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[I write down the above remarks this morning, January 26th, making this record of the date that nobody may think it was written in wrath, on account of any particular grievance suffered from the invasion of any individual scarabaeus grammaticus.]
—I wonder if anybody ever finds fault with anything I say at this table when it is repeated? I hope they do, I am sure. I should be very certain that I had said nothing of much significance, if they did not.
Did you never, in walking in the fields, come across a large flat stone, which had lain, nobody knows how long, just where you found it, with the grass forming a little hedge, as it were, all round it, close to its edges,—and have you not, in obedience to a kind of feeling that told you it had been lying there long enough, insinuated your stick or your foot or your fingers under its edge and turned it over as a housewife turns a cake, when she says to herself, "It's done brown enough by this time"? What an odd revelation, and what an unforeseen and unpleasant surprise to a small community, the very existence of which you had not suspected, until the sudden dismay and scattering among its members produced by your turning the old stone over! Blades of grass flattened down, colorless, matted together, as if they had been bleached and ironed; hideous crawling creatures, some of them coleopterous or horny-shelled,—turtle-bugs one wants to call them; some of them softer, but cunningly spread out and compressed like Lepine watches; (Nature never loses a crack or a crevice, mind you, or a joint in a tavern bedstead, but she always has one of her flat-pattern five timekeepers to slide into it;) black, glossy crickets, with their long filaments sticking out like the whips of four-horse stage-coaches; motionless, slug-like creatures, young larvae, perhaps more horrible in their pulpy stillness than even in the infernal wriggle of maturity! But no sooner is the stone turned and the wholesome light of day let upon this compressed and blinded community of creeping things, than all of them which enjoy the luxury of legs—and some of them have a good many—rush round wildly, butting each other and everything in their way, and end in a general stampede for underground retreats from the region poisoned by sunshine. NEXT YEAR you will find the grass growing tall and green where the stone lay; the ground-bird builds her nest where the beetle had his hole; the dandelion and the buttercup are growing there, and the broad fans of insect-angels open and shut over their golden disks, as the rhythmic waves of blissful consciousness pulsate through their glorified being.
—The young fellow whom they call John saw fit to say, in his very familiar way,—at which I do not choose to take offence, but which I sometimes think it necessary to repress,—that I was coming it rather strong on the butterflies.
No, I replied; there is meaning in each of those images,—the butterfly as well as the others. The stone is ancient error. The grass is human nature borne down and bleached of all its colour by it. The shapes which are found beneath are the crafty beings that thrive in darkness, and the weaker organisms kept helpless by it. He who turns the stone over is whosoever puts the staff of truth to the old lying incubus, no matter whether he do it with a serious face or a laughing one. The next year stands for the coming time. Then shall the nature which had lain blanched and broken rise in its full stature and native hues in the sunshine. Then shall God's minstrels build their nests in the hearts of a new-born humanity. Then shall beauty—Divinity taking outlines and color—light upon the souls of men as the butterfly, image of the beatified spirit rising from the dust, soars from the shell that held a poor grub, which would never have found wings, had not the stone been lifted.
You never need think you can turn over any old falsehood without a terrible squirming and scattering of the horrid little population that dwells under it.
—Every real thought on every real subject knocks the wind out of somebody or other. As soon as his breath comes back, he very probably begins to expend it in hard words. These are the best evidence a man can have that he has said something it was time to say. Dr. Johnson was disappointed in the effect of one of his pamphlets. "I think I have not been attacked enough for it," he said;—"attack is the reaction; I never think I have hit hard unless it rebounds."
—If a fellow attacked my opinions in print would I reply? Not I. Do you think I don't understand what my friend, the Professor, long ago called THE HYDROSTATIC PARADOX OF CONTROVERSY?
Don't know what that means?—Well, I will tell you. You know, that, if you had a bent tube, one arm of which was of the size of a pipe-stem, and the other big enough to hold the ocean, water would stand at the same height in one as in the other. Controversy equalizes fools and wise men in the same way,—AND THE FOOLS KNOW IT.
—No, but I often read what they say about other people. There are about a dozen phrases which all come tumbling along together, like the tongs, and the shovel, and the poker, and the brush, and the bellows, in one of those domestic avalanches that everybody knows. If you get one, you get the whole lot.
What are they?—Oh, that depends a good deal on latitude and longitude. Epithets follow the isothermal lines pretty accurately. Grouping them in two families, one finds himself a clever, genial, witty, wise, brilliant, sparkling, thoughtful, distinguished, celebrated, illustrious scholar and perfect gentleman, and first writer of the age; or a dull, foolish, wicked, pert, shallow, ignorant, insolent, traitorous, black-hearted outcast, and disgrace to civilization.
What do I think determines the set of phrases a man gets?—Well, I should say a set of influences something like these:—-1st. Relationships, political, religious, social, domestic. 2d. Oyster, in the form of suppers given to gentlemen connected with criticism. I believe in the school, the college, and the clergy; but my sovereign logic, for regulating public opinion—which means commonly the opinion of half a dozen of the critical gentry—is the following MAJOR PROPOSITION. Oysters au naturel. Minor proposition. The same "scalloped." Conclusion. That—(here insert entertainer's name) is clever, witty, wise, brilliant,—and the rest.
—No, it isn't exactly bribery. One man has oysters, and another epithets. It is an exchange of hospitalities; one gives a "spread" on linen, and the other on paper,—that is all. Don't you think you and I should be apt to do just so, if we were in the critical line? I am sure I couldn't resist the softening influences of hospitality. I don't like to dine out, you know,—I dine so well at our own table, [our landlady looked radiant,] and the company is so pleasant [a rustling movement of satisfaction among the boarders]; but if I did partake of a man's salt, with such additions as that article of food requires to make it palatable, I could never abuse him, and if I had to speak of him, I suppose I should hang my set of jingling epithets round him like a string of sleigh-bells. Good feeling helps society to make liars of most of us,—not absolute liars, but such careless handlers of truth that its sharp corners get terribly rounded. I love truth as chiefest among the virtues; I trust it runs in my blood; but I would never be a critic, because I know I could not always tell it. I might write a criticism of a book that happened to please me; that is another matter.
—Listen, Benjamin Franklin! This is for you, and such others of tender age as you may tell it to.
When we are as yet small children, long before the time when those two grown ladies offer us the choice of Hercules, there comes up to us a youthful angel, holding in his right hand cubes like dice, and in his left spheres like marbles. The cubes are of stainless ivory, and on each is written in letters of gold—TRUTH. The spheres are veined and streaked and spotted beneath, with a dark crimson flush above, where the light falls on them, and in a certain aspect you can make out upon every one of them the three letters L, I, E. The child to whom they are offered very probably clutches at both. The spheres are the most convenient things in the world; they roll with the least possible impulse just where the child would have them. The cubes will not roll at all; they have a great talent for standing still, and always keep right side up. But very soon the young philosopher finds that things which roll so easily are very apt to roll into the wrong corner, and to get out of his way when he most wants them, while he always knows where to find the others, which stay where they are left. Thus he learns —thus we learn—to drop the streaked and speckled globes of falsehood and to hold fast the white angular blocks of truth. But then comes Timidity, and after her Good-nature, and last of all Polite-behavior, all insisting that truth must ROLL, or nobody can do anything with it; and so the first with her coarse rasp, and the second with her broad file, and the third with her silken sleeve, do so round off and smooth and polish the snow-white cubes of truth, that, when they have got a little dingy by use, it becomes hard to tell them from the rolling spheres of falsehood.
The schoolmistress was polite enough to say that she was pleased with this, and that she would read it to her little flock the next day. But she should tell the children, she said, that there were better reasons for truth than could be found in mere experience of its convenience and the inconvenience of lying.
Yes,—I said,—but education always begins through the senses, and works up to the idea of absolute right and wrong. The first thing the child has to learn about this matter is, that lying is unprofitable,—afterwards, that it is against the peace and dignity of the universe.
—Do I think that the particular form of lying often seen in newspapers, under the title, "From our Foreign Correspondent," does any harm?—Why, no,—I don't know that it does. I suppose it doesn't really deceive people any more than the "Arabian Nights" or "Gulliver's Travels" do. Sometimes the writers compile TOO carelessly, though, and mix up facts out of geographies, and stories out of the penny papers, so as to mislead those who are desirous of information. I cut a piece out of one of the papers, the other day, which contains a number of improbabilities, and, I suspect, misstatements. I will send up and get it for you, if you would like to hear it.—Ah, this is it; it is headed
"OUR SUMATRA CORRESPONDENCE.
"This island is now the property of the Stamford family,—having been won, it is said, in a raffle, by Sir—Stamford, during the stock-gambling mania of the South-Sea Scheme. The history of this gentleman may be found in an interesting series of questions (unfortunately not yet answered) contained in the 'Notes and Queries.' This island is entirely surrounded by the ocean, which here contains a large amount of saline substance, crystallizing in cubes remarkable for their symmetry, and frequently displays on its surface, during calm weather, the rainbow tints of the celebrated South-Sea bubbles. The summers are oppressively hot, and the winters very probably cold; but this fact cannot be ascertained precisely, as, for some peculiar reason, the mercury in these latitudes never shrinks, as in more northern regions, and thus the thermometer is rendered useless in winter.
