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"What did you do when you were out alone at night?"
"I just walked about. I set fire to a tree in the woods once, then the rain came and put it out. Once I killed a dog and another time I cut through the bridge supports. That took me several hours to do and made me very tired. But it was such fun to know that people would be worrying and fussing about who did it."
Varna rubbed his hands gleefully. He did not look the least bit malicious but only very much amused. The doctor groaned. Gyuri's great body trembled, his arms shook, but he did not make a single voluntary movement. He saw the revolver in Muller's hand and felt the keen grey eyes resting on him in pitiless calm.
"And now tell us about the pastor?" said the detective in a firm clear voice.
"Oh, he was a dear, good gentleman," said No. 302 with an expression of pitying sorrow on his face. "I owed him much gratitude; that's why I put the roses in his hand."
"Yes, but you murdered him first."
"Of course, Gyuri told me to."
"And why?"
"He hated the pastor, for the old gentleman had no confidence in him."
"Is this true?" Muller turned to the doctor.
"I did not notice it," said Orszay with a voice that showed deep sorrow.
"And you?" Muller's eyes bored themselves into the orbs of the young giant, now dulled with fear.
Gyuri started and shivered. "He looked at me sharply every now and then," he murmured.
"And that was why he was killed?"
The warder's head sank on his breast.
"No, not only for that reason," continued No. 302. "Gyuri needed money again. He ordered me to bring him the silver candlesticks off the altar."
"Murder and sacrilege," said the detective calmly.
"No, I did not rob the church. When I had buried the reverend gentleman I heard the cock crowing. I was afraid I might get home here too late and I forgot the candlesticks. I had to stop to wash my hands in the brook. While I was there I saw shepherd Janci coming along and I hid behind the willows. He almost discovered me once, but Janci's a dreamer, he sees things nobody else sees—and he doesn't see things that everybody else does see. I couldn't help laughing at his sleepy face. But I didn't laugh when I came back to the asylum. Gyuri was waiting for me at the door. When he saw that I hadn't brought the candlesticks he beat me and tortured me worse than he'd ever done before."
"And you didn't tell anyone?"
"Why, no; because I was afraid that if I told on him, I'd never be able to go out again."
"And you, quite alone, could carry the pastor's body out of his room?"
"I am very strong."
"How did you arrange it that there should be no traces of blood to betray you?"
"I waited until the body had stiffened, then I tied up the wound and carried him down into the crypt."
"Why did you do that?"
"I didn't want to leave him in that horrid pool of blood."
"You were sorry for him then?"
"Why, yes; it looked so horrid to see him lying there—and he had always been so good to me. He was so good to me that very evening when I entered his study.
"He recognised you?
"Certainly. He sprang up from his chair when I came in through the passage from the church. I saw that he was startled, but he smiled at me and reached out his hand to me and said: 'What brings you here, my dear Cardillac?' And then I struck. I wanted him to die with that smile on his lips. It is beautiful to see a man die smiling, it shows that he has not been afraid of death. He was dead at once. I always kill that way—I know just how to strike and where. I killed more than a hundred people years ago in Paris, and I didn't leave one of them the time for even a sigh. I was renowned for that—I had a kind heart and a sure hand."
Muller interrupted the dreadful imaginings of the madman with a question. "You got into the house through the crypt?"
"Yes, through the crypt. I found the window one night when I was prowling around in the churchyard. When I knew that the pastor was to be the next, I cut through the window bars. Gyuri went into the church one day when nobody was there and found out that it was easy to lift the stone over the entrance to the crypt. He also learned that the doors from the church to the vestry were never locked. I knew how to find the passageway, because I had been through it several times on my visits to the rectory. But it was a mere chance that the door into the pastor's study was unlocked."
"A chance that cost the life of a worthy man," said the detective gravely.
Varna nodded sadly. "But he didn't suffer, he was dead at once."
"And now tell me what this top was doing there?" No. 302 looked at the detective in great surprise, and then laid his hand on the latter's arm. "How did you know that I had the top there?" he asked with a show of interest.
