PART II

A THRONG of carriages and other vehicles stood at the entrance of a house in which an auction was going on of the effects of one of those wealthy art-lovers who have innocently passed for Maecenases, and in a simple-minded fashion expended, to that end, the millions amassed by their thrifty fathers, and frequently even by their own early labours. The long saloon was filled with the most motley throng of visitors, collected like birds of prey swooping down upon an unburied corpse. There was a whole squadron of Russian shop-keepers from the Gostinnui Dvor, and from the old-clothes mart, in blue coats of foreign make. Their faces and expressions were a little more natural here, and did not display that fictitious desire to be subservient which is so marked in the Russian shop-keeper when he stands before a customer in his shop. Here they stood upon no ceremony, although the saloons were full of those very aristocrats before whom, in any other place, they would have been ready to sweep, with reverence, the dust brought in by their feet. They were quite at their ease, handling pictures and books without ceremony, when desirous of ascertaining the value of the goods, and boldly upsetting bargains mentally secured in advance by noble connoisseurs. There were many of those infallible attendants of auctions who make it a point to go to one every day as regularly as to take their breakfast; aristocratic connoisseurs who look upon it as their duty not to miss any opportunity of adding to their collections, and who have no other occupation between twelve o'clock and one; and noble gentlemen, with garments very threadbare, who make their daily appearance without any selfish object in view, but merely to see how it all goes off.

A quantity of pictures were lying about in disorder: with them were mingled furniture, and books with the cipher of the former owner, who never was moved by any laudable desire to glance into them. Chinese vases, marble slabs for tables, old and new furniture with curving lines, with griffins, sphinxes, and lions' paws, gilded and ungilded, chandeliers, sconces, all were heaped together in a perfect chaos of art.

The auction appeared to be at its height.

The surging throng was competing for a portrait which could not but arrest the attention of all who possessed any knowledge of art. The skilled hand of an artist was plainly visible in it. The portrait, which had apparently been several times restored and renovated, represented the dark features of an Asiatic in flowing garments, and with a strange and remarkable expression of countenance; but what struck the buyers more than anything else was the peculiar liveliness of the eyes. The more they were looked at, the more did they seem to penetrate into the gazer's heart. This peculiarity, this strange illusion achieved by the artist, attracted the attention of nearly all. Many who had been bidding gradually withdrew, for the price offered had risen to an incredible sum. There remained only two well-known aristocrats, amateurs of painting, who were unwilling to forego such an acquisition. They grew warm, and would probably have run the bidding up to an impossible sum, had not one of the onlookers suddenly exclaimed, "Permit me to interrupt your competition for a while: I, perhaps, more than any other, have a right to this portrait."

These words at once drew the attention of all to him. He was a tall man of thirty-five, with long black curls. His pleasant face, full of a certain bright nonchalance, indicated a mind free from all wearisome, worldly excitement; his garments had no pretence to fashion: all about him indicated the artist. He was, in fact, B. the painter, a man personally well known to many of those present.

"However strange my words may seem to you," he continued, perceiving that the general attention was directed to him, "if you will listen to a short story, you may possibly see that I was right in uttering them. Everything assures me that this is the portrait which I am looking for."

A natural curiosity illuminated the faces of nearly all present; and even the auctioneer paused as he was opening his mouth, and with hammer uplifted in the air, prepared to listen. At the beginning of the story, many glanced involuntarily towards the portrait; but later on, all bent their attention solely on the narrator, as his tale grew gradually more absorbing.

"You know that portion of the city which is called Kolomna," he began. "There everything is unlike anything else in St. Petersburg. Retired officials remove thither to live; widows; people not very well off, who have acquaintances in the senate, and therefore condemn themselves to this for nearly the whole of their lives; and, in short, that whole list of people who can be described by the words ash-coloured—people whose garments, faces, hair, eyes, have a sort of ashy surface, like a day when there is in the sky neither cloud nor sun. Among them may be retired actors, retired titular councillors, retired sons of Mars, with ruined eyes and swollen lips.

"Life in Kolomna is terribly dull: rarely does a carriage appear, except, perhaps, one containing an actor, which disturbs the universal stillness by its rumble, noise, and jingling. You can get lodgings for five rubles a month, coffee in the morning included. Widows with pensions are the most aristocratic families there; they conduct themselves well, sweep their rooms often, chatter with their friends about the dearness of beef and cabbage, and frequently have a young daughter, a taciturn, quiet, sometimes pretty creature; an ugly dog, and wall-clocks which strike in a melancholy fashion. Then come the actors whose salaries do not permit them to desert Kolomna, an independent folk, living, like all artists, for pleasure. They sit in their dressing-gowns, cleaning their pistols, gluing together all sorts of things out of cardboard, playing draughts and cards with any friend who chances to drop in, and so pass away the morning, doing pretty nearly the same in the evening, with the addition of punch now and then. After these great people and aristocracy of Kolomna, come the rank and file. It is as difficult to put a name to them as to remember the multitude of insects which breed in stale vinegar. There are old women who get drunk, who make a living by incomprehensible means, like ants, dragging old clothes and rags from the Kalinkin Bridge to the old clothes-mart, in order to sell them for fifteen kopeks—in short, the very dregs of mankind, whose conditions no beneficent, political economist has devised any means of ameliorating.

"I have mentioned them in order to point out how often such people find themselves under the necessity of seeking immediate temporary assistance and having recourse to borrowing. Hence there settles among them a peculiar race of money-lenders who lend small sums on security at an enormous percentage. Among these usurers was a certain... but I must not omit to mention that the occurrence which I have undertaken to relate occurred the last century, in the reign of our late Empress Catherine the Second. So, among the usurers, at that epoch, was a certain person—an extraordinary being in every respect, who had settled in that quarter of the city long before. He went about in flowing Asiatic garb; his dark complexion indicated a Southern origin, but to what particular nation he belonged, India, Greece, or Persia, no one could say with certainty. Of tall, almost colossal stature, with dark, thin, ardent face, heavy overhanging brows, and an indescribably strange colour in his large eyes of unwonted fire, he differed sharply and strongly from all the ash-coloured denizens of the capital.

