"It used to belong to a painter," I mumbled.

"Ah, your absent friend," he said, making a wry mouth. "I detest all those artists, and all those writers, and all politicos who are thieves; and I would go even farther and higher, laying a curse on all idle lovers of women. You think perhaps I am a Royalist? No. If there was anybody in heaven or hell to pray to I would pray for a revolution—a red revolution everywhere."

"You astonish me," I said, just to say something.

"No! But there are half a dozen people in the world with whom I would like to settle accounts. One could shoot them like partridges and no questions asked. That's what revolution would mean to me."

"It's a beautifully simple view," I said. "I imagine you are not the only one who holds it; but I really must look after your comforts. You mustn't forget that we have to see Baron H. early to-morrow morning." And I went out quietly into the passage wondering in what part of the house Therese had elected to sleep that night. But, lo and behold, when I got to the foot of the stairs there was Therese coming down from the upper regions in her nightgown, like a sleep-walker. However, it wasn't that, because, before I could exclaim, she vanished off the first floor landing like a streak of white mist and without the slightest sound. Her attire made it perfectly clear that she could not have heard us coming in. In fact, she must have been certain that the house was empty, because she was as well aware as myself that the Italian girls after their work at the opera were going to a masked ball to dance for their own amusement, attended of course by their conscientious father. But what thought, need, or sudden impulse had driven Therese out of bed like this was something I couldn't conceive.

I didn't call out after her. I felt sure that she would return. I went up slowly to the first floor and met her coming down again, this time carrying a lighted candle. She had managed to make herself presentable in an extraordinarily short time.

"Oh, my dear young Monsieur, you have given me a fright."

"Yes. And I nearly fainted, too," I said. "You looked perfectly awful. What's the matter with you? Are you ill?"

She had lighted by then the gas on the landing and I must say that I had never seen exactly that manner of face on her before. She wriggled, confused and shifty-eyed, before me; but I ascribed this behaviour to her shocked modesty and without troubling myself any more about her feelings I informed her that there was a Carlist downstairs who must be put up for the night. Most unexpectedly she betrayed a ridiculous consternation, but only for a moment. Then she assumed at once that I would give him hospitality upstairs where there was a camp-bedstead in my dressing-room. I said:

"No. Give him a shake-down in the studio, where he is now. It's warm in there. And remember! I charge you strictly not to let him know that I sleep in this house. In fact, I don't know myself that I will; I have certain matters to attend to this very night. You will also have to serve him his coffee in the morning. I will take him away before ten o'clock."

All this seemed to impress her more than I had expected. As usual when she felt curious, or in some other way excited, she assumed a saintly, detached expression, and asked:

"The dear gentleman is your friend, I suppose?"

"I only know he is a Spaniard and a Carlist," I said: "and that ought to be enough for you."

Instead of the usual effusive exclamations she murmured: "Dear me, dear me," and departed upstairs with the candle to get together a few blankets and pillows, I suppose. As for me I walked quietly downstairs on my way to the studio. I had a curious sensation that I was acting in a preordained manner, that life was not at all what I had thought it to be, or else that I had been altogether changed sometime during the day, and that I was a different person from the man whom I remembered getting out of my bed in the morning.

Also feelings had altered all their values. The words, too, had become strange. It was only the inanimate surroundings that remained what they had always been. For instance the studio. . . .

During my absence Senor Ortega had taken off his coat and I found him as it were in the air, sitting in his shirt sleeves on a chair which he had taken pains to place in the very middle of the floor. I repressed an absurd impulse to walk round him as though he had been some sort of exhibit. His hands were spread over his knees and he looked perfectly insensible. I don't mean strange, or ghastly, or wooden, but just insensible—like an exhibit. And that effect persisted even after he raised his black suspicious eyes to my face. He lowered them almost at once. It was very mechanical. I gave him up and became rather concerned about myself. My thought was that I had better get out of that before any more queer notions came into my head. So I only remained long enough to tell him that the woman of the house was bringing down some bedding and that I hoped that he would have a good night's rest. And directly I spoke it struck me that this was the most extraordinary speech that ever was addressed to a figure of that sort. He, however, did not seem startled by it or moved in any way. He simply said:

"Thank you."

In the darkest part of the long passage outside I met Therese with her arms full of pillows and blankets.



CHAPTER V

Coming out of the bright light of the studio I didn't make out Therese very distinctly. She, however, having groped in dark cupboards, must have had her pupils sufficiently dilated to have seen that I had my hat on my head. This has its importance because after what I had said to her upstairs it must have convinced her that I was going out on some midnight business. I passed her without a word and heard behind me the door of the studio close with an unexpected crash. It strikes me now that under the circumstances I might have without shame gone back to listen at the keyhole. But truth to say the association of events was not so clear in my mind as it may be to the reader of this story. Neither were the exact connections of persons present to my mind. And, besides, one doesn't listen at a keyhole but in pursuance of some plan; unless one is afflicted by a vulgar and fatuous curiosity. But that vice is not in my character. As to plan, I had none. I moved along the passage between the dead wall and the black-and-white marble elevation of the staircase with hushed footsteps, as though there had been a mortally sick person somewhere in the house. And the only person that could have answered to that description was Senor Ortega. I moved on, stealthy, absorbed, undecided; asking myself earnestly: "What on earth am I going to do with him?" That exclusive preoccupation of my mind was as dangerous to Senor Ortega as typhoid fever would have been. It strikes me that this comparison is very exact. People recover from typhoid fever, but generally the chance is considered poor. This was precisely his case. His chance was poor; though I had no more animosity towards him than a virulent disease has against the victim it lays low. He really would have nothing to reproach me with; he had run up against me, unwittingly, as a man enters an infected place, and now he was very ill, very ill indeed. No, I had no plans against him. I had only the feeling that he was in mortal danger.

I believe that men of the most daring character (and I make no claim to it) often do shrink from the logical processes of thought. It is only the devil, they say, that loves logic. But I was not a devil. I was not even a victim of the devil. It was only that I had given up the direction of my intelligence before the problem; or rather that the problem had dispossessed my intelligence and reigned in its stead side by side with a superstitious awe. A dreadful order seemed to lurk in the darkest shadows of life. The madness of that Carlist with the soul of a Jacobin, the vile fears of Baron H., that excellent organizer of supplies, the contact of their two ferocious stupidities, and last, by a remote disaster at sea, my love brought into direct contact with the situation: all that was enough to make one shudder—not at the chance, but at the design.

For it was my love that was called upon to act here, and nothing else. And love which elevates us above all safeguards, above restraining principles, above all littlenesses of self-possession, yet keeps its feet always firmly on earth, remains marvellously practical in its suggestions.

I discovered that however much I had imagined I had given up Rita, that whatever agonies I had gone through, my hope of her had never been lost. Plucked out, stamped down, torn to shreds, it had remained with me secret, intact, invincible. Before the danger of the situation it sprang, full of life, up in arms—the undying child of immortal love. What incited me was independent of honour and compassion; it was the prompting of a love supreme, practical, remorseless in its aim; it was the practical thought that no woman need be counted as lost for ever, unless she be dead!

This excluded for the moment all considerations of ways and means and risks and difficulties. Its tremendous intensity robbed it of all direction and left me adrift in the big black-and-white hall as on a silent sea. It was not, properly speaking, irresolution. It was merely hesitation as to the next immediate step, and that step even of no great importance: hesitation merely as to the best way I could spend the rest of the night. I didn't think further forward for many reasons, more or less optimistic, but mainly because I have no homicidal vein in my composition. The disposition to gloat over homicide was in that miserable creature in the studio, the potential Jacobin; in that confounded buyer of agricultural produce, the punctual employe of Hernandez Brothers, the jealous wretch with an obscene tongue and an imagination of the same kind to drive him mad. I thought of him without pity but also without contempt. I reflected that there were no means of sending a warning to Dona Rita in Tolosa; for of course no postal communication existed with the Headquarters. And moreover what would a warning be worth in this particular case, supposing it would reach her, that she would believe it, and that she would know what to do? How could I communicate to another that certitude which was in my mind, the more absolute because without proofs that one could produce?

