Wessel winced.

"Who is the man?"

"God's word! We know not even that. What's that trap up there?" he added suddenly.

"It's nailed down. It's not been used for years." He thought of the pole in the corner and quailed in his belly, but the utter despair of the two men dulled their astuteness.

"It would take a ladder for any one not a tumbler," said the wounded man listlessly.

His companion broke into hysterical laughter.

"A tumbler. Oh, a tumbler. Oh—"

Wessel stared at them in wonder.

"That appeals to my most tragic humor," cried the man, "that no one—oh, no one—could get up there but a tumbler."

The gallant with the wounded hand snapped his good fingers impatiently.

"We must go next door—and then on—"

Helplessly they went as two walking under a dark and storm-swept sky.

Wessel closed and bolted the door and stood a moment by it, frowning in pity.

A low-breathed "Ha!" made him look up. Soft Shoes had already raised the trap and was looking down into the room, his rather elfish face squeezed into a grimace, half of distaste, half of sardonic amusement.

"They take off their heads with their helmets," he remarked in a whisper, "but as for you and me, Wessel, we are two cunning men."

"Now you be cursed," cried Wessel vehemently. "I knew you for a dog, but when I hear even the half of a tale like this, I know you for such a dirty cur that I am minded to club your skull."

Soft Shoes stared at him, blinking.

"At all events," he replied finally, "I find dignity impossible in this position."

With this he let his body through the trap, hung for an instant, and dropped the seven feet to the floor.

"There was a rat considered my ear with the air of a gourmet," he continued, dusting his hands on his breeches. "I told him in the rat's peculiar idiom that I was deadly poison, so he took himself off."

"Let's hear of this night's lechery!" insisted Wessel angrily.

Soft Shoes touched his thumb to his nose and wiggled the fingers derisively at Wessel.

"Street gamin!" muttered Wessel.

"Have you any paper?" demanded Soft Shoes irrelevantly, and then rudely added, "or can you write?"

"Why should I give you paper?"

"You wanted to hear of the night's entertainment. So you shall, an you give me pen, ink, a sheaf of paper, and a room to myself."

Wessel hesitated.

"Get out!" he said finally.

"As you will. Yet you have missed a most intriguing story."

Wessel wavered—he was soft as taffy, that man—gave in. Soft Shoes went into the adjoining room with the begrudged writing materials and precisely closed the door. Wessel grunted and returned to "The Faerie Queene"; so silence came once more upon the house.

III

Three o'clock went into four. The room paled, the dark outside was shot through with damp and chill, and Wessel, cupping his brain in his hands, bent low over his table, tracing through the pattern of knights and fairies and the harrowing distresses of many girls. There were dragons chortling along the narrow street outside; when the sleepy armorer's boy began his work at half-past five the heavy clink and clank of plate and linked mail swelled to the echo of a marching cavalcade.

A fog shut down at the first flare of dawn, and the room was grayish yellow at six when Wessel tiptoed to his cupboard bedchamber and pulled open the door. His guest turned on him a face pale as parchment in which two distraught eyes burned like great red letters. He had drawn a chair close to Wessel's prie-dieu which he was using as a desk; and on it was an amazing stack of closely written pages. With a long sigh Wessel withdrew and returned to his siren, calling himself fool for not claiming his bed here at dawn.

The dump of boots outside, the croaking of old beldames from attic to attic, the dull murmur of morning, unnerved him, and, dozing, he slumped in his chair, his brain, overladen with sound and color, working intolerably over the imagery that stacked it. In this restless dream of his he was one of a thousand groaning bodies crushed near the sun, a helpless bridge for the strong-eyed Apollo. The dream tore at him, scraped along his mind like a ragged knife. When a hot hand touched his shoulder, he awoke with what was nearly a scream to find the fog thick in the room and his guest, a gray ghost of misty stuff, beside him with a pile of paper in his hand.

"It should be a most intriguing tale, I believe, though it requires some going over. May I ask you to lock it away, and in God's name let me sleep?"

He waited for no answer, but thrust the pile at Wessel, and literally poured himself like stuff from a suddenly inverted bottle upon a couch in the corner, slept, with his breathing regular, but his brow wrinkled in a curious and somewhat uncanny manner.

Wessel yawned sleepily and, glancing at the scrawled, uncertain first page, he began reading aloud very softly:

_The Rape of Lucrece

"From the besieged Ardea all in post, Borne by the trustless wings of false desire, Lust-breathing Tarquin leaves the Roman host—"_



"O RUSSET WITCH!"

Merlin Grainger was employed by the Moonlight Quill Bookshop, which you may have visited, just around the corner from the Ritz-Carlton on Forty-seventh Street. The Moonlight Quill is, or rather was, a very romantic little store, considered radical and admitted dark. It was spotted interiorly with red and orange posters of breathless exotic intent, and lit no less by the shiny reflecting bindings of special editions than by the great squat lamp of crimson satin that, lighted through all the day, swung overhead. It was truly a mellow bookshop. The words "Moonlight Quill" were worked over the door in a sort of serpentine embroidery. The windows seemed always full of something that had passed the literary censors with little to spare; volumes with covers of deep orange which offer their titles on little white paper squares. And over all there was the smell of the musk, which the clever, inscrutable Mr. Moonlight Quill ordered to be sprinkled about-the smell half of a curiosity shop in Dickens' London and half of a coffee-house on the warm shores of the Bosphorus.

From nine until five-thirty Merlin Grainger asked bored old ladies in black and young men with dark circles under their eyes if they "cared for this fellow" or were interested in first editions. Did they buy novels with Arabs on the cover, or books which gave Shakespeare's newest sonnets as dictated psychically to Miss Sutton of South Dakota? he sniffed. As a matter of fact, his own taste ran to these latter, but as an employee at the Moonlight Quill he assumed for the working day the attitude of a disillusioned connoisseur.

After he had crawled over the window display to pull down the front shade at five-thirty every afternoon, and said good-bye to the mysterious Mr. Moonlight Quill and the lady clerk, Miss McCracken, and the lady stenographer, Miss Masters, he went home to the girl, Caroline. He did not eat supper with Caroline. It is unbelievable that Caroline would have considered eating off his bureau with the collar buttons dangerously near the cottage cheese, and the ends of Merlin's necktie just missing his glass of milk—he had never asked her to eat with him. He ate alone. He went into Braegdort's delicatessen on Sixth Avenue and bought a box of crackers, a tube of anchovy paste, and some oranges, or else a little jar of sausages and some potato salad and a bottled soft drink, and with these in a brown package he went to his room at Fifty-something West Fifty-eighth Street and ate his supper and saw Caroline.

Caroline was a very young and gay person who lived with some older lady and was possibly nineteen. She was like a ghost in that she never existed until evening. She sprang into life when the lights went on in her apartment at about six, and she disappeared, at the latest, about midnight. Her apartment was a nice one, in a nice building with a white stone front, opposite the south side of Central Park. The back of her apartment faced the single window of the single room occupied by the single Mr. Grainger.

