"It must be nice to be rich," I said idly, as I turned a page of my book. Then I added almost before I realized what I was saying, "The other lady doesn't look as if she had so much money."

Her face turned paler if that were possible, and for a minute I thought she was going to faint. "The other lady?"

"I mean the one who came down late to dinner—the one in the gray dress. She wore no jewels, and her dress wasn't low in the neck."

"Then you saw her?" There was a curious flicker in her face as if her pallor came and went.

"We were at the table when she came in. Has Mr. Vanderbridge a secretary who lives in the house?"

"No, he hasn't a secretary except at his office. When he wants one at the house, he telephones to his office."

"I wondered why she came, for she didn't eat any dinner, and nobody spoke to her—not even Mr. Vanderbridge."

"Oh, he never speaks to her. Thank God, it hasn't come to that yet."

"Then why does she come? It must be dreadful to be treated like that, and before the servants, too. Does she come often?"

"There are months and months when she doesn't. I can always tell by the way Mrs. Vanderbridge picks up. You wouldn't know her, she is so full of life—the very picture of happiness. Then one evening she—the Other One, I mean—comes back again, just as she did tonight, just as she did last summer, and it all begins over from the beginning."

"But can't they keep her out—the Other One? Why do they let her in?"

"Mrs. Vanderbridge tries hard. She tries all she can every minute. You saw her tonight?"

"And Mr. Vanderbridge? Can't he help her?"

She shook her head with an ominous gesture. "He doesn't know."

"He doesn't know she is there? Why, she was close by him. She never took her eyes off him except when she was staring through me at the wall."

"Oh, he knows she is there, but not in that way. He doesn't know that any one else knows."

I gave it up, and after a minute she said in a suppressed voice, "It seems strange that you should have seen her. I never have."

"But you know all about her."

"I know and I don't know. Mrs. Vanderbridge lets things drop sometimes—she gets ill and feverish very easily—but she never tells me anything outright. She isn't that sort."

"Haven't the servants told you about her—the Other One?"

At this, I thought, she seemed startled. "Oh, they don't know anything to tell. They feel that something is wrong; that is why they never stay longer than a week or two—we've had eight butlers since autumn—but they never see what it is."

She stooped to pick up the ball of yarn which had rolled under my chair. "If the time ever comes when you can stand between them, you will do it?" she asked.

"Between Mrs. Vanderbridge and the Other One?"

Her look answered me.

"You think, then, that she means harm to her?"

"I don't know. Nobody knows—but she is killing her."

The clock struck ten, and I returned to my book with a yawn, while Hopkins gathered up her work and went out, after wishing me a formal good night. The odd part about our secret conferences was that as soon as they were over, we began to pretend so elaborately to each other that they had never been.

"I'll tell Mrs. Vanderbridge that you are very comfortable," was the last remark Hopkins made before she sidled out of the door and left me alone with the mystery. It was one of those situations—I am obliged to repeat this over and over—that was too preposterous for me to believe even while I was surrounded and overwhelmed by its reality. I didn't dare face what I thought, I didn't dare face even what I felt; but I went to bed shivering in a warm room, while I resolved passionately that if the chance ever came to me I would stand between Mrs. Vanderbridge and this unknown evil that threatened her.

In the morning Mrs. Vanderbridge went out shopping, and I did not see her until the evening, when she passed me on the staircase as she was going out to dinner and the opera. She was radiant in blue velvet, with diamonds in her hair and at her throat, and I wondered again how any one so lovely could ever be troubled.

"I hope you had a pleasant day, Miss Wrenn," she said kindly. "I have been too busy to get off any letters, but tomorrow we shall begin early." Then, as if from an afterthought, she looked back and added, "There are some new novels in my sitting-room. You might care to look over them."

When she had gone, I went upstairs to the sitting-room and turned over the books, but I couldn't, to save my life, force an interest in printed romances after meeting Mrs. Vanderbridge and remembering the mystery that surrounded her. I wondered if "the Other One," as Hopkins called her, lived in the house, and I was still wondering this when the maid came in and began putting the table to rights.

"Do they dine out often?" I asked.

"They used to, but since Mr. Vanderbridge hasn't been so well, Mrs. Vanderbridge doesn't like to go without him. She only went tonight because he begged her to."

She had barely finished speaking when the door opened, and Mr. Vanderbridge came in and sat down in one of the big velvet chairs before the wood fire. He had not noticed us, for one of his moods was upon him, and I was about to slip out as noiselessly as I could when I saw that the Other One was standing in the patch of firelight on the hearth rug. I had not seen her come in, and Hopkins evidently was still unaware of her presence, for while I was watching, I saw the maid turn towards her with a fresh log for the fire. At the moment it occurred to me that Hopkins must be either blind or drunk, for without hesitating in her advance, she moved on the stranger, holding the huge hickory log out in front of her. Then, before I could utter a sound or stretch out a hand to stop her, I saw her walk straight through the gray figure and carefully place the log on the andirons.

So she isn't real, after all, she is merely a phantom, I found myself thinking, as I fled from the room, and hurried along the hall to the staircase. She is only a ghost, and nobody believes in ghosts any longer. She is something that I know doesn't exist, yet even, though she can't possibly be, I can swear that I have seen her. My nerves were so shaken by the discovery that as soon as I reached my room I sank in a heap on the rug, and it was here that Hopkins found me a little later when she came to bring me an extra blanket.

"You looked so upset I thought you might have seen something," she said. "Did anything happen while you were in the room?"

"She was there all the time—every blessed minute. You walked right through her when you put the log on the fire. Is it possible that you didn't see her?"

"No, I didn't see anything out of the way." She was plainly frightened. "Where was she standing?"

"On the hearthrug in front of Mr. Vanderbridge. To reach the fire you had to walk straight through her, for she didn't move. She didn't give way an inch."

"Oh, she never gives way. She never gives way living or dead."

This was more than human nature could stand. "In Heaven's name," I cried irritably, "who is she?"

"Don't you know?" She appeared genuinely surprised. "Why, she is the other Mrs. Vanderbridge. She died fifteen years ago, just a year after they were married, and people say a scandal was hushed up about her, which he never knew. She isn't a good sort, that's what I think of her, though they say he almost worshipped her."

"And she still has this hold on him?"

"He can't shake it off, that's what's the matter with him, and if it goes on, he will end his days in an asylum. You see, she was very young, scarcely more than a girl, and he got the idea in his head that it was marrying him that killed her. If you want to know what I think, I believe she puts it there for a purpose."

"You mean—?" I was so completely at sea that I couldn't frame a rational question.

"I mean she haunts him purposely in order to drive him out of his mind. She was always that sort, jealous and exacting, the kind that clutches and strangles a man, and I've often thought, though I've no head for speculation, that we carry into the next world the traits and feelings that have got the better of us in this one. It seems to me only common sense to believe that we're obliged to work them off somewhere until we are free of them. That is the way my first lady used to talk anyhow, and I've never found anybody that could give me a more sensible idea."

"And isn't there any way to stop it? What has Mrs. Vanderbridge done?"

"Oh, she can't do anything now. It has got beyond her, though she has had doctor after doctor, and tried everything she could think of. But, you see, she is handicapped because she can't mention it to her husband. He doesn't know that she knows."

"And she won't tell him?"

"She is the sort that would die first—just the opposite from the Other One—for she leaves him free, she never clutches and strangles. It isn't her way." For a moment she hesitated, and then added grimly—"I've wondered if you could do anything?"

"If I could? Why, I am a perfect stranger to them all."

"That's why I've been thinking it. Now, if you could corner her some day—the Other One—and tell her up and down to her face what you think of her."

The idea was so ludicrous that it made me laugh in spite of my shaken nerves. "They would fancy me out of my wits! Imagine stopping an apparition and telling it what you think of it!"

"Then you might try talking it over with Mrs. Vanderbridge. It would help her to know that you see her also."

But the next morning, when I went down to Mrs. Vanderbridge's room, I found that she was too ill to see me. At noon a trained nurse came on the case, and for a week we took our meals together in the morning-room upstairs. She appeared competent enough, but I am sure that she didn't so much as suspect that there was anything wrong in the house except the influenza which had attacked Mrs. Vanderbridge the night of the opera. Never once during that week did I catch a glimpse of the Other One, though I felt her presence whenever I left my room and passed through the hall below. I knew all the time as well as if I had seen her that she was hidden there, watching, watching—

At the end of the week Mrs. Vanderbridge sent for me to write some letters, and when I went into her room, I found her lying on the couch with a tea table in front of her. She asked me to make the tea because she was still so weak, and I saw that she looked flushed and feverish, and that her eyes were unnaturally large and bright. I hoped she wouldn't talk to me, because people in that state are apt to talk too much and then to blame the listener; but I had hardly taken my seat at the tea table before she said in a hoarse voice—the cold had settled on her chest:

"Miss Wrenn, I have wanted to ask you ever since the other evening—did you—did you see anything unusual at dinner? From your face when you came out I thought—I thought—"

I met this squarely. "That I might have? Yes, I did see something."

"You saw her?"

"I saw a woman come in and sit down at the table, and I wondered why no one served her. I saw her quite distinctly."

"A small woman, thin and pale, in a grey dress?"

"She was so vague and—and misty, you know what I mean, that it is hard to describe her; but I should know her again anywhere. She wore her hair parted and drawn down over her ears. It was very dark and fine—as fine as spun silk."

We were speaking in low voices, and unconsciously we had moved closer together while my idle hands left the tea things.

"Then you know," she said earnestly, "that she really comes—that I am not out of my mind—that it is not an hallucination?"

"I know that I saw her. I would swear to it. But doesn't Mr. Vanderbridge see her also?"

"Not as we see her. He thinks that she is in his mind only." Then after an uncomfortable silence, she added suddenly, "She is really a thought, you know. She is his thought of her—but he doesn't know that she is visible to the rest of us."

"And he brings her back by thinking of her?"