"The principal vegetable productions of the island are the pepper tree and the bread-fruit tree. Pepper being very abundantly produced, a benevolent society was organized in London during the last century for supplying the natives with vinegar and oysters, as an addition to that delightful condiment. [Note received from Dr. D. P.] It is said, however, that, as the oysters were of the kind called NATIVES in England, the natives of Sumatra, in obedience to a natural instinct, refused to touch them, and confined themselves entirely to the crew of the vessel in which they were brought over. This information was received from one of the oldest inhabitants, a native himself, and exceedingly fond of missionaries. He is said also to be very skilful in the CUISINE peculiar to the island.
"During the season of gathering the pepper, the persons employed are subject to various incommodities, the chief of which is violent and long-continued sternutation, or sneezing. Such is the vehemence of these attacks, that the unfortunate subjects of them are often driven backwards for great distances at immense speed, on the well-known principle of the aeolipile. Not being able to see where they are going, these poor creatures dash themselves to pieces against the rocks or are precipitated over the cliffs and thus many valuable lives are lost annually. As, during the whole pepper-harvest, they feed exclusively on this stimulant, they become exceedingly irritable. The smallest injury is resented with ungovernable rage. A young man suffering from the PEPPER-FEVER as it is called, cudgelled another most severely for appropriating a superannuated relative of trifling value, and was only pacified by having a present made him of a pig of that peculiar species of swine called the Peccavi by the Catholic Jews, who, it is well known, abstain from swine's flesh in imitation of the Mahometan Buddhists.
"The bread-tree grows abundantly. Its branches are well known to Europe and America under the familiar name of maccaroni. The smaller twigs are called vermicelli. They have a decided animal flavor, as may be observed in the soups containing them. Maccaroni, being tubular, is the favorite habitat of a very dangerous insect, which is rendered peculiarly ferocious by being boiled. The government of the island, therefore, never allows a stick of it to be exported without being accompanied by a piston with which its cavity may at any time be thoroughly swept out. These are commonly lost or stolen before the maccaroni arrives among us. It therefore always contains many of these insects, which, however, generally die of old age in the shops, so that accidents from this source are comparatively rare.
"The fruit of the bread-tree consists principally of hot rolls. The buttered-muffin variety is supposed to be a hybrid with the cocoa-nut palm, the cream found on the milk of the cocoa-nut exuding from the hybrid in the shape of butter, just as the ripe fruit is splitting, so as to fit it for the tea-table, where it is commonly served up with cold"—
—There,—I don't want to read any more of it. You see that many of these statements are highly improbable.—No, I shall not mention the paper.—No, neither of them wrote it, though it reminds me of the style of these popular writers. I think the fellow who wrote it must have been reading some of their stories, and got them mixed up with his history and geography. I don't suppose HE lies;—he sells it to the editor, who knows how many squares off "Sumatra" is. The editor, who sells it to the public—By the way, the papers have been very civil haven't they?—to the—the what d'ye call it? —"Northern Magazine,"—isn't it?—got up by some of those Come-outers, down East, as an organ for their local peculiarities.
—The Professor has been to see me. Came in, glorious, at about twelve o'clock, last night. Said he had been with "the boys." On inquiry, found that "the boys," were certain baldish and grayish old gentlemen that one sees or hears of in various important stations of society. The Professor is one of the same set, but he always talks as if he had been out of college about ten years, whereas. . . [Each of these dots was a little nod, which the company understood, as the reader will, no doubt.] He calls them sometimes "the boys," and sometimes "the old fellows." Call him by the latter title, and see how he likes it.—Well, he came in last night glorious, as I was saying. Of course I don't mean vinously exalted; he drinks little wine on such occasions, and is well known to all the Peters and Patricks as the gentleman who always has indefinite quantities of black tea to kill any extra glass of red claret he may have swallowed. But the Professor says he always gets tipsy on old memories at these gatherings. He was, I forget how many years old when he went to the meeting; just turned of twenty now,—he said. He made various youthful proposals to me, including a duet under the landlady's daughter's window. He had just learned a trick, he said, of one of "the boys," of getting a splendid bass out of a door-panel by rubbing it with the palm of his hand. Offered to sing "The sky is bright," accompanying himself on the front-door, if I would go down and help in the chorus. Said there never was such a set of fellows as the old boys of the set he has been with. Judges, mayors, Congress-men, Mr. Speakers, leaders in science, clergymen better than famous, and famous too, poets by the half-dozen, singers with voices like angels, financiers, wits, three of the best laughers in the Commonwealth, engineers, agriculturists,—all forms of talent and knowledge he pretended were represented in that meeting. Then he began to quote Byron about Santa Croce, and maintained that he could "furnish out creation" in all its details from that set of his. He would like to have the whole boodle of them, (I remonstrated against this word, but the Professor said it was a diabolish good word, and he would have no other,) with their wives and children, shipwrecked on a remote island, just to see how splendidly they would reorganize society. They could build a city,—they have done it; make constitutions and laws; establish churches and lyceums; teach and practise the healing art; instruct in every department; found observatories; create commerce and manufactures; write songs and hymns, and sing 'em, and make instruments to accompany the songs with; lastly, publish a journal almost as good as the "Northern Magazine," edited by the Come-outers. There was nothing they were not up to, from a christening to a hanging; the last, to be sure, could never be called for, unless some stranger got in among them.
—I let the Professor talk as long as he liked; it didn't make much difference to me whether it was all truth, or partly made up of pale Sherry and similar elements. All at once he jumped up and said,—
Don't you want to hear what I just read to the boys?
I have had questions of a similar character asked me before, occasionally. A man of iron mould might perhaps say, No! I am not a man of iron mould, and said that I should be delighted.
The Professor then read—with that slightly sing-song cadence which is observed to be common in poets reading their own verses—the following stanzas; holding them at a focal distance of about two feet and a half, with an occasional movement back or forward for better adjustment, the appearance of which has been likened by some impertinent young folks to that of the act of playing on the trombone. His eyesight was never better; I have his word for it.
MARE RUBRUM.
Flash out a stream of blood-red wine!— For I would drink to other days; And brighter shall their memory shine, Seen flaming through its crimson blaze. The roses die, the summers fade; But every ghost of boyhood's dream By Nature's magic power is laid To sleep beneath this blood-red stream.
It filled the purple grapes that lay And drank the splendors of the sun Where the long summer's cloudless day Is mirrored in the broad Garonne; It pictures still the bacchant shapes That saw their hoarded sunlight shed,— The maidens dancing on the grapes,— Their milk-white ankles splashed with red.
Beneath these waves of crimson lie, In rosy fetters prisoned fast, Those flitting shapes that never die, The swift-winged visions of the past. Kiss but the crystal's mystic rim, Each shadow rends its flowery chain, Springs in a bubble from its brim And walks the chambers of the brain.
Poor Beauty! time and fortune's wrong No form nor feature may withstand,— Thy wrecks are scattered all along, Like emptied sea-shells on the sand;— Yet, sprinkled with this blushing rain, The dust restores each blooming girl, As if the sea-shells moved again Their glistening lips of pink and pearl.
Here lies the home of school-boy life, With creaking stair and wind-swept hall, And, scarred by many a truant knife, Our old initials on the wall; Here rest—their keen vibrations mute— The shout of voices known so well, The ringing laugh, the wailing flute, The chiding of the sharp-tongued bell.
Here, clad in burning robes, are laid Life's blossomed joys, untimely shed; And here those cherished forms have strayed We miss awhile, and call them dead. What wizard fills the maddening glass What soil the enchanted clusters grew? That buried passions wake and pass In beaded drops of fiery dew?
Nay, take the cup of blood-red wine,— Our hearts can boast a warmer grow, Filled from a vantage more divine,— Calmed, but not chilled by winter's snow! To-night the palest wave we sip Rich as the priceless draught shall be That wet the bride of Cana's lip,— The wedding wine of Galilee!
CHAPTER VI
Sin has many tools, but a lie is the handle which fits them all.
—I think, Sir,—said the divinity-student,—you must intend that for one of the sayings of the Seven Wise Men of Boston you were speaking of the other day.
I thank you, my young friend,—was my reply,—but I must say something better than that, before I could pretend to fill out the number.
—The schoolmistress wanted to know how many of these sayings there were on record, and what, and by whom said.
—Why, let us see,—there is that one of Benjamin Franklin, "the great Bostonian," after whom this lad was named. To be sure, he said a great many wise things,—and I don't feel sure he didn't borrow this,—he speaks as if it were old. But then he applied it so neatly!—
"He that has once done you a kindness will be more ready to do you another than he whom you yourself have obliged."
Then there is that glorious Epicurean paradox, uttered by my friend, the Historian, in one of his flashing moments:-
"Give us the luxuries of life, and we will dispense with its necessaries."
To these must certainly be added that other saying of one of the wittiest of men:-
"Good Americans, when they die, go to Paris."—
The divinity-student looked grave at this, but said nothing.
