To return from our digression. The essence of mignonette, or, as it is more often sold under the name of Extrait de Rezeda, is prepared by infusing the rezeda pomade in rectified spirit, in the proportion of one pound of pomade to one pint of spirit, allowing them to digest together for a fortnight, when the essence is filtered off the pomade. One ounce of extrait d'ambre is added to every pint. This is done to give permanence to the odor upon the handkerchief, and does not in any way alter its odor.

MIRIBANE.—The French name for artificial essence of almond (see ALMOND).

MINT.—All the Menthidae yield fragrant ottos by distillation. The otto of the spear-mint (M. viridis) is exceedingly powerful, and very valuable for perfuming soap, in conjunction with other perfumes. Perfumers use the ottos of the mint in the manufacture of mouth-washes and dental liquids. The leading ingredient in the celebrated "eau Botot" is oil of peppermint in alcohol. A good imitation may be made thus:—

EAU DE BOTOT.

Tincture of cedar wood, 1 pint. " myrrh, 1 oz. Oil of peppermint, 1/2 dr. " spear mint, 1/4 dr. " cloves, 10 drops. " roses, 10 "

Modifications of this formula can be readily suggested, but the main object is to retain the mint ottos, as they have more power than any other aromatic to overcome the smell of tobacco. Mouth-washes, it must be remembered, are as much used for rinsing the mouth after smoking as for a dentifrice.

MYRTLE.—A very fragrant otto may be procured by distilling both flowers and leaves of the common myrtle; one hundred-weight will yield about five ounces of the volatile oil. The demand for essence of myrtle being very limited, the odor as found in the perfumers' shops is very rarely a genuine article, but it is imitated thus:—

IMITATION ESSENCE OF MYRTLE.

Extract of vanilla, 1/2 pint. " roses 1 " Extract of fleur d'orange, 1/2 pint. " tubereuse, 1/2 " " jasmine, 2 oz.

Mix and allow to stand for a fortnight: it is then fit for bottling, and is a perfume that gives a great deal of satisfaction.

Myrtle-flower water is sold in France under the name of eau d'ange, and may be prepared like rose, elder, or other flower waters.

NEROLI, OR ORANGE-FLOWER.—Two distinct odors are procurable from the orange-blossom, varying according to the methods adopted for procuring them. This difference of perfume from the same flower is a great advantage to the manufacturer. This curious fact is worthy of inquiry by the chemical philosopher. It is not peculiar to the orange-flower, but applies to many others, especially rose—probably to all flowers.

When orange-flowers are treated by the maceration process, that is, by infusion in a fatty body, we procure orange-flower pomatum, its strength and quality being regulated by the number of infusions of the flower made in the same grease.

By digesting this orange-flower pomatum in rectified spirits in the proportions of from six pounds to eight pounds of pomade to a gallon of spirit, for about a fortnight at a summer heat, we obtain the extrait de fleur d'orange, or extract of orange-flowers, a handkerchief perfume surpassed by none. In this state its odor resembles the original so much, that with closed eyes the best judge could not distinguish the scent of the extract from that of the flower. The peculiar flowery odor of this extract renders it valuable to perfumers, not only to sell in a pure state, but slightly modified with other extraits passes for "sweet pea," "magnolia," &c., which it slightly resembles in fragrance.



Now, when orange-flowers are distilled with water, we procure the otto of the blossom, which is known commercially as oil of neroli. The neroli procured from the flowers of the Citrus aurantium is considered to be the finest quality, and is called "neroli petale." The next quality, "neroli bigarade," is derived from the blossoms of the Citrus bigaradia, or Seville orange. Another quality, which is considered inferior to the preceding, is the neroli petit grain, obtained by distilling the leaves and the young unripe fruit of the different species of the citrus.

The "petale" and "bigarade" neroli are used to an enormous extent in the manufacture of eau de Cologne and other handkerchief perfumes. The petit grain is mainly consumed for scenting soap. To form the esprit de neroli, dissolve 1-1/2 oz. of neroli petale in one gallon of rectified spirits. Although very agreeable, and extensively used in the manufacture of bouquets, it has no relation to the flowery odor of the extrait de fleur d'orange, as derived from the same flowers by maceration; in fact, it has as different an odor as though obtained from another plant, yet in theory both these extraits are but alcoholic solutions of the otto of the flower.

The water used for distillation in procuring the neroli, when well freed from the oil, is imported into this country under the name of eau de fleur d'orange, and may be used, like elder-flower and rose-water, for the skin, and as an eye lotion. It is remarkable for its fine fragrance, and it is astonishing that it is not more used, being moderate in price. (See Syringa.)

NUTMEG.—The beautiful odor of the nutmeg is familiar to all. Though an otto can be drawn from them of a very fragrant character, it is rarely used in perfumery. The ground nuts are, however, used advantageously in the combinations of scented powders used for scent bags.—See "Sachet's Powders."

OLIBANUM is a gum resin, used to a limited extent in this country, in the manufacture of incense and pastilles. It is chiefly interesting as being one of those odoriferous bodies of which frequent mention is made in the Holy volume.[C]

"It is believed," says Burnett, "to have been one of the ingredients in the sweet incense of the Jews; and it is still burnt as incense in the Greek and Romish churches, where the diffusion of such odors round the altar forms a part of the prescribed religious service."

Olibanum is partially soluble in alcohol, and, like most of the balsams, probably owes its perfume to a peculiar odoriferous body, associated with the benzoic acid it contains.

For making the tincture or extract of olibanum, take 1 pound of the gum to 1 gallon of the spirit.

ORANGE.—Under the title "Neroli" we have already spoken of the odoriferous principle of the orange-blossom. We have now to speak of what is known in the market as Essence of Orange, or, as it is more frequently termed, Essence of Portugal,—a name, however, which we cannot admit in a classified list of the "odors of plants."

The otto of orange-peel, or odoriferous principle of the orange fruit, is procured by expression and by distillation. The peel is rasped in order to crush the little vessels or sacs that imprison the otto.

Its abundance in the peel is shown by pinching a piece near the flame of a candle; the otto that spirts out ignites with a brilliant illumination.

It has many uses in perfumery, and from its refreshing fragrance finds many admirers.

It is the leading ingredient in what is sold as "Lisbon Water" and "Eau de Portugal." The following is a very useful form for preparing

LISBON WATER.

Rectified spirit (not less than 60 over proof), 1 gallon. Otto of orange peel, 3 oz. " lemon peel, 3 oz. " rose 1/4 oz.

This is a form for

EAU DE PORTUGAL.

Rectified spirit (60 over proof), 1 gallon. Essential oil of orange peel, 6 oz. " lemon peel, 1 oz. " lemon grass, 1/4 oz. " bergamot, 1 oz. " otto of rose, 1/4 oz.

It should be noted that these perfumes are never to be filled into wet bottles, for if in any way damp from water, a minute portion of the ottos are separated, which gives an opalescent appearance to the mixture. Indeed, all bottles should be spirit rinsed prior to being filled with any perfume, but especially with those containing essences of orange or lemon peel.

ORRIS, properly IRIS.—The dried rhizome of Iris florentina has a very pleasant odor, which, for the want of a better comparison, is said to resemble the smell of violets; it is, however, exceedingly derogatory to the charming aroma of that modest flower when such invidious comparisons are made. Nevertheless the perfume of iris root is good, and well worthy of the place it has obtained as a perfuming substance. The powder of orris root is very extensively used in the manufacture of sachet powders, tooth-powder, &c. It fathers that celebrated "oriental herb" known as "Odonto." For tincture of orris, or, as the perfumers call it,

EXTRACT OF ORRIS,

Take orris root, crushed, 7 lbs. Rectified spirits, 1 gallon.

After standing together for about a fortnight, the extract is fit to take off. It requires considerable time to drain away, and, to prevent loss, the remainder of the orris should be placed in the tincture press. This extract enters into the composition of many of the most celebrated bouquets, such as "Jockey Club," and others, but is never sold alone, because its odor, although grateful, is not sufficiently good to stand public opinion upon its own merits; but in combination its value is very great; possessing little aroma itself, yet it has the power of strengthening the odor of other fragrant bodies; like the flint and steel, which though comparatively incombustible, readily fire inflammable bodies.

PALM.—The odor of palm oil—the fat oil of commerce—is due to a fragrant principle which it contains. By infusion in alcohol, the odoriferous body is dissolved, and resembles, to a certain extent, the tincture of orris, or of extract of violet, but is very indifferent, and is not likely to be brought into use, though several attempts have been made to render it of service when the cultivation of the violets have failed from bad seasons.

PATCHOULY.—Pogostemon patchouly (LINDLEY), Plectranthus crassifolius (BURNETT), is an herb that grows extensively in India and China. It somewhat resembles our garden sage in its growth and form, but the leaves are not so fleshy.



The odor of patchouly is due to an otto contained in the leaves and stems, and is readily procured by distillation. 1 cwt. of good herb will yield about 28 oz. of the essential oil, which is of a dark brown color, and of a density about the same as that of oil of sandal wood, which it resembles in its physical character. Its odor is the most powerful of any derived from the botanic kingdom; hence, if mixed in the proportion of measure for measure, it completely covers the smell of all other bodies.

EXTRACT OF PATCHOULY.

Rectified spirit, 1 gallon. Otto of patchouly, 1-1/4 oz. " rose, 1/4 oz.

The essence of patchouly thus made is that which is found in the perfumers' shops of Paris and London. Although few perfumes have had such a fashionable run, yet when smelled at in its pure state, it is far from agreeable, having a kind of mossy or musty odor, analogous to Lycopodium, or, as some say, it smells of "old coats."

The characteristic smell of Chinese or Indian ink is due to some admixture of this herb.

The origin of the use of patchouly as a perfume in Europe is curious. A few years ago real Indian shawls bore an extravagant price, and purchasers could always distinguish them by their odor; in fact, they were perfumed with patchouly. The French manufacturers had for some time successfully imitated the Indian fabric, but could not impart the odor.

At length they discovered the secret, and began to import the plant to perfume articles of their make, and thus palm off homespun shawls as real Indian! From this origin the perfumers have brought it into use. Patchouly herb is extensively used for scenting drawers in which linen is kept; for this purpose it is best to powder the leaves and put them into muslin sacks, covered with silk, after the manner of the old-fashioned lavender-bag. In this state it is very efficacious in preventing the clothes from being attacked by moths. Several combinations of patchouly will be given in the recipes for "bouquets and nosegays."