She leaned nearer while a quiver passed over her features and the flush deepened in her cheeks. "That is the only way she comes back—the only way she has the power to come back—as a thought. There are months and months when she leaves us in peace because he is thinking of other things, but of late, since his illness, she has been with him almost constantly." A sob broke from her, and she buried her face in her hands. "I suppose she is always trying to come—only she is too vague—and she hasn't any form that we can see except when he thinks of her as she used to look when she was alive. His thought of her is like that, hurt and tragic and revengeful. You see, he feels that he ruined her life because she died when the child was coming—a month before it would have been born."

"And if he were to see her differently, would she change? Would she cease to be revengeful if he stopped thinking her so?"

"God only knows. I've wondered and wondered how I might move her to pity."

"Then you feel that she is really there? That she exists outside of his mind?"

"How can I tell? What do any of us know of the world beyond? She exists as much as I exist to you or you to me. Isn't thought all that there is—all that we know?"

This was deeper than I could follow; but in order not to appear stupid, I murmured sympathetically.

"And does she make him unhappy when she comes?"

"She is killing him—and me. I believe that is why she does it."

"Are you sure that she could stay away? When he thinks of her isn't she obliged to come back?"

"Oh, I've asked that question over and over! In spite of his calling her so unconsciously, I believe she comes of her own will. I have always the feeling—it has never left me for an instant—that she could appear differently if she would. I have studied her for years until I know her like a book, and though she is only an apparition, I am perfectly positive that she wills evil to us both. Don't you think he would change that if he could? Don't you think he would make her kind instead of vindictive if he had the power?"

"But if he could remember her as loving and tender?"

"I don't know. I give it up—but it is killing me."

It was killing her. As the days passed I began to realize that she had spoken the truth. I watched her bloom fade slowly and her lovely features grow pinched and thin like the features of a starved person. The harder she fought the apparition, the more I saw that the battle was a losing one, and that she was only wasting her strength. So impalpable yet so pervasive was the enemy that it was like fighting a poisonous odour. There was nothing to wrestle with, and yet there was everything. The struggle was wearing her out—was, as she had said, actually "killing her"; but the physician who dosed her daily with drugs—there was need now of a physician—had not the faintest idea of the malady he was treating. In those dreadful days I think that even Mr. Vanderbridge hadn't a suspicion of the truth. The past was with him so constantly—he was so steeped in the memories of it that the present was scarcely more than a dream to him. It was, you see, a reversal of the natural order of things; the thought had become more vivid to his perceptions than any object. The phantom had been victorious so far, and he was like a man recovering from the effects of a narcotic. He was only half awake, only half alive to the events through which he lived and the people who surrounded him. Oh, I realize that I am telling my story badly!—that I am slurring over the significant interludes! My mind has dealt so long with external details that I have almost forgotten the words that express invisible things. Though the phantom in the house was more real to me than the bread I ate or the floor on which I trod, I can give you no impression of the atmosphere in which we lived day after day—of the suspense, of the dread of something we could not define, of the brooding horror that seemed to lurk in the shadows of the firelight, of the feeling always, day and night, that some unseen person was watching us. How Mrs. Vanderbridge stood it without losing her mind, I have never known; and even now I am not sure that she could have kept her reason if the end had not come when it did. That I accidentally brought it about is one of the things in my life I am most thankful to remember.

It was an afternoon in late winter, and I had just come up from luncheon, when Mrs. Vanderbridge asked me to empty an old desk in one of the upstairs rooms. "I am sending all the furniture in that room away," she said, "it was bought in a bad period, and I want to clear it out and make room for the lovely things we picked up in Italy. There is nothing in the desk worth saving except some old letters from Mr. Vanderbridge's mother before her marriage."

I was glad that she could think of anything so practical as furniture, and it was with relief that I followed her into the dim, rather musty room over the library, where the windows were all tightly closed. Years ago, Hopkins had once told me, the first Mrs. Vanderbridge had used this room for a while, and after her death her husband had been in the habit of shutting himself up alone here in the evenings. This, I inferred, was the secret reason why my employer was sending the furniture away. She had resolved to clear the house of every association with the past.

For a few minutes we sorted the letters in the drawers of the desk, and then, as I expected, Mrs. Vanderbridge became suddenly bored by the task she had undertaken. She was subject to these nervous reactions, and I was prepared for them even when they seized her so spasmodically. I remember that she was in the very act of glancing over an old letter when she rose impatiently, tossed it into the fire unread, and picked up a magazine she had thrown down on a chair.

"Go over them by yourself, Miss Wrenn," she said, and it was characteristic of her nature that she should assume my trustworthiness. "If anything seems worth saving you can file it—but I'd rather die than have to wade through all this."

They were mostly personal letters, and while I went on, carefully filing them, I thought how absurd it was of people to preserve so many papers that were entirely without value. Mr. Vanderbridge I had imagined to be a methodical man, and yet the disorder of the desk produced a painful effect on my systematic temperament. The drawers were filled with letters evidently unsorted, for now and then I came upon a mass of business receipts and acknowledgements crammed in among wedding invitations or letters from some elderly lady, who wrote interminable pale epistles in the finest and most feminine of Italian hands. That a man of Mr. Vanderbridge's wealth and position should have been so careless about his correspondence amazed me until I recalled the dark hints Hopkins had dropped in some of her midnight conversations. Was it possible that he had actually lost his reason for months after the death of his first wife, during that year when he had shut himself alone with her memory? The question was still in my mind when my eyes fell on the envelope in my hand, and I saw that it was addressed to Mrs. Roger Vanderbridge. So this explained, in a measure at least, the carelessness and the disorder! The desk was not his, but hers, and after her death he had used it only during those desperate months when he barely opened a letter. What he had done in those long evenings when he sat alone here it was beyond me to imagine. Was it any wonder that the brooding should have permanently unbalanced his mind?

At the end of an hour I had sorted and filed the papers, with the intention of asking Mrs. Vanderbridge if she wished me to destroy the ones that seemed to be unimportant. The letters she had instructed me to keep had not come to my hand, and I was about to give up the search for them, when, in shaking the lock of one of the drawers, the door of a secret compartment fell open and I discovered a dark object, which crumbled and dropped apart when I touched it. Bending nearer, I saw that the crumbled mass had once been a bunch of flowers, and that a streamer of purple ribbon still held together the frail structure of wire and stems. In this drawer some one had hidden a sacred treasure, and moved by a sense of romance and adventure, I gathered the dust tenderly in tissue paper, and prepared to take it downstairs to Mrs. Vanderbridge. It was not until then that some letters tied loosely together with a silver cord caught my eyes, and while I picked them up, I remember thinking that they must be the ones for which I had been looking so long. Then, as the cord broke in my grasp and I gathered the letters from the lid of the desk, a word or two flashed back at me through the torn edges of the envelopes, and I realized that they were love letters written, I surmised, some fifteen years ago, by Mr. Vanderbridge to his first wife.

"It may hurt her to see them," I thought, "but I don't dare destroy them. There is nothing I can do except give them to her."

As I left the room, carrying the letters and the ashes of the flowers, the idea of taking them to the husband instead of to the wife, flashed through my mind. Then—I think it was some jealous feeling about the phantom that decided me—I quickened my steps to a run down the staircase.

"They would bring her back. He would think of her more than ever," I told myself, "so he shall never see them. He shall never see them if I can prevent it." I believe it occurred to me that Mrs. Vanderbridge would be generous enough to give them to him—she was capable of rising above her jealousy, I knew—but I determined that she shouldn't do it until I had reasoned it out with her. "If anything on earth would bring back the Other One for good, it would be his seeing these old letters," I repeated as I hastened down the hall.

Mrs. Vanderbridge was lying on the couch before the fire, and I noticed at once that she had been crying. The drawn look in her sweet face went to my heart, and I felt that I would do anything in the world to comfort her. Though she had a book in her hand, I could see that she had not been reading. The electric lamp on the table by her side was already lighted, leaving the rest of the room in shadow, for it was a grey day with a biting edge of snow in the air. It was all very charming in the soft light; but as soon as I entered I had a feeling of oppression that made me want to run out into the wind. If you have ever lived in a haunted house—a house pervaded by an unforgettable past—you will understand the sensation of melancholy that crept over me the minute the shadows began to fall. It was not in myself—of this I am sure, for I have naturally a cheerful temperament—it was in the space that surrounded us and the air we breathed.

I explained to her about the letters, and then, kneeling on the rug in front of her, I emptied the dust of the flowers into the fire. There was, though I hate to confess it, a vindictive pleasure in watching it melt into the flames and at the moment I believe I could have burned the apparition as thankfully. The more I saw of the Other One, the more I found myself accepting Hopkins' judgment of her. Yes, her behaviour, living and dead, proved that she was not "a good sort."

My eyes were still on the flames when a sound from Mrs. Vanderbridge—half a sigh, half a sob—made me turn quickly and look up at her.

"But this isn't his handwriting," she said in a puzzled tone. "They are love letters, and they are to her—but they are not from him." For a moment or two she was silent, and I heard the pages rustle in her hands as she turned them impatiently. "They are not from him," she repeated presently, with an exultant ring in her voice. "They are written after her marriage, but they are from another man." She was as sternly tragic as an avenging fate. "She wasn't faithful to him while she lived. She wasn't faithful to him even while he was hers—"

With a spring I had risen from my knees and was bending over her.

"Then you can save him from her. You can win him back? You have only to show him the letters, and he will believe."

"Yes, I have only to show him the letters." She was looking beyond me into the dusky shadows of the firelight, as if she saw the Other One standing there. "I have only to show him the letters," I knew now that she was not speaking to me, "and he will believe."

"Her power over him will be broken," I cried out. "He will think of her differently. Oh, don't you see? Can't you see? It is the only way to make him think of her differently. It is the only way to break for ever the thought that draws her back to him."

"Yes, I see, it is the only way," she said slowly; and the words were still on her lips when the door opened and Mr. Vanderbridge entered.