"I found its traces in the room, and it was those traces that led me here to you," answered Muller.
"How strange!" remarked Varna. "Are you like shepherd Janci that you can see the things others don't see?"
"No, I have not Janci's gift. It would be a great comfort to me and a help to the others perhaps if I had. I can only see things after they have happened."
"But you can see more than others—the others did not see the traces of the top?"
"My business is to see more than others see," said Muller. "But you have not told me yet what the top was doing there. Why did you take a toy like that with you when you went out on such an errand?"
"It was in my pocket by chance. When I reached for my handkerchief to quench the flow of blood the top came out with it. I must have touched the spring without knowing it, for the top began to spin. I stood still and watched it, then I ran after it. It spun around the room and finally came back to the body. So did I. The pastor was quite still and dead by that time."
"You have heard everything, Dr. Orszay?" asked the detective, rising from his chair.
"Yes, I have heard everything," answered the venerable head of the asylum. He was utterly crushed by the realisation that all this tragedy and horror had gone out from his house.
Varna rose also. He understood perfectly that now Gyuri's power was at an end and he was as pleased as a child that has just received a present. "And now you're going to shoot him?" he asked, in the tone a boy would use if asking when the fireworks were to begin.
Muller shook his head. "No, my dear Cardillac," he replied gravely. "He will not be shot—that is a death for a brave soldier—but this man has deserved—" He did not finish the sentence, for the warder sank to the floor unconscious.
"What a coward!" murmured the detective scornfully, looking down at the giant frame that lay prostrate before him. Even in his wide experience he had known of no case of a man of such strength and such bestial cruelty, combined with such utter cowardice.
Varna also stood looking down at the unconscious warder. Then he glanced up with a cunning smile at the other two men who stood there. The doctor, pale and trembling with horror, covered his face with his hands. Muller turned to the door to call in the attendants waiting outside. During the moment's pause that ensued the madman bent over his worktable, seized a knife that lay there and dropped on one knee beside the prostrate form. His hand was raised to strike when a calm voice said: "Fie! Cardillac, for shame! Do not belittle yourself. This man here is not worthy of your knife, the hangman will look after him."
Varna raised his loose-jointed frame and looked about with glistening eyes and trembling lips. His mind was completely darkened once more. "I must kill him—I must have his blood—there is no one to see me," he murmured. "I am a hangman too—he has made a hangman of me," and again he bent with uplifted hand over the man who had utilised his terrible misfortune to make a criminal of him. But two of the waiting attendants seized his arms and threw him back on the floor, while the other two carted Gyuri out. Both unfortunates were soon securely guarded.
"Do not be angry with me, doctor," said Muller gravely, as he walked through the garden accompanied by Orszay.
Doctor Orszay laughed bitterly. "Why should I be angry with you—you who have discovered my inexcusable credulity?"
"Inexcusable? Oh, no, doctor; it was quite natural that you should have believed a man who had himself so well in hand, and who knew so well how to play his part. When we come to think of it, we realise that most crimes have been made possible through some one's credulity, or over-confidence, a credulity which, in the light of subsequent events, seems quite incomprehensible. Do not reproach yourself and do not lose heart. Your only fault was that you did not recognise the heart of the beast of prey in this admirable human form."
"What course will the law take?" asked Orszay. "The poor unfortunate madman—whose knife took all these lives—cannot be held responsible, can he?"
"Oh, no; his misfortune protects him. But as for the other, though his hands bear no actual bloodstains, he is more truly a murderer than the unhappy man who was his tool. Hanging is too good for him. There are times when even I could wish that we were back in the Middle Ages, when it was possible to torture a prisoner.
"You do not look like that sort of a man," smiled the doctor through his sadness.
"No, I am the most good-natured of men usually, I think—the meekest anyway," answered Muller. "But a case like this—. However, as I said before, keep a stout heart, doctor, and do not waste time in unnecessary self-reproachings." The detective pressed the doctor's hand warmly and walked down the hill towards the village.