"His very dwelling was unlike the other little wooden houses. It was of stone, in the style of those formerly much affected by Genoese merchants, with irregular windows of various sizes, secured with iron shutters and bars. This usurer differed from other usurers also in that he could furnish any required sum, from that desired by the poor old beggar-woman to that demanded by the extravagant grandee of the court. The most gorgeous equipages often halted in front of his house, and from their windows sometimes peeped forth the head of an elegant high-born lady. Rumour, as usual, reported that his iron coffers were full of untold gold, treasures, diamonds, and all sorts of pledges, but that, nevertheless, he was not the slave of that avarice which is characteristic of other usurers. He lent money willingly, and on very favourable terms of payment apparently, but, by some curious method of reckoning, made them mount to an incredible percentage. So said rumour, at any rate. But what was strangest of all was the peculiar fate of those who received money from him: they all ended their lives in some unhappy way. Whether this was simply the popular superstition, or the result of reports circulated with an object, is not known. But several instances which happened within a brief space of time before the eyes of every one were vivid and striking.

"Among the aristocracy of that day, one who speedily drew attention to himself was a young man of one of the best families who had made a figure in his early years in court circles, a warm admirer of everything true and noble, zealous in his love for art, and giving promise of becoming a Maecenas. He was soon deservedly distinguished by the Empress, who conferred upon him an important post, fully proportioned to his deserts—a post in which he could accomplish much for science and the general welfare. The youthful dignitary surrounded himself with artists, poets, and learned men. He wished to give work to all, to encourage all. He undertook, at his own expense, a number of useful publications; gave numerous orders to artists; offered prizes for the encouragement of different arts; spent a great deal of money, and finally ruined himself. But, full of noble impulses, he did not wish to relinquish his work, sought to raise a loan, and finally betook himself to the well-known usurer. Having borrowed a considerable sum from him, the man in a short time changed completely. He became a persecutor and oppressor of budding talent and intellect. He saw the bad side in everything produced, and every word he uttered was false.

"Then, unfortunately, came the French Revolution. This furnished him with an excuse for every kind of suspicion. He began to discover a revolutionary tendency in everything; to concoct terrible and unjust accusations, which made scores of people unhappy. Of course, such conduct could not fail in time to reach the throne. The kind-hearted Empress was shocked; and, full of the noble spirit which adorns crowned heads, she uttered words still engraven on many hearts. The Empress remarked that not under a monarchical government were high and noble impulses persecuted; not there were the creations of intellect, poetry, and art contemned and oppressed. On the other hand, monarchs alone were their protectors. Shakespeare and Moliere flourished under their magnanimous protection, while Dante could not find a corner in his republican birthplace. She said that true geniuses arise at the epoch of brilliancy and power in emperors and empires, but not in the time of monstrous political apparitions and republican terrorism, which, up to that time, had never given to the world a single poet; that poet-artists should be marked out for favour, since peace and divine quiet alone compose their minds, not excitement and tumult; that learned men, poets, and all producers of art are the pearls and diamonds in the imperial crown: by them is the epoch of the great ruler adorned, and from them it receives yet greater brilliancy.

"As the Empress uttered these words she was divinely beautiful for the moment, and I remember old men who could not speak of the occurrence without tears. All were interested in the affair. It must be remarked, to the honour of our national pride, that in the Russian's heart there always beats a fine feeling that he must adopt the part of the persecuted. The dignitary who had betrayed his trust was punished in an exemplary manner and degraded from his post. But he read a more dreadful punishment in the faces of his fellow-countrymen: universal scorn. It is impossible to describe what he suffered, and he died in a terrible attack of raving madness.

"Another striking example also occurred. Among the beautiful women in which our northern capital assuredly is not poor, one decidedly surpassed the rest. Her loveliness was a combination of our Northern charms with those of the South, a gem such as rarely makes its appearance on earth. My father said that he had never beheld anything like it in the whole course of his life. Everything seemed to be united in her, wealth, intellect, and wit. She had throngs of admirers, the most distinguished of them being Prince R., the most noble-minded of all young men, the finest in face, and an ideal of romance in his magnanimous and knightly sentiments. Prince R. was passionately in love, and was requited by a like ardent passion.

"But the match seemed unequal to the parents. The prince's family estates had not been in his possession for a long time, his family was out of favour, and the sad state of his affairs was well known to all. Of a sudden the prince quitted the capital, as if for the purpose of arranging his affairs, and after a short interval reappeared, surrounded with luxury and splendour. Brilliant balls and parties made him known at court. The lady's father began to relent, and the wedding took place. Whence this change in circumstances, this unheard-of-wealth, came, no one could fully explain; but it was whispered that he had entered into a compact with the mysterious usurer, and had borrowed money of him. However that may have been, the wedding was a source of interest to the whole city, and the bride and bridegroom were objects of general envy. Every one knew of their warm and faithful love, the long persecution they had had to endure from every quarter, the great personal worth of both. Ardent women at once sketched out the heavenly bliss which the young couple would enjoy. But it turned out very differently.

"In the course of a year a frightful change came over the husband. His character, up to that time so noble, became poisoned with jealous suspicions, irritability, and inexhaustible caprices. He became a tyrant to his wife, a thing which no one could have foreseen, and indulged in the most inhuman deeds, and even in blows. In a year's time no one would have recognised the woman who, such a little while before, had dazzled and drawn about her throngs of submissive adorers. Finally, no longer able to endure her lot, she proposed a divorce. Her husband flew into a rage at the very suggestion. In the first outburst of passion, he chased her about the room with a knife, and would doubtless have murdered her then and there, if they had not seized him and prevented him. In a fit of madness and despair he turned the knife against himself, and ended his life amid the most horrible sufferings.