"I came for a cup of tea," he began, and added with playful tenderness, "What is the only way?"

It was the crucial moment, I realized—it was the hour of destiny for these two—and while he sank wearily into a chair, I looked imploringly at his wife and then at the letters lying scattered loosely about her. If I had had my will I should have flung them at him with a violence which would have startled him out of his lethargy. Violence, I felt was what he needed—violence, a storm, tears, reproaches—all the things he would never get from his wife.

For a minute or two she sat there, with the letters before her, and watched him with her thoughtful and tender gaze. I knew from her face, so lovely and yet so sad, that she was looking again at invisible things—at the soul of the man she loved, not at the body. She saw him, detached and spiritualized, and she saw also the Other One—for while we waited I became slowly aware of the apparition in the firelight—of the white face and the cloudy hair and the look of animosity and bitterness in the eyes. Never before had I been so profoundly convinced of the malignant will veiled by that thin figure. It was as if the visible form were only a spiral of grey smoke covering a sinister purpose.

"The only way," said Mrs. Vanderbridge, "is to fight fairly even when one fights evil." Her voice was like a bell, and as she spoke, she rose from the couch and stood there in her glowing beauty confronting the pale ghost of the past. There was a light about her that was almost unearthly—the light of triumph. The radiance of it blinded me for an instant. It was like a flame, clearing the atmosphere of all that was evil, of all that was poisonous and deadly. She was looking directly at the phantom, and there was no hate in her voice—there was only a great pity, a great sorrow and sweetness.

"I can't fight you that way," she said, and I knew that for the first time she had swept aside subterfuge and evasion, and was speaking straight to the presence before her. "After all, you are dead and I am living, and I cannot fight you that way. I give up everything. I give him back to you. Nothing is mine that I cannot win and keep fairly. Nothing is mine that belongs really to you."

Then, while Mr. Vanderbridge rose, with a start of fear, and came towards her, she bent quickly, and flung the letters into the fire. When he would have stooped to gather the unburned pages, her lovely flowing body curved between his hands and the flames; and so transparent, so ethereal she looked, that I saw—or imagined that I saw—the firelight shine through her. "The only way, my dear, is the right way," she said softly.

The next instant—I don't know to this day how or when it began—I was aware that the apparition had drawn nearer, and that the dread and fear, the evil purpose, were no longer a part of her. I saw her clearly for a moment—saw her as I had never seen her before—young and gentle and—yes, this is the only word for it—loving. It was just as if a curse had turned into a blessing, for, while she stood there, I had a curious sensation of being enfolded in a kind of spiritual glow and comfort—only words are useless to describe the feeling because it wasn't in the least like anything else I had ever known in my life. It was light without heat, glow without light—and yet it was none of these things. The nearest I can come to it is to call it a sense of blessedness—of blessedness that made you at peace with everything you had once hated.

Not until afterwards did I realize that it was the victory of good over evil. Not until afterwards did I discover that Mrs. Vanderbridge had triumphed over the past in the only way that she could triumph. She had won, not by resisting, but by accepting, not by violence, but by gentleness, not by grasping, but by renouncing. Oh, long, long afterwards, I knew that she had robbed the phantom of power over her by robbing it of hatred. She had changed the thought of the past, in that lay her victory.

At the moment I did not understand this. I did not understand it even when I looked again for the apparition in the firelight, and saw that it had vanished. There was nothing there—nothing except the pleasant flicker of light and shadow on the old Persian rug.



HIS SMILE[11]

By SUSAN GLASPELL

(From The Pictorial Review)

Laura stood across the street waiting for the people to come out from the picture-show. She couldn't have said just why she was waiting, unless it was that she was waiting because she could not go away. She was not wearing her black; she had a reason for not wearing it when she came on these trips, and the simple lines of her dark-blue suit and the smart little hat Howie had always liked on her, somehow suggested young and happy things. Two soldiers came by; one of them said, "Hello, there, kiddo," and the other, noting the anxiety with which she waited, assured her, "You should worry." She looked at them, and when he saw her face the one who had said, "You should worry," said, in sheepish fashion, "Well, I should worry," as if to get out of the apology he didn't know how to make. She was glad they had gone by. It hurt so to be near the soldiers.

The man behind her kept saying, "Pop-corn! Pop-corn right here." It seemed she must buy pop-corn if she stood there. She bought some. She tried to do the thing she was expected to do—so she wouldn't be noticed.

Then the people came pushing out from the theater. They did it just as they did it in the other towns. A new town was only the same town in a different place; and all of it was a world she was as out of as if it were passing before her in a picture. All of it except that one thing that was all she had left! She had come so far to have it tonight. She wouldn't be cheated. She crossed the street, and as the last people were coming out of the theater she went in.

A man, yawning, was doing something to a light. He must belong to the place. His back was to her, and she stood there trying to get brave enough to speak. It had never been easy for her to open conversations with strangers. For so many years it was Howie who had seemed to connect her with the world. And suddenly she thought of how sorry Howie would be to see her waiting around in this dismal place after every one else had gone, trying to speak to a strange man about a thing that man wouldn't at all understand. How well Howie would understand it! He would say, "Go on home, Laura." "Don't do this, sweetheart." Almost as if he had said it, she turned away. But she turned back. This was her wedding anniversary.

She went up to the man. "You didn't give all of the picture tonight, did you?" Her voice was sharp; it mustn't tremble.

He looked round at her in astonishment. He kept looking her up and down as if to make her out. Her trembling hands clutched the bag of pop-corn and some of it spilled. She let it all fall and put one hand to her mouth.

A man came down from upstairs. "Lady here says you didn't give the whole show tonight," said the first man.

The young man on the stairs paused in astonishment. He, too, looked Laura up and down. She took a step backward.

"What was left out wasn't of any importance, lady," said the man, looking at her, not unkindly, but puzzled.

"I think it was!" she contended in a high, sharp voice. They both stared at her. As she realized that this could happen, saw how slight was her hold on the one thing she had, she went on, desperately, "You haven't any right to do this! It's—it's cheating."

They looked then, not at her, but at each other—as the sane counsel together in the presence of what is outside their world. Oh, she knew that look! She had seen her brother and his wife doing it when first she knew about Howie.

"Now I'll tell you, lady," said the man to whom she had first spoken, in the voice that deals with what has to be dealt with carefully, "you just let me give you your money back, then you won't have the feeling that you've been cheated." He put his hand in his pocket.

"I don't want my money back!" cried Laura. "I—want to see what you left out!"

"Well, I'll tell you what I'll do," proposed the young man, taking his cue from the older one. "I'll tell you just exactly what happened in the part that was left out."

"I know exactly what happened," cut in Laura. "I—I want to see—what happened."

It was a cry from so deep that they didn't know what to do.

"Won't you do it for me?" she begged of the young man, going up to him. "What you left out—won't you show it for me—now?"

He just stood there staring at her.

"It means—! It—" But how could she tell them what it meant? She looked from one to the other, as if to see what chance there was of their doing it without knowing what it meant. When she couldn't keep sobs back, she turned away.

Even in her room at the hotel she had to try to keep from crying. She could hear the man moving around in the next room—so he, of course, could hear her, too. It was all as it was in the pictures—people crowded together, and all of it something that seemed life and really wasn't. Even that—the one thing, the one moment—really wasn't life. But it was all she had! If she let herself think of how little that all was—it was an emptiness she was afraid of.

The people who had tried to comfort her used to talk of how much she had had. She would wonder sometimes why they were talking on her side instead of their own. For if you have had much—does that make it easy to get along with nothing? Why couldn't they see it? That because of what Howie had been to her—and for ten years!—she just didn't know any way of going on living without Howie!

Tonight made fresh all her wedding anniversaries—brought happiness to life again. It almost took her in. And because she had been so near the dear, warm things in which she had lived, when morning came she couldn't get on the train that would take her back to that house to which Howie would never come again. Once more it all seemed slipping from her. There must be something. As a frightened child runs for home, she turned to that place where—for at least a moment—it was as if Howie were there.

She went to the telegraph office and wired the company that sent out "The Cross of Diamonds," asking where that film could be seen. She had learned that this was the way to do it. She had known nothing about such things at first; it had been hard to find out the ways of doing. It was a world she didn't know the ways of.

When she got her answer, and found that the place where "The Cross of Diamonds" would be shown that night was more than a hundred miles away—that it meant going that much farther away from home—she told herself this was a thing she couldn't do. She told herself this must stop—that her brother was right in the things he said against it. It wouldn't do. He hadn't said it was crazy, but that was what he meant—or feared. She had told him she would try to stop. Now was the time to do it—now when she would have to go so much farther away. But—it was going farther away—this glimpse of Howie—all that was left of Howie was moving away from her! And after the disappointment of the night before—She must see him once more! Then—yes, then she would stop.

She was excited when she had decided to do this. It lifted her out of the nothingness. From this meager thing her great need could in a way create the feeling that she was going to meet Howie. Once more she would see him do that thing which was so like him as to bring him back into life. Why should she turn from it? What were all the other things compared with this thing? This was one little flash of life in a world that had ceased to be alive.

So again that night, in the clothes he had most liked, she went for that poor little meeting with her husband—so pitifully little, and yet so tremendous because it was all she would ever have. Again she sat in a big, noisy place with many jostling, laughing people—and waited to see Howie. She forgot that the place had ugly red walls and sickly green lights; she could somehow separate herself from harsh voices and smells—for she was here to meet Howie!

She knew just the part of the house to sit in. Once she had sat where she couldn't see him as he passed from sight! After that she had always come very early. So she had to sit there while other people were coming in. But she didn't much mind that; it was like sitting in a crowded railway station when the person you love is coming soon.

But suddenly something reached over that gulf between other people and her. A word. A terrible word. Behind her some one said "munitions." She put her hand to her eyes and pressed tight. Not to see. That was why she had to keep coming for this look at Howie. She had to see him—that she might shut out that—the picture of Howie—blown into pieces.

