"Oh I'm not playing!" Mrs. Brook declared with a little rattle of emotion.

"She's not playing"—Mr. Mitchett gravely confirmed it. "Don't you feel in the very air the vibration of the passion that she's simply too charming to shake at the window as the housemaid shakes the tablecloth or the jingo the flag?" Then he took up what Vanderbank had previously said. "Of course, my dear man, I'm 'aware,' as you just now put it, of everything, and I'm not indiscreet, am I, Mrs. Brook? in admitting for you as well as for myself that there WAS an impossibility you and I used sometimes to turn over together. Only—Lord bless us all!—it isn't as if I hadn't long ago seen that there's nothing at all FOR me."

"Ah wait, wait!" Mrs. Brook put in. "She has a theory"—Vanderbank, from his chair, lighted it up for Mitchy, who hovered before them—"that your chance WILL come, later on, after I've given my measure."

"Oh but that's exactly," Mitchy was quick to respond, "what you'll never do! You won't give your measure the least little bit. You'll walk in magnificent mystery 'later on' not a bit less than you do today; you'll continue to have the benefit of everything that our imagination, perpetually engaged, often baffled and never fatigued, will continue to bedeck you with. Nanda, in the same way, to the end of all her time, will simply remain exquisite, or genuine, or generous—whatever we choose to call it. It may make a difference to us, who are comparatively vulgar, but what difference will it make to HER whether you do or you don't decide for her? You can't belong to her more, for herself, than you do already—and that's precisely so much that there's no room for any one else. Where therefore, without that room, do I come in?"

"Nowhere, I see," Vanderbank seemed obligingly to muse.

Mrs. Brook had followed Mitchy with marked admiration, but she gave on this a glance at Van that was like the toss of a blossom from the same branch. "Oh then shall I just go on with you BOTH? That WILL be joy!" She had, however, the next thing, a sudden drop which shaded the picture. "You're so divine, Mitchy, that how can you not in the long-run break ANY woman down?"

It was not as if Mitchy was struck—it was only that he was courteous. "What do you call the long-run? Taking about till I'm eighty?"

"Ah your genius is of a kind to which middle life will be particularly favourable. You'll reap then somehow, one feels, everything you've sown."

Mitchy still accepted the prophecy only to control it. "Do you call eighty middle life? Why, my moral beauty, my dear woman—if that's what you mean by my genius—is precisely my curse. What on earth—is left for a man just rotten with goodness? It renders necessary the kind of liking that renders unnecessary anything else."

"Now that IS cheap paradox!" Vanderbank patiently sighed. "You're down for a fine."

It was with less of the patience perhaps that Mrs. Brook took this up. "Yes, on that we ARE stiff. Five pounds, please."

Mitchy drew out his pocket-book even though he explained. "What I mean is that I don't give out the great thing." With which he produced a crisp banknote.

"DON'T you?" asked Vanderbank, who, having taken it from him to hand to Mrs. Brook, held it a moment, delicately, to accentuate the doubt.

"The great thing's the sacred terror. It's you who give THAT out."

"Oh!"—and Vanderbank laid the money on the small stand at Mrs. Brook's elbow.

"Ain't I right, Mrs. Brook?—doesn't he, tremendously, and isn't that more than anything else what does it?"

The two again, as if they understood each other, gazed in a unity of interest at their companion, who sustained it with an air clearly intended as the happy mean between embarrassment and triumph. Then Mrs. Brook showed she liked the phrase. "The sacred terror! Yes, one feels it. It IS that."

"The finest case of it," Mitchy pursued, "that I've ever met. So my moral's sufficiently pointed."

"Oh I don't think it can be said to be that," Vanderbank returned, "till you've put the whole thing into a box by doing for Nanda what she does most want you to do."

Mitchy caught on without a shade of wonder. "Oh by proposing to the Duchess for little Aggie?" He took but an instant to turn it over. "Well, I WOULD propose—to please Nanda. Only I've never yet quite made out the reason of her wish."

"The reason is largely," his friend answered, "that, being very fond of Aggie and in fact extremely admiring her, she wants to do something good for her and to keep her from anything bad. Don't you know—it's too charming—she regularly believes in her?" Mitchy, with all his recognition, vibrated to the touch. "Isn't it too charming?"

"Well then," Vanderbank went on, "she secures for her friend a phoenix like you, and secures for you a phoenix like her friend. It's hard to say for which of you she desires most to do the handsome thing. She loves you both in short"—he followed it up—"though perhaps when one thinks of it the price she puts on you, Mitchy, in the arrangement, is a little the higher. Awfully fine at any rate—and yet awfully odd too—her feeling for Aggie's type, which is divided by such abysses from her own."

"Ah," laughed Mitchy, "but think then of her feeling for mine!"

Vanderbank, still more at his ease now and with his head back, had his eyes aloft and far. "Oh there are things in Nanda—!" The others exchanged a glance at this, while their companion added: "Little Aggie's really the sort of creature she would have liked to be able to be."

"Well," Mitchy said, "I should have adored her even if she HAD been able."

Mrs. Brook had for some minutes played no audible part, but the acute observer we are constantly taking for granted would perhaps have detected in her, as one of the effects of the special complexion to-day of Vanderbank's presence, a certain smothered irritation. "She couldn't possibly have been able," she now interposed, "with so loose—or rather, to express it more properly, with so perverse—a mother."

"And yet, my dear lady," Mitchy promptly qualified, "how if in little Aggie's case the Duchess hasn't prevented—?"

Mrs. Brook was full of wisdom. "Well, it's a different thing. I'm not, as a mother—am I, Van?—bad ENOUGH. That's what's the matter with me. Aggie, don't you see? is the Duchess's morality, her virtue; which, by having it that way outside of you, as one may say, you can make a much better thing of. The child has been for Jane, I admit, a capital little subject, but Jane has kept her on hand and finished her like some wonderful piece of stitching. Oh as work it's of a soigne! There it is—to show. A woman like me has to be HERSELF, poor thing, her virtue and her morality. What will you have? It's our lumbering English plan."

"So that her daughter," Mitchy sympathised, "can only, by the arrangement, hope to become at the best her immorality and her vice?"

But Mrs. Brook, without an answer for the question, appeared suddenly to have plunged into a sea of thought. "The only way for Nanda to have been REALLY nice—!"

"Would have been for YOU to be like Jane?"

Mitchy and his hostess seemed for a minute, on this, to gaze together at the tragic truth. Then she shook her head. "We see our mistakes too late." She repeated the movement, but as if to let it all go, and Vanderbank meanwhile, pulling out his watch, had got up with a laugh that showed some inattention and made to Mitchy a remark about their walking away together. Mitchy, engaged for the instant with Mrs. Brook, had assented only with a nod, but the attitude of the two men had become that of departure. Their friend looked at them as if she would like to keep one of them, and for a purpose connected somehow with the other, but was oddly, almost ludicrously, embarrassed to choose. What was in her face indeed during this short passage might prove to have been, should we penetrate, the flicker of a sense that in spite of all intimacy and amiability they could, at bottom and as things commonly turned out, only be united against her. Yet she made at the end a sort of choice in going on to Mitchy: "He hasn't at all told you the real reason of Nanda's idea that you should go in for Aggie."

"Oh I draw the line there," said Vanderbank. "Besides, he understands that too."

Mitchy, on the spot, did himself and every one justice. "Why it just disposes of me, doesn't it?"

It made Vanderbank, restless now and turning about the room, stop with a smile at Mrs. Brook. "We understand too well!"

"Not if he doesn't understand," she replied after a moment while she turned to Mitchy, "that his real 'combination' can in the nature of the case only be—!"

"Oh yes"—Mitchy took her straight up—"with the young thing who is, as you say, positively and helplessly modern and the pious fraud of whose classic identity with a sheet of white paper has been—ah tacitly of course, but none the less practically!—dropped. You've so often reminded me. I do understand. If I were to go in for Aggie it would only be to oblige. The modern girl, the product of our hard London facts and of her inevitable consciousness of them just as they are—she, wonderful being, IS, I fully recognise, my real affair, and I'm not ashamed to say that when I like the individual I'm not afraid of the type. She knows too much—I don't say; but she doesn't know after all a millionth part of what I do."

"I'm not sure!" Mrs. Brook earnestly exclaimed.

He had rung out and he kept it up with a limpidity unusual. "And product for product, when you come to that, I'm a queerer one myself than any other. The traditions I smash!" Mitchy laughed.

Mrs. Brook had got up and Vanderbank had gone again to the window. "That's exactly why," she returned. "You're a pair of monsters and your monstrosity fits. She does know too much," she added.

"Well," said Mitchy with resolution, "it's all my fault."

"Not ALL—unless," Mrs. Brook returned, "that's only a sweet way of saying that it's mostly mine."

"Oh yours too—immensely; in fact every one's. Even Edward's, I dare say; and certainly, unmistakably, Harold's. Ah and Van's own—rather!" Mitchy continued; "for all he turns his back and will have nothing to say to it."

It was on the back Vanderbank turned that Mrs. Brook's eyes now rested. "That's precisely why he shouldn't be afraid of her."

He faced straight about. "Oh I don't deny my part."