"Besides these two instances which occurred before the eyes of all the world, stories circulated of many more among the lower classes, nearly all of which had tragic endings. Here an honest sober man became a drunkard; there a shopkeeper's clerk robbed his master; again, a driver who had conducted himself properly for a number of years cut his passenger's throat for a groschen. It was impossible that such occurrences, related, not without embellishments, should not inspire a sort of involuntary horror amongst the sedate inhabitants of Kolomna. No one entertained any doubt as to the presence of an evil power in the usurer. They said that he imposed conditions which made the hair rise on one's head, and which the miserable wretch never afterward dared reveal to any other being; that his money possessed a strange power of attraction; that it grew hot of itself, and that it bore strange marks. And it is worthy of remark, that all the colony of Kolomna, all these poor old women, small officials, petty artists, and insignificant people whom we have just recapitulated, agreed that it was better to endure anything, and to suffer the extreme of misery, rather than to have recourse to the terrible usurer. Old women were even found dying of hunger, who preferred to kill their bodies rather than lose their soul. Those who met him in the street experienced an involuntary sense of fear. Pedestrians took care to turn aside from his path, and gazed long after his tall, receding figure. In his face alone there was sufficient that was uncommon to cause any one to ascribe to him a supernatural nature. The strong features, so deeply chiselled; the glowing bronze of his complexion; the incredible thickness of his brows; the intolerable, terrible eyes—everything seemed to indicate that the passions of other men were pale compared to those raging within him. My father stopped short every time he met him, and could not refrain each time from saying, 'A devil, a perfect devil!' But I must introduce you as speedily as possible to my father, the chief character of this story.

"My father was a remarkable man in many respects. He was an artist of rare ability, a self-taught artist, without teachers or schools, principles and rules, carried away only by the thirst for perfection, and treading a path indicated by his own instincts, for reasons unknown, perchance, even to himself. Through some lofty and secret instinct he perceived the presence of a soul in every object. And this secret instinct and personal conviction turned his brush to Christian subjects, grand and lofty to the last degree. His was a strong character: he was an honourable, upright, even rough man, covered with a sort of hard rind without, not entirely lacking in pride, and given to expressing himself both sharply and scornfully about people. He worked for very small results; that is to say, for just enough to support his family and obtain the materials he needed; he never, under any circumstances, refused to aid any one, or to lend a helping hand to a poor artist; and he believed with the simple, reverent faith of his ancestors. At length, by his unintermitting labour and perseverance in the path he had marked out for himself, he began to win the approbation of those who honoured his self-taught talent. They gave him constant orders for churches, and he never lacked employment.

"One of his paintings possessed a strong interest for him. I no longer recollect the exact subject: I only know that he needed to represent the Spirit of Darkness in it. He pondered long what form to give him: he wished to concentrate in his face all that weighs down and oppresses a man. In the midst of his meditations there suddenly occurred to his mind the image of the mysterious usurer; and he thought involuntarily, 'That's how I ought to paint the Devil!' Imagine his amazement when one day, as he was at work in his studio, he heard a knock at the door, and directly after there entered that same terrible usurer.

"'You are an artist?' he said to my father abruptly.

"'I am,' answered my father in surprise, waiting for what should come next.

"'Good! Paint my portrait. I may possibly die soon. I have no children; but I do not wish to die completely, I wish to live. Can you paint a portrait that shall appear as though it were alive?'

"My father reflected, 'What could be better! he offers himself for the Devil in my picture.' He promised. They agreed upon a time and price; and the next day my father took palette and brushes and went to the usurer's house. The lofty court-yard, dogs, iron doors and locks, arched windows, coffers, draped with strange covers, and, last of all, the remarkable owner himself, seated motionless before him, all produced a strange impression on him. The windows seemed intentionally so encumbered below that they admitted the light only from the top. 'Devil take him, how well his face is lighted!' he said to himself, and began to paint assiduously, as though afraid that the favourable light would disappear. 'What power!' he repeated to himself. 'If I only accomplish half a likeness of him, as he is now, it will surpass all my other works: he will simply start from the canvas if I am only partly true to nature. What remarkable features!' He redoubled his energy; and began himself to notice how some of his sitter's traits were making their appearance on the canvas.

"But the more closely he approached resemblance, the more conscious he became of an aggressive, uneasy feeling which he could not explain to himself. Notwithstanding this, he set himself to copy with literal accuracy every trait and expression. First of all, however, he busied himself with the eyes. There was so much force in those eyes, that it seemed impossible to reproduce them exactly as they were in nature. But he resolved, at any price, to seek in them the most minute characteristics and shades, to penetrate their secret. As soon, however, as he approached them in resemblance, and began to redouble his exertions, there sprang up in his mind such a terrible feeling of repulsion, of inexplicable expression, that he was forced to lay aside his brush for a while and begin anew. At last he could bear it no longer: he felt as if these eyes were piercing into his soul, and causing intolerable emotion. On the second and third days this grew still stronger. It became horrible to him. He threw down his brush, and declared abruptly that he could paint the stranger no longer. You should have seen how the terrible usurer changed countenance at these words. He threw himself at his feet, and besought him to finish the portrait, saying that his fate and his existence depended on it; that he had already caught his prominent features; that if he could reproduce them accurately, his life would be preserved in his portrait in a supernatural manner; that by that means he would not die completely; that it was necessary for him to continue to exist in the world.

"My father was frightened by these words: they seemed to him strange and terrible to such a degree, that he threw down his brushes and palette and rushed headlong from the room.

"The thought of it troubled him all day and all night; but the next morning he received the portrait from the usurer, by a woman who was the only creature in his service, and who announced that her master did not want the portrait, and would pay nothing for it, and had sent it back. On the evening of the same day he learned that the usurer was dead, and that preparations were in progress to bury him according to the rites of his religion. All this seemed to him inexplicably strange. But from that day a marked change showed itself in his character. He was possessed by a troubled, uneasy feeling, of which he was unable to explain the cause; and he soon committed a deed which no one could have expected of him. For some time the works of one of his pupils had been attracting the attention of a small circle of connoisseurs and amateurs. My father had perceived his talent, and manifested a particular liking for him in consequence. Suddenly the general interest in him and talk about him became unendurable to my father who grew envious of him. Finally, to complete his vexation, he learned that his pupil had been asked to paint a picture for a recently built and wealthy church. This enraged him. 'No, I will not permit that fledgling to triumph!' said he: 'it is early, friend, to think of consigning old men to the gutters. I still have powers, God be praised! We'll soon see which will put down the other.'