The last expression of Rose's distress rang again in my ears: "Madame has no friends. Not one!" and I saw Dona Rita's complete loneliness beset by all sorts of insincerities, surrounded by pitfalls; her greatest dangers within herself, in her generosity, in her fears, in her courage, too. What I had to do first of all was to stop that wretch at all costs. I became aware of a great mistrust of Therese. I didn't want her to find me in the hall, but I was reluctant to go upstairs to my rooms from an unreasonable feeling that there I would be too much out of the way; not sufficiently on the spot. There was the alternative of a live-long night of watching outside, before the dark front of the house. It was a most distasteful prospect. And then it occurred to me that Blunt's former room would be an extremely good place to keep a watch from. I knew that room. When Henry Allegre gave the house to Rita in the early days (long before he made his will) he had planned a complete renovation and this room had been meant for the drawing-room. Furniture had been made for it specially, upholstered in beautiful ribbed stuff, made to order, of dull gold colour with a pale blue tracery of arabesques and oval medallions enclosing Rita's monogram, repeated on the backs of chairs and sofas, and on the heavy curtains reaching from ceiling to floor. To the same time belonged the ebony and bronze doors, the silver statuette at the foot of the stairs, the forged iron balustrade reproducing right up the marble staircase Rita's decorative monogram in its complicated design. Afterwards the work was stopped and the house had fallen into disrepair. When Rita devoted it to the Carlist cause a bed was put into that drawing-room, just simply the bed. The room next to that yellow salon had been in Allegre's young days fitted as a fencing-room containing also a bath, and a complicated system of all sorts of shower and jet arrangements, then quite up to date. That room was very large, lighted from the top, and one wall of it was covered by trophies of arms of all sorts, a choice collection of cold steel disposed on a background of Indian mats and rugs: Blunt used it as a dressing-room. It communicated by a small door with the studio.

I had only to extend my hand and make one step to reach the magnificent bronze handle of the ebony door, and if I didn't want to be caught by Therese there was no time to lose. I made the step and extended the hand, thinking that it would be just like my luck to find the door locked. But the door came open to my push. In contrast to the dark hall the room was most unexpectedly dazzling to my eyes, as if illuminated a giorno for a reception. No voice came from it, but nothing could have stopped me now. As I turned round to shut the door behind me noiselessly I caught sight of a woman's dress on a chair, of other articles of apparel scattered about. The mahogany bed with a piece of light silk which Therese found somewhere and used for a counterpane was a magnificent combination of white and crimson between the gleaming surfaces of dark wood; and the whole room had an air of splendour with marble consoles, gilt carvings, long mirrors and a sumptuous Venetian lustre depending from the ceiling: a darkling mass of icy pendants catching a spark here and there from the candles of an eight-branched candelabra standing on a little table near the head of a sofa which had been dragged round to face the fireplace. The faintest possible whiff of a familiar perfume made my head swim with its suggestion.

I grabbed the back of the nearest piece of furniture and the splendour of marbles and mirrors, of cut crystals and carvings, swung before my eyes in the golden mist of walls and draperies round an extremely conspicuous pair of black stockings thrown over a music stool which remained motionless. The silence was profound. It was like being in an enchanted place. Suddenly a voice began to speak, clear, detached, infinitely touching in its calm weariness.

"Haven't you tormented me enough to-day?" it said. . . . My head was steady now but my heart began to beat violently. I listened to the end without moving, "Can't you make up your mind to leave me alone for to-night?" It pleaded with an accent of charitable scorn.

The penetrating quality of these tones which I had not heard for so many, many days made my eyes run full of tears. I guessed easily that the appeal was addressed to the atrocious Therese. The speaker was concealed from me by the high back of the sofa, but her apprehension was perfectly justified. For was it not I who had turned back Therese the pious, the insatiable, coming downstairs in her nightgown to torment her sister some more? Mere surprise at Dona Rita's presence in the house was enough to paralyze me; but I was also overcome by an enormous sense of relief, by the assurance of security for her and for myself. I didn't even ask myself how she came there. It was enough for me that she was not in Tolosa. I could have smiled at the thought that all I had to do now was to hasten the departure of that abominable lunatic—for Tolosa: an easy task, almost no task at all. Yes, I would have smiled, had not I felt outraged by the presence of Senor Ortega under the same roof with Dona Rita. The mere fact was repugnant to me, morally revolting; so that I should have liked to rush at him and throw him out into the street. But that was not to be done for various reasons. One of them was pity. I was suddenly at peace with all mankind, with all nature. I felt as if I couldn't hurt a fly. The intensity of my emotion sealed my lips. With a fearful joy tugging at my heart I moved round the head of the couch without a word.

In the wide fireplace on a pile of white ashes the logs had a deep crimson glow; and turned towards them Dona Rita reclined on her side enveloped in the skins of wild beasts like a charming and savage young chieftain before a camp fire. She never even raised her eyes, giving me the opportunity to contemplate mutely that adolescent, delicately masculine head, so mysteriously feminine in the power of instant seduction, so infinitely suave in its firm design, almost childlike in the freshness of detail: altogether ravishing in the inspired strength of the modelling. That precious head reposed in the palm of her hand; the face was slightly flushed (with anger perhaps). She kept her eyes obstinately fixed on the pages of a book which she was holding with her other hand. I had the time to lay my infinite adoration at her feet whose white insteps gleamed below the dark edge of the fur out of quilted blue silk bedroom slippers, embroidered with small pearls. I had never seen them before; I mean the slippers. The gleam of the insteps, too, for that matter. I lost myself in a feeling of deep content, something like a foretaste of a time of felicity which must be quiet or it couldn't be eternal. I had never tasted such perfect quietness before. It was not of this earth. I had gone far beyond. It was as if I had reached the ultimate wisdom beyond all dreams and all passions. She was That which is to be contemplated to all Infinity.

The perfect stillness and silence made her raise her eyes at last, reluctantly, with a hard, defensive expression which I had never seen in them before. And no wonder! The glance was meant for Therese and assumed in self-defence. For some time its character did not change and when it did it turned into a perfectly stony stare of a kind which I also had never seen before. She had never wished so much to be left in peace. She had never been so astonished in her life. She had arrived by the evening express only two hours before Senor Ortega, had driven to the house, and after having something to eat had become for the rest of the evening the helpless prey of her sister who had fawned and scolded and wheedled and threatened in a way that outraged all Rita's feelings. Seizing this unexpected occasion Therese had displayed a distracting versatility of sentiment: rapacity, virtue, piety, spite, and false tenderness—while, characteristically enough, she unpacked the dressing-bag, helped the sinner to get ready for bed, brushed her hair, and finally, as a climax, kissed her hands, partly by surprise and partly by violence. After that she had retired from the field of battle slowly, undefeated, still defiant, firing as a last shot the impudent question: "Tell me only, have you made your will, Rita?" To this poor Dona Rita with the spirit of opposition strung to the highest pitch answered: "No, and I don't mean to"—being under the impression that this was what her sister wanted her to do. There can be no doubt, however, that all Therese wanted was the information.

Rita, much too agitated to expect anything but a sleepless night, had not the courage to get into bed. She thought she would remain on the sofa before the fire and try to compose herself with a book. As she had no dressing-gown with her she put on her long fur coat over her night-gown, threw some logs on the fire, and lay down. She didn't hear the slightest noise of any sort till she heard me shut the door gently. Quietness of movement was one of Therese's accomplishments, and the harassed heiress of the Allegre millions naturally thought it was her sister coming again to renew the scene. Her heart sank within her. In the end she became a little frightened at the long silence, and raised her eyes. She didn't believe them for a long time. She concluded that I was a vision. In fact, the first word which I heard her utter was a low, awed "No," which, though I understood its meaning, chilled my blood like an evil omen.

It was then that I spoke. "Yes," I said, "it's me that you see," and made a step forward. She didn't start; only her other hand flew to the edges of the fur coat, gripping them together over her breast. Observing this gesture I sat down in the nearest chair. The book she had been reading slipped with a thump on the floor.

"How is it possible that you should be here?" she said, still in a doubting voice.

"I am really here," I said. "Would you like to touch my hand?"

She didn't move at all; her fingers still clutched the fur coat.

"What has happened?"

"It's a long story, but you may take it from me that all is over. The tie between us is broken. I don't know that it was ever very close. It was an external thing. The true misfortune is that I have ever seen you."

This last phrase was provoked by an exclamation of sympathy on her part. She raised herself on her elbow and looked at me intently. "All over," she murmured.

"Yes, we had to wreck the little vessel. It was awful. I feel like a murderer. But she had to be killed."

"Why?"

"Because I loved her too much. Don't you know that love and death go very close together?"

"I could feel almost happy that it is all over, if you hadn't had to lose your love. Oh, amigo George, it was a safe love for you."

