[Raises curtain.

Mrs. Perkins. Well, I don't pretend to understand the difficulty. She certainly does say that to Featherhead.

Barlow. Of course!—it's right there in the book.

Bradley. That's exactly what I say. It's in the book; but you would come on.

Barlow. Well, why shouldn't I?

Enter Miss Andrews.

Miss Andrews. What seems to be the trouble?

Perkins. I give it up. Collision somewhere up the road.

Yardsley (turning over the leaves of the play-book). Oh, I see the trouble—it's all right. Bradley is mixed up a little, that's all. "Fenderson Featherhead" is his cue—but it comes later, Brad.

Bradley. Later? Well (glances in book)—no—it comes now,

Barlow. Are you blind? Can you read? See there! [Points into book.

Yardsley. No—you keep still, Jack. I'll fix it. See here, Bradley. This is the place you are thinking of. When Cobb says to Lady Ellen "Fenderson Featherhead," you enter the room, and in a nervous aside you mutter: "What, he! Does he again dare to cross my path?" That's the way of it.

Barlow. Certainly—that's it, Brad. Now get off, and let me go on, will you?

Mrs. Perkins. I'm sure it's a perfectly natural error, Mr. Bradley.

Mrs. Bradley. But he's right, my dear Bess. The others are wrong. Edward doesn't—

Bradley. I don't care anything about it, but I'm sure I don't know what else to do. If I am to play Fenderson—

Barlow (in amazement). You?

Yardsley (aghast). Fenderson? By all that is lovely, what part have you learned?

Bradley. The one you told me to learn in your message—Featherhead, of course.

Barlow. But that's my part!

Mrs. Perkins. Of course it is, Mr. Bradley. Mr. Barlow is to be—

Mrs. Bradley. But that's what Edward was told. I saw the message myself.

Yardsley (sinking into a chair dejectedly). Why, Ed Bradley! I never mentioned Featherhead. You were to be Muddleton!

Bradley. Me?

Mrs. Bradley. What?

Yardsley. Certainly. There's nothing the matter with Barlow, and he's cast for Featherhead. You've learned the wrong part!

Bradley (searching his pockets). Here's the telegram. There (takes message from pocket), read that. There are my instructions.

Yardsley (grasps telegram and reads it. Drops it to floor). Well, I'll be jiggered!

[Buries his face in his hands.

Mrs. Perkins (picking up message and reading aloud). "Can you take Fenderson's part in to-night's show? Answer at once. Yardsley."

Barlow. Well, that's a nice mess. You must have paresis, Bob.

Perkins. I was afraid he'd get it sooner or later. You need exercise, Yardsley. Go pull that curtain up and down a half-dozen times and it'll do you good.

Bradley. That telegram lets me out.

Mrs. Bradley. I should say so.

Perkins. Lets us all out, seems to me.

Yardsley. But—I wrote Henderson, not Fenderson. That jackass of a telegraph operator is responsible for it all. "Will you take Henderson's part?" is what I wrote, and he's gone and got it Fenderson. Confound his—

Mrs. Perkins. But what are we going to do? It's quarter-past six now, and the curtain is to rise at 8.30.

Perkins. I'll give 'em my unequalled imitation of Sandow lifting the curtain with one hand. Thus. [Raises curtain wish right hand.

Yardsley. For goodness' sake, man, be serious. There are seventy- five people coming here to see this performance, and they've paid for their tickets.

Mrs. Perkins. It's perfectly awful. We can't do it at all unless Mr. Bradley will go right up stairs now and learn—

Mrs. Bradley. Oh, that's impossible. He's learned nearly three hundred lines to-day already. Mr. Barlow might—

Barlow. I couldn't think of it, Mrs. Bradley. I've got as much as I can do remembering what lines I have learned.

Perkins. It would take you a week to forget your old part completely enough to do the other well. You'd be playing both parts, the way Irving does when he's irritated, before you knew it.

Yardsley. I'm sure I don't know what to do.

Perkins. Give it up, eh? What are you stage-manager for? If I didn't own the house, I'd suggest setting it on fire; but I do, and it isn't fully insured.

Mrs. Perkins. Perhaps Miss Andrews and Mr. Yardsley could do their little scene from Romeo and Juliet.

Mrs. Bradley. Just the thing.

Yardsley. But I haven't a suitable costume.

Perkins. I'll lend you my golf trousers, and Bess has an old shirt- waist you could wear with 'em. Piece it out a little so that you could get into it, and hang the baby's toy sword at your side, and carry his fireman's hat under your arm, and you'd make a dandy- looking Romeo. Some people might think you were a new woman, but if somebody were to announce to the audience that you were not that, but the Hon. R. Montague, Esq., it would be all right and exceedingly amusing. I'll do the announcing with the greatest of pleasure. Really think I'd enjoy it.

Miss Andrews. I think it would be much better to get up Mrs. Jarley's waxworks.

Perkins. Oh dear, Miss Andrews, never. Mrs. Jarley awakens too many bitter memories in me. I was Mrs. Jarley once, and—

Yardsley. It must have been awful. If there is anything in life that could be more horrible than you, with your peculiar style of humor, trying to do Jarley, I—

Perkins. Oh, well, what's the odds what we do? We're only amateurs, anyhow. Yardsley can put on a pair of tight boots, and give us an impression of Irving, or perhaps an imitation of the Roman army at the battle of Philippi, and the audience wouldn't care, as long as they had a good supper afterwards. It all rests with Martenelli whether it's a go to-night. If he doesn't spoil the supper, it'll be all right. I have observed that the principal factors of success at amateur dramatics are an expert manipulation of the curtain, and a first-class feed to put the audience in a good-humor afterwards. Even if Martenelli does go back on us, you'll have me with the curtain—

Mrs. Perkins. Thaddeus!

Yardsley. By Jove! that's a good idea—we have got you. You can read Henderson's part!

Perkins. What—I?

Barlow. Certainly.

Bradley. Just the very thing.

Miss Andrews. Splendid idea.

Perkins. Oh—but I say—I can't, you know. Nonsense! I can't read.

Yardsley. I've often suspected that you couldn't, my dear Thaddeus; but this time you must.

Perkins. But the curtain—the babies—the audience—the ushing—the fire department—it is too much. I'm not an octopus.

Barlow (taking him by the arm and pushing him into chair). You can't get out of it, Ted. Here—read up. There—take my book.

[Thrusts play-book into his hand.

Bradley. Here's mine, too, Thaddeus. Read 'em both at once, and then you'll have gone over it twice.

[Throws his book into Perkins's lap.

Perkins. I tell you—

Mrs. Perkins. Just this once, Teddy—please—for me.