The schoolmistress spoke out, and said she didn't think the wit meant any irreverence. It was only another way of saying, Paris is a heavenly place after New York or Boston.
A jaunty-looking person, who had come in with the young fellow they call John,—evidently a stranger,—said there was one more wise man's saying that he had heard; it was about our place, but he didn't know who said it.—A civil curiosity was manifested by the company to hear the fourth wise saying. I heard him distinctly whispering to the young fellow who brought him to dinner, SHALL I TELL IT? To which the answer was, GO AHEAD!—Well,—he said,—this was what I heard:-
"Boston State-House is the hub of the solar system. You couldn't pry that out of a Boston man if you had the tire of all creation straightened out for a crowbar."
Sir,—said I,—I am gratified with your remark. It expresses with pleasing vivacity that which I have sometimes heard uttered with malignant dulness. The satire of the remark is essentially true of Boston,—and of all other considerable—and inconsiderable—places with which I have had the privilege of being acquainted. Cockneys think London is the only place in the world. Frenchmen—you remember the line about Paris, the Court, the World, etc.—-I recollect well, by the way, a sign in that city which ran thus: "Hotel l'Univers et des Etats Unis"; and as Paris IS the universe to a Frenchman, of course the United States are outside of it. —"See Naples and then die."—It is quite as bad with smaller places. I have been about, lecturing, you know, and have found the following propositions to hold true of all of them.
1. The axis of the earth sticks out visibly through the centre of each and every town or city.
2. If more than fifty years have passed since its foundation, it is affectionately styled by the inhabitants the "GOOD OLD town of" —(whatever its name may happen to be.)
3. Every collection of its inhabitants that comes together to listen to a stranger is invariably declared to be a "remarkably intelligent audience."
4. The climate of the place is particularly favorable to longevity.
5. It contains several persons of vast talent little known to the world. (One or two of them, you may perhaps chance to remember, sent short pieces to the "Pactolian" some time since, which were "respectfully declined.")
Boston is just like other places of its size;—only perhaps, considering its excellent fish-market, paid fire-department, superior monthly publications, and correct habit of spelling the English language, it has some right to look down on the mob of cities. I'll tell you, though, if you want to know it, what is the real offence of Boston. It drains a large water-shed of its intellect, and will not itself be drained. If it would only send away its first-rate men, instead of its second-rate ones, (no offence to the well-known exceptions, of which we are always proud,) we should be spared such epigrammatic remarks as that which the gentleman has quoted. There can never be a real metropolis in this country, until the biggest centre can drain the lesser ones of their talent and wealth.—I have observed, by the way, that the people who really live in two great cities are by no means so jealous of each other, as are those of smaller cities situated within the intellectual basin, or suction-range, of one large one, of the pretensions of any other. Don't you see why? Because their promising young author and rising lawyer and large capitalist have been drained off to the neighboring big city,—their prettiest girl has been exported to the same market; all their ambition points there, and all their thin gilding of glory comes from there. I hate little toad-eating cities.
—Would I be so good as to specify any particular example?—Oh,—an example? Did you ever see a bear-trap? Never? Well, shouldn't you like to see me put my foot into one? With sentiments of the highest consideration I must beg leave to be excused.
Besides, some of the smaller cities are charming. If they have an old church or two, a few stately mansions of former grandees, here and there an old dwelling with the second story projecting, (for the convenience of shooting the Indians knocking at the front-door with their tomahawks,)—if they have, scattered about, those mighty square houses built something more than half a century ago, and standing like architectural boulders dropped by the former diluvium of wealth, whose refluent wave has left them as its monument,—if they have gardens with elbowed apple-trees that push their branches over the high board-fence and drop their fruit on the side-walk, —if they have a little grass in the side-streets, enough to betoken quiet without proclaiming decay,—I think I could go to pieces, after my life's work were done, in one of those tranquil places, as sweetly as in any cradle that an old man may be rocked to sleep in. I visit such spots always with infinite delight. My friend, the Poet, says, that rapidly growing towns are most unfavorable to the imaginative and reflective faculties. Let a man live in one of these old quiet places, he says, and the wine of his soul, which is kept thick and turbid by the rattle of busy streets, settles, and, as you hold it up, you may see the sun through it by day and the stars by night.
—Do I think that the little villages have the conceit of the great towns?—I don't believe there is much difference. You know how they read Pope's line in the smallest town in our State of Massachusetts?—Well, they read it
"All are but parts of one stupendous HULL!"
—Every person's feelings have a front-door and a side-door by which they may be entered. The front-door is on the street. Some keep it always open; some keep it latched; some, locked; some, bolted,—with a chain that will let you peep in, but not get in; and some nail it up, so that nothing can pass its threshold. This front-door leads into a passage which opens into an ante-room, and this into the inferior apartments. The side-door opens at once into the sacred chambers.
There is almost always at least one key to this side-door. This is carried for years hidden in a mother's bosom. Fathers, brothers, sisters, and friends, often, but by no means so universally, have duplicates of it. The wedding-ring conveys a right to one; alas, if none is given with it!
If nature or accident has put one of these keys into the hands of a person who has the torturing instinct, I can only solemnly pronounce the words that Justice utters over its doomed victim, —THE LORD HAVE MERCY ON YOUR SOUL! You will probably go mad within a reasonable time,—or, if you are a man, run off and die with your head on a curb-stone, in Melbourne or San Francisco,—or, if you are a woman, quarrel and break your heart, or turn into a pale, jointed petrifaction that moves about as if it were alive, or play some real life-tragedy or other.
Be very careful to whom you trust one of these keys of the side-door. The fact of possessing one renders those even who are dear to you very terrible at times. You can keep the world out from your front-door, or receive visitors only when you are ready for them; but those of your own flesh and blood, or of certain grades of intimacy, can come in at the side-door, if they will, at any hour and in any mood. Some of them have a scale of your whole nervous system, and can play all the gamut of your sensibilities in semitones, —touching the naked nerve-pulps as a pianist strikes the keys of his instrument. I am satisfied that there are as great masters of this nerve-playing as Vieuxtemps or Thalberg in their lines of performance. Married life is the school in which the most accomplished artists in this department are found. A delicate woman is the best instrument; she has such a magnificent compass of sensibilities! From the deep inward moan which follows pressure on the great nerves of right, to the sharp cry as the filaments of taste are struck with a crashing sweep, is a range which no other instrument possesses. A few exercises on it daily at home fit a man wonderfully for his habitual labors, and refresh him immensely as he returns from them. No stranger can get a great many notes of torture out of a human soul; it takes one that knows it well,—parent, child, brother, sister, intimate. Be very careful to whom you give a side-door key; too many have them already.
—You remember the old story of the tender-hearted man, who placed a frozen viper in his bosom, and was stung by it when it became thawed? If we take a cold-blooded creature into our bosom, better that it should sting us and we should die than that its chill should slowly steal into our hearts; warm it we never can! I have seen faces of women that were fair to look upon, yet one could see that the icicles were forming round these women's hearts. I knew what freezing image lay on the white breasts beneath the laces!
A very simple INTELLECTUAL mechanism answers the necessities of friendship, and even of the most intimate relations of life. If a watch tells us the hour and the minute, we can be content to carry it about with us for a life-time, though it has no second-hand and is not a repeater, nor a musical watch,—though it is not enamelled nor jewelled,—in short, though it has little beyond the wheels required for a trustworthy instrument, added to a good face and a pair of useful hands. The more wheels there are in a watch or a brain, the more trouble they are to take care of. The movements of exaltation which belong to genius are egotistic by their very nature. A calm, clear mind, not subject to the spasms and crises which are so often met with in creative or intensely perceptive natures, is the best basis for love or friendship.—Observe, I am talking about MINDS. I won't say, the more intellect, the less capacity for loving; for that would do wrong to the understanding and reason;—but, on the other hand, that the brain often runs away with the heart's best blood, which gives the world a few pages of wisdom or sentiment or poetry, instead of making one other heart happy, I have no question.
If one's intimate in love or friendship cannot or does not share all one's intellectual tastes or pursuits, that is a small matter. Intellectual companions can be found easily in men and books. After all, if we think of it, most of the world's loves and friendships have been between people that could not read nor spell.
But to radiate the heat of the affections into a clod which absorbs all that is poured into it, but never warms beneath the sunshine of smiles or the pressure of hand or lip,—this is the great martyrdom of sensitive beings,—most of all in that perpetual auto da fe where young womanhood is the sacrifice.
—You noticed, perhaps, what I just said about the loves and friendships of illiterate persons,—that is, of the human race, with a few exceptions here and there. I like books,—I was born and bred among them, and have the easy feeling, when I get into their presence, that a stable-boy has among horses. I don't think I undervalue them either as companions or as instructors. But I can't help remembering that the world's great men have not commonly been great scholars, nor its great scholars great men. The Hebrew patriarchs had small libraries, I think, if any; yet they represent to our imaginations a very complete idea of manhood, and, I think, if we could ask in Abraham to dine with us men of letters next Saturday, we should feel honored by his company.
What I wanted to say about books is this: that there are times in which every active mind feels itself above any and all human books.
