a sheet of water. I see a long house and its white-and-green front mirrored in a clear lake. A man and a woman arrive there at the same time; and I tell Rose the story of the two old wanderers:

"It was very curious. Imagine those two people unknown to each other, leaving the same country at about the same age and making the same journeys in opposite directions. When I met them, they were two grey-haired, wizened figures, with the same short-sighted eyes blinking behind the same kind of spectacles. It amused me from the first to look at them as one and united beforehand, at a time when they were still unacquainted. I watched them at the meals which brought them closer together daily, as it were perusing each other with the pleasure of finding themselves to be alike, as though they were two copies of the same guide-book. In their equally commonplace minds, recollections took the place of ideas. To them, life was a sort of long classification; they recognised no other duty but that of taking notes and cataloguing. I don't know if they saw some advantage one day in uniting for good, or if they began at last to think that there are other roads to follow in the world beside those which lead to lakes, cities, waterfalls and mountains. At any rate, after a few weeks, they were sharing the same room; and we learnt that in future they meant to live side by side."

"Had they got married?"

"No. And, though they performed a very natural action with the utmost simplicity, this was certainly not due to loftiness of soul or breadth of mind. But one felt that their knowledge of the manners and morals of other civilizations had simplified their moral outlook, just as their actual physical outlook had been dimmed through seeing nature under so many aspects."

Rose began to laugh:

"There is nothing of that kind at the boarding-house," she said. "For the moment, we have no old people: nothing but students, two American women, a Spanish lady...."

Then she hesitated a little and added:

"There's an artist, too, an artist who has begun to paint my portrait."

"Your portrait! And you never told me?"

I am interrupted by a violent movement from Rose. She has turned round and, in the gathering dusk, her whirling umbrella comes down furiously on a man's hat, smashing it in and knocking it off his head. A gentleman is standing before us, very well-dressed and looking very uncomfortable. He stammers out a vague excuse and tries to escape, but the indignant girl addresses him noisily. An altercation follows; the loafers stop to listen; a crowd gathers round us; and a policeman hurries towards us from the other side of the road. Fortunately, an empty cab passes; and I just have time to jump in, followed by Rose, who continues to brandish a threatening umbrella through the window.

Then at last I obtain an explanation of the disturbance. It appears that, without my noticing it, the man had been following us for an hour; and his silent homage had ended by incensing the girl.

I kiss her at the door of the boarding-house and walk back thoughtfully through the streets, reflecting on the surprises which that uncivilised character holds in store for me.

2

Rose had perhaps insulted a man who was simply taking pleasure in admiring her, I thought to myself. What did she know of his intentions? In any case, is not a silent look enough to keep importunity at a distance?

Generally speaking, those who go after us in this way because of the swing of our hips, or the mass of hair gleaming on our neck, or a shapely shoe under a lifted skirt, are uninteresting; and among all the coarse, silly or timid admirers whom a woman can encounter in the street there are perhaps one or two at most who will leave an ineffaceable mark on her memory. But why not always admit the most charitable construction?

3

I had been wandering a long time at random. Feeling a little tired, I turned into the Parc Monceau, at the time when it was too late for the mothers and babies and too early for the lovers' invasion. I sat down by the transparent lake which so prettily reflects its diadem of arbours. A young willow drooped in gentle sadness over the face of the water; and white ducks glided past me in the evening mist. The waning blue light mingled with the pale vapour that rises over Paris at nightfall; and all this made a mauve sky behind the dark trees. It was soft and melancholy, but not grave; and I lingered on, amid the beauty of the scene, rapt in some woman's reverie. Then a lamp was lighted behind the bench on which I sat; and on the ground before me I saw a shadow beside my own. I understood and did not turn my head.

A man had followed me. I felt his eyes resting heavily on my profile, on my cheek and on my ungloved hands. He was evidently going to speak. Annoyed at this, I took a little volume from my pocket and, to protect my solitude, began to read.

But soon I guessed that he was reading with me; and my mind thus mingling with a stranger's passed over the words without quite following them. His persistency angered me; and I closed the book.

Then he said to me:

"Yes, you are very beautiful."

The words fell into my soul with a disquieting resonance. I rose with a flushed face and then hesitated. It was certainly one of those gross and lying pieces of flattery which we all of us hear at times. Nevertheless, I resisted the instinctive impulse that would have made me move away. Is not modesty in such a case merely another stratagem of our coquetry? We flee, the man pursues and the wrong impression is confirmed.

Standing in front of him, I frankly turned my eyes on his. Then he softly repeated the same words.

Was it the exquisite modulation of his voice? Or again were the gentle, friendly words the sudden revelation of a troubled life, a sensitive soul ready to pour itself out in a single phrase and longing to crystallise itself in one unparalleled second? They surprised me, those words of his, they seemed to me new words, grave words, because I had not believed that it was possible to speak them in that way to a stranger, to speak them in a voice that asked for nothing.

My whole attitude must have betrayed my twofold astonishment. My eyes questioned his. Their expression underwent no change. He was really asking for nothing. Then I smiled and answered, simply:

"I thank you. A woman is always glad to be told that."

Taking off his hat, he rose and bowed. I moved away with a slight feeling of discomfort: would he commit the stupidity of following me? Had I made a mistake? No, he resumed his seat. He had not blundered either.

4

When two people do not know each other and will not meet again, the words exchanged between them, if they are not mere commonplaces, become fraught with a strange significance and leave behind them a trail of melancholy like a mourning-veil; it is the surprise of those voices which speak to each other and will never be heard again, the fleeting encounter between glance and glance, the smile which knows not where to rest and yet would fain enrich the remembrance with a ray of kindness.

The essential image of a human life is contained in a moment like that. It awakens, hesitates, seeks, thinks that it has found, speaks a word and relapses into nothingness.



CHAPTER VII

1

Rose's profile stands out in relief against the dark velvet of the box. Her soft, fair hair parts into two waves that are like two streams of honey following the curve of her cheek. Her long neck is very white in the black gown that frames it; and her gloved hands rest near the fan that lies opened on her knees like a swan's wing. She is sitting straight up, with her eyes fixed in front of her. Her attitude is as dignified and cold as a circlet of brilliants on a beautiful forehead.

I am alone, at the back of the box. I prefer to listen like that, in the shadow, unseen. Is not the attention of a woman who is anything of a coquette, that slight, fitful attention, always affected a little by the thought, however unconscious, of the effect which she is producing?

2

I am struck by the general attitude of reverence. In the great silence through which the music swells, the lives of all those present seem penetrated with harmony.

I look at them as at so many open temples, which their thoughts have deserted in order to join one another in an invisible communion. There is a kind of homage in the bent heads and lowered eyes of the men. The women are silent. The fans cease fluttering. The souls of the audience are uplifted like the silent instruments of a human symphony that mysteriously rises and rises till it mingles with the other and is absorbed in it. If some part of us exists beyond words and forms, if our thought sometimes floats in regions of pure mentality, is it not this principle deprived of consciousness which bathes in the tremulous waves of sound?

3

And Rose is also listening. But Rose listens without hearing. She, whom the most beautiful things leave unmoved, here preserves an appearance of absolute attention better than any one else in the audience. She listens in that passive manner which is characteristic of her nature. She lives a waking sleep. There is no consciousness, no effort, but neither any desire.

When the orchestra fills the house with a song of gladness, I forget my anxiety and let my imagination soar into its heights and weave romances around that strange, cold beauty; but, if the music stops, if Rose moves or speaks, then it comes to earth again with some simple little plan, quite practical and quite ordinary.

4

She leant forward and I saw glittering under the electric lamp the little silver chain which she wore round her neck on the day when I saw her first, in the Normandy cornfields, standing amid the tall golden sheaves; and, as I recalled that first impression, the difference between then and now came like a blinding flash. In the cool morning breeze, the sickles advance with the sound and the surge of waves; and the golden expanse bows before the oncoming death. The sky is blue, the village steeple shimmers in the sunlight, a great calm reigns ... and a woman stands there, bending over the ground. What have I done? What have I done? Was not everything better so?



CHAPTER VIII

1

"It looks like snowing," says Rose.

The words falling upon an absolute silence distract me from my work.

It is a dull, drab winter's day. There is no colour, no light in the sky that shows through the muslin blinds. On the branches of the bare trees, a few dead leaves, which the wind has left behind, shiver miserably at some passing gust. There is just enough noise for us to enjoy the peace that enfolds the house. From time to time, carriage-wheels roll by and the crack of a whip cuts into our silence; then the dog wakes, sits up, looks questioningly at me and quietly puts his nose back between his paws and begins to snore again. Rose is sitting opposite him, on the other side of the fire-place. She is holding a book in her hands without reading it. Her beautiful eyes are staring dreamily at the fitful flames.

I rose and went upstairs to fetch a volume which I wanted. Both of them, the dog and she, accompanied me, yawning and stretching themselves as they went. They stood beside the book-case, like two witnesses, equally useless and equally indispensable, and watched me searching. I shivered in the cold room. Rose gave a little cough; and the dog tried to curl himself up in the folds of my skirt.

