Higher up the mountain-slopes the forests thin and lessen in size, while increasing in picturesqueness. The Douglas fir and other monsters of the lower levels disappear, their places taken by other species. At an altitude of four thousand feet the Englemann spruce and other mountain-trees begin to appear, not in the massed ranks of the lower levels, but in groves bordering the flowered opens.

The extreme limit of tree growth on Mount Rainier is about seven thousand feet of altitude, above which one finds only occasional distorted, wind-tortured mountain-hemlocks. There is no well-defined timber-line, as on other lofty mountains. Avalanches and snow-slides keep the upper levels swept and bare.

The wild-flower catalogue is too long to enumerate here. John Muir expresses the belief that no other sub-alpine floral gardens excel Rainier's in profusion and gorgeousness. The region differs little from other Pacific regions of similar altitude in variety of species; in luxuriance it is unsurpassed.

V

According to Theodore Winthrop who visited the northwest in 1853 and published a book entitled "The Canoe and the Saddle," which had wide vogue at the time and is consulted to-day, Mount Rainier had its Indian Rip Van Winkle. The story was told him in great detail by Hamitchou, "a frowsy ancient of the Squallyamish." The hero was a wise and wily fisherman and hunter. Also, as his passion was gain, he became an excellent business man. He always had salmon and berries when food became scarce and prices high. Gradually he amassed large savings in hiaqua, the little perforated shell which was the most valued form of wampum, the Indian's money. The richer he got the stronger his passion grew for hiaqua, and, when a spirit told him in a dream of vast hoards at the summit of Rainier, he determined to climb the mountain. The spirit was Tamanoues, which, Winthrop explains, is the vague Indian personification of the supernatural.

So he threaded the forests and climbed the mountain's glistening side. At the summit he looked over the rim into a large basin in the bottom of which was a black lake surrounded by purple rock. At the lake's eastern end stood three monuments. The first was as tall as a man and had a head carved like a salmon; the second was the image of a camas-bulb; the two represented the great necessities of Indian life. The third was a stone elk's head with the antlers in velvet. At the foot of this monument he dug a hole.

Suddenly a noise behind him caused him to turn. An otter clambered over the edge of the lake and struck the snow with its tail. Eleven others followed. Each was twice as big as any otter he had ever seen; their chief was four times as big. The eleven sat themselves in a circle around him; the leader climbed upon the stone elk-head.

At first the treasure-seeker was abashed, but he had come to find hiaqua and he went on digging. At every thirteenth stroke the leader of the otters tapped the stone elk with his tail, and the eleven followers tapped the snow with their tails. Once they all gathered closer and whacked the digger good and hard with their tails, but, though astonished and badly bruised, he went on working. Presently he broke his elkhorn pick, but the biggest otter seized another in his teeth and handed it to him.

Finally his pick struck a flat rock with a hollow sound, and the otters all drew near and gazed into the hole, breathing excitedly. He lifted the rock and under it found a cavity filled to the brim with pure-white hiaqua, every shell large, unbroken and beautiful. All were hung neatly on strings.

Never was treasure-quest so successful! The otters, recognizing him as the favorite of Tamanoues, retired to a distance and gazed upon him respectfully.

"But the miser," writes the narrator, "never dreamed of gratitude, never thought to hang a string from the buried treasure about the salmon and camas tamanoues stones, and two strings around the elk's head; no, all must be his own, all he could carry now, and the rest for the future."

Greedily he loaded himself with the booty and laboriously climbed to the rim of the bowl prepared for the descent of the mountain. The otters, puffing in concert, plunged again into the lake, which at once disappeared under a black cloud.

Straightway a terrible storm arose through which the voice of Tamanoues screamed tauntingly. Blackness closed around him. The din was horrible. Terrified, he threw back into the bowl behind him five strings of hiaqua to propitiate Tamanoues, and there followed a momentary lull, during which he started homeward. But immediately the storm burst again with roarings like ten thousand bears.

Nothing could be done but to throw back more hiaqua. Following each sacrifice came another lull, followed in turn by more terrible outbreaks. And so, string by string, he parted with all his gains. Then he sank to the ground insensible.

When he awoke he lay under an arbutus-tree in a meadow of camas. He was shockingly stiff and every movement pained him. But he managed to gather and smoke some dry arbutus-leaves and eat a few camas-bulbs. He was astonished to find his hair very long and matted, and himself bent and feeble. "Tamanoues," he muttered. Nevertheless, he was calm and happy. Strangely, he did not regret his lost strings of hiaqua. Fear was gone and his heart was filled with love.

Slowly and painfully he made his way home. Everything was strangely altered. Ancient trees grew where shrubs had grown four days before. Cedars under whose shade he used to sleep lay rotting on the ground. Where his lodge had stood now he saw a new and handsome lodge, and presently out of it came a very old decrepit squaw who, nevertheless, through her wrinkles, had a look that seemed strangely familiar to him. Her shoulders were hung thick with hiaqua strings. She bent over a pot of boiling salmon and crooned:

"My old man has gone, gone, gone. My old man to Tacoma has gone. To hunt the elk he went long ago. When will he come down, down, down To salmon pot and me?"

"He has come down," quavered the returned traveller, at last recognizing his wife.

He asked no questions. Charging it all to the wrath of Tamanoues, he accepted fate as he found it. After all, it was a happy fate enough in the end, for the old man became the Great Medicine-Man of his tribe, by whom he was greatly revered.

The name of this Rip Van Winkle of Mount Rainier is not mentioned in Mr. Winthrop's narrative.



IX

CRATER LAKE'S BOWL OF INDIGO

CRATER LAKE NATIONAL PARK, SOUTHWESTERN OREGON. AREA, 249 SQUARE MILES

Crater Lake is in southwestern Oregon among the Cascade Mountains, and is reached by an automobile ride of several hours from Medford. The government information circular calls it "the deepest and bluest lake in the world." Advertising circulars praise it in choicest professional phrase. Its beauty is described as exceeding that of any other lake in all the world. Never was blue so wonderful as the blue of these waters; never were waters so deep as its two thousand feet.

Lured by this eloquence the traveller goes to Crater Lake and finds it all as promised—in fact, far better than promised, for the best intended adjectives, even when winged by the energetic pen of the most talented ad writer, cannot begin to convey the glowing, changing, mysterious loveliness of this lake of unbelievable beauty. In fact, the tourist, with expectation at fever-heat by the time he steps from the auto-stage upon the crater rim, is silenced as much by astonishment as by admiration.

Before him lies a crater of pale pearly lava several miles in diameter. A thousand feet below its rim is a lake whose farthest blues vie in delicacy with the horizon lavas, and deepen as they approach till at his feet they turn to almost black. There is nothing with which to compare the near-by blue looked sharply down upon from Crater's rim. The deepest indigo is nearest its intensity, but at certain angles falls far short.

Nor is it only the color which affects him so strongly; its kind is something new, startling, and altogether lovely. Its surface, so magically framed and tinted, is broken by fleeting silver wind-streaks here and there; otherwise, it has the vast stillness which we associate with the Grand Canyon and the sky at night. The lava walls are pearly, faintly blue afar off, graying and daubed with many colors nearer by. Pinks, purples, brick-reds, sulphurs, orange-yellows and many intermediates streak and splash the foreground gray. And often pine-green forests fringe the rim, and funnel down sharply tilted canyons to the water's edge; and sometimes shrubs of livelier green find foothold on the gentler slopes, and, spreading, paint bright patches. Over all, shutting down and around it like a giant bowl, is a sky of Californian blue overhead softening to the pearl of the horizon. A wonder spectacle indeed!

And then our tourist, recovering from his trance, walks upon the rim and descends the trail to the water's edge to join a launch-party around the lake. Here he finds a new and different experience which is quite as sensational as that of his original discovery. Seen close by from the lake's surface these tinted lava cliffs are carved as grotesquely as a Japanese ivory. Precipices rise at times two thousand feet, sheer as a wall. Elsewhere gentle slopes of powdery lava, moss-tinted, connect rim and water with a ruler line. And between these two extremes are found every fashion and kind and degree of lava wall, many of them precipitous, most of them rugged, all of them contorted and carved in the most fantastic manner that imagination can picture. Caves open their dark doors at water's edge. Towered rocks emerge from submerged reefs. A mimic volcano rises from the water near one side. Perpetual snow fills sheltered crevices in the southern rim.

And all this wonder is reflected, upside down, in the still mirror through which the launch ploughs its rapid way. But looking backward where the inverted picture is broken and tossed by the waves from the launch's prow, he looks upon a kaleidoscope of color which he will remember all his life; for, to the gorgeous disarray of the broken image of the cliffs is added the magic tint of this deep-dyed water, every wavelet of which, at its crest, seems touched for the fraction of a second with a flash of indigo; the whole dancing, sparkling, shimmering in a glory which words cannot convey; and on the other side, and far astern, the subsiding waves calming back to normal in a flare of robin's-egg blue.

Our tourist returns to the rim-side hotel to the ceremony of sunset on Crater Lake, for which the lake abandons all traditions and clothes itself in gold and crimson. And in the morning after looking, before sunrise, upon a Crater Lake of hard-polished steel from which a falling rock would surely bounce and bound away as if on ice, he breakfasts and leaves without another look lest repetition dull his priceless memory of an emotional experience which, all in all, can never come again the same.

