"'That is not all,' said Lee Fu suddenly. 'What more?' I asked.

"'Listen, Captain, and pay close attention. Some weeks after the loss of the "Speedwell," it came to my ears that a man had a tale worth hearing. He was brought; he proved to be a common coolie who had been employed in the loading of the "Speedwell." This coolie had been gambling during the dinner hour, and had lost the small sum that he should have taken home as the result of several days' labor. Likewise, he feared his wife, and particularly her mother, who was a shrew. In a moment of desperation, as the lighter was preparing to leave for the night, he escaped and secreted himself in the hold of the vessel.

"'He had long been asleep that night when he was suddenly awakened by a sound on the ladder leading from the upper deck. It was a sound of careful steps, mingled with a faint metallic rattling. A moment later a foot descended on the floor of the between-decks, and lantern was cautiously lighted. The coolie retreated quickly into the lower hold, and from his post among the bales of merchandise was able to see all that went on.'

"Again Lee Fu paused, as if lingering over the scene. 'It seems that this late and secret comer into the hold of the "Speedwell" was none other than her owner, Captain Wilbur,' he slowly resumed. 'The coolie knew him by face, and had seen him come on board that afternoon. Afterwards, through my inquiries, I learned that Captain Turner had spent that night on shore. It was Captain Wilbur's custom, it seems, frequently to sleep on board his ship when she lay in port. Have you ever been in the lower hold of the "Speedwell," Captain Nichols?'

"'No, I haven't.'

"'But you recall her famous ports?'

"'Yes, indeed.' The incident at once came back to me in detail. The 'Speedwell' once had carried a cargo of ironwood from Singapore for a temple up the Yangtse-kiang. In order to load the immense timbers, she had been obliged to cut bow ports of extraordinary size, fifty inches in depth, they were, and nearly seven feet in width, according to my recollection.

"'It has been my privilege,' said Lee Fu, 'to examine carefully the forepeak of this vessel. I had chartered her one time, and felt alarmed for her safety until I had seen the interior fastenings of these great windows that looked out into the deep sea. But my alarm was groundless. There was a most ingenious device for strengthening the bows where they had been weakened by the cutting of the ports. Four or five timbers had, of course, been severed; but these were reproduced on the port itself, and the whole was fashioned like a massive door. It lifted upward on immense wrought-iron hinges; when it was lowered in place gigantic bars of iron, fitted into brackets on the adjoining timbers, stretched across its face to hold it against the impact of the waves. Thus the port, when tightly caulked from without, became again an integral part of the hull; I was told that there had never keen a trace of leakage from her bows. And, most remarkable of all, I was told, when it became necessary to open these ports for use, the task could easily be accomplished by two or three men and a stout watch-tackle. This I am now prepared to believe.

"'But, to resume the account of the coolie,' Lee Fu went on with exasperating deliberation. 'This is what he saw: Our friend Captain Wilbur descended into the lower hold and forward to the forepeak, where there was little cargo. There he worked with great effort for several hours. He had equipped himself with a short crowbar, and carried a light tackle wrapped beneath his coat. The tackle he loosened and hung to a hook above the middle of the port; it was merely for the purpose of lowering the iron crossbars so that they would make no noise. Had one fallen—'

"'Good God, Lee Fu, what are you trying to tell me?'

"'Merely an incident of the night. So, with the crowbar, Captain Wilbur pried loose the iron braces, slinging them in his tackle and dropping them softly one by one into the ship's bottom. It was a heavy task; the coolie said that sweat poured from the big man like rain. Last of all he covered the bars with dunnage, and rolled against the bow several bulky bales of matting to conceal the work. Captain, when the "Speedwell" sailed from Hong Kong in command of our honored friend, one of her great bow ports below the water hung on its hinges without internal fastenings, and held in place only by the tightness of the caulking. The first heavy weather—'

"'Can this be possible?' I said through clenched teeth.

"'Oh, yes, so easily possible that it happened,' answered Lee Fu.

"'But why should he do such a thing? Had he anything against Turner?'

"'Captain, you do not understand. He merely was tired of the vessel; and freights are becoming very poor. He wanted his insurance. He had no thought of disaster so he now assures himself; what he had in mind was for the ship to sink discreetly in pleasant weather. Yet he was willing enough to run the chance of wholesale murder.'

"I got up and began pacing the floor; the damnable affair had made me sick at heart, and a little sick at the stomach.

"'Thus the gods have struck,' said Lee Fu behind me, in that changeless voice that for a moment seemed to concentrate the echo of the ages. 'There is blood at last, Captain—twenty-seven lives, and among them one dear to us—enough even to convince one of your race that a crime has been committed. But I was mistaken in much that I foresaw. The criminal, it seems, is destined not to suffer. He has escaped the gods.'

"Can't you bring him to a reckoning? Isn't there some way—'

"Lee Fu shook his head. 'No, Captain, he is amply protected. What could I accomplish in your courts with this fantastic tale, and for witnesses a coolie and a sampan man?'

"I continued to pace the floor, thinking dark thoughts. There was a way, of course, between man and man; but such things are no longer done in the heart of civilization, except in sudden passion or jealousy.

"Pacing rapidly, and oblivious to everything but the four walls of the room, I nearly ran into Sing Toy coming in with a message from the outer office. He whispered a word in Lee Fu's ear.

"'Ah!' exclaimed Lee Fu sharply. I started, whirled around. His voice had lost the level, passive tone; it had taken on the timbre of action.

"'Send him in,' he said in Chinese to Sing Toy.

"'Who is it?' I asked breathlessly.

"'The man we have been speaking of.'

"'Wilbur? What the devil does he want?'

"'Nothing,' answered Lee Fu, speaking swiftly. 'He merely came to make a call. So he thinks; but I think otherwise. Beware of word or glance. This chanced by arrangement. We are on the threshold of the gods.'

"Lee Fu remained standing as Captain Wilbur entered the room. His hurried admonition still rang in my ears: 'Keep silence—beware of word or glance!' But I couldn't have spoken intelligibly just then. To beware of glances was a different matter. I stood as if rooted to the floor, gazing point-blank at Wilbur with a stare that must have made him wonder as to my sanity.

"'Good afternoon, Captain Wilbur,' said Lee Fu blandly. 'I think you are acquainted with Captain Nichols, of the bark "Omega"?'

"'Oh, how-do, Nichols,' said Wilbur, advancing down the room. 'I've missed you around town for a good while. Glad you're back. I suppose you had the usual assortment of adventures?'

"I drew back to escape shaking his hand.

"'No,' I answered, 'nothing like the adventure that awaited me here.'

"He settled himself in a chair, directly in range of the light, smiled, and lifted his eyebrows. 'So? Well, I can believe you. This office, you know, is the heart of all adventure.' He bowed toward Lee Fu, who had resumed his seat.

"'You honor me, Captain,' replied the Chinaman. 'Yet it is only life which may be called the heart of adventure—life, with its amazing secrets that one by one transpire into the day, and with its enormous burden of evil that weighs us down like slaves.'

"Wilbur laughed. 'Yes, that's it, no doubt. Good, too, Lee Fu, plenty of good. Don't be pessimistic. But I suppose you're right, in a way; the evil always does manage to be more romantic.'

"'Much more romantic,' said Lee Fu. 'And the secrets are more romantic still. Consider, for instance, the case of a dark secret, which by chance has already become known. How infinitely romantic! Though the man feels secure, yet inevitably it will be disclosed. When, and how? Such a case would be well worth watching—as the great writer had in mind when he wrote, "Murder will out."'

"The winged words made no impression on their mark. Wilbur met Lee Fu's glance frankly, innocently, with interest. By Jove, he was wonderful! The damned rascal hadn't a nerve in his body.

"I examined him closely. Above a trimmed brown beard his cheeks showed the ruddy color of health and energy; his eyes were steady; his mouth was strong and clean; a head of fine gray hair surmounted a high forehead; the whole aspect of his countenance was pleasing and dignified. Sitting at ease, dressed neatly in blue serge, with an arm thrown over the chair back and one ankle resting on the other knee, he presented a fine figure.

"He gave a hearty laugh. 'For the Lord's sake, come out of the gloom!' he cried. 'I drop in for a chat, and find a couple of blue devils up to their ears in the sins of humanity. Nichols over there has hardly opened his mouth.'

"'It is the mood of the approaching storm,' interposed Lee Fu quietly.

"A fiercer squall than the last shook the building; it passed in a moment as if dropping us in mid-air. Wilbur was the first to speak. 'Yes, it's going to be a hummer, isn't it? A bad night to be on the water, gentlemen. I wouldn't care to be threshing around outside, now, as poor old Turner was such a short while ago.'

"I could have struck him across the mouth for his callousness.

"Lee Fu's voice fell like oil on a breaking sea. 'All signs point to another severe typhoon. It happened, Captain, that we were discussing the loss of the "Speedwell" when you came in.'

"'Too bad—too bad,' said Wilbur slowly, with a shake of the head. 'You were away, Nichols, weren't you? It was a bad week here, I can tell you, after the news came in. I shall never forget it. Well, we take our chances.'

"'Some of us do, and some of us don't,' I snapped.

"'That's just the way I feel about it,' he said simply. 'It came home hard to me.' My jaw fairly dropped as I listened. Was it possible that he liked to talk about the affair?

"'We were wondering,' observed Lee Fu, 'why it was that the "Speedwell" did not remain afloat. What is your opinion, Captain Wilbur?'

"'It isn't a matter of opinion,' Wilbur answered. 'Haven't I seen you since the inspection? Why, the starboard bow port is stove in. I've always been afraid of those big bow ports. When I heard the peculiar circumstances, I knew in my heart what had happened.'

"'Did you?' inquired Lee Fu, with a slight hardening of the voice. 'Captain, have you collected your insurance?'

"Wilbur frowned and glanced up sharply, very properly offended. The next moment he had decided to pass it off as an instance of alien manners. 'I've just cleaned up today,' he replied brusquely. 'Had my last settlement with Lloyd's this morning—and did a silly thing, if you'll believe me. They had a package of large denomination bank notes, crisp, wonderful looking fellows; I took a sudden fancy and asked for my money in this form. To tell the truth, I've got it on me now; must get to the bank, too, before it closes.'