Then we all three went down again; and, when I had gone back to my place, they docilely resumed theirs on either side of the chimney.

The dog, before settling down, turned several times on his cushion, arching his back, with his tail between his legs and his critical nose quivering with satisfaction. Rose also has seen that her armchair is as comfortable as it can be made. Now, lying back luxuriously, with her elbows on the rests and her head on a soft cushion, she is evidently not much troubled at the thought of a long day indoors.

2

In the two months since Rose left Sainte-Colombe, I have drilled her into an intermittent attempt at style which is the utmost that she will ever achieve, I fear; for her will, unhappily, is incapable of sustained effort. When she has to hold herself upright for several hours at a time, I see her gradually stooping as though invisible forces were dragging her down.

Certainly, it is no longer the Rose of Sainte-Colombe who is here beside me. How much of her remains? Her general appearance is transformed by her clothes and the way in which she wears her hair; her voice and gestures are softer; but all this minute and complex change is but the subtle effect of events, the disconcerting effect of an influence that has laid itself upon her nature without altering it in any way. And this is what really causes my uneasiness. She is changed, but she has not changed.

I take her with me wherever I have to go. She accompanies me on my walks and drives, in my shopping, to the play. Men consider her beautiful, but her indifference keeps love at a distance: love, the passion in which I placed, in which I still place the hopes that remain to me.

3

As for Rose herself, she is always pleased, without being enthusiastic, and never expresses a wish or a desire.

I sometimes laugh and say:

"You have a weatherproof soul; and your common sense is as starched as your Sunday cap used to be!"

But at heart she saddens me. To keep my interest in her alive, I find myself wishing that she had some glaring fault. And at the same time I am angry with myself for not appreciating the exclusiveness of her affection better. I am actually beginning to think that this extravagant sentiment is fatal to her. I look upon it in her heart as I look upon the great tree in my garden, which interferes with the growth of everything around it: fond as I am of that tree, I consider it something of an enemy.



CHAPTER IX

1

This afternoon, the whole atmosphere of the house is changed. There is no silence, no work. The maid fusses about, spreading out my dresses before Rose and me. We cannot settle upon anything.

"We shall have to try them on you," I say.

But at the very first our choice is made.

A cry of admiration escapes me at the sight of Rose sheathed from head to foot in a long green-velvet tunic that falls heavily around her, without ornament or jewellery. From the high velvet collar, her head rises like a flower from its calyx; and I have never beheld a richer harmony than that of her golden hair streaming over the emerald green.

While I finish dressing her, we talk:

"You are having all your friends," she says.

"Some of them, those who live in Paris at this season. I have done for you to-day what I seldom care to do: I have asked them all together. But I have made a point of insisting that the strictest isolation shall be maintained."

Rose laughed as she asked me what I meant.

"It's quite simple," I answered. "We shall throw open all the doors; and there will be no crowding permitted! No general conversation, no loud talking ..."

"In short," she exclaimed, "the exact opposite to the convent, where we were forbidden to talk in twos."

"That is to say, where you were forbidden to talk at all; for there is no real conversation with more than one. As long as you have not spoken to a person alone, can you say that you have ever seen her?"

She did not appear convinced; and I continued:

"But just think! Conversation in pairs, when two people are in sympathy—and they are nearly always in sympathy when they are face to face—can be as sincere as lonely meditations."

I felt that she shared my sentiment; but her reasonable nature makes her always steer a middle course, never leaning to either side.

2

The pale winter sun is beginning to wane, but there is still plenty of daylight in the white drawing-room. And I look at my friends, who have formed little groups in harmony with my wishes and their own. When an increased intimacy brings us all closer together, the party will gain by that earlier informality. Each life will have been given its normal pitch and will try at least to keep it. For our souls are such sensitive instruments that they can rarely strike as much as a true third.

Blanche, with the agate eyes and the cloud of chestnut hair, is a picture of autumn in the brown and red of her frock, with its bands of sable. She is listening attentively to Marcienne. The fair Marcienne herself, whom I love for her passionate pride, is sitting near the fire-place; and her wonderful profile stands out against the flames. Her mouth is a fierce red; but the figure which shows through the pale-coloured tailor-made dress is full of tender childish curves. The swansdown toque makes her black hair seem blacker still. She is talking seriously and holding out to the flames her fingers covered with rings.

The wide-open door reveals the darker bedroom, in which the lights are already turned on. A young married woman is sitting with her elbows on the table. She is reading a poem in a low voice; and from time to time a few words, spoken more loudly, mingle with the semi-silence of the other rooms. Bending under the lamp-shade, her brown hair is bathed in the light, while her profile is veiled by her hand and the lines of her body are lost in the dark dress which melts into the shadow. Near her, leaning against the white wall, two white figures listen and dream.

I see Rose. She is standing, all emerald and gold, in the middle of the next room. Behind her, a mirror reflects the copper candelabra whose lighted branches surround her with stars. A placidly-smiling Madonna, chaste and cold, dazzling and glorious, she talks to the inseparables, Aurelie and Renee.

Renee, clad in deep mourning, is a delicious little princess of jet, with lint-white hair and flax-blue irises. Her companion, crowned with glowing tresses, knows the splendour of her green eyes and, with a cunning fan-like play of her long eyelids, amuses herself by making them appear and disappear.

My attention is recalled to the visitor by my side, a young Dutchwoman not yet quite at home in France. She is shy in speaking and she does not know my friends. I look at her. Her fair round face is quaintly framed in the smooth coils of her golden hair. Her eyes are a cloudless blue. Her nose, which is a little heavy and serious, belies the smiling mouth, with its corners that turn up so readily. The very long and very lovely neck makes one follow in thought the hollow of the nape and the slope of the shoulders vanishing in a snowy cloud of Mechlin lace. On the deliberately antiquated black-silk dress, a gold chain and a miniature set in brilliants give the finishing touch to a style classic in its chastity. Seated in a grandfather's chair in the embrasure of the window, she reminds one of Mme. de Mortsauf in Balzac's Lys dans la vallee.

But she is also the very embodiment of Zealand. You can picture her head covered with a lace cap and her temples adorned with gold corkscrews. Behind her you conjure up flat horizons, slow-turning wind-mills, little red-and-green houses in which the inmates seem to play at living. How charming she looks in the last rays of light, at once childish and dignified, passive and romantic ... and so different from the rest!

But has not each her particular interest, her special grace? When my eyes go from one to another, they tell a rosary of precious beads, each with its own peculiar beauty, neither greater nor less than its fellows! What a glad and wondrous thing it is to be women, to be delicate, pretty things, infinitely sensitive and infinitely varied, living works of art, matter for kisses, the realised stuff of dreams! When you look at them like that, solely in the decorative sense, you are ready to condemn those who work, who think and who concentrate upon an aim of some sort, for these superfine creatures carry the reason for their existence within themselves, so great is the perfection which they achieve with a gesture, an attitude, a glance. And then you reflect upon what they too often are in the privacy of their lives: narrow and domineering, attached to petty, useless duties, their minds lacking dignity, their souls lacking horizon; and you are sorry that they have not grown, through the sheer consciousness of their beauty, into ways that are kindly and generous.

I let my hand rest lightly on Cecilia's hands; and in the sweetness of the gathering dusk we both dream. Like the scent of flowers, the different natures seem to find a more precise expression as their shapes fade. I explain them to Cecilia, who does not know them.

Aurelie and Renee draw my eyes with their laughter; and I begin with them. They are the careless lovers, idle for the exquisite pleasure of idleness. They live a dream-life, the life of a child that sleeps, dresses itself, goes for a walk, eats sweets and plays with its dolls. They are good-natured as well as frivolous, lissom of mind as well as of body, indulgent to others and charming in themselves. Love, resting on their young and tender lives, makes them more tender yet, like the light that lingers long and fondly upon a soft-tinted pastel.

Next comes the turn of Marcienne, who, greatly daring, has broken with her family and given up worldly luxury, to work and live freely with the man of her choice.

Beside her is Blanche, still restless and undecided, attracted by love and irritated by her sister Hermione, who pursues a vision of charity and redemption.

Here my friend's fine profile turns to the other groups; and I continue:

"The one whom we call Sister Hermione you can see in the dark bedroom, reading under the light of the lamp, with her face hidden in her hands."

"Is she good-looking?"

"Very, but tries not to seem so. That is why she is always so simply dressed."

Cecilia interrupts me:

"But her dress isn't simple!"

"You are quite right. It is made complex by a thousand superfluous fripperies. Hermione has not been slow to understand that, to counteract perfect beauty, you must read simplicity to mean commonplace triviality."

A flutter of silk, a gleam of a silver-white skirt in the waning light, a whiff of orris-root; and Marcienne glides down to our feet with a lithe, cat-like movement. In a curt, passionate tone, she says:

"You are speaking of Hermione. Oh, do try and persuade her sister not to go the same way: is not one enough? Must more loveliness be wasted?"