PEA (SWEET).—A very fine odor may be abstracted from the flowers of the chick-vetch by maceration in any fatty body, and then digesting the pomade produced in spirit. It is, however, rarely manufactured, because a very close

IMITATION OF THE ESSENCE OF SWEET PEA.

can be prepared thus:—

Extract of tuberose, 1/2 pint. " fleur d'orange, 1/2 " " rose from pomatum, 1/2 " " vanilla, 1 oz.

Scents, like sounds, appear to influence the olfactory nerve in certain definite degrees. There is, as it were, an octave of odors like an octave in music; certain odors coincide, like the keys of an instrument. Such as almond, heliotrope, vanilla, and orange-blossoms blend together, each producing different degrees of a nearly similar impression. Again, we have citron, lemon, orange-peel, and verbena, forming a higher octave of smells, which blend in a similar manner. The metaphor is completed by what we are pleased to call semi-odors, such as rose and rose geranium for the half note; petty grain, neroli, a black key, followed by fleur d'orange. Then we have patchouli, sandal-wood, and vitivert, and many others running into each other.

From the odors already known we may produce, by uniting them in proper proportion, the smell of almost any flower, except jasmine.

The odor of some flowers resembles others so nearly that we are almost induced to believe them to be the same thing, or, at least, if not evolved from the plant as such, to become so by the action of the air-oxidation. It is known that some actually are identical in composition, although produced from totally different plants, such as camphor, turpentine, rosemary. Hence we may presume that chemistry will sooner or later produce one from the other, for with many it is merely an atom of water or an atom of oxygen that causes the difference. It would be a grand thing to produce otto of roses from oil of rosemary, or from the rose geranium oil, and theory indicates its possibility.

The essential oil of almonds in a bottle that contains a good deal of air-oxygen, and but a very little of the oil, spontaneously passes into another odoriferous body, benzoic acid; which is seen in crystals to form over the dry parts of the flask. This is a natural illustration of this idea. In giving the recipe for "sweet pea" as above, we form it with the impression that its odor resembles the orange-blossom, which similarity is approached nearer by the addition of the rose and tuberose.

The vanilla is used merely to give permanence to the scent on the handkerchief, and this latter body is chosen in preference to extract of musk or ambergris, which would answer the same purpose of giving permanence to the more volatile ingredients; because the vanilla strikes the same key of the olfactory nerve as the orange-blossom, and thus no new idea of a different scent is brought about as the perfume dies off from the handkerchief. When perfumes are not mixed upon this principle, then we hear that such and such a perfume becomes "sickly" or "faint" after they have been on the handkerchief a short time.

PINE-APPLE.—Both Dr. Hoffman and Dr. Lyon Playfair have fallen into some error in their inferences with regard to the application of this odor in perfumery. After various practical experiments conducted in a large perfumatory, we have come to the conclusion that it cannot be so applied, simply because when the essence of pine-apple is smelled at, the vapor produces an involuntary action of the larynx, producing cough, when exceedingly dilute. Even in the infinitesimal portions it still produces disagreeable irritation of the air-pipes, which, if prolonged, such as is expected if used upon a handkerchief, is followed by intense headache. It is obvious, therefore, that the legitimate use of the essence of pine-apple (butyric ether) cannot be adapted with benefit to the manufacturing perfumer, although invaluable to the confectioner as a flavoring material. What we have here said refers to the artificial essence of pine-apple, or butyrate of ethyloxide, which, if very much diluted with alcohol, resembles the smell of pine-apple, and hence its name; but how far the same observations are applicable to the true essential oil from the fruit or epidermis of the pine-apple, remains to be seen when we procure it. As the West Indian pine-apples are now coming freely into the market, the day is probably not distant when demonstrative experiments can be tried; but hitherto it must be remembered our experiments have only been performed with a body resembling in smell the true essential oil of the fruit. The physical action of all ethers upon the human body is quite sufficient to prevent their application in perfumery, however useful in confectionary, which it is understood has to deal with another of the senses,—not of smell, but of taste. The commercial "essence of pine-apple," or "pine-apple oil," and "jargonelle pear-oil," are admitted only to be labelled such, but really are certain organic acid ethers. For the present, then, perfumers must only look on these bodies as so many lines in the "Poetry of Science," which, for the present, are without practical application in his art.

PINK.—Dianthus Caryophyllus.—The clove pink emits a most fragrant odor, "especially at night," says Darwin.

"The lavish pink that scents the garden round,"

is not, however, at present applied in perfumery, except in name.

IMITATION ESSENCE OF CLOVE PINK.

Esprit rose, 1/2 pint. " fleur d'orange, 1/4 " " " de cassie, 1/4 " " vanilla, 2 oz. Oil of cloves, 10 drops.

It is remarkable how very much this mixture resembles the odor of the flower, and the public never doubt its being the "real thing."

RHODIUM.—When rose-wood, the lignum of the Convolvulus scoparius, is distilled, a sweet-smelling oil is procured, resembling in some slight degree the fragrance of the rose, and hence its name. At one time, that is, prior to the cultivation of the rose-leaf geranium, the distillates from rose-wood and from the root of the Genista canariensis (Canary-rose-wood), were principally drawn for the adulteration of real otto of roses, but as the geranium oil answers so much better, the oil of rhodium has fallen into disuse, hence its comparative scarcity in the market at the present day, though our grandfathers knew it well. One cwt. of wood yields about three ounces of oil.

Ground rose-wood is valuable as a basis in the manufacture of sachet powders for perfuming the wardrobe.

The French have given the name jacaranda to rose-wood, under the idea that the plant called jacaranda by the Brazilians yields it, which is not the case; "the same word has perhaps been the origin of palisander—palixander, badly written."—Burnett.

ROSE.—

"Go, crop the gay rose's vermeil bloom, And waft its spoils, a sweet perfume, In incense to the skies."

OGILVIE.

This queen of the garden loses not its diadem in the perfuming world. The oil of roses, or, as it is commonly called, the otto, or attar, of roses, is procured (contrary to so many opposite statements) simply by distilling the roses with water.

The otto, or attar, of rose of commerce is derived from the Rosa centifolia provincialis. Very extensive rose farms exist at Adrianople (Turkey in Europe); at Broussa, now famous as the residence of Abd-el-Kader; and at Uslak (Turkey in Asia); also at Ghazepore, in India.

The cultivators in Turkey are principally the Christian inhabitants of the low countries of the Balkan, between Selimno, and Carloya, as far as Philippopolis, in Bulgaria, about 200 miles from Constantinople. In good seasons, this district yields 75,000 ounces; but in bad seasons only 20,000 to 30,000 ounces of attar are obtained. It is estimated that it requires at least 2000 rose blooms to yield one drachm of otto.

The otto slightly varies in odor from different districts; many places furnish an otto which solidifies more readily than others, and, therefore, this is not a sure guide of purity, though many consider it such. That which was exhibited in the Crystal Palace of 1851, as "from Ghazepore," in India, obtained the prize.

"Attar of roses, made in Cashmere, is considered superior to any other; a circumstance not surprising, as, according to Hugel, the flower is here produced of surpassing fragrance as well as beauty. A large quantity of rose-water twice distilled is allowed to run off into an open vessel, placed over night in a cool running stream, and in the morning the oil is found floating on the surface in minute specks, which are taken off very carefully by means of a blade of sword-lily. When cool it is of a dark green color, and as hard as resin, not becoming liquid at a temperature about that of boiling water. Between 500 and 600 pounds' weight of leaves is required to produce one ounce of the attar."—Indian Encyclopaedia.

Pure otto of roses, from its cloying sweetness, has not many admirers; when diluted, however, there is nothing to equal it in odor, especially if mixed in soap, to form rose soap, or in pure spirit, to form the esprit de rose. The soap not allowing the perfume to evaporate very fast, we cannot be surfeited with the smell of the otto.

The finest preparation of rose as an odor is made at Grasse, in France. Here the flowers are not treated for the otto, but are subjected to the process of maceration in fat, or in oil, as described under jasmine, heliotrope, &c.

The rose pomade thus made, if digested in alcohol, say 8 lbs. of No. 24 Pomade to one gallon of spirit, yields an esprit de rose of the first order, very superior to that which is made by the addition of otto to spirit. It is difficult to account for this difference, but it is sufficiently characteristic to form a distinct odor. See the article on fleur d'orange and neroli (pp. 77, 78), which have similar qualities, previously described. The esprit de rose made from the French rose pomade is never sold retail by the perfumer; he reserves this to form part of his recherche bouquets.

Some wholesale druggists have, however, been selling it now for some time to country practitioners, for them to form extemporaneous rose-water, which it does to great perfection. Roses are cultivated to a large extent in England, near Mitcham, in Surrey, for perfumers' use, to make rose-water. In the season when successive crops can be got, which is about the end of June, or the early part of July, they are gathered as soon as the dew is off, and sent to town in sacks. When they arrive, they are immediately spread out upon a cool floor: otherwise, if left in a heap, they heat to such an extent, in two or three hours, as to be quite spoiled. There is no organic matter which so rapidly absorbs oxygen, and becomes heated spontaneously, as a mass of freshly gathered roses.

To preserve these roses, the London perfumers immediately pickle them; for this purpose, the leaves are separated from the stalks, and to every bushel of flowers, equal to about six pounds' weight, one pound of common salt is thoroughly rubbed in. The salt absorbs the water existing in the petals, and rapidly becomes brine, reducing the whole to a pasty mass, which is finally stowed away in casks. In this way they will keep almost any length of time, without the fragrance being seriously injured. A good rose-water can be prepared by distilling 12 lbs. of pickled roses, and 2-1/2 gallons of water. "Draw" off two gallons; the product will be the double-distilled rose-water of the shops. The rose-water that is imported from the South of France is, however, very superior in odor to any that can be produced here. As it is a residuary product of the distillation of roses for procuring the attar, it has a richness of aroma which appears to be inimitable with English-grown roses. There are four modifications of essence of rose for the handkerchief, which are the ne plus ultra of the perfumer's art. They are,—esprit de rose triple, essence of white of roses, essence of tea rose, and essence of moss rose. The following are the recipes for their formation:—

ESPRIT DE ROSE TRIPLE.

Rectified alcohol, 1 gallon. Otto of rose, 3 oz.

