I'll tell you how it is with the pictures of women we fall in love with at first sight.

—We a'n't talking about pictures,—said the landlady's daughter, —we're talking about women.

I understood that we were speaking of love at sight,—I remarked, mildly.—Now, as all a man knows about a woman whom he looks at is just what a picture as big as a copper, or a "nickel," rather, at the bottom of his eye can teach him, I think I am right in saying we are talking about the pictures of women.—Well, now, the reason why a man is not desperately in love with ten thousand women at once is just that which prevents all our portraits being distinctly seen upon that wall. They all ARE painted there by reflection from our faces, but because ALL of them are painted on each spot, and each on the same surface, and many other objects at the same time, no one is seen as a picture. But darken a chamber and let a single pencil of rays in through a key-hole, then you have a picture on the wall. We never fall in love with a woman in distinction from women, until we can get an image of her through a pin-hole; and then we can see nothing else, and nobody but ourselves can see the image in our mental camera-obscura.

—My friend, the Poet, tells me he has to leave town whenever the anniversaries come round.

What's the difficulty?—Why, they all want him to get up and make speeches, or songs, or toasts; which is just the very thing he doesn't want to do. He is an old story, he says, and hates to show on these occasions. But they tease him, and coax him, and can't do without him, and feel all over his poor weak head until they get their fingers on the fontanelle, (the Professor will tell you what this means,—he says the one at the top of the head always remains open in poets,) until, by gentle pressure on that soft pulsating spot, they stupefy him to the point of acquiescence.

There are times, though, he says, when it is a pleasure, before going to some agreeable meeting, to rush out into one's garden and clutch up a handful of what grows there,—weeds and violets together,—not cutting them off, but pulling them up by the roots with the brown earth they grow in sticking to them. That's his idea of a post-prandial performance. Look here, now. These verses I am going to read you, he tells me, were pulled up by the roots just in that way, the other day.—Beautiful entertainment,—names there on the plates that flow from all English-speaking tongues as familiarly as AND or THE; entertainers known wherever good poetry and fair title-pages are held in esteem; guest a kind-hearted, modest, genial, hopeful poet, who sings to the hearts of his countrymen, the British people, the songs of good cheer which the better days to come, as all honest souls trust and believe, will turn into the prose of common life. My friend, the Poet, says you must not read such a string of verses too literally. If he trimmed it nicely below, you wouldn't see the roots, he says, and he likes to keep them, and a little of the soil clinging to them.

This is the farewell my friend, the Poet, read to his and our friend, the Poet:-

A GOOD TIME GOING!

Brave singer of the coming time, Sweet minstrel of the joyous present, Crowned with the noblest wreath of rhyme, The holly-leaf of Ayrshire's peasant, Good-bye! Good-bye!—Our hearts and hands, Our lips in honest Saxon phrases, Cry, God be with him, till he stands His feet among the English daisies!

'Tis here we part;—for other eyes The busy deck, the flattering streamer, The dripping arms that plunge and rise, The waves in foam, the ship in tremor, The kerchiefs waving from the pier, The cloudy pillar gliding o'er him, The deep blue desert, lone and drear, With heaven above and home before him!

His home!—the Western giant smiles, And twirls the spotty globe to find it;— This little speck the British Isles? 'Tis but a freckle,—never mind it!— He laughs, and all his prairies roll, Each gurgling cataract roars and chuckles, And ridges stretched from pole to pole Heave till they crack their iron knuckles!

But memory blushes at the sneer, And Honor turns with frown defiant, And Freedom, leaning on her spear, Laughs louder than the laughing giant:- "An islet is a world," she said, "When glory with its dust has blended, And Britain kept her noble dead Till earth and seas and skies are rended!"

Beneath each swinging forest-bough Some arm as stout in death reposes,— From wave-washed foot to heaven-kissed brow Her valor's life-blood runs in roses; Nay, let our brothers of the West Write smiling in their florid pages, One-half her soil has walked the rest In poets, heroes, martyrs, sages!

Hugged in the clinging billow's clasp, From sea-weed fringe to mountain heather, The British oak with rooted grasp Her slender handful holds together;— With cliffs of white and bowers of green, And Ocean narrowing to caress her, And hills and threaded streams between,— Our little mother isle, God bless her!

In earth's broad temple where we stand, Fanned by the eastern gales that brought us, We hold the missal in our hand, Bright with the lines our Mother taught us; Where'er its blazoned page betrays The glistening links of gilded fetters, Behold, the half-turned leaf displays Her rubric stained in crimson letters!

Enough! To speed a parting friend 'Tis vain alike to speak and listen;— Yet stay,—these feeble accents blend With rays of light from eyes that glisten. Good-bye! once more,—and kindly tell In words of peace the young world's story,— And say, besides,—we love too well Our mother's soil, our father's glory!

When my friend, the Professor, found that my friend, the Poet, had been coming out in this full-blown style, he got a little excited, as you may have seen a canary, sometimes, when another strikes up. The Professor says he knows he can lecture, and thinks he can write verses. At any rate, he has often tried, and now he was determined to try again. So when some professional friends of his called him up, one day, after a feast of reason and a regular "freshet" of soul which had lasted two or three hours, he read them these verses. He introduced them with a few remarks, he told me, of which the only one he remembered was this: that he had rather write a single line which one among them should think worth remembering than set them all laughing with a string of epigrams. It was all right, I don't doubt; at any rate, that was his fancy then, and perhaps another time he may be obstinately hilarious; however, it may be that he is growing graver, for time is a fact so long as clocks and watches continue to go, and a cat can't be a kitten always, as the old gentleman opposite said the other day.

You must listen to this seriously, for I think the Professor was very much in earnest when he wrote it.

THE TWO ARMIES.

As Life's unending column pours, Two marshalled hosts are seen,— Two armies on the trampled shores That Death flows black between.

One marches to the drum-beat's roll, The wide-mouthed clarion's bray, And bears upon a crimson scroll, "Our glory is to slay."

One moves in silence by the stream, With sad, yet watchful eyes, Calm as the patient planet's gleam That walks the clouded skies.

Along its front no sabres shine, No blood-red pennons wave; Its banner bears the single line, "Our duty is to save."

For those no death-bed's lingering shade; At Honor's trumpet-call, With knitted brow and lifted blade In Glory's arms they fall.

For these no clashing falchions bright, No stirring battle-cry; The bloodless stabber calls by night,— Each answers, "Here am I!"

For those the sculptor's laurelled bust, The builder's marble piles, The anthems pealing o'er their dust Through long cathedral aisles.

For these the blossom-sprinkled turf That floods the lonely graves, When Spring rolls in her sea-green surf In flowery-foaming waves.

Two paths lead upward from below, And angels wait above, Who count each burning life-drop's flow, Each falling tear of Love.

Though from the Hero's bleeding breast Her pulses Freedom drew, Though the white lilies in her crest Sprang from that scarlet dew,—

While Valor's haughty champions wait Till all their scars are shown, Love walks unchallenged through the gate, To sit beside the Throne!



CHAPTER X



[The schoolmistress came down with a rose in her hair,—a fresh June rose. She has been walking early; she has brought back two others,—one on each cheek.

I told her so, in some such pretty phrase as I could muster for the occasion. Those two blush-roses I just spoke of turned into a couple of damasks. I suppose all this went through my mind, for this was what I went on to say:-]

I love the damask rose best of all. The flowers our mothers and sisters used to love and cherish, those which grow beneath our eaves and by our doorstep, are the ones we always love best. If the Houyhnhnms should ever catch me, and, finding me particularly vicious and unmanageable, send a man-tamer to Rareyfy me, I'll tell you what drugs he would have to take and how he would have to use them. Imagine yourself reading a number of the Houyhnhnm Gazette, giving an account of such an experiment.

"MAN-TAMING EXTRAORDINARY.

"THE soft-hoofed semi-quadruped recently captured was subjected to the art of our distinguished man-tamer in presence of a numerous assembly. The animal was led in by two stout ponies, closely confined by straps to prevent his sudden and dangerous tricks of shoulder-hitting and foot-striking. His countenance expressed the utmost degree of ferocity and cunning.

"The operator took a handful of BUDDING LILAC-LEAVES, and crushing them slightly between his hoofs, so as to bring out their peculiar fragrance, fastened them to the end of a long pole and held them towards the creature. Its expression changed in an instant,—it drew in their fragrance eagerly, and attempted to seize them with its soft split hoofs. Having thus quieted his suspicious subject, the operator proceeded to tie a BLUE HYACINTH to the end of the pole and held it out towards the wild animal. The effect was magical. Its eyes filled as if with raindrops, and its lips trembled as it pressed them to the flower. After this it was perfectly quiet, and brought a measure of corn to the man-tamer, without showing the least disposition to strike with the feet or hit from the shoulder."

That will do for the Houyhnhnm Gazette.—Do you ever wonder why poets talk so much about flowers? Did you ever hear of a poet who did not talk about them? Don't you think a poem, which, for the sake of being original, should leave them out, would be like those verses where the letter A or E or some other is omitted? No,—they will bloom over and over again in poems as in the summer fields, to the end of time, always old and always new. Why should we be more shy of repeating ourselves than the spring be tired of blossoms or the night of stars? Look at Nature. She never wearies of saying over her floral pater-noster. In the crevices of Cyclopean walls, —in the dust where men lie, dust also,—on the mounds that bury huge cities, the wreck of Nineveh and the Babel-heap,—still that same sweet prayer and benediction. The Amen! of Nature is always a flower.

Are you tired of my trivial personalities,—those splashes and streaks of sentiment, sometimes perhaps of sentimentality, which you may see when I show you my heart's corolla as if it were a tulip? Pray, do not give yourself the trouble to fancy me an idiot whose conceit it is to treat himself as an exceptional being. It is because you are just like me that I talk and know that you will listen. We are all splashed and streaked with sentiments,—not with precisely the same tints, or in exactly the same patterns, but by the same hand and from the same palette.

