At this moment Taquisara and Ghisleri appeared on the gravel path, walking side by side, two men strongly contrasted with each other, Italians of the Lombard and the Saracen types, fine specimens both, in the prime of youth and strength. Bianca gave the Sicilian her hand, and he bowed gravely to Veronica. Ghisleri brought out more chairs, and without the slightest hesitation sat down beside Bianca, forcing Taquisara to place himself near the young girl.

Taquisara was a man almost incapable of anything like social timidity, in whatever position he might be placed, and he was in reality delighted at thus being thrust upon Donna Veronica, from whom he felt sure that he should learn something about the projected marriage. For he had great and unaffected confidence in himself. But he hesitated a moment before he spoke, for he did not now remember that he had ever before entered intentionally into a serious conversation with a young girl, in the whole course of his life. The customs of the society in which he lived made such things well-nigh impossible. As usual with him, he meditated going straight to the matter in hand, and he only paused to consider what words he should use. Veronica, as she had been taught to do in such a position, looked vacantly before her at the roots of the trees, waiting for him to say something.

He had not seen her, except from a distance, since Gianluca had fallen so madly in love with her, and while she looked away from him, his bold eyes scrutinized her face. He saw what she had seen, when she had looked into the glass on the previous evening—neither more nor less, except that she was dressed for walking, and something feathery was around her slender throat—and she wore a hat, which, in her own opinion, changed her appearance very much. But, as he looked, he was aware that there was more in her face than he had supposed.

There was something in the expression which was, all at once, far more beautiful to him, than anything he had ever discovered in the sad and faultless features of the already famous beauty who sat beside her. Unconsciously, as he realized it, he forgot that he was expected to speak.

Then, wondering at his silence, and conscious of his gaze, Veronica turned her face to his, with a shy look of girlish inquiry, and their eyes met. Taquisara was too dark to blush, but to his own surprise he felt that the blood had mounted in his face, and in Veronica's own thin, young cheeks there was a faint and lovely tinge which lasted but a moment and then faded, coming again more strongly as she turned her eyes away. Then he felt that he must speak. Ghisleri and Bianca, on the other side, had begun at once to talk, and their voices, unknown to themselves, had sunk to a low key.

"I am very glad I have met you here, this morning, Donna Veronica," said Taquisara, leaning forward so as to speak close to her, but looking down at the gravel under his feet. "I had something especial to say to you."

Veronica glanced at him, half startled. His tone and manner were quite different from anything she had hitherto heard and seen. She saw that he was not looking at her, and her eyes went back to the roots of the trees.

"Yes," she said, almost inaudibly, for she did not know whether he expected her to say anything.

"I have a very good friend, Donna Veronica," he continued; "I have been with him this morning. You have heard his name often of late, I think, and you know him—Gianluca della Spina."

Veronica started a little, and again the colour came and went in her delicate face.

"Yes," she said. "I—I know him a little."

"He loves you, Donna Veronica," Taquisara said, his voice softening almost to a whisper, for he did not wish Bianca Corleone to hear him. "He loves you so much that he is almost dangerously ill—indeed, I think it is dangerous—because you will not marry him."

He paused to see what she would do. She quickly turned her startled eyes to him, and her lips parted, but she said nothing. He raised his face and met her look as he went on.

"Last night, his father was at your house, and he was told that there was no hope, because you were betrothed to Count Bosio Macomer."

"They told him that?" asked Veronica, quickly, and the colour mounted a third time in her cheeks. "But it is not true!" she added; and her eyes set themselves sharply, for she was angry.

"No," said Taquisara, "I know that it is not quite true, for I have been to see Count Bosio. I was there half an hour ago."

"You have quarrelled?" asked Veronica, in sudden anxiety.

"Quarrelled? no. Why should we quarrel? He gave me to understand that nothing was settled. I thanked him, and came away. I did not hope to see you; but I knew that the Princess Corleone was your best friend, as I am Gianluca's. I thought I would speak to her. Since, by a miracle, we have met, I have spoken directly to you. Do you forgive me? I hope so, though I daresay that no mere acquaintance has ever talked as I am talking. If you blame me, remember that it is for Gianluca, that he is my friend, that he knows nothing of my speaking to you, since you and I have met by chance, and that he is perhaps dying—dying for you, Donna Veronica."

The girl's face was white and grave now, for Taquisara spoke in earnest.

"How dreadful!" she exclaimed.

Bianca turned her head, for she was not so much absorbed in her conversation with Ghisleri as not to have noticed that Veronica and Taquisara were speaking almost in whispers, which was strange conduct for a young girl with a mere acquaintance, to say the least of it.

"What is so dreadful?" she asked, with a smile.

"Oh!—nothing," answered Veronica, glancing at her, and turning back instantly to Taquisara.

A shade of annoyance was in his face, and Veronica felt suddenly that this was the first real crisis in her life, and that she must hear all he had to say, to the end, at any cost of propriety.

"Come!" she said to Taquisara.

She rose as calmly as a married woman, many years older than she, might have done, and Taquisara was on his feet at the same moment. She led the way down to the marble steps that descended to the sea, and stood on the uppermost one, looking out. Bianca and Ghisleri watched her in surprise and Bianca made a slight movement, as though to follow, but then leaned back again. There was then, and still is, a very strong feeling in Southern Italy against allowing a young girl to be out of earshot with a man.

Though Bianca and Veronica had been children, together, and there was little difference of age between them, Bianca felt that, as the married woman, she was responsible for the observance of social custom. But in a moment she realized that Taquisara was talking of Gianluca, and that anything would be better than to allow Veronica to marry Bosio Macomer.

"I understand," she said to Ghisleri; "let them alone. It is better, so long as only you and I see it."

Down by the steps, Veronica stood very still, looking out over the blue water, and Taquisara was beside her. She waited for him to speak again, sure that he had not said all.

"Such things seem improbable in these days," he said quietly. "You say that it is dreadful. It is. I have seen it, and have been with him day after day. I am not very sensitive, as a rule, but I have had a strange impression which I shall never forget. Gianluca and I met when we were serving our time as volunteers. He was unlike the rest of us, even then. That was why we became friends—because he was unlike me, I suppose."

"Unlike—in what way?" asked Veronica, still looking at the sea.

"It is hard to explain. He is a man of ideals, a religious man, a good man." Taquisara smiled gravely. "That was enough to make him quite different from us all, was it not?"

"I do not know," said the young girl. "Are all men bad, as a rule?"

"Perhaps," answered the Sicilian, shortly. "At all events, Gianluca was not. One saw that all the little that was bad in his life was only a jest, while all the much that was good was real and true."

"You are indeed his friend," said Veronica, softly.

She was struck by the beauty of what the man had said so plainly and unaffectedly.

"Yes, I am his friend," replied Taquisara. "One of his friends, say,—for he has many. I am his friend as you are the friend of Donna Bianca. You understand that, do you not? And you understand that there is nothing you would not do for a friend? Not out of mere obligation, because your friend has done much for you, but just for friendship—love, if you choose to call it so. I have heard people speak eloquently of friendship—so have you perhaps. And we both understand what it means, though many do not. That is why I speak as I do, and if I do not speak well, you must forgive me, and feel the meaning I cannot express to your ears. Gianluca loves you, Donna Veronica, as men very rarely love women, so immensely, so strongly, that his love is burning up his life in him—and it has all been kept from you for some reason or other, while your relations are doing their best to make you marry Bosio Macomer, who can no more be compared with Gianluca della Spina than—"

He checked himself, for he felt that his tone was contemptuous, and remembered that Veronica might perhaps like Bosio. She was listening, her eyes fixed on the distance, her mind wide open to the new experience of life which had come so unexpectedly.

"He cannot be compared with Gianluca," continued Taquisara, modifying his sentence and omitting whatever simile had presented itself in his thoughts. "If you knew Gianluca, you would understand. It is because I know him well that I speak for him, that I implore you, pray you, beseech you, to see him before you consent to marry Count Bosio—"

"To see him!" exclaimed Veronica, startled at the sudden proposition, which was a blow to every tradition she had ever learned.

But the Sicilian was not a man to hesitate at trifles where women were concerned, nor men either.