Mix at a summer heat; in the course of a quarter of an hour the whole of the otto is dissolved, and is then ready for bottling and sale. In the winter season beautiful crystals of the otto—if it is good—appear disseminated through the esprit.

ESSENCE OF MOSS ROSE.

Spirituous extract from French Rose pomatum, 1 quart. Esprit de rose triple, 1 pint. Extracts fleur d'orange pomatum, 1 " " of ambergris, 1/2 " " musk, 4 oz.

Allow the ingredients to remain together for a fortnight; then filter, if requisite, and it is ready for sale.

ESSENCE OF WHITE ROSE.

Esprit de rose from pomatum, 1 quart. " " triple, 1 " " violette, 1 " Extracts of jasmine 1 pint. " patchouly, 1/2 "

ESSENCE OF TEA ROSE.

Esprit de rose pomade, 1 pint. " " triple, 1 " Extract of rose-leaf geranium, 1 " " sandal-wood, 1/2 " " neroli, 1/4 " " orris, 1/4 "

ROSEMARY.—

"There's rosemary, that's for remembrance."

SHAKSPEARE.

By distilling the Rosmarinus officinalis a thin limpid otto is procured, having the characteristic odor of the plant, which is more aromatic than sweet. One cwt. of the fresh herb yields about twenty-four ounces of oil. Otto of rosemary is very extensively used in perfumery, especially in combination with other ottos for scenting soap. Eau de Cologne cannot be made without it, and in the once famous "Hungary water" it is the leading ingredient. The following is the composition of

HUNGARY WATER.

Rectified alcohol, 1 gallon. Otto of English rosemary, 2 oz. " lemon-peel, 1 oz. " balm (Melissa), 1 oz. " mint, 1/2 drachm. Esprit de rose, 1 pint. Extract of fleur d'orange, 1 "

It is put up for sale in a similar way to eau de Cologne, and is said to take its name from one of the queens of Hungary, who is reported to have derived great benefit from a bath containing it, at the age of seventy-five years. There is no doubt that clergymen and orators, while speaking for any time, would derive great benefit from perfuming their handkerchief with Hungary water or eau de Cologne, as the rosemary they contain excites the mind to vigorous action, sufficient of the stimulant being inhaled by occasionally wiping the face with the handkerchief wetted with these "waters." Shakspeare giving us the key, we can understand how it is that such perfumes containing rosemary are universally said to be "so refreshing!"

SAGE.—A powerful-scenting otto can be procured by distillation from any of the Salvieae. It is rarely used, but is nevertheless very valuable in combination for scenting soap.

Dried sage-leaves, ground, will compound well for sachets.

SANTAL.—Santalum album.

"The santal tree perfumes, when riven, The axe that laid it low." CAMERON.

This is an old favorite with the lovers of scent; it is the wood that possesses the odor. The finest santal-wood grows in the island of Timor, and the Santal-wood Islands, where it is extensively cultivated for the Chinese market. In the religious ceremonies of the Brahmins, Hindoos, and Chinese, santal-wood is burned, by way of incense, to an extent almost beyond belief. The Santala grew plentifully in China, but the continued offerings to the Buddahs have almost exterminated the plant from the Celestial Empire; and such is the demand, that it is about to be cultivated in Western Australia, in the expectation of a profitable return, which we doubt not will be realized; England alone would consume tenfold the quantity it does were its price within the range of other perfuming substances. The otto which exists in the santal-wood is readily procured by distillation; 1 cwt. of good wood will yield about 30 ounces of otto.



The white ant, which is so common in India and China, eating into every organic matter that it comes across, appears to have no relish for santal-wood; hence it is frequently made into caskets, jewel-boxes, deed-cases, &c. This quality, together with its fragrance, renders it a valuable article to the cabinet-makers of the East.

The otto of santal is remarkably dense, and is above all others oleaginous in its appearance, and, when good, is of a dark straw color. When dissolved in spirit, it enters into the composition of a great many of the old-fashioned bouquets, such as "Marechale," and others, the formulae of which will be given hereafter. Perfumers thus make what is called

EXTRAIT DE BOIS DE SANTAL.

Rectified spirits, 7 pints. Esprit de rose, 1 pint. Essential oil, i.e. otto, of santal, 3 oz.

All those EXTRACTS, made by dissolving the otto in alcohol, are nearly white, or at least only slightly tinted by the color of the oil used. When a perfumer has to impart a delicate odeur to a lady's mouchoir, which in some instances costs "no end of money," and is an object, at any cost, to retain unsullied, it behooves his reputation to sell an article that will not stain a delicate white fabric. Now, when a perfume is made in a direct manner from any wood or herb, as tinctures are made, that is, by infusion in alcohol, there is obtained, besides the odoriferous substance, a solution of coloring and extractive matter, which is exceedingly detrimental to its fragrance, besides seriously staining any cambric handkerchief that it may be used upon; and for this reason this latter method should never be adopted, except for use upon silk handkerchiefs.

The odor of santal assimilates well with rose; and hence, prior to the cultivation of rose-leaf geranium, it was used to adulterate otto of roses; but is now but seldom used for that purpose.

By a "phonetic" error, santal is often printed "sandal," and "sandel."

SASSAFRAS.—Some of the perfumers of Germany use a tincture of the wood of the Laurus sassafras in the manufacture of hair-washes and other nostrums; but as, in our opinion, it has rather a "physicky" smell than flowery, we cannot recommend the German recipes. The Eau Athenienne, notwithstanding, has some reputation as a hair-water, but is little else than a weak tincture of sassafras.

SPIKE.—French oil of lavender, which is procured from the Lavandula spica, is generally called oil of spike. (See Lavender.)

STORAX and TOLU are used in perfumery in the same way as benzoin, namely, by solution in spirit as a tincture. An ounce of tincture of storax, tolu, or benzoin, being added to a pound of any very volatile perfume, gives a degree of permanence to it, and makes it last longer on the handkerchief than it otherwise would: thus, when any perfume is made by the solution of an otto in spirit, it is usual to add to it a small portion of a substance which is less volatile, such as extract of musk, extract of vanilla, ambergris, storax, tolu, orris, vitivert, or benzoin; the manufacturer using his judgment and discretion as to which of these materials are to be employed, choosing, of course, those which are most compatible with the odor he is making.

The power which these bodies have of "fixing" a volatile substance, renders them valuable to the perfumer, independent of their aroma, which is due in many cases to benzoic acid, slightly modified by an esential oil peculiar to each substance, and which is taken up by the alcohol, together with a portion of resin. When the perfume is put upon a handkerchief, the most volatile bodies disappear first: thus, after the alcohol has evaporated, the odor of the ottos appear stronger; if it contains any resinous body, the ottos are held in solution, as it were, by the resin, and thus retained on the fabric. Supposing a perfume to be made of otto only, without any "fixing" substance, then, as the perfume "dies away," the olfactory nerve, if tutored, will detect its composition, for it spontaneously analyzes itself, no two ottos having the same volatility: thus, make a mixture of rose, jasmine, and patchouly; the jasmine predominates first, then the rose, and, lastly, the patchouly, which will be found hours after the others have disappeared.

SYRINGA.—The flowers of the Philadelphus coronarius, or common garden syringa, have an intense odor resembling the orange-blossom; so much so, that in America the plant is often termed "mock orange." A great deal of the pomatum sold as pommade surfin, a la fleur d'orange, by the manufacturers of Cannes, is nothing more than fine suet perfumed with syringa blossoms by the maceration process. Fine syringa pomade could be made in England at a quarter the cost of what is paid for the so-called orange pomatum.

THYME.—All the different species of thyme, but more particularly the lemon thyme, the Thymus serpyllum, as well as the marjorams, origanum, &c., yield by distillation fragrant ottos, that are extensively used by manufacturing perfumers for scenting soaps; though well adapted for this purpose, they do not answer at all in any other combinations. Both in grease and in spirit all these ottos impart an herby smell (very naturally) rather than a flowery one, and, as a consequence, they are not considered recherche.

When any of these herbs are dried and ground, they usefully enter into the composition of sachet powders.

TONQUIN, or TONKA.—The seeds of the Dipterix odorata are the tonquin or coumarouma beans of commerce. When fresh they are exceedingly fragrant, having an intense odor of newly made hay. The Anthoxanthum odoratum, or sweet-smelling vernal grass, to which new hay owes its odor, probably yields identically the same fragrant principle, and it is remarkable that both tonquin beans and vernal grass, while actually growing, are nearly scentless, but become rapidly aromatic when severed from the parent stock.

Chemically considered, tonquin beans are very interesting, containing, when fresh, a fragrant volatile otto (to which their odor is principally due), benzoic acid, a fat oil and a neutral principal—Coumarin. In perfumery they are valuable, as, when ground, they form with other bodies an excellent and permanent sachet, and by infusion in spirit, the tincture or extract of tonquin enters into a thousand of the compound essences; but on account of its great strength it must be used with caution, otherwise people say your perfume is "snuffy," owing to the predominance of the odor and its well-known use in the boxes of those who indulge in the titillating dust.



EXTRACT OF TONQUIN.

Tonquin beans, 1 lb. Rectified spirit, 1 gallon.

Digest for a month at a summer heat. Even after this maceration they are still useful when dried and ground in those compounds known as POT POURRI, OLLA PODRIA, &c. The extract of tonquin, like extract of orris and extract of vanilla, is never sold pure, but is only used in the manufacture of compound perfumes. It is the leading ingredient in Bouquet du Champ—The field Bouquet—the great resemblance of which to the odor of the hay-field, renders it a favorite to the lovers of the pastoral.

TUBEROSE.—One of the most exquisite odors with which we are acquainted is obtained by enfleurage from the tuberose flower. It is, as it were, a nosegay in itself, and reminds one of that delightful perfume observed in a well-stocked flower-garden at evening close; consequently it is much in demand by the perfumers for compounding sweet essences.

EXTRACT OF TUBEROSE.

Eight pounds of No. 24 tuberose pomatum, cut up very fine, is to be placed into 1 gallon of the best rectified spirit. After standing for three weeks or a month at summer heat, and with frequent agitation, it is fit to draw off, and being strained through cotton wool, is ready either for sale or use in the manufacture of bouquets.