She hated people. They were always doing something like this to her. She hated all these people in the theater. It seemed they were all, somehow, against her. And Howie had been so good to them! He was so good to people like the people in this theater. It was because he was so good and kind to them that he was—that he was not Howie now. He was always thinking of people's comfort—the comfort of people who had to work hard. From the time he went into his father's factory he had always been thinking up ways of making people more comfortable in their work. To see girls working in uncomfortable chairs, or standing hour after hour at tables too low or too high for them—he couldn't pass those things by as others passed them by. He had a certain inventive faculty, and his kindness was always making use of that. His father used to tell him he would break them all up in business if his mind went on working in that direction. He would tell him if he was going to be an inventor he had better think up some money-making inventions. Howie would laugh and reply that he'd make it all up some day. And at last one of the things he had thought out to make it better for people was really going to make it better for Howie. It was a certain kind of shade for the eyes. It had been a relief to the girls in their little factory, and it was being tried out elsewhere. It was even being used a little in one of the big munition plants. Howie was there seeing about it. And while he was there—He went in there Howie. There wasn't even anything to carry out.

The picture had begun. She had to wait until almost half of it had passed before her moment came. The story was a tawdry, meaningless thing about the adventures of two men who had stolen a diamond cross—a strange world into which to come to find Howie. Chance had caught him into it—he was one of the people passing along a street which was being taken for the picture. His moment was prolonged by his stopping to do the kind of thing Howie would do, and now it was as if that one moment was the only thing saved out of Howie's life. They who made the picture had apparently seen that the moment was worth keeping—they left it as a part of the stream of life that was going by while the detective of their story waited for the men for whom he had laid a trap. The story itself had little relation to real things—yet chance made it this vehicle for keeping something of the reality that had been Howie—a disclosing moment captured unawares.

She was thinking of the strangeness of all this when again the people seated back of her said a thing that came right to her. They were saying "scrap-heap." She knew—before she knew why—that this had something to do with her. Then she found that they were talking about this film. It was ready for the scrap-heap. It was on its last legs. They laughed and said perhaps they were seeing its "last appearance."

She tried to understand what it meant. Then even this would cease to be in the world. She had known she ought to stop following the picture around, she had even told herself this would be the last time she would come to see it—but to feel it wouldn't any longer be there to be seen—that even this glimpse of Howie would go out—go out as life goes out—scrap-heap! She sat up straight and cleared her throat. She would have to leave. She must get air. But she looked to see where they were. Not far now. She might miss Howie! With both hands she took hold of the sides of the seat. She was not going to fall forward! Not suffocating. Not until after she had seen him.

Now. The detective has left the hotel—he is walking along the street. He comes to the cigar-store door, and there steps in to watch. And there comes the dog! Then it was not going to be cut out tonight! Along comes the little dog—pawing at his muzzle. He stops in distress in front of the cigar-store. People pass and pay no attention to the dog—there on the sidewalk. And then—in the darkened theater her hands go out, for the door has opened—and she sees her husband! Howie. There. Moving as he always moved! She fights back the tears that would blur him. That dear familiar way he moves! It is almost as if she could step up and meet him, and they could walk away together.

He starts to go the other way. Then he sees the dog. He goes up to him; he is speaking to him, wanting to know what is the matter. She can fairly hear the warmth and kindness of his voice as he speaks to the little dog. He feels of the muzzle—finds it too tight; he lets it out a notch. Dear Howie. Of course he would do that. No one else had cared, but he would care. Then he speaks to the dog—pats him—tells him he is all right now. Then Howie turns away.

But the dog thinks he will go with this nice person! Howie laughs and tells him he can't come. A little girl has come across the street. Howie tells her to keep the dog from following him. Then again he turns to go. But just before he passes from sight the child calls something to him, and he looks back over his shoulder and smiles. She sees again the smile that has been the heart of her life. Then he passes from sight.

And he always leaves friends behind him—just as he always did leave friends behind him. There will be little murmurs of approval; sometimes there is applause. Tonight a woman near Laura said, "Say, I bet that's an awful nice fellow."

She never left her seat at once, as if moving would break a spell. For a little while after she had seen it, his smile would stay with her. Then it would fade, as things fade in the motion pictures. Somehow she didn't really have it. That was why she had to keep coming—constantly reaching out for something that was not hers to keep.

When her moment had gone, she rose and walked down the aisle. It was very hard to go away tonight. There had been all the time the fear that what happened the night before would happen again—that she would not see Howie, after all. That made her so tense that she was exhausted now. And then "munitions"—and "scrap-heap." Perhaps it was because of all this that tonight her moment had been so brief. Only for an instant Howie's smile had brought her into life. It was gone now. It had passed.

She was so worn that when, at the door, her brother Tom stepped up to her she was not much surprised or even angry. Tom had no business to be following her about. She had told him that she would have to manage it her own way—that he would have to let her alone. Now here he was again—to trouble her, to talk to her about being brave and sane—when he didn't know—when he didn't have any idea what he was talking about! But it didn't matter—not tonight. Let him do things—get the tickets—and all that. Even let him talk to her. That didn't matter either.

But he talked very little. He seemed to think there was something wrong with her. He looked at her and said, "O, Laura!" reproachfully, but distressed.

"I thought you weren't going to do this any more, Laura," he said gently, after they had walked a little way.

"How did you know I was here?" she asked listlessly.

"They sent me word you had left home. I traced you."

"I don't see why you should trace me," she said, but not as if it mattered.

"O, Laura!" he said again. "Well, I must say I don't think Mrs. Edmunds was much of a friend!"

It was Mrs. Edmunds who had told Laura that there was this glimpse of her husband in "The Cross of Diamonds." She had hesitated about telling her, but had finally said it was so characteristic and beautiful a moment she felt Laura should see it.

From the first Tom had opposed her seeing it, saying it would be nothing but torture to her. Torture it was, but it was as if that torture were all there was left of life.

Tonight everything was as a world of shadows. She knew that her brother was taking her to his home instead of back to her own. He had wanted to do this before, but she had refused. There was nothing in her now that could refuse. She went with him as if she were merely moving in a picture and had no power of her own to get out of it.

And that was the way it was through the next few weeks. Tom and his wife would talk to her about trying to interest herself in life. She made no resistance, she had no argument against this; but she had no power to do it. They didn't know—they didn't know how it had been with her and Howie.

She herself had never been outgoing. It was perhaps a habit of reserve built out of timidity, but she had been a girl whose life did not have a real contact with other lives. Perhaps there were many people like that—perhaps not; she did not know. She only knew that before Howie came the life in her was more as a thing unto itself than a part of the life of the world.

Then Howie came! Howie, who could get on with any one, who found something to like in every one; and in the warmth and strength of his feeling for people he drew her into that main body of life where she had not been before. It had been like coming into the sunshine!

Now he was gone; and they asked her to be alone what she had been through him. It was like telling one to go into the sunshine when the sun is not shining.

And the more these others tried to reach her, the more alone she felt, for it only made her know they could not reach her. When you have lived in the sunshine, days of cold mist may become more than you can bear. After a long struggle not to do so, she again went to the long-distance telephone to find out where that picture was being shown—that picture into which was caught one moment of Howie's life as he moved through the world.

Worn by the struggle not to do what she was doing, and tormented by the fear that she had waited too long, that this one thing which was left to her might no longer be, she had to put every bit of her strength into establishing this connection with the people who could tell her what she must know. Establishing the connection with living was like this. She was far off and connected only by a tenuous thing which might any moment go into confusion and stop.

At the other end some one was making fun of her. They doubted if "The Cross of Diamonds" could be seen anywhere at all. "The Cross of Diamonds" had been double-crossed. Wasn't it too much of a cross, anyway, to see "The Cross of Diamonds"?

Finally another man came to the phone. "The Cross of Diamonds" could be seen at a certain town in Indiana. But she'd better hurry! And she'd better look her last look. Why did she want to see it—might he ask? But Laura hung up the receiver. She must hurry!

All the rest of it was a blur and a hurry. Through the unreal confusion drove the one idea—she must get there in time! And that whole life of the world seemed pitted against her—it was as if the whole of that main body of life was thrown in between her and Howie. The train was late. It was almost the hour for pictures to begin when she got down at that lonely, far-away station. And the town, it seemed, was a mile from the station! There was a bus she must take. Every nerve of her being was hurrying that bus on—until that very anxiety made it seem it was Howie himself she would see if only she could get there in time.

And being late, the downstairs at the theater was full. "Balcony only," said a man as she came in. "Oh, won't you find me a good seat?" Laura besought him. "Like to know how I'll find you a seat when there ain't no seat," was the answer—the whole big life of the world in between her and Howie!

Upstairs, too, it was hard to find a place. And all those people seated there—for them it meant only a few hours' silly entertainment!

But after a moment a man directed her to a seat. There was another place beside it, and just as Laura was being seated a woman came along with two children. "We can't all sit together," she was saying, "so you just sit in here, Mamie. You sit right in here—beside the nice lady."

The mother looked at Laura, as if expecting her to welcome her child. Laura did nothing. She must be alone. She was there to be with Howie.

She was not as late as she had feared. There would be time for getting ready—getting ready for Howie! She knew this would be the last time she would see Howie as he had moved through the world. For the last time she would see his face light to a smile. If she did not reach him tonight, she would never reach him. She had a feeling that she could reach him, if only something in her—if only something in her—

She could not finish that; it brought her to a place into which she could not reach, but as never before she had a feeling that he could be reached. And so when the little girl beside her twisted in her seat and she knew that the child was looking up at her she tried not to know this little girl was there—tried not to know that any of those people were there. If only she could get them all out of the way—she could reach into the shadow and feel Howie near!