—I think a man must have a good opinion of himself, Sir,—said the divinity-student,—who should feel himself above Shakspeare at any time.
My young friend,—I replied,—the man who is never conscious of a state of feeling or of intellectual effort entirely beyond expression by any form of words whatsoever is a mere creature of language. I can hardly believe there are any such men. Why, think for a moment of the power of music. The nerves that make us alive to it spread out (so the Professor tells me) in the most sensitive region of the marrow just where it is widening to run upwards into the hemispheres. It has its seat in the region of sense rather than of thought. Yet it produces a continuous and, as it were, logical sequence of emotional and intellectual changes; but how different from trains of thought proper! how entirely beyond the reach of symbols!—Think of human passions as compared with all phrases! Did you ever hear of a man's growing lean by the reading of "Romeo and Juliet," or blowing his brains out because Desdemona was maligned? There are a good many symbols, even, that are more expressive than words. I remember a young wife who had to part with her husband for a time. She did not write a mournful poem; indeed, she was a silent person, and perhaps hardly said a word about it; but she quietly turned of a deep orange color with jaundice. A great many people in this world have but one form of rhetoric for their profoundest experiences,—namely, to waste away and die. When a man can READ, his paroxysm of feeling is passing. When he can READ, his thought has slackened its hold.—You talk about reading Shakspeare, using him as an expression for the highest intellect, and you wonder that any common person should be so presumptuous as to suppose his thought can rise above the text which lies before him. But think a moment. A child's reading of Shakspeare is one thing, and Coleridge's or Schlegel's reading of him is another. The saturation-point of each mind differs from that of every other. But I think it is as true for the small mind which can only take up a little as for the great one which takes up much, that the suggested trains of thought and feeling ought always to rise above—not the author, but the reader's mental version of the author, whoever he may be.
I think most readers of Shakspeare sometimes find themselves thrown into exalted mental conditions like those produced by music. Then they may drop the book, to pass at once into the region of thought without words. We may happen to be very dull folks, you and I, and probably are, unless there is some particular reason to suppose the contrary. But we get glimpses now and then of a sphere of spiritual possibilities, where we, dull as we are now, may sail in vast circles round the largest compass of earthly intelligences.
—I confess there are times when I feel like the friend I mentioned to you some time ago,—I hate the very sight of a book. Sometimes it becomes almost a physical necessity to talk out what is in the mind, before putting anything else into it. It is very bad to have thoughts and feelings, which were meant to come out in talk, STRIKE IN, as they say of some complaints that ought to show outwardly.
I always believed in life rather than in books. I suppose every day of earth, with its hundred thousand deaths and something more of births,—with its loves and hates, its triumphs and defeats, its pangs and blisses, has more of humanity in it than all the books that were ever written, put together. I believe the flowers growing at this moment send up more fragrance to heaven than was ever exhaled from all the essences ever distilled.
—Don't I read up various matters to talk about at this table or elsewhere?—No, that is the last thing I would do. I will tell you my rule. Talk about those subjects you have had long in your mind, and listen to what others say about subjects you have studied but recently. Knowledge and timber shouldn't be much used, till they are seasoned.
—Physiologists and metaphysicians have had their attention turned a good deal of late to the automatic and involuntary actions of the mind. Put an idea into your intelligence and leave it there an hour, a day, a year, without ever having occasion to refer to it. When, at last, you return to it, you do not find it as it was when acquired. It has domiciliated itself, so to speak,—become at home,—entered into relations with your other thoughts, and integrated itself with the whole fabric of the mind.—Or take a simple and familiar example; Dr. Carpenter has adduced it. You forget a name, in conversation,—go on talking, without making any effort to recall it,—and presently the mind evolves it by its own involuntary and unconscious action, while you were pursuing another train of thought, and the name rises of itself to your lips.
There are some curious observations I should like to make about the mental machinery, but I think we are getting rather didactic.
—I should be gratified, if Benjamin Franklin would let me know something of his progress in the French language. I rather liked that exercise he read us the other day, though I must confess I should hardly dare to translate it, for fear some people in a remote city where I once lived might think I was drawing their portraits.
—Yes, Paris is a famous place for societies. I don't know whether the piece I mentioned from the French author was intended simply as Natural History, or whether there was not a little malice in his description. At any rate, when I gave my translation to B. F. to turn back again into French, one reason was that I thought it would sound a little bald in English, and some people might think it was meant to have some local bearing or other,—which the author, of course, didn't mean, inasmuch as he could not be acquainted with anything on this side of the water.
[The above remarks were addressed to the school-mistress, to whom I handed the paper after looking it over. The divinity-student came and read over her shoulder,—very curious, apparently, but his eyes wandered, I thought. Fancying that her breathing was somewhat hurried and high, or thoracic, as my friend, the Professor, calls it, I watched her a little more closely.—It is none of my business.—After all, it is the imponderables that move the world, —heat, electricity, love. Habet?]
This is the piece that Benjamin Franklin made into boarding-school French, such as you see here; don't expect too much;—the mistakes give a relish to it, I think.
LES SOCIETES POLYPHYSIOPHILOSOPHIQUES.
Ces Societes la sont une Institution pour suppleer aux besoins d'esprit et de coeur de ces individus qui ont survecu a leurs emotions a l'egard du beau sexe, et qui n'ont pas la distraction de l'habitude de boire.
Pour devenir membre d'une de ces Societes, on doit avoir le moins de cheveux possible. S'il y en reste plusieurs qui resistent aux depilatoires naturelles et autres, on doit avoir quelques connaissances, n'importe dans quel genre. Des le moment qu'on ouvre la porte de la Societe, on a un grand interet dans toutes les choses dont on ne sait rien. Ainsi, un microscopiste demontre un nouveau FLEXOR du TARSE d'un MELOLONTHA VULGARIS. Douze savans improvises, portans des besicles, et qui ne connaissent rien des insectes, si ce n'est les morsures du CULEX, se precipitent sur l'instrument, et voient—une grande bulle d'air, dont ils s'emerveillent avec effusion. Ce qui est un spectacle plein d'instruction—pour ceux qui ne sont pas de ladite Societe. Tous les membres regardent les chimistes en particulier avec un air d'intelligence parfaite pendant qu'ils prouvent dans un discours d'une demiheure que O6 N3 H5 C6 etc. font quelque chose qui n'est bonne a rien, mais qui probablement a une odeur tres desagreable, selon l'habitude des produits chimiques. Apres cela vient un mathematicien qui vous bourre avec des a+b et vous rapporte enfin un x+y, dont vous n'avex pas besoin et qui ne change nullement vos relations avec la vie. Un naturaliste vous parle des formations speciales des animaux excessivement inconnus, dont vous n'avez jamais soupconne l'existence. Ainsi il vous decrit les FOLLICULES de L'APPENDIX VERMIFORMIS d'un DZIGGUETAI. Vous ne savez pas ce que c'est qu'un FOLLICULE. Vous ne savez pas ce que c'est qu'un APPENDIX UERMIFORMIS. Vous n'avez jamais entendu parler du DZIGGUETAI. Ainsi vous gagnez toutes ces connaisances a la fois, qui s'attachent a votre esprit comme l'eau adhere aux plumes d'un canard. On connait toutes les langues EX OFFICIO en devenant membre d'une de ces Societes. Ainsi quand on entend lire un Essai sur les dialectes Tchutchiens, on comprend tout cela de suite, et s'instruit enormement.
Il y a deux especes d'individus qu'on trouve toujours a ces Societes: 1 (degree) Le membre a questions; 2 (degree) Le membre a "Bylaws."
La QUESTION est une specialite. Celui qui en fait metier ne fait jamais des reponses. La question est une maniere tres commode de dire les choses suivantes: "Me voila! Je ne suis pas fossil, moi,—je respire encore! J'ai des idees,—voyez mon intelligence! Vous ne croyiez pas, vous autres, que je savais quelque chose de cela! Ah, nous avons un peu de sagacite, voyez vous! Nous ne sommes nullement la bete qu'on pense!"—LE FAISEUR DE QUESTIONS DONNE PEU D'ATTENTION AUX REPONSES QU'ON FAIT; CE N'EST PAS LA DANS SA SPECIALITE.
Le membre a "Bylaws" est le bouchon de toutes les emotions mousseuses et genereuses qui se montrent dans la Societe. C'est un empereur manque,—un tyran a la troiseme trituration. C'est un esprit dur, borne, exact, grand dans les petitesses, petit dans les grandeurs, selon le mot du grand Jefferson. On ne l'aime pas dans la Societe, mais on le respecte et on le craint. Il n'y a qu'un mot pour ce membre audessus de "Bylaws." Ce mot est pour lui ce que l'Om est aux Hundous. C'est sa religion; il n'y a rien audela. Ce mot la c'est la CONSTITUTION!
Lesdites Societes publient des feuilletons de tems en tems. On les trouve abandonnes a sa porte, nus comme des enfans nouveaunes, faute de membrane cutanee, ou meme papyracee. Si on aime la botanique, on y trouve une memoire sur les coquilles; si on fait des etudes zoologiques, on square trouve un grand tas de q' [square root of minus one], ce qui doit etre infiniment plus commode que les encyclopedies. Ainsi il est clair comme la metaphysique qu'on doit devenir membre d'une Societe telle que nous decrivons.
