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The Case and The Girl
by Randall Parrish
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CHAPTER XXXII

A BRIDGE OF LOVE

He paused, listening, but all remained quiet without, and he resumed his story. "There is not much else to it, West. A little after one o'clock the shadow phoned in from the Union depot that Hobart had just purchased two tickets for Patacne. We hustled over, but were too late to catch that train, but learned the girl had accompanied him on the trip. We caught another rattler two hours later, and got off at Patacne, which is about three miles west of here. It is not much of a job to gather up gossip in a small burg, and, inside of ten minutes, I had extracted all I needed from the station agent. It seems this outfit was the summer sensation out here. We hoofed it for reasons of our own, and came around by way of the lake shore, aiming to keep out of sight until after dark. That is how we discovered that Seminole boat hauled up on the beach, but with no yacht in sight. One of the fellows with me said Hogan did a boat-sinking job before and got away with it, and that is how I figured that maybe you was at the bottom of Lake Michigan—see? Well, we crept up here through the woods, but nothing happened. Didn't look as if the place had a soul within a hundred miles of it—no smoke, no light; not a damn sound. We laid out and waited, not sure what we were up against. Finally we jimmied open the back door of this garage, just to find out whether those guys had a car out here, or not. They had, but we no more than located it when those two fellows came dragging you out of the back door of the house, and flung you in here like a bag of old linen. We lay still, and let them go back, but we hadn't any notion whether you was dead or alive—or whether it was really you; so we crawled up to find out. That's the story. Now what do you think we better do?"

West moved his arms in an effort to restore circulation.

"How many with you?"

"Four altogether—hard boiled, too—five with you. Is there any fight left in you, old man?"

"I'll say there is; I'd certainly like to get in one clip at 'Red' before the fracas is over."

"That sounds vicious. Now who is inside?"

"I saw five, and there may be others. If the crew of the Seminole are here also, that would make quite a bunch."

"I don't think they are, Captain. The station agent said several men bought tickets to Chicago early this afternoon. It is the real gang we've got cornered. Do you know just who they are?"

"Those I saw were Hobart, 'Red' Hogan, the girl, a big fellow they called Mark who was on the yacht—"

"Mark Sennett; he's Hogan's side-kick, and tough as they make 'em."

"And a wiry little black-haired devil by the name of Dave."

"Hell, is he in this too? that must be 'Dago Dave.' That guy would cut your throat for fifty dollars. Any others?"

"Those were all I saw. No doubt Hobart's wife is in the house somewhere, guarding Natalie Coolidge probably."

"Six altogether, counting the women."

"Yes, and you better count them, for they will fight like tigers. The girl held me up at the point of a gun."

"We've got to get the drop first, that's all. They're yellow, the whole outfit is yellow. Shootin' in the back is their style. Now, you know the lay inside the house; what is our best chance?"

West studied over the situation, his eyes staring into the darkness, and McAdams waited.

"Well, Mac," he said finally. "This is a new job for me, but I'd put a man out in front, and then take the others in through the back door. We'd have to rush it, of course. I know the front door is locked, and it couldn't be broken down quickly. I listened when those fellows went back, and I heard no click, as though they had locked the door behind them. They don't know anybody has been after them except me, and they believe I am done for. They feel so safe out here, they are a bit careless. I'll wager something we can walk straight in on the outfit; how does that strike you?"

"As the only feasible plan. Let's crawl out of here."

The arrangements were quickly perfected; a short, whispered conference in the dark; then one man crept silently away through the night toward the front of the house. McAdams added a few more words of instruction to the others, and, with West slightly in advance, revolvers drawn and ready, the five stole forward in the direction of the rear porch. The windows were either heavily curtained, or covered by outside shades, for no gleam of light was anywhere visible. West mounted the back steps silently, with McAdams close at his heels. A second later the entire bunch of officers were grouped before the door, poised breathless, listening for any sound from within. Nothing broke the impressive silence, and McAdam's hand closed over the knob, which he turned slowly. The door opened quietly into a darkened interior. For an instant he bent forward, peering through the narrow crack, endeavouring to learn what lay hidden beyond, the others quivering behind him. There was scarcely the sound of a breath audible. The detective hesitated; such luck, such carelessness on the part of criminals seemed almost uncanny; he half suspected some trap. Then he became convinced that this was only the result of recklessness—the fellows felt so safe in this hidden hole in the woods as to neglect all precaution. He stepped cautiously inside, leaving the door ajar for the others to follow. Then they paused—straight ahead a double swinging door divided the kitchen in which they were from another room beyond. Through the centre crack shone a single bar of light, barely visible, and forth through that same orifice came the sound of a voice speaking. McAdams flung up his hand in signal, and then crept silently forward.

It was apparently a quarrel among thieves over the spoils, each fearful lest the other was double-crossing. Hobart and "Red" Hogan were doing most of the talking, although occasionally others chimed in, and once there was a woman's voice added to the debate. Seemingly the whole gang were present; a strong odour of tobacco smoke stole through the crack in the door, and both Hobart and Hogan swore angrily. Who was to remain out there on guard while Hobart and the girl returned to Chicago for the money was evidently the question, Hogan wishing to accompany them to make sure of his share. The woman sided with Hobart, the other men apparently ranged up with "Red," and some very plain talking was indulged in.