"'What is the amount of the bank notes which you have in your possession?' asked Lee Fu in a level tone that carried its own insult.

"Wilbur showed his astonishment. 'Amount? Well, if you want all the details, I've got about forty thousand dollars in my pocket.'

"Lee Fu turned and shot at me a blank stare full of meaning; it might have been a look of caution, or a glance of triumph. I knew that I was expected to understand something, to glimpse some pregnant purpose; but for the life of me I couldn't catch on.

"'I, also, knew in my heart what had happened,' said Lee Fu slowly, staring at Wilbur with a steady gaze. As he looked, he reached out with his right hand and opened the top drawer of the desk. Suddenly he stood up. The hand held a revolver, pointed at Wilbur's breast.

"'If you move from your chair, Captain, I will shoot you dead, and your end will never be known,' he said rapidly. 'It is time we came to an understanding for the day wanes.'

"Wilbur uncrossed his legs, leaned forward, and looked at Lee Fu narrowly. 'What's the joke?' he asked.

"'A joke that will be clear as time goes on—like one you played with bow ports on my friend. Captain, we are going on a journey. Will you join us, Captain Nichols, or will you remain on shore?'

"The question was perfunctory; Lee Fu knew well enough that my decision was in his hands. I stood up—for until now I had been chained to my chair by the amazing turn of the moment.

"'Bow ports?' Wilbur was saying. 'Put that gun down! What in hell do you mean?' He started to rise.

"'Sit down!' commanded Lee Fu. 'I mean that I will shoot. This is not play.' Wilbur sank back, angry and confused.

"'Are you crazy, Lee Fu?' he demanded. 'What's the meaning of this, Nichols? Do you intend to rob me? Have both of you gone mad?'

"'Is it possible that you do not comprehend that I share your secret?' asked Lee Fu sternly. 'You were observed, Captain, that night in the forepeak of the "Speedwell;" and those details, also, are known to me. It is needless to dissemble.'

"'That night in the forepeak?—Lee Fu, for God's sake, what are you talking about?'

"'Ah!' exclaimed Lee Fu with evident satisfaction. 'You are worthy of the occasion, Captain. That is well. It will be most interesting.'

"He slapped his left palm sharply on the desk; Sing Toy appeared at the door as if by a mechanical arrangement. 'Bring oilskin coats and hats for three,' Lee Fu commanded. 'Also, send in haste to my cruising sampan, with orders to prepare for an immediate trip. Have water and food provided for a week. We come within the half hour and sail without delay.'

"'Master!' protested Sing Toy. 'Master, the typhoon!'

"'I know, fool,' answered Lee Fu. 'I am neither deaf nor blind. Have I not ordered oilskin coats? Do as I have said.'

"He sat down, resting the gun on the corner of the desk, and resumed the bland tone of conversation. 'I am sorry, gentlemen, that the rain has already come; but there is water also below, as Captain Wilbur should be aware. Yes, it was destined from the first to be a wet journey. Yet it will still be possible to breathe; and not so bad as solid water on all sides, where, after a grim struggle, one lies at rest, neither caring nor remembering—Captain Wilbur, listen to me. We go from this office to my sampan, which lies moored at the bulkhead not far away. During the walk, you will precede us. I will hold my revolver in my hand—and I am an excellent shot. If you attempt to escape, or to communicate with any passer-by, you will immediately be dead. Do not think that I would fear the consequences; we will pass through Chinese streets, where action of mine would not be questioned.'

"'Damn you!' Wilbur burst out. 'What silly nonsense are you up to? Nichols, will you permit this? Where are you going to take me?'

"'Never mind,' replied Lee Fu. 'As for Captain Nichols, he, also, is at my mercy. Ah, here are the raincoats. Put one on, Captain Wilbur; you will need it sorely before your return. Now we must hurry. I would be clear of the harbor before darkness entirely falls.'

"Issuing from the doorway, the gale caught us with a swirl that carried us around the corner and down a side street. 'To the right!' Lee Fu shouted. Wilbur, lurching ahead, obeyed sullenly. We came about and made for the water front through the fringe of the Chinese quarter, the most remarkable trio, perhaps, that had ever threaded those familiar thoroughfares.

"Overhead, the sky had settled low on the slope of the Peak. We floundered on, enveloped in a gray gloom like that of an eclipse. When we reached the water front the face of the bay had undergone a sinister change, its yellow-green waters lashed into sickly foam and shrouded by an unnatural gleaming darkness. A distant moaning sound ran through the upper air, vague yet distinctly audible. The center of the typhoon was headed in our direction.

"As we staggered along the quay, my thoughts worked rapidly. I saw the plan now, and recognized the dangerous nature of the undertaking on which we'd embarked. It was to be a game of bluff, in which we would have to risk our lives if the other held his ground.

"I edged toward Lee Fu. 'Will you go on the water?' I asked in his ear.

"He nodded, keeping his eyes fixed on Wilbur ahead.

"'But it can't be done,' I told him. 'A boat won't live.'

"'There is always a definite alternative,' he replied abruptly.

"'Yes—that we sink.'

"'Exactly.'

"All at once, in a flash of enlightenment, the greatness of the occasion came to me. By Jove! He had taken the matter in his own hands; he had stepped in when the gods had failed. But he had observed the divine proprieties; had seen that if he presumed to act for the gods he must throw his own life, as well, into the balance. He must run every risk. It was for them, after all, to make the final choice. He was only forcing action on the gods.

"I gazed at him in wonder. He advanced stiffly against the storm, walking like an automaton. Beneath the close pulled rim of a black sou'wester his smooth oval countenance looked ridiculously vacant, like the face of a placid moon. He was the only calm object on earth, sea or sky; against the lashing rain, the dancing boats, the scudding clouds, the hurried shadows of appearing and vanishing men, he stood out plainly, a different essence, a higher spirit, the embodiment of mind and will.

"And how was it with Wilbur, off there in the lead? He, too, walked stiffly, wrapped in thought. Once he turned, as if to come back and speak to us; then whirled with a violent movement of decision and plunged on into the rain. He knew, now, what it was all about, if not what to expect. He knew that his crime had been discovered. Yet he had made no break; in no particular had he given himself away. What had he decided? What had he been about to say? Would he confess, when he faced death on the water; or would he be confident enough to believe that he could beat the game?

"Observing his broad back, his commanding figure, that looked thoroughly at home in its oilskin coat and leaning against the storm, it came to me that he would put up a desperate defense before he succumbed. He, too, was a strong man, and no part of a coward; he, too, in a different way, was a superior being, the embodiment of mind and will.

"Then, for a moment, my own spirit went slump with the realization of what lay before us, and a great weakness overcame me. I edged again toward Lee Fu.

"'My God, what if the man really is innocent?' I cried. 'He hasn't turned a hair.'

"Lee Fu gave me a flash of the moon face beneath the sou'wester, 'Have no fear, my friend,' he reassured me. 'I am completely satisfied, in regions where the soul dwells.'

"When we reached the sampan, lying under a weather shore beneath the bulkhead, we found a scene of consternation. Lee Fu's orders had arrived, and had been executed; yet the men couldn't believe that he actually meant to sail. Gathered in a panic-stricken group on the fore deck of the sampan, they chattered like a flock of magpies; as they caught sight of us, they swarmed across the bulkhead and fell at Lee Fu's feet, begging for mercy.

"'Up, dogs!' he cried. 'There is no danger. I shall steer, and it is necessary that we go. If any would remain, let them depart now, with no tale to tell. Let those who stay prepare at once for sea.'

"I found Wilbur beside me. 'What's this madness, Nichols?' he demanded for the third and last time.

"'I know no more about it than you do,' I answered shortly. 'He has told his crew to prepare for sea. If he goes, we all go.'

"A moment later we stood on the quarter-deck of the cruising sampan. Lee Fu took his station at the great tiller. The wind lulled, as the trough of a squall passed over; he gave a few sharp orders. Moorings were cast off, a pinch of sail was lifted forward. The big craft found her freedom with a lurch and a stagger; then pulled herself together and left the land with a steady rush, skimming dead before the wind across the smooth upper reach of the harbor and quickly losing herself in the murk and spray that hung off Kowloon Point. Lee Fu somehow managed to avoid the fleet at anchor off Wanchi; straight down the length of the bay he struck, and in an incredibly short time we had left the harbor behind and were whirling through the narrow gut of Lymoon Pass before a terrific squall, bound for the open sea.

"I watched Captain Wilbur. He stood carelessly at the rail during our race down the harbor, scanning the boat and the water with an air of confidence and unconcern. A sneer curled his lip; he had made up his mind to see the nonsense through. The sailor in him had quickly recognized that the craft would stand the weather in smooth water; he probably expected any minute that Lee Fu would call it quits and put into some sheltered cove.

"But when we shot through Lymoon Pass, I saw him turn and scrutinize the Chinaman closely. Darkness was falling behind the murk, the real night now; and ahead of us lay a widening reach among the islands that opened abruptly on the main body of the China Sea. We were rapidly leaving the protection of Victoria Island. Soon we would be unable to see our way. Ten miles outside a high sea was running. And with every blast of wind that held in the same quarter, the center of the typhoon was bearing down on us with unerring aim.

"These things were as patent to Wilbur as to any of us. In fact, his knowledge was his undoing; had he been less of a sailor, or had he been entirely ignorant of sea matters, he could have resigned himself to the situation on the assumption that Lee Fu never would put himself in actual danger. Perhaps Lee Fu had foreseen this when he chose the sea as the medium of justice; perhaps he had glimpsed the profound and subtle truth that Wilbur couldn't properly be broken save in his native environment. He knew the sea, had trifled with it; then let him face the sea.

"The time came, just before we lost the loom of the land, when Wilbur could stand it no longer; as a sailor, used to responsibility and command, he had to speak his mind.