Recette pour le Depilatoire Physiophilosophique Chaux vive lb. ss. Eau bouillante Oj. Depilez avec. Polissez ensuite.
I told the boy that his translation into French was creditable to him; and some of the company wishing to hear what there was in the piece that made me smile, I turned it into English for them, as well as I could, on the spot.
The landlady's daughter seemed to be much amused by the idea that a depilatory could take the place of literary and scientific accomplishments; she wanted me to print the piece, so that she might send a copy of it to her cousin in Mizzourah; she didn't think he'd have to do anything to the outside of his head to get into any of the societies; he had to wear a wig once, when he played a part in a tabullo.
No,—said I,—I shouldn't think of printing that in English. I'll tell you why. As soon as you get a few thousand people together in a town, there is somebody that every sharp thing you say is sure to hit. What if a thing was written in Paris or in Pekin?—that makes no difference. Everybody in those cities, or almost everybody, has his counterpart here, and in all large places.—You never studied AVERAGES as I have had occasion to.
I'll tell you how I came to know so much about averages. There was one season when I was lecturing, commonly, five evenings in the week, through most of the lecturing period. I soon found, as most speakers do, that it was pleasanter to work one lecture than to keep several in hand.
—Don't you get sick to death of one lecture?—said the landlady's daughter,—who had a new dress on that day, and was in spirits for conversation.
I was going to talk about averages,—I said,—but I have no objection to telling you about lectures, to begin with.
A new lecture always has a certain excitement connected with its delivery. One thinks well of it, as of most things fresh from his mind. After a few deliveries of it, one gets tired and then disgusted with its repetition. Go on delivering it, and the disgust passes off, until, after one has repeated it a hundred or a hundred and fifty times, he rather enjoys the hundred and first or hundred and fifty-first time, before a new audience. But this is on one condition,—that he never lays the lecture down and lets it cool. If he does, there comes on a loathing for it which is intense, so that the sight of the old battered manuscript is as bad as sea-sickness.
A new lecture is just like any other new tool. We use it for a while with pleasure. Then it blisters our hands, and we hate to touch it. By-and-by our hands get callous, and then we have no longer any sensitiveness about it. But if we give it up, the calluses disappear; and if we meddle with it again, we miss the novelty and get the blisters.—The story is often quoted of Whitefield, that he said a sermon was good for nothing until it had been preached forty times. A lecture doesn't begin to be old until it has passed its hundredth delivery; and some, I think, have doubled, if not quadrupled, that number. These old lectures are a man's best, commonly; they improve by age, also,—like the pipes, fiddles, and poems I told you of the other day. One learns to make the most of their strong points and to carry off their weak ones, —to take out the really good things which don't tell on the audience, and put in cheaper things that do. All this degrades him, of course, but it improves the lecture for general delivery. A thoroughly popular lecture ought to have nothing in it which five hundred people cannot all take in a flash, just as it is uttered.
—No, indeed,—I should be very sorry to say anything disrespectful of audiences. I have been kindly treated by a great many, and may occasionally face one hereafter. But I tell you the AVERAGE intellect of five hundred persons, taken as they come, is not very high. It may be sound and safe, so far as it goes, but it is not very rapid or profound. A lecture ought to be something which all can understand, about something which interests everybody. I think, that, if any experienced lecturer gives you a different account from this, it will probably be one of those eloquent or forcible speakers who hold an audience by the charm of their manner, whatever they talk about,—even when they don't talk very well.
But an AVERAGE, which was what I meant to speak about, is one of the most extraordinary subjects of observation and study. It is awful in its uniformity, in its automatic necessity of action. Two communities of ants or bees are exactly alike in all their actions, so far as we can see. Two lyceum assemblies, of five hundred each, are so nearly alike, that they are absolutely undistinguishable in many cases by any definite mark, and there is nothing but the place and time by which one can tell the "remarkably intelligent audience" of a town in New York or Ohio from one in any New England town of similar size. Of course, if any principle of selection has come in, as in those special associations of young men which are common in cities, it deranges the uniformity of the assemblage. But let there be no such interfering circumstances, and one knows pretty well even the look the audience will have, before he goes in. Front seats: a few old folk,—shiny-headed,—slant up best ear towards the speaker,—drop off asleep after a while, when the air begins to get a little narcotic with carbonic acid. Bright women's faces, young and middle-aged, a little behind these, but toward the front—(pick out the best, and lecture mainly to that.) Here and there a countenance, sharp and scholarlike, and a dozen pretty female ones sprinkled about. An indefinite number of pairs of young people,—happy, but not always very attentive. Boys, in the background, more or less quiet. Dull faces here, there,—in how many places! I don't say dull PEOPLE, but faces without a ray of sympathy or a movement of expression. They are what kill the lecturer. These negative faces with their vacuous eyes and stony lineaments pump and suck the warm soul out of him;—that is the chief reason why lecturers grow so pale before the season is over. They render LATENT any amount of vital caloric; they act on our minds as those cold-blooded creatures I was talking about act on our hearts.
Out of all these inevitable elements the audience is generated,—a great compound vertebrate, as much like fifty others you have seen as any two mammals of the same species are like each other. Each audience laughs, and each cries, in just the same places of your lecture; that is, if you make one laugh or cry, you make all. Even those little indescribable movements which a lecturer takes cognizance of, just as a driver notices his horse's cocking his ears, are sure to come in exactly the same place of your lecture always. I declare to you, that as the monk said about the picture in the convent,—that he sometimes thought the living tenants were the shadows, and the painted figures the realities,—I have sometimes felt as if I were a wandering spirit, and this great unchanging multivertebrate which I faced night after night was one ever-listening animal, which writhed along after me wherever I fled, and coiled at my feet every evening, turning up to me the same sleepless eyes which I thought I had closed with my last drowsy incantation!
—Oh, yes! A thousand kindly and courteous acts,—a thousand faces that melted individually out of my recollection as the April snow melts, but only to steal away and find the beds of flowers whose roots are memory, but which blossom in poetry and dreams. I am not ungrateful, nor unconscious of all the good feeling and intelligence everywhere to be met with through the vast parish to which the lecturer ministers. But when I set forth, leading a string of my mind's daughters to market, as the country-folk fetch in their strings of horses—Pardon me, that was a coarse fellow who sneered at the sympathy wasted on an unhappy lecturer, as if, because he was decently paid for his services, he had therefore sold his sensibilities.—Family men get dreadfully homesick. In the remote and bleak village the heart returns to the red blaze of the logs in one's fireplace at home.
"There are his young barbarians all at play,"—
if he owns any youthful savages.—No, the world has a million roosts for a man, but only one nest.
—It is a fine thing to be an oracle to which an appeal is always made in all discussions. The men of facts wait their turn in grim silence, with that slight tension about the nostrils which the consciousness of carrying a "settler" in the form of a fact or a revolver gives the individual thus armed. When a person is really full of information, and does not abuse it to crush conversation, his part is to that of the real talkers what the instrumental accompaniment is in a trio or quartette of vocalists.
—What do I mean by the real talkers?—Why, the people with fresh ideas, of course, and plenty of good warm words to dress them in. Facts always yield the place of honor, in conversation, to thoughts about facts; but if a false note is uttered, down comes the finger on the key and the man of facts asserts his true dignity. I have known three of these men of facts, at least, who were always formidable,—and one of them was tyrannical.
—Yes, a man sometimes makes a grand appearance on a particular occasion; but these men knew something about almost everything, and never made mistakes.—He? Veneers in first-rate style. The mahogany scales off now and then in spots, and then you see the cheap light stuff—I found—very fine in conversational information, the other day when we were in company. The talk ran upon mountains. He was wonderfully well acquainted with the leading facts about the Andes, the Apennines, and the Appalachians; he had nothing in particular to say about Ararat, Ben Nevis, and various other mountains that were mentioned. By and by some Revolutionary anecdote came up, and he showed singular familiarity with the lives of the Adamses, and gave many details relating to Major Andre. A point of Natural History being suggested, he gave an excellent account of the air-bladder of fishes. He was very full upon the subject of agriculture, but retired from the conversation when horticulture was introduced in the discussion. So he seemed well acquainted with the geology of anthracite, but did not pretend to know anything of other kinds of coal. There was something so odd about the extent and limitations of his knowledge, that I suspected all at once what might be the meaning of it, and waited till I got an opportunity.—Have you seen the "New American Cyclopaedia?" said I.—I have, he replied; I received an early copy.—How far does it go?—He turned red, and answered,—To Araguay.—Oh, said I to myself,—not quite so far as Ararat;—that is the reason he knew nothing about it; but he must have read all the rest straight through, and, if he can remember what is in this volume until he has read all those that are to come, he will know more than I ever thought he would.