It is as impossible to describe Crater Lake as it is to paint it. Its outlines may be photographed, but the photograph does not tell the story. Its colors may be reproduced, but the reproduction is not Crater Lake. More than any other spot I know, except the Grand Canyon from its rim, Crater Lake seems to convey a glory which is not of line or mass or color or composition, but which seems to be of the spirit. No doubt this vivid impression which the stilled observer seems to acquire with his mortal eye, is born somehow of his own emotion. Somehow he finds himself in communion with the Infinite. Perhaps it is this quality which seems so mysterious that made the Klamath Indians fear and shun Crater Lake, just as the Indians of the great plateau feared and shunned the Grand Canyon. It is this intangible, seemingly spiritual quality which makes the lake impossible either to paint or to describe.

So different is this spectacle from anything else upon the continent that the first question asked usually is how it came to be. The answer discloses one of the most dramatic incidents in the history of the earth.

In the evolution of the Cascades, many have been the misadventures of volcanoes. Some have been buried alive in ash and lava, and merged into conquering rivals. Some have been buried in ice which now, organized as glaciers, is wearing down their sides. Some have died of starvation and passed into the hills. Some have been blown to atoms. Only one in America, so far as known, has returned into the seething gulf which gave it birth. That was Mount Mazama.

The processes of creation are too deliberate for human comprehension. The Mississippi takes five thousand years to lower one inch its valley's surface. The making of Glacier National Park required many—perhaps hundreds—of millions of years. It seems probable that the cataclysm in which Mount Mazama disappeared was exceptional; death may have come suddenly, even as expressed in human terms.

What happened seems to have been this. Some foundation underpinning gave way in the molten gulf below, and the vast mountain sank and disappeared within itself. Imagine the spectacle who can! Mount Mazama left a clean-cut rim surrounding the hole through which it slipped and vanished. But there was a surging back. The eruptive forces, rebounding, pushed the shapeless mass again up the vast chimney. They found it too heavy a load. Deep within the ash-choked vent burst three small craters, and that was all. Two of these probably were short-lived, the third lasted a little longer. And, centuries later, spring water seeped through, creating Crater Lake.

Crater Lake is set in the summit of the Cascade Range, about sixty-five miles north of the California boundary. The road from the railway-station at Medford leads eighty miles eastward up the picturesque volcanic valley of the Rogue River. The country is magnificently forested. The mountains at this point are broad, gently rolling plateaus from which suddenly rise many volcanic cones, which, seen from elevated opens, are picturesque in the extreme. Each of these cones is the top of a volcano from whose summit has streamed the prehistoric floods of lava which have filled the intervening valleys, raising and levelling the country.



Entering the park, a high, broad, forested elevation is quickly encountered which looks at a glance exactly what it is, the base which once supported a towering cone. At its summit, this swelling base is found to be the outside supporting wall of a roughly circular lake, about five miles in diameter, the inside wall of which is steeply inclined to the water's surface a thousand feet below. The strong contrast between the outer and inner walls tells a plainly read story. The outer walls, all around, slope gently upward at an angle of about fifteen degrees; naturally, if carried on, they would converge in a peaked summit higher than that of Shasta. The inner walls converge downward at a steep angle, suggesting a funnel of enormous depth. It was through this funnel that Mount Mazama, as men call the volcano that man never saw, once collapsed into the gulf from which it had emerged.

Studying the scene from the Lodge on the rim where the automobile-stage has left you, the most vivid impressions of detail are those of the conformation of the inner rim, the cliffs which rise above it, and the small volcano which emerges from the blue waters of the lake.

The marvellous inner slope of the rim is not a continuous cliff, but a highly diversified succession of strata. Examination shows the layers of volcanic conglomerate and lava of which, like layers of brick and stone, the great structure was built. The downward dip of these strata away from the lake is everywhere discernible. The volcano's early story thus lies plain to eyes trained to read it. The most interesting of these strata is the lava flow which forms twelve thousand feet of the total precipice of Llao Rock, a prominence of conspicuous beauty.

Many of these cliffs are magnificently bold. The loftiest is Glacier Peak, which rises almost two thousand feet above the water's surface. But Dutton Cliff is a close rival, and Vidae Cliff, Garfield Peak, Llao Rock, and the Watchman fall close behind. Offsetting these are breaks where the rim drops within six hundred feet of the water. The statement of a wall height of a thousand feet expresses the general impression, though as an average it is probably well short of the fact.



At the foot of all the walls, at water's edge, lie slopes of talus, the rocky fragments which erosion has broken loose and dropped into the abyss. Nowhere is there a beach. The talus shallows the water for a few hundred feet, and descending streams build small deltas. These shallows edge the intense blue of the depths with exquisite lighter tints which tend to green. But this edging is very narrow.

The next most striking object after the gigantic carven cliffs is Wizard Island. This complete volcano in miniature, notwithstanding that it is forest-clothed and rises from water, carries the traveller's mind instantly to the thirteen similar cones which rise within the enormous desert crater of dead Haleakala, in the Hawaii National Park. Wizard Island's crater may easily be seen in the tip of its cone. Its two fellow volcanoes are invisible four hundred feet under water.

Scanning the blue surface, one's eye is caught by an interesting sail-like rock rising from the waters on the far right close to the foot of Dutton Cliff. This is the Phantom Ship. Seen two miles away in certain lights the illusion is excellent. The masts seem to tilt rakishly and the sails shine in the sun. There are times when the Phantom Ship suddenly disappears, and times again when it as suddenly appears where nothing was before. Hence its name and mysterious repute. But there is nothing really mysterious about this ghostly behavior, which occurs only when the heated atmosphere lends itself readily to mirage.

Days and weeks of rare pleasure may be had in the exploration of these amazing walls, a pleasure greatly to be enhanced by discovering and studying the many plain evidences of Mazama's slow upbuilding and sudden extinction. The excellent automobile road around the rim affords easy approach afoot as well as by automobile and bicycle. Its passage is enlivened by many inspiring views of the outlying Cascades with their great forests of yellow pine and their lesser volcanic cones, some of which, within and without the park boundaries, hung upon the flanks of Mount Mazama while it was belching flame and ash, while others, easing the checked pressure following the great catastrophe, were formed anew or enlarged from older vents.

From this road any part of the fantastic rim may be reached and explored, often to the water's edge, by adventurous climbers. What more enjoyable day's outing, for instance, than the exploration of the splendid pile of pentagonal basaltic columns suspended half-way in the rim at one point of picturesque beauty? What more inspiring than the climbing of Dutton Cliff, or, for experienced climbers, of many of the striking lava spires? The only drawback to these days of happy wandering along this sculptured and painted rim is the necessity of carrying drinking-water from the Lodge.

Then there are days of pleasure on the water. Wizard Island may be thoroughly explored, with luncheon under its trees by the lakeside. The Phantom Ship's gnarled lavas may be examined and climbed. Everywhere the steep rocky shore invites more intimate acquaintance; its caves may be entered, some afoot, at least one afloat. The lake is well stocked with rainbow trout, some of them descendants of the youngsters which Will G. Steel laboriously carried across country from Gordon's Ranch, forty-nine miles away, in 1888. They are caught with the fly from shore and boat. A pound trout in Crater Lake is a small trout. Occasionally a monster of eight or ten pounds is carried up the trail to the Lodge.

During all these days and weeks of pleasure and study, the vision of ancient Mount Mazama and its terrible end grows more and more in the enlightened imagination. There is much in the conformation of the base to justify a rather definite picture of this lost brother of Hood, Shasta, St. Helens, and Rainier. At the climax of his career, Mazama probably rose sixteen thousand feet above the sea, which means ten thousand feet above the level of the present lake. We are justified too in imagining his end a cataclysm. Volcanic upbuildings are often spasmodic and slow, a series of impulses separated by centuries of quiescence, but their climaxes often are sudden and excessively violent. It seems more probable that Mazama collapsed during violent eruption. Perhaps like a stroke of lightning at the moment of triumph, death came at the supreme climax of his career.

Certainly no mausoleum was ever conceived for human hero which may be compared for a moment with this glorified grave of dead Mazama!

The human history of Crater Lake has its interest. The Indians feared it. John W. Hillman was the first white man to see it. Early in 1853 a party of Californian miners ascended the Rogue River to rediscover a lost gold-mine of fabulous richness. The expedition was secret, but several Oregonians who suspected its object and meant to be in at the finding, quickly organized and followed. Hillman was of this party. The Californians soon learned of the pursuit.

"Then," wrote Hillman half a century later, "it was a game of hide and seek until rations on both sides got low. The Californians would push through the brush, scatter, double backward on their trail, and then camp in the most inaccessible places to be found, and it sometimes puzzled us to locate and camp near enough to watch them."

Eventually the rivals united. A combination search-party was chosen which included Hillman, and this party, while it found no gold-mine, found Crater Lake.



"While riding up a long sloping mountain," Hillman continued, "we suddenly came in sight of water and were very much surprised as we did not expect to see any lakes. We did not know but what we had come in sight and close to Klamath Lake, and not until my mule stopped within a few feet of the rim of Crater Lake did I look down, and if I had been riding a blind mule I firmly believe I would have ridden over the edge to death and destruction...."

"The finding of Crater Lake," he concludes, "was an accident, as we were not looking for lakes; but the fact of my being the first upon its banks was due to the fact that I was riding the best saddle mule in southern Oregon, the property of Jimmy Dobson, a miner and packer with headquarters at Jacksonville, who had furnished me the mule in consideration of a claim to be taken in his name should we be successful. Stranger to me than our discovery was the fact that after our return I could get no acknowledgment from any Indian, buck or squaw, old or young, that any such lake existed; each and every one denied any knowledge of it, or ignored the subject completely."