He shone at them brightly enough, and Mrs. Brook, thoughtful, wistful, candid, took in for a moment the radiance. "And yet to think that after all it has been mere TALK!"

Something in her tone again made her hearers laugh out; so it was still with the air of good humour that Vanderbank answered: "Mere, mere, mere. But perhaps it's exactly the 'mere' that has made us range so wide."

Mrs. Brook's intelligence abounded. "You mean that we haven't had the excuse of passion?"

Her companions once more gave way to mirth, but "There you are!" Vanderbank said after an instant less sociably. With it too he held out his hand.

"You ARE afraid," she answered as she gave him her own; on which, as he made no rejoinder, she held him before her. "Do you mean you REALLY don't know if she gets it?"

"The money, if he DOESN'T go in?"—Mitchy broke almost with an air of responsibility into Vanderbank's silence. "Ah but, as we said, surely—!"

It was Mitchy's eyes that Vanderbank met. "Yes, I should suppose she gets it."

"Perhaps then, as a compensation, she'll even get MORE—!"

"If I don't go in? Oh!" said Vanderbank. And he changed colour.

He was by this time off, but Mrs. Brook kept Mitchy a moment. "Now—by that suggestion—he has something to show. He won't go in."



III

Her visitors had been gone half an hour, but she was still in the drawing-room when Nanda came back. The girl found her, on the sofa, in a posture that might have represented restful oblivion, but that, after a glance, our young lady appeared to interpret as mere intensity of thought. It was a condition from which at all events Mrs. Brook was quickly roused by her daughter's presence: she opened her eyes and put down her feet, so that the two were confronted as closely as persons may be when it is only one of them who looks at the other. Nanda, gazing vaguely about and not seeking a seat, slowly drew off her gloves while her mother's sad eyes considered her from top to toe. "Tea's gone," Mrs. Brook then said as if there were something in the loss peculiarly irretrievable. "But I suppose," she added, "he gave you all you want."

"Oh dear yes, thank you—I've had lots."

Nanda hovered there slim and charming, feathered and ribboned, dressed in thin fresh fabrics and faint colours, with something in the effect of it all to which the sweeter deeper melancholy in her mother's eyes seemed happily to testify. "Just turn round, dear." The girl immediately obeyed, and Mrs. Brook once more took everything in. "The back's best—only she didn't do what she said she would. How they do lie!" she gently quavered.

"Yes, but we lie so to THEM." Nanda had swung round again, producing evidently on her mother's part, by the admirable "hang" of her light skirts, a still deeper peace. "Do you mean the middle fold?—I knew she wouldn't. I don't want my back to be best—I don't walk backward."

"Yes," Mrs. Brook resignedly mused; "you dress for yourself."

"Oh how can you say that," the girl asked, "when I never stick in a pin but what I think of YOU!"

"Well," Mrs. Brook moralised, "one must always, I consider, think, as a sort of point de repere, of some one good person. Only it's best if it's a person one's afraid of. You do very well, but I'm not enough. What one really requires is a kind of salutary terror. I never stick in a pin without thinking of your Cousin Jane. What is it that some one quotes somewhere about some one's having said that 'Our antagonist is our helper—he prevents our being superficial'? The extent to which with my poor clothes the Duchess prevents ME—!" It was a measure Mrs. Brook could give only by the general soft wail of her submission to fate.

"Yes, the Duchess isn't a woman, is she? She's a standard."

The speech had for Nanda's companion, however, no effect of pleasantry or irony, and it was a mark of the special intercourse of these good friends that though they showed each other, in manner and tone, such sustained consideration as might almost have given it the stamp of diplomacy, there was yet in it also something of that economy of expression which is the result of a common experience. The recurrence of opportunity to observe them together would have taught a spectator that—on Mrs. Brook's side doubtless more particularly—their relation was governed by two or three remarkably established and, as might have been said, refined laws, the spirit of which was to guard against the vulgarity so often coming to the surface between parent and child. That they WERE as good friends as if Nanda had not been her daughter was a truth that no passage between them might fail in one way or another to illustrate. Nanda had gathered up, for that matter, early in life, a flower of maternal wisdom: "People talk about conscience, but it seems to me one must just bring it up to a certain point and leave it there. You can let your conscience alone if you're nice to the second housemaid." Mrs. Brook was as "nice" to Nanda as she was to Sarah Curd—which involved, as may easily be imagined, the happiest conditions for Sarah. "Well," she resumed, reverting to the Duchess on a final appraisement of the girl's air, "I really think I do well by you and that Jane wouldn't have anything to say to-day. You look awfully like mamma," she then threw off as if for the first time of mentioning it.

"Oh Cousin Jane doesn't care for that," Nanda returned. "What I don't look like is Aggie, for all I try."

"Ah you shouldn't try—you can do nothing with it. One must be what one is."

Mrs. Brook was almost sententious, but Nanda, with civility, let it pass. "No one in London touches her. She's quite by herself. When one sees her one feels her to be the real thing."

Mrs. Brook, without harshness, wondered. "What do you mean by the real thing?"

Even Nanda, however, had to think a moment.

"Well, the real young one. That's what Lord Petherton calls her," she mildly joked—"'the young 'un'"

Her mother's echo was not for the joke, but for something else. "I know what you mean. What's the use of being good?"

"Oh I didn't mean that," said Nanda. "Besides, isn't Aggie of a goodness—?"

"I wasn't talking of her. I was asking myself what's the use of MY being."

"Well, you can't help it any more than the Duchess can help—!"

"Ah but she could if she would!" Mrs. Brook broke in with a sharper ring than she had yet given. "We can't help being good perhaps, if that burden's laid on us—but there are lengths in other directions we're not absolutely obliged to go. And what I think of when I stick in the pins," she went on, "is that Jane seems to me really never to have had to pay." She appeared for a minute to brood on this till she could no longer bear it; after which she jerked out: "Why she has never had to pay for ANYthing!"

Nanda had by this time seated herself, taking her place, under the interest of their talk, on her mother's sofa, where, except for the removal of her long soft gloves, which one of her hands again and again drew caressingly through the other, she remained very much as if she were some friendly yet circumspect young visitor to whom Mrs. Brook had on some occasion dropped "DO come." But there was something perhaps more expressly conciliatory in the way she had kept everything on: as if, in particular serenity and to confirm kindly Mrs. Brook's sense of what had been done for her, she had neither taken off her great feathered hat nor laid down her parasol of pale green silk, the "match" of hat and ribbons and which had an expensive precious knob. Our spectator would possibly have found too much earnestness in her face to be sure if there was also candour. "And do you mean that YOU have had to pay—?"

"Oh yes—all the while." With this Mrs. Brook was a little short, and also as she added as if to banish a slight awkwardness: "But don't let it discourage you."

Nanda seemed an instant to weigh the advice, and the whole thing would have been striking as another touch in the picture of the odd want, on the part of each, of any sense of levity in the other. Whatever escape, face to face, mother or daughter might ever seek would never be the humorous one—a circumstance, notwithstanding, that would not in every case have failed to make their interviews droll for a third person. It would always indeed for such a person have produced an impression of tension beneath the surface. "I could have done much better at the start and have lost less time," the girl at last said, "if I hadn't had the drawback of not really remembering Granny."

"Oh well, I remember her!" Mrs. Brook moaned with an accent that evidently struck her the next moment as so much out of place that she slightly deflected. She took Nanda's parasol and held it as if—a more delicate thing much than any one of hers—she simply liked to have it. "Her clothes—at your age at least—must have been hideous. Was it at the place he took you to that he gave you tea?" she then went on.

"Yes, at the Museum. We had an orgy in the refreshment-room. But he took me afterwards to Tishy's, where we had another."

"He went IN with you?" Mrs. Brook had suddenly flashed into eagerness.

"Oh yes—I made him."

"He didn't want to?"

"On the contrary—very much. But he doesn't do everything he wants," said Nanda.

Mrs. Brook seemed to wonder. "You mean you've also to want it?"

"Oh no—THAT isn't enough. What I suppose I mean," Nanda continued, "is that he doesn't do anything he doesn't want. But he does quite enough," she added.

"And who then was at Tishy's?"

"Oh poor old Tish herself, naturally, and Carrie Donner."

"And no one else?"

The girl just waited. "Yes, Mr. Cashmore came in."

Her mother gave a groan of impatience. "Ah AGAIN?"

Nanda thought an instant. "How do you mean, 'again'? He just lives there as much as he ever did, and Tishy can't prevent him."

"I was thinking of Mr. Longdon—of THEIR meeting. When he met him here that time he liked it so little. Did he like it any more to-day?" Mrs. Brook quavered.

"Oh no, he hated it."

"But hadn't he—if he should go in—known he WOULD?"

"Yes, perfectly. But he wanted to see."

"To see—?" Mrs. Brook just threw out.

"Well, where I go so much. And he knew I wished it."

"I don't quite see why," Mrs. Brook mildly observed. And then as her daughter said nothing to help her: "At any rate he did loathe it?"

Nanda, for a reply, simply after an instant put a question. "Well, how can he understand?"

"You mean, like me, why you do go there so much? How can he indeed?"

"I don't mean that," the girl returned—"it's just that he understands perfectly, because he saw them all, in such an extraordinary way—well, what can I ever call it?—clutch me and cling to me."

