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The Cathedral
by Hugh Walpole
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A week ago, however, he had collapsed. It was feared now that at any moment he might die. The Archdeacon was very sorry for Morrison. He liked him, and was deeply touched by his tragedy; nevertheless one must face facts; it was probable that at any moment now the Chapter would be forced to make a new appointment.

He had been aware—he did not disguise it from himself in the least—for some time now of the way that the appointment must go. There was a young man, the Rev. Rex Forsyth by name, who, in his judgment, could be the only possible man. Young Forsyth was, at the present moment, chaplain to the Bishop of St. Minworth. St. Minworth was only a Suffragan Bishopric, and it could not honestly be said that there was a great deal for Mr. Forsyth to do there. But it was not because the Archdeacon thought that the young man ought to have more to do that he wished to move him to Pybus St. Anthony. Far from it! The Archdeacon, in the deep secrecy of his own heart, could not honestly admit that young Forsyth was a very hard worker —he liked hunting and whist and a good bottle of wine...he was that kind of man.

Where, then, were his qualifications as Canon Morrison's successor? Well, quite honestly—and the Archdeacon was one of the honestest men alive—his qualifications belonged more especially to his ancestors rather than to himself. In the Archdeacon's opinion there had been too many clever men of Pybus. Time now for a normal man. Morrison was normal and Forsyth would be more normal still.

He was in fact first cousin to young Johnny St. Leath and therefore a very near relation of the Countess herself. His father was the fourth son of the Earl of Trewithen, and, as every one knows, the Trewithens and the St. Leaths are, for all practical purposes, one and the same family, and divide Glebeshire between them. No one ever quite knew what young Rex Forsyth became a parson for. Some people said he did it for a wager; but however true that might be, he was not very happy with dear old Bishop Clematis and very ready for preferment.

Now the Archdeacon was no snob; he believed in men and women who had long and elaborate family-trees simply because he believed in institutions and because it had always seemed to him a quite obvious fact that the longer any one or anything remained in a place the more chance there was of things being done as they always had been done. It was not in the least because she was a Countess that he thought the old Lady St. Leath a wonderful woman; not wonderful for her looks certainly—no one could call her a beautiful woman—and not wonderful for her intelligence; the Archdeacon had frequently been compelled to admit to himself that she was a little on the stupid side—but wonderful for her capacity for staying where she was like a rock and allowing nothing whatever to move her. In these dangerous days—and what dangerous days they were!—the safety of the country simply depended on a few such figures as the Countess. Queen Victoria was another of them, and for her the Archdeacon had a real and very touching devotion. Thank God he would be able to show a little of it in the prominent part he intended to play in the Polchester Jubilee festivals this year!

Any one could see then that to have young Rex Forsyth close at hand at Pybus St. Anthony was the very best possible thing for the good of Polchester. Lady St. Leath saw it, Mrs. Combermere saw it, Mrs. Sampson saw it, and young Forsyth himself saw it. The Archdeacon entirely failed to understand how there could be any one who did not see it. However, he was afraid that there were one or two in Polchester.... People said that young Forsyth was stupid! Perhaps he was not very bright; all the easier then to direct him in the way that he should go, and throw his forces into the right direction. People said that he cared more for his hunting and his whist than for his work—well, he was young and, at any rate, there was none of the canting hypocrite about him. The Archdeacon hated canting hypocrites!

There had been signs, once and again, of certain anarchists and devilish fellows, who crept up and down the streets of Polchester spreading their wicked mischief, their lying and disintegrating ideas. The Archdeacon was determined to fight them to the very last breath in his body, even as the Black Bishop before him had fought his enemies. And the Archdeacon had no fear of his victory.

Rex Forsyth at Pybus St. Anthony would be a fine step forward. Have one of these irreligious radicals there, and Heaven alone knew what harm he might wreak. No, Polchester must be saved. Let the rest of the world go to pieces, Polchester would be preserved.

On how many earlier occasions had the Archdeacon surveyed the Chapter, considered it in all its details and weighed up judiciously the elements, good and bad, that composed it. How well he knew them all! First the Dean, mild and polite and amiable, his mind generally busy with his beloved flora and fauna, his flowers and his butterflies, very easy indeed to deal with. Then Archdeacon Witheram, most nobly conscientious, a really devout man, taking his work with a seriousness that was simply admirable, but glued to the details of his own half of the diocese, so that broader and larger questions did not concern him very closely. Bentinck-Major next. The Archdeacon flattered himself that he knew Bentinck-Major through and through—his snobbery, his vanity, his childish pleasure in his position and his cook, his vanity in his own smart appearance! It would be difficult to find words adequate for the scorn with which the Archdeacon regarded that elegant little man. Then Byle, the Precentor. He was, to some extent, an unknown quantity. His chief characteristic perhaps was his hatred of quarrels—he would say or do anything if only he might not be drawn into a "row." "Peace at any price" was his motto, and this, of course, as with the famous Vicar of Bray, involved a good deal of insincerity. The Archdeacon knew that he could not trust him, but a masterful policy of terrorism had always been very successful. Kyle was frankly frightened by the Archdeacon, and a very good thing too! Might he long remain so! Lastly there was Foster, the Diocesan Missioner. Let it be said at once that the Archdeacon hated Foster. Foster had been a thorn in the Archdeacon's side ever since his arrival in Polchester—a thin, shambly-kneed, untidy, pale-faced prig, that was what Foster was! The Archdeacon hated everything about him—his grey hair, his large protruding ears, the pimple on the end of his nose, the baggy knees to his trousers, his thick heavy hands that never seemed to be properly washed.

Nevertheless beneath that hatred the Archdeacon was compelled to a reluctant admiration. The man was fearless, a fanatic if you please, but devoted to his religion, believing in it with a fervour and sincerity that nothing could shake. An able man too, the best preacher in the diocese, better read in every kind of theology than any clergyman in Glebeshire. It was especially for his open mind about new religious ideas that the Archdeacon mistrusted him. No opinion, however heterodox, shocked him. He welcomed new thought and had himself written a book, Christ and the Gospels, that for its learning and broad-mindedness had created a considerable stir. But he was a dull dog, never laughed, never even smiled, lived by himself and kept to himself. He had, in the past, opposed every plan of the Archdeacon's, and opposed it relentlessly, but he was always, thanks to the Archdeacon's efforts, in a minority. The other Canons disliked him; the old Bishop, safely tucked away in his Palace at Carpledon, was, except for his satellite Rogers, his only friend in Polchester.

So much for the Chapter. There was now only one unknown element in the situation—Ronder. Ronder's position was important because he was Treasurer to the Cathedral. His predecessor, Hart-Smith, now promoted to the Deanery of Norwich, had been an able man, but one of the old school, a great friend of Brandon's, seeing eye to eye with him in everything. The Archdeacon then had had his finger very closely upon the Cathedral purse, and Hart-Smith's departure had been a very serious blow. The appointment of the new Canon had been in the hands of the Crown, and Brandon had, of course, had nothing to say to it. However, one glance at Ronder—he had seen him and spoken to him at the Dean's a few days after his arrival—had reassured him. Here, surely, was a man whom he need not fear—an easy, good-natured, rather stupid fellow by the look of him. Brandon hoped to have his finger on the Cathedral purse as tightly in a few weeks' time as he had had it before.

And all this was in no sort of fashion for the Archdeacon's personal advancement or ambition. He was contented with Polchester, and quite prepared to live there for the rest of his days and be buried, with proper ceremonies, when his end came. With all his soul he loved the Cathedral, and if he regarded himself as the principal factor in its good governance and order he did so with a sort of divine fatalism—no credit to him that it was so. Let credit be given to the Lord God who had seen fit to make him what he was and to place in his hands that great charge.

His fault in the matter was, perhaps, that he took it all too simply, that he regarded these men and the other figures in Polchester exactly as he saw them, did not believe that they could ever be anything else. As God had created the world, so did Brandon create Polchester as nearly in his own likeness as might be—there they all were and there, please God, they would all be for ever!

Bending his mind then to this new campaign, he thought that he would go and see the Dean. He knew by this time, he fancied, exactly how to prepare the Dean's mind for the proper reception of an idea, although, in truth, he was as simple over his plots and plans as a child brick-building in its nursery.

About three o'clock one afternoon he prepared to sally forth. The Dean's house was on the other side of the Cathedral, and you had to go down the High Street and then to the left up Orange Street to get to it, an irrational roundabout proceeding that always irritated the Archdeacon. Very splendid he looked, his top-hat shining, his fine high white collar, his spotless black clothes, his boots shapely and smart. (He and Bentinck- Major were, I suppose, the only two clergymen in Polchester who used boot- trees.) But his smartness was in no way an essential with him. Clothed in rags he would still have the grand air. "I often think of him," Miss Dobell once said, "as one of those glorious gondoliers in Venice. How grand he would look!"

However that might be, it is beyond question that the ridiculous clothes that a clergyman of the Church of England is compelled to wear did not make him absurd, nor did he look an over-dressed fop like Bentinck-Major.

Miss Dobell's gondolier was, on this present occasion, in an excellent temper; and meeting his daughter Joan, he felt very genial towards her. Joan had observed, several days before, that the family crisis might be said to be past, and very thankful she was.

She had, at this time, her own happy dreams, so that father and daughter, moved by some genial impulse, stopped and kissed.

"There! my dear!" said the Archdeacon. "And what are you doing this afternoon, Joan?"