"And this straightforward, honourable man employed intrigues which he had hitherto abhorred. He finally contrived that there should be a competition for the picture which other artists were permitted to enter into. Then he shut himself up in his room, and grasped his brush with zeal. It seemed as if he were striving to summon all his strength up for this occasion. And, in fact, the result turned out to be one of his best works. No one doubted that he would bear off the palm. The pictures were placed on exhibition, and all the others seemed to his as night to day. But of a sudden, one of the members present, an ecclesiastical personage if I mistake not, made a remark which surprised every one. 'There is certainly much talent in this artist's picture,' said he, 'but no holiness in the faces: there is even, on the contrary, a demoniacal look in the eyes, as though some evil feeling had guided the artist's hand.' All looked, and could not but acknowledge the truth of these words. My father rushed forward to his picture, as though to verify for himself this offensive remark, and perceived with horror that he had bestowed the usurer's eyes upon nearly all the figures. They had such a diabolical gaze that he involuntarily shuddered. The picture was rejected; and he was forced to hear, to his indescribable vexation, that the palm was awarded to his pupil.

"It is impossible to describe the state of rage in which he returned home. He almost killed my mother, he drove the children away, broke his brushes and easels, tore down the usurer's portrait from the wall, demanded a knife, and ordered a fire to be built in the chimney, intending to cut it in pieces and burn it. A friend, an artist, caught him in the act as he entered the room—a jolly fellow, always satisfied with himself, inflated by unattainable wishes, doing daily anything that came to hand, and taking still more gaily to his dinner and little carouses.

"'What are you doing? What are you preparing to burn?' he asked, and stepped up to the portrait. 'Why, this is one of your very best works. It is the usurer who died a short time ago: yes, it is a most perfect likeness. You did not stop until you had got into his very eyes. Never did eyes look as these do now.'

"'Well, I'll see how they look in the fire!' said my father, making a movement to fling the portrait into the grate.

"'Stop, for Heaven's sake!' exclaimed his friend, restraining him: 'give it to me, rather, if it offends your eyes to such a degree.' My father resisted, but yielded at length; and the jolly fellow, well pleased with his acquisition, carried the portrait home with him.

"When he was gone, my father felt more calm. The burden seemed to have disappeared from his soul in company with the portrait. He was surprised himself at his evil feelings, his envy, and the evident change in his character. Reviewing his acts, he became sad at heart; and not without inward sorrow did he exclaim, 'No, it was God who punished me! my picture, in fact, was meant to ruin my brother-man. A devilish feeling of envy guided my brush, and that devilish feeling must have made itself visible in it.'

"He set out at once to seek his former pupil, embraced him warmly, begged his forgiveness, and endeavoured as far as possible to excuse his own fault. His labours continued as before; but his face was more frequently thoughtful. He prayed more, grew more taciturn, and expressed himself less sharply about people: even the rough exterior of his character was modified to some extent. But a certain occurrence soon disturbed him more than ever. He had seen nothing for a long time of the comrade who had begged the portrait of him. He had already decided to hunt him up, when the latter suddenly made his appearance in his room. After a few words and questions on both sides, he said, 'Well, brother, it was not without cause that you wished to burn that portrait. Devil take it, there's something horrible about it! I don't believe in sorcerers; but, begging your pardon, there's an unclean spirit in it.'

"'How so?' asked my father.

"'Well, from the very moment I hung it up in my room I felt such depression—just as if I wanted to murder some one. I never knew in my life what sleeplessness was; but I suffered not from sleeplessness alone, but from such dreams!—I cannot tell whether they were dreams, or what; it was as if a demon were strangling one: and the old man appeared to me in my sleep. In short, I can't describe my state of mind. I had a sensation of fear, as if expecting something unpleasant. I felt as if I could not speak a cheerful or sincere word to any one: it was just as if a spy were sitting over me. But from the very hour that I gave that portrait to my nephew, who asked for it, I felt as if a stone had been rolled from my shoulders, and became cheerful, as you see me now. Well, brother, you painted the very Devil!'

"During this recital my father listened with unswerving attention, and finally inquired, 'And your nephew now has the portrait?'

"'My nephew, indeed! he could not stand it!' said the jolly fellow: 'do you know, the soul of that usurer has migrated into it; he jumps out of the frame, walks about the room; and what my nephew tells of him is simply incomprehensible. I should take him for a lunatic, if I had not undergone a part of it myself. He sold it to some collector of pictures; and he could not stand it either, and got rid of it to some one else.'

"This story produced a deep impression on my father. He grew seriously pensive, fell into hypochondria, and finally became fully convinced that his brush had served as a tool of the Devil; and that a portion of the usurer's vitality had actually passed into the portrait, and was now troubling people, inspiring diabolical excitement, beguiling painters from the true path, producing the fearful torments of envy, and so forth. Three catastrophes which occurred afterwards, three sudden deaths of wife, daughter, and infant son, he regarded as a divine punishment on him, and firmly resolved to withdraw from the world.

"As soon as I was nine years old, he placed me in an academy of painting, and, paying all his debts, retired to a lonely cloister, where he soon afterwards took the vows. There he amazed every one by the strictness of his life, and his untiring observance of all the monastic rules. The prior of the monastery, hearing of his skill in painting, ordered him to paint the principal picture in the church. But the humble brother said plainly that he was unworthy to touch a brush, that his was contaminated, that with toil and great sacrifice must he first purify his spirit in order to render himself fit to undertake such a task. He increased the rigours of monastic life for himself as much as possible. At last, even they became insufficient, and he retired, with the approval of the prior, into the desert, in order to be quite alone. There he constructed himself a cell from branches of trees, ate only uncooked roots, dragged about a stone from place to place, stood in one spot with his hands lifted to heaven, from the rising until the going down of the sun, reciting prayers without cessation. In this manner did he for several years exhaust his body, invigorating it, at the same time, with the strength of fervent prayer.