"Yes," I said. "It was a faithful little vessel. She would have saved us all from any plain danger. But this was a betrayal. It was—never mind. All that's past. The question is what will the next one be."

"Why should it be that?"

"I don't know. Life seems but a series of betrayals. There are so many kinds of them. This was a betrayed plan, but one can betray confidence, and hope and—desire, and the most sacred . . ."

"But what are you doing here?" she interrupted.

"Oh, yes! The eternal why. Till a few hours ago I didn't know what I was here for. And what are you here for?" I asked point blank and with a bitterness she disregarded. She even answered my question quite readily with many words out of which I could make very little. I only learned that for at least five mixed reasons, none of which impressed me profoundly, Dona Rita had started at a moment's notice from Paris with nothing but a dressing-bag, and permitting Rose to go and visit her aged parents for two days, and then follow her mistress. That girl of late had looked so perturbed and worried that the sensitive Rita, fearing that she was tired of her place, proposed to settle a sum of money on her which would have enabled her to devote herself entirely to her aged parents. And did I know what that extraordinary girl said? She had said: "Don't let Madame think that I would be too proud to accept anything whatever from her; but I can't even dream of leaving Madame. I believe Madame has no friends. Not one." So instead of a large sum of money Dona Rita gave the girl a kiss and as she had been worried by several people who wanted her to go to Tolosa she bolted down this way just to get clear of all those busybodies. "Hide from them," she went on with ardour. "Yes, I came here to hide," she repeated twice as if delighted at last to have hit on that reason among so many others. "How could I tell that you would be here?" Then with sudden fire which only added to the delight with which I had been watching the play of her physiognomy she added: "Why did you come into this room?"

She enchanted me. The ardent modulations of the sound, the slight play of the beautiful lips, the still, deep sapphire gleam in those long eyes inherited from the dawn of ages and that seemed always to watch unimaginable things, that underlying faint ripple of gaiety that played under all her moods as though it had been a gift from the high gods moved to pity for this lonely mortal, all this within the four walls and displayed for me alone gave me the sense of almost intolerable joy. The words didn't matter. They had to be answered, of course.

"I came in for several reasons. One of them is that I didn't know you were here."

"Therese didn't tell you?"

"No."

"Never talked to you about me?"

I hesitated only for a moment. "Never," I said. Then I asked in my turn, "Did she tell you I was here?"

"No," she said.

"It's very clear she did not mean us to come together again."

"Neither did I, my dear."

"What do you mean by speaking like this, in this tone, in these words? You seem to use them as if they were a sort of formula. Am I a dear to you? Or is anybody? . . . or everybody? . . ."

She had been for some time raised on her elbow, but then as if something had happened to her vitality she sank down till her head rested again on the sofa cushion.

"Why do you try to hurt my feelings?" she asked.

"For the same reason for which you call me dear at the end of a sentence like that: for want of something more amusing to do. You don't pretend to make me believe that you do it for any sort of reason that a decent person would confess to."

The colour had gone from her face; but a fit of wickedness was on me and I pursued, "What are the motives of your speeches? What prompts your actions? On your own showing your life seems to be a continuous running away. You have just run away from Paris. Where will you run to-morrow? What are you everlastingly running from—or is it that you are running after something? What is it? A man, a phantom—or some sensation that you don't like to own to?"

Truth to say, I was abashed by the silence which was her only answer to this sally. I said to myself that I would not let my natural anger, my just fury be disarmed by any assumption of pathos or dignity. I suppose I was really out of my mind and what in the middle ages would have been called "possessed" by an evil spirit. I went on enjoying my own villainy.

"Why aren't you in Tolosa? You ought to be in Tolosa. Isn't Tolosa the proper field for your abilities, for your sympathies, for your profusions, for your generosities—the king without a crown, the man without a fortune! But here there is nothing worthy of your talents. No, there is no longer anything worth any sort of trouble here. There isn't even that ridiculous Monsieur George. I understand that the talk of the coast from here to Cette is that Monsieur George is drowned. Upon my word I believe he is. And serve him right, too. There's Therese, but I don't suppose that your love for your sister . . ."

"For goodness' sake don't let her come in and find you here."

Those words recalled me to myself, exorcised the evil spirit by the mere enchanting power of the voice. They were also impressive by their suggestion of something practical, utilitarian, and remote from sentiment. The evil spirit left me and I remained taken aback slightly.

"Well," I said, "if you mean that you want me to leave the room I will confess to you that I can't very well do it yet. But I could lock both doors if you don't mind that."

"Do what you like as long as you keep her out. You two together would be too much for me to-night. Why don't you go and lock those doors? I have a feeling she is on the prowl."

I got up at once saying, "I imagine she has gone to bed by this time." I felt absolutely calm and responsible. I turned the keys one after another so gently that I couldn't hear the click of the locks myself. This done I recrossed the room with measured steps, with downcast eyes, and approaching the couch without raising them from the carpet I sank down on my knees and leaned my forehead on its edge. That penitential attitude had but little remorse in it. I detected no movement and heard no sound from her. In one place a bit of the fur coat touched my cheek softly, but no forgiving hand came to rest on my bowed head. I only breathed deeply the faint scent of violets, her own particular fragrance enveloping my body, penetrating my very heart with an inconceivable intimacy, bringing me closer to her than the closest embrace, and yet so subtle that I sensed her existence in me only as a great, glowing, indeterminate tenderness, something like the evening light disclosing after the white passion of the day infinite depths in the colours of the sky and an unsuspected soul of peace in the protean forms of life. I had not known such quietness for months; and I detected in myself an immense fatigue, a longing to remain where I was without changing my position to the end of time. Indeed to remain seemed to me a complete solution for all the problems that life presents—even as to the very death itself.

Only the unwelcome reflection that this was impossible made me get up at last with a sigh of deep grief at the end of the dream. But I got up without despair. She didn't murmur, she didn't stir. There was something august in the stillness of the room. It was a strange peace which she shared with me in this unexpected shelter full of disorder in its neglected splendour. What troubled me was the sudden, as it were material, consciousness of time passing as water flows. It seemed to me that it was only the tenacity of my sentiment that held that woman's body, extended and tranquil above the flood. But when I ventured at last to look at her face I saw her flushed, her teeth clenched—it was visible—her nostrils dilated, and in her narrow, level-glancing eyes a look of inward and frightened ecstasy. The edges of the fur coat had fallen open and I was moved to turn away. I had the same impression as on the evening we parted that something had happened which I did not understand; only this time I had not touched her at all. I really didn't understand. At the slightest whisper I would now have gone out without a murmur, as though that emotion had given her the right to be obeyed. But there was no whisper; and for a long time I stood leaning on my arm, looking into the fire and feeling distinctly between the four walls of that locked room the unchecked time flow past our two stranded personalities.

And suddenly she spoke. She spoke in that voice that was so profoundly moving without ever being sad, a little wistful perhaps and always the supreme expression of her grace. She asked as if nothing had happened:

"What are you thinking of, amigo?"

I turned about. She was lying on her side, tranquil above the smooth flow of time, again closely wrapped up in her fur, her head resting on the old-gold sofa cushion bearing like everything else in that room the decoratively enlaced letters of her monogram; her face a little pale now, with the crimson lobe of her ear under the tawny mist of her loose hair, the lips a little parted, and her glance of melted sapphire level and motionless, darkened by fatigue.

"Can I think of anything but you?" I murmured, taking a seat near the foot of the couch. "Or rather it isn't thinking, it is more like the consciousness of you always being present in me, complete to the last hair, to the faintest shade of expression, and that not only when we are apart but when we are together, alone, as close as this. I see you now lying on this couch but that is only the insensible phantom of the real you that is in me. And it is the easier for me to feel this because that image which others see and call by your name—how am I to know that it is anything else but an enchanting mist? You have always eluded me except in one or two moments which seem still more dream-like than the rest. Since I came into this room you have done nothing to destroy my conviction of your unreality apart from myself. You haven't offered me your hand to touch. Is it because you suspect that apart from me you are but a mere phantom, and that you fear to put it to the test?"

One of her hands was under the fur and the other under her cheek. She made no sound. She didn't offer to stir. She didn't move her eyes, not even after I had added after waiting for a while,

"Just what I expected. You are a cold illusion."

She smiled mysteriously, right away from me, straight at the fire, and that was all.