Mrs. Brook, with full gravity, considered this picture. "And was Mr. Cashmore to-day so ridiculous?"

"Ah he's not ridiculous, mamma—he's very unhappy. He thinks now Lady Fanny probably won't go, but he feels that may be after all only the worse for him."

"She WILL go," Mrs. Brook answered with one of her roundabout approaches to decision. "He IS too great an idiot. She was here an hour ago, and if ever a woman was packed—!"

"Well," Nanda objected, "but doesn't she spend her time in packing and unpacking?"

This enquiry, however, scarce pulled up her mother. "No—though she HAS, no doubt, hitherto wasted plenty of labour. She has now a dozen boxes—I could see them there in her wonderful eyes—just waiting to be called for. So if you're counting on her not going, my dear—!" Mrs. Brook gave a head-shake that was the warning of wisdom.

"Oh I don't care what she does!" Nanda replied. "What I meant just now was that Mr. Longdon couldn't understand why, with so much to make them so, they couldn't be decently happy."

"And did he wish you to explain?"

"I tried to, but I didn't make it any better. He doesn't like them. He doesn't even care for Tish."

"He told you so—right out?"

"Oh," Nanda said, "of course I asked him. I didn't press him, because I never do—!"

"You never do?" Mrs. Brook broke in as with the glimpse of a new light.

The girl showed an indulgence for this interest that was for a moment almost elderly. "I enjoy awfully with him seeing just how to take him."

Her tone and her face evidently put forth for her companion at this juncture something freshly, even quite supremely suggestive; and yet the effect of them on Mrs. Brook's part was only a question so off-hand that it might already often have been asked. The mother's eyes, to ask it, we may none the less add, attached themselves closely to the daughter's, and her face just glowed. "You like him so very awfully?"

It was as if the next instant Nanda felt herself on her guard. Yet she spoke with a certain surrender. "Well, it's rather intoxicating to be one's self—!" She had only a drop over the choice of her term.

"So tremendously made up to, you mean—even by a little fussy ancient man? But DOESN'T he, my dear," Mrs. Brook continued with encouragement, "make up to you?"

A supposititious spectator would certainly on this have imagined in the girl's face the delicate dawn of a sense that her mother had suddenly become vulgar, together with a general consciousness that the way to meet vulgarity was always to be frank and simple and above all to ignore. "He makes one enjoy being liked so much—liked better, I do think, than I've ever been liked by any one."

If Mrs. Brook hesitated it was, however, clearly not because she had noticed. "Not better surely than by dear Mitchy? Or even if you come to that by Tishy herself."

Nanda's simplicity maintained itself. "Oh Mr. Longdon's different from Tishy."

Her mother again hesitated. "You mean of course he knows more?"

The girl considered it. "He doesn't know MORE. But he knows other things. And he's pleasanter than Mitchy."

"You mean because he doesn't want to marry you?"

It was as if she had not heard that Nanda continued: "Well, he's more beautiful."

"O-oh!" cried Mrs. Brook, with a drawn-out extravagance of comment that amounted to an impugnment of her taste even by herself.

It contributed to Nanda's quietness. "He's one of the most beautiful people in the world."

Her companion at this, with a quick wonder, fixed her. "DOES he, my dear, want to marry you?"

"Yes—to all sorts of ridiculous people."

"But I mean—would you take HIM?"

Nanda, rising, met the question with a short ironic "Yes!" that showed her first impatience. "It's so charming being liked without being approved."

But Mrs. Brook only wanted to know. "He doesn't approve—?"

"No, but it makes no difference. It's all exactly right—it doesn't matter."

Mrs. Brook seemed to wonder, however, exactly how these things could be. "He doesn't want you to give up anything?" She looked as if swiftly thinking what Nanda MIGHT give up.

"Oh yes, everything."

It was as if for an instant she found her daughter inscrutable; then she had a strange smile. "Me?"

The girl was perfectly prompt. "Everything. But he wouldn't like me nearly so much if I really did."

Her mother had a further pause. "Does he want to ADOPT you?" Then more quickly and sadly, though also a little as if lacking nerve to push the research: "We couldn't give you up, Nanda."

"Thank you so much, mamma. But we shan't be very much tried," Nanda said, "because what it comes to seems to be that I'm really what you may call adopting HIM. I mean I'm little by little changing him—gradually showing him that, as I couldn't possibly have been different, and as also of course one can't keep giving up, the only way is for him not to mind, and to take me just as I am. That, don't you see? is what he would never have expected to do."

Mrs. Brook recognised in a manner the explanation, but still had her wistfulness. "But—a—to take you, 'as you are,' WHERE?"

"Well, to the South Kensington Museum."

"Oh!" said Mrs. Brook. Then, however, in a more exemplary tone: "Do you enjoy so very much your long hours with him?"

Nanda appeared for an instant to think how to express it. "Well, we're great friends."

"And always talking about Granny?"

"Oh no—really almost never now."

"He doesn't think so awfully much of her?" There was an oddity of eagerness in the question—a hope, a kind of dash, for something that might have been in Nanda's interest.

The girl met these things only with obliging gravity. "I think he's losing any sense of my likeness. He's too used to it—or too many things that are too different now cover it up."

"Well," said Mrs. Brook as she took this in, "I think it's awfully clever of you to get only the good of him and have none of the worry."

Nanda wondered. "The worry?"

"You leave that all to ME," her mother went on, but quite forgivingly. "I hope at any rate that the good, for you, will be real."

"Real?" the girl, remaining vague, again echoed.

Mrs. Brook showed for this not perhaps an irritation, but a flicker of austerity. "You must remember we've a great many things to think about. There are things we must take for granted in each other—we must all help in our way to pull the coach. That's what I mean by worry, and if you don't have any so much the better for you. For me it's in the day's work. Your father and I have most to think about always at this time, as you perfectly know—when we have to turn things round and manage somehow or other to get out of town, have to provide and pinch, to meet all the necessities, with money, money, money at every turn running away like water. The children this year seem to fit into nothing, into nowhere, and Harold's more dreadful than he has ever been, doing nothing at all for himself and requiring everything to be done for him. He talks about his American girl, with millions, who's so awfully taken with him, but I can't find out anything about her: the only one, just now, that people seem to have heard of is the one Booby Manger's engaged to. The Mangers literally snap up everything," Mrs. Brook quite wailingly now continued: "the Jew man, so gigantically rich—who is he? Baron Schack or Schmack—who has just taken Cumberland House and who has the awful stammer—or what is it? no roof to his mouth—is to give that horrid little Algie, to do his conversation for him, four hundred a year, which Harold pretended to me that, of all the rush of young men—dozens!—HE was most in the running for. Your father's settled gloom is terrible, and I bear all the brunt of it; we get literally nothing this year for the Hovel, yet have to spend on it heaven knows what; and everybody, for the next three months, in Scotland and everywhere, has asked us for the wrong time and nobody for the right: so that I assure you I don't know where to turn—which doesn't however in the least prevent every one coming to me with their own selfish troubles." It was as if Mrs. Brook had found the cup of her secret sorrows suddenly jostled by some touch of which the perversity, though not completely noted at the moment, proved, as she a little let herself go, sufficient to make it flow over; but she drew, the next thing, from her daughter's stillness a reflexion of the vanity of such heat and speedily recovered herself as if in order with more dignity to point the moral. "I can carry my burden and shall do so to the end; but we must each remember that we shall fall to pieces if we don't manage to keep hold of some little idea of responsibility. I positively can't arrange without knowing when it is you go to him."

"To Mr. Longdon? Oh whenever I like," Nanda replied very gently and simply.

"And when shall you be so good as to like?"

"Well, he goes himself on Saturday, and if I want I can go a few days later."

"And what day can you go if I want?" Mrs. Brook spoke as with a small sharpness—just softened indeed in time—produced by the sight of a freedom in her daughter's life that suddenly loomed larger than any freedom of her own. It was still a part of the unsteadiness of the vessel of her anxieties; but she never after all remained publicly long subject to the influence she often comprehensively designated to others as well as to herself as "nastiness." "What I mean is that you might go the same day, mightn't you?"

"With him—in the train? I should think so if you wish it."

"But would HE wish it? I mean would he hate it?"

"I don't think so at all, but I can easily ask him."

Mrs. Brook's head inclined to the chimney and her eyes to the window. "Easily?"

Nanda looked for a moment mystified by her mother's insistence. "I can at any rate perfectly try it."

"Remembering even that mamma would never have pushed so?"

Nanda's face seemed to concede even that condition. "Well," she at all events serenely replied, "I really think we're good friends enough for anything."

It might have been, for the light it quickly produced, exactly what her mother had been working to make her say. "What do you call that then, I should like to know, but his adopting you?"

"Ah I don't know that it matters much what it's called."

"So long as it brings with it, you mean," Mrs. Brook asked, "all the advantages?"

"Well yes," said Nanda, who had now begun dimly to smile—"call them advantages."

Mrs. Brook had a pause. "One would be quite ready to do that if one only knew a little more exactly what they're to consist of."

"Oh the great advantage, I feel, is doing something for HIM."

