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The Autobiography of an Ex-Colored Man
by James Weldon Johnson
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I now forgot my troubles in the hurry and excitement of getting my trunk off in time to catch the train, which went out at seven o'clock. I even forgot that I hadn't eaten anything since morning. We got a wagon—the porter went with me—and took my trunk to the express office. My new friend then told me to come to the station at about a quarter of seven and walk straight to the car where I should see him standing, and not to lose my nerve. I found my role not so difficult to play as I thought it would be, because the train did not leave from the central station, but from a smaller one, where there were no gates and guards to pass. I followed directions, and the porter took me on his car and locked me in his closet. In a few minutes the train pulled out for Jacksonville.

I may live to be a hundred years old, but I shall never forget the agonies I suffered that night. I spent twelve hours doubled up in the porter's basket for soiled linen, not being able to straighten up on account of the shelves for clean linen just over my head. The air was hot and suffocating and the smell of damp towels and used linen was sickening. At each lurch of the car over the none-too-smooth track I was bumped and bruised against the narrow walls of my narrow compartment. I became acutely conscious of the fact that I had not eaten for hours. Then nausea took possession of me, and at one time I had grave doubts about reaching my destination alive. If I had the trip to make again, I should prefer to walk.



V

The next morning I got out of the car at Jacksonville with a stiff and aching body. I determined to ask no more porters, not even my benefactor, about stopping-places; so I found myself on the street not knowing where to go. I walked along listlessly until I met a colored man who had the appearance of a preacher. I asked him if he could direct me to a respectable boarding-house for colored people. He said that if I walked along with him in the direction he was going, he would show me such a place: I turned and walked at his side. He proved to be a minister, and asked me a great many direct questions about myself. I answered as many as I saw fit to answer; the others I evaded or ignored. At length we stopped in front of a frame house, and my guide informed me that it was the place. A woman was standing in the doorway, and he called to her saying that he had brought her a new boarder. I thanked him for his trouble, and after he had urged upon, me to attend his church while I was in the city, he went on his way.

I went in and found the house neat and not uncomfortable. The parlor was furnished with cane-bottomed chairs, each of which was adorned with a white crocheted tidy. The mantel over the fireplace had a white crocheted cover; a marble-topped center table held a lamp, a photograph album and several trinkets, each of which was set upon a white crocheted mat. There was a cottage organ in a corner of the room, and I noted that the lamp-racks upon it were covered with white crocheted mats. There was a matting on the floor, but a white crocheted carpet would not have been out of keeping. I made arrangements with the landlady for my board and lodging; the amount was, I think, three dollars and a half a week. She was a rather fine-looking, stout, brown-skin woman of about forty years of age. Her husband was a light-colored Cuban, a man about one half her size, and one whose age could not be guessed from his appearance. He was small in size, but a handsome black mustache and typical Spanish eyes redeemed him from insignificance.

I was in time for breakfast, and at the table I had the opportunity to see my fellow boarders. There were eight or ten of them. Two, as I afterwards learned, were colored Americans. All of them were cigar makers and worked in one of the large factories—cigar making is one trade in which the color line is not drawn. The conversation was carried on entirely in Spanish, and my ignorance of the language subjected me more to alarm than embarrassment. I had never heard such uproarious conversation; everybody talked at once, loud exclamations, rolling "carambas," menacing gesticulations with knives, forks, and spoons. I looked every moment for the clash of blows. One man was emphasizing his remarks by flourishing a cup in his hand, seemingly forgetful of the fact that it was nearly full of hot coffee. He ended by emptying it over what was, relatively, the only quiet man at the table excepting myself, bringing from him a volley of language which made the others appear dumb by comparison. I soon learned that in all of this clatter of voices and table utensils they were discussing purely ordinary affairs and arguing about mere trifles, and that not the least ill feeling was aroused. It was not long before I enjoyed the spirited chatter and badinage at the table as much as I did my meals—and the meals were not bad.

I spent the afternoon in looking around the town. The streets were sandy, but were well-shaded by fine oak trees and far preferable to the clay roads of Atlanta. One or two public squares with green grass and trees gave the city a touch of freshness. That night after supper I spoke to my landlady and her husband about my intentions. They told me that the big winter hotels would not open within two months. It can easily be imagined what effect this news had on me. I spoke to them frankly about my financial condition and related the main fact of my misfortune in Atlanta. I modestly mentioned my ability to teach music and asked if there was any likelihood of my being able to get some scholars. My landlady suggested that I speak to the preacher who had shown me her house; she felt sure that through his influence I should be able to get up a class in piano. She added, however, that the colored people were poor, and that the general price for music lessons was only twenty-five cents. I noticed that the thought of my teaching white pupils did not even remotely enter her mind. None of this information made my prospects look much brighter.

The husband, who up to this time had allowed the woman to do most of the talking, gave me the first bit of tangible hope; he said that he could get me a job as a "stripper" in the factory where he worked, and that if I succeeded in getting some music pupils, I could teach a couple of them every night, and so make a living until something better turned up. He went on to say that it would not be a bad thing for me to stay at the factory and learn my trade as a cigar maker, and impressed on me that, for a young man knocking about the country, a trade was a handy thing to have. I determined to accept his offer and thanked him heartily. In fact, I became enthusiastic, not only because I saw a way out of my financial troubles, but also because I was eager and curious over the new experience I was about to enter. I wanted to know all about the cigar making business. This narrowed the conversation down to the husband and myself, so the wife went in and left us talking.

He was what is called a regalia workman, and earned from thirty-five to forty dollars a week. He generally worked a sixty-dollar job; that is, he made cigars for which he was paid at the rate of sixty dollars per thousand. It was impossible for him to make a thousand in a week because he had to work very carefully and slowly. Each cigar was made entirely by hand. Each piece of filler and each wrapper had to be selected with care. He was able to make a bundle of one hundred cigars in a day, not one of which could be told from the others by any difference in size or shape, or even by any appreciable difference in weight. This was the acme of artistic skill in cigar making. Workmen of this class were rare, never more than three or four in one factory, and it was never necessary for them to remain out of work. There were men who made two, three, and four hundred cigars of the cheaper grades in a day; they had to be very fast in order to make a decent week's wages. Cigar making was a rather independent trade; the men went to work when they pleased and knocked off when they felt like doing so. As a class the workmen were careless and improvident; some very rapid makers would not work more than three or four days out of the week, and there were others who never showed up at the factory on Mondays. "Strippers" were the boys who pulled the long stems from the tobacco leaves. After they had served at that work for a certain time they were given tables as apprentices.

All of this was interesting to me; and we drifted along in conversation until my companion struck the subject nearest his heart, the independence of Cuba. He was an exile from the island, and a prominent member of the Jacksonville Junta. Every week sums of money were collected from juntas all over the country. This money went to buy arms and ammunition for the insurgents. As the man sat there nervously smoking his long, "green" cigar, and telling me of the Gomezes, both the white one and the black one, of Maceo and Bandera, he grew positively eloquent. He also showed that he was a man of considerable education and reading. He spoke English excellently, and frequently surprised me by using words one would hardly expect from a foreigner. The first one of this class of words he employed almost shocked me, and I never forgot it; 'twas "ramify." We sat on the piazza until after ten o'clock. When we arose to go in to bed, it was with the understanding that I should start in the factory on the next day.

I began work the next morning seated at a barrel with another boy, who showed me how to strip the stems from the leaves, to smooth out each half leaf, and to put the "rights" together in one pile, and the "lefts" together in another pile on the edge of the barrel. My fingers, strong and sensitive from their long training, were well adapted to this kind of work, and within two weeks I was accounted the fastest "stripper" in the factory. At first the heavy odor of the tobacco almost sickened me, but when I became accustomed to it, I liked the smell. I was now earning four dollars a week, and was soon able to pick up a couple more by teaching a few scholars at night, whom I had secured through the good offices of the preacher I had met on my first morning in Jacksonville.

At the end of about three months, through my skill as a "stripper" and the influence of my landlord, I was advanced to a table and began to learn my trade; in fact, more than my trade; for I learned not only to make cigars, but also to smoke, to swear, and to speak Spanish. I discovered that I had a talent for languages as well as for music. The rapidity and ease with which I acquired Spanish astonished my associates. In a short time I was able not only to understand most of what was said at the table during meals, but to join in the conversation. I bought a method for learning the Spanish language, and with the aid of my landlord as a teacher, by constant practice with my fellow workmen, and by regularly reading the Cuban newspapers and finally some books of standard Spanish literature which were at the house, I was able in less than a year to speak like a native. In fact, it was my pride that I spoke better Spanish than many of the Cuban workmen at the factory.