"I'm going with mother," she said, "to see Miss Ronder. It's time we called, you know."

"I suppose it is." Brandon patted her cheek. "Everything you want?"

"Yes, father, thank you."

"That's right."

He left the house, humming a little tune. On the second step he paused, as he was in the habit of doing, and surveyed the Precincts—the houses with their shining knockers, their old-fashioned bow-windows and overhanging portals, the Cathedral Green, and the towering front of the Cathedral itself. He was, for a moment, a kind of presiding deity over all this. He loved it and believed in it and trusted it exactly as though it had been the work of his own hands. Halfway towards the Arden Gate he overtook poor old shambling Canon Morphew, who really ought, in the Archdeacon's opinion, to have died long ago. However, as he hadn't died the Archdeacon felt kindly towards him, and he had, when he talked to the old man, a sense of beneficence and charity very warming to the heart.

"Well, Morphew, enjoying the sun?"

Canon Morphew always started when any one spoke to him, being sunk all day deep in dreams of his own, dreams that had their birth somewhere in the heart of the misty dirty rooms where his books were piled ceiling-high and papers blew about the floor.

"Good afternoon...good afternoon, Archdeacon. Pray forgive me. You came upon me unawares."

Brandon moderated his manly stride to the other's shuffling steps.

"Hope you've had none of that tiresome rheumatism troubling you again."

"Rheumatism? Just a twinge—just a twinge.... It belongs to my time of life."

"Oh, don't say that!" The Archdeacon laughed his hearty laugh. "You've many years in front of you yet."

"No, I haven't—and you don't mean it, Archdeacon—you know you don't. A few months perhaps—that's all. The Lord's will be done. But there's a piece of work...a piece of work...."

He ran off into incoherent mumblings. Suddenly, just as they reached the dark shadows of the Arden Gate, he seemed to wake up. His voice was quite vigorous, his eyes, tired and worn as they were, bravely scanned Brandon's health and vigour.

"We all come to it, you know. Yes, we do. The very strongest of us. You're a young man, Archdeacon, by my years, and I hope you may long live to continue your good work in this place. All the same, you'll be old yourself one day. No one escapes.... No one escapes...."

"Well, good-day to you," said the Archdeacon hurriedly. "Good-day to you.... Hope this bright weather continues," and started rather precipitately down the hill, leaving Morphew to find his way by himself.

His impetuosity was soon restrained. He tumbled immediately into a crowd, and pulling himself up abruptly and looking down the High Street he saw that the pavement on both sides of the street was black with people. He was not a man who liked to be jostled, and he was the more uncomfortable in that he discovered that his immediate neighbour was Samuel Hogg, the stout and rubicund landlord of the "Dog and Pilchard" of Seatown. With him was his pretty daughter Annie. Near to them were Mr. John Curtis and Mr. Samuel Croppet, two of the Town Councillors. With none of these gentlemen did the Archdeacon wish to begin a conversation.

And yet it was difficult to know what to do. The High Street pavements were narrow, and the crowd seemed continually to increase. There was a good deal of pushing and laughter and boisterous good-humour. To return up the street again seemed to have something ignominious about it. Brandon decided to satisfy his curiosity, support his dignity and indulge his amiability by staying where he was.

"Good afternoon, Hogg," he said. "What's the disturbance for?"

"Markisses Circus, sir," Hogg lifted his face like a large round sun. "Surely you'd 'eard of it, Archdeacon?"

"Well, I didn't know," said Brandon in his most gracious manner, "that it was this afternoon.... Of course, how stupid of me!"

He smiled round good-naturedly upon them all, and they all smiled back upon him. He was a popular figure in the town; it was felt that his handsome face and splendid presence did the town credit. Also, he always knew his own mind. And he was no coward.

He nodded to Curtis and Croppet and then stared in front of him, a fixed genial smile on his face, his fine figure triumphant in the sun. He looked as though he were enjoying himself and was happy because he liked to see his fellow-creatures happy; in reality he was wondering how he could have been so foolish as to forget Marquis' Circus. Why had not Joan said something to him about it? Very careless of her to place him in this unfortunate position.

He looked around him, but he could see no other dignitary of the Church close at hand. How tiresome—really, how tiresome! Moreover, as the timed moment of the procession arrived the crowd increased, and he was now most uncomfortably pressed against other people. He felt a sharp little dig in his stomach, then, turning, found close beside him the flushed anxious, meagre little face of Samuel Bond, the Clerk of the Chapter. Bond's struggle to reach his dignified position in the town had been a severe one, and had only succeeded because of a multitude of self-submissions and abnegations, humilities and contempts, flatteries and sycophancies that would have tired and defeated a less determined soul. But, in the background, there were the figures of Mrs. Bond and four little Bonds to spur him forward. He adored his family. "Whatever I am, I'm a family man," was one of his favourite sayings. In so worthy a cause much sycophancy may be forgiven him. To no one, however, was he so completely sycophantic as to the Archdeacon. He was terrified of the Archdeacon; he would wake up in the middle of the night and think of him, then tremble and cower under the warm protection of Mrs. Bond until sleep rescued him once more.

It was natural, therefore, that however numerous the people in Polchester might be whom the Archdeacon despised, he despised little Bond most of all. And here was little Bond pressed up against him, with the large circumference of the cheerful Mr. Samuel Hogg near by, and the ironical town smartness of Messrs. Curtis and Croppet close at hand. Truly a horrible position.

"Ah, Archdeacon! I didn't see you—indeed I didn't!" The little breathless voice was like a child's penny whistle blown ignerantly. "Just fancy!— meeting you like this! Hot, isn't it, although it's only February. Yes.... Hot indeed. I didn't know you cared for processions, Arch-deacon——"

"I don't," said Brandon. "I hadn't realised that there was a procession. Stupidly, I had forgotten——"

"Well, well," came the good-natured voice of Mr. Hogg. "It'll do us no harm, Archdeacon—no harm at all. I forget whether you rightly know my little girl. This is Annie—come out to see the procession with her father."

The Archdeacon was compelled to shake hands. He did it very graciously. She was certainly a fine girl—tall, strong, full-breasted, with dark colour and raven black hair; curious, her eyes, very large and bright. They stared full at you, but past you, as though they had decided that you were of insufficient interest.

Annie thus gazed at the Archdeacon and said no word. Any further intimacies were prevented by approach of the procession. To the present generation Marquis' Circus would not appear, I suppose, very wonderful. To many of us, thirty years ago, it seemed the final expression of Oriental splendour and display.

There were murmurs and cries of "Here they come! Here they come! 'Ere they be!" Every one pressed forward; Mr. Bond was nearly thrown off his feet and caught at the lapel of the Archdeacon's coat to save himself. Only the huge black eyes of Annie Hogg displayed no interest. The procession had started from the meadows beyond the Cathedral and, after discreetly avoiding the Precincts, was to plunge down the High Street, pass through the Market-place and vanish up Orange Street—to follow, in fact, the very path that the Archdeacon intended to pursue.

A band could be heard, there was an astounded hush (the whole of the High Street holding its breath), then the herald appeared.

He was, perhaps, a rather shabby fellow, wearing the tarnished red and gold of many a procession, but he walked confidently, holding in his hand a tall wooden truncheon gay with paper-gilt, having his round cap of cloth of gold set rakishly on one side of his head. After him came the band, also in tarnished cloth of gold and looking as though they would have been a trifle ashamed of themselves had they not been deeply involved in the intricacies of their music. After the band came four rather shabby riders on horseback, then some men dressed apparently in admiring imitation of Charles II.; then, to the wonder and whispered incredulity of the crowd, Britannia on her triumphal car. The car—an elaborate cart, with gilt wheels and strange cardboard figures of dolphins and Father Neptune—had in its centre a high seat painted white and perched on a kind of box. Seated on this throne was Britannia herself—a large, full-bosomed, flaxen-haired lady in white flowing robes, and having a very anxious expression of countenance, as, indeed, poor thing, was natural enough, because the cart rocked the box and the box yet more violently rocked the chair. At any moment, it seemed, might she be precipitated, a fallen goddess, among the crowd, and the fact that the High Street was on a slope of considerable sharpness did not add to her ease and comfort. Two stout gentlemen, perspiration bedewing their foreheads, strove to restrain the ponies, and their classic clothing, that turned them into rather tattered Bacchuses, did not make them less incongruous.

Britannia and her agony, however, were soon forgotten in the ferocious excitements that followed her. Here were two camels, tired and dusty, with that look of bored and indifferent superiority that belongs to their tribe, two elephants, two clowns, and last, but of course the climax of the whole affair, a cage in which there could be seen behind the iron bars a lion and a lioness, jolted haplessly from side to side, but too deeply shamed and indignant to do more than reproach the crowd with their burning eyes. Finally, another clown bearing a sandwich-board on which was printed in large red letters "Marquis' Circus—the Finest in the World—Renowned through Europe—Come to the Church Meadows and see the Fun"—and so on.

As this glorious procession passed down the High Street the crowd expressed its admiration in silent whispering. There was no loud applause; nevertheless, Mr. Marquis, were he present, must have felt the air electric with praise. It was murmured that Britannia was Mrs. Marquis, and, if that were true, she must have given her spouse afterwards, in the sanctity of their privacy, a very grateful account of her reception.