CHAPTER VI

I had a momentary suspicion that I had said something stupid. Her smile amongst many other things seemed to have meant that, too. And I answered it with a certain resignation:

"Well, I don't know that you are so much mist. I remember once hanging on to you like a drowning man . . . But perhaps I had better not speak of this. It wasn't so very long ago, and you may . . . "

"I don't mind. Well . . ."

"Well, I have kept an impression of great solidity. I'll admit that. A woman of granite."

"A doctor once told me that I was made to last for ever," she said.

"But essentially it's the same thing," I went on. "Granite, too, is insensible."

I watched her profile against the pillow and there came on her face an expression I knew well when with an indignation full of suppressed laughter she used to throw at me the word "Imbecile." I expected it to come, but it didn't come. I must say, though, that I was swimmy in my head and now and then had a noise as of the sea in my ears, so I might not have heard it. The woman of granite, built to last for ever, continued to look at the glowing logs which made a sort of fiery ruin on the white pile of ashes. "I will tell you how it is," I said. "When I have you before my eyes there is such a projection of my whole being towards you that I fail to see you distinctly. It was like that from the beginning. I may say that I never saw you distinctly till after we had parted and I thought you had gone from my sight for ever. It was then that you took body in my imagination and that my mind seized on a definite form of you for all its adorations—for its profanations, too. Don't imagine me grovelling in spiritual abasement before a mere image. I got a grip on you that nothing can shake now."

"Don't speak like this," she said. "It's too much for me. And there is a whole long night before us."

"You don't think that I dealt with you sentimentally enough perhaps? But the sentiment was there; as clear a flame as ever burned on earth from the most remote ages before that eternal thing which is in you, which is your heirloom. And is it my fault that what I had to give was real flame, and not a mystic's incense? It is neither your fault nor mine. And now whatever we say to each other at night or in daylight, that sentiment must be taken for granted. It will be there on the day I die—when you won't be there."

She continued to look fixedly at the red embers; and from her lips that hardly moved came the quietest possible whisper: "Nothing would be easier than to die for you."

"Really," I cried. "And you expect me perhaps after this to kiss your feet in a transport of gratitude while I hug the pride of your words to my breast. But as it happens there is nothing in me but contempt for this sublime declaration. How dare you offer me this charlatanism of passion? What has it got to do between you and me who are the only two beings in the world that may safely say that we have no need of shams between ourselves? Is it possible that you are a charlatan at heart? Not from egoism, I admit, but from some sort of fear. Yet, should you be sincere, then—listen well to me—I would never forgive you. I would visit your grave every day to curse you for an evil thing."

"Evil thing," she echoed softly.

"Would you prefer to be a sham—that one could forget?"

"You will never forget me," she said in the same tone at the glowing embers. "Evil or good. But, my dear, I feel neither an evil nor a sham. I have got to be what I am, and that, amigo, is not so easy; because I may be simple, but like all those on whom there is no peace I am not One. No, I am not One!"

"You are all the women in the world," I whispered bending over her. She didn't seem to be aware of anything and only spoke—always to the glow.

"If I were that I would say: God help them then. But that would be more appropriate for Therese. For me, I can only give them my infinite compassion. I have too much reverence in me to invoke the name of a God of whom clever men have robbed me a long time ago. How could I help it? For the talk was clever and—and I had a mind. And I am also, as Therese says, naturally sinful. Yes, my dear, I may be naturally wicked but I am not evil and I could die for you."

"You!" I said. "You are afraid to die."

"Yes. But not for you."

The whole structure of glowing logs fell down, raising a small turmoil of white ashes and sparks. The tiny crash seemed to wake her up thoroughly. She turned her head upon the cushion to look at me.

"It's a very extraordinary thing, we two coming together like this," she said with conviction. "You coming in without knowing I was here and then telling me that you can't very well go out of the room. That sounds funny. I wouldn't have been angry if you had said that you wouldn't. It would have hurt me. But nobody ever paid much attention to my feelings. Why do you smile like this?"

"At a thought. Without any charlatanism of passion I am able to tell you of something to match your devotion. I was not afraid for your sake to come within a hair's breadth of what to all the world would have been a squalid crime. Note that you and I are persons of honour. And there might have been a criminal trial at the end of it for me. Perhaps the scaffold."

"Do you say these horrors to make me tremble?"

"Oh, you needn't tremble. There shall be no crime. I need not risk the scaffold, since now you are safe. But I entered this room meditating resolutely on the ways of murder, calculating possibilities and chances without the slightest compunction. It's all over now. It was all over directly I saw you here, but it had been so near that I shudder yet."

She must have been very startled because for a time she couldn't speak. Then in a faint voice:

"For me! For me!" she faltered out twice.

"For you—or for myself? Yet it couldn't have been selfish. What would it have been to me that you remained in the world? I never expected to see you again. I even composed a most beautiful letter of farewell. Such a letter as no woman had ever received."

Instantly she shot out a hand towards me. The edges of the fur cloak fell apart. A wave of the faintest possible scent floated into my nostrils.

"Let me have it," she said imperiously.

"You can't have it. It's all in my head. No woman will read it. I suspect it was something that could never have been written. But what a farewell! And now I suppose we shall say good-bye without even a handshake. But you are safe! Only I must ask you not to come out of this room till I tell you you may."

I was extremely anxious that Senor Ortega should never even catch a glimpse of Dona Rita, never guess how near he had been to her. I was extremely anxious the fellow should depart for Tolosa and get shot in a ravine; or go to the Devil in his own way, as long as he lost the track of Dona Rita completely. He then, probably, would get mad and get shut up, or else get cured, forget all about it, and devote himself to his vocation, whatever it was—keep a shop and grow fat. All this flashed through my mind in an instant and while I was still dazzled by those comforting images, the voice of Dona Rita pulled me up with a jerk.

"You mean not out of the house?"

"No, I mean not out of this room," I said with some embarrassment.

"What do you mean? Is there something in the house then? This is most extraordinary! Stay in this room? And you, too, it seems? Are you also afraid for yourself?"

"I can't even give you an idea how afraid I was. I am not so much now. But you know very well, Dona Rita, that I never carry any sort of weapon in my pocket."

"Why don't you, then?" she asked in a flash of scorn which bewitched me so completely for an instant that I couldn't even smile at it.

"Because if I am unconventionalized I am an old European," I murmured gently. "No, Excellentissima, I shall go through life without as much as a switch in my hand. It's no use you being angry. Adapting to this great moment some words you've heard before: I am like that. Such is my character!"

Dona Rita frankly stared at me—a most unusual expression for her to have. Suddenly she sat up.

"Don George," she said with lovely animation, "I insist upon knowing who is in my house."

"You insist! . . . But Therese says it is her house."

Had there been anything handy, such as a cigarette box, for instance, it would have gone sailing through the air spouting cigarettes as it went. Rosy all over, cheeks, neck, shoulders, she seemed lighted up softly from inside like a beautiful transparency. But she didn't raise her voice.

"You and Therese have sworn my ruin. If you don't tell me what you mean I will go outside and shout up the stairs to make her come down. I know there is no one but the three of us in the house."

"Yes, three; but not counting my Jacobin. There is a Jacobin in the house."

"A Jac . . .! Oh, George, is this the time to jest?" she began in persuasive tones when a faint but peculiar noise stilled her lips as though they had been suddenly frozen. She became quiet all over instantly. I, on the contrary, made an involuntary movement before I, too, became as still as death. We strained our ears; but that peculiar metallic rattle had been so slight and the silence now was so perfect that it was very difficult to believe one's senses. Dona Rita looked inquisitively at me. I gave her a slight nod. We remained looking into each other's eyes while we listened and listened till the silence became unbearable. Dona Rita whispered composedly: "Did you hear?"

"I am asking myself . . . I almost think I didn't."

"Don't shuffle with me. It was a scraping noise."

"Something fell."

"Something! What thing? What are the things that fall by themselves? Who is that man of whom you spoke? Is there a man?"

"No doubt about it whatever. I brought him here myself."

"What for?"

"Why shouldn't I have a Jacobin of my own? Haven't you one, too? But mine is a different problem from that white-haired humbug of yours. He is a genuine article. There must be plenty like him about. He has scores to settle with half a dozen people, he says, and he clamours for revolutions to give him a chance."

"But why did you bring him here?"

