"Ah but not because there wasn't enough."

"No—I imagine the force of the blow for him was just in the other reason."

"Well, it would have been in that one just as much if that one had been the other." Mrs. Brook was sagacious, though a trifle obscure, and she pursued the next moment: "Mamma was so sincere. The fortune was nothing to her. That shows it was immense."

"It couldn't have been as great as your logic," Vanderbank smiled; "but of course if it has been growing ever since—!"

"I can see it grow while he sits there," Mrs. Brook declared. But her logic had in fact its own law, and her next transition was an equal jump. "It was too lovely, the frankness of your admission a minute ago that I affect him uncannily. Ah don't spoil it by explanations!" she beautifully pleaded: "he's not the first and he won't be the last with whom I shall not have been what they call a combination. The only thing that matters is that I mustn't, if possible, make the case worse. So you must guide me. What IS one to do?"

Vanderbank, now amused again, looked at her kindly. "Be yourself, my dear woman. Obey your fine instincts."

"How can you be," she sweetly asked, "so hideously hypocritical? You know as well as you sit there that my fine instincts are the thing in the world you're most in terror of. 'Be myself?'" she echoed. "What you'd LIKE to say is: 'Be somebody else—that's your only chance.' Well, I'll try—I'll try."

He laughed again, shaking his head. "Don't—don't."

"You mean it's too hopeless? There's no way of effacing the bad impression or of starting a good one?" On this, with a drop of his mirth, he met her eyes, and for an instant, through the superficial levity of their talk, they might have appeared to sound each other. It lasted till Mrs. Brook went on: "I should really like not to lose him."

Vanderbank seemed to understand and at last said: "I think you won't lose him."

"Do you mean you'll help me, Van, you WILL?" Her voice had at moments the most touching tones of any in England, and humble, helpless, affectionate, she spoke with a familiarity of friendship. "It's for the sense of the link with mamma," she explained. "He's simply full of her."

"Oh I know. He's prodigious."

"He has told you more—he comes back to it?" Mrs. Brook eagerly asked.

"Well," the young man replied a trifle evasively, "we've had a great deal of talk, and he's the jolliest old boy possible, and in short I like him."

"I see," said Mrs. Brook blandly, "and he likes you in return as much as he despises me. That makes it all right—makes me somehow so happy for you. There's something in him—what is it?—that suggests the oncle d'Amerique, the eccentric benefactor, the fairy godmother. He's a little of an old woman—but all the better for it." She hung fire but an instant before she pursued: "What can we make him do for you?"

Vanderbank at this was very blank. "Do for me?"

"How can any one love you," she asked, "without wanting to show it in some way? You know all the ways, dear Van," she breathed, "in which I want to show it."

He might have known them, something suddenly fixed in his face appeared to say, but they were not what was, on this speech of hers, most immediately present to him. "That for instance is the tone not to take with him."

"There you are!" she sighed with discouragement. "Well, only TELL me." Then as he said nothing: "I must be more like mamma?"

His expression confessed to his feeling an awkwardness. "You're perhaps not quite enough like her."

"Oh I know that if he deplores me as I am now she would have done so quite as much; in fact probably, as seeing it nearer, a good deal more. She'd have despised me even more than he. But if it's a question," Mrs. Brook went on, "of not saying what mamma wouldn't, how can I know, don't you see, what she WOULD have said?" Mrs. Brook became as wonderful as if she saw in her friend's face some admiring reflexion of the fine freedom of mind that—in such a connexion quite as much as in any other—she could always show. "Of course I revere mamma just as much as he does, and there was everything in her to revere. But she was none the less in every way a charming woman too, and I don't know, after all, do I? what even she—in their peculiar relation—may not have said to him."

Vanderbank's laugh came back. "Very good—very good. I return to my first idea. Try with him whatever comes into your head. You're a woman of genius after all, and genius mostly justifies itself. To make you right," he went on pleasantly and inexorably, "might perhaps be to make you wrong. Since you HAVE so great a charm trust it not at all or all in all. That, I dare say, is all you can do. Therefore—yes—be yourself."

These remarks were followed on either side by the repetition of a somewhat intenser mutual gaze, though indeed the speaker's eyes had more the air of meeting his friend's than of seeking them. "I can't be YOU certainly, Van," Mrs. Brook sadly brought forth.

"I know what you mean by that," he rejoined in a moment. "You mean I'm hypocritical."

"Hypocritical?"

"I'm diplomatic and calculating—I don't show him how bad I am; whereas with you he knows the worst."

Of this observation Mrs. Brook, whose eyes attached themselves again to Mr. Longdon, took at first no further notice than might have been indicated by the way it set her musing.

"'Calculating'?"—she at last took him up. "On what is there to calculate?"

"Why," said Vanderbank, "if, as you just hinted, he's a blessing in disguise—! I perfectly admit," he resumed, "that I'm capable of sacrifices to keep on good terms with him."

"You're not afraid he'll bore you?"

"Oh yes—distinctly."

"But he'll be worth it? Then," Mrs. Brook said as he appeared to assent, "he'll be worth a great deal." She continued to watch Mr. Longdon, who, without his glasses, stared straight at the floor while Mr. Cashmore talked to him. She pursued, however, dispassionately enough: "He must be of a narrowness—!"

"Oh beautiful!"

She was silent again. "I shall broaden him. YOU won't."

"Heaven forbid!" Vanderbank heartily concurred. "But none the less, as I've said, I'll help you."

Her attention was still fixed. "It will be him you'll help. If you're to make sacrifices to keep on good terms with him the first sacrifice will be of me." Then on his leaving this remark so long unanswered that she had finally looked at him again: "I'm perfectly prepared for it."

It was as if, jocosely enough, he had had time to make up his mind how to meet her. "What will you have—when he loved my mother?"

Nothing could have been droller than the gloom of her surprise. "Yours too?"

"I didn't tell you the other day—out of delicacy."

Mrs. Brookenham darkly thought. "HE didn't tell me either."

"The same consideration deterred him. But if I didn't speak of it," Vanderbank continued, "when I arranged with you, after meeting him here at dinner, that you should come to tea with him at my rooms—if I didn't mention it then it wasn't because I hadn't learnt it early."

Mrs. Brook more deeply sounded this affair, but she spoke with the exaggerated mildness that was the form mostly taken by her gaiety. "It was because of course it makes him out such a wretch! What becomes in that case of his loyalty?"

"To YOUR mother's memory? Oh it's all right—he has it quite straight. She came later. Mine, after my father's death, had refused him. But you see he might have been my stepfather."

Mrs. Brookenham took it in, but she had suddenly a brighter light. "He might have been my OWN father! Besides," she went on, "if his line is to love the mothers why on earth doesn't he love ME? I'm in all conscience enough of one."

"Ah but isn't there in your case the fact of a daughter?" Vanderbank asked with a slight embarrassment.

Mrs. Brookenham stared. "What good does that do me?"

"Why, didn't she tell you?"

"Nanda? She told me he doesn't like her any better than he likes me."

Vanderbank in his turn showed surprise. "That's really what she said?"

"She had on her return from your rooms a most unusual fit of frankness, for she generally tells me nothing."

"Well," said Vanderbank, "how did she put it?"

Mrs. Brook reflected—recovered it. "'I like him awfully, but I am not in the least HIS idea.'"

"His idea of what?"

"That's just what I asked her. Of the proper grandchild for mamma."

Vanderbank hesitated. "Well, she isn't." Then after another pause: "But she'll do."

His companion gave him a deep look. "You'll make her?"

He got up, and on seeing him move Mr. Longdon also rose, so that, facing each other across the room, they exchanged a friendly signal or two. "I'll make her."



III

Their hostess's account of Mr. Cashmore's motive for his staying on was so far justified as that Vanderbank, while Mr. Longdon came over to Mrs. Brook, appeared without difficulty further to engage him. The lady in question meanwhile had drawn her old friend down, and her present method of approach would have interested an observer aware of the unhappy conviction she had just privately expressed. Some trace indeed of the glimpse of it enjoyed by Mr. Cashmere's present interlocutor might have been detected in the restlessness that Vanderbank's desire to keep the other pair uninterrupted was still not able to banish from his attitude. Not, however, that Mrs. Brook took the smallest account of it as she quickly broke out: "How can we thank you enough, my dear man, for your extraordinary kindness?" The reference was vivid, yet Mr. Longdon looked so blank about it that she had immediately to explain. "I mean to dear Van, who has told us of your giving him the great happiness—unless he's too dreadfully mistaken—of letting him really know you. He's such a tremendous friend of ours that nothing so delightful can befall him without its affecting us in the same way." She had proceeded with confidence, but suddenly she pulled up. "Don't tell me he IS mistaken—I shouldn't be able to bear it." She challenged the pale old man with a loveliness that was for the moment absolutely juvenile. "Aren't you letting him—really?"

Mr. Longdon's smile was queer. "I can't prevent him. I'm not a great house—to give orders to go over me. The kindness is Mr. Vanderbank's own, and I've taken up, I'm afraid, a great deal of his precious time."