McAdams listened grimly, the light through the crack showing his lips curled in a smile of appreciation. He lowered his head, and with one eye at the slight opening gained a glimpse of the lighted room beyond. A moment, motionless, he stared in on the scene; then straightened up, and, with revolver in hand, signalled to the others to close in closer. They stood there for a tense instant, poised and eager; then the doors were flung crashing back, and they leaped recklessly forward, out of the darkness into the light. It was a furious fight—sharp, merciless, uncompromising. The thieves, startled, desperate, were hurled back by the first rush against the further wall, tables and chairs overturned, the shrieking woman pushed headlong into one corner, and one of the fellows downed by the crashing butt of a revolver. But the others rallied, maddened, desperate, rats caught in a trap, fighting as animals fight. Hobart fired, catching an assailant in the arm; Hogan snatched up a chair and struck viciously at West, who leaped straight forward, breaking the full force of the blow, and driving his own fist into the man's face. It was all over within a minute's fierce fighting—the surprise turning the trick. Hobart went down cursing, the gun kicked out of his hand, his arm broken; Hogan, struggling still, but pinned to the floor by three men, was given a blow to the chin which left him unconscious, while the other two threw up their hands and yelled for mercy. McAdams wiped his streaming face, and looked around.

It was a shambles, the floor spotted with blood, the table overturned and broken, a blanket over one of the windows torn down, a smashed chair in one corner. The detective who had been shot was still lying in front of the door, "Red" lay motionless, a ghastly cut over his eye, and Hobart, his arm dangling, sat propped up against the wall, cursing, malevolent, but helpless. On the other side stood Sennett and "Dago Dave," their hands high above their heads; each looking into the levelled barrel of a gun. The woman had got to her knees, still dazed from the blow which had felled her. The ex-service man smiled grimly, well satisfied.

"Some surprise party, eh, Jim?" he asked pleasantly. "This rather puts a crimp in your little game, I would savy, old boy. Going to cop the whole boodle tomorrow, was you?"

"Who the hell are you?"

"Well, if I answer your questions, perhaps you will answer mine. I am McAdams of the City Hall Station, Chicago, and I know exactly what I am here after. So the best thing you guys can do, is cough up. Who's that girl who has been working with you?"

Hobart glared sullenly, but made no response.

"You'll not answer?"

"Oh, go to hell!"

"All right, old top. She is in this house somewhere, and can't get out. Somers, look around a bit; try behind those curtains over there."

The officer stepped forward, but at the same instant the draperies parted, and two girls stood beside each other in the opening, framed against the brighter glare of light beyond—two girls, looking so alike, except for dress and the arrangement of their hair, as to be almost indistinguishable—Natalie white faced, frightened, gazing with wide-open eyes on the strange scene before her; the other smiling, and audacious, her glance full of defiance. It was the voice of the latter which broke the silence.

"Am I the one you want, Mr. Bob McAdams?" she asked clearly. "Very well, I am here."

McAdams stared at them both, gulping in startled surprise at the vision confronting him, unable to find words. Then his eyes fixed themselves on the face of the speaker.

"What!" he burst forth. "You, Del? Great Scott! your name was Hobart, wasn't it? Why I never once connected you two together. Is—is this guy your father?"

"I don't know about that," she returned indifferently. "It is a matter of argument I believe. However, Bob, what's the odds now? I am the one you're after, Mister fly-cop; and here I am."

She walked forward, almost proudly, her eyes shining, and gazing fearlessly into his. He stepped back, one hand extended.

"No, Del, this must be a mistake. I—I can't believe it of you, you—you are not a crook."

"Oh, yes I am," she insisted, but with a tremor in the low voice. "I've never been anything else, Bobby boy—thanks, thanks to that thing down there."

Natalie still remained poised uncertainly in the door-way, scarcely realizing what was occurring before her; she saw suddenly a familiar face, and held out her hands.

"Oh, Matt, what is it?" she cried. "Is—is it all over?"

"Yes, all over, dear; these are police officers."

"And that—that girl? She looks so much like me. Who is she? do you know?"

West clasped her hands tightly, his voice sunk to a whisper.

"She is your sister, Natalie," he asserted soberly, "Your twin sister."

Her unbelieving eyes swept to his face.

"My sister; my twin sister? But I had none."

"Yes, but you did," he insisted gently. "You never knew it, but Percival Coolidge did. This was his devilish scheme, plotted years ago when you were born. Now here is the end of it—the girl is your sister. There is no doubt of that."

"No doubt, you say! My sister!" Her head lifted, and there was a flame of colour in her cheeks. "My sister!" she repeated, as though she would thus make it seem more true. "Then I will go to her, Matthew West."

She loosened the clasp of her fingers and walked forward, unseeing her surroundings, her eyes misted with tears. Straight across the room she went, her hands outstretched to where the other shrank back from her in embarrassment—between them still the gulf which love must bridge.

THE END

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