Sitting on a cushion on the floor, she raises her glowing face, her eyes dark as night, her scarlet mouth, her dazzling pallor.

"I shall do nothing of the sort," I answer with a laugh, "for I rather like Hermione's folly; besides, her reason will soon conquer it! The dangers we run depend on chance; the first roads we take depend on influences. The way in which we bear those dangers and return from those roads: that is where the interest begins!"

"But, tell me," murmurs Cecilia, "what does your Hermione want?"

"Here is her story, in a couple of words," says Marcienne. "She is rich, beautiful and talented; and she belongs to an aristocratic English family. At twenty, she yielded to an impulse and went on the stage; in a few months, she was a really successful actress; then she made the acquaintance of a Hindu high-priest. He came and went; and she followed him. During the last two years, she has been his faithful disciple."

"But what does she preach?"

Marcienne made a vague gesture:

"Buddhist doctrines! She believes that she possesses the true faith and tries to hand it on to others. In the few days which she has spent in Paris, she has already made two converts, those two innocents who are hanging on her words. It would all be charming, you know, if her creed did not enjoin chastity and if, by holding those views, she did not risk the awful fate of never knowing love!"

Marcienne continued, still addressing herself to my new friend:

"Do you see those pretty creatures in white, standing close to Hermione? They are two orphans, two girls who fell in love with the same man. I don't know the details of the romance, nor can I say whether it was fancy or passion that guided the man's choice. All I know is that he loved one of them and had a child by her. A little while after, he deserted her. Thereupon their unhappy love reunited those two hearts which happy love, as always, had divided. The same devotion and kindness made them both bend over the one cradle. Oh, the adorable pity that prompted Anne's heart on the day when, hearing her baby call her mamma for the first time, she sent for her sister Marie and, holding towards her those little outstretched arms, those eyes in which consciousness was dawning, that little fluttering life seeking a resting-place, she offered the maid, in the exquisite mystery of that first smile, the first name of love! From that time onward, the baby grew up between its two mammas as one treads a sunny path between two flowering banks."

Marcienne had a gift for pretty phrases of this kind, which she would let fall not without a certain affectation. She liked talking and I liked listening to her. I asked her what she thought of Rose. She praised her beauty highly and even said the occasional awkwardness of her movements made it more uncommon:

"For that matter," she added, "if it were not so, I should try to be blind to it. A woman must understand that she lowers herself by belittling her sisters. How immensely we increase man's ascendancy by never praising one another!"

I began to laugh:

"Alas, I would not dare to say that the wisest among us, in extolling our own sex, are not once more seeking the admiration of some man!"

And Marcienne, who has been to such pains to release herself from the worldly surroundings amid which she suffered, goes on speaking long and passionately. There is a note of pain in her voice as she says:

"Everything separates us and removes us one from the other, education even more than instinct. If woman only knew how she lessens her power by blindly respecting the petty social laws of which she is nevertheless the sole judge and dictator! Whereas she hands them down meekly, from mother to daughter, with all their wearisome restrictions, and grows indignant if some one bolder ventures to transgress them. And yet it is in this domain, which is hers, that she might extend her power by gradually overthrowing the old idols."

And she also says:

"Almost always, in defending a woman, we have occasion to strike a mortal blow at some ancient prejudice. For my part, I must confess that I take a mischievous delight in bestowing special indulgence on things which often are too severe a test for that indulgence in others; for, rather than be suspected of impugning ever so lightly some worn-out principle, they will wound and wound again the most innocent of their sisters."

3

It is almost dark. I leave my companions in order to call for the lamps and I stop near Rose as I pass through the next room. Here, all the girls are clustered round Hermione, who is telling them a story of her travels.

Anne and Marie are listening respectfully, while the two inseparables, only half-attentive, are sharing a box of sweets.

Roseline throws her arms round me and, shrugging her shoulders, says:

"All this strikes me as such utter nonsense!"

She is certainly right, with her Normandy common sense; but does she not need just a touch of this same nonsense to bring her faculties into play, her powers into action?

4

When I return to the drawing-room, Blanche calls me with a laugh of delight:

"Oh, look!" she cries. "I've found a book with a portrait of my beloved Elizabeth Browning. Look at that sweet, gentle face, surrounded with ringlets: it's just as I imagined her. I love her all the better now."

They had opened other books written by women and, leaning over the table, were comparing the frontispiece portraits of the authors, interesting or handsome, grave or smiling, young or old. Even so do certain little volumes of the seventeenth and eighteenth centuries open nearly always with an engraving faded by time and representing charming faces all of the same class and often with similar expressions and features: a delicate nose, a bow-shaped, smiling mouth, intelligent eyes with no mysterious depths, dimpled cheeks, a string of pearls round the neck, a loosely-tied kerchief just revealing a swelling bosom, wanton curls dancing against a dark background in a frame of roses upheld by Cupids. And the quiver and the arrows and the flying ribbons and the turtle-doves: all this, joined to the letters, the maxims or the verses, often grave or even sad, sometimes calm and reasonable, sometimes passionate, brings before us in a few strokes the harmonious picture of woman's life.

"It is no longer the fashion in these days," murmured Blanche. "And yet is there not an intimate relation between a woman's work and her appearance?"

"That is the reason, no doubt," replied Marcienne, "why it seems, unlike man's, to grow smaller as it passes out of the present. We see the immortal pages disappear like the fallen petals of a flower. It's sad, don't you think?"

Struck with the beauty of her closing words, we listened to her in silence. She continued to turn the leaves at random and resumed:

"But, oh, the exquisite art which a woman's work can show when she is not only beautiful, but truly wise, when a lovely hand indites stately verse, when a life holds or breathes nothing but high romance ... and love! For it is love and love alone that makes a woman's brain conceive."

Cecilia, who was gradually losing her shyness, made a gesture to silence us and said, slowly:

"I'll tell you something!"

A general peal of laughter greeted this phrase with which the young Dutchwoman, according to the custom of her country, always ushers in her least words. To make yourself better understood by slow and absent minds, is it not well to give a warning? It is a sort of little spring that goes off first and arouses people's attention. Then the thought is there, ready for utterance. And sometimes, amid the silence, an announcement is made that it will be fine to-morrow, or that it is hot and that a storm is threatening.

But Cecilia is much too clever to cast aside those little mannerisms of her native race which so charmingly accentuate her special type of beauty. So she joined in our laughter with a good grace and, after repeating her warning, observed, in her hesitating language, that, by thus admitting ourselves to be the mere creatures of love, we were justifying the opinion of the men who treat us as "looking-glasses."

"Looking-glasses? Men's looking-glasses? And why not?" I exclaimed. "It is not for us women to decry that looking-glass side of us. It is serious, more serious than you think, for on the beauty of our reflection often depend our ardour, our courage, our very character and all the energies that create or affect our actions. Besides, whether men or women, we can only reflect one another and we ourselves do not become conscious of our powers until the day of the supreme love, as if, till then, we had only seen ourselves in pocket-mirrors which never reflect more than a morsel of our lives, a movement, a gesture ... and which always distort it!"

Every mouth quivered with laughter. I insisted:

"If women often have so much difficulty in learning to know their own characters, it is because most men are scornful mirrors, occupied with nothing smaller than the universe and never dreaming of reflecting women except in a grudging and imperfect fashion."

"It is true," said Marcienne, thinking of her lover, a man whose domineering temper often made him unjust to her. "Men's lives would be less serenely confident if our amiable and accommodating souls did not afford them a vision incessantly embellished by love ... and always having infinity for a background!"

And, with a satirical smile, she added:

"Let us accept the part of looking-glasses, but let us place our gods in a still higher light! They will not complain; and we shall at least have the advantage of seeing beyond them a little space and brightness."

The conversation then assumed a more personal character, each of us thinking of the well-beloved: Marcienne, ever mournful and passionate; the gentle Blanche, anxious, secretly plighted to an absent lover; and Cecilia, all absorbed in her young happiness with the husband of her choice.

5

Hermione and her cluster of girls had gradually come nearer. She dresses badly, she does her hair with uncompromising severity, but, in spite of it all, Hermione is very beautiful; and her loveliness triumphs over her commonplace clothes, even as her generous heart and the noble restlessness of her mind keep her on a plane which is loftier than the narrow dogmas of her creed.

During a moment's silence, I hear her answer a question put by Rose:

"Oh, what does it matter if I am wrong, as long as I make others happy!"

And all my friends, like a sheaf of glowing flowers, seemed to be bound together by that word of loving-kindness. Were they not all, these bestowers of joy, living in a world into which neither sin nor error entered, their lives obeying the same eternal principles of love, following the sacred law of nature which fills our hearts with tenderness and our bodies with longing?