"Yes—to see him!" he answered with a certain vehemence. "Is it a sin? Is it a crime? Is it dishonourable? Why should you cry out? What is society that it should take you young girls by the throat, like martyrs, and chain you with proprieties to the stake of its rigid law—to be burnt to death afterwards by slow fire, like your best friend there, Donna Bianca? Ah—you understand that. You know her life, and I know it too. It is the life—or the death—to which you may look forward if you will neither open your eyes to see, nor raise your hand to guard yourself. And you cry out in outraged horror at the idea of seeing Gianluca della Spina here, in this garden, by these steps, under God's sunlight, as you see me here to-day by accident. It seems to you—what shall I say?—unladylike!" Taquisara laughed scornfully. "What does it matter whether you are unladylike or not, so long as you are womanly, and kind, and brave? I am telling you truths you have never heard, but you have a woman's right to hear them, whatever you may think of me. And I speak for another. I have the holy right to say for him, for his life, for his happiness, all that I would not say for myself, perhaps. And I do say, what is to prevent Gianluca from being here to-morrow, or this very afternoon, as I am here now, and why should it be such a dreadful thing for you to come here, knowing that you will meet him? Do you think that he would not give the last drop of his blood, at one word from your lips, to save you from trouble, or danger, or insult? Do you think, if he knew how I am speaking to you—speaking roughly, perhaps, because I am rough—he would not turn upon me, his friend, who am fighting for his life, and quarrel with me, and disown me, because my roughness comes near you and may offend you? You do not know him. How should you? But because you do not know him and cannot guess how he loves you, do not throw his life away without seeing it, without understanding what you despise, and learning that it is far above your contempt—a noble life, an honest life, a true-hearted young life, which may be lived out for you only—and, for you, I think it would be worth living."

Taquisara was a man who could be in earnest for his friend, and there was a strong vibration in his low voice which few could have heard with indifference. While he was speaking and forcing the appeal of his honest black eyes upon Veronica's face, she could not help slowly turning to meet them, and her lips parted a little as though in wonder, while she drank in eagerly the words he spoke. It was the first time in her life that she had ever heard a man speak to her of love, and, in his rough eloquence, he spoke well and strongly, though it was not for himself. In his own cause, the words might not have come so readily, but they were not now the less evidently sincere, because they were many. She was glad that she had boldly risen, and left Bianca's side, in order to hear him. But when he paused, she scarcely knew what to answer. She wanted to hear more. It was as though a dawn were rising, high and clear, in the dim country through which childhood had led her, and she longed suddenly for the full light of broad day.

"Indeed, you speak as though you loved him," she said.

"Yes, but I am trying to tell you how he loves you, and I cannot, though I know it all. You must hear it for yourself, you must see him, you must know him—"

"But it is impossible—" Veronica's protest broke off rather weakly in the middle.

"It is impossible that you should be here to-morrow at this hour? Perhaps—I do not know. But to-morrow at this hour Gianluca will be here, though he has not been able to leave the house for a week; and if you come, all the impossibility is gone. It is as simple as that—"

"That is an appointment—with a man—"

Again the blood rushed to the young girl's face but this time it was genuine shame of doing a thing which she had been taught to think the most dreadful in the whole world.

"An appointment!" Taquisara laughed contemptuously. "Do you not come often to see the Princess Corleone? You will come again. And Gianluca will come often, too—and if you chance to meet to-morrow, it will be an accident of fate, that is all, as you chanced to see me here to-day. You cannot forbid him to come here. You cannot, without a reason, ask Donna Bianca to refuse to receive him—"

"Oh!—if she ever guessed—" Veronica checked herself, still blushing, but Taquisara was too sincerely in earnest to smile at the slip she had made.

"That is all," he said. "There is neither appointment, nor engagement, nor anything but the possibility of a meeting which you cannot be sure of avoiding, unless you never come to see your friend, or unless you give her some unjust reason for not letting him come, in case he calls. There is nothing but chance. How can I tell whether you will come to-morrow, or not? I shall perhaps never know, for I shall not come with him. I have been here to-day—what excuse could I give for calling again to-morrow? Donna Bianca would think it strange. I can hope, for his sake. I can tell you that no woman has the right to throw away such love as his, to ruin such a life as his, to break such a heart without a thought and without so much as hearing the man speak—whatever this wretched society in which we live may say about proprieties and rights and wrongs, and the difference between the proper behaviour for young girls and married women. This is God's earth, Donna Veronica—not society's!"

Veronica said nothing; but there was perplexity in her face, and she looked down, and pulled at one finger of her glove. She was wondering whether, if she came on the next day, and stood with Gianluca della Spina on that very spot, he would speak for himself as strongly and well as his friend had been speaking for him.

Somehow, she doubted it, and somehow, too, she knew that if by magic Taquisara should all at once turn out to be the real Gianluca,—not the Gianluca she knew,—she should be better satisfied with the world. For as things seemed just then, she was not satisfied at all, and the future was more dim and uncertain than ever. Still she looked down, thinking, and Taquisara glanced at her occasionally, and respected her silence.

"You do not know Bosio Macomer," she said, at last. "Or you know him little. If you chanced to be his friend, instead of Don Gianluca's, you could speak as eloquently for him."

"I think not," answered Taquisara. And his lip curled a little, though she did not see the expression.

"Why not? You do not know him. How can you tell? A little while ago, you said that he was not to be compared to your friend. How can you be so sure? Everything is not written in men's faces."

"I judge as I can, from what I see and know."

"So do I."

"From seeing and knowing the one and not the other. That is it. All I ask is that you will wait until you know both, before you make up your mind—a week—no more, if you can spare no more. It is not for me to tell you what your rights are, that you are not in the position of the average young girl, just from the convent, who accepts the choice her father and mother make for her—because, perhaps, she may never have another; and, at all events, because she cannot choose. You have the world to choose from, and—forgive me for saying it—you have no one to choose for you but those who are interested in the choice. May I speak?"

She hesitated, and their eyes met for a moment.

"Yes," she said suddenly.

"Count Bosio may be the best of men. I do not know. But he is the middle-aged, younger brother of Count Macomer, with a very slender fortune of his own and a position no better than the rest of us. If he marries you, he becomes Prince of Acireale, a Prince of the Holy Roman Empire, a Grandee of Spain of the First Class—and many times a millionnaire. For you have all that to give the man you marry. Grant that he is the best of men. Is his brother wholly disinterested? I speak plainly. It is rumoured that Count Macomer has lost most of his fortune in speculations. I do not know whether that is true. Even if it is not, what was all his fortune compared to what it would mean to him if his brother held yours?"

"My uncle never speculated in his life!" answered Veronica, rather indignantly.

"Grant that. The other side remains. And the countess? Is she wholly disinterested? Has she been disappointed by the marriage she made, or not? She was born a Serra, like yourself, and she married Macomer in the days of the old court, when he was a favourite with the old king and had a brilliant position, and people said that he might be one of the first men in the kingdom. But Garibaldi swept all that away, and Macomer's chances with it, and the countess is a disappointed woman, for her husband has remained just what he always was—plain Count Macomer, with his name and his palace, neither of them extraordinary. Truly, Donna Veronica, though you may refuse to speak to me again for what I say, I will dare to tell you that you must be very unsuspicious! They conceal from you the honourable offer of such a man as Gianluca della Spina, the eldest son of a great old house, and they announce your betrothal with Count Bosio before either you or he know of it. One need not be very distrustful to think all that strange—even granting that Count Bosio is the best of men, a matter of which you are a judge."

"I would rather that you should not say those things to me," said Veronica, a little pale, and turning half round as though she would go back to Bianca and Ghisleri.

"Forgive me—for I have risked such opinion of me as you may have, to say them. There may be reasonable doubt about them. But of the rest—there is no doubt. There is a man's life in it, and death is beyond doubts, and a love that can take a man and tear him and hurt him until he dies has a right to a woman's hearing—and to her charity—before she throws it away. I ask no forgiveness of you for saying that. Gianluca will come to-morrow at this time, and he will come again until he sees you. I have kept you too long, Donna Veronica, and you have been kind in listening to me. If you need service in your life, use mine."

She said nothing, but gravely inclined her head a little when she had once more looked into his eyes, before she turned towards Bianca and walked slowly up the short, broad path by his side.



CHAPTER V.

Bosio felt that if he remained in his room alone with the horror of his position, he should go mad before night. He was weakly resolved not to marry Veronica, but he knew and for the first time dreaded the power Matilde had over his thoughts as well as his actions. He felt that if he could avoid her, he could still cling to the remnant of honour, but that she would tear it from him if she could and cast it to the winds. The whole card-house of his ill-founded life was trembling under the breath of fate, and its near fall seemed to threaten its existence.