Nanda's companion, at this, hesitated afresh. "But doesn't that, my dear, put the extravagance of your surrender to him on rather an odd footing? Charity, love, begins at home, and if it's a question of merely GIVING, you've objects enough for your bounty without going so far."

The girl, as her stare showed, was held a moment by her surprise, which presently broke out. "Why, I thought you wanted me so to be nice to him!"

"Well, I hope you won't think me very vulgar," said Mrs. Brook, "if I tell you that I want you still more to have some idea of what you'll get by it. I've no wish," she added, "to keep on boring you with Mitchy—"

"Don't, don't!" Nanda pleaded.

Her mother stopped as short as if there had been something in her tone to set the limit the more utterly for being unstudied. Yet poor Mrs. Brook couldn't leave it there. "Then what do you get instead?"

"Instead of Mitchy? Oh," said Nanda, "I shall never marry."

Mrs. Brook at this turned away, moving over to the window with quickened weariness. Nanda, on her side, as if their talk had ended, went across to the sofa to take up her parasol before leaving the room, an impulse rather favoured than arrested by the arrival of her brother Harold, who came in at the moment both his relatives had turned a back to the door and who gave his sister, as she faced him, a greeting that made their mother look round. "Hallo, Nan—you ARE lovely! Ain't she lovely, mother?"

"No!" Mrs. Brook answered, not, however, otherwise noticing him. Her domestic despair centred at this instant all in her daughter. "Well then, we shall consider—your father and I—that he must take the consequence."

Nanda had now her hand on the door, while Harold had dropped on the sofa. "'He'?" she just sounded.

"I mean Mr. Longdon."

"And what do you mean by the consequence?"

"Well, it will do for the beginning of it that you'll please go down WITH him."

"On Saturday then? Thanks, mamma," the girl returned.

She was instantly gone, on which Mrs. Brook had more attention for her son. This, after an instant, as she approached the sofa and raised her eyes from the little table beside it, came straight out. "Where in the world is that five-pound note?"

Harold looked vacantly about him. "What five-pound note?"



BOOK SEVENTH. MITCHY

Mr. Longdon's garden took in three acres and, full of charming features, had for its greatest wonder the extent and colour of its old brick wall, in which the pink and purple surface was the fruit of the mild ages and the protective function, for a visitor strolling, sitting, talking, reading, that of a nurse of reverie. The air of the place, in the August time, thrilled all the while with the bliss of birds, the hum of little lives unseen and the flicker of white butterflies. It was on the large flat enclosed lawn that Nanda spoke to Vanderbank of the three weeks she would have completed there on the morrow—weeks that had been—she made no secret of it—the happiest she had yet spent anywhere. The greyish day was soft and still and the sky faintly marbled, while the more newly arrived of the visitors from London, who had come late on the Friday afternoon, lounged away the morning in an attitude every relaxed line of which referred to the holiday he had, as it were—at first merely looking about and victualling—sat down in front of as a captain before a city. There were sitting-places, just there, out of the full light, cushioned benches in the thick wide spread of old mulberry-boughs. A large book of facts lay in the young man's lap, and Nanda had come out to him, half an hour before luncheon, somewhat as Beatrice came out to Benedick: not to call him immediately indeed to the meal, but mentioning promptly that she had come at a bidding. Mr. Longdon had rebuked her, it appeared, for her want of attention to their guest, showing her in this way, to her pleasure, how far he had gone toward taking her, as he called it, into the house.

"You've been thinking of yourself," Vanderbank asked, "as a mere clerk at a salary, and you now find that you're a partner and have a share in the concern?"

"It seems to be something like that. But doesn't a partner put in something? What have I put in?"

"Well—ME, for one thing. Isn't it your being here that has brought me down?"

"Do you mean you wouldn't have come for him alone? Then don't you make anything of his attraction? You ought to," said Nanda, "when he likes you so."

Vanderbank, longing for a river, was in white flannels, and he took her question with a happy laugh, a handsome face of good humour that completed the effect of his long, cool fairness. "Do you mind my just sitting still, do you mind letting me smoke and staying with me a while? Perhaps after a little we'll walk about—shan't we? But face to face with this dear old house, in this jolly old nook, one's too contented to move, lest raising a finger even should break the spell. What WILL be perfect will be your just sitting down—DO sit down—and scolding me a little. That, my dear Nanda, will deepen the peace." Some minutes later, while, near him but in another chair, she fingered the impossible book, as she pronounced it, that she had taken from him, he came back to what she had last said. "Has he talked to you much about his 'liking' me?"

Nanda waited a minute, turning over the book. "No."

"Then how are you just now so struck with it?"

"I'm not struck only with what I'm talked to about. I don't know," she went on, "only what people tell me."

"Ah no—you're too much your mother's daughter for that!" Vanderbank leaned back and smoked, and though all his air seemed to say that when one was so at ease for gossip almost any subject would do, he kept jogging his foot with the same small nervous motion as during the half-hour at Mertle that this record has commemorated. "You're too much one of us all," he continued. "We've tremendous perceptions," he laughed. "Of course I SHOULD have come for him. But after all," he added, as if all sorts of nonsense would equally serve, "he mightn't, except for you, you know, have asked me."

Nanda so far accepted this view as to reply: "That's awfully weak. He's so modest that he might have been afraid of your boring yourself."

"That's just what I mean."

"Well, if you do," Nanda returned, "the explanation's a little conceited."

"Oh I only made it," Vanderbank said, "in reference to his modesty." Beyond the lawn the house was before him, old, square, red-roofed, well assured of its right to the place it took up in the world. This was a considerable space—in the little world at least of Suffolk—and the look of possession had everywhere mixed with it, in the form of old windows and doors, the tone of old red surfaces, the style of old white facings, the age of old high creepers, the long confirmation of time. Suggestive of panelled rooms, of precious mahogany, of portraits of women dead, of coloured china glimmering through glass doors and delicate silver reflected on bared tables, the thing was one of those impressions of a particular period that it takes two centuries to produce. "Fancy," the young man incoherently exclaimed, "his caring to leave anything so loveable as all this to come up and live with US!"

The girl also for a little lost herself. "Oh you don't know what it is—the charm comes out so as one stays. Little by little it grows and grows. There are old things everywhere that are too delightful. He lets me explore so—he lets me rummage and rifle. Every day I make discoveries."

Vanderbank wondered as he smoked. "You mean he lets you take things—?"

"Oh yes—up to my room, to study or to copy. There are old patterns that are too dear for anything. It's when you live with them, you see, that you know. Everything in the place is such good company."

"Your mother ought to be here," Vanderbank presently suggested. "She's so fond of good company." Then as Nanda answered nothing he went on: "Was your grandmother ever?"

"Never," the girl promptly said. "Never," she repeated in a tone quite different. After which she added: "I'm the only one."

"Oh, and I 'me and you,' as they say," her companion amended.

"Yes, and Mr. Mitchy, who's to come down—please don't forget—this afternoon."

Vanderbank had another of his contemplative pauses. "Thank you for reminding me. I shall spread myself as much as possible before he comes—try to produce so much of my effect that I shall be safe. But what did Mr. Longdon ask him for?"

"Ah," said Nanda gaily, "what did he ask YOU for?"

"Why, for the reason you just now mentioned—that his interest in me is so uncontrollable."

"Then isn't his interest in Mitchy—"

"Of the same general order?" Vanderbank broke in. "Not in the least." He seemed to look for a way to express the distinction—which suddenly occurred to him. "He wasn't in love with Mitchy's mother."

"No"—Nanda turned it over. "Mitchy's mother, it appears, was awful. Mr. Cashmore knew her."

Vanderbank's smoke-puffs were profuse and his pauses frequent. "Awful to Mr. Cashmore? I'm glad to hear it—he must have deserved it. But I believe in her all the same. Mitchy's often awful himself," the young man rambled on. "Just so I believe in HIM."

"So do I," said Nanda—"and that's why I asked him."

"YOU asked him, my dear child? Have you the inviting?"

"Oh yes."

The eyes he turned on her seemed really to try if she jested or were serious. "So you arranged for me too?"

She turned over again a few leaves of his book and, closing it with something of a clap, transferred it to the bench beside him—a movement in which, as if through a drop into thought, he rendered her no assistance. "What I mean is that I proposed it to Mr. Longdon, I suggested he should be asked. I've a reason for seeing him—I want to talk to him. And do you know," the girl went on, "what Mr. Longdon said?"

"Something splendid of course."

"He asked if you wouldn't perhaps dislike his being here with you."

Vanderbank, throwing back his head, laughed, smoked, jogged his foot more than ever. "Awfully nice. Dear old Mitch! How little afraid of him you are!"

Nanda wondered. "Of Mitch?"

"Yes, of the tremendous pull he really has. It's all very well to talk—he HAS it. But of course I don't mean I don't know"—and as with the effect of his nervous sociability he shifted his position. "I perfectly see that you're NOT afraid. I perfectly know what you have in your head. I should never in the least dream of accusing you—as far as HE is concerned—of the least disposition to flirt; any more indeed," Vanderbank pleasantly pursued, "than even of any general tendency of that sort. No, my dear Nanda"—he kindly kept it up—"I WILL say for you that, though a girl, thank heaven, and awfully MUCH a girl, you're really not on the whole more of a flirt than a respectable social ideal prescribes."