"You have indeed." Mrs. Brook was undiscouraged. "He has been talking with me just now of nothing else. You may say," she went on, "that it's I who have kept him at it. So I have, for his pleasure's a joy to us. If you can't prevent what he feels, you know, you can't prevent either what WE feel."

Mr. Longdon's face reflected for a minute something he could scarcely have supposed her acute enough to make out, the struggle between his real mistrust of her, founded on the unconscious violence offered by her nature to his every memory of her mother, and his sense on the other hand of the high propriety of his liking her; to which latter force his interest in Vanderbank was a contribution, inasmuch as he was obliged to recognise on the part of the pair an alliance it would have been difficult to explain at Beccles. "Perhaps I don't quite see the value of what your husband and you and I are in a position to do for him."

"Do you mean because he's himself so clever?"

"Well," said Mr. Longdon, "I dare say that's at the bottom of my feeling so proud to be taken up by him. I think of the young men of MY time and see that he takes in more. But that's what you all do," he rather helplessly sighed. "You're very, very wonderful!"

She met him with an almost extravagant eagerness that the meeting should be just where he wished. "I don't take in everything, but I take in all I can. That's a great affair in London to-day, and I often feel as if I were a circus-woman, in pink tights and no particular skirts, riding half a dozen horses at once. We're all in the troupe now, I suppose," she smiled, "and we must travel with the show. But when you say we're different," she added, "think, after all, of mamma."

Mr. Longdon stared. "It's from her you ARE different."

"Ah but she had an awfully fine mind. We're not cleverer than she."

His conscious honest eyes looked away an instant. "It's perhaps enough for the present that you're cleverer than I! I was very glad the other day," he continued, "to make the acquaintance of your daughter. I hoped I should find her with you."

If Mrs. Brook cast about it was but for a few seconds. "If she had known you were coming she would certainly have been here. She wanted so to please you." Then as her visitor took no further notice of this speech than to ask if Nanda were out of the house she had to admit it as an aggravation of failure; but she pursued in the next breath: "Of course you won't care, but she raves about you."

He appeared indeed at first not to care. "Isn't she eighteen?"—it was oddly abrupt.

"I have to think. Wouldn't it be nearer twenty?" Mrs. Brook audaciously returned. She tried again. "She told me all about your interview. I stayed away on purpose—I had my idea."

"And what WAS your idea?"

"I thought she'd remind you more of mamma if I wasn't there. But she's a little person who sees. Perhaps you didn't think it, but she knew."

"And what did she know?" asked Mr. Longdon, who was unable, however, to keep from his tone a certain coldness which really deprived the question of its proper curiosity.

Mrs. Brook just showed the chill of it, but she had always her courage. "Why that you don't like her." She had the courage of carrying off as well as of backing out. "She too has her little place with the circus—it's the way we earn our living."

Mr. Longdon said nothing for a moment and when he at last spoke it was almost with an air of contradiction. "She's your mother to the life."

His hostess, for three seconds, looked at him hard. "Ah but with such differences! You'll lose it," she added with a headshake of pity.

He had his eyes only on Vanderbank. "Well, my losses are my own affair." Then his face came back. "Did she tell you I didn't like her?"

The indulgence in Mrs. Brook's view of his simplicity was marked. "You thought you succeeded so in hiding it? No matter—she bears up. I think she really feels a great deal as I do—that it's no matter how many of us you hate if you'll only go on feeling as you do about mamma. Show us THAT—that's what we want."

Nothing could have expressed more the balm of reassurance, but the mild drops had fallen short of the spot to which they were directed. "'Show' you?"

Oh how he had sounded the word! "I see—you DON'T show. That's just what Nanda saw you thought! But you can't keep us from knowing it—can't keep it in fact, I think, from affecting your own behaviour. You'd be much worse to us if it wasn't for the still warm ashes of your old passion." It was an immense pity for Vanderbank's amusement that he was at this moment too far off to fit to the expression of his old friend's face so much of the cause of it as had sprung from the deeply informed tone of Mrs. Brook's allusion. To what degree the speaker herself made the connexion will never be known to history, nor whether as she went on she thought she bettered her case or she simply lost her head. "The great thing for us is that we can never be for you quite like other ordinary people."

"And what's the great thing for ME?"

"Oh for you, there's nothing, I'm afraid, but small things—so small that they can scarcely be worth the trouble of your making them out. Our being so happy that you've come back to us—if only just for a glimpse and to leave us again, in no matter what horror, for ever; our positive delight in your being exactly so different; the pleasure we have in talking about you, and shall still have—or indeed all the more—even if we've seen you only to lose you: whatever all this represents for ourselves it's for none of us to pretend to say how much or how little YOU may pick out of it. And yet," Mrs. Brook wandered on, "however much we may disappoint you some little spark of the past can't help being in us—for the past is the one thing beyond all spoiling: there it is, don't you think?—to speak for itself and, if need be, only OF itself." She pulled up, but she appeared to have destroyed all power of speech in him, so that while she waited she had time for a fresh inspiration. It might perhaps frankly have been mentioned as on the whole her finest. "Don't you think it possible that if you once get the point of view of realising that I KNOW—?"

She held the note so long that he at last supplied a sound. "That you know what?"

"Why that compared with her I'm a poor creeping thing. I mean"—she hastened to forestall any protest of mere decency that would spoil her idea—"that of course I ache in every limb with the certainty of my dreadful difference. It isn't as if I DIDN'T know it, don't you see? There it is as a matter of course: I've helplessly but finally and completely accepted it. Won't THAT help you?" she so ingeniously pleaded. "It isn't as if I tormented you with any recall of her whatever. I can quite see how awful it would be for you if, with the effect I produce on you, I did have her lovely eyes or her distinguished nose or the shape of her forehead or the colour of her hair. Strange as it is in a daughter I'm disconnected altogether, and don't you think I MAY be a little saved for you by becoming thus simply out of the question? Of course," she continued, "your real trial is poor Nanda—she's likewise so fearfully out of it and yet she's so fearfully in it. And she," said Mrs. Brook for a climax—"SHE doesn't know!"

A strange faint flush, while she talked, had come into Mr. Longdon's face, and, whatever effect, as she put it, she produced on him, it was clearly not that of causing his attention to wander. She held him at least for weal or woe; his bright eyes grew brighter and opened into a stare that finally seemed to offer him as submerged in mere wonder. At last, however, he rose to the surface, and he appeared to have lighted at the bottom of the sea on the pearl of the particular wisdom he needed. "I dare say there may be something in what you so extraordinarily suggest."

She jumped at it as if in pleasant pain. "In just letting me go—?"

But at this he dropped. "I shall never let you go."

It renewed her fear. "Not just for what I AM?"

He rose from his place beside her, but looking away from her and with his colour marked. "I shall never let you go," he repeated.

"Oh you angel!" She sprang up more quickly and the others were by this time on their feet. "I've done it, I've done it!" she joyously cried to Vanderbank; "he likes me, or at least he can bear me—I've found him the way; and now I don't care even if he SAYS I haven't." Then she turned again to her old friend. "We can manage about Nanda—you needn't ever see her. She's 'down' now, but she can go up again. We can arrange it at any rate—c'est la moindre des choses."

"Upon my honour I protest," Mr. Cashmore exclaimed, "against anything of the sort! I defy you to 'arrange' that young lady in any such manner without also arranging ME. I'm one of her greatest admirers," he gaily announced to Mr. Longdon.

Vanderbank said nothing, and Mr. Longdon seemed to show he would have preferred to do the same: that visitor's eyes might have represented an appeal to him somehow to intervene, to show the due acquaintance, springing from practice and wanting in himself, with the art of conversation developed to the point at which it could thus sustain a lady in the upper air. Vanderbank's silence might, without his mere kind pacific look, have seemed almost inhuman. Poor Mr. Longdon had finally to do his own simple best. "Will you bring your daughter to see me?" he asked of Mrs. Brookenham.

"Oh, oh—that's an idea: will you bring her to see ME?" Mr. Cashmore again broke out.

Mrs. Brook had only fixed Mr. Longdon with the air of unutterable things. "You angel, you angel!"—they found expression but in that.

"I don't need to ask you to bring her, do I?" Vanderbank now said to his hostess. "I hope you don't mind my bragging all over the place of the great honour she did me the other day in appearing quite by herself."

"Quite by herself? I say, Mrs. Brook!" Mr. Cashmore flourished on.

It was only now that she noticed him; which she did indeed but by answering Vanderbank. "She didn't go for YOU I'm afraid—though of course she might: she went because you had promised her Mr. Longdon. But I should have no more feeling about her going to you—and should expect her to have no more—than about her taking a pound of tea, as she sometimes does, to her old nurse, or her going to read to the old women at the workhouse. May you never have less to brag of!"

"I wish she'd bring ME a pound of tea!" Mr. Cashmore resumed. "Or ain't I enough of an old woman for her to come and read to me at home?"

"Does she habitually visit the workhouse?" Mr. Longdon enquired of Mrs. Brook.

This lady kept him in a moment's suspense, which another contemplation might moreover have detected that Vanderbank in some degree shared. "Every Friday at three."

Vanderbank, with a sudden turn, moved straight to one of the windows, and Mr. Cashmore had a happy remembrance. "Why, this is Friday—she must have gone to-day. But does she stay so late?"