I don't believe any of you happen to have just the same passion for the blue hyacinth which I have,—very certainly not for the crushed lilac-leaf-buds; many of you do not know how sweet they are. You love the smell of the sweet-fern and the bayberry-leaves, I don't doubt; but I hardly think that the last bewitches you with young memories as it does me. For the same reason I come back to damask roses, after having raised a good many of the rarer varieties. I like to go to operas and concerts, but there are queer little old homely sounds that are better than music to me. However, I suppose it's foolish to tell such things.

—It is pleasant to be foolish at the right time,—said the divinity-student;—saying it, however, in one of the dead languages, which I think are unpopular for summer-reading, and therefore do not bear quotation as such.

Well, now,—said I,—suppose a good, clean, wholesome-looking countryman's cart stops opposite my door.—Do I want any huckleberries?—If I do not, there are those that do. Thereupon my soft-voiced handmaid bears out a large tin pan, and then the wholesome countryman, heaping the peck-measure, spreads his broad hands around its lower arc to confine the wild and frisky berries, and so they run nimbly along the narrowing channel until they tumble rustling down in a black cascade and tinkle on the resounding metal beneath.—I won't say that this rushing huckleberry hail-storm has not more music for me than the "Anvil Chorus."

—I wonder how my great trees are coming on this summer.

—Where are your great trees, Sir?—said the divinity-student.

Oh, all round about New England. I call all trees mine that I have put my wedding-ring on, and I have as many tree-wives as Brigham Young has human ones.

—One set's as green as the other,—exclaimed a boarder, who has never been identified.

They're all Bloomers,—said the young fellow called John.

[I should have rebuked this trifling with language, if our landlady's daughter had not asked me just then what I meant by putting my wedding-ring on a tree.]

Why, measuring it with my thirty-foot tape, my dear,—said I,—I have worn a tape almost out on the rough barks of our old New England elms and other big trees.—Don't you want to hear me talk trees a little now? That is one of my specialities.

[So they all agreed that they should like to hear me talk about trees.]

I want you to understand, in the first place, that I have a most intense, passionate fondness for trees in general, and have had several romantic attachments to certain trees in particular. Now, if you expect me to hold forth in a "scientific" way about my tree-loves,—to talk, for instance, of the Ulmus Americana, and describe the ciliated edges of its samara, and all that,—you are an anserine individual, and I must refer you to a dull friend who will discourse to you of such matters. What should you think of a lover who should describe the idol of his heart in the language of science, thus: Class, Mammalia; Order, Primates; Genus, Homo; Species, Europeus; Variety, Brown; Individual, Ann Eliza; Dental Formula

2-2 1-1 2-2 3-3 i—-c—-p—-m—- 2-2 1-1 2-2 3-3'

and so on?

No, my friends, I shall speak of trees as we see them, love them, adore them in the fields, where they are alive, holding their green sun-shades over our heads, talking to us with their hundred thousand whispering tongues, looking down on us with that sweet meekness which belongs to huge, but limited organisms,—which one sees in the brown eyes of oxen, but most in the patient posture, the outstretched arms, and the heavy-drooping robes of these vast beings endowed with life, but not with soul,—which outgrow us and outlive us, but stand helpless,—poor things!—while Nature dresses and undresses them, like so many full-sized, but under-witted children.

Did you ever read old Daddy Gilpin? Slowest of men, even of English men; yet delicious in his slowness, as is the light of a sleepy eye in woman. I always supposed "Dr. Syntax" was written to make fun of him. I have a whole set of his works, and am very proud of it, with its gray paper, and open type, and long ff, and orange-juice landscapes. The Pere Gilpin had the kind of science I like in the study of Nature,—a little less observation than White of Selborne, but a little more poetry.—Just think of applying the Linnaean system to an elm! Who cares how many stamens or pistils that little brown flower, which comes out before the leaf, may have to classify it by? What we want is the meaning, the character, the expression of a tree, as a kind and as an individual.

There is a mother-idea in each particular kind of tree, which, if well marked, is probably embodied in the poetry of every language. Take the oak, for instance, and we find it always standing as a type of strength and endurance. I wonder if you ever thought of the single mark of supremacy which distinguishes this tree from all our other forest-trees? All the rest of them shirk the work of resisting gravity; the oak alone defies it. It chooses the horizontal direction for its limbs, so that their whole weight may tell,—and then stretches them out fifty or sixty feet, so that the strain may be mighty enough to be worth resisting. You will find, that, in passing from the extreme downward droop of the branches of the weeping-willow to the extreme upward inclination of those of the poplar, they sweep nearly half a circle. At 90 degrees the oak stops short; to slant upward another degree would mark infirmity of purpose; to bend downwards, weakness of organization. The American elm betrays something of both; yet sometimes, as we shall see, puts on a certain resemblance to its sturdier neighbor.

It won't do to be exclusive in our taste about trees. There is hardly one of them which has not peculiar beauties in some fitting place for it. I remember a tall poplar of monumental proportions and aspect, a vast pillar of glossy green, placed on the summit of a lofty hill, and a beacon to all the country round. A native of that region saw fit to build his house very near it, and, having a fancy that it might blow down some time or other, and exterminate himself and any incidental relatives who might be "stopping" or "tarrying" with him,—also laboring under the delusion that human life is under all circumstances to be preferred to vegetable existence,—had the great poplar cut down. It is so easy to say, "It is only a poplar!" and so much harder to replace its living cone than to build a granite obelisk!

I must tell you about some of my tree-wives. I was at one period of my life much devoted to the young lady-population of Rhode Island, a small, but delightful State in the neighborhood of Pawtucket. The number of inhabitants being not very large, I had leisure, during my visits to the Providence Plantations, to inspect the face of the country in the intervals of more fascinating studies of physiognomy. I heard some talk of a great elm a short distance from the locality just mentioned. "Let us see the great elm,"—I said, and proceeded to find it,—knowing that it was on a certain farm in a place called Johnston, if I remember rightly. I shall never forget my ride and my introduction to the great Johnston elm.

I always tremble for a celebrated tree when I approach it for the first time. Provincialism has no SCALE of excellence in man or vegetable; it never knows a first-rate article of either kind when it has it, and is constantly taking second and third rate ones for Nature's best. I have often fancied the tree was afraid of me, and that a sort of shiver came over it as over a betrothed maiden when she first stands before the unknown to whom she has been plighted. Before the measuring-tape the proudest tree of them all quails and shrinks into itself. All those stories of four or five men stretching their arms around it and not touching each other's fingers, if one's pacing the shadow at noon and making it so many hundred feet, die upon its leafy lips in the presence of the awful ribbon which has strangled so many false pretensions.

As I rode along the pleasant way, watching eagerly for the object of my journey, the rounded tops of the elms rose from time to time at the road-side. Wherever one looked taller and fuller than the rest, I asked myself,—"Is this it?" But as I drew nearer, they grew smaller,—or it proved, perhaps, that two standing in a line had looked like one, and so deceived me. At last, all at once, when I was not thinking of it,—I declare to you it makes my flesh creep when I think of it now,—all at once I saw a great, green cloud swelling in the horizon, so vast, so symmetrical, of such Olympian majesty and imperial supremacy among the lesser forest-growths, that my heart stopped short, then jumped at my ribs as a hunter springs at a five-barred gate, and I felt all through me, without need of uttering the words,—"This is it!"

You will find this tree described, with many others, in the excellent Report upon the Trees and Shrubs of Massachusetts. The author has given my friend the Professor credit for some of his measurements, but measured this tree himself, carefully. It is a grand elm for size of trunk, spread of limbs, and muscular development,—one of the first, perhaps the first, of the first class of New England elms.

The largest actual girth I have ever found at five feet from the ground is in the great elm lying a stone's throw or two north of the main road (if my points of compass are right) in Springfield. But this has much the appearance of having been formed by the union of two trunks growing side by side.

The West-Springfield elm and one upon Northampton meadows, belong also to the first class of trees.

There is a noble old wreck of an elm at Hatfield, which used to spread its claws out over a circumference of thirty-five feet or more before they covered the foot of its bole up with earth. This is the American elm most like an oak of any I have ever seen.

The Sheffield elm is equally remarkable for size and perfection of form. I have seen nothing that comes near it in Berkshire County, and few to compare with it anywhere. I am not sure that I remember any other first-class elms in New England, but there may be many.

—What makes a first-class elm?—Why, size, in the first place, and chiefly. Anything over twenty feet of clear girth, five feet above the ground, and with a spread of branches a hundred feet across, may claim that title, according to my scale. All of them, with the questionable exception of the Springfield tree above referred to, stop, so far as my experience goes, at about twenty-two or twenty-three feet of girth and a hundred and twenty of spread.

Elms of the second class, generally ranging from fourteen to eighteen feet, are comparatively common. The queen of them all is that glorious tree near one of the churches in Springfield. Beautiful and stately she is beyond all praise. The "great tree" on Boston Common comes in the second rank, as does the one at Cohasset, which used to have, and probably has still, a head as round as an apple-tree, and that at Newburyport, with scores of others which might be mentioned. These last two have perhaps been over-celebrated. Both, however, are pleasing vegetables. The poor old Pittsfield elm lives on its past reputation. A wig of false leaves is indispensable to make it presentable.

[I don't doubt there may be some monster-elm or other, vegetating green, but inglorious, in some remote New England village, which only wants a sacred singer to make it celebrated. Send us your measurements,—(certified by the postmaster, to avoid possible imposition,)—circumference five feet from soil, length of line from bough-end to bough-end, and we will see what can be done for you.]

—I wish somebody would get us up the following work:-

SYLVA NOVANGLICA.

Photographs of New England Elms and other Trees, taken upon the Same Scale of Magnitude. With Letter-Press Descriptions, by a Distinguished Literary Gentleman. Boston & Co. 185..

The same camera should be used,—so far as possible,—at a fixed distance. Our friend, who has given us so many interesting figures in his "Trees of America," must not think this Prospectus invades his province; a dozen portraits, with lively descriptions, would be a pretty complement to his large work, which, so far as published, I find excellent. If my plan were carried out, and another series of a dozen English trees photographed on the same scale the comparison would be charming.