After I had been in the factory a little over a year, I was repaid for all the effort I had put forth to learn Spanish by being selected as "reader." The "reader" is quite an institution in all cigar factories which employ Spanish-speaking workmen. He sits in the center of the large room in which the cigar makers work and reads to them for a certain number of hours each day all the important news from the papers and whatever else he may consider would be interesting. He often selects an exciting novel and reads it in daily installments. He must, of course, have a good voice, but he must also have a reputation among the men for intelligence, for being well-posted and having in his head a stock of varied information. He is generally the final authority on all arguments which arise, and in a cigar factory these arguments are many and frequent, ranging from the respective and relative merits of rival baseball clubs to the duration of the sun's light and energy—cigar making is a trade in which talk does not interfere with work. My position as "reader" not only released me from the rather monotonous work of rolling cigars, and gave me something more in accord with my tastes, but also added considerably to my income. I was now earning about twenty-five dollars a week, and was able to give up my peripatetic method of giving music lessons. I hired a piano and taught only those who could arrange to take their lessons where I lived. I finally gave up teaching entirely, as what I made scarcely paid for my time and trouble. I kept the piano, however, in order to keep up my own studies, and occasionally I played at some church concert or other charitable entertainment.

Through my music teaching and my not absolutely irregular attendance at church, I became acquainted with the best class of colored people in Jacksonville. This was really my entrance into the race. It was my initiation into what I have termed the freemasonry of the race. I had formulated a theory of what it was to be colored; now I was getting the practice. The novelty of my position caused me to observe and consider things which, I think, entirely escaped the young men I associated with; or, at least, were so commonplace to them as not to attract their attention. And of many of the impressions which came to me then I have realized the full import only within the past few years, since I have had a broader knowledge of men and history, and a fuller comprehension of the tremendous struggle which is going on between the races in the South.

It is a struggle; for though the black man fights passively, he nevertheless fights; and his passive resistance is more effective at present than active resistance could possibly be. He bears the fury of the storm as does the willow tree.

It is a struggle; for though the white man of the South may be too proud to admit it, he is, nevertheless, using in the contest his best energies; he is devoting to it the greater part of his thought and much of his endeavor. The South today stands panting and almost breathless from its exertions.

And how the scene of the struggle has shifted! The battle was first waged over the right of the Negro to be classed as a human being with a soul; later, as to whether he had sufficient intellect to master even the rudiments of learning; and today it is being fought out over his social recognition.

I said somewhere in the early part of this narrative that because the colored man looked at everything through the prism of his relationship to society as a colored man, and because most of his mental efforts ran through the narrow channel bounded by his rights and his wrongs, it was to be wondered at that he has progressed so broadly as he has. The same thing may be said of the white man of the South; most of his mental efforts run through one narrow channel; his life as a man and a citizen, many of his financial activities, and all of his political activities are impassably limited by the ever present "Negro question." I am sure it would be safe to wager that no group of Southern white men could get together and talk for sixty minutes without bringing up the "race question." If a Northern white man happened to be in the group, the time could be safely cut to thirty minutes. In this respect I consider the conditions of the whites more to be deplored than that of the blacks. Here, a truly great people, a people that produced a majority of the great historic Americans from Washington to Lincoln, now forced to use up its energies in a conflict as lamentable as it is violent.

I shall give the observations I made in Jacksonville as seen through the light of after years; and they apply generally to every Southern community. The colored people may be said to be roughly divided into three classes, not so much in respect to themselves as in respect to their relations with the whites. There are those constituting what might be called the desperate class—the men who work in the lumber and turpentine camps, the ex-convicts, the bar-room loafers are all in this class. These men conform to the requirements of civilization much as a trained lion with low muttered growls goes through his stunts under the crack of the trainer's whip. They cherish a sullen hatred for all white men, and they value life as cheap. I have heard more than one of them say: "I'll go to hell for the first white man that bothers me." Many who have expressed that sentiment have kept their word, and it is that fact which gives such prominence to this class; for in numbers it is only a small proportion of the colored people, but it often dominates public opinion concerning the whole race. Happily, this class represents the black people of the South far below their normal physical and moral condition, but in its increase lies the possibility of grave dangers. I am sure there is no more urgent work before the white South, not only for its present happiness, but for its future safety, than the decreasing of this class of blacks. And it is not at all a hopeless class; for these men are but the creatures of conditions, as much so as the slum and criminal elements of all the great cities of the world are creatures of conditions. Decreasing their number by shooting and burning them off will not be successful; for these men are truly desperate, and thoughts of death, however terrible, have little effect in deterring them from acts the result of hatred or degeneracy. This class of blacks hate everything covered by a white skin, and in return they are loathed by the whites. The whites regard them just about as a man would a vicious mule, a thing to be worked, driven, and beaten, and killed for kicking.

The second class, as regards the relation between blacks and whites, comprises the servants, the washerwomen, the waiters, the cooks, the coachmen, and all who are connected with the whites by domestic service. These may be generally characterized as simple, kind-hearted, and faithful; not over-fine in their moral deductions, but intensely religious, and relatively—such matters can be judged only relatively—about as honest and wholesome in their lives as any other grade of society. Any white person is "good" who treats them kindly, and they love him for that kindness. In return, the white people with whom they have to do regard them with indulgent affection. They come into close daily contact with the whites, and may be called the connecting link between whites and blacks; in fact, it is through them that the whites know the rest of their colored neighbors. Between this class of the blacks and the whites there is little or no friction.

The third class is composed of the independent workmen and tradesmen, and of the well-to-do and educated colored people; and, strange to say, for a directly opposite reason they are as far removed from the whites as the members of the first class I mentioned. These people live in a little world of their own; in fact, I concluded that if a colored man wanted to separate himself from his white neighbors, he had but to acquire some money, education, and culture, and to live in accordance. For example, the proudest and fairest lady in the South could with propriety—and it is what she would most likely do—go to the cabin of Aunt Mary, her cook, if Aunt Mary was sick, and minister to her comfort with her own hands; but if Mary's daughter, Eliza, a girl who used to run round my lady's kitchen, but who has received an education and married a prosperous young colored man, were at death's door, my lady would no more think of crossing the threshold of Eliza's cottage than she would of going into a bar-room for a drink.

I was walking down the street one day with a young man who was born in Jacksonville, but had been away to prepare himself for a professional life. We passed a young white man, and my companion said to me: "You see that young man? We grew up together; we have played, hunted, and fished together; we have even eaten and slept together; and now since I have come back home, he barely speaks to me." The fact that the whites of the South despise and ill-treat the desperate class of blacks is not only explainable according to the ancient laws of human nature, but it is not nearly so serious or important as the fact that as the progressive colored people advance, they constantly widen the gulf between themselves and their white neighbors. I think that the white people somehow feel that colored people who have education and money, who wear good clothes and live in comfortable houses, are "putting on airs," that they do these things for the sole purpose of "spiting the white folks," or are, at best, going through a sort of monkey-like imitation. Of course, such feelings can only cause irritation or breed disgust. It seems that the whites have not yet been able to realize and understand that these people in striving to better their physical and social surroundings in accordance with their financial and intellectual progress are simply obeying an impulse which is common to human nature the world over. I am in grave doubt as to whether the greater part of the friction in the South is caused by the whites' having a natural antipathy to Negroes as a race, or an acquired antipathy to Negroes in certain relations to themselves. However that may be, there is to my mind no more pathetic side of this many-sided question than the isolated position into which are forced the very colored people who most need and who could best appreciate sympathetic cooperation; and their position grows tragic when the effort is made to couple them, whether or no, with the Negroes of the first class I mentioned.

This latter class of colored people are well-disposed towards the whites, and always willing to meet them more than halfway. They, however, feel keenly any injustice or gross discrimination, and generally show their resentment. The effort is sometimes made to convey the impression that the better class of colored people fight against riding in "Jim Crow" cars because they want to ride with white people or object to being with humbler members of their own race. The truth is they object to the humiliation of being forced to ride in a particular car, aside from the fact that that car is distinctly inferior, and that they are required to pay full first-class fare. To say that the whites are forced to ride in the superior car is less than a joke. And, too, odd as it may sound, refined colored people get no more pleasure out of riding with offensive Negroes than anybody else would get.