When the band had passed a little way down the street and their somewhat raucous notes were modified by distance, the sun came out in especial glory, as though to take his own peep at the show, the gilt and cloth of gold shone and gleamed, the chair of Britannia rocked as though it were bursting with pride, and the Cathedral bells, as though they too wished to lend their dignified blessing to the scene, began to ring for Evensong. A sentimental observer, had he been present, might have imagined that the old town was glad to have once again an excuse for some display, and preened itself and showed forth its richest and warmest colours and wondered, perhaps, whether after all the drab and interesting citizens of to-day were not minded to return to the gayer and happier old times. Quite a noise, too, of chatter and trumpets and bells and laughter. Even the Archdeacon forgot his official smile and laughed like a boy.

It was then that the terrible thing happened. Somewhere at the lower end of the High Street the procession was held up and the chariot had suddenly to pull itself back upon its wheels, and the band were able to breathe freely for a minute, to gaze about them and to wipe the sweat from their brows; even in February blowing and thumping "all round the town" was a warm business.

Now, just opposite the Archdeacon were the two elephants, checked by the sudden pause. Behind them was the cage with the lions, who, now that the jolting had ceased, could collect their scattered indignities and roar a little in exasperated protest. The elephants, too, perhaps felt the humility of their position, accustomed though they might be to it by many years of sordid slavery. It may be, too, that the sight of that patronising and ignorant crowd, the crush and pack of the High Street, the silly sniggering, the triumphant jangle of the Cathedral bells, thrust through their slow and heavy brains some vision long faded now, but for an instant revived, of their green jungles, their hot suns, their ancient royalty and might. They realised perhaps a sudden instinct of their power, that they could with one lifting of the hoof crush these midgets that hemmed them in back to the pulp whence they came, and so go roaming and bellowing their freedom through the streets and ways of the city. The larger of the two suddenly raised his head and trumpeted; with his dim uplifted eyes he caught sight of the Archdeacon's rich and gleaming top- hat shining, as an emblem of the city's majesty, above the crowd. It gleamed in the sun, and he hated it. He trumpeted again and yet again, then, with a heavy lurching movement, stumbled towards the pavement, and with little fierce eyes and uplifted trunk heaved towards his enemies.

The crowd, with screams and cries, fell back in agitated confusion. The Archdeacon, caught by surprise, scarcely realising what had occurred, blinded a little by the sun, stood where he was. In another movement his top-hat was snatched from his head and tossed into air....

He felt the animal's hot breath upon his face, heard the shouts and cries around him, and, in very natural alarm, started back, caught at anything for safety (he had tumbled upon the broad and protective chest of Samuel Hogg), and had a general impression of whirling figures, of suns and roofs and shining faces and, finally, the high winds of heaven blowing upon his bare head.

In another moment the incident was closed. The courtier of Charles II. had rushed up; the elephant was pulled and hustled and kicked; for him swiftly the vision of power and glory and vengeance was over, and once again he was the tied and governed prisoner of modern civilisation. The top-hat lay, a battered and hapless remnant, beneath the feet of the now advancing procession.

Once the crowd realised that the danger was over a roar of laughter went up to heaven. There were shouts and cries. The Archdeacon tried to smile. He heard in dim confusion the cheery laugh of Samuel Hogg, he caught the comment of Croppet and the rest.

With only one thought that he must hide himself, indignation, humiliation, amazement that such a thing could be in his heart, he backed, turned, almost ran, finding at last sudden refuge in Bennett's book-shop. How wonderful was the dark rich security of that enclosure! The shop was always in a half-dusk and the gas burnt in its dim globes during most of the day. All the richer and handsomer gleamed the rows of volumes, the morocco and the leather and the cloth. Old Mr. Bennett himself, the son of the famous man who had known Scott and Byron, was now a prodigious age (in the town his nickname was Methusalem), but he still liked to sit in the shop in a high chair, his white beard in bright contrast with the chaste selection of the newest works arranged in front of him. He might himself have been the Spirit of Select Literature summoned out of the vasty deep by the Cultured Spirits of Polchester.

Into this splendid temple of letters the Archdeacon came, halted, breathless, bewildered, tumbled. He saw at first only dimly. He was aware that old Mr. Bennett, with an exclamation of surprise, rose in his chair. Then he perceived that two others were in the shop; finally, that these two were the Dean and Ronder, the men of all others in Polchester whom he least wished to find there.

"Archdeacon!" cried the Dean.

"Yes—om—ah—an extraordinary thing has occurred—I really—oh, thank you, Mr. Wilton...."

Mr. Frank Wilton, the young assistant, had offered a chair.

"You'll scarcely believe me—really, I can hardly believe myself." Here the Archdeacon tried to laugh. "As a matter of fact, I was coming out to see you...on my way...and the elephant..."

"The elephant?" repeated the Dean, who, in the way that he had, was nervously rubbing one gaitered leg against the other.

"Yes—I'm a little incoherent, I'm afraid. You must forgive me... breathless too.... It's too absurd. So many people..."

"A little glass of water, Mr. Archdeacon?" said young Wilton, who had a slight cast in one eye, and therefore gave the impression that he was watching round the corner to see that no one ran off with the books.

"No, thank you, Wilton.... No, thank you.... Very good of you, I'm sure. But really it was a monstrous thing. I was coming to see you, as I've just said, Dean, having forgotten all about this ridiculous procession. I was held up by the crowd just below the shop here. Then suddenly, as the animals were passing, the elephant made a lurch towards me—positively, I'm not exaggerating—seized my hat and—ran off with it!"

The Archdeacon had, as I have already said, a sense of fun. He saw, for the first time, the humour of the thing. He began to laugh; he laughed more loudly; laughter overtook him altogether, and he roared and roared again, sitting there, his hands on his knees, until the tears ran down his cheek.

"Oh dear...my hat...an elephant...Did you ever hear——? My best hat...!" The Dean was compelled to laugh too, although, being a shy and hesitating man, he was not able to do it very heartily. Young Mr. Wilton laughed, but in such a way as to show that he knew his place and was ready to be serious at once if his superiors wished it. Even old Mr. Bennett laughed as distantly and gently as befitted his great age.

Brandon was conscious of Ronder. He had, in fact, been conscious of him from the very instant of his first perception of him. He was giving himself away before their new Canon; he thought that the new Canon, although he was smiling pleasantly and was standing with becoming modesty in the background, looked superior....

The Archdeacon pulled himself up with a jerk. After all, it was nothing of a joke. A multitude of townspeople had seen him in a most ludicrous position, had seen him start back in terror before a tame elephant, had seen him frightened and hatless. No, there was nothing to laugh about.

"An elephant?" repeated the Dean, still gently laughing.

"Yes, an elephant," answered Brandon rather testily. That was enough of the affair, quite enough. "Well, I must be getting back. See you to- morrow, Dean."

"Anything important you wanted to see me about?" asked the Dean, perceiving that he had laughed just a little longer than was truly necessary.

"No, no...nothing. Only about poor Morrison. He's very bad, they tell me...a week at most."

"Dear, dear—is that so?" said the Dean. "Poor fellow, poor fellow!"

Brandon was now acutely conscious of Ronder. Why didn't the fellow say something instead of standing silently there with that superior look behind his glasses? In the ordinary way he would have greeted him with his usual hearty patronage. Now he was irritated. It was really most unfortunate that Ronder should have witnessed his humiliation. He rose, abruptly turning his back upon him. The fellow was laughing at him—he was sure of it.

"Well—good-day, good-day." As he advanced to the door and looked out into the street he was aware of the ludicrousness of going even a few steps up the street without a hat.

Confound Ronder!

But there was scarcely any one about now. The street was almost deserted. He peered up and down.

In the middle of the road was a small, shapeless, black object.

...His hat!



Chapter V

Mrs. Brandon Goes Out to Tea



Mrs. Brandon hated her husband. No one in Polchester had the slightest suspicion of this; certainly her husband least of all. She herself had been first aware of it one summer afternoon some five or six years ago when, very pleasantly and in the kindest way, he had told her that she knew nothing about primroses. They had been having tea at the Dean's, and, as was often the case then, the conversation had concerned itself with flowers and ferns. Mrs. Brandon was quite ready to admit that she knew nothing about primroses—there were for her yellow ones and other ones, and that was all. The Archdeacon had often before told her that she was ignorant, and she had acquiesced without a murmur. Upon this afternoon, just as Mrs. Sampson was asking her whether she liked sugar, revelation came to her. That little scene was often afterwards vividly in front of her—the Archdeacon, with his magnificent legs spread apart in front of the fireplace; Miss Dobell trying to look with wisdom upon a little bundle of primulas that the Dean was showing to her; the sunlight upon the lawn beyond the window; the rooks in the high elms busy with their nests; the May warmth striking through the misty air—all was painted for ever afterwards upon her mind.

"My dear, you may as well admit at once that you know nothing whatever about primroses."

"No, I'm afraid I don't—thank you, Mrs. Sampson. One lump, please."

She had been coming to it. Of course, a very long time before this—very, very far away, now an incredible memory, seemed the days when she had loved him so passionately that she almost died with anxiety if he left her for a single night. Almost too passionate it had been, perhaps. He himself was not capable of passionate love, or, at any rate, had been quite satisfied to be not passionately in love with her. He pursued other things—his career, his religion, his simple beneficence, his health, his vigour. His love for his son was the most passionately personal thing in him, and over that they might have met had he been able to conceive her as a passionate being. Her ignorance of life—almost complete when he had met her—had been but little diminished by her time with him. She knew now, after all those years, little more of the world and its terrors and blessings than she had known then. But she did know that nothing in her had been satisfied. She knew now of what she was capable, and it was perhaps the thought that he had, by taking her, prevented her fulfilment and complete experience that caused her, more than anything else, to hate him.

