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Nevertheless for a time he held to his earlier conviction, even fought for it. He went so far as to wonder if Clark had come back for a tardy surrender. Men had done that before this, had carried a burden for years, had reached the breaking point, had broken. But he dismissed that. There had been no evidence of breaking in the young man in the office chair. He found himself thrown back, finally, on the story of the Wasson woman, and wondering if he would have to accept it after all.
The reaction from his certainty in the cabin to uncertainty again made him fretful and sleepless. It was almost morning before he relaxed on his hard hotel bed enough to sleep.
He wakened late, and telephoned down for breakfast. His confusion had not decreased with the night, and while he got painfully out of bed and prepared to shave and dress, his thoughts were busy. There was no doubt in his mind that, in spite of the growth of the town, the newcomer would be under arrest almost as soon as he made his appearance. A resemblance that could deceive Beverly Carlysle's brother could deceive others, and would. That he had escaped so long amazed him.
By the time he had bathed he had developed a sort of philosophic acceptance of the new situation. There would be no exclusive story now, no scoop. The events of the next few hours were for every man to read. He shrugged his shoulders as, partially dressed, he carried his shaving materials into the better light of his bedroom.
With his face partially lathered he heard a knock at the door, and sang out a not uncheerful "Come in." It happened, then, that it was in his mirror that he learned that his visitor was not the waiter, but Livingstone himself. He had an instant of stunned amazement before he turned.
"I beg your pardon," Dick said. "I was afraid you'd get out before I saw you. My name's Livingstone, and I want to talk to you, if you don't mind. If you like I'll come back later."
Bassett perceived two things simultaneously; that owing probably to the lather on his face he had not been recognized, and that the face of the man inside the door was haggard and strained.
"That's all right. Come in and sit down. I'll get this stuff off my face and be with you in a jiffy."
But he was very deliberate in the bathroom. His astonishment grew, rather than decreased. Clearly Livingstone had not known him. How, then, had he known that he was in Norada? And when he recognized him, as he would in a moment, what then? He put on his collar and tied his tie slowly. Gregory might be the key. Gregory might have found out that he had started for Norada and warned him. Then, if that were true, this man was Clark after all. But if he were Clark he wouldn't be there. It was like a kitten after its tail. It whirled in a circle and got nowhere.
The waiter had laid his breakfast and gone when he emerged from the bathroom, and Dick was standing by the window looking out. He turned.
"I'm here, Mr. Bassett, on rather a peculiar—" He stopped and looked at Bassett. "I see. You were in my office about a month ago, weren't you?"
"For a headache, yes." Bassett was very wary and watchful, but there was no particular unfriendliness in his visitor's eyes.
"It never occurred to me that you might be Bassett," Dick said gravely. "Never mind about that. Eat your breakfast. Do you mind if I talk while you do it?"
"Will you have some coffee? I can get a glass from the bathroom. It takes a week to get a waiter here."
"Thanks. Yes."
The feeling of unreality grew in the reporter's mind. It increased still further when they sat opposite each other, the small table with its Bible on the lower shelf between them, while he made a pretense at breakfasting.
"First of all," Dick said, at last, "I was not sure I had found the right man. You are the only Bassett in the place, however, and you're registered from my town. So I took a chance. I suppose that headache was not genuine."
Bassett hesitated.
"No" he said at last.
"What you really wanted to do was to see me, then?"
"In a way, yes."
"I'll ask you one more question. It may clear the air. Does this mean anything to you? I'll tell you now that it doesn't, to me."
From his pocketbook he took the note addressed to David, and passed it over the table. Bassett looked at him quickly and took it.
"Before you read it, I'll explain something. It was not sent to me. It was sent to my—to Doctor David Livingstone. It happened to fall into my hands. I've come a long way to find out what it means."
He paused, and looked the reporter straight in the eyes. "I am laying my cards on the table, Bassett. This 'G,' whoever he is, is clearly warning my uncle against you. I want to know what he is warning him about."
Bassett read the note carefully, and looked up.
"I suppose you know who 'G' is?"
"I do not. Do you?"
"I'll give you another name, and maybe you'll get it. A name that I think will mean something to you. Beverly Carlysle."
"The actress?"
Bassett had an extraordinary feeling of unreality, followed by one of doubt. Either the fellow was a very good actor, or—
"Sorry," Dick said slowly. "I don't seem to get it. I don't know that 'G' is as important as his warning. That note's a warning."
"Yes. It's a warning. And I don't think you need me to tell you what about."
"Concerning my uncle, or myself?"
"Are you trying to put it over on me that you don't know?"
"That's what I'm trying to do," Dick said, with a sort of grave patience.
The reporter liked courage when he saw it, and he was compelled to a sort of reluctant admiration.
"You've got your courage with you," he observed. "How long do you suppose it will be after you set foot on the streets of this town before you're arrested? How do you know I won't send for the police myself?"
"I know damned well you won't," Dick said grimly. "Not before I'm through with you. You've chosen to interest yourself in me. I suppose you don't deny the imputation in that letter. You'll grant that I have a right to know who and what you are, and just what you are interested in."
"Right-o," the reporter said cheerfully, glad to get to grips; and to stop a fencing that was getting nowhere. "I'm connected with the Times-Republican, in your own fair city. I was in the theater the night Gregory recognized you. Verbum sap."
"This Gregory is the 'G'?"
"Oh, quit it, Clark," Bassett said, suddenly impatient. "That letter's the last proof I needed. Gregory wrote it after he'd seen David Livingstone. He wouldn't have written it if he and the old man hadn't come to an understanding. I've been to the cabin. My God, man, I've even got the parts of your clothing that wouldn't burn! You can thank Maggie Donaldson for that."
"Donaldson," Dick repeated. "That was it. I couldn't remember her name. The woman in the cabin. Maggie. And Jack. Jack Donaldson."
He got up, and was apparently dizzy, for he caught at the table.
"Look here," Bassett said, "let me give you a drink. You look all in."
But Dick shook his head.
"No, thanks just the same. I'll ask you to be plain with me, Bassett. I am—I have become engaged to a girl, and—well, I want the story. That's all."
And, when Bassett only continued to stare at him:
"I suppose I've begun wrong end first. I forgot about how it must seem to you. I dropped a block out of my life about ten years ago. Can't remember it. I'm not proud of it, but it's the fact. What I'm trying to do now is to fill in the gap. But I've got to, somehow. I owe it to the girl."
When Bassett could apparently find nothing to say he went on:
"You say I may be arrested if I go out on the street. And you rather more than intimate that a woman named Beverly Carlysle is mixed up in it somehow. I take it that I knew her."
"Yes. You knew her," Bassett said slowly. At the intimation in his tone Dick surveyed him for a moment without speaking. His face, pale before, took on a grayish tinge.
"I wasn't—married to her?"
"No. You didn't marry her. See here, Clark, this is straight goods, is it? You're not trying to put something over on me? Because if you are, you needn't. I'd about made up my mind to follow the story through for my own satisfaction, and then quit cold on it. When a man's pulled himself out of the mud as you have it's not my business to pull him down. But I don't want you to pull any bunk."
Dick winced.
"Out of the mud!" he said. "No. I'm telling you the truth, Bassett. I have some fragmentary memories, places and people, but no names, and all of them, I imagine from my childhood. I pick up at a cabin in the mountains, with snow around, and David Livingstone feeding me soup with a tin spoon." He tried to smile and failed. His face twitched. "I could stand it for myself," he said, "but I've tied another life to mine, like a cursed fool, and now you speak of a woman, and of arrest. Arrest! For what?"
"Suppose," Bassett said after a moment, "suppose you let that go just now, and tell me more about this—this gap. You're a medical man. You've probably gone into your own case pretty thoroughly. I'm accepting your statement, you see. As a matter of fact it must be true, or you wouldn't be here. But I've got to know what I'm doing before I lay my cards on the table. Make it simple, if you can. I don't know your medical jargon."
Dick did his best. The mind closed down now and then, mainly from a shock. No, there was no injury required. He didn't think he had had an injury. A mental shock would do it, if it were strong enough. And fear. It was generally fear. He had never considered himself braver than the other fellow, but no man liked to think that he had a cowardly mind. Even if things hadn't broken as they had, he'd have come back before he went to the length of marriage, to find out what it was he had been afraid of. He paused then, to give Bassett a chance to tell him, but the reporter only said: "Go on, you put your cards on the table, and then I'll lay mine out."
Dick went on. He didn't blame Bassett. If there was something that was in his line of work, he understood. At the same time he wanted to save David anything unpleasant. (The word "unpleasant" startled Bassett, by its very inadequacy.) He knew now that David had built up for him an identity that probably did not exist, but he wanted Bassett to know that there could never be doubt of David's high purpose and his essential fineness.
"Whatever I was before." he finished simply, "and I'll get that from you now, if I am any sort of a man at all it is his work."
He stood up and braced himself. It had been clear to Bassett for ten minutes that Dick was talking against time, against the period of revelation. He would have it, but he was mentally bracing himself against it.
"I think," he said, "I'll have that whisky now."
Bassett poured him a small drink, and took a turn about the room while he drank it. He was perplexed and apprehensive. Strange as the story was, he was convinced that he had heard the truth. He had, now and then, run across men who came back after a brief disappearance, with a cock and bull story of forgetting who they were, and because nearly always these men vanished at the peak of some crisis they had always been open to suspicion. Perhaps, poor devils, they had been telling the truth after all. So the mind shut down, eh? Closed like a grave over the unbearable!
His own part in the threatening catastrophe began to obsess him. Without the warning from Gregory there would have been no return to Norada, no arrest. It had all been dead and buried, until he himself had revived it. And a girl, too! The girl in the blue dress at the theater, of course.
Dick put down the glass.
"I'm ready, if you are."
"Does the name of Clark recall anything to you?"
"Nothing."
"Judson Clark? Jud Clark?"
Dick passed his hand over his forehead wearily.
"I'm not sure," he said. "It sounds familiar, and then it doesn't. It doesn't mean anything to me, if you get that. If it's a key, it doesn't unlock. That's all. Am I Judson Clark?"