The next development in Crater's history introduces Will G. Steel, widely known as "the Father of Crater Lake National Park," a pioneer of the highest type, a gold-seeker in the coast ranges and the Klondike, a school-teacher for many years, and a public-spirited enthusiast. In 1869, a farmer's boy in Kansas, he read a newspaper account of an Oregon lake with precipice sides five thousand feet deep. Moving to Oregon in 1871, he kept making inquiries for seven years before he verified the fact of the lake's existence, and it was two years later before he found a man who had seen it. This man's description decided him to visit it, then an undertaking of some difficulty.

He got there in 1885. Standing on the rim he suggested to Professor Joseph Le Conte that an effort be made to induce the national government to save it from defacement and private exploitation. Returning home they prepared a petition to President Cleveland, who promptly withdrew ten townships from settlement pending a bill before Congress to create a national park. Congress refused to pass the bill on the ground that Oregon should protect her own lake. Then Steel began an effort, or rather an unbroken succession of efforts, to interest Congress. For seventeen years he agitated the project at home, where he made speeches winter and summer all over the State, and at Washington, which he deluged with letters and circulars. Finally the bill was passed. Crater Lake became a national park on May 22, 1902.

Mr. Steel's work was not finished. He now began just as vigorous a campaign to have the lake properly stocked with trout. It required years but succeeded. Then he began a campaign for funds to build a road to the lake. This was a stubborn struggle which carried him to Washington for a winter, but it finally succeeded.

During most of this time Mr. Steel was a country school-teacher without other personal income than his salary. He spent many of his summers talking Crater-Lake projects to audiences in every part of the State, depending upon his many friends for entertainment and for "lifts" from town to town. He was superintendent of the park from 1913 to the winter of 1920, when he became United States commissioner for the park.

The attitude of the Indians toward Crater Lake remains to be told. Steel is authority for the statement that previous to 1886 no modern Indian had looked upon its waters. Legends inherited from their ancestors made them greatly fear it. I quote O.C. Applegate's "Klamath Legend of La-o," from Steel Points for January, 1907:

"According to the mythology of the Klamath and Modoc Indians, the chief spirit who occupied the mystic land of Gaywas, or Crater Lake, was La-o. Under his control were many lesser spirits who appeared to be able to change their forms at will. Many of these were monsters of various kinds, among them the giant crawfish (or dragon) who could, if he chose, reach up his mighty arms even to the tops of the cliffs and drag down to the cold depths of Crater Lake any too venturesome tourist of the primal days.

"The spirits or beings who were under the control of La-o assumed the forms of many animals of the present day when they chose to go abroad on dry land, and this was no less true of the other fabulous inhabitants of Klamath land who were dominated by other chief spirits, and who occupied separate localities; all these forms, however, were largely or solely subject to the will of Komookumps, the great spirit.

"Now on the north side of Mount Jackson, or La-o Yaina (La-o's Mountain), the eastern escarpment of which is known as La-o Rock, is a smooth field sloping a little toward the north which was a common playground for the fabled inhabitants of Gaywas and neighboring communities.

"Skell was a mighty spirit whose realm was the Klamath Marsh country, his capital being near the Yamsay River on the eastern side of the marsh. He had many subjects who took the form of birds and beasts when abroad on the land, as the antelope, the bald eagle, the bliwas or golden eagle, among them many of the most sagacious and active of all the beings then upon the earth.

"A fierce war occurred between Skell and La-o and their followers, which raged for a long time. Finally Skell was stricken down in his own land of Yamsay and his heart was torn from his body and was carried in triumph to La-o Yaina. Then a great gala day was declared and even the followers of Skell were allowed to take part in the games on Mount Jackson, and the heart of Skell was tossed from hand to hand in the great ball game in which all participated.

"If the heart of Skell could be borne away so that it could be restored to his body he would live again, and so with a secret understanding among themselves the followers of Skell watched for the opportunity to bear it away. Eventually, when it reached the hands of Antelope, he sped away to the eastward like the wind. When nearly exhausted, he passed it on to Eagle, and he in turn to Bliwas, and so on, and although La-o's followers pursued with their utmost speed, they failed to overtake the swift bearers of the precious heart. At last they heard the far-away voice of the dove, another of Skell's people, and then they gave up the useless pursuit.

"Skell's heart was restored and he lived again, but the war was not over and finally La-o was himself overpowered and slain and his bleeding body was borne to the La-o Yaina, on the very verge of the great cliff, and a false message was conveyed to La-o's monsters in the lake that Skell had been killed instead of La-o, and, when a quarter of the body was thrown over, La-o's monsters devoured it thinking it a part of Skell's body. Each quarter was thrown over in turn with the same result, but when the head was thrown into the lake the monsters recognized it as the head of their master and would not touch it, and so it remains to-day, an island in the lake, to all people now known as Wizard Island."

In 1885, at Fort Klamath, Steel obtained from Allen David, the white-headed chief of the Klamath Indians, the story of how the Indians returned to Crater Lake. It was "long before the white man appeared to drive the native out." Several Klamaths while hunting were shocked to find themselves on the lake rim, but, gazing upon its beauty, suddenly it was revealed to them that this was the home of the Great Spirit. They silently left and camped far away. But one brave under the spell of the lake returned, looked again, built his camp-fire and slept. The next night he returned again, and still again. Each night strange voices which charmed him rose from the lake; mysterious noises filled the air. Moons waxed and waned. One day he climbed down to the water's edge, where he saw creatures "like in all respects to Klamath Indians" inhabiting the waters. Again and again he descended, bathed, and soon began to feel mysteriously strong, "stronger than any Indian of his tribe because of his many visits to the waters."

Others perceiving his growing power ventured also to visit the lake, and, upon bathing in its waters also received strength.

"On one occasion," said David solemnly, "the brave who first visited the lake killed a monster, or fish, and was at once set upon by untold numbers of excited Llaos (for such they were called), who carried him to the top of the cliffs, cut his throat with a stone knife, then tore his body into small pieces which were thrown down to the waters far beneath and devoured by angry Llaos."

In 1886 two Klamaths accompanied Captain Clarence E. Dutton's Geological Survey party to Crater Lake and descended to the water's edge. The news of the successful adventure spread among the Indians, and others came to look upon the forbidden spot. That was the beginning of the end of the superstition. Steel says that two hundred Klamaths camped upon the rim in 1896, while he was there with the Mazamas.

The lake was variously named by its early visitors. The Hillman party which discovered it named it Deep Blue Lake on the spot. Later it was known as Lake Mystery, Lake Majesty, and Hole in the Ground. A party from Jacksonville named it Crater Lake on August 4, 1869.



X

YELLOWSTONE, A VOLCANIC INTERLUDE

THE YELLOWSTONE NATIONAL PARK, WYOMING, NORTHWESTERN WYOMING. AREA, 3,348 SQUARE MILES

I

John Coulter's story of hot springs at the upper waters of the Yellowstone River was laughed at by the public of 1810. Jim Bridger's account of the geysers in the thirties made his national reputation as a liar. Warren Angus Ferris's description of the Upper Geyser Basin was received in 1842 in unbelieving silence. Later explorers who sought the Yellowstone to test the truth of these tales thought it wholesome to keep their findings to themselves, as magazines and newspapers refused to publish their accounts and lecturers were stoned in the streets as impostors. It required the authority of the semiofficial Washburn-Langford expedition of 1869 to establish credence.

The original appeal of the Yellowstone, that to wonder, remains its most popular appeal to-day, though science has dissipated mystery these many years. Many visitors, I am persuaded, enjoy the wonder of it more even than the spectacle. I have heard people refuse to listen to the explanation of geyser action lest it lessen their pleasure in Old Faithful. I confess to moods in which I want to see the blue flames and smell the brimstone which Jim Bridger described so eloquently. There are places where it is not hard to imagine both.

For many years the uncanny wonders of a dying volcanic region absorbed the public mind to the exclusion of all else in the Yellowstone neighborhood, which Congress, principally in consequence of these wonders, made a national park in 1872. Yet all the time it possessed two other elements of distinction which a later period regards as equal to the volcanic phenomena; elements, in fact, of such distinction that either one alone, without the geysers, would have warranted the reservation of so striking a region for a national park. One of these is the valley of the Yellowstone River with its spectacular waterfalls and its colorful canyon. The other is its population of wild animals which, in 1872, probably was as large and may have been larger than to-day's. Yet little was heard of the Grand Canyon of the Yellowstone in those days, although Moran's celebrated painting, now in the Capitol at Washington, helped influence Congress to make it a national park; and so little did the wild animals figure in the calculations of the period that they were not even protected in the national park until 1894, when hunting had reduced the buffalo to twenty-five animals.

Even in these days of enlightenment and appreciation the great majority of people think of the Yellowstone only as an area enclosing geysers. There are tourists so possessed with this idea that they barely glance at the canyon in passing. I have heard tourists refuse to walk to Inspiration Point because they had already looked over the rim at a convenient and unimpressive place. Imagine coming two thousand miles to balk at two miles and a half to the only spectacle of its kind in the world and one of the world's great spectacles at that! As for the animals, few indeed see any but the occasional bears that feed at the hotel dumps in the evening.

The Yellowstone National Park lies in the recesses of the Rocky Mountains in northwestern Wyoming. It slightly overlaps Montana on the north and northwest, and Idaho on the southwest. It is rectangular, with an entrance about the middle of each side. It is the largest of the national parks, enclosing 3,348 square miles. It occupies a high plain girt with mountains. The Absarokas bound it on the east, their crest invading the park at Mount Chittenden. The Gallatin Range pushes into the northwestern corner from the north. The continental divide crosses the southwestern corner over the lofty Madison Plateau and the ridge south of Yellowstone Lake. Altitudes are generally high. The plains range from six to eight thousand feet; the mountains rise occasionally to ten thousand feet. South of the park the Pitchstone Plateau merges into the foothills of the Teton Mountains, which, thirty miles south of the southern boundary, rise precipitously seven thousand feet above the general level of the country.