"At length, one day he returned to the cloister, and said firmly to the prior, 'Now I am ready. If God wills, I will finish my task.' The subject he selected was the Birth of Christ. A whole year he sat over it, without leaving his cell, barely sustaining himself with coarse food, and praying incessantly. At the end of the year the picture was ready. It was a really wonderful work. Neither prior nor brethren knew much about painting; but all were struck with the marvellous holiness of the figures. The expression of reverent humility and gentleness in the face of the Holy Mother, as she bent over the Child; the deep intelligence in the eyes of the Holy Child, as though he saw something afar; the triumphant silence of the Magi, amazed by the Divine Miracle, as they bowed at his feet: and finally, the indescribable peace which emanated from the whole picture—all this was presented with such strength and beauty, that the impression it made was magical. All the brethren threw themselves on their knees before it; and the prior, deeply affected, exclaimed, 'No, it is impossible for any artist, with the assistance only of earthly art, to produce such a picture: a holy, divine power has guided thy brush, and the blessing of Heaven rested upon thy labour!'

"By that time I had completed my education at the academy, received the gold medal, and with it the joyful hope of a journey to Italy—the fairest dream of a twenty-year-old artist. It only remained for me to take leave of my father, from whom I had been separated for twelve years. I confess that even his image had long faded from my memory. I had heard somewhat of his grim saintliness, and rather expected to meet a hermit of rough exterior, a stranger to everything in the world, except his cell and his prayers, worn out, tried up, by eternal fasting and penance. But how great was my surprise when a handsome old man stood before me! No traces of exhaustion were visible on his countenance: it beamed with the light of a heavenly joy. His beard, white as snow, and his thin, almost transparent hair of the same silvery hue, fell picturesquely upon his breast, and upon the folds of his black gown, even to the rope with which his poor monastic garb was girded. But most surprising to me of all was to hear from his mouth such words and thoughts about art as, I confess, I long shall bear in mind, and I sincerely wish that all my comrades would do the same.

"'I expected you, my son,' he said, when I approached for his blessing. 'The path awaits you in which your life is henceforth to flow. Your path is pure—desert it not. You have talent: talent is the most priceless of God's gifts—destroy it not. Search out, subject all things to your brush; but in all see that you find the hidden soul, and most of all, strive to attain to the grand secret of creation. Blessed is the elect one who masters that! There is for him no mean object in nature. In lowly themes the artist creator is as great as in great ones: in the despicable there is nothing for him to despise, for it passes through the purifying fire of his mind. An intimation of God's heavenly paradise is contained for the artist in art, and by that alone is it higher than all else. But by as much as triumphant rest is grander than every earthly emotion, by so much is the lofty creation of art higher than everything else on earth. Sacrifice everything to it, and love it with passion—not with the passion breathing with earthly desire, but a peaceful, heavenly passion. It cannot plant discord in the spirit, but ascends, like a resounding prayer, eternally to God. But there are moments, dark moments—' He paused, and I observed that his bright face darkened, as though some cloud crossed it for a moment. 'There is one incident of my life,' he said. 'Up to this moment, I cannot understand what that terrible being was of whom I painted a likeness. It was certainly some diabolical apparition. I know that the world denies the existence of the Devil, and therefore I will not speak of him. I will only say that I painted him with repugnance: I felt no liking for my work, even at the time. I tried to force myself, and, stifling every emotion in a hard-hearted way, to be true to nature. I have been informed that this portrait is passing from hand to hand, and sowing unpleasant impressions, inspiring artists with feelings of envy, of dark hatred towards their brethren, with malicious thirst for persecution and oppression. May the Almighty preserve you from such passions! There is nothing more terrible.'

"He blessed and embraced me. Never in my life was I so grandly moved. Reverently, rather than with the feeling of a son, I leaned upon his breast, and kissed his scattered silver locks.

"Tears shone in his eyes. 'Fulfil my one request, my son,' said he, at the moment of parting. 'You may chance to see the portrait I have mentioned somewhere. You will know it at once by the strange eyes, and their peculiar expression. Destroy it at any cost.'

"Judge for yourselves whether I could refuse to promise, with an oath, to fulfil this request. In the space of fifteen years I had never succeeded in meeting with anything which in any way corresponded to the description given me by my father, until now, all of a sudden, at an auction—"

The artist did not finish his sentence, but turned his eyes to the wall in order to glance once more at the portrait. The entire throng of auditors made the same movement, seeking the wonderful portrait with their eyes. But, to their extreme amazement, it was no longer on the wall. An indistinct murmur and exclamation ran through the crowd, and then was heard distinctly the word, "stolen." Some one had succeeded in carrying it off, taking advantage of the fact that the attention of the spectators was distracted by the story. And those present long remained in a state of surprise, not knowing whether they had really seen those remarkable eyes, or whether it was simply a dream which had floated for an instant before their eyesight, strained with long gazing at old pictures.



THE CALASH

The town of B—— had become very lively since a cavalry regiment had taken up its quarters in it. Up to that date it had been mortally wearisome there. When you happened to pass through the town and glanced at its little mud houses with their incredibly gloomy aspect, the pen refuses to express what you felt. You suffered a terrible uneasiness as if you had just lost all your money at play, or had committed some terrible blunder in company. The plaster covering the houses, soaked by the rain, had fallen away in many places from their walls, which from white had become streaked and spotted, whilst old reeds served to thatch them.

Following a custom very common in the towns of South Russia, the chief of police has long since had all the trees in the gardens cut down to improve the view. One never meets anything in the town, unless it is a cock crossing the road, full of dust and soft as a pillow. At the slightest rain this dust is turned into mud, and then all the streets are filled with pigs. Displaying to all their grave faces, they utter such grunts that travellers only think of pressing their horses to get away from them as soon as possible. Sometimes some country gentleman of the neighbourhood, the owner of a dozen serfs, passes in a vehicle which is a kind of compromise between a carriage and a cart, surrounded by sacks of flour, and whipping up his bay mare with her colt trotting by her side. The aspect of the marketplace is mournful enough. The tailor's house sticks out very stupidly, not squarely to the front but sideways. Facing it is a brick house with two windows, unfinished for fifteen years past, and further on a large wooden market-stall standing by itself and painted mud-colour. This stall, which was to serve as a model, was built by the chief of police in the time of his youth, before he got into the habit of falling asleep directly after dinner, and of drinking a kind of decoction of dried goose-berries every evening. All around the rest of the market-place are nothing but palings. But in the centre are some little sheds where a packet of round cakes, a stout woman in a red dress, a bar of soap, some pounds of bitter almonds, some lead, some cotton, and two shopmen playing at "svaika," a game resembling quoits, are always to be seen.