Oddly enough, Bassett found himself now seeking for hope of escape in the very situation that had previously irritated him, in the story he had heard at Wasson's. He considered, and said, almost violently:
"Look here, I may have made a mistake. I came out here pretty well convinced I'd found the solution to an old mystery, and for that matter I think I have. But there's a twist in it that isn't clear, and until it is clear I'm not going to saddle you with an identity that may not belong to you. You are one of two men. One of them is Judson Clark, and I'll be honest with you; I'm pretty sure you're Clark. The other I don't know, but I have reason to believe that he spent part of his time with Henry Livingstone at Dry River."
"I went to the Livingstone ranch yesterday. I remember my early home. That wasn't it. Which one of these two men will be arrested if he is recognized?"
"Clark."
"For what?"
"I'm coming to that. I suppose you'll have to know. Another drink? No? All right. About ten years ago, or a little less, a young chap called Judson Clark got into trouble here, and headed into the mountains in a blizzard. He was supposed to have frozen to death. But recently a woman named Donaldson made a confession on her deathbed. She said that she had helped to nurse Clark in a mountain cabin, and that with the aid of some one unnamed he had got away."
"Then I'm Clark. I remember her, and the cabin."
There was a short silence following that admission. To Dick, it was filled with the thought of Elizabeth, and of her relation to what he was about to hear. Again he braced himself for what was coming.
"I suppose," he said at last, "that if I ran away I was in pretty serious trouble. What was it?"
"We've got no absolute proof that you are Clark, remember. You don't know, and Maggie Donaldson was considered not quite sane before she died. I've told you there's a chance you are the other man."
"All right. What had Clark done?"
"He had shot a man."
The reporter was instantly alarmed. If Dick had been haggard before, he was ghastly now. He got up slowly and held to the back of his chair.
"Not—murder?" he asked, with stiff lips.
"No," Bassett said quickly. "Not at all. See here, you've had about all you can stand. Remember, we don't even know you are Clark. All I said was—"
"I understand that. It was murder, wasn't it?"
"Well, there had been a quarrel, I understand. The law allows for that, I think."
Dick went slowly to the window, and stood with his back to Bassett. For a long time the room was quiet. In the street below long lines of cars in front of the hotel denoted the luncheon hour. An Indian woman with a child in the shawl on her back stopped in the street, looked up at Dick and extended a beaded belt. With it still extended she continued to stare at his white face.
"The man died, of course?" he asked at last, without turning.
"Yes. I knew him. He wasn't any great loss. It was at the Clark ranch. I don't believe a conviction would be possible, although they would try for one. It was circumstantial evidence."
"And I ran away?"
"Clark ran away," Bassett corrected him. "As I've told you, the authorities here believe he is dead."
After an even longer silence Dick turned.
"I told you there was a girl. I'd like to think out some way to keep the thing from her, before I surrender myself. If I can protect her, and David—"
"I tell you, you don't even know you are Clark."
"All right. If I'm not, they'll know. If I am—I tell you I'm not going through the rest of my life with a thing like that hanging over me. Maggie Donaldson was sane enough. Why, when I look back, I know our leaving the cabin was a flight. I'm not Henry Livingstone's son, because he never had a son. I can tell you what the Clark ranch house looks like." And after a pause: "Can you imagine the reverse of a dream when you've dreamed you are guilty of something and wake up to find you are innocent? Who was the man?"
Bassett watched him narrowly.
"His name was Lucas. Howard Lucas."
"All right. Now we have that, where does Beverly Carlysle come in?"
"Clark was infatuated with her. The man he shot was the man she had married."
XXV
Shortly after that Dick said he would go to his room. He was still pale, but his eyes looked bright and feverish, and Bassett went with him, uneasily conscious that something was not quite right. Dick spoke only once on the way.
"My head aches like the mischief," he said, and his voice was dull and lifeless.
He did not want Bassett to go with him, but Bassett went, nevertheless. Dick's statement, that he meant to surrender himself, had filled him with uneasiness. He determined, following him along the hall, to keep a close guard on him for the next few hours, but beyond that, just then, he did not try to go. If it were humanly possible he meant to smuggle him out of the town and take him East. But he had an uneasy conviction that Dick was going to be ill. The mind did strange things with the body.
Dick sat down on the edge of the bed.
"My head aches like the mischief," he repeated. "Look in that grip and find me some tablets, will you? I'm dizzy."
He made an effort and stretched out on the bed. "Good Lord," he muttered, "I haven't had such a headache since—"
His voice trailed off. Bassett, bending over the army kit bag in the corner, straightened and looked around. Dick was suddenly asleep and breathing heavily.
For a long time the reporter sat by the side of the bed, watching him and trying to plan some course of action. He was overcome by his own responsibility, and by the prospect of tragedy that threatened. That Livingstone was Clark, and that he would insist on surrendering himself when he wakened, he could no longer doubt. His mind wandered back to that day when he had visited the old house as a patient, and from that along the strange road they had both come since then. He reflected, not exactly in those terms, that life, any man's life, was only one thread in a pattern woven of an infinite number of threads, and that to tangle the one thread was to interfere with all the others. David Livingstone, the girl in the blue dress, the man twitching uneasily on the bed, Wilkins the sheriff, himself, who could tell how many others, all threads.
He swore in a whisper.
The maid tapped at the door. He opened it an inch or so and sent her off. In view of his new determination even the maid had become a danger. She was the same elderly woman who looked after his own bedroom, and she might have known Clark. Just what Providence had kept him from recognition before this he did not know, but it could not go on indefinitely.
After an hour or so Bassett locked the door behind him and went down to lunch. He was not hungry, but he wanted to get out of the room, to think without that quiet figure before him. Over the pretence of food he faced the situation. Lying ready to his hand was the biggest story of his career, but he could not carry it through. It was characteristic of him that, before abandoning it, he should follow through to the end the result of its publication. He did not believe, for instance, that either Dick's voluntary surrender or his own disclosure of the situation necessarily meant a conviction for murder. To convict a man of a crime he did not know he had committed would be difficult. But, with his customary thoroughness he followed that through also. Livingstone acquitted was once again Clark, would be known to the world as Clark. The new place he had so painfully made for himself would be gone. The story would follow him, never to be lived down. And in his particular profession confidence and respect were half the game. All that would be gone.
Thus by gradual stages he got back to David, and he struggled for the motive which lay behind every decisive human act. A man who followed a course by which he had nothing to gain and everything to lose was either a fool or was actuated by some profound unselfishness. To save a life? But with all the resources Clark could have commanded, added to his personal popularity, a first degree sentence would have been unlikely. Not a life, then, but perhaps something greater than a life. A man's soul.
It came to him, then, in a great light of comprehension, the thing David had tried to do; to take this waster and fugitive, the slate of his mind wiped clean by shock and illness, only his childish memories remaining, and on it to lead him to write a new record. To take the body he had found, and the always untouched soul, and from them to make a man.
And with that comprehension came the conviction, too, that David had succeeded. He had indeed made a man.
He ate absently, consulting his railroad schedule and formulating the arguments he meant to use against Dick's determination to give himself up. He foresaw a struggle there, but he himself held one or two strong cards—the ruthless undoing of David's work, the involving of David for conspiring against the law. And Dick's own obligation to the girl at home.
He was more at ease in the practical arrangements. An express went through on the main line at midnight, and there was a local on the branch line at eight. But the local train, the railway station, too, were full of possible dangers. After some thought he decided to get a car, drive down to the main line with Dick, and then send the car back.
He went out at once and made an arrangement for a car, and on returning notified the clerk that he was going to leave, and asked to have his bill made out. After some hesitation he said: "I'll pay three-twenty too, while I'm at it. Friend of mine there, going with me. Yes, up to to-night."
As he turned away he saw the short, heavy figure of Wilkins coming in. He stood back and watched. The sheriff went to the desk, pulled the register toward him and ran over several pages of it. Then he shoved it away, turned and saw him.
"Been away, haven't you?" he asked.
"Yes. I took a little horseback trip into the mountains. My knees are still not on speaking terms."
The sheriff chuckled. Then he sobered.
"Come and sit down," he said. "I'm going to watch who goes in and out of here for a while."
Bassett followed him unwillingly to two chairs that faced the desk and the lobby. He had the key of Dick's room in his pocket, but he knew that if he wakened he could easily telephone and have his door unlocked. But that was not his only anxiety. He had a sudden conviction that the sheriff's watch was connected with Dick himself. Wilkins, from a friendly and gregarious fellow-being, had suddenly grown to sinister proportions in his mind.
And, as the minutes went by, with the sheriff sitting forward and watching the lobby and staircase with intent, unblinking eyes, Bassett's anxiety turned to fear. He found his heart leaping when the room bells rang, and the clerk, with a glance at the annunciator, sent boys hurrying off. His hands shook, and he felt them cold and moist. And all the time Wilkins was holding him with a flow of unimportant chatter.
"Watching for any one in particular?" he managed, after five minutes or so.
"Yes. I'll tell you about it as soon as—Bill! Is Alex outside?"
Bill stopped in front of them, and nodded.
"All right. Now get this—I want everything decent and in order. No excitement. I'll come out behind him, and you and Bill stand by. Outside I'll speak to him, and when we walk off, just fall in behind. But keep close."
Bill wandered off, to take up a stand of extreme nonchalance inside the entrance. When Wilkins turned to him again Bassett had had a moment to adjust himself, and more or less to plan his own campaign.
"Somebody's out of luck," he commented. "And speaking of being out of luck, I've got a sick man on my hands. Friend of mine from home. We've got to catch the midnight, too."
"Too bad," Wilkins commented rather absently. Then, perhaps feeling that he had not shown proper interest, "Tell you what I'll do. I've got some business on hand now, but it'll be cleared up one way or another pretty soon. I'll bring my car around and take him to the station. These hacks are the limit to ride in."
The disaster to his plans thus threatened steadied the reporter, and he managed to keep his face impassive.
"Thanks," he said. "I'll let you know if he's able to travel. Is this—is this business you're on confidential?"
"Well, it is and it isn't. I've talked some to you, and as you're leaving anyhow—it's the Jud Clark case again."