It has always been a favorite idea of mine to bring the life of the Old and the New World face to face, by an accurate comparison of their various types of organization. We should begin with man, of course; institute a large and exact comparison between the development of la pianta umana, as Alfieri called it, in different sections of each country, in the different callings, at different ages, estimating height, weigh, force by the dynamometer and the spirometer, and finishing off with a series of typical photographs, giving the principal national physiognomies. Mr. Hutchinson has given us some excellent English data to begin with.

Then I would follow this up by contrasting the various parallel forms of life in the two continents. Our naturalists have often referred to this incidentally or expressly; but the animus of Nature in the two half globes of the planet is so momentous a point of interest to our race, that it should be made a subject of express and elaborate study. Go out with me into that walk which we call THE MALL, and look at the English and American elms. The American elm is tall, graceful, slender-sprayed, and drooping as if from languor. The English elm is compact, robust, holds its branches up, and carries its leaves for weeks longer than our own native tree.

Is this typical of the creative force on the two sides of the ocean, or not? Nothing but a careful comparison through the whole realm of life can answer this question.

There is a parallelism without identity in the animal and vegetable life of the two continents, which favors the task of comparison in an extraordinary manner. Just as we have two trees alike in many ways, yet not the same, both elms, yet easily distinguishable, just so we have a complete flora and a fauna, which, parting from the same ideal, embody it with various modifications. Inventive power is the only quality of which the Creative Intelligence seems to be economical; just as with our largest human minds, that is the divinest of faculties, and the one that most exhausts the mind which exercises it. As the same patterns have very commonly been followed, we can see which is worked out in the largest spirit, and determine the exact limitations under which the Creator places the movement of life in all its manifestations in either locality. We should find ourselves in a very false position, if it should prove that Anglo-Saxons can't live here, but die out, if not kept up by fresh supplies, as Dr. Knox and other more or less wise persons have maintained. It may turn out the other way, as I have heard one of our literary celebrities argue,—and though I took the other side, I liked his best,—that the American is the Englishman reinforced.

—Will you walk out and look at those elms with me after breakfast?—I said to the schoolmistress.

[I am not going to tell lies about it, and say that she blushed, —as I suppose she ought to have done, at such a tremendous piece of gallantry as that was for our boarding-house. On the contrary, she turned a little pale,—but smiled brightly and said,—Yes, with pleasure, but she must walk towards her school.—She went for her bonnet.—The old gentleman opposite followed her with his eyes, and said he wished he was a young fellow. Presently she came down, looking very pretty in her half-mourning bonnet, and carrying a school-book in her hand.]

MY FIRST WALK WITH THE SCHOOLMISTRESS.

This is the shortest way,—she said, as we came to a corner.—Then we won't take it,—said I.—The schoolmistress laughed a little, and said she was ten minutes early, so she could go round.

We walked under Mr. Paddock's row of English elms. The gray squirrels were out looking for their breakfasts, and one of them came toward us in light, soft, intermittent leaps, until he was close to the rail of the burial-ground. He was on a grave with a broad blue-slate-stone at its head, and a shrub growing on it. The stone said this was the grave of a young man who was the son of an Honorable gentleman, and who died a hundred years ago and more. —Oh, yes, DIED,—with a small triangular mark in one breast, and another smaller opposite, in his back, where another young man's rapier had slid through his body; and so he lay down out there on the Common, and was found cold the next morning, with the night-dews and the death-dews mingled on his forehead.

Let us have one look at poor Benjamin's grave,—said I.—His bones lie where his body was laid so long ago, and where the stone says they lie,—which is more than can be said of most of the tenants of this and several other burial-grounds.

[The most accursed act of Vandalism ever committed within my knowledge was the uprooting of the ancient gravestones in three at least of our city burialgrounds, and one at least just outside the city, and planting them in rows to suit the taste for symmetry of the perpetrators. Many years ago, when this disgraceful process was going on under my eyes, I addressed an indignant remonstrance to a leading journal. I suppose it was deficient in literary elegance, or too warm in its language; for no notice was taken of it, and the hyena-horror was allowed to complete itself in the face of daylight. I have never got over it. The bones of my own ancestors, being entombed, lie beneath their own tablet; but the upright stones have been shuffled about like chessmen, and nothing short of the Day of Judgment will tell whose dust lies beneath any of those records, meant by affection to mark one small spot as sacred to some cherished memory. Shame! shame! shame!—that is all I can say. It was on public thoroughfares, under the eye of authority, that this infamy was enacted. The red Indians would have known better; the selectmen of an African kraal-village would have had more respect for their ancestors. I should like to see the gravestones which have been disturbed all removed, and the ground levelled, leaving the flat tombstones; epitaphs were never famous for truth, but the old reproach of "Here LIES" never had such a wholesale illustration as in these outraged burial-places, where the stone does lie above, and the bones do not lie beneath.]

Stop before we turn away, and breathe a woman's sigh over poor Benjamin's dust. Love killed him, I think. Twenty years old, and out there fighting another young fellow on the Common, in the cool of that old July evening;—yes, there must have been love at the bottom of it.

The schoolmistress dropped a rosebud she had in her hand, through the rails, upon the grave of Benjamin Woodbridge. That was all her comment upon what I told her.—How women love Love! said I;—but she did not speak.

We came opposite the head of a place or court running eastward from the main street.—Look down there,—I said,—My friend the Professor lived in that house at the left hand, next the further corner, for years and years. He died out of it, the other day. —Died?—said the schoolmistress.—Certainly,—said I.—We die out of houses, just as we die out of our bodies. A commercial smash kills a hundred men's houses for them, as a railroad crash kills their mortal frames and drives out the immortal tenants. Men sicken of houses until at last they quit them, as the soul leaves its body when it is tired of its infirmities. The body has been called "the house we live in"; the house is quite as much the body we live in. Shall I tell you some things the Professor said the other day? —Do!—said the schoolmistress.

A man's body,—said the Professor,—is whatever is occupied by his will and his sensibility. The small room down there, where I wrote those papers you remember reading, was much more a portion of my body than a paralytic's senseless and motionless arm or leg is of his.

The soul of a man has a series of concentric envelopes round it, like the core of an onion, or the innermost of a nest of boxes. First, he has his natural garment of flesh and blood. Then, his artificial integuments, with their true skin of solid stuffs, their cuticle of lighter tissues, and their variously-tinted pigments. Thirdly, his domicile, be it a single chamber or a stately mansion. And then, the whole visible world, in which Time buttons him up as in a loose outside wrapper.

You shall observe,—the Professor said,—for, like Mr. John Hunter and other great men, he brings in that SHALL with great effect sometimes,—you shall observe that a man's clothing or series of envelopes does after a certain time mould itself upon his individual nature. We know this of our hats, and are always reminded of it when we happen to put them on wrong side foremost. We soon find that the beaver is a hollow cast of the skull, with all its irregular bumps and depressions. Just so all that clothes a man, even to the blue sky which caps his head,—a little loosely,—shapes itself to fit each particular being beneath it. Farmers, sailors, astronomers, poets, lovers, condemned criminals, all find it different, according to the eyes with which they severally look.

But our houses shape themselves palpably on our inner and outer natures. See a householder breaking up and you will be sure of it. There is a shell-fish which builds all manner of smaller shells into the walls of its own. A house is never a home until we have crusted it with the spoils of a hundred lives besides those of our own past. See what these are and you can tell what the occupant is.

I had no idea,—said the Professor,—until I pulled up my domestic establishment the other day, what an enormous quantity of roots I had been making during the years I was planted there. Why, there wasn't a nook or a corner that some fibre had not worked its way into; and when I gave the last wrench, each of them seemed to shriek like a mandrake, as it broke its hold and came away.

There is nothing that happens, you know, which must not inevitably, and which does not actually, photograph itself in every conceivable aspect and in all dimensions. The infinite galleries of the Past await but one brief process and all their pictures will be called out and fixed forever. We had a curious illustration of the great fact on a very humble scale. When a certain bookcase, long standing in one place, for which it was built, was removed, there was the exact image on the wall of the whole, and of many of its portions. But in the midst of this picture was another,—the precise outline of a map which had hung on the wall before the bookcase was built. We had all forgotten everything about the map until we saw its photograph on the wall. Then we remembered it, as some day or other we may remember a sin which has been built over and covered up, when this lower universe is pulled away from before the wall of Infinity, where the wrong-doing stands self-recorded.

The Professor lived in that house a long time,—not twenty years, but pretty near it. When he entered that door, two shadows glided over the threshold; five lingered in the doorway when he passed through it for the last time,—and one of the shadows was claimed by its owner to be longer than his own. What changes he saw in that quiet place! Death rained through every roof but his; children came into life, grew to maturity, wedded, faded away, threw themselves away; the whole drama of life was played in that stock-company's theatre of a dozen houses, one of which was his, and no deep sorrow or severe calamity ever entered his dwelling. Peace be to those walls, forever,—the Professor said,—for the many pleasant years he has passed within them!

