"Well, Miss Mavick, you have been here some time. Have you discovered any material for such use?"

"Why, perhaps not, and I might not know what to do with it if I had. But perhaps you don't mean what I mean. I mean something fitting the setting. Not the domestic novel. Miss McDonald says we are vulgarized in all our ideals by so much domesticity. She says that Jennie Deans would have been just an ordinary, commonplace girl but for Walter Scott."

"Then you want a romance?"

"No. I don't know exactly what I do want. But I know it when I see it." And Evelyn looked down and appeared to be studying her delicate little hands, interlacing her taper, ivory fingers—but Philip knew she did not see them—and then looked up in his face again and said:

"I'll tell you. This morning as we came up I was talking all the way with your cousin. It took some time to break the ice, but gradually she began to say things, half stories, half poetic, not out of books; things that, if said with assurance, in the city would be called wit. And then I began to see her emotional side, her pure imagination, such a refinement of appreciation and justice—I think there is an immovable basis of justice in her nature—and charity, and I think she'd be heroic, with all her gentleness, if occasion offered."

"I see," said Philip, rather lightly, "that you improved your time in finding out what a rare creature Alice is. But," and this more gravely, "it would surprise her that you have found it out."

"I believe you. I fancy she has not the least idea what her qualities are, or her capacities of doing or of suffering, and the world will never know—that is the point-unless some genius comes along and reveals them."

"How?"

"Why, through a tragedy, a drama, a story, in which she acts out her whole self. Some act it out in society. She never will. Such sweetness and strength and passion—yes, I have no doubt, passion under all the reserve! I feel it but I cannot describe it; I haven't imagination to make you see what I feel."

"You come very near it," said Philip, with a smile. And after a moment the girl broke out again:

"Materials! You writers go searching all round for materials, just as painters do, fit for your genius."

"But don't you know that the hardest thing to do is the obvious, the thing close to you?"

"I dare say. But you won't mind? It is just an illustration. I went the other day with mother to Alice's house. She was so sort of distant and reserved that I couldn't know her in the least as I know her now. And there was the rigid Puritan, her father, representing the Old Testament; and her placid mother, with all the spirit of the New Testament; and then that dear old maiden aunt, representing I don't know what, maybe a blind attempt through nature and art to escape out of Puritanism; and the typical old frame farmhouse—why, here is material for the sweetest, most pathetic idyl. Yes, the Story of Alice. In another generation people would come long distances to see the valley where Alice lived, and her spirit would pervade it."

There could be but one end to such a burst of enthusiasm, and both laughed and felt a relief in a merriment that was, after all, sympathetic. But Evelyn was a persistent creature, and presently she turned to Philip, again with those appealing eyes.

"Now, why don't you do it?"

Philip hesitated a moment and betrayed some embarrassment under the questioning of the truthful eyes.

"I've a good mind to tell you. I have—I am writing something."

"Yes?"

"Not that exactly. I couldn't, don't you see, betray and use my own relatives in that way."

"Yes, I see that."

"It isn't much. I cannot tell how it will come out. I tell you—I don't mean that I have any right to ask you to keep it as a secret of mine, but it is this way: If a writer gives away his imagination, his idea, before it is fixed in form on paper, he seems to let the air of all the world upon it and it disappears, and isn't quite his as it was before to grow in his own mind."

"I can understand that," Evelyn replied.

"Well—" and Philip found himself launched. It is so easy to talk about one's self to a sympathetic listener. He told Evelyn a little about his life, and how the valley used to seem to him as a boy, and how it seemed now that he had had experience of other places and people, and how his studies and reading had enabled him to see things in their proper relations, and how, finally, gradually the idea for a story in this setting had developed in his mind. And then he sketched in outline the story as he had developed it, and left the misty outlines of its possibilities to the imagination.

The girl listened with absorbing interest, and looked the approval which she did not put in words. Perhaps she knew that a bud will never come to flower if you pull it in pieces. When Philip had finished he had a momentary regret for this burst of confidence, which he had never given to any one else. But in the light of Evelyn's quick approval and understanding, it was only momentary. Perhaps neither of them thought what a dangerous game this is, for two young souls to thus unbosom themselves to each other.

A call from Mrs. Mavick brought them to their feet. It was time to go. Evelyn simply said:

"I think the valley, Mr. Burnett, looks a little different already."

As they drove home along the murmuring river through the golden sunset, the party were mostly silent. Only Mrs. Mavick and Philip, who sat together, kept up a lively chatter, lively because Philip was elated with the event of the day, and because the nap under the beech-tree in the open air had brightened the wits of one of the cleverest women Philip had ever met.

If the valley did seem different to Evelyn, probably she did not think so far as to own to herself whether this was owing to the outline of the story, which ran in her mind, or to the presence of the young author.

Alice and Philip were set down at the farmhouse, and the company parted with mutual enthusiasm over the success of the excursion.

"She is a much more interesting girl than I thought," Alice admitted. "Not a bit fashionable."

"And she likes you."

"Me?"

"Yes, your ears would have burned."

"Well, I am glad, for I think she is sincere."

"And I can tell you another thing. I had a long talk while you were taking your siesta. She takes an abstract view of things, judging the right and wrong of them, without reference to conventionalities or the practical obstacles to carrying out her ideas, as if she had been educated by reading and not by society. It is very interesting."

"Philip," and Alice laid her hand on his shoulder, "don't let it be too interesting."



XIII

When Philip said that Evelyn was educated in the world of literature and not in the conflicts of life he had hit the key-note of her condition at the moment she was coming into the world and would have to act for herself. The more he saw of her the more was he impressed with the fact that her discrimination, it might almost be called divination, and her judgment were based upon the best and most vital products of the human mind. A selection had evidently been made for her, until she had acquired the taste, or the habit rather, of choosing only the best for herself. Very little of the trash of literature, or the ignoble—that is to say, the ignoble view of life—had come into her mind. Consequently she judged the world as she came to know it by high standards. And her mind was singularly pure and free from vulgar images.

It might be supposed that this sort of education would have its disadvantages. The word is firmly fixed in the idea that both for its pleasure and profit it is necessary to know good and evil. Ignorance of the evil in the world is, however, not to be predicated of those who are familiar only with the great masterpieces of literature, for if they are masterpieces, little or great, they exhibit human nature in all its aspects. And, further than this, it ought to be demonstrable, a priori, that a mind fed on the best and not confused by the weak and diluted, or corrupted by images of the essentially vulgar and vile, would be morally healthy and best fitted to cope with the social problems of life. The Testaments reveal about everything that is known about human nature, but such is their clear, high spirit, and their quality, that no one ever traced mental degeneration or low taste in literature, or want of virility in judgment, to familiarity with them. On the contrary, the most vigorous intellects have acknowledged their supreme indebtedness to them.

It is not likely that Philip made any such elaborate analysis of the girl with whom he was in love, or attempted, except by a general reference to the method of her training, to account for the purity of her mind and her vigorous discernment. He was in love with her more subtle and hidden personality, with the girl just becoming a woman, with the mysterious sex that is the inspiration of most of the poetry and a good part of the heroism in the world. And he would have been in love with her, let her education have been what it might. He was in love before he heard her speak. And whatever she would say was bound to have a quality of interest and attraction that could be exercised by no other lips. It might be argued—a priori again, for the world is bound to go on in its own way—that there would be fewer marriages if the illusion of the sex did not suffice for the time to hide intellectual poverty, and, what is worse, ignobleness of disposition.

It was doubtless fortunate for this particular lovemaking, though it did not seem so to Philip, that it was very much obstructed by lack of opportunities, and that it was not impaired in its lustre by too much familiarity. In truth, Philip would have said that he saw very little of Evelyn, because he never saw her absolutely alone. To be sure he was much in her presence, a welcome member of the group that liked to idle on the veranda of the inn, and in the frequent excursions, in which Philip seemed to be the companion of Mrs. Mavick rather than of her daughter. But she was never absent from his thought, his imagination was wholly captive to her image, and the passion grew in these hours of absence until she became an indispensable associate in all that he was or could ever hope to be. Alice, who discerned very clearly Mrs. Mavick and her ambition, was troubled by Philip's absorption and the cruel disappointment in store for him. To her he was still the little boy, and all her tenderness for him was stirred to shield him from the suffering she feared.

But what could she do? Philip liked to talk about Evelyn, to dwell upon her peculiarities and qualities, to hear her praised; to this extent he was confidential with his cousin, but never in regard to his own feeling. That was a secret concerning which he was at once too humble and too confident to share with any other. None knew better than he the absurd presumption of aspiring to the hand of such a great heiress, and yet he nursed the vanity that no other man could ever appreciate and love her as he did.

Alice was still more distracted and in sympathy with Philip's evident aspirations by her own love for Evelyn and her growing admiration for the girl's character. It so happened that mutual sympathy—who can say how it was related to Philip?—had drawn them much together, and chance had given them many opportunities for knowing each other. Alice had so far come out of her shell, and broken the reserve of her life, as to make frequent visits at the inn, and Mrs. Mavick and Evelyn found it the most natural and agreeable stroll by the river-side to the farmhouse, where naturally, while the mother amused herself with the original eccentricities of Patience, her daughter grew into an intimacy with Alice.