Since I had this experience, I hear that somebody else has related a similar story. I didn't borrow it, for all that.—I made a comparison at table some time since, which has often been quoted and received many compliments. It was that of the mind of a bigot to the pupil of the eye; the more light you pour on it, the more it contracts. The simile is a very obvious, and, I suppose I may now say, a happy one; for it has just been shown me that it occurs in a Preface to certain Political Poems of Thomas Moore's published long before my remark was repeated. When a person of fair character for literary honesty uses an image, such as another has employed before him, the presumption is, that he has struck upon it independently, or unconsciously recalled it, supposing it his own.
It is impossible to tell, in a great many cases, whether a comparison which suddenly suggests itself is a new conception or a recollection. I told you the other day that I never wrote a line of verse that seemed to me comparatively good, but it appeared old at once, and often as if it had been borrowed. But I confess I never suspected the above comparison of being old, except from the fact of its obviousness. It is proper, however, that I proceed by a formal instrument to relinquish all claim to any property in an idea given to the world at about the time when I had just joined the class in which Master Thomas Moore was then a somewhat advanced scholar.
I, therefore, in full possession of my native honesty, but knowing the liability of all men to be elected to public office, and for that reason feeling uncertain how soon I may be in danger of losing it, do hereby renounce all claim to being considered the FIRST person who gave utterance to a certain simile or comparison referred to in the accompanying documents, and relating to the pupil of the eye on the one part and the mind of the bigot on the other. I hereby relinquish all glory and profit, and especially all claims to letters from autograph collectors, founded upon my supposed property in the above comparison,—knowing well, that, according to the laws of literature, they who speak first hold the fee of the thing said. I do also agree that all Editors of Cyclopedias and Biographical Dictionaries, all Publishers of Reviews and Papers, and all Critics writing therein, shall be at liberty to retract or qualify any opinion predicated on the supposition that I was the sole and undisputed author of the above comparison. But, inasmuch as I do affirm that the comparison aforesaid was uttered by me in the firm belief that it was new and wholly my own, and as I have good reason to think that I had never seen or heard it when first expressed by me, and as it is well known that different persons may independently utter the same idea,—as is evinced by that familiar line from Donatus,—
"Pereant illi qui ante nos nostra dixerunt,"—
now, therefore, I do request by this instrument that all well-disposed persons will abstain from asserting or implying that I am open to any accusation whatsoever touching the said comparison, and, if they have so asserted or implied, that they will have the manliness forthwith to retract the same assertion or insinuation.
I think few persons have a greater disgust for plagiarism than myself. If I had even suspected that the idea in question was borrowed, I should have disclaimed originality, or mentioned the coincidence, as I once did in a case where I had happened to hit on an idea of Swift's.—But what shall I do about these verses I was going to read you? I am afraid that half mankind would accuse me of stealing their thoughts, if I printed them. I am convinced that several of you, especially if you are getting a little on in life, will recognize some of these sentiments as having passed through your consciousness at some time. I can't help it,—it is too late now. The verses are written, and you must have them. Listen, then, and you shall hear
WHAT WE ALL THINK.
That age was older once than now, In spite of locks untimely shed, Or silvered on the youthful brow; That babes make love and children wed.
That sunshine had a heavenly glow, Which faded with those "good old days," When winters came with deeper snow, And autumns with a softer haze.
That—mother, sister, wife, or child— The "best of women" each has known. Were schoolboys ever half so wild? How young the grandpapas have grown,
That BUT FOR THIS our souls were free, And BUT FOR THAT our lives were blest; That in some season yet to be Our cares will leave us time to rest.
Whene'er we groan with ache or pain, Some common ailment of the race,— Though doctors think the matter plain,— That ours is "a peculiar case."
That when like babes with fingers burned We count one bitter maxim more, Our lesson all the world has learned, And men are wiser than before.
That when we sob o'er fancied woes, The angels hovering overhead Count every pitying drop that flows And love us for the tears we shed.
That when we stand with tearless eye And turn the beggar from our door, They still approve us when we sigh, "Ah, had I but ONE THOUSAND MORE!"
That weakness smoothed the path of sin, In half the slips our youth has known; And whatsoe'er its blame has been, That Mercy flowers on faults outgrown.
Though temples crowd the crumbled brink O'erhanging truth's eternal flow, Their tablets bold with WHAT WE THINK, Their echoes dumb to WHAT WE KNOW;
That one unquestioned text we read, All doubt beyond, all fear above, Nor crackling pile nor cursing creed Can burn or blot it: GOD IS LOVE!
CHAPTER VII
[This particular record is noteworthy principally for containing a paper by my friend, the Professor, with a poem or two annexed or intercalated. I would suggest to young persons that they should pass over it for the present, and read, instead of it, that story about the young man who was in love with the young lady, and in great trouble for something like nine pages, but happily married on the tenth page or thereabouts, which, I take it for granted, will be contained in the periodical where this is found, unless it differ from all other publications of the kind. Perhaps, if such young people will lay the number aside, and take it up ten years, or a little more, from the present time, they may find something in it for their advantage. They can't possibly understand it all now.]
My friend, the Professor, began talking with me one day in a dreary sort of way. I couldn't get at the difficulty for a good while, but at last it turned out that somebody had been calling him an old man.—He didn't mind his students calling him THE old man, he said. That was a technical expression, and he thought that he remembered hearing it applied to himself when he was about twenty-five. It may be considered as a familiar and sometimes endearing appellation. An Irishwoman calls her husband "the old man," and he returns the caressing expression by speaking of her as "the old woman." But now, said he, just suppose a case like one of these. A young stranger is overheard talking of you as a very nice old gentleman. A friendly and genial critic speaks of your green old age as illustrating the truth of some axiom you had uttered with reference to that period of life. What I call an old man is a person with a smooth, shining crown and a fringe of scattered white hairs, seen in the streets on sunshiny days, stooping as he walks, bearing a cane, moving cautiously and slowly; telling old stories, smiling at present follies, living in a narrow world of dry habits; one that remains waking when others have dropped asleep, and keeps a little night-lamp-flame of life burning year after year, if the lamp is not upset, and there is only a careful hand held round it to prevent the puffs of wind from blowing the flame out. That's what I call an old man.
Now, said the Professor, you don't mean to tell me that I have got to that yet? Why, bless you, I am several years short of the time when—[I knew what was coming, and could hardly keep from laughing; twenty years ago he used to quote it as one of those absurd speeches men of genius will make, and now he is going to argue from it]—several years short of the time when Balzac says that men are —most—you know—dangerous to—the hearts of—in short, most to be dreaded by duennas that have charge of susceptible females.—What age is that? said I, statistically.—Fifty-two years, answered the Professor.—Balzac ought to know, said I, if it is true that Goethe said of him that each of his stories must have been dug out of a woman's heart. But fifty-two is a high figure.
Stand in the light of the window, Professor, said I.—-The Professor took up the desired position.—You have white hairs, I said.—Had 'em any time these twenty years, said the Professor. —And the crow's-foot,—pes anserinus, rather.—The Professor smiled, as I wanted him to, and the folds radiated like the ridges of a half-opened fan, from the outer corner of the eyes to the temples. —And the calipers said I.—What are the calipers? he asked, curiously.—Why, the parenthesis, said I.—Parenthesis? said the Professor; what's that?—Why, look in the glass when you are disposed to laugh, and see if your mouth isn't framed in a couple of crescent lines,—so, my boy ( ).—It's all nonsense, said the Professor; just look at my BICEPS;—and he began pulling off his coat to show me his arm. Be careful, said I; you can't bear exposure to the air, at your time of life, as you could once.—I will box with you, said the Professor, row with you, walk with you, ride with you, swim with you, or sit at table with you, for fifty dollars a side.—Pluck survives stamina, I answered.
The Professor went off a little out of humor. A few weeks afterwards he came in, looking very good-natured, and brought me a paper, which I have here, and from which I shall read you some portions, if you don't object. He had been thinking the matter over, he said,—had read Cicero "De Senectute," and made up his mind to meet old age half way. These were some of his reflections that he had written down; so here you have.
THE PROFESSOR'S PAPER.
There is no doubt when old age begins. The human body is a furnace which keeps in blast three-score years and ten, more or less. It burns about three hundred pounds of carbon a year, (besides other fuel,) when in fair working order, according to a great chemist's estimate. When the fire slackens, life declines; when it goes out, we are dead.
It has been shown by some noted French experimenters, that the amount of combustion increases up to about the thirtieth year, remains stationary to about forty-five, and then diminishes. This last is the point where old age starts from. The great fact of physical life is the perpetual commerce with the elements, and the fire is the measure of it.
About this time of life, if food is plenty where you live,—for that, you know, regulates matrimony,—you may be expecting to find yourself a grandfather some fine morning; a kind of domestic felicity that gives one a cool shiver of delight to think of, as among the not remotely possible events.
I don't mind much those slipshod lines Dr. Johnson wrote to Thrale, telling her about life's declining from THIRTY-FIVE; the furnace is in full blast for ten years longer, as I have said. The Romans came very near the mark; their age of enlistment reached from seventeen to forty-six years.
What is the use of fighting against the seasons, or the tides, or the movements of the planetary bodies, or this ebb in the wave of life that flows through us? We are old fellows from the moment the fire begins to go out. Let us always behave like gentlemen when we are introduced to new acquaintance.