"Thank you most tremendously," his companion quietly replied.

Something in the tone of it made him laugh out, and the particular sound went well with all the rest, with the August day and the charming spot and the young man's lounging figure and Nanda's own little hovering hospitality. "Of course I strike you as patronising you with unconscious sublimity. Well, that's all right, for what's the most natural thing to do in these conditions but the most luxurious? Won't Mitchy be wonderful for feeling and enjoying them? I assure you I'm delighted he's coming." Then in a different tone a moment later, "Do you expect to be here long?" he asked.

It took Nanda some time to say. "As long as Mr. Longdon will keep me, I suppose—if that doesn't sound very horrible."

"Oh he'll keep you! Only won't he himself," Vanderbank went on, "be coming up to town in the course of the autumn?"

"Well, in that case I'd perfectly stay here without him."

"And leave him in London without YOU? Ah that's not what we want: he wouldn't be at all the same thing without you. Least of all for himself!" Vanderbank declared.

Nanda again thought. "Yes, that's what makes him funny, I suppose—his curious infatuation. I set him off—what do you call it?—show him off: by his going round and round me as the acrobat on the horse in the circus goes round the clown. He has said a great deal to me of your mother," she irrelevantly added.

"Ok everything that's kind of course, or you wouldn't mention it."

"That's what I mean," said Nanda.

"I see, I see—most charming of him." Vanderbank kept his high head thrown back as for the view, with a bright equal general interest, of everything that was before them, whether talked of or seen. "Who do you think I yesterday had a letter from? An extraordinary funny one from Harold. He gave me all the family news."

"And what IS the family news?" the girl after a minute enquired.

"Well, the first great item is that he himself—"

"Wanted," Nanda broke in, "to borrow five pounds of you? I say that," she added, "because if he wrote to you—"

"It couldn't have been in such a case for the simple pleasure of the intercourse?" Vanderbank hesitated, but continued not to look at her. "What do you know, pray, of poor Harold's borrowings?"

"Oh I know as I know other things. Don't I know everything?"

"DO you? I should rather ask," the young man gaily enough replied.

"Why should I not? How should I not? You know what I know." Then as to explain herself and attenuate a little the sudden emphasis with which she had spoken: "I remember your once telling me that I must take in things at my pores."

Her companion stared, but with his laugh again changed his posture. "That you' must—?"

"That I do—and you were quite right."

"And when did I make this extraordinary charge?"

"Ah then," said Nanda, "you admit it IS a charge. It was a long time ago—when I was a little girl. Which made it worse!" she dropped.

It made it at all events now for Vanderbank more amusing. "Ah not worse—better!"

She thought a moment. "Because in that case I mightn't have understood? But that I do understand is just what you've always meant."

"'Always,' my dear Nanda? I feel somehow," he rejoined very kindly, "as if you overwhelmed me!"

"You 'feel' as if I did—but the reality is just that I don't. The day I overwhelm you, Mr. Van—!" She let that pass, however; there was too much to say about it and there was something else much simpler. "Girls understand now. It has got to be faced, as Tishy says."

"Oh well," Vanderbank laughed, "we don't require Tishy to point that out to us. What are we all doing most of the time but trying to face it?"

"Doing? Aren't you doing rather something very different? You're just trying to dodge it. You're trying to make believe—not perhaps to yourselves but to US—that it isn't so."

"But surely you don't want us to be any worse!"

She shook her head with brisk gravity. "We don't care really what you are."

His amusement now dropped to her straighter. "Your 'we' is awfully beautiful. It's charming to hear you speak for the whole lovely lot. Only you speak, you know, as if you were just the class apart that you yet complain of our—by our scruples—implying you to be."

She considered this objection with her eyes on his face. "Well then we do care. Only—!"

"Only it's a big subject."

"Oh yes—no doubt; it's a big subject." She appeared to wish to meet him on everything reasonable. "Even Mr. Longdon admits that."

Vanderbank wondered. "You mean you talk over with him—!"

"The subject of girls? Why we scarcely discuss anything else."

"Oh no wonder then you're not bored. But you mean," he asked, "that he recognises the inevitable change—?"

"He can't shut his eyes to the facts. He sees we're quite a different thing."

"I dare say"—her friend was fully appreciative. "Yet the old thing—what do YOU know of it?"

"I personally? Well, I've seen some change even in MY short life. And aren't the old books full of us? Then Mr. Longdon himself has told me."

Vanderbank smoked and smoked. "You've gone into it with him?"

"As far as a man and a woman can together."

As he took her in at this with a turn of his eye he might have had in his ears the echo of all the times it had been dropped in Buckingham Crescent that Nanda was "wonderful." She WAS indeed. "Oh he's of course on certain sides shy."

"Awfully—too beautifully. And then there's Aggie," the girl pursued. "I mean for the real old thing."

"Yes, no doubt—if she BE the real old thing. But what the deuce really IS Aggie?"

"Well," said Nanda with the frankest interest, "she's a miracle. If one could be her exactly, absolutely, without the least little mite of change, one would probably be wise to close with it. Otherwise—except for anything BUT that—I'd rather brazen it out as myself."

There fell between them on this a silence of some minutes, after which it would probably not have been possible for either to say if their eyes had met while it lasted. This was at any rate not the case as Vanderbank at last remarked: "Your brass, my dear young lady, is pure gold!"

"Then it's of me, I think, that Harold ought to borrow."

"You mean therefore that mine isn't?" Vanderbank went on.

"Well, you really haven't any natural 'cheek'—not like SOME of them. You're in yourself as uneasy, if anything's said and every one giggles or makes some face, as Mr. Longdon, and if Lord Petherton hadn't once told me that a man hates almost as much to be called modest as a woman does, I'd say that very often in London now you must pass some bad moments."

The present might precisely have been one of them, we should doubtless have gathered, had we seen fully recorded in Vanderbank's face the degree to which this prompt response embarrassed or at least stupefied him. But he could always provisionally laugh. "I like your 'in London now'!"

"It's the tone and the current and the effect of all the others that push you along," she went on as if she hadn't heard him. "If such things are contagious, as every one says, you prove it perhaps as much as any one. But you don't begin"—she continued blandly enough to work it out for him; "or you can't at least originally have begun. Any one would know that now—from the terrific effect I see I produce on you—by talking this way. There it is—it's all out before one knows it, isn't it, and I can't help it any more than you can, can I?" So she appeared to put it to him, with something in her lucidity that would have been infinitely touching; a strange grave calm consciousness of their common doom and of what in especial in it would be worst for herself. He sprang up indeed after an instant as if he had been infinitely touched; he turned away, taking just near her a few steps to and fro, gazed about the place again, but this time without the air of particularly seeing it, and then came back to her as if from a greater distance. An observer at all initiated would, at the juncture, fairly have hung on his lips, and there was in fact on Vanderbank's part quite the look of the man—though it lasted but just while we seize it—in suspense about himself. The most initiated observer of all would have been poor Mr. Longdon, in that case destined, however, to be also the most defeated, with the sign of his tension a smothered "Ah if he doesn't do it NOW!" Well, Vanderbank didn't do it "now," and the odd slow irrelevant sigh he gave out might have sufficed as the record of his recovery from a peril lasting just long enough to be measured. Had there been any measure of it meanwhile for Nanda? There was nothing at least to show either the presence or the relief of anxiety in the way in which, by a prompt transition, she left her last appeal to him simply to take care of itself. "You haven't denied that Harold does borrow."

He gave a sound as of cheer for this luckily firmer ground. "My dear child, I never lent the silly boy five pounds in my life. In fact I like the way you talk of that. I don't know quite for what you take me, but the number of persons to whom I HAVE lent five pounds—!"

"Is so awfully small"—she took him up on it—"as not to look so very well for you?" She held him an instant as with the fine intelligence of his meaning in this, and then, though not with sharpness, broke out: "Why are you trying to make out that you're nasty and stingy? Why do you misrepresent—?"

"My natural generosity? I don't misrepresent anything, but I take, I think, rather markedly good care of money." She had remained in her place and he was before her on the grass, his hands in his pockets and his manner perhaps a little awkward. "The way you young things talk of it!"

"Harold talks of it—but I don't think I do. I'm not a bit expensive—ask mother, or even ask father. I do with awfully little—for clothes and things, and I could easily do with still less. Harold's a born consumer, as Mitchy says; he says also he's one of those people who will never really want."

"Ah for that, Mitchy himself will never let him."

"Well then, with every one helping us all round, aren't we a lovely family? I don't speak of it to tell tales, but when you mention hearing from Harold all sorts of things immediately come over me. We seem to be all living more or less on other people, all immensely 'beholden.' You can easily say of course that I'm worst of all. The children and their people, at Bognor, are in borrowed quarters—mother got them lent her—as to which, no doubt, I'm perfectly aware that I ought to be there sharing them, taking care of my little brother and sister, instead of sitting here at Mr. Longdon's expense to expose everything and criticise. Father and mother, in Scotland, are on a grand campaign. Well"—she pulled herself up—"I'm not in THAT at any rate. Say you've lent Harold only five shillings," she went on.

Vanderbank stood smiling. "Well, say I have. I never lend any one whatever more."

"It only adds to my conviction," Nanda explained, "that he writes to Mr. Longdon."