The Professor has a friend, now living at a distance, who has been with him in many of his changes of place, and who follows him in imagination with tender interest wherever he goes.—In that little court, where he lived in gay loneliness so long,—

—in his autumnal sojourn by the Connecticut, where it comes loitering down from its mountain fastnesses like a great lord, swallowing up the small proprietary rivulets very quietly as it goes, until it gets proud and swollen and wantons in huge luxurious oxbows about the fair Northampton meadows, and at last overflows the oldest inhabitant's memory in profligate freshets at Hartford and all along its lower shores,—up in that caravansary on the banks of the stream where Ledyard launched his log canoe, and the jovial old Colonel used to lead the Commencement processions, —where blue Ascutney looked down from the far distance, and the hills of Beulah, as the Professor always called them, rolled up the opposite horizon in soft climbing masses, so suggestive of the Pilgrim's Heavenward Path that he used to look through his old "Dollond" to see if the Shining Ones were not within range of sight,—sweet visions, sweetest in those Sunday walks which carried them by the peaceful common, through the solemn village lying in cataleptic stillness under the shadow of the rod of Moses, to the terminus of their harmless stroll,—the patulous fage, in the Professor's classic dialect,—the spreading beech, in more familiar phrase,—[stop and breathe here a moment, for the sentence is not done yet, and we have another long journey before us,]—

—and again once more up among those other hills that shut in the amber-flowing Housatonic,—dark stream, but clear, like the lucid orbs that shine beneath the lids of auburn-haired, sherry-wine-eyed demi-blondes,—in the home overlooking the winding stream and the smooth, flat meadow; looked down upon by wild hills, where the tracks of bears and catamounts may yet sometimes be seen upon the winter snow; facing the twin summits which rise in the far North, the highest waves of the great land-storm in all this billowy region,—suggestive to mad fancies of the breasts of a half-buried Titaness, stretched out by a stray thunderbolt, and hastily hidden away beneath the leaves of the forest,—in that home where seven blessed summers were passed, which stand in memory like the seven golden candlesticks in the beatific vision of the holy dreamer,—

—in that modest dwelling we were just looking at, not glorious, yet not unlovely in the youth of its drab and mahogany,—full of great and little boys' playthings from top to bottom,—in all these summer or winter nests he was always at home and always welcome.

This long articulated sigh of reminiscences,—this calenture which shows me the maple-shadowed plains of Berkshire and the mountain- circled green of Grafton beneath the salt waves which come feeling their way along the wall at my feet, restless and soft-touching as blind men's busy fingers,—is for that friend of mine who looks into the waters of the Patapsco and sees beneath them the same visions which paint themselves for me in the green depths of the Charles.

—Did I talk all this off to the schoolmistress?—Why, no,—of course not. I have been talking with you, the reader, for the last ten minutes. You don't think I should expect any woman to listen to such a sentence as that long one, without giving her a chance to put in a word?

—What did I say to the schoolmistress?—Permit me one moment. I don't doubt your delicacy and good-breeding; but in this particular case, as I was allowed the privilege of walking alone with a very interesting young woman, you must allow me to remark, in the classic version of a familiar phrase, used by our Master Benjamin Franklin, it is nullum tui negotii.

When the schoolmistress and I reached the school-room door, the damask roses I spoke of were so much heightened in color by exercise that I felt sure it would be useful to her to take a stroll like this every morning, and made up my mind I would ask her to let me join her again.

EXTRACT FROM MY PRIVATE JOURNAL. (To be burned unread.)

I am afraid I have been a fool; for I have told as much of myself to this young person as if she were of that ripe and discreet age which invites confidence and expansive utterance. I have been low-spirited and listless, lately,—it is coffee, I think, —(I observe that which is bought READY-GROUND never affects the head,)—and I notice that I tell my secrets too easily when I am downhearted.

There are inscriptions on our hearts, which, like that on Dighton Rock, are never to be seen except at dead-low tide.

There is a woman's footstep on the sand at the side of my deepest ocean-buried inscription!

—Oh, no, no, no! a thousand times, no!—Yet what is this which has been shaping itself in my soul?—Is it a thought?—is it a dream? —is it a PASSION?—Then I know what comes next.

—The Asylum stands on a bright and breezy hill; those glazed corridors are pleasant to walk in, in bad weather. But there are iron bars to all the windows. When it is fair, some of us can stroll outside that very high fence. But I never see much life in those groups I sometimes meet;—and then the careful man watches them so closely! How I remember that sad company I used to pass on fine mornings, when I was a schoolboy!—B., with his arms full of yellow weeds,—ore from the gold mines which he discovered long before we heard of California,—Y., born to millions, crazed by too much plum-cake, (the boys said,) dogged, explosive,—made a Polyphemus of my weak-eyed schoolmaster, by a vicious flirt with a stick,—(the multi-millonnaires sent him a trifle, it was said, to buy another eye with; but boys are jealous of rich folks, and I don't doubt the good people made him easy for life,)—how I remember them all!

I recollect, as all do, the story of the Hall of Eblis, in "Vathek," and how each shape, as it lifted its hand from its breast, showed its heart,—a burning coal. The real Hall of Eblis stands on yonder summit. Go there on the next visiting-day, and ask that figure crouched in the corner, huddled up like those Indian mummies and skeletons found buried in the sitting posture, to lift its hand,—look upon its heart, and behold, not fire, but ashes.—No, I must not think of such an ending! Dying would be a much more gentlemanly way of meeting the difficulty. Make a will and leave her a house or two and some stocks, and other little financial conveniences, to take away her necessity for keeping school.—I wonder what nice young man's feet would be in my French slippers before six months were over! Well, what then? If a man really loves a woman, of course he wouldn't marry her for the world, if he were not quite sure that he was the best person she could by any possibility marry.

—It is odd enough to read over what I have just been writing.—It is the merest fancy that ever was in the world. I shall never be married. She will; and if she is as pleasant as she has been so far, I will give her a silver tea-set, and go and take tea with her and her husband, sometimes. No coffee, I hope, though,—it depresses me sadly. I feel very miserably;—they must have been grinding it at home.—Another morning walk will be good for me, and I don't doubt the schoolmistress will be glad of a little fresh air before school.

—The throbbing flushes of the poetical intermittent have been coming over me from time to time of late. Did you ever see that electrical experiment which consists in passing a flash through letters of gold-leaf in a darkened room, whereupon some name or legend springs out of the darkness in characters of fire?

There are songs all written out in my soul, which I could read, if the flash might pass through them,—but the fire must come down from heaven. Ah! but what if the stormy nimbus of youthful passion has blown by, and one asks for lightning from the ragged cirrus of dissolving aspirations, or the silvered cumulus of sluggish satiety? I will call on her whom the dead poets believed in, whom living ones no longer worship,—the immortal maid, who, name her what you will,—Goddess, Muse, Spirit of Beauty,—sits by the pillow of every youthful poet, and bends over his pale forehead until her tresses lie upon his cheek and rain their gold into his dreams.

MUSA.

O my lost Beauty!—hast thou folded quite Thy wings of morning light Beyond those iron gates Where Life crowds hurrying to the haggard Fates, And Age upon his mound of ashes waits To chill our fiery dreams, Hot from the heart of youth plunged in his icy streams?

Leave me not fading in these weeds of care, Whose flowers are silvered hair!— Have I not loved thee long, Though my young lips have often done thee wrong And vexed thy heaven-tuned ear with careless song? Ah, wilt thou yet return, Bearing thy rose-hued torch, and bid thine altar burn?

Come to me!—I will flood thy silent shine With my soul's sacred wine, And heap thy marble floors As the wild spice-trees waste their fragrant stores In leafy islands walled with madrepores And lapped in Orient seas, When all their feathery palm toss, plume-like, in the breeze.

Come to me!—thou shalt feed on honied words, Sweeter than song of birds;— No wailing bulbul's throat, No melting dulcimer's melodious note, When o'er the midnight wave its murmurs float, Thy ravished sense might soothe With flow so liquid-soft, with strain so velvet-smooth.

Thou shalt be decked with jewels, like a queen, Sought in those bowers of green Where loop the clustered vines And the close-clinging dulcamara twines,— Pure pearls of Maydew where the moonlight shines, And Summer's fruited gems, And coral pendants shorn from Autumn's berried stems.

Sit by me drifting on the sleepy waves,— Or stretched by grass-grown graves, Whose gray, high-shouldered stones, Carved with old names Life's time-worn roll disowns, Lean, lichen-spotted, o'er the crumbled bones Still slumbering where they lay While the sad Pilgrim watched to scare the wolf away.

Spread o'er my couch thy visionary wing! Still let me dream and sing,— Dream of that winding shore Where scarlet cardinals bloom,—for me no more,— The stream with heaven beneath its liquid floor, And clustering nenuphars Sprinkling its mirrored blue like golden-chaliced stars!

Come while their balms the linden-blossoms shed!— Come while the rose is red,— While blue-eyed Summer smiles On the green ripples round you sunken piles Washed by the moon-wave warm from Indian isles, And on the sultry air The chestnuts spread their palms like holy men in prayer!

Oh, for thy burning lips to fire my brain With thrills of wild sweet pain!— On life's autumnal blast, Like shrivelled leaves, youth's, passion-flowers are cast,— Once loving thee, we love thee to the last!— Behold thy new-decked shrine, And hear once more the voice that breathed "Forever thine!"



CHAPTER XI



[The company looked a little flustered one morning when I came in, —so much so, that I inquired of my neighbor, the divinity-student,) what had been going on. It appears that the young fellow whom they call John had taken advantage of my being a little late (I having been rather longer than usual dressing that morning) to circulate several questions involving a quibble or play upon words,—in short, containing that indignity to the human understanding, condemned in the passages from the distinguished moralist of the last century and the illustrious historian of the present, which I cited on a former occasion, and known as a PUN. After breakfast, one of the boarders handed me a small roll of paper containing some of the questions and their answers. I subjoin two or three of them, to show what a tendency there is to frivolity and meaningless talk in young persons of a certain sort, when not restrained by the presence of more reflective natures.—It was asked, "Why tertian and quartan fevers were like certain short-lived insects." Some interesting physiological relation would be naturally suggested. The inquirer blushes to find that the answer is in the paltry equivocation, that they SKIP a day or two.—"Why an Englishman must go to the Continent to weaken his grog or punch." The answer proves to have no relation whatever to the temperance-movement, as no better reason is given than that island—(or, as it is absurdly written, ILE AND) water won't mix.—But when I came to the next question and its answer, I felt that patience ceased to be a virtue. "Why an onion is like a piano" is a query that a person of sensibility would be slow to propose; but that in an educated community an individual could be found to answer it in these words,—"Because it smell odious," quasi, it's melodious,—is not credible, but too true. I can show you the paper.

Dear reader, I beg your pardon for repeating such things. I know most conversations reported in books are altogether above such trivial details, but folly will come up at every table as surely as purslain and chickweed and sorrel will come up in gardens. This young fellow ought to have talked philosophy, I know perfectly well; but he didn't,—he made jokes.]