"Sort of hysteria, I suppose. He'll be seen all over the country for the next six months."
"Yes. But I never saw a hysterical Indian. Well, a little while ago an Indian woman named Lizzie Lazarus blew into my office. She's a smart woman. Her husband was a breed, dairy hand on the Clark ranch for years. Lizzie was the first Indian woman in these parts to go to school, and besides being smart, she's got Indian sight. You know these Indians. When they aren't blind with trachoma they can see further and better than a telescope."
Bassett made an effort.
"What's that got to do with Jud Clark?" he asked.
"Well, she blew in. You know there was a reward out for him, and I guess it still stands. I'll have to look it up, for if Maggie Donaldson wasn't crazy some one will turn him up some day, probably. Well, Lizzie blew in, and she said she'd seen Jud Clark. Saw him standing at a second story window of this hotel. Can you beat that?"
"Not for pure invention. Hardly."
"That's what I said at first. But I don't know. In some ways it would be like him. He wouldn't mind coming back and giving us the laugh, if he thought he could get away with it. He didn't know fear. Only time he ever showed funk was when he beat it after the shooting, and then he was full of hootch, and on the edge of D.T.'s."
"A man doesn't play jokes with the hangman's rope," Bassett commented, dryly. He looked at his watch and rose. "It's a good story, but I wouldn't wear out any trouser-seats sitting here watching for him. If he's living he's taken pretty good care for ten years not to put his head in the noose; and I'd remember this, too. Wherever he is, if he is anywhere, he's probably so changed his appearance that Telescope Lizzie wouldn't know him. Or you either."
"Probably," the sheriff said, comfortably. "Still I'm not taking any chances. I'm up for reelection this fall, and that Donaldson woman's story nearly queered me. I've got a fellow at the railroad station, just for luck."
Bassett went up the stairs and along the corridor, deep in dejected thought. The trap of his own making was closing, and his active mind was busy with schemes for getting Dick away before it shut entirely.
It might be better, in one way, to keep Livingstone there in his room until the alarm blew over. On the other hand, Livingstone himself had to be dealt with, and that he would remain quiescent under the circumstances was unlikely. The motor to the main line seemed to be the best thing. True, he would have first to get Livingstone to agree to go. That done, and he did not underestimate its difficulty, there was the question of getting him out of the hotel, now that the alarm had been given.
When he found Dick still sleeping he made a careful survey of the second floor. There was a second staircase, but investigation showed that it led into the kitchens. He decided finally on a fire-escape from a rear hall window, which led into a courtyard littered with the untidy rubbish of an overcrowded and undermanned hotel, and where now two or three saddled horses waited while their riders ate within.
When he had made certain that he was not observed he unlocked and opened the window, and removed the wire screen. There was a red fire-exit lamp in the ceiling nearby, but he could not reach it, nor could he find any wall switch. Nevertheless he knew by that time that through the window lay Dick's only chance of escape. He cleared the grating of a broken box and an empty flower pot, stood the screen outside the wall, and then, still unobserved, made his way back to his own bedroom and packed his belongings.
Dick was still sleeping, stretched on his bed, when he returned to three-twenty. And here Bassett's careful plans began to go awry, for Dick's body was twitching, and his face was pale and covered with a cold sweat. From wondering how they could get away, Bassett began to wonder whether they would get away at all. The sleep was more like a stupor than sleep. He sat down by the bed, closer to sheer fright than he had ever been before, and wretched with the miserable knowledge of his own responsibility.
As the afternoon wore on, it became increasingly evident that somehow or other he must get a doctor. He turned the subject over in his mind, pro and con. If he could get a new man, one who did not remember Jud Clark, it might do. But he hesitated until, at seven, Dick opened his eyes and clearly did not know him. Then he knew that the matter was out of his hands, and that from now on whatever it was that controlled the affairs of men, David's God or his own vague Providence, was in charge.
He got his hat and went out, and down the stairs again. Wilkins had disappeared, but Bill still stood by the entrance, watching the crowd that drifted in and out. In his state of tension he felt that the hotel clerk's eyes were suspicious as he retained the two rooms for another day, and that Bill watched him out with more than casual interest. Even the matter of cancelling the order for the car loomed large and suspicion-breeding before him, but he accomplished it, and then set out to find medical assistance.
There, however, chance favored him. The first doctor's sign led him to a young man, new to the town, and obviously at leisure. Not that he found that out at once. He invented a condition for himself, as he had done once before, got a prescription and paid for it, learned what he wanted, and then mentioned Dick. He was careful to emphasize his name and profession, and his standing "back home."
"I'll admit he's got me worried," he finished. "He saw me registered and came to my room this morning to see me, and got sick there. That is, he said he had a violent headache and was dizzy. I got him to his room and on the bed, and he's been sleeping ever since. He looks pretty sick to me."
He was conscious of Bill's eyes on him as they went through the lobby again, but he realized now that they were unsuspicious. Bassett himself was in a hot sweat. He stopped outside the room and mopped his face.
"Look kind of shot up yourself," the doctor commented. "Watch this sun out here. Because it's dry here you Eastern people don't notice the heat until it plays the deuce with you."
He made a careful examination of the sleeping man, while Bassett watched his face.
"Been a drinking man? Or do you know?"
"No. But I think not. I gave him a small drink this morning, when he seemed to need it."
"Been like this all day?"
"Since noon. Yes."
Once more the medical man stooped. When he straightened it was to deliver Bassett a body blow.
"I don't like his condition, or that twitching. If these were the good old days in Wyoming I'd say he is on the verge of delirium tremens. But that's only snap judgment. He might be on the verge of a good many things. Anyhow, he'd better be moved to the hospital. This is no place for him."
And against this common-sense suggestion Bassett had nothing to offer. If the doctor had been looking he would have seen him make a gesture of despair.
"I suppose so," he said, dully. "Is it near? I'll go myself and get a room."
"That's my advice. I'll look in later, and if the stupor continues I'll have in a consultant." He picked up his bag and stood looking down at the bed. "Big fine-looking chap, isn't he?" he commented. "Married?"
"No."
"Well, we'll get the ambulance, and later on we'll go over him properly. I'd call a maid to sit with him, if I were you." In the grip of a situation that was too much for him, Bassett rang the bell. It was answered by the elderly maid who took care of his own bedroom.
Months later, puzzling over the situation, Bassett was to wonder, and not to know, whether chance or design brought the Thorwald woman to the door that night. At the time, and for weeks, he laid it to tragic chance, the same chance which had placed in Dick's hand the warning letter that had brought him West. But as months went on, the part played in the tragedy by that faded woman with her tired dispirited voice and her ash colored hair streaked with gray, assumed other proportions, loomed large and mysterious.
There were times when he wished that some prescience of danger had made him throttle her then and there, so she could not have raised her shrill, alarming voice! But he had no warning. All he saw was a woman in a washed-out blue calico dress and a fresh white apron, raising incurious eyes to his.
"I suppose it's all right if she sits in the hall?" Bassett inquired, still fighting his losing fight. "She can go in if he stirs."
"Right-o," said the doctor, who had been to France and had brought home some British phrases.
Bassett walked back from the hospital alone. The game was up and he knew it. Sooner or later—In a way he tried to defend himself to himself. He had done his best. Two or three days ago he would have been exultant over the developments. After all, mince things as one would, Clark was a murderer. Other men killed and paid the penalty. And the game was not up entirely, at that. The providence which had watched over him for so long might continue to. The hospital was new. (It was, ironically enough, the Clark Memorial hospital.) There was still a chance.
He was conscious of something strange as he entered the lobby. The constable was gone, and there was no clerk behind the desk. At the foot of the stairs stood a group of guests and loungers, looking up, while a bell-boy barred the way.
Even then Bassett's first thought was of fire. He elbowed his way to the foot of the stairs, and demanded to be allowed to go up, but he was refused.
"In a few minutes," said the boy. "No need of excitement."
"Is it a fire?"
"I don't know myself. I've got my orders. That's all." Wilkins came hurrying in. The crowd, silent and respectful before the law, opened to let him through and closed behind him.
Bassett stood at the foot of the stairs, looking up.
XXVI
To Elizabeth the first days of Dick's absence were unbelievably dreary. She seemed to live only from one visit of the postman to the next. She felt sometimes that only part of her was at home in the Wheeler house, slept at night in her white bed, donned its black frocks and took them off, and made those sad daily pilgrimages to the cemetery above the town, where her mother tidied with tender hands the long narrow mound, so fearfully remindful of Jim's tall slim body.
That part of her grieved sorely, and spent itself in small comforting actions and little caressing touches on bowed heads and grief-stooped shoulders. It put away Jim's clothing, and kept immaculate the room where now her mother spent most of her waking hours. It sent her on her knees at night to pray for Jim's happiness in some young-man heaven which would please him. But the other part of her was not there at all. It was off with Dick in some mysterious place of mountains and vast distance called Wyoming.
And because of this division in herself, because she felt that her loyalty to her people had wavered, because she knew that already she had forsaken her father and her mother and would follow her love through the rest of her life, she was touchingly anxious to comfort and to please them.
"She's taking Dick's absence very hard," Mrs. Wheeler said one night, when she had kissed them and gone upstairs to bed. "She worries me sometimes."
Mr. Wheeler sighed. Why was it that a man could not tell his children what he had learned,—that nothing was so great as one expected; that love was worth living for, but not dying for. The impatience of youth for life! It had killed Jim. It was hurting Nina. It would all come, all come, in God's good time. The young did not live to-day, but always to-morrow. There seemed no time to live to-day, for any one. First one looked ahead and said, "I will be so happy." And before one knew it one was looking back and saying: "I was so happy."
"She'll be all right," he said aloud.
He got up and whistled for the dog.
"I'll take him around the block before I lock up," he said heavily. He bent over and kissed his wife. She was a sad figure to him in her black dress. He did not say to her what he thought sometimes; that Jim had been saved a great deal. That to live on, and to lose the things one loved, one by one, was harder than to go quickly, from a joyous youth.