"I don't know—from sudden affection . . . "

All this passed in such low tones that we seemed to make out the words more by watching each other's lips than through our sense of hearing. Man is a strange animal. I didn't care what I said. All I wanted was to keep her in her pose, excited and still, sitting up with her hair loose, softly glowing, the dark brown fur making a wonderful contrast with the white lace on her breast. All I was thinking of was that she was adorable and too lovely for words! I cared for nothing but that sublimely aesthetic impression. It summed up all life, all joy, all poetry! It had a divine strain. I am certain that I was not in my right mind. I suppose I was not quite sane. I am convinced that at that moment of the four people in the house it was Dona Rita who upon the whole was the most sane. She observed my face and I am sure she read there something of my inward exaltation. She knew what to do. In the softest possible tone and hardly above her breath she commanded: "George, come to yourself."

Her gentleness had the effect of evening light. I was soothed. Her confidence in her own power touched me profoundly. I suppose my love was too great for madness to get hold of me. I can't say that I passed to a complete calm, but I became slightly ashamed of myself. I whispered:

"No, it was not from affection, it was for the love of you that I brought him here. That imbecile H. was going to send him to Tolosa."

"That Jacobin!" Dona Rita was immensely surprised, as she might well have been. Then resigned to the incomprehensible: "Yes," she breathed out, "what did you do with him?"

"I put him to bed in the studio."

How lovely she was with the effort of close attention depicted in the turn of her head and in her whole face honestly trying to approve. "And then?" she inquired.

"Then I came in here to face calmly the necessity of doing away with a human life. I didn't shirk it for a moment. That's what a short twelvemonth has brought me to. Don't think I am reproaching you, O blind force! You are justified because you are. Whatever had to happen you would not even have heard of it."

Horror darkened her marvellous radiance. Then her face became utterly blank with the tremendous effort to understand. Absolute silence reigned in the house. It seemed to me that everything had been said now that mattered in the world; and that the world itself had reached its ultimate stage, had reached its appointed end of an eternal, phantom-like silence. Suddenly Dona Rita raised a warning finger. I had heard nothing and shook my head; but she nodded hers and murmured excitedly,

"Yes, yes, in the fencing-room, as before."

In the same way I answered her: "Impossible! The door is locked and Therese has the key." She asked then in the most cautious manner,

"Have you seen Therese to-night?"

"Yes," I confessed without misgiving. "I left her making up the fellow's bed when I came in here."

"The bed of the Jacobin?" she said in a peculiar tone as if she were humouring a lunatic.

"I think I had better tell you he is a Spaniard—that he seems to know you from early days. . . ." I glanced at her face, it was extremely tense, apprehensive. For myself I had no longer any doubt as to the man and I hoped she would reach the correct conclusion herself. But I believe she was too distracted and worried to think consecutively. She only seemed to feel some terror in the air. In very pity I bent down and whispered carefully near her ear, "His name is Ortega."

I expected some effect from that name but I never expected what happened. With the sudden, free, spontaneous agility of a young animal she leaped off the sofa, leaving her slippers behind, and in one bound reached almost the middle of the room. The vigour, the instinctive precision of that spring, were something amazing. I just escaped being knocked over. She landed lightly on her bare feet with a perfect balance, without the slightest suspicion of swaying in her instant immobility. It lasted less than a second, then she spun round distractedly and darted at the first door she could see. My own agility was just enough to enable me to grip the back of the fur coat and then catch her round the body before she could wriggle herself out of the sleeves. She was muttering all the time, "No, no, no." She abandoned herself to me just for an instant during which I got her back to the middle of the room. There she attempted to free herself and I let her go at once. With her face very close to mine, but apparently not knowing what she was looking at she repeated again twice, "No—No," with an intonation which might well have brought dampness to my eyes but which only made me regret that I didn't kill the honest Ortega at sight. Suddenly Dona Rita swung round and seizing her loose hair with both hands started twisting it up before one of the sumptuous mirrors. The wide fur sleeves slipped down her white arms. In a brusque movement like a downward stab she transfixed the whole mass of tawny glints and sparks with the arrow of gold which she perceived lying there, before her, on the marble console. Then she sprang away from the glass muttering feverishly, "Out—out—out of this house," and trying with an awful, senseless stare to dodge past me who had put myself in her way with open arms. At last I managed to seize her by the shoulders and in the extremity of my distress I shook her roughly. If she hadn't quieted down then I believe my heart would have broken. I spluttered right into her face: "I won't let you. Here you stay." She seemed to recognize me at last, and suddenly still, perfectly firm on her white feet, she let her arms fall and, from an abyss of desolation, whispered, "O! George! No! No! Not Ortega."

There was a passion of mature grief in this tone of appeal. And yet she remained as touching and helpless as a distressed child. It had all the simplicity and depth of a child's emotion. It tugged at one's heart-strings in the same direct way. But what could one do? How could one soothe her? It was impossible to pat her on the head, take her on the knee, give her a chocolate or show her a picture-book. I found myself absolutely without resource. Completely at a loss.

"Yes, Ortega. Well, what of it?" I whispered with immense assurance.



CHAPTER VII

My brain was in a whirl. I am safe to say that at this precise moment there was nobody completely sane in the house. Setting apart Therese and Ortega, both in the grip of unspeakable passions, all the moral economy of Dona Rita had gone to pieces. Everything was gone except her strong sense of life with all its implied menaces. The woman was a mere chaos of sensations and vitality. I, too, suffered most from inability to get hold of some fundamental thought. The one on which I could best build some hopes was the thought that, of course, Ortega did not know anything. I whispered this into the ear of Dona Rita, into her precious, her beautifully shaped ear.

But she shook her head, very much like an inconsolable child and very much with a child's complete pessimism she murmured, "Therese has told him."

The words, "Oh, nonsense," never passed my lips, because I could not cheat myself into denying that there had been a noise; and that the noise was in the fencing-room. I knew that room. There was nothing there that by the wildest stretch of imagination could be conceived as falling with that particular sound. There was a table with a tall strip of looking-glass above it at one end; but since Blunt took away his campaigning kit there was no small object of any sort on the console or anywhere else that could have been jarred off in some mysterious manner. Along one of the walls there was the whole complicated apparatus of solid brass pipes, and quite close to it an enormous bath sunk into the floor. The greatest part of the room along its whole length was covered with matting and had nothing else but a long, narrow leather-upholstered bench fixed to the wall. And that was all. And the door leading to the studio was locked. And Therese had the key. And it flashed on my mind, independently of Dona Rita's pessimism, by the force of personal conviction, that, of course, Therese would tell him. I beheld the whole succession of events perfectly connected and tending to that particular conclusion. Therese would tell him! I could see the contrasted heads of those two formidable lunatics close together in a dark mist of whispers compounded of greed, piety, and jealousy, plotting in a sense of perfect security as if under the very wing of Providence. So at least Therese would think. She could not be but under the impression that (providentially) I had been called out for the rest of the night.

And now there was one sane person in the house, for I had regained complete command of my thoughts. Working in a logical succession of images they showed me at last as clearly as a picture on a wall, Therese pressing with fervour the key into the fevered palm of the rich, prestigious, virtuous cousin, so that he should go and urge his self-sacrificing offer to Rita, and gain merit before Him whose Eye sees all the actions of men. And this image of those two with the key in the studio seemed to me a most monstrous conception of fanaticism, of a perfectly horrible aberration. For who could mistake the state that made Jose Ortega the figure he was, inspiring both pity and fear? I could not deny that I understood, not the full extent but the exact nature of his suffering. Young as I was I had solved for myself that grotesque and sombre personality. His contact with me, the personal contact with (as he thought) one of the actual lovers of that woman who brought to him as a boy the curse of the gods, had tipped over the trembling scales. No doubt I was very near death in the "grand salon" of the Maison Doree, only that his torture had gone too far. It seemed to me that I ought to have heard his very soul scream while we were seated at supper. But in a moment he had ceased to care for me. I was nothing. To the crazy exaggeration of his jealousy I was but one amongst a hundred thousand. What was my death? Nothing. All mankind had possessed that woman. I knew what his wooing of her would be: Mine—or Dead.

All this ought to have had the clearness of noon-day, even to the veriest idiot that ever lived; and Therese was, properly speaking, exactly that. An idiot. A one-ideaed creature. Only the idea was complex; therefore it was impossible really to say what she wasn't capable of. This was what made her obscure processes so awful. She had at times the most amazing perceptions. Who could tell where her simplicity ended and her cunning began? She had also the faculty of never forgetting any fact bearing upon her one idea; and I remembered now that the conversation with me about the will had produced on her an indelible impression of the Law's surprising justice. Recalling her naive admiration of the "just" law that required no "paper" from a sister, I saw her casting loose the raging fate with a sanctimonious air. And Therese would naturally give the key of the fencing-room to her dear, virtuous, grateful, disinterested cousin, to that damned soul with delicate whiskers, because she would think it just possible that Rita might have locked the door leading front her room into the hall; whereas there was no earthly reason, not the slightest likelihood, that she would bother about the other. Righteousness demanded that the erring sister should be taken unawares.