"He dropped aft beside Lee Fu, and put his hand to his mouth. 'You're running to your death!' he shouted. 'You've already lost Pootoy. If you can't haul up and make the lee of the Lema Islands—'

"'I intend to pass nowhere near them,' answered Lee Fu, keeping his eyes on the yawning bow of the sampan.

"'There's nothing to the eastward—no shelter.'

"'Of that I am aware.'

"'Do you know what that means?' Wilbur pointed above the stern rail into the face of the storm.

"'I think we will get the center, Captain, by tomorrow noon.'

"Wilbur made a move as if to grasp the tiller. 'Haul up, you fool!'

"A stray gleam in the gathering darkness caught the barrel of the revolver, as Lee Fu steered for a moment with one hand.

"'Beware, Captain! You are the fool; would you broach us to, and end it now? One thing alone will send me to seek the last shelter; and for that thing I think you are not ready.'

"'What?'

"'To say that you sunk the "Speedwell."'

"Wilbur gathered his strength as if to strike; his face was distorted with passion.

"'You lie, you yellow hound!'

"'Exactly—Captain, be careful—come no nearer! Also, leave me alone. If you value your life, you will keep silence and stay a little forward. Go, quickly! Here I could shoot you with the greatest impunity.'"

Nichols paused. "Maybe some of you fellows haven't seen Lee Fu's cruising sampan," he remarked. "In reality, she's more of a junk than a sampan, a sizable craft of over a hundred tons, and the best product of the Chinese shipyard. Lee Fu had her built for trips along the coast, and many of his own ideas, born of an expert knowledge of ships of every nationality entered into her construction. The result is distinctly a Chinese creation, a craft that seems to reflect his personality, that responds to his touch and works with him. She's higher in the bows than an ordinary junk, and lower in the stern; a broad, shallow hull that needs a centerboard on the wind. Of course she's completely decked over for heavy weather. In charge of any of us, perhaps, she would be unmanageable; but in his hands, I can assure you, she's a sea boat of remarkable attainments.

"I had seen him handle her under difficult conditions, but never in such a pass as this. How he did it was inconceivable to me. The last I saw of him that night he had called two men to help him at the tiller; and, so far, he had kept the craft before the wind.

"For many hours I was surrounded by pitch blackness and the storm. I clung to a single stanchion, hardly changing my position during the night, drenched by rain and spray, seeing nothing, hearing no word. The gale roared above us with that peculiar tearing sound that accompanies the body of a typhoon; a sound suggestive of unearthly anger and violence, as if elemental forces were ripping up the envelope of the universe. The wind gained steadily in volume; it picked up the sea in steep ridges of solid water that flung us like a chip from crest to crest, or caught us, burst above us and swallowed us whole, as if we had suddenly sunk in a deep well. Every moment I expected would be our last. Yet, as time wore on, I felt through the sampan's frantic floundering a hand of guidance, a touch of mastery. Lee Fu steered, and she was still in his control. A night to turn the hair gray, to shatter the mind.

"But we came through, and saw the dawn. A pale watery light little by little crept into the east, disclosing a scene of terror beyond description. The face of the sea was livid with flying yellow foam; the torn sky hung closely over it like the fringe of a mighty waterfall. In the midst of this churning cauldron our little craft seemed momently on the point of disappearing, engulfed by the wrath of the elements.

"In the lull of the storm my glance encountered Wilbur; for a long while I'd forgotten him entirely. He hung to the rail a little farther forward, gazing across the maelstrom with a fixed, exhausted expression. His face was haggard; the strain of the night had marked him with a ruthless hand. As I watched him, his eye turned slowly in my direction; he gave me an anxious look, then crawled along the rail to a place by my side.

"'Nichols, we're lost!' I heard him cry in my ear. The voice was almost plaintive; it suddenly made me angry, revived a few sparks of my own courage.

"'What of it?' I cried harshly. 'Turner was lost.'

"'You believe that, too?'

"I looked at him point-blank; his eyes shifted; he couldn't face me now. 'Yes, I do,' I told him. 'Why don't you own up, before—?'

"He moved away hastily, as if offended to the heart. But the strong man had gone, the air of perfect confidence had disappeared; he was shattered and spent—but not yet broken. Pride is more tenacious than courage; and men with hearts of water will continue to function through self-esteem.

"Looking above his head, where the sky and the sea met in a blanket of flying spume, I caught sight for an instant of something that resembled the vague form of a headland. Watching closely, I soon saw it again—unmistakably the shadow of land to port, well forward, of the beam. Land! That meant that the wind had shifted to the southward, that we were being blown against the shore.

"I worked my way cautiously aft, where Lee Fu stood like a man of iron at the tiller, lashed to the heavy cross-rail that must have been constructed for such occasions. He saw me coming, leaned toward me.

"'Land!' I shouted, pointing on the port bow.

"He nodded vigorously, to show me that he'd already seen it. 'Recognize—' The rest of the answer was blown away by the wind.

"By pantomime, I called his attention to the shift of the storm. Again he nodded—then ducked his head in Wilbur's direction, and shouted something that I couldn't quite follow. 'Change our tactics—we must change our tactics—' was what I understood him to say.

"He beckoned me to come closer; grasping the cross-rail, I swung down beside him.

"'I know our position,' he cried in my ear. 'Have no alarm, my friend. There are two large islands, and a third, small like a button. Watch closely the button, while I steer. When it touches the high headland, give me the news instantly.'

"He had hauled the junk a trifle to port, and with every opportunity was edging toward the land. The tall headland that I'd first sighted grew plainer with every moment; soon I made out the island like a button and saw it closing rapidly on the land behind.

"'Now!' I shouted to Lee Fu, when the two had touched.

"He swung the sampan a couple of points to starboard, discovering close beneath our bows the tip of another reef that stretched toward the land diagonally across the path of the wind. In a moment we were almost abreast this point of reef; a hundred yards away, its spray lashed our decks as the low-lying black rocks caught the broken wash of the storm. Another swing of the great tiller, and we had hauled up in the lee of the reef—in quiet water at last, but with the gale still screaming overhead like a defeated demon.

"It was like nothing but a return from hell. The wind held us in a solid blast; but to feel the deck grow quiet, to be able to speak, to hear—and then, to see the land close aboard. By Jove, we were saved!

"A voice spoke gruffly beside us. 'By God, I hope you're satisfied!' We turned to see Wilbur at the head of the cross-rail. A twitching face belied the nonchalance that he'd attempted to throw into the words.

"'I don't know how we lived!' he snarled. 'What in the name of God made you try it? Nothing but luck—and now the typhoon's leaving us. We can wait here till the blow dies down.'

"'Is that all, Captain, that you have to say?' inquired Lee Fu, his attention riveted on the course.

"Wilbur clutched the rail as if he would tear it from its fastenings. 'A damned sight more, you blackguard; but I'll save it for the authorities!'

"'You feel no thanks for your escape—and there is nothing on your mind?'

"'Nothing but sleep—why should there be? Let's wind up this farce and get to anchor somewhere; I'm fagged out.'

"'No, we are going on,' said Lee Fu calmly, making no move to come into the wind. 'No time for rest, Captain; the journey is not done.'

"'Going on?' He turned fiercely, and for a moment he and Lee Fu gazed deep into each other's eyes in a grapple that gave no quarter.

"'Yes, Captain!' cried Lee Fu sharply. 'We have not yet reached the spot where the "Speedwell" met her doom. Now go! I cannot waste time in talk.'

"Since this experience, I've many times examined the charts of the region," Nichols went on. "But they don't begin to show it all. Beyond the middle island stretched a larger island, distant some five miles from the other; and between them lay the most intricate, extraordinary and terrible nest of reefs ever devised by the mind of the Maker and the hand of geologic change.

"The outlying fringe of reefs that had broken first approach ended at the middle island; beyond that to windward lay clear water, and the nest of reefs that I've mentioned received the full force of the wind and sea. Five miles of water stretched in mad confusion, a solid whiteness of spouting foam that seemed to hold a hideous illumination. Beyond the point of the middle island the long wind-swept rollers burst in tall columns of spray that shut off the view like a curtain as we drew near, where the rocks began in an unbroken wall.

"It was directly against this wall that Lee Fu was driving the sampan. The first lift of the outside swell had already caught us. I held my breath, as moment by moment we cut down the margin of safety. No use to interfere; perhaps he knew what he was doing; perhaps he actually had gone mad under the terrific strain. As he steered, he seemed to be watching intently for landmarks. Was it possible that he still knew his bearings, that there was a way through?

"Wilbur, at Lee Fu's command, had left us without a word. He stood at the rail, supporting himself by main strength, facing the frightful line of the approaching reefs; and on his back was written the desperate struggle he was having. It bent and twisted, sagging with sudden irresolution, writhing with stubborn obduracy, straightening and shaking itself at times in a wave of firmness and confidence, only to quail once more before the sight that met his eyes. He couldn't believe that Lee Fu would hold the course. 'Only another moment!' he kept crying to himself. 'Hold on a little longer!' Yet his will had been sapped by the long hours of the night and the terror of the dawn; and courage, which with him had rested only on the sands of ostentation, had crumbled long ago.

"I turned away, overcome by a sickening sensation; I couldn't look longer. Lee Fu waited tensely, peering ahead and to windward with lightning glances. A wave caught us, flung us forward. Suddenly I heard him cry out at my side in exultation as he bore down on the tiller. The cry was echoed from forward by a loud scream that shot like an arrow through the thunder. Wilbur had sunk beside the rail. The sampan fell off, carried high on the wave.

"Then, in a moment like the coming of death, we plunged into the reef. I have no knowledge of what took place—and there are no words to tell the story. Solid water swamped us; the thunder of the surf stopped the mind. But we didn't touch, there was a way through, we had crossed the outer margin of the reef. We ran the terrible gauntlet of the reef, surrounded on every hand by towering breakers, lost in the appalling roar of the elements. Without warning, we were flung between a pair of jagged ledges and launched bodily on the surface of a concealed lagoon.