"But if Mr. Longdon doesn't say so—?" Vanderbank objected.

"Oh that proves nothing." She got up as she spoke. "Harold also works Granny." He only laughed out at first for this, while she went on: "You'll think I make myself out fearfully deep—I mean in the way of knowing everything without having to be told. That IS, as you say, mamma's great accomplishment, so it must be hereditary. Besides, there seem to me only too many things one IS told. Only Mr. Longdon has in fact said nothing."

She had looked about responsibly—not to leave in disorder the garden-nook they had occupied; picking up a newspaper and changing the place of a cushion. "I do think that with him you're remarkable," Vanderbank observed—"putting on one side all you seem to know and on the other all he holds his tongue about. What then DOES he say?" the young man asked after a slight pause and perhaps even with a slight irritation.

Nanda glanced round again—she was folding, rather carefully, her paper. Presently her glance met their friend, who, having come out of one of the long windows that opened to the lawn, had stopped there to watch them. "He says just now that luncheon's ready."

II

"I've made him," she said in the drawing-room to Mitchy, "make Mr. Van go with him."

Mr. Longdon, in the rain, which had come on since the morning, had betaken himself to church, and his other guest, with sufficiently marked good humour, had borne him company. The windows of the drawing-room looked at the wet garden, all vivid and rich in the summer shower, and Mitchy, after seeing Vanderbank turn up his trousers and fling back a last answer to the not quite sincere chaff his submission had engendered, adopted freely and familiarly the prospect not only of a grateful freshened lawn, but of a good hour in the very pick, as he called it, of his actual happy conditions. The favouring rain, the dear old place, the charming serious house, the large inimitable room, the absence of the others, the present vision of what his young friend had given him to count on—the sense of these delights was expressed in his fixed generous glare. He was at first too pleased even to sit down; he measured the great space from end to end, admiring again everything he had admired before and protesting afresh that no modern ingenuity—not even his own, to which he did justice—could create effects of such purity. The final touch in the picture before them was just the composer's ignorance. Mr. Longdon had not made his house, he had simply lived it, and the "taste" of the place—Mitchy in certain connexions abominated the word—was just nothing more than the beauty of his life. Everything on every side had dropped straight from heaven, with nowhere a bargaining thumb-mark, a single sign of the shop. All this would have been a wonderful theme for discourse in Buckingham Crescent—so happy an exercise for the votaries of that temple of analysis that he repeatedly spoke of their experience of it as crying aloud for Mrs. Brook. The questions it set in motion for the perceptive mind were exactly those that, as he said, most made them feel themselves. Vanderbank's plea for his morning had been a pile of letters to work off, and Mitchy—then coming down, as he announced from the first, ready for anything—had gone to church with Mr. Longdon and Nanda in the finest spirit of curiosity. He now—after the girl's remark—turned away from his view of the rain, which he found different somehow from other rain, as everything else was different, and replied that he knew well enough what she could make Mr. Longdon do, but only wondered at Mr. Longdon's secret for acting on their friend. He was there before her with his hands in his pockets and appreciation winking from every yellow spot in his red necktie. "Afternoon service of a wet Sunday in a small country town is a large order. Does Van do everything the governor wants?"

"He may perhaps have had a suspicion of what I want," Nanda explained. "If I want particularly to talk to you—!"

"He has got out of the way to give me a chance? Well then he's as usual simply magnificent. How can I express the bliss of finding myself enclosed with you in this sweet old security, this really unimagined sanctity? Nothing's more charming than suddenly to come across something sharp and fresh after we've thought there was nothing more that could draw from us a groan. We've supposed we've had it all, have squeezed the last impression out of the last disappointment, penetrated to the last familiarity in the last surprise; then some fine day we find that we haven't done justice to life. There are little things that pop up and make us feel again. What MAY happen is after all incalculable. There's just a little chuck of the dice, and for three minutes we win. These, my dear young lady, are my three minutes. You wouldn't believe the amusement I get from them, and how can I possibly tell you? There's a faint divine old fragrance here in the room—or doesn't it perhaps reach you? I shan't have lived without it, but I see now I had been afraid I should. You, on your side, won't have lived without some touch of greatness. This moment's great and you've produced it. You were great when you felt all you COULD produce. Therefore," Mitchy went on, pausing once more, as he walked, before a picture, "I won't pull the whole thing down by the vulgarity of wishing I too only had a first-rate Cotman."

"Have you given up some VERY big thing to come?" Nanda replied to this.

"What in the world is very big, my child, but the beauty of this hour? I haven't the least idea WHAT, when I got Mr. Longdon's note, I gave up. Don't ask me for an account of anything; everything went—became imperceptible. I WILL say that for myself: I shed my badness, I do forget people, with a facility that makes me, for bits, for little patches, so far as they're concerned, cease to BE; so that my life is spotted all over with momentary states in which I'm as the dead of whom nothing's said but good." He had strolled toward her again while she smiled at him. "I've died for this, Nanda."

"The only difficulty I see," she presently replied, "is that you ought to marry a woman really clever and that I'm not quite sure what there may be of that in Aggie."

"In Aggie?" her friend echoed very gently. "Is THAT what you've sent for me for—to talk about Aggie?"

"Didn't it occur to you it might be?"

"That it couldn't possibly, you mean, be anything else?" He looked about for the place in which it would express the deepest surrender to the scene to sit—then sank down with a beautiful prompt submission. "I've no idea of what occurred to me—nothing at least but the sense that I had occurred to YOU. The occurrence is clay in the hands of the potter. Do with me what you will."

"You appreciate everything so wonderfully," Nanda said, "that it oughtn't to be hard for you to appreciate HER. I do dream so you may save her. That's why I haven't waited."

"The only thing that remains to me in life," he answered, "is a certain accessibility to the thought of what I may still do to figure a little in your eye; but that's precisely a thought you may assist to become clearer. You may for instance give me some pledge or sign that if I do figure—prance and caracole and sufficiently kick up the dust—your eye won't suffer itself to be distracted from me. I think there's no adventure I'm not ready to undertake for you; yet my passion—chastened, through all this, purified, austere—is still enough of this world not wholly to have renounced the fancy of some small reward."

"How small?" the girl asked.

She spoke as if feeling she must take from him in common kindness at least as much as she would make him take, and the serious anxious patience such a consciousness gave her tone was met by Mitchy with a charmed reasonableness that his habit of hyperbole did nothing to misrepresent. He glowed at her with the fullest recognition that there was something he was there to discuss with her, but with the assurance in every soft sound of him that no height to which she might lift the discussion would be too great for him to reach. His every cadence and every motion was an implication, as from one to the other, of the exquisite. Oh he could sustain it! "Well, I mean the establishment of something between us. I mean your arranging somehow that we shall be drawn more together—know together something nobody else knows. I should like so terrifically to have a RELATION that is a secret, with you."

"Oh if that's all you want you can be easily gratified. Rien de plus facile, as mamma says. I'm full of secrets—I think I'm really most secretive. I'll share almost any one of them with you—if it's only a good one."

Mitchy debated. "You mean you'll choose it yourself? You won't let it be one of mine?"

Nanda wondered. "But what's the difference?"

Her companion jumped up again and for a moment pervaded the place. "When you say such things as that, you're of a beauty—! MAY it," he asked as he stopped before her, "be one of mine—a perfectly awful one?"

She showed her clearest interest. "As I suppose the most awful secrets are the best—yes, certainly."

"I'm hideously tempted." But he hung fire; then dropping into his chair again: "It would be too bad. I'm afraid I can't."

"Then why won't THIS do, just as it is?"

"'This'?" He looked over the big bland room. "Which?"

"Why what you're here for?"

"My dear child I'm here—most of all—to love you more than ever; and there's an absence of favouring mystery about THAT—!" She looked at him as if seeing what he meant and only asking to remedy it. "There's a certain amount of mystery we can now MAKE—that it strikes me in fact we MUST make. Dear Mitchy," she continued almost with eagerness, "I don't think we CAN really tell."

He had fallen back in his chair, not looking at her now, and with his hands, from his supported elbows, clasped to keep himself more quiet. "Are you still talking about Aggie?"

"Why I've scarcely begun!"

"Oh!" It was not irritation he appeared to express, but the slight strain of an effort to get into relation with the subject. Better to focus the image he closed his eyes a while.

"You speak of something that may draw us together, and I simply reply that if you don't feel how near together we are—in this I shouldn't imagine you ever would. You must have wonderful notions," she presently went on, "of the ideal state of union. I pack every one off for you—I banish everything that can interfere, and I don't in the least mind your knowing that I find the consequence delightful. YOU may talk, if you like, of what will have passed between us, but I shall never mention it to a soul; literally not to a living creature. What do you want more than that?" He opened his eyes in deference to the question, but replied only with a gaze as unassisted as if it had come through a hole in a curtain. "You say you're ready for an adventure, and it's just an adventure that I propose. If I can make you feel for yourself as I feel for you the beauty of your chance to go in and save her—!"

"Well, if you can—?" Mitchy at last broke in. "I don't think, you know," he said after a moment, "you'll find it easy to make your two ends meet."

She thought a little longer. "One of the ends is yours, so that you'll act WITH me. If I wind you up so that you go—!"