All the above is the analysis of one short moment. Images are to words like light to sound—incomparably swifter. And all this was really one flash of light through my mind. A comforting thought succeeded it: that both doors were locked and that really there was no danger.

However, there had been that noise—the why and the how of it? Of course in the dark he might have fallen into the bath, but that wouldn't have been a faint noise. It wouldn't have been a rattle. There was absolutely nothing he could knock over. He might have dropped a candle-stick if Therese had left him her own. That was possible, but then those thick mats—and then, anyway, why should he drop it? and, hang it all, why shouldn't he have gone straight on and tried the door? I had suddenly a sickening vision of the fellow crouching at the key-hole, listening, listening, listening, for some movement or sigh of the sleeper he was ready to tear away from the world, alive or dead. I had a conviction that he was still listening. Why? Goodness knows! He may have been only gloating over the assurance that the night was long and that he had all these hours to himself.

I was pretty certain that he could have heard nothing of our whispers, the room was too big for that and the door too solid. I hadn't the same confidence in the efficiency of the lock. Still I . . . Guarding my lips with my hand I urged Dona Rita to go back to the sofa. She wouldn't answer me and when I got hold of her arm I discovered that she wouldn't move. She had taken root in that thick-pile Aubusson carpet; and she was so rigidly still all over that the brilliant stones in the shaft of the arrow of gold, with the six candles at the head of the sofa blazing full on them, emitted no sparkle.

I was extremely anxious that she shouldn't betray herself. I reasoned, save the mark, as a psychologist. I had no doubt that the man knew of her being there; but he only knew it by hearsay. And that was bad enough. I could not help feeling that if he obtained some evidence for his senses by any sort of noise, voice, or movement, his madness would gain strength enough to burst the lock. I was rather ridiculously worried about the locks. A horrid mistrust of the whole house possessed me. I saw it in the light of a deadly trap. I had no weapon, I couldn't say whether he had one or not. I wasn't afraid of a struggle as far as I, myself, was concerned, but I was afraid of it for Dona Rita. To be rolling at her feet, locked in a literally tooth-and-nail struggle with Ortega would have been odious. I wanted to spare her feelings, just as I would have been anxious to save from any contact with mud the feet of that goatherd of the mountains with a symbolic face. I looked at her face. For immobility it might have been a carving. I wished I knew how to deal with that embodied mystery, to influence it, to manage it. Oh, how I longed for the gift of authority! In addition, since I had become completely sane, all my scruples against laying hold of her had returned. I felt shy and embarrassed. My eyes were fixed on the bronze handle of the fencing-room door as if it were something alive. I braced myself up against the moment when it would move. This was what was going to happen next. It would move very gently. My heart began to thump. But I was prepared to keep myself as still as death and I hoped Dona Rita would have sense enough to do the same. I stole another glance at her face and at that moment I heard the word: "Beloved!" form itself in the still air of the room, weak, distinct, piteous, like the last request of the dying.

With great presence of mind I whispered into Dona Rita's ear: "Perfect silence!" and was overjoyed to discover that she had heard me, understood me; that she even had command over her rigid lips. She answered me in a breath (our cheeks were nearly touching): "Take me out of this house."

I glanced at all her clothing scattered about the room and hissed forcibly the warning "Perfect immobility"; noticing with relief that she didn't offer to move, though animation was returning to her and her lips had remained parted in an awful, unintended effect of a smile. And I don't know whether I was pleased when she, who was not to be touched, gripped my wrist suddenly. It had the air of being done on purpose because almost instantly another: "Beloved!" louder, more agonized if possible, got into the room and, yes, went home to my heart. It was followed without any transition, preparation, or warning, by a positively bellowed: "Speak, perjured beast!" which I felt pass in a thrill right through Dona Rita like an electric shock, leaving her as motionless as before.

Till he shook the door handle, which he did immediately afterwards, I wasn't certain through which door he had spoken. The two doors (in different walls) were rather near each other. It was as I expected. He was in the fencing-room, thoroughly aroused, his senses on the alert to catch the slightest sound. A situation not to be trifled with. Leaving the room was for us out of the question. It was quite possible for him to dash round into the hall before we could get clear of the front door. As to making a bolt of it upstairs there was the same objection; and to allow ourselves to be chased all over the empty house by this maniac would have been mere folly. There was no advantage in locking ourselves up anywhere upstairs where the original doors and locks were much lighter. No, true safety was in absolute stillness and silence, so that even his rage should be brought to doubt at last and die expended, or choke him before it died; I didn't care which.

For me to go out and meet him would have been stupid. Now I was certain that he was armed. I had remembered the wall in the fencing-room decorated with trophies of cold steel in all the civilized and savage forms; sheaves of assegais, in the guise of columns and grouped between them stars and suns of choppers, swords, knives; from Italy, from Damascus, from Abyssinia, from the ends of the world. Ortega had only to make his barbarous choice. I suppose he had got up on the bench, and fumbling about amongst them must have brought one down, which, falling, had produced that rattling noise. But in any case to go to meet him would have been folly, because, after all, I might have been overpowered (even with bare hands) and then Dona Rita would have been left utterly defenceless.

"He will speak," came to me the ghostly, terrified murmur of her voice. "Take me out of the house before he begins to speak."

"Keep still," I whispered. "He will soon get tired of this."

"You don't know him."

"Oh, yes, I do. Been with him two hours."

At this she let go my wrist and covered her face with her hands passionately. When she dropped them she had the look of one morally crushed.

"What did he say to you?"

"He raved."

"Listen to me. It was all true!"

"I daresay, but what of that?"

These ghostly words passed between us hardly louder than thoughts; but after my last answer she ceased and gave me a searching stare, then drew in a long breath. The voice on the other side of the door burst out with an impassioned request for a little pity, just a little, and went on begging for a few words, for two words, for one word—one poor little word. Then it gave up, then repeated once more, "Say you are there, Rita, Say one word, just one word. Say 'yes.' Come! Just one little yes."

"You see," I said. She only lowered her eyelids over the anxious glance she had turned on me.

For a minute we could have had the illusion that he had stolen away, unheard, on the thick mats. But I don't think that either of us was deceived. The voice returned, stammering words without connection, pausing and faltering, till suddenly steadied it soared into impassioned entreaty, sank to low, harsh tones, voluble, lofty sometimes and sometimes abject. When it paused it left us looking profoundly at each other.

"It's almost comic," I whispered.

"Yes. One could laugh," she assented, with a sort of sinister conviction. Never had I seen her look exactly like that, for an instant another, an incredible Rita! "Haven't I laughed at him innumerable times?" she added in a sombre whisper.

He was muttering to himself out there, and unexpectedly shouted: "What?" as though he had fancied he had heard something. He waited a while before he started up again with a loud: "Speak up, Queen of the goats, with your goat tricks. . ." All was still for a time, then came a most awful bang on the door. He must have stepped back a pace to hurl himself bodily against the panels. The whole house seemed to shake. He repeated that performance once more, and then varied it by a prolonged drumming with his fists. It was comic. But I felt myself struggling mentally with an invading gloom as though I were no longer sure of myself.

"Take me out," whispered Dona Rita feverishly, "take me out of this house before it is too late."

"You will have to stand it," I answered.

"So be it; but then you must go away yourself. Go now, before it is too late."

I didn't condescend to answer this. The drumming on the panels stopped and the absurd thunder of it died out in the house. I don't know why precisely then I had the acute vision of the red mouth of Jose Ortega wriggling with rage between his funny whiskers. He began afresh but in a tired tone:

"Do you expect a fellow to forget your tricks, you wicked little devil? Haven't you ever seen me dodging about to get a sight of you amongst those pretty gentlemen, on horseback, like a princess, with pure cheeks like a carved saint? I wonder I didn't throw stones at you, I wonder I didn't run after you shouting the tale—curse my timidity! But I daresay they knew as much as I did. More. All the new tricks—if that were possible."