She very quickly discovered that he had married her for certain things—to have children, to have a companion. He had soon found that the latter of these he was not to obtain. She had in her none of the qualities that he needed in a companion, and so he had, with complete good-nature and kindliness, ceased to consider her. He should have married a bold ambitious woman who would have wanted the things, that he wanted—a woman something like Falk, his son. On the rare occasions when he analysed the situation he realised this. He did not in any way vent his disappointment upon, her—he was only slightly disappointed. He treated her with real kindness save on the occasions of his violent loss of temper, and gave her anything that she wanted. He had, on the whole, a great contempt for women save when, as for instance with Mrs. Combermere, they were really men.

It was to her most humiliating of all, that nothing in their relations worried him. He was perfectly at ease about it all, and fancied that she was the same. Meanwhile her real life was not dead, only dormant. For some years she tried to change the situation; she made little appeals to him, endeavoured timidly to force him to need her, even on one occasion threatened to sleep in a separate room. The memory of that little episode still terrified her. His incredulity had only been equalled by his anger. It was just as though some one had threatened to deprive him of his morning tub....

Then, when she saw that this was of no avail, she had concentrated herself upon her children, and especially upon Falk. For a while she had fancied that she was satisfied. Suddenly—and the discovery was awful—she was aware that Falk's affection all turned towards his father rather than towards her. Her son despised her and disregarded her as his father had done. She did not love Falk the less, but she ceased to expect anything from him—and this new loss she put down to her husband's account.

It was shortly after she made this discovery that the affair of the primroses occurred.

Many a woman now would have shown her hostility, but Mrs. Brandon was, by nature, a woman who showed nothing. She did not even show anything to herself, but all the deeper, because it found no expression, did her hatred penetrate. She scored now little marks against him for everything that he did. She did not say to herself that a day of vengeance was coming, she did not think of anything so melodramatic, she expected nothing of her future at all—but the marks were there.

The situation was developed by Falk's return from Oxford. When he was away her love for him seemed to her simply all in the world that she possessed. He wrote to her very seldom, but she made her Sunday letters to him the centre of her week, and wrote as though they were a passionately devoted mother and son. She allowed herself this little gentle deception—it was her only one.

But when he returned and was in the house it was more difficult to cheat herself. She saw at once that he had something on his mind, that he was engaged in some pursuit that he kept from every one. She discovered, too, that she was the one of whom he was afraid, and rightly so, the Archdeacon being incapable of discovering any one's pursuits so long as he was engaged on one of his own. Falk's fear of her perception brought about a new situation between them. He was not now oblivious of her presence as he had been. He tried to discover whether she knew anything. She found him often watching her, half in fear and half in defiance.

The thought that he might be engaged now upon some plan of his own in which she might share excited her and gave her something new to live for. She did not care what his plan might be; however dangerous, however wicked, she would assist him. Her moral sense had never been very deeply developed in her. Her whole character was based on her relations with individuals; for any one she loved she would commit murder, theft or blasphemy. She had never had any one to love except Falk.

She despised the Archdeacon the more because he now perceived nothing. Under his very nose the thing was, and he was sublimely contented. How she hated that content, and how she despised it!

About a week after the affair of the elephants, Mrs. Combermere asked her to tea. She disliked Mrs. Combermere, but she went to tea there because it was easier than not going. She disliked Mrs. Combermere especially because it was in her house that she heard silly, feminine praise of her husband. It amused her, however, to think of the amazed sensation there would be, did she one day burst out before them all and tell them what she really thought of the Archdeacon.

Of course she would never do that, but she had often outlined the speech in her mind.

Mrs. Combermere also lived in the Precincts, so that Mrs. Brandon had not far to go. Before she arrived there a little conversation took place between the lady of the house, Miss Stiles, Miss Dobell and Dr. Puddifoot, that her presence would most certainly have hindered. Mrs. Combermere was once described by some one as "constructed in concrete"; and that was not a bad description of her, so solid, so square and so unshakable and unbeatable was she. She wore stiff white collars like a man's, broad thick boots, short skirts and a belt at her waist. Her black hair was brushed straight back from her forehead, she had rather small brown eyes, a large nose and a large mouth. Her voice was a deep bass. She had some hair on her upper lip, and thick, strong, very white hands. She liked to walk down the High Street, a silver-topped cane in her hand, a company of barking dogs at her heels, and a hat, with large hat-pins, set a little on one side of her head. She had a hearty laugh, rather like the Archdeacon's. Dr. Puddifoot was our doctor for many years and brought many of my generation into the world. He was a tall, broad, loose-set man, who always wore tweeds of a bright colour.

Mrs. Combermere cared nothing for her surroundings, and her house was never very tidy. She bullied her servants, but they liked her because she gave good wages and fulfilled her promises. She was the first woman in Polchester to smoke cigarettes. It was even said that she smoked cigars, but no one, I think, ever saw her do this.

On this afternoon she subjected Miss Stiles to a magisterial inquiry; Miss Stiles had on the preceding evening given a little supper party, and no one in Polchester did anything of the kind without having to render account to Mrs. Combermere afterwards. They all sat round the fire, because it was a cold day. Mrs. Combermere sat on a straight-backed chair, tilting it forward, her skirt drawn up to her knees, lier thick-stockinged legs and big boots for all the world to see.

"Well, Ellen, whom did you have?"

"Ronder and his aunt, the Bentinck-Majors, Charlotte Kyle and Major Drake."

"Sorry I couldn't have been there. What did you give them?"

"Soup, fish salad, cutlets, chocolate souffle, sardines on toast."

"What drink?"

"Sherry, claret, lemonade for Charlotte, whisky."

"Any catastrophes?"

"No, I don't think so. Bentinck-Major sang afterwards."

"Hum—not sorry I missed that. When was it over?"

"About eleven."

"What did you ask them for?"

"For the Ronders."

Mrs. Combermere, raising one foot, kicked a coal into blaze.

"Tea will be in in a minute.... Now, I'll tell you for your good, my dear Ellen, that I don't like your Ronder."

Miss Stiles laughed. "Oh, you needn't mind me, Betsy. You never have. Why don't you?"

"In the first place, he's stupid."

Miss Stiles laughed again.

"Never wronger in your life. I thought you were smarter than that."

Mrs. Combermere smacked her knee. "I may be wrong. I often am. I take prejudices, I know. Secondly, he's fat and soft—too like the typical parson."

"It's an assumed disguise—however, go on."

"Third, I hear he agrees with everything one says."

"You hear? You've not talked to him yourself, then?"

Mrs. Combermere raised her head as the door opened and the tea came in.

"No. I've only seen him in Cathedral. But I've called, and he's coming to- day."

Miss Stiles smiled in her own dark and mysterious way.

"Well, Betsy, my dear, I leave you to find it all out for yourself.... I keep my secrets."

"If you do," said Mrs. Combermere, getting up and going to the tea-table, "it's the first time you ever have. And Ellen," she went on, "I've a bone to pick. I won't have you laughing at my dear Archdeacon."

"Laughing at your Archdeacon?" Miss Stiles' voice was softer and slower than any complaining cow's.

"Yes. I hear you've all been laughing about the elephant. That was a thing that might have happened to any one."

Puddifoot laughed. "The point is, though, that it happened to Brandon. That's the joke. And his new top hat."

"Well, I won't have it. Milk, doctor? Miss Dobell and I agree that it's a shame."

Miss Dobell, who was in appearance like one of those neat silk umbrellas with the head of a parrot for a handle, and whose voice was like the running brook both for melody and monotony, thus suddenly appealed to, blushed, stammered, and finally admitted that the Archdeacon was, in her opinion, a hero.

"That's not exactly the point, dear Mary," said Miss Stiles. "The point is, surely, that an elephant straight from the desert ate our best Archdeacon's best hat in the High Street. You must admit that that's a laughable circumstance in this the sixtieth year of our good Queen's reign. I, for one, intend to laugh."

"No, you don't, Ellen," and, to every one's surprise, Mrs. Combermere's voice was serious. "I mean what I say. I'm not joking at all. Brandon may have his faults, but this town and everything decent in it hangs by him. Take him away and the place drops to pieces. I suppose you think you're going to introduce your Ronders as up-to-date rivals. We prefer things as they are, thank you."

Miss Stiles' already bright colouring was a little brighter. She knew her Betsy Combermere, but she resented rebukes before Puddifoot.

"Then," she said, "if he means all that to the place, he'd better look after his son more efficiently."

"And exactly what do you mean by that?" asked Mrs. Combermere.

"Oh, everybody knows," said Miss Stiles, looking round to Miss Dobell and the doctor for support, "that young Brandon is spending the whole of his time down in Seatown, and that Miss Annie Hogg is not entirely unconnected with his visits."

"Really, Ellen," said Mrs. Combermere, bringing her fist down upon the table, "you're a disgusting woman. Yes, you are, and I won't take it back, however much you ask me to. All the worst scandal in this place comes from you. If it weren't for you we shouldn't be so exactly like every novelist's Cathedral town. But I warn you, I won't have you talking about Brandon. His son's only a boy, and the handsomest male in the place by the way—present company, of course, excepted. He's only been home a few months, and you're after him already with your stories. I won't have it——"

Miss Stiles rose, her fingers trembling as she drew on her gloves.