Though occupying the heart of the Rocky Mountains, the region is not of them. In no sense is it typical. The Rockies are essentially granite which was forced molten from the depths when, at the creation of this vast central mountain system, lateral pressures lifted the earth's skin high above sea-level, folded it, and finally eroded it along the crest of the folds. In this granite system the Yellowstone is a volcanic interlude, and of much later date. It belongs in a general way to the impulse of volcanic agitation which lighted vast beacons over three hundred thousand square miles of our northwest. The Cascade Mountains belong in this grouping. Four national parks of to-day were then in the making, Mount Rainier in Washington, Crater Lake in Oregon, Lassen Volcanic in California, and the Yellowstone in Wyoming. Subterranean heat, remaining from those days of volcanic activity, to-day boils the water which the geysers hurl in air.

In the northeastern part of the Yellowstone a large central crater was surrounded by smaller volcanoes. You can easily trace the conformation from Mount Washburn which stood upon its southeastern rim, heaped there, doubtless, by some explosion of more than common violence. This volcanic period was of long duration, perhaps hundreds of thousands of years. In the northeastern part of the park the erosion of a hill has exposed the petrified remains of thirteen large forests in layers one on top of the other, the deep intervening spaces filled with thick deposits of ashes. Thirteen consecutive times were great forests here smothered in the products of eruption. Thirteen times did years enough elapse between eruptions for soil to make and forests to grow again, each perhaps of many generations of great trees.

Yellowstone's mountains, then, are decayed volcanoes, its rock is lava, its soil is ash and disintegrated lava. The resulting outline is soft and waving, with a tendency to levels. There are no pinnacled heights, no stratified, minareted walls, no precipiced cirques and glacier-shrouded peaks. Yet glaciers visited the region. The large granite boulder brought from afar and left near the west rim of the Grand Canyon with thousands of feet of rhyolite and other products of volcanism beneath it is alone sufficient proof of that.

Between the periods from volcano to glacier and from glacier to to-day, stream erosion has performed its miracles. The volcanoes have been rounded and flattened, the plateaus have been built up and levelled, and the canyons of the Yellowstone, Gibbon, and Madison Rivers have been dug. Vigorous as its landscape still remains, it has thus become the natural playground for a multitude of people unaccustomed to the rigors of a powerfully accented mountain country.

The fact is that, in spite of its poverty of peaks and precipices, the Yellowstone country is one of the most varied and beautiful wildernesses in the world. Among national parks it gains rather than loses by its difference. While easily penetrated, it is wild in the extreme, hinting of the prairies in its broad opens, pasture for thousands of wild ruminants, and of the loftier mountains in its distant ranges, its isolated peaks and its groups of rugged, rolling summits. In the number, magnitude, and variety of its waters it stands quite alone. It contains no less than three watersheds of importance, those of the Yellowstone, Madison, and Snake Rivers, flowing respectively north, west, and south. The waters of the Yellowstone and Madison make it an important source of the Missouri. There are minor rivers of importance in the park and innumerable lesser streams. It is a network of waterways. Its waterfalls are many, and two of them are large and important. Its lakes are many, and several are large. Yellowstone Lake is the largest of its altitude in the world.

As a wilderness, therefore, the Yellowstone is unequalled. Its innumerable waters insure the luxuriance of its growths. Its forested parts are densely forested; its flower-gardens are unexcelled in range, color, and variety, and its meadows grow deep in many kinds of rich grass. If it were only for the splendor of its wilderness, it still would be worth the while. Imagine this wilderness heavily populated with friendly wild animals, sprinkled with geysers, hot springs, mud volcanoes, painted terraces and petrified groves, sensational with breath-taking canyons and waterfalls, penetrable over hundreds of miles of well built road and several times the mileage of trails, and comfortable because of its large hotels and public camps located conveniently for its enjoyment, and you have a pleasure-ground of extraordinary quality. Remember that one may camp out almost anywhere, and that all waters are trout waters. Yellowstone offers the best fishing easily accessible in the continent.

Another advantage possessed by the Yellowstone is a position near the centre of the country among great railroad systems. The Northern Pacific reaches it on the north, the Burlington on the east, and the Union Pacific on the west. One can take it coming or going between oceans; it is possible to buy tickets in by any one railroad and out by either of the others. An elaborate system of automobile-coaches swings the passenger where he pleases, meeting all incoming trains and delivering at all outgoing trains. It is much easier now to see the Yellowstone than in the much-vaunted stage-coach times previous to 1915, times sorely lamented by the romantic because their passing meant the passing of the picturesque old horse-drawn stage-coach from its last stand in the United States; times when a tour of the Yellowstone meant six and a half days of slow, dusty travel, starting early and arriving late, with a few minutes or hours at each "sight" for the soiled and exhausted traveller to gape in ignorant wonder, watch in hand.

To-day one travels swiftly and comfortably in entire leisure, stopping at hotels or camps as he pleases, and staying at each as long as he likes. The runs between the lingering places are now a pleasure. If hurried, one can now accomplish the stage-coach trip of the past in two days, while the old six and a half days now means a leisurely and delightful visit.

With the new order of travel began a new conception of the Yellowstone's public usefulness. It ceased to be a museum of wonders and began to be a summer pleasure-ground. Instead of the fast automobile-stage decreasing the average length of visit, the new idea which it embodied has lengthened it. This new idea is a natural evolution which began with the automobile and spread rapidly. The railroads had been bringing tourists principally on transcontinental stop-overs. Automobiles brought people who came really to see the Yellowstone, who stayed weeks at public camps to see it, or who brought outfits and camped out among its spectacles. The first Ford which entered the park on the morning of August 1, 1915, the day when private cars were first admitted, so loaded with tenting and cooking utensils that the occupants scarcely could be seen, was the herald of the new and greater Yellowstone. Those who laughed and those who groaned at sight of it, and there were both, were no seers; for that minute Yellowstone entered upon her destiny.

The road scheme is simple and effective. From each entrance a road leads into an oblong loop road enclosing the centre of the park and touching the principal points of scenic interest. This loop is connected across the middle for convenience. From it several short roads push out to special spectacles, and a long road follows Lamar Creek through a northeastern entrance to a mining town which has no other means of communication with the world outside. This is the road to Specimen Ridge with its thirteen engulfed forests, to the buffalo range, and, outside the park boundaries, to the Grasshopper Glacier, in whose glassy embrace may be seen millions of grasshoppers which have lain in very cold storage indeed from an age before man. All are automobile roads.

II

The hot-water phenomena are scattered over a large area of the park. The Mammoth Hot Springs at the northern entrance are the only active examples of high terrace-building. The geysers are concentrated in three adjoining groups upon the middle-west side. But hot springs occur everywhere at widely separated points; a steam jet is seen emerging even from the depths of the Grand Canyon a thousand feet below the rim.

The traveller is never long allowed to forget, in the silent beauty of the supreme wilderness, the park's uncanny nature. Suddenly encountered columns of steam rising from innocent meadows; occasional half-acres of dead and discolored brush emerging from hot and yellow mud-holes within the glowing forest heart; an unexpected roaring hillside running with smoking water; irregular agitated pools of gray, pink, or yellow mud, spitting, like a pot of porridge, explosive puffs of steam; the warm vaporing of a shallow in a cold forest-bound lake; a continuous violent bellowing from the depths of a ragged roadside hole which at intervals vomits noisily quantities of thick brown and purple liquid; occasional groups of richly colored hot springs in an acre or more of dull yellows, the whole steaming vehemently and interchanging the pinks and blues of its hot waters as the passing traveller changes his angle of vision—these and other uncouth phenomena in wide variety and frequent repetition enliven the tourist's way. They are more numerous in geyser neighborhoods, but some of them are met singly, always with a little shock of surprise, in every part of the park.

The terrace-building springs in the north of the park engulf trees. The bulky growing mounds of white and gray deposit are edged with minutely carven basins mounted upon elaborately fluted supports of ornate design, over whose many-colored edges flows a shimmer of hot water. Basin rises upon basin, tier upon tier, each in turn destined to clog and dry and merge into the mass while new basins and new tiers form and grow and glow awhile upon their outer flank. The material, of course, is precipitated by the water when it emerges from the earth's hot interior. The vivid yellows and pinks and blues in which these terraces clothe themselves upon warm days result from minute vegetable algae which thrive in the hot saturated lime-water but quickly die and fade to gray and shining white on drying. The height of some of these shapeless masses of terrace-built structures is surprising. But more surprising yet is the vividness of color assumed by the limpid springs in certain lights and at certain angles.

Climbing the terraces at the expense of wet feet, one stands upon broad, white, and occasionally very damp plateaus which steam vigorously in spots. These spots are irregularly circular and very shallow pools of hot water, some of which bubble industriously with a low, pleasant hum. They are not boiling springs; the bubbling is caused by escaping gases; but their waters are extremely hot. The intense color of some of these pools varies or disappears with the changing angle of vision; the water itself is limpid.

Elsewhere throughout the park the innumerable hot springs seem to be less charged with depositable matter; elsewhere they build no terraces, but bubble joyously up through bowls often many feet in depth and diameter. Often they are inspiringly beautiful. The blue Morning Glory Spring is jewel-like rather than flower-like in its color quality, but its bowl remarkably resembles the flower which gives it name. Most springs are gloriously green. Some are the sources of considerable streams. Some stir slightly with the feeling rather than the appearance of life; others are perpetually agitated, several small springs betraying their relationship to the geysers by a periodicity of activity.