"She was to go afterwards to little Aggie: I'm trying so, in spite of difficulties," Mrs. Brook explained, "to keep them on together." She addressed herself with a new thought to Mr. Longdon. "You must know little Aggie—the niece of the Duchess: I forget if you've met the Duchess, but you must know HER too—there are so many things on which I'm sure she'll feel with you. Little Aggie's the one," she continued; "you'll delight in her; SHE ought to have been mamma's grandchild."

"Dearest lady, how can you pretend or for a moment compare her—?" Mr. Cashmore broke in. "She says nothing to me at all."

"She says nothing to any one," Mrs. Brook serenely replied; "that's just her type and her charm—just above all her education." Then she appealed to Vanderbank. "Won't Mr. Longdon be struck with little Aggie and won't he find it interesting to talk about all that sort of thing with the Duchess?"

Vanderbank came back laughing, but Mr. Longdon anticipated his reply. "What sort of thing do you mean?"

"Oh," said Mrs. Brook, "the whole question, don't you know? of bringing girls forward or not. The question of—well, what do you call it?—their exposure. It's THE question, it appears—the question—of the future; it's awfully interesting and the Duchess at any rate is great on it. Nanda of course is exposed," Mrs. Brook pursued—"fearfully."

"And what on earth is she exposed to?" Mr. Cashmore gaily demanded.

"She's exposed to YOU, it would seem, my dear fellow!" Vanderbank spoke with a certain discernible impatience not so much of the fact he mentioned as of the turn of their talk.

It might have been in almost compassionate deprecation of this weak note that Mrs. Brookenham looked at him. Her own reply to Mr. Cashmere's question, however, was uttered at Mr. Longdon. "She's exposed—it's much worse—to ME. But Aggie isn't exposed to anything—never has been and never is to be; and we're watching to see if the Duchess can carry it through."

"Why not," asked Mr. Cashmore, "if there's nothing she CAN be exposed to but the Duchess herself?"

He had appealed to his companions impartially, but Mr. Longdon, whose attention was now all for his hostess, appeared unconscious. "If you're all watching is it your idea that I should watch WITH you?"

The enquiry, on his lips, was a waft of cold air, the sense of which clearly led Mrs. Brook to put her invitation on the right ground. "Not of course on the chance of anything's happening to the dear child—to whom nothing obviously CAN happen but that her aunt will marry her off in the shortest possible time and in the best possible conditions. No, the interest is much more in the way the Duchess herself steers."

"Ah, she's in a boat," Mr. Cashmore fully concurred, "that will take a good bit of that."

It is not for Mr. Longdon's historian to overlook that if he was, not unnaturally, mystified he was yet also visibly interested. "What boat is she in?"

He had addressed his curiosity, with politeness, to Mr. Cashmore, but they were all arrested by the wonderful way in which Mrs. Brook managed to smile at once very dimly, very darkly, and yet make it take them all in. "I think YOU must tell him, Van."

"Heaven forbid!"—and Van again retreated.

"I'LL tell him like a shot—if you really give me leave," said Mr. Cashmore, for whom any scruple referred itself manifestly not to the subject of the information but to the presence of a lady.

"I DON'T give you leave and I beg you'll hold your tongue," Mrs. Brookenham returned. "You handle such matters with a minuteness—! In short," she broke off to Mr. Longdon, "he would tell you a good deal more than you'll care to know. She IS in a boat—but she's an experienced mariner. Basta, as she would say. Do you know Mitchy?" Mrs. Brook suddenly asked.

"Oh yes, he knows Mitchy"—Vanderbank had approached again.

"Then make HIM tell him"—she put it before the young man as a charming turn for them all. "Mitchy CAN be refined when he tries."

"Oh dear—when Mitchy 'tries'!" Vanderbank laughed. "I think I should rather, for the job, offer him to Mr. Longdon abandoned to his native wild impulse."

"I LIKE Mr. Mitchett," the old man said, endeavouring to look his hostess straight in the eye and speaking as if somewhat to defy her to convict him, even from the point of view of Beccles, of a mistake.

Mrs. Brookenham took it with a wonderful bright emotion. "My dear friend, vous me rendez la vie! If you can stand Mitchy you can stand any of us!"

"Upon my honour I should think so!" Mr. Cashmore was eager to remark. "What on earth do you mean," he demanded of Mrs. Brook, "by saying that I'm more 'minute' than he?"

She turned her beauty an instant on this critic. "I don't say you're more minute—I say he's more brilliant. Besides, as I've told you before, you're not one of us." With which, as a check to further discussion, she went straight on to Mr. Longdon: "The point about Aggie's conservative education is the wonderful sincerity with which the Duchess feels that one's girl may so perfectly and consistently be hedged in without one's really ever (for it comes to that) depriving one's own self—"

"Well, of what?" Mr. Longdon boldly demanded while his hostess appeared thoughtfully to falter.

She addressed herself mutely to Vanderbank, in whom the movement produced a laugh. "I defy you," he exclaimed, "to say!"

"Well, you don't defy ME!" Mr. Cashmore cried as Mrs. Brook failed to take up the challenge. "If you know Mitchy," he went on to Mr. Longdon, "you must know Petherton."

The elder man remained vague and not imperceptibly cold. "Petherton?"

"My brother-in-law—whom, God knows why, Mitchy runs."

"Runs?" Mr. Longdon again echoed.

Mrs. Brook appealed afresh to Vanderbank. "I think we ought to spare him. I may not remind you of mamma," she continued to their companion, "but I hope you don't mind my saying how much you remind me. Explanations, after all, spoil things, and if you CAN make anything of us and will sometimes come back you'll find everything in its native freshness. You'll see, you'll feel for yourself."

Mr. Longdon stood before her and raised to Vanderbank, when she had ceased, the eyes he had attached to the carpet while she talked. "And must I go now?" Explanations, she had said, spoiled things, but he might have been a stranger at an Eastern court—comically helpless without his interpreter.

"If Mrs. Brook desires to 'spare' you," Vanderbank kindly replied, "the best way to make sure of it would perhaps indeed be to remove you. But hadn't we a hope of Nanda?"

"It might be of use for us to wait for her?"—it was still to his young friend that Mr. Longdon put it.

"Ah when she's once on the loose—!" Mrs. Brookenham sighed.

"Unless la voila," she said as a hand was heard at the door-latch. It was only, however, a footman who entered with a little tray that, on his approaching his mistress, offered to sight the brown envelope of a telegram. She immediately took leave to open this missive, after the quick perusal of which she had another vision of them all. "It IS she—the modern daughter. 'Tishy keeps me dinner and opera; clothes all right; return uncertain, but if before morning have latch-key.' She won't come home till morning!" said Mrs. Brook.

"But think of the comfort of the latch-key!" Vanderbank laughed. "You might go to the opera," he said to Mr. Longdon.

"Hanged if I don't!" Mr. Cashmore exclaimed.

Mr. Longdon appeared to have caught from Nanda's message an obscure agitation; he met his young friend's suggestion at all events with a visible intensity. "Will you go with me?"

Vanderbank had just debated, recalling engagements; which gave Mrs. Brook time to intervene. "Can't you live without him?" she asked of her elder friend.

Vanderbank had looked at her an instant. "I think I can get there late," he then replied to Mr. Longdon.

"I think I can get there early," Mr. Cashmore declared. "Mrs. Grendon must have a box; in fact I know which, and THEY don't," he jocosely continued to his hostess.

Mrs. Brook meanwhile had given Mr. Longdon her hand. "Well, in any case the child SHALL soon come to you. And oh alone," she insisted: "you needn't make phrases—I know too well what I'm about."

"One hopes really you do," pursued the unquenched Mr. Cashmore.

"If that's what one gets by having known your mother—!"

"It wouldn't have helped YOU" Mrs. Brook retorted. "And won't you have to say it's ALL you were to get?" she pityingly murmured to her other visitor.

He turned to Vanderbank with a strange gasp, and that comforter said "Come!"



BOOK FIFTH. THE DUCHESS

The lower windows of the great white house, which stood high and square, opened to a wide flagged terrace, the parapet of which, an old balustrade of stone, was broken in the middle of its course by a flight of stone steps that descended to a wonderful garden. The terrace had the afternoon shade and fairly hung over the prospect that dropped away and circled it—the prospect, beyond the series of gardens, of scattered splendid trees and green glades, an horizon mainly of woods. Nanda Brookenham, one day at the end of July, coming out to find the place unoccupied as yet by other visitors, stood there a while with an air of happy possession. She moved from end to end of the terrace, pausing, gazing about her, taking in with a face that showed the pleasure of a brief independence the combination of delightful things—of old rooms with old decorations that gleamed and gloomed through the high windows, of old gardens that squared themselves in the wide angles of old walls, of wood-walks rustling in the afternoon breeze and stretching away to further reaches of solitude and summer. The scene had an expectant stillness that she was too charmed to desire to break; she watched it, listened to it, followed with her eyes the white butterflies among the flowers below her, then gave a start as the cry of a peacock came to her from an unseen alley. It set her after a minute into less difficult motion; she passed slowly down the steps, wandering further, looking back at the big bright house but pleased again to see no one else appear. If the sun was still high enough she had a pink parasol. She went through the gardens one by one, skirting the high walls that were so like "collections" and thinking how, later on, the nectarines and plums would flush there. She exchanged a friendly greeting with a man at work, passed through an open door and, turning this way and that, finally found herself in the park, at some distance from the house. It was a point she had had to take another rise to reach, a place marked by an old green bench for a larger sweep of the view, which, in the distance where the woods stopped, showed in the most English way in the world the colour-spot of an old red village and the tower of an old grey church. She had sunk down upon the bench almost with a sense of adventure, yet not too fluttered to wonder if it wouldn't have been happy to bring a book; the charm of which precisely would have been in feeling everything about her too beautiful to let her read.