But on the arrival of the cavalry regiment everything changed. The streets became more lively and wore quite another aspect. Often from their little houses the inhabitants would see a tall and well-made officer with a plumed hat pass by, on his way to the quarters of one of his comrades to discuss the chances of promotion or the qualities of a new tobacco, or perhaps to risk at play his carriage, which might indeed be called the carriage of all the regiment, since it belonged in turn to every one of them. To-day it was the major who drove out in it, to-morrow it was seen in the lieutenant's coach-house, and a week later the major's servant was again greasing its wheels. The long hedges separating the houses were suddenly covered with soldiers' caps exposed to the sun, grey frieze cloaks hung in the doorways, and moustaches harsh and bristling as clothes brushes were to be met with in all the streets. These moustaches showed themselves everywhere, but above all at the market, over the shoulders of the women of the place who flocked there from all sides to make their purchases. The officers lent great animation to society at B—.

Society consisted up till then of the judge who was living with a deacon's wife, and of the chief of police, a very sensible man, but one who slept all day long from dinner till evening, and from evening till dinner-time.

This general liveliness was still further increased when the town of B—— became the residence of the general commanding the brigade to which the regiment belonged. Many gentlemen of the neighbourhood, whose very existence no one had even suspected, began to come into the town with the intention of calling on the officers, or, perhaps, of playing bank, a game concerning which they had up till then only a very confused notion, occupied as they were with their crops and the commissions of their wives and their hare-hunting. I am very sorry that I cannot recollect for what reason the general made up his mind one fine day to give a grand dinner. The preparations were overwhelming. The clatter of knives in the kitchen was heard as far as the town gates. The whole of the market was laid under contributions, so much so that the judge and the deacon's wife found themselves obliged that day to be satisfied with hasty puddings and cakes of flour. The little courtyard of the house occupied by the general was crowded with vehicles. The company only consisted of men, officers and gentlemen of the neighbourhood.

Amongst these latter was above all conspicuous Pythagoras Pythagoravitch Tchertokoutski, one of the leading aristocrats of the district of B—, the most fiery orator at the nobiliary elections and the owner of a very elegant turn-out. He had served in a cavalry regiment and had even passed for one of its most accomplished officers, having constantly shown himself at all the balls and parties wherever his regiment was quartered. Information respecting him may be asked of all the young ladies in the districts of Tamboff and Simbirsk. He would very probably have further extended his reputation in other districts if he had not been obliged to leave the service in consequence of one of those affairs which are spoken of as "a very unpleasant business." Had he given or received a blow? I cannot say with certainty, but what is indisputable is that he was asked to send in his resignation. However, this accident had no unpleasant effect upon the esteem in which he had been held up till then.

Tchertokoutski always wore a coat of a military cut, spurs and moustache, in order not to have it supposed that he had served in the infantry, a branch of the service upon which he lavished the most contemptuous expressions. He frequented the numerous fairs to which flock the whole of the population of Southern Russia, consisting of nursemaids, tall girls, and burly gentlemen who go there in vehicles of such strange aspect that no one has ever seen their match even in a dream. He instinctively guessed the spot in which a regiment of cavalry was to be found and never failed to introduce himself to the officers. On perceiving them he bounded gracefully from his light phaeton and soon made acquaintance with them. At the last election he had given to the whole of the nobility a grand dinner during which he declared that if he were elected marshal he would put all gentlemen on the best possible footing. He usually behaved after the fashion of a great noble. He had married a rather pretty lady with a dowry of two hundred serfs and some thousands of rubles. This money was at once employed in the purchase of six fine horses, some gilt bronze locks, and a tame monkey. He further engaged a French cook. The two hundred peasants of the lady, as well as two hundred more belonging to the gentleman, were mortgaged to the bank. In a word, he was a regular nobleman. Besides himself, several other gentlemen were amongst the general's guests, but it is not worth while speaking of them. The officers of the regiment, amongst whom were the colonel and the fat major, formed the majority of those present. The general himself was rather stout; a good officer, nevertheless, according to his subordinates. He had a rather deep bass voice.

The dinner was magnificent; there were sturgeons, sterlets, bustards, asparagus, quail, partridges, mushrooms. The flavour of all these dishes supplied an irrefutable proof of the sobriety of the cook during the twenty-four hours preceding the dinner. Four soldiers, who had been given him as assistants, had not ceased working all night, knife in hand, at the composition of ragouts and jellies. The immense quantity of long-necked bottles, mingled with shorter ones, holding claret and madeira; the fine summer day, the wide-open windows, the plates piled up with ice on the table, the crumpled shirt-fronts of the gentlemen in plain clothes, and a brisk and noisy conversation, now dominated by the general's voice, and now besprinkled with champagne, were all in perfect harmony. The guests rose from the table with a pleasant feeling of repletion, and, after having lit their pipes, all stepped out, coffee-cups in hand, on to the verandah.

"We can see her now," said the general. "Here, my dear fellow," added he, addressing his aide-de-camp, an active well-made young officer, "have the bay mare brought here. You shall see for yourselves, gentlemen."

At these words the general took a long pull at his pipe.

"She is not quite recovered yet; there is not a decent stable in this cursed little place. But she is not bad looking—" puff—puff, the general here let out the smoke which he had kept in his mouth till then—"the little mare."

"It is long since your excellency—" puff—puff—puff—"condescended to buy her?" asked Tchertokoutski.

Puff—puff—puff—puff. "Not very long, I had her from the breeding establishment two years ago."

"And did your excellency condescend to take her ready broken, or to have her broken in here yourself?"