As for the feelings of Evelyn in these days—her first experience of something like freedom in the world—the historian has only universal experience to guide him. In her heart was working the consciousness that she had been singled out as worthy to share the confidence of a man in his most secret ambitions and aspirations, in the dreams of youth which seemed to her so noble. For these aspirations and dreams concerned the world in which she had lived most and felt most.

If Philip had talked to her as he had to Celia about his plans for success in life she would have been less interested. But there was nothing to warn her personally in these unworldly confessions. Nor did Philip ever seem to ask anything of her except sympathy in his ideas. And then there was the friendship of Alice, which could not but influence the girl. In the shelter of that the intercourse of the summer took on natural relations. For some natures there is no nurture of love like the security of family protection, under cover of which there is so little to excite the alarm of a timid maiden.

It was fortunate for Philip that Miss McDonald took a liking to him. They were thrown much together. They were both good walkers, and liked to climb the hills and explore the wild mountain streams. Philip would have confessed that he was fond of nature, and fancied there was a sort of superiority in his attitude towards it to that of his companion, who was merely interested in plants-just a botanist. This attitude, which she perceived, amused Miss McDonald.

"If you American students," she said one day when they were seated on a fallen tree in the forest, and she was expatiating on a rare plant she had found, "paid no more attention to the classics than to the world you live in, few of you would get a degree."

"Oh, some fellows go in for that sort of thing," Philip replied. "But I have noticed that all English women have some sort of fad—plants, shells, birds, something special."

"Fad!" exclaimed the Scotchwoman. "Yes, I suppose it is, if reading is a fad. It is one way of finding out about things. You admire what the Americans call scenery; we, since you provoke me to say it, love nature —I mean its individual, almost personal manifestations. Every plant has a distinct character of its own. I saw the other day an American landscape picture with a wild, uncultivated foreground. There was not a botanical thing in it. The man who painted it didn't know a sweetbrier from a thistle.

"Just a confused mass of rubbish. It was as if an animal painter should compose a group and you could not tell whether it was made up of sheep or rabbits or dogs or foxes or griffins."

"So you want things picked out like a photograph?"

"I beg your pardon, I want nature. You cannot give character to a bit of ground in a landscape unless you know the characters of its details. A man is no more fit to paint a landscape than a cage of monkeys, unless he knows the language of the nature he is dealing with down to the alphabet. The Japanese know it so well that they are not bothered with minutia, but give you character."

"And you think that science is an aid to art?"

"Yes, if there is genius to transform it into art. You must know the intimate habits of anything you paint or write about. You cannot even caricature without that. They talk now about Dickens being just a caricaturist. He couldn't have been that if he hadn't known the things he caricatured. That is the reason there is so little good caricature."

"Isn't your idea of painting rather anatomical?" Philip ventured to ask.

"Do you think that if Raphael had known nothing of anatomy the world would have accepted his Sistine Madonna for the woman she is?" was the retort.

"I see it is interesting," said Philip, shifting his ground again, "but what is the real good of all these botanical names and classifications?"

Miss McDonald gave a weary sigh. "Well, you must put things in order. You studied philology in Germany? The chief end of that is to trace the development, migration, civilization of the human race. To trace the distribution of plants is another way to find out about the race. But let that go. Don't you think that I get more pleasure in looking at all the growing things we see, as we sit here, than you do in seeing them and knowing as little about them as you pretend to?"

Philip said that he could not analyze the degree of pleasure in such things, but he seemed to take his ignorance very lightly. What interested him in all this talk was that, in discovering the mind of the governess, he was getting nearer to the mind of her pupil. And finally he asked (and Miss McDonald smiled, for she knew what this conversation, like all others with him, must ultimately come to):

"Does the Mavick family also take to botany?"

"Oh yes. Mrs. Mavick is intimate with all the florists in New York. And Miss Evelyn, when I take home these specimens, will analyze them and tell all about them. She is very sharp about such things. You must have noticed that she likes to be accurate?"

"But she is fond of poetry."

"Yes, of poetry that she understands. She has not much of the emotional vagueness of many young girls."

All this was very delightful for Philip, and for a long time, on one pretext or another, he kept the conversation revolving about this point. He fancied he was very deep in doing this. To his interlocutor he was, however, very transparent. And the young man would have been surprised and flattered if he had known how much her indulgence of him in this talk was due to her genuine liking for him.

When they returned to the inn, Mrs. Mavick began to rally Philip about his feminine taste in woodsy things. He would gladly have thrown botany or anything else overboard to win the good opinion of Evelyn's mother, but botany now had a real significance and a new meaning for him. Therefore he put in a defense, by saying:

"Botany, in the hands of Miss McDonald, cannot be called very feminine; it is a good deal more difficult to understand and master than law."

"Maybe that's the reason," said Mrs. Mavick, "why so many more girls are eager to study law now than botany."

"Law?" cried Evelyn; "and to practice?"

"Certainly. Don't you think that a bright, clever woman, especially if she were pretty, would have an advantage with judge and jury?"

"Not if judge and jury were women," Miss McDonald interposed.

"And you remember Portia?" Mrs. Mavick continued.

"Portia," said Evelyn; "yes, but that is poetry; and, McDonald, wasn't it a kind of catch? How beautifully she talked about mercy, but she turned the sharp edge of it towards the Jew. I didn't like that."

"Yes," Miss McDonald replied, "it was a kind of trick, a poet's law. What do you say, Mr. Burnett?"

"Why," said Philip, hesitating, "usually it is understood when a man buys or wins anything that the appurtenances necessary to give him full possession go with it. Only in this case another law against the Jew was understood. It was very clever, nothing short of woman's wit."

"Are there any women in your firm, Mr. Burnett?" asked Mrs. Mavick.

"Not yet, but I think there are plenty of lawyers who would be willing to take Portia for a partner."

"Make her what you call a consulting partner. That is just the way with you men—as soon as you see women succeeding in doing anything independently, you head them off by matrimony."

"Not against their wills," said the governess, with some decision.

"Oh, the poor things are easily hypnotized. And I'm glad they are. The funniest thing is to hear the Woman's Rights women talk of it as a state of subjection," and Mrs. Mavick laughed out of her deep experience.

"Rights, what's that?" asked Evelyn.

"Well, child, your education has been neglected. Thank McDonald for that."

"Don't you know, Evelyn," the governess explained, "that we have always said that women had a right to have any employment, or do anything they were fitted to do?"

"Oh, that, of course; I thought everybody said that. That is natural. But I mean all this fuss. I guess I don't understand what you all are talking about." And her bright face broke out of its look of perplexity into a smile.

"Why, poor thing," said her mother, "you belong to the down-trodden sex. Only you haven't found it out."

"But, mamma," and the girl seemed to be turning the thing over in her mind, as was her wont with any new proposition, "there seem to be in history a good many women who never found it out either."

"It is not so now. I tell you we are all in a wretched condition."

"You look it, mamma," replied Evelyn, who perfectly understood when her mother was chaffing.

"But I think I don't care so much for the lawyers," Mrs. Mavick continued, with more air of conviction; "what I can't stand are the doctors, the female doctors. I'd rather have a female priest about me than a female doctor."

This was not altogether banter, for there had been times in Carmen's career when the externals of the Roman Church attracted her, and she wished she had an impersonal confidant, to whom she could confess—well, not everything-and get absolution. And she could make a kind of confidant of a sympathetic doctor. But she went on:

"To have a sharp woman prying into all my conditions and affairs! No, I thank you. Don't you think so, McDonald?"

"They do say," the governess admitted, "that women doctors haven't as much consideration for women's whims as men." And, after a moment, she continued:

"But, for all that, women ought to understand about women better than men can, and be the best doctors for them."

"So it seems to me," said Evelyn, appealing to her mother. "Don't you remember that day you took me down to the infirmary in which you are interested, and how nice it was, nobody but women for doctors and nurses and all that? Would you put that in charge of men?"

"Oh, you child!" cried Mrs. Mavick, turning to her daughter and patting her on the head. "Of course there are exceptions. But I'm not going to be one of the exceptions. Ah, well, I suppose I am quite behind the age; but the conduct of my own sex does get on my nerves sometimes."

Evelyn was silent. She was often so when discussions arose. They were apt to plunge her into deep thought. To those who knew her history, guarded from close contact with anything but the world of ideas, it was very interesting to watch her mental attitude as she was day by day emerging into a knowledge of the actual world and encountering its crosscurrents. To Philip, who was getting a good idea of what her education had been, an understanding promoted by his knowledge of the character and attainments of her governess, her mental processes, it may be safely said, opened a new world of thought. Not that mental processes made much difference to a man in his condition, still, they had the effect of setting her personality still further apart from that of other women. One day when they happened to be tete-a-tete in one of their frequent excursions—a rare occasion—Evelyn had said:

"How strange it is that so many things that are self-evident nobody seems to see, and that there are so many things that are right that can't be done."