"Well, I won't stay here to be insulted, anyway. You may have known me a number of years, Betsy, but that doesn't allow you all the privileges. The only matter with me is that I say what I think. You started the business, I believe, by insulting my friends."

"Sit down, Ellen," said Mrs. Combermere, laughing. "Don't be a fool. Who's insulting your friends? You'd insult them yourself if they were only successful enough. You can have your Ronder."

The door opened and the maid announced: "Canon Ronder."

Every one was conscious of the dramatic fitness of this, and no one more so than Mrs. Combermere. Ronder entered the room, however, quite unaware of anything apparently, except that he was feeling very well and expected amusement from his company. He presented precisely the picture of a nice contented clergyman who might be baffled by a school treat but was thoroughly "up" to afternoon tea. He seemed a little stouter than when he had first come to Polchester, and his large spectacles were as round as two young moons.

"How do you do, Mrs. Combernere? I do hope you will forgive my aunt, but she has a bad headache. She finds Polchester a little relaxing."

Mrs. Combermere did not get up, but stared at him from, behind her tea- table. That was a stare that has frightened many people in its time, and to-day it was especially challenging. She was annoyed with Ellen Stiles, and here, in front of her, was the cause of her annoyance.

They faced one another, and the room behind them was aware that Mrs. Combermere, at any rate, had declared battle. Of what Ronder was aware no one knew.

"How do you do, Canon Ronder? I'm delighted that you've honoured my poor little house. I hear that you're a busy man. I'm all the more proud that you can spare me half an hour."

She kept him standing there, hoping, perhaps, that he would be consciously awkward and embarrassed. He was completely at his ease.

"Oh, no, I'm not busy. I'm a very lazy man." He looked down at her, smiling, aware, apparently, of no one else in the room. "I'm always meaning to pull myself up. But I'm too old for improvement"

"We're all busy people here, although you mayn't think it, Canon Ronder. But I'm afraid you're giving a false account of yourself. I've heard of you."

"Nothing but good, I hope."

"Well, I don't know. That depends. I expect you're going to shake us all up and teach us improvement."

"Dear me, no! I come to you for instruction. I haven't an idea in the world."

"Too much modesty is a dangerous thing. Nobody's modest in Polchester."

"Then I shall be Polchester's first modest man. But I'm not modest. I simply speak the truth."

Mrs. Combermere smiled grimly. "There, too, you will be the exception. We none of us speak the truth here."

"Really, Mrs. Combermere, you're giving Polchester a dreadful character." He laughed, but did not take his eyes away from her. "I hope that you've been here so long that you've forgotten what the place is like. I believe in first impressions."

"So do I," she said, very grimly indeed.

"Well, in a year's time we shall see which of us is right. I'll be quite willing to admit defeat."

"Oh, a year's time!" She laughed more pleasantly. "A great deal can happen in a year. You may be a bishop by then, Canon Ronder,"

"Ah, that would be more than I deserve," he answered quite gravely.

The little duel was over. She turned around, introduced him to Miss Dobell and Puddifoot, both of whom, however, he had already met. He sat down, very happily, near the fire and listened to Miss Dobell's shrill proclamation of her adoration of Browning. Conversation became general, and was concerned first with the Jubilee and the preparations for it, afterwards with the state of South Africa, Lord Penrhyn's quarries, and bicycling. Every one had a good deal to say about this last topic, and the strange costumes which ladies, so the papers said, were wearing in Battersea Park when out on their morning ride.

Miss Dobell said that "it was too disgraceful," to which Mrs. Combermere replied "Fudge! As though every one didn't know by this time that women had legs!"

Everything, in fact, went very well, although Ellen Stiles observed to herself with a certain malicious pleasure that their hostess was not entirely at her ease, was "a little ruffled, about something."

Soon two more visitors arrived—first Mr. Morris, then Mrs. Brandon. They came close upon one another's heels, and it was at once evident that they would, neither of them, alter very considerably the room's atmosphere. No one ever paid any attention to Mrs. Brandon in Polchester, and although Mr. Morris had been some time now in the town, he was so shy and retiring and quiet that no one was, as yet, very distinctly aware of him. Mrs. Combermere was occupied with her own thoughts and the others were talking very happily beside the fire, so it soon happened that Morris and Mrs. Brandon were sitting by themselves in the window.

There occurred then a revelation.... That is perhaps a portentous word, but what else can one call it? It is a platitude, of course, to say that there is probably no one alive who does not remember some occasion of a sudden communion with another human being that was so beautiful, so touching, so transcendentally above human affairs that a revelation was the only definition for it. Afterwards, when analysis plays its part, one may talk about physical attractions, about common intellectual interests, about spiritual bonds, about what you please, but one knows that the essence of that meeting is undefined.

It may be quite enough to say about Morris and Mrs. Brandon, that they were both very lonely people. You may say, too, that there was in both of them an utterly unsatisfied longing to have some one to protect and care for. Not her husband nor Falk nor Joan needed Mrs. Brandon in the least— and the Archdeacon did not approve of dogs in the house. Or you may say, if you like, that these two liked the look of one another, and leave it at that. Still the revelation remains—and all the tragedy and unhappiness and bitterness that that revelation involved remains too....

This was, of course, not the first time that they had met. Once before at Mrs. Combermere's they had been introduced and talked together for a moment; but on that occasion there had been no revelation.

They did not say very much now. Mrs. Brandon asked Morris whether he liked Polchester and he said yes. They talked about the Cathedral and the coming Jubilee. Morris said that he had met Falk. Mrs. Brandon, colouring a little, asked was he not handsome? She said that he was a remarkable boy, very independent, that was why he had not got on very well at Oxford.... He was a tremendous comfort to her, she said. When he went away...but she stopped suddenly.

Not looking at him, she said that sometimes one felt lonely even though there was a great deal to do, as there always was in a town like Polchester.

Yes, Morris said that he knew that. And that was really all. There were long pauses in their conversation, pauses that were like the little wooden hammerings on the stage before the curtain rises.

Mrs. Brandon said that she hoped that he would come and see her, and he said that he would. Their hands touched, and they both felt as though the room had suddenly closed in upon them and become very dim, blotting the other people out.

Then Mrs. Brandon got up to go. Afterwards, when she looked back to this, she remembered that she had looked, for some unknown reason, especially at Canon Ronder, as she stood there saying good-bye.

She decided that she did not like him. Then she went away, and Mrs. Combermere was glad that she had gone.

Of all the dull women....



Chapter VI

Seatown Mist and Cathedral Dust



Falk Brandon knew quite well that his mother was watching him.

It was a strange truth that until this return of his from Oxford he had never considered his mother at all. It was not that he had grown to disregard her, as do many sons, because of the monotonous regularity of her presence. Nor was it that he despised her because he seemed so vastly to have outgrown her. He had not been unkind nor patronising nor contemptuous—he had simply not yet thought about her. The circumstances of his recent return, however, had forced him to consider every one in the house. He had his secret preoccupation that seemed so absorbing and devastating to him that he could not believe that every one around him would not guess it. He soon discovered that his father was too cock-sure and his sister too innocent to guess anything. Now he was not himself a perceptive man; he had, after all, seen as yet very little of the world, and he had a great deal of his father's self-confidence; nevertheless, he was just perceptive enough to perceive that his mother was thinking about him, was watching him, was waiting to see what he would do....

His secret was quite simply that, for the last year, he had been devastated by the consciousness of Annie Hogg, the daughter of the landlord of "The Dog and Pilchard." Yes. devastated was the word. It would not be true to say that he was in love with her or, indeed, had any analysed emotion for her—he was aware of her always, was disturbed by her always, could not keep away from her, wanted something in connection with her far deeper than mere love-making—

What he wanted he did not know. He could not keep away from her, and yet when he was with her nothing occurred. She did not apparently care for him; he was not even sure that he wanted her to. At Oxford during his last term he had thought of her—incessantly, a hot pain at his heart. He had not invited the disturbance that had sent him down, but he had welcomed it.

Every day he went to "The Dog and Pilchard." He drank but little and talked to no one. He just leaned up against the wall and looked at her. Sometimes he had a word with her. He knew that they must all be speaking of it. Maybe the whole town was chattering. He could not think of that. He had no plans, no determination, no resolve—and he was desperately unhappy....

Into this strange dark confusion the thought of his mother drove itself. He had from the very beginning been aware of his father in this connection. In his own selfish way he loved his father, and he shared in his pride and self-content. He was proud of his father for being what he was, for his good-natured contempt of other people, for his handsome body and his dominance of the town. He could understand that his father should feel as he did, and he did honestly consider him a magnificent man and far above every one else in the place. But that did not mean that he ever listened to anything that his father said. He pleased himself in what he did, and laughed at his father's temper.

He had perceived from the first that this connection of his with Annie Hogg might do his father very much harm, and he did not want to harm him. The thought of this did not mean that for a moment he contemplated dropping the affair because of his father—no, indeed—but the thought of the old man, as he termed him, added dimly to his general unhappiness. He appreciated the way that his father had taken his return from Oxford. The old man was a sportsman. It was a great pity that he should have to make him unhappy over this business. But there it was—you couldn't alter things.

It was this fatalistic philosophy that finally ruled everything with him. "What must be must." If things went wrong he had his courage, and he was helped too by his contempt for the world....

He knew his father, but he was aware now that he knew nothing at all about his mother.

"What's she thinking about?" he asked himself.