But there was one thing she kept knowing—try her best not to know it! The little girl beside her, too young to be there, was going to sleep. When it came right up to the moment for her to see Howie, she was knowing that that little girl had fallen asleep in an uncomfortable position. Her head had been resting on the side of the seat—the side next Laura—and as she fell asleep it slipped from its support in a way that—Could she help it if this child was not comfortable? Angry, she tried to brush this from her consciousness as we brush dust from our eyes. This was her moment with Howie—her chance.

But when her moment came, a cruel thing happened. Something was wrong with the machine that was showing the picture. At just that moment—of all the moments!—the worn-out film seemed to be going to pieces before her eyes. After the little dog came along, and just as Howie should come out from the cigar-store, there was a flash—a blur—a jumble of movements. It was like an earthquake—it looked like life ceasing to be life. "No!" she gasped under her breath. "No!" The people around her were saying things of a different sort. "Cut it!" "What you givin' us?" "Whoa, boy!" They laughed. They didn't care. It got a little better; she could make out Howie bending down to fix the dog's muzzle—but it was all dancing crazily—and people were laughing. And then—then the miracle! It was on Howie's smile the picture steadied—that smile back over his shoulder after he had turned to go. And, as if to bring to rights what had been wrong, the smile was held, and it was as if Howie lingered, as if in leaving life he looked back over his shoulder and waited—waited for his smile to reach Laura. Out of the jumble and blur—out of the wrong and meaningless—Howie's beautiful steady smile making it all right.

She could not have told how it happened. As Howie passed, she turned to the little girl beside her whose head was without support and, not waking her, supported the child's head against her own arm. And after she had done this—it was after she had done it that she began to know, as if doing it let down bars.

Now she was knowing. She had wanted to push people aside and reach into the shadows for Howie. She began to see that it was not so she would reach him. It was in being as he had been—kind, caring—that she could have a sense of him near. Here was her chance—among the people she had thought stood between her and her chance. Howie had always cared for these people. On his way through the world with them he had always stopped to do the kind thing—as he stopped to make it right for the badly muzzled dog. Then there was something for her to do in the world. She could do the kind things Howie would be doing if he were there! It would somehow—keep him. It would—fulfill him. Yes, fulfill him. Howie had made her more alive—warmer and kinder. If she became as she had been before—Howie would have failed. She moved so that the little girl who rested against her could rest the better. And as she did this—it was as if Howie had smiled. The one thing the picture had never given her—the sense that it was hers to keep—that stole through her now as the things come which we know we can never lose. For the first moment since she lost him, she had him. And all the people in that theater, and all the people in the world—here was the truth! It cleared and righted as Howie's smile had righted the picture. In so far as she could come close to others she would come closer to him.



THE HARBOR MASTER[12]

By RICHARD MATTHEWS HALLET

(From Harper's Magazine)

Coming ashore one summer's night from Meteor Island, Jethro Rackby was met by Peter Loud—Deep-water Peter he was called, because even so early he had gone one foreign voyage. Peter was going round with a paper containing the subscription to a dance.

"Come, Harbor Master," he said; "put your thumb mark in the corner along with the rest of us."

Rackby drew back. "Why should I dance?" he muttered.

He was town clerk as well as harbor master—a scholarly man with visionary, pale eyes, and a great solitary, as Peter knew.

"Why? I'll tell you why," said Peter. "To bring joy to Caddie Sill's heart, if nothing more. The girl would throw all the rest of us in a heap tomorrow for a firm hold of you, Rackby."

He winked at Zinie Shadd, who swayed on his heels soberly.

Rackby turned his eyes toward the black mound of Meteor, which lay like a shaggy stone Cerberus at the harbor's mouth.

The star-pointed harbor was quiet at his feet. Shadows in the water were deep and languid, betokening an early fall of rain through the still air. But from the rim of the sea, where the surf was seen only as a white glow waxing and waning, a constant drone was borne in to them—a thunder of the white horses' hoofs trampling on Pull-an'-be-Damned; the vindictive sound of seas falling down one after another on wasted rocks, on shifting sand bars—a powerful monotone seeming to increase in the ear with fuller attention. The contrast was marked between the heavy-lying peace of the inner harbor and that hungry reverberation from without of waters seeking fresh holds along a mutilated coast. On damp nights when the wind hauled to the southeast, men stood still in their tracks, and said, simply, "There's the Old Roke," as if it was the Old Man of the Sea himself. The sound was a living personality in their ears.—Women whom the sea had widowed shivered and rattled irons when the Old Roke came close to their windows; but the men listened, as if they had been called—each by his own name.

"What's the ringle jingle of feet by the side of that?" Rackby said, his mystified face turned toward the water. "I'm a man for slow tunes, Peter. No, no, no; put your paper up again."

"No? You're a denying sort of a crab, and no mistake. Always seeing how fast you can crawl backward out of pleasure."

"I mistrust women."

"You cleave to the spirit and turn from the flesh, that I know. But here's a woman with a voice to waken the dead."

"That's the voice on the seaward side of Meteor," answered Rackby.

"Cad Sills is flesh and blood of the Old Roke, I'm agreed," said Deep-water Peter. "She's a seafaring woman, that's certain. Next door to ending in a fish's tail, too, sometimes I think, when I see her carrying on—Maybe you've seen her sporting with the horse-shoe crabs and all o' that at Pull-an'-be-Damned?"

"No, I can't say that."

"No, it wasn't to be expected, you with your head and shoulders walking around in a barrel of jam."

The harbor master smiled wistfully.

"More I don't require," he said.

"Ah, so you say now—Well, marry the sea, then. It's a slippery embrace, take the word of a man who has gone foreign voyages."

"I mistrust the sea," said Jethro.

"So you do.—You mistrust the sea and the like o' that, and you mistrust women and the like o' that. There's too much heaving and tossing in such waters for a harbor master, hey?"

"I'm at home here, that's a fact," said Jethro. "I know the tides and the buoys. I can find my way in the dark, where another man would be at a total loss. I'm never suffering for landmarks."

"Landmarks!" roared Deep-water Peter. "What's a landmark good for but to take a new departure?"

To the sea-goers, tilted on a bench in the shadow of the Customs House, he added, "What life must be without a touch of lady fever is more than I can tell."

A red-bearded viking at the end of the bench rose and took Peter's shoulders in a fearful grip.

"What's all this talk of lady fever?"

"Let be, Cap'n Dreed!" cried Peter. His boisterousness failed him like wind going out of a sail. He twisted out of the big seaman's grip and from a distance shouted, "If you weren't so cussed bashful, you might have had something more than a libel pinned to your mainmast by now, with all this time in port."

There was a general shifting along the bench, to make room for possible fray. It was a sore point with Sam Dreed that the ship chandler had that day effected a lien for labor on his ship, and the libel was nailed to the mast.

"Now they'll scandalize each other," murmured Zinie Shadd.

They were turned from that purpose only by the sudden passing at their backs of the woman in question, Caddie Sills.

Quiet reigned. The older men crossed their legs, sat far down on their spines, and narrowed their eyes. The brick wall of the Customs House, held from collapsing by a row of rusty iron stars, seemed to bulge more than its wont for the moment—its upper window, a ship's deadlight, round and expressionless as the eye of a codfish.

Cad Sills ran her eye over them deftly, as if they were the separate strings of an instrument which could afford gratification to her only when swept lightly all at one time by her tingling finger tips, or, more likely, by the intangible plectrum in her black eye.

The man she selected for her nod was Sam Dreed, however.

Peter Loud felt the walls of his heart pinch together with jealousy.

It was all in a second's dreaming. "Gape and swallow," as Zinie Shadd said, from his end of the bench. The woman passed with a supercilious turn of her head away from them.

"That's a foot-loose woman if ever there was one."

With all her gift of badinage, she was a solitary soul. The men feared no less than they admired her. They were shy of that wild courage, fearful to put so dark a mystery to the solution. The women hated her, backbit and would not make friends, because of the fatal instantaneous power she wielded to spin men's blood and pitch their souls derelict on that impassioned current. Who shall put his finger on the source of this power? There were girls upon girls with eyes as black, cheeks as like hers as fruit ripened on the same bough, hair as thick and lustrous—yet at the sound of Caddie Sills's bare footfall eyes shifted and glowed, and in the imaginations of these men the women of their choice grew pale as the ashes that fringe a fallen fire.

"She's a perilous woman," muttered the collector of the port. "Sticks in the slant of a man's eye like the shadow of sin. Ah! there he goes, like the leaves of autumn."

Samuel Dreed trod the dust of the road with a wonderful swaying of his body, denominated the Western Ocean roll. He was a mighty man, all were agreed; not a nose of wax, even for Cad Sills to twist.

"Plump she'll go in his canvas bag, along with his sea boots and his palm and needle, if she's not precious careful, with her shillyshallying," said Zinie Shadd. "I know the character of the man, from long acquaintance, and I know that what he says he'll do he'll do, and no holding off at arm's length, either, for any considerable period of time."

Such was the situation of Cad Sills. A dark, lush, ignorant, entrancing woman, for whose sake decent men stood ready to drop their principles like rags—yes, at a mere secret sign manifested in her eye, where the warmth of her blood was sometimes seen as a crimson spark alighted on black velvet. She went against the good government of souls.

Even Rackby had taken note of her once, deep as his head was in the clouds by preference and custom. It was a day in late November. No snow had fallen, and she floated past him like a cloud shadow as he plodded in the yellow road which turned east at the Preaching Tree. She passed, looked back, slashed a piece of dripping kelp through the air so close that salt drops stung his pale eyes, laughed aloud, and at the top of her laugh, broke into a wild, sweet song unfamiliar to him. It was a voice unlike the flat voices of women thereabouts—strong, sweet, sustained, throbbing with a personal sense of the passion which lurked in the warm notes.

Her foot was bare, and more shapely in consequence than if she had had a habit of wearing shoes. Its shape was the delicate shape of strength native to such a foot, and each toe left its print distinct and even in the dust. With his eye for queer details, he remembered that print and associated with it the yellow-rutted road, the rusty alders in the meadow beyond, and the pale spire of the church thrust into a November sky.