He called her Caroline because there was a picture that looked like her on the jacket of a book of that name down at the Moonlight Quill.

Now, Merlin Grainger was a thin young man of twenty-five, with dark hair and no mustache or beard or anything like that, but Caroline was dazzling and light, with a shimmering morass of russet waves to take the place of hair, and the sort of features that remind you of kisses—the sort of features you thought belonged to your first love, but know, when you come across an old picture, didn't. She dressed in pink or blue usually, but of late she had sometimes put on a slender black gown that was evidently her especial pride, for whenever she wore it she would stand regarding a certain place on the wall, which Merlin thought most be a mirror. She sat usually in the profile chair near the window, but sometimes honored the chaise longue by the lamp, and often she leaned 'way back and smoked a cigarette with posturings of her arms and hands that Merlin considered very graceful.

At another time she had come to the window and stood in it magnificently, and looked out because the moon had lost its way and was dripping the strangest and most transforming brilliance into the areaway between, turning the motif of ash-cans and clothes-lines into a vivid impressionism of silver casks and gigantic gossamer cobwebs. Merlin was sitting in plain sight, eating cottage cheese with sugar and milk on it; and so quickly did he reach out for the window cord that he tipped the cottage cheese into his lap with his free hand—and the milk was cold and the sugar made spots on his trousers, and he was sure that she had seen him after all.

Sometimes there were callers—men in dinner coats, who stood and bowed, hat in hand and coat on arm, as they talked to Caroline; then bowed some more and followed her out of the light, obviously bound for a play or for a dance. Other young men came and sat and smoked cigarettes, and seemed trying to tell Caroline something—she sitting either in the profile chair and watching them with eager intentness or else in the chaise longue by the lamp, looking very lovely and youthfully inscrutable indeed.

Merlin enjoyed these calls. Of some of the men he approved. Others won only his grudging toleration, one or two he loathed—especially the most frequent caller, a man with black hair and a black goatee and a pitch-dark soul, who seemed to Merlin vaguely familiar, but whom he was never quite able to recognize.

Now, Merlin's whole life was not "bound up with this romance he had constructed"; it was not "the happiest hour of his day." He never arrived in time to rescue Caroline from "clutches"; nor did he even marry her. A much stranger thing happened than any of these, and it is this strange thing that will presently be set down here. It began one October afternoon when she walked briskly into the mellow interior of the Moonlight Quill.

It was a dark afternoon, threatening rain and the end of the world, and done in that particularly gloomy gray in which only New York afternoons indulge. A breeze was crying down the streets, whisking along battered newspapers and pieces of things, and little lights were pricking out all the windows—it was so desolate that one was sorry for the tops of sky-scrapers lost up there in the dark green and gray heaven, and felt that now surely the farce was to close, and presently all the buildings would collapse like card houses, and pile up in a dusty, sardonic heap upon all the millions who presumed to wind in and out of them.

At least these were the sort of musings that lay heavily upon the soul of Merlin Grainger, as he stood by the window putting a dozen books back in a row after a cyclonic visit by a lady with ermine trimmings. He looked out of the window full of the most distressing thoughts—of the early novels of H. G. Wells, of the boot of Genesis, of how Thomas Edison had said that in thirty years there would be no dwelling-houses upon the island, but only a vast and turbulent bazaar; and then he set the last book right side up, turned—and Caroline walked coolly into the shop.

She was dressed in a jaunty but conventional walking costume—he remembered this when he thought about it later. Her skirt was plaid, pleated like a concertina; her jacket was a soft but brisk tan; her shoes and spats were brown and her hat, small and trim, completed her like the top of a very expensive and beautifully filled candy box.

Merlin, breathless and startled, advanced nervously toward her.

"Good-afternoon—" he said, and then stopped—why, he did not know, except that it came to him that something very portentous in his life was about to occur, and that it would need no furbishing but silence, and the proper amount of expectant attention. And in that minute before the thing began to happen he had the sense of a breathless second hanging suspended in time: he saw through the glass partition that bounded off the little office the malevolent conical head of his employer, Mr. Moonlight Quill, bent over his correspondence. He saw Miss McCracken and Miss Masters as two patches of hair drooping over piles of paper; he saw the crimson lamp overhead, and noticed with a touch of pleasure how really pleasant and romantic it made the book-store seem.

Then the thing happened, or rather it began to happen. Caroline picked up a volume of poems lying loose upon a pile, fingered it absently with her slender white hand, and suddenly, with an easy gesture, tossed it upward toward the ceiling where it disappeared in the crimson lamp and lodged there, seen through the illuminated silk as a dark, bulging rectangle. This pleased her—she broke into young, contagious laughter, in which Merlin found himself presently joining.

"It stayed up!" she cried merrily. "It stayed up, didn't it?" To both of them this seemed the height of brilliant absurdity. Their laughter mingled, filled the bookshop, and Merlin was glad to find that her voice was rich and full of sorcery.

"Try another," he found himself suggesting—"try a red one."

At this her laughter increased, and she had to rest her hands upon the stack to steady herself.

"Try another," she managed to articulate between spasms of mirth. "Oh, golly, try another!"

"Try two."

"Yes, try two. Oh, I'll choke if I don't stop laughing. Here it goes."

Suiting her action to the word, she picked up a red book and sent it in a gentle hyperbola toward the ceiling, where it sank into the lamp beside the first. It was a few minutes before either of them could do more than rock back and forth in helpless glee; but then by mutual agreement they took up the sport anew, this time in unison. Merlin seized a large, specially bound French classic and whirled it upward. Applauding his own accuracy, he took a best-seller in one hand and a book on barnacles in the other, and waited breathlessly while she made her shot. Then the business waxed fast and furious—sometimes they alternated, and, watching, he found how supple she was in every movement; sometimes one of them made shot after shot, picking up the nearest book, sending it off, merely taking time to follow it with a glance before reaching for another. Within three minutes they had cleared a little place on the table, and the lamp of crimson satin was so bulging with books that it was near breaking.

"Silly game, basket-ball," she cried scornfully as a book left her hand. "High-school girls play it in hideous bloomers."

"Idiotic," he agreed.

She paused in the act of tossing a book, and replaced it suddenly in its position on the table.

"I think we've got room to sit down now," she said gravely.

They had; they had cleared an ample space for two. With a faint touch of nervousness Merlin glanced toward Mr. Moonlight Quill's glass partition, but the three heads were still bent earnestly over their work, and it was evident that they had not seen what had gone on in the shop. So when Caroline put her hands on the table and hoisted herself up Merlin calmly imitated her, and they sat side by side looking very earnestly at each other.

"I had to see you," she began, with a rather pathetic expression in her brown eyes.