The sense of adventure grew in her, presently becoming aware of a stir in the thicket below, followed by the coming into sight, on a path that, mounting, passed near her seat, of a wanderer whom, had his particular, his exceptional identity not quickly appeared, it might have disappointed her a trifle to have to recognise as a friend. He saw her immediately, stopped, laughed, waved his hat, then bounded up the slope and, brushing his forehead with his handkerchief, confessing as to a red face, was rejoicingly there before her. Her own ejaculation on first seeing him—"Why, Mr. Van!"—had had an ambiguous sharpness that was rather for herself than for her visitor. She made room for him on the bench, where in a moment he was cooling off and they were both explaining. The great thing was that he had walked from the station to stretch his legs, coming far round, for the lovely hour and the pleasure of it, by a way he had learnt on some previous occasion of being at Mertle.

"You've already stayed here then?" Nanda, who had arrived but half an hour before, spoke as if she had lost the chance to give him a new impression.

"I've stayed here—yes, but not with Mitchy; with some people or other—who the deuce can they have been?—who had the place for a few months a year or two ago."

"Don't you even remember?"

Vanderbank wondered and laughed. "It will come to me. But it's a charming sign of London relations, isn't it?—that one CAN come down to people this way and be awfully well 'done for' and all that, and then go away and lose the whole thing, quite forget to whom one has been beholden. It's a queer life."

Nanda seemed for an instant to wish to say that one might deny the queerness, but she said something else instead. "I suppose a man like you doesn't quite feel that he IS beholden. It's awfully good of him—it's doing a great deal for anybody—that he should come down at all; so that it would add immensely to his burden if anybody had to be remembered for it."

"I don't know what you mean by a man 'like me,'" Vanderbank returned. "I'm not any particular kind of a man." She had been looking at him, but she looked away on this, and he continued good-humoured and explanatory. "If you mean that I go about such a lot, how do you know it but by the fact that you're everywhere now yourself?—so that, whatever I am, in short, you're just as bad."

"You admit then that you ARE everywhere. I may be just as bad," the girl went on, "but the point is that I'm not nearly so good. Girls are such natural hacks—they can't be anything else."

"And pray what are fellows who are in the beastly grind of fearfully busy offices? There isn't an old cabhorse in London that's kept at it, I assure you, as I am. Besides," the young man added, "if I'm out every night and off somewhere like this for Sunday, can't you understand, my dear child, the fundamental reason of it?"

Nanda, with her eyes on him again, studied an instant this mystery. "Am I to infer with delight that it's the sweet hope of meeting ME? It isn't," she continued in a moment, "as if there were any necessity for your saying that. What's the use?" But all impatiently she stopped short.

He was eminently gay even if his companion was not. "Because we're such jolly old friends that we really needn't so much as speak at all? Yes, thank goodness—thank goodness." He had been looking round him, taking in the scene; he had dropped his hat on the ground and, completely at his ease, though still more wishing to show it, had crossed his legs and closely folded his arms. "What a tremendously jolly place! If I can't for the life of me recall who they were—the other people—I've the comfort of being sure their minds are an equal blank. Do they even remember the place they had? 'We had some fellows down at—where was it, the big white house last November?—and there was one of them, out of the What-do-you-call-it?—YOU know—who might have been a decent enough chap if he hadn't presumed so on his gifts.'" Vanderbank paused a minute, but his companion said nothing, and he pursued. "It does show, doesn't it?—the fact that we do meet this way—the tremendous change that has taken place in your life in the last three months. I mean, if I'm everywhere as you said just now, your being just the same."

"Yes—you see what you've done."

"How, what I'VE done?"

"You plunge into the woods for change, for solitude," the girl said, "and the first thing you do is to find me waylaying you in the depths of the forest. But I really couldn't—if you'll reflect upon it—know you were coming this way."

He sat there with his position unchanged but with a constant little shake in the foot that hung down, as if everything—and what she now put before him not least—was much too pleasant to be reflected on. "May I smoke a cigarette?"

Nanda waited a little; her friend had taken out his silver case, which was of ample form, and as he extracted a cigarette she put forth her hand. "May I?" She turned the case over with admiration.

Vanderbank demurred. "Do you smoke with Mr. Longdon?"

"Immensely. But what has that to do with it?"

"Everything, everything." He spoke with a faint ring of impatience. "I want you to do with me exactly as you do with him."

"Ah that's soon said!" the girl replied in a peculiar tone. "How do you mean, to 'do'?"

"Well then to BE. What shall I say?" Vanderbank pleasantly wondered while his foot kept up its motion. "To feel."

She continued to handle the cigarette-case, without, however, having profited by its contents. "I don't think that as regards Mr. Longdon and me you know quite so much as you suppose."

Vanderbank laughed and smoked. "I take for granted he tells me everything."

"Ah but you scarcely take for granted I do!" She rubbed her cheek an instant with the polished silver and again the next moment turned over the case. "This is the kind of one I should like."

Her companion glanced down at it. "Why it holds twenty."

"Well, I want one that holds twenty."

Vanderbank only threw out his smoke. "I want so to give you something," he said at last, "that, in my relief at lighting on an object that will do, I will, if you don't look out, give you either that or a pipe."

"Do you mean this particular one?"

"I've had it for years—but even that one if you like it."

She kept it—continued to finger it. "And by whom was it given you?"

At this he turned to her smiling. "You think I've forgotten that too?"

"Certainly you must have forgotten, to be willing to give it away again."

"But how do you know it was a present?"

"Such things always are—people don't buy them for themselves."

She had now relinquished the object, laying it upon the bench, and Vanderbank took it up. "Its origin's lost in the night of time—it has no history except that I've used it. But I assure you that I do want to give you something. I've never given you anything."

She was silent a little. "The exhibition you're making," she seriously sighed at last, "of your inconstancy and superficiality! All the relics of you that I've treasured and that I supposed at the time to have meant something!"

"The 'relics'? Have you a lock of my hair?" Then as her meaning came to him: "Oh little Christmas things? Have you really kept them?"

"Laid away in a drawer of their own—done up in pink paper."

"I know what you're coming to," Vanderbank said. "You've given ME things, and you're trying to convict me of having lost the sweet sense of them. But you can't do it. Where my heart's concerned I'm a walking reliquary. Pink paper? I use gold paper—and the finest of all, the gold paper of the mind." He gave a flip with a fingernail to his cigarette and looked at its quickened fire; after which he pursued very familiarly, but with a kindness that of itself qualified the mere humour of the thing: "Don't talk, my dear child, as if you didn't really know me for the best friend you have in the world." As soon as he had spoken he pulled out his watch, so that if his words had led to something of a pause this movement offered a pretext for breaking it. Nanda asked the hour and, on his replying "Five-fifteen," remarked that there would now be tea on the terrace with every one gathered at it. "Then shall we go and join them?" her companion demanded.

He had made, however, no other motion, and when after hesitating she said "Yes, with pleasure" it was also without a change of position. "I like this," she inconsequently added.

"So do I awfully. Tea on the terrace," Vanderbank went on, "isn't 'in' it. But who's here?"

"Oh every one. All your set."

"Mine? Have I still a set—with the universal vagabondism you accuse me of?"

"Well then Mitchy's—whoever they are."

"And nobody of yours?"

"Oh yes," Nanda said, "all mine. He must at least have arrived by this time. My set's Mr. Longdon," she explained. "He's all of it now."

"Then where in the world am I?"

"Oh you're an extra. There are always extras."

"A complete set and one over?" Vanderbank laughed. "Where then's Tishy?"

Charming and grave, the girl thought a moment. "She's in Paris with her mother—on their way to Aix-les-Bains." Then with impatience she continued: "Do you know that's a great deal to say—what you said just now? I mean about your being the best friend I have."

"Of course I do, and that's exactly why I said it. You see I'm not in the least delicate or graceful or shy about it—I just come out with it and defy you to contradict me. Who, if I'm not the best, is a better one?"

"Well," Nanda replied, "I feel since I've known Mr. Longdon that I've almost the sort of friend who makes every one else not count."

"Then at the end of three months he has arrived at a value for you that I haven't reached in all these years?"

"Yes," she returned—"the value of my not being afraid of him."

Vanderbank, on the bench, shifted his position, turning more to her and throwing an arm over the back. "And you're afraid of ME?"

"Horribly—hideously."

"Then our long, our happy relations—?"

"They're just what makes my terror," she broke in, "particularly abject. Happy relations don't matter. I always think of you with fear."