He went out and walked slowly through sunny, unfrequented places, high up in the city, trying to shake off the chill of his fear as a man hopes to rid himself of an ague by sitting in the sun. But the chill was in his heart, and it was his soul that shivered. He weakly wished that he were wholly bad, that he might feel less.

Then, in true Italian humour, he tried to think of something which might divert his thoughts from the duty of facing their own terrible perplexity. If it had been evening, he would have strolled into the theatre; had it been already afternoon, he would have had himself driven out along the public garden towards Posilippo, to see the faces of his friends go by. But it was morning. There was nothing but the club, and he cared little for the men he might meet there. There was nothing to do, and his eyes did not help him to forget his troubles. He wandered on through ways broad and narrow, climbing up one steep lane and descending again by the next, hardly aware of direction and not noticing whether he went east or west, north or south, up or down.

At last, at a corner, he chanced to read the name of a street. It was familiar enough to him, as a Neapolitan, but just now it reminded him of something which might possibly help to distract his attention. He stopped and got out his pocket-book, and found in it a card, glanced at the address on it, and then once more at the name of the street. Then he went on till he came to the right number, entered a gloomy doorway, black with dampness and foul air, ascended four flights of dark stone steps, and stopped before a small brown door. The card nailed upon it was like the one he had in his pocket-book. The name was 'Giuditta Astarita,' and under it, in another character, was printed the word 'Somnambulist.'

There was nothing at all unnatural in the name or the profession, in Naples, where somnambulists are plentiful enough. And the name itself was a Neapolitan one, and by no means uncommon. The card, however, was white and clean, which argued either that Giuditta Astarita had not long been a professional clairvoyante, or else that she had recently changed her lodgings. Bosio knew nothing about her, except that she had suddenly acquired an extraordinary reputation as a seer, and that many people in society had lately visited her, and had come away full of extraordinary stories about her power. He rang the little tinkling bell, which was answered by a very respectably dressed woman servant with only one eye,—a fact which Bosio noticed because it was the blind side of her face which first appeared as the door opened.

The Signora Giuditta Astarita was at home, and there was no other visitor. Bosio, without giving his name, was ushered into a small sitting-room, of which the only window opened upon a narrow court opposite a blank wall. The furniture was scant and stiff, and such of it as was upholstered was covered with a cheap cotton corded material of a spurious wine colour. There were small square antimacassars on the chairs, and two of them, side by side, on the back of the sofa. The single window had heavy curtains, now drawn aside, but evidently capable of shutting out all light. A solid, square, walnut table stood before the sofa, without any table-cloth, and upon it were arranged half a dozen large books, bound with a good deal of gilding, and which looked as though they had never been opened.

Bosio was standing before the window, looking out at the blank wall, when he heard some one enter the room and softly close the door. Giuditta Astarita came forward as he turned round.

He saw a heavy, phlegmatic woman, still very young, though abnormally stout, with an unhealthy face, thin black hair and large weak eyes of a light china blue. Her lips were parted in a sort of chronic sad smile, which showed uneven and discoloured teeth. She wore a long trailing garment of heavy black silk, not gathered to the figure at the waist, but loose from the shoulders down, and buttoned from throat to feet in front, with small buttons, like a cassock. From one of the upper buttonholes dangled a thin gold chain, supporting a bunch of small charms against the evil eye, a little coral horn, a tiny silver hunchback, a miniature gilt bell, and two or three coins of gold and silver, besides an Egyptian scarabee in a gold setting. The woman remained standing before Bosio.

"You wish to consult me, Signore?" she inquired, in a professional tone, through the chronic smile, as it were. Her voice was very hoarse.

Bosio bowed gravely, whereupon she pointed to a chair for him, drew another into position for herself, opposite his, and at some distance from it, and then fumbled in the curtains for the cord that pulled them.

"If you will sit down," she said, "I will darken the room."

Bosio seated himself, and in a moment the light was shut out as the heavy curtains ran together. Then he heard the rustle of the woman's silk dress as she sat down opposite to him in the dark. He felt unaccountably nervous, and her china blue eyes had made a disagreeable impression upon him. He expected something to happen.

"I see a name over your head," said a clear, bell-like voice, certainly not Giuditta Astarita's. "It is Veronica."

Bosio started uneasily, though like most Neapolitans, he had visited somnambulists more than once.

"Who is speaking?" he asked quickly.

"It is the spirit," said the woman's hoarse tones. "That is his voice. Is there such a person as Veronica in your life? Is it about her that you wish to consult the spirits?"

"Yes," said the spirit voice, before Bosio could answer. "You are afraid that they will murder her, if you do not marry her—or if she will not marry you."

Bosio uttered a loud exclamation of alarm and astonishment, for this was altogether beyond anything in his experience.

"Is it so?" asked Giuditta Astarita.

"Yes. It is true," said Bosio, in uncertain tones. "And I wish to know—whether—" he stopped.

"Whether the grey-faced man and the handsome woman whose eyes are near together will really kill her?" asked the spirit voice.

Bosio felt his soft hair rising on his head. "Do you know who I am?" he asked nervously.

"No," replied the voice of Giuditta. "The spirits know everything, but I do not. They only speak through me with another voice. I do not know what they are going to say. You need have no apprehension. This is more sacred than the confessional, Signore, more secret than the tomb."

The phrase sounded as though it had been carefully studied and often repeated, but the dramatic tone in which it was uttered produced a certain reassuring effect upon Bosio, in his half-frightened state.

"Do you wish to tell whether they will really kill Veronica?" inquired Giuditta. "If you have any question to ask, you must put it quickly. I cannot keep the spirits waiting. They exhaust me when they are impatient."

"What shall I do to avoid marrying her?" asked Bosio, suddenly springing to the main point of his doubts.

"The handsome woman whose eyes are near together will make you marry Veronica," said the spirit voice.

"But if I refuse? If I say that I will not? What then? Is her life really in danger?"

"Yes. They wish to kill her to get her money. The handsome woman has her will leaving her everything if she dies."

"But will they really kill her?" insisted Bosio, half breathless in his fear and nervous excitement.

The spirit voice did not answer. In the silence Bosio heard Giuditta Astarita's breathing opposite to him.

"Will they really kill her?" he asked again.

Still there was silence, and Bosio held his breath. Then Giuditta spoke hoarsely.

"The spirit is gone," she said. "He will not answer any more questions to-day."

"Can you not call it back?" asked Bosio, anxiously, and peering into the blackness before him, as though hoping to see something.

"No. When he is gone he never comes back for the same person. He answered you many things, Signore. You must have patience."

He heard her rise, and a moment later the light dazzled him as he looked up and met her china blue eyes. He was dazed as well as dazzled, for there had been an extraordinary directness and accuracy about the few questions and answers he had heard in the clear voice which was so utterly unlike Giuditta's, though quite human and natural. He was certain that he had not heard the door open after she had drawn the curtains. He looked about the scantily furnished room, in search of some corner in which some third person might have been hidden. Giuditta Astarita's chronic smile was momentarily intensified.

"There was no one else here," she said, answering his unspoken question. "You heard the spirit's voice through my ears."

"How can that be?"

"I do not know. But what the spirit says is true. You may rely upon it. I do not know what it said, for when I return from the trance state I remember nothing I have heard or seen while I have been in it. If you wish to ask more, you must have the kindness to come again. It is very fatiguing to me. You can see that I am not in good health. The hours are from ten till three."

The smile had subsided within its usual limits, and the china blue eyes stared coldly. She was evidently waiting to be paid.

"What do I owe you?" asked Bosio, with a certain considerateness of tone, so to say.

"It is twenty-five lire," answered Giuditta Astarita. "I have but one price. Thank you," she added, as he laid the notes upon the polished walnut table. "Do you wish a few of my cards? For your friends, perhaps. I shall be grateful for your patronage."

"Thank you," said Bosio, taking his hat and going towards the door. "I have one of your cards. It is enough. Good morning."

As he opened the door, he found the one-eyed serving-woman in the passage, ready to show him out. Instinctively he looked at the single eye as he glanced at her face, and he was surprised to notice that it was of the same uncommon china blue colour as Giuditta's own. The woman who did duty as a servant to admit visitors was undoubtedly Giuditta's mother or elder sister, or some very near relative. It would be natural enough, amongst such people, as Bosio knew, but he wondered how many more of the same family lived in the rooms beyond the one in which he had received spirit-communications, and whether Giuditta Astarita supported them all by her extraordinary talents.