I can realize more fully than I could years ago that the position of the advanced element of the colored race is often very trying. They are the ones among the blacks who carry the entire weight of the race question; it worries the others very little, and I believe the only thing which at times sustains them is that they know that they are in the right. On the other hand, this class of colored people get a good deal of pleasure out of life; their existence is far from being one long groan about their condition. Out of a chaos of ignorance and poverty they have evolved a social life of which they need not be ashamed. In cities where the professional and well-to-do class is large they have formed society—society as discriminating as the actual conditions will allow it to be; I should say, perhaps, society possessing discriminating tendencies which become rules as fast as actual conditions allow. This statement will, I know, sound preposterous, even ridiculous, to some persons; but as this class of colored people is the least known of the race it is not surprising. These social circles are connected throughout the country, and a person in good standing in one city is readily accepted in another. One who is on the outside will often find it a difficult matter to get in. I know personally of one case in which money to the extent of thirty or forty thousand dollars and a fine house, not backed up by a good reputation, after several years of repeated effort, failed to gain entry for the possessor. These people have their dances and dinners and card parties, their musicals, and their literary societies. The women attend social affairs dressed in good taste, and the men in dress suits which they own; and the reader will make a mistake to confound these entertainments with the "Bellman's Balls" and "Whitewashers' Picnics" and "Lime-kiln Clubs" with which the humorous press of the country illustrates "Cullud Sassiety."

Jacksonville, when I was there, was a small town, and the number of educated and well-to-do colored people was small; so this society phase of life did not equal what I have since seen in Boston, Washington, Richmond, and Nashville; and it is upon what I have more recently seen in these cities that I have made the observations just above. However, there were many comfortable and pleasant homes in Jacksonville to which I was often invited. I belonged to the literary society—at which we generally discussed the race question—and attended all of the church festivals and other charitable entertainments. In this way I passed three years which were not at all the least enjoyable of my life. In fact, my joy took such an exuberant turn that I fell in love with a young school teacher and began to have dreams of matrimonial bliss; but another turn in the course of my life brought these dreams to an end.

I do not wish to mislead my readers into thinking that I led a life in Jacksonville which would make copy for the hero of a Sunday-school library book. I was a hail fellow well met with all of the workmen at the factory, most of whom knew little and cared less about social distinctions. From their example I learned to be careless about money, and for that reason I constantly postponed and finally abandoned returning to Atlanta University. It seemed impossible for me to save as much as two hundred dollars. Several of the men at the factory were my intimate friends, and I frequently joined them in their pleasures. During the summer months we went almost every Monday on an excursion to a seaside resort called Pablo Beach. These excursions were always crowded. There was a dancing pavilion, a great deal of drinking, and generally a fight or two to add to the excitement. I also contracted the cigar maker's habit of riding around in a hack on Sunday afternoons. I sometimes went with my cigar maker friends to public balls that were given at a large hall on one of the main streets. I learned to take a drink occasionally and paid for quite a number that my friends took; but strong liquors never appealed to my appetite. I drank them only when the company I was in required it, and suffered for it afterwards. On the whole, though I was a bit wild, I can't remember that I ever did anything disgraceful, or, as the usual standard for young men goes, anything to forfeit my claim to respectability.

At one of the first public balls I attended I saw the Pullman car porter who had so kindly assisted me in getting to Jacksonville. I went immediately to one of my factory friends and borrowed fifteen dollars with which to repay the loan my benefactor had made me. After I had given him the money, and was thanking him, I noticed that he wore what was, at least, an exact duplicate of my lamented black and gray tie. It was somewhat worn, but distinct enough for me to trace the same odd design which had first attracted my eye. This was enough to arouse my strongest suspicions, but whether it was sufficient for the law to take cognizance of I did not consider. My astonishment and the ironical humor of the situation drove everything else out of my mind.

These balls were attended by a great variety of people. They were generally given by the waiters of some one of the big hotels, and were often patronized by a number of hotel guests who came to "see the sights." The crowd was always noisy, but good-natured; there was much quadrille-dancing, and a strong-lunged man called figures in a voice which did not confine itself to the limits of the hall. It is not worth the while for me to describe in detail how these people acted; they conducted themselves in about the same manner as I have seen other people at similar balls conduct themselves. When one has seen something of the world and human nature, one must conclude, after all, that between people in like stations of life there is very little difference the world over.

However, it was at one of these balls that I first saw the cake-walk. There was a contest for a gold watch, to be awarded to the hotel head-waiter receiving the greatest number of votes. There was some dancing while the votes were being counted. Then the floor was cleared for the cake-walk. A half-dozen guests from some of the hotels took seats on the stage to act as judges, and twelve or fourteen couples began to walk for a sure enough, highly decorated cake, which was in plain evidence. The spectators crowded about the space reserved for the contestants and watched them with interest and excitement. The couples did not walk round in a circle, but in a square, with the men on the inside. The fine points to be considered were the bearing of the men, the precision with which they turned the corners, the grace of the women, and the ease with which they swung around the pivots. The men walked with stately and soldierly step, and the women with considerable grace. The judges arrived at their decision by a process of elimination. The music and the walk continued for some minutes; then both were stopped while the judges conferred; when the walk began again, several couples were left out. In this way the contest was finally narrowed down to three or four couples. Then the excitement became intense; there was much partisan cheering as one couple or another would execute a turn in extra elegant style. When the cake was finally awarded, the spectators were about evenly divided between those who cheered the winners and those who muttered about the unfairness of the judges. This was the cake-walk in its original form, and it is what the colored performers on the theatrical stage developed into the prancing movements now known all over the world, and which some Parisian critics pronounced the acme of poetic motion.

There are a great many colored people who are ashamed of the cake-walk, but I think they ought to be proud of it. It is my opinion that the colored people of this country have done four things which refute the oft-advanced theory that they are an absolutely inferior race, which demonstrate that they have originality and artistic conception, and, what is more, the power of creating that which can influence and appeal universally. The first two of these are the Uncle Remus stories, collected by Joel Chandler Harris, and the Jubilee songs, to which the Fisk singers made the public and the skilled musicians of both America and Europe listen. The other two are ragtime music and the cake-walk. No one who has traveled can question the world-conquering influence of ragtime, and I do not think it would be an exaggeration to say that in Europe the United States is popularly known better by ragtime than by anything else it has produced in a generation. In Paris they call it American music. The newspapers have already told how the practice of intricate cake-walk steps has taken up the time of European royalty and nobility. These are lower forms of art, but they give evidence of a power that will some day be applied to the higher forms. In this measure, at least, and aside from the number of prominent individuals the colored people of the United States have produced, the race has been a world influence; and all of the Indians between Alaska and Patagonia haven't done as much.

Just when I was beginning to look upon Jacksonville as my permanent home and was beginning to plan about marrying the young school teacher, raising a family, and working in a cigar factory the rest of my life, for some reason, which I do not now remember, the factory at which I worked was indefinitely shut down. Some of the men got work in other factories in town; some decided to go to Key West and Tampa, others made up their minds to go to New York for work. All at once a desire like a fever seized me to see the North again and I cast my lot with those bound for New York.



VI

We steamed up into New York Harbor late one afternoon in spring. The last efforts of the sun were being put forth in turning the waters of the bay to glistening gold; the green islands on either side, in spite of their warlike mountings, looked calm and peaceful; the buildings of the town shone out in a reflected light which gave the city an air of enchantment; and, truly, it is an enchanted spot. New York City is the most fatally fascinating thing in America. She sits like a great witch at the gate of the country, showing her alluring white face and hiding her crooked hands and feet under the folds of her wide garments—constantly enticing thousands from far within, and tempting those who come from across the seas to go no farther. And all these become the victims of her caprice. Some she at once crushes beneath her cruel feet; others she condemns to a fate like that of galley slaves; a few she favors and fondles, riding them high on the bubbles of fortune; then with a sudden breath she blows the bubbles out and laughs mockingly as she watches them fall.

Twice I had passed through it, but this was really my first visit to New York; and as I walked about that evening, I began to feel the dread power of the city; the crowds, the lights, the excitement, the gaiety, and all its subtler stimulating influences began to take effect upon me. My blood ran quicker and I felt that I was just beginning to live. To some natures this stimulant of life in a great city becomes a thing as binding and necessary as opium is to one addicted to the habit. It becomes their breath of life; they cannot exist outside of it; rather than be deprived of it they are content to suffer hunger, want, pain, and misery; they would not exchange even a ragged and wretched condition among the great crowd for any degree of comfort away from it.