"A low rocky island lay in the center of the nest of reefs, with a stretch of open water to leeward of it, all completely hidden from view until that moment. The open water ran for perhaps a couple of miles; beyond it the surf began again in another unbroken line. It would take us ten minutes to cross the lagoon.

"'Bring Captain Wilbur,' said Lee Fu.

"I crept forward, where Wilbur lay beside the rail, his arm around a stanchion. He was moaning to himself as if he'd been injured. I kicked him roughly; he lifted an ashen face.

"'Come aft—you're wanted,' I cried.

"He followed like a dog. Lee Fu, at the tiller, beckoned us to stand beside him; I pulled Wilbur up by the slack of his coat, and pinned him against the cross-rail.

"'This is the end,' said Lee Fu, speaking in loud jerks, as he steered across the lagoon. 'There is no way out, except by the way we came. That way is closed. Here we can find shelter until the storm passes, if you will speak. If not, we shall go on. By this time. Captain, you know me to be a man of my word.'

"'You yellow devil!'

"'Beyond these reefs, Captain, lies the wreck of your ship the "Speedwell." There my friend met death at your hands. You have had full time to consider. Will you join him, or return to Hong Kong? A word will save you. And remember that the moments are passing very swiftly.'

"With a last flicker of obstinate pride, Wilbur pulled himself together and whirled on us. 'It's a damnable lie!'

"'Very well, Captain. Go forward once more, and reserve your final explanation for the gods.'

"The flicker of pride persisted; Wilbur staggered off, holding by the rail. I waited beside Lee Fu. Thus we stood, watching the approach of the lagoon's leeward margin. Had Lee Fu spoken truthfully; was there no way out? I couldn't be certain; all I knew was that the wall of spouting surf was at our bows, that the jaws of death seemed opening again.

"Suddenly Wilbur's head snapped back; he flung up his arms in a gesture of finality, shaking clenched fists into the sky. He was at the point of surrender. The torture had reached his vitals. He floundered aft.

"'What is it I must say?' he cried hoarsely, in a voice that by its very abasement had taken on a certain dignity.

"'Say that you sunk the "Speedwell."'

"His face was shocking; a strong man breaking isn't a pleasant object. In a flash I realized how awful had been this struggle of the wills. He came to the decision as we watched, lost his last grip.

"'Of course I did it! You knew it all along! I had no intention—You madman! For God's sake, haul up, before you're in the breakers!'

"'Show me your insurance money.'

"Wilbur dug frantically in an inside pocket, produced a packet of bank notes, held them in a hand that trembled violently as the gale fluttered the crisp leaves.

"'Throw them overboard.'

"For the fraction of a second he hesitated; then all resolution went out in his eyes like a dying flame. He extended his arm and loosed the notes; they were gone down the wind before our eyes could follow them.

"In the same instant Lee Fu flung down the great tiller. The sampan came into the wind with a shock that threw us to the deck. Close under our lee quarter lay the breakers, less than a couple of hundred yards away. Lee Fu made frantic signals forward, where the crew were watching us in utter terror. I felt the centerboard drop; a patch of sail rose on the main. The boat answered, gathered headway, drove forward—

"Wilbur lay as he had fallen and made no move.

"Two nights later, under a clear starry sky, we slipped through Lymoon Pass on the tail of the land breeze. It fell flat calm before we reached Wanchi; the long sweeps were shipped, and the chattering crew, who'd never expected to see Hong Kong again, fell to work willingly. At length we rounded to against the bulkhead and settled into our berth, as if back from a late pleasure trip down the bay.

"A little forward, Wilbur rose to his feet. He hadn't spoken or touched food since that tragic hour under the reefs two nights before. Without a glance in our direction, he made for the side and stepped ashore. There was a bright light behind him; his form stood out plainly. It had lost the lines of vigor and alertness; it was the figure of a different and older man.

"A moment later he had lurched away, vanishing in the darkness of a side street. Three days later, we heard that he had taken the boat for Singapore. He hasn't been seen or heard of since that day.

"When he had gone, that night at the bulkhead, Lee Fu reached out a hand to help me to my feet. 'Thank you, Captain,' he said. 'For my part, it has been supremely interesting. For your part, I hope that you have been repaid?'

"'It's enough to be alive, just now,' I answered. 'I want a chart, Lee Fu. I want to see what you did. How you did it is quite beyond my comprehension.'

"'Oh, that? It was not much. The gods were always with us, as you must have observed. And I know that place pretty well.'

"'Evidently. Did the "Speedwell" fetch up among those reefs, or to leeward of them?'

"'The "Speedwell?" Captain, you did not believe my little pleasantry! We were nowhere near the wreck of the "Speedwell," as Captain Wilbur should have known had he retained his mind.'

"I smiled feebly. 'I didn't know it. Tell me another thing, Lee Fu. Were you bluffing, there at the last, or wasn't there really a hole through the reef?'

"'So far as I am aware, Captain, there was no passage,' answered my imperturbable friend. 'I believe we were heading for the rocks when we came into the wind.'

"'Would you have piled us up?'

"'That is merely a hypothetical question. I knew that I would not be forced to do it. I was only afraid that, in the final anguish, Captain Wilbur would lose his sense of seamanship, and so would wait too long. That, I confess, would have been unfortunate. Otherwise, there was no doubt or especial danger.'

"'I'm glad to know it!' I exclaimed, with a shudder of recollection. 'It wasn't apparent at the time.'

"'No, perhaps not; time was very swift. In fact, he did wait too long. He was more willful than I had anticipated.'

"I gazed across the harbor, reviewing the experience. 'What did you have in mind,' I asked, 'before the typhoon shifted? Did you expect to catch the center?'

"'I had no plan; it is dangerous to plan. There was a task to be begun; the determination of its direction and result lay with the gods. It was plain that I had been called upon to act; but beyond that I neither saw nor cared to see.'

"I could believe him only because I'd witnessed his incredible calm. He waved a hand toward the city. 'Come, my friend, let us sleep,' he said. 'We have earned our rest. Learn from this never to plan, and always to beware of overconfidence. It is by straining to look into the future that men exhaust themselves for present duty; and it is by making their little plans that men bring down the wrath of the gods. We are their instruments, molding in faith and humility our various destinies. Perhaps you thought me unfeeling, but I was only happy. There constantly were too many propitious signs.'"



THE LIZARD GOD[7]

By CHARLES J. FINGER

(From All's Well)

It is not pleasant to have one's convictions disturbed, and that is why I wish I had never seen that man Rounds. He seems to have crossed my path only to shake my self-confidence. The little conversation we had has left me dissatisfied. I look upon my collection with less interest than I did. I am not as pleased with the result of my investigations as they appear in my monograph on "The Saurian Family of Equatorial America." Doubtless the mood that now possesses me will pass away, and I shall recover my equanimity. His story would have upset most men. Worse still was his unpleasant habit of interjecting strange opinions. Judge for yourself.

It was when passing through the Reptile room on my way to the study that I first saw him. I took him to be a mere common working man passing away an idle hour; one of the ordinary Museum visitors. Two hours later, I noticed that he was closely examining the lizard cases. Then later, he seemed interested in my collection of prints illustrating the living world of the ante-diluvian period. It was then that I approached him, and, finding him apparently intelligent, with, as it seemed, a bent towards lizards, and further, discovering that he had traveled in Peru and Colombia, took him to the study.

The man had some unusual habits. He was absolutely lacking in that sense of respect, as I may term it, usually accorded to one in my position. One who is a professor and curator becomes accustomed to a certain amount of, well, diffidence in laymen. The attitude is entirely natural. It is a tribute. But Rounds was not that way. He was perfectly at ease. He had an air of quiet self-possession. He refused the chair I indicated, the chair set for visitors and students, and instead, walked to the window and threw up the lower sash, taking a seat on the sill, with one foot resting on the floor and the other swinging. Thus, he looked as though he were prepared to leap, or to jump or run. He gave me the impression of being on the alert. Without asking permission, he filled and lit his pipe, taking his tobacco from a queerly made pouch, and using but one hand in the process.

"What I was looking for," he said, "is a kind of lizard. Yet it is not a lizard. It is too hard and thin in the body to be that. It runs on its hind legs. It is white. Its bite is poisonous. It lives in the equatorial districts of Colombia."

"Have you seen one?" I asked.

"No," was the reply. Then after a moment he asked, "Why?"

"Because there is no such living creature," I said.

"How do you know?" he said abruptly.

"The lizard group is thoroughly classified," I said. "There is nothing answering to that description. In the first place—"

"Does that make it non-existent? Your classification of what you know?" he interrupted.

"I have made a study of the Saurians," I said.

"No you haven't," he said. "You have read what other men have written and that is not the same thing."

"Really," I began, but he broke in.

"I mean to say that you have never been in any new equatorial country," he said. "Your manner shows that. You are too quiet. Too easy. Too sedentary. You would have been killed because of your lack of vigilance."

That is, as nearly as I can repeat and remember, the opening of the conversation. There was an air of challenge about the man that I found unpleasant. Of course I admitted the fact that I was not an explorer myself, and that mine was the humbler if more tedious task of collecting and arranging data. At that he said that in his opinion, organized expeditions were little more than pleasure jaunts taken at the public expense. His viewpoint was most extraordinary.

"Such an expedition," he said, "must fail in its main purpose because its very unwieldiness destroys or disperses the very things it was organized to study. It cannot penetrate the wilds; it cannot get into the dry lands. The very needs of the men and horses and dogs prevent that. It must keep to beaten tracks and in touch with the edge of civilization. The members of such an expedition are mere killers on a large scale, and to kill or to hunt a thing is to not know it at all. Further, the men in such expeditions are not hunters even. They are destroyers who destroy while keeping themselves in safety. They have their beaters. Their paid natives. Humbug! That's the only word to describe that kind of thing. Staged effects they have. Then they come back here to pose as heroes before a crowd of gaping city clerks."

I mentioned the remarkable results obtained by the Peary and Roosevelt expeditions and pointed to the fact that the specimens brought back and properly set up by efficient taxidermists, did, in fact, give the common people some notion of the wonders of animal life.