"That is the way the world is made," Philip had replied. She was frequently coming out with the sort of ideas and questions that are often proposed by bright children, whose thinking processes are not only fresh but undisturbed by the sophistries or concessions that experience has woven into the thinking of our race. "Perhaps it hasn't your faith in the abstract."

"Faith? I wonder. Do you mean that people do not dare go ahead and do things?"

"Well, partly. You see, everybody is hedged in by circumstances."

"Yes. I do begin to see circumstances. I suppose I'm a sort of a goose —in the abstract, as you say." And Evelyn laughed. It was the spontaneous, contagious laugh of a child. "You know that Miss McDonald says I'm nothing but a little idealist."

"Did you deny it?"

"Oh, no. I said, so were the Apostles, all save one—he was a realist."

It was Philip's turn to laugh at this new definition, and upon this the talk had drifted into the commonplaces of the summer situation and about Rivervale and its people. Philip regretted that his vacation would so soon be over, and that he must say good-by to all this repose and beauty, and to the intercourse that had been so delightful to him.

"But you will write," Evelyn exclaimed.

Philip was startled.

"Write?"

"Yes, your novel."

"Oh, I suppose so," without any enthusiasm.

"You must. I keep thinking of it. What a pleasure it must be to create a real drama of life."

So this day on the veranda of the inn when Philip spoke of his hateful departure next day, and there was a little chorus of protest, Evelyn was silent; but her silence was of more significance to him than the protests, for he knew her thoughts were on the work he had promised to go on with.

"It is too bad," Mrs. Mavick exclaimed; "we shall be like a lot of sheep without a shepherd."

"That we shall," the governess joined in. "At any rate, you must make us out a memorandum of what is to be seen and done and how to do it."

"Yes," said Philip, gayly, "I'll write tonight a complete guide to Rivervale."

"We are awfully obliged to you for what you have done." Mrs. Mavick was no doubt sincere in this. And she added, "Well, we shall all be back in the city before long."

It was a natural thing to say, and Philip understood that there was no invitation in it, more than that of the most conventional acquaintance. For Mrs. Mavick the chapter was closed.

There were the most cordial hand-shakings and good-bys, and Philip said good-by as lightly as anybody. But as he walked along the road he knew, or thought he was sure, that the thoughts of one of the party were going along with him into his future, and the peaceful scene, the murmuring river, the cat-birds and the blackbirds calling in the meadow, and the spirit of self-confident youth in him said not good-by, but au revoir.



XIV

Of course Philip wrote to Celia about his vacation intimacy with the Mavicks. It was no news to her that the Mavicks were spending the summer there; all the world knew that, and society wondered what whim of Carmen's had taken her out of the regular summer occupations and immured her in the country. Not that it gave much thought to her, but, when her name was mentioned, society resented the closing of the Newport house and the loss of her vivacity in the autumn at Lenox. She is such a hand to set things going, don't you know? Mr. Mavick never made a flying visit to his family—and he was in Rivervale twice during the season—that the newspapers did not chronicle his every movement, and attribute other motives than family affection to these excursions into New England. Was the Central system or the Pennsylvania system contemplating another raid? It could not be denied that the big operator's connection with any great interest raised suspicion and often caused anxiety.

Naturally, thought Celia, in such a little village, Philip would fall in with the only strangers there, so that he was giving her no news in saying so. But there was a new tone in his letters; she detected an unusual reserve that was in itself suspicious. Why did he say so much about Mrs. Mavick and the governess, and so little about the girl?

"You don't tell me," she wrote, "anything about the Infant Phenomenon. And you know I am dying to know."

This Philip resented. Phenomenon! The little brown girl, with eyes that saw so much and were so impenetrably deep, and the mobile face, so alert and responsive. If ever there was a natural person, it was Evelyn. So he wrote:

"There is nothing to tell; she is not an infant and she is not a phenomenon. Only this: she has less rubbish in her mind than any person you ever saw. And I guess the things she does not know about life are not worth knowing."

"I see," replied Celia; "poor boy! it's the moth and the star. [That's just like her, muttered Philip, she always assumed to be the older.] But don't mind. I've come to the conclusion that I am a moth myself, and some of the lights I used to think stars have fallen. And, seriously, dear friend, I am glad there is a person who does not know the things not worth knowing. It is a step in the right direction. I have been this summer up in the hills, meditating. And I am not so sure of things as I was. I used to think that all women needed was what is called education —science, history, literature—and you could safely turn them loose on the world. It certainly is not safe to turn them loose without education—but I begin to wonder what we are all coming to. I don't mind telling you that I have got into a pretty psychological muddle, and I don't see much to hold on to.

"I suppose that Scotch governess is pious; I mean she has a backbone of what they call dogma; things are right or wrong in her mind—no haziness. Now, I am going to make a confession. I've been thinking of religion. Don't mock. You know I was brought up religious, and I am religious. I go to church—well, you know how I feel and especially the things I don't believe. I go to church to be entertained. I read the other day that Cardinal Manning said: 'The three greatest evils in the world today are French devotional books, theatrical music, and the pulpit orator. And the last is the worst.' I wonder. I often feel as if I had been to a performance. No. It is not about sin that I am especially thinking, but the sinner. One ought to do something. Sometimes I think I ought to go to the city. You know I was in a College Settlement for a while. Now I mean something permanent, devoted to the poor as a life occupation, like a nun or something of that sort. You think this is a mood? Perhaps. There have always been so many things before me to do, and I wanted to do them all. And I do not stick to anything? You must not presume to say that, because I confide to you all my errant thoughts. You have not confided in me—I don't insinuate that you have anything to confide but I cannot help saying that if you have found a pure and clear-minded girl —Heaven knows what she will be when she is a woman I—I am sorry she is not poor."

But if Philip did not pour out his heart to his old friend, he did open a lively and frequent correspondence with Alice. Not about the person who was always in his thoughts—oh, no—but about himself, and all he was doing, in the not unreasonable expectation that the news would go where he could not send it directly—so many ingenious ways has love of attaining its object. And if Alice, no doubt, understood all this, she was nevertheless delighted, and took great pleasure in chronicling the news of the village and giving all the details that came in her way about the millionaire family. This connection with the world, if only by correspondence, was an outlet to her reserved and secluded life. And her letters recorded more of her character, of her feeling, than he had known in all his boyhood. When Alice mentioned, as it were by chance, that Evelyn had asked, more than once, when she had spoken of receiving letters, if her cousin was going on with his story, Philip felt that the connection was not broken.

Going on with his story he was, and with good heart. The thought that "she" might some day read it was inspiration enough. Any real creation, by pen or brush or chisel, must express the artist and be made in independence of the demands of a vague public. Art is vitiated when the commercial demand, which may be a needed stimulus, presides at the creation. But it is doubtful if any artist in letters, or in form or color, ever did anything well without having in mind some special person, whose approval was desired or whose criticism was feared. Such is the universal need of human sympathy. It is, at any rate, true that Philip's story, recast and reinspired, was thenceforth written under the spell of the pure divining eyes of Evelyn Mavick. Unconsciously this was so. For at this time Philip had not come to know that the reason why so many degraded and degrading stories and sketches are written is because the writers' standard is the approval of one or two or a group of persons of vitiated tastes and low ideals.

The Mavicks did not return to town till late in the autumn. By this time Philip's novel had been submitted to a publisher, or, rather, to state the exact truth, it had begun to go the rounds of the publishers. Mr. Brad, to whose nineteenth-century and newspaper eye Philip had shrunk from confiding his modest creation, but who was consulted in the business, consoled him with the suggestion that this was a sure way of getting his production read. There was already in the city a considerable body of professional "readers," mostly young men and women, to whom manuscripts were submitted by the publishers, so that the author could be sure, if he kept at it long enough, to get a pretty fair circulation for his story. They were selected because they were good judges of literature and because they had a keen appreciation of what the public wanted at the moment. Many of them are overworked, naturally so, in the mass of manuscripts turned over to their inspection day after day, and are compelled often to adopt the method of tea-tasters, who sip but do not swallow, for to drink a cup or two of the decoction would spoil their taste and impair their judgment, especially on new brands. Philip liked to imagine, as the weeks passed away—the story is old and need not be retold here—that at any given hour somebody was reading him. He did not, however, dwell with much delight upon this process, for the idea that some unknown Rhadamanthus was sitting in judgment upon him much more wounded his 'amour propre', and seemed much more like an invading of his inner, secret life and feeling, than would be an instant appeal to the general public. Why, he thought, it is just as if I had shown it to Brad himself—apiece of confidence that he could not bring himself to. He did not know that Brad himself was a reader for a well-known house—which had employed him on the strength of his newspaper notoriety—and that very likely he had already praised the quality of the work and damned it as lacking "snap."

It was, however, weary waiting, and would have been intolerable if his duties in the law office had not excluded other thoughts from his mind a good part of the time. There were days when he almost resolved to confine himself to the solid and remunerative business of law, and give up the vague aspirations of authorship. But those vague aspirations were in the end more enticing than the courts. Common-sense is not an antidote to the virus of the literary infection when once a young soul has taken it. In his long walks it was not on the law that Philip was ruminating, nor was the fame of success in it occupying his mind. Suppose he could write one book that should touch the heart of the world. Would he exchange the sweetness of that for the fleeting reputation of the most brilliant lawyer? In short, he magnified beyond all reason the career and reputation of the author, and mistook the consideration he occupies in the great world. And what a world it would be if there had not been a continuous line of such mistaken fools as he!