Yardsley. You owe it to your position, Perkins. You are the only man here that knows anything about anything. You've frequently said so. You were doing it all, anyhow, you know—and you're host—the audience are your guests—and you're so clever and—

Perkins. But—

Enter Jennie.

Jennie. Dinner is served, ma'am. [Exit.

Yardsley. Good! Perk, I'll be your under-study at dinner, while you are studying up. Ladies and gentlemen, kindly imagine that I am host, that Perkins does not exist. Come along, Mrs. Bradley. Miss Andrews, will you take my other arm? I'll escort Lady Amaranth and the maid out. We'll leave the two Featherheads to fight it out for the Lady Ellen. By-by, Thaddeus; don't shirk. I'll come in after the salade course and hear you, and if you don't know your lesson I'll send you to bed without your supper.

[All go out, leaving Perkins alone.

Perkins (forcing a laugh). Ha! ha! ha! Good joke, confound your eyes! Humph! very well. I'll do it. Whole thing, eh? Curtain, babies, audience, host. All right, my noble Thespians, wait! (Shakes fist at the door.) I will do the whole thing. Wait till they ring you up, O curtain! Up you will go, but then—then will I come forth and read that book from start to finish, and if any one of 'em ventures to interfere I'll drop thee on their most treasured lines. They little dream how much they are in the power of you and me!

Enter Jennie.

Jennie. Mrs. Perkins says aren't you coming to dinner, sir; and Mr. Yardsley says the soup is getting cold, sir.

Perkins. In a minute, Jennie. Tell Mrs. Perkins that I am just learning the last ten lines of the third act; and as for Mr. Yardsley, kindly insinuate to him that he'll find the soup quite hot enough at 8.30.

[Exit Jennie. Perkins sits down, and, taking up two books of the play, one in each hand, begins to read.

[CURTAIN]



A PROPOSAL UNDER DIFFICULTIES



CHARACTERS:

ROBERT YARDSLEY, } suitors for the hand of Miss Andrews. JACK BARLOW, } DOROTHY ANDREWS, a much-loved young woman. JENNIE, a housemaid. HICKS, a coachman, who does not appear.

The scene is laid in a fashionable New York drawing-room. The time is late in October, and Wednesday afternoon. The curtain rising shows an empty room. A bell rings. After a pause the front door is heard opening and closing. Enter Yardsley through portiere at rear of room.

Yardsley. Ah! So far so good; but I wish it were over. I've had the nerve to get as far as the house and into it, but how much further my courage will carry me I can't say. Confound it! Why is it, I wonder, that men get so rattled when they're head over heels in love, and want to ask the fair object of their affections to wed? I can't see. Now I'm brave enough among men. I'm not afraid of anything that walks, except Dorothy Andrews, and generally I'm not afraid of her. Stopping runaway teams and talking back to impudent policemen have been my delight. I've even been courageous enough to submit a poem in person to the editor of a comic weekly, and yet here this afternoon I'm all of a tremble. And for what reason? Just because I've co-come to ask Dorothy Andrews to change her name to Mrs. Bob Yardsley; as if that were such an unlikely thing for her to do. Gad! I'm almost inclined to despise myself. (Surveys himself in the mirror at one end of the room. Then walking up to it and peering intently at his reflection, he continues.) Bah! you coward! Afraid of a woman—a sweet little woman like Dorothy. You ought to be ashamed of yourself, Bob Yardsley. She won't hurt you. Brace up and propose like a man—like a real lover who'd go through fire for her sake, and all that. Ha! That's easy enough to talk about, but how shall I put it? That's the question. Let me see. How do men do it? I ought to buy a few good novels and select the sort of proposal I like; but not having a novel at hand, I must invent my own. How will it be? Something like this, I fancy. (The portieres are parted, and Jennie, the maid, enters. Yardsley does not observe her entrance.) I'll get down on my knees. A man on his knees is a pitiable object, and pity, they say, is akin to love. Maybe she'll pity me, and after that—well, perhaps pity's cousin will arrive. (The maid advances, but Yardsley is so intent upon his proposal that he still fails to observe her. She stands back of the sofa, while he, gazing downward, kneels before it.) I'll say: "Divine creature! At last we are alone, and I—ah—I can speak freely the words that have been in my heart to say to you for so long—oh, so long a time." (Jennie appears surprised.) "I have never even hinted at how I feel towards you. I have concealed my love, fearing lest by too sudden a betrayal of my feelings I should lose all." (Aside.) Now for a little allusion to the poets. Poetry, they say, is a great thing for proposals. "You know, dearest, you must know, how the poet has phrased it—'Fain would I fall but that I fear to climb.' But now— now I must speak. An opportunity like this may not occur again. Will you—will you be my wife?"

[Jennie gives a little scream of delight.

Jennie. Oh, Mr. Yardsley, this is so suddent like and unexpected, and me so far beneath you!

[Yardsley looks up and is covered with confusion.

Yardsley. Great Scott! What have I done?

Jennie. But of course it ain't for the likes of me to say no to—

Yardsley (rising). For Heaven's sake, Jennie—do be sensi—Don't— say—Jennie, why—ah—(Aside.) Oh, confound it! What the deuce shall I say? What's the matter with my tongue? Where's my vocabulary? A word! a word! my kingdom for a word! (Aloud.) Now, Jen—

Jennie (coyly). I has been engaged to Mr. Hicks, the coach gentleman, sir, but—

Yardsley. Good! good! I congratulate you, Jennie. Hicks is a very fine fellow. Drives like a—like a driver, Jennie, a born driver. I've seen him many a time sitting like a king on his box—yes, indeed. Noticed him often. Admired him. Gad, Jennie, I'll see him myself and tell him; and what is more, Jennie, I'll—I'll give Hicks a fine present.

Jennie. Yes, sir; I has no doubt as how you'll be doin' the square thing by Hicks, for, as I was a-sayin', I has been engaged like to him, an' he has some rights; but I think as how, if I puts it to him right like, and tells him what a nice gentleman you are (a ring is heard at the front door), it'll be all right, sir. But there goes the bell, and I must run, Mr. Yardsley. (Ecstatically kissing her hand.) Bob!

Yardsley (with a convulsive gasp). Bob? Jennie! You—er—you misun—(Jennie, with a smile of joy and an ecstatic glance at Yardsley, dances from the room to attend the door. Yardsley throws himself into a chair.) Well, I'll be teetotally—Awh! It's too dead easy proposing to somebody you don't know you are proposing to. What a kettle of fish this is, to be sure! Oh, pshaw! that woman can't be serious. She must know I didn't mean it for her. But if she doesn't, good Lord! what becomes of me? (Rises, and paces up and down the room nervously. After a moment he pauses before the glass.) I ought to be considerably dishevelled by this. I feel as if I'd been drawn through a knot-hole—or—or dropped into a stone-crusher— that's it, a stone-crusher—a ten million horse power stone-crusher. Let's see how you look, you poor idiot.