This essence of tuberose, like that of jasmine, is exceedingly volatile, and if sold in its pure state quickly "flies off" the handkerchief; it is therefore necessary to add some fixing ingredient, and for this purpose it is best to use one ounce of extract of orris, or half an ounce of extract of vanilla, to every pint of tuberose.

VANILLA.—The pod or bean of the Vanilla planifolia yields a perfume of rare excellence. When good, and if kept for some time, it becomes covered with an efflorescence of needle crystals possessing properties similar to benzoic acid, but differing from it in composition. Few objects are more beautiful to look upon than this, when viewed by a microscope with the aid of polarized light.



EXTRACT OF VANILLA.

Vanilla pods, 1/2 lb. Rectified spirit, 1 gallon.

Slit the pods from end to end, so as to lay open the interior, then cut them up in lengths of about a quarter of an inch, macerate with occasional agitation for about a month; the tincture thus formed will only require straining through cotton to be ready for any use that is required. In this state it is rarely sold for a perfume, but is consumed in the manufacture of compound odors, bouquets, or nosegays, as they are called.

Extract of Vanilla is also used largely in the manufacture of hair-washes, which are readily made by mixing the extract of vanilla with either rose, orange, elder, or rosemary water, and afterwards filtering.

We need scarcely mention, that vanilla is greatly used by cooks and confectioners for flavoring.

VERBENA, or VERVAINE.—The scented species of this plant, the lemon verbena, Aloysia citriodora (Hooker), gives one of the finest perfumes with which we are acquainted; it is well known as yielding a delightful fragrance by merely drawing the hand over the plant; some of the little vessels or sacks containing the otto must be crushed in this act, as there is little or no odor by merely smelling at the plant.

The otto, which can be extracted from the leaves by distillation with water, on account of its high price, is scarcely, if ever, used by the manufacturing perfumer, but it is most successfully imitated by mixing the otto of lemon grass, Andropogon schoenanthus, with rectified spirit, the odor of which resembles the former to a nicety. The following is a good form for making the

EXTRACT OF VERBENA.

Rectified spirit, 1 pint. Otto of lemon grass, 3 drachms. " lemon peel, 2 oz. " orange peel, 1/2 oz.

After standing together for a few hours and then filtering, it is fit for sale.

Another mixture of this kind, presumed by the public to be made from the same plant, but of a finer quality, is composed thus—it is sold under the title

EXTRAIT DE VERVEINE.

Rectified spirit, 1 pint. Otto of orange peel, 1 oz. " lemon peel, 2 oz. " citron, 1 drachm. " lemon grass, 2-1/2 drachms. Extrait de fleur d'orange, 7 oz. " " tubereuse, 7 oz. Esprit de rose, 1/2 pint.

This mixture is exceedingly refreshing, and is one of the most elegant perfumes that is made. Being white, it does not stain the handkerchief. It is best when sold fresh made, as by age the citrine oils oxidize, and the perfume acquires an ethereal odor, and then customers say "it is sour." The vervaine thus prepared enters into the composition of a great many of the favorite bouquets that are sold under the title "Court Bouquet," and others which are mixtures of violet, rose, and jasmine, with verbena or vervaine in different proportions. In these preparations, as also in Eau de Portugal, and in fact where any of the citrine ottos are used, a much finer product is obtained by using grape spirit or brandy in preference to the English corn spirit as a solvent for them. Nor do they deteriorate so quickly in French spirit as in English. Whether this be due to the oil of wine (oeanthic ether) or not we cannot say, but think it is so.

VIOLET.—

"The forward violet thus did I chide: Sweet thief, whence didst thou steal thy sweet that smells, If not from my love's breath?"

The perfume exhaled by the Viola odorata is so universally admired, that to speak in its favor would be more than superfluous. The demand for the "essence of violets" is far greater than the manufacturing perfumers are at present able to supply, and as a consequence, it is difficult to procure the genuine article through the ordinary sources of trade.

Real violet is, however, sold by many of the retail perfumers of the West End of London, but at a price that prohibits its use except by the affluent or extravagant votaries of fashion. The violet farms from whence the flowers are procured to make this perfume are very extensive at Nice and Grasse, also in the neighborhood of Florence. The true smelling principle or otto of violets has never yet been isolated: a very concentrated solution in alcohol impresses the olfactory nerve with the idea of the presence of hydrocyanic acid, which is probably a true impression. Burnett says that the plant Viola tricolor (heart's ease), when bruised, smells like peach kernels, and doubtless, therefore, contains prussic acid.

The flowers of the heart's ease are scentless, but the plant evidently contains a principle which in other species of the Viola, is eliminated as the "sweet that smells" so beautifully alluded to by Shakspeare.

For commercial purposes, the odor of the violet is procured in combination with spirit, oil, or suet, precisely according to the methods previously described for obtaining the aroma of some other flowers before mentioned, such as those for cassie, jasmine, orange-flower, namely, by maceration, or by enfleurage, the former method being principally adopted, followed by, when "essence" is required, digesting the pomade in rectified alcohol.

Good essence of violets, thus made, is of a beautiful green color, and, though of a rich deep tint, has no power to stain a white fabric, and its odor is perfectly natural.

The essence of violet, as prepared for retail sale, is thus made, according to the quality and strength of the pomade:—Take from six to eight pounds of the violet pomade, chop it up fine, and place it into one gallon of perfectly clean (free from fusel oil) rectified spirit, allow it to digest for three weeks or a month, then strain off the essence, and to every pint thereof add three ounces of tincture of orris root, and three ounces of esprit de cassie; it is then fit for sale.

We have often seen displayed for sale in druggists' shops plain tincture of orris root, done up in nice bottles, with labels upon them inferring the contents to be "Extract of Violet;" customers thus once "taken in" are not likely to be so a second time.

A good IMITATION ESSENCE OF VIOLETS is best prepared thus—

Spirituous extract of cassie pomade, 1 pint. Esprit de rose, from pomade, 1/2 " Tincture of orris, 1/2 " Spirituous extract of tuberose pomade, 1/2 " Otto of almonds, 3 drops.

After filtration it is fit for bottling. In this mixture, it is the extract of cassie which has the leading smell, but modified by the rose and tuberose becomes very much like the violet. Moreover, it has a green color, like the extract of violet; and as the eye influences the judgment by the sense of taste, so it does with the sense of smell. Extract of violet enters largely into the composition of several of the most popular bouquets, such as extract of spring flowers and many others.

VITIVERT, or Kus-Kus, is the rhizome of an Indian grass. In the neighborhood of Calcutta, and in the city, this material has an extensive use by being manufactured into awnings, blinds, and sun-shades, called Tatty. During the hot seasons an attendant sprinkles water over them; this operation cools the apartment by the evaporation of the water, and, at the same time, perfumes the atmosphere, in a very agreeable manner, with the odoriferous principle of the vitivert. It has a smell between the aromatic or spicy odor and that of flowers—if such a distinction can be admitted. We classify it with orris root, not that it has any odor resembling it, but because it has a like effect in use in perfumery, and because it is prepared as a tincture for obtaining its odor.

About four pounds of the dried vitivert, as it is imported, being cut small and set to steep in a gallon of rectified spirits for a fortnight, produces the

ESSENCE OF VITIVERT of the shops. In this state it is rarely used as a perfume, although it is occasionally asked for by those who, perhaps, have learnt to admire its odor by their previous residence in "the Eastern clime." The extract, essence, or tincture of vitivert, enters into the composition of several of the much-admired and old bouquets manufactured in the early days of perfumery in England, such as "Mousselaine des Indies," for which preparation M. Delcroix, in the zenith of his fame, created quite a furor in the fashionable world.



Essence of vitivert is also made by dissolving 2 oz. of otto of vitivert in 1 gallon of spirit; this preparation is stronger than the tincture, as above.

MARECHALE and BOUQUET DU ROI, perfumes which have also "had their day," owe much of their peculiarity to the vitivert contained in them.

Bundles of vitivert are sold for perfuming linen and preventing moth, and, when ground, is used to manufacture certain sachet powders.

Otto of vitivert is procurable by distillation; a hundred-weight of vitivert yields about 14 oz. of otto, which in appearance very much resembles otto of santal. I have placed a sample of it in the museum at Kew.

VOLKAMERIA.—An exquisite perfume is sold under this name, presumed, of course, to be derived from the Volkameria inermis (LINDLEY). Whether it has a smell resembling the flower of that plant, or whether the plant blooms at all, we are unable to say. It is a native of India, and seems to be little known even in the botanic gardens of this country; however, the plant has a name, and that's enough for the versatile Parisian perfumer, and if the mixture he makes "takes" with the fashionable world—the plant which christens it has a fine perfume for a certainty!

ESSENCE OF VOLKAMERIA.

Esprit de violette, 1 pint. " tubereuse, 1 " " jasmine, 1/4 " " rose, 1/2 " Essence de muse, 2 oz.

WALLFLOWER (Cherianthus).—Exquisite as is the odor of this flower, it is not used in perfumery, though no doubt it might be, and very successfully too, were the plant cultivated for that purpose. To this flower we would direct particular attention, as one well adapted for experiments to obtain its odoriferous principle in this country, our climate being good for its production. The mode for obtaining its odor has been indicated when we spoke of heliotrope, page 60. And if it answers on the small scale, there is little doubt of success in the large way, and there is no fear but that the scent of the old English wallflower will meet with a demand.

An IMITATION ESSENCE OF WALLFLOWER can be compounded thus:—

Extract fleur d'orange, 1 pint. " vanilla, 1/2 " Esprit de rose, 1 " Extract of orris, 1/2 " " cassie, 1/2 " Essential oil of almonds, 5 drops.

Allow this mixture to be made up for two or three weeks prior to putting it up for sale.

WINTER GREEN (Trientalis Europoea).—A perfuming otto can be procured by distilling the leaves of this plant: it is principally consumed in the perfuming of soaps. Upon the strength of the name of this odorous plant a very nice handkerchief perfume is made.

ICELAND WINTER GREEN.

Esprit de rose, 1 pint. Essence of lavender, 1/4 " Extract of neroli, 1/2 " " vanilla, 1/4 " " vitivert, 1/4 " " cassie, 1/2 " " ambergris, 1/4 "

We have now described all the important odoriferous bodies which are used by the manufacturing perfumer, as derived from the botanic kingdom; it may be understood that where an odoriferous material is unnoticed, it has no qualities peculiar enough to be remarked on, and that the methods adopted for preparing its essence, extract, water, or oil, are analogous to those that have been already noticed, that is, by the processes of maceration, absorption, or enfleurage for flowers, by tincturation for roots, and by distillation for seeds, modified under certain circumstances.