He called this to mind when on the night of the dance information came to his ear that she had sold her pearls to lift the lien on Cap'n Sam Dreed's ship, with her own hands tearing down the libel from the mast and grinding it under her heel.

No man whom she had once passed and silently interrogated could quite forget her, not even Jethro Rackby. The harbor master swayed on his oars, collected himself, and looked forward across the dimpled floor of his harbor, which in its quietude was like a lump of massy silver or rich ore, displaying here and there a spur of light, a surface sparkle. The serenity of his own soul was in part a reflection of this nightly calm, when the spruce on the bank could not be known from its fellow in the water by a man standing on his head. Moreover, to maintain this calm was the plain duty of the harbor master. For five years he had held that office by an annual vote of the town meeting. With his title went authority to say where were the harbor lines, to order the removal of hulks, to provide for keeping open a channel through winter ice—in a word, to keep the peace. This peace was of his own substance.

It was rudely shattered. On the night following the dance Cad Sills put herself in his path for the second time and this time she gave him short shrift. He was pushing forward, near sundown, to take the impulse of an eddy at the edge of Pull-an'-be-Damned when he saw that predatory, songful woman balanced knee-deep in rushing water, her arms tossing.

"She's drowning herself after her quarrel with Sam Dreed," was his first thought. He had just heard a fine tale of that quarrel. The truth was not quite so bold. She had been caught by the tide, which, first peering over the rim of that extended flat, had then shot forth a frothy tongue, and in a twinkling lapped her up.

Jethro presently brought up the webs of his two thumbs hard at her armpits, and took her into his boat, dripping.

"She's not so plump as she was ashore," he said to himself with a vague astonishment. She was as lean as a man at the hips, and finned away like a mermaid, as became a daughter of the Old Roke.

"Steady now, my girl—. Heave and away."

There they stood confronting each other. Enraptured, life given into her hand again, Cad Sills flung her arms about his neck and kissed him—a moist, full-budded, passionate, and salty kiss. Even on the edge of doom, it was plain, she would not be able to modulate, tone, or contain these kisses, each of which launched a fiery barb into the recipient's bosom.

The little fisherman had not known what elemental thing was in a kiss before. He bit his lip and fell back slowly. Then, after a second's vain reflection, he seized the butts of his oars, which had begun to knock together. Caddie Sills sank across a thwart and shivered a little to mark the crowding together of white horses at the very place where she had stood. Contrary currents caused the tide to horse in strongly over Pull-an'-be-Damned.

"What a ninny!" she whispered. "Was I sick with love, I wonder?"

The harbor master answered with the motion of his oars.

She glanced at him shrewdly, then struck her hands together at her breast, which she caused to rise and fall stormily. She was, in fact, a storm petrel in the guise of woman.

"You have saved my life," she cried out, "when not another man in all this world would have lifted so much as his little finger. Do what you will with me after this. Let me be your slave, your dog—. I am a lost woman if you will not take pity on me."

Rackby's heart came into his throat with the slow surge of a sculpin on a hook.

"Nothing—. Nothing at all. Nothing in the world. I happened along—. Just a happen so."

The girl stood up, looked at him long and long, cried, "Thank you for nothing, then, Mr. Happen-so," and from the humility of gratitude she went to the extreme of impudence, and laughed in his face—a ringing, brazen laugh, with the wild sweetness in it which he had noted in the song she sang on that November hillside.

"You're a caution, little man, you're a caution," she said, slanting her lashes. "You certainly are. I've heard of you. Yes, I have, only this morning. I'm a solitary like yourself. See here. You and I could set the world on fire if we joined hands. Do you know that?"

The little man was struck dumb at his oars for very fear of the boldness of her advance. He recognized this for an original and fearsome, not to say delectable, vein of talk. She came on like the sea itself, impetuous and all-embracing. Unfathomed, too. Could fancy itself construct a woman so, pat to his hand?

"Is it true that you despise women as they say?" she whispered. She breathed close, and electrified the tip of his ear with a tendril of hair. He saw that she wore coral now, in place of the pearls. But her lips were redder than the coral. He raised his head.

"Yesterday morning you sold pearls for the benefit of Sam Dreed," he said, in dull tones. "And here you are with your brimstone fairly in my boat."

He looked at her as if the Old Roke himself had clambered into the boat, with his spell of doom.

"I am not afraid of helping honest men in trouble that I know of," said Cad Sills, sucking in her lower lip. "But do you throw that up to me?"

Jethro felt the wickedness of his position like a breath of fire fanning his cheek. Perilously tempted, he sagged back on the oars without a word.

"Soho! you're setting me ashore," said that dark woman, laughing. "I don't wear very well in the eye and that's a plain conclusion."

She laid a finger to her breast, and her eye mocked him. This brazen hardness put him from his half-formed purpose. He addressed himself to the oars, and the dory grated on the shore.

"Good-bye, then, little man," she said, springing past him.

But even now she lingered and looked back, biting the coral and letting it fall, intimating that a word, a whispered syllable, might lay her low.

He sat like a man crushed to earth. When he raised his head she was gone.

Was this the voice from the seaward side of Meteor? True, the sea had yielded this wild being up, but did she speak with the sea's voice? She had at least the sea's inconstancy, the sea's abandonment.

Her words were hot and heavy in little Rackby's heart. Serene harbor master that he was, the unearthly quiet of his harbor was an affront upon him in his present mood. Now that she was lost to him, he could not, by any makeshift of reason, be rid of the impulse that had come upon him to jump fairly out of his own skin in an effort to recapture that tormenting woman—.

He drifted down upon Meteor Island, bowed and self-reproachful, like a spirit approaching the confines of the dead. He stepped ashore and passed the painter of his dory through its ring.

On the crest of the island, at the very spot where, scientists averred, a meteorite had fallen in some prehistoric age, there stood a thick grove, chiefly of hemlock trees. Here on this night he paused. A strange inertness filled all nature. Not a whisper from the branches overhead, not a rustle from the dark mold underfoot. Moonlight in one place flecked the motionless leaves of an alder. Trunk and twigs were quite dissolved in darkness—nothing but the silver pattern of the leaves was shown in random sprays. He felt for an instant disembodied, like these leaves—as if, taking one step too many, he had floated out of his own body and might not return.

"Bear and forbear," he thought. "You wouldn't have stirred, let her say what she would," his heart whispered to the silver leaves.

But he could not forget that wild glance, the wet hand clinging to his wrist, the laugh repeated like an echo from the symphony of that November hillside. He reproached himself withal. What was known of Cad Sills? Little known, and nothing cared to be known. A waif, pursuing him invisibly with a twinkle or flare from her passionate eyes. She was the daughter of a sea captain by his fifth wife. He had escaped the other four. They had died or been deserted in foreign ports, but this one he could not escape. Tradition had it that he lost the figurehead from his ship on the nuptial voyage, attributed this disaster to his bride, and so left her at Rosario, only to find her, after all sail was set, in the forechains, at the very stem of his ship, half drowned, her arms outstretched, a living figurehead. She had swum after him. She outlived him, too, and died in giving birth to Cad Sills, whose blood had thus a trace of sea water—.

He entered his house. In his domestic arrangements he was the very figure of a bachelor. His slimsy silver spoon, dented with toothmarks of an ancestor who had died in a delirium, was laid evenly by his plate. The hand lamps on the shelf wore speckled brown-paper bags inverted over their chimneys. A portrait of a man playing the violin hung out, in massive gilt, over the table, like a ship's figurehead projecting over a wharf's end. His red couch bore northeast and southwest, so that he might not lose good sleep by opposing his body to the flow of magnetic currents.

On this night he drew out from a hole in the upholstery of the couch a bag of stenciled canvas, which chinked. It was full of money, in gold and silver pieces. He counted it, and sat thoughtful. Later he went out of the house and stood looking at the sea as if for a sign. But the sea gave him no sign; and on that night at least had no voice.

It was three days before he came up with Cad Sills again. Then he spied her at nightfall, reclining under the crab-apple tree at Hannan's Landing.

The little man came close enough to tread on her shadow, cleared his throat, and almost shouted:

"Did you mean what you said? Did you mean what you said, girl?"

She laughed and threw the core of an apple in his direction.

"I did when I said it, Mr. Happen-so. I did when I said it."

"I'm ready—. I'm ready now. We'll be married tomorrow, if you don't mind."

"But will I sell my cabbages twice, I wonder? I've had a change of heart since, if I must tell you."

"Surely not in this short space of time," Rackby gasped, dismayed.

A light throbbed in her eye. "Well, perhaps I haven't."

The storm petrel hovered high, swooped close, her lips parted. Her teeth shone with a native luster, as if she had lived on roots and tough things all her life. Again little Rackby felt that glow of health and hardness in her person, as if one of the cynical and beautiful immortals of the Greeks confronted him. He was heartily afraid of her mystifying power of enchantment, which seemed to betray him to greater lengths than he had dreamed. Even now perhaps all was lost.

"I will meet you tonight, then—at the top of the hill. See? By the Preaching Tree."

She nodded her head toward the church corner. "At eight sharp, by the west face of the clock. And, mind you, Mr. Man, not one jot late or early."

Although he heard the quick fall of her feet in the dust grow fainter, it pleased him not to turn. There was a prickling above his heart and at the cords of his throat. The harbor was as blue as a map suddenly unrolled at his feet. Clouds with a purple warp were massing in the east.

The harbor master stared hard at the low ridge of an outlying island where a cow had been put to pasture. The hillocky back of that lone ruminant grew black as ink in the glow of sunset. The creature exhibited a strange fixity of outline, as if it had been a chance configuration of rocks. Rackby in due time felt a flaming impatience shoot upward from his heels. Water soughed and chuckled at the foot of the crab-apple tree, but these eager little voices could no longer soothe or even detain him with their familiar assurances.

He jumped up and stared hard at the west face of the clock, whose gilt hands were still discernible in the fading light. It was five minutes of eight.