"Nothing of the kind," he said. "Look at that boa-constrictor you have out there. It is stuffed and in a glass case. Don't you know that in its natural surroundings you yourself would come mighty near stepping on one without seeing it? You would. If you had that thing set up as it should be, these museum visitors of yours would pass the case believing it was a mere collection of foliage. They wouldn't see the snake itself. See what I mean? Set up as they are in real life they'd come near being invisible."

The man walked up and down the study floor for half a minute or so, then paused at the desk and said:

"Don't let us get to entertaining one another though. But remember this, you only get knowledge at a cost. I mean to say that the man that would know something, can only get the knowledge at first hand. The people who wander around this junk shop that you call a museum, go out as empty headed as they came in. Consider. Say a Fiji islander came here and took back with him from the United States an electric light bulb, a stuffed possum, an old hat, a stalactite from the Mammoth cave, a sackful of pecan nuts, a pair of handcuffs, half a dozen photographs and a dozen packing cases full of things gathered from here and there, and then set the whole junk pile up under a roof in the Fiji Islands, what would his fellow Fijians know from that of the social life of this country. Eh? Tell me that?"

"You exaggerate," I protested. "You take an extreme point of view."

"I don't," he said.

His contradictions would have made me angry, perhaps, were they not made in such a quiet tone of voice.

"Take anything from its natural surroundings," he went on, "and it is meaningless. The dull-eyed men and women that wander through this Museum of yours are just killing time. There's no education in that kind of thing. Besides, what they see are dead things, anyway, and you can't study human nature in a morgue."

He resumed his seat on the window sill, then took from an inner pocket a leather wallet, and drew from that a photograph which he tossed across so that it fell on the desk before me. I examined it carefully. It had been badly developed and badly printed, and what was worse, roughly handled. But still, one could distinguish certain features.

It pictured the interior of a building. It was roofless, and above the rear wall was what I recognized as tropical vegetation, mainly by its wild luxuriance. In the center of the rear wall was what seemed to be a giant stone lizard, standing on its hind legs. The one foreleg that showed was disproportionately short. The body, too, was more attenuated than that of any lizard. The thing was headless and the statue, idol or whatever it was, stood on a pedestal, and before that again, seemed to be a slab of stone. Then my attention was caught by the head of the thing, which was to be seen in a corner. It was shaped roughly triangular. The jaws were broad at the base and the thing had, even in the photograph, something of the same repulsive appearance as the head of a vampire bat.

"It is the result of the imagination of some Indian," I said. "No post-diluvian Saurian ever existed of that size."

"Good God, man, you jump to conclusions," he said. "This is only a representation of the thing itself. Made in heroic size, so to say. But see here!"

He leaned over my shoulder and pointed to a kind of border that ran along the base of the pedestal. Examining closely, I made out a series of lizards running on their hind legs.

"They," he explained, "are cut into the stone. It is a sort of red sandstone. They are a little bigger than the thing itself as it is living. But look at this."

The particular spot to which he pointed was blurred and dirty, as though many fingers had pointed to it and I took the magnifying glass for closer inspection. Even then I only saw dimly as something that bore a resemblance to the carved figures.

"That," he said, "is as near as ever I came to seeing one of the little devils. I think it was one of them though I am not sure. I caught sight of it flashing across like a swiftly blown leaf. We took the picture by flashlight you see, so I'm not sure. Somerfield, of course, was too busy attending to his camera. He saw nothing."

"We might have another picture made," I said. "It would be interesting."

"D'ye think I'd be able to carry plunder around traveling as I was then?" he asked. "You see, I went down there for the Company I'm working for. I was looking out for rubber and hard woods. I'd worked from Buenaventura. From Buenaventura down to the Rio Caqueta and then followed that stream up to the water head, and then down the Codajaz. If you look at the map, you'll see it's no easy trip. No chance to pack much. All I wanted to carry was information. And there was only Somerfield along."

"But Somerfield—he, as I take it, was the photographer, was he not? Did he not take care of the negatives? It would not have been much for him to take care of."

"Well you see, he did take care of his negatives. But circumstances were different at the time. He had laid them away somewhere. After I killed him, I just brought away the camera and that was all."

Positively, I gasped at the audacity of the man. He said the words "I killed him," so quietly, in so matter of fact a way, that for the moment I was breathless. Like most other men, I had never sat face to face with one who had taken the life of another. Even soldiers, though they, we suppose, kill men, do it in a machine-like way. The killing is impersonal. The soldier handles the machine and it is the machine that kills. The individual soldier does not know whether he kills or not. That is why we are able to make much of the soldier, perhaps, I have thought since, though it never appeared to me in that light before I met Rounds. Actually, we are repelled at the thought of a man who kills another deliberately. If it were not so, as Rounds pointed out, we would make a hero of the public executioner. He should be as heroic a figure as a general. But as I tell you, at the moment, when Rounds said, "when I killed him," I was shocked. I had never before realized how violence was a thing apart from my life. I had looked at the representation of murder on the stage. I had read novels with murder as the mainspring. I had seen shootings and stabbings in moving pictures. Yet, not until that moment had I any suspicion that violence was so rare a thing and that most of our lives are far, far removed from it. Actually, I have never struck a man, nor has any man ever lifted his hand against me in anger.

It was, therefore, a startling thing to hear Rounds confess to having killed a fellow man. It was awesome. And yet, let me say, that at once I was possessed of a great desire to learn all about it, and down in my heart I feared that he would decide he had said something that he should not have said, and would either deny his statement or modify it in some way. I wanted to hear all the details. I was hugely interested. Was it morbidity? Then I came to myself after what was a shock, and awoke to the fact that he was talking in his quiet, even way.

"But those Tlingas held the belief, and that was all there was to it," he was saying.

I came to attention and said, "Of course. It is natural," for I feared to have him know that I was inattentive even for that short space, and waited for elucidations.

"It seems," he went on, "that the tribe was dying out. Helm, who first told me something of it at Buenaventura, was one of those scientists who have to invent a new theory for every new thing they were told of. He said it was either because of eating too much meat, or not enough. I forget which. There had been a falling off in the birth rate. The Tocalinian who had lived with them, and who joined us at the headwaters of the Codajaz, maintained that there had been too much inbreeding. So there was some arrangement by means of which they invited immigrants, as it were. Men from other neighboring tribes were encouraged to join the Tlingas. And they did. The Tlingas had a fat land and welcomed the immigrants. The immigrants on their part expected to have an easy time."

"That would make for racial improvement," I hazarded.

"Why?" he asked.

"The best from other lands would tend to improve their race. That was my idea when I spoke," I said.

He laughed quietly. "Something of the same idea that you foster here," he said. "I've laughed at that many's the time. America is this, that and the other; its people are inventive, intelligent, original, free, independent and all the rest of it because it is a result of the best blood of other lands. Eh? Lord, man, how you fool yourself! Can't you see that you would have a far better case if you deplored the fact that we are a result of the worse? All the fugitives, the poor, the ill-educated, the unfortunate, the ne'er-do-wells have been swarming here from Europe for two centuries. Can't you see that no man who could fight successfully against odds in his own country would emigrate? Can't you see that? If you said that we are a people that will allow any active minority to put anything over on us, because we are the result of generations of poor-spirited fugitives who couldn't fight for their personal freedom, you would be nearer the mark."

His argument of course was absurd, and at the moment I had no answer ready, though since I have thought of the thing I should have said. As Rounds talked, he grew quieter in his tone. He moved from his place on the window sill and sat on the corner of my desk. I had forgotten my uneasiness at being in the presence of one who had taken his fellow's life. He went on:

"When there's a falling birth rate, things change. There are manners and customs evolved that would seem strange to you. There come laws and religions, all made to match current requirements. Celibacy and sterility become a crime. Virginity becomes a disgrace, a something to be ridiculed."

"It seems impossible," I said.

"No," he said. "You have that in part. You ridicule what you call old maids, don't you?"

Again I was too slow with my reply. If I ever meet him again, I shall show him the fallacy of many of his arguments.

"Men with most children had the most to say. The childless were penalized, were punished. The sterile were put to death. There grew up a religion and a priesthood, ceremonials, sacrifices and rituals. And they had their god, in the shape of this lizard thing. Of course, like most other gods, it was more of a malevolent creature than anything else. Gods generally are if you will consider a little. I don't care what creed or religion gets the upper hand, it's Fear that becomes the power. Look around and see if I'm not right.

"Well, Somerfield and I walked into that kind of thing. Now like me, he had worked for the Exploration Company a good few years and had been to all kinds of places prospecting. Torres Straits, the Gold Coast, Madagascar, Patagonia. We prospectors have to get around in queer corners and the life's a dull one. All monotony. But Somerfield had queer notions. He worked at the job because he could make more money than at anything else and that gave him a chance to keep his family in Ohio in comfort. He was mighty fond of his family. Besides, the job gave him more time with the wife and kids than the average man gets. When he was at home, he was at home three months on end at times. That's better than the ordinary man. A man in a city, for example, leaves home early and gets home late, and then he's too grouchy what with the close air and one thing and another to find the children anything but an infernal nuisance. Now a man away from his home for a long spell on end really enjoys the company when he does get home, and they enjoy his company, too. Then, too, he does not get to messing into the affairs of the family. He's not the Lord Almighty and Supreme Court Judge all the time. Besides that, the wife and children get a kind of independence.

"Now this being so, Somerfield was what he was. He had ideas about religion. He was full of the notion that things are arranged so that if you live up to a certain code, you'll get a reward. 'Do right, and you'll come out right,' was one of his sayings. 'The wages of sin is death,' was another. Point out to him that virtue got paid in the same coin, and he'd argue. No use. In a way he was like a man who wouldn't walk under a ladder or spill salt. You know.