I am willing,—I said,—to exercise your ingenuity in a rational and contemplative manner.—No, I do not proscribe certain forms of philosophical speculation which involve an approach to the absurd or the ludicrous, such as you may find, for example, in the folio of the Reverend Father Thomas Sanchez, in his famous Disputations, "De Sancto Matrimonio." I will therefore turn this levity of yours to profit by reading you a rhymed problem, wrought out by my friend the Professor.

THE DEACON'S MASTERPIECE: OR THE WONDERFUL "ONE-HOSS-SHAY." A LOGICAL STORY.

Have you heard of the wonderful one-shay, That was built in such a logical way It ran a hundred years to a day, And then, of a sudden, it—ah, but stay, I'll tell you what happened without delay, Scaring the parson into fits, Frightening people out of their wits,— Have you ever heard of that, I say?

Seventeen hundred and fifty-five. Georgius Secundus was then alive,— Snuffy old drone from the German hive. That was the year when Lisbon-town Saw the earth open and gulp her down, And Braddock's army was done so brown, Left without a scalp to its crown. It was on the terrible Earthquake-day That the Deacon finished the one-hoss-shay.

Now in building of chaises, I tell you what, There is always SOMEWHERE a weakest spot,— In hub, tire, felloe, in spring or thill, In panel, or crossbar, or floor, or sill, In screw, bolt, thoroughbrace,—lurking still Find it somewhere you must and will,— Above or below, or within or without,— And that's the reason, beyond a doubt, A chaise BREASTS DOWN, but doesn't WEAR OUT.

But the Deacon swore (as Deacons do, With an "I dew vum," or an "I tell YEOU,") He would build one shay to beat the taown 'n' the keounty 'n' all the kentry raoun'; It should be so built that it COULDN' break daown— —"Fur," said the Deacon, "'t's mighty plain Thut the weakes' place mus' stan the strain; 'n' the way t' fix it, uz I maintain, Is only jest T' make that place uz strong uz the rest."

So the Deacon inquired of the village folk Where he could find the strongest oak, That couldn't be split nor bent nor broke,— That was for spokes and floor and sills; He sent for lancewood to make the thills; The crossbars were ash, from the straightest trees; The panels of white-wood, that cuts like cheese, But lasts like iron for things like these; The hubs of logs from the "Settler's ellum,"— Last of its timber,—they couldn't sell 'em, Never an axe had seen their chips, And the wedges flew from between their lips, Their blunt ends frizzled like celery-tips; Step and prop-iron, bolt and screw, Spring, tire, axle, and linchpin too, Steel of the finest, bright and blue; Thoroughbrace bison-skin, thick and wide; Boot, top, dasher, from tough old hide Found in the pit when the tanner died. That was the way he "put her through."— "There!" said the Deacon, "naow she'll dew."

Do! I tell you, I father guess She was a wonder, and nothing less! Colts grew horses, beards turned gray, Deacon and deaconess dropped away, Children and grand-children—where were they? But there stood the stout old one-hoss-shay As fresh as on Lisbon-earthquake-day!

EIGHTEEN HUNDRED;—it came and found The Deacon's Masterpiece strong and sound. Eighteen hundred increased by ten;— "Hahnsum kerridge" they called it then. Eighteen hundred and twenty came;— Running as usual; much the same. Thirty and forty at last arrive, And then come fifty, and FIFTY-FIVE.

Little of all we value here Wakes on the morn of its hundredth year Without both feeling and looking queer. In fact, there's nothing that keeps its youth, So far as I know, but a tree and truth. (This is a moral that runs at large; Take it.—You're welcome.—No extra charge.)

FIRST OF NOVEMBER,—the Earthquake-day.— There are traces of age in the one-hoss-shay. A general flavor of mild decay, But nothing local, as one may say. There couldn't be,—for the Deacon's art Had made it so like in every part That there wasn't a chance for one to start. For the wheels were just as strong as the thills, And the floor was just as strong as the sills, And the panels just as strong as the floor, And the whippletree neither less nor more, And the back-crossbar as strong as the fore, And spring and axle and hub encore. And yet, AS A WHOLE, it is past a doubt In another hour it will be WORN OUT!

First of November, 'Fifty-five! This morning the parson takes a drive. Now, small boys, get out of the way! Here comes the wonderful one-horse-shay, Drawn by a rat-tailed, ewe-necked bay. "Huddup!" said the parson.—Off went they.

The parson was working his Sunday's text,— Had got to FIFTHLY, and stopped perplexed At what the—Moses—was coming next. All at once the horse stood still, Close by the meet'n-house on the hill. —First a shiver, and then a thrill, Then something decidedly like a spill,— And the parson was sitting upon a rock, At half-past nine by the meet'n-house clock,— Just the hour of the Earthquake shock! —What do you think the parson found, When he got up and stared around? The poor old chaise in a heap or mound, As if it had been to the mill and ground! You see, of course, if you're not a dunce, How it went to pieces all at once,— All at once, and nothing first,— Just as bubbles do when they burst.

End of the wonderful one-hoss-shay. Logic is logic. That's all I say.

—I think there is one habit,—I said to our company a day or two afterwards—worse than that of punning. It is the gradual substitution of cant or flash terms for words which truly characterize their objects. I have known several very genteel idiots whose whole vocabulary had deliquesced into some half dozen expressions. All things fell into one of two great categories, —FAST or SLOW. Man's chief end was to be a BRICK. When the great calamities of life overtook their friends, these last were spoken of as being a GOOD DEAL CUT UP. Nine-tenths of human existence were summed up in the single word, BORE. These expressions come to be the algebraic symbols of minds which have grown too weak or indolent to discriminate. They are the blank checks of intellectual bankruptcy;—you may fill them up with what idea you like; it makes no difference, for there are no funds in the treasury upon which they are drawn. Colleges and good-for-nothing smoking-clubs are the places where these conversational fungi spring up most luxuriantly. Don't think I undervalue the proper use and application of a cant word or phrase. It adds piquancy to conversation, as a mushroom does to a sauce. But it is no better than a toadstool, odious to the sense and poisonous to the intellect, when it spawns itself all over the talk of men and youths capable of talking, as it sometimes does. As we hear flash phraseology, it is commonly the dishwater from the washings of English dandyism, school-boy or full-grown, wrung out of a three-volume novel which had sopped it up, or decanted from the pictured urn of Mr. Verdant Green, and diluted to suit the provincial climate.

—The young fellow called John spoke up sharply and said, it was "rum" to hear me "pitchin' into fellers" for "goin' it in the slang line," when I used all the flash words myself just when I pleased.

—I replied with my usual forbearance.—Certainly, to give up the algebraic symbol, because A or B is often a cover for ideal nihility, would be unwise. I have heard a child laboring to express a certain condition, involving a hitherto undescribed sensation (as it supposed,) all of which could have been sufficiently explained by the participle—BORED. I have seen a country-clergyman, with a one-story intellect and a one-horse vocabulary, who has consumed his valuable time (and mine) freely, in developing an opinion of a brother-minister's discourse which would have been abundantly characterized by a peach-down-lipped sophomore in the one word—SLOW. Let us discriminate, and be shy of absolute proscription. I am omniverbivorous by nature and training. Passing by such words as are poisonous, I can swallow most others, and chew such as I cannot swallow.

Dandies are not good for much, but they are good for something. They invent or keep in circulation those conversational blank checks or counters just spoken of, which intellectual capitalists may sometimes find it worth their while to borrow of them. They are useful, too, in keeping up the standard of dress, which, but for them, would deteriorate, and become, what some old fools would have it, a matter of convenience, and not of taste and art. Yes, I like dandies well enough,—on one condition.

—What is that, Sir?—said the divinity-student.

—That they have pluck. I find that lies at the bottom of all true dandyism. A little boy dressed up very fine, who puts his finger in his mouth and takes to crying, if other boys make fun of him, looks very silly. But if he turns red in the face and knotty in the fists, and makes an example of the biggest of his assailants, throwing off his fine Leghorn and his thickly-buttoned jacket, if necessary, to consummate the act of justice, his small toggery takes on the splendors of the crested helmet that frightened Astyanax. You remember that the Duke said his dandy officers were his best officers. The "Sunday blood," the super-superb sartorial equestrian of our annual Fast-day, is not imposing or dangerous. But such fellows as Brummel and D'Orsay and Byron are not to be snubbed quite so easily. Look out for "la main de fer sous le gant de velours," (which I printed in English the other day without quotation-marks, thinking whether any scarabaeus criticus would add this to his globe and roll in glory with it into the newspapers, —which he didn't do it, in the charming pleonasm of the London language, and therefore I claim the sole merit of exposing the same.) A good many powerful and dangerous people have had a decided dash of dandyism about them. There was Alcibiades, the "curled son of Clinias," an accomplished young man, but what would be called a "swell" in these days. There was Aristoteles, a very distinguished writer, of whom you have heard,—a philosopher, in short, whom it took centuries to learn, centuries to unlearn, and is now going to take a generation or more to learn over again. Regular dandy, he was. So was Marcus Antonius; and though he lost his game, he played for big stakes, and it wasn't his dandyism that spoiled his chance. Petrarca was not to be despised as a scholar or a poet, but he was one of the same sort. So was Sir Humphrey Davy; so was Lord Palmerston, formerly, if I am not forgetful. Yes,—a dandy is good for something as such; and dandies such as I was just speaking of have rocked this planet like a cradle,—aye, and left it swinging to this day.—Still, if I were you, I wouldn't go to the tailor's, on the strength of these remarks, and run up a long bill which will render pockets a superfluity in your next suit. Elegans "nascitur, non fit." A man is born a dandy, as he is born a poet. There are heads that can't wear hats; there are necks that can't fit cravats; there are jaws that can't fill out collars—(Willis touched this last point in one of his earlier ambrotypes, if I remember rightly); there are tournures nothing can humanize, and movements nothing can subdue to the gracious suavity or elegant languor or stately serenity which belong to different styles of dandyism.