Incipit Allegoria Senectutis.
Old Age, this is Mr. Professor; Mr. Professor, this is Old Age.
Old Age.—Mr. Professor, I hope to see you well. I have known you for some time, though I think you did not know me. Shall we walk down the street together?
Professor (drawing back a little).—We can talk more quietly, perhaps, in my study. Will you tell me how it is you seem to be acquainted with everybody you are introduced to, though he evidently considers you an entire stranger?
Old Age.—I make it a rule never to force myself upon a person's recognition until I have known him at least FIVE YEARS.
Professor.—Do you mean to say that you have known me so long as that?
Old Age. I do. I left my card on you longer ago than that, but I am afraid you never read it; yet I see you have it with you.
Professor.—Where?
Old Age.—There, between your eyebrows,—three straight lines running up and down; all the probate courts know that token,—"Old Age, his mark." Put your forefinger on the inner end of one eyebrow, and your middle finger on the inner end of the other eyebrow; now separate the fingers, and you will smooth out my sign-manual; that's the way you used to look before I left my card on you.
Professor.—What message do people generally send back when you first call on them?
Old Age.—Not at home. Then I leave a card and go. Next year I call; get the same answer; leave another card. So for five or six,—sometimes ten years or more. At last, if they don't let me in, I break in through the front door or the windows.
We talked together in this way some time. Then Old Age said again,—Come, let us walk down the street together,—and offered me a cane, an eyeglass, a tippet, and a pair of over-shoes.—No, much obliged to you, said I. I don't want those things, and I had a little rather talk with you here, privately, in my study. So I dressed myself up in a jaunty way and walked out alone;—got a fall, caught a cold, was laid up with a lumbago, and had time to think over this whole matter.
Explicit Allegoria Senectutis.
We have settled when old age begins. Like all Nature's processes, it is gentle and gradual in its approaches, strewed with illusions, and all its little griefs soothed by natural sedatives. But the iron hand is not less irresistible because it wears the velvet glove. The button-wood throws off its bark in large flakes, which one may find lying at its foot, pushed out, and at last pushed off, by that tranquil movement from beneath, which is too slow to be seen, but too powerful to be arrested. One finds them always, but one rarely sees them fall. So it is our youth drops from us, —scales off, sapless and lifeless, and lays bare the tender and immature fresh growth of old age. Looked at collectively, the changes of old age appear as a series of personal insults and indignities, terminating at last in death, which Sir Thomas Browne has called "the very disgrace and ignominy of our nature."
My lady's cheek can boast no more The cranberry white and pink it wore; And where her shining locks divide, The parting line is all too wide—
No, no,—this will never do. Talk about men, if you will, but spare the poor women.
We have a brief description of seven stages of life by a remarkably good observer. It is very presumptuous to attempt to add to it, yet I have been struck with the fact that life admits of a natural analysis into no less than fifteen distinct periods. Taking the five primary divisions, infancy, childhood, youth, manhood, old age, each of these has its own three periods of immaturity, complete development, and decline. I recognize on OLD baby at once,—with its "pipe and mug," (a stick of candy and a porringer,)—so does everybody; and an old child shedding its milk-teeth is only a little prototype of the old man shedding his permanent ones. Fifty or thereabouts is only the childhood, as it were, of old age; the graybeard youngster must be weaned from his late suppers now. So you will see that you have to make fifteen stages at any rate, and that it would not be hard to make twenty-five; five primary, each with five secondary divisions.
The infancy and childhood of commencing old age have the same ingenuous simplicity and delightful unconsciousness about them as the first stage of the earlier periods of life shows. The great delusion of mankind is in supposing that to be individual and exceptional which is universal and according to law. A person is always startled when he hears himself seriously called an old man for the first time.
Nature gets us out of youth into manhood, as sailors are hurried on board of vessels,—in a state of intoxication. We are hustled into maturity reeling with our passions and imaginations, and we have drifted far away from port before we awake out of our illusions. But to carry us out of maturity into old age, without our knowing where we are going, she drugs us with strong opiates, and so we stagger along with wide open eyes that see nothing until snow enough has fallen on our heads to rouse our comatose brains out of their stupid trances.
There is one mark of age that strikes me more than any of the physical ones;—I mean the formation of Habits. An old man who shrinks into himself falls into ways that become as positive and as much beyond the reach of outside influences as if they were governed by clock-work. The ANIMAL functions, as the physiologists call them, in distinction from the ORGANIC, tend, in the process of deterioration to which age and neglect united gradually lead them, to assume the periodical or rhythmical type of movement. Every man's HEART (this organ belongs, you know, to the organic system) has a regular mode of action; but I know a great many men whose BRAINS, and all their voluntary existence flowing from their brains, have a systole and diastole as regular as that of the heart itself. Habit is the approximation of the animal system to the organic. It is a confession of failure in the highest function of being, which involves a perpetual self-determination, in full view of all existing circumstances. But habit, you see, is an action in present circumstances from past motives. It is substituting a vis a tergo for the evolution of living force.
When a man, instead of burning up three hundred pounds of carbon a year, has got down to two hundred and fifty, it is plain enough he must economize force somewhere. Now habit is a labor-saving invention which enables a man to get along with less fuel,—that is all; for fuel is force, you know, just as much in the page I am writing for you as in the locomotive or the legs that carry it to you. Carbon is the same thing, whether you call it wood, or coal, or bread and cheese. A reverend gentleman demurred to this statement,—as if, because combustion is asserted to be the sine qua non of thought, therefore thought is alleged to be a purely chemical process. Facts of chemistry are one thing, I told him, and facts of consciousness another. It can be proved to him, by a very simple analysis of some of his spare elements, that every Sunday, when he does his duty faithfully, he uses up more phosphorus out of his brain and nerves than on ordinary days. But then he had his choice whether to do his duty, or to neglect it, and save his phosphorus and other combustibles.
It follows from all this that THE FORMATION OF HABITS ought naturally to be, as it is, the special characteristic of age. As for the muscular powers, they pass their maximum long before the time when the true decline of life begins, if we may judge by the experience of the ring. A man is "stale," I think, in their language, soon after thirty,—often, no doubt, much earlier, as gentlemen of the pugilistic profession are exceedingly apt to keep their vital fire burning WITH THE BLOWER UP.
—So far without Tully. But in the mean time I have been reading the treatise, "De Senectute." It is not long, but a leisurely performance. The old gentleman was sixty-three years of age when he addressed it to his friend T. Pomponius Atticus, Eq., a person of distinction, some two or three years older. We read it when we are schoolboys, forget all about it for thirty years, and then take it up again by a natural instinct,—provided always that we read Latin as we drink water, without stopping to taste it, as all of us who ever learned it at school or college ought to do.
Cato is the chief speaker in the dialogue. A good deal of it is what would be called in vulgar phrase "slow." It unpacks and unfolds incidental illustrations which a modern writer would look at the back of, and toss each to its pigeon-hole. I think ancient classics and ancient people are alike in the tendency to this kind of expansion.
An old doctor came to me once (this is literal fact) with some contrivance or other for people with broken kneepans. As the patient would be confined for a good while, he might find it dull work to sit with his hands in his lap. Reading, the ingenious inventor suggested, would be an agreeable mode of passing the time. He mentioned, in his written account of his contrivance, various works that might amuse the weary hour. I remember only three,—Don Quixote, Tom Jones, and WATTS ON THE MIND.
It is not generally understood that Cicero's essay was delivered as a lyceum lecture, (concio popularis,) at the Temple of Mercury. The journals (papyri) of the day ("Tempora Quotidiana,"—"Tribuinus Quirinalis,"—"Praeco Romanus," and the rest) gave abstracts of it, one of which I have translated and modernized, as being a substitute for the analysis I intended to make.
IV. Kal. Mart. . . . .
The lecture at the Temple of Mercury, last evening, was well attended by the elite of our great city. Two hundred thousand sestertia were thought to have been represented in the house. The doors were besieged by a mob of shabby fellows, (illotum vulgus,) who were at length quieted after two or three had been somewhat roughly handled (gladio jugulati). The speaker was the well-known Mark Tully, Eq.,—the subject Old Age. Mr. T. has a lean and scraggy person, with a very unpleasant excrescence upon his nasal feature, from which his nickname of CHICK-PEA (Cicero) is said by some to be derived. As a lecturer is public property, we may remark, that his outer garment (toga) was of cheap stuff and somewhat worn, and that his general style and appearance of dress and manner (habitus, vestitusque) were somewhat provincial.
The lecture consisted of an imaginary dialogue between Cato and Laelius. We found the first portion rather heavy, and retired a few moments for refreshment (pocula quaedam vini).—All want to reach old age, says Cato, and grumble when they get it; therefore they are donkeys.—The lecturer will allow us to say that he is the donkey; we know we shall grumble at old age, but we want to live through youth and manhood, IN SPITE of the troubles we shall groan over.—There was considerable prosing as to what old age can do and can't.—True, but not new. Certainly, old folks can't jump,—break the necks of their thigh-bones, (femorum cervices,) if they do; can't crack nuts with their teeth; can't climb a greased pole (malum inunctum scandere non possunt); but they can tell old stories and give you good advice; if they know what you have made up your mind to do when you ask them.—All this is well enough, but won't set the Tiber on fire (Tiberim accendere nequaquam potest.)