That it was not literature alone that inflated his dreams was evidenced by the direction his walks took. Whatever their original destination or purpose, he was sure to pass through upper Fifth Avenue, and walk by the Mavick mansion. And never without a lift in his spirits. What comfort there is to a lover in gazing at the blank and empty house once occupied by his mistress has never been explained; but Philip would have counted the day lost in which he did not see it.

After he heard from Alice that the Mavicks had returned, the house had still stronger attractions for him, for there was added the chance of a glimpse of Evelyn or one of the family. Many a day passed, however, before he mustered up courage to mount the steps and touch the button.

"Yes, sir," said the servant, "the family is returned, but they is h'out."

Philip left his card. But nothing came of it, and he did not try again. In fact, he was a little depressed as the days went by. How much doubt and anxiety, even suffering, might have been spared him if the historian at that moment could have informed him of a little shopping incident at Tiffany's a few days after the Mavicks' return.

A middle-aged lady and a young girl were inspecting some antiques. The girl, indeed, had been asking for ancient coins, and they were shown two superb gold staters with the heads of Alexander and Philip.

"Aren't they beautiful?" said the younger. "How lovely one would be for a brooch!"

"Yes, indeed," replied the elder, "and quite in the line of our Greek reading."

The girl held them in her hand and looked at one and the other with a student's discrimination.

"Which would you choose?"

"Oh, both are fine. Philip of Macedon has a certain youthful freshness, in the curling hair and uncovered head. But, of course, Alexander the Great is more important, and then there is the classic casque. I should take the Alexander." The girl still hesitated, weighing the choice in her mind from the classic point of view.

"Doubtless you are right. But"—and she held up the lovely head—"this is not quite so common, and—and—I think I'll take the Macedon one. Yes, you may set that for me," turning to the salesman.

"Diamonds or pearls?" asked the jeweler.

"Oh, dear, no!" exclaimed the girl; "just the head."

Evelyn's education was advancing. For the first time in her life she had something to conceal. The privilege of this sort of secret is, however, an inheritance of Eve. The first morning she wore it at breakfast Mrs. Mavick asked her what it was.

"It's a coin, antique Greek," Evelyn replied, passing it across the table.

"How pretty it is; it is very pretty. Ought to have pearls around it. Seems to be an inscription on it."

"Yes, it is real old. McDonald says it is a stater, about the same as a Persian daric-something like the value of a sovereign."

"Oh, indeed; very interesting."

To give Evelyn her due, it must be confessed that she blushed at this equivocation about the inscription, and she got quite hot with shame thinking what would become of her if Philip should ever know that she was regarding him as a stater and wearing his name on her breast.

One can fancy what philosophical deductions as to the education of women Celia Howard would have drawn out of this coin incident; one of them doubtless being that a classical education is no protection against love.

But for Philip's connection with the thriving firm of Hunt, Sharp & Tweedle, it is safe to say that he would have known little of the world of affairs in Wall Street, and might never have gained entrance into that other world, for which Wall Street exists, that society where its wealth and ambitious vulgarity are displayed. Thomas Mavick was a client of the firm. At first they had been only associated with his lawyer, and consulted occasionally. But as time went on Mr. Mavick opened to them his affairs more and more, as he found the advantage of being represented to the public by a firm that combined the highest social and professional standing with all the acumen and adroitness that his complicated affairs required.

It was a time of great financial feverishness and uncertainty, and of opportunity for the most reckless adventurers. Houses the most solid were shaken and crippled, and those which were much extended in a variety of adventures were put to their wits' ends to escape shipwreck. Financial operations are perpetual war. It is easy to calculate about the regular forces, but the danger is from the unexpected "raids" and the bushwhackers and guerrillas. And since politics has become inextricably involved in financial speculations (as it has in real war), the excitement and danger of business on a large scale increase.

Philip as a trusted clerk, without being admitted into interior secrets, came to know a good deal about Mavick's affairs, and to be more than ever impressed with his enormous wealth and the magnitude of his operations. From time to time he was sent on errands to Mavick's office, and gradually, as Mavick became accustomed to him as a representative of the firm, they came on a somewhat familiar footing, and talked of other things than business. And Mavick, who was not a bad judge of the capacities of men, conceived a high idea of Philip's single-mindedness, of his integrity and general culture, and, as well, of his agreeableness (for Philip had a certain charm where he felt at ease), while at the same time he discovered that his mind was more upon something else than law, and that, if his success in his profession depended upon his adoption of the business methods of the Street, he could not go very far. Consequently he did not venture upon the same confidences with him that he habitually did with Mr. Sharp. Yet, business aside, he had an intellectual pleasure in exchanging views with Philip which Mr. Sharp's conversation did not offer him.

When, therefore, Mrs. Mavick came to consult her husband about the list for the coming-out reception of Evelyn, Philip found a friend at court.

"It is all plain enough," said Carmen, as she sat down with book and pencil in hand, "till you come to the young men, the unattached young men. Here is my visiting-list, that of course. But for the young ladies we must have more young men. Can't you suggest any?"

"Perhaps. I know a lot of young fellows."

"But I mean available young men, those that count socially. I don't want a broker's board or a Chamber of Commerce here."

Mr. Mavick named half a dozen, and Carmen looked for their names in the social register. "Any more?"

"Why, you forgot young Burnett, who was with you last summer at Rivervale. I thought you liked him."

"So I did in Rivervale. Plain farmer people. Yes, he was very nice to us. I've been thinking if I couldn't send him something Christmas and pay off the debt."

"He'd think a great deal more of an invitation to your reception."

"But you don't understand. You never think of Evelyn's future. We are asking people that we think she ought to know."

"Well, Burnett is a very agreeable fellow."

"Fiddlesticks! He is nothing but a law clerk. Worse than that, he is a magazine writer."

"I thought you liked his essays and stories."

"So I do. But you don't want to associate with everybody you like that way. I am talking about society. You must draw the line somewhere. Oh, I forgot Fogg—Dr. LeRoy Fogg, from Pittsburg." And down went the name of Fogg.

"You mean that young swell whose business it is to drive a four-in-hand to Yonkers and back, and toot on a horn?"

"Well, what of that? Everybody who is anybody, I mean all the girls, want to go on his coach."

"Oh, Lord! I'd rather go on the Elevated." And Mavick laughed very heartily, for him. "Well, I'll make a compromise. You take Fogg and I'll take Burnett. He is in a good firm, he belongs to a first-rate club, he goes to the Hunts' and the Scammels', I hear of him in good places. Come."

"Well, if you make a point of it. I've nothing against him. But if you knew the feelings of a mother about her only daughter you would know, that you cannot be too careful."

When, several days after this conversation, Philip received his big invitation, gorgeously engraved on what he took to be a sublimated sort of wrapping-paper, he felt ashamed that he had doubted the sincere friendship and the goodness of heart of Mrs. Mavick.



XV

One morning in December, Philip was sent down to Mr. Mavick's office with some important papers. He was kept waiting a considerable time in the outer room where the clerks were at work. A couple of clerks at desks near the chair he occupied were evidently discussing some one and he overheard fragments of sentences—"Yes, that's he." "Well, I guess the old man's got his match this time."

When he was admitted to the private office, he encountered coming out in the anteroom a man of striking appearance. For an instant they were face to face, and then bowed and passed on. The instant seemed to awaken some memory in Philip which greatly puzzled him.

The man had closely cropped black hair, black Whiskers, a little curling, but also closely trimmed, piercing black eyes, and the complexion of a Spaniard. The nose was large but regular, the mouth square-cut and firm, and the powerful jaw emphasized the decision of the mouth. The frame corresponded with the head. It was Herculean, and yet with no exaggerated developments. The man was over six feet in height, the shoulders were square, the chest deep, the hips and legs modeled for strength, and with no superfluous flesh. Philip noticed, as they fronted each other for an instant and the stranger raised his hat, that his hands and feet were smaller than usually accompany such a large frame. The impression was that of great physical energy, self-confidence, and determined will. The face was not bad, certainly not in detail, and even the penetrating eyes seemed at the moment capable of a humorous expression, but it was that of a man whom you would not like to have your enemy. He wore a business suit of rough material and fashionable cut, but he wore it like a man who did not give much thought to his clothes.

"What a striking-looking man," said Philip, motioning with his hand towards the anteroom as he greeted Mr. Mavick.

"Who, Ault?" answered Mavick, indifferently.

"Ault! What, Murad Ault?"

"Nobody else."

"Is it possible? I thought I saw a resemblance. Several times I have wondered, but I fancied it only a coincidence of names. It seemed absurd. Why, I used to know Murad Ault when we were boys. And to think that he should be the great Murad Ault."