There are, however, three other important derivative odors—ambergris, civet, and musk—which, being from the animal kingdom, are treated separately from plant odors, in order, it is considered, to render the whole matter less confused to manufacturers who may refer to them. Ammonia and acetic acid, holding an indefinite position in the order we have laid down, may also come in here without much criticism, being considered as primitive odors.

On terminating our remarks relating to the simple preparations of the odors of plants, and before we speak of perfumes of an animal origin, or of those compound odors sold as bouquets, nosegays, &c., it may probably be interesting to give a few facts and statistics, showing the consumption, in England, of the several substances previously named.

QUANTITIES OF ESSENTIAL OILS, OR OTTOS, PAYING 1S. PER POUND DUTY, ENTERED FOR HOME CONSUMPTION IN THE YEAR 1852.

lbs. Otto of bergamot, 28,574 " caraway, 3,602 " cassia, 6,163 " cloves, 595 Otto of lavender, 12,776 " lemon, 67,348 " peppermint, 16,059 " roses, 1,268 " spearmint, 163 " thyme, 11,418 " lemon grass, } " citronella, } 47,380 And other ottos not otherwise described, } ———- Total essential oils or ottos imported in one year, 195,346

at the duty of 1s. per pound, yield a revenue annually of 9,766l. 16s.

It would appear by the above return that our consumption of otto of cloves was exceedingly small; whereas it is probably ten times that amount. The fact is, several of the English wholesale druggists are very large distillers of this otto, leaving little or no room for the sale and importation of foreign distilled otto of cloves. Again, otto of caraway, the English production of that article is quite equal to the foreign; also, otto of lavender, which is drawn in this country probably to the extent of 6000 lbs. annually.

There were also passed through the Custom House for home consumption, in 1852—

Pomatums, procured by enfleurage, maceration, &c., commonly called "French Pomatums," average value of 6s. per pound, and paying a duty of 1s. per pound, valued by the importers at L1,306 Perfumery not otherwise described; value L1,920

Number of bottles of eau de Cologne, paying a duty of 1s. each,[D] 19,777

Revenue from eau de Cologne manufactured out of England, say 20,000 flacons at 8d. = 8,000l. annually.

The total revenue derived from various sources, even upon this low scale of duties, from the substances with which "Britannia perfumes her pocket handkerchief," cannot be estimated at less than 40,000l. per annum. This, of course, includes the duty upon the spirits used in the home manufacture of perfumery.



SECTION IV.

PERFUMES OF ANIMAL ORIGIN.

In the previous articles we have only spoken of the odors of plants; we now enter upon those materials used in perfumery of an animal origin. The first under our notice is—

AMBERGRIS.—This substance is found in the sea, floating near the islands of Sumatra, Molucca, and Madagascar; also on the coasts of America, Brazil, China, Japan, and the Coromandel. The western coast of Ireland is often found to yield large pieces of this substance. The shores of the counties of Sligo, Mayo, Kerry, and the isles of Arran, are the principal places where it has been found. In the "Philosophical Transactions" there is an account of a lump found on the beach of the first-mentioned county, in the year 1691, which weighed 52 oz., and was bought on the spot for 20l., but which afterwards was sold in London for more than 100l. (Philos. Trans. No. 227, p. 509). We are quite within limit in stating that many volumes concerning the origin of ambergris have been written, but the question respecting it is still at issue. It is found in the stomachs of the most voracious fishes, these animals swallowing, at particular times, everything they happen to meet with. It has been particularly found in the intestines of the spermaceti whale, and most commonly in sickly fish, whence it is supposed to be the cause or effect of the disease.

Some authors, and among them Robert Boyle, consider it to be of vegetable production, and analogous to amber; hence its name amber-gris (gray) gray amber. It is not, however, within the province of this work to discuss upon the various theories about its production, which could probably be satisfactorily explained if our modern appliances were brought to bear upon the subject. The field is open to any scientific enthusiast; all recent authors who mention it, merely quoting the facts known more than a century ago.

A modern compiler, speaking of ambergris, says, "It smells like dried cow-dung." Never having smelled this latter substance, we cannot say whether the simile be correct; but we certainly consider that its perfume is most incredibly overrated; nor can we forget that HOMBERG found that "a vessel in which he had made a long digestion of the human faeces had acquired a very strong and perfect smell of ambergris, insomuch that any one would have thought that a great quantity of essence of ambergris had been made in it. The perfume (odor!) was so strong that the vessel was obliged to be moved out of the laboratory." (Mem. Acad. Paris, 1711.)

Nevertheless, as ambergris is extensively used as a perfume, in deference to those who admire its odor, we presume that it has to many an agreeable smell.

Like bodies of this kind undergoing a slow decomposition and possessing little volatility, it, when mixed with other very fleeting scents, gives permanence to them on the handkerchief, and for this quality the perfumer esteems it much.

ESSENCE OF AMBERGRIS

Is only kept for mixing; when retailed it has to be sweetened up to the public nose; it is then called after the Parisian name

EXTRAIT D'AMBRE.

Esprit de rose triple, 1/2 pint. Extract of ambergris, 1 " Essence of musk, 1/4 " Extract of vanilla, 2 ounces.

This perfume has such a lasting odor, that a handkerchief being well perfumed with it, will still retain an odor even after it has been washed.

The fact is, that both musk and ambergris contain a substance which clings pertinaciously to woven fabrics, and not being soluble in weak alkaline lyes, is still found upon the material after passing through the lavatory ordeal.

Powdered ambergris is used in the manufacture of cassolettes—little ivory or bone boxes perforated—which are made to contain a paste of strong-smelling substances, to carry in the pocket or reticule; also in the making of peau d'Espagne, or Spanish skin, used for perfuming writing paper and envelopes, and which will be described hereafter.



CIVET.—This substance is secreted by the Viverra civetta, or civet cat. It is formed in a large double glandular receptacle between the anus and the pudendum of the creature. Like many other substances of Oriental origin, it was first brought to this country by the Dutch.

When the civet cats are kept in a state of confinement, which at one time was common in Amsterdam, they are placed in strong cages, so constructed as to prevent the animal from turning round and biting the person employed in collecting the secreted substance. This operation is said to be performed twice a week, and is done by scraping out the civet with a small spoon: about a drachm at a time is thus obtained. A good deal of the civet now brought to European markets is from Calicut, capital of the province of Malabar, and from Bassora on the Euphrates.

In its pure state, civet has, to nearly all persons, a most disgusting odor; but when diluted to an infinitesimal portion, its perfume is agreeable. It is difficult to ascertain the reason why the same substance, modified only by the quantity of matter presented to the nose, should produce an opposite effect on the olfactory nerve; but such is the case with nearly all odorous bodies, especially with ottos, which, if smelled at, are far from nice, and in some cases, positively nasty—such as otto of neroli, otto of thyme, otto of patchouly; but if diluted with a thousand times its volume of oil, spirit, &c., then their fragrance is delightful.

Otto of rose to many has a sickly odor, but when eliminated in the homeopathic quantities as it rises from a single rose-bloom, who is it that will not admit that "the rose is sweet?" The odor of civet is best imparted, not by actual contact, but by being placed in the neighborhood of absorbent materials. Thus, when spread upon leather, which, being covered with silk and placed in a writing-desk, perfumes the paper and envelopes delightfully, and so much so, that they retain the odor after passing through the post.

EXTRACT OF CIVET is prepared by rubbing in a mortar one ounce of civet with an ounce of orris-root powder, or any other similar material that will assist to break up or divide the civet; and then placing the whole into a gallon of rectified spirits; after macerating for a month, it is fit to strain off. It is principally used as a "fixing" ingredient, in mixing essences of delicate odor. The French perfumers use the extract of civet more than English manufacturers, who seem to prefer extract of musk. From a quarter of a pint to half a pint is the utmost that ought to be mixed with a gallon of any other perfume.

CASTOR is a secretion of the Castor fiber, or beaver, very similar to civet. Though we have often heard of its being used in perfumery, we do not personally know that such is the case.

MUSK.—This extraordinary substance, like civet, is an animal secretion; it is contained in excretory follicles about the navel of the male animal. In the perfumery trade these little bags are called "pods," and as imported it is called "pod musk." When the musk is separated from the skin or sack in which it is contained, it is then called "grain musk."

The musk deer (Moschus moschatus) is an inhabitant of the great mountain range which belts the north of India, and branches out into Siberia, Thibet, and China. And it is also found in the Altaic range, near Lake Baikal, and in some other mountain ranges, but always on the borders of the line of perpetual snow. It is from the male animal only that the musk is produced.



It formerly was held in high repute as a medicine, and is still so among Eastern nations. The musk from Boutan, Tonquin, and Thibet, is most esteemed, that from Bengal is inferior, and from Russia is of still lower quality. The strength and the quantity produced by a single animal varies with the season of the year and the age of the animal. A single musk pod usually contains from two to three drachms of grain musk. Musk is imported into England from China, in caddies of from 50 to 100 ounces each. When adulterated with the animal's blood, which is often the case, it forms into lumps or clots; it is sometimes also mixed with a dark, friable earth. Those pods in which little pieces of lead are discovered, as a general rule, yield the finest quality of musk; upon this rule, we presume that the best musk is the most worthy of adulteration. Musk is remarkable for the diffusiveness and subtlety of its scent; everything in its vicinity soon becomes affected by it, and long retains its odor, although not in actual contact with it.

It is a fashion of the present day for people to say "that they do not like musk;" but, nevertheless, from great experience in one of the largest manufacturing perfumatories in Europe, we are of opinion that the public taste for musk is as great as any perfumer desires. Those substances containing it always take the preference in ready sale—so long as the vendor takes care to assure his customer "that there is no musk in it."



The perfumer uses musk principally in the scenting of soap, sachet powder, and in mixing for liquid perfumery. The just reputation of Paris's original Windsor soap is due, in the main, to its delightful odor. The soap is, doubtless, of the finest quality, but its perfume stamps it among the elite—its fragrance it owes to musk.

The alkaline reaction of soap is favorable to the development of the odoriferous principle of musk. If, however, a strong solution of potass be poured on to grain musk, ammonia is developed instead of the true musk smell.