He descended the damp stone stairs and passed out into the street again, dazed and disturbed in mind. He had been to such people before, as has been said, and he had generally seen or heard something which had either interested or amused him. He had never had such an experience as this. He had never heard a voice of which he had been so certain that it did not come from any one in the room, and he had never found any somnambulist who had so instantly grasped his most secret thoughts, without the slightest assistance or leading word from himself. Yet at the crucial test—the question of a certainty in the future, this one had stopped short as all stopped, or failed in their predictions of what was to come. He had been startled and almost frightened. Like many Southern Italians, he was at once credulous and sceptical—a superstitious unbeliever, if one may couple the two words into one expression. His intelligence bade him deny what his temperament inclined him to accept. Besides, on the present occasion, no theory which he could form could account for the woman's knowledge of his life. She had never seen him. He had no extraordinary peculiarity by which she might have recognized him at first sight from hearsay, nor was he in any way connected with public affairs. He had come quite unexpectedly and had not given his name, and the spirit, or whatever it might be, had instantly told him of Veronica, of her danger, of his brother and sister-in-law and of the will. Moreover, the friends who had spoken to him of Giuditta Astarita had told him similar tales within a few days.

The spirit had said that the handsome woman would make him marry Veronica. But what had the silence meant, when he had asked more? That was the question. Did it mean that the spirit was unwilling to affirm that Veronica must die if he refused to marry her? He passed his hand over his eyes as he walked. This was the end of the nineteenth century; he was in Naples, in the largest city of an enlightened country. And yet, the situation might have been taken from the times of the Medici, of Paolo Giordano Orsini, of Beatrice Cenci, of the Borgia. There was a frightful incongruity between civilization and his life—between broad, flat, comfortable, every-day, police-regulated civilization, and the hideous drama in which he was suddenly a principal actor.

More than once he told himself that he was mistaken and that such things could not possibly be; that it was all a feverish dream and that he should soon wake to see that there was a perfectly simple, natural and undramatic solution before him. But turn the facts as he would, he could not find that easy way. If he refused to marry Veronica and attempted to get legal protection for her, the inevitable result would be the prosecution, conviction, and utter ruin of his brother and of the woman he loved. If he refused to marry Veronica and did nothing to protect her, Matilde's eyes had told him what Matilde would do to escape public shame and open infamy. If he married Veronica and saved his brother—he was still man enough to feel that he could not do that. He could die. That was a possibility of which he had thought. But would his death, which would save him from committing the last and greatest baseness, save Veronica? She would have one friend less in the world, and she had not many.

With a half-childish smile on his pale face, he wondered what such a man as Taquisara would do, if he were so placed, and the Sicilian's manly face and bold eyes rose up contemptuously before him. To such a depth as Bosio had already reached, Taquisara could never have fallen. Bosio's instinct told him that.

If he had been able to find one friend in all his acquaintance to whom he might turn and ask advice, it would have been an infinite relief. But such friends were rare, he knew, and he had never made one. Pleasant acquaintances he had, by the score and the hundred, in society, and amongst artists and men of letters. But the life he had led had shut out friendship. To have a friend would have been to let some one into his life, and that would have meant, sooner or later, the betrayal of the woman he loved.

Yet, though he felt that Taquisara was his enemy and not his friend, he had such sudden confidence in the man's honour and truth that he was insanely impelled to go to him and tell him all, and implore him to save Veronica at any cost, no matter what, or to whom. Then of course, a moment later, the thought seemed madness, and he only felt that he was losing hold more quickly upon his saner sense. His visit to the somnambulist, too, had helped to unnerve him, and as he wandered through the streets he forgot that it was time to eat, so that physical faintness came upon him unawares and suddenly.

He did not wish to go home; for if he did, the final decision would be thrust upon him by Matilde, and he did not feel that he could face another scene with her yet. When he found himself near the Palazzo Macomer, he turned back, walking slowly, and went towards the sea, till he came to the vast Piazza San Ferdinando, beyond San Carlo. He went into a cafe and sat down in a corner to drink a cup of chocolate by way of luncheon. The seat he had chosen was at the end of one of the long red velvet divans close to a big window looking upon the square. There were little marble tables in a row, and at the one before that which Bosio chose, a priest was seated, reading, with an empty cup before him. He was evidently near-sighted, for he held his newspaper so near his eyes that Bosio could not have seen his face even had he thought of looking at it. The priest had thrown back his heavy black cloak after he had sat down, so that it fell in wide folds upon the seat, on each side of him. His hands, which held up the paper, while he seemed to be searching for something in the columns, were thin to emaciation, almost transparent, and very carefully kept,—a fact which might have argued that he was not an ordinary, hard-working parish priest of the people, even if his presence in a fashionable cafe had not of itself made that seem improbable. On the other hand, he wore heavy, coarse shoes; his clothes, though well brushed, were visibly threadbare, and his clean white stock was frayed at the edge and almost worn out. He had taken off his three-cornered hat, and his high peaked head was barely covered with scanty silver-grey hair. When he dropped his paper and looked about him for the waiter, evidently wishing to pay for his coffee, he showed a face sufficiently remarkable to deserve description. The prominent feature was the enormous, beak-like nose—the nose of the fanatic which is not to be mistaken amongst thousands, with its high, arching bridge, its wide, sensitive nostrils, and its preternaturally sharp, down-turning point. But the rest of the priest's face was not in keeping with what was most striking in it. The forehead was not powerful, narrow, prominent—but rather, broad and imaginative. The chin was round and not enough developed; the clean-shaven lips had a singularly gentle expression, and the very near-sighted blue eyes were not set deeply enough to give strength to the look. The priest carried his head somewhat bent and forward, in a sort of deprecating way, which made his long nose seem longer, and his short chin more retreating. The skull was unusually high and peaked at the point where phrenologists place the organ of veneration. The man himself was tall and exceedingly thin, and looked as though he fasted too often and too long. He was certainly a very ugly man, judged according to the standards of human beauty; and yet there was about him an air of kindness and sincerity which had in it something almost saintly, together with a very unmistakable individual identity. He was one of those men whom one can neither forget nor mistake when one has met them once. Bosio did not notice him, being much absorbed by his own thoughts. The waiter came to ask what he wished, and was stopped on his way back by the priest, who desired to pay for what he had taken. But Bosio had turned to the window again, and sat looking out and watching the people in the broad semicircular Piazza.

The priest, having paid his little score, carefully folded his newspaper and put it into the wide pocket of his cassock. Then he gathered up the collar of his big cloak behind him, as he sat, and began to edge his way out from behind the little marble table. But the long folds had fallen far on each side—so far that Bosio had unawares sat down upon the cloth, and as the priest tried to get out, he felt the cloak being dragged from under him. The priest stopped and turned, just as Bosio rose with an apology on his lips, which became an exclamation of surprise, as he began to speak.

"Don Teodoro!" he cried. "You were next to me, and I did not see you!"

The priest's eyelids contracted to help his imperfect sight, and he smiled as he moved nearer to Bosio.

"Bosio!" he exclaimed, when he had recognized him. "I am almost blind, but I was sure I knew your voice."

"You are in Naples, and you have not let me know it?" said Bosio, reproachfully and interrogatively.

"I have not been in Naples two hours, and have just left my bag at my usual quarters with Don Matteo. Then I came here to get a cup of coffee, and now I was going to you. Besides, it is the tenth of December. You know that I always come on the tenth every year, and stay until the twentieth, in order to be back in Muro four days before Christmas. But I am glad I have met you here, for I should have missed you at the Palazzo."

"Yes," said Bosio, "I am glad that we have met. Sit with me, now, while I drink a cup of chocolate. Then we will do whatever you wish." He sat down again. "I am glad you have come, Don Teodoro," he added thoughtfully. "I am very glad you have come."

Don Teodoro produced a pair of silver spectacles as he reseated himself, and proceeded to settle them very carefully on his enormous nose. Then he turned to Bosio, and looked at him.

"Have you been ill?" he asked, after a careful scrutiny of the pallid, nervous face.

"No." Bosio looked out of the window, avoiding the other's gaze. "I am nervous to-day. I slept badly; and I have been walking, and have not breakfasted. Oh! no—I am not ill. I am never ill. I have excellent health. And you?" He turned to his companion again. "How are you? Always the same?"