When the air is dry and the temperature low, the springs shoot thick volumes of steam high in air. To the incomer by the north or west entrance who has yet to see a geyser, the first view of the Lower Geyser Basin brings a shock of astonishment no matter what his expectation. Let us hope it is a cool, bracing, breezy morning when the broad yellow plain emits hundreds of columns of heavy steam to unite in a wind-tossed cloud overlying and setting off the uncanny spectacle. Several geysers spout vehemently and one or more roaring vents bellow like angry bulls in a nightmare. This is appropriately the introduction to the greater geyser basins which lie near by upon the south.

Who shall describe the geysers? What pen, what brush, shall do justice to their ghostly glory, the eager vehemence of their assaults upon the sky, their joyful gush and roar, their insistence upon conscious personality and power, the white majesty of their fluted columns at the instant of fullest expansion, the supreme loveliness of their feathery florescence at the level of poise between rise and fall, their graciousness of form, their speedy airiness of action, their giant convolutions of sun-flecked steam rolling aloft in ever-expanding volume to rejoin the parent cloud?

Perhaps there have been greater geyser basins somewhere in the prehistoric past. There may be greater still to come; one or two promising possibilities are in Alaska. But for the lapse of geologic time in which man has so far lived, Yellowstone has cornered the world's geyser market. There are only two other places where one may enjoy the spectacle of large geysers. One of these is New Zealand and the other Iceland; but both displays combined cannot equal Yellowstone's either in the number or the size of the geysers.

Yellowstone has dozens of geysers of many kinds. They range in size from the little spring that spurts a few inches every minute to the monster that hurls hundreds of tons of water three hundred feet in air every six or eight weeks. Many spout at fairly regular intervals of minutes or hours or days. Others are notably irregular, and these include most of the largest. Old Faithful won its name and reputation by its regularity; it is the only one of the group of monsters which lives up to its time-table. Its period ranges from intervals of about fifty-five minutes in seasons following winters of heavy snow to eighty or eighty-five minutes in seasons following winters of light snow. Its eruptions are announced in the Old Faithful Inn a few minutes in advance of action and the population of the hotel walks out to see the spouting. At night a searchlight is thrown upon the gushing flood.

After all, Old Faithful is the most satisfactory of geysers. Several are more imposing. Sometimes enthusiasts remain in the neighborhood for weeks waiting for the Giant to play and dare not venture far away for fear of missing the spectacle; while Old Faithful, which is quite as beautiful and nearly as large, performs hourly for the pleasure of thousands. Even the most hurried visitor to the Upper Basin is sure, between stages, of seeing several geysers in addition to one or more performances of Old Faithful.

The greatest of known geysers ceased playing in 1888. I have found no authentic measurements or other stated records concerning the famous Excelsior. It hurled aloft an enormous volume of water, with a fury of action described as appalling. Posterity is fortunate in the existence of a striking photograph of this monster taken at the height of its play by F. Jay Haynes, then official photographer of the park.

"The first photographs I made were in the fall of 1881," Mr. Haynes writes me. "The eruptions continued during the winter at increasing intervals from two hours, when the series began, to four hours when it ceased operations before the tourist season of 1882. Not having the modern photographic plates for instantaneous work in 1881, it was impossible to secure instantaneous views then, but in the spring of 1888, I made the view which you write about. It was taken at the fulness of its eruption.

"The explosion was preceded by a rapid filling of the crater and a great overflow of water. The column was about fifty feet wide and came from the centre of the crater. Pieces of formation were torn loose and were thrown out during each eruption; large quantities eventually were removed from the crater, thus enlarging it to its present size."

Here we have a witness's description of the process which clouds the career of the Excelsior Geyser. The enlargement of the vent eventually gave unrestrained passage to the imprisoned steam. The geyser ceased to play. To-day the Excelsior Spring is one of the largest hot springs in the Yellowstone and the world; its output of steaming water is constant and voluminous. Thus again we find relationship between the hot spring and the geyser; it is apparent that the same vent, except perhaps for differences of internal shaping, might serve for both. It was the removal of restraining walls which changed the Excelsior Geyser to the Excelsior Spring.

For many years geyser action remained a mystery balanced among conflicting theories, of which at last Bunsen's won general acceptance. Spring waters, or surface waters seeping through porous lavas, gather thousands of feet below the surface in some pocket located in strata which internal pressures still keep hot. Boiling as they gather, the waters rise till they fill the long vent-hole to the surface. Still the steam keeps making in the deep pocket, where it is held down by the weight of the water in the vent above. As it accumulates this steam compresses more and more. The result is inevitable. There comes a moment when the expansive power of the compressed steam overcomes the weight above. Explosion follows. The steam, expanding now with violence, drives the water up the vent and out; nor is it satisfied until the vent is emptied.

Upon the surface, as the geyser lapses and dies, the people turn away to the Inn and luncheon. Under the surface, again the waters gather and boil in preparation for the next eruption. The interval till then will depend upon the amount of water which reaches the deep pocket, the size of the pocket, and the length and shape of the vent-hole. If conditions permit the upward escape of steam as fast as it makes in the pocket, we have a hot spring. If the steam makes faster than it can escape, we have a geyser.



III

So interesting are the geysers and their kin that, with their splendid wilderness setting, other glories seem superfluous. I have had my moments of impatience with the Grand Canyon of the Yellowstone for being in the Yellowstone. Together, the canyon and the geysers are almost too much for one place, even perhaps for one visit. One can only hold so much, even of beauty, at once. Spectacles of this quality and quantity need assimilation, and assimilation requires time. Nevertheless, once enter into sympathetic relations with the canyon, once find its heart and penetrate its secret, and the tables are quickly turned. Strangely, it now becomes quite easy to view with comparative coolness the claims of mere hot-water wonders.

The canyon cannot be considered apart from its river any more than a geyser apart from its environment of hot spring and basin, and any consideration of the Yellowstone River begins with its lake. As compared with others of scenic celebrity, Yellowstone Lake is unremarkable. Its shores are so low and the mountains of its southern border so flat and unsuggestive that it curiously gives the impression of surface altitude—curiously because it actually has the altitude; its surface is more than seven thousand seven hundred feet above tide. If I have the advertisement right, it is the highest water in the world that floats a line of steamboats.

The lake is large, twenty miles north and south by fifteen miles east and west; it is irregular with deep indentations. It is heavily wooded to the water's edge. All its entering streams are small except the Yellowstone River, which, from its source in the Absarokas just south of the park boundary, enters the Southeast Arm through the lowland wilderness home of the moose and the wild buffalo. The lake is the popular resort of thousands of large white pelicans, its most picturesque feature.

That part of the Yellowstone River which interests us emerges from the lake at its most northerly point. It is here a broad swift stream of some depth and great clarity, so swarming with trout that a half-dozen or more usually may be seen upon its bottom at any glance from boat or bridge. A number of boats usually are anchored above the bridge from which anglers are successfully trailing artificial flies and spinners in the fast current; and the bridge is usually lined with anglers who, in spite of crude outfits, frequently hook good trout which they pull up by main strength much as the phlegmatic patrons of excursion-steamers to the Banks yank flopping cod from brine to basket on the top deck.

The last time I crossed the Fishing Bridge and paused to see the fun, a woman whose face beamed with happiness held up a twenty-inch trout and said:

"Just look! My husband caught this and he is seventy-six years old—last month. It's the first fish he ever caught, for he was brought up in Kansas, you know, where there isn't any fishing. My! but he's a proud man! We're going to get the camp to cook it for us. He's gone now to look for a board to draw its measurements to show the folks at home."

From here to the river's emergence from the park the fishing is not crude. In fact, it taxes the most skilful angler's art to steer his fighting trout through boiling rapids to the net. For very soon the Yellowstone narrows and pitches down sharper slants to the climax of the falls and the mighty canyon.

This intermediate stretch of river is beautiful in its quietude. The forests often touch the water's edge. And ever it narrows and deepens and splashes higher against the rocks which stem its current; forever it is steepening to the plunge. Above the Upper Fall it pinches almost to a mill-race, roars over low sills, swings eastward at right angles, and plunges a hundred and nine feet. I know of no cataract which expresses might in action so eloquently as the Upper Fall of the Yellowstone. Pressed as it is within narrow bounds, it seems to gush with other motive power than merely gravity. Seen from above looking down, seen sideways from below, or looked at straight on from the camp site on the opposite rim, the water appears hurled from the brink.

Less than a mile south of the Upper Fall, the river again falls, this time into the Grand Canyon.

Imposing as the Great Fall is, it must chiefly be considered as a part of the Grand Canyon picture. The only separate view of it looks up from the river's edge in front, a view which few get because of the difficult climb; every other view poses it merely as an element in the canyon composition. Compared with the Upper Fall, its more than double height gives it the great superiority of majesty without detracting from the Upper Fall's gushing personality. In fact, it is the King of Falls. Comparison with Yosemite's falls is impossible, so different are the elements and conditions. The Great Fall of the Yellowstone carries in one body, perhaps, a greater bulk of water than all the Yosemite Valley's falls combined.

And so we come to the canyon. In figures it is roughly a thousand feet deep and twice as wide, more or less, at the rim. The supremely scenic part reaches perhaps three miles below the Great Fall. Several rock points extend far into the canyon, from which the gorgeous spectacle may be viewed as from an aeroplane. Artists' Point, which is reached from the east side, displays the Great Fall as the centre of a noble composition. It was Moran's choice. Inspiration Point, which juts far in from the west side, shows a deeper and more comprehensive view of the canyon and only a glimpse of the Great Fall. Both views are essential to any adequate conception. From Artists' Point the eye loses detail in the overmastering glory of the whole. From Inspiration Point the canyon reveals itself in all the intimacy of its sublime form and color. Both views dazzle and astonish. Neither can be looked at very long at one time.