We are forming an aristocracy, as you may observe, in this country,—not a gratia-Dei, nor a juredivino one,—but a de-facto upper stratum of being, which floats over the turbid waves of common life like the iridescent film you may have seen spreading over the water about our wharves,—very splendid, though its origin may have been tar, tallow, train-oil, or other such unctuous commodities. I say, then, we are forming an aristocracy; and, transitory as its individual life often is, it maintains itself tolerably, as a whole. Of course, money is its corner-stone. But now observe this. Money kept for two or three generations transforms a race,—I don't mean merely in manners and hereditary culture, but in blood and bone. Money buys air and sunshine, in which children grow up more kindly, of course, than in close, back streets; it buys country-places to give them happy and healthy summers, good nursing, good doctoring, and the best cuts of beef and mutton. When the spring-chickens come to market—I beg your pardon,—that is not what I was going to speak of. As the young females of each successive season come on, the finest specimens among them, other things being equal, are apt to attract those who can afford the expensive luxury of beauty. The physical character of the next generation rises in consequence. It is plain that certain families have in this way acquired an elevated type of face and figure, and that in a small circle of city-connections one may sometimes find models of both sexes which one of the rural counties would find it hard to match from all its townships put together. Because there is a good deal of running down, of degeneration and waste of life, among the richer classes, you must not overlook the equally obvious fact I have just spoken of,—which in one or two generations more will be, I think, much more patent than just now.

The weak point in our chryso-aristocracy is the same I have alluded to in connection with cheap dandyism. Its thorough manhood, its high-caste gallantry, are not so manifest as the plate-glass of its windows and the more or less legitimate heraldry of its coach-panels. It is very curious to observe of how small account military folks are held among our Northern people. Our young men must gild their spurs, but they need not win them. The equal division of property keeps the younger sons of rich people above the necessity of military service. Thus the army loses an element of refinement, and the moneyed upper class forgets what it is to count heroism among its virtues. Still I don't believe in any aristocracy without pluck as its backbone. Ours may show it when the time comes, if it ever does come.

—These United States furnish the greatest market for intellectual GREEN FRUIT of all the places in the world. I think so, at any rate. The demand for intellectual labor is so enormous and the market so far from nice, that young talent is apt to fare like unripe gooseberries,—get plucked to make a fool of. Think of a country which buys eighty thousand copies of the "Proverbial Philosophy," while the author's admiring countrymen have been buying twelve thousand! How can one let his fruit hang in the sun until it gets fully ripe, while there are eighty thousand such hungry mouths ready to swallow it and proclaim its praises? Consequently, there never was such a collection of crude pippins and half-grown windfalls as our native literature displays among its fruits. There are literary green-groceries at every corner, which will buy anything, from a button-pear to a pine-apple. It takes a long apprenticeship to train a whole people to reading and writing. The temptation of money and fame is too great for young people. Do I not remember that glorious moment when the late Mr.—— we won't say who,—editor of the—we won't say what, offered me the sum of fifty cents per double-columned quarto page for shaking my young boughs over his foolscap apron? Was it not an intoxicating vision of gold and glory? I should doubtless have revelled in its wealth and splendor, but for learning that the FIFTY CENTS was to be considered a rhetorical embellishment, and by no means a literal expression of past fact or present intention.

—Beware of making your moral staple consist of the negative virtues. It is good to abstain, and teach others to abstain, from all that is sinful or hurtful. But making a business of it leads to emaciation of character, unless one feeds largely also on the more nutritious diet of active sympathetic benevolence.

—I don't believe one word of what you are saying,—spoke up the angular female in black bombazine.

I am sorry you disbelieve it, Madam,—I said, and added softly to my next neighbor,—but you prove it.

The young fellow sitting near me winked; and the divinity-student said, in an undertone,—Optime dictum.

Your talking Latin,—said I,—reminds me of an odd trick of one of my old tutors. He read so much of that language, that his English half turned into it. He got caught in town, one hot summer, in pretty close quarters, and wrote, or began to write, a series of city pastorals. Eclogues he called them, and meant to have published them by subscription. I remember some of his verses, if you want to hear them.—You, Sir, (addressing myself to the divinity-student,) and all such as have been through college, or, what is the same thing, received an honorary degree, will understand them without a dictionary. The old man had a great deal to say about "aestivation," as he called it, in opposition, as one might say, to hibernation. Intramural aestivation, or town-life in summer, he would say, is a peculiar form of suspended existence, or semi-asphyxia. One wakes up from it about the beginning of the last week in September. This is what I remember of his poem:-

AESTIVATION.

An Unpublished Poem, by my late Latin Tutor

In candent ire the solar splendor flames; The foles, languescent, pend from arid rames; His humid front the cive, anheling, wipes, And dreams of erring on ventiferous ripes.

How dulce to vive occult to mortal eyes, Dorm on the herb with none to supervise, Carp the suave berries from the crescent vine, And bibe the flow from longicaudate kine!

To me, alas! no verdurous visions come, Save yon exiguous pool's conferva-scum,— No concave vast repeats the tender hue That laves my milk-jug with celestial blue!

Me wretched! Let me curr to quercine shades Effund your albid hausts, lactiferous maids! Oh, might I vole to some umbrageous clump,— Depart,—be off,—excede,—evade,—erump!

—I have lived by the sea-shore and by the mountains.—No, I am not going to say which is best. The one where your place is is the best for you. But this difference there is: you can domesticate mountains, but the sea is ferae naturae. You may have a hut, or know the owner of one, on the mountain-side; you see a light half-way up its ascent in the evening, and you know there is a home, and you might share it. You have noted certain trees, perhaps; you know the particular zone where the hemlocks look so black in October, when the maples and beeches have faded. All its reliefs and intaglios have electrotyped themselves in the medallions that hang round the walls of your memory's chamber.—The sea remembers nothing. It is feline. It licks your feet,—its huge flanks purr very pleasantly for you; but it will crack your bones and eat you, for all that, and wipe the crimsoned foam from its jaws as if nothing had happened. The mountains give their lost children berries and water; the sea mocks their thirst and lets them die. The mountains have a grand, stupid, lovable tranquillity; the sea has a fascinating, treacherous intelligence. The mountains lie about like huge ruminants, their broad backs awful to look upon, but safe to handle. The sea smooths its silver scales until you cannot see their joints,—but their shining is that of a snake's belly, after all.—In deeper suggestiveness I find as great a difference. The mountains dwarf mankind and foreshorten the procession of its long generations. The sea drowns out humanity and time; it has no sympathy with either; for it belongs to eternity, and of that it sings its monotonous song forever and ever.

Yet I should love to have a little box by the seashore. I should love to gaze out on the wild feline element from a front window of my own, just as I should love to look on a caged panther, and see it, stretch its shining length, and then curl over and lap its smooth sides, and by-and-by begin to lash itself into rage and show its white teeth and spring at its bars, and howl the cry of its mad, but, to me, harmless fury.—And then,—to look at it with that inward eye,—who does not love to shuffle off time and its concerns, at intervals,—to forget who is President and who is Governor, what race he belongs to, what language he speaks, which golden-headed nail of the firmament his particular planetary system is hung upon, and listen to the great liquid metronome as it beats its solemn measure, steadily swinging when the solo or duet of human life began, and to swing just as steadily after the human chorus has died out and man is a fossil on its shores?

—What should decide one, in choosing a summer residence? —Constitution, first of all. How much snow could you melt in an hour, if you were planted in a hogshead of it? Comfort is essential to enjoyment. All sensitive people should remember that persons in easy circumstances suffer much more cold in summer—that is, the warm half of the year—than in winter, or the other half. You must cut your climate to your constitution, as much as your clothing to your shape. After this, consult your taste and convenient. But if you would be happy in Berkshire, you must carry mountains in your brain; and if you would enjoy Nahant, you must have an ocean in your soul. Nature plays at dominos with you; you must match her piece, or she will never give it up to you.

—The schoolmistress said, in a rather mischievous way, that she was afraid some minds or souls would be a little crowded, if they took in the Rocky Mountains or the Atlantic.

Have you ever read the little book called "The Stars and the Earth?"—said I.—Have you seen the Declaration of Independence photographed in a surface that a fly's foot would cover? The forms or conditions of Time and Space, as Kant will tell you, are nothing in themselves,—only our way of looking at things. You are right, I think, however, in recognizing the category of Space as being quite as applicable to minds as to the outer world. Every man of reflection is vaguely conscious of an imperfectly-defined circle which is drawn about his intellect. He has a perfectly clear sense that the fragments of his intellectual circle include the curves of many other minds of which he is cognizant. He often recognizes these as manifestly concentric with his own, but of less radius. On the other hand, when we find a portion of an are on the outside of our own, we say it INTERSECTS ours, but are very slow to confess or to see that it CIRCUMSCRIBES it. Every now and then a man's mind is stretched by a new idea or sensation, and never shrinks back to its former dimensions. After looking at the Alps, I felt that my mind had been stretched beyond the limits of its elasticity, and fitted so loosely on my old ideas of space that I had to spread these to fit it.

—If I thought I should ever see the Alps!—said the schoolmistress.

Perhaps you will, some time or other,—I said.

It is not very likely,—she answered.—I have had one or two opportunities, but I had rather be anything than governess in a rich family.

[Proud, too, you little soft-voiced woman! Well, I can't say I like you any the worse for it. How long will school-keeping take to kill you? Is it possible the poor thing works with her needle, too? I don't like those marks on the side of her forefinger.

Tableau. Chamouni. Mont Blanc in full view. Figures in the foreground; two of them standing apart; one of them a gentleman of—oh,—ah,—yes! the other a lady in a white cashmere, leaning on his shoulder.—The ingenuous reader will understand that this was an internal, private, personal, subjective diorama, seen for one instant on the background of my own consciousness, and abolished into black nonentity by the first question which recalled me to actual life, as suddenly as if one of those iron shop-blinds (which I always pass at dusk with a shiver, expecting to stumble over some poor but honest shop-boy's head, just taken off by its sudden and unexpected descent, and left outside upon the sidewalk) had come down in front of it "by the run."]