"I know."

"It was that last time," she continued, her voice trembling a little, though she tried to keep it steady. "I was frightened. I don't like you to eat off the dresser. I'm so afraid you'll—you'll swallow a collar button."

"I did once—almost," he confessed reluctantly, "but it's not so easy, you know. I mean you can swallow the flat part easy enough or else the other part—that is, separately—but for a whole collar button you'd have to have a specially made throat." He was astonishing himself by the debonnaire appropriateness of his remarks. Words seemed for the first time in his life to ran at him shrieking to be used, gathering themselves into carefully arranged squads and platoons, and being presented to him by punctilious adjutants of paragraphs.

"That's what scared me," she said. "I knew you had to have a specially made throat—and I knew, at least I felt sure, that you didn't have one."

He nodded frankly.

"I haven't. It costs money to have one—more money unfortunately than I possess."

He felt no shame in saying this—rather a delight in making the admission—he knew that nothing he could say or do would be beyond her comprehension; least of all his poverty, and the practical impossibility of ever extricating himself from it.

Caroline looked down at her wrist watch, and with a little cry slid from the table to her feet.

"It's after five," she cried. "I didn't realize. I have to be at the Ritz at five-thirty. Let's hurry and get this done. I've got a bet on it."

With one accord they set to work. Caroline began the matter by seizing a book on insects and sending it whizzing, and finally crashing through the glass partition that housed Mr. Moonlight Quill. The proprietor glanced up with a wild look, brushed a few pieces of glass from his desk, and went on with his letters. Miss McCracken gave no sign of having heard—only Miss Masters started and gave a little frightened scream before she bent to her task again.

But to Merlin and Caroline it didn't matter. In a perfect orgy of energy they were hurling book after book in all directions until sometimes three or four were in the air at once, smashing against shelves, cracking the glass of pictures on the walls, falling in bruised and torn heaps upon the floor. It was fortunate that no customers happened to come in, for it is certain they would never have come in again—the noise was too tremendous, a noise of smashing and ripping and tearing, mixed now and then with the tinkling of glass, the quick breathing of the two throwers, and the intermittent outbursts of laughter to which both of them periodically surrendered.

At five-thirty Caroline tossed a last book at the lamp, and gave the final impetus to the load it carried. The weakened silk tore and dropped its cargo in one vast splattering of white and color to the already littered floor. Then with a sigh of relief she turned to Merlin and held out her hand.

"Good-by," she said simply.

"Are you going?" He knew she was. His question was simply a lingering wile to detain her and extract for another moment that dazzling essence of light he drew from her presence, to continue his enormous satisfaction in her features, which were like kisses and, he thought, like the features of a girl he had known back in 1910. For a minute he pressed the softness of her hand—then she smiled and withdrew it and, before he could spring to open the door, she had done it herself and was gone out into the turbid and ominous twilight that brooded narrowly over Forty-seventh Street.

I would like to tell you how Merlin, having seen how beauty regards the wisdom of the years, walked into the little partition of Mr. Moonlight Quill and gave up his job then and there; thence issuing out into the street a much finer and nobler and increasingly ironic man. But the truth is much more commonplace. Merlin Grainger stood up and surveyed the wreck of the bookshop, the ruined volumes, the torn silk remnants of the once beautiful crimson lamp, the crystalline sprinkling of broken glass which lay in iridescent dust over the whole interior—and then he went to a corner where a broom was kept and began cleaning up and rearranging and, as far as he was able, restoring the shop to its former condition. He found that, though some few of the books were uninjured, most of them had suffered in varying extents. The backs were off some, the pages were torn from others, still others were just slightly cracked in the front, which, as all careless book returners know, makes a book unsalable, and therefore second-hand.

Nevertheless by six o'clock he had done much to repair the damage. He had returned the books to their original places, swept the floor, and put new lights in the sockets overhead. The red shade itself was ruined beyond redemption, and Merlin thought in some trepidation that the money to replace it might have to come out of his salary. At six, therefore, having done the best he could, he crawled over the front window display to pull down the blind. As he was treading delicately back, he saw Mr. Moonlight Quill rise from his desk, put on his overcoat and hat, and emerge into the shop. He nodded mysteriously at Merlin and went toward the door. With his hand on the knob he paused, turned around, and in a voice curiously compounded of ferocity and uncertainty, he said:

"If that girl comes in here again, you tell her to behave."

With that he opened the door, drowning Merlin's meek "Yessir" in its creak, and went out.

Merlin stood there for a moment, deciding wisely not to worry about what was for the present only a possible futurity, and then he went into the back of the shop and invited Miss Masters to have supper with him at Pulpat's French Restaurant, where one could still obtain red wine at dinner, despite the Great Federal Government. Miss Masters accepted.

"Wine makes me feel all tingly," she said.

Merlin laughed inwardly as he compared her to Caroline, or rather as he didn't compare her. There was no comparison.

II

Mr. Moonlight Quill, mysterious, exotic, and oriental in temperament was, nevertheless, a man of decision. And it was with decision that he approached the problem of his wrecked shop. Unless he should make an outlay equal to the original cost of his entire stock—a step which for certain private reasons he did not wish to take—it would be impossible for him to continue in business with the Moonlight Quill as before. There was but one thing to do. He promptly turned his establishment from an up-to-the-minute book-store into a second-hand bookshop. The damaged books were marked down from twenty-five to fifty per cent, the name over the door whose serpentine embroidery had once shone so insolently bright, was allowed to grow dim and take on the indescribably vague color of old paint, and, having a strong penchant for ceremonial, the proprietor even went so far as to buy two skull-caps of shoddy red felt, one for himself and one for his clerk, Merlin Grainger. Moreover, he let his goatee grow until it resembled the tail-feathers of an ancient sparrow and substituted for a once dapper business suit a reverence-inspiring affair of shiny alpaca.

In fact, within a year after Caroline's catastrophic visit to the bookshop the only thing in it that preserved any semblance of being up to date was Miss Masters. Miss McCracken had followed in the footsteps of Mr. Moonlight Quill and become an intolerable dowd.

For Merlin too, from a feeling compounded of loyalty and listlessness, had let his exterior take on the semblance of a deserted garden. He accepted the red felt skull-cap as a symbol of his decay. Always a young man known, as a "pusher," he had been, since the day of his graduation from the manual training department of a New York High School, an inveterate brusher of clothes, hair, teeth, and even eyebrows, and had learned the value of laying all his clean socks toe upon toe and heel upon heel in a certain drawer of his bureau, which would be known as the sock drawer.