While he was making this uproar, Dona Rita put her fingers in her ears and then suddenly changed her mind and clapped her hands over my ears. Instinctively I disengaged my head but she persisted. We had a short tussle without moving from the spot, and suddenly I had my head free, and there was complete silence. He had screamed himself out of breath, but Dona Rita muttering; "Too late, too late," got her hands away from my grip and slipping altogether out of her fur coat seized some garment lying on a chair near by (I think it was her skirt), with the intention of dressing herself, I imagine, and rushing out of the house. Determined to prevent this, but indeed without thinking very much what I was doing, I got hold of her arm. That struggle was silent, too; but I used the least force possible and she managed to give me an unexpected push. Stepping back to save myself from falling I overturned the little table, bearing the six-branched candlestick. It hit the floor, rebounded with a dull ring on the carpet, and by the time it came to a rest every single candle was out. He on the other side of the door naturally heard the noise and greeted it with a triumphant screech: "Aha! I've managed to wake you up," the very savagery of which had a laughable effect. I felt the weight of Dona Rita grow on my arm and thought it best to let her sink on the floor, wishing to be free in my movements and really afraid that now he had actually heard a noise he would infallibly burst the door. But he didn't even thump it. He seemed to have exhausted himself in that scream. There was no other light in the room but the darkened glow of the embers and I could hardly make out amongst the shadows of furniture Dona Rita sunk on her knees in a penitential and despairing attitude. Before this collapse I, who had been wrestling desperately with her a moment before, felt that I dare not touch her. This emotion, too, I could not understand; this abandonment of herself, this conscience-stricken humility. A humbly imploring request to open the door came from the other side. Ortega kept on repeating: "Open the door, open the door," in such an amazing variety of intonations, imperative, whining, persuasive, insinuating, and even unexpectedly jocose, that I really stood there smiling to myself, yet with a gloomy and uneasy heart. Then he remarked, parenthetically as it were, "Oh, you know how to torment a man, you brown-skinned, lean, grinning, dishevelled imp, you. And mark," he expounded further, in a curiously doctoral tone—"you are in all your limbs hateful: your eyes are hateful and your mouth is hateful, and your hair is hateful, and your body is cold and vicious like a snake—and altogether you are perdition."

This statement was astonishingly deliberate. He drew a moaning breath after it and uttered in a heart-rending tone, "You know, Rita, that I cannot live without you. I haven't lived. I am not living now. This isn't life. Come, Rita, you can't take a boy's soul away and then let him grow up and go about the world, poor devil, while you go amongst the rich from one pair of arms to another, showing all your best tricks. But I will forgive you if you only open the door," he ended in an inflated tone: "You remember how you swore time after time to be my wife. You are more fit to be Satan's wife but I don't mind. You shall be my wife!"

A sound near the floor made me bend down hastily with a stern: "Don't laugh," for in his grotesque, almost burlesque discourses there seemed to me to be truth, passion, and horror enough to move a mountain.

Suddenly suspicion seized him out there. With perfectly farcical unexpectedness he yelled shrilly: "Oh, you deceitful wretch! You won't escape me! I will have you. . . ."

And in a manner of speaking he vanished. Of course I couldn't see him but somehow that was the impression. I had hardly time to receive it when crash! . . . he was already at the other door. I suppose he thought that his prey was escaping him. His swiftness was amazing, almost inconceivable, more like the effect of a trick or of a mechanism. The thump on the door was awful as if he had not been able to stop himself in time. The shock seemed enough to stun an elephant. It was really funny. And after the crash there was a moment of silence as if he were recovering himself. The next thing was a low grunt, and at once he picked up the thread of his fixed idea.

"You will have to be my wife. I have no shame. You swore you would be and so you will have to be." Stifled low sounds made me bend down again to the kneeling form, white in the flush of the dark red glow. "For goodness' sake don't," I whispered down. She was struggling with an appalling fit of merriment, repeating to herself, "Yes, every day, for two months. Sixty times at least, sixty times at least." Her voice was rising high. She was struggling against laughter, but when I tried to put my hand over her lips I felt her face wet with tears. She turned it this way and that, eluding my hand with repressed low, little moans. I lost my caution and said, "Be quiet," so sharply as to startle myself (and her, too) into expectant stillness.

Ortega's voice in the hall asked distinctly: "Eh? What's this?" and then he kept still on his side listening, but he must have thought that his ears had deceived him. He was getting tired, too. He was keeping quiet out there—resting. Presently he sighed deeply; then in a harsh melancholy tone he started again.

"My love, my soul, my life, do speak to me. What am I that you should take so much trouble to pretend that you aren't there? Do speak to me," he repeated tremulously, following this mechanical appeal with a string of extravagantly endearing names, some of them quite childish, which all of a sudden stopped dead; and then after a pause there came a distinct, unutterably weary: "What shall I do now?" as though he were speaking to himself.

I shuddered to hear rising from the floor, by my side, a vibrating, scornful: "Do! Why, slink off home looking over your shoulder as you used to years ago when I had done with you—all but the laughter."

"Rita," I murmured, appalled. He must have been struck dumb for a moment. Then, goodness only knows why, in his dismay or rage he was moved to speak in French with a most ridiculous accent.

"So you have found your tongue at last—Catin! You were that from the cradle. Don't you remember how . . ."

Dona Rita sprang to her feet at my side with a loud cry, "No, George, no," which bewildered me completely. The suddenness, the loudness of it made the ensuing silence on both sides of the door perfectly awful. It seemed to me that if I didn't resist with all my might something in me would die on the instant. In the straight, falling folds of the night-dress she looked cold like a block of marble; while I, too, was turned into stone by the terrific clamour in the hall.

"Therese, Therese," yelled Ortega. "She has got a man in there." He ran to the foot of the stairs and screamed again, "Therese, Therese! There is a man with her. A man! Come down, you miserable, starved peasant, come down and see."

I don't know where Therese was but I am sure that this voice reached her, terrible, as if clamouring to heaven, and with a shrill over-note which made me certain that if she was in bed the only thing she would think of doing would be to put her head under the bed-clothes. With a final yell: "Come down and see," he flew back at the door of the room and started shaking it violently.

It was a double door, very tall, and there must have been a lot of things loose about its fittings, bolts, latches, and all those brass applications with broken screws, because it rattled, it clattered, it jingled; and produced also the sound as of thunder rolling in the big, empty hall. It was deafening, distressing, and vaguely alarming as if it could bring the house down. At the same time the futility of it had, it cannot be denied, a comic effect. The very magnitude of the racket he raised was funny. But he couldn't keep up that violent exertion continuously, and when he stopped to rest we could hear him shouting to himself in vengeful tones. He saw it all! He had been decoyed there! (Rattle, rattle, rattle.) He had been decoyed into that town, he screamed, getting more and more excited by the noise he made himself, in order to be exposed to this! (Rattle, rattle.) By this shameless "Catin! Catin! Catin!"

He started at the door again with superhuman vigour. Behind me I heard Dona Rita laughing softly, statuesque, turned all dark in the fading glow. I called out to her quite openly, "Do keep your self-control." And she called back to me in a clear voice: "Oh, my dear, will you ever consent to speak to me after all this? But don't ask for the impossible. He was born to be laughed at."

"Yes," I cried. "But don't let yourself go."

I don't know whether Ortega heard us. He was exerting then his utmost strength of lung against the infamous plot to expose him to the derision of the fiendish associates of that obscene woman! . . . Then he began another interlude upon the door, so sustained and strong that I had the thought that this was growing absurdly impossible, that either the plaster would begin to fall off the ceiling or he would drop dead next moment, out there.

He stopped, uttered a few curses at the door, and seemed calmer from sheer exhaustion.

"This story will be all over the world," we heard him begin. "Deceived, decoyed, inveighed, in order to be made a laughing-stock before the most debased of all mankind, that woman and her associates." This was really a meditation. And then he screamed: "I will kill you all." Once more he started worrying the door but it was a startlingly feeble effort which he abandoned almost at once. He must have been at the end of his strength. Dona Rita from the middle of the room asked me recklessly loud: "Tell me! Wasn't he born to be laughed at?" I didn't answer her. I was so near the door that I thought I ought to hear him panting there. He was terrifying, but he was not serious. He was at the end of his strength, of his breath, of every kind of endurance, but I did not know it. He was done up, finished; but perhaps he did not know it himself. How still he was! Just as I began to wonder at it, I heard him distinctly give a slap to his forehead. "I see it all!" he cried. "That miserable, canting peasant-woman upstairs has arranged it all. No doubt she consulted her priests. I must regain my self-respect. Let her die first." I heard him make a dash for the foot of the stairs. I was appalled; yet to think of Therese being hoisted with her own petard was like a turn of affairs in a farce. A very ferocious farce. Instinctively I unlocked the door. Dona Rita's contralto laugh rang out loud, bitter, and contemptuous; and I heard Ortega's distracted screaming as if under torture. "It hurts! It hurts! It hurts!" I hesitated just an instant, half a second, no more, but before I could open the door wide there was in the hall a short groan and the sound of a heavy fall.