When he slipped into the shadow of the Preaching Tree it had grown dark. Fitful lightning flashed. In the meadow fireflies were thick. They made him think of the eager beating of many fiery little hearts, exposed by gloom, lost again in that opalescent glare on the horizon against which the ragged leaves of elm and maple were hung like blobs of ink or swarms of bees.

He breathed fast; he heard mysterious fluted calls. A victim of torturing uncertainty, he strained his ear for that swift footfall. Suddenly he felt her come upon him from behind, buoyant, like a warm wave, and press firm hands over his eyelids. Her hair stung his cheek like wire.

"Guess three times."

Rackby felt the strong beat of that adventurous heart like drums of conquest. He crushed her in his arms until she all but cried out. There was nothing he could say. Her breath carried the keen scent of crushed checkerberry plums. She had been nibbling at tender pippins by the way, like a wild thing.

The harbor master remembered later that he seemed to have twice the number of senses appointed to mortals in that hour. A heavy fragrance fell through the dusk out of the thick of the horse-chestnut tree. A load of hay went by, the rack creaking, the driver sunk well out of sight. He heard the dreaming note of the tree toad; frogs croaked in the lush meadow, water babbled under the crazy wooden sidewalk.—The meadow was one vast pulse of fireflies. He felt this industrious flame enter his own wrists.

Then the birches over the way threshed about in a gust of wind. Almost at once rain fell in heavy drops; blinds banged to and fro, a strong smell of dust was in his nostrils, beat up from the road by driving rain.

The girl first put the palm of her hand hard against his cheek, then yielded, with a pliant and surprising motion of the whole body. Her eyes were full of a strange, bright wickedness. Like torches they seemed to cast a crimson light on the already glowing cheek.

Fascinated by this thought, Rackby bent closer. The tented leaves of the horse-chestnut did not stir. Surely the dusky cheek had actually a touch of crimson in the gloom.

This effect, far from being an illusion was produced by a lantern in the fist of a man swinging toward them with vast strides. And now the clock, obeying its north face, struck eight.

Before the last stroke had sounded the girl was made aware of the betraying light. She whirled out of Rackby's arms and ran toward Sam Dreed. The big viking stood with his feet planted well apart, and a mistrustful finger in his beard.

"Touch and go!" cried Caddie Sills, falling on his neck. "Do we go at the top of the tide, mister?"

"What hellion is that under the trees?" he boomed at her, striking the arm down savagely.

"You will laugh when you see," said Cad Sills, wrung with pain, but returning to him on the instant.

"On the wrong side of my face, maybe."

"Can't you see? It's the little harbor master."

"Ah! and standing in the same piece of dark with you, my girl."

Cad Sills laughed wildly. "Did ever I look for more thanks than this from any mortal man? Then I'm not disappointed. But let me ask you, have you taken your ship inside the island to catch the tide?"

"Yes."

"Oh, you have. And would you have done that with the harbor master looking on? Hauled short across the harbor lines? Maybe you think I have a whole chest of pearls at your beck and call, Sam Dreed. Oh, what vexation! Here I hold the little man blindfolded by my wiles—and this is my thanks!"

The voice was tearful with self-pity.

"Is that so, my puss?" roared the seaman, melted in a flash. He swung the girl by the waist with his free arm. "You have got just enough natural impudence for the tall water and no mistake. Come along."

"Wait!" cried Jethro Rackby. He stepped forward. He felt the first of many wild pangs in thus subjecting himself to last insult. "Where are you going?"

The words had the pitiful vacuity of a detaining question. For what should it matter to Jethro where she went, if she went in company with Sam Dreed?

"How can I tell you that, little man?" Cad Sills flung over her shoulder at him. "The sea is wide and uncertain."

Her full cheek, with its emphatic curve, was almost gaunt in the moment when she fixed her eyes on the wolfish face of that tousle-headed giant who encircled her. Her shoulder blades were pinched back; the line of the marvelous full throat lengthened; she devoured the man with a vehemence of love, brief and fierce as the summer lightning which played below the dark horizon.

She was gone, planting that aerial foot willfully in the dust. Raindrops ticked from one to another of the broad, green leaves over the harbor master's head. Water might be heard frothing in a nearby cistern.

Suddenly the moon glittered on the parson's birch-wood pile, and slanted a beam under the Preaching Tree. Sunk in the thick dust which the rain had slightly stippled in slow droppings, he saw the tender prints of a bare foot and the cruel tracks of the seaman's great, square-toed boots pointing together toward the sea.

He raised his eyes only with a profound effort. They encountered a blackboard affixed to the fat trunk of the Preaching Tree, on which from day to day the parson wrote the text for its preachments in colored chalk. The moon was full upon it, and Rackby saw in crimson lettering the words, "Woman, hath no man damned thee?" The rest of the text he had rubbed out with his own shoulders in turning to take the girl into his arms.

"I damn ye!" he cried, raising his arms wildly. "Yes, by the Lord, I damn ye up and down. May you burn as I burn, where the worm dieth not, and the fires are not quenched."

So saying, he set his foot down deliberately on the first of the light footprints she had made in springing from his side—as if he might as easily as that blot out the memory of his enslavement.

Thereafter the Customs House twitted him, as if it knew the full extent of his shame. Zinie Shadd called after him to know if he had heard that voice from the sea yet, in his comings and goings.

"Peter Loud was not so easy hung by the heels," that aged loiterer affirmed, "shipping as he did along with the lady herself, as bo's'n for Cap'n Sam Dreed."

Jethro Rackby took to drink somewhat, to drown these utterances, or perhaps to quench some stinging thirst within him which he knew not to be of the soul.

When certain of the elders asked him why he did not cut the drink and take a decent wife, he laughed like a demon, and cried out:

"What's that but to swap the devil for a witch?"

Others he met with a counter question:

"Do you think I will tie a knot with my tongue that I can't untie with my teeth?"

So he sat by himself at the back windows of a water-front saloon, and when he caught a glimpse of the water shining there low in its channels he would shut his lips tight.—Who could have thought that it would be the sea itself to throw in his path the woman who had set this blistering agony in his soul? There it lay like rolled glass; the black piles under the footbridge were prolonged to twice their length by their own shadows, so that the bridge seemed lifted enormously high out of water. Beyond the bridge the seine pockets of the mackerel men hung on the shrouds like black cobwebs, and the ships had a blighting look of funeral ships.—

He had mistrusted the sea. It was life; it was death; flow, slack, and ebb—and his pulse followed it.

Officials of the Customs House could testify that for better than a year, if he mentioned women at all, it was in a tone to convey that his fingers had been sorely burned in that flame and smarted still.

The second autumn, from that moment under the Preaching Tree, found him of the same opinion still. He trod the dust a very phantom, while little leaves of cardinal red spun past his nose like the ebbing heart's blood of full-bodied summer. The long leaves of the sumach, too, were like guilty fingers dipped in blood. But the little man paid no heed to the analogies which the seasons presented to his conscience in their dying. Though he thought often of his curse, he had not lifted it. But when he saw a cluster of checkerberry plums in spring gleam withered red against gray moss, on some stony upland, he stood still and pondered.

Then, on a night when the fall wind was at its mightiest, and shook the house on Meteor Island as if clods of turf had been hurled against it, he took down his Bible from its stand. At the first page to which he turned, his eye rested on the words, "Woman, hath no man damned thee?"

He bent close, his hand shook, and his blunt finger traced the remainder of that text which he and Cad Sills together had unwittingly erased from the Preaching Tree.

"No man, Lord."—"Neither do I damn thee: go, and sin no more."

He left the Bible standing open and ran out-of-doors.

The hemlock grove confronted him a mass of solid green. Night was coming on, as if with an ague, in a succession of coppery cold squalls which had not yet overtaken the dying west. In that quarter the sky was like a vast porch of crimson woodbine.

When this had sunk, night gave a forlorn and indistinguishable look to everything. A spark of ruddy light glowed deep in the valley. The rocking outlines of the hills were lost in rushing darkness. At his back sounded the pathetic clatter of a dead spruce against its living neighbor, bespeaking the deviltry of woodland demons.—It was the hour which makes all that man can do seem as nothing in the mournful darkness, causing his works to vanish and be as if they had not been.

At this hour the heart of man may be powerfully stirred, by an anguish, a prayer, or perhaps—a fragrance.

The harbor master, uttering a brief cry, dropped to his knees and remained mute, his arms extended toward the sea in a gesture of reconcilement.

On that night the Sally Lunn, Cap'n Sam Dreed, was wrecked on the sands of Pull-an'-be-Damned.

Rackby, who had fallen into a deep sleep, lying northeast and southwest, was awakened by a hand smiting his door in, and a wailing outside of the Old Roke busy with his agonies. In a second his room was full of crowding seamen, at their head Peter Loud, bearing in his arms the dripping form of Caddie Sills. He laid her gently on the couch.

"Where did you break up?" whispered Rackby. He trembled like a leaf.

"Pull-an'-be-Damned," said Deep-water Peter. "The Cap'n's gone. He didn't come away. Men can say what they like of Sam Dreed; he wouldn't come into the boat. I'll tell all the world that."

The crew of the wrecked ship stood heaving and glittering in their oils, plucking their beards with a sense of trespass, hearing the steeple clock tick, and water drum on the worn floor.

"All you men clear out," said Caddie Sills, faintly. "Leave me here with Jethro Rackby."

They set themselves in motion, pushing one against the other with a rasp and shriek of oilskins—and Peter Loud last of all.

The harbor master, not knowing what to say, took a step away from her, came back, and, looking into her pale face, cried out, horror-struck, "I damned ye." He dropped on his knees. "Poor girl! I damned ye out and out."

"Hold your horses, Mr. Happen-so," said Cad Sills. "There's no harm in that. I was damned and basted good and brown before you ever took me across your little checkered apron."