He had not told her what he knew about Jim's companion that night. She would never have understood. In her simple and child-like faith she knew that her boy sat that day among the blessed company of heaven. He himself believed that Jim had gone forgiven into whatever lay behind the veil we call death, had gone shriven and clean before the Judge who knew the urge of youth and life. He did not fear for Jim. He only missed him.
He walked around the block that night, a stooped commonplace figure, the dog at his heels. Now and then he spoke to him, for companionship. At the corner he stopped and looked along the side street toward the Livingstone house. And as he looked he sighed. Jim and Nina, and now Elizabeth. Jim and Nina were beyond his care now. He could do no more. But what could he do for Elizabeth? That, too, wasn't that beyond him? He stood still, facing the tragedy of his helplessness, beset by vague apprehensions. Then he went on doggedly, his hands clasped behind him, his head sunk on his breast.
He lay awake for a long time that night, wondering whether he and Dick had been quite fair to Elizabeth. She should, he thought, have been told. Then, if Dick's apprehensions were justified, she would have had some preparation. As it was—Suppose something turned up out there, something that would break her heart?
He had thought Margaret was sleeping, but after a time she moved and slipped her hand into his. It comforted him. That, too, was life. Very soon now they would be alone together again, as in the early days before the children came. All the years and the struggle, and then back where they started. But still, thank God, hand in hand.
Ever since the night of Jim's death Mrs. Sayre had been a constant visitor to the house. She came in, solid, practical, and with an everyday manner neither forcedly cheerful nor too decorously mournful, which made her very welcome. After the three first days, when she had practically lived at the house, there was no necessity for small pretensions with her. She knew the china closet and the pantry, and the kitchen. She had even penetrated to Mr. Wheeler's shabby old den on the second floor, and had slept a part of the first night there on the leather couch with broken springs which he kept because it fitted his body.
She was a kindly woman, and she had ached with pity. And, because of her usual detachment from the town and its affairs, the feeling that she was being of service gave her a little glow of content. She liked the family, too, and particularly she liked Elizabeth. But after she had seen Dick and Elizabeth together once or twice she felt that no plan she might make for Wallace could possibly succeed. Lying on the old leather couch that first night, between her frequent excursions among the waking family, she had thought that out and abandoned it.
But, during the days that followed the funeral, she was increasingly anxious about Wallace. She knew that rumors of the engagement had reached him, for he was restless and irritable. He did not care to go out, but wandered about the house or until late at night sat smoking alone on the terrace, looking down at the town with sunken, unhappy eyes. Once or twice in the evening he had taken his car and started out, and lying awake in her French bed she would hear him coming hours later. In the mornings his eyes were suffused and his color bad, and she knew that he was drinking in order to get to sleep.
On the third day after Dick's departure for the West she got up when she heard him coming in, and putting on her dressing gown and slippers, knocked at his door.
"Come in," he called ungraciously.
She found him with his coat off, standing half defiantly with a glass of whisky and soda in his hand. She went up to him and took it from him.
"We've had enough of that in the family, Wallie," she said. "And it's a pretty poor resource in time of trouble."
"I'll have that back, if you don't mind."
"Nonsense," she said briskly, and flung it, glass and all, out of the window. She was rather impressive when she turned.
"I've been a fairly indulgent mother," she said. "I've let you alone, because it's a Sayre trait to run away when they feel a pull on the bit. But there's a limit to my patience, and it is reached when my son drinks to forget a girl."
He flushed and glowered at her in somber silence, but she moved about the room calmly, giving it a housekeeper's critical inspection, and apparently unconscious of his anger.
"I don't believe you ever cared for any one in all your life," he said roughly. "If you had, you would know."
She was straightening a picture over the mantel, and she completed her work before she turned.
"I care for you."
"That's different."
"Very well, then. I cared for your father. I cared terribly. And he killed my love."
She padded out of the room, her heavy square body in its blazing kimono a trifle rigid, but her face still and calm. He remained staring at the door when she had closed it, and for some time after. He knew what message for him had lain behind that emotionless speech of hers, not only understanding, but a warning. She had cared terribly, and his father had killed that love. He had drunk and played through his gay young life, and then he had died, and no one had greatly mourned him.
She had left the decanter on its stand, and he made a movement toward it. Then, with a half smile, he picked it up and walked to the window with it. He was still smiling, half boyishly, as he put out his light and got into bed. It had occurred to him that the milkman's flivver, driving in at the break of dawn, would encounter considerable glass.
By morning, after a bad night, he had made a sort of double-headed resolution, that he was through with booze, as he termed it, and that he would find out how he stood with Elizabeth. But for a day or two no opportunity presented itself. When he called there was always present some grave-faced sympathizing visitor, dark clad and low of voice, and over the drawing-room would hang the indescribable hush of a house in mourning. It seemed to touch Elizabeth, too, making her remote and beyond earthly things. He would go in, burning with impatience, hungry for the mere sight of her, fairly overcharged with emotion, only to face that strange new spirituality that made him ashamed of the fleshly urge in him.
Once he found Clare Rossiter there, and was aware of something electric in the air. After a time he identified it. Behind the Rossiter girl's soft voice and sympathetic words, there was a veiled hostility. She was watching Elizabeth, was overconscious of her. And she was, for some reason, playing up to himself. He thought he saw a faint look of relief on Elizabeth's face when Clare at last rose to go.
"I'm on my way to see the man Dick Livingstone left in his place," Clare said, adjusting her veil at the mirror. "I've got a cold. Isn't it queer, the way the whole Livingstone connection is broken up?"
"Hardly queer. And it's only temporary."
"Possibly. But if you ask me, I don't believe Dick will come back. Mind, I don't defend the town, but it doesn't like to be fooled. And he's fooled it for years. I know a lot of people who'd quit going to him." She turned to Wallie.
"He isn't David's nephew, you know. The question is, who is he? Of course I don't say it, but a good many are saying that when a man takes a false identity he has something to hide."
She gave them no chance to reply, but sauntered out with her sex-conscious, half-sensuous walk. Outside the door her smile faded, and her face was hard and bitter. She might forget Dick Livingstone, but never would she forgive herself for her confession to Elizabeth, nor Elizabeth for having heard it.
Wallie turned to Elizabeth when she had gone, slightly bewildered.
"What's got into her?" he inquired. And then, seeing Elizabeth's white face, rather shrewdly: "That was one for him and two for you, was it?"
"I don't know. Probably."
"I wonder if you would look like that if any one attacked me!"
"No one attacks you, Wallie."
"That's not an answer. You wouldn't, would you? It's different, isn't it?"
"Yes. A little."
He straightened, and looked past her, unseeing, at the wall. "I guess I've known it for quite a while," he said at last. "I didn't want to believe it, so I wouldn't. Are you engaged to him?"
"Yes. It's not to be known just yet, Wallie."
"He's a good fellow," he said, after rather a long silence. "Not that that makes it easier," he added with a twisted smile. Then, boyishly and unexpectedly he said, "Oh, my God!"
He sat down, and when the dog came and placed a head on his knee he patted it absently. He wanted to go, but he had a queer feeling that when he went he went for good.
"I've cared for you for years," he said. "I've been a poor lot, but I'd have been a good bit worse, except for you."
And again:
"Only last night I made up my mind that if you'd have me, I'd make something out of myself. I suppose a man's pretty weak when he puts a responsibility like that on a girl."
She yearned over him, rather. She made little tentative overtures of friendship and affection. But he scarcely seemed to hear them, wrapped as he was in the selfish absorption of his disappointment. When she heard the postman outside and went to the door for the mail, she thought he had not noticed her going. But when she returned he was watching her with jealous, almost tragic eyes.
"I suppose you hear from him by every mail."
"There has been nothing to-day."
Something in her voice or her face made him look at her closely.
"Has he written at all?"
"The first day he got there. Not since."
He went away soon, and not after all with the feeling of going for good. In his sceptical young mind, fed by Clare's malice, was growing a comforting doubt of Dick's good faith.
XXVII
When Wilkins had disappeared around the angle of the staircase Bassett went to a chair and sat down. He felt sick, and his knees were trembling. Something had happened, a search for Clark room by room perhaps, and the discovery had been made.
He was totally unable to think or to plan. With Dick well they could perhaps have made a run for it. The fire-escape stood ready. But as things were—The murmuring among the crowd at the foot of the stairs ceased, and he looked up. Wilkins was on the staircase, searching the lobby with his eyes. When he saw Bassett he came quickly down and confronted him, his face angry and suspicious.
"You're mixed up in this somehow," he said sharply. "You might as well come over with the story. We'll get him. He can't get out of this town."
With the words, and the knowledge that in some incredible fashion Dick had made his escape, Bassett's mind reacted instantly.
"What's eating you, Wilkins?" he demanded. "Who got away? I couldn't get that tongue-tied bell-hop to tell me. Thought it was a fire."
"Don't stall, Bassett. You've had Jud Clark hidden upstairs in three-twenty all day."
Bassett got up and towered angrily over the sheriff. The crowd had turned and was watching.
"In three-twenty?" he said. "You're crazy. Jud Clark! Let me tell you something. I don't know what you've got in your head, but three-twenty is a Doctor Livingstone from near my home town. Well known and highly respected, too. What's more, he's a sick man, and if he's got away, as you say, it's because he is delirious. I had a doctor in to see him an hour ago. I've just arranged for a room at the hospital for him. Does that look as though I've been hiding him?"
The positiveness of his identification and his indignation resulted in a change in Wilkins' manner.
"I'll ask you to stay here until I come back." His tone was official, but less suspicious. "We'll have him in a half hour. It's Clark all right. I'm not saying you knew it was Clark, but I want to ask you some questions."
He went out, and Bassett heard him shouting an order in the street. He went to the street door, and realized that a search was going on, both by the police and by unofficial volunteers. Men on horseback clattered by to guard the borders of the town, and in the vicinity of the hotel searchers were investigating yards and alleyways.
Bassett himself was helpless. He stood by, watching the fire of his own igniting, conscious of the curious scrutiny of the few hotel loungers who remained, and expecting momentarily to hear of Dick's capture. It must come eventually, he felt sure. As to how Dick had been identified, or by what means he had escaped, he was in complete ignorance; and an endeavor to learn by establishing the former entente cordiale between the room clerk and himself was met by a suspicious glance and what amounted to a snub. He went back to his chair against the wall and sat there, waiting for the end.