As soon as we landed, four of us went directly to a lodging house in Twenty-seventh Street, just west of Sixth Avenue. The house was run by a short, stout mulatto man, who was exceedingly talkative and inquisitive. In fifteen minutes he not only knew the history of the past life of each one of us, but had a clearer idea of what we intended to do in the future than we ourselves. He sought this information so much with an air of being very particular as to whom he admitted into his house that we tremblingly answered every question that he asked. When we had become located, we went out and got supper, then walked around until about ten o'clock. At that hour we met a couple of young fellows who lived in New York and were known to one of the members of our party. It was suggested we go to a certain place which was known by the proprietor's name. We turned into one of the cross streets and mounted the stoop of a house in about the middle of a block between Sixth and Seventh Avenues. One of the young men whom we had met rang a bell, and a man on the inside cracked the door a couple of inches; then opened it and let us in. We found ourselves in the hallway of what had once been a residence. The front parlor had been converted into a bar, and a half-dozen or so well-dressed men were in the room. We went in and after a general introduction had several rounds of beer. In the back parlor a crowd was sitting and standing around the walls of the room watching an exciting and noisy game of pool. I walked back and joined this crowd to watch the game, and principally to get away from the drinking party. The game was really interesting, the players being quite expert, and the excitement was heightened by the bets which were being made on the result. At times the antics and remarks of both players and spectators were amusing. When, at a critical point, a player missed a shot, he was deluged, by those financially interested in his making it, with a flood of epithets synonymous with "chump"; While from the others he would be jeered by such remarks as "Nigger, dat cue ain't no hoe-handle." I noticed that among this class of colored men the word "nigger" was freely used in about the same sense as the word "fellow," and sometimes as a term of almost endearment; but I soon learned that its use was positively and absolutely prohibited to white men.

I stood watching this pool game until I was called by my friends, who were still in the bar-room, to go upstairs. On the second floor there were two large rooms. From the hall I looked into the one on the front. There was a large, round table in the center, at which five or six men were seated playing poker. The air and conduct here were greatly in contrast to what I had just seen in the pool-room; these men were evidently the aristocrats of the place; they were well, perhaps a bit flashily, dressed and spoke in low modulated voices, frequently using the word "gentlemen"; in fact, they seemed to be practicing a sort of Chesterfieldian politeness towards each other. I was watching these men with a great deal of interest and some degree of admiration when I was again called by the members of our party, and I followed them on to the back room. There was a door-keeper at this room, and we were admitted only after inspection. When we got inside, I saw a crowd of men of all ages and kinds grouped about an old billiard table, regarding some of whom, in supposing them to be white, I made no mistake. At first I did not know what these men were doing; they were using terms that were strange to me. I could hear only a confusion of voices exclaiming: "Shoot the two!" "Shoot the four!" "Fate me! Fate me!" "I've got you fated!" "Twenty-five cents he don't turn!" This was the ancient and terribly fascinating game of dice, popularly known as "craps." I myself had played pool in Jacksonville—it is a favorite game among cigar makers—and I had seen others play cards; but here was something new. I edged my way in to the table and stood between one of my new-found New York friends and a tall, slender, black fellow, who was making side bets while the dice were at the other end of the table. My companion explained to me the principles of the game; and they are so simple that they hardly need to be explained twice. The dice came around the table until they reached the man on the other side of the tall, black fellow. He lost, and the latter said: "Gimme the bones." He threw a dollar on the table and said: "Shoot the dollar." His style of play was so strenuous that he had to be allowed plenty of room. He shook the dice high above his head, and each time he threw them on the table, he emitted a grunt such as men give when they are putting forth physical exertion with a rhythmic regularity. He frequently whirled completely around on his heels, throwing the dice the entire length of the table, and talking to them as though they were trained animals. He appealed to them in short singsong phrases. "Come, dice," he would say. "Little Phoebe," "Little Joe," "'Way down yonder in the cornfield." Whether these mystic incantations were efficacious or not I could not say, but, at any rate, his luck was great, and he had what gamblers term "nerve." "Shoot the dollar!" "Shoot the two!" "Shoot the four!" "Shoot the eight!" came from his lips as quickly as the dice turned to his advantage. My companion asked me if I had ever played. I told him no. He said that I ought to try my luck: that everybody won at first. The tall man at my side was waving his arms in the air, exclaiming: "Shoot the sixteen!" "Shoot the sixteen!" "Fate me!" Whether it was my companion's suggestion or some latent dare-devil strain in my blood which suddenly sprang into activity I do not know; but with a thrill of excitement which went through my whole body I threw a twenty-dollar bill on the table and said in a trembling voice: "I fate you."

I could feel that I had gained the attention and respect of everybody in the room, every eye was fixed on me, and the widespread question, "Who is he?" went around. This was gratifying to a certain sense of vanity of which I have never been able to rid myself, and I felt that it was worth the money even if I lost. The tall man, with a whirl on his heels and a double grunt, threw the dice; four was the number which turned up. This is considered as a hard "point" to make. He redoubled his contortions and his grunts and his pleadings to the dice; but on his third or fourth throw the fateful seven turned up, and I had won. My companion and all my friends shouted to me to follow up my luck. The fever was on me. I seized the dice. My hands were so hot that the bits of bone felt like pieces of ice. I shouted as loudly as I could: "Shoot it all!" but the blood was tingling so about my ears that I could not hear my own voice. I was soon "fated." I threw the dice—sevens—I had won. "Shoot it all!" I cried again. There was a pause; the stake was more than one man cared to or could cover. I was finally "fated" by several men taking each a part of it. I then threw the dice again. Seven. I had won. "Shoot it all!" I shouted excitedly. After a short delay I was "fated." Again I rolled the dice. Eleven. Again I won. My friends now surrounded me and, much against my inclination, forced me to take down all of the money except five dollars. I tried my luck once more, and threw some small "point" which failed to make, and the dice passed on to the next man.

In less than three minutes I had won more than two hundred dollars, a sum which afterwards cost me dearly. I was the hero of the moment and was soon surrounded by a group of men who expressed admiration for my "nerve" and predicted for me a brilliant future as a gambler. Although at the time I had no thought of becoming a gambler, I felt proud of my success. I felt a bit ashamed, too, that I had allowed my friends to persuade me to take down my money so soon. Another set of men also got around me and begged me for twenty-five or fifty cents to put them back into the game. I gave each of them something. I saw that several of them had on linen dusters, and as I looked about, I noticed that there were perhaps a dozen men in the room similarly clad. I asked the fellow who had been my prompter at the dice table why they dressed in such a manner. He told me that men who had lost all the money and jewelry they possessed, frequently, in an effort to recoup their losses, would gamble away all their outer clothing and even their shoes; and that the proprietor kept on hand a supply of linen dusters for all who were so unfortunate. My informant went on to say that sometimes a fellow would become almost completely dressed and then, by a turn of the dice, would be thrown back into a state of semi-nakedness. Some of them were virtually prisoners and unable to get into the streets for days at a time. They ate at the lunch counter, where their credit was good so long as they were fair gamblers and did not attempt to jump their debts, and they slept around in chairs. They importuned friends and winners to put them back in the game, and kept at it until fortune again smiled on them. I laughed heartily at this, not thinking the day was coming which would find me in the same ludicrous predicament.

On passing downstairs I was told that the third and top floor of the house was occupied by the proprietor. When we passed through the bar, I treated everybody in the room—and that was no small number, for eight or ten had followed us down. Then our party went out. It was now about half past twelve, but my nerves were at such a tension that I could not endure the mere thought of going to bed. I asked if there was no other place to which we could go; our guides said yes, and suggested that we go to the "Club." We went to Sixth Avenue, walked two blocks, and turned to the west into another street. We stopped in front of a house with three stories and a basement. In the basement was a Chinese chop-suey restaurant. There was a red lantern at the iron gate to the area way, inside of which the Chinaman's name was printed. We went up the steps of the stoop, rang the bell, and were admitted without any delay. From the outside the house bore a rather gloomy aspect, the windows being absolutely dark, but within, it was a veritable house of mirth. When we had passed through a small vestibule and reached the hallway, we heard mingled sounds of music and laughter, the clink of glasses, and the pop of bottles. We went into the main room and I was little prepared for what I saw. The brilliancy of the place, the display of diamond rings, scarf-pins, ear-rings, and breast-pins, the big rolls of money that were brought into evidence when drinks were paid for, and the air of gaiety that pervaded the place, all completely dazzled and dazed me. I felt positively giddy, and it was several minutes before I was able to make any clear and definite observations.