"You'll just happily sit and watch me spin? Thank you! THAT will be my reward?"

Nanda rose on this from her chair as with the impulse of protest. "Shan't you care for my gratitude, my admiration?"

"Oh yes"—Mitchy seemed to muse. "I shall care for THEM. Yet I don't quite see, you know, what you OWE to Aggie. It isn't as if—!" But with this he faltered.

"As if she cared particularly for ME? Ah that has nothing to do with it; that's a thing without which surely it's but too possible to be exquisite. There are beautiful, quite beautiful people who don't care for me. The thing that's important to one is the thing one sees one's self, and it's quite enough if I see what can be made of that child. Marry her, Mitchy, and you'll see who she'll care for!"

Mitchy kept his position; he was for the moment—his image of shortly before reversed—the one who appeared to sit happily and watch. "It's too awfully pleasant your asking of me anything whatever!"

"Well then, as I say, beautifully, grandly save her."

"As you say, yes"—he sympathetically inclined his head. "But without making me feel exactly what you mean by it."

"Keep her," Nanda returned, "from becoming like the Duchess."

"But she isn't a bit like the Duchess in any of her elements. She's a totally different thing."

It was only for an instant, however, that this objection seemed to tell. "That's exactly why she'll be so perfect for you. You'll get her away—take her out of her aunt's life."

Mitchy met it all now in a sort of spellbound stillness. "What do you know about her aunt's life?"

"Oh I know everything!" She spoke with her first faint shade of impatience.

It produced for a little a hush between them, at the end of which her companion said with extraordinary gentleness and tenderness: "Dear old Nanda!" Her own silence appeared consciously to continue, and the suggestion of it might have been that for intelligent ears there was nothing to add to the declaration she had just made and which Mitchy sat there taking in as with a new light. What he drew from it indeed he presently went on to show. "You're too awfully interesting. Of course—you know a lot. How shouldn't you—and why?"

"'Why'? Oh that's another affair! But you don't imagine what I know; I'm sure it's much more than you've a notion of. That's the kind of thing now one IS—just except the little marvel of Aggie. What on earth," the girl pursued, "do you take us for?"

"Oh it's all right!" breathed Mitchy, divinely pacific.

"I'm sure I don't know whether it is; I shouldn't wonder if it were in fact all wrong. But what at least is certainly right is for one not to pretend anything else. There I am for you at any rate. Now the beauty of Aggie is that she knows nothing—but absolutely, utterly: not the least little tittle of anything."

It was barely visible that Mitchy hesitated, and he spoke quite gravely. "Have you tried her?"

"Oh yes. And Tishy has." His gravity had been less than Nanda's. "Nothing, nothing." The memory of some scene or some passage might have come back to her with a charm. "Ah say what you will—it IS the way we ought to be!"

Mitchy, after a minute of much intensity, had stopped watching her; changing his posture and with his elbows on his knees he dropped for a while his face into his hands. Then he jerked himself to his feet. "There's something I wish awfully I could say to you. But I can't."

Nanda, after a slow headshake, covered him with one of the dimmest of her smiles. "You needn't say it. I know perfectly which it is." She held him an instant, after which she went on: "It's simply that you wish me fully to understand that you're one who, in perfect sincerity, doesn't mind one straw how awful—!"

"Yes, how awful?" He had kindled, as he paused, with his new eagerness.

"Well, one's knowledge may be. It doesn't shock in you a single hereditary prejudice."

"Oh 'hereditary'—!" Mitchy ecstatically murmured.

"You even rather like me the better for it; so that one of the reasons why you couldn't have told me—though not of course, I know, the only one—is that you would have been literally almost ashamed. Because, you know," she went on, "it IS strange."

"My lack of hereditary—?"

"Yes, discomfort in presence of the fact I speak of. There's a kind of sense you don't possess."

His appreciation again fairly goggled at her. "Oh you do know everything!"

"You're so good that nothing shocks you," she lucidly persisted. "There's a kind of delicacy you haven't got."

He was more and more struck. "I've only that—as it were—of the skin and the fingers?" he appealed.

"Oh and that of the mind. And that of the soul. And some other kinds certainly. But not THE kind."

"Yes"—he wondered—"I suppose that's the only way one can name it." It appeared to rise there before him. "THE kind!"

"The kind that would make me painful to you. Or rather not me perhaps," she added as if to create between them the fullest possible light; "but my situation, my exposure—all the results of them I show. Doesn't one become a sort of a little drain-pipe with everything flowing through?"

"Why don't you call it more gracefully," Mitchy asked, freshly struck, "a little aeolian-harp set in the drawing-room window and vibrating in the breeze of conversation?"

"Oh because the harp gives out a sound, and WE—at least we try to—give out none."

"What you take, you mean, you keep?"

"Well, it sticks to us. And that's what you don't mind!"

Their eyes met long on it. "Yes—I see. I DON'T mind. I've the most extraordinary lacunae."

"Oh I don't know about others," Nanda replied; "I haven't noticed them. But you've that one, and it's enough."

He continued to face her with his queer mixture of assent and speculation. "Enough for what, my dear? To have made me impossible for you because the only man you could, as they say, have 'respected' would be a man who WOULD have minded?" Then as under the cool soft pressure of the question she looked at last away from him: "The man with 'THE kind,' as you call it, happens to be just the type you CAN love? But what's the use," he persisted as she answered nothing, "in loving a person with the prejudice—hereditary or other—to which you're precisely obnoxious? Do you positively LIKE to love in vain?"

It was a question, the way she turned back to him seemed to say, that deserved a responsible answer. "Yes."

But she had moved off after speaking, and Mitchy's eyes followed her to different parts of the room as, with small pretexts of present attention to it, small bestowed touches for symmetry, she slowly measured it. "What's extraordinary then is your idea of my finding any charm in Aggie's ignorance."

She immediately put down an old snuff-box. "Why—it's the one sort of thing you don't know. You can't imagine," she said as she returned to him, "the effect it will produce on you. You must get really near it and see it all come out to feel all its beauty. You'll like it, Mitchy"—and Nanda's gravity was wonderful—"better than anything you HAVE known."

The clear sincerity of this, even had there been nothing else, imposed a consideration that Mitchy now flagrantly could give, and the deference of his suggestion of difficulty only grew more deep. "I'm to do then, with this happy condition of hers, what you say YOU'VE done—to 'try' it?" And then as her assent, so directly challenged, failed an instant: "But won't my approach to it, however cautious, be just what will break it up and spoil it?"

Nanda thought. "Why so—if mine wasn't?"

"Oh you're not me!"

"But I'm just as bad."

"Thank you, my dear!" Mitchy rang out.

"Without," Nanda pursued, "being as good." She had on this, in a different key, her own sudden explosion. "Don't you see, Mitchy dear—for the very heart of it all—how good I BELIEVE you?"

She had spoken as with a flare of impatience at some justice he failed to do her, and this brought him after a startled instant close enough to her to take up her hand. She let him have it, and in mute solemn reassurance he raised it to his lips, saying to her thus more things than he could say in any other way; which yet just after, when he had released it and a motionless pause had ensued, didn't prevent his adding three words. "Oh Nanda, Nanda!"

The tone of them made her again extraordinarily gentle. "Don't 'try' anything then. Take everything for granted."

He had turned away from her and walked mechanically, with his air of blind emotion, to the window, where for a minute he looked out. "It has stopped raining," he said at last; "it's going to brighten."

The place had three windows, and Nanda went to the next. "Not quite yet—but I think it will."

Mitchy soon faced back into the room, where after a brief hesitation he moved, as quietly, almost as cautiously, as if on tiptoe, to the seat occupied by his companion at the beginning of their talk. Here he sank down watching the girl, who stood a while longer with her eyes on the garden. "You want me, you say, to take her out of the Duchess's life; but where am I myself, if we come to that, but even more IN the Duchess's life than Aggie is? I'm in it by my contacts, my associations, my indifferences—all my acceptances, knowledges, amusements. I'm in it by my cynicisms—those that circumstances somehow from the first, when I began for myself to look at life and the world, committed me to and steeped me in; I'm in it by a kind of desperation that I shouldn't have felt perhaps if you had got hold of me sooner with just this touch with which you've got hold of me to-day; and I'm in it more than all—you'll yourself admit—by the very fact that her aunt desires, as you know, much more even than you do, to bring the thing about. Then we SHOULD be—the Duchess and I—shoulder to shoulder!"

Nanda heard him motionless to the end, taking also another minute to turn over what he had said. "What is it you like so in Lord Petherton?" she asked as she came to him.

"My dear child, if you only could tell me! It would be, wouldn't it?—it must have been—the subject of some fairy-tale, if fairy-tales were made now, or better still of some Christmas pantomime: 'The Gnome and the Giant.'"

Nanda appeared to try—not with much success—to see it. "Do you find Lord Petherton a Gnome?"

Mitchy at first, for all reward, only glared at her. "Charming, Nanda—charming!"

"A man's giant enough for Lord Petherton," she went on, "when his fortune's gigantic. He preys upon you."

His hands in his pockets and his legs much apart, Mitchy sat there as in a posture adapted to her simplicity. "You're adorable. YOU don't. But it IS rather horrid, isn't it?" he presently went on.