"Always the same," answered the priest. "I grow old, that is the only change. After all, it is not a bad one, since we must change in some way. It is better than growing young—better than growing young again," he repeated, shaking his head sadly. "Since the payment must be made, it is better that the day of reckoning should come nearer, year by year."

"For me it has come," said Bosio, in a low voice, and his chin sank upon his breast, as he leaned back, clasping his hands before him on the edge of the marble table. The priest looked at him anxiously and in silence. The two would certainly have met later in the day, or on the morrow, and the accident of their meeting at the cafe had only brought them together a few hours earlier. For the hard-working country parish priest came yearly to Naples for a few days before Christmas, as he had said, and the first visit he made, after depositing his slender luggage at the house of the ecclesiastic with whom he always stopped, was to Bosio Macomer, his old pupil.

In his loneliness, that morning, Bosio had thought of Don Teodoro and had wished to see him. It had occurred vaguely to him that the priest generally made a visit to the city about that time of the year, but he had never realized that Don Teodoro always arrived on the same day, the tenth of December, and had done so unfailingly for many years past.

Before he had been curate of the distant village of Muro, which belonged to the Serra family, Don Teodoro had been tutor to Bosio Macomer. He had lived in Naples as a priest at large, a student, and in those days, to some extent, a man of the world. When Bosio was grown up, his tutor had remained his friend—the only really intimate friend he had in the world, and a true and devoted one. It was perhaps because he was too much attached to Bosio that Matilde Macomer had induced him at last to accept the parish in the mountains with the chaplaincy of the ancestral castle of the Serra,—an office which was a total sinecure, as the family had rarely gone thither to spend a few weeks, even in the days of the late prince. Matilde hated the place for its appalling gloominess and wild scenery, and Veronica, to whom it now belonged, had never seen it at all. It had the reputation of being haunted by all manner of ghosts and goblins, and during the first ten years following the Italian annexation of Naples, the surrounding mountains had been infested by outlaws and brigands. But Don Teodoro, as curate and chaplain, received a considerable stipend which enabled him to procure for himself books at his pleasure, when he could bring himself to curtail the daily and yearly charities in which he spent almost all he received.

He was, indeed, a man torn between two inclinations which almost amounted to passions,—charity and the love of learning,—and their action was so evenly balanced that it was a real pain to him either to deny himself the book he coveted, or to forfeit the pleasure of giving the money it would cost to the poor. He had sometimes kept the last note he had left at the end of the month for many days, quite unable to decide whether he should send it to Naples for a new volume, or buy clothes with it for some half-clad child. So sincere was he in both longings, that after he had disposed of the money in one way or the other, he almost invariably had an acute fit of self-reproach. His common sense alone told him that when he had given away nine-tenths of all he received, he had the right to spend the other tenth upon such food for his mind as was almost more indispensable to him than bread. But, besides this, he had been engaged for twenty years upon a history of the Church, in compiling which he believed he was doing a work of the highest importance to mankind; so that it appeared to him a duty to expend, from time to time, a certain amount of money in order to procure such books, old and new, as were necessary for his studies. As a matter of fact, the seasons themselves decided his conduct in these difficulties; for in cold weather, or times of scarcity, his charity outran his desire for books; whereas, in the warm weather, and when there was plenty, and no pitiful starved faces gathered about his door, he bought books, instead of searching for the few who were still in need.

In his youth, Don Teodoro had travelled much. He had accompanied a mission to Africa at the beginning of his life, and had afterwards wandered about Europe, being at that time, as yet, more studious than charitable, and possessed of a small independence left him by his father, who had been an officer in the Neapolitan army in the old days. He had seen many things and known many men of many nations, before he had at last settled in Muro, in the little priest's house, under the shadow of the dismal castle, and close to the church. There he lived now, all the year round, excepting the ten days which he annually spent in Naples. The little house was full of books, and there was a big, old shaky press, containing his manuscripts, the work of his whole life. He had neither friends nor companions of his own class, but he was beloved by all the people. Playing on his name, Teodoro, in their dialect, they called him, O prevete d'oro'—'the priest of gold.' And many said that he had performed miracles, when he had fasted in Lent.

This was practically Bosio Macomer's only intimate friend. For although the intimacy had been interrupted for years, by circumstances, it had never been checked by any action or word of either. It is true that neither was, as a rule, in need of friendship, nor desirous of cultivating it. Learning and charity absorbed the priest's whole life. Bosio's existence, of which Don Teodoro knew in reality nothing, had moved in the vicious circle of a single passion, which he could never acknowledge, and which excluded, for common caution's sake, anything like intimacy with other men. But Bosio had not ceased to look upon the priest as the best man he had ever known, and in spite of his own errings, he was still quite able to appreciate goodness in others; and Don Teodoro had always remembered his pupil as one of the few men to whom he had been accustomed to speak freely of his hopes, and sympathies, and aspirations, feeling sure of appreciation from a nature at once refined and reticent, though itself hard to understand. For Don Teodoro was, strange to say, painfully sensitive to ridicule, though in all other respects a singularly brave man, morally and physically. As a child or as a boy, he had been laughed at by his companions for his extraordinary nose and his short sight; and he had never recovered from the childish suffering thus inflicted upon him by thoughtless children. The fear of being ridiculous had largely influenced him through life, and had really contributed much towards deciding him to accept the cure of the wild mountain town.

Bosio's almost solemn words, as his chin fell upon his breast, and he clasped his hands before him, suddenly recalled to the priest the years they had spent together, the confidence there had been between them, the interest he had once felt in Bosio's fortune,—as an object once daily familiar, and fresh once and not without beauty, then long hidden for years, and coming suddenly to sight again, moth-eaten, dusty, and all but destroyed, is oddly painful to him who used it long ago, and then sees it when it is fit only to be thrown away.

"You are suffering," said Don Teodoro, leaning forward upon the marble table and peering through his silver-rimmed spectacles into Bosio's pale face, and gentle, exhausted eyes.

The priest's nervous, emaciated hand softly pressed the sleeve of the younger man's coat, and the fantastic features grew wonderfully gentle and kind. It was the transformation that came over them whenever any one was visibly poor, or starving, or sorrowing, or hurt,—the change which a beautiful passion brings to the ugliest face in the world.

Bosio smiled faintly as he saw it, and a little hope was breathed into his heart, as though somewhere, at some immeasurable distance, there might be a possibility of salvation from the ruin and wreck of his horrible life.

"Yes," he said. "I am suffering. It is a great suffering. I do not think that I can live much longer."

"Can I do nothing?" asked Don Teodoro.

Bosio still smiled, as a man smiles in torture when one speaks to him of peace.

"If I believed that anything could be done," he said, "I should not suffer as I do. I have lived a bad life, and the time has come when I must pay the score. But it is not my fault if things are as they are—it is not all my fault."

The priest sighed, and looked away after a moment.

"We have all done some one great wrong thing in our lives," he said gently. "The price may perhaps be paid to God in good, as well as to man in pain."



CHAPTER VI.

Bosio shook his head, and a long silence followed. Once or twice he roused himself, stirred the cup of chocolate which the waiter had set before him, and sipped a teaspoonful of it absently. The corner where the two men sat together was quiet, but from the front of the cafe came the continual clatter of plates and glasses, the echo of feet, and the ring of voices; for it was just midday, and the place was full of its habitual frequenters.

"If we were in church," said Bosio at last, "and if you were in a confessional—"

He stopped, and glanced at his companion without completing the sentence.

"You would make a confession? There are churches near," said Don Teodoro. "I am ready. Will you come?"

Bosio hesitated.

"No," he said at last. "I could tell you nothing without betraying others."

"Betraying! Is it a crime that you have on your conscience?" The priest's voice was low and troubled.

"Many crimes," answered Bosio. "The crimes that must come, and that I cannot prevent by living, nor hinder by dying."

Again there was silence during several minutes.

"You may trust me as a friend, even if, as a priest, you could not confess all the circumstances to me," said Don Teodoro, after the long pause. "I do not wish you to make confidences to me, unless you are impelled to do so. But you are in that frame of mind, my dear Bosio, in which a man will sooner or later unburden himself to some one. You might do worse than choose me. I am your friend, I am old, and I know that I am discreet. I am extraordinarily discreet. It may seem strange that I should say so myself, but my own life has taught me that I am to be trusted with secrets."