These things, he felt, had won him his place in the greatest splendor of the Moonlight Quill. It was due to them that he was not still making "chests useful for keeping things," as he was taught with breathless practicality in High School, and selling them to whoever had use of such chests—possibly undertakers. Nevertheless when the progressive Moonlight Quill became the retrogressive Moonlight Quill he preferred to sink with it, and so took to letting his suits gather undisturbed the wispy burdens of the air and to throwing his socks indiscriminately into the shirt drawer, the underwear drawer, and even into no drawer at all. It was not uncommon in his new carelessness to let many of his clean clothes go directly back to the laundry without having ever been worn, a common eccentricity of impoverished bachelors. And this in the face of his favorite magazines, which at that time were fairly staggering with articles by successful authors against the frightful impudence of the condemned poor, such as the buying of wearable shirts and nice cuts of meat, and the fact that they preferred good investments in personal jewelry to respectable ones in four per cent saving-banks.

It was indeed a strange state of affairs and a sorry one for many worthy and God-fearing men. For the first time in the history of the Republic almost any negro north of Georgia could change a one-dollar bill. But as at that time the cent was rapidly approaching the purchasing power of the Chinese ubu and was only a thing you got back occasionally after paying for a soft drink, and could use merely in getting your correct weight, this was perhaps not so strange a phenomenon as it at first seems. It was too curious a state of things, however, for Merlin Grainger to take the step that he did take—the hazardous, almost involuntary step of proposing to Miss Masters. Stranger still that she accepted him.

It was at Pulpat's on Saturday night and over a $1.75 bottle of water diluted with vin ordinaire that the proposal occurred.

"Wine makes me feel all tingly, doesn't it you?" chattered Miss Masters gaily.

"Yes," answered Merlin absently; and then, after a long and pregnant pause: "Miss Masters—Olive—I want to say something to you if you'll listen to me."

The tingliness of Miss Masters (who knew what was coming) increased until it seemed that she would shortly be electrocuted by her own nervous reactions. But her "Yes, Merlin," came without a sign or flicker of interior disturbance. Merlin swallowed a stray bit of air that he found in his mouth.

"I have no fortune," he said with the manner of making an announcement. "I have no fortune at all."

Their eyes met, locked, became wistful, and dreamy and beautiful.

"Olive," he told her, "I love you."

"I love you too, Merlin," she answered simply. "Shall we have another bottle of wine?"

"Yes," he cried, his heart beating at a great rate. "Do you mean—"

"To drink to our engagement," she interrupted bravely. "May it be a short one!"

"No!" he almost shouted, bringing his fist fiercely down upon the table. "May it last forever!"

"What?"

"I mean—oh, I see what you mean. You're right. May it be a short one." He laughed and added, "My error."

After the wine arrived they discussed the matter thoroughly.

"We'll have to take a small apartment at first," he said, "and I believe, yes, by golly, I know there's a small one in the house where I live, a big room and a sort of a dressing-room-kitchenette and the use of a bath on the same floor."

She clapped her hands happily, and he thought how pretty she was really, that is, the upper part of her face—from the bridge of the nose down she was somewhat out of true. She continued enthusiastically:

"And as soon as we can afford it we'll take a real swell apartment, with an elevator and a telephone girl."

"And after that a place in the country—and a car."

"I can't imagine nothing more fun. Can you?"

Merlin fell silent a moment. He was thinking that he would have to give up his room, the fourth floor rear. Yet it mattered very little now. During the past year and a half—in fact, from the very date of Caroline's visit to the Moonlight Quill—he had never seen her. For a week after that visit her lights had failed to go on—darkness brooded out into the areaway, seemed to grope blindly in at his expectant, uncurtained window. Then the lights had appeared at last, and instead of Caroline and her callers they stowed a stodgy family—a little man with a bristly mustache and a full-bosomed woman who spent her evenings patting her hips and rearranging bric-a-brac. After two days of them Merlin had callously pulled down his shade.

No, Merlin could think of nothing more fun than rising in the world with Olive. There would be a cottage in a suburb, a cottage painted blue, just one class below the sort of cottages that are of white stucco with a green roof. In the grass around the cottage would be rusty trowels and a broken green bench and a baby-carriage with a wicker body that sagged to the left. And around the grass and the baby-carriage and the cottage itself, around his whole world there would be the arms of Olive, a little stouter, the arms of her neo-Olivian period, when, as she walked, her cheeks would tremble up and down ever so slightly from too much face-massaging. He could hear her voice now, two spoons' length away:

"I knew you were going to say this to-night, Merlin. I could see—"

She could see. Ah—suddenly he wondered how much she could see. Could she see that the girl who had come in with a party of three men and sat down at the next table was Caroline? Ah, could she see that? Could she see that the men brought with them liquor far more potent than Pulpat's red ink condensed threefold?...

Merlin stared breathlessly, half-hearing through an auditory ether Olive's low, soft monologue, as like a persistent honey-bee she sucked sweetness from her memorable hour. Merlin was listening to the clinking of ice and the fine laughter of all four at some pleasantry—and that laughter of Caroline's that he knew so well stirred him, lifted him, called his heart imperiously over to her table, whither it obediently went. He could see her quite plainly, and he fancied that in the last year and a half she had changed, if ever so slightly. Was it the light or were her cheeks a little thinner and her eyes less fresh, if more liquid, than of old? Yet the shadows were still purple in her russet hair; her mouth hinted yet of kisses, as did the profile that came sometimes between his eyes and a row of books, when it was twilight in the bookshop where the crimson lamp presided no more.

And she had been drinking. The threefold flush in her cheeks was compounded of youth and wine and fine cosmetic—that he could tell. She was making great amusement for the young man on her left and the portly person on her right, and even for the old fellow opposite her, for the latter from time to time uttered the shocked and mildly reproachful cackles of another generation. Merlin caught the words of a song she was intermittently singing—

"Just snap your fingers at care, Don't cross the bridge 'til you're there—"

The portly person filled her glass with chill amber. A waiter after several trips about the table, and many helpless glances at Caroline, who was maintaining a cheerful, futile questionnaire as to the succulence of this dish or that, managed to obtain the semblance of an order and hurried away....

Olive was speaking to Merlin—

"When, then?" she asked, her voice faintly shaded with disappointment. He realized that he had just answered no to some question she had asked him.

"Oh, sometime."

"Don't you—care?"

A rather pathetic poignancy in her question brought his eyes back to her.

"As soon as possible, dear," he replied with surprising tenderness. "In two months—in June."

"So soon?" Her delightful excitement quite took her breath away.

"Oh, yes, I think we'd better say June. No use waiting."

Olive began to pretend that two months was really too short a time for her to make preparations. Wasn't he a bad boy! Wasn't he impatient, though! Well, she'd show him he mustn't be too quick with her. Indeed he was so sudden she didn't exactly know whether she ought to marry him at all.

"June," he repeated sternly.

Olive sighed and smiled and drank her coffee, her little finger lifted high above the others in true refined fashion. A stray thought came to Merlin that he would like to buy five rings and throw at it.