Puff—puff—puff—puff. "Here."

As he spoke the general disappeared behind a cloud of smoke.

At that moment a soldier jumped out of the stable. The trampling of a horse's hoofs was heard, and another soldier with immense moustaches, and wearing a long white tunic, appeared, leading by the bridle the terrified and quivering mare, which, suddenly rearing, lifted him off his feet.

"Come, come, Agrafena Ivanovna," said he, leading her towards the verandah.

The mare's name was Agrafena Ivanovna. Strong and bold as a Southern beauty, she suddenly became motionless.

The general began to look at her with evident satisfaction, and left off smoking. The colonel himself went down the steps and patted her neck. The major ran his hand down her legs, and all the other officers clicked their tongues at her.

Tchertokoutski left the verandah to take up a position beside the mare. The soldier who held her bridle drew himself up and stared fixedly at the guests.

"She is very fine, very fine," said Tchertokoutski, "a very well-shaped beast. Will your excellency allow me to ask whether she is a good goer?"

"She goes well, but that idiot of a doctor, deuce take him, has given her some balls which have made her sneeze for the last two days."

"She is a fine beast, a very fine beast. Has your excellency a turn-out to match the horse?"

"Turn-out! but she's a saddle horse."

"I know. I put the question, your excellency, to know if you have an equipage worthy of your other horses?"

"No, I have not much in the way of equipages; I must admit that, for some time past, I have been wanting to buy a calash, such as they build now-a-days. I have written about it to my brother who is now at St. Petersburg, but I do not know whether he will be able to send me one."

"It seems to me, your excellency," remarked the colonel, "that there are no better calashes than those of Vienna."

"You are right." Puff—puff—puff.

"I have an excellent calash, your excellency, a real Viennese calash," said Tchertokoutski.

"That in which you came?"

"Oh no, I make use of that for ordinary service, but the other is something extraordinary. It is as light as a feather, and if you sit in it, it seems as if your nurse was rocking you in a cradle."

"It is very comfortable then?"

"Extremely comfortable; the cushions, the springs, and everything else are perfect."

"Ah! that is good."

"And what a quantity of things can be packed away in it. I have never seen anything like it, your excellency. When I was still in the service there was room enough in the body to stow away ten bottles of rum, twenty pounds of tobacco, six uniforms, and two pipes, the longest pipes imaginable, your excellency; and in the pockets inside you could stow away a whole bullock."

"That is very good."

"It cost four thousand rubles, your excellency."

"It ought to be good at that price. Did you buy it yourself?"

"No, your excellency, I had it by chance. It was bought by one of my oldest friends, a fine fellow with whom you would be very well pleased. We are very intimate. What is mine is his, and what is his is mine. I won it of him at cards. Would your excellency have the kindness to honour me at dinner to-morrow? You could see my calash."

"I don't know what to say. Alone I could not—but if you would allow me to come with these officers—"

"I beg of them to come too. I shall esteem it a great honour, gentlemen, to have the pleasure of seeing you at my house."

The colonel, the major, and the other officers thanked Tchertokoutski.

"I am of opinion myself, your excellency, that if one buys anything it should be good; it is not worth the trouble of getting, if it turns out bad. If you do me the honour of calling on me to-morrow, I will show you some improvements I have introduced on my estate."

The general looked at him, and puffed out a fresh cloud of smoke.

Tchertokoutski was charmed with his notion of inviting the officers, and mentally ordered in advance all manner of dishes for their entertainment. He smiled at these gentlemen, who on their part appeared to increase their show of attention towards him, as was noticeable from the expression of their eyes and the little half-nods they bestowed upon him. His bearing assumed a certain ease, and his voice expressed his great satisfaction.

"Your excellency will make the acquaintance of the mistress of the house."

"That will be most agreeable to me," said the general, twirling his moustache.

Tchertokoutski was firmly resolved to return home at once in order to make all necessary preparations in good time. He had already taken his hat, but a strange fatality caused him to remain for some time at the general's. The card tables had been set out, and all the company, separating into groups of four, scattered itself about the room. Lights were brought in. Tchertokoutski did not know whether he ought to sit down to whist. But as the officers invited him, he thought that the rules of good breeding obliged him to accept. He sat down. I do not know how a glass of punch found itself at his elbow, but he drank it off without thinking. After playing two rubbers, he found another glass close to his hand which he drank off in the same way, though not without remarking:

"It is really time for me to go, gentlemen."

He began to play a fresh rubber. However, the conversation which was going on in every corner of the room took an especial turn. Those who were playing whist were quiet enough, but the others talked a great deal. A captain had taken up his position on a sofa, and leaning against a cushion, pipe in mouth, he captivated the attention of a circle of guests gathered about him by his eloquent narrative of amorous adventures. A very stout gentleman whose arms were so short that they looked like two potatoes hanging by his sides, listened to him with a very satisfied expression, and from time to time exerted himself to pull his tobacco-pouch out of his coat-tail pocket. A somewhat brisk discussion on cavalry drill had arisen in another corner, and Tchertokoutski, who had twice already played a knave for a king, mingled in the conversation by calling out from his place: "In what year?" or "What regiment?" without noticing that very often his question had no application whatever. At length, a few minutes before supper, play came to an end. Tchertokoutski could remember that he had won a great deal, but he did not take up his winnings, and after rising stood for some time in the position of a man who has no handkerchief in his pocket.

They sat down to supper. As might be expected, wine was not lacking, and Tchertokoutski kept involuntarily filling his glass with it, for he was surrounded with bottles. A lengthy conversation took place at table, but the guests carried it on after a strange fashion. A colonel, who had served in 1812, described a battle which had never taken place; and besides, no one ever could make out why he took a cork and stuck it into a pie. They began to break-up at three in the morning. The coachmen were obliged to take several of them in their arms like bundles; and Tchertokoutski himself, despite his aristocratic pride, bowed so low to the company, that he took home two thistles in his moustache.