"Yes," replied Bosio. "You must have heard strange things sometimes under the seal of confession."

"I have known of strange things." Don Teodoro's face grew sad and thoughtful, and Bosio, seeing it, suddenly made up his mind.

He leaned far back against the painted wall for a moment, with half-closed eyes. Then he drew nearer to his friend, so that he spoke close to the latter's ear, though he looked down at the table before him. His nervous fingers played with the teaspoon in the saucer of his cup.

It was a strange confession, there in the corner of the crowded cafe at midday, and those who glanced idly at the two men from a distance would hardly have guessed that an act in a mysterious life was before their eyes—an act which was itself but a verbal recapitulation of many actions past, but which to the speaker had an enormous importance of its own, and an influence on the future of all concerned.

Not much had been needed to break through the barrier of Bosio's reticence. Walking through the streets that morning he had for a moment even thought of telling some of his story to Taquisara. It was far easier to tell it to the only true friend he had in the world, to one in whom he had confided as a boy and had trusted as a young man. He told almost all. He confessed that his love of many years had been his brother's wife, and though he spoke no word of her love for him, the old priest knew the evil truth from the man's tone and look. For the rest he spared neither Matilde nor any one else, but told Don Teodoro all the truth, and all his anxious fears for Veronica's safety, if he should not marry her, with all his horror of his own shame if he should yield to the pressure brought upon him.

Don Teodoro's expression changed more than once while he listened, but he never turned his head nor moved in his seat.

"You see what I am," said Bosio, at last. "You see what my people are. Indeed, I need a confessor, if one could save my soul; but I need a friend even more, for through me that poor girl is in danger of her life. That is her choice—to die or to be my wife. Mine is, to see her murdered or to do an unutterably shameful thing—or to see the woman I love driven out of the world with infamy for the crimes she has not committed, and the fear of that disgrace is making her mad. It is for her, and for Veronica! What do I care about myself? What have I left to care for? What I have done, I have done. I am not good, I am not religious, I am perhaps a worse sinner than most men, and a poorer believer than many. But I will not be the instrument of these deeds—and yet, if I refuse—there is death, or shame, or both, to those I love! At least I have spoken, and you will not betray me. It has been a relief, a moment's respite from torture. I thank you for it, my friend, and I wish I could repay you. You cannot give me advice, for I have twisted and turned it all in fifty ways, and there is no escape. You cannot help me, for no one can. But you have done me some little momentary good, just by sitting there and hearing my story. Beyond that there is nothing to be done."

The wretched man closed his eyes, and again leaned back against the bright red wall, which threw his white face and dark-ringed eyes into strong and painful relief. Don Teodoro was silent, bending his mind upon the hideous problem. Bosio misunderstood him and spoke again without moving.

"I know," he said. "You need not speak. I know by heart all the reproaches I deserve, and I know that no human being, much less a holy man like yourself, could possibly feel anything but horror at all this—"

"I am very far from being a holy man," interrupted the priest. "If I feel horror, it is for what has been, and may be, but not for you. Bosio—" he hesitated a moment. "Will you come with me to Muro, and leave all this?" he asked suddenly. "Will you come out of the world for a while? No—I am not proposing to you to make a religious retreat. I wish I could. I know the world, and you, and your people, for I lived long among you, and I know that one cannot change one's soul, as one changes one's coat—nor enter upon a retreat as one springs into the sea for a bath in hot weather. What you have made yourself, you are. Heaven itself would need time to unmake you. I speak just as one man to another. Come with me to the mountains for a week, a month—as long as you will. It is dreary and cold, and you will have to eat what you can get; but you will have peace, for nobody will come up there to disturb you. Meanwhile, something may happen. You are overwrought by all you have seen and heard and felt. Whatever the countess may have said, Donna Veronica is quite safe. My dear Bosio, people in your rank of life do not murder one another for money nowadays. It is laughable, the mere idea of it—"

"Laughable!" Bosio turned and looked at him. "If you had seen her eyes, you would find it hard to laugh, I think. Such things happen rarely, perhaps, but they happen sometimes."

Don Teodoro was not persuaded. He thought that Bosio, in his excited state, very much overestimated the danger.

"At all events," he said, "nothing will happen, so long as there is the possibility that you may marry her. If you come with me, you will at least have time to think before acting. But here, you may be forced to act before you have been able to think."

But Bosio shook his head slowly.

"There are difficulties which can be helped by putting them off," he answered. "This is not one. You forget that in just three weeks my brother will be ruined—absolutely ruined—if he cannot pay. If I stayed that time with you, I should come back to find him a beggar—or obliged to throw himself upon Veronica's mercy and charity for his daily bread and for a roof to cover him."

"There is one other way," said the priest, thoughtfully. "There is one thing left for you to do, if you have courage to do it. And you know better than I what chance there would be of success. It is what I should do myself. It is a heroic remedy, but it may save everything yet."

Bosio's eyes turned anxiously to his friend, by way of question.

"Find Veronica alone," said Don Teodoro. "Take all rights into your own hands and tell her everything, just as you have told me. You know her well. If she is kind-hearted, as I think she is, she will pay your brother's debts, take over the estates herself, since it is time, and manage that Cardinal Campodonico shall never suspect that there has been anything wrong with the administration. If she is not so charitable as to do that of her own free will, why then, since you believe it, tell her that she must do it to save her life. It is most unlikely that she will refuse and take refuge with the cardinal in order to bring public disgrace upon her father's sister. And even that, horrible as it seems to you—if it must be, it will be, and it will not be your fault—"

"But Matilde—" Bosio began in troubled tones. "And yet, perhaps, it is possible. Veronica would not be so cruel as to ruin them—the money is nothing to her. And, after all, she will hardly feel the loss out of her immense fortune. Yes—" his face brightened slowly with the rays of hope. "Yes—it may be possible, after all. I had thought of going to her, but not of telling her the whole truth. It did not seem as though I could, until I had heard myself tell it to you. It will be hard, but it seems possible, and it will save her—and then—"

His face changed again, as he broke off in the sentence, and his melancholy eyes turned slowly to his friend.

"And then," said Don Teodoro, "perhaps you will go back with me to Muro, and rest and forget it all."

"Yes," answered Bosio, sadly and dreamily, "perhaps I shall go to Muro with you. I wonder," he continued, after a short pause, "that you should want such a man as I am in your priest's house there."

"Oh! I am glad of a little society when I can get it, and I have much to show you which might interest you. I have worked perpetually for many years, since we used to talk about my history of the Church."

He checked himself. In spite of all he had just heard, and the real distress and sympathy he had felt for Bosio, the one of his dominant passions which was uppermost just then had almost made him forget everything, and launch into an account of his work and studies. Men who, intellectually, are deeply engrossed in one matter, and who, socially, have long lived very lonely lives, are not generally able to lose themselves in sympathy for others. As Bosio was not exactly an object for Don Teodoro's charity, he was in some danger of being made a listener for the outpouring of the priest's tremendous intellectual enthusiasm. But the latter checked himself. The things he had heard were indeed of a nature not so easily forgotten. He went back to them at once.

"My dear Bosio," he began again, "do not put yourself down as the worst of men. It is just as bad to go too far in one direction as in the other. There is undoubtedly, in theory, the man in the world, at any given moment, who must be a little worse than any other living man; but though he might be our next-door neighbour, we have no means whatever of knowing that he is the greatest sinner alive, because we do not know all about all existing sinners. Consequently, and for the same reason, no man has any right to assume that he is worst of men. And as far as that goes, many men have done worse things, even in the religious view, than you have done, and very much worse things, in the opinion of society. You are not responsible for all that the others have done. You are only responsible in the immediate future for your share of duty, in doing the wisest and best thing which may present itself. And if you can induce Donna Veronica to forgive your brother and your brother's wife, by telling her the truth without prevarication, you will have done something to atone for the past evil which, you cannot undo. I am not preaching to you, my dear friend. Pray look upon me as a man and not as a priest. Indeed, I would rather that you should never think of me as a priest at all. If you need spiritual help, there are many better men than I, who can give it to you. But as a man and a friend, come to me if you will. You are to me also a man and a friend, and not a penitent."