"Naturally, for him things were awkward at the Tlinga village. We stayed there quite a while, I should say. He lived in his own shack, cooking for himself and all that. He was full of ideas of duty to his wife and so on. I fell in with the local customs and took up with a sweetheart, and handled things so well that there was one of their ceremonials pretty soon in which I was central figure. Ista, it seems, made a public announcement. That would be natural enough with a tribe so concerned about the family birth rate. But it made me sorter mad to hear the natives everlastingly accusing Somerfield of being an undesirable. But they never let up trying to educate him and make him a Tlinga citizen. They were patient and persistent enough. On the other hand, I was looked on as a model young man, and received into the best society.

"About the time we were ready to strike west, Ista, that was my girl, told me that there would have to be a new ceremonial. She took my going in good part, for there was nothing more I could do. They were sensible enough to know that man was only an instrument in the great game as they understood it. Ista had led me out to a quiet place to put me next. I remember that vividly because of a little thing that happened that doesn't mean anything. I often wonder why resultless things sometimes stick in the mind. We were sitting at the base of a tall tree and there was a certain bush close by with bright red berries when they were unripe. They look good to eat. But when they ripened, they grew fat and juicy, the size of a grape, and of a liverish color. I thought that one of them had fallen on my left forearm and went to flick it off. Instead of being that, the thing burst into a blood splotch as soon as I hit it. That was the first time I had been bitten by one of those bugs. They are about the size of a sheep tick when empty, but they get on you and suck and suck, till they are full of your blood and size of a grape. Queer things, but ugly. Ista laughed as you would laugh if you saw a nigger afraid of a harmless snake. It's queer that it should be considered a joke when one fears something that another does not.

"But that has nothing to do with the story. What has, is that Ista wanted to tell me about the ceremonial. She did not believe in it at all. Privately, she was a kind of atheist among her people, but kept her opinions to herself. You must not think that because you see, hear or read of savage rites, that all the savages believe in those things. No sir. There is as much disbelief amongst them as with us. Perhaps more. They think things out. I might say that in a way they think more than the average civilized man. You see, a civilized child thinks for itself up until it is six or seven or so, and then the schools get hold of it, and from then on, it's tradition and believing what it's told to believe. That goes on through school life. Then at work, the man who would dare to vary on his own account is not wanted. So independent thought is not possible there. Work finished, it's the evening paper and editorial opinions. So really, man does not get much of a chance to think straight at any time. I guess if he did, the whole scheme would fall to pieces. That's why I say civilized man does not only not think, but perhaps can't think. His brains are not trained to it. Give the average man something with real, straight, original, first-hand thought in it, and he's simply unable to tackle it. His brain has not been cultivated. He wilts mentally. It's like putting the work of a man on a boy. Catch what I mean? Now a savage gets more of a chance. It was that way with Ista. She had thought out things for herself and had her own beliefs, but they were not the beliefs the Tlingas were supposed to hold. But after all she did not tell me much besides her own disbeliefs. When you think of it, no one can tell another much. What you know you have to discover alone. All she told me was what was going to be done, and that was about as disappointing as the information you might get about what would take place in initiation in a secret society. Some was lost in transmission.

"Well, at last the ceremonial started up with a great banging of drums and all that. It was a great scene, let me tell you, with the tumbled vegetation, glaringly colored as if a scene painter had gone crazy. There were the flashing birds—blood-colored and orange scarlet and yellow, gold and green. Butterflies, too,—great gaudy things that looked like moving flowers. And the noise and chatterings and whistlings in the trees of birds and insects. There were flowers and fruits, and eatings and speech-makings. As far as I could gather, the chief speakers were congratulating the hearers upon their luck in belonging to the Tlingas, which was the greatest tribe on earth and the favorite of Naol, the lizard god. We capered round the tribal pole, I capering with the rest of them of course. Somerfield took a picture of it. Then there was a procession of prospective mothers with Ista among them. Rotten, I thought it. Don't imagine female beauty, by the way, as some of the writers on savage life would have you imagine it. Nothing of the kind. White, black or yellow, I never saw a stark woman that looked beautiful yet. That's all bunk. Muscular and strong, yes. That's a kind of beauty in its way. True as God, I believe that one of the causes of unhappy marriages among white folk is that the lads are fed upon false notions about womanly beauty, and when they get the reality they think that they've captured a lemon.

"Presently the crowd quieted down and the men were set around in a semicircle with me and Somerfield at the end. Then a red-eyed old hag tottered out and began cursing Somerfield. She spat in his face and called him all outrageous names that came to her vindictive tongue. Luckily it was that he had been put next, and so, forewarned, was able to grin and bear it. But Lord, how she did tongue-lash him. Then she took a flat piece of wood, shaped like a laurel leaf, which was fastened to a thin strip of hide, and showed him that. It was a kind of charm, and on it was cut one of the running lizards. She wanted him to rub it on his forehead. Of course with his notions of religion he wouldn't do it. That's natural. When she passed it to me, I did what she wanted done. I never was particular that way. Symbols mean nothing anyway and if fools are in the majority, it's no use stirring up trouble. It's playing a lie of course, but then that's the part of wisdom it seems to me, sometimes. It's in a line with protective coloring. You remember what I said about the proper mounting of your specimens don't you? Well, it's like that. That's why persecutions have never stamped out opinions nor prohibitions appetites. The wisest keep their counsel and go on as usual. The martyrs are the weak fools. But let's see. Where was I? Oh, yes. The old woman and the piece of wood.

"She began running from this one to that, kind of working herself up into a frenzy. Then she started to chant some old nonsense. There was a rhythm to it. She sang:

'Nao calls for the useless.'

"Then the rest of them would shout

'Nao calls. Nao calls.'

"There was a terrible lot of it. The main purport was that this Nao was the ruling devil or god of the place. It called for the sacrifice of the useless. Many men were needed so that the one should be born who would lead the Tlingas to victory. That was the tone of it, and at the end of every line she sang, the crowd joined in with the refrain.

'Nao calls. Nao calls.'

"Of course they became worked up. She handled them pretty much the same as a skillful speaker does things at a political meeting or an evangelist at a revival. The same spirit was there. Instead of a flag, there was the tribal pole. There was the old gag of their nation or tribe being the chosen one. I don't care where you go, there is always the same thing. Every tribe and nation is cock-sure that theirs is the best. They have the bravest and the wisest men and the best women. But I kept nudging Somerfield. It was hard on him. He was the Judas and the traitor and all that. 'Damn-fool superstition,' he muttered to me time and again. But of course he was a bit nervous, and so was I. Being in the minority is awkward. The human brain simply isn't strong enough to encounter organized opposition. It wears. You spend too much energy being on the defensive.

"After a time, when the song was done, the old hag seemed pretty well played out. Then she passed the piece of wood I told you of to a big buck, and he started to whirling it round and round. He was a skillful chap at the trick, and in a little had it whirling and screaming. Then presently some of the birds fell to noise making just as you will hear canaries sing when some one whistles, or women talk when a piano commences to play. I saw something of the same down in Torres Straits. They call it the Twanyirika there. In the Malay Peninsula they use something of the kind to scare the elephants out of the plantations. They've got it on the Gold Coast as well. It's called the Oro there. Really it's all over the world. I've seen Scotch herd boys use something like it to scare the cattle, and Mexican sheep herders in Texas to make the sheep run together when they scatter too far. Of course there's really nothing to be scared of, but when it comes near you, you feel inclined to duck. To me, it was the feeling that the flat piece of wood would fly off and hit me. You always duck when you hear a whizzing. Still, the priests or medicine men trade on the head-ducking tendency. So, somehow, in the course of time, it gets so that those that listen have to bow down. Oh, yes! You say it's ridiculous and fanciful and all that sort of thing. I know. I have heard others say the same. It's only a noise and nothing to be scared of. But then, when you come to think of it, most men are scared of noise. They're like animals in that respect. What is a curse but a noise? Yet most men are secretly afraid of curses. They're uneasy under them. Yet they know it's only noise. Then look at thunderings from the pulpit. Look at excommunications. Look at denunciations. All noises to be sure. But there's the threat of force behind some of them. The blow may come and again it may not.

"As I said, every one bowed down and of course so did I, on general principles. Somerfield didn't and the old buck whirled that bull-roarer over him ever so long, and the red-eyed hag cursed and spat at him, but he never budged. That sort of conduct is damned foolishness according to my notion. But then, you see, in a kind of a way he was backing his prejudices against theirs and prejudices are pretty solid things when you consider. Still, he took a hell of a chance.

"On the trail next day, for we left the following morning, I argued with him about that, but he couldn't be budged. He said he stood for truth and all that kind of thing. I put it to him that he would expect any foreigner to conform to his national customs. He'd expect a Turk to give up his polygamy, I said, no matter what heart-breakings it cost some of the family. But he had a kink in his thinking, holding that his people had the whole, solid, unchanging truth. Of course, the argument came down with a crash then, for it worked around to a question of what is truth. There you are. There was the limit. So we quit. As I tell you, the human brain is not constituted to do much thinking. It's been crippled by lack of use. We are mentally stunted in growth. I remember that I began to say something about the possibility of there being several gods, meaning that some time or other men with imagination had defied some natural thing, but it came to me that I was talking nonsense, so I quit. Yet I know right well that many tribes have made gods of things of which they were afraid. But it's small profit to theorize.

"It was near sundown when we came to that building shown in that photograph. The vegetation was so thick thereabouts that the temple, for I suppose it was that, appeared before us suddenly. One moment we were crawling like insects between the trunks of great jungle trees that shot upwards seventy feet or more without a branch, as if they were racing for dear life skyward, and then everything fell away and there was the old building. It startled the both of us. We got the sensation that you get when you see a really good play. You forget your bodily presence and you are only a bundle of nerves. You walk or sit or stand, but without any effort or knowledge that you are doing it. We had been talking, and the sight of that building, so unexpected, startled us into silence. It would any one. Believe me, your imperturbable man with perfect, cool, self-possession does not exist. Man's a jumpy thing, given to nerves. You may deny it and talk about the unexcitability of the American citizen and all that bunk, but let me tell you that your journalists and moving picture producers and preachers and politicians have caught on to the fact that man is jumpy, and they trade on their discovery, believe me. They've got man on the hop every which way and keep him going.