He went at once to the office of the magistrate and made his report, then returned to the rectory and packed his grip. He arranged for its transport to the railway station, as he himself preferred to walk the inconsiderable distance. He passed through the village and had just entered the open fields when he met Janci with his flock. The shepherd hastened his steps when he saw the detective approaching.
"You have found him, sir?" he exclaimed as he came up to Muller. The men had come to be friends by this time. The silent shepherd with the power of second sight had won Muller's interest at once.
"Yes, I found him. It is Gyuri, the warder at the asylum."
"No, sir, it is not Gyuri—Gyuri did not do it."
"But when I tell you that he did?"
"But I tell you, sir, that Gyuri did not do it. The man who did it—he has yellowish hands—I saw them—I saw big yellowish hands. Gyuri's hands are big, but they are brown."
"Janci, you are right. I was only trying to test you. Gyuri did not do it; that is, he did not do it with his own hands. The man who held the knife that struck down the pastor was Varna, the crazy mechanician."
Janci beat his forehead. "Oh, I am a foolish and useless dreamer!" he exclaimed; "of course it was Varna's hands that I saw. I have seen them a hundred times when he came down into the village, and yet when I saw them in the vision I did not recognise them."
"We're all dreamers, Janci—and our dreams are very useless generally."
"Yours are not useless, sir," said the shepherd. "If I had as much brains as you have, my dreams might be of some good."
Muller smiled. "And if I had your visions, Janci, it would be a powerful aid to me in my profession."
"I don't think you need them, sir. You can find out the hidden things without them. You are going to leave us?"
"Yes, Janci, I must go back to Budapest, and from there to Vienna. They need me on another case."
"It's a sad work, this bringing people to the gallows, isn't it?"
"Yes, Janci, it is sometimes. But it's a good thing to be able to avenge crime and bring justice to the injured. Good-bye, Janci."
"Good-bye, sir, and God speed you."
The shepherd stood looking after the small, slight figure of the man who walked on rapidly through the heather. "He's the right one for the work," murmured Janci as he turned slowly back towards the village.
An hour later Muller stood in the little waiting-room of the railway station writing a telegram. It was addressed to Count ——.
"Do you know the shepherd Janci? It would be a good thing to make him the official detective for the village. He has high qualifications for the profession. If I had his gifts combined with my own, not one could escape me. I have found this one however. The guards are already taking him to you. My work here is done. If I should be needed again I can be found at Police Headquarters, Vienna. "Respectfully, "JOSEPH MULLER."
While the detective was writing his message—it was one of the rare moments of humour that Muller allowed himself, and he wondered mildly what the stately Hungarian nobleman would think of it—a heavy farm wagon jolted over the country roads towards the little county seat. Sitting beside the driver and riding about the wagon were armed peasants. The figure of a man, securely bound, his face distorted by rage and fear, lay in the wagon. It was Gyuri Kovacz, who had murdered by the hands of another, and who was now on his way to meet the death that was his due.
And at one of the barred windows in the big yellow house stood a sallow-faced man, looking out at the rising moon with sad, tired eyes. His lips were parted in a smile like that of a dreaming child, and he hummed a gentle lullaby.
In his compartment of the express from Budapest to Vienna, Joseph Muller sat thinking over the strange events that had called him to the obscure little Hungarian village. He had met with many strange cases in his long career, but this particular case had some features which were unique. Muller's lips set hard and his hands tightened to fists as he murmured: "I've met with criminals who used strange tools, but never before have I met with one who had the cunning and the incredible cruelty to utilise the mania of an unhinged human mind. It is a thousand times worse than those criminals who, now and then throughout the ages, have trained brute beasts to murder for them. Truly, this Hungarian peasant, Gyuri Kovacz, deserves a high place in the infamous roll-call of the great criminals of history. A student of crime might almost be led to think that it is a pity his career has been cut short so soon. He might have gone far.
"But for humanity's sake" (Muller's eyes gleamed), "I am thankful that I was able to discover this beast in human form and render him innocuous; he had done quite enough."
THE END |
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