[As he is stroking his hair and rearranging his tie he talks in pantomime at himself in the glass. In a moment Jennie ushers Mr. Jack Barlow into the room.

Jennie. Miss Andrews will be down in a minute, sir.

[Barlow takes arm-chair and sits gazing ahead of him. Neither he nor Yardsley perceives the other. Jennie tiptoes to one side, and, tossing a kiss at Yardsley, retires.

Barlow. Now for it. I shall leave this house to-day the happiest or the most miserable man in creation, and I rather think the odds are in my favor. Why shouldn't they be? Egad! I can very well understand how a woman could admire me. I admire myself, rather. I confess candidly that I do not consider myself half bad, and Dorothy has always seemed to feel that way herself. In fact, the other night in the Perkinses conservatory she seemed to be quite ready for a proposal. I'd have done it then and there if it hadn't been for that confounded Bob Yardsley—

Yardsley (turning sharply about). Eh? Somebody spoke my name. A man, too. Great heavens! I hope Jennie's friend Hicks isn't here. I don't want to have a scene with Hicks. (Discovering Barlow.) Oh— ah—why—hullo, Barlow! You here?

Barlow (impatiently, aside). Hang it! Yardsley's here too! The man's always turning up when he's not wanted. (Aloud.) Ah! why, Bob, how are you? What're you doing here?

Yardsley. What do you suppose—tuning the piano? I'm here because I want to be. And you?

Barlow. For the same reason that you are.

Yardsley (aside). Gad! I hope not. (Aloud.) Indeed? The great mind act again? Run in the same channel, and all that? Glad to see you. (Aside.) May the saints forgive me that fib! But this fellow must be got rid of.

Barlow (embarrassed). So'm I. Always glad to see myself—I mean you—anywhere. Won't you sit down?

Yardsley. Thanks. Very kind of you, I'm sure. (Aside.) He seems very much at home. Won't I sit down?—as if he'd inherited the chairs! Humph! I'll show him.

Barlow. What say?

Yardsley. I—ah—oh, I was merely remarking that I thought it was rather pleasant out to-day.

Barlow. Yes, almost too fine to be shut up in-doors. Why aren't you driving, or—or playing golf, or—ah—or being out-doors somewhere? You need exercise, old man; you look a little pale. (Aside.) I must get him away from here somehow. Deuced awkward having another fellow about when you mean to propose to a woman.

Yardsley. Oh, I'm well enough!

Barlow (solicitously). You don't look it—by Jove you don't. (Suddenly inspired.) No, you don't, Bob. You overestimate your strength. It's very wrong to overestimate one's strength. People— ah—people have died of it. Why, I'll bet you a hat you can't start now and walk up to Central Park and back in an hour. Come. I'll time you. (Rises and takes out watch.) It is now four ten. I'll wager you can't get back here before five thirty. Eh? Let me get your hat.

[Starts for door.

Yardsley (with a laugh). Oh no; I don't bet—after four. But I say, did you see Billie Wilkins?

Barlow (returning in despair). Nope.

Yardsley (aside). Now for a bit of strategy. (Aloud.) He was looking for you at the club. (Aside.) Splendid lie! (Aloud.) Had seats for the—ah—the Metropolitan to-night. Said he was looking for you. Wants you to go with him. (Aside.) That ought to start him along.

Barlow. I'll go with him.

Yardsley (eagerly). Well, you'd better let him know at once, then. Better run around there and catch him while there's time. He said if he didn't see you before half-past four he'd get Tom Parker to go. Fine show to-night. Wouldn't lose the opportunity if I were you. (Looking at his watch.) You'll just about have time to do it now if you start at once.

[Grasps Barlow by arm, and tries to force him out. Barlow holds back, and is about to remonstrate, when Dorothy enters. Both men rush to greet her; Yardsley catches her left hand, Barlow her right.

Dorothy (slightly embarrassed). Why, how do you do—this is an unexpected pleasure—both of you? Excuse my left hand, Mr. Yardsley; I should have given you the other if—if you'd given me time.

Yardsley. Don't mention it, I pray. The unexpectedness is wholly mine, Miss Andrews—I mean—ah—the pleasure is—

Barlow. Wholly mine.

Dorothy (withdrawing her hands from both and sitting down). I haven't seen either of you since the Perkinses dance. Wasn't it a charming affair?

Yardsley. Delightful. I—ah—I didn't know that the Perkinses—

Barlow (interrupting). It was a good deal of a crush, though. As Mrs. Van Darling said to me, "You always meet—"

Yardsley. It's a pity Perkins isn't more of a society man, though, don't you think?

Dorothy. O, I don't know. I've always found him very pleasant. He is so sincere.

Barlow. Isn't he, though? He looked bored to death all through the dance.

Yardsley. I thought so too. I was watching him while you were talking to him, Barlow, and such a look of ennui I never saw on a man's face.

Barlow. Humph!

Dorothy. Are you going to Mrs. Van Darling's dinner?

Barlow. Yes; I received my bid last night. You?

Dorothy. Oh yes!

Yardsley (gloomily). I can't go very well. I'm—ah—engaged for Tuesday.

Barlow. Well, I hope you've let Mrs. Van Darling know. She's a stickler for promptness in accepting or declining her invitations. If you haven't, I'll tell her for you. I'm to see her to-night.

Yardsley. Oh no! Never mind. I'll—I'll attend to it.

Barlow. Oh, of course. But it's just as well she should know in advance. You might forget it, you know. I'll tell her; it's no trouble to me.

Dorothy. Of course not, and she can get some one to take your place.

Yardsley (desperately). Oh, don't say anything about it. Fact is, she—ah—she hasn't invited me.

Barlow. Ah! (Aside.) I knew that all along. Oh, but I'm clever!

Dorothy (hastily, to relieve Yardsley's embarrassment). Have you seen Irving, Mr. Yardsley?

Yardsley. Yes.

Barlow (suspiciously). What in? I haven't seen you at any of the first nights.

Yardsley (with a grin). In the grill-room at the Players.

Barlow (aside). Bah!

Dorothy (laughing). You are so bright, Mr. Yardsley.

Barlow (forcing a laugh). Ha, ha, ha! Why, yes—very clever that. It ought to have a Gibson picture over it, that joke. It would help it. Those Gibson pictures are fine, I think. Carry any kind of joke, eh?