His elbow rested on the back and his hand supported his head. "How awfully curious—if it be true!"

She had been looking away to the sweet English distance, but at this she made a movement. "Oh Mr. Van, I'm 'true'!"

As Mr. Van himself couldn't have expressed at any subsequent time to any interested friend the particular effect upon him of the tone of these words his chronicler takes advantage of the fact not to pretend to a greater intelligence—to limit himself on the contrary to the simple statement that they produced in Mr. Van's cheek a flush just discernible. "Fear of what?"

"I don't know. Fear is fear."

"Yes, yes—I see." He took out another cigarette and occupied a moment in lighting it. "Well, kindness is kindness too—that's all one can say."

He had smoked again a while before she turned to him. "Have I wounded you by saying that?"

A certain effect of his flush was still in his smile. "It seems to me I should like you to wound me. I did what I wanted a moment ago," he continued with some precipitation: "I brought you out handsomely on the subject of Mr. Longdon. That was my idea—just to draw you."

"Well," said Nanda, looking away again, "he has come into my life."

"He couldn't have come into a place where it gives me more pleasure to see him."

"But he didn't like, the other day when I used it to him, that expression," the girl returned. "He called it 'mannered modern slang' and came back again to the extraordinary difference between my speech and my grandmother's."

"Of course," the young man understandingly assented. "But I rather like your speech. Hasn't he by this time, with you," he pursued, "crossed the gulf? He has with me."

"Ah with you there was no gulf. He liked you from the first."

Vanderbank wondered. "You mean I managed him so well?"

"I don't know how you managed him, but liking me has been for him a painful gradual process. I think he does now," Nanda declared. "He accepts me at last as different—he's trying with me on that basis. He has ended by understanding that when he talks to me of Granny I can't even imagine her."

Vanderbank puffed away. "I can."

"That's what Mitchy says too. But you've both probably got her wrong."

"I don't know," said Vanderbank—"I've gone into it a good deal. But it's too late. We can't be Greeks if we would."

Even for this Nanda had no laugh, though she had a quick attention. "Do you call Granny a Greek?"

Her companion slowly rose. "Yes—to finish her off handsomely and have done with her." He looked again at his watch. "Shall we go? I want to see if my man and my things have turned up."

She kept her seat; there was something to revert to. "My fear of you isn't superficial. I mean it isn't immediate—not of you just as you stand," she explained. "It's of some dreadfully possible future you."

"Well," said the young man, smiling down at her, "don't forget that if there's to be such a monster there'll also be a future you, proportionately developed, to deal with him."

She had closed her parasol in the shade and her eyes attached themselves to the small hole she had dug in the ground with its point. "We shall both have moved, you mean?"

"It's charming to feel we shall probably have moved together."

"Ah if moving's changing," she returned, "there won't be much for me in that. I shall never change—I shall be always just the same. The same old mannered modern slangy hack," she continued quite gravely. "Mr. Longdon has made me feel that."

Vanderbank laughed aloud, and it was especially at her seriousness. "Well, upon my soul!"

"Yes," she pursued, "what I am I must remain. I haven't what's called a principle of growth." Making marks in the earth with her umbrella she appeared to cipher it out. "I'm about as good as I can be—and about as bad. If Mr. Longdon can't make me different nobody can."

Vanderbank could only speak in the tone of high amusement. "And he has given up the hope?"

"Yes—though not ME altogether. He has given up the hope he originally had."

"He gives up quickly—in three months!"

"Oh these three months," she answered, "have been a long time: the fullest, the most important, for what has happened in them, of my life." She still poked at the ground; then she added: "And all thanks to YOU."

"To me?"—Vanderbank couldn't fancy!

"Why, for what we were speaking of just now—my being to-day so in everything and squeezing up and down no matter whose staircase. Isn't it one crowded hour of glorious life?" she asked. "What preceded it was an age, no doubt—but an age without a name."

Vanderbank watched her a little in silence, then spoke quite beside the question. "It's astonishing how at moments you remind me of your mother!"

At this she got up. "Ah there it is! It's what I shall never shake off. That, I imagine, is what Mr. Longdon feels."

Both on their feet now, as if ready for the others, they yet—and even a trifle awkwardly—lingered. It might in fact have appeared to a spectator that some climax had come, on the young man's part, to some state of irresolution about the utterance of something. What were the words so repeatedly on his lips, yet so repeatedly not sounded? It would have struck our observer that they were probably not those his lips even now actually formed. "Doesn't he perhaps talk to you too much about yourself?"

Nanda gave him a dim smile, and he might indeed then have exclaimed on a certain resemblance, a resemblance of expression that had nothing to do with form. It wouldn't have been diminished for him moreover by her successful suppression of every sign that she felt his question a little of a snub. The recall he had previously mentioned could, however, as she answered him, only have been brushed away by a supervening sense of his roughness. "It probably isn't so much that as my own way of going on." She spoke with a mildness that could scarce have been so full without being an effort. "Between his patience and my egotism anything's possible. It isn't his talking—it's his listening." She gave up the point, at any rate, as if from softness to her actual companion. "Wasn't it you who spoke to mamma about my sitting with her? That's what I mean by my debt to you. It's through you that I'm always there—through you and perhaps a little through Mitchy."

"Oh through Mitchy—it MUST have been—more than through me." Vanderbank spoke with the manner of humouring her about a trifle. "Mitchy, delightful man, felt on the subject of your eternal exile, I think, still more strongly."

They quitted their place together and at the end of a few steps became aware of the approach of one of the others, a figure but a few yards off, arriving from the quarter from which Nanda had come. "Ah Mr. Longdon!"—she spoke with eagerness now.

Vanderbank instantly waved his hat. "Dear old boy!"

"Between you all, at any rate," she said more gaily, "you've brought me down."

Vanderbank made no answer till they met their friend, when, by way of greeting, he simply echoed her words. "Between us all, you'll be glad to know, we've brought her down."

Mr. Longdon looked from one of them to the other. "Where have you been together?"

Nanda was the first to respond. "Only talking—on a bench."

"Well, I want to talk on a bench!" Their friend showed a spirit.

"With me, of course?"—Vanderbank met it with encouragement.

The girl said nothing, but Mr. Longdon sought her eyes. "No—with Nanda. You must mingle in the crowd."

"Ah," the their companion laughed, "you two are the crowd!"

"Well—have your tea first."

Vanderbank on this, giving it up with the air of amused accommodation that was never—certainly for these two—at fault in him, offered to Mr. Longdon before departing the handshake of greeting he had omitted; a demonstration really the warmer for the tone of the joke that went with it. "Intrigant!"



II

Nanda praised to the satellite so fantastically described the charming spot she had quitted, with the effect that they presently took fresh possession of it, finding the beauty of the view deepened as the afternoon grew old and the shadows long. They were of a comfortable agreement on these matters, by which moreover they were but little delayed, one of the pair at least being too conscious, for the hour, of still other phenomena than the natural and peaceful process that filled the air. "Well, you must tell me about these things," Mr. Longdon sociably said: he had joined his young friend with a budget of impressions rapidly gathered at the house; as to which his appeal to her for a light or two may be taken as the measure of the confidence now ruling their relations. He had come to feel at last, he mentioned, that he could allow for most differences; yet in such a situation as the present bewilderment could only come back. There were no differences in the world—so it had all ended for him—but those that marked at every turn the manners he had for three months been observing in good society. The general wide deviation of this body occupied his mind to the exclusion of almost everything else, and he had finally been brought to believe that even in his slow-paced prime he must have hung behind his contemporaries. He had not supposed at the moment—in the fifties and the sixties—that he passed for old-fashioned, but life couldn't have left him so far in the rear had the start between them originally been fair. This was the way he had more than once put the matter to the girl; which gives a sufficient hint, it is hoped, of the range of some of their talk. It had always wound up indeed, their talk, with some assumption of the growth of his actual understanding; but it was just these pauses in the fray that seemed to lead from time to time to a sharper clash. It was apt to be when he felt as if he had exhausted surprises that he really received his greatest shocks. There were no such queer-tasting draughts as some of those yielded by the bucket that had repeatedly, as he imagined, touched the bottom of the well. "Now this sudden invasion of somebody's—heaven knows whose—house, and our dropping down on it like a swarm of locusts: I dare say it isn't civil to criticise it when one's going too, so almost culpably, with the stream; but what are people made of that they consent, just for money, to the violation of their homes?"

Nanda wondered; she cultivated the sense of his making her intensely reflect, "But haven't people in England always let their places?"

"If we're a nation of shopkeepers, you mean, it can't date, on the scale on which we show it, only from last week? No doubt, no doubt, and the more one thinks of it the more one seems to see that society—for we're IN society, aren't we, and that's our horizon?—can never have been anything but increasingly vulgar. The point is that in the twilight of time—and I belong, you see, to the twilight—it had made out much less how vulgar it COULD be. It did its best very probably, but there were too many superstitions it had to get rid of. It has been throwing them overboard one by one, so that now the ship sails uncommonly light. That's the way"—and with his eyes on the golden distance he ingeniously followed it out—"I come to feel so the lurching and pitching. If I weren't a pretty fair sailor—well, as it is, my dear," he interrupted himself with a laugh, "I show you often enough what grabs I make for support." He gave a faint gasp, half amusement, half anguish, then abruptly relieved himself by a question. "To whom in point of fact does the place belong?"