"By gosh!" he exclaimed aloud. Soon he would be putting rings on one of her fingers.

His eyes swung sharply to the right. The party of four had become so riotous that the head-waiter had approached and spoken to them. Caroline was arguing with this head-waiter in a raised voice, a voice so clear and young that it seemed as though the whole restaurant would listen—the whole restaurant except Olive Masters, self-absorbed in her new secret.

"How do you do?" Caroline was saying. "Probably the handsomest head-waiter in captivity. Too much noise? Very unfortunate. Something'll have to be done about it. Gerald"—she addressed the man on her right—"the head-waiter says there's too much noise. Appeals to us to have it stopped. What'll I say?"

"Sh!" remonstrated Gerald, with laughter. "Sh!" and Merlin heard him add in an undertone: "All the bourgeoisie will be aroused. This is where the floorwalkers learn French."

Caroline sat up straight in sudden alertness.

"Where's a floorwalker?" she cried. "Show me a floorwalker." This seemed to amuse the party, for they all, including Caroline, burst into renewed laughter. The head-waiter, after a last conscientious but despairing admonition, became Gallic with his shoulders and retired into the background.

Pulpat's, as every one knows, has the unvarying respectability of the table d'hote. It is not a gay place in the conventional sense. One comes, drinks the red wine, talks perhaps a little more and a little louder than usual under the low, smoky ceilings, and then goes home. It closes up at nine-thirty, tight as a drum; the policeman is paid off and given an extra bottle of wine for the missis, the coat-room girl hands her tips to the collector, and then darkness crushes the little round tables out of sight and life. But excitement was prepared for Pulpat's this evening—excitement of no mean variety. A girl with russet, purple-shadowed hair mounted to her table-top and began to dance thereon.

"Sacre nom de Dieu! Come down off there!" cried the head-waiter. "Stop that music!"

But the musicians were already playing so loud that they could pretend not to hear his order; having once been young, they played louder and gayer than ever, and Caroline danced with grace and vivacity, her pink, filmy dress swirling about her, her agile arms playing in supple, tenuous gestures along the smoky air.

A group of Frenchmen at a table near by broke into cries of applause, in which other parties joined—in a moment the room was full of clapping and shouting; half the diners were on their feet, crowding up, and on the outskirts the hastily summoned proprietor was giving indistinct vocal evidences of his desire to put an end to this thing as quickly as possible.

"... Merlin!" cried Olive, awake, aroused at last; "she's such a wicked girl! Let's get out—now!"

The fascinated Merlin protested feebly that the check was not paid.

"It's all right. Lay five dollars on the table. I despise that girl. I can't bear to look at her." She was on her feet now, tagging at Merlin's arm.

Helplessly, listlessly, and then with what amounted to downright unwillingness, Merlin rose, followed Olive dumbly as she picked her way through the delirious clamor, now approaching its height and threatening to become a wild and memorable riot. Submissively he took his coat and stumbled up half a dozen steps into the moist April air outside, his ears still ringing with the sound of light feet on the table and of laughter all about and over the little world of the cafe. In silence they walked along toward Fifth Avenue and a bus.

It was not until next day that she told him about the wedding—how she had moved the date forward: it was much better that they should be married on the first of May.

III

And married they were, in a somewhat stuffy manner, under the chandelier of the flat where Olive lived with her mother. After marriage came elation, and then, gradually, the growth of weariness. Responsibility descended upon Merlin, the responsibility of making his thirty dollars a week and her twenty suffice to keep them respectably fat and to hide with decent garments the evidence that they were.

It was decided after several weeks of disastrous and well-nigh humiliating experiments with restaurants that they would join the great army of the delicatessen-fed, so he took up his old way of life again, in that he stopped every evening at Braegdort's delicatessen and bought potatoes in salad, ham in slices, and sometimes even stuffed tomatoes in bursts of extravagance.

Then he would trudge homeward, enter the dark hallway, and climb three rickety flights of stairs covered by an ancient carpet of long obliterated design. The hall had an ancient smell—of the vegetables of 1880, of the furniture polish in vogue when "Adam-and Eve" Bryan ran against William McKinley, of portieres an ounce heavier with dust, from worn-out shoes, and lint from dresses turned long since into patch-work quilts. This smell would pursue him up the stairs, revivified and made poignant at each landing by the aura of contemporary cooking, then, as he began the next flight, diminishing into the odor of the dead routine of dead generations.

Eventually would occur the door of his room, which slipped open with indecent willingness and closed with almost a sniff upon his "Hello, dear! Got a treat for you to-night."

Olive, who always rode home on the bus to "get a morsel of air," would be making the bed and hanging up things. At his call she would come up to him and give him a quick kiss with wide-open eyes, while he held her upright like a ladder, his hands on her two arms, as though she were a thing without equilibrium, and would, once he relinquished hold, fall stiffly backward to the floor. This is the kiss that comes in with the second year of marriage, succeeding the bridegroom kiss (which is rather stagey at best, say those who know about such things, and apt to be copied from passionate movies).

Then came supper, and after that they went out for a walk, up two blocks and through Central Park, or sometimes to a moving picture, which taught them patiently that they were the sort of people for whom life was ordered, and that something very grand and brave and beautiful would soon happen to them if they were docile and obedient to their rightful superiors and kept away from pleasure.

Such was their day for three years. Then change came into their lives: Olive had a baby, and as a result Merlin had a new influx of material resources. In the third week of Olive's confinement, after an hour of nervous rehearsing, he went into the office of Mr. Moonlight Quill and demanded an enormous increase in salary.

"I've been here ten years," he said; "since I was nineteen. I've always tried to do my best in the interests of the business."

Mr. Moonlight Quill said that he would think it over. Next morning he announced, to Merlin's great delight, that he was going to put into effect a project long premeditated—he was going to retire from active work in the bookshop, confining himself to periodic visits and leaving Merlin as manager with a salary of fifty dollars a week and a one-tenth interest in the business. When the old man finished, Merlin's cheeks were glowing and his eyes full of tears. He seized his employer's hand and shook it violently, saying over and over again:

"It's very nice of you, sir. It's very white of you. It's very, very nice of you."

So after ten years of faithful work in the store he had won out at last. Looking back, he saw his own progress toward this hill of elation no longer as a sometimes sordid and always gray decade of worry and failing enthusiasm and failing dreams, years when the moonlight had grown duller in the areaway and the youth had faded out of Olive's face, but as a glorious and triumphant climb over obstacles which he had determinedly surmounted by unconquerable will-power. The optimistic self-delusion that had kept him from misery was seen now in the golden garments of stern resolution. Half a dozen times he had taken steps to leave the Moonlight Quill and soar upward, but through sheer faintheartedness he had stayed on. Strangely enough he now thought that those were times when he had exerted tremendous persistence and had "determined" to fight it out where he was.