We at length secured places at a table in a corner of the room and, as soon as we could attract the attention of one of the busy waiters, ordered a round of drinks. When I had somewhat collected my senses, I realized that in a large back room into which the main room opened, there was a young fellow singing a song, accompanied on the piano by a short, thickset, dark man. After each verse he did some dance steps, which brought forth great applause and a shower of small coins at his feet. After the singer had responded to a rousing encore, the stout man at the piano began to run his fingers up and down the keyboard. This he did in a manner which indicated that he was master of a good deal of technique. Then he began to play; and such playing! I stopped talking to listen. It was music of a kind I had never heard before. It was music that demanded physical response, patting of the feet, drumming of the fingers, or nodding of the head in time with the beat. The barbaric harmonies, the audacious resolutions, often consisting of an abrupt jump from one key to another, the intricate rhythms in which the accents fell in the most unexpected places, but in which the beat was never lost, produced a most curious effect. And, too, the player—the dexterity of his left hand in making rapid octave runs and jumps was little short of marvelous; and with his right hand he frequently swept half the keyboard with clean-cut chromatics which he fitted in so nicely as never to fail to arouse in his listeners a sort of pleasant surprise at the accomplishment of the feat.

This was ragtime music, then a novelty in New York, and just growing to be a rage, which has not yet subsided. It was originated in the questionable resorts about Memphis and St. Louis by Negro piano players who knew no more of the theory of music than they did of the theory of the universe, but were guided by natural musical instinct and talent. It made its way to Chicago, where it was popular some time before it reached New York. These players often improvised crude and, at times, vulgar words to fit the melodies. This was the beginning of the ragtime song. Several of these improvisations were taken down by white men, the words slightly altered, and published under the names of the arrangers. They sprang into immediate popularity and earned small fortunes, of which the Negro originators got only a few dollars. But I have learned that since that time a number of colored men, of not only musical talent, but training, are writing out their own melodies and words and reaping the reward of their work. I have learned also that they have a large number of white imitators and adulterators.

American musicians, instead of investigating ragtime, attempt to ignore it, or dismiss it with a contemptuous word. But that has always been the course of scholasticism in every branch of art. Whatever new thing the people like is pooh-poohed; whatever is popular is spoken of as not worth the while. The fact is, nothing great or enduring, especially in music, has ever sprung full-fledged and unprecedented from the brain of any master; the best that he gives to the world he gathers from the hearts of the people, and runs it through the alembic of his genius. In spite of the bans which musicians and music teachers have placed upon it, the people still demand and enjoy ragtime. One thing cannot be denied; it is music which possesses at least one strong element of greatness: it appeals universally; not only the American, but the English, the French, and even the German people find delight in it. In fact, there is not a corner of the civilized world in which it is not known, and this proves its originality; for if it were an imitation, the people of Europe, anyhow, would not have found it a novelty. Anyone who doubts that there is a peculiar heel-tickling, smile-provoking, joy-awakening charm in ragtime needs only to hear a skillful performer play the genuine article to be convinced. I believe that it has its place as well as the music which draws from us sighs and tears.

I became so interested in both the music and the player that I left the table where I was sitting, and made my way through the hall into the back room, where I could see as well as hear. I talked to the piano-player between the musical numbers and found out that he was just a natural musician, never having taken a lesson in his life. Not only could he play almost anything he heard, but he could accompany singers in songs he had never heard. He had, by ear alone, composed some pieces, several of which he played over for me; each of them was properly proportioned and balanced. I began to wonder what this man with such a lavish natural endowment would have done had he been trained. Perhaps he wouldn't have done anything at all; he might have become, at best, a mediocre imitator of the great masters in what they have already done to a finish, or one of the modern innovators who strive after originality by seeing how cleverly they can dodge about through the rules of harmony and at the same time avoid melody. It is certain that he would not have been so delightful as he was in ragtime.

I sat by, watching and listening to this man until I was dragged away by my friends. The place was now almost deserted; only a few stragglers hung on, and they were all the, worse for drink. My friends were well up in this class. We passed into the street; the lamps were pale against the sky; day was just breaking. We went home and got into bed. I fell into a fitful sort of sleep, with ragtime music ringing continually in my ears.



VII

I shall take advantage of this pause in my narrative to describe more closely the "Club" spoken of in the latter part of the preceding chapter—to describe it as I afterwards came to know it, as an habitue. I shall do this not only because of the direct influence it had on my life, but also because it was at that time the most famous place of its kind in New York, and was well known to both white and colored people of certain classes.

I have already stated that in the basement of the house there was a Chinese restaurant. The Chinaman who kept it did an exceptionally good business; for chop-suey was a favorite dish among the frequenters of the place. It is a food that, somehow, has the power of absorbing alcoholic liquors that have been taken into the stomach. I have heard men claim that they could sober up on chop-suey. Perhaps that accounted, in some degree, for its popularity. On the main floor there were two large rooms: a parlor about thirty feet in length, and a large, square back room into which the parlor opened. The floor of the parlor was carpeted; small tables and chairs were arranged about the room; the windows were draped with lace curtains, and the walls were literally covered with photographs or lithographs of every colored man in America who had ever "done anything." There were pictures of Frederick Douglass and of Peter Jackson, of all the lesser lights of the prize-fighting ring, of all the famous jockeys and the stage celebrities, down to the newest song and dance team. The most of these photographs were autographed and, in a sense, made a really valuable collection. In the back room there was a piano, and tables were placed around the wall. The floor was bare and the center was left vacant for singers, dancers, and others who entertained the patrons. In a closet in this room which jutted out into the hall the proprietor kept his buffet. There was no open bar, because the place had no liquor license. In this back room the tables were sometimes pushed aside, and the floor given over to general dancing. The front room on the next floor was a sort of private party room; a back room on the same floor contained no furniture and was devoted to the use of new and ambitious performers. In this room song and dance teams practiced their steps, acrobatic teams practiced their tumbles, and many other kinds of "acts" rehearsed their "turns." The other rooms of the house were used as sleeping-apartments.

No gambling was allowed, and the conduct of the place was surprisingly orderly. It was, in short, a center of colored Bohemians and sports. Here the great prize fighters were wont to come, the famous jockeys, the noted minstrels, whose names and faces were familiar on every bill-board in the country; and these drew a multitude of those who love to dwell in the shadow of greatness. There were then no organizations giving performances of such order as are now given by several colored companies; that was because no manager could imagine that audiences would pay to see Negro performers in any other role than that of Mississippi River roustabouts; but there was lots of talent and ambition. I often heard the younger and brighter men discussing the time when they would compel the public to recognize that they could do something more than grin and cut pigeon-wings.

Sometimes one or two of the visiting stage professionals, after being sufficiently urged, would go into the back room and take the places of the regular amateur entertainers, but they were very sparing with these favors, and the patrons regarded them as special treats. There was one man, a minstrel, who, whenever he responded to a request to "do something," never essayed anything below a reading from Shakespeare. How well he read I do not know, but he greatly impressed me; and I can say that at least he had a voice which strangely stirred those who heard it. Here was a man who made people laugh at the size of his mouth, while he carried in his heart a burning ambition to be a tragedian; and so after all he did play a part in a tragedy.

These notables of the ring, the turf, and the stage, drew to the place crowds of admirers, both white and colored. Whenever one of them came in, there were awe-inspired whispers from those who knew him by sight, in which they enlightened those around them as to his identity, and hinted darkly at their great intimacy with the noted one. Those who were on terms of approach immediately showed their privilege over others less fortunate by gathering around their divinity. I was, at first, among those who dwelt in darkness. Most of these celebrities I had never heard of. This made me an object of pity among many of my new associates. I soon learned, however, to fake a knowledge for the benefit of those who were greener than I; and, finally, I became personally acquainted with the majority of the famous personages who came to the "Club."

A great deal of money was spent here, so many of the patrons were men who earned large sums. I remember one night a dapper little brown-skin fellow was pointed out to me and I was told that he was the most popular jockey of the day, and that he earned $12,000 a year. This latter statement I couldn't doubt, for with my own eyes I saw him spending at about thirty times that rate. For his friends and those who were introduced to him he bought nothing but wine—in sporting circles, "wine" means champagne—and paid for it at five dollars a quart. He sent a quart to every table in the place with his compliments; and on the table at which he and his party were seated there were more than a dozen bottles. It was the custom at the "Club" for the waiter not to remove the bottles when champagne was being drunk until the party had finished. There were reasons for this; it advertised the brand of wine, it advertised that the party was drinking wine, and advertised how much they had bought. This jockey had won a great race that day, and he was rewarding his admirers for the homage they paid him, all of which he accepted with a fine air of condescension.