One afternoon he was about to go to Seatown when, in the passage outside his bedroom, he met his mother. They both stopped as though they had something to say to one another. He did not look at all like her son, so fair, tall and aloof, as though even in his own house he must be on his guard, prepared to challenge any one who threatened his private plans.

"She's like a little mouse," he thought to himself, as though he were seeing her for the first time, "preparing to run off into the wainscot" He was conscious, too, of her quiet clothes and shy preoccupied timidity—all of it he seemed to see for the first time, a disguise for some purpose as secret, perhaps, as his own.

"Oh, Falk," she said, and stopped, and then went on with the question that she so often asked him:

"Is there anything you want?"

"No, mother, thank you. I'm just going out."

"Oh, yes...." She still stayed there nervously looking up at him.

"I was wondering——Are you going into the town?"

"Yes, mother. Is there anything I can do for you?"

"No, thank you." Still she did not move.

"Joan's out," she said. Then she went on quickly, "I wish you'd tell me if there were anything——"

"Why, of course." He laughed. "What exactly do you mean?"

"Nothing, dear. Only I like to know about your plans."

"Plans? I haven't any."

"No, but I always think you may be going away suddenly. Perhaps I could help you. I know it isn't very much that I can do, but anything you told me I think I could help you about.... I'd like to help you."

He could see that she had been resolving for some time to speak to him, and that this little appeal was the result of a desperate determination. He was touched.

"That's all right, mother. I suppose father and you think I oughtn't to be hanging around here doing nothing."

"Oh, your father hasn't said anything to me. I don't know what he thinks. But I should miss you if you went. It is nice for us having you, although, of course, it must seem slow to you here."

He stood back against the wall, looking past her out through the window that showed the grey sky of a misty day.

"Well, it's true that I've got to settle about doing something soon. I can't be home like this for ever. There's a man I know in London wants me to go in for a thing with him...."

"What kind of a thing, dear?"

"It's to do with the export trade. Travelling about. I should like that. I'm a bit restless, I'm afraid. I should want to put some money into it, of course, but the governor will let me have something.... He wants me to go into Parliament."

"Parliament?"

"Yes," Falk laughed. "That's his latest idea. He was talking about it the other night. Of course, that's foolishness. It's not my line at all. I told him so."

"I wouldn't like you to go away altogether," she repeated. "It would make a great difference to me."

"Would it really?" He had a strange mysterious impulse to speak to her about Annie Hogg. The thought of his mother and Annie Hogg together showed him at once how impossible that was. They were in separate worlds. He was suddenly angry at the difficulties that life was making for him without his own wish. "Oh, I'll be here some time yet, mother," he said. "Well, I must get along now. I've got an appointment with a fellow."

She smiled and disappeared into her room.

All the way into Seatown he was baffled and irritated by this little conversation. It seemed that you could not disregard people by simply determining to disregard them. All the time behind you and them some force was insisting on places being taken, connections being formed. One was simply a bally pawn...a bally pawn....

But what was his mother thinking? Had some one been talking to her? Perhaps already she knew about Annie. But what could she know? Girls like Annie were outside her ken. What could his mother know about life? The day did not help his dissatisfaction. The fog had not descended upon the town, but it had sent as its forerunner a wet sea mist, dim and intangible, depressing because it removed all beauty and did not leave even challenging ugliness in its place.

On the best of days Seatown was not beautiful. I have read in books romantic descriptions of Glebeshire coves, Glebeshire towns with the romantic Inn, the sanded floor, fishermen with gold rings in their ears and strange oaths upon their lips. In one book I remember there was a fine picture of such a place, with beautiful girls dancing and mysterious old men telling mysterious tales about ghosts and goblins, and, of course, somewhere in the distance some one was singing a chanty, and the moon was rising, and there was a nice little piece of Glebeshire dialect thrown in. All very pretty.... Seatown cannot claim such prettiness. Perhaps once long ago, when there were only the Cathedral, the Castle, the Rock, and a few cottages down by the river, when, at night-tide, strange foreign ships came up from the sea, when the woods were wild forest and the downs were bare and savage, Seatown had its romance, but that was long ago. Seatown, in these latter days, was a place of bad drainage, bad drinking, bad living and bad dying. The men who haunted its dirty, narrow little streets were loafers and idlers and castaways. The women were, most of them, no better than they should be, and the children were the most slatternly and ill-bred in the whole of Glebeshire. Small credit to the Canons and the Town Councillors and the prosperous farmers that it was so, but in their defence it might be urged that it needed a very valiant Canon and the most fearless of Town Councillors to disturb that little nest. And the time came when it was disturbed....

Even the Pol, a handsome river enough out beyond the town in the reaches of the woods, was no pretty sight at low tide when there was nothing to see but a thin, sluggish grey stream filtering through banks of mud to its destination, the sea. At high tide the river beat up against the crazy stone wall that bordered Pennicent Street; and on the further side there were green fields and a rising hill with a feathery wood to crown it. From the river, coming up through the green banks, Seatown looked picturesque, with its disordered cottages scrambling in confusion at the tail of the rock and the Cathedral and Castle nobly dominating it. That distant view is the best thing to be said for Seatown.

To-day, in the drizzling mist, the place was horribly depressing. Falk plunged down into Bridge Street as into a damp stuffy well. Here some of the houses had once been fine; there were porticoes and deep-set doors and bow-windows, making them poor relations of the handsome benevolent Georgian houses in Orange Street. The street, top-tilting down to the river, was slovenly with dirt and carelessness. Many of the windows were broken, their panes stuffed with paper; washing hung from house to house. The windows that were not broken were hermetically sealed and filled with grimy plants and ferns, and here and there a photograph of an embarrassed sailor or a smiling married couple or an overdressed young woman placed face outward to the street. Bridge Street tumbled with a dirty absent- mindedness into Pennicent Street. This, the main thoroughfare of Seatown, must have been once a handsome cobbled walk by the river-side. The houses, more than in Bridge Street, showed by their pillared doorways and their faded red brick that they had once been gentlemen's residences, with gardens, perhaps, running to the river's edge and a fine view of the meadows and woods beyond. To-day all was shrouded in a mist that was never stationary, that seemed alive in its shifting movement, revealing here a window, there a door, now a chimney-pot, now steps that seemed to lead into air, and the river, now at full tide and lapping the stone wall, seemed its drunken bewildered voice.

"Bally pawns, that's what we are," Falk muttered again. It seemed to be the logical conclusion of the thoughts that had worried him, likes flies, during his walk. Some one lurched against him as he stayed for a moment to search for the inn. A hot spasm of anger rose in him, so sudden and fierce that he was frightened by it, as though he had seen his own face in a mirror. But he said nothing. "Sorry," said a voice, and shadow faded into shadow.

He found the "Dog and Pilchard" easily enough. Just beyond it the river was caught into a kind of waterfall by a ridge of stone that projected almost into mid-stream. At high tide it tumbled over this obstruction with an astonished splash and gurgle. Even when the river was at its lowest there was a dim chattering struggle at this point. Falk always connected this noise with the inn and the power or enchantment of the inn that held him—"Black Enchantment," perhaps. He was to hear that struggling chatter of the river until his dying day.

He pushed through the passage and turned to the right into the bar. A damp day like this always served Hogg's trade. The gas was lit and sizzled overhead with a noise as though it commented ironically on the fatuity of the human beings beneath it. The room was full, but most of the men— seamen, loafers, a country man or two—crowded up to the bar. Falk crossed to a table in the corner near the window, his accustomed seat. No one seemed to notice him, but soon Hogg, stout and smiling, came over to him. No one had ever seen Samuel Hogg out of temper—no, never, not even when there had been fighting in the place and he had been compelled to eject men, by force of arms, through the doors and windows. There had not been many fights there. Men were afraid of him, in spite of his imperturbable good temper. Men said of him that he would stick at nothing, although what exactly was meant by that no one knew.

He had a good word for every one; no crime or human failing could shock him. He laughed at everything. And yet men feared him. Perhaps for that very reason. The worst sinner has some kind of standard of right and wrong. Himself he may not keep it, but he likes to see it there. "Oh, he's deep," was Seatown's verdict on Samuel Hogg, and it is certain that the late Mrs. Hogg had not been, in spite of her husband's good temper, a happy woman.

He came up to Falk now,—smiling, and asked him what he would have. "Nasty day," he said. Falk ordered his drink. Dimly through the mist and thickened air the Cathedral chimes recorded the hour. Funny how you could hear them in every nook and corner of Polchester.

"Likely turn to rain before night," Hogg said, as he turned back to the bar. Falk sat there watching. Some of the men he knew, some he did not, but to-day they were all shadows to him. Strange how, from the moment that he crossed the threshold of that place, hot, burning excitement and expectation lapped him about, swimming up to him, engulfing him, swamping him body and soul. He sat there drowned in it, not stirring, his eyes fixed upon the door. There was a good deal of noise, laughter, swearing, voices raised and dropped, forming a kind of skyline, and above this a voice telling an interminable tale.

Annie Hogg came in, and at once Falk's throat contracted and his heart hammered in the palms of his hands. She moved about, talking to the men, fetching drinks, unconcerned and aloof as she always was. Seen there in the mist of the overcrowded and evil-smelling room, there was nothing very remarkable about her. Stalwart and resolute and self-possessed she looked; sometimes she was beautiful, but not now. She was a woman at whom most men would havel ooked twice. Her expression was not sullen nor disdainful; in that, perhaps, there was something fine, because there was life, of its own kind, in her eyes, and independence in the carriage of her head.