Yardsley. Yes, they frequently do.

Dorothy. I'm so glad you both like Gibson, for I just dote on him. I have one of his originals in my portfolio. I'll get it if you'd like to see it.

[She rises and goes to the corner of the room, where there stands a portfolio-case.

Yardsley (aside). What a bore Barlow is! Hang him! I must get rid of him somehow.

[Barlow meanwhile is assisting Dorothy.

Yardsley (looking around at the others). Jove! he's off in the corner with her. Can't allow that, for the fact is Barlow's just a bit dangerous—to me.

Dorothy (rummaging through portfolio). Why, it was here—

Barlow. Maybe it's in this other portfolio.

Yardsley (joining them). Yes, maybe it is. That's a good idea. If it isn't in one portfolio maybe it's in another. Clever thought! I may be bright, Miss Andrews, but you must have observed that Barlow is thoughtful.

Dorothy (with a glance at Barlow). Yes, Mr. Yardsley, I have noticed the latter.

Barlow. Tee-hee! that's one on you, Bob.

Yardsley (obtuse). Ha, ha! Yes. Why, of course! Ha, ha, ha! For repartee I have always said-polite repartee, of course—Miss Andrews is—(Aside.) Now what the dickens did she mean by that?

Dorothy. I can't find it here. Let—me think. Where—can—it—be?

Barlow (striking thoughtful attitude). Yes, where can it be? Let me do your thinking for you, Miss Dorothy. (Then softly to her.) Always!

Yardsley (mocking Barlow). Yes! Let me think! (Points his finger at his forehead and assumes tragic attitude. Then stalks to the front of stage in manner of burlesque Hamlet.) Come, thought, come. Shed the glory of thy greatness full on me, and thus confound mine enemies. Where the deuce is that Gibson?

Dorothy. Oh, I remember. It's up-stairs. I took it up with me last night. I'll ring for Jennie, and have her get it.

Yardsley (aside, and in consternation). Jennie! Oh, thunder! I'd forgotten her. I do hope she remembers not to forget herself.

Barlow. What say?

Yardsley. Nothing; only—ah—only that I thought it was very—very pleasant out.

Barlow. That's what you said before.

Yardsley (indignantly). Well, what of it? It's the truth. If you don't believe it, go outside and see for yourself.

[Jennie appears at the door in response to Dorothy's ring. She glances demurely at Yardsley, who tries to ignore her presence.

Dorothy. Jennie, go up to my room and look on the table in the corner, and bring me down the portfolio you will find there. The large brown one that belongs in the stand over there.

Jennie (dazed). Yessum. And shall I be bringin' lemons with it?

Dorothy. Lemons, Jennie?

Jennie. You always does have lemons with your tea, mum.

Dorothy. I didn't mention tea. I want you to get my portfolio from up-stairs. It is on the table in the corner of my room.

[Looks at Jennie in surprise.

Jennie. Oh, excuse me, mum. I didn't hear straight.

[She casts a languishing glance at Yardsley and disappears.

Yardsley (noting the glance, presumably aside). Confound that Jennie!

Barlow (overhearing Yardsley). What's that? Confound that Jennie? Why say confound that Jennie? Why do you wish Jennie to be confounded?

Yardsley (nervously). I didn't say that. I—ah—I merely said that— that Jennie appeared to be—ah—confounded.

Dorothy. She certainly is confused. I cannot understand it at all. Ordinarily I have rather envied Jennie her composure.

Yardsley. Oh, I suppose—it's—it's—it's natural for a young girl— a servant—sometimes to lose her—equipoise, as it were, on occasions. If we lose ours at times, why not Jennie? Eh? Huh?

Barlow. Certainly.

Yardsley. Of course—ha—trained servants are hard to get these days, anyhow. Educated people—ah—go into other professions, such as law, and—ah—the ministry—and—

Dorothy. Well, never mind. Let's talk of something more interesting than Jennie. Going to the Chrysanthemum Show, Mr. Barlow?

Barlow. I am; wouldn't miss it for the world. Do you know, really now, the chrysanthemum, in my opinion, is the most human-looking flower we have. The rose is too beautiful, too perfect, for me. The chrysanthemum, on the other hand—

Yardsley (interrupting). Looks so like a football-player's head it appeals to your sympathies? Well, perhaps you are right. I never thought of it in that light before, but—

Dorothy (smiling). Nor I; but now that you mention it, it does look that way, doesn't it?

Barlow (not wishing to disagree with Dorothy). Very much. Droll idea, though. Just like Bob, eh? Very, very droll. Bob's always dro—

Yardsley (interrupting). When I see a man walking down the Avenue with a chrysanthemum in his button-hole, I always think of a wild Indian wearing a scalp for decorative purposes.

[Barlow and Dorothy laugh at this, and during their mirth Jennie enters with the portfolio. She hands it to Dorothy. Dorothy rests it on the arm of her chair, and Barlow looking over one shoulder, she goes through it. Jennie in passing out throws another kiss to Yardsley.

Yardsley (under his breath, stamping his foot). Awgh!

Barlow. What say?

[Dorothy looks up, surprised.

Yardsley. I—I didn't say anything. My—ah—my shoe had a piece of— ah—

Barlow. Oh, say lint, and be done with it.

Yardsley (relieved, and thankful for the suggestion). Why, how did you know? It did, you know. Had a piece of lint on it, and I tried to get it off by stamping, that's all.

Dorothy. Ah, here it is.

Yardsley. What? The lint?

Barlow. Ho! Is the world nothing but lint to you? Of course not— the Gibson. Charming, isn't it, Miss Dorothy?

Dorothy (holding the picture up). Fine. Just look at that girl. Isn't she pretty?

Barlow. Very.

Dorothy. And such style, too.

Yardsley (looking over Dorothy's other shoulder). Yes, very pretty, and lots of style. (Softly.) Very—like some one—some one I know.

Barlow (overhearing). I think so myself, Yardsley. It's exactly like Josie Wilkins. By-the-way—ah—how is that little affair coming along, Bob?

Dorothy (interested). What! You don't mean to say—Why, Mister Yardsley!

Yardsley (with a venomous glance at Barlow). Nonsense. Nothing in it. Mere invention of Barlow's. He's a regular Edison in his own way.

[Dorothy looks inquiringly at Barlow.

Barlow (to Yardsley). Oh, don't be so sly about it, old fellow! Everybody knows.

Yardsley. But I tell you there's nothing in it. I—I have different ideas entirely, and you—you know it—or, if you don't, you will shortly.