"There had been a gateway there once, but for some reason or other it had become blocked with a rank vegetation. The old gap was chocked full with a thorny, flower-bearing bush so thick that a cat could not have passed through. Somerfield switched on one of his theories as soon as he got over his first surprise. Worshipers, he held, had brought flowers there and the seeds that had dropped had sprouted. It looked reasonable.

"Above the lintel was carved one of those running lizards. That you noticed early. You can't see that in the picture because we took that from the edge of a broken wall. You see, all the walls stood except that to the left of this doorway and that had partly fallen and what was left was chin high. We saw at a glance that the people who had built that temple were handy with tools. The stones of the wall were quite big—two feet or more square, and fitted closely. There was no mortar to hold them but the ends had been made with alternate grooves and projections that fitted well. The stone was a kind of red sandstone. But I told you that before.

"When we looked over the broken wall and saw that stone lizard, we had another shock. I don't care how you school yourself, there's a scare in every man. That's what annoys me, to see men posing and letting themselves be written up and speechified over as fearless. Fearless General this and Admiral that. Our fearless boys in the trenches. It sickens me. Why the whole race has been fed up on fear for ages. Fearlessness is impossible. Hell-fire, boogermen, devils, witches, the wrath of God—it's all been fear. Things that we know nothing of and have no proof of have been added to things that we do know of that will hurt, and, on top of that there has been the everlasting 'cuidado' lest you say a word that will run foul of current opinion—so what wonder that man is scary? It's a wonder that he's sane.

"After we took that picture we debated for the first time where we should camp that night. A new scare possessed us. In the end, we decided to camp inside the temple because of the greater security afforded by the walls. The truth is that some half fear of a giant lizard had gotten hold of us. So, as it was the lizard that scared us, we decided to stay in the lizard temple. Man's built that way. He likes to keep close to the thing that he fears. I heard a man who was a banker once say that he always mistrusted the man who would not take a vacation. As I take it, his idea was that the man who knew some danger was nigh, wanted to be around where he could catch the first intimation of a crash. But then, too, besides that, there is a sense of comfort in being within walls, especially with a floor paved as this one was. Besides, it was a change from the trees with their wild-tangled vines and their snake-like lianas. So we decided on the temple.

"That night I was a long time getting to sleep. The memory of the old hag and the bull-roarer was in my mind. I kept thinking of Ista, too. It was a warmer night than usual, and, after the moon dropped, pitchy dark. I slept stripped as I generally do, with a light blanket across my legs so that I could find it if needed without waking up.

"I awoke presently, feeling something run lightly and swiftly across my face. I thought it was a spider. It seemed to run in a zig-zag. Then feeling nothing more I set it down to fancy and dropped off to sleep again, face turned towards that idol. Later, I felt the same kind of thing run across my neck. I knew it was no fancy then, and my scare vanished because here was something to do. So I waited with my right hand poised to grab. I waited a long time, too, but I have lots of patience. Presently it ran down my body starting at my left shoulder and I brought down my hand at a venture, claw fashion, and caught the thing on the blanket. I felt the blanket raise and then fall again, just a little, of course, as I lifted my hand with the thing in it, and by that knew that it had claws. Yet bet I held tight. It seemed to be hard and smooth. It was a wiry, wriggling thing, somewhat like a lizard. But it was much more vigorous than any lizard. I tried to crush it, but could not. As to thickness, it seemed to be about the diameter of one of those lead pencils. It was like this I had it."

Rounds picked up a couple of lead pencils from the desk and took my hand in his. He told me to close my fist and then placed one pencil lengthwise so that an end of it was between my first and second finger and the rubber-tipped end lay across my wrist. The other pencil he thrust crosswise so that the pointed end stuck out between the second and third finger and the blunt end between the index finger and thumb.

"There you have it," he said. "That's how I held the little devil. Now grip hard and try to crush the pencils and you'll have something of the same sensation as I had. Holding it thus, I could feel its head jerking this way and that, violently, and its tail, long and lithe, lashing at my wrist. The little claws were trying to tear, but they were evidently softish. I could hear, or thought I could, the snap of its little jaws. It was about the nastiest sensation that I ever experienced. I don't know why I thought that it was venomous, but I did. I tried to smash the thing in my hand—tried again and again, and I have a good grip—but might just as well have tried to crush a piece of wire. There was no give to it. It tried to wriggle backwards but I had it under its jaws. So there we were: it wriggling, writhing and lashing and me laying there holding it at arms length. I felt the sweat start on me and the hair at the nap of my neck raise up, and I did some quick and complicated thinking. Of course, I dared not throw it away, but I got to my feet and as I did so, tried to bend its head backwards against the stone floor. But the head slipped sideways. I called on Somerfield for a light then, and he struck one hurriedly and it went out immediately. All that I saw was that the thing was white and had a triangular shaped head.

"Somehow I ran against Somerfield before he got another match struck and he swore at me, saying that I had cut him. I knew that I had touched him with my outstretched hand that held the beast. I drew back my hand a little and remembered afterwards that I then felt a slight, elastic resistance as if the thing that I held had caught on to something, as it had before to my blanket. Afterwards I found that the thing had gotten Somerfield's neck. As he struck another match, I saw the low place in the wall and flung the thing away with a quick jerk. You know the kind of a motion you'd make getting rid of some unseen noxious thing like that. That's how I never really saw the beast and can only conjecture what it was like from the feel of it.

"On Somerfield's neck, just below the angle of the jaw, was a clean-cut little oval place about half an inch in length. It did not bleed much, but it seemed to pain him a lot. He maintained that the thing was some kind of rodent. Anyway we put a little chewed tobacco on the place and, after awhile, tried to sleep again. We didn't do much good at it, neither of us. He was tossing and grumbling like a man with the toothache.

"Next morning the bitten place had swollen up to the size of an apple and was a greenish yellow color. He was feeling sick and a bit feverish, so I made him comfortable after looking around to see whether there was anything to harm him in the courtyard, and went to hunt water. I remember that I gave the head of the idol a kick with the flat of my foot for spite, as I passed it. Like a kid, that was, wasn't it? Now I was running back and forth all the morning with the canteen, for he drank a terrible quantity. His eyes grew bright, too, and his skin flushed. Towards noon, he began to talk wild, imagining that he was at home. Then I judged it best to let him stay there in the temple where he was, so to speak, corraled. Coming back shortly after from one water-hunting trip, I heard singing, and, looking over the wall, saw him sitting on the slab in front of the idol. He must have fancied that he had his kids before him for he was beating time with his hands and snapping his fingers and thumbs and singing:

'London bridge is fallen down, Fallen down, fallen down.'

"It was rotten to hear that out there, but I was halfway glad to see him that way, knowing that he wasn't miserable. After a little, he quit babbling and took more water; emptied the canteen, in fact, so back I had to start for more.

"Returning, I found things changed. He was going around, crouched like a hunting Indian, peering here and there, behind the idol then across to the head as if seeking some one. He had the facon in his hand. 'Rounds stabbed me,' he was saying. 'It was Rounds, damn him, that killed me.' Over and over again he said that. He was talking to invisible people, creatures of his mad brain. One would have thought, if one had not seen, that the temple court was crowded with spectators. Then he rose to his feet and, with the knife held close to his breast, began walking round and round as if seeking an outlet. He passed me once, he on one side of the wall and I on the other, and he looked me square in the eye, but never saw me. So round and round he went with long strides, knees bent and heels never touching the ground. He eyes were fixed and staring and his teeth clenched. Now and then he made long, slashing stabs in the air with the facon.

"Suddenly he saw me, and there was a change. The blood lust was in his eyes. He was standing on the slab in front of the idol, then made a great leap and started for the broken wall where I was. I saw then that the lump on his neck had swollen to the size of a big goitre. His whole body was a-quiver. There was an animal-like celerity in his movements that made me shudder. Then I knew that I dared not let him get on the same side of the wall as me. But he leaped at the gap from a distance that I would have thought no human could compass, and hung on to the wall with one arm over. He snarled like an animal. Then I smashed him over the head with the canteen, gripping the strap with my right hand. He fell back with the force of the blow, but immediately came at the gap again, then changed his mind and went to tearing around the chamber with great leaps. He was a panther newly caged. He sprang on to the head of the idol and from that to the pedestal, and then to the slab in front of it. Then he went across and across the floor, sometimes screaming and yelling, and then again moaning and groaning. One side of his face was all bloody where I had smashed it with the canteen. Seeing him so, a thing not human, but with all the furtive quickness of an animal and its strength, too, I felt sorry no more. I hated him with a wild hate. He was dangerous to me and I had to conquer him. That's fundamental. So I stood, gripping the strap of the canteen, watching, waiting. He came at me again, striding and leaping. That time he got one leg over with both hands gripping the top stones. The facon he dropped on my side of the wall, but I had no time to stoop for it just then. There were other things to do. He was getting over. It took some frantic beating with the canteen and he seemed to recover from the blows quicker than I could get the swing to strike again. But I beat him down at last, though I saw that he had lots more life in him than I, with that devil of madness filling him. So, when I saw him stumble, then recover and begin that running again, I picked up the knife and leaped over the wall to settle the matter once and for all. It was an ugly thing to do, but it had to be done and done quickly. At the root of things it's life against life."

Rounds ceased and fell to filling his pipe. I waited for him to recommence, but he made as if to leave, but paused a moment at my desk to pick up and examine a piece of malachite. I felt it incumbent upon me to say something to relieve the tension that I felt.

"I understand," said I. "It was a horrible necessity. It is a terrible thing to have to kill a fellow creature."

"That wasn't a fellow creature," he said. "What I killed was not the partner I knew. Don't you understand?"

"Yes, I understand," I replied. Then I asked, "Did you bury him?"

"Bury him? What for? How?" Rounds seemed indignant. "How could I bury him in a stone-paved court? How could I lift a dead man over a wall chin high?"

"Of course. Of course," I said. "I had forgotten that. But to us who lead quiet lives, it seems terrible to leave a dead man unburied."