6

They were now able to talk together. Their remarks would not be vain, ordinary or frivolous. During the first moments of isolation, each of them had pursued her own thoughts and continued her own life. Each had reached that perfect diapason at which the most antagonistic spirits are in supreme unison. Heedless of different objects or of diverse aims, the same yearning for generosity, the same thirst after graciousness and beauty united their hearts; and their minds, leaping all barriers, came to an understanding of one another in a region beyond opinions. All these young and beautiful creatures, all these forms fashioned for delight exhaled an atmosphere of love. Were they not all alike its votaries?

One alone, in a fiercer glow of enthusiasm and with a doubtless finer sensualism, one alone attempts to offer up her life to a God! The glorious folly of her! How I love to see her, vainly tormenting her beauty, seeking infinity, aspiring to bear peace across the world. I see her soul like a walled garden in which all the flowers lift themselves higher and higher, struggling to offer themselves to a moment of light. But, in a day of greater discontent and in an hour of maturity, the illusory fence will fall and the fair life will stand in open space. Then, drunk with boundless earth and boundless sky, the woman, restored to nature, will doubtless find herself more attuned to pleasure than were the others and more responsive to joy.

I looked at all those bowed heads, dark or fair, dusky or golden, those lovely forms revealed by their clinging robes, those delicate profiles bent over the portraits and writings of their sisters, far-off friends, vanished, unknown or absent, whose power of love still lives for all men and for all time ... immortal tears, petals dropped from the flower.

Then my glistening eyes turned towards my Roseline. She was there, indifferent, unmoved, perhaps secretly bored.

And my thoughts wept in my heart.

The most beautiful things cannot be given.



CHAPTER X

1

I had been out of town for a time. Returning to Paris a day sooner than I intended, I wished to give Rose the pleasure of an unexpected arrival and I went to see her that same evening. Though it was not more than ten o'clock, the lights were already out in the strictly-managed boarding-house. There was a row of brass candlesticks on the hall-table. The man-servant wanted to give me one; but I was impatient, thanked him hurriedly and ran upstairs in the dark.

I could not have told why I was so happy; for, though I should not have been willing to confess it, I had long lost all my illusions about the girl. But she was so beautiful; and her passive temperament left so much room for my fancy! I never made any headway; but at the moment it always seemed to me as if I were heard and understood. I used to write on that unresisting life as one writes on the sand; and, the easier I found it to make the impress of my will, the faster was it obliterated.

When I reached the floor on which Rose's bedroom was, I stopped in the dark passage. A narrow streak of light showed me that her door was not quite shut. Then, gathering up my skirts to deaden their sound, I felt along the wall and crept softly, on tip-toe, so as to take her by surprise. With infinite precautions, I slowly pushed the door open. I first caught sight of a corner of the empty bed, with its white curtains still closed; then of a candle-end burning on the table and of flowers and a broken vase lying on the ground. What could she be doing?

I was so far from imagining the truth that I do not know how I beheld it without betraying my presence by a movement or a sound. There was a young man in the room.

I saw his face, straight opposite me, near the guttering candle. A man in Rose's bedroom! A friend, no doubt; a lover, perhaps! But why had she never mentioned him to me? I had been away a month; and in not one of her letters had she ever spoken of him. A friend? A lover? Could she have a whole existence of which I knew nothing? Could her quiet life be feigned? But why?

At the risk of revealing my presence, I opened the door still farther; and then I saw her profile bending forward. Thus posed, it stood out against the black marble of the mantel-piece like a cameo. Rose had let down her hair, as she did every evening. Her bodice was unfastened; and the two golden tresses brought forward over her breast meekly followed the curve of her half-exposed bosom. She was not astonished, she was not even excited. She seemed to acquiesce in the man's presence in her room; it was no doubt customary.

And suddenly, amid the thousand details that engaged my attention, a light flashed across me: was not Rose's companion one of the boarders in the house, perhaps that painter of whom she had told me, the one who made a sketch of her head which she brought to me a few days after her arrival in Paris?

His eyes never left her. He watched and followed her every movement, whereas she, in her perfect composure, did not seem even to heed his presence. And that was what struck me: Rose's impassiveness in the face of that anxious and silent prayer. Did she not see? Could she not understand? I almost longed to rush at her and cry:

"But look, open your eyes; that man is entreating you!... If you do not share his emotions, at least be touched by his suffering; if not your lips, give him a glance or a smile!"

Oh, how like her it all is! And how the anxious pleading of the wooer resembles the vain waiting of the friend! But, alas, what in my case is but a disappointment of the heart, a tiresome obstacle to the evolution of an idea, is perhaps in his case a cruel and lasting ordeal!

Suddenly, he falls on his knees before the girl. With his shaking hands, he touches her breast; then he kisses it gently. She does not repel him, but her bored and absent expression discourages any amorous action and withers the kisses at the very moment when they alight upon her flesh. Then he half-raises himself to gaze at her from head to foot; and with all his ardour he silently asks for the consenting smile and the word that gives permission.

I shall never forget his look, the superb animal look, brilliant, glowing and empty as a ball-room deserted by the dancers, the superb, outspoken look that accompanies the gift of life and seems to flee its mystery at the moment when it approaches.

He stammered a few tender words. His voice thrilled me. It was grave and clear as a bronze and silver bell. It rang true, for the most ephemeral desire is not false. I knew, by the sense of his words, that Rose had not yet given herself.

Sullenly and as though annoyed by the soft words, she brought the dark stuff of her bodice over her white bosom. To the young man it was like a cloud passing over the sky; and, whether or not because the girl's resistance exasperated him, he suddenly pressed her to him, sought her lips and made her bend for a moment under the violence of his embrace. But, with an abrupt movement, with a sort of vindictive rage, she succeeded in releasing herself.

Then I fled from the house.

2

I did not recover myself until I was on the quay outside and felt the cold night-air against my face. My skirt was trailing on the ground; my hands made no movement to hold it up.

With my disgust and resentment there was mingled a vague feeling of remorse. Was it not I who had taught the girl the shamelessness that admits desire and the prudence that refuses to submit to it? Had I not wished for her, above all other treasures, the power of judging, appreciating, choosing?

Yes, but when I had talked of choosing, I had never imagined that the choice could be made in cold blood! So far from that, it had seemed to me that no more dangerous or painful experience could visit a woman's heart. The victory of mind over instinct and of will over desire is the price of a hideous, abnormal struggle opposed to the very law of our nature. A sad victory baptised with tears, a sacred preparation for the noble defeat that is to crown a woman's life!

Besides, it was not her refusal that revolted me, for we cannot judge an action of which we do not know the reasons; it was her demeanour, her horrible indifference. The ugliness of the scene would not have offended me, I reflected, if the woman had been in any way troubled by it; if I had seen her resist her own desire or at least deplore that which she was unable to share; if I had seen her struggle for a sentiment or suffer for an idea, however absurd or wild! But Rose had had neither tears nor compassion; and the blind instinct that always prompts us to give our lives had not tempted her.

I continued to see that face of marble. I heard those impassive words. I pictured that body which felt no thrill, that mouth which abandoned itself without giving itself. No, I had never taught her anything of that kind; for, however light the pain which we cause and whatever its nature, we are forgiven only if our own heart feels a deeper wound. I did not understand her conduct. What had prompted it? To what chains of weakness had her soul stealthily attached itself, that soul which I had jealously protected against all principles and prejudices? What secret limits had she assigned herself despite my watchful care to give her none?

I felt grieved and disappointed; and yet ... and yet I walked along with a certain gladness in my step. The tears trembling on my lashes were not tears of helplessness, but of a too-insistent energy, for they came above all from my overwrought nerves. My mind saw clear and rent my remorse like a superfluous veil.

No, I was not responsible! Our thought, once expressed, no longer belongs to us. Whether it leave us when scarce ripe, because an accident has gathered it, or whether it fall in its season, like the leaf falling from the tree, we know nothing of what it will become; and it is at once the wretchedness and the greatness of human thought to be subjected to the infinite forms of every mind and of every existence.

I walked for a long time without heeding the hour. The sky was clear and the stars glowed in its depths like live things; in the distance, the Trocadero decked the night with brilliants.

And, little by little, hope returned to me. I was persuaded that over there, in the little room which my care had provided for Rose, love would yet be the conqueror. She would awaken under those kisses. My Roseline should yet know passion and rapture. Love would triumph. It would do what I had been unable to do, it would breathe life into beauty! And, in the dead stillness, I kept hearing the kisses falling, falling heavily, like the first drops of a storm.



CHAPTER XI

1

We are talking like old friends, he and I, in the little white bedroom. Through the two curtains of the window high up in the wall a great ray of sunshine falls, a column of dancing light that dies on the table between us. I sit drumming absent-mindedly with my fingers in the shimmering motes. He looks at me and I feel no need to speak or to turn my head. The novelty of his presence makes no impression on me beyond a feeling of surprise that I do not find it strange. When by chance we do not hold the same view, the difference of opinion lasts only long enough to shift the thought which we are considering, even as one shifts an object to see its different aspects one after the other.