EXTRACT OF MUSK.

Grain musk, 2 oz. Rectified spirit, 1 gallon.

After standing for one month, at a summer temperature, it is fit to draw off. Such an extract is that which is used for mixing in other perfumes. That extract of musk which is prepared for retail sale, is prepared thus:—

EXTRAIT DE MUSC.

Extract of musk (as above), 1 pint. " ambergris, 1/2 " " rose triple, 1/4 "

Mix and filter it; it is then fit for bottling.

This preparation is sweeter than pure extract of musk made according to our first formula, and is also more profitable to the vendor. It will be seen hereafter that the original extract of musk is principally used for a fixing ingredient in other perfumes, to give permanence to a volatile odor; customers requiring, in a general way, that which is incompatible, namely, that a perfume shall be strong to smell, i.e. very volatile, and that it shall remain upon the handkerchief for a long period, ergo, not volatile! Small portions of extract of musk, mixed with esprit de rose, violet, tuberose, and others, do, in a measure, attain this object; that is, after the violet, &c., has evaporated, the handkerchief still retains an odor, which, although not that of the original smell, yet gives satisfaction, because it is pleasant to the nasal organ.



SECTION V.

AMMONIA.—Under the various titles of "Smelling Salts," "Preston Salts," "Inexhaustible Salts," "Eau de Luce," "Sal Volatile," ammonia, mixed with other odoriferous bodies, has been very extensively consumed as material for gratifying the olfactory nerve.

The perfumer uses liq. amm. fortis, that is, strong liquid ammonia, and the sesqui-carbonate of ammonia, for preparing the various "salts" that he sells. These materials he does not attempt to make; in fact, it is quite out of his province so to do, but he procures them ready for his hand through some manufacturing chemist. The best preparation for smelling-bottles is what is termed INEXHAUSTIBLE SALTS, which is prepared thus:—

Liquid ammonia, 1 pint. Otto of rosemary, 1 drachm. " English lavender, 1 " " bergamot, 1/2 " " cloves, 1/2 "

Mix the whole together with agitation in a very strong and well-stoppered bottle.

This mixture is used by filling the smelling-bottles with any porous absorbent material, such as asbestos, or, what is better, sponge cuttings, that have been well beaten, washed, and dried. These cuttings can be procured at a nominal price from any of the sponge-dealers, being the trimming or roots of the Turkey sponge, which are cut off before the merchants send it into the retail market. After the bottles are filled with the sponge, it is thoroughly saturated with the scented ammonia, but no more is poured in than the sponge will retain, when the bottles are inverted; as, if by any chance the ammonia runs out and is spilt over certain colored fabrics, it causes a stain. When such an accident happens, the person who sold it is invariably blamed.

When the sponge is saturated properly, it will retain the ammoniacal odor longer than any other material; hence, we presume, bottles filled in this way are called "inexhaustible," which name, however, they do not sustain more than two or three months with any credit; the warm hand soon dissipates the ammonia under any circumstances, and they require to be refilled.

For transparent colored bottles, instead of sponge, the perfumers use what they call insoluble crystal salts (sulphate of potass). The bottles being filled with crystals, are covered either with the liquid ammonia, scented as above, or with alcoholic ammonia. The necks of the bottles are filled with a piece of white cotton; otherwise, when inverted, from the non-absorbent quality of the crystals, the ammonia runs out, and causes complaints to be made. The crystals are prettier in colored bottles than the sponge; but in plain bottles the sponge appears quite as handsome, and, as before observed, it holds the ammonia better than any other material. Perfumers sell also what is called WHITE SMELLING SALTS, and PRESTON SALTS. The White Smelling Salt is the sesqui-carbonate of ammonia in powder, with which is mixed any perfuming otto that is thought fit,—lavender otto giving, as a general rule, the most satisfaction.

PRESTON SALTS, which is the cheapest of all the ammoniacal compounds, is composed of some easily decomposable salt of ammonia and lime, such as equal parts of muriate of ammonia, or of sesqui-carbonate of ammonia, and of fresh-slaked lime. When the bottles are filled with this compound, rammed in very hard, a drop or two of some cheap otto is poured on the top prior to corking. For this purpose otto of French lavender, or otto of bergamot, answers very well. We need scarcely mention that the corks are dipped into melted sealing-wax, or brushed over with liquid wax, that is, red or black wax dissolved in alcohol, to which a small portion of ether is added. The only other compound of ammonia that is sold in the perfumery trade is Eau de Luce, though properly it belongs to the druggist. When correctly made—which is very rarely the case—it retains the remarkable odor of oil of amber, which renders it characteristic.

EAU DE LUCE.

Tincture of benzoin: or, } " balsam of Peru, } 1 oz. Otto of lavender, 10 drops. Oil of amber, 5 " Liquor ammonia, 2 oz.

If requisite, strain through cotton wool, but it must not be filtered, as it should have the appearance of a milk-white emulsion.

ACETIC ACID AND ITS USE IN PERFUMERY.—The pungency of the odor of vinegar naturally brought it into the earliest use in the art of perfumery.

The acetic acid, evolved by distilling acetate of copper (verdigris), is the true "aromatic" vinegar of the old alchemists.

The modern aromatic vinegar is the concentrated acetic acid aromatized with various ottos, camphor, &c., thus—

AROMATIC VINEGAR.

Concentrated acetic acid, 8 oz. Otto of English lavender, 2 drachms. " " rosemary, 1 drachm. " cloves, 1 " " camphor, 1 oz.

First dissolve the bruised camphor in the acetic acid, then add the perfumes; after remaining together for a few days, with occasional agitation, it is to be strained, and is then ready for use.

Several forms for the preparation of this substance have been published, almost all of which, however, appear to complicate and mystify a process that is all simplicity.

The most popular article of this kind is—

HENRY'S VINEGAR.

Dried leaves of rosemary, rue, wormwood, sage, mint, and lavender flowers, each, 1/2 oz. Bruised nutmeg, cloves, angelica root, and camphor, each, 1/4 oz. Alcohol (rectified), 4 oz. Concentrated acetic acid, 16 oz.

Macerate the materials for a day in the spirit; then add the acid, and digest for a week longer, at a temperature of about 14 deg. C. or 15 deg. C. Finally, press out the new aromatized acid, and filter it.

As this mixture must not go into the ordinary metallic tincture press, for the obvious reason of the chemical action that would ensue, it is best to drain as much of the liquor away as we can, by means of a common funnel, and then to save the residue from the interstices of the herbs, by tying them up in a linen cloth, and subjecting them to pressure by means of an ordinary lemon-squeezer, or similar device.

VINAIGRE A LA ROSE.

Concentrated acetic acid, 1 oz. Otto of roses, 1/2 drachm.

Well shaken together.

It is obvious that vinegars differently perfumed may be made in a similar manner to the above, by using other ottos in place of the otto of roses. All these concentrated vinegars are used in the same way as perfumed ammonia, that is, by pouring three or four drachms into an ornamental "smelling" bottle, previously filled with crystals of sulphate of potash, which forms the "sel de vinaigre" of the shops; or upon sponge into little silver boxes, called vinaigrettes, from their French origin. The use of these vinegars had their origin in the presumption of keeping those who carried them from the effects of infectious disease, doubtless springing out of the story of the "four thieves' vinegar," which is thus rendered in Lewis's Dispensatory:

"It is said that during the plague at Marseilles, four persons, by the use of this preservative, attended, unhurt, multitudes of those that were affected; that under the color of these services, they robbed both the sick and the dead; and that being afterwards apprehended, one of them saved himself from the gallows by disclosing the composition of the prophylactic (a very likely story!!), which was as follows:—

VINAIGRE DES QUATRE VOLEURS, OR FOUR THIEVES' VINEGAR.

Take fresh tops of common wormwood, Roman wormwood, rosemary, sage, mint, and rue, of each, 3/4 oz. Lavender flowers, 1 oz. Garlic, calamus aromaticus, cinnamon, cloves, and nutmeg, each, 1 drachm. Camphor, 1/2 oz. Alcohol or brandy, 1 oz. Strong vinegar, 4 pints.

Digest all the materials, except the camphor and spirit, in a closely covered vessel for a fortnight, at a summer heat; then express and filter the vinaigre produced, and add the camphor previously dissolved in the brandy or spirit."

A very similar and quite as effective a preparation may be made by dissolving the odorous principle of the plants indicated in a mixture of alcohol and acetic acid. Such preparations, however, are more within the province of the druggist than perfumer. There are, however, several preparations of vinegar which are sold to some extent for mixing with the water for lavatory purposes and the bath, their vendors endeavoring to place them in competition with Eau de Cologne, but with little avail. Among them may be enumerated—

HYGIENIC OR PREVENTIVE VINEGAR.

Brandy, 1 pint. Otto of cloves, 1 drachm. " lavender, 1 " " marjoram, 1/2 drachm. Gum benzoin, 1 oz.

Macerate these together for a few hours, then add—

Brown vinegar, 2 pints.

and strain or filter, if requisite, to be bright.

TOILET VINEGAR (a la Violette).

Extract of cassie, 1/2 pint. " orris, 1/4 " Esprit de rose, triple, 1/4 " White wine vinegar, 2 pints.

TOILET VINEGAR (a la Rose).

Dried rose-leaves, 4 oz. Esprit de rose, triple, 1/2 pint. White wine vinegar, 2 pints.

Macerate in a close vessel for a fortnight, then filter and bottle for sale.

VINAIGRE DE COLOGNE.

To eau de Cologne, 1 pint, Add, strong acetic acid, 1/2 oz.

Filter if necessary.

Without unnecessarily repeating similar formulae, it will be obvious to the reader that vinegar of any flower may be prepared in a similar way to those above noticed; thus, for vinaigre a la jasmine, or for vinaigre a la fleur d'orange, we have only to substitute the esprit de jasmine, or the esprit de fleur d'orange, in place of the Eau de Cologne, to produce orange-flower or jasmine vinegars; however, these latter articles are not in demand, and our only reason for explaining how such preparations may be made, is in order to suggest the methods of procedure to any one desirous of making them leading articles in their trade.

We perhaps may observe, en passant, that where economy in the production of any of the toilet vinegars is a matter of consideration, they have only to be diluted with rose-water down to the profitable strength required.

Any of the perfumed vinegars that are required to produce opalescence, when mixed with water, must contain some gum-resin, like the hygienic vinegar, as above. Either myrrh, benzoin, storax, or tolu, answer equally well.