"Do you feel that way about that mummy you have out there?" he asked, indicating the museum with his thumb. "If not, why not? But if you want the story to the bitter end, I dragged him to the only clean spot in the place, which was that slab in front of the idol. There I left him, or it. But things take odd turns. By the time I got back to the Tlinga village, they knew all about it and the priests used the affair to their own advantage. Mine was incidental. Yet I did reap some benefit. According to the priests, I had accepted the whole blessed lizard theory, or religion or whatever it was, and had sacrificed the unbeliever to the lizard god. Ista helped things along, I suspect, for with me as a former mate, there was some fame for her. Anyway, they met and hailed me as a hero and brought tribute to me. Gold dust. I wanted them to quit their damned foolishness and tried to explain, but it was no use. You can't teach a mob to have sense. Well, adios. But remember this: Don't be too cocksure."



UNDER THE DOME[8]

By WALDO FRANK

(From the Dial)

They were two figures under the grey of the Dome—two straight faint figures of black; they were a man and woman with heads bowed, straight—under the surge of the Dome.

I

Friday night, when always he broke away in order to pray in the Schul, and when she sat in the shop and had to speak with the customers who came, these praying hours of Friday night. Shabbas morning at least he did not go also.—My heart tells me it is wrong. Lord, forgive me for Esther and for my little girl. Lord, you know it is for them I do not go to Schul on Shabbas morning.—But by God, you will keep the store those two hours Friday! Do you hear? By God, what else have I ever asked you for? Don't you sit around, do nothing all the day, and aren't Flora's clothes a filth? and hardly if you'll cook our meals. But this you will do: this you will do! Friday nights. Lord, why is there no light in Esther? What have I done, Lord? what have I not done?

She sat in a chair, always, near the side wall: her eyes lay burning against the cold glare of the gas.

Above her shoulder on the wall was a large sheet of fashions: women with wasp waists, smirking, rolling: stiff men, all clothes, with little heads. Under the table—where Meyer sits with his big feet so much to look at—Flora played, a soiled bundle, with a ball of yarn and a huge gleaming scizzors.—No one perhaps comes, and then I do not mind sitting and keeping the store. I saw a dead horse in the street.—A dead horse, two days dead, rotting and stiff. Against the grey of the living street, a livid dead horse: a hot stink was his cold death against the street's clean-ness. There are two little boys, wrapped in blue coat, blue muffler, leather caps. They stand above the gaunt head of the horse and sneer at him. His flank rises red and huge. His legs are four strokes away from life. He is dead. The naughty boys pick up bricks. They stand, very close, above the head of the horse. They hurl down a brick. It strikes the horse's skull, falls sharp away. They hurl down a brick. It cuts the swollen nostril, falls soft away. The horse does not mind, the horse does not hurt. He is dead.

—Go away, you two! Throwing stones at a dead horse! Go away, I say! How would you like—When one is dead, stones strike one's skull and fall sharp away, one is moveless. When one is dead, stones strike the soft of one's throat and fall soft away, one is hurtless. When one is dead one does not hurt.

She sat and turned her eyes away from her child. Flora had smear on her face; her hands were grimed with the floor. One of her stockings was down: her little white knee was going to scrape on the floor, be black before it was bloody. So—A long shining table under a cold gas spurt. A store with clothes and a stove: no place for herself. A row of suits, all pressed and stiff with Meyer's diligence. A pile of suits, writhed with the wear of men, soiled, crumpled with traffic of streets, with bending of bodies in toil, in eating, in loving perhaps. Grimed living suits. Meyer takes an iron and it steams and it presses hard, it sucks up the grime. It sucks out the life from the suit. The suit is stiff and dead, now, ready to go once more over the body of a man and suck to itself his life.

The automatic bell clangs. There in the open door was a dark tall woman—customer.

Esther stood, too. She felt she was shorter and less tidy: more beautiful though.

Two women across the tailor-shop, seeing each other.

"I came for my husband's—for Mr. Breddan's dress suit. Mr. Lanich told him it would be ready at seven?"

Esther Lanich moved, Sophie Breddan stood. Between slow dark curve, swift dark stroke of these two women, under a tailor's table the burn of a dirty child, mumbling intent with scizzors between her soiled frail legs, at play with loose hair.

"Is this the one?"

The curve and the stroke came near across the table.

"Yes."

Eyes met.—She is tidy and fresh, less beautiful, though, than I. She has no child. She has a flat with Sun and a swell husband who wears a swallow-tail and takes her out to parties. She has a diamond ring, her corsets are sweet. She has things to put into her time like candies into her mouth, like loved kisses into my mouth. She is all new with her smooth skin going below the collar of her suit.

—She has a child, and she lets her play dirty with scizzors under a tailor table. "How much is it?"—After a decent bedtime.

—Does she think I care about this? "Oh, no hurry. Better come in and pay my—Mr. Lanich. Any time."

The clang of the bell.

Esther is seated. Her grey tilted eyes seem sudden to stand upon the farther wall of her husband's shop, and to look upon her. Her eyes speak soft warm words that touch her hair, touch her lips, lie like caressing fingers upon the soft cloth that lies upon her breast.

—Less beautiful than I, though. My flesh is soft and sweat, it is the colour of cream. What for? My hair is like an autumn tree gleaming with sun. I can let it fall through the high channel of my breast against my stomach that does not bulge but lies soft and low like a cushion of silk. What for? My eyes see beauty. What for? O there is no God. If there is God, what for?—He will come back and work. He will eat and work. He is kind and good. What for? When he is excited with love, doesn't he make an ugly noise with his nose? What else does he make with his love?—Another like Flora? God forbid. What for?

She did not pull down the wide yellow shade, though it was night. The street was a ribbon of velvet blackness laid beside the hurting and sharp brightness of the store. The yellow light was hard like grains of sand under the quick of her nails. She was afraid of the street. She was hurt in the store. But the brightness clamped her. She did not move.—O let no more customers come! "Keep quiet, Flora." I can not move.—She was clamped.

But the store moved, moved.

There was a black wheel with a gleaming axle—the Sun—that sent light dimming down its spokes as it spun. From the rim of the wheel where it was black, bright dust flung away as it spun. The store was a speck of bright dust. It flung straight. It moved along the velvet path of the street, touching, not merging with its night. It moved, it moved, she sat still in its moving. The store caught up with Meyer. He entered the store. He was there. He was there, scooped up from the path of the street by the store. Now her work was over. He was there. The store was a still store, fixed in a dirty house. Its brightness the spurt of two jets of gas. He was back from Schul.—That is all.

A man with blond hair, flat feet that shuffled, small tender hands. A man with a mouth gentle, slow; with eyes timid to see. "Come dear: that is no place."—Why she lets the child play with my shears!

Tender hands pull Flora from beneath the table. Flora comes blinking, unprotesting. Where her father's hands leave off from her, she stays. She sinks back to the floor. She looks at her little fists from which the scizzors are gone. She misses hard gleaming steel. She opens and shuts her fists and looks at them: she cries. But she does not move.—Her mother does not move.—Her father does not move. He squats on the table. His head sways with his thoughts. He knows that Flora will stop—what can he do?—in perhaps half an hour. It is a weak cry. Grows weaker. He is used to it. There is work.

He sews. 'A woman of valour who can find? For her price is far above rubies'—She will stay here, stay here silent. Flora should be in bed. Who to put his child in bed? Hard gas-light on her beloved hair? A wither, a wilt—'She is like the merchant ships; she bringeth her food from afar'—He sews and rips.—What, Lord, have I left undone? I love my Esther.—He sews.—I love my little girl. Lord, I fear the Lord—'She looketh well to the ways of the household, and eateth not the bread of idleness.'—Lighten me, Lord, give me light. There is my daughter crying, who should sleep: and my wife sitting, who will not, who will never without me go home. She is afraid. She says she is afraid. She is sullen and silent. She is so fair and sweet against my heart. Lord! why did her hands that held my head speak a lie? and her silent lips that she let press upon my mouth, why were they lies? Lord, I cannot understand. Lord, I pray. I must sew bread for Esther and for my child. I go to Schul at least once each Shabbas, Lord—Do I not fill the deep ten Penitential Days from Rosh Ha Shonoh to Yom Ha Kippurim with seeking out of heart?—He sews, he rips. The weeping of his child is done. Long stitches, here. She has found a chair's leg to play with. Her moist fingers clasp at the shrill wood. The wooden chair and her soft flesh wrestle. Esther sits still. He sews.

'Her children arise, and call her blessed; Her husband also, and he praiseth her; —Many daughters have done valiantly, But thou excellest them all.— Grace is deceitful and beauty is vain; But a woman that feareth the Lord, she shall be praised. Give her of the fruit of her hands; And let her works praise her in the gates.'

II

In the door and the clang again of the bell, a boy with them. A boy they knew—son of their neighbours—big for his years and heavy, with fat lips, eyes clouded, hair black and low over his clouded eyes. Esther alone saw, as he lurched in, one foot dragging always slightly.

He went for little Flora with no greeting for them: familiarly as he knew he would find her, had come so, often.—He loves her. The man who squats on the table and sews smiles on the boy who loves and plays with his child.

"Hello, kid," voice of a thick throat, "look—what I got for you here."

Flora lets the chair of her late love lurch against her back, strike her forward. She does not care. She watches two hands—grey-caked over red—unwrap from paper a dazzle of colours, place it to her eyes on the floor, pull with a string: it has little wheels, it moves!

"Quackle-duck," he announces.

Flora spreads out her hands, sinks on her rump, feels its green head that bobs with purple bill, feels its yellow tail.

"Quackle-duck—yours," says the boy.

She takes the string from his hand. With shoulder and stomach she swings her arm backward and pulls. The duck spurts, bobbing its green long head against her leg.

She plays. The boy on his knees with soiled thick drawers showing between his stockings and his pants plays with her.—

Meyer Lanich did not cease from work, nor his woman from silence. His face was warm in pleasure, watching his child who had a toy and a playmate.—I am all warm and full of love for Herbert Rabinowich: perhaps some day I can show him, or do something for his father. Now there was no way but to go on working, and smile so the pins in his mouth did not prick.