At any rate, let us not for this moment begrudge Merlin his new and magnificent view of himself. He had arrived. At thirty he had reached a post of importance. He left the shop that evening fairly radiant, invested every penny in his pocket in the most tremendous feast that Braegdort's delicatessen offered, and staggered homeward with the great news and four gigantic paper bags. The fact that Olive was too sick to eat, that he made himself faintly but unmistakably ill by a struggle with four stuffed tomatoes, and that most of the food deteriorated rapidly in an iceless ice-box: all next day did not mar the occasion. For the first time since the week of his marriage Merlin Grainger lived under a sky of unclouded tranquillity.

The baby boy was christened Arthur, and life became dignified, significant, and, at length, centered. Merlin and Olive resigned themselves to a somewhat secondary place in their own cosmos; but what they lost in personality they regained in a sort of primordial pride. The country house did not come, but a month in an Asbury Park boarding-house each summer filled the gap; and during Merlin's two weeks' holiday this excursion assumed the air of a really merry jaunt—especially when, with the baby asleep in a wide room opening technically on the sea, Merlin strolled with Olive along the thronged board-walk puffing at his cigar and trying to look like twenty thousand a year.

With some alarm at the slowing up of the days and the accelerating of the years, Merlin became thirty-one, thirty-two—then almost with a rush arrived at that age which, with all its washing and panning, can only muster a bare handful of the precious stuff of youth: he became thirty-five. And one day on Fifth Avenue he saw Caroline.

It was Sunday, a radiant, flowerful Easter morning and the avenue was a pageant of lilies and cutaways and happy April-colored bonnets. Twelve o'clock: the great churches were letting out their people—St. Simon's, St. Hilda's, the Church of the Epistles, opened their doors like wide mouths until the people pouring forth surely resembled happy laughter as they met and strolled and chattered, or else waved white bouquets at waiting chauffeurs.

In front of the Church of the Epistles stood its twelve vestrymen, carrying out the time-honored custom of giving away Easter eggs full of face-powder to the church-going debutantes of the year. Around them delightedly danced the two thousand miraculously groomed children of the very rich, correctly cute and curled, shining like sparkling little jewels upon their mothers' fingers. Speaks the sentimentalist for the children of the poor? Ah, but the children of the rich, laundered, sweet-smelling, complexioned of the country, and, above all, with soft, in-door voices.

Little Arthur was five, child of the middle class. Undistinguished, unnoticed, with a nose that forever marred what Grecian yearnings his features might have had, he held tightly to his mother's warm, sticky hand, and, with Merlin on his other side, moved, upon the home-coming throng. At Fifty-third Street, where there were two churches, the congestion was at its thickest, its richest. Their progress was of necessity retarded to such an extent that even little Arthur had not the slightest difficulty in keeping up. Then it was that Merlin perceived an open landaulet of deepest crimson, with handsome nickel trimmings, glide slowly up to the curb and come to a stop. In it sat Caroline.

She was dressed in black, a tight-fitting gown trimmed with lavender, flowered at the waist with a corsage of orchids. Merlin started and then gazed at her fearfully. For the first time in the eight years since his marriage he was encountering the girl again. But a girl no longer. Her figure was slim as ever—or perhaps not quite, for a certain boyish swagger, a sort of insolent adolescence, had gone the way of the first blooming of her cheeks. But she was beautiful; dignity was there now, and the charming lines of a fortuitous nine-and-twenty; and she sat in the car with such perfect appropriateness and self-possession that it made him breathless to watch her.

Suddenly she smiled—the smile of old, bright as that very Easter and its flowers, mellower than ever—yet somehow with not quite the radiance and infinite promise of that first smile back there in the bookshop nine years before. It was a steelier smile, disillusioned and sad.

But it was soft enough and smile enough to make a pair of young men in cutaway coats hurry over, to pull their high hats off their wetted, iridescent hair; to bring them, flustered and bowing, to the edge of her landaulet, where her lavender gloves gently touched their gray ones. And these two were presently joined by another, and then two more, until there was a rapidly swelling crowd around the landaulet. Merlin would hear a young man beside him say to his perhaps well-favored companion:

"If you'll just pardon me a moment, there's some one I have to speak to. Walk right ahead. I'll catch up."

Within three minutes every inch of the landaulet, front, back, and side, was occupied by a man—a man trying to construct a sentence clever enough to find its way to Caroline through the stream of conversation. Luckily for Merlin a portion of little Arthur's clothing had chosen the opportunity to threaten a collapse, and Olive had hurriedly rushed him over against a building for some extemporaneous repair work, so Merlin was able to watch, unhindered, the salon in the street.

The crowd swelled. A row formed in back of the first, two more behind that. In the midst, an orchid rising from a black bouquet, sat Caroline enthroned in her obliterated car, nodding and crying salutations and smiling with such true happiness that, of a sudden, a new relay of gentlemen had left their wives and consorts and were striding toward her.

The crowd, now phalanx deep, began to be augmented by the merely curious; men of all ages who could not possibly have known Caroline jostled over and melted into the circle of ever-increasing diameter, until the lady in lavender was the centre of a vast impromptu auditorium.

All about her were faces—clean-shaven, bewhiskered, old, young, ageless, and now, here and there, a woman. The mass was rapidly spreading to the opposite curb, and, as St. Anthony's around the corner let out its box-holders, it overflowed to the sidewalk and crushed up against the iron picket-fence of a millionaire across the street. The motors speeding along the avenue were compelled to stop, and in a jiffy were piled three, five, and six deep at the edge of the crowd; auto-busses, top-heavy turtles of traffic, plunged into the jam, their passengers crowding to the edges of the roofs in wild excitement and peering down into the centre of the mass, which presently could hardly be seen from the mass's edge.

The crush had become terrific. No fashionable audience at a Yale-Princeton football game, no damp mob at a world's series, could be compared with the panoply that talked, stared, laughed, and honked about the lady in black and lavender. It was stupendous; it was terrible. A quarter mile down the block a half-frantic policeman called his precinct; on the same corner a frightened civilian crashed in the glass of a fire-alarm and sent in a wild paean for all the fire-engines of the city; up in an apartment high in one of the tall buildings a hysterical old maid telephoned in turn for the prohibition enforcement agent; the special deputies on Bolshevism, and the maternity ward of Bellevue Hospital.

The noise increased. The first fire-engine arrived, filling the Sunday air with smoke, clanging and crying a brazen, metallic message down the high, resounding walls. In the notion that some terrible calamity had overtaken the city, two excited deacons ordered special services immediately and set tolling the great bells of St. Hilda's and St. Anthony's, presently joined by the jealous gongs of St. Simon's and the Church of the Epistles. Even far off in the Hudson and the East River the sounds of the commotion were heard, and the ferry-boats and tugs and ocean liners set up sirens and whistles that sailed in melancholy cadence, now varied, now reiterated, across the whole diagonal width of the city from Riverside Drive to the gray water-fronts of the lower East Side....