She looked at him almost wistfully, as if she had need of him. With her wet hair uncoiling to the floor, she looked as if she had served, herself, for a fateful living figurehead, like her mother before her. The bit of coral was still slung round her throat. The harbor master recalled with what a world of meaning she had caught it between her teeth on the night of his rescue—the eyes with a half-wistful light as now.

"Come," she said, "Harbor Master. I wasn't good to you, that's true; but still you have done me a wrong in your turn, you say?"

"I hope God will forgive me," said the harbor master.

"No doubt of that, little man. But maybe you would feel none the worse for doing me a favor, feeling as you do."

"Yes, yes."

Her hand sought his. "You see me—how I am. I shall not survive my child, for my mother did not before me. Listen. You are town clerk. You write the names of the new born on a sheet of ruled paper and that is their name?"

Rackby nodded.

"So much I knew—Come. How would it be if you gave my child your name—Rackby? Don't say no to me. Say you will. Just the scratching of a pen, and what a deal of hardship she'll be saved not to be known as Cad Sills over again."

Her hand tightened on his wrist. Recollecting how they had watched the tide horse over Pull-an'-be-Damned thus, he said, eagerly, "Yes, yes, if so be 'tis a she," thinking nothing of the consequences of his promise.

"Now I can go happy," murmured Cad Sills.

"Where will you go?" said the harbor master, timorously, feeling that she was whirled out of his grasp a second time.

"How should I know?" lisped Caddie Sills, with a remembering smile. "The sea is wide and uncertain, little man."

The door opened again. A woman appeared and little Rackby was thrust out among the able seamen.

Three hours later he came and looked down on Cad Sills again. Rain still beat on the black windows. Her lips were parted, as if she were only weary and asleep. But in one glance he saw that she had no need to lie northeast and southwest to make certain of unbroken sleep.

To the child born at the height of the storm the harbor master gave a name, his own—Rackby. He was town clerk, and he gave her this name when he came to register her birth on the broad paper furnished by the government. And for a first name, Day, as coming after that long night of his soul, perhaps.

When this was known, he was fined by the government two hundred dollars. Such is the provision in the statutes, in order that there may be no compromise with the effects of sin.

The harbor master did not regret. He reckoned his life anew from that night when he sat in the dusk with the broad paper before him containing the names of those newly born.

So the years passed, and Day Rackby lived ashore with her adoptive father. When she got big enough they went by themselves and reopened the house on Meteor Island.

The man was still master of the harbor, but he could not pretend that his authority extended to the sea beyond. There he lost himself in speculation, sometimes wondering if Deep-water Peter had found a thing answering his quest. But Peter did not return to satisfy him on this point.

The harbor master was content to believe that he had erred on the side of the flesh, and that the sea, a jealous mistress, had swept him into the hearing of the gods, who were laughing at him.

As for the child of Cad Sills, people who did not know her often said that her eyes were speaking eyes. Well if it were so, since this voice in the eyes was all the voice she had. She could neither speak nor hear from birth. It was as if kind nature had sealed her ears against those seductive whisperings which—so the gossips said—had been the ruination of her mother.

As she grew older, they said behind their hands that blood would tell, in spite of all. Then, when they saw the girl skipping along the shore with kelp in her hands they said, mistrustfully, that she was "marked" for the sea, beyond the shadow of a doubt.

"She hears well enough, when the sea speaks," Zinie Shadd averred. He had caught her listening in a shell with an intent expression.

"She will turn out to be a chip of the old block," said Zinie Shadd's wife, "or I shall never live to see the back of my neck."

Jethro Rackby heard nothing of such prophecy. He lived at home. Here in his estimation was a being without guile, in whose innocence he might rejoice. His forethought was great and pathetic. He took care that she should learn to caress him with her finger tips alone. He remembered the fatal touch of Cad Sills's kiss at Pull-an'-be-Damned, which had as good as drawn the soul out of his body in a silver thread and tied it in a knot.

Once, too, he had dreamed of waking cold in the middle of the night and finding just a spark on the ashes of his hearth. This he nursed to flame; the flame sprang up waist-high, hot and yellow. Fearful, he beat it down to a spark again. But then again he was cold. He puffed at this spark, shivering; the flame grew, and this time, with all he could do, it shot up into the rafters of his house and devoured it.—

So it was that the passion of Cad Sills lived with him still.

He taught the child her letters with blue shells, and later to take the motion of his lips for words. She waylaid him everywhere—on the rocks, on the sands, in the depths of the hemlock grove, on tiny antlers of gray caribou moss, with straggling little messages and admonishings of love. Her apron pocket was never without its quota of these tiny shells of brightest peacock blue. They trailed everywhere. He ground them under heel at the threshold of his house. From long association they came to stand for so many inquisitive little voices in themselves, beseeching, questioning, defying.

But for his part, he grew to have a curious belief, even when her head was well above his shoulder, that the strong arch of her bosom must ring out with wild sweet song one day, like that which he had heard on the November hillside, when Caddie Sills had run past him at the Preaching Tree. This voice of Day's was like the voice sleeping in the great bronze horn hanging in a rack, which his father had used to call the hands to dinner. A little wind meant no sound, but a great effort, summoning all the breath in the body, made the brazen throat ring out like a viking's horn, wild and sweet.

So with Day, if an occasion might be great enough to call it forth.

"He always was a notional little man," the women said, on hearing this. The old bachelor was losing his wits. Such doctrine as he held made him out not one whit better off than Zinie Shadd, who averred that the heart of man was but a pendulum swaying in his bosom—though how it still moved when he stood on his head was more than even Zinie Shadd could fathom, to be sure.

"It's the voice of conscience he's thinking of, to my judgment," said one. "That girl is deafer than a haddock and dumb as the stone."

Untouched by gossip, the harbor master felt with pride that his jewel among women was safe, and that here, within four humble walls, he treasured up a being literally without guile, one who grew straight and white as a birch sapling. "Pavilioned in splendor" were the words descriptive of her which he had heard thunderously hymned in church. The hair heavy on her brow was of the red gold of October.

If they might be said to be shipmates sailing the same waters, they yet differed in the direction of their gaze. The harbor master fixed his eyes upon the harbor; but little Day turned hers oftenest upon the blue sea itself, whose mysterious inquietude he had turned from in dismay.

True, the harbor was not without its fascination for her. Leaning over the side of his dory, the sea girl would shiver with delight to descry those dismal forests over which they sailed, dark and dizzying masses full of wavering black holes, through which sometimes a blunt-nosed bronze fish sank like a bolt, and again where sting ray darted, and jellyfish palpitated with that wavering of fringe which produced the faintest of turmoil at the surface of the water.

This would be at the twilight hour when warm airs alternated with cold, like hopes with despairs. Sparbuoys of silver gray were duplicated in the water, wrinkled like a snout at the least ripple from the oars. Boats at anchor seemed twice their real size by reason of their dark shadows made one with them. One by one the yellow riding lights were hung, far in. They shone like new-minted coins; the harbor was itself a purse of black velvet, to which the harbor master held the strings. The quiet—the immortal quiet—operated to restore his soul. But at such times Day would put the tips of her fingers mysteriously to her incarnadined dumb lips and appear to hearken on the seaward side. If a willful light came sometimes in her eyes he did not see it.

But even on the seaward side there would not be heard, on such nights, the slightest sound to break the quiet, unless that of little fish jumping playfully in the violet light, and sending out great circles to shimmer toward the horizon.

So it drew on toward Day Rackby's eighteenth birthday.

One morning in October they set out from Meteor for the village. A cool wind surged through the sparkling brown oak leaves of the oaks at Hannan's Landing.

"They die as the old die," reflected Jethro Rackby, "gnarled, withered, still hanging on when they are all but sapless."

Despite the melancholy thought, his vision was gladdened by a magic clarity extending over all the heavens, and even to the source of the reviving winds. The sea was blown clear of ships. In the harbor a few still sat like seabirds drying plumage. Against the explosive whiteness of wind clouds, their sails looked like wrinkled parchment, or yellowing Egyptian cloth; the patches were mysterious hieroglyphs.

Day sat sleepily in the stern of the dory, her shoulders pinched back, her heavy braid overside and just failing the water, her eyes on the sway of cockles in the bottom of the boat.

Rackby puckered his face, when the square bell tower of the church, white as chalk, came into view, dazzling against the somber green upland. The red crown of a maple showed as if a great spoke of the rising sun had passed across that field and touched the tree to fire with its brilliant heat.

So he had stood—so he had been touched. His heart beat fast, and now he stood under the Preaching Tree again, and drew a whiff of warm hay, clover-spiced, as it went creaking past, a square-topped load, swishing and dropping fragrant tufts.—This odor haunted him, as if delights forgotten, only dreamed, or enjoyed in other lives, had drifted past him.—Then the vivid touch of Cad Sills's lips.

He glanced up, and at once his oars stumbled, and he nearly dropped them in his fright. For the fraction of a second he had, it seemed, surprised Cad Sills herself looking at him steadily out of those blue, half-shut lazy eyes of his scrupulously guarded foster child. The flesh cringed on his body. Was she lurking there still? Certainly he had felt again, in that flash, the kiss, the warm tumult of her body, the fingers dove-tailed across his eyes; and even seen the scented hay draw past him, toppling and quivering.

He stared more closely at the girl. She looked nothing like the wild mother. There was no hint of Cad Sills in that golden beauty unless, perhaps, in a certain charming bluntness of sculpturing at the very tip of her nose, a deft touch. Nevertheless, some invisible fury had beat him about the head with her wings there in the bright sunshine.

Disquieted, he resumed the oars. They had drifted close to the bank, and a shower of maple leaves, waxen red, all but fell into the boat.

"These die as the young die," thought the harbor master, sadly. "They delight to go, these adventurers, swooping down at a breath. They are not afraid of the mystery of mold."

His glance returned to the wandlike form of his daughter, whose eyes now opened upon his archly.

"So she would adventure death," he reflected. "Almost at as light a whisper from the powers of darkness, too."