"I'm awfully ashamed, but I'm afraid I don't know. That just came up here," the girl went on, "for Mr. Van."

Mr. Longdon seemed to think an instant. "Oh it came up, did it? And Mr. Van couldn't tell?"

"He has quite forgotten—though he has been here before. Of course it may have been with other people," she added in extenuation. "I mean it mayn't have been theirs then any more than it's Mitchy's."

"I see. They too had just bundled in."

Nanda completed the simple history. "To-day it's Mitchy who bundles, and I believe that really he bundled only yesterday. He turned in his people and here we are."

"Here we are, here we are!" her friend more gravely echoed. "Well, it's splendid!"

As if at a note in his voice her eyes, while his own still strayed away, just fixed him. "Don't you think it's really rather exciting? Everything's ready, the feast all spread, and with nothing to blunt our curiosity but the general knowledge that there will be people and things—with nothing but that we comfortably take our places." He answered nothing, though her picture apparently reached him. "There ARE people, there ARE things, and all in a plenty. Had every one, when you came away, turned up?" she asked as he was still silent.

"I dare say. There were some ladies and gentlemen on the terrace whom I didn't know. But I looked only for you and came this way on an indication of your mother's."

"And did she ask that if you should find me with Mr. Van you'd make him come to her?"

Mr. Longdon replied to this with some delay and without movement. "How could she have supposed he was here?"

"Since he had not yet been to the house? Oh it has always been a wonder to me, the things that mamma supposes! I see she asked you," Nanda insisted.

At this her old friend turned to her. "But it wasn't because of that I got rid of him."

She had a pause. "No—you don't mind everything mamma says."

"I don't mind 'everything' anybody says: not even, my dear, when the person's you."

Again she waited an instant. "Not even when it's Mr. Van?"

Mr. Longdon candidly considered. "Oh I take him up on all sorts of things."

"That shows then the importance they have for you. Is HE like his grandmother?" the girl pursued. Then as her companion looked vague: "Wasn't it his grandmother too you knew?"

He had an extraordinary smile. "His mother."

She exclaimed, colouring, on her mistake, and he added: "I'm not so bad as that. But you're none of you like them."

"Wasn't she pretty?" Nanda asked.

"Very handsome. But it makes no difference. She herself to-day wouldn't know him."

She gave a small gasp. "His own mother wouldn't—?"

His headshake just failed of sharpness. "No, nor he her. There's a link missing." Then as if after all she might take him too seriously, "Of course it's I," he more gently moralised, "who have lost the link in my sleep. I've slept half the century—I'm Rip Van Winkle." He went back after a moment to her question. "He's not at any rate like his mother."

She turned it over. "Perhaps you wouldn't think so much of her now."

"Perhaps not. At all events my snatching you from Mr. Vanderbank was my own idea."

"I wasn't thinking," Nanda said, "of your snatching me. I was thinking of your snatching yourself."

"I might have sent YOU to the house? Well," Mr. Longdon replied, "I find I take more and more the economical view of my pleasures. I run them less and less together. I get all I can out of each."

"So now you're getting all you can out of ME?"

"All I can, my dear—all I can." He watched a little the flushed distance, then mildly broke out: "It IS, as you said just now, exciting! But it makes me"—and he became abrupt again—"want you, as I've already told you, to come to MY place. Not, however, that we may be still more mad together."

The girl shared from the bench his contemplation. "Do you call THIS madness?"

Well, he rather stuck to it. "You spoke of it yourself as excitement. You'll make of course one of your fine distinctions, but I take it in my rough way as a whirl. We're going round and round." In a minute he had folded his arms with the same closeness Vanderbank had used—in a minute he too was nervously shaking his foot. "Steady, steady; if we sit close we shall see it through. But come down to Suffolk for sanity."

"You do mean then that I may come alone?"

"I won't receive you, I assure you, on any other terms. I want to show you," he continued, "what life CAN give. Not of course," he subjoined, "of this sort of thing."

"No—you've told me. Of peace."

"Of peace," said Mr. Longdon. "Oh you don't know—you haven't the least idea. That's just why I want to show you."

Nanda looked as if already she saw it in the distance. "But will it be peace if I'm there? I mean for YOU," she added.

"It isn't a question of 'me.' Everybody's omelet is made of somebody's eggs. Besides, I think that when we're alone together—!"

He had dropped for so long that she wondered. "Well, when we are—?"

"Why, it will be all right," he simply concluded. "Temples of peace, the ancients used to call them. We'll set up one, and I shall be at least doorkeeper. You'll come down whenever you like."

She gave herself to him in her silence more than she could have done in words. "Have you arranged it with mamma?" she said, however, at last.

"I've arranged everything."

"SHE won't want to come?"

Her friend's laugh turned him to her. "Don't be nervous. There are things as to which your mother trusts me."

"But others as to which not."

Their eyes met for some time on this, and it ended in his saying: "Well, you must help me." Nanda, but without shrinking, looked away again, and Mr. Longdon, as if to consecrate their understanding by the air of ease, passed to another subject. "Mr. Mitchett's the most princely host."

"Isn't he too kind for anything? Do you know what he pretends?" Nanda went on. "He says in the most extraordinary way that he does it all for ME."

"Takes this great place and fills it with servants and company—?"

"Yes, just so that I may come down for a Sunday or two. Of course he has only taken it for three or four weeks, but even for that time it's a handsome compliment. He doesn't care what he does. It's his way of amusing himself. He amuses himself at our expense," the girl continued.

"Well, I hope that makes up, my dear, for the rate at which we're doing so at his!"

"His amusement," said Nanda, "is to see us believe what he says."

Mr. Longdon thought a moment. "Really, my child, you're most acute."

"Oh I haven't watched life for nothing! Mitchy doesn't care," she repeated.

Her companion seemed divided between a desire to draw and a certain fear to encourage her. "Doesn't care for what?"

She considered an instant, all coherently, and it might have added to Mr. Longdon's impression of her depth. "Well, for himself. I mean for his money. For anything any one may think. For Lord Petherton, for instance, really at all. Lord Petherton thinks he has helped him—thinks, that is, that Mitchy thinks he has. But Mitchy's more amused at HIM than at anybody else. He takes every one in."

"Every one but you?"

"Oh I like him."

"My poor child, you're of a profundity!" Mr. Longdon murmured.

He spoke almost uneasily, but she was not too much alarmed to continue lucid. "And he likes me, and I know just how much—and just how little. He's the most generous man in the world. It pleases him to feel that he's indifferent and splendid—there are so many things it makes up to him for." The old man listened with attention, and his young friend conscious of it, proceeded as on ground of which she knew every inch. "He's the son, as you know, of a great bootmaker—'to all the Courts of Europe'—who left him a large fortune, which had been made, I believe, in the most extraordinary way, by building-speculations as well."

"Oh yes, I know. It's astonishing!" her companion sighed.

"That he should be of such extraction?"

"Well, everything. That you should be talking as you are—that you should have 'watched life,' as you say, to such purpose. That we should any of us be here—most of all that Mr. Mitchett himself should. That your grandmother's daughter should have brought HER daughter—"

"To stay with a person"—Nanda took it up as, apparently out of delicacy, he fairly failed—"whose father used to take the measure, down on his knees on a little mat, as mamma says, of my grandfather's remarkably large foot? Yes, we none of us mind. Do you think we should?" Nanda asked.

Mr. Longdon turned it over. "I'll answer you by a question. Would you marry him?"

"Never." Then as if to show there was no weakness in her mildness, "Never, never, never," she repeated.

"And yet I dare say you know—?" But Mr. Longdon once more faltered; his scruple came uppermost. "You don't mind my speaking of it?"

"Of his thinking he wants to marry me? Not a bit. I positively enjoy telling you there's nothing in it."

"Not even for HIM?"

Nanda considered. "Not more than is made up to him by his having found out through talks and things—which mightn't otherwise have occurred—that I do like him. I wouldn't have come down here if I hadn't liked him."

"Not for any other reason?"—Mr. Longdon put it gravely.

"Not for YOUR being here, do you mean?"

He delayed. "Me and other persons."

She showed somehow that she wouldn't flinch. "You weren't asked till after he had made sure I'd come. We've become, you and I," she smiled, "one of the couples who are invited together."

These were couples, his speculative eye seemed to show, he didn't even yet know about, and if he mentally took them up a moment it was all promptly to drop them. "I don't think you state it quite strongly enough, you know."

"That Mitchy IS hard hit? He states it so strongly himself that it will surely do for both of us. I'm a part of what I just spoke of—his indifference and magnificence. It's as if he could only afford to do what's not vulgar. He might perfectly marry a duke's daughter, but that WOULD be vulgar—would be the absolute necessity and ideal of nine out of ten of the sons of shoemakers made ambitious by riches. Mitchy says 'No; I take my own line; I go in for a beggar-maid.' And it's only because I'm a beggar-maid that he wants me."