It will help comprehension of the picture quality of this remarkable canyon to recall that it is carved out of the products of volcanism; its promontories and pinnacles are the knobbed and gnarled decomposition products of lava rocks left following erosion; its sides are gashed and fluted lava cliffs flanked by long straight slopes of coarse volcanic sand-like grains; its colors have the distinctness and occasional luridness which seem natural to fused and oxidized disintegrations. Geologically speaking, it is a young canyon. It is digging deeper all the time.

Yellow, of course, is the prevailing color. Moran was right. His was the general point of view, his message the dramatic ensemble. But, even from Artists' Point, closer looking reveals great masses of reds and grays, while Inspiration Point discloses a gorgeous palette daubed with most of the colors and intermediate tints that imagination can suggest. I doubt whether there is another such kaleidoscope in nature. There is apparently every gray from purest white to dull black, every yellow from lemon to deep orange, every red, pink, and brown. These tints dye the rocks and sands in splashes and long transverse streaks which merge into a single joyous exclamation in vivid color whose red and yellow accents have something of the Oriental. Greens and blues are missing from the dyes, but are otherwise supplied. The canyon is edged with lodge-pole forests, and growths of lighter greens invade the sandy slants, at times nearly to the frothing river; and the river is a chain of emeralds and pearls. Blue completes the color gamut from the inverted bowl of sky.

No sketch of the canyon is complete without the story of the great robbery. I am not referring to the several hold-ups of the old stage-coach days, but to a robbery which occurred long before the coming of man—the theft of the waters of Yellowstone Lake; for this splendid river, these noble falls, this incomparable canyon, are the ill-gotten products of the first of Yellowstone's hold-ups.

Originally Yellowstone Lake was a hundred and sixty feet higher and very much larger than it is to-day. It extended from the headwaters of the present Yellowstone River, far in the south, northward past the present Great Fall and Inspiration Point. It included a large part of what is now known as the Hayden Valley. At that time the Continental Divide, which now cuts the southwest corner of the park, encircled the lake on its north, and just across the low divide was a small flat-lying stream which drained and still drains the volcanic slopes leading down from Dunraven Peak and Mount Washburn.

This small stream, known as Sulphur Creek, has the honor, or the dishonor if you choose, of being the first desperado of the Yellowstone, but one so much greater than its two petty imitators of human times that there is no comparison of misdeeds. Sulphur Creek stole the lake from the Snake River and used it to create the Yellowstone River, which in turn created the wonderful canyon. Here at last is a crime in which all will agree that the end justified the means.

How this piracy was accomplished is written on the rocks; even the former lake outlet into the Snake River is plainly discernible to-day. At the lake's north end, where the seeping waters of Sulphur Creek and the edge of the lake nearly met on opposite sides of what was then the low flat divide, it only required some slight disturbance indirectly volcanic, some unaccustomed rising of lake levels, perhaps merely some special stress of flood or storm to make the connection. Perhaps the creek itself, sapping back in the soft lava soils, unaided found the lake. Connection once made, the mighty body of lake water speedily deepened a channel northward and Sulphur Creek became sure of its posterity.

At that time, hidden under the lake's surface, two rhyolite dikes, or upright walls of harder rock, extended crosswise through the lake more than half a mile apart. As the lake-level fell, the nearer of these dikes emerged and divided the waters into two lakes, the upper of which emptied over the dike into the lower. This was the beginning of the Great Fall. And presently, as the Great Fall cut its breach deeper and deeper into the restraining dike, it lowered the upper-lake level until presently the other rhyolite dike emerged from the surface carrying another cataract. And thus began the Upper Fall.

Meantime the stream below kept digging deeper the canyon of Sulphur Creek, and there came a time when the lower lake drained wholly away. In its place was left a bottom-land which is now a part of the Hayden Valley, and, running through it, a river. Forthwith this river began scooping, from the Great Fall to Inspiration Point, the scenic ditch which is world-celebrated to-day as the Grand Canyon of the Yellowstone.

IV

Now imagine this whole superlative wilderness heavily populated with wild animals in a state of normal living. Imagine thirty thousand elk, for instance, roaming about in bands of half a dozen to half a thousand. Imagine them not friendly, perhaps, but fearless, with that entire indifference which most animals show to creatures which neither help nor harm them—as indifferent, say, as the rabbits in your pasture or the squirrels in your oak woods. Imagine all the wild animals, except the sneaking, predatory kind, proportionally plentiful and similarly fearless—bear, antelope, mountain-sheep, deer, bison, even moose in the fastnesses, to say nothing of the innumerable smaller beasts. There has been no hunting of harmless animals in the Yellowstone since 1894, and this is one result.

It is true that comparatively few visitors see many animals, but that is the fault of their haste or their temperament or their inexperience of nature. One must seek in sympathy to find. Tearing over the wilderness roads in noisy motors smelling of gasolene is not the best way to find them, although the elk and deer became indifferent to automobiles as soon as they discovered them harmless. One may see them not infrequently from automobiles and often from horse-drawn wagons; and one may see them often and intimately who walks or rides horseback on the trails.

The admission of the automobile to Yellowstone roads changed seeing conditions materially. In five days of quiet driving in 1914 with Colonel L.M. Brett, then superintendent of the park, in a direction opposite to the stages, I saw more animals from my wagon-seat than I had expected to see wild in all my life. We saw bear half a dozen times, elk in numbers, black-tailed and white-tailed deer so frequently that count was lost the second morning, four bands of antelope, buffalo, foxes, coyotes, and even a bull moose. Once we stopped so as not to hurry a large bear and two cubs which were leisurely crossing the road. Deer watched us pass within a hundred yards. Elk grazed at close quarters, and our one bull moose obligingly ambled ahead of us along the road. There was never fear, never excitement (except my own), not even haste. Even the accustomed horses no more than cocked an ear or two while waiting for three wild bears to get out of the middle of the road.

Of course scenic completeness is enough in itself to justify the existence of these animals in the marvellous wilderness of the Yellowstone. Their presence in normal abundance and their calm at-homeness perfects nature's spectacle. In this respect, also, Yellowstone's unique place among the national parks is secure.

The lessons of the Yellowstone are plain. It is now too late to restore elsewhere the great natural possession which the thoughtless savagery of a former generation destroyed in careless ruth, but, thanks to this early impulse of conservation, a fine example still remains in the Yellowstone. But it is not too late to obliterate wholly certain misconceptions by which that savagery was then justified. It is not too late to look upon wild animals as fellow heritors of the earth, possessing certain natural rights which men are glad rather than bound to respect. It is not too late to consider them, with birds and forests, lakes, rivers, seas, and skies, a part of nature's glorious gift for man's manifold satisfaction, a gift to carefully conserve for the study and enjoyment of to-day, and to develop for the uses of larger and more appreciative generations to come.

Of course if this be brought to universal accomplishment (and the impulse has been advancing fast of late), it must be Yellowstone's part to furnish the exhibit, for we have no other.

To many the most surprising part of Yellowstone's wild-animal message is man's immunity from hatred and harm by predatory beasts. To know that wild bears if kindly treated are not only harmless but friendly, that grizzlies will not attack except in self-defense, and that wolves, wild cats, and mountain-lions fly with that instinctive dread which is man's dependable protection, may destroy certain romantic illusions of youth and discredit the observation if not the conscious verity of many an honest hunter; but it imparts a modern scientific fact which sets the whole wild-animal question in a new light. In every case of assault by bears where complete evidence has been obtainable, the United States Biological Survey, after fullest investigation, has exonerated the bear; he has always been attacked or has had reason to believe himself attacked. In more than thirty summers of field-work Vernon Bailey, Chief Field-Naturalist of the Biological Survey, has slept on the ground without fires or other protection, and frequently in the morning found tracks of investigating predatory beasts. There are reports but no records of human beings killed by wolves or mountain-lions in America. Yet, for years, all reports susceptible of proof have been officially investigated.

One of Yellowstone's several manifest destinies is to become the well-patronized American school of wild-life study. Already, from its abundance, it is supplying wild animals to help in the long and difficult task of restoring here and there, to national parks and other favorable localities, stocks which existed before the great slaughter.

V

Thirty miles south of this rolling volcanic interlude the pristine Rockies, as if in shame of their moment of gorgeous softness, rear in contrast their sharpest and most heroic monument of bristling granite. Scarcely over the park's southern boundary, the foothills of the Teton Mountains swell gently toward their Gothic climax. The country opens and roughens. The excellent road, which makes Jackson's Hole a practical part of the Yellowstone pleasure-ground, winds through a rolling, partly wooded grazing-ground of elk and deer. The time was when these wild herds made living possible for the nation's hunted desperadoes, for Jackson's Hole was the last refuge to yield to law and order.

At the climax of this sudden granite protest, the Grand Teton rises 7,014 feet in seeming sheerness from Jackson Lake to its total altitude of 13,747 feet. To its right is Mount Moran, a monster only less. The others, clustering around them, have no names.

All together, they are few and grouped like the units of some fabulous barbaric stronghold. Fitted by size and majesty to be the climax of a mighty range, the Tetons concentrate their all in this one giant group. Quickly, north and south, they subside and pass. They are a granite island in a sea of plain.

Seen across the lake a dozen miles which seem but three, these clustered steepled temples rise sheer from the water. Their flanks are snow-streaked still in August, their shoulders hung with glaciers, their spires bare and shining. A greater contrast to the land from which we came and to which we presently return cannot be imagined. Geologically, the two have nothing in common. Scenically, the Tetons set off and complete the spectacle of the Yellowstone.