Besides the people I have just been describing, there was at the place almost every night one or two parties of white people, men and women, who were out sight-seeing, or slumming. They generally came in cabs; some of them would stay only for a few minutes, while others sometimes stayed until morning. There was also another set of white people who came frequently; it was made up of variety performers and others who delineated "darky characters"; they came to get their imitations first hand from the Negro entertainers they saw there.

There was still another set of white patrons, composed of women; these were not occasional visitors, but five or six of them were regular habituees. When I first saw them, I was not sure that they were white. In the first place, among the many colored women who came to the "Club" there were several just as fair; and, secondly, I always saw these women in company with colored men. They were all good-looking and well-dressed, and seemed to be women of some education. One of these in particular attracted my attention; she was an exceedingly beautiful woman of perhaps thirty-five; she had glistening copper-colored hair, very white skin, and eyes very much like Du Maurier's conception of Trilby's "twin gray stars." When I came to know her, I found that she was a woman of considerable culture; she had traveled in Europe, spoke French, and played the piano well. She was always dressed elegantly, but in absolute good taste. She always came to the "Club" in a cab, and was soon joined by a well-set-up, very black young fellow. He was always faultlessly dressed; one of the most exclusive tailors in New York made his clothes, and he wore a number of diamonds in about as good taste as they could be worn in by a man. I learned that she paid for his clothes and his diamonds. I learned, too, that he was not the only one of his kind. More that I learned would be better suited to a book on social phenomena than to a narrative of my life.

This woman was known at the "Club" as the rich widow. She went by a very aristocratic-sounding name, which corresponded to her appearance. I shall never forget how hard it was for me to get over my feelings of surprise, perhaps more than surprise, at seeing her with her black companion; somehow I never exactly enjoyed the sight. I have devoted so much time to this pair, the "widow" and her companion, because it was through them that another decided turn was brought about in my life.



VIII

On the day following our night at the "Club" we slept until late in the afternoon; so late that beginning search for work was entirely out of the question. This did not cause me much worry, for I had more than three hundred dollars, and New York had impressed me as a place where there was lots of money and not much difficulty in getting it. It is needless to inform my readers that I did not long hold this opinion. We got out of the house about dark, went to a restaurant on Sixth Avenue and ate something, then walked around for a couple of hours. I finally suggested that we visit the same places we had been in the night before. Following my suggestion, we started first to the gambling house. The man on the door let us in without any question; I accredited this to my success of the night before. We went straight to the "crap" room, and I at once made my way to a table, where I was rather flattered by the murmur of recognition which went around. I played in up and down luck for three or four hours; then, worn with nervous excitement, quit, having lost about fifty dollars. But I was so strongly possessed with the thought that I would make up my losses the next time I played that I left the place with a light heart.

When we got into the street our party was divided against itself; two were for going home at once and getting to bed. They gave as a reason that we were to get up early and look for jobs. I think the real reason was that they had each lost several dollars in the game. I lived to learn that in the world of sport all men win alike, but lose differently; and so gamblers are rated, not by the way in which they win, but by the way in which they lose. Some men lose with a careless smile, recognizing that losing is a part of the game; others curse their luck and rail at fortune; and others, still, lose sadly; after each such experience they are swept by a wave of reform; they resolve to stop gambling and be good. When in this frame of mind it would take very little persuasion to lead them into a prayer-meeting. Those in the first class are looked upon with admiration; those in the second class are merely commonplace; while those in the third are regarded with contempt. I believe these distinctions hold good in all the ventures of life. After some minutes one of my friends and I succeeded in convincing the other two that a while at the "Club" would put us all in better spirits; and they consented to go, on our promise not to stay longer than an hour. We found the place crowded, and the same sort of thing going on which we had seen the night before. I took a seat at once by the side of the piano player, and was soon lost to everything except the novel charm of the music. I watched the performer with the idea of catching the trick, and during one of his intermissions I took his place at the piano and made an attempt to imitate him, but even my quick ear and ready fingers were unequal to the task on first trial.

We did not stay at the "Club" very long, but went home to bed in order to be up early the next day. We had no difficulty in finding work, and my third morning in New York found me at a table rolling cigars. I worked steadily for some weeks, at the same time spending my earnings between the "crap" game and the "Club." Making cigars became more and more irksome to me; perhaps my more congenial work as a "reader" had unfitted me for work at the table. And, too, the late hours I was keeping made such a sedentary occupation almost beyond the powers of will and endurance. I often found it hard to keep my eyes open and sometimes had to get up and move around to keep from falling asleep. I began to miss whole days from the factory, days on which I was compelled to stay at home and sleep.

My luck at the gambling table was varied; sometimes I was fifty to a hundred dollars ahead, and at other times I had to borrow money from my fellow workmen to settle my room rent and pay for my meals. Each night after leaving the dice game I went to the "Club" to hear the music and watch the gaiety. If I had won, this was in accord with my mood; if I had lost, it made me forget. I at last realized that making cigars for a living and gambling for a living could not both be carried on at the same time, and I resolved to give up the cigar making. This resolution led me into a life which held me bound more than a year. During that period my regular time for going to bed was somewhere between four and six o'clock in the mornings. I got up late in the afternoons, walked about a little, then went to the gambling house or the "Club." My New York was limited to ten blocks; the boundaries were Sixth Avenue from Twenty-third to Thirty-third Streets, with the cross streets one block to the west. Central Park was a distant forest, and the lower part of the city a foreign land. I look back upon the life I then led with a shudder when I think what would have been had I not escaped it. But had I not escaped it, I should have been no more unfortunate than are many young colored men who come to New York. During that dark period I became acquainted with a score of bright, intelligent young fellows who had come up to the great city with high hopes and ambitions and who had fallen under the spell of this under life, a spell they could not throw off. There was one popularly known as "the doctor"; he had had two years in the Harvard Medical School, but here he was, living this gas-light life, his will and moral sense so enervated and deadened that it was impossible for him to break away. I do not doubt that the same thing is going on now, but I have sympathy rather than censure for these victims, for I know how easy it is to slip into a slough from which it takes a herculean effort to leap.

I regret that I cannot contrast my views of life among colored people of New York; but the truth is, during my entire stay in this city I did not become acquainted with a single respectable family. I knew that there were several colored men worth a hundred or so thousand dollars each, and some families who proudly dated their free ancestry back a half-dozen generations. I also learned that in Brooklyn there lived quite a large colony in comfortable homes which they owned; but at no point did my life come in contact with theirs.

In my gambling experiences I passed through all the states and conditions that a gambler is heir to. Some days found me able to peel ten and twenty-dollar bills from a roll, and others found me clad in a linen duster and carpet slippers. I finally caught up another method of earning money, and so did not have to depend entirely upon the caprices of fortune at the gaming table. Through continually listening to the music at the "Club," and through my own previous training, my natural talent and perseverance, I developed into a remarkable player of ragtime; indeed, I had the name at that time of being the best ragtime-player in New York. I brought all my knowledge of classic music to bear and, in so doing, achieved some novelties which pleased and even astonished my listeners. It was I who first made ragtime transcriptions of familiar classic selections. I used to play Mendelssohn's "Wedding March" in a manner that never failed to arouse enthusiasm among the patrons of the "Club." Very few nights passed during which I was not asked to play it. It was no secret that the great increase in slumming visitors was due to my playing. By mastering ragtime I gained several things: first of all, I gained the title of professor. I was known as "the professor" as long as I remained in that world. Then, too, I gained the means of earning a rather fair livelihood. This work took up much of my time and kept me almost entirely away from the gambling table. Through it I also gained a friend who was the means by which I escaped from this lower world. And, finally, I secured a wedge which has opened to me more doors and made me a welcome guest than my playing of Beethoven and Chopin could ever have done.

The greater part of the money I now began to earn came through the friend to whom I alluded in the foregoing paragraph. Among the other white "slummers" there came into the "Club" one night a clean-cut, slender, but athletic-looking man, who would have been taken for a youth had it not been for the tinge of gray about his temples. He was clean-shaven and had regular features, and all of his movements bore the indefinable but unmistakable stamp of culture. He spoke to no one, but sat languidly puffing cigarettes and sipping a glass of beer. He was the center of a great deal of attention; all of the old-timers were wondering who he was. When I had finished playing, he called a waiter and by him sent me a five-dollar bill. For about a month after that he was at the "Club" one or two nights each week, and each time after I had played, he gave me five dollars. One night he sent for me to come to his table; he asked me several questions about myself; then told me that he had an engagement which he wanted me to fill. He gave me a card containing his address and asked me to be there on a certain night.