There were some clever things enough, (dicta hand inepta,) a few of which are worth reporting.—Old people are accused of being forgetful; but they never forget where they have put their money. —Nobody is so old he doesn't think he can live a year.—The lecturer quoted an ancient maxim,—Grow old early, if you would be old long,—but disputed it.—Authority, he thought, was the chief privilege of age.—It is not great to have money, but fine to govern those that have it.—Old age begins at FORTY-SIX years, according to the common opinion.—It is not every kind of old age or of wine that grows sour with time.—Some excellent remarks were made on immortality, but mainly borrowed from and credited to Plato.—Several pleasing anecdotes were told.—Old Milo, champion of the heavy weights in his day, looked at his arms and whimpered, "They are dead." Not so dead as you, you old fool,—says Cato; —you never were good for anything but for your shoulders and flanks.—Pisistratus asked Solon what made him dare to be so obstinate. Old age, said Solon.
The lecture was on the whole acceptable, and a credit to our culture and civilization.—The reporter goes on to state that there will be no lecture next week, on account of the expected combat between the bear and the barbarian. Betting (sponsio) two to one (duo ad unum) on the bear.
—After all, the most encouraging things I find in the treatise, "De Senectute," are the stories of men who have found new occupations when growing old, or kept up their common pursuits in the extreme period of life. Cato learned Greek when he was old, and speaks of wishing to learn the fiddle, or some such instrument, (fidibus,) after the example of Socrates. Solon learned something new, every day, in his old age, as he gloried to proclaim. Cyrus pointed out with pride and pleasure the trees he had planted with his own hand. [I remember a pillar on the Duke of Northumberland's estate at Alnwick, with an inscription in similar words, if not the same. That, like other country pleasures, never wears out. None is too rich, none too poor, none too young, none too old to enjoy it.] There is a New England story I have heard more to the point, however, than any of Cicero's. A young farmer was urged to set out some apple-trees.—No, said he, they are too long growing, and I don't want to plant for other people. The young farmer's father was spoken to about it, but he, with better reason, alleged that apple-trees were slow and life was fleeting. At last some one mentioned it to the old grandfather of the young farmer. He had nothing else to do,—so he stuck in some trees. He lived long enough to drink barrels of cider made from the apples that grew on those trees.
As for myself, after visiting a friend lately,—[Do remember all the time that this is the Professor's paper.]—I satisfied myself that I had better concede the fact that—my contemporaries are not so young as they have been,—and that,—awkward as it is,—science and history agree in telling me that I can claim the immunities and must own the humiliations of the early stage of senility. Ah! but we have all gone down the hill together. The dandies of my time have split their waistbands and taken to high-low shoes. The beauties of my recollections—where are they? They have run the gantlet of the years as well as I. First the years pelted them with red roses till their cheeks were all on fire. By and by they began throwing white roses, and that morning flush passed away. At last one of the years threw a snow-ball, and after that no year let the poor girls pass without throwing snow-balls. And then came rougher missiles,—ice and stones; and from time to time an arrow whistled, and down went one of the poor girls. So there are but few left; and we don't call those few GIRLS, but—
Ah, me! Here am I groaning just as the old Greek sighed Ai, ai! and the old Roman, Eheu! I have no doubt we should die of shame and grief at the indignities offered us by age, if it were not that we see so many others as badly or worse off than ourselves. We always compare ourselves with our contemporaries.
[I was interrupted in my reading just here. Before I began at the next breakfast, I read them these verses;—I hope you will like them, and get a useful lesson from them.]
THE LAST BLOSSOM.
Though young no more, we still would dream Of beauty's dear deluding wiles; The leagues of life to graybeards seem Shorter than boyhood's lingering miles.
Who knows a woman's wild caprice? It played with Goethe's silvered hair, And many a Holy Father's "niece" Has softly smoothed the papal chair.
When sixty bids us sigh in vain To melt the heart of sweet sixteen, We think upon those ladies twain Who loved so well the tough old Dean.
We see the Patriarch's wintry face, The maid of Egypt's dusky glow, And dream that Youth and Age embrace, As April violets fill with snow.
Tranced in her Lord's Olympian smile His lotus-loving Memphian lies,— The musky daughter of the Nile With plaited hair and almond eyes.
Might we but share one wild caress Ere life's autumnal blossoms fall, And Earth's brown, clinging lips impress The long cold kiss that waits us all!
My bosom heaves, remembering yet The morning of that blissful day When Rose, the flower of spring, I met, And gave my raptured soul away.
Flung from her eyes of purest blue, A lasso, with its leaping chain Light as a loop of larkspurs, flew O'er sense and spirit, heart and brain.
Thou com'st to cheer my waning age, Sweet vision, waited for so long! Dove that would seek the poet's cage Lured by the magic breath of song!
She blushes! Ah, reluctant maid, Love's drapeau rouge the truth has told! O'er girlhood's yielding barricade Floats the great Leveller's crimson fold!
Come to my arms!—love heeds not years No frost the bud of passion knows.— Ha! what is this my frenzy hears? A voice behind me uttered,—Rose!
Sweet was her smile,—but not for me; Alas, when woman looks TOO kind, Just turn your foolish head and see,— Some youth is walking close behind!
As to GIVING UP because the almanac or the Family-Bible says that it is about time to do it, I have no intention of doing any such thing. I grant you that I burn less carbon than some years ago. I see people of my standing really good for nothing, decrepit, effete, la levre inferieure deja pendante, with what little life they have left mainly concentrated in their epigastrium. But as the disease of old age is epidemic, endemic, and sporadic, and everybody that lives long enough is sure to catch it, I am going to say, for the encouragement of such as need it, how I treat the malady in my own case.
First. As I feel, that, when I have anything to do, there is less time for it than when I was younger, I find that I give my attention more thoroughly, and use my time more economically than ever before; so that I can learn anything twice as easily as in my earlier days. I am not, therefore, afraid to attack a new study. I took up a difficult language a very few years ago with good success, and think of mathematics and metaphysics by-and-by.
Secondly. I have opened my eyes to a good many neglected privileges and pleasures within my reach, and requiring only a little courage to enjoy them. You may well suppose it pleased me to find that old Cato was thinking of learning to play the fiddle, when I had deliberately taken it up in my old age, and satisfied myself that I could get much comfort, if not much music, out of it.
Thirdly. I have found that some of those active exercises, which are commonly thought to belong to young folks only, may be enjoyed at a much later period.
A young friend has lately written an admirable article in one of the journals, entitled, "Saints and their Bodies." Approving of his general doctrines, and grateful for his records of personal experience, I cannot refuse to add my own experimental confirmation of his eulogy of one particular form of active exercise and amusement, namely, BOATING. For the past nine years, I have rowed about, during a good part of the summer, on fresh or salt water. My present fleet on the river Charles consists of three row-boats. 1. A small flat-bottomed skiff of the shape of a flat-iron, kept mainly to lend to boys. 2. A fancy "dory" for two pairs of sculls, in which I sometimes go out with my young folks. 3. My own particular water-sulky, a "skeleton" or "shell" race-boat, twenty-two feet long, with huge outriggers, which boat I pull with ten-foot sculls,—alone, of course, as it holds but one, and tips him out, if he doesn't mind what he is about. In this I glide around the Back Bay, down the stream, up the Charles to Cambridge and Watertown, up the Mystic, round the wharves, in the wake of steamboats which leave a swell after them delightful to rock upon; I linger under the bridges,—those "caterpillar bridges," as my brother professor so happily called them; rub against the black sides of old wood-schooners; cool down under the overhanging stern of some tall Indiaman; stretch across to the Navy-Yard, where the sentinel warns me off from the Ohio,—just as if I should hurt her by lying in her shadow; then strike out into the harbor, where the water gets clear and the air smells of the ocean,—till all at once I remember, that, if a west wind blows up of a sudden, I shall drift along past the islands, out of sight of the dear old State-house,—plate, tumbler, knife and fork all waiting at home, but no chair drawn up at the table,—all the dear people waiting, waiting, waiting, while the boat is sliding, sliding, sliding into the great desert, where there is no tree and no fountain. As I don't want my wreck to be washed up on one of the beaches in company with devil's-aprons, bladder-weeds, dead horse-shoes, and bleached crab-shells, I turn about and flap my long narrow wings for home. When the tide is running out swiftly, I have a splendid fight to get through the bridges, but always make it a rule to beat,—though I have been jammed up into pretty tight places at times, and was caught once between a vessel swinging round and the pier, until our bones (the boat's, that is) cracked as if we had been in the jaws of Behemoth. Then back to my moorings at the foot of the Common, off with the rowing-dress, dash under the green translucent wave, return to the garb of civilization, walk through my Garden, take a look at my elms on the Common, and, reaching my habitat, in consideration of my advanced period of life, indulge in the Elysian abandonment of a huge recumbent chair. |
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