I came to the boarding-house this morning to see Rose. Her room was empty. I was on the point of going, when the young man passed. He recognised me, doubtless from the portraits which Rose had shown him; and he came up to me of his own accord. His greeting was frank and natural. There were breadth and spaciousness in his eyes and his smile as well as in his manner. To justify my friendly interest, I pretended to have heard about him from Rose as he himself had heard about me: that is to say, with the most circumstantial details regarding position, occupations and all the externals of life. He did not therefore enter into explanations about things of which I was ignorant and we at once began to talk without any formality.

What a strange and delightful sensation it was! I remembered all that I had noticed about him the night before; I knew his character from admiring its gentleness and patience under the supreme test of unrequited love, of desire that awakened no response. And he was now talking to me from the very depths of his soul, while I knew nothing of who or what he was, nor of what he was doing here. I was really seeing him from the inside, as we see ourselves behind the scenes of our own existence, without ever knowing exactly the spectacle which we present to others. I was observing the inner working of his life before I had seen the outward presentment.

Speaking to me of his profession, he told me, with a smile, how little importance he attached to his painting:

"It is only a favourable pretext for the life I have chosen. As you know, my greatest passion is nature; and I cannot but like the work which trained my eyes to a clearer vision and my nerves to a finer response."

He told me of the years which he had wasted in seeking in the customary amusements the joys which are ordinarily found there. He told me of the life of luxury and idleness which he had led until the day came when adverse fate reduced him to living on the income from a small estate which he owned in the country: a thrice-fortunate day, he added, for from that moment he had understood that he was made for solitude, meditation and all the quiet pleasures of nature. Then he enthusiastically described to me the peaceful charm of his little house and he employed the words of a lover to extol the charm of his willow-swept river and the wonders of his flowers and bees.

2

Then I wanted to know what he thought of Rose. He judged her not inaccurately; but, with a lover's partiality, he applied the words balance, gentleness, equanimity to qualities which one day, when the scales had fallen from his eyes, he would call lack of heart and feeling. Deep-seated differences, perhaps, but yet not of a nature to affect the very sound principles that ensured his tranquillity.

He had no illusions as to the quality of her mind. But to him, as to most men, a woman's intellectual value was but a relative factor; and he did not pause to estimate it with any attempt at accuracy, preferring to repeat:

"She will not disturb the silence of my life; and her beauty will adorn it marvellously."

He had a way of speaking which I liked. He knew how to refine his words by means of his expression. If they were very positive, his voice would hesitate; if too grave, a faint smile would lighten their sombreness. If he spoke ironically, his boyish eyes softened any touch of bitterness in the wisdom of the satirist.

I did not like to think that the success of his wooing would mean the end of his labours. Rose would never become the independent, perfect woman of my dreams, capable of preserving her personal life in the midst of love and in all circumstances. Alas, my ambition had soared too high! Henceforth, I must wish nothing better for her than this purely ornamental fate.

"Do you love her?" I asked.

"I was taken captive at once by her beauty," he answered. "She objected that this sudden love must be an illusion; and I tried for a time to think the same. But, before long, suffering taught me the sincerity of my love. I dare not say whether it is senseless or right or usual; but, as long as a feeling gives us nothing but joy, we are unable to recognise it, we doubt it, we smile at it as a light and fleeting thing. Let anguish come, however, with tears and dread; and it is as though the seal of reality were placed on our heart. Then we believe in our love."

I repeated, pensively and happily:

"Do you really love her?"

"Yes, I can say so honestly."

He hesitated a little and, speaking very slowly, as though picking his words from amid his memories, said:

"When we are sincere, we are bound to confess that the love which encircles all the movements of our body follows the movements of its strength or its weakness equally. It has its hours of exasperation, it is sometimes a tide that rises and floods everything: the past, the present, the future, the will, the spirit, the flesh. Then all becomes peaceful; the waves subside and we think that we love no more. We do love, however, but with a more detached joy. We have stepped outside love, as it were, and we contemplate its extent."

My breath came quickly and my hands, clasped on the table, were pressed close together. My heart was bursting with gladness for my Roseline. He saw my emotion and questioned me with deeper interest.

I replied without hesitation:

"I am happy in this love which comes to Rose so simply and candidly."

He pressed my hand as he said:

"Sometimes, on reading certain passages in your letters, I used to fear that you might be opposed to my intentions...."

I began to laugh:

"Yes, you will have read fine views concerning independence; and a tirade against the women who surrender too easily; and any number of things more or less contrary to your hopes. But do you not agree with me that our principles are at their soundest when they are least rigid and that our noblest convictions are those of which we see both sides at once? Woman even more than man must not be afraid of handling her morality a little roughly when occasion demands it, just as she sometimes ruffles her laces for the pleasure of the eyes, easily and naturally and without attaching too much importance to the matter."

3

He listens to my words as I listen to his, with surprised delight. We feel as if we were playing with the same thought, for it flashes from one life to the other without undergoing any alteration.

In point of fact, the human beings whom we see for the first time are not always new to us. True, we have never seen each other before, but our sympathies, our enthusiasms, inasmuch as they are common to both of us, have met more than once; and, now that we are talking, the form of our thoughts also corresponds, for, without intending it, we often look at the most abstract things objectively, because he is a painter and I a woman.

Oh, I know no more exquisite surprises than those chance meetings which suddenly bring you a friend at a turning in life's road! It is like a charming landscape which one has seen in a dream and which one now finds in reality, without even having hoped for it. You speak, laugh, recognise each other and above all you are astonished and go on being astonished, adorably and shamelessly, like children.

What we had to say was all interwoven, as though we were both drawing on the same memories. We were speaking of those friends of a day whom accident sometimes gives us and whom the very briefness of the emotion impresses deeply on our heart. They are there for ever, in a few clear, sharp strokes, like sketches:

"For instance, you go on a matter of business to see somebody whom you don't know. You chafe with annoyance as you cross the threshold. In spite of the material duty which you are performing, you consider that it is so much time wasted. Then, for some unknown reason, the atmosphere seems kindly. You find familiar things in the room where you are waiting: a picture which you might have chosen yourself, books which you know and like, things which look as if your own hand had arranged them. And you forget everything. With your forehead against the pane, you look at the roofs of the houses, at the streets, at all that little scene which is the constant companion of an existence which you do not know and with which you are about to come into touch; and your heart beats very fast, for a sort of foresight tells you that a friend is going to enter the room."

"That's quite true; and sometimes even we have already met him at some house or other; but then his mind displayed itself in a special attitude, inaccessible, motionless, lifeless, like a thing in a glass case. Now, we see him before us, in his own surroundings; and everything is changed. He has a smile which is made of just the same quality of affection as our own, a look instinct with the same sort of experience, a laugh that cheerfully faces like dangers, a mind responding to the same springs. And we talk and are contented and happy; and, when the sun enters at the window or when the fire flickers merrily in the hearth, we can easily picture spending the rest of our life there, in gladness and comfort. Anything that the one says is received by the other with an exclamation of delight. Yes, we have felt and seen things in the same way; and this little fact, natural though it may seem, is so rare that it appears extraordinary!"

With an abrupt movement that must be customary with him, my companion shook his head to fling back his thick hair, which darkened his forehead whenever he leant forward:

"And very often," he said, "you don't see each other again, or at least you don't see each other like that, because time is too swift and because everybody has to go his own road."

The bright shaft of sunlight was still between us. It came now from a higher point of the little window. In the shimmering dust, I conjured up the faces of scarce-seen friends. There were some whose features had become almost obliterated; but beyond them, as one sees an image in a crystal, I clearly perceived the ideas, the life, the soul that had for a moment throbbed on exactly the same level as my own.

I replied, in a very low voice:

"We remain infinitely grateful to people who have given us such minutes as those!"

And then, certain of hearing myself echoed, I cried, delightedly:

"Egoists should always be grateful and responsive, for gratitude is nothing but happiness prolonged by thought...."

"Yes, that is the whole secret of the responsive soul: to have sufficient impetus not to stop the sensation at the place where the joy itself stops."

"To have simply, like the runner, an impetus that carries us beyond the goal...."

4

Thus were our remarks unrolled like the links of one and the same chain; and yet how different were our two existences! His was devoid of all restlessness and agitation; and mine was still in need of it. His intelligence was active, but not at all anxious to appear so. For him, meditation was the great object; and, when I expressed my admiration of a modesty impossible to my own undisciplined pride, he replied, in all simplicity:

"Do not look upon this as modesty. The over-modest are often those whose pride is too great to find room on the surface."

"If I were a man or an older woman than I am," I said, laughingly, "I would choose your destiny; but, for the time being, I feel a genuine need to satisfy my youth and to give it a few of the little pleasures that suit it."

He tried to jest, like most men who disapprove of the trouble which we take to please them by making ourselves prettier or more brilliant; but at heart he was as fond as myself of feminine cajolery and frivolity.