Falk never took his eyes from her. At that moment she came down the room and saw him. She did not come over to him at once, but stopped and talked to some one at another table. At last she was beside him, standing up against his table and looking over his head at the window behind him.

"Nasty weather, Mr. Brandon," she said. Her voice was low and not unpleasant; although she rolled her r's her Glebeshire accent was not very strong, and she spoke slowly, as though she were trying to choose her words.

"Yes," Falk answered. "Good for your trade, though."

"Dirty weather always brings them in," she said.

He did not look at her.

"Been busy to-day?"

"Nothing much this morning," she answered. "I've been away at my aunt's, out to Borheddon, these last two days."

"Yes. I saw you were not here," he said. "Did you have a good time?"

"Middling," she answered. "My aunt's been terrible bad with bronchitis this winter. Poor soul, it'll carry her off one of these days, I reckon."

"What's Borheddon like?" he asked.

"Nothing much. Nothing to do, you know. But I like a bit of quiet just for a day or two. How've you been keeping, Mr. Brandon?"

"Oh, I'm all right. I shall be off to London to look for a job one of these days."

He looked up at her suddenly, sharply, as though he wanted to catch her interest. But she showed no emotion.

"Well, I expect this is slow for you, a little place like this. Plenty going on in London, I expect."

"Yes. Do you ever think you'd like to go there?"

"Daresay I shall one of these days. Never know your luck. But I'm not terrible anxious.... Well, I must be getting on."

He caught her eyes and held them.

"Come back for a moment when you're less busy. I've got something I want to say to you."

Very slightly the colour rose in her dark cheek.

"All right," she said.

When she had gone he drew a deep breath, as though he had surmounted some great and sudden danger. He felt that if she had refused to come he would have risen and broken everything in the place. Now, as though he had, by that little conversation with her, reassured himself about her, he looked around the room. His attention was at once attracted by a man who was sitting in the further corner, his back against the wall, opposite to him.

This was a man remarkable for his extreme thinness, for the wild lock of black hair that fell over his forehead and almost into his eyes, and for a certain sort of threadbare and dissolute distinction which hung about him. Falk knew him slightly. His name was Edmund Davray, and he had lived in Polchester now for a considerable number of years. He was an artist, and had arrived in the town one summer on a walking tour through Glebeshire. He had attracted attention at once by the quality of his painting, by the volubility of his manner, and by his general air of being a person of considerable distinction. His surname was French, but no one knew anything with any certainty about him. Something attracted him in Polchester, and he stayed. He soon gave it out that it was the Cathedral that fascinated him; he painted a number of remarkable sketches of the nave, the choir, Saint Margaret's Chapel, the Black Bishop's Tomb. He had a "show" in London and was supposed to have done very well out of it. He disappeared for a little, but soon returned, and was to be found in the Cathedral most days of the week.

At first he had a little studio at the top of Orange Street. At this time he was rather popular in Polchester society. Mrs. Combermere took him up and found him audacious and amusing. His French name gave a kind of piquancy to his audacity; he was unusual; he was striking. It was right for Polchester to have an artist and to stick him up in the very middle of the town as an emblem of taste and culture. Soon, however, he began to decline. It was whispered that he drank, that his morals were "only what you'd expect of an artist," and that he was really "too queer about the Cathedral." One day he told Miss Dobell that the amount that she knew about literature would go inside a very small pea, and he was certainly "the worse for liquor" at one of Mrs. Combermere's tea-parties. He did not, however, give them time to drop him; he dropped himself, gave up his Orange Street studio, lived, no one knew where, neglected his appearance, and drank quite freely whenever he could get anything to drink. He now cut everybody, rather than allowed himself to be cut.

He was in the Cathedral as often as ever, and Lawrence and Cobbett, the Vergers, longed to have an excuse for expelling him, but he always behaved himself there and was in nobody's way. He was finally regarded as "quite mad," and was seen to talk aloud to himself as he walked about the streets.

"An unhappy example," Miss Dobell said, "of the artistic temperament, that wonderful gift, gone wrong."

Falk had seen him often before at the "Dog and Pilchard," and had wondered at first whether Annie Hogg was the attraction. It was soon clear, however, that there was nothing in that. He never looked at the girl nor, indeed, at any one else in the place. He simply sat there moodily staring in front of him and drinking.

To-day it was clear that Falk had caught his attention. He looked across the room at him with a queer defiant glance, something like Falk's own. Once it seemed that he had made up his mind to come over and speak to him.

He half rose in his seat, then sank back again. But his eyes came round again and again to the corner where Falk was sitting.

The Cathedral chimes had whispered twice in the room before Annie returned.

"What is it you're wanting?" she asked.

"Come outside and speak to me."

"No, I can't do that. Father's watching."

"Well, will you meet me one evening and have a talk?"

"What about?"

"Several things."

"It isn't right, Mr. Brandon. What's a gentleman like you want with a girl like me?"

"I only want us to get away a little from all this noise and filth."

Suddenly she smiled.

"Well, I don't mind if I do. After supper's a good time. Father goes up the town to play billiards. After eight."

"When?"

"What about to-morrow evening?"

"All right. Where?"

"Up to the Mill. Five minutes up from here."

"I'll be there," he said.

"Don't let father catch 'ee—that's all," she smiled down at him. "You'm a fule, Mr. Brandon, to bother with such as I." He said 'nothing and she walked away. Very shortly after, Davray got up from his seat and came over to Falk's corner. It was obvious that he had been drinking rather heavily. He was a little unsteady on his feet.

"You're young Brandon, aren't you?" he asked.

In ordinary times Falk would have told him to go to the devil, and there would have been a row, but to-day he was caught away so absolutely into his own world that any one could speak to him, any one laugh at him, any one insult him, and he would not care. He had been meditating for weeks the advance that he had just taken; always when one meditates for long over a risk it swells into gigantic proportions. So this had been; that simple sentence asking her to come out and talk to him had seemed an impossible challenge to every kind of fate, and now, in a moment, the gulf had been jumped...so easy, so strangely easy....

From a great distance Davray's words came to him, and in the dialogue that followed he spoke like a somnambulist.

"Yes," he said, "my name's Brandon."

"I knew, of course," said Davray. "I've seen you about." He spoke with great swiftness, the words tumbling over one another, not with eagerness, but rather with a kind of supercilious carelessness. "Beastly hole, isn't this? Wonder why one comes here. Must do something in this rotten town. I've drunk enough of this filthy beer. What do you say to moving out?"

Falk looked up at him.

"What do you say?" he asked.

"Let's move out of this. If you're walking up the town I'll go with you."

Falk was not conscious of the man, but it was quite true that he wanted to get out of the place now that his job in it was done. He got up without a word and began to push through the room. He was met near the door by Hogg.

"Goin', Mr. Brandon? Like to settle now or leave it to another day?"

"What's that?" said Falk, stopping as though some one had touched him on the shoulder. He seemed to see the large smiling man suddenly in front of him outlined against a shifting wall of mist.

"Payin' now or leavin' it? Please yourself, Mr. Brandon."

"Oh—paying!" He fumbled in his pocket, produced half-a-crown, gave it to Hogg without looking at him and went out. Davray followed, slouching through the room and passage with the conceited over-careful walk of a man a little tipsy.

Outside, as they went down the street still obscured with the wet mist, Davray poured out a flow of words to which he seemed to want no answer.

"I hope you didn't mind my speaking to you like that—a bit unceremonious. But to tell you the truth I'm lonely sometimes. Also, if you want to know the whole truth and nothing but the truth, I'm a bit tipsy too. Generally am. This air makes one feel queer after that stinking hole, doesn't it? If you can call this air. I've seen you there a lot lately and often thought I'd like to talk to you. You're the only decent- looking fellow in the whole of this town, if you'll forgive my saying so. Isn't it a bloody hole? But of course you think so too. I can see it in your face. I suppose you go to that pub after that girl. I saw you talking to her. Well, each man to his taste. I'd never interfere with any man's pleasure. I loathe women myself, always have. They never appealed to me a little bit. In Paris the men used to wonder what I was after. I was after Ambition in those days. Funny thing, but I thought I was going to be a great painter once. Queer what one can trick oneself into believing—so I might have been if I hadn't come to this beastly town. Hope I'm not boring you...."

He stopped as though he had suddenly realised that his companion had not said a word. They were pushing now up the hill into the market-place and the mist was now so thick that they could scarcely see one another's face. Falk was thinking. "To-morrow evening.... What do I want? What's going to happen? What do I want?"

The silence made him conscious of his companion.

"What do you say?" he asked.

"Hope I'm not boring you."

"No, that's all right. Where are we?"

"Just coming into the market."

"Oh, yes."

"If I talk a lot it's because I haven't had any one to talk to for weeks. Not that I want to talk to any one. I despise the lot of them. Conceited set of ignorant parrots.... Whole place run by women and what can you expect? You're not staying here, I suppose. I heard you'd had enough of Oxford and I don't wonder. No place for a man, beautiful enough but spoilt by the people. Damn people—always coming along and spoiling places. Now there's the Cathedral, most wonderful thing in England, but does any one know it? Not a bit of it. You'd think they fancied that the Cathedral owes them something—about as much sense of beauty as a cockroach."

They were pressing up the High Street now. There was no one about. It was a town of ghosts. By the Arden Gate Falk realised where he was and halted.

"Hullo! we're nearly home.... Well...good afternoon, Mr. Davray."