He finished speaking, took off his spectacles, and rested his head against the wall behind him, as Bosio had done, and the younger man glanced sideways at his friend's extraordinary profile. Its fantastic outline had a moral effect upon him; for it recalled, as nothing else could, the early days of his life before he had been what he now was, when he had known what hope meant, and had understood aspirations in others which had no meaning for him now. He was very grateful, too, for Don Teodoro's words, which certainly comforted him in a way he had not expected.

"Thank you," he said, "I will think of it. I think I shall take your advice and speak to Veronica. She can save us all, if she will."

"Yes," said Don Teodoro. "She can save you all—and she will."

Then they sat a long time in silence in their corner, and the priest's mind wandered occasionally to the thought of his manuscript, and of the many points he intended to discuss with his friend Don Matteo, a man as learned as himself, but indolent instead of active, one of those passive, living treasuries of thought upon which the active worker fastens greedily when he has a chance, to extract all the riches he can in the shortest possible time, in any shape, to carry the gold away with him to his workshop and fashion it to his wish.

And Bosio, whose intelligence was essentially dramatic and given to throwing future interviews into an imaginary dramatic shape, thought over and over what he would say to Veronica and what she might be expected to say to him. But he was terribly exhausted and harassed, and by degrees as the stimulant of recent comfort lost its cheering warmth within him, he silently grew despondent again within himself, and his dramatic fancies of fear became near and tragic realities. He thought he could hear the clear, bell-like voice of the somnambulist telling him that he should be forced to marry Veronica.

At last, realizing that he was probably detaining Don Teodoro, he roused himself, and the two went out together into the broad light of the Piazza San Ferdinando.

"I will go home," Bosio said. "I will think of it all. At this time I can easily be alone with Veronica."

His voice sounded as though he were speaking to himself, and his head was bent, so that he stooped from the neck as Don Teodoro did. But the latter, as he walked, his silver-rimmed spectacles balanced on his great nose, thrust his bent head more forward. Or rather, it was as though his head moved first in the direction he meant to follow, while his thin legs had difficulty in keeping up with it.

Bosio was willing to put off the moment of going home as long as possible, and he accompanied his friend to the door of Don Matteo's lodging, which was in a clean, quiet, sunlit street, behind the Piazza—in one of those oases of light and cleanliness upon which one sometimes comes in the heart of Naples. The little green door was reached by a couple of steps up from the level of the street. Don Teodoro had a key and stood on the upper step, holding it in his hand and blinking in the warm sunshine.

"You know this house," he said. "You have been to see me here once or twice. If you want me, you can always send for me in the afternoon, for I only go out in the morning. But I will come and see you. When? To-morrow, before noon?"

"Yes," Bosio answered. "By to-morrow at midday something will be decided."

They shook hands and parted, Bosio turning eastward in the direction of his home. The priest absently tried to insert the key in the lock of the door, while his eyes followed his friend to the corner of the street. Then, as Bosio's still graceful figure disappeared, he turned from the keyhole with a sigh, and let himself in.

Bosio walked rapidly at first, and then more slowly as he came nearer to the old quarter in which the Palazzo Macomer was situated. As with all men of such character, his irresolution increased just when he fancied that he was about to do something decisive. He would not have hesitated in the same way, if he had been called upon to face a physical danger; for though he was certainly no hero, he was by no means a physical coward, and in a quarrel he would have stood up bravely enough to face his antagonist. But this was very different. He had been ruled by Matilde Macomer through many years, and when he thought of meeting her he had a deadly presentiment of assured defeat. She would extract from him something more than the silent assent which he had been forced into giving on the previous evening, and she could not let him go till he promised to marry Veronica. He walked more slowly, as he felt the fear and uncertainty twisting his scant courage from his heart.

Then he was ashamed of himself, and in a sudden attempt to be brave he hailed a passing cab and drove rapidly to the Palazzo Macomer. He asked for Veronica and was told that she was in her room. He did not wish to send her a message. Gregorio had gone out immediately after the midday breakfast. Bosio was glad of that. He had not seen his brother since the previous evening, and he did not wish to see him alone. There were monstrous wrongs on both sides, and it was better to pretend mutual ignorance, and keep up the ghastly farce, pretending that nothing was the matter. The very smallest incautious word would crack the swaying bubble that was blown to bursting with hell's breath.

Bosio had entered the main apartments in order to inquire for Veronica, had passed through the long outer hall with its red walls, its matted floor and its great table covered with green baize, to the antechamber within, where, with some ostentation, as Bosio had always thought, Gregorio had hung up the escutcheon with the quartered arms of Macomer and Serra, flanked by half a dozen big old family portraits on either side, opposite the three windows. He had waited there until the footman returned after looking for Veronica in the drawing-room, and when he heard that she was not there, he turned to reach the staircase again and go up to his own bachelor's quarters, for he feared to meet Matilde and hoped to put off seeing her until dinner-time, when he might so manoeuvre as not to be left alone with her.

But the footman had hardly delivered his answer, and Bosio was in the act of turning, when one of the two masked doors under the pictures opened suddenly, and Matilde spoke into the room, calling him by name. He turned pale and stopped short, as though a cold hand had taken him by the throat. The footman went out to the hall, as Bosio met Matilde's eyes.

"Come," she said briefly, "I want to speak to you."

He obeyed silently, and followed her through the narrow door and through a passage beyond, to her own morning-room. Matilde shut the door. The afternoon sun streamed in through two high windows, filling every corner with light and turning the crimson carpet blood red, where Matilde stood, all round her feet and the folds of her loose dark gown, so that she seemed to rise out of a pool of vivid colour, a dark, strong figure with the brightness all behind her and the gleam of her eyes just lightening in the shadow of her face.

"Why did you go out without seeing me this morning?" she asked in a hard tone. "And why did Taquisara come to see you early? You scarcely know him—"

"I certainly did not send for him," said Bosio, uneasily.

"He did not come for nothing," retorted Matilde. "He is no friend of yours. He must have come for some particular reason."

Bosio said nothing, but turned from her and moved towards a table covered with books. In an objectless way he opened a volume and looked at the title page. Matilde followed him with her eyes.

"Well?" she said presently, "I am waiting. What did Taquisara have to say? He is Gianluca's friend—he came with a message. That is clear. What did he say? I am waiting to hear."

"He came because he chose to come," answered Bosio, still looking at the title page of the book. "Gianluca did not send him. He wished to know whether it were true that I was to marry Veronica."

"I thought so. And what did you answer? Of course you told him that it was quite settled."

"We had a long conversation—I do not remember all that we said—"

"You do not remember whether you told him that you were to marry Veronica or not?" Matilde laughed angrily and came forward.

"Let that book alone!" she said imperiously. "Look at me—so—now tell me the truth!"

She laid her hand upon his arm, and not gently, and she made him turn to her. Bosio felt that shock of shame which smites a man in the back, as it were, when a woman is too strong for him and orders him brutally to do her will.

"I told him the truth," he answered, and his pale cheeks reddened with futile anger.

"The truth!" Matilde's face darkened. "What? What did you tell him?"

Bosio was weakly glad to have frightened her a little.

"The truth," he said, trying to assume a certain indifference. "Just that. I let him understand that nothing is definitely settled yet, and that there is no contract—"

Matilde was silent, and her eyes seemed to draw nearer together, while the smooth red lips curled scornfully.

"Oh, what a coward you are!" she cried in a low voice, in deep disgust, and as she spoke she dropped his arm in contempt, though she still held his face with her angry gaze.

"You have no right to call me a coward," answered Bosio, defending his manhood. "I told you that I could not do it. The man put it in such a way that I had to give him a definite answer. For your sake I would not deny the engagement altogether—"

"For my sake!" exclaimed Matilde. "Do not use such phrases to me. They mean nothing. For some wretched quibble of your miserable conscience—as you still have the assumption to call it—you will ruin us in another day."

"Yes, I still have some conscience," replied Bosio, trying to be bold under her scornful eyes. "I would not let Taquisara think that you and Gregorio had lied, and I would not lie myself—"

"You are reforming, then? You choose the moment well!"

"I have told you what passed between Taquisara and me," said Bosio. "That was what you wished to know. I will judge of myself whether I did right or not."

He turned from her and walked away, towards the door.

"Well?" she said, not moving, for she knew that her voice would stop him.

"Is there anything else?" he asked, turning again and standing still.

"There is much more. Come back! Sit down and talk to me like a sensible being. There is much to be said. The matter is all but settled in spite of the account which Taquisara frightened you into giving him. I like that man, he is so brave! He is not at all like you."