"But there are plenty of other beggar-maids," Mr. Longdon objected.

"Oh I admit I'm the one he least dislikes. But if I had any money," Nanda went on, "or if I were really good-looking—for that to-day, the real thing, will do as well as being a duke's daughter—he wouldn't come near me. And I think that ought to settle it. Besides, he must marry Aggie. She's a beggar-maid too—as well as an angel. So there's nothing against it."

Mr. Longdon stared, but even in his surprise seemed to take from the swiftness with which she made him move over the ground a certain agreeable glow. "Does 'Aggie' like him?"

"She likes every one. As I say, she's an angel—but a real, real, real one. The kindest man in the world's therefore the proper husband for her. If Mitchy wants to do something thoroughly nice," she declared with the same high competence, "he'll take her out of her situation, which is awful."

Mr. Longdon looked graver. "In what way awful?"

"Why, don't you know?" His eye was now cold enough to give her, in her chill, a flurried sense that she might displease him least by a graceful lightness. "The Duchess and Lord Petherton are like you and me."

"Is it a conundrum?" He was serious indeed.

"They're one of the couples who are invited together." But his face reflected so little success for her levity that it was in another tone she presently added: "Mitchy really oughtn't." Her friend, in silence, fixed his eyes on the ground; an attitude in which there was something to make her strike rather wild. "But of course, kind as he is, he can scarcely be called particular. He has his ideas—he thinks nothing matters. He says we've all come to a pass that's the end of everything."

Mr. Longdon remained mute a while, and when he at last, raised his eyes it was without meeting Nanda's and with some dryness of manner. "The end of everything? One might easily receive that impression."

He again became mute, and there was a pause between them of some length, accepted by Nanda with an anxious stillness that it might have touched a spectator to observe. She sat there as if waiting for some further sign, only wanting not to displease her friend, yet unable to pretend to play any part and with something in her really that she couldn't take back now, something involved in her original assumption that there was to be a kind of intelligence in their relation. "I dare say," she said at last, "that I make allusions you don't like. But I keep forgetting."

He waited a moment longer, then turned to her with a look rendered a trifle strange by the way it happened to reach over his glasses. It was even austerer than before. "Keep forgetting what?"

She gave after an instant a faint feeble smile which seemed to speak of helplessness and which, when at rare moments it played in her face, was expressive from her positive lack of personal, superficial diffidence. "Well—I don't know." It was as if appearances became at times so complicated that—so far as helping others to understand was concerned—she could only give up.

"I hope you don't think I want you to be with me as you wouldn't be—so to speak—with yourself. I hope you don't think I don't want you to be frank. If you were to try to APPEAR to me anything—!" He ended in simple sadness: that, for instance, would be so little what he should like.

"Anything different, you mean, from what I am? That's just what I've thought from the first. One's just what one IS—isn't one? I don't mean so much," she went on, "in one's character or temper—for they have, haven't they? to be what's called 'properly controlled'—as in one's mind and what one sees and feels and the sort of thing one notices." Nanda paused an instant; then "There you are!" she simply but rather desperately brought out.

Mr. Longdon considered this with visible intensity. "What you suggest is that the things you speak of depend on other people?"

"Well, every one isn't so beautiful as you." She had met him with promptitude, yet no sooner had she spoken than she appeared again to encounter a difficulty. "But there it is—my just saying even that. Oh how I always know—as I've told you before—whenever I'm different! I can't ask you to tell me the things Granny WOULD have said, because that's simply arranging to keep myself back from you, and so being nasty and underhand, which you naturally don't want, nor I either. Nevertheless when I say the things she wouldn't, then I put before you too much—too much for your liking it—what I know and see and feel. If we're both partly the result of other people, HER other people were so different." The girl's sensitive boldness kept it up, but there was something in her that pleaded for patience. "And yet if she had YOU, so I've got you too. It's the flattery of that, or the sound of it, I know, that must be so unlike her. Of course it's awfully like mother; yet it isn't as if you hadn't already let me see—is it?—that you don't really think me the same." Again she stopped a minute, as to find her scarce possible way with him, and again for the time he gave no sign. She struck out once more with her strange cool limpidity. "Granny wasn't the kind of girl she COULDN't be—and so neither am I."

Mr. Longdon had fallen while she talked into something that might have been taken for a conscious temporary submission to her; he had uncrossed his fidgety legs and, thrusting them out with the feet together, sat looking very hard before him, his chin sunk on his breast and his hands, clasped as they met, rapidly twirling their thumbs. So he remained for a time that might have given his young friend the sense of having made herself right for him so far as she had been wrong. He still had all her attention, just as previously she had had his, but, while he now simply gazed and thought, she watched him with a discreet solicitude that would almost have represented him as a near relative whom she supposed unwell. At the end he looked round, and then, obeying some impulse that had gathered in her while they sat mute, she put out to him the tender hand she might have offered to a sick child. They had been talking about frankness, but she showed a frankness in this instance that made him perceptibly colour. To that in turn, however, he responded only the more completely, taking her hand and holding it, keeping it a long minute during which their eyes met and something seemed to clear up that had been too obscure to be dispelled by words. Finally he brought out as if, though it was what he had been thinking of, her gesture had most determined him: "I wish immensely you'd get married!"

His tone betrayed so special a meaning that the words had a sound of suddenness; yet there was always in Nanda's face that odd preparedness of the young person who has unlearned surprise through the habit, in company, of studiously not compromising her innocence by blinking at things said. "How CAN I?" she asked, but appearing rather to take up the proposal than to put it by.

"Can't you, CAN'T you?" He spoke pressingly and kept her hand. She shook her head slowly, markedly; on which he continued: "You don't do justice to Mr. Mitchy." She said nothing, but her look was there and it made him resume: "Impossible?"

"Impossible." At this, letting her go, Mr. Longden got up; he pulled out his watch. "We must go back." She had risen with him and they stood face to face in the faded light while he slipped the watch away. "Well, that doesn't make me wish it any less."

"It's lovely of you to wish it, but I shall be one of the people who don't. I shall be at the end," said Nanda, "one of those who haven't."

"No, my child," he returned gravely—"you shall never be anything so sad."

"Why not—if YOU'VE been?" He looked at her a little, quietly, and then, putting out his hand, passed her own into his arm. "Exactly because I have."



III

"Would you" the Duchess said to him the next day, "be for five minutes awfully kind to my poor little niece?" The words were spoken in charming entreaty as he issued from the house late on the Sunday afternoon—the second evening of his stay, which the next morning was to bring to an end—and on his meeting the speaker at one of the extremities of the wide cool terrace. There was at this point a subsidiary flight of steps by which she had just mounted from the grounds, one of her purposes being apparently to testify afresh to the anxious supervision of little Aggie she had momentarily suffered herself to be diverted from. This young lady, established in the pleasant shade on a sofa of light construction designed for the open air, offered the image of a patience of which it was a questionable kindness to break the spell. It was that beautiful hour when, toward the close of the happiest days of summer, such places as the great terrace at Mertle present to the fancy a recall of the banquet-hall deserted—deserted by the company lately gathered at tea and now dispersed, according to affinities and combinations promptly felt and perhaps quite as promptly criticised, either in quieter chambers where intimacy might deepen or in gardens and under trees where the stillness knew the click of balls and the good humour of games. There had been chairs, on the terrace, pushed about; there were ungathered teacups on the level top of the parapet; the servants in fact, in the manner of "hands" mustered by a whistle on the deck of a ship, had just arrived to restore things to an order soon again to be broken. There were scattered couples in sight below and an idle group on the lawn, out of the midst of which, in spite of its detachment, somebody was sharp enough sometimes to cry "Out!" The high daylight was still in the sky, but with just the foreknowledge already of the long golden glow in which the many-voiced caw of the rooks would sound at once sociable and sad. There was a great deal all about to be aware of and to look at, but little Aggie had her eyes on a book over which her pretty head was bent with a docility visible even from afar. "I've a friend—down there by the lake—to go back to," the Duchess went on, "and I'm on my way to my room to get a letter that I've promised to show him. I shall immediately bring it down and then in a few minutes be able to relieve you,—I don't leave her alone too much—one doesn't, you know, in a house full of people, a child of that age. Besides"—and Mr. Longdon's interlocutress was even more confiding—"I do want you so very intensely to know her. You, par exemple, you're what I SHOULD like to give her." Mr. Longdon looked the noble lady, in acknowledgement of her appeal, straight in the face, and who can tell whether or no she acutely guessed from his expression that he recognised this particular juncture as written on the page of his doom?—whether she heard him inaudibly say "Ah here it is: I knew it would have to come!" She would at any rate have been astute enough, had this miracle occurred, quite to complete his sense for her own understanding and suffer it to make no difference in the tone in which she still confronted him. "Oh I take the bull by the horns—I know you haven't wanted to know me. If you had you'd have called on me—I've given you plenty of hints and little coughs. Now, you see, I don't cough any more—I just rush at you and grab you. You don't call on me—so I call on YOU. There isn't any indecency moreover that I won't commit for my child."

Mr. Longdon's impenetrability crashed like glass at the elbow-touch of this large handsome practised woman, who walked for him, like some brazen pagan goddess, in a cloud of queer legend. He looked off at her child, who, at a distance and not hearing them, had not moved. "I know she's a great friend of Nanda's."