—Should you like to hear what moderate wishes life brings one to at last? I used to be very ambitious,—wasteful, extravagant, and luxurious in all my fancies. Read too much in the "Arabian Nights." Must have the lamp,—couldn't do without the ring. Exercise every morning on the brazen horse. Plump down into castles as full of little milk-white princesses as a nest is of young sparrows. All love me dearly at once.—Charming idea of life, but too high-colored for the reality. I have outgrown all this; my tastes have become exceedingly primitive,—almost, perhaps, ascetic. We carry happiness into our condition, but must not hope to find it there. I think you will be willing to hear some lines which embody the subdued and limited desires of my maturity.

CONTENTMENT.

"Man wants but little here below."

Little I ask, my wants are few; I only wish a hut of stone, (A VERY PLAIN brown stone will do,) That I may call my own;— And close at hand is such a one, In yonder street that fronts the sun.

Plain food is quite enough for me; Three courses are as good as ten;— If Nature can subsist on three, Thank heaven for three. Amen! I always thought cold victual nice;— My CHOICE would be vanilla-ice.

I care not much for gold or land;— Give me a mortgage here and there,— Some good bank-stock,—some note of hand, Or trifling railroad share;— I only ask that Fortune send A LITTLE more than I shall spend.

Honors are silly toys, I know, And titles are but empty names;— I would, PERHAPS, be Plenipo,— But only near St. James;— I'm very sure I should not care To fill our Gubernator's chair.

Jewels are baubles; 'tis a sin To care for such unfruitful things;— One good-sized diamond in a pin,— Some, NOT SO LARGE, in rings,— A ruby and a pearl, or so, Will do for me;—I laugh at show.

My dame should dress in cheap attire; (Good, heavy silks are never dear;)— I own perhaps I MIGHT desire Some shawls of true cashmere,— Some marrowy crapes of China silk, Like wrinkled skins on scalded milk.

I would not have the horse I drive So fast that folks must stop and stare An easy gait—two, forty-five— Suits me; I do not care;— Perhaps, for just a SINGLE SPURT, Some seconds less would do no hurt.

Of pictures, I should like to own Titians and Raphaels three or four,— I love so much their style and tone,— One Turner, and no more,— (A landscape,—foreground golden dirt The sunshine painted with a squirt.)

Of books but few,—some fifty score For daily use, and bound for wear; The rest upon an upper floor;— Some LITTLE luxury THERE Of red morocco's gilded gleam, And vellum rich as country cream.

Busts, cameos, gems,—such things as these, Which others often show for pride, I value for their power to please, And selfish churls deride;— ONE Stradivarius, I confess, TWO Meerschaums, I would fain possess.

Wealth's wasteful tricks I will not learn, Nor ape the glittering upstart fool;— Shall not carved tables serve my turn, But ALL must be of buhl? Give grasping pomp its double share,— I ask but ONE recumbent chair.

Thus humble let me live and die, Nor long for Midas' golden touch, If Heaven more generous gifts deny, I shall not miss them MUCH,— Too grateful for the blessing lent Of simple tastes and mind content!

MY LAST WALK WITH THE SCHOOLMISTRESS. (A Parenthesis.)

I can't say just how many walks she and I had taken together before this one. I found the effect of going out every morning was decidedly favorable on her health. Two pleasing dimples, the places for which were just marked when she came, played, shadowy, in her freshening cheeks when she smiled and nodded good-morning to me from the school-house-steps.

I am afraid I did the greater part of the talking. At any rate, if I should try to report all that I said during the first half-dozen walks we took together, I fear that I might receive a gentle hint from my friends the publishers, that a separate volume, at my own risk and expense, would be the proper method of bringing them before the public.

—I would have a woman as true as Death. At the first real lie which works from the heart outward, she should be tenderly chloroformed into a better world, where she can have an angel for a governess, and feed on strange fruits which will make her all over again, even to her bones and marrow.—Whether gifted with the accident of beauty or not, she should have been moulded in the rose-red clay of Love, before the breath of life made a moving mortal of her. Love-capacity is a congenital endowment; and I think, after a while, one gets to know the warm-hued natures it belongs to from the pretty pipe-clay counterfeits of them.—Proud she may be, in the sense of respecting herself; but pride in the sense of contemning others less gifted than herself, deserves the two lowest circles of a vulgar woman's Inferno, where the punishments are Smallpox and Bankruptcy.—She who nips off the end of a brittle courtesy, as one breaks the tip of an icicle, to bestow upon those whom she ought cordially and kindly to recognize, proclaims the fact that she comes not merely of low blood, but of bad blood. Consciousness of unquestioned position makes people gracious in proper measure to all; but if a woman puts on airs with her real equals, she has something about herself or her family she is ashamed of, or ought to be. Middle, and more than middle-aged people, who know family histories, generally see through it. An official of standing was rude to me once. Oh, that is the maternal grandfather,—said a wise old friend to me,—he was a boor.—Better too few words, from the woman we love, than too many: while she is silent, Nature is working for her; while she talks, she is working for herself.—Love is sparingly soluble in the words of men; therefore they speak much of it; but one syllable of woman's speech can dissolve more of it than a man's heart can hold.

—Whether I said any or all of these things to the schoolmistress, or not,—whether I stole them out of Lord Bacon,—whether I cribbed them from Balzac,—whether I dipped them from the ocean of Tupperian wisdom,—or whether I have just found them in my head, laid there by that solemn fowl, Experience, (who, according to my observation, cackles oftener than she drops real live eggs,) I cannot say. Wise men have said more foolish things,—and foolish men, I don't doubt, have said as wise things. Anyhow, the schoolmistress and I had pleasant walks and long talks, all of which I do not feel bound to report.

—You are a stranger to me, Ma'am.—I don't doubt you would like to know all I said to the schoolmistress.—I sha'n't do it;—I had rather get the publishers to return the money you have invested in this. Besides, I have forgotten a good deal of it. I shall tell only what I like of what I remember.

—My idea was, in the first place, to search out the picturesque spots which the city affords a sight of, to those who have eyes. I know a good many, and it was a pleasure to look at them in company with my young friend. There were the shrubs and flowers in the Franklin-Place front-yards or borders; Commerce is just putting his granite foot upon them. Then there are certain small seraglio- gardens, into which one can get a peep through the crevices of high fences,—one in Myrtle Street, or backing on it,—here and there one at the North and South Ends. Then the great elms in Essex Street. Then the stately horse-chestnuts in that vacant lot in Chambers Street, which hold their outspread hands over your head, (as I said in my poem the other day,) and look as if they were whispering, "May grace, mercy, and peace be with you!"—and the rest of that benediction. Nay, there are certain patches of ground, which, having lain neglected for a time, Nature, who always has her pockets full of seeds, and holes in all her pockets, has covered with hungry plebeian growths, which fight for life with each other, until some of them get broad-leaved and succulent, and you have a coarse vegetable tapestry which Raphael would not have disdained to spread over the foreground of his masterpiece. The Professor pretends that he found such a one in Charles Street, which, in its dare-devil impudence of rough-and-tumble vegetation, beat the pretty-behaved flower-beds of the Public Garden as ignominiously as a group of young tatterdemalions playing pitch-and-toss beats a row of Sunday-school-boys with their teacher at their head.

But then the Professor has one of his burrows in that region, and puts everything in high colors relating to it. That is his way about everything. I hold any man cheap,—he said,—of whom nothing stronger can be uttered than that all his geese are swans.—How is that, Professor?—said I;—I should have set you down for one of that sort.—Sir,—said he,—I am proud to say, that Nature has so far enriched me, that I cannot own so much as a duck without seeing in it as pretty a swan as ever swam the basin in the garden of the Luxembourg. And the Professor showed the whites of his eyes devoutly, like one returning thanks after a dinner of many courses.

I don't know anything sweeter than this leaking in of Nature through all the cracks in the walls and floors of cities. You heap up a million tons of hewn rocks on a square mile or two of earth which was green once. The trees look down from the hill-sides and ask each other, as they stand on tiptoe,—"What are these people about?" And the small herbs at their feet look up and whisper back,—"We will go and see." So the small herbs pack themselves up in the least possible bundles, and wait until the wind steals to them at night and whispers, "Come with me." Then they go softly with it into the great city,—one to a cleft in the pavement, one to a spout on the roof, one to a seam in the marbles over a rich gentleman's bones, and one to the grave without a stone where nothing but a man is buried,—and there they grow, looking down on the generations of men from mouldy roofs, looking up from between the less-trodden pavements, looking out through iron cemetery- railings. Listen to them, when there is only a light breath stirring, and you will hear them saying to each other,—"Wait awhile!" The words run along the telegraph of those narrow green lines that border the roads leading from the city, until they reach the slope of the hills, and the trees repeat in low murmurs to each other,—"Wait awhile!" By-and-by the flow of life in the streets ebbs, and the old leafy inhabitants—the smaller tribes always in front—saunter in, one by one, very careless seemingly, but very tenacious, until they swarm so that the great stones gape from each other with the crowding of their roots, and the feldspar begins to be picked out of the granite to find them food. At last the trees take up their solemn line of march, and never rest until they have encamped in the market-place. Wait long enough and you will find an old doting oak hugging a huge worn block in its yellow underground arms; that was the cornerstone of the State-House. Oh, so patient she is, this imperturbable Nature!

—Let us cry!—

But all this has nothing to do with my walks and talks with the schoolmistress. I did not say that I would not tell you something about them. Let me alone, and I shall talk to you more than I ought to, probably. We never tell our secrets to people that pump for them.

Books we talked about, and education. It was her duty to know something of these, and of course she did. Perhaps I was somewhat more learned than she, but I found that the difference between her reading and mine was like that of a man's and a woman's dusting a library. The man flaps about with a bunch of feathers; the woman goes to work softly with a cloth. She does not raise half the dust, nor fill her own eyes and mouth with it,—but she goes into all the corners, and attends to the leaves as much as the covers. —Books are the NEGATIVE pictures of thought, and the more sensitive the mind that receives their images, the more nicely the finest lines are reproduced. A woman, (of the right kind,) reading after a man, follows him as Ruth followed the reapers of Boaz, and her gleanings are often the finest of the wheat.