"You are full of pride," I exclaimed, "when you have accomplished some noble action or produced some rare work of art; then why should not women be happy at realising in their persons consummate beauty and grace? It is very probable that, if Plato or Socrates had suddenly been turned into beautiful young creatures, their destiny would have been different from what it was; it is even exceedingly probable that wisdom would have prompted them very often to lay aside their writings and come and contemplate their charms in the admiration of men!"

I quoted the words uttered by a woman who had known and loved admiration in her day:

"If life were longer, I would devote as many hours to my body as I now do to my mind; and I should be right. Unfortunately, I have to make a choice; and my very love of beauty makes me turn to that which does not fade...."

5

We should certainly have gone on talking for hours and without tiring; but suddenly we both together remembered that Rose must be waiting for me at my house and I rose to go.

As I did so, I said:

"I happen not to know your Christian name. What is it?"

"Floris."

Floris! That name, so little known in France but very frequent in Holland, surprised me; and I had some difficulty in not saying:

"Then you are not a Frenchman?"

But all that I said was:

"Floris, you shall have your Rose!"



CHAPTER XII

1

Going down the stairs, I laughed to myself and said:

"It is really one of love's miracles, that that man should be interested in Rose. And yet, to a philosopher, does not that beautiful girl offer a very unusual sense of security? From the point of view of the life which I had planned for her, she is a failure; but will she not be perfect in the eyes of a lover, of a man who expects nothing from her but an occasion for dreams and pleasure?"

Filled with gladness, I hastened my steps. Although it was the end of winter, it was still freezing; and it was pleasant to hear the sound of my feet on the hard ground. I also noticed the noises of the street: they were sharp and distinct; and in the crisp air things were all black and white, as though etched in dry-point.

For a moment, my dream vanished; then suddenly I became aware of it and I rifled a shop of its flowers and jumped into a cab in order to be with my Roseline the sooner.

2

Rose and Floris! The delicious combination filled my heart to bursting-point. Is it not always some insignificant little accident that sets our impressions overflowing? Like a child, at the last minute, I had felt a wish to know what he was called; and I was delighted to find that it was a name full of grace and colour. Now all my thoughts clustered around those harmonious syllables. Those remarkable eyes, that dark hair with its faint wave, that sensitive heart, that profound intellect, powerful and yet a little tired, like a tree bowed down with fruit: all this went through life under the name of Floris!

Then I saw once more his face, his gentleness, his profound charm; and I never doubted the girl's secret assent. In my fond hope, I went to the length of imagining that she had wished to choose her life for herself, independent of my influence; that she had at last understood that, in order to please me, she must first assert her liberty, without fear of hurting or vexing me. It was an illusion, certainly; but there are times when joy thrusts aside reason in order to burst into full blossom, even as in moments of sorrow our despair often goes beyond reality to drain itself to the last drop in one passionate outpouring.

3

Rose was sitting in the drawing-room, waiting for me. I rushed in like a mad thing, without knowing what I was doing. My laughter, my flowers, my words all came together and fell upon her like a shower of joy. In one breath I told her of my indiscretion of the night before, of those stolen sensations, of my anguish, of my life at a standstill, waiting on theirs, of my delightful talk with Floris, of the sympathy between us and lastly of my conviction that happiness was being offered to her here and now.

Then I noticed that she said nothing; and, begging her pardon for my incoherence, I tried to express in serious words the future that awaited her. But all those glad impressions had dazzled me; I was like some one who comes suddenly from the bright sunshine into a room. Shadows fell and rose before my brain as before eyes that have looked too long at the light; and I could do nothing but kiss her and repeat:

"Believe me, happiness lies there! Seize it, seize it!"

At last she murmured, wearily:

"No, I can't do it."

I questioned her, anxiously:

"Perhaps there is some obstacle that separates you? Do you dislike him?"

"No, I know his whole life and I have nothing against him."

"Well, then ...?"

I tried in vain to obtain a definite reply. Her soul was shut, walled in, almost hostile. Was she refusing herself, as she had once given herself, without knowing why? Or else was my vague intuition correct and was a latent energy escaping from that little low, square forehead, white and pure as a camellia, a force of which she herself was unaware and which no doubt would one day reveal to me the final choice of her life?

I made her sit down and, kneeling beside her, questioned her patiently and gently as one asks a sick child to describe the pain which one is anxious to relieve. Silently, gazing vaguely into space, she let herself rest on my shoulder. The flowers fell from her listless hands. Some still hung to her dress, with tangled stalks. Red carnations, mimosa, tuberose, narcissus, hyacinths drunk with perfume, guelder-roses and white lilac wept at her feet.

I rose slowly and looked at her, my heart aching for the heedless one who dropped the joys which chance laid in her arms!



PART THE THIRD

CHAPTER I

1

The reason why we judge people better after a lapse of time is that, when we look at them from a distance, there is no confusion of detail. The main lines of their character stand out, relieved of the thousand little alterations and erasures which the scrupulous hand of truth is constantly making as it passes hither and thither, now rubbing out, now redrawing, until at last the impression is no longer a very clear one.

From the day when I separated my life completely from the life of Rose, her character appeared to me distinctly; and at the same time, now that it was free to come down to its own level, it asserted itself in its turn. Until that moment, while I had been careful to put no pressure upon her, I had nevertheless been asking her to choose her tastes and occupations on a plane that was unsuitable for her.

Her moral outlook was good, true and not at all silly, but it was limited; and, in trying to make her see life swiftly and from above, as though in a bird's-eye view, I had made it impossible for her to distinguish anything.

Her fault was that she had not been able to change, mine was that I had had too much faith in her possibilities. My optimism had wound itself around her immobility and fastened to it, even as ivy coils around a stone statue, without communicating to it the smallest portion of its sturdy and luxuriant little life.

2

And now it is six months since we parted; and I am going to-day to see her for the first time in her new existence.

I look out of the window of the railway-carriage; and my mind calls up memories which glide past with the autumn fields. First comes the departure of Floris, wearied by the incomprehensible attitude of the girl. He went away shortly after our meeting, still philosophical and cheerful, in spite of his disappointment. And the part which he played in my experiment taught me something that guided my efforts into a fresh direction: if Rose's beauty was to him sufficient compensation for her commonplace character, could not I also accept the girl as something out of which to weave romance and beauty? Does not everything lie in the mere fact of consent? Passive and silent, would she not become a rare object in my life, a precious stone?

"Woman blossoms into fullest flower by doing nothing," some one has said. "Women who do not work form the beauty of the world."

I took Rose to live with me and for weeks devoted myself exclusively to her appearance and her manners. I sought if possible to perfect the exterior. It was all in vain. This beautiful creature was so totally ignorant of what beauty meant that she was constantly deforming herself; and I at last gave up the struggle.

Sadly I remember the last pulsation of my will. It happened in the silence of my heart; and life went on for a little while longer. Would it not have been hateful to send Rose away, as one dismisses a servant? And what act, what fault had she committed to deserve such treatment? When it would have been so sweet to me to give her everything, for no reason at all, how could I find a solid reason for taking everything from her?

So I said nothing to her; we had none of those horrible explanations which set bristling spikes on the barriers—inevitable barriers, alas!—which dissimilarities in taste or character raise between people. There are certain persons who cannot bear to make any change without a preliminary explanation. They seem to carry a sort of map in their heads: on the far side of the frontier that borders the friendly territory lies the enemy; and it needs but a word, a gesture, a difference of opinion for you to find yourself in exile. Alas, have we not enough with all the limits, demarcations, laws and judgments that are perhaps necessary to the world at large? And must we lay upon ourselves still others in the intimate relations of life?

I had no right to set myself up as a judge and I could not have pronounced sentence. I waited. And, my will being no longer in the way, circumstances gradually led my companion to her true destiny better than I could have done.

She was bored. She was not really made to be a purely decorative object. In spite of her trailing silk or velvet dresses, twenty times a day I would find her in the larder, with a loaf under her arm and a knife in her hand, contentedly buttering thick slices of bread, which she would eat slowly in huge mouthfuls, looking straight before her as she did so.

She was bored; and I was powerless to cure this unfamiliar ill. I looked out some work for her in my busy life. She wrote letters, kept my accounts, hemmed the maids' aprons. Soon she was running the errands. One day she answered the front-door.

I still remember that moment when she came and told me, in her pretty, gentle way, that there was some one to see me in the drawing-room. I do not know why, but that insignificant incident suddenly revealed the truth to me. I was ashamed of myself and turned away my head so that she should not see me blush. Poor child, she was unconsciously lowering herself more and more daily. She was becoming my property. I was making use of her.

Without saying anything, I at once began to search for something for her. I hesitated between first one thing and then another; but at last chance came to my aid. Country-bred as she was, the girl was losing her colour in the Paris air; she was ordered to leave town. She knew a family at Neufchatel, in Normandy, who were willing to take her as a boarder for a few weeks. She went and did not come back.

3

What did she do there, how did she spend her time? She wrote to me before long that she was quite happy, that she was earning her livelihood without difficulty. There was a little linen-draper's shop, it seemed, kept by an old maid, who, having no relations of her own, had taken Rose to assist her at first and perhaps to succeed her in time.