I was on hand promptly and found that he was giving a dinner in his own apartments to a party of ladies and gentlemen and that I was expected to furnish the musical entertainment. When the grave, dignified man at the door let me in, the place struck me as being almost dark, my eyes had been so accustomed to the garish light of the "Club." He took my coat and hat, bade me take a seat, and went to tell his master that I had come. When my eyes were adjusted to the soft light, I saw that I was in the midst of elegance and luxury in a degree such as I had never seen; but not the elegance which makes one ill at ease. As I sank into a great chair, the subdued tone, the delicately sensuous harmony of my surroundings, drew from me a deep sigh of relief and comfort. How long the man was gone I do not know, but I was startled by a voice saying: "Come this way, if you please, sir," and I saw him standing by my chair. I had been asleep; and I awoke very much confused and a little ashamed, because I did not know how many times he may have called me. I followed him through into the dining-room, where the butler was putting the finishing touches to a table which already looked like a big jewel. The doorman turned me over to the butler, and I passed with the butler on back to where several waiters were busy polishing and assorting table utensils. Without being asked whether I was hungry or not, I was placed at a table and given something to eat. Before I had finished eating, I heard the laughter and talk of the guests who were arriving. Soon afterwards I was called in to begin my work.

I passed in to where the company was gathered and went directly to the piano. According to a suggestion from the host, I began with classic music. During the first number there was absolute quiet and appreciative attention, and when I had finished, I was given a round of generous applause. After that the talk and the laughter began to grow until the music was only an accompaniment to the chatter. This, however, did not disconcert me as it once would have done, for I had become accustomed to playing in the midst of uproarious noise. As the guests began to pay less attention to me, I was enabled to pay more to them. There were about a dozen of them. The men ranged in appearance from a girlish-looking youth to a big grizzled man whom everybody addressed as "Judge." None of the women appeared to be under thirty, but each of them struck me as being handsome. I was not long in finding out that they were all decidedly blase. Several of the women smoked cigarettes, and with a careless grace which showed they were used to the habit. Occasionally a "Damn it!" escaped from the lips of some one of them, but in such a charming way as to rob it of all vulgarity. The most notable thing which I observed was that the reserve of the host increased in direct proportion with the hilarity of his guests. I thought that there was something going wrong which displeased him. I afterwards learned that it was his habitual manner on such occasions. He seemed to take cynical delight in watching and studying others indulging in excess. His guests were evidently accustomed to his rather non-participating attitude, for it did not seem in any degree to dampen their spirits.

When dinner was served, the piano was moved and the door left open, so that the company might hear the music while eating. At a word from the host I struck up one of my liveliest ragtime pieces. The effect was surprising, perhaps even to the host; the ragtime music came very near spoiling the party so far as eating the dinner was concerned. As soon as I began, the conversation suddenly stopped. It was a pleasure to me to watch the expression of astonishment and delight that grew on the faces of everybody. These were people—and they represented a large class—who were ever expecting to find happiness in novelty, each day restlessly exploring and exhausting every resource of this great city that might possibly furnish a new sensation or awaken a fresh emotion, and who were always grateful to anyone who aided them in their quest. Several of the women left the table and gathered about the piano. They watched my fingers and asked what kind of music it was that I was playing, where I had learned it, and a host of other questions. It was only by being repeatedly called back to the table that they were induced to finish their dinner. When the guests arose, I struck up my ragtime transcription of Mendelssohn's "Wedding March," playing it with terrific chromatic octave runs in the bass. This raised everybody's spirits to the highest point of gaiety, and the whole company involuntarily and unconsciously did an impromptu cake-walk. From that time on until the time of leaving they kept me so busy that my arms ached. I obtained a little respite when the girlish-looking youth and one or two of the ladies sang several songs, but after each of these it was "back to ragtime."

In leaving, the guests were enthusiastic in telling the host that he had furnished them the most unusual entertainment they had ever enjoyed. When they had gone, my millionaire friend—for he was reported to be a millionaire—said to me with a smile: "Well, I have given them something they've never had before." After I had put on my coat and was ready to leave, he made me take a glass of wine; he then gave me a cigar and twenty dollars in bills. He told me that he would give me lots of work, his only stipulation being that I should not play any engagements such as I had just filled for him, except by his instructions. I readily accepted the proposition, for I was sure that I could not be the loser by such a contract. I afterwards played for him at many dinners and parties of one kind or another. Occasionally he "loaned" me to some of his friends. And, too, I often played for him alone at his apartments. At such times he was quite a puzzle to me until I became accustomed to his manners. He would sometimes sit for three or four hours hearing me play, his eyes almost closed, making scarcely a motion except to light a fresh cigarette, and never commenting one way or another on the music. At first I sometimes thought he had fallen asleep and would pause in playing. The stopping of the music always aroused him enough to tell me to play this or that; and I soon learned that my task was not to be considered finished until he got up from his chair and said: "That will do." The man's powers of endurance in listening often exceeded mine in performing—yet I am not sure that he was always listening. At times I became so oppressed with fatigue and sleepiness that it took almost superhuman effort to keep my fingers going; in fact, I believe I sometimes did so while dozing. During such moments this man sitting there so mysteriously silent, almost hid in a cloud of heavy-scented smoke, filled me with a sort of unearthly terror. He seemed to be some grim, mute, but relentless tyrant, possessing over me a supernatural power which he used to drive me on mercilessly to exhaustion. But these feelings came very rarely; besides, he paid me so liberally I could forget much. There at length grew between us a familiar and warm relationship, and I am sure he had a decided personal liking for me. On my part, I looked upon him at that time as about all a man could wish to be.

The "Club" still remained my headquarters, and when I was not playing for my good patron, I was generally to be found there. However, I no longer depended on playing at the "Club" to earn my living; I rather took rank with the visiting celebrities and, occasionally, after being sufficiently urged, would favor my old and new admirers with a number or two. I say, without any egotistic pride, that among my admirers were several of the best-looking women who frequented the place, and who made no secret of the fact that they admired me as much as they did my playing. Among these was the "widow"; indeed, her attentions became so marked that one of my friends warned me to beware of her black companion, who was generally known as a "bad man." He said there was much more reason to be careful because the pair had lately quarreled and had not been together at the "Club" for some nights. This warning greatly impressed me and I resolved to stop the affair before it should go any further; but the woman was so beautiful that my native gallantry and delicacy would not allow me to repulse her; my finer feelings entirely overcame my judgment. The warning also opened my eyes sufficiently to see that though my artistic temperament and skill made me interesting and attractive to the woman, she was, after all, using me only to excite the jealousy of her companion and revenge herself upon him. It was this surly, black despot who held sway over her deepest emotions.

One night, shortly afterwards, I went into the "Club" and saw the "widow" sitting at a table in company with another woman. She at once beckoned for me to come to her. I went, knowing that I was committing worse than folly. She ordered a quart of champagne and insisted that I sit down and drink with her. I took a chair on the opposite side of the table and began to sip a glass of the wine. Suddenly I noticed by an expression on the "widow's" face that something had occurred.

I instinctively glanced around and saw that her companion had just entered. His ugly look completely frightened me. My back was turned to him, but by watching the "widow's" eyes I judged that he was pacing back and forth across the room. My feelings were far from being comfortable; I expected every moment to feel a blow on my head. She, too, was very nervous; she was trying hard to appear unconcerned, but could not succeed in hiding her real feelings. I decided that it was best to get out of such a predicament even at the expense of appearing cowardly, and I made a motion to rise. Just as I partly turned in my chair, I saw the black fellow approaching; he walked directly to our table and leaned over. The "widow" evidently feared he was going to strike her, and she threw back her head. Instead of striking her he whipped out a revolver and fired; the first shot went straight into her throat. There were other shots fired, but how many I do not know; for the first knowledge I had of my surroundings and actions was that I was rushing through the chop-suey restaurant into the street. Just which streets I followed when I got outside I do not know, but I think I must have gone towards Eighth Avenue, then down towards Twenty-third Street and across towards Fifth Avenue. I traveled, not by sight, but instinctively. I felt like one fleeing in a horrible nightmare.