It was an hour before the sheriff returned, and he came in scowling.
"I'll see you now," he said briefly, and led the way back to the hotel office behind the desk. Bassett's last hope died when he saw sitting there, pale but composed, the elderly maid. The sheriff lost no time.
"Now I'll tell you what we know about your connection with this case, Bassett," he said. "You engaged a car to take you both to the main line to-night. You paid off Clark's room as well as your own this afternoon. When you found he was sick you canceled your going. That's true, isn't it?"
"It is. I've told you I knew him at home, but not as Clark."
"I'll let that go. You intended to take the midnight on the main line, but you ordered a car instead of using the branch road."
"Livingstone was sick. I thought it would be easier. That's all." His voice sharpened. "You can't drag me into this, Sheriff. In the first place I don't believe it was Clark, or he wouldn't have come here, of all places on the earth. I didn't even know he was here, until he came into my room this morning."
"Why did he come into your room?"
"He had seen that I was registered. He said he felt sick. I took him back and put him to bed. To-night I got a doctor."
The sheriff felt in his pocket and produced a piece of paper. Bassett's morale was almost destroyed when he saw that it was Gregory's letter to David.
"I'll ask you to explain this. It was on Clark's bed."
Bassett took it and read it slowly. He was thinking hard.
"I see," he said. "Well, that explains why he came here. He was too sick to talk when I saw him. You see, this is not addressed to him, but to his uncle, David Livingstone. David Livingstone is a brother of Henry Livingstone, who died some years ago at Dry River. This refers to a personal matter connected with the Livingstone estate."
The sheriff took the letter and reread it. He was puzzled.
"You're a good talker," he acknowledged grudgingly. He turned to the maid.
"All right, Hattie," he said. "We'll have that story again. But just a minute." He turned to the reporter. "Mrs. Thorwald here hasn't seen Lizzie Lazarus, the squaw. Lizzie has been sitting in my office ever since noon. Now, Hattie."
Hattie moistened her dry lips.
"It was Jud Clark, all right," she said. "I knew him all his life, off and on. But I wish I hadn't screamed. I don't believe he killed Lucas, and I never will. I hope he gets away."
She eyed the sheriff vindictively, but he only smiled grimly.
"What did I tell you?" he said to Bassett. "Hell with the women—that was Jud Clark. And we'll get him, Hattie. Don't worry. Go on."
She looked at Bassett.
"When you left me, I sat outside the door, as you said. Then I heard him moving, and I went in. The room was not very light, and I didn't know him at first. He sat up in bed and looked at me, and he said, 'Why, hello, Hattie Thorwald.' That's my name. I married a Swede. Then he looked again, and he said, 'Excuse me, I thought you were a Mrs. Thorwald, but I see now you're older.' I recognized him then, and I thought I was going to faint. I knew he'd be arrested the moment it was known he was here. I said, 'Lie down, Mr. Jud. You're not very well.' And I closed the door and locked it. I was scared."
Her voice broke; she fumbled for a handkerchief. The sheriff glanced at Bassett.
"Now where's your Livingstone story?" he demanded. "All right, Hattie. Let's have it."
"I said, 'For God's sake, Mr. Jud, lie still, until I think what to do. The sheriff's likely downstairs this very minute.' And then he went queer and wild. He jumped off the bed and stood listening and staring, and shaking all over. 'I've got to get away,' he said, very loud. 'I won't let them take me. I'll kill myself first!' When I put my hand on his arm he threw it off, and he made for the door. I saw then that he was delirious with fever, and I stood in front of the door and begged him not to go out. But he threw me away so hard that that I fell, and I screamed."
"And then what?"
"That's all. If I hadn't been almost out of my mind I'd never have told that it was Jud Clark. That'll hang on me dying day."
An hour or so later Bassett went back to his room in a state of mental and nervous exhaustion. He knew that from that time on he would be under suspicion and probably under espionage, and he proceeded methodically, his door locked, to go over his papers. His notebook and the cuttings from old files relative to the Clark case he burned in his wash basin and then carefully washed the basin. That done, his attendance on a sick man, and the letter found on the bed was all the positive evidence they had to connect him with the case. He had had some thought of slipping out by the fire-escape and making a search for Dick on his own account, but his lack of familiarity with his surroundings made that practically useless.
At midnight he stretched out on his bed without undressing, and went over the situation carefully. He knew nothing of the various neuroses which affect the human mind, but he had a vague impression that memory when lost did eventually return, and Dick's recognition of the chambermaid pointed to such a return. He wondered what a man would feel under such conditions, what he would think. He could not do it. He abandoned the effort finally, and lay frowning at the ceiling while he considered his own part in the catastrophe. He saw himself, following his training and his instinct, leading the inevitable march toward this night's tragedy, planning, scheming, searching, and now that it had come, lying helpless on his bed while the procession of events went on past him and beyond his control.
When an automobile engine back-fired in the street below he went sick with fear.
He made the resolution then that was to be the guiding motive for his life for the next few months, to fight the thing of his own creating to a finish. But with the resolution newly made he saw the futility of it. He might fight, would fight, but nothing could restore to Dick Livingstone the place he had made for himself in the world. He might be saved from his past, but he could not be given a future.
All at once he was aware that some one was working stealthily at the lock of the door which communicated with a room beyond. He slid cautiously off the bed and went to the light switch, standing with a hand on it, and waited. The wild thought that it might be Livingstone was uppermost in his mind, and when the door creaked open and closed again, that was the word he breathed into the darkness.
"No," said a woman's voice in a whisper. "It's the maid, Hattie. Be careful. There's a guard at the top of the stairs."
He heard her moving to his outer door, and he knew that she stood there, listening, her head against the panel. When she was satisfied she slipped, with the swiftness of familiarity with her surroundings, to the stand beside his bed, and turned on the lamp. In the shaded light he saw that she wore a dark cape, with its hood drawn over her head. In some strange fashion the maid, even the woman, was lost, and she stood, strange, mysterious, and dramatic in the little room.
"If you found Jud Clark, what would you do with him?" she demanded. From beneath the hood her eyes searched his face. "Turn him over to Wilkins and his outfit?"
"I think you know better than that."
"Have you got any plan?"
"Plan? No. They've got every outlet closed, haven't they? Do you know where he is?"
"I know where he isn't, or they'd have him by now. And I know Jud Clark. He'd take to the mountains, same as he did before. He's got a good horse."
"A horse!"
"Listen. I haven't told this, and I don't mean to. They'll learn it in a couple of hours, anyhow. He got out by a back fire-escape—they know that. But they don't know he took Ed Rickett's black mare. They think he's on foot. I've been down there now, and she's gone. Ed's shut up in a room on the top floor, playing poker. They won't break up until about three o'clock and he'll miss his horse then. That's two hours yet."
Bassett tried to see her face in the shadow of the hood. He was puzzled and suspicious at her change of front, more than half afraid of a trap.
"How do I know you are not working with Wilkins?" he demanded. "You could have saved the situation to-night by saying you weren't sure."
"I was upset. I've had time to think since."
He was forced to trust her, eventually, although the sense of some hidden motive, some urge greater than compassion, persisted in him.
"You've got some sort of plan for me, then? I can't follow him haphazard into the mountains at night, and expect to find him."
"Yes. He was delirious when he left. That thing about the sheriff being after him—he wasn't after him then. Not until I gave the alarm. He's delirious, and he thinks he's back to the night he—you know. Wouldn't he do the same thing again, and make for the mountains and the cabin? He went to the cabin before."
Bassett looked at his watch. It was half past twelve.
"Even if I could get a horse I couldn't get out of the town."
"You might, on foot. They'll be trailing Rickett's horse by dawn. And if you can get out of town I can get you a horse. I can get you out, too, I think. I know every foot of the place."
A feeling of theatrical unreality was Bassett's chief emotion during the trying time that followed. The cloaked and shrouded figure of the woman ahead, the passage through two dark and empty rooms by pass key to an unguarded corridor in the rear, the descent of the fire-escape, where they stood flattened against the wall while a man, possibly one of the posse, rode in, tied his horse and stamped in high heeled boots into the building, and always just ahead the sure movement and silent tread of the woman, kept his nerves taut and increased his feeling of the unreal.
At the foot of the fire-escape the woman slid out of sight noiselessly, but under Bassett's feet a tin can rolled and clattered. Then a horse snorted close to his shoulder, and he was frozen with fright. After that she gave him her hand, and led him through an empty outbuilding and another yard into a street.
At two o'clock that morning Bassett, waiting in a lonely road near what he judged to be the camp of a drilling crew, heard a horse coming toward him and snorting nervously as it came and drew back into the shadows until he recognized the shrouded silhouette leading him.
"It belongs to my son," she said. "I'll fix it with him to-morrow. But if you're caught you'll have to say you came out and took him, or you'll get us all in trouble."
She gave him careful instructions as to how to find the trail, and urged him to haste.
"If you get him," she advised, "better keep right on over the range."
He paused, with his foot in the stirrup.
"You seem pretty certain he's taken to the mountains."
"It's your only chance. They'll get him anywhere else."
He mounted and prepared to ride off. He would have shaken hands with her, but the horse was still terrified at her shrouded figure and veered and snorted when she approached. "However it turns out," he said, "you've done your best, and I'm grateful."
The horse moved off and left her standing there, her cowl drawn forward and her hands crossed on her breast. She stood for a moment, facing toward the mountains, oddly monkish in outline and posture. Then she turned back toward the town.
XXVIII
Dick had picked up life again where he had left it off so long before. Gone was David's house built on the sands of forgetfulness. Gone was David himself, and Lucy. Gone not even born into his consciousness was Elizabeth. The war, his work, his new place in the world, were all obliterated, drowned in the flood of memories revived by the shock of Bassett's revelations.
Not that the breaking point had revealed itself as such at once. There was confusion first, then stupor and unconsciousness, and out of that, sharply and clearly, came memory. It was not ten years ago, but an hour ago, a minute ago, that he had stood staring at Howard Lucas on the floor of the billiard room, and had seen Beverly run in through the door.