"He hasn't been that for more than a couple of years," Mavick answered, with a smile at the other's astonishment, and then, with more interest, "What do you know about him?"

"If this is the same person, he used to live at Rivervale. Came there, no one knew where from, and lived with his mother, a little withered old woman, on a little cleared patch up in the hills, in a comfortable sort of shanty. She used to come to the village with herbs and roots to sell. Nobody knew whether she was a gypsy or a decayed lady, she had such an air, and the children were half afraid of her, as a sort of witch. Murad went to school, and occasionally worked for some farmer, but nobody knew him; he rarely spoke to any one, and he had the reputation of being a perfect devil; his only delight seemed to be in doing some dare-devil feat to frighten the children. We used to say that Murad Ault would become either a pirate or—"

"Broker," suggested Mr. Mavick, with a smile.

"I didn't know much about brokers at that time," Philip hastened to say, and then laughed himself at his escape from actual rudeness.

"What became of him?"

"Oh, he just disappeared. After I went away to school I heard that his mother had died, and Murad had gone off—gone West it was said. Nothing was ever heard of him."

The advent and rise of Murad Ault in New York was the sort of phenomenon to which the metropolis, which picks up its great men as Napoleon did his marshals, is accustomed. The mystery of his origin, which was at first against him, became at length an element of his strength and of the fear he inspired, as a sort of elemental force of unknown power. Newspaper biographies of him constantly appeared, but he had evaded every attempt to include him and his portrait in the Lives of Successful Men. The publishers of these useful volumes for stimulating speculation and ambition did not dare to take the least liberties with Murad Ault.

The man was like the boy whom Philip remembered. Doubtless he appreciated now as then the value of the mystery that surrounded his name and origin; and he very soon had a humorous conception of the situation that made him decline to be pilloried with others in one of those volumes, which won from a reviewer the confession that "lives of great men all remind us we may make our lives sublime." One of the legends current about him was that he first appeared in New York as a "hand" on a canal-boat, that he got employment as a check-clerk on the dock, that he made the acquaintance of politicians in his ward, and went into politics far enough to get a city contract, which paid him very well and showed him how easily a resolute man could get money and use it in the city. He was first heard of in Wall Street as a curbstone broker, taking enormous risks and always lucky. Very soon he set up an office, with one clerk or errand-boy, and his growing reputation for sagacity and boldness began to attract customers; his ventures soon engaged the attention of guerrillas like himself, who were wont to consult him. They found that his advice was generally sound, and that he had not only sensitiveness but prescience about the state of the market. His office was presently enlarged, and displayed a modest sign of "Murad Ault, Banker and Broker."

Mr. Ault's operations constantly enlarged, his schemes went beyond the business of registering other people's bets and taking a commission on them; he was known as a daring but successful promoter, and he had a visible ownership in steamships and railways, and projected such vast operations as draining the Jersey marshes. If he had been a citizen of Italy he would have attacked the Roman Campagna with the same confidence. At any rate, he made himself so much felt and seemed to command so many resources that it was not long before he forced his way into the Stock Exchange and had a seat in the Board of Brokers. He was at first an odd figure there. There was something flash about his appearance, and his heavy double watch-chain and diamond shirt-studs gave him the look of an ephemeral adventurer. But he soon took his cue, the diamonds disappeared, and the dress was toned down. There seemed to be two models in the Board, the smart and neat, and the hayseed style adopted by some of the most wily old operators, who posed as honest dealers who retained their rural simplicity. Mr. Ault adopted a middle course, and took the respectable yet fashionable, solid dress of a man of affairs.

There is no other place in the world where merit is so quickly recognized as in the Stock Exchange, especially if it is backed by brass and a good head. Ault's audacity made him feared; he was believed to be as unscrupulous as he was reckless, but this did not much injure his reputation when it was seen that he was marvelously successful. That Ault would wreck the market, if he could and it was to his advantage, no one doubted; but still he had a quality that begot confidence. He kept his word. Though men might be shy of entering into a contract with Ault, they learned that what he said he would do he would do literally. He was not a man of many words, but he was always decided and apparently open, and, as whatever he touched seemed to thrive, his associates got the habit of saying, "What Ault says goes."

Murad Ault had married, so it was said, the daughter of a boarding-house keeper on the dock. She was a pretty girl, had been educated in a convent (perhaps by his aid after he was engaged to marry her), and was a sweet mother to a little brood of charming children, and a devout member of her parish church. Those who had seen Mrs. Ault when her carriage took her occasionally to Ault's office in the city were much impressed by her graceful manner and sweet face, and her appearance gave Ault a sort of anchorage in the region of respectability. No one would have accused Ault of being devoted to any special kind of religious worship; but he was equally tolerant of all religions, and report said was liberal in his wife's church charities. Besides the fact that he owned a somewhat pretentious house in Sixtieth Street, society had very little knowledge of him.

It was, however, undeniable that he was a power in the Street. No other man's name was oftener mentioned in the daily journals in connection with some bold and successful operation. He seemed to thrive on panics, and to grow strong and rich with every turn of the wheel. There is only one stock expression in America for a man who is very able and unscrupulous, and carries things successfully with a high hand—he is Napoleonic. It needed only a few brilliant operations, madly reckless in appearance but successful, to give Ault the newspaper sobriquet of the Young Napoleon.

"Papa, what does he mean?" asked the eldest boy. "Jim Dustin says the papers call you Napoleon."

"It means, my boy," said Ault, with a grim smile, that I am devoted to your mother, St. Helena."

"Don't say that, Murad," exclaimed his wife; I'm far enough from a saint, and your destiny isn't the Island."

"What's the Island, mamma?"

"It's a place people are sent to for their health."

"In a boat? Can I go?"

"You ask too many questions, Sinclair," said Mr. Ault; "it's time you were off to school."

There seems to have been not the least suspicion in this household that the head of it was a pirate.

It must be said that Mavick still looked upon Ault as an adventurer, one of those erratic beings who appear from time to time in the Street, upset everything, and then disappear. They had been associated occasionally in small deals, and Ault had more than once appealed to Mavick, as a great capitalist, with some promising scheme. They had, indeed, co-operated in reorganizing a Western railway, but seemed to have come out of the operation without increased confidence in each other. What had occurred nobody knew, but thereafter there developed a slight antagonism between the two operators. Ault went no more to consult the elder man, and they had two or three little bouts, in which Mavick did not get the best of it. This was not an unusual thing in the Street. Mr. Ault never expressed his opinion of Mr. Mavick, but it became more and more apparent that their interests were opposed. Some one who knew both men, and said that the one was as cold and selfish as a pike, and the other was a most unscrupulous dare-devil, believed that Mavick had attempted some sort of a trick on Ault, and that it was the kind of thing that the Spaniard (his complexion had given him this nickname) never forgot.

It is not intended to enter into a defense of the local pool known as the New York Stock Exchange. It needs none. Some regard it as a necessary standpipe to promote and equalize distribution, others consult it as a sort of Nilometer, to note the rise and fall of the waters and the probabilities of drought or flood. Everybody knows that it is full of the most gamy and beautiful fish in the world—namely, the speckled trout, whose honest occupation it is to devour whatever is thrown into the pool—a body governed by the strictest laws of political economy in guarding against over-population, by carrying out the Malthusian idea, in the habit the big ones have of eating the little ones. But occasionally this harmonious family, which is animated by one of the most conspicuous traits of human nature—to which we owe very much of our progress —namely, the desire to get hold of everything within reach, and is such a useful object-lesson of the universal law of upward struggle that results in the survival of the fittest, this harmonious family is disturbed by the advent of a pickerel, which makes a raid, introduces confusion into all the calculations of the pool, roils the water, and drives the trout into their holes.

The presence in the pool of a slimy eel or a blundering bullhead or a lethargic sucker is bad enough, but the rush in of the pickerel is the advent of the devil himself. Until he is got rid of, all the delicate machinery for the calculation of chances is hopelessly disturbed; and no one could tell what would become of the business of the country if there were not a considerable number of devoted men engaged in registering its fluctuations and the change of values, and willing to back their opinions by investing their own capital or, more often, the capital of others.

This somewhat mixed figure cannot be pursued further without losing its analogy, becoming fantastic, and violating natural law. For it is matter of observation that in this arena the pickerel, if he succeeds in clearing out the pool, suddenly becomes a trout, and is respected as the biggest and most useful fish in the pond.

What is meant is simply that Murad Ault was fighting for position, and that for some reason, known to himself, Thomas Mavick stood in his way. Mr. Mavick had never been under the necessity of making such a contest. He stepped into a commanding position as the manager if not the owner of the great fortune of Rodney Henderson. His position was undisputed, for the Street believed with the world in the magnitude of that fortune, though there were shrewd operators who said that Mavick had more chicane but not a tenth part of the ability of Rodney Henderson. Mr. Ault had made the fortune the object of keen scrutiny, when his antagonism was aroused, and none knew better than he its assailable points. Henderson had died suddenly in the midst of vast schemes which needed his genius to perfect. Apparently the Mavick estate was second to only a few fortunes in the country. Mr. Ault had set himself to find out whether this vast structure stood upon rock foundations. The knowledge he acquired about it and his intentions he communicated to no one. But the drift of his mind might be gathered from a remark he made to his wife one day, when some social allusion was made to Mavick: "I'll bring down that snob."