Dorothy. Oh! Then it's some one else, Mr. Yardsley? Well, now I am interested'. Let's have a little confidential talk together. Tell us, Mr. Yardsley, tell Mr. Barlow and me, and maybe—I can't say for certain, of course—but maybe we can help you.

Barlow (gleefully rubbing his hands). Yes, old man; certainly. Maybe we—we can help you.

Yardsley (desperately). You can help me, both of you—but—but I can't very well tell you how.

Barlow. I'm willing to do all I can for you, my dear Bob. If you will only tell us her name I'll even go so far as to call, in your behalf, and propose for you.

Yardsley. Oh, thanks. You are very kind.

Dorothy. I think so too, Mr. Barlow. You are almost too kind, it seems to me.

Yardsley. Oh no; not too kind, Miss Andrews. Barlow simply realizes that one who has proposed marriage to young girls as frequently as he has knows how the thing is done, and he wishes to give me the benefit of his experience. (Aside.) That's a facer for Barlow.

Barlow. Ha, ha, ha! Another joke, I suppose. You see, my dear Bob, that I am duly appreciative. I laugh. Ha, ha, ha! But I must say I laugh with some uncertainty. I don't know whether you intended that for a joke or for a staggerer. You should provide your conversation with a series of printed instructions for the listener. Get a lot of cards, and have printed on one, "Please laugh"; on another, "Please stagger"; on another, "Kindly appear confused." Then when you mean to be jocose hand over the laughter card, and so on. Shall I stagger?

Dorothy. I think that Mr. Yardsley meant that for a joke. Didn't you, Mr. Yardsley?

Yardsley. Why, certainly. Of course. I don't really believe Barlow ever had sand enough to propose to any one. Did you, Jack?

Barlow (indignant). Well, I rather think I have.

Dorothy. Ho, ho! Then you are an experienced proposer, Mr. Barlow?

Barlow (confused). Why—er—well—um—I didn't exactly mean that, you know. I meant that—ah—if it ever came to the—er—the test, I think I could—I'd have sand enough, as Yardsley puts it, to do the thing properly, and without making a—ah—a Yardsley of myself.

Yardsley (bristling up). Now what do you mean by that?

Dorothy. I think you are both of you horrid this afternoon. You are so quarrelsome. Do you two always quarrel, or is this merely a little afternoon's diversion got up for my especial benefit?

Barlow (with dignity). I never quarrel.

Yardsley. Nor I. I simply differ sometimes, that's all. I never had an unpleasant word with Jack in my life. Did I, Jack?

Barlow. Never. I always avoid a fracas, however great the provocation.

Dorothy (desperately). Then let us have a cup of tea together and be more sociable. I have always noticed that tea promotes sociability— haven't you, Mr. Yardsley?

Yardsley. Always. (Aside.) Among women.

Barlow. What say?

[Dorothy rises and rings the bell for Jennie.

Yardsley. I say that I am very fond of tea.

Barlow. So am I—here. [Rises and looks at pictures. Yardsley meanwhile sits in moody silence.

Dorothy (returning). You seem to have something on your mind, Mr. Yardsley. I never knew you to be so solemn before.

Yardsley. I have something on my mind, Miss Dorothy. It's—

Barlow (coming forward). Wise man, cold weather like this. It would be terrible if you let your mind go out in cold weather without anything on it. Might catch cold in your idea.

Dorothy. I wonder why Jennie doesn't come? I shall have to ring again.

[Pushes electric button again.

Yardsley (with an effort at brilliance). The kitchen belle doesn't seem to work.

Dorothy. Ordinarily she does, but she seems to be upset by something this afternoon. I'm afraid she's in love. If you will excuse me a moment I will go and prepare the tea myself.

Barlow. Do; good! Then we shall not need the sugar.

Yardsley. You might omit the spoons too, after a remark like that, Miss Dorothy.

Dorothy. We'll omit Mr. Barlow's spoon. I'll bring some for you and me. [She goes out.

Yardsley (with a laugh). That's one on you, Barlow. But I say, old man (taking out his watch and snapping the cover to three or four times), it's getting very late—after five now. If you want to go with Billy Wilkins you'd better take up your hat and walk. I'll say good-bye to Miss Andrews for you.

Barlow. Thanks. Too late now. You said Billie wouldn't wait after four thirty.

Yardsley. Did I say four thirty? I meant five thirty. Anyhow, Billie isn't over-prompt. Better go.

Barlow. You seem mighty anxious to get rid of me.

Yardsley. I? Not at all, my dear boy—not at all. I'm very, very fond of you, but I thought you'd prefer opera to me. Don't you see? That's where my modesty comes in. You're so fond of a good chat I thought you'd want to go to-night. Wilkins has a box.

Barlow. You said seats a little while ago.

Yardsley. Of course I did. And why not? There are seats in boxes. Didn't you know that?

Barlow. Look here, Yardsley, what's up, anyhow? You've been deuced queer to-day. What are you after?

Yardsley (tragically). Shall I confide in you? Can I, with a sense of confidence that you will not betray me?

Barlow (eagerly). Yes, Bob. Go on. What is it? I'll never give you away, and I may be able to give you some good advice.

Yardsley. I am here to—to—to rob the house! Business has been bad, and one must live. [Barlow looks at him in disgust.

Yardsley (mockingly). You have my secret, John Barlow. Remember that it was wrung from me in confidence. You must not betray me. Turn your back while I surreptitiously remove the piano and the gas- fixtures, won't you?

Barlow (looking at him thoughtfully). Yardsley, I have done you an injustice.

Yardsley. Indeed?

Barlow. Yes. Some one claimed, at the club, the other day, that you were the biggest donkey in existence, and I denied it. I was wrong, old man, I was wrong, and I apologize. You are.

Yardsley. You are too modest, Jack. You forget—yourself.

Barlow. Well, perhaps I do; but I've nothing to conceal, and you have. You've been behaving in a most incomprehensible fashion this afternoon, as if you owned the house.

Yardsley. Well, what of it? Do you own it?

Barlow. No, I don't, but—

Yardsley. But you hope to. Well, I have no such mercenary motive. I'm not after the house.

Barlow (bristling up). After the house? Mercenary motive? I demand an explanation of those words. What do you mean?

Yardsley. I mean this, Jack Barlow: I mean that I am here for—for my own reasons; but you—you have come here for the purpose of—

Dorothy enters wish a tray, upon which are the tea things.

Barlow (about to retort to Yardsley, perceiving Dorothy). Ah! Let me assist you.

Dorothy. Thank you so much. I really believe I never needed help more. (She delivers the tray to Barlow, who sets it on the table. Dorothy, exhausted, drops into a chair.) Fan me—quick—or I shall faint. I've—I've had an awful time, and I really don't know what to do!