"Has Nanda told you that?"

"Often—taking such an interest in her."

"I'm glad she thinks so then—though really her interests are so various. But come to my baby. I don't make HER come," she explained as she swept him along, "because I want you just to sit down by her there and keep the place, as one may say—!"

"Well, for whom?" he demanded as she stopped. It was her step that had checked itself as well as her tongue, and again, suddenly, they stood quite consciously and vividly opposed. "Can I trust you?" the Duchess brought out. Again then she took herself up. "But as if I weren't already doing it! It's because I do trust you so utterly that I haven't been able any longer to keep my hands off you. The person I want the place for is none other than Mitchy himself, and half my occupation now is to get it properly kept for him. Lord Petherton's immensely kind, but Lord Petherton can't do everything. I know you really like our host—!"

Mr. Longdon, at this, interrupted her with a certain coldness. "How, may I ask, do you know it?"

But with a brazen goddess to deal with—! This personage had to fix him but an instant. "Because, you dear honest man, you're here. You wouldn't be if you hated him, for you don't practically condone—!"

This time he broke in with his eyes on the child. "I feel on the contrary, I assure you, that I condone a great deal."

"Well, don't boast of your cynicism," she laughed, "till you're sure of all it covers. Let the right thing for you be," she went on, "that Nanda herself wants it."

"Nanda herself?" He continued to watch little Aggie, who had never yet turned her head. "I'm afraid I don't understand you."

She swept him on again. "I'll come to you presently and explain. I MUST get my letter for Petherton; after which I'll give up Mitchy, whom I was going to find, and since I've broken the ice—if it isn't too much to say to such a polar bear!—I'll show you le fond de ma pensee. Baby darling," she said to her niece, "keep Mr. Longdon. Show him," she benevolently suggested, "what you've been reading." Then again to her fellow guest, as arrested by this very question: "Caro signore, have YOU a possible book?"

Little Aggie had got straight up and was holding out her volume, which Mr. Longdon, all courtesy for her, glanced at. "Stories from English History. Oh!"

His ejaculation, though vague, was not such as to prevent the girl from venturing gently: "Have you read it?"

Mr. Longdon, receiving her pure little smile, showed he felt he had never so taken her in as at this moment, as well as also that she was a person with whom he should surely get on. "I think I must have."

Little Aggie was still more encouraged, but not to the point of keeping anything back. "It hasn't any author. It's anonymous."

The Duchess borrowed, for another question to Mr. Longdon, not a little of her gravity. "Is it all right?"

"I don't know"—his answer was to Aggie. "There have been some horrid things in English history."

"Oh horrid—HAVEN'T there?" Aggie, whose speech had the prettiest faintest foreignness, sweetly and eagerly quavered.

"Well, darling, Mr. Longdon will recommend to you some nice historical work—for we love history, don't we?—that leaves the horrors out. We like to know," the Duchess explained to the authority she invoked, "the cheerful happy RIGHT things. There are so many, after all, and this is the place to remember them. A tantot."

As she passed into the house by the nearest of the long windows that stood open Mr. Longdon placed himself beside her little charge, whom he treated, for the next ten minutes, with an exquisite courtesy. A person who knew him well would, if present at the scene, have found occasion in it to be freshly aware that he was in his quiet way master of two distinct kinds of urbanity, the kind that added to distance and the kind that diminished it. Such an analyst would furthermore have noted, in respect to the aunt and the niece, of which kind each had the benefit, and might even have gone so far as to detect in him some absolute betrayal of the impression produced on him by his actual companion, some irradiation of his certitude that, from the point of view under which she had been formed, she was a remarkable, a rare success. Since to create a particular little rounded and tinted innocence had been aimed at, the fruit had been grown to the perfection of a peach on a sheltered wall, and this quality of the object resulting from a process might well make him feel himself in contact with something wholly new. Little Aggie differed from any young person he had ever met in that she had been deliberately prepared for consumption and in that furthermore the gentleness of her spirit had immensely helped the preparation. Nanda, beside her, was a Northern savage, and the reason was partly that the elements of that young lady's nature were already, were publicly, were almost indecorously active. They were practically there for good or for ill; experience was still to come and what they might work out to still a mystery; but the sum would get itself done with the figures now on the slate. On little Aggie's slate the figures were yet to be written; which sufficiently accounted for the difference of the two surfaces. Both the girls struck him as lambs with the great shambles of life in their future; but while one, with its neck in a pink ribbon, had no consciousness but that of being fed from the hand with the small sweet biscuit of unobjectionable knowledge, the other struggled with instincts and forebodings, with the suspicion of its doom and the far-borne scent, in the flowery fields, of blood.

"Oh Nanda, she's my best friend after three or four others."

"After so many?" Mr. Longdon laughed. "Don't you think that's rather a back seat, as they say, for one's best?"

"A back seat?"—she wondered with a purity!

"If you don't understand," said her companion, "it serves me right, as your aunt didn't leave me with you to teach you the slang of the day."

"The 'slang'?"—she again spotlessly speculated.

"You've never even heard the expression? I should think that a great compliment to our time if it weren't that I fear it may have been only the name that has been kept from you."

The light of ignorance in the child's smile was positively golden. "The name?" she again echoed.

She understood too little—he gave it up. "And who are all the other best friends whom poor Nanda comes after?"

"Well, there's my aunt, and Miss Merriman, and Gelsomina, and Dr. Beltram."

"And who, please, is Miss Merriman?"

"She's my governess, don't you know?—but such a deliciously easy governess."

"That, I suppose, is because she has such a deliciously easy pupil. And who is Gelsomina?" Mr. Longdon enquired.

"She's my old nurse—my old maid."

"I see. Well, one must always be kind to old maids. But who's Dr. Beltram?"

"Oh the most intimate friend of all. We tell him everything."

There was for Mr. Longdon in this, with a slight incertitude, an effect of drollery. "Your little troubles?"

"Ah they're not always so little! And he takes them all away."

"Always?—on the spot?"

"Sooner or later," said little Aggie with serenity. "But why not?"

"Why not indeed?" he laughed. "It must be very plain sailing." Decidedly she was, as Nanda had said, an angel, and there was a wonder in her possession on this footing of one of the most expressive little faces that even her expressive race had ever shown him. Formed to express everything, it scarce expressed as yet even a consciousness. All the elements of play were in it, but they had nothing to play with. It was a rest moreover, after so much that he had lately been through, to be with a person for whom questions were so simple. "But he sounds all the same like the kind of doctor whom, as soon as one hears of him, one wants to send for."

The young girl had at this a small light of confusion. "Oh I don't mean he's a doctor for medicine. He's a clergyman—and my aunt says he's a saint. I don't think you've many in England," little Aggie continued to explain.

"Many saints? I'm afraid not. Your aunt's very happy to know one. We should call Dr. Beltram in England a priest."

"Oh but he's English. And he knows everything we do—and everything we think."

"'We'—your aunt, your governess and your nurse? What a varied wealth of knowledge!"

"Ah Miss Merriman and Gelsomina tell him only what they like."

"And do you and the Duchess tell him what you DON'T like?"

"Oh often—but we always like HIM—no matter what we tell him. And we know that just the same he always likes us."

"I see then of course," said Mr. Longdon, very gravely now, "what a friend he must be. So it's after all this," he continued in a moment, "that Nanda comes in?"

His companion had to consider, but suddenly she caught assistance. "This one, I think, comes before." Lord Petherton, arriving apparently from the garden, had drawn near unobserved by Mr. Longdon and the next moment was within hail. "I see him very often," she continued—"oftener than Nanda. Oh but THEN Nanda. And then," little Aggie wound up, "Mr. Mitchy."

"Oh I'm glad HE comes in," Mr. Longdon returned, "though rather far down in the list." Lord Petherton was now before them, there being no one else on the terrace to speak to, and, with the odd look of an excess of physical power that almost blocked the way, he seemed to give them in the flare of his big teeth the benefit of a kind of brutal geniality. It was always to be remembered for him that he could scarce show without surprising you an adjustment to the smaller conveniences; so that when he took up a trifle it was not perforce in every case the sign of an uncanny calculation. When the elephant in the show plays the fiddle it must be mainly with the presumption of consequent apples; which was why, doubtless, this personage had half the time the air of assuring you that, really civilised as his type had now become, no apples were required. Mr. Longdon viewed him with a vague apprehension and as if quite unable to meet the question of what he would have called for such a personage the social responsibility. Did this specimen of his class pull the tradition down or did he just take it where he found it—in the very different place from that in which, on ceasing so long ago to "go out," Mr. Longdon had left it? Our friend doubtless averted himself from the possibility of a mental dilemma; if the man didn't lower the position was it the position then that let down the man? Somehow he wasn't positively up. More evidence would be needed to decide; yet it was just of more evidence that one remained rather in dread. Lord Petherton was kind to little Aggie, kind to her companion, kind to every one, after Mr. Longdon had explained that she was so good as to be giving him the list of her dear friends. "I'm only a little dismayed," the elder man said, "to find Mr. Mitchett at the bottom."