The use of such men as Ault in the social structure is very doubtful, as doubtful as that of a summer tempest or local cyclone, which it is said clears the air and removes rubbish, but is a scourge that involves the innocent as often as the guilty. It is popularly supposed that the disintegration and distribution of a great fortune, especially if it has been accumulated by doubtful methods, is a benefit to mankind. Mr. Ault may have shared this impression, but it is unlikely that he philosophized on the subject. No one, except perhaps his own family, had ever discovered that he had any sensibilities that could be appealed to, and, if he had known the ideas beginning to take shape in the mind of the millionaire heiress in regard to this fortune, he would have approved or comprehended them as little as did her mother.

Evelyn had lived hitherto with little comprehension of her peculiar position. That the world went well with her, and that no obstacle was opposed to the gratification of her reasonable desires, or to her impulses of charity and pity, was about all she knew of her power. But she was now eighteen and about to appear in the world. Her mother, therefore, had been enlightening her in regard to her expectations and the career that lay open to her. And Carmen thought the girl a little perverse, in that this prospect, instead of exciting her worldly ambition, seemed to affect her only seriously as a matter of responsibility.

In their talks Mrs. Mavick was in fact becoming acquainted with the mind of her daughter, and learning, somewhat to her chagrin, the limitations of her education produced by the policy of isolation.

To her dismay, she found that the girl did not care much for the things that she herself cared most for. The whole world of society, its strifes, ambitions, triumphs, defeats, rewards, did not seem to Evelyn so real or so important as that world in which she had lived with her governess and her tutors. And, worse than this, the estimate she placed upon the values of material things was shockingly inadequate to her position.

That her father was a very great man was one of the earliest things Evelyn began to know, exterior to herself. This was impressed upon her by the deference paid to him not only at home but wherever they went, and by the deference shown to her as his daughter. And she was proud of this. He was not one of the great men whose careers she was familiar with in literature, not a general or a statesman or an orator or a scientist or a poet or a philanthropist she never thought of him in connection with these heroes of her imagination—but he was certainly a great power in the world. And she had for him a profound admiration, which might have become affection if Mavick had ever taken the pains to interest himself in the child's affairs. Her mother she loved, and believed there could be no one in the world more sweet and graceful and attractive, and as she grew up she yearned for more of the motherly companionship, for something more than the odd moments of petting that were given to her in the whirl of the life of a woman of the world. What that life was, however, she had only the dimmest comprehension, and it was only in the last two years, since she was sixteen, that she began to understand it, and that mainly in contrast to her own guarded life. And she was now able to see that her own secluded life had been unusual.

Not till long after this did she speak to any one of her experience as a child, of the time when she became conscious that she was never alone, and that she was only free to act within certain limits.

To McDonald, indeed, she had often shown her irritation, and it was only the strong good sense of the governess that kept her from revolt. It was not until very recently that it could be explained to her, without putting her in terror hourly, why she must always be watched and guarded.

It had required all the tact and sophistry of her governess to make her acquiesce in a system of education—so it was called-that had been devised in order to give her the highest and purest development. That the education was mainly left to McDonald, and that her parents were simply anxious about her safety, she did not learn till long afterwards. In the first years Mrs. Mavick had been greatly relieved to be spared all the care of the baby, and as the years went on, the arrangement seemed more and more convenient, and she gave little thought to the character that was being formed. To Mr. Mavick, indeed, as to his wife, it was enough to see that she was uncommonly intelligent, and that she had a certain charm that made her attractive. Mrs. Mavick took it for granted that when it came time to introduce her into the world she would be like other girls, eager for its pleasures and susceptible to all its allurements. Of the direction of the undercurrents of the girl's life she had no conception, until she began to unfold to her the views of the world that prevailed in her circle, and what (in the Carmen scheme of life) ought to be a woman's ambition.

That she was to be an heiress Evelyn had long known, that she would one day have a great fortune at her disposal had indeed come into her serious thought, but the brilliant use of it in relation to herself, at which her mother was always lately hinting, came to her as a disagreeable shock. For the moment the fortune seemed to her rather a fetter than an opportunity, if she was to fulfill her mother's expectations. These hints were conveyed with all the tact of which her mother was master, but the girl was nevertheless somewhat alarmed, and she began to regard the "coming out" as an entrance into servitude rather than an enlargement of liberty. One day she surprised Miss McDonald by asking her if she didn't think that rich people were the only ones not free to do as they pleased?

"Why, my dear, it is not generally so considered. Most people fancy that if they had money enough they could do anything."

"Yes, of course," said the girl, putting down her stitching and looking up; "that is not exactly what I mean. They can go in the current, they can do what they like with their money, but I mean with themselves. Aren't they in a condition that binds them half the time to do what they don't wish to do?"

"It's a condition that all the world is trying to get into."

"I know. I've been talking with mamma about the world and about society, and what is expected and what you must live up to."

"But you have always known that you must one day go into the world and take your share in life."

"That, yes. But I would rather live up to myself. Mamma seems to think that society will do a great deal for me, that I will get a wider view of life, that I can do so much for society, and, with my position, mamma says, have such a career. McDonald, what is society for?"

That was such a poser that the governess threw up her hands, and then laughed aloud, and then shook her head. "Wiser people than you have asked that question."

"I asked mamma that, for she is in it all the time. She didn't like it much, and asked, 'What is anything for?' You see, McDonald, I've been with mamma many a time when her friends came to see her, and they never have anything to say, never—what I call anything. I wonder if in society they go about saying that? What do they do it for?"

Miss McDonald had her own opinion about what is called society and its occupations and functions, but she did not propose to encourage this girl, who would soon take her place in it, in such odd notions.

"Don't you know, child, that there is society and society? That it is all sorts of a world, that it gets into groups and circles about, and that is the way the world is stirred up and kept from stagnation. And, my dear, you have just to do your duty where you are placed, and that is all there is about it."

"Don't be cross, McDonald. I suppose I can think my thoughts?"

"Yes, you can think, and you can learn to keep a good deal that you think to yourself. Now, Evelyn, haven't you any curiosity to see what this world we are talking about is like?"

"Indeed I have," said Evelyn, coming out of her reflective mood into a girlish enthusiasm. "And I want to see what I shall be like in it. Only—well, how is that?" And she held out the handkerchief she had been plying her needle on.

Miss McDonald looked at the stitches critically, at the letters T.M. enclosed in an oval.

"That is very good, not too mechanical. It will please your father. The oval makes a pretty effect; but what are those signs between the letters?"

"Don't you see? It is a cartouche, and those are hieroglyphics—his name in Egyptian. I got it out of Petrie's book."

"It certainly is odd."

"And every one of the twelve is going to be different. It is so interesting to hunt up the signs for qualities. If papa can read it he will find out a good deal that I think about him."

The governess only smiled for reply. It was so like Evelyn, so different from others even in the commonplace task of marking handkerchiefs, to work a little archaeology into her expression of family affection.

Mrs. Mavick's talks with her daughter in which she attempted to give Evelyn some conception of her importance as the heiress of a great fortune, of her position in society, what would be expected of her, and of the brilliant social career her mother imagined for her, had an effect opposite to that intended. There had been nothing in her shielded life, provided for at every step without effort, that had given her any idea of the value and importance of money.

To a girl in her position, educated in the ordinary way and mingling with school companions, one of the earliest lessons would be a comprehension of the power that wealth gave her; and by the time that she was of Evelyn's age her opinion of men would begin to be colored by the notion that they were polite or attentive to her on account of her fortune and not for any charm of hers, and so a cruel suspicion of selfishness would have entered her mind to poison the very thought of love.

No such idea had entered Evelyn's mind. She would not readily have understood that love could have any sort of relation to riches or poverty. And if, deep down in her heart, not acknowledged, scarcely recognized, by herself, there had begun to grow an image about which she had sweet and tender thoughts, it certainly did not occur to her that her father's wealth could make any difference in the relations of friendship or even of affection. And as for the fortune, if she was, as her mother said, some day to be mistress of it, she began to turn over in her mind objects quite different from the display and the career suggested by her mother, and to think how she could use it.

In her ignorance of practical life and of what the world generally values, of course the scheme that was rather hazy in her mind was simply Quixotic, as appeared in a conversation with her father one evening while he smoked his cigar. He had called Evelyn to the library, on the suggestion of Carmen that he should "have a little talk with the girl."

Mr. Mavick began, when Evelyn was seated beside him, and he had drawn her close to him and she had taken possession of his big hand with both her little hands, about the reception and about balls to come, and the opera, and what was going on in New York generally in the season, and suddenly asked:

"My dear, if you had a lot of money, what would you do with it?"

"What would you?" said the girl, looking up into his face. "What do people generally do?"

"Why," and Mavick hesitated, "they use it to add more to it."

"And then?" pursued the girl.

"I suppose they leave it to somebody. Suppose it was left to you?"