XI

THREE MONSTERS OF HAWAII

HAWAII NATIONAL PARK, HAWAIIAN ISLANDS. AREA, 118 SQUARE MILES

If this chapter is confined to the three volcano tops which Congress reserved on the islands of Hawaii and Maui in 1917, wonderful though these are, it will describe a small part indeed of the wide range of novelty, charm, and beauty which will fall to the lot of those who visit the Hawaii National Park. One of the great advantages enjoyed by this national park, as indeed by Mount McKinley's, is its location in a surrounding of entire novelty, so that in addition to the object of his visit, itself so supremely worth while, the traveller has also the pleasure of a trip abroad.

In novelty at least the Hawaii National Park has the advantage over the Alaskan park because it involves the life and scenery of the tropics. We can find snow-crowned mountains and winding glaciers at home, but not equatorial jungles, sandalwood groves, and surf-riding.

Enormous as this element of charm unquestionably is, this is not the place to sing the pleasures of the Hawaiian Islands. Their palm-fringed horizons, surf-edged coral reefs, tropical forests and gardens, plantations of pineapple and sugar-cane are as celebrated as their rainbows, earthquakes, and graceful girls dancing under tropical stars to the languorous ukelele.



Leaving these and kindred spectacles to the steamship circulars and the library shelf, it is our part to note that the Hawaii National Park possesses the fourth largest volcanic crater in the world, whose aspect at sunrise is one of the world's famous spectacles, the largest active volcano in the world, and a lake of turbulent, glowing, molten lava, "the House of Everlasting Fire," which fills the beholder with awe.

It was not at all, then, the gentle poetic aspects of the Hawaiian Islands which led Congress to create a national park there, though these form its romantic, contrasted setting. It was the extraordinary volcanic exhibit, that combination of thrilling spectacles of Nature's colossal power which for years have drawn travellers from the four quarters of the earth. The Hawaii National Park includes the summits of Haleakala, on the island of Maui, and Mauna Loa and Kilauea, on the island of Hawaii.

Spain claims the discovery of these delectable isles by Juan Gaetano, in 1555, but their formal discovery and exploration fell to the lot of Captain James Cook, in 1778. The Hawaiians thought him a god and loaded him with the treasures of the islands, but on his return the following year his illness and the conduct of his crew ashore disillusioned them; they killed him and burned his flesh, but their priests deified his bones, nevertheless. Parts of these were recovered later and a monument was erected over them. Then civil wars raged until all the tribes were conquered, at the end of the eighteenth century, by one chieftain, Kamehameha, who became king. His descendants reigned until 1874 when, the old royal line dying out, Kalakaua was elected his successor.

From this time the end hastened. A treaty with the United States ceded Pearl Harbor as a coaling-station and entered American goods free of duty, in return for which Hawaiian sugar and a few other products entered the United States free. This established the sugar industry on a large and permanent scale and brought laborers from China, Japan, the Azores, and Madeira. More than ten thousand Portuguese migrated to the islands, and the native population began a comparative decrease which still continues.

After Kalakaua's death, his sister Liliuokalani succeeding him in 1891, the drift to the United States became rapid. When President Cleveland refused to annex the islands, a republic was formed in 1894, but the danger from Japanese immigration became so imminent that in 1898, during the Spanish-American War, President McKinley yielded to the Hawaiian request and the islands were annexed to the United States by resolution of Congress.

The setting for the picture of our island-park will be complete with several facts about its physical origin. The Hawaiian Islands rose from the sea in a series of volcanic eruptions. Originally, doubtless, the greater islands were simple cones emitting lava, ash, and smoke, which coral growths afterward enlarged and enriched. Kauai was the first to develop habitable conditions, and the island southeast of it followed in order. Eight of the twelve are now habitable.

The most eastern island of the group is Hawaii. It is also much the largest. This has three volcanoes. Mauna Loa, greatest of the three, and also the greatest volcanic mass in the world, is nearly the centre of the island; Kilauea lies a few miles east of it; the summits of both are included in the national park. Mauna Kea, a volcanic cone of great beauty in the north centre of the island, forming a triangle with the other two, is not a part of the national park.

Northwest of Hawaii across sixty miles or more of salt water is the island of Maui, second largest of the group. In its southern part rises the distinguished volcano of Haleakala, whose summit and world-famous crater is the third member of the national park. The other habited islands, in order westward, are Kahoolawe, Lanai, Molokai, Oahu, Kauai, and Niihau; no portions of these are included in the park. Kahoolawe, Lanai, and Niihau are much the smallest of the group.

HALEAKALA

Of the three volcanic summits which concern us, Haleakala is nearest the principal port of Honolulu, though not always the first visited. Its slopes nearly fill the southern half of the island of Maui.

The popular translation of the name Haleakala is "The House of the Sun"; literally the word means "The House Built by the Sun." The volcano is a monster of more than ten thousand feet, which bears upon its summit a crater of a size and beauty that make it one of the world's show-places. This crater is seven and a half miles long by two and a third miles wide. Only three known craters exceed Haleakala's in size. Aso san, the monster crater of Japan, largest by far in the world, is fourteen miles long by ten wide and contains many farms. Lago di Bolseno, in Italy, next in size, measures eight and a half by seven and a half miles; and Monte Albano, also in Italy, eight by seven miles.

Exchanging your automobile for a saddle-horse at the volcano's foot, you spend the afternoon in the ascent. Wonderful indeed, looking back, is the growing arc of plantation and sea, islands growing upon the horizon, Mauna Kea and Mauna Loa lifting distant snow-tipped peaks. You spend the night in a rest-house on the rim of the crater, but not until you have seen the spectacle of sunset; and in the gray of the morning you are summoned to the supreme spectacle of sunrise. Thousands have crossed seas for Haleakala's sunrise.

That first view of the crater from the rim is one never to be forgotten. Its floor lies two thousand feet below, an enormous rainless, rolling plain from which rise thirteen volcanic cones, clean-cut, as regular in form as carven things. Several of these are seven hundred feet in height. "It must have been awe-inspiring," writes Castle, "when its cones were spouting fire, and rivers of scarlet molten lava crawled along the floor."

The stillness of this spot emphasizes its emotional effect. A word spoken ordinarily loud is like a shout. You can hear the footsteps of the goats far down upon the crater floor. Upon this floor grow plants known nowhere else; they are famous under the name of Silver Swords—yucca-like growths three or four feet high whose drooping filaments of bloom gleam like polished silver stilettos.

When Mark Twain saw the crater, "vagrant white clouds came drifting along, high over the sea and valley; then they came in couples and groups; then in imposing squadrons; gradually joining their forces, they banked themselves solidly together a thousand feet under us and totally shut out land and ocean; not a vestige of anything was left in view, but just a little of the rim of the crater circling away from the pinnacle whereon we sat, for a ghostly procession of wanderers from the filmy hosts without had drifted through a chasm in the crater wall and filed round and round, and gathered and sunk and blended together till the abyss was stored to the brim with a fleecy fog. Thus banked, motion ceased, and silence reigned. Clear to the horizon, league on league, the snowy folds, with shallow creases between, and with here and there stately piles of vapory architecture lifting themselves aloft out of the common plain—some near at hand, some in the middle distances, and others relieving the monotony of the remote solitudes. There was little conversation, for the impressive scene overawed speech. I felt like the Last Man, neglected of the judgment, and left pinnacled in mid-heaven, a forgotten relic of a vanished world."

The extraordinary perfection of this desert crater is probably due to two causes. Vents which tapped it far down the volcano's flanks prevented its filling with molten lava; absence of rain has preserved its walls intact and saved its pristine beauty from the defacement of erosion.

Haleakala has its legend, and this Jack London has sifted to its elements and given us in "The Cruise of the Snark." I quote:

"It is told that long ago, one Maui, the son of Hina, lived on what is now known as West Maui. His mother, Hina, employed her time in the making of kapas. She must have made them at night, for her days were occupied in trying to dry the kapas. Each morning, and all morning, she toiled at spreading them out in the sun. But no sooner were they out than she began taking them in in order to have them all under shelter for the night. For know that the days were shorter then than now. Maui watched his mother's futile toil and felt sorry for her. He decided to do something—oh, no, not to help her hang out and take in the kapas. He was too clever for that. His idea was to make the sun go slower. Perhaps he was the first Hawaiian astronomer. At any rate, he took a series of observations of the sun from various parts of the island. His conclusion was that the sun's path was directly across Haleakala. Unlike Joshua, he stood in no need of divine assistance. He gathered a huge quantity of cocoanuts, from the fibre of which he braided a stout cord, and in one end of which he made a noose, even as the cowboys of Haleakala do to this day.

"Next he climbed into the House of the Sun. When the sun came tearing along the path, bent on completing its journey in the shortest time possible, the valiant youth threw his lariat around one of the sun's largest and strongest beams. He made the sun slow down some; also, he broke the beam short off. And he kept on roping and breaking off beams till the sun said it was willing to listen to reason. Maui set forth his terms of peace, which the sun accepted, agreeing to go more slowly thereafter. Wherefore Hina had ample time in which to dry her kapas, and the days are longer than they used to be, which last is quite in accord with the teachings of modern astronomy."