In the centre of her landaulet sat the lady in black and lavender, chatting pleasantly first with one, then with another of that fortunate few in cutaways who had found their way to speaking distance in the first rush. After a while she glanced around her and beside her with a look of growing annoyance.

She yawned and asked the man nearest her if he couldn't run in somewhere and get her a glass of water. The man apologized in some embarrassment. He could not have moved hand or foot. He could not have scratched his own ear....

As the first blast of the river sirens keened along the air, Olive fastened the last safety-pin in little Arthur's rompers and looked up. Merlin saw her start, stiffen slowly like hardening stucco, and then give a little gasp of surprise and disapproval.

"That woman," she cried suddenly. "Oh!"

She flashed a glance at Merlin that mingled reproach and pain, and without another word gathered up little Arthur with one hand, grasped her husband by the other, and darted amazingly in a winding, bumping canter through the crowd. Somehow people gave way before her; somehow she managed to-retain her grasp on her son and husband; somehow she managed to emerge two blocks up, battered and dishevelled, into an open space, and, without slowing up her pace, darted down a side-street. Then at last, when uproar had died away into a dim and distant clamor, did she come to a walk and set little Arthur upon his feet.

"And on Sunday, too! Hasn't she disgraced herself enough?" This was her only comment. She said it to Arthur, as she seemed to address her remarks to Arthur throughout the remainder of the day. For some curious and esoteric reason she had never once looked at her husband during the entire retreat.

IV

The years between thirty-five and sixty-five revolve before the passive mind as one unexplained, confusing merry-go-round. True, they are a merry-go-round of ill-gaited and wind-broken horses, painted first in pastel colors, then in dull grays and browns, but perplexing and intolerably dizzy the thing is, as never were the merry-go-rounds of childhood or adolescence; as never, surely, were the certain-coursed, dynamic roller-coasters of youth. For most men and women these thirty years are taken up with a gradual withdrawal from life, a retreat first from a front with many shelters, those myriad amusements and curiosities of youth, to a line with less, when we peel down our ambitions to one ambition, our recreations to one recreation, our friends to a few to whom we are anaesthetic; ending up at last in a solitary, desolate strong point that is not strong, where the shells now whistle abominably, now are but half-heard as, by turns frightened and tired, we sit waiting for death.

At forty, then, Merlin was no different from himself at thirty-five; a larger paunch, a gray twinkling near his ears, a more certain lack of vivacity in his walk. His forty-five differed from his forty by a like margin, unless one mention a slight deafness in his left ear. But at fifty-five the process had become a chemical change of immense rapidity. Yearly he was more and more an "old man" to his family—senile almost, so far as his wife was concerned. He was by this time complete owner of the bookshop. The mysterious Mr. Moonlight Quill, dead some five years and not survived by his wife, had deeded the whole stock and store to him, and there he still spent his days, conversant now by name with almost all that man has recorded for three thousand years, a human catalogue, an authority upon tooling and binding, upon folios and first editions, an accurate inventory of a thousand authors whom he could never have understood and had certainly never read.

At sixty-five he distinctly doddered. He had assumed the melancholy habits of the aged so often portrayed by the second old man in standard Victorian comedies. He consumed vast warehouses of time searching for mislaid spectacles. He "nagged" his wife and was nagged in turn. He told the same jokes three or four times a year at the family table, and gave his son weird, impossible directions as to his conduct in life. Mentally and materially he was so entirely different from the Merlin Grainger of twenty-five that it seemed incongruous that he should bear the same name.

He worked still In the bookshop with the assistance of a youth, whom, of course, he considered very idle, indeed, and a new young woman, Miss Gaffney. Miss McCracken, ancient and unvenerable as himself, still kept the accounts. Young Arthur was gone into Wall Street to sell bonds, as all the young men seemed to be doing in that day. This, of course, was as it should be. Let old Merlin get what magic he could from his books—the place of young King Arthur was in the counting-house.

One afternoon at four when he had slipped noiselessly up to the front of the store on his soft-soled slippers, led by a newly formed habit, of which, to be fair, he was rather ashamed, of spying upon the young man clerk, he looked casually out of the front window, straining his faded eyesight to reach the street. A limousine, large, portentous, impressive, had drawn to the curb, and the chauffeur, after dismounting and holding some sort of conversation with persons in the interior of the car, turned about and advanced in a bewildered fashion toward the entrance of the Moonlight Quill. He opened the door, shuffled in, and, glancing uncertainly at the old man in the skull-cap, addressed him in a thick, murky voice, as though his words came through a fog.

"Do you—do you sell additions?"

Merlin nodded.

"The arithmetic books are in the back of the store."

The chauffeur took off his cap and scratched a close-cropped, fuzzy head.

"Oh, naw. This I want's a detecatif story." He jerked a thumb back toward the limousine. "She seen it in the paper. Firs' addition."

Merlin's interest quickened. Here was possibly a big sale.

"Oh, editions. Yes, we've advertised some firsts, but-detective stories, I-don't-believe-What was the title?"

"I forget. About a crime."

"About a crime. I have-well, I have 'The Crimes of the Borgias'-full morocco, London 1769, beautifully—"

"Naw," interrupted the chauffeur, "this was one fella did this crime. She seen you had it for sale in the paper." He rejected several possible titles with the air of connoisseur.

"'Silver Bones,'" he announced suddenly out of a slight pause.

"What?" demanded Merlin, suspecting that the stiffness of his sinews were being commented on.

"Silver Bones. That was the guy that done the crime."

"Silver Bones?"

"Silver Bones. Indian, maybe."

Merlin, stroked his grizzly cheeks. "Gees, Mister," went on the prospective purchaser, "if you wanna save me an awful bawln' out jes' try an' think. The old lady goes wile if everything don't run smooth."

But Merlin's musings on the subject of Silver Bones were as futile as his obliging search through the shelves, and five minutes later a very dejected charioteer wound his way back to his mistress. Through the glass Merlin could see the visible symbols of a tremendous uproar going on in the interior of the limousine. The chauffeur made wild, appealing gestures of his innocence, evidently to no avail, for when he turned around and climbed back into the driver's seat his expression was not a little dejected.

Then the door of the limousine opened and gave forth a pale and slender young man of about twenty, dressed in the attenuation of fashion and carrying a wisp of a cane. He entered the shop, walked past Merlin, and proceeded to take out a cigarette and light it. Merlin approached him.

"Anything I can do for you, sir?"

"Old boy," said the youth coolly, "there are seveereal things; You can first let me smoke my ciggy in here out of sight of that old lady in the limousine, who happens to be my grandmother. Her knowledge as to whether I smoke it or not before my majority happens to be a matter of five thousand dollars to me. The second thing is that you should look up your first edition of the 'Crime of Sylvester Bonnard' that you advertised in last Sunday's Times. My grandmother there happens to want to take it off your hands."