"Don't think me silly, papa; I've thought a lot about it, and I shall do something quite different."

"Different from what?"

"You know mamma is in the Orthopedic Hospital, and in the Ragged Schools, and in the Infirmary, and I don't know what all."

"And wouldn't you help them?"

"Of course, I would help. But everybody does those things, the practical things, the charities; I mean to do things for the higher life."

Mr. Mavick took his cigar from his mouth and looked puzzled. "You want to build a cathedral?"

"No, I don't mean that sort of higher life, I mean civilization, the things at the top. I read an essay the other day that said it was easy to raise money for anything mechanical and practical in a school, but nobody wanted to give for anything ideal."

"Quite right," said her father; "the world is full of cranks. You seem as vague as your essayist."

"Don't you remember, papa, when we were in Oxford how amused you were with the master, or professor, who grumbled because the college was full of students, and there wasn't a single college for research?

"I asked McDonald afterwards what he meant; that is how I first got my idea, but I didn't see exactly what it was until recently. You've got to cultivate the high things—that essay says—the abstract, that which does not seem practically useful, or society will become low and material."

"By George!" cried Mavick, with a burst of laughter, "you've got the lingo. Go on, I want to see where you are going to light."

"Well, I'll tell you some more. You know my tutor is English. McDonald says she believes he is the most learned man in eighteenth-century literature living, and his dream is to write a history of it. He is poor, and engaged all the time teaching, and McDonald says he will die, no doubt, and leave nothing of his investigations to the world."

"And you want to endow him?"

"He is only one. There is the tutor of history. Teach, teach, teach, and no time or strength left for investigation. You ought to hear him tell of the things just to be found out in American history. You see what I mean? It is plainer in the sciences. The scholars who could really make investigations, and do something for the world, have to earn their living and have no time or means for experiments. It seems foolish as I say it, but I do think, papa, there is something in it."

"And what would you do?"

Evelyn saw that she was making no headway, and her ideas, exposed to so practical a man as her father, did seem rather ridiculous. But she struck out boldly with the scheme that she had been evolving.

"I'd found Institutions of Research, where there should be no teaching, and students who had demonstrated that they had anything promising in them, in science, literature, languages, history, anything, should have the means and the opportunity to make investigations and do work. See what a hard time inventors and men of genius have; it is pitiful."

"And how much money do you want for this modest scheme of yours?"

"I hadn't thought," said Evelyn, patting her father's hand. And then, at a venture, "I guess about ten millions."

"Whew! Have you any idea how much ten millions are, or how much one million is?"

"Why, ten millions, if you have a hundred, is no more than one million if you have only ten. Doesn't it depend?"

"If it depends upon you, child, I don't think money has any value for you whatever. You are a born financier for getting rid of a surplus. You ought to be Secretary of the Treasury."

Mavick rose, lifted up his daughter, and, kissing her with more than usual tenderness, said, "You'll learn about the world in time," and bade her goodnight.



XVI

Law and love go very well together as occupations, but, when literature is added, the trio is not harmonious. Either of the two might pull together, but the combination of the three is certainly disastrous.

It would be difficult to conceive of a person more obviously up in the air than Philip at this moment. He went through his office duties intelligently and perfunctorily, but his heart was not in the work, and reason as he would his career did not seem to be that way. He was lured too strongly by that siren, the ever-alluring woman who sits upon the rocks and sings so deliciously to youth of the sweets of authorship. He who listens once to that song hears it always in his ears, through disappointment and success—and the success is often the greatest disappointment—through poverty and hope deferred and heart-sickness for recognition, through the hot time of youth and the creeping incapacity of old age. The song never ceases. Were the longing and the hunger it arouses ever satisfied with anything, money for instance, any more than with fame?

And if the law had a feeble hold on him, how much more uncertain was his grasp on literature. He had thrown his line, he had been encouraged by nibbles, but publishers were too wary to take hold. It seemed to him that he had literally cast his bread upon the waters, and apparently at an ebb tide, and his venture had gone to the fathomless sea. He had put his heart into the story, and, more than that, his hope of something dearer than any public favor. As he went over the story in his mind, scene after scene, and dwelt upon the theme that held the whole in unity, he felt that Evelyn would be touched by the recognition of her part in the inspiration, and that the great public must give some heed to it. Perhaps not the great public—for its liking now ran in quite another direction, but a considerable number of people like Celia, who were struggling with problems of life, and the Alices in country homes who still preserved in their souls a belief in the power of a noble life, and perhaps some critics who had not rid themselves of the old traditions. If the publishers would only give him a chance!

But if law and literature were to him little more than unsubstantial dreams, the love he cherished was, in the cool examination of reason, preposterous. What! the heiress of so many millions, brought up doubtless in the expectation of the most brilliant worldly alliance, the heiress with the world presently at her feet, would she look at a lawyer's clerk and an unsuccessful scribbler? Oh, the vanity of youth and the conceit of intellect!

Down in his heart Philip thought that she might. And he went on nursing this vain passion, knowing as well as any one can know the social code, that Mr. Mavick and Mrs. Mavick would simply laugh in his face at such a preposterous idea. And yet he knew that he had her sympathy in his ambition, that to a certain extent she was interested in him. The girl was too guileless to conceal that. And then suppose he should become famous—well, not exactly famous, but an author who was talked about, and becoming known, and said to be promising? And then he could fancy Mavick weighing this sort of reputation in his office scales against money, and Mrs. Mavick weighing it in her boudoir against social position. He was a fool to think of it. And yet, suppose, suppose the girl should come to love him. It would not be lightly. He knew that, by looking into her deep, clear, beautiful eyes. There were in them determination and tenacity of purpose as well as the capability of passion. Heavens and earth, if that girl once loved, there was a force that no opposition could subdue! That was true. But what had he to offer to evoke such a love?

In those days Philip saw much of Celia, who at length had given up teaching, and had come to the city to try her experiment, into which she was willing to embark her small income. She had taken a room in the midst of poverty and misery on the East Side, and was studying the situation.

"I am not certain," she said, "whether I or any one else can do anything, or whether any organization down there can effect much. But I will find out."

"Aren't you lonesome—and disgusted?" asked Philip.

"Disgusted? You might as well be disgusted with one thing as another. I am generally disgusted with the way things go. But, lonely? No, there is too much to do and to learn. And do you know, Philip, that people are more interesting over there, more individual, have more queer sorts of character. I begin to believe, with a lovely philanthropist I know, who had charge of female criminals, that 'wicked women are more interesting than good women.'"

"You have struck a rich mine of interest in New York, then."

"Don't be cynical, Phil. There are different kinds of interest. Stuff! But I won't explain." And then, abruptly changing the subject, "Seems to me you have something on your mind lately. Is it the novel?"

"Perhaps."

"The publishers haven't decided?"

"I am afraid they have."

"Well, Philip, do you know that I think the best thing that could happen to you would be to have the story rejected."

"It has been rejected several times," said Philip. "That didn't seem to do me any good."

"But finally, so that you would stop thinking about it, stop expecting anything that way, and take up your profession in earnest."

"You are a nice comforter!" retorted Philip, with a sort of smirking grin and a look of keen inspection, as if he saw something new in the character of his adviser. "What has come over you? Suppose I should give you that sort of sympathy in the projects you set your heart on?"

"It does seem hard and mean, doesn't it? I knew you wouldn't like it. That is, not now. But it is for your lifetime. As for me, I've wanted so many things and I've tried so many things. And do you know, Phil, that I have about come to the conclusion that the best things for us in this world are the things we don't get."

"You are always coming to some new conclusion."

"Yes, I know. But just look at it rationally. Suppose your story is published, cast into the sea of new books, and has a very fair sale. What will you get out of it? You can reckon how many copies at ten cents a copy it will need to make as much as some writers get for a trivial magazine paper. Recognition? Yes, from a very few people. Notoriety? You would soon find what that is. Suppose you make what is called a 'hit.' If you did not better that with the next book, you would be called a failure. And you must keep at it, keep giving the public something new all the time, or you will drop out of sight. And then the anxiety and the strain of it, and the temptation, because you must live, to lower your ideal, and go down to what you conceive to be the buying public. And if your story does not take the popular fancy, where will you be then?"

"Celia, you have become a perfect materialist. You don't allow anything for the joy of creation, for the impulse of a man's mind, for the delight in fighting for a place in the world of letters."

"So it seems to you now. If you have anything that must be said, of course you ought to say it, no matter what comes after. If you are looking round for something you can say in order to get the position you covet, that is another thing. People so deceive themselves about this. I know literary workers who lead a dog's life and are slaves to their pursuit, simply because they have deceived themselves in this. I want you to be free and independent, to live your own life and do what work you can in the world. There, I've said it, and of course you will go right on. I know you. And maybe I am all wrong. When I see the story I may take the other side and urge you to go on, even if you are as poor as a church-mouse, and have to be under the harrow of poverty for years."

"Then you have some curiosity to see the story?"

"You know I have. And I know I shall like it. It isn't that, Phil; it is what is the happiest career for you."

"Well, I will send it to you when it comes back."