Barlow and Yardsley (together). Why, what's the matter?

Yardsley. I hope the house isn't on fire?

Barlow. Or that you haven't been robbed?

Dorothy. No, no; nothing like that. It's—it's about Jennie.

Yardsley (nervously). Jennie? Wha—wha—what's the matter with Jennie?

Dorothy. I only wish I knew. I—

Yardsley (aside). I'm glad you don't.

Barlow. What say?

Yardsley. I didn't say anything. Why should I say anything? I haven't anything to say. If people who had nothing to say would not insist upon talking, you'd be—

Dorothy. I heard the poor girl weeping down-stairs, and when I went to the dumbwaiter to ask her what was the matter, I heard—I heard a man's voice.

Yardsley. Man's voice?

Barlow. Man's voice is what Miss Andrews said.

Dorothy. Yes; it was Hicks, our coachman, and he was dreadfully angry about something.

Yardsley (sinking into chair). Good Lord! Hicks! Angry! At— something!

Dorothy. He was threatening to kill somebody.

Yardsley. This grows worse and worse! Threatening to kill somebody! D-did-did you o-over-overhear huh-huh-whom he was going to kuk-kill?

Barlow. What's the matter with you, Yardsley? Are you going to die of fright, or have you suddenly caught a chill?

Dorothy. Oh, I hope not! Don't die here, anyhow, Mr. Yardsley. If you must die, please go home and die. I couldn't stand another shock to-day. Why, really, I was nearly frightened to death. I don't know now but what I ought to send for the police, Hicks was so violent.

Barlow. Perhaps she and Hicks have had a lovers' quarrel.

Yardsley. Very likely; very likely indeed. I think that is no doubt the explanation of the whole trouble. Lovers will quarrel. They were engaged, you know.

Dorothy (surprised). No, I didn't know it. Were they? Who told you?

Yardsley (discovering his mistake). Why—er—wasn't it you said so, Miss Dorothy? Or you, Barlow?

Barlow. I have not the honor of the young woman's confidence, and so could not have given you the information.

Dorothy. I didn't know it, so how could I have told you?

Yardsley (desperately). Then I must have dreamed it. I do have the queerest dreams sometimes, but there's nothing strange about this one, anyhow. Parlor-maids frequently do—er—become engaged to coachmen and butlers and that sort of thing. It isn't a rare occurrence at all. If I'd said she was engaged to Billie Wilkins, or to—to Barlow here—

Barlow. Or to yourself.

Yardsley. Sir? What do you mean to insinuate? That I am engaged to Jennie?

Barlow. I never said so.

Dorothy. Oh dear, let us have the tea. You quarrelsome men are just wearing me out. Mr. Barlow, do you want cream in yours?

Barlow. If you please; and one lump of sugar. (Dorothy pours is out.) Thanks.

Dorothy. Mr. Yardsley?

Yardsley. Just a little, Miss Andrews. No cream, and no sugar.

[Dorothy prepares a cup for Yardsley. He is about to take it when—

Dorothy. Well, I declare! It's nothing but hot water! I forgot the tea entirely!

Barlow (with a laugh). Oh, never mind. Hot water is good for dyspepsia.

[With a significant look at Yardsley.

Yardsley. It depends on how you get it, Mr. Barlow. I've known men who've got dyspepsia from living in hot water too much.

[As Yardsley speaks the portiere is violently clutched from without, and Jennie's head is thrust into the room. No one observes her.

Barlow. Well, my cup is very satisfactory to me, Miss Dorothy. Fact is, I've always been fond of cambric tea, and this is just right.

Yardsley (patronizingly). It is good for children.

Jennie (trying to attract Yardsley's attention). Pst!

Yardsley. My mamma lets me have it Sunday nights.

Dorothy. Ha, ha, ha!

Barlow. Another joke? Good. Let me enjoy it too. Hee, Hee!

Jennie. Pst!

[Barlow looks around; Jennie hastily withdraws her head.

Barlow. I didn't know you had steam heat in this house.

Dorothy. We haven't. What put such an idea as that into your head?

Barlow. Why, I thought I heard the hissing of steam, the click of a radiator, or something of that sort back by the door.

Yardsley. Maybe the house is haunted.

Dorothy. I fancy it was your imagination: or perhaps it was the wind blowing through the hall. The pantry window is open.

Barlow. I guess maybe that's it. How fine it must be in the country now!

[Jennie pokes her head in through the portieres again, and follows it with her arm and hand, in which is a feather duster, which she waves wildly in an endeavor to attract Yardsley's attention.

Dorothy. Divine. I should so love to be out of town still. It seems to me people always make a great mistake returning to the city so early in the fall. The country is really at its best at this time of year.

[Yardsley turns half around, and is about to speak, when he catches sight of the now almost hysterical Jennie and her feather duster.

Barlow. Yes; I think so too. I was at Lenox last week, and the foliage was gorgeous.

Yardsley (feeling that he must say something). Yes. I suppose all the feathers on the maple-trees are turning red by this time.

Dorothy. Feathers, Mr. Yardsley?

Barlow. Feathers?

Yardsley (with a furtive glance at Jennie). Ha, ha! What an absurd slip! Did I say feathers? I meant—I meant leaves, of course. All the leaves on the dusters are turning.

Barlow. I don't believe you know what you do mean. Who ever heard of leaves on dusters? What are dusters? Do you know, Miss Dorothy?

[As he turns to Miss Andrews, Yardsley tries to wave Jennie away. She beckons with her arms more wildly than ever, and Yardsley silently speaks the words, "Go away."

Dorothy. I'm sure I don't know of any tree by that name, but then I'm not a—not a what?

Yardsley (with a forced laugh). Treeologist

Dorothy. What are dusters, Mr. Yardsley?

Barlow. Yes, old man, tell us. I'm anxious to find out myself.

Yardsley (aside). So am I. What the deuce are dusters, for this occasion only? (Aloud) What? Never heard of dusters? Ho! Why, dear me, where have you been all your lives? (Aside.) Must gain time to think up what dusters are. (Aloud.) Why, they're as old as the hills.

Barlow. That may be, but I can't say I think your description is at all definite.

Dorothy. Do they look like maples?

Yardsley (with an angry wave of his arms towards Jennie). Something— in fact, very much. They're exactly like them. You can hardly tell them from oaks.

Barlow. Oaks?

Yardsley. I said oaks. Oaks! O-A-K-S!

Barlow. But oaks aren't like maples.