The sight of Ortega lying on his back at the foot of the stairs arrested me in the doorway. One of his legs was drawn up, the other extended fully, his foot very near the pedestal of the silver statuette holding the feeble and tenacious gleam which made the shadows so heavy in that hall. One of his arms lay across his breast. The other arm was extended full length on the white-and-black pavement with the hand palm upwards and the fingers rigidly spread out. The shadow of the lowest step slanted across his face but one whisker and part of his chin could be made out. He appeared strangely flattened. He didn't move at all. He was in his shirt-sleeves. I felt an extreme distaste for that sight. The characteristic sound of a key worrying in the lock stole into my ears. I couldn't locate it but I didn't attend much to that at first. I was engaged in watching Senor Ortega. But for his raised leg he clung so flat to the floor and had taken on himself such a distorted shape that he might have been the mere shadow of Senor Ortega. It was rather fascinating to see him so quiet at the end of all that fury, clamour, passion, and uproar. Surely there was never anything so still in the world as this Ortega. I had a bizarre notion that he was not to be disturbed.

A noise like the rattling of chain links, a small grind and click exploded in the stillness of the hall and a eciov began to swear in Italian. These surprising sounds were quite welcome, they recalled me to myself, and I perceived they came from the front door which seemed pushed a little ajar. Was somebody trying to get in? I had no objection, I went to the door and said: "Wait a moment, it's on the chain." The deep voice on the other side said: "What an extraordinary thing," and I assented mentally. It was extraordinary. The chain was never put up, but Therese was a thorough sort of person, and on this night she had put it up to keep no one out except myself. It was the old Italian and his daughters returning from the ball who were trying to get in.

Suddenly I became intensely alive to the whole situation. I bounded back, closed the door of Blunt's room, and the next moment was speaking to the Italian. "A little patience." My hands trembled but I managed to take down the chain and as I allowed the door to swing open a little more I put myself in his way. He was burly, venerable, a little indignant, and full of thanks. Behind him his two girls, in short-skirted costumes, white stockings, and low shoes, their heads powdered and earrings sparkling in their ears, huddled together behind their father, wrapped up in their light mantles. One had kept her little black mask on her face, the other held hers in her hand.

The Italian was surprised at my blocking the way and remarked pleasantly, "It's cold outside, Signor." I said, "Yes," and added in a hurried whisper: "There is a dead man in the hall." He didn't say a single word but put me aside a little, projected his body in for one searching glance. "Your daughters," I murmured. He said kindly, "Va bene, va bene." And then to them, "Come in, girls."

There is nothing like dealing with a man who has had a long past of out-of-the-way experiences. The skill with which he rounded up and drove the girls across the hall, paternal and irresistible, venerable and reassuring, was a sight to see. They had no time for more than one scared look over the shoulder. He hustled them in and locked them up safely in their part of the house, then crossed the hall with a quick, practical stride. When near Senor Ortega he trod short just in time and said: "In truth, blood"; then selecting the place, knelt down by the body in his tall hat and respectable overcoat, his white beard giving him immense authority somehow. "But—this man is not dead," he exclaimed, looking up at me. With profound sagacity, inherent as it were in his great beard, he never took the trouble to put any questions to me and seemed certain that I had nothing to do with the ghastly sight. "He managed to give himself an enormous gash in his side," was his calm remark. "And what a weapon!" he exclaimed, getting it out from under the body. It was an Abyssinian or Nubian production of a bizarre shape; the clumsiest thing imaginable, partaking of a sickle and a chopper with a sharp edge and a pointed end. A mere cruel-looking curio of inconceivable clumsiness to European eyes.

The old man let it drop with amused disdain. "You had better take hold of his legs," he decided without appeal. I certainly had no inclination to argue. When we lifted him up the head of Senor Ortega fell back desolately, making an awful, defenceless display of his large, white throat.

We found the lamp burning in the studio and the bed made up on the couch on which we deposited our burden. My venerable friend jerked the upper sheet away at once and started tearing it into strips.

"You may leave him to me," said that efficient sage, "but the doctor is your affair. If you don't want this business to make a noise you will have to find a discreet man."

He was most benevolently interested in all the proceedings. He remarked with a patriarchal smile as he tore the sheet noisily: "You had better not lose any time." I didn't lose any time. I crammed into the next hour an astonishing amount of bodily activity. Without more words I flew out bare-headed into the last night of Carnival. Luckily I was certain of the right sort of doctor. He was an iron-grey man of forty and of a stout habit of body but who was able to put on a spurt. In the cold, dark, and deserted by-streets, he ran with earnest, and ponderous footsteps, which echoed loudly in the cold night air, while I skimmed along the ground a pace or two in front of him. It was only on arriving at the house that I perceived that I had left the front door wide open. All the town, every evil in the world could have entered the black-and-white hall. But I had no time to meditate upon my imprudence. The doctor and I worked in silence for nearly an hour and it was only then while he was washing his hands in the fencing-room that he asked:

"What was he up to, that imbecile?"

"Oh, he was examining this curiosity," I said.

"Oh, yes, and it accidentally went off," said the doctor, looking contemptuously at the Nubian knife I had thrown on the table. Then while wiping his hands: "I would bet there is a woman somewhere under this; but that of course does not affect the nature of the wound. I hope this blood-letting will do him good."

"Nothing will do him any good," I said.

"Curious house this," went on the doctor, "It belongs to a curious sort of woman, too. I happened to see her once or twice. I shouldn't wonder if she were to raise considerable trouble in the track of her pretty feet as she goes along. I believe you know her well."

"Yes."

"Curious people in the house, too. There was a Carlist officer here, a lean, tall, dark man, who couldn't sleep. He consulted me once. Do you know what became of him?"

"No."

The doctor had finished wiping his hands and flung the towel far away.

"Considerable nervous over-strain. Seemed to have a restless brain. Not a good thing, that. For the rest a perfect gentleman. And this Spaniard here, do you know him?"

"Enough not to care what happens to him," I said, "except for the trouble he might cause to the Carlist sympathizers here, should the police get hold of this affair."

"Well, then, he must take his chance in the seclusion of that conservatory sort of place where you have put him. I'll try to find somebody we can trust to look after him. Meantime, I will leave the case to you."



CHAPTER VIII

Directly I had shut the door after the doctor I started shouting for Therese. "Come down at once, you wretched hypocrite," I yelled at the foot of the stairs in a sort of frenzy as though I had been a second Ortega. Not even an echo answered me; but all of a sudden a small flame flickered descending from the upper darkness and Therese appeared on the first floor landing carrying a lighted candle in front of a livid, hard face, closed against remorse, compassion, or mercy by the meanness of her righteousness and of her rapacious instincts. She was fully dressed in that abominable brown stuff with motionless folds, and as I watched her coming down step by step she might have been made of wood. I stepped back and pointed my finger at the darkness of the passage leading to the studio. She passed within a foot of me, her pale eyes staring straight ahead, her face still with disappointment and fury. Yet it is only my surmise. She might have been made thus inhuman by the force of an invisible purpose. I waited a moment, then, stealthily, with extreme caution, I opened the door of the so-called Captain Blunt's room.

The glow of embers was all but out. It was cold and dark in there; but before I closed the door behind me the dim light from the hall showed me Dona Rita standing on the very same spot where I had left her, statuesque in her night-dress. Even after I shut the door she loomed up enormous, indistinctly rigid and inanimate. I picked up the candelabra, groped for a candle all over the carpet, found one, and lighted it. All that time Dona Rita didn't stir. When I turned towards her she seemed to be slowly awakening from a trance. She was deathly pale and by contrast the melted, sapphire-blue of her eyes looked black as coal. They moved a little in my direction, incurious, recognizing me slowly. But when they had recognized me completely she raised her hands and hid her face in them. A whole minute or more passed. Then I said in a low tone: "Look at me," and she let them fall slowly as if accepting the inevitable.