SECTION VI.

BOUQUETS AND NOSEGAYS.

In the previous articles we have endeavored to explain the mode of preparing the primitive perfumes—the original odors of plants. It will have been observed, that while the majority can be obtained under the form of otto or essential oil, there are others which hitherto have not been isolated, but exist only in solution in alcohol, or in a fatty body. Of the latter are included all that are most prized, with the exception of otto of rose—that diamond among the odoriferous gems. Practically, we have no essential oils or ottos of Jasmine, Vanilla, Acacia, Tuberose, Cassie, Syringa, Violets, and others. What we know of these odors is derived from esprits, obtained from oils or fats, in which the several flowers have been repeatedly infused, and afterwards infusing such fats or oils in alcohol. Undoubtedly, these odors are the most generally pleasing, while those made from the essential oils (i.e. otto), dissolved in spirit, are of a secondary character. The simple odors, when isolated, are called ESSENTIAL OILS or OTTOS; when dissolved or existing in solution in alcohol, by the English they are termed ESSENCES, and by the French EXTRAITS or ESPRITS; a few exceptions prove this rule. Essential oil of orange-peel, and of lemon-peel, are frequently termed in the trade "Essence" of orange and "Essence" of lemons, instead of essential oil or otto of lemons, &c. The sooner the correct nomenclature is used in perfumery, as well as in the allied arts, the better, and the fewer blunders will be made in the dispensatory. It appears to the writer, that if the nomenclature of these substances were revised, it would be serviceable; and he would suggest that, as a significant, brief, and comprehensive term, Otto be used as a prefix to denote that such and such a body is the odoriferous principle of the plant. We should then have otto of lavender instead of essential oil of lavender, &c. &c. In this work it will be seen that the writer has generally used the word OTTO in place of "essential oil," in accordance with his views. Where there exists a solution of an essential oil in a fat oil, the necessity of some such significant distinction is rendered obvious, for commercially such articles are still called "oils"—oil of jasmine, oil of roses, &c. It cannot be expected that the public will use the words "fat" oil and "essential" oil, to distinguish these differences of composition.

There are several good reasons why the odoriferous principle of plants should not be denominated oils. In the first place, it is a bad principle to give any class of substances the same signification as those belonging to another. Surely, there are enough distinguishing qualities in their composition, their physical character, and chemical reaction, to warrant the application of a significant name to that large class of substances known as the aroma of plants!

When the chemical nomenclature was last revised, the organic bodies were little dealt with. We know that we owe this universal "oil" to the old alchemist, much in the same way as "spirit" has been used, but a little consideration quickly indicates the folly of its continued use. We can no longer call otto of rosemary, or otto of nutmegs, essential oil of rosemary or nutmegs, with any more propriety than we can term sulphuric acid "oil" of vitriol. All the chemical works speak of the odoriferous bodies as "essential" or "volatile" oils, and of the greasy bodies as "fat" or "unctuous" oils. Oils, properly so called, unite with salifiable bases and form soap; whereas the essential or volatile oils, i.e. what we would please to call the ottos, do no such thing. On the contrary, they unite with acids in the majority of instances.

The word oil must hereafter be confined to those bodies to which its literal meaning refers—fat, unctuous, inodorous (when pure), greasy substances—and can no longer be applied to those odoriferous materials which possess qualities diametrically opposite to oil. We have grappled with "spirit," and fixed its meaning in a chemical sense; we have no longer "spirit" of salt, or "spirit" of hartshorn. Let us no longer have almond oil "essential," almond oil "unctuous," and the like.

It remains only for us to complete the branch of perfumery which relates to odors for the handkerchief, by giving the formulae for preparing the most favorite "bouquets" and "nosegays." These, as before stated, are but mixtures of the simple ottos in spirit, which, properly blended, produce an agreeable and characteristic odor,—an effect upon the smelling nerve similar to that which music or the mixture of harmonious sounds produces upon the nerve of hearing, that of pleasure.

THE ALHAMBRA PERFUME.

Extract of tubereuse, 1 pint. " geranium, 1/2 " " acacia, 1/4 " " fleur d'orange, 1/4 " " civet, 1/4 "

THE BOSPHORUS BOUQUET.

Extract of acacia, 1 pint. " jasmine, } " rose triple, } of each, 1/2 " " fleur d'orange, } " tubereuse, } " civet, 1/4 " Otto of almonds, 10 drops.

BOUQUET D'AMOUR.

Esprit de rose, } " jasmine, } from pomade, of each, 1 pint. " violette, } " cassie, } Extract of musk, } of each, 1/2 " " ambergris, }

Mix and filter.

BOUQUET DES FLEURS DU VAL D'ANDORRE.

Extrait de jasmine, } " rose, } from pomade, of each, 1 pint. " violette, } " tuberose, } Extract of orris, 1 " Otto of geranium, 1/4 oz.

BUCKINGHAM PALACE BOUQUET.

Extrait de fleur d'orange,} " cassie, } from pomade, of each, 1 pint. " jasmine, } " rose, } Extract of orris, } of each, 1/2 " " ambergris, } Otto of neroli, 1/2 drachm. " lavender, 1/2 " " rose, 1 "

BOUQUET DE CAROLINE; ALSO CALLED BOUQUET DES DELICES.

Extrait de rose, } " violette, } from pomade, of each, 1 pint. " tuberose, } Extract of orris, } of each, 1/2 " " ambergris, } Otto of bergamot, } " Limette, } of each, 1/4 oz. " cedret, }

THE COURT NOSEGAY.

Extrait de rose, } " violette, } of each, 1 pint. " jasmine, } Esprit de rose triple, 1 " Extract of musk, } of each, 1 oz. " ambergris, } Otto of lemon, } of each, 1/2 oz. " bergamot, } " neroli, 1 drachm.

EAU DE CHYPRE.

This is an old-fashioned French perfume, presumed to be derived from the Cyperus esculentus by some, and by others to be so named after the Island of Cyprus; the article sold, however, is made thus—

Extract of musk, 1 pint. " ambergris, } " vanilla, } of each, 1/2 " " tonquin bean, } " orris, } Esprit de rose triple, 2 pints.

The mixture thus formed is one of the most lasting odors that can be made.

EMPRESS EUGENIE'S NOSEGAY.

Extract of musk, } " vanilla, } of each, 1/4 pint. " tonquin, } " neroli, } " geranium, } " rose triple, } of each, 1/2 " " santal, }

ESTERHAZY BOUQUET.

Extrait de fleur d'orange (from pomade), 1 pint. Esprit de rose triple, 1 " Extract of vitivert, } " vanilla, } of each, 2 " " orris, } " tonquin, } Esprit de neroli, 1 " Extract of ambergris, 1/2 " Otto of santal, 1/2 drachm. " cloves, 1/2 "

Notwithstanding the complex mixture here given, it is the vitivert that gives this bouquet its peculiar character. Few perfumes have excited greater furor while in fashion.

ESS BOUQUET.

The reputation of this perfume has given rise to numerous imitations of the original article, more particularly on the continent. In many of the shops in Germany and in France will be seen bottles labelled in close imitation of those sent out by Bayley and Co., Cockspur Street, London, who are, in truth, the original makers.

Esprit de rose triple, 1 pint. Extract of ambergris, 2 oz. " orris, 8 " Otto of lemons, 1/4 " " bergamot, 1 "

The name "Ess" bouquet, which appears to puzzle some folk, is but a mere contraction of "essence" of bouquet.

EAU DE COLOGNE. (La premiere qualite.)

Spirit (from grape), 60 over proof, 6 gallons. Otto of neroli, Petale, 3 oz. " " Bigarade, 1 " " rosemary, 2 " " orange-peel, 5 " " citron-peel, 5 " " bergamot-peel, 2 "

Mix with agitation; then allow it to stand for a few days perfectly quiet, before bottling.

EAU DE COLOGNE. (La deuxieme qualite.)

Spirit (from corn), 6 gallons. Otto of neroli, Petit-grain, 2 oz. " " Petale, 1/2 " " rosemary, 2 " " orange-peel, } " lemon, } of each, 4 " " bergamot, }

Although Eau de Cologne was originally introduced to the public as a sort of "cure-all," a regular "elixir of life," it now takes its place, not as a pharmaceutical product, but among perfumery. Of its remedial qualities we can say nothing, such matter being irrelevant to the purpose of this book. Considered, however, as a perfume, with the public taste it ranks very high; and although it is exceedingly volatile and evanescent, yet it has that excellent quality which is called "refreshing." Whether this be due to the rosemary or to the spirit, we cannot say, but think something may be attributed to both. One important thing relating to Eau de Cologne must not, however, pass unnoticed, and that is, the quality of the spirit used in its manufacture. The utter impossibility of making brandy with English spirit in any way to resemble the real Cognac, is well known. It is equally impossible to make Eau de Cologne with English spirit, to resemble the original article. To speak of the "purity" of French spirit, or of the "impurity" of English spirit, is equally absurd. The fact is, that spirit derived from grapes, and spirit obtained from corn, have each so distinct and characteristic an aroma, that the one cannot be mistaken for the other. The odor of grape spirit is said to be due to the oeanthic ether which it contains. The English spirit, on the other hand, owes its odor to fusel oil. So powerful is the oeanthic ether in the French spirit, that notwithstanding the addition to it of such intensely odoriferous substances as the ottos of neroli, rosemary, and others, it still gives a characteristic perfume to the products made containing it, and hence the difficulty of preparing Eau de Cologne with any spirit destitute of this substance.

Although very fine Eau de Cologne is often made by merely mixing the ingredients as indicated in the recipe as above, yet it is better, first, to mix all the citrine ottos with spirit, and then to distil the mixture, afterwards adding to the distillate the rosemary and nerolies, such process being the one adopted by the most popular house at Cologne.

A great many forms for the manufacture of Eau de Cologne have been published, the authors of some of the recipes evidently having no knowledge, in a practical sense, of what they were putting by theory on paper; other venturers, to show their lore, have searched out all the aromatics of Lindley's Botany, and would persuade us to use absinthe, hyssop, anise, juniper, marjoram, caraway, fennel, cumin, cardamom, cinnamon, nutmeg, serpolet, angelica, cloves, lavender, camphor, balm, peppermint, galanga, lemon thyme, &c. &c. &c.