"If you wish me to stay longer, you must not insult me again," said Bosio, not yet seating himself, but resting his hands on the back of a chair as he stood. "You know very well that I am no more a coward, if it comes to fighting men, than others are. One need not be cowardly to dread doing such a thing as you are trying to force me to."

"It does not seem such a very terrible thing," said Matilde, her tone suddenly changing and growing thoughtful. "It really does not seem to me such a dreadful thing that you should be Veronica's husband. Of course I do not speak of the material advantages. You were always an idealist, Bosio—you do not care for those things, and I daresay that when you are married you will not even care to take her titles, nor to spend much of her money. I know well enough what passes in your mind. Sit down. Let us talk about it. We cannot afford to quarrel, you and I, can we? I am sorry I spoke as I did—and I never meant that you were cowardly in the ordinary sense. I was angry about Taquisara. What right had he to come here, to pry into our affairs? I should think you would have resented it, too."

"I did," said Bosio, somewhat sullenly. "But I could not turn him out, nor get into a quarrel with him. It would have made a useless scandal and would have set every one talking."

"Certainly," assented Matilde. "Perhaps you did right, after all—at least, you thought you did. I am sure of that. I do not know why I was so angry at you. I am unstrung, and nervous, I suppose. Did I say very dreadful things to you, dear? I do not know what I said—"

"You called me a coward several times," replied Bosio, thinking to show a little strength by relenting slowly.

"Oh! but I did not mean it!" cried the countess. "Bosio, forgive me. I did not mean to say such things—indeed, I did not. But do you wonder that I am nervous? Say that you forgive me—"

"Of course I forgive you," answered Bosio, raising his eyebrows rather wearily. "I know that you are under a terrible strain—but you say things sometimes which are unjust and hard. I know what all this means to us both—but there must be some other way."

Matilde shook her head mournfully, as Bosio sat down beside her, already sinking back to his long-learned docility.

"There is no other way," she said. "There is certainly none, that is sure. I have thought it all over, as one thinks of everything when everything is in danger. The only other course is to throw ourselves upon Veronica's mercy—"

"Well? Why not?" asked Bosio, eagerly, as Don Teodoro's advice gained instant plausibility again. "She is kind, she is charitable, she will forgive everything and save you—"

"The shame of it, Bosio! Of confessing it all—and she may refuse. Veronica is not all kindness and charity. She is a Serra, as I am, and though she is a mere girl, if she takes it into her head to be hard and unforgiving, there would be no power on earth that could move her. She is not so unlike me, Bosio. You may think so because she is so unlike me in looks. She has the type of her father, poor Tommaso. But we Serra are all Serra—there is not much difference. No—do not interrupt me, dear. And as for your marriage, there is much to be said for it. It is time that you were married, you know. You and I have lived our lives, and we are not what we were. I shall always be fond of you—we shall always be more than friends—but always less than what we have been. It must have come sooner or later, Bosio, and it may as well come now. You know—we cannot be always young. And as for me, if I am not already old, I soon shall be."

The woman who had held him so long knew how to tempt him, sacrificing everything in the desperate straits to which she was reduced. Though he had loved her well, and sinfully, but truly, for so many years, his love had sometimes seemed an unbearable thraldom, to escape from which he would have given his heart piecemeal, though he should lose all the happiness life held for him, for the sake of a momentary freedom. Possibly, too, she knew that he never longed for that freedom so much as when she had just been most violent and despotic. She was prepared for the feeble dissent with which he answered her suggestion of separation. He would be the more easily persuaded to yield and marry Veronica.

"As for your being old," he said, "it is absurd. It is I who have grown old of late. But our being friends—" he paused thoughtfully.

"A man is never too old to marry," answered Matilde. "It is only women who grow too old to be loved. You will begin your life all over again with Veronica. You and she will go away together—you can live in Rome, when you are tired of Paris. It will be better. You and I will see each other seldom at first. By and by it will be so easy for us to be good friends after we have been separated some time."

"Friends?" Bosio spoke the one word again, with a sad and dreamy intonation.

"I asked Veronica this morning," continued Matilde, not heeding him, and beginning to speak more rapidly. "You have no idea how very fond she is of you. When I spoke of the marriage, she seemed to think it the most natural thing in the world. She found arguments for it herself."

"She?"

"Yes. She said—what I have said to you—that there was no man whom she knew so well and liked so much as you, that of course she had never thought of marrying you, nor, indeed, of being married at all, but that, at the same time, she should think that you would make a very good husband. She wished to think of it—that is as much as to say that she will not even make any serious objections. You have no idea how young girls feel about marriage, Bosio. How should you? You cannot comprehend the horror a girl like Veronica feels of a stranger, of a man like Gianluca, even, whom she has met half a dozen times and talked with. It seems so dreadful to think of spending a lifetime with a man about whom she knows nothing, or next to nothing. And yet it is the custom, and most of them accept it and are happy. But the idea of marrying some one with whom she is really intimate, whom she really likes, who really understands her, places marriage in a new light for a young girl. Without knowing it, Veronica is half in love with you. It is no wonder that she likes the thought of being your wife—apart from the fact that you are a very desirable husband."

"I cannot believe that," said Bosio.

"That you are desirable as a husband? My dear Bosio, do not pretend to be so absurdly modest! Any woman would be glad to marry you. But for me, you could have made the best match in Naples years ago—"

"Not even years ago. Much less now. But that was not what I meant. I cannot believe that Veronica is really inclined to marry me. It seems to me that she might be my daughter—"

"If you had been married at fifteen," suggested Matilde, laughing softly. "Because you feel tired and harassed to-day, you feel a hundred years old. It is no compliment to me to say so, for I am even a little older than you, I think. And you—you are young, you are handsome, you are talented, you have the manners that women love—"

"It is not many minutes since you were saying that we were both growing old—"

"No, no! I said that we could not always be young. That is very different. And that we have lived our lives—our lives so long as they can be lived together—that is what I meant. You are young! How many men marry at fifty! And you are not forty yet. You have ten years of youth before you. That is not the question. So far as that is concerned, say that you are old to-night, at dinner, and you shall see how Veronica will laugh at you! But that you and I should part, Bosio—and yet, it is far better, if you have the courage."

"Have you?" he asked sadly.

"Yes—I have, for your sake, since I see how you look at this. And you are right. I know you are, though I am only a woman, and cannot have a man's ideas about honour. For my own part—well, I am a woman, and I have loved you long. But you are the one to be thought of. You shall be free, as though I had never lived. You shall be able to say to yourself that in marrying Veronica you are not doing anything in the least dishonourable. I shall not exist for you. I shall not feel that I have the right to think of you and for you as I always have. I shall never ask you to do anything for me, lest you should feel that I were asserting some claim to you, as though you were still mine. It will be hard at first. But I can do it, and I will do it, in order that your conscience may be free. You shall marry her, as though you had never known me, and hereafter I will always be the same. Only—" She fixed her eyes upon him with a look which, whether genuine or assumed, was fierce and tender—

"Only—if you are not true to her, Bosio—if you leave her and go after some other woman—then I will turn upon you!"

Bosio met her glance with a look of something like astonishment, wondering how in a few sentences she had got herself into a position to threaten him with vengeance if he were unfaithful to Veronica.

"We will not speak of that," she exclaimed before he said anything in answer or protest. "We have harder things to do than to imagine evil in the future. Since we are decided—since it is to be the end—let it be now, quickly! You shall not have it on your mind that you belong to me in any way, from now. No—you are right—you must feel free. You must feel free, besides really being free. You must feel, when you speak to Veronica to-night or to-morrow, as she expects you to speak, that all our life together is utterly past and swept away, and that I only exist henceforth as a relative—as—as your wife's aunt, Bosio!"

She laughed, half-bitterly, half-nervously, at the idea, and turning away her face she held out her hand to him.

He took it, and held it, pressing it between both his own.

"Do you mean this, Matilde?" he asked in a low voice.

"Yes, I mean it," she answered, speaking away from him with averted face.

He could not see, but she was biting her lip till it almost bled. In her own strange way she loved him with all her evil nature, and if she were breaking with him now, it was to save herself from something worse than death. It was the hardest thing she had ever done. He hesitated: there was the mean prompting of the spirit, to take her at her word and to set himself free, since she offered him freedom, caring not whether she might repent to-morrow; and there was the instinct of fidelity which in so much dishonour had remained with him through so many years.