Her momentary silence would have been by itself enough of an answer. "Nothing—of all you speak of," she nevertheless returned, "will matter then. She'll so simplify your life." He remained just as he was, only with his eyes on her; and meanwhile she had turned again to her window, through which a faint sun-streak began to glimmer and play. At sight of it she opened the casement to let in the warm freshness. "The rain HAS stopped."

"You say you want me to save her. But what you really mean," Mitchy resumed from the sofa, "isn't at all exactly that."

Nanda, without heeding the remark, took in the sunshine. "It will be charming now in the garden."

Her friend got up, found his wonderful crossbarred cap, after a glance, on a neighbouring chair, and with it came toward her. "Your hope is that—as I'm good enough to be worth it—she'll save ME."

Nanda looked at him now. "She will, Mitchy—she WILL!"

They stood a moment in the recovered brightness; after which he mechanically—as with the pressure of quite another consciousness—put on his cap. "Well then, shall that hope between us be the thing—?"

"The thing?"—she just wondered.

"Why that will have drawn us together—to hold us so, you know—this afternoon. I mean the secret we spoke of."

She put out to him on this the hand he had taken a few minutes before, and he clasped it now only with the firmness it seemed to give and to ask for. "Oh it will do for that!" she said as they went out together.



III

It had been understood that he was to take his leave on the morrow, though Vanderbank was to stay another day. Mr. Longdon had for the Sunday dinner invited three or four of his neighbours to "meet" the two gentlemen from town, so that it was not till the company had departed, or in other words till near bedtime, that our four friends could again have become aware, as between themselves, of that directness of mutual relation which forms the subject of our picture. It had not, however, prevented Nanda's slipping upstairs as soon as the doctor and his wife had gone, and the manner indeed in which, on the stroke of eleven, Mr. Longdon conformed to his tradition of appropriating a particular candle was as positive an expression of it as any other. Nothing in him was more amiable than the terms maintained between the rigour of his personal habits and his free imagination of the habits of others. He deprecated as regards the former, it might have been seen, most signs of likeness, and no one had ever dared to learn how he would have handled a show of imitation. "The way to flatter him," Mitchy threw off five minutes later, "is not to make him think you resemble or agree with him, but to let him see how different you perceive he can bear to think you. I mean of course without hating you."

"But what interest have YOU," Vanderbank asked, "in the way to flatter him?"

"My dear fellow, more interest than you. I haven't been here all day without arriving at conclusions on the credit he has opened to you—!"

"Do you mean the amount he'll settle?"

"You have it in your power," said Mitchy, "to make it anything you like."

"And is he then—so bloated?"

Mitchy was on his feet in the apartment in which their host had left them, and he had at first for this question but an expressive motion of the shoulders in respect to everything in the room. "See, judge, guess, feel!"

But it was as if Vanderbank, before the fire, consciously controlled his own attention. "Oh I don't care a hang!"

This passage took place in the library and as a consequence of their having confessed, as their friend faced them with his bedroom light, that a brief discreet vigil and a box of cigars would fix better than anything else the fine impression of the day. Mitchy might at that moment, on the evidence of the eyes Mr. Longdon turned to them and of which his innocent candle-flame betrayed the secret, have found matter for a measure of the almost extreme allowances he wanted them to want of him. They had only to see that the greater window was fast and to turn out the library lamp. It might really have amused them to stand a moment at the open door that, apart from this, was to testify to his conception of those who were not, in the smaller hours, as HE was. He had in fact by his retreat—and but too sensibly—left them there with a deal of midnight company. If one of these presences was the mystery he had himself mixed the manner of our young men showed a due expectation of the others. Mitchy, on hearing how little Vanderbank "cared," only kept up a while longer that observant revolution in which he had spent much of his day, to which any fresh sense of any exhibition always promptly committed him, and which, had it not been controlled by infinite tact, might have affected the nerves of those in whom enjoyment was less rotary. He was silent long enough to suggest his fearing that almost anything he might say would appear too allusive; then at last once more he took his risk. "Awfully jolly old place!"

"It is indeed," Van only said; but his posture in the large chair he had pushed toward the open window was of itself almost an opinion. The August night was hot and the air that came in charged and sweet. Vanderbank smoked with his face to the dusky garden and the dim stars; at the end of a few moments more of which he glanced round. "Don't you think it rather stuffy with that big lamp? As those candles on the chimney are going we might put it out."

"Like this?" The amiable Mitchy had straightway obliged his companion and he as promptly took in the effect of the diminished light on the character of the room, which he commended as if the depth of shadow produced were all this companion had sought. He might freshly have brought home to Vanderbank that a man sensitive to so many different things, and thereby always sure of something or other, could never really be incommoded; though that personage presently indeed showed himself occupied with another thought.

"I think I ought to mention to you that I've told him how you and Mrs. Brook now both know. I did so this afternoon on our way back from church—I hadn't done it before. He took me a walk round to show me more of the place, and that gave me my chance. But he doesn't mind," Vanderbank continued. "The only thing is that I've thought it may possibly make him speak to you, so that it's better you should know he knows. But he told me definitely Nanda doesn't."

Mitchy took this in with an attention that spoke of his already recognising how the less tempered darkness favoured talk. "And is that all that passed between you?"

"Well, practically; except of course that I made him understand, I think, how it happened that I haven't kept my own counsel."

"Oh but you HAVE—didn't he at least feel?—or perhaps even have done better, when you've two such excellent persons to keep it FOR you. Can't he easily believe how we feel with you?"

Vanderbank appeared for a minute to leave this appeal unheeded; he continued to stare into the garden while he smoked and swung the long leg he had thrown over the arm of the chair. When he at last spoke, however, it was with some emphasis—perhaps even with some vulgarity. "Oh rot!"

Mitchy hovered without an arrest. "You mean he CAN'T feel?"

"I mean it isn't true. I've no illusions about you. I know how you're both affected, though I of course perfectly trust you."

Mitchy had a short silence. "Trust us not to speak?"

"Not to speak to Nanda herself—though of course too if you spoke to others," Vanderbank went on, "they'd immediately rush and tell her."

"I've spoken to no one," said Mitchy. "I'm sure of it. And neither has Mrs. Brook."

"I'm glad you're sure of that also," Mitchy returned, "for it's only doing her justice."

"Oh I'm quite confident of it," said Vanderbank. "And without asking her?"

"Perfectly."

"And you're equally sure, without asking, that I haven't betrayed you?" After which, while, as if to let the question lie there in its folly, Vanderbank said nothing, his friend pursued: "I came, I must tell you, terribly near it to-day."

"Why must you tell me? Your coming 'near' doesn't concern me, and I take it you don't suppose I'm watching or sounding you. Mrs. Brook will have come terribly near," Vanderbank continued as if to make the matter free; "but she won't have done it either. She'll have been distinctly tempted—!"

"But she won't have fallen?" Mitchy broke in. "Exactly—there we are. I was distinctly tempted and I didn't fall. I think your certainty about Mrs. Brook," he added, "shows you do know her. She's incapable of anything deliberately nasty."

"Oh of anything nasty in any way," Vanderbank said musingly and kindly.

"Yes; one knows on the whole what she WON'T do." After which, for a period, Mitchy roamed and reflected. "But in spite of the assurance given you by Mr. Longdon—or perhaps indeed just because of your having taken it—I think I ought to mention to you my belief that Nanda does know of his offer to you. I mean by having guessed it."

"Oh!" said Vanderbank.

"There's in fact more still," his companion pursued—"that I feel I should like to mention to you."

"Oh!" Vanderbank at first only repeated. But after a moment he said: "My dear fellow, I'm much obliged."

"The thing I speak of is something I should at any rate have said, and I should have looked out for some chance if we had not had this one." Mitchy spoke as if his friend's last words were not of consequence, and he continued as Vanderbank got up and, moving rather aimlessly, came and stood with his back to the chimney. "My only hesitation would have been caused by its entailing our going down into things in a way that, face to face—given the private nature of the things—I dare say most men don't particularly enjoy. But if you don't mind—!"

"Oh I don't mind. In fact, as I tell you, I recognise an obligation to you." Vanderbank, with his shoulders against the high mantel, uttered this without a direct look; he smoked and smoked, then considered the tip of his cigar. "You feel convinced she knows?" he threw out.

"Well, it's my impression."

"Ah any impression of yours—of that sort—is sure to be right. If you think I ought to have it from you I'm really grateful. Is that—a—what you wanted to say to me?" Vanderbank after a slight pause demanded.

Mitchy, watching him more than he watched Mitchy, shook a mildly decisive head. "No."

Vanderbank, his eyes on his smoke-puffs, seemed to wonder. "What you wanted is—something else?"

"Something else."

"Oh!" said Vanderbank for the third time.

The ejaculation had been vague, but the movement that followed it was definite; the young man, turning away, found himself again near the chair he had quitted, and resumed possession of it as a sign of being at his friend's service. This friend, however, not only hung fire but finally went back to take a shot from a quarter they might have been supposed to have left. "It strikes me as odd his imagining—awfully acute as he is—that she has NOT guessed. One wouldn't have thought he could live with her here in such an intimacy—seeing her every day and pretty much all day—and make such a mistake."