"Bev!" he was saying. "Bev! Don't look like that!"
He moved and found he was in bed. It had been a dream. He drew a long breath, looked about the room, saw the woman and greeted her. But already he knew he had not been dreaming. Things were sharpening in his mind. He shuddered and looked at the floor, but nobody lay there. Only the horror in his mind, and the instinct to get away from it. He was not thinking at all, but rising in him was not only the need for flight, but the sense of pursuit. They were after him. They would get him. They must never get him alive.
Instinct and will took the place of thought, and whatever closed chamber in his brain had opened, it clearly influenced his physical condition. He bore all the stigmata of prolonged and heavy drinking; his nerves were gone; he twitched and shook. When he got down the fire-escape his legs would scarcely hold him.
The discovery of Ed Rickett's horse in the courtyard, saddled and ready, fitted in with the brain pattern of the past.
Like one who enters a room for the first time, to find it already familiar, for a moment he felt that this thing that he was doing he had done before. Only for a moment. Then partial memory ceased, and he climbed into the saddle, rode out and turned toward the mountains and the cabin. By that strange quality of the brain which is called habit, although the habit be of only one emphatic precedent, he followed the route he had taken ten years before. How closely will never be known. Did he stop at this turn to look back, as he had once before? Did he let his horse breathe there? Not the latter, probably, for as, following the blind course that he had followed ten years before, he left the town and went up the canyon trail, he was riding as though all the devils of hell were behind him.
One thing is certain. The reproduction of the conditions of the earlier flight, the familiar associations of the trail, must have helped rather than hindered his fixation in the past. Again he was Judson Clark, who had killed a man, and was flying from himself and from pursuit.
Before long his horse was in acute distress, but he did not notice it. At the top of the long climb the animal stopped, but he kicked him on recklessly. He was as unaware of his own fatigue, or that he was swaying in the saddle, until galloping across a meadow the horse stumbled and threw him.
He lay still for some time; not hurt but apparently lacking the initiative to get up again. He had at that period the alternating lucidity and mental torpor of the half drunken man. But struggling up through layers of blackness at last there came again the instinct for flight, and he got on the horse and set off.
The torpor again overcame him and he slept in the saddle. When the horse stopped he roused and kicked it on. Once he came up through the blackness to the accompaniment of a great roaring, and found that the animal was saddle deep in a ford, and floundering badly among the rocks. He turned its head upstream, and got it out safely.
Toward dawn some of the confusion was gone, but he firmly fixed in the past. The horse wandered on, head down, occasionally stopping to seize a leaf as it passed, and once to drink deeply at a spring. Dick was still not thinking—there was something that forbade him to think-but he was weak and emotional. He muttered:
"Poor Bev! Poor old Bev!"
A great wave of tenderness and memory swept over him. Poor Bev! He had made life hell for her, all right. He had an almost uncontrollable impulse to turn the horse around, go back and see her once more. He was gone anyhow. They would get him. And he wanted her to know that he would have died rather than do what he had done.
The flight impulse died; he felt sick and very cold, and now and then he shook violently. He began to watch the trail behind him for the pursuit, but without fear. He seemed to have been wandering for a thousand black nights through deep gorges and over peaks as high as the stars, and now he wanted to rest, to stop somewhere and sleep, to be warm again. Let them come and take him, anywhere out of this nightmare.
With the dawn still gray he heard a horse behind and below him on the trail up the cliff face. He stopped and sat waiting, twisted about in his saddle, his expression ugly and defiant, and yet touchingly helpless, the look of a boy in trouble and at bay. The horseman came into sight on the trail below, riding hard, a middle-aged man in a dark sack suit and a straw hat, an oddly incongruous figure and manifestly weary. He rode bent forward, and now and again he raised his eyes from the trail and searched the wall above with bloodshot, anxious eyes.
On the turn below Dick, Bassett saw him for the first time, and spoke to him in a quiet voice.
"Hello, old man," he said. "I began to think I was going to miss you after all."
His scrutiny of Dick's face had rather reassured him. The delirium had passed, apparently. Dishevelled although he was, covered with dust and with sweat from the horse, Livingstone's eyes were steady enough. As he rode up to him, however, he was not so certain. He found himself surveyed with a sort of cool malignity that startled him.
"Miss me!" Livingstone sneered bitterly. "With every damned hill covered by this time with your outfit! I'll tell you this. If I'd had a gun you'd never have got me alive."
Bassett was puzzled and slightly ruffled.
"My outfit! I'll tell you this, son, I've risked my neck half the night to get you out of this mess."
"God Almighty couldn't get me out of this mess," Dick said somberly.
It was then that Bassett saw something not quite normal in his face, and he rode closer.
"See here, Livingstone," he said, in a soothing tone, "nobody's going to get you. I'm here to keep them from getting you. We've got a good start, but we'll have to keep moving."
Dick sat obstinately still, his horse turned across the trail, and his eyes still suspicious and unfriendly.
"I don't know you," he said doggedly. "And I've done all the running away I'm going to do. You go back and tell Wilkins I'm here and to come and get me. The sooner the better." The sneer faded, and he turned on Bassett with a depth of tragedy in his eyes that frightened the reporter. "My God," he said, "I killed a man last night! I can't go through life with that on me. I'm done, I tell you."
"Last night!" Some faint comprehension began to dawn in Bassett's mind, a suspicion of the truth. But there was no time to verify it. He turned and carefully inspected the trail to where it came into sight at the opposite rim of the valley. When he was satisfied that the pursuit was still well behind them he spoke again.
"Pull yourself together, Livingstone," he said, rather sharply. "Think a bit. You didn't kill anybody last night. Now listen," he added impressively. "You are Livingstone, Doctor Richard Livingstone. You stick to that, and think about it."
But Dick was not listening, save to some bitter inner voice, for suddenly he turned his horse around on the trail. "Get out of the way," he said, "I'm going back to give myself up."
He would have done it, probably, would have crowded past Bassett on the narrow trail and headed back toward capture, but for his horse. It balked and whirled on the ledge, but it would not pass Bassett. Dick swore and kicked it, his face ugly and determined, but it refused sullenly. He slid out of the saddle then and tried to drag it on, but he was suddenly weak and sick. He staggered. Bassett was off his horse in a moment and caught him. He eased him onto a boulder, and he sat there, his shoulders sagging and his whole body twitching.
"Been drinking my head off," he said at last. "If I had a drink now I'd straighten out." He tried to sit up. "That's what's the matter with me. I'm funking, of course, but that's not all. I'd give my soul for some whisky."'
"I can get you a drink, if you'll come on about a mile," Bassett coaxed. "At the cabin you and I talked about yesterday."
"Now you're talking." Dick made an effort and got to his feet, shaking off Bassett's assisting arm. "For God's sake keep your hands off me," he said irritably. "I've got a hangover, that's all."
He got into his saddle without assistance and started off up the trail. Bassett once more searched the valley, but it was empty save for a deer drinking at the stream far below. He turned and followed.
He was fairly hopeless by that time, what with Dick's unexpected resistance and the change in the man himself. He was dealing with something he did not understand, and the hypothesis of delirium did not hold. There was a sort of desperate sanity in Dick's eyes. That statement, now, about drinking his head off—he hadn't looked yesterday like a drinking man. But now he did. He was twitching, his hands shook. On the rock his face had been covered with a cold sweat. What was that the doctor yesterday had said about delirium tremens? Suppose he collapsed? That meant capture.
He did not need to guide Dick to the cabin. He turned off the trail himself, and Bassett, following, saw him dismount and survey the ruin with a puzzled face. But he said nothing. Bassett waiting outside to tie the horses came in to find him sitting on one of the dilapidated chairs, staring around, but all he said was:
"Get me that drink, won't you? I'm going to pieces." Bassett found his tin cup where he had left it on a shelf and poured out a small amount of whisky from his flask.
"This is all we have," he explained. "We'll have to go slow with it."
It had an almost immediate effect. The twitching grew less, and a faint color came into Dick's face. He stood up and stretched himself. "That's better," he said. "I was all in. I must have been riding that infernal horse for years."
He wandered about while the reporter made a fire and set the coffee pot to boil. Bassett, glancing up once, saw him surveying the ruined lean-to from the doorway, with an expression he could not understand. But he did not say anything, nor did he speak again until Bassett called him to get some food. Even then he was laconic, and he seemed to be listening and waiting.
Once something startled the horses outside, and he sat up and listened.
"They're here!" he said.
"I don't think so," Bassett replied, and went to the doorway. "No," he called back over his shoulder, "you go on and finish. I'll watch."
"Come back and eat," Dick said surlily.
He ate very little, but drank of the coffee. Bassett too ate almost nothing. He was pulling himself together for the struggle that was to come, marshaling his arguments for flight, and trying to fathom the extent of the change in the man across the small table.
Dick put down his tin cup and got up. He was strong again, and the nightmare confusion of the night had passed away. Instead of it there was a desperate lucidity and a courage born of desperation. He remembered it all distinctly; he had killed Howard Lucas the night before. Before long Wilkins or some of his outfit would ride up to the door, and take him back to Norada. He was not afraid of that. They would always think he had run away because he was afraid of capture, but it was not that. He had run away from Bev's face. Only he had not got away from it. It had been with him all night, and it was with him now.
But he would have to go back. He couldn't be caught like a rat in a trap. The Clarks didn't run away. They were fighters. Only the Clarks didn't kill. They fought, but they didn't murder.
He picked up his hat and went to the door.
"Well, you've been mighty kind, old man," he said. "But I've got to go back. I ran last night like a scared kid, but I'm through with that sort of foolishness."
"I'd give a good bit," Bassett said, watching him, "to know what made you run last night. You were safe where you were."
"I don't know what you are talking about," Dick said drearily. "I didn't run from them. I ran to get away from something." He turned away irritably. "You wouldn't understand. Say I was drunk. I was, for that matter. I'm not over it yet."
Bassett watched him.
"I see," he said quietly. "It was last night, was it, that this thing happened?"
"You know it, don't you?"
"And, after it happened, do you remember what followed?"