The coachman who drove him home found every one asleep. He routed out, after some trouble, the valet, who, after having ushered his master through the hall, handed him over to a maid-servant. Tchertokoutski followed her as well as he could to the best room, and stretched himself beside his pretty young wife, who was sleeping in a night-gown as white as snow. The shock of her husband falling on the bed awoke her—she stretched out her arms, opened her eyes, closed them quickly, and then opened them again quite wide, with a half-vexed air. Seeing that her husband did not pay the slightest attention to her, she turned over on the other side, rested her fresh and rosy cheek on her hand, and went to sleep again.

It was late—that is, according to country customs—when the lady awoke again. Her husband was snoring more loudly than ever. She recollected that he had come home at four o'clock, and not wishing to awaken him, got up alone, and put on her slippers, which her husband had had sent for her from St. Petersburg, and a white dressing-gown which fell about her like the waters of a fountain. Then she passed into her dressing-room, and after washing in water as fresh as herself, went to her toilet table. She looked at herself twice in the glass, and thought she looked very pretty that morning. This circumstance, a very insignificant one apparently, caused her to stay two hours longer than usual before her glass. She dressed herself very tastefully and went into the garden.

The weather was splendid: it was one of the finest days of the summer. The sun, which had almost reached the meridian, shed its most ardent rays; but a pleasant coolness reigned under the leafy arcades; and the flowers, warmed by the sun, exhaled their sweetest perfume. The pretty mistress of the house had quite forgotten that it was noon at least, and that her husband was still asleep. Already she heard the snores of two coachmen and a groom, who were taking their siesta in the stable, after having dined copiously. But she was still sitting in a bower from which the deserted high road could be seen, when all at once her attention was caught by a light cloud of dust rising in the distance. After looking at it for some moments, she ended by making out several vehicles, closely following one another. First came a light calash, with two places, in which was the general, wearing his large and glittering epaulettes, with the colonel. This was followed by another with four places, containing the captain, the aide-de-camp and two lieutenants. Further on, came the celebrated regimental vehicle, the present owner of which was the major, and behind that another in which were packed five officers, one on his comrade's knees, the procession being closed by three more on three fine bays.

"Are they coming here?" thought the mistress of the house. "Good heavens, yes! they are leaving the main road."

She gave a cry, clasped her hands, and ran straight across the flower-beds to her bedroom, where her husband was still sleeping soundly.

"Get up! get up! get up at once," she cried, pulling him by the arm.

"What—what's the matter?" murmured Tchertokoutski, stretching his limbs without opening his eyes.

"Get up, get up. Visitors have come, do you hear? visitors."

"Visitors, what visitors?" After saying these words he uttered a little plaintive grunt like that of a sucking calf: "M-m-m. Let me kiss you."

"My dear, get up at once, for heaven's sake. The general has come with all his officers. Ah! goodness, you have got a thistle in your moustache."

"The general! Has he come already? But why the deuce did not they wake me? And the dinner, is the dinner ready?"

"What dinner?"

"But haven't I ordered a dinner?"

"A dinner! You got home at four o'clock in the morning and you did not answer a single word to all my questions. I did not wake you, since you had so little sleep."

Tchertokoutski, his eyes staring out of his head, remained motionless for some moments as though a thunderbolt had struck him. All at once he jumped out of bed in his shirt.

"Idiot that I am," he exclaimed, clasping his hand to his forehead; "I had invited them to dinner. What is to be done? are they far off?"

"They will be here in a moment."

"My dear, hide yourself. Ho there, somebody. Hi there, you girl. Come here, you fool; what are you afraid of? The officers are coming here; tell them I am not at home, that I went out early this morning, that I am not coming back. Do you understand? Go and repeat it to all the servants. Be off, quick."

Having uttered these words, he hurriedly slipped on his dressing-gown, and ran off to shut himself up in the coach-house, which he thought the safest hiding-place. But he fancied that he might be noticed in the corner in which he had taken refuge.

"This will be better," said he to himself, letting down the steps of the nearest vehicle, which happened to be the calash. He jumped inside, closed the door, and, as a further precaution, covered himself with the leather apron. There he remained, wrapped in his dressing-gown, in a doubled-up position.

During this time the equipages had drawn up before the porch. The general got out of his carriage and shook himself, followed by the colonel, arranging the feathers in his hat. After him came the stout major, his sabre under his arm, and the slim lieutenants, whilst the mounted officers also alighted.

"The master is not at home," said a servant appearing at the top of a flight of steps.

"What! not at home; but he is coming home for dinner, is he not?"

"No, he is not; he has gone out for the day and will not be back till this time to-morrow."

"Bless me," said the general; "but what the deuce—"

"What a joke," said the colonel laughing.

"No, no, such things are inconceivable," said the general angrily. "If he could not receive us, why did he invite us?"

"I cannot understand, your excellency, how it is possible to act in such a manner," observed a young officer.

"What?" said the general, who always made an officer under the rank of captain repeat his remarks twice over.

"I wondered, your excellency, how any one could do such a thing."

"Quite so; if anything has happened he ought to have let us know."

"There is nothing to be done, your excellency, we had better go back home," said the colonel.

"Certainly, there is nothing to be done. However, we can see the calash without him; probably he has not taken it with him. Come here, my man."

"What does your excellency want?"

"Show us your master's new calash."

"Have the kindness to step this way to the coach-house."

The general entered the coach-house followed by his officers.

"Let me pull it a little forward, your excellency," said the servant, "it is rather dark here."

"That will do."

The general and his officers walked around the calash, carefully inspecting the wheels and springs.

"There is nothing remarkable about it," said the general; "it is a very ordinary calash."

"Nothing to look at," added the colonel; "there is absolutely nothing good about it."

"It seems to me, your excellency, that it is not worth four thousand rubles," remarked a young officer.

"What?"

"I said, your excellency, that I do not think that it is worth four thousand rubles."

"Four thousand! It is not worth two. Perhaps, however, the inside is well fitted. Unbutton the apron."

And Tchertokoutski appeared before the officers' eyes, clad in his dressing-gown and doubled up in a singular fashion.

"Hullo, there you are," said the astonished general.

Then he covered Tchertokoutski up again and went off with his officers.

THE END