How long and far I walked I cannot tell; but on Fifth Avenue, under a light, I passed a cab containing a solitary occupant, who called to me, and I recognized the voice and face of my millionaire friend. He stopped the cab and asked: "What on earth are you doing strolling in this part of the town?" For answer I got into the cab and related to him all that had happened. He reassured me by saying that no charge of any kind could be brought against me; then added: "But of course you don't want to be mixed up in such an affair." He directed the driver to turn around and go into the park, and then went on to say: "I decided last night that I'd go to Europe tomorrow. I think I'll take you along instead of Walter." Walter was his valet. It was settled that I should go to his apartments for the rest of the night and sail with him in the morning.

We drove around through the park, exchanging only an occasional word. The cool air somewhat calmed my nerves and I lay back and closed my eyes; but still I could see that beautiful white throat with the ugly wound. The jet of blood pulsing from it had placed an indelible red stain on my memory.



IX

I did not feel at ease until the ship was well out of New York harbor; and, notwithstanding the repeated reassurances of my millionaire friend and my own knowledge of the facts in the case, I somehow could not rid myself of the sentiment that I was, in a great degree, responsible for the "widow's" tragic end. We had brought most of the morning papers aboard with us, but my great fear of seeing my name in connection with the killing would not permit me to read the accounts, although, in one of the papers, I did look at the picture of the victim, which did not in the least resemble her. This morbid state of mind, together with sea-sickness, kept me miserable for three or four days. At the end of that time my spirits began to revive, and I took an interest in the ship, my fellow passengers, and the voyage in general. On the second or third day out we passed several spouting whales, but I could not arouse myself to make the effort to go to the other side of the ship to see them. A little later we ran in close proximity to a large iceberg. I was curious enough to get up and look at it, and I was fully repaid for my pains. The sun was shining full upon it, and it glistened like a mammoth diamond, cut with a million facets. As we passed, it constantly changed its shape; at each different angle of vision it assumed new and astonishing forms of beauty. I watched it through a pair of glasses, seeking to verify my early conception of an iceberg—in the geographies of my grammar school days the pictures of icebergs always included a stranded polar bear, standing desolately upon one of the snowy crags. I looked for the bear, but if he was there, he refused to put himself on exhibition.

It was not, however, until the morning that we entered the harbor of Havre that I was able to shake off my gloom. Then the strange sights, the chatter in an unfamiliar tongue, and the excitement of landing and passing the customs officials caused me to forget completely the events of a few days before. Indeed, I grew so lighthearted that when I caught my first sight of the train which was to take us to Paris, I enjoyed a hearty laugh. The toy-looking engine, the stuffy little compartment cars, with tiny, old-fashioned wheels, struck me as being extremely funny. But before we reached Paris my respect for our train rose considerably. I found that the "tiny" engine made remarkably fast time, and that the old-fashioned wheels ran very smoothly. I even began to appreciate the "stuffy" cars for their privacy. As I watched the passing scenery from the car window, it seemed too beautiful to be real. The bright-colored houses against the green background impressed me as the work of some idealistic painter. Before we arrived in Paris, there was awakened in my heart a love for France which continued to grow stronger, a love which to-day makes that country for me the one above all others to be desired.

We rolled into the station Saint Lazare about four o'clock in the afternoon and drove immediately to the Hotel Continental. My benefactor, humoring my curiosity and enthusiasm, which seemed to please him very much, suggested that we take a short walk before dinner. We stepped out of the hotel and turned to the right into the rue de Rivoli. When the vista of the Place de la Concorde and the Champs Elysees suddenly burst on me, I could hardly credit my own eyes. I shall attempt no such supererogatory task as a description of Paris. I wish only to give briefly the impressions which that wonderful city made upon me. It impressed me as the perfect and perfectly beautiful city; and even after I had been there for some time, and seen not only its avenues and palaces, but its most squalid alleys and hovels, this impression was not weakened. Paris became for me a charmed spot, and whenever I have returned there, I have fallen under the spell, a spell which compels admiration for all of its manners and customs and justification of even its follies and sins.

We walked a short distance up the Champs Elysees and sat for a while in chairs along the sidewalk, watching the passing crowds on foot and in carriages. It was with reluctance that I went back to the hotel for dinner. After dinner we went to one of the summer theatres, and after the performance my friend took me to a large cafe on one of the Grands Boulevards. Here it was that I had my first glimpse of the French life of popular literature, so different from real French life. There were several hundred people, men and women, in the place drinking, smoking, talking, and listening to the music. My millionaire friend and I took seats at a table, where we sat smoking and watching the crowd. It was not long before we were joined by two or three good-looking, well-dressed young women. My friend talked to them in French and bought drinks for the whole party. I tried to recall my high-school French, but the effort availed me little. I could stammer out a few phrases, but, very naturally, could not understand a word that was said to me. We stayed at the cafe a couple of hours, then went back to the hotel. The next day we spent several hours in the shops and at the tailor's. I had no clothes except what I had been able to gather together at my benefactor's apartments the night before we sailed. He bought me the same kind of clothes which he himself wore, and that was the best; and he treated me in every way as he dressed me, as an equal, not as a servant. In fact, I don't think anyone could have guessed that such a relation existed. My duties were light and few, and he was a man full of life and vigor, who rather enjoyed doing things for himself. He kept me supplied with money far beyond what ordinary wages would have amounted to. For the first two weeks we were together almost constantly, seeing the sights, sights old to him, but from which he seemed to get new pleasure in showing them to me. During the day we took in the places of interest, and at night the theatres and cafes. This sort of life appealed to me as ideal, and I asked him one day how long he intended to stay in Paris. He answered: "Oh, until I get tired of it." I could not understand how that could ever happen. As it was, including several short trips to the Mediterranean, to Spain, to Brussels, and to Ostend, we did remain there fourteen or fifteen months. We stayed at the Hotel Continental about two months of this time. Then my millionaire took apartments, hired a piano, and lived almost the same life he lived in New York. He entertained a great deal, some of the parties being a good deal more blase than the New York ones. I played for the guests at all of them with an effect which to relate would be but a tiresome repetition to the reader. I played not only for the guests, but continued, as I used to do in New York, to play often for the host when he was alone. This man of the world, who grew weary of everything and was always searching for something new, appeared never to grow tired of my music; he seemed to take it as a drug. He fell into a habit which caused me no little annoyance; sometimes he would come in during the early hours of the morning and, finding me in bed asleep, would wake me up and ask me to play something. This, so far as I can remember, was my only hardship during my whole stay with him in Europe.

After the first few weeks spent in sight-seeing I had a great deal of time left to myself; my friend was often I did not know where. When not with him, I spent the day nosing about all the curious nooks and corners of Paris; of this I never grew tired. At night I usually went to some theatre, but always ended up at the big cafe on the Grands Boulevards. I wish the reader to know that it was not alone the gaiety which drew me there; aside from that I had a laudable purpose. I had purchased an English-French conversational dictionary, and I went there every night to take a language lesson. I used to get three or four of the young women who frequented the place at a table and buy beer and cigarettes for them. In return I received my lesson. I got more than my money's worth, for they actually compelled me to speak the language. This, together with reading the papers every day, enabled me within a few months to express myself fairly well, and, before I left Paris, to have more than an ordinary command of French. Of course, every person who goes to Paris could not dare to learn French in this manner, but I can think of no easier or quicker way of doing it. The acquiring of another foreign language awoke me to the fact that with a little effort I could secure an added accomplishment as fine and as valuable as music; so I determined to make myself as much of a linguist as possible. I bought a Spanish newspaper every day in order to freshen my memory of that language, and, for French, devised what was, so far as I knew, an original system of study. I compiled a list which I termed "Three hundred necessary words." These I thoroughly committed to memory, also the conjugation of the verbs which were included in the list. I studied these words over and over, much as children of a couple of generations ago studied the alphabet. I also practiced a set of phrases like the following: "How?" "What did you say?" "What does the word —— mean?" "I understand all you say except ——." "Please repeat." "What do you call ——?" "How do you say ——?" These I called my working sentences. In an astonishingly short time I reached the point where the language taught itself—where I learned to speak merely by speaking. This point is the place which students taught foreign languages in our schools and colleges find great difficulty in reaching. I think the main trouble is that they learn too much of a language at a time. A French child with a vocabulary of two hundred words can express more spoken ideas than a student of French can with a knowledge of two thousand. A small vocabulary, the smaller the better, which embraces the common, everyday-used ideas, thoroughly mastered, is the key to a language. When that much is acquired the vocabulary can be increased simply by talking. And it is easy. Who cannot commit three hundred words to memory? Later I tried my method, if I may so term it, with German, and found that it worked in the same way.

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