"I've been riding all night. I didn't care what happened. I knew I'd run into a whale of a blizzard, but I—"
He stopped and stared outside, to where the horses grazed in the upland meadow, knee deep in mountain flowers. Bassett, watching him, saw the incredulity in his eyes, and spoke very gently.
"My dear fellow," he said, "you are right. Try to understand what I am saying, and take it easy. You rode into a blizzard, right enough. But that was not last night. It was ten years ago."
XXIX
Had Bassett had some wider knowledge of Dick's condition he might have succeeded better during that bad hour that followed. Certainly, if he had hoped that the mere statement of fact and its proof would bring results, he failed. And the need for haste, the fear of the pursuit behind them, made him nervous and incoherent.
He had first to accept the incredible, himself—that Dick Livingstone no longer existed, that he had died and was buried deep in some chamber of an unconscious mind. He made every effort to revive him, to restore him into the field of consciousness, but without result. And his struggle was increased in difficulty by the fact that he knew so little of Dick's life. David's name meant nothing, apparently, and it was the only name he knew. He described the Livingstone house; he described Elizabeth as he had seen her that night at the theater. Even Minnie. But Dick only shook his head. And until he had aroused some instinct, some desire to live, he could not combat Dick's intention to return and surrender.
"I understand what you are saying," Dick would say. "I'm trying to get it. But it doesn't mean anything to me."
He even tried the war.
"War? What war?" Dick asked. And when he heard about it he groaned.
"A war!" he said. "And I've missed it!"
But soon after that he got up, and moved to the door.
"I'm going back," he said.
"Why?"
"They're after me, aren't they?"
"You're forgetting again. Why should they be after you now, after ten years?"
"I see. I can't get it, you know. I keep listening for them."
Bassett too was listening, but he kept his fears to himself.
"Why did you do it?" he asked finally.
"I was drunk, and I hated him. He married a girl I was crazy about."
Bassett tried new tactics. He stressed the absurdity of surrendering for a crime committed ten years before and forgotten.
"They won't convict you anyhow," he urged. "It was a quarrel, wasn't it? I mean, you didn't deliberately shoot him?"
"I don't remember. We quarreled. Yes. I don't remember shooting him."
"What do you remember?"
Dick made an effort, although he was white to the lips.
"I saw him on the floor," he said slowly, and staggered a little.
"Then you don't even know you did it."
"I hated him."
But Bassett saw that his determination to surrender himself was weakening. Bassett fought it with every argument he could summon, and at last he brought forward the one he felt might be conclusive.
"You see, you've not only made a man's place in the world, Clark, as I've told you. You've formed associations you can't get away from. You've got to think of the Livingstones, and you told me yesterday a shock would kill the old man. But it's more than that. There's a girl back in your town. I think you were engaged to her."
But if he had hoped to pierce the veil with that statement he failed. Dick's face flushed, and he went to the door of the cabin, much as he had gone to the window the day before. He did not look around when he spoke.
"Then I'm an unconscionable cad," he said. "I've only cared for one woman in my life. And I've shipwrecked her for good."
"You mean—"
"You know who I mean."
Sometime later Bassett got on his horse and rode out to a ledge which commanded a long stretch of trail in the valley below. Far away horsemen were riding along it, one behind the other, small dots that moved on slowly but steadily. He turned and went back to the cabin.
"We'd better be moving," he said, "and it's up to you to say where. You've got two choices. You can go back to Norada and run the chance of arrest. You know what that means. Without much chance of a conviction you will stand trial and bring wretchedness to the people who stood by you before and who care for you now. Or you can go on over the mountains with me and strike the railroad somewhere to the West. You'll have time to think things over, anyhow. They've waited ten years. They can wait longer."
To his relief Dick acquiesced. He had become oddly passive; he seemed indeed not greatly interested. He did not even notice the haste with which Bassett removed the evidences of their meal, or extinguished the dying fire and scattered the ashes. Nor, when they were mounted, the care with which they avoided the trail. He gave, when asked, information as to the direction of the railroad at the foot of the western slope of the range, and at the same instigation found a trail for them some miles beyond their starting point. But mostly he merely followed, in a dead silence.
They made slow progress. Both horses were weary and hungry, and the going was often rough and even dangerous. But for Dick's knowledge of the country they would have been hopelessly lost. Bassett, however, although tortured with muscular soreness, felt his spirits rising as the miles were covered, and there was no sign of the pursuit.
By mid-afternoon they were obliged to rest their horses and let them graze, and the necessity of food for themselves became insistent. Dick stretched out and was immediately asleep, but the reporter could not rest. The magnitude of his undertaking obsessed him. They had covered perhaps twenty miles since leaving the cabin, and the railroad was still sixty miles away. With fresh horses they could have made it by dawn of the next morning, but he did not believe their jaded animals could go much farther. The country grew worse instead of better. A pass ahead, which they must cross, was full of snow.
He was anxious, too, as to Dick's physical condition. The twitching was gone, but he was very pale and he slept like a man exhausted and at his physical limit. But the necessity of crossing the pass before nightfall or of waiting until dawn to do it drove Bassett back from an anxious reconnoitering of the trail at five o'clock, to rouse the sleeping man and start on again.
Near the pass, however, Dick roused himself and took the lead.
"Let me ahead, Bassett," he said peremptorily. "And give your horse his head. He'll take care of you if you give him a chance."
Bassett was glad to fall back. He was exhausted and nervous. The trail frightened him. It clung to the side of a rocky wall, twisting and turning on itself; it ran under milky waterfalls of glacial water, and higher up it led over an ice field which was a glassy bridge over a rushing stream beneath. To add to their wretchedness mosquitoes hung about them in voracious clouds, and tiny black gnats which got into their eyes and their nostrils and set the horses frantic.
Once across the ice field Dick's horse fell and for a time could not get up again. He lay, making ineffectual efforts to rise, his sides heaving, his eyes rolling in distress. They gave up then, and prepared to make such camp as they could.
With the setting of the sun it had grown bitterly cold, and Bassett was forced to light a fire. He did it under the protection of the mountain wall, and Dick, after unsaddling his fallen horse, built a rough shelter of rocks against the wind. After a time the exhausted horse got up, but there was no forage, and the two animals stood disconsolate, or made small hopeless excursions, noses to the ground, among the moss and scrub pines.
Before turning in Bassett divided the remaining contents of the flask between them, and his last cigarettes. Dick did not talk. He sat, his back to the shelter, facing the fire, his mind busy with what Bassett knew were bitter and conflicting thoughts. Once, however, as the reporter was dozing off, Dick spoke.
"You said I told you there was a girl," he said. "Did I tell you her name?"
"No."
"All right. Go to sleep. I thought if I heard it it might help."
Bassett lay back and watched him.
"Better get some sleep, old man," he said.
He dozed, to waken again cold and shivering. The fire had burned low, and Dick was sitting near it, unheeding, and in a deep study. He looked up, and Bassett was shocked at the quiet tragedy in his face.
"Where is Beverly Carlysle now?" he asked. "Or do you know?"
"Yes. I saw her not long ago."
"Is she married again?"
"No. She's revived 'The Valley,' and she's in New York with it."
Dick slept for only an hour or so that night, but as he slept he dreamed. In his dream he was at peace and happy, and there was a girl in a black frock who seemed to be a part of that peace. When he roused, however, still with the warmth of his dream on him, he could not summon her. She had slipped away among the shadows of the night.
He sat by the fire in the grip of a great despair. He had lost ten years out of his life, his best years. And he could not go back to where he had left off. There was nothing to go back to but shame and remorse. He looked at Bassett, lying by the fire, and tried to fit him into the situation. Who was he, and why was he here? Why had he ridden out at night alone, into unknown mountains, to find him?
As though his intent gaze had roused the sleeper, Bassett opened his eyes, at first drowsily, then wide awake. He raised himself on his elbow and listened, as though for some far-off sound, and his face was strained and anxious. But the night was silent, and he relaxed and slept again.
Something that had been forming itself in Dick's mind suddenly crystallized into conviction. He rose and walked to the edge of the mountain wall and stood there listening. When he went back to the fire he felt in his pockets, found a small pad and pencil, and bending forward to catch the light, commenced to write... At dawn Bassett wakened. He was stiff and wretched, and he grunted as he moved. He turned over and surveyed the small plateau. It was empty, except for his horse, making its continuous, hopeless search for grass.
XXX
David was enjoying his holiday. He lay in bed most of the morning, making the most of his one after-breakfast cigar and surrounded by newspaper and magazines. He had made friends of the waiter who brought his breakfast, and of the little chambermaid who looked after his room, and such conversations as this would follow:
"Well, Nellie," he would say, "and did you go to the dance on the pier last night?"
"Oh, yes, doctor."
"Your gentleman friend showed up all right, then?"
"Oh, yes. He didn't telephone because he was on a job out of town."
Here perhaps David would lower his voice, for Lucy was never far away.
"Did you wear the flowers?"
"Yes, violets. I put one away to remember you by. It was funny at first. I wouldn't tell him who gave them to me."
David would chuckle delightedly.
"That's right," he would say. "Keep him guessing, the young rascal. We men are kittle cattle, Nellie, kittle cattle!"
Even the valet unbent to him, and inquired if the doctor needed a man at home to look after him and his clothes. David was enormously tickled.
"Well," he said, with a twinkle in his eye. "I'll tell you how I manage now, and then you'll see. When I want my trousers pressed I send them downstairs and then I wait in my bathrobe until they come back. I'm a trifle better off for boots, but you'd have to knock Mike, my hired man, unconscious before he'd let you touch them."
The valet grinned understandingly.
"Of course, there's my nephew," David went on, a little note of pride in his voice. "He's become engaged recently, and I notice he's bought some clothes. But still I don't think even he will want anybody to hold his trousers while he gets into them."
David chuckled over that for a long time after the valet had gone.
He was quite happy and contented. He spent all afternoon in a roller chair, conversing affably with the man who pushed him, and now and then when Lucy was out of sight getting out and stretching his legs. He picked up lost children and lonely dogs, and tried his eye in a shooting gallery, and had hard work keeping off the roller coasters and out of the sea.