Yardsley. Well, who said they were? We were talking about oaks— and—er—and dusters. We—er—we used to have a row of them in front of our old house at— (Aside.) Now where the deuce did we have the old house? Never had one, but we must for the sake of the present situation. (Aloud.) Up at—at—Bryn-Mawr—or at—Troy, or some such place, and—at—they kept the—the dust of the highway from getting into the house. (With a sigh of relief.) And so, you see, they were called dusters. Thought every one knew that.

[As Yardsley finishes, Jennie loses her balance and falls headlong into the room.

Dorothy (starting up hastily). Why, Jennie!

Yardsley (staggering into chair). That settles it. It's all up with me. [Jennie sobs, and, rising, rushes to Yardsley's side.

Jennie. Save yourself; he's going to kill you!

Dorothy. Jennie! What is the meaning of this? Mr. Yardsley—can— can you shed any light on this mystery?

Yardsley (pulling himself together with a great effort). I? I assure you I can't, Miss Andrews. How could I? All I know is that somebody is—is going to kill me, though for what I haven't the slightest idea.

Jennie (indignantly). Eh? What! Why, Mr. Yardsley—Bob!

Barlow. Bob?

Dorothy. Jennie! Bob?

Yardsley. Don't you call me Bob.

Jennie. It's Hicks. [Bursts out crying.

Barlow. Hicks?

Dorothy. Jennie, Hicks isn't Bob. His name—is George.

Yardsley (in a despairing rage). Hicks be—

Dorothy. Mr. Yardsley!

Yardsley (pulling himself together again). Bobbed. Hicks be Bobbed. That's what I was going to say.

Dorothy. What on earth does this all mean? I must have an explanation, Jennie. What have you to say for yourself?

Jennie. Why, I—

Yardsley. I tell you it isn't true. She's made it up out of whole cloth.

Barlow. What isn't true? She hasn't said anything yet.

Yardsley (desperately). I refer to what she's going to say. I'm a— a—I'm a mind-reader, and I see it all as plain as day.

Dorothy. I can best judge of the truth of Jennie's words when she has spoken them, Mr. Yardsley. Jennie, you may explain, if you can. What do you mean by Hicks killing Mr. Yardsley, and why do you presume to call Mr. Yardsley by his first name?

Yardsley (aside). Heigho! My goose is cooked.

Barlow. I fancy you wish you had taken that walk I suggested now.

Yardsley. You always were a good deal of a fancier.

Jennie. I hardly knows how to begin, Miss Dorothy. I—I'm so flabbergasted by all that's happened this afternoon, mum, that I can't get my thoughts straight, mum.

Dorothy. Never mind getting your thoughts straight, Jennie. I do not want fiction. I want the truth.

Jennie. Well, mum, when a fine gentleman like Mr. Yardsley asks—

Yardsley. I tell you it isn't so.

Jennie. Indeed he did, mum.

Dorothy (impatiently). Did what?

Jennie. Axed me to marry him, mum.

Dorothy. Mr. Yardsley—asked—you—to—to marry him? [Barlow whistles.

Jennie (bursting into tears again). Yes, mum, he did, mum, right here in this room. He got down on his knees to me on that Proossian rug before the sofa, mum. I was standin' behind the sofa, havin' just come in to tell him as how you'd be down shortly. He was standin' before the lookin'-glass lookin' at himself, an' when I come in he turns around and goes down on his knees and says such an importunity may not occur again, mum; I've loved you very long; and then he recited some pottery, mum, and said would I be his wife.

Yardsley (desperately). Let me explain.

Dorothy. Wait, Mr. Yardsley; your turn will come in a moment.

Barlow. Yes, it'll be here, my boy; don't fret about that. Take all the time you need to make it a good one. Gad, if this doesn't strain your imagination, nothing will.

Dorothy. Go on, Jennie. Then what happened?

Yardsley (with an injured expression). Do you expect me to stand here, Miss Andrews, and hear this girl's horrible story?

Barlow. Then you know the story, do you, Yardsley? It's horrible, and you are innocent. My! you are a mind-reader with a vengeance.

Dorothy. Don't mind what these gentlemen say, Jennie, but go on.

[Yardsley sinks into the arm-chair. Barlow chuckles; Miss Andrews glances indignantly at him.

Dorothy. Pardon me, Mr. Barlow. If there is any humor in the situation, I fail to see it.

Barlow (seeing his error). Nor, indeed, do I. I was not—ah— laughing from mirth. That chuckle was hysterics, Miss Dorothy, I assure you. There are some laughs that can hardly be differentiated from sobs.

Jennie. I was all took in a heap, mum, to think of a fine gentleman like Mr. Yardsley proposing to me, mum, and I says the same. Says I, "Oh, Mr. Yardsley, this is so suddent like," whereat he looks up with a countenance so full o' pain that I hadn't the heart to refuse him; so, fergettin' Hicks for the moment, I says, kind of soft like, certingly, sir. It ain't for the likes o' me to say no to the likes o' him.

Yardsley. Then you said you were engaged to Hicks. You know you did, Jennie.

Barlow. Ah! Then you admit the proposal?

Yardsley. Oh Lord! Worse and worse! I—

Dorothy. Jennie has not finished her story.

Jennie. I did say as how I was engaged to Hicks, but I thought he would let me off; and Mr. Yardsley looked glad when I said that, and said he'd make it all right with Hicks.

Yardsley. What? I? Jennie O'Brien, or whatever your horrible name is, do you mean to say that I said I'd make it all right with Hicks?

Jennie. Not in them words, Mr. Yardsley; but you did say as how you'd see him yourself and give him a present. You did indeed, Mr. Yardsley, as you was a-standin' on that there Proossian rug.

Dorothy. Did you, Mr. Yardsley?

[Yardsley buries his face in his hands and groans.

Barlow. Not so ready with your explanations now, eh?

Dorothy. Mr. Barlow, really I must ask you not to interfere. Did you say that, Mr. Yardsley?

Yardsley. I did, but—

Dorothy (frigidly). Go on, Jennie.

Jennie. Just then the front-door bell rings and Mr. Barlow comes, and there wasn't no more importunity for me to speak; but when I got down-stairs into the kitchen, mum, Mr. Hicks he comes in, an' (sobs)— an' I breaks with him.

Yardsley. You've broken with Hicks for me?

Jennie. Yes, I have—but I wouldn't never have done it if I'd known— boo-hoo—as how you'd behave this way an' deny ever havin' said a word. I—I—I 1-lo-love Mr. Hicks, an'—I—I hate you—and I wish I'd let him come up and kill you, as he said he would.

Dorothy. Jennie! Jennie! be calm! Where is Hicks now?

Yardsley. That's so. Where is Hicks? I want to see him.