I was not at all surprised. For that matter, when we follow the natural evolution of things, their conclusion comes so softly that we hardly notice it. It is the descent which we are approaching: it becomes less steep at every step and, when we reach it, it is only a faint depression in the ground.

4

Strange temperament! The more I think of it, the more it appears to me as an instance of the dangers of virtue, or at least of what we understand by the word. Does it not look as though, in the charts of our characters, the virtues are the ultimate goals which can be reached only by the way of our faults? Each virtue stands like a golden statue in the centre of a cross-roads. We can hardly know every side of it unless we have beheld it from the various paths that lead to it. It shines in a different manner at the end of each road.

Rose never became conscious of her good qualities, because she possessed them too naturally; and she remained poor in the midst of all the riches which she was unable to discern.

Oh, if only she had been less wise and had had that ardour, that flame which feeds on all that is thrown upon it to extinguish it; if she had had that inordinate prodigality which teaches us by making us commit a thousand acts of folly; if, in short, she had had faults, vices, impulses of curiosity, how different her fate would have been! The equilibrium of a person's character may be compared with that of a pair of scales; and it is safe to say that, by weighing more heavily upon one of these, our defects raise our good qualities to their highest level.

5

But every minute is now bringing me nearer to this life which I am at last to know; and I gaze absent-mindedly at the Bray country, that lovely country red with the gold of autumn. By force of habit, my nerves spell out a few sensations which my thoughts do not put into words. My heart is beating. Now, with no idea or purpose in my mind, I am speeding with a full heart towards the girl who was at least the inspiration of a splendid hope and above all an incentive to action.



CHAPTER II

1

I arrived at Neufchatel at the gracious hour when the sun is paling; and I was at once charmed with the kindly aspect of this little Norman town.

The house-fronts gleaming with fresh paint, the pigeons picking their way across the streets, the grass growing between the cobble-stones, the flowers outside the windows and doors, a cleanliness that adorns the smallest details: all this is so calm and so empty that our life at once settles there as in a frame that takes with equal ease the happy or the sad picture which we propose to fit into it.

It reminds me of Bruges, whose infinite, patient calm is a clean page on which the visitor's life is printed, happy or distressful at will, since there is nothing to define its character. It also has the silence of the little Flemish towns, with their streets without carriages or wayfarers. The gardens look as though they were artificial; and in the frame of the open windows we see interiors which are as sharp as pictures.

Leading out of the main street is a mysterious little alley, dark and badly paved. It runs upwards and ends in a clump of trees arching against the blue of the sky. There is no visible gate or doorway. I turn up it. All along a high wall hang old fire-backs, bas-reliefs of cracked, rusty-red iron, once licked by the flames, now washed by the rain.

I loiter to examine the subjects: coats of arms, trophies of weapons, or allegories and half-obliterated love-scenes. It is curious to see these homely relics thus exposed in the street, conjuring up the peaceful soul of families gathered round the hearth. From over the wall, the air reaches me laden with hallowed fragrance. I picture the box-bordered walks on the other side.

Then I climb higher; and, when I come to the trees, I find a charming surprise. The public gardens lie in front of me. In the shade of the public gardens we seem to find the very spirit of a town; it is to the gardens or to the church that our curiosity always turns in the first place. Here is the walk edged with stone benches on which old men and old women sit coughing and gossiping; here mothers bring their work, while their children run about; and in the centre, at the junction of the paths, is the platform where the regimental band plays on Sundays.

The Neufchatel gardens are in no way elaborate: a number of avenues have been cut out of an ancient wood; and that is all. There are no shrubs; just a patch of dahlias, with a ridiculous little iron railing round them. But its whole charm lies in its picturesque situation up above the town. In between the tall trees with their interlacing boughs, one can see the slopes of the hills, the plains, the meadows, the gleaming roofs and the church with its twin spires piercing the blue of the sky. Then, in the foreground, I see, behind the houses, the little gardens whose breath reached me just now. They are there, divided into small plots of equal size, simple or pretentious, sometimes humble kitchen-gardens, but sometimes also a patchwork adorned with grottoes, arbours and glass bells.

Rose mentioned a garden which brightens her little home. Suppose it were one of these!... A woman appears over there: she is tall and fair-haired. She stoops over a well; I cannot make out her features. She draws herself up again. Oh, no, her figure is clumsy, her hair looks dull and colourless and her clothes vulgar. Rose would never dress like that, in two colours that clash! Rose would never ...

I wander into a delicious reverie. How infinitely superior Rose is to all these people whose lives I can picture around me. Two women sit cackling beside me on the bench: they are at once guileless and bad, with their mania for eternally wagging tongues that know no rest. A little farther on, a good housewife is shaking her troublesome child; a stout, overdressed woman of the shop-keeping class is flaunting her finery down one of the walks; a priest passes and, while his lips mumble prayers, his eyes, held in leash by fear, prowl around me; one of his flock curtseys to the ground as she meets him.

A protest rises in my heart at each of the little incidents: is not Rose rid of all that? Rose long ago gave up going to mass and confession. She has lost the hypocritical sense of shame, knows neither envy nor malice and is a stranger to all ostentation.

I often used to reproach her with her extreme humility. How wrong I was! I now think that this humility can achieve the same result as pride itself. One looks too high, the other too low; but both pass by the petty vanities of life and either of them can keep us equally indifferent to those vanities.

2

I rose from my seat with a happy heart. The time had come for me to go in search of her. I would kiss her in all gratitude. Had she not enlarged my will to the extent of making it admit her little existence?

I went through the silent streets, in search of the charming, old-world name that was to tell me where the aged spinster lived. Rose had said that I should see it written over the door in blue letters and that it was opposite a place where they sold sportsmen's and anglers' requisites, a shop with a sign that would be certain to attract my attention.

I therefore walked along with a sure step and suddenly, at a street-corner, saw a great silver fish flashing to and fro in the breeze at the end of a long line. Soon I was in a quiet backwater of the town. There it was! Opposite me, the last gleams of the setting sun shed their radiance on a very bright little house covered with a luxuriant vine. On one side, in the same golden light, the name of Isaline Coquet smiled in sky-blue letters.

The shop was white, with pearl-grey shutters; and on the ledges were bunchy plants gay with pink, starry flowers. In the window, a few starched caps looked as if they were talking scandal on their respective stands.

I walked in. The opening of the door roused the tongue of a little rusty bell, but nobody came. On a big grandfather's chair, near the counter, were a pair of spectacles and a book. Perhaps Mlle. Coquet had run away when she caught sight of me through the panes; Rose said that she was shy and a little frightened at the thought of my coming visit. And I had the pleasure of looking for my Rose as I followed the mysterious turns of a primitive passage.

The walls were spotless and the red-tiled floor shone in the half-light. I crossed a neat little kitchen, just as a cuckoo-clock was chiming five, and found myself on the threshold of a small room opening on a garden. Rose was sitting in the wide, low window.

The noise of the clock no doubt deadened the sound of my steps, for the girl did not turn her head. The room exhaled a faint perfume as of incense and musk; and I seemed to hold all her peaceful little life in my breath and in that swift glance. All that I could see of her face was one cheek and the tips of her long eyelashes. Placed as she was in front of the light, a golden haze shaded the colours of her beautiful hair; and I lingered in contemplation of the long and graceful curve of her figure bending over her work. She was sewing in the midst of floods of stiff white muslin, which formed a chain of snow-clad peaks with blue reflections around her. I looked at the low-ceilinged room with its whitewashed wall and its rows of bodices, petticoats and shiny caps hanging on lines stretched from one side to the other. A grey tom-cat lay purring on a corner of the table; and, near it, in a well-scrubbed pot, a pink geranium displayed its sombre leaves and its bright flowers.

Rose was sewing. At regular intervals, her right arm rose, drew out the thread and returned to the spot whence it started: an even and captive movement symbolical of the amount of activity permitted to women! But was she not to choose that movement among all others?

3

We dine in her bedroom. What a surprise her room held in store for me! Rose had arranged it herself, in harmony with the simplicity which I loved.

Brightly-painted wooden shelves make patches of colour on the white walls; the furniture is rustic; and the curtains of white muslin with mauve spots complete the frank and artless harmony of the room. How little this was to be expected from Mlle. Coquet's shop!

Then, on Rose's table, the books I gave her fill the place of honour. I dare say that she never reads them; and yet I am glad to see them here.

Rose goes to and fro between our little table and the kitchen. She looks pretty, she smiles. The slowness of her movements is no longer lethargic; it simply exhales an air of repose, a perfume of peace that suits her beauty. Her eyes have fastened on me at once and, as in the old days, never leave me.

Is it the tyranny of habit that used to prevent me from reading anything in them? Now, those eyes that ingenuously drink in my life as the flowers do the light, those eyes not veiled by any shadow, constantly bring the tears to mine. She sees this and fondly lays her head on my shoulder, whispering:

"I did nothing but expect you, darling, only I had given up hoping...."