Then, one day, when he had been gone some time, he was astonished on entering his hotel to find Harrison Miller sitting in the lobby. David beamed with surprise and pleasure.
"You old humbug!" he said. "Off on a jaunt after all! And the contempt of you when I was shipped here!"
Harrison Miller was constrained and uncomfortable. He had meant to see Lucy first. She was a sensible woman, and she would know just what David could stand, or could not. But David did not notice his constraint; took him to his room, made him admire the ocean view, gave him a cigar, and then sat down across from him, beaming and hospitable.
"Suffering Crimus, Miller," he said. "I didn't know I was homesick until I saw you. Well, how's everything? Dick's letters haven't been much, and we haven't had any for several days."
Harrison Miller cleared his throat. He knew that David had not been told of Jim Wheeler's death, but that Lucy knew. He knew too from Walter Wheeler that David did not know that Dick had gone west. Did Lucy know that, or not? Probably yes. But he considered the entire benevolent conspiracy an absurdity and a mistake. It was making him uncomfortable, and most of his life had been devoted to being comfortable.
He decided to temporize.
"Things are about the same," he said. "They're going to pave Chisholm Street. And your Mike knocked down the night watchman last week. I got him off with a fine."
"I hope he hasn't been in my cellar. He's got a weakness, but then—How's Dick? Not overworking?"
"No. He's all right."
But David was no man's fool. He began to see something strange in Harrison's manner, and he bent forward in his chair.
"Look here, Harrison," he said, "there's something the matter with you. You've got something on your mind."
"Well, I have and I haven't. I'd like to see Lucy, David, if she's about."
"Lucy's gadding. You can tell me if you can her. What is it? Is it about Dick?"
"In a way, yes."
"He's not sick?"
"No. He's all right, as far as I know. I guess I'd better tell you, David. Walter Wheeler has got some sort of bee in his bonnet, and he got me to come on. Dick was pretty tired and—well, one or two things happened to worry him. One was that Jim Wheeler—you'll get this sooner or later—was in an automobile accident, and it did for him."
David had lost some of his ruddy color. It was a moment before he spoke.
"Poor Jim," he said hoarsely. "He was a good boy, only full of life. It will be hard on the family."
"Yes," Harrison Miller said simply.
But David was resentful, too. When his friends were in trouble he wanted to know about it. He was somewhat indignant and not a little hurt. But he soon reverted to Dick.
"I'll go back and send him off for a rest," he said. "I'm as good as I'll ever be, and the boy's tired. What's the bee in Wheeler's bonnet?"
"Look here, David, you know your own business best, and Wheeler didn't feel at liberty to tell me very much. But he seemed to think you were the only one who could tell us certain things. He'd have come himself, but it's not easy for him to leave the family just now. Dick went away just after Jim's funeral. He left a young chap named Reynolds in his place, and, I believe, in order not to worry you, some letters to be mailed at intervals."
"Went where?" David asked, in a terrible voice.
"To a town called Norada, in Wyoming. Near his old home somewhere. And the Wheelers haven't heard anything from him since the day he got there. That's three weeks ago. He wrote Elizabeth the night he got there, and wired her at the same time. There's been nothing since."
David was gripping the arms of his chair with both hands, but he forced himself to calmness.
"I'll go to Norada at once," he said. "Get a time-table, Harrison, and ring for the valet."
"Not on your life you won't. I'm here to do that, when I've got something to go on. Wheeler thought you might have heard from him. If you hadn't, I was to get all the information I could and then start. Elizabeth's almost crazy. We wired the chief of police of Norada yesterday."
"Yes!" David said thickly. "Trust your friends to make every damned mistake possible! You've set the whole pack on his trail." And then he fell back in his chair, and gasped, "Open the window!"
When Lucy came in, a half hour later, she found David on his bed with the hotel doctor beside him, and Harrison Miller in the room. David was fighting for breath, but he was conscious and very calm. He looked up at her and spoke slowly and distinctly.
"They've got Dick, Lucy," he said.
He looked aged and pinched, and entirely hopeless. Even after his heart had quieted down and he lay still among his pillows, he gave no evidence of his old fighting spirit. He lay with his eyes shut, relaxed and passive. He had done his best, and he had failed. It was out of his hands now, and in the hands of God. Once, as he lay there, he prayed. He said that he had failed, and that now he was too old and weak to fight. That God would have to take it on, and do the best He could. But he added that if God did not save Dick and bring him back to happiness, that he, David, was through.
Toward morning he wakened from a light sleep. The door into Lucy's room was open and a dim light was burning beyond it. David called her, and by her immediate response he knew she had not been sleeping.
"Yes, David," she said, and came padding in in her bedroom slippers and wadded dressing-gown, a tragic figure of apprehension, determinedly smiling. "What do you want?"
"Sit down, Lucy."
When she had done so he put out his hand, fumbling for hers. She was touched and alarmed, for it was a long while since there had been any open demonstration of affection between them. David was silent for a time, absorbed in thought. Then:
"I'm not in very good shape, Lucy. I suppose you know that. This old pump of mine has sprung a leak or something. I don't want you to worry if anything happens. I've come to the time when I've got a good many over there, and it will be like going home."
Lucy nodded. Her chin quivered. She smoothed his hand, with its high twisted veins.
"I know, David," she said. "Mother and father, and Henry, and a good many friends. But I need you, too. You're all I have, now that Dick—"
"That's why I called you. If I can get out there, I'll go. And I'll put up a fight that will make them wish they'd never started anything. But if I can't, if I—" She felt his fingers tighten on her hand. "If Hattie Thorwald is still living, we'll put her on the stand. If I can't go, for any reason, I want you to see that she is called. And you know where Henry's statement is?"
"In your box, isn't it?"
"Yes. Have the statement read first, and then have her called to corroborate it. Tell the story I have told you—or no, I'll dictate it to you in the morning, and sign it before witnesses. Jake and Bill will testify too."
He felt easier in his mind after that. He had marshalled his forces and begun his preparations for battle. He felt less apprehension now in case he fell asleep, to waken among those he had loved long since and lost awhile. After a few moments his eyes closed, and Lucy went back to her bed and crawled into it.
It was, however, Harrison Miller who took the statement that morning. Lucy's cramped old hand wrote too slowly for David's impatience. Harrison Miller took it, on hotel stationery, covering the carefully numbered pages with his neat, copper-plate writing. He wrote with an impassive face, but with intense interest, for by that time he knew Dick's story.
Never, in his orderly bachelor life, of daily papers and a flower garden and political economy at night, had he been so close to the passions of men to love and hate and the disorder they brought with them.
XXXI
"My brother, Henry Livingstone, was not a strong man," David dictated. "He had the same heart condition I have, but it developed earlier. After he left college he went to Arizona and bought a ranch, and there he met and chummed with Elihu Clark, who had bought an old mine and was reworking it. Henry loaned him a small amount of money at that time, and a number of years later in return for that, when Henry's health failed, Clark, who had grown wealthy, bought him a ranch in Wyoming at Dry River, not far from Clark's own property.
"Henry had been teaching in an Eastern university, and then taken up tutoring. We saw little of him. He was a student, and he became almost a recluse. I saw less of him than ever after Clark gave him the ranch.
"In the spring of 1910 Henry wrote me that he was not well, and I went out to see him. He seemed worried and was in bad shape physically. Elihu Clark had died five years before, and left him a fair sum of money, fifty thousand dollars, but he was living in a way which made me think he was not using it. The ranch buildings were dilapidated, and there was nothing but the barest necessities in the house.
"I taxed Henry with miserliness, and he then told me that the money was not his, but left to him to be used for an illegitimate son of Clark's, born before his marriage, the child of a small rancher's daughter named Hattie Burgess. The Burgess girl had gone to Omaha for its birth, and the story was not known. In early years Clark had paid the child's board through his lawyer to an Omaha woman named Hines, and had later sent him to college. The Burgess girl married a Swede named Thorwald. The boy was eight years older than Judson, Clark's legitimate son.
"After the death of his wife Elihu Clark began to think about the child, especially after Judson became a fair-sized boy. He had the older boy, who went by the name of Hines, sent to college, and in summer he stayed at Henry's tutoring school. Henry said the boy was like the Burgess family, blonde and excitable and rather commonplace. He did not get on well at college, and did not graduate. So far as he knew, Clark never saw him.
"The boy himself believed that he was an orphan, and that the Hines woman had adopted him as a foundling. But on the death of the woman he found that she had no estate, and that a firm of New York attorneys had been paying his college bills.
"He had spent considerable time with Henry, one way and another, and he began to think that Henry knew who he was. He thought at first that Henry was his father, and there was some trouble. In order to end it Henry finally acknowledged that he knew who the father was, and after that he had no peace. Clifton—his name was Clifton Hines—attacked Henry once, and if it had not been for the two men on the place he would have hurt him.
"Henry began to give him money. Clark had left the fifty thousand for the boy with the idea that Henry should start him in business with it. But he only turned up wild-cat schemes that Henry would not listen to. He did not know how Henry got the money, or from where. He thought for a long time that Henry had saved it.
"I'd better say here that Henry was fond of Clifton, although he didn't approve of him. He'd never married, and the boy was like a son to him for a good many years. He didn't have him at the ranch much, however, for he was a Burgess through and through and looked like them. And he was always afraid that somehow the story would get out.
"Then Clifton learned, somehow or other, of Clark's legacy to Henry, and he put two and two together. There was a bad time, but Henry denied it and they went upstairs to bed. That night Clifton broke into Henry's desk and found some letters from Elihu Clark that told the story.
"He almost went crazy. He took the papers up to Henry's and wakened him, standing over Henry with them in hand, and shaking all over. I think they had a struggle, too. All Henry told me was that he took them from him and threw them in the fire.
"That was a year before Henry died, and at the time young Jud Clark's name was in all the newspapers. He had left college after a wild career there, and although Elihu had tied up the property until Jud was twenty-one, Jud had his mother's estate and a big allowance. Then, too, he borrowed on his prospects, and he lost a hundred thousand dollars at Monte Carlo within six weeks after he graduated. |
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