Jennie. Never fear for that. You'll see him. He's layin' for you outside. An' that, Miss Dorothy, is why—I was a-wavin' at him an' sayin' "pst" to him. I wanted to warn him, mum, of his danger, mum, because Hicks is very vi'lent, and he told me in so many words as how he was a-goin' to do—him—up.

Barlow. You'd better inform Mr. Hicks, Jennie, that Mr. Yardsley is already done up.

Yardsley. Do me up, eh? Well, I like that. I'm not afraid of any coachman in creation as long as he's off the box. I'll go see him at once.

Dorothy. No—no—no. Don't, Mr. Yardsley; don't, I beg of you. I don't want to have any scene between you.

Yardsley (heroically). What if he succeeds? I don't care. As Barlow says, I'm done up as it is. I don't want to live after this. What's the use. Everything's lost.

Barlow (dryly). Jennie hasn't thrown you over yet.

Jennie (sniffing airily). Yes, she has, too. I wouldn't marry him now for all the world—an'—and I've lost—lost Hicks. (Weeps.) Him as was so brave, an' looks so fine in livery!

Yardsley. If you'd only give me a chance to say something—

Barlow. Appears to me you've said too much already.

Dorothy (coldly). I—I don't agree with Mr. Barlow. You—you haven't said enough, Mr. Yardsley. If you have any explanation to make, I'll listen.

Yardsley (looks up gratefully. Suddenly his face brightens. Aside). Gad! The very thing! I'll tell the exact truth, and if Dorothy has half the sense I think she has, I'll get in my proposal right under Barlow's very nose. (Aloud.) My—my explanation, Miss Andrews, is very simple. I—ah—I cannot deny having spoken every word that Jennie has charged to my account. I did get down on my knees on the rug. I did say "divine creature." I did not put it strong enough. I should have said "divinest of all creatures."

Dorothy (in remonstrance). Mr. Yardsley!

Barlow (aside). Magnificent bluff! But why? (Rubs his forehead in a puzzled way.) What the deuce is he driving at?

Yardsley. Kindly let me finish. I did say "I love you." I should have said "I adore you; I worship you." I did say "Will you be my wife?" and I was going to add, "for if you will not, then is light turned into darkness for me, and life, which your 'yes' will render radiantly beautiful, will become dull, colorless, and not worth the living." That is what I was going to say, Miss Andrews—Miss Dorothy—when—when Jennie interrupted me and spoke the word I most wish to hear—spoke the word "yes"; but it was not her yes that I wished. My words of love were not for her.

Barlow (perceiving his drift). Ho! Absurd! Nonsense! Most unreasonable! You were calling the sofa the divinest of all creatures, I suppose, or perhaps asking the—the piano to put on its shoes and—elope with you. Preposterous!

Dorothy (softly). Go on, Mr. Yardsley.

Yardsley. I—I spoke a little while ago about sand—courage—when it comes to one's asking the woman he loves the greatest of all questions. I was boastful. I pretended that I had that courage; but—well, I am not as brave as I seem. I had come, Miss Dorothy, to say to you the words that fell on Jennie's ears, and—and I began to get nervous—stage-fright, I suppose it was—and I was foolish enough to rehearse what I had to say—to you, and to you alone.

Barlow. Let me speak, Miss Andrews. I—

Yardsley. You haven't anything to do with the subject in hand, my dear Barlow, not a thing.

Dorothy. Jennie—what—what have you to say?

Jennie. Me? Oh, mum, I hardly knows what to say! This is suddenter than the other; but, Miss Dorothy, I'd believe him, I would, because— I—I think he's tellin' the truth, after all, for the reason that— oh dear—for—

Dorothy. Don't be frightened, Jennie. For what reason?

Jennie. Well, mum, for the reason that when I said "yes," mum, he didn't act like all the other gentlemen I've said yes to, and—and k— kuk—kiss me.

Yardsley. That's it! that's it! Do you suppose that if I'd been after Jennie's yes, and got it, I'd have let a door-bell and a sofa stand between me and—the sealing of the proposal?

Barlow (aside). Oh, what nonsense this all is! I've got to get ahead of this fellow in some way. (Aloud.) Well, where do I come in? I came here, Miss Andrews, to—tell you—

Yardsley (interposing). You come in where you came in before—just a little late—after the proposal, as it were.

Dorothy (her face clearing and wreathing with smiles). What a comedy of errors it has all been! I—I believe you, Mr. Yardsley.

Yardsley. Thank Heaven! And—ah—you aren't going to say anything more, D—Dorothy?

Dorothy. I'm afraid—

Yardsley. Are you going to make me go through that proposal all over again, now that I've got myself into so much trouble saying it the first time—Dorothy?

Dorothy. No, no. You needn't—you needn't speak of it again.

Barlow (aside). Good! That's his conge.

Yardsley. And—then if I—if I needn't say it again? What then? Can't I have—my answer now? Oh, Miss Andrews—

Dorothy (with downcast eyes, softly). What did Jennie say?

Yardsley (in ecstasy). Do you mean it?

Barlow. I fancy—I fancy I'd better go now, Miss—er—Miss Andrews. I—I—have an appointment with Mr. Wilkins, and—er—I observe that it is getting rather late.

Yardsley. Don't go yet, Jack. I'm not so anxious to be rid of you now.

Barlow. I must go—really.

Yardsley. But I want you to make me one promise before you go.

Dorothy. He'll make it, I'm sure, if I ask him. Mr. Yardsley and I want you—want you to be our best man.

Yardsley. That's it, precisely. Eh, Jack?

Barlow. Well, yes. I'll be—second-best man, The events of the afternoon have shown my capacity for that.

Yardsley. Ah!

Barlow. And I'll show my sincerity by wearing Bob's hat and coat into the street now and letting the fury of Hicks fall upon me.

Jennie. If you please, Miss Dorothy—I—I think I can attend to Mr. Hicks.

Dorothy. Very well. I think that would be better. You may go, Jennie.

[Jennie departs.

Barlow. Well, good-day. I—I've had a very pleasant afternoon, Miss—Andrews. Thanks for the—the cambric tea.

Dorothy. Good-bye, and don't forget.

Barlow. I'm afraid—I won't. Good-bye, Bob. I congratulate you from my heart. I was in hopes that I should have the pleasure of having you for a best man at my wedding, but—er—there's many a slip, you know, and I wish you joy.

[Yardsley shakes him by the hand, and Barlow goes out. As he disappears through the portieres Yardsley follows, and, holding the curtain aside, looks after him until the front door is heard closing. Then he turns about. Dorothy looks demurely around at him, and as he starts to go to her side the curtain falls.

THE END