This term of endearment, which she addresses to me for the first time, as if, being no longer subject to any effort, she were at last yielding to the sweets of friendship, this expression and my Christian name, which she utters lovingly, complete the pleasantness of the evening.

I feel happy amid it all. We who were brought up in the country never lose our appreciation of its peaceful charm. It bows down our lives as we bow our forehead in our hands to think beyond our immediate surroundings; and from its narrow circle we are better able to judge the expanse which has become necessary to us.

4

The night rises, things fade away. The sky is a deep blue in the frame of the open window. Rose brings the lamp:

"It was the first companion of my solitude," she says, reminiscently; then, laughing, "the companion of my boredom, the companion of those long, long evenings...."

"But now, dearest?..."

"Ah, now, the days are too short: I have a thousand duties to perform, my dear little old woman to look after, my customers, my flowers, my animals; then, in the evening, we often have a caller: the priest, the notary, the neighbours...."

Then, suddenly fearing that she has hurt me, she adds, in a caressing tone:

"When I am with them, I am always talking about you, so as to comfort myself for the loss of you; for that is my only sorrow."

5

An hour or two later, sitting in the garden, we watched the stars appearing one by one. Our arms were round each other; our fair tresses were intermingled. We were at the far end of the town. We heard the sounds of the country ringing in the transparent air; and the crystal voice of the frogs, that small, clear note falling steadily and marking time to our thoughts. We were quiet, like everything around us, unstirred by a breath of wind.

Rose spoke of her happiness; and I never wearied of inhaling that delicious tranquillity. I had been thinking of settling her future for her. And what an inestimable lesson I was learning from her! Rose was one of those whose road must be marked from hour to hour by a little duty of some kind or another. It is thus, by limiting themselves, that these characters arrive at knowing and asserting themselves. She said, blithely, "my room," "my garden," "my house;" and I smiled as I reflected that I had once struggled to rid that mind of all useless bonds.

6

What a mistake I had made! In order to find her life, she had had to earn it and to recognise it in the very things that now belonged to it, to mark every hour of it with humdrum tasks, to create for herself little troubles on her own level, difficulties which her good sense could easily overcome. There was nothing unexpected, nothing far-reaching in her life, never an event beyond the tinkle of the shop-bell announcing a customer, a little bell with a short, sharp, cracked ring, stopping on a single note without vibration, as though it were the very voice of the little souls which it excited.

In contrast with this humble destiny, I considered my own full of difficulty and agitation, so crowded and yet doubtless equally empty; I followed in my mind's eye the lives of my friends; and I reflected that the nature of us women, alike of the most wayward and the most direct, is too delicate and too complex for us easily to keep our balance in a state of complete liberty.

"When we achieve it," I said to Rose, "it is thanks to a close and constant observation of ourselves; for woman never has any real moral strength. Self-sacrifice and kindness alone lend us some, because our capacity for loving knows no limit: our strength is then a loan which we make to ourselves at difficult moments by a miracle of love. Once the crisis is over, we have to pay ... with interest!"

"In Paris," said Rose, "even from the very first, I had a feeling that I should never dare to move in the absolute liberty that was offered me. You are not angry with me?"

"How could I be? We were both wanderers, you and I, where circumstances led us, both of us with a passion for sincerity, both of us with the best of intentions. A cleverer mind than mine would doubtless have saved you from going out of your way. It had many unnecessary turnings. But perhaps they had their uses...."

"Yes," replied my friend, wisely, "for without them, I should not have been so certain that my choice was right...."

7

Around us the mysterious life of the night was gradually awaking. All the animals that shun the daylight were beginning to stir. A hedgehog brushed against my skirt. In the grass, two glowworms summoned love with all their fires. The smell of the garden became overpowering. Our movements and our words throbbed in a scented air. Rose leant towards me:

"There is one thought that troubles me," she said. "Have I discouraged you? Will others better equipped than I still find you ready to lend them a helping hand?"

"Why not, Roseline?" And I would have liked to put my very soul into the kiss which I gave her. "No, you have not discouraged me. The only thing that matters is to have the power to choose what suits us. Then alone is it possible for us to develop ourselves without restraint. With your limited horizon, you are freer, darling, than when you were living with me, at the mercy of all the fancies which you did not know how to use. Everything is relative; and instinct makes no mistakes. Yours, by placing you here among the lives which I can imagine, gives you the opportunity of excelling. You felt that you needed to live under conditions in which the effort and the merit would lie in not changing, in which action would be immobility. You know, Rose, there is always some common ground in human beings; to reach it, if you do not stoop, the others will raise themselves. With your beauty which is the wonder of every one you meet, with that gentleness which wins all hearts and with your soul which no longer knows either malice or prayer, you will be a new example of life to all around you."

Rose was sitting on a higher chair than mine; and this allowed me to let my head sink into her lap. I no longer dreamt of looking at the splendour of the night, for was it not throbbing in my heart, where a star woke every moment? And I thought out loud:

"You were always asking me the object of my efforts. Do you now understand that I could not explain what I myself did not understand perfectly until you revealed it to me?"

I reflected for a moment and continued:

"We can wish nothing for others nor force anything on them: we can only help them to clear the field before and within themselves...."

She murmured:

"I understand."

And I cried:

"Ah, my dearest, how grateful I am to you! In looking for you, I have found myself a little more; and it is always so; and that, you see, is why we must love action. However tiny, however humble, it may be, it brings us at the same time the knowledge of others and of ourselves. We appear to fling ourselves stout-heartedly into the stream whose currents we cannot foresee; we are hurt, we are wounded, we struggle; but, when we return to the bank, we feel invigorated and refreshed."

Roseline stroked my forehead lightly with her hands and softly whispered:

"There was nothing lacking to my peace of mind but your approval. Now I am happy and I can begin my life without anxiety."



CHAPTER III

1

Rose was still asleep when I entered the drowsy bedroom to bid her good-bye. A small, heart-shaped opening in the middle of the shutters allowed the first ray of daylight to penetrate. Sleeping happily and trustfully, with streaming hair and hands out-flung, she lay strewn like the petals of a flower. I laid my lips on hers and softly went away.

As I climb the slope that leads out of Neufchatel, I turn and look down once more on the little town that slumbers everlastingly in its rich peace. Just there, by the church, I picture the house with its grey shutters, its white front and its starched caps behind the flower-pots. Beyond, the green horizons and the blue hill-sides stand clearly marked in the dawning sun; and I gaze and gaze as far as my eyes can see, through my lashes sparkling with tears.

For all her lethargy, her slumber as of a beautiful plant, the soul of my Rose is wholesome, wholesome as those meadows, those fields, all that good Norman earth which gave her to me miserable only to take her back happy and free. Certainly, Rose has not been able to achieve the strength that makes use of liberty: in that life, still so young, the will is a dead branch through which the sap no longer flows. At any rate, what she does possess she will not lose; she is one of those who instinctively hold in their breath so as not to tarnish the pane through which a glimpse of infinity stands revealed to them. Her soul could not take in unlimited happiness, it had to feel a touch of sorrow in order to taste a little joy. There are many like her, people who perceive that the light is good when they come out of the darkness, but who are not able to recognise the light in the radiant beauty of the noon-day fields.

The sun rises as I slowly make my way up-hill; the wood along the road is still wet with the dawn. It offers me its autumnal fragrance; I breathe it in, I gaze at its golden tints, I think of Rose, of her past and her future. But, beyond my dreams, an unformed idea seems to spread like a clear sky, without outline, without colour, without beginning or end; and I have a secret feeling that I shall try again.

2

I shall go towards other strangers. I shall seek at random among hearts and souls! Fearlessly, in spite of censure and derision, I shall lavish my confidence in order to win that of others. I shall not linger over the vain pleasure of discovering the traces of my power. We can pour out our influence boldly: it is a wine that excites no two souls in a like manner; and we are always ignorant what the nature of the intoxication will be, whether fruitful or barren, blithe or cheerless.

I shall go towards other strangers; I understand now that my sole ambition is to bring life within their reach. What matter what their thoughts, their loves, their wishes, if at least they have acquired the taste and the means of thinking, loving and wishing?

Shall I ever succeed in evolving from this passion of mine a method, a system that will make my action less blind and uncertain? I think not.

In a life that never offers us anything logical or foreseen, our moral nature must needs resemble a drapery that is folded backwards and forwards over events, souls or circumstances. Let us ask no more than that it be beautiful and soft, strong and light, submissive to the least breath and ready to be transformed at its command. Nothing but an essential principle of humanity and loving-kindness can serve as a foundation for our actions, without ever confining them.

3

On the one hand, we have effort, nearly always vain; on the other, knowledge, which is the second look that makes us discern the ordinary, the commonplace, where at first we beheld beauty and charm. Nevertheless, let us worship effort and knowledge above all things.

Let us act as simply as the little wave that lifts itself and breaks against the rock. Others come after it; and it is their light kisses which, all unseen, end by biting into the granite.

THE END