MAUNA LOA

Sixty miles south of Maui, Hawaii, largest of the island group, contains the two remaining parts of our national park. From every point of view Mauna Loa and Mauna Kea, both snow-crowned monsters approaching fourteen thousand feet of altitude, dominate the island. But Mauna Kea is not a part of the national park; Kilauea, of less than a third its height, shares that honor with Mauna Loa. Of the two, Kilauea is much the older, and doubtless was a conspicuous figure in the old landscape. It has been largely absorbed in the immense swelling bulk of Mauna Loa, which, springing later from the island soil near by, no doubt diverting Kilauea's vents far below sea-level, has sprawled over many miles. So nearly has the younger absorbed the older, that Kilauea's famous pit of molten lava seems almost to lie upon Mauna Loa's slope.

Mauna Loa soars 13,675 feet. Its snowy dome shares with Mauna Kea, which rises even higher, the summit honors of the islands. From Hilo, the principal port of the island of Hawaii, Mauna Loa suggests the back of a leviathan, its body hidden in the mists. The way up, through forests of ancient mahogany and tangles of giant tree-fern, then up many miles of lava slopes, is one of the inspiring tours in the mountain world. The summit crater, Mokuaweoweo, three-quarters of a mile long by a quarter mile wide, is as spectacular in action as that of Kilauea.

This enormous volcanic mass has grown of its own output in comparatively a short time. For many decades it has been extraordinarily frequent in eruption. Every five or ten years it gets into action with violence, sometimes at the summit, oftener of recent years since the central vent has lengthened, at weakened places on its sides. Few volcanoes have been so regularly and systematically studied.

KILAUEA

The most spectacular exhibit of the Hawaii National Park is the lake of fire in the crater of Kilauea.

Kilauea is unusual among volcanoes. It follows few of the popular conceptions. Older than the towering Mauna Loa, its height is only four thousand feet. Its lavas have found vents through its flanks, which they have broadened and flattened. Doubtless its own lavas have helped Mauna Loa's to merge the two mountains into one. It is no longer explosive like the usual volcano; since 1790, when it destroyed a native army, it has ejected neither rocks nor ashes. Its crater is no longer definitely bowl-shaped. From the middle of a broad flat plain, which really is what is left of the ancient great crater, drops a pit with vertical sides within which boil its lavas.



The pit, the lake of fire, is Halemaumau, commonly translated "The House of Everlasting Fire"; the correct translation is "The House of the Maumau Fern," whose leaf is twisted and contorted like some forms of lava. Two miles and a little more from Halemaumau, on a part of the ancient crater wall, stands the Hawaiian Volcano Observatory, which is under the control of the Massachusetts Institute of Technology. The observatory was built for the special purpose of studying the pit of fire, the risings and fallings of whose lavas bear a relationship toward the volcanism of Mauna Loa which is scientifically important, but which we need not discuss here.

The traveller enters Hawaii by steamer through Hilo. He reaches the rim of Kilauea by automobile, an inspiring run of thirty-one miles over a road of volcanic glass, bordered with vegetation strange to eyes accustomed only to that of the temperate zone—brilliant hibiscus, native hardwood trees with feathery pompons for blossoms, and the giant ferns which tower overhead. On the rim are the hotels and the observatory. Steam-jets emerge at intervals, and hot sulphur banks exhibit rich yellows. From there the way descends to the floor of the crater and unrolls a ribbon of flower-bordered road seven miles long to the pit of fire. By trail, the distance is only two miles and a half across long stretches of hard lava congealed in ropes and ripples and strange contortions. Where else is a spectacle one-tenth as appalling so comfortably and quickly reached?

Halemaumau is an irregular pit a thousand feet long with perpendicular sides. Its depth varies. Sometimes one looks hundreds of feet down to the boiling surface; sometimes its lavas overrun the top. The fumes of sulphur are very strong, with the wind in your face. At these times, too, the air is extremely hot. There are cracks in the surrounding lava where you can scorch paper or cook a beefsteak.

Many have been the attempts to describe it. Not having seen it myself, I quote two here; one a careful picture by a close student of the spectacle, Mr. William R. Castle, Jr., of Honolulu; the other a rapid sketch by Mark Twain.

"By daylight," writes Castle, "the lake of fire is a greenish-yellow, cut with ragged cracks of red that look like pale streaks of stationary lightning across its surface. It is restless, breathing rapidly, bubbling up at one point and sinking down in another; throwing up sudden fountains of scarlet molten lava that play a few minutes and subside, leaving shimmering mounds which gradually settle to the level surface of the lake, turning brown and yellow as they sink.

"But as the daylight fades the fires of the pit shine more brightly. Mauna Loa, behind, becomes a pale, gray-blue, insubstantial dome, and overhead stars begin to appear. As darkness comes the colors on the lake grow so intense that they almost hurt. The fire is not only red; it is blue and purple and orange and green. Blue flames shimmer and dart about the edges of the pit, back and forth across the surface of the restless mass. Sudden fountains paint blood-red the great plume of sulphur smoke that rises constantly, to drift away across the poisoned desert of Kau. Sometimes the spurts of lava are so violent, so exaggerated by the night, that one draws back terrified lest some atom of their molten substance should spatter over the edge of the precipice. Sometimes the whole lake is in motion. Waves of fire toss and battle with each other and dash in clouds of bright vermilion spray against the black sides of the pit. Sometimes one of these sides falls in with a roar that echoes back and forth, and mighty rocks are swallowed in the liquid mass of fire that closes over them in a whirlpool, like water over a sinking ship.

"Again everything is quiet, a thick scum forms over the surface of the lake, dead, like the scum on the surface of a lonely forest pool. Then it shivers. Flashes of fire dart from side to side. The centre bursts open and a huge fountain of lava twenty feet thick and fifty high, streams into the air and plays for several minutes, waves of blinding fire flowing out from it, dashing against the sides until the black rocks are starred all over with bits of scarlet. To the spectator there is, through it all, no sense of fear. So intense, so tremendous is the spectacle that silly little human feelings find no place. All sensations are submerged in a sense of awe."

Mark Twain gazed into Halemaumau's terrifying depths. "It looked," he writes, "like a colossal railroad-map of the State of Massachusetts done in chain lightning on a midnight sky. Imagine it—imagine a coal-black sky shivered into a tangled network of angry fire!

"Here and there were gleaming holes a hundred feet in diameter, broken in the dark crust, and in them the melted lava—the color a dazzling white just tinged with yellow—was boiling and surging furiously; and from these holes branched numberless bright torrents in many directions, like the spokes of a wheel, and kept a tolerably straight course for a while and then swept round in huge rainbow curves, or made a long succession of sharp worm-fence angles, which looked precisely like the fiercest jagged lightning. Those streams met other streams, and they mingled with and crossed and recrossed each other in every conceivable direction, like skate-tracks on a popular skating-ground. Sometimes streams twenty or thirty feet wide flowed from the holes to some distance without dividing—and through the opera-glasses we could see that they ran down small, steep hills and were genuine cataracts of fire, white at their source, but soon cooling and turning to the richest red, grained with alternate lines of black and gold. Every now and then masses of the dark crust broke away and floated slowly down these streams like rafts down a river.

"Occasionally, the molten lava flowing under the superincumbent crust broke through—split a dazzling streak, from five hundred to a thousand feet long, like a sudden flash of lightning, and then acre after acre of the cold lava parted into fragments, turned up edgewise like cakes of ice when a great river breaks up, plunged downward, and were swallowed in the crimson caldron. Then the wide expanse of the 'thaw' maintained a ruddy glow for a while, but shortly cooled and became black and level again. During a 'thaw' every dismembered cake was marked by a glittering white border which was superbly shaded inward by aurora borealis rays, which were a flaming yellow where they joined the white border, and from thence toward their points tapered into glowing crimson, then into a rich, pale carmine, and finally into a faint blush that held its own a moment and then dimmed and turned black. Some of the streams preferred to mingle together in a tangle of fantastic circles, and then they looked something like the confusion of ropes one sees on a ship's deck when she has just taken in sail and dropped anchor—provided one can imagine those ropes on fire.

"Through the glasses, the little fountains scattered about looked very beautiful. They boiled, and coughed, and spluttered, and discharged sprays of stringy red fire—of about the consistency of mush, for instance—from ten to fifteen feet into the air, along with a shower of brilliant white sparks—a quaint and unnatural mingling of gouts of blood and snowflakes."

One can descend the sides and approach surprisingly close to the flaming surface, the temperature of which, by the way, is 1750 degrees Fahrenheit.

Such is "The House of Everlasting Fire" to-day. But who can say what it will be a year or a decade hence? A clogging or a shifting of the vents below sea-level, and Kilauea's lake of fire may become again explosive. Who will deny that Kilauea may not soar even above Mauna Loa? Stranger things have happened before this in the Islands of Surprise.



THE SEDIMENTARY NATIONAL PARKS



XII

ON SEDIMENTARY ROCK IN SCENERY

The national parks which are wrought in sedimentary rocks are Glacier, Mesa Verde, Hot Springs, Platt, Wind Cave, Sully's Hill, and Grand Canyon. Zion National Monument is carved from sedimentary rock; also several distinguished reservations in our southwest which conserve natural bridges and petrified forests.

Sedimentary rocks have highly attractive scenic quality. Lying in strata usually horizontal but often inclined by earth movements, sometimes even standing on end, they form marked and pleasing contrasts with the heavy massing of the igneous rocks and the graceful undulations and occasional sharp-pointed summits of the lavas.

As distinguished from igneous rocks, which form under pressure in the earth's hot interior, and from lava, which results from volcanic eruption when fluid igneous rocks are released from pressure, sedimentary rocks are formed by the solidification of precipitations in water, like limestone; or from material resulting from rock disintegrations washed down by streams, like sandstone and shale. The beds in which they lie one above another exhibit a wide range of tint and texture, often forming spectacles of surpassing beauty and grandeur.