But it was in talking of Life that we came most clearly together. I thought I knew something about that,—that I could speak or write about it somewhat to the purpose.

To take up this fluid earthly being of ours as a sponge sucks up water,—to be steeped and soaked in its realities as a hide fills its pores lying seven years in a tan-pit,—to have winnowed every wave of it as a mill-wheel works up the stream that runs through the flume upon its float-boards,—to have curled up in the keenest spasms and flattened out in the laxest languors of this breathing- sickness, which keeps certain parcels of matter uneasy for three or four score years,—to have fought all the devils and clasped all the angels of its delirium,—and then, just at the point when the white-hot passions have cooled down to cherry-red, plunge our experience into the ice-cold stream of some human language or other, one might think would end in a rhapsody with something of spring and temper in it. All this I thought my power and province.

The schoolmistress had tried life, too. Once in a while one meets with a single soul greater than all the living pageant which passes before it. As the pale astronomer sits in his study with sunken eyes and thin fingers, and weighs Uranus or Neptune as in a balance, so there are meek, slight women who have weighed all which this planetary life can offer, and hold it like a bauble in the palm of their slender hands. This was one of them. Fortune had left her, sorrow had baptized her; the routine of labor and the loneliness of almost friendless city-life were before her. Yet, as I looked upon her tranquil face, gradually regaining a cheerfulness which was often sprightly, as she became interested in the various matters we talked about and places we visited, I saw that eye and lip and every shifting lineament were made for love,—unconscious of their sweet office as yet, and meeting the cold aspect of Duty with the natural graces which were meant for the reward of nothing less than the Great Passion.

—I never addressed one word of love to the schoolmistress in the course of these pleasant walks. It seemed to me that we talked of everything but love on that particular morning. There was, perhaps, a little more timidity and hesitancy on my part than I have commonly shown among our people at the boarding-house. In fact, I considered myself the master at the breakfast-table; but, somehow, I could not command myself just then so well as usual. The truth is, I had secured a passage to Liverpool in the steamer which was to leave at noon,—with the condition, however, of being released in case circumstances occurred to detain me. The schoolmistress knew nothing about all this, of course, as yet.

It was on the Common that we were walking. The MALL, or boulevard of our Common, you know, has various branches leading from it in different directions. One of these runs down from opposite Joy Street southward across the whole length of the Common to Boylston Street. We called it the long path, and were fond of it.

I felt very weak indeed (though of a tolerably robust habit) as we came opposite the head of this path on that morning. I think I tried to speak twice without making myself distinctly audible. At last I got out the question,—Will you take the long path with me? —Certainly,—said the schoolmistress,—with much pleasure.—Think, —I said,—before you answer; if you take the long path with me now, I shall interpret it that we are to part no more!—The schoolmistress stepped back with a sudden movement, as if an arrow had struck her.

One of the long granite blocks used as seats was hard by,—the one you may still see close by the Gingko-tree.—Pray, sit down,—I said.—No, no, she answered, softly,—I will walk the LONG PATH with you!

—The old gentleman who sits opposite met us walking, arm in arm, about the middle of the long path, and said, very charmingly, —"Good morning, my dears!"



CHAPTER XII



[I did not think it probable that I should have a great many more talks with our company, and therefore I was anxious to get as much as I could into every conversation. That is the reason why you will find some odd, miscellaneous facts here, which I wished to tell at least once, as I should not have a chance to tell them habitually at our breakfast-table.—We're very free and easy, you know; we don't read what we don't like. Our parish is so large, one can't pretend to preach to all the pews at once. One can't be all the time trying to do the best of one's best if a company works a steam fire-engine, the firemen needn't be straining themselves all day to squirt over the top of the flagstaff. Let them wash some of those lower-story windows a little. Besides, there is no use in our quarrelling now, as you will find out when you get through this paper.]

—Travel, according to my experience, does not exactly correspond to the idea one gets of it out of most books of travels. I am thinking of travel as it was when I made the Grand Tour, especially in Italy. Memory is a net; one finds it full of fish when he takes it from the brook; but a dozen miles of water have run through it without sticking. I can prove some facts about travelling by a story or two. There are certain principles to be assumed,—such as these:—He who is carried by horses must deal with rogues. —To-day's dinner subtends a larger visual angle than yesterday's revolution. A mote in my eye is bigger to me than the biggest of Dr. Gould's private planets.—Every traveller is a self-taught entomologist.—Old jokes are dynamometers of mental tension; an old joke tells better among friends travelling than at home,—which shows that their minds are in a state of diminished, rather than increased vitality. There was a story about "strahps to your pahnts," which was vastly funny to us fellows—on the road from Milan to Venice.—Caelum, non animum,—travellers change their guineas, but not their characters. The bore is the same, eating dates under the cedars of Lebanon, as over a plate of baked beans in Beacon Street.—Parties of travellers have a morbid instinct for "establishing raws" upon each other.—A man shall sit down with his friend at the foot of the Great Pyramid and they will take up the question they had been talking about under "the great elm," and forget all about Egypt. When I was crossing the Po, we were all fighting about the propriety of one fellow's telling another that his argument was absurd; one maintaining it to be a perfectly admissible logical term, as proved by the phrase "reductio ad absurdum;" the rest badgering him as a conversational bully. Mighty little we troubled ourselves for Padus, the Po, "a river broader and more rapid than the Rhone," and the times when Hannibal led his grim Africans to its banks, and his elephants thrust their trunks into the yellow waters over which that pendulum ferry-boat was swinging back and forward every ten minutes!

—Here are some of those reminiscences, with morals prefixed, or annexed, or implied.

Lively emotions very commonly do not strike us full in front, but obliquely from the side; a scene or incident in UNDRESS often affects us more than one in full costume.

"Is this the mighty ocean?—is this all?"

says the Princess in Gebir. The rush that should have flooded my soul in the Coliseum did not come. But walking one day in the fields about the city, I stumbled over a fragment of broken masonry, and lo! the World's Mistress in her stone girdle—alta maenia Romae—rose before me and whitened my cheek with her pale shadow as never before or since.

I used very often, when coming home from my morning's work at one of the public institutions of Paris, to stop in at the dear old church of St. Etienne du Mont. The tomb of St. Genevieve, surrounded by burning candles and votive tablets, was there; the mural tablet of Jacobus Benignus Winslow was there; there was a noble organ with carved figures; the pulpit was borne on the oaken shoulders of a stooping Samson; and there was a marvellous staircase like a coil of lace. These things I mention from memory, but not all of them together impressed me so much as an inscription on a small slab of marble fixed in one of the walls. It told how this church of St. Stephen was repaired and beautified in the year 16**, and how, during the celebration of its reopening, two girls of the parish (filles de la paroisse) fell from the gallery, carrying a part of the balustrade with them, to the pavement, but by a miracle escaped uninjured. Two young girls, nameless, but real presences to my imagination, as much as when they came fluttering down on the tiles with a cry that outscreamed the sharpest treble in the Te Deum. (Look at Carlyle's article on Boswell, and see how he speaks of the poor young woman Johnson talked with in the streets one evening.) All the crowd gone but these two "filles de la paroisse,"—gone as utterly as the dresses they wore, as the shoes that were on their feet, as the bread and meat that were in the market on that day.

Not the great historical events, but the personal incidents that call up single sharp pictures of some human being in its pang or struggle, reach us most nearly. I remember the platform at Berne, over the parapet of which Theobald Weinzapfli's restive horse sprung with him and landed him more than a hundred feet beneath in the lower town, not dead, but sorely broken, and no longer a wild youth, but God's servant from that day forward. I have forgotten the famous bears, and all else.—I remember the Percy lion on the bridge over the little river at Alnwick,—the leaden lion with his tail stretched out straight like a pump-handle,—and why? Because of the story of the village boy who must fain bestride the leaden tail, standing out over the water,—which breaking, he dropped into the stream far below, and was taken out an idiot for the rest of his life.

Arrow-heads must be brought to a sharp point, and the guillotine- axe must have a slanting edge. Something intensely human, narrow, and definate pierces to the seat of our sensibilities more readily than huge occurrences and catastrophes. A nail will pick a lock that defies hatchet and hammer. "The Royal George" went down with all her crew, and Cowper wrote an exquisitely simple poem about it; but the leaf which holds it is smooth, while that which bears the lines on his mother's portrait is blistered with tears.

My telling these recollections sets me thinking of others of the same kind which strike the imagination, especially when one is still young. You remember the monument in Devizes market to the woman struck dead with a lie in her mouth. I never saw that, but it is in the books. Here is one I never heard mentioned;—if any of the "Note and Query" tribe can tell the story, I hope they will. Where is this monument? I was riding on an English stage-coach when we passed a handsome marble column (as I remember it) of considerable size and pretensions.—What is that?—I said.—That, —answered the coachman,—is THE HANGMAN'S PILLAR. Then he told me how a man went out one night, many years ago, to steal sheep. He caught one, tied its legs together, passed the rope over his head, and started for home. In climbing a fence, the rope slipped, caught him by the neck, and strangled him. Next morning he was found hanging dead on one side of the fence and the sheep on the other; in memory whereof the lord of the manor caused this monument to be erected as a warning to all who love mutton better than virtue. I will send a copy of this record to him or her who shall first set me right about this column and its locality.

And telling over these old stories reminds me that I have something which may interest architects and perhaps some other persons. I once ascended the spire of Strasburg Cathedral, which is the highest, I think, in Europe. It is a shaft of stone filigree-work, frightfully open, so that the guide puts his arms behind you to keep you from falling. To climb it is a noonday nightmare, and to think of having climbed it crisps all the fifty-six joints of one's twenty digits. While I was on it, "pinnacled dim in the intense inane," a strong wind was blowing, and I felt sure that the spire was rocking. It swayed back and forward like a stalk of rye or a cat-o'nine-tails (bulrush) with a bobolink on it. I mentioned it to the guide, and he said that the spire did really swing back and forward,—I think he said some feet.