All these, however, are but hum—! Where it is a mere matter of profit, and the formula that we have given is too expensive to produce the article required, it is better to dilute the said Cologne with a weak spirit, or with rose-water, rather than otherwise alter its form; because, although weak, the true aroma of the original article is retained.

The recipe of the second quality of Eau de Cologne is given, to show that a very decent article can be produced with English spirit.

FLOWERS OF ERIN.

Extract of white rose (see WHITE ROSE), 1 pint. " vanilla, 1 oz.

ROYAL HUNT BOUQUET.

Esprit de rose triple, 1 pint. " neroli, } " acacia, } " fleur d'orange, } of each 1/4 " " musk, } " orris, } " tonquin, 1/2 " Otto of citron 2 drachms.

BOUQUET DE FLORA; OTHERWISE, EXTRACT OF FLOWERS.

Esprit de rose,} " tubereuse, } from pomade, of each, 1 pint. " violette, } Extract of benzoin, 1-1/2 oz. Otto of bergamot, 2 " " lemon, } " orange, } of each, 1/2 "

THE GUARDS' BOUQUET.

Esprit de rose, 2 pints. " neroli, 1/2 pint. Extract of vanilla, 2 oz. " orris, 2 " " musk, 1/4 pint. Otto of cloves, 1/2 drachm.

FLEUR D'ITALIE; OR ITALIAN NOSEGAY.

Esprit de rose, from pomade, 2 pints. " rose triple, 1 pint. " jasmine, } " violette, } from pomade, each, 1 " Extract of cassie, 1/2 " " musk, } " ambergris, } of each, 2 oz.

JOCKEY CLUB BOUQUET. (English formula.)

Extract of orris root, 2 pints. Esprit de rose, triple, 1 pint. " rose de pomade, 1 " Extrait de cassie, } " tubereuse, } de pomade, of each 1/2 " " ambergris, } 1/2 " Otto of bergamot, 1/2 oz.

JOCKEY CLUB BOUQUET. (French formula.)

Esprit de rose, de pomade, 1 pint. " tubereuse, 1 " " cassie, 1/2 " " jasmine, 1/4 " Extract of civet, 3 oz.

Independently of the materials employed being different to the original English recipe, it must be remembered that all the French perfumes are made of brandy, i.e. grape spirit; whereas the English perfumes are made with corn spirit, which alone modifies their odor. Though good for some mixtures, yet for others the grape spirit is very objectionable, on account of the predominance of its own aroma.

We have spoken of the difference in the odor between the English and French spirit; the marked distinction of British and Parisian perfumes made according to the same recipes is entirely due to the different spirits employed. Owing to the strong "bouquet," as the French say, of their spirit in comparison with ours, the continental perfumers claim a superiority in the quality of their perfumes. Now, although we candidly admit that some odors are better when prepared with grape spirit than with that from corn spirit, yet there are others which are undoubtedly the best when prepared with spirit derived from the latter source. Musk, ambergris, civet, violet, tubereuse, and jasmine, if we require to retain their true aroma when in solution in alcohol, must be made with the British spirit.

All the citrine odors, verveine, vulnerary waters, Eau de Cologne, Eau de Portugal, Eau d'Arquebuzade, and lavender, can alone be brought to perfection by using the French spirit in their manufacture. If extract of jasmine, or extract of violet, &c., be made with the French or brandy spirit, the true characteristic odor of the flower is lost to the olfactory nerve—so completely does the oeanthic ether of the grape spirit hide the flowery aroma of the otto of violet in solution with it. This solves the paradox that English extract of violet and its compounds, "spring flowers," &c., is at all times in demand on the Continent, although the very flowers with which we make it are grown there.

On the contrary, if an English perfumer attempts to make Eau de Portugal, &c., to bear any comparison as a fine odor to that made by Lubin, of Paris, without using grape spirit, his attempts will prove a failure. True, he makes Eau de Portugal even with English corn spirit, but judges of the article—and they alone can stamp its merit—discover instantly the same difference as the connoisseur finds out between "Patent British" and foreign brandy.

Perhaps it may not be out of place here to observe that what is sold in this country as British brandy is in truth grape spirit, that is, foreign brandy very largely diluted with English spirit! By this scheme, a real semblance to the foreign brandy flavor is maintained; the difference in duty upon English and foreign spirit enables the makers of the "capsuled" article to undersell those who vend the unsophisticated Cognac.

Some chemists, not being very deep in the "tricks of trade," have thought that some flavoring, or that oeanthic ether, was used to impart to British spirit the Cognac aroma. An article is even in the market called "Essence of Cognac," but which is nothing more than very badly made butyric ether.

On the Continent a great deal of spirit is procured by the fermentation of the molasses from beet-root; this, of course, finds its way into the market, and is often mixed with the grape spirit; so, also, in England we have spirit from potatoes, which is mixed in the corn spirit. These adulterations, if we may so term it, modify the relative odors of the primitive alcohols.

A JAPANESE PERFUME.

Extract of rose triple, } " vitivert, } " patchouly, } of each, 1/2 pint. " cedar, } " santal, } " vervaine, 1/4 "

KEW GARDEN NOSEGAY.

Esprit de neroli (Petale), 1 pint. " cassie, } " tubereuse, } from pomade, of each, 1/2 " " jasmine, } " geranium, 1/2 " " musk, } of each, 3 oz. " ambergris, }

EAU DES MILLEFLEURS.

Esprit de rose triple, 1 pint. " rose de pomade,} " tubereuse, } " jasmine, } from pomade, of each, 1/2 " " fleur d'orange,} " cassie, } " violette, } Extract of cedar, 1/4 " Extract of vanilla, } " ambergris, } of each, 2 oz. " musk, } Otto of almonds, } " neroli, } of each, 10 drops. " cloves, } " bergamot, 1 oz.

These ingredients are to remain together for at least a fortnight, then filtered prior to sale.

MILLEFLEURS ET LAVENDER.

Essence of lavender (Mitcham), 1/2 pint. Eau des millefleurs, 1 "

DECROIX'S MILLEFLOWER LAVENDER.

Spirits from grape, 1 pint. French otto of lavender, 1 oz. Extract of ambergris, 2 oz.

The original "lavender aux millefleurs" is that of Delcroix; its peculiar odor is due to the French otto of lavender, which, although some folks like it, is very inferior to the English otto of lavender; hence the formula first given is far superior to that by the inventor, and has almost superseded the original preparations.

There are several other compounds or bouquets of which lavender is the leading ingredient, and from which they take their name, such as lavender and ambergris, lavender and musk, lavender and marechale, &c., all of which are composed of fine spirituous essences of lavender, with about 15 per cent. of any of the other ingredients.

BOUQUET DU MARECHALE.

Esprit de rose triple, } } of each, 1 pint. Extrait de fleur d'orange, }

" vitivert, } " vanilla, } " orris, } of each, 1/2 " " tonquin, } Esprit de neroli, } Extract of musk, } of each, 1/4 pint. " ambergris, } Otto of cloves, } of each, 1/2 drachm. " santal, }

EAU DE MOUSSELAINE.

Bouquet marechale, 1 pint. Extrait de cassie, } " jasmine, } from pomade, of each, 1/2 " " tubereuse,} " rose, } Otto of santal, 2 drachms.

BOUQUET DE MONTPELLIER.

Extrait de tubereuse, 1 pint. " rose de pomade, 1 " " rose triple, 1 " Extract of musk, } of each, 1/4 " " ambergris, } Otto of cloves, 1-1/2 drachm. " bergarmot, 1/2 oz.

CAPRICE DE LA MODE.

Extrait de jasmine, } " tubereuse, } of each, 1/2 pint. " cassie, } " fleur d'orange, } Otto of almonds, 10 drops. " nutmegs, 10 " Extract of civet, 1/4 pint.

MAY FLOWERS.

Extract of rose (de pomade), } " jasmine, } of each, 1/2 pint. " fleur d'orange, } " cassie, } " vanilla, 1 " Otto of almonds, 1/4 drachm.

NEPTUNE, OR NAVAL NOSEGAY.

Extrait de rose, triple, } " santal, } of each, 1/2 pint. " vitivert, } " patchouly, } " verbena, 1/8 "

BOUQUET OF ALL NATIONS.

Countries wherein the Odors are produced. TURKEY, Esprit de rose triple, 1/2 pint. AFRICA, Extract of jasmine, 1/2 " ENGLAND, " lavender, 1/4 " FRANCE, " tubereuse, 1/2 " SOUTH AMERICA, " vanilla, 1/4 " TIMOR, " santal, 1/4 " ITALY, " violet, 1 " HINDOOSTAN, " patchouly, 1/4 " CEYLON, Otto of citronella, 1 drachm. SARDINIA, " lemons, 1/4 oz. TONQUIN, Extract of musk, 1/4 pint.

ISLE OF WIGHT BOUQUET.

Extract of orris, 1/2 pint. " vitivert, 1/4 " " santal, 1 " " rose, 1/2 "

BOUQUET DU ROI.

Extract of jasmine, } " violet, } from pomade, of each, 1 pint. " rose } " vanilla, } of each, 1/4 pint. " vitivert, } " musk, } of each, 1 oz. " ambergris, } Otto of bergamot, 1 oz. " cloves, 1 drachm.

BOUQUET DE LA REINE.

Esprit de rose, } from pomade, of each, 1 pint. Extrait de violette, } " tubereuse, 1/2 " " fleur d'orange, 1/4 " Otto of bergamot, 1/4 oz.

RONDELETIA.

The perfume bearing the above name is undoubtedly one of the most gratifying to the smelling nerve that has ever been made. Its inventors, Messrs. Hannay and Dietrichsen, have probably taken the name of this odor from the Rondeletia, the Chyn-len of the Chinese; or from the R. odorata of the West Indies, which has a sweet odor. We have before observed that there is a similarity of effect upon the olfactory nerve produced by certain odors, although derived from totally different sources: that, for instance, otto of almonds may be mixed with extract of violet in such proportion that, although the odor is increased, yet the character peculiar to the violet is not destroyed. Again: there are certain odors which, on being mixed in due proportion, produce a new aroma, perfectly distinct and peculiar to itself. This effect is exemplified by comparison with the influence of certain colors when mixed, upon the nerve of vision: such, for instance, as when yellow and blue are mixed, the result we call green; or when blue and red are united, the compound color is known as puce or violet.