But the unexpected happened. It did not come back. One morning Philip received a letter from the publishers that set his head in a whirl. The story was accepted. The publisher wrote that the verdict of the readers was favorable, and he would venture on it, though he cautioned Mr. Burnett not to expect a great commercial success. And he added, as to terms, it being a new name, though he hoped one that would become famous, that the copyright of ten per cent. would not begin until after the sale of the first thousand copies.

The latter part of the letter made no impression on Philip. So long as the book was published, and by a respectable firm, he was indifferent as a lord to the ignoble details of royalty. The publisher had recognized the value of the book, and it was accepted on its merits. That was enough. The first thing he did was to enclose the letter to Celia, with the simple remark that he would try to sympathize with her in her disappointment.

Philip would have been a little less jubilant if he had known how the decision of the publishing house was arrived at. It was true that the readers had reported favorably, but had refused to express any opinion on the market value. The manuscript had therefore been put in the graveyard of manuscripts, from which there is commonly no resurrection except in the funeral progress of the manuscript back to the author. But the head of the house happened to dine at the house of Mr. Hunt, the senior of Philip's law firm. Some chance allusion was made by a lady to an article in a recent magazine which had pleased her more than anything she had seen lately. Mr. Hunt also had seen it, for his wife had insisted on reading it to him, and he was proud to say that the author was a clerk in his office—a fine fellow, who, he always fancied, had more taste for literature than for law, but he had the stuff in him to succeed in anything. The publisher pricked up his ears and asked some questions. He found that Mr. Burnett stood well in the most prominent law firm in the city, that ladies of social position recognized his talent, that he dined here and there in a good set, and that he belonged to one of the best clubs. When he went to his office the next morning he sent for the manuscript, looked it over critically, and then announced to his partners that he thought the thing was worth trying.

In a day or two it was announced in the advertising lists as forthcoming. There it stared Philip in the face and seemed to be the only conspicuous thing in the journal. He had not paid much attention before to the advertisements, but now this department seemed the most interesting part of the paper, and he read every announcement, and then came back and read his over and over. There it stood:—"On Saturday, The Puritan Nun. An Idyl. By Philip Burnett."

The naming of the book had been almost as difficult as the creation. His first choice had been "The Lily of the Valley," but Balzac had pre-empted that. And then he had thought of "The Enclosed Garden" (Hortus Clausus), the title of a lovely picture he had seen. That was Biblical, but in the present ignorance of the old scriptures it would be thought either agricultural or sentimental. It is not uncommon that a book owes its notoriety and sale to its title, and it is not easy to find a title that will attract attention without being too sensational. The title chosen was paradoxical, for while a nun might be a puritan, it was unthinkable that a Puritan should be a nun.

Mr. Brad said he liked it, because it looked well and did not mean anything; he liked all such titles, the "Pious Pirate," the "Lucid Lunatic," the "Sympathetic Siren," the "Guileless Girl," and so on.

The announcement of publication had the effect of putting Philip in high spirits for the Mavick reception-spirits tempered, however, by the embarrassment natural to a modest man that he would be painfully conspicuous. This first placarding of one's name is a peculiar and mixed sensation. The letters seem shamefully naked, and the owner seems exposed and to have parted with a considerable portion of his innate privacy. His first fancy is that everybody will see it. But this fancy only comes once. With experience he comes to doubt if anybody except himself will see it.

To those most concerned the Mavick reception was the event of a lifetime. To the town—that is, to a thousand or two persons occupying in their own eyes an exclusive position it was one of the events of the season, and, indeed, it was the sensation for a couple of days. The historian of social life formerly had put upon him the task of painfully describing all that went to make such an occasion brilliant—the house itself, the decorations, the notable company, men distinguished in the State or the Street, women as remarkable for their beauty as for their courage in its exhibition, the whole world of fashion and of splendid extravagance upon which the modiste and the tailor could look with as much pride as the gardener does upon a show of flowers which his genius has brought to perfection.

The historian has no longer this responsibility. It is transferred to a kind of trust. A race of skillful artists has arisen, who, in combination with the caterers, the decorators, and the milliners, produce a composite piece of literature in which all details are woven into a splendid whole—a composition rhetorical, humorous, lyrical, a noble apotheosis of wealth and beauty which carefully satisfies individual vanity and raises in the mind a noble picture of modern civilization. The pen and the pencil contribute to this splendid result in the daily chronicle of our life. Those who are not present are really witnesses of the scene, and this pictorial and literary triumph is justified in the fact that no other effort of the genius of reproduction is so eagerly studied by the general public. Not only in the city, but in the remote villages, these accounts are perused with interest, and it must be taken as an evidence of the new conception of the duties of the favored of fortune to the public pleasure that the participants in these fetes overcome, though reluctantly, their objection to notoriety.

No other people in the world are so hospitable as the Americans, and so willing to incur discomfort in showing hospitality. No greater proof of this can be needed than the effort to give princely entertainments in un-princely houses, where opposing streams of guests fight for progress in scant passages and on narrow stairways, and pack themselves in stifling rooms. The Mavick house, it should be said, was perfectly adapted to the throng that seemed to fill but did not crowd it. The spacious halls, the noble stairways, the ample drawing-rooms, the ballroom, the music-room, the library, the picture-gallery, the dining-room, the conservatory—into these the crowd flowed or lingered without confusion or annoyance and in a continual pleasure of surprise. "The best point of view," said an artist of Philip's acquaintance, "is just here." They were standing in the great hall looking up at that noble gallery from which flowed down on either hand a broad stairway.

"I didn't know there was so much beauty in New York. It never before had such an opportunity to display itself. There is room for the exhibition of the most elaborate toilets, and the costumes really look regal in such a setting."

When Philip was shown to the dressing-room, conscious that the servant was weighing him lightly in the social scale on account of his early arrival, he found a few men who were waiting to make their appearance more seasonable. They were young men, who had the air of being bored by this sort of thing, and greeted each other with a look of courteous surprise, as much as to say, "Hello! you here?" One of them, whom Philip knew slightly, who had the reputation of being the distributer if not the fountain of social information, and had the power of attracting gossip as a magnet does iron filings, gave Philip much valuable information concerning the function.

"Mrs. Mavick has done it this time. Everybody has tumbled in. Washington is drained of its foreign diplomats, the heavy part of the cabinet is moved over to represent the President, who sent a gracious letter, the select from Boston, the most ancient from Philadelphia, and I know that Chicago comes in a special train. Oh, it's the thing. I assure you there was a scramble for invitations in the city. Lots of visiting nobility—Count de l'Auney, I know, and that little snob, Lord Montague."

"Who is he?"

"Lord Crewe Monmouth Fitzwilliam, the Marquis of Montague, eldest son of the Duke of Tewkesbury. He's a daisy.

"They say he is over here looking for capital to carry on his peer business when he comes into it. Don't know who put up the money for the trip. These foreigners keep a sharp eye on our market, I can tell you. They say she is a nice little girl, rather a blue-stocking, face rather intelligent than pretty, but Montague won't care for that—excuse the old joke, but it is the figure Monte is after. He hasn't any manners, but he's not a bad sort of a fellow, generally good-natured, immensely pleased with New York, and an enthusiastic connoisseur in club drinks."

At the proper hour—the hour, it came into, his mind, when the dear ones at Rivervale had been long in sleep, lulled by the musical flow of the Deerfield—Philip made his way to the reception room, where there actually was some press of a crowd, in lines, to approach the attraction of the evening, and as he waited his turn he had leisure to observe the brilliant scene. There was scarcely a person in the room he knew. One or two ladies gave him a preoccupied nod, a plain little woman whom he had talked with about books at a recent dinner smiled upon him encouragingly. But what specially impressed him at the moment was the seriousness of the function, the intentness upon the presentation, and the look of worry on the faces of the women in arranging trains and avoiding catastrophes.

As he approached he fancied that Mr. Mavick looked weary and bored, and that a shade of abstraction occasionally came over his face as if it were difficult to keep his thoughts on the changing line.

But his face lighted up a little when he took Philip's hand and exchanged with him the commonplaces of the evening. But before this he had to wait a moment, for he was preceded by an important personage. A dapper little figure, trim, neat, at the moment drew himself up before Mrs. Mavick, brought his heels together with a click, and made a low bow. Doubtless this was the French count. Mrs. Mavick was radiant. Philip had never seen her in such spirits or so fascinating in manner.

"It is a great honor, count."

"It ees to me," said the count, with a marked accent; "I assure you it is like Paris in ze time of ze monarchy. Ah, ze Great Republic, madame—so it was in France in ze ancien regime. Ah, mademoiselle! Permit me," and he raised her hand to his lips; "I salute—is it not" (turning to Mrs. Mavick)—"ze princess of ze house?"

The next man who shook hands with the host, and then stood in an easy attitude before the hostess, attracted Philip's attention strongly, for he fancied from the deference shown him it must be the lord of whom he had heard. He was a short, little man, with heavy limbs and a clumsy figure, reddish hair, very thin on the crown, small eyes that were not improved in expression by white eyebrows, a red face, smooth shaven and freckled. It might have been the face of a hostler or a billiard-marker.