"Come into the Cathedral for a moment," Davray seemed to be urgent about this. "Have you ever been up into the King Harry Tower? I bet you haven't."

"King Harry Tower?..." Falk stared at the man. What did the fellow want him to do? Go into the Cathedral? Well, why not? Stupid to go home just now—nothing to do there but think, and people would interrupt.... Think better out of doors. But what was there to think about? He was not thinking, simply going round and round.... Who was this fellow anyway?

"As you like," he said.

They crossed the Precincts and went through the West door into the Cathedral. The nave was full of dusky light and very still. Candles glimmered behind the great choir-screen and there were lamps by the West door. Seen thus, in its half-dark, the nave bore full witness to the fact that Polchester has the largest Cathedral in Northern Europe. It is certainly true that no other building in England gives the same overwhelming sense of length.

In full daylight the nave perhaps, as is the case with all English Cathedrals, lacks colour and seems cold and deserted. In the dark of this spring evening it was full of mystery, and the great columns of the nave's ten bays, rising unbroken to the roof groining, sprang, it seemed, out of air, superbly, intolerably inhuman.

The colours from the tombs and the brasses glimmered against the grey, and the great rose-coloured circle of the West window flung pale lights across the cold dark of the flags and pillars.

The two men were held by the mysterious majesty of the place. Falk was lifted right out of his own preoccupied thoughts.

He had never considered the Cathedral except as a place to which he was dragged for services against his will, but to-night, perhaps because of his own crisis, he seemed to see it all for the first time. He was conscious now of Davray and was aware that he did not like him and wished to be rid of him—"an awful-looking tout" he thought him, "with his greasy long hair and his white long face and his spindle legs."

"Now we'll go up into King Harry," Davray said. But at that moment old Lawrence came bustling along. Lawrence, over seventy years of age, had grown stout and white-haired in the Cathedral's service. He was a fine figure in his purple gown, broad-shouldered, his chest and stomach of a grand protuberance, his broad white flowing beard a true emblem of his ancient dignity. He was the most autocratic of Vergers and had been allowed now for many years to do as he pleased. The only thorn in his flesh was Cobbett, the junior Verger, who, as he very well realised, was longing for him to die, that he might step into his shoes. "I do believe," he was accustomed to say to Mrs. Lawrence, a little be-bullied woman, "that that man will poison me one of these fine days."

His autocracy had grown on him with the size and the whiteness of his beard, and there were many complaints—rude to strangers, sycophantic to the aristocracy, greedy of tips, insolent and conceited, he was an excellent example of the proper spirit of the Church Militant. He had, however, his merits. He loved small children and would have allowed them to run riot on the Cathedral greens had he not been checked, and he had a pride in the Cathedral that would drive him to any sacrifice in his defence of it.

It was natural enough that he should hate the very sight of Davray, and when that gentleman appeared he hung about in the background hoping that he might catch him in some crime. At first he thought him alone.

"Oh, Verger," Davray said, as though he were speaking to a beggar who had asked of him alms. "I want to go up into King Harry. You have the key, I think."

"Well, you can't, sir," said Lawrence, with considerable satisfaction. "'Tis after hours." Then he saw Falk.

"Oh, I beg your pardon, Mr. Brandon, sir. I didn't realise. Do you want to go up the Tower, sir?"

"We may as well," said Falk.

"Of course for you, sir, it's different. Strangers have to keep certain hours. This way, sir."

They followed the pompous old man across the nave, up the side aisle, past "tombs and monuments and gilded knights," until they came to the King Harry Chapel. This was to the right of the choir, and before the screen that railed it off from the rest of the church there was a notice saying that this Chapel had been put aside for private prayer and it was hoped that no one would talk or make any noise, were some one meditating or praying there. The little place was infinitely quiet, with a special air of peace and beauty as though all the prayers and meditations that had been offered there had deeply sanctified it; Lawrence pushed open the door of the screen and they crossed the flagged floor. Suddenly into the heart of the hush there broke the Cathedral chimes, almost, as it seemed, directly above their heads, booming, echoing, dying with lingering music back into the silence. At the corner of the Chapel there was a little wooden door; Lawrence unlocked it and pushed it open. "Mind how you go, sir," he said, speaking to Falk as though Davray did not exist. "'Tis a bit difficult with the winding stair."

The two men went forward into the black darkness, leaving the dusky light behind them. Davray led the way and Falk followed, feeling with his arms the black walls on either side of him, knocking with his legs against the steps above him. Here there was utter darkness and no sound. He had suddenly a half-alarmed, half-humorous suspicion that Davray was suddenly going to turn round upon him and push him down the stair or stick a knife into him—the fear of the dark. "After all, what am I doing with this fellow?" he thought. "I don't know him. I don't like him. I don't want to be with him."

"That's better," he heard Davray say. There was a glimmer, then a shadow of grey light, finally they had stepped out into what was known as the Whispering Gallery, a narrow railed platform that ran the length of the Chapel and beyond to the opposite Tower. They did not stop there. They pushed up again by more winding stairs, black for a space, then lit by a window, then black again. At last, after what had seemed a long journey, they were in a little, spare, empty room with a wooden floor. One side of this little room was open and railed in. Looking down, the floor of the nave seemed a vast distance below. You seemed here to be flying in glory. The dim haze of the candles just touched the misty depth with golden colour. Above them the great roof seemed close and menacing. Everywhere pillars and buttresses rose out of space. The great architect of the building seemed here to have his true kingdom, so vast was the depth and the height and the grandeur. The walls and the roof and the pillars that supported it were alive with their own greatness, scornful of little men and their little loves. The hush was filled with movement and stir and a vast business....

The two men leaned on the rails and looked down. Far below, the white figured altar, the brass of the Black Bishop's tomb, the glitter of Saint Margaret's screen struck in little points of dull gold like stars upon a grey inverted sky.

Davray turned suddenly upon his companion. "And it's men like your father," he said, "who think that this place is theirs.... Theirs! Presumption! But they'll get it in the neck for that. This place can bide its time. Just when you think you're its master it turns and stamps you out."

Falk said nothing. Davray seemed irritated by his silence. "You wait and see," he said. "It amuses me to see your governor walking up the choir on Sundays as though he owned the place. Owned it! Why, he doesn't realise a stone of it! Well, he'll get it. They all have who've tried his game. Owned it!"

"Look here," said Falk, "don't you say anything about my father—that's none of your business. He's all right. I don't know what the devil I came up here for—thinking of other things."

Davray too was thinking of other things.

"You wonderful place!" he whispered. "You beautiful place! You've ruined me, but I don't care. You can do what you like with me. You wonder! You wonder!"

Falk looked at him. The man was mad. He was holding on to the railing, leaning forward, staring....

"Look here, it isn't safe to lean like that. You'll be tumbling over and breaking your neck if you're not careful."

But Davray did not hear him. He was lost in his own dreams. Falk despised dreams although just now he was himself in the grip of one. Besides the fellow was drunk.

A sudden disgust of his companion overtook him.

"Well, so long," he said. "I must be getting home!"

He wondered for a moment whether it were safe to leave the fellow there. "It's his own look-out," he thought, and as Davray said no more he left him.

Back once more in the King Harry Chapel, he looked up. But he could see no one and could hear no sound.



Chapter VII

Ronder's Day



Ronder had now spent several months in Polchester and was able to come to an opinion about it, and the opinion that he had come to was that he could be very comfortable there. His aunt, who, in spite of her sharpness, never was sure how he would take anything, was a little surprised when he told her this. But then she was never certain what were the secret springs from which he derived that sense of comfort that was the centre of his life. She should have known by now that he derived it from two things—luxury and the possibility of intrigue.

Polchester could not have appeared to any casual observer a luxurious town, but it had for Ronder exactly that combination of beauty and mystery that obtained for him his sensation.

He did not analyse it as yet further than that—he knew that those two things were there; he might investigate them at his leisure.

In that easy, smiling fashion that he had developed from his earliest days as the surest protection for his own security and ease, he arranged everything around him to assure his tranquillity. Everything was not as yet arranged; it might take him six months, a year, two years for that arrangement...but he knew now that it would be done.

The second element in his comfort, his love of intrigue, would be satisfied here simply because everything was not, as yet, as he would have it. He would have hated to have tumbled into the place and found it just as he required it.

He liked to have things to move, to adjust, to arrange, just as when he entered a room he always, if he had the power, at once altered the chairs, the cushions. It was towards this final adjustment that his power of intrigue always worked. Once everything was adjusted he sank back luxuriously and surveyed it—and then, in all probability, was quickly tired of it and looked for new fields to conquer.

He could not remember a time when he had not been impelled to alter things for his comfort. He did not wish to be selfish about this, he was quite willing for every one else to do the same—indeed, he watched them with geniality and wondered why on earth they didn't. As a small boy at Harrow he had, with an imperturbable smile and a sense of humour that, in spite of his rotund youth and a general sense amongst his elders that he was "cheeky," won him popularity, worked always for his own comfort.

He secured it and, first as fag and afterwards as House-prefect, finally as School-prefect, did exactly what he wanted with everybody.

He did it by being, quite frankly, all things to all men, although never with sycophancy nor apparent falseness. He amused the bored, was confidential with the wicked, upright with the upright, and sympathetic with the unfortunate.

He was quite genuine in all these things. He was deeply interested in humanity, not for humanity's sake but his own. He bore no man any grudge, but if any one was in his way he worked hard until they were elsewhere. That removal attained, he wished them all the luck in the world.

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