Detecatif story! Crime of somebody! Silver Bones! All was explained. With a faint deprecatory chuckle, as if to say that he would have enjoyed this had life put him in the habit of enjoying anything, Merlin doddered away to the back of his shop where his treasures were kept, to get this latest investment which he had picked up rather cheaply at the sale of a big collection.

When he returned with it the young man was drawing on his cigarette and blowing out quantities of smoke with immense satisfaction.

"My God!" he said, "She keeps me so close to her the entire day running idiotic errands that this happens to be my first puff in six hours. What's the world coming to, I ask you, when a feeble old lady in the milk-toast era can dictate to a man as to his personal vices. I happen to be unwilling to be so dictated to. Let's see the book."

Merlin passed it to him tenderly and the young man, after opening it with a carelessness that gave a momentary jump to the book-dealer's heart, ran through the pages with his thumb.

"No illustrations, eh?" he commented. "Well, old boy, what's it worth? Speak up! We're willing to give you a fair price, though why I don't know."

"One hundred dollars," said Merlin with a frown.

The young man gave a startled whistle.

"Whew! Come on. You're not dealing with somebody from the cornbelt. I happen to be a city-bred man and my grandmother happens to be a city-bred woman, though I'll admit it'd take a special tax appropriation to keep her in repair. We'll give you twenty-five dollars, and let me tell you that's liberal. We've got books in our attic, up in our attic with my old play-things, that were written before the old boy that wrote this was born."

Merlin stiffened, expressing a rigid and meticulous horror.

"Did your grandmother give you twenty-five dollars to buy this with?"

"She did not. She gave me fifty, but she expects change. I know that old lady."

"You tell her," said Merlin with dignity, "that she has missed a very great bargain."

"Give you forty," urged the young man. "Come on now—be reasonable and don't try to hold us up——"

Merlin had wheeled around with the precious volume under his arm and was about to return it to its special drawer in his office when there was a sudden interruption. With unheard-of magnificence the front door burst rather than swung open, and admitted in the dark interior a regal apparition in black silk and fur which bore rapidly down upon him. The cigarette leaped from the fingers of the urban young man and he gave breath to an inadvertent "Damn!"—but it was upon Merlin that the entrance seemed to have the most remarkable and incongruous effect—so strong an effect that the greatest treasure of his shop slipped from his hand and joined the cigarette on the floor. Before him stood Caroline.

She was an old woman, an old woman remarkably preserved, unusually handsome, unusually erect, but still an old woman. Her hair was a soft, beautiful white, elaborately dressed and jewelled; her face, faintly rouged a la grande dame, showed webs of wrinkles at the edges of her eyes and two deeper lines in the form of stanchions connected her nose with the corners of her mouth. Her eyes were dim, ill natured, and querulous.

But it was Caroline without a doubt: Caroline's features though in decay; Caroline's figure, if brittle and stiff in movement; Caroline's manner, unmistakably compounded of a delightful insolence and an enviable self assurance; and, most of all, Caroline's voice, broken and shaky, yet with a ring in it that still could and did make chauffeurs want to drive laundry wagons and cause cigarettes to fall from the fingers of urban grandsons.

She stood and sniffed. Her eyes found the cigarette upon the floor.

"What's that?" she cried. The words were not a question—they were an entire litany of suspicion, accusation, confirmation, and decision. She tarried over them scarcely an instant. "Stand up!" she said to her grandson, "stand up and blow that nicotine out of your lungs!"

The young man looked at her in trepidation.

"Blow!" she commanded.

He pursed his lips feebly and blew into the air.

"Blow!" she repeated, more peremptorily than before.

He blew again, helplessly, ridiculously.

"Do you realize," she went on briskly, "that you've forfeited five thousand dollars in five minutes?"

Merlin momentarily expected the young man to fall pleading upon his knees, but such is the nobility of human nature that he remained standing—even blew again into the air, partly from nervousness, partly, no doubt, with some vague hope of reingratiating himself.

"Young ass!" cried Caroline. "Once more, just once more and you leave college and go to work."

This threat had such an overwhelming effect upon the young man that he took on an even paler pallor than was natural to him. But Caroline was not through.

"Do you think I don't know what you and your brothers, yes, and your asinine father too, think of me? Well, I do. You think I'm senile. You think I'm soft. I'm not!" She struck herself with her-fist as though to prove that she was a mass of muscle and sinew. "And I'll have more brains left when you've got me laid out in the drawing-room some sunny day than you and the rest of them were born with."

"But Grandmother——"

"Be quiet. You, a thin little stick of a boy, who if it weren't for my money might have risen to be a journeyman barber out in the Bronx—Let me see your hands. Ugh! The hands of a barber—you presume to be smart with me, who once had three counts and a bona-fide duke, not to mention half a dozen papal titles pursue me from the city of Rome to the city of New York." She paused, took breath. "Stand up! Blow'!"

The young man obediently blew. Simultaneously the door opened and an excited gentleman of middle age who wore a coat and hat trimmed with fur, and seemed, moreover, to be trimmed with the same sort of fur himself on upper lip and chin, rushed into the store and up to Caroline.

"Found you at last," he cried. "Been looking for you all over town. Tried your house on the 'phone and your secretary told me he thought you'd gone to a bookshop called the Moonlight—"

Caroline turned to him irritably.

"Do I employ you for your reminiscences?" she snapped. "Are you my tutor or my broker?"

"Your broker," confessed the fur-trimmed man, taken somewhat aback. "I beg your pardon. I came about that phonograph stock. I can sell for a hundred and five."

"Then do it"

"Very well. I thought I'd better—"

"Go sell it. I'm talking to my grandson."

"Very well. I—"

"Good-by."

"Good-by, Madame." The fur-trimmed man made a slight bow and hurried in some confusion from the shop.

"As for you," said Caroline, turning to her grandson, "you stay just where you are and be quiet."

She turned to Merlin and included his entire length in a not unfriendly survey. Then she smiled and he found himself smiling too. In an instant they had both broken into a cracked but none the less spontaneous chuckle. She seized his arm and hurried him to the other side of the store. There they stopped, faced each other, and gave vent to another long fit of senile glee.

"It's the only way," she gasped in a sort of triumphant malignity. "The only thing that keeps old folks like me happy is the sense that they can make other people step around. To be old and rich and have poor descendants is almost as much fun as to be young and beautiful and have ugly sisters."

"Oh, yes," chuckled Merlin. "I know. I envy you."

She nodded, blinking.

"The last time I was in here, forty years ago," she said, "you were a young man very anxious to kick up your heels."

"I was," he confessed.

"My visit must have meant a good deal to you."

"You have all along," he exclaimed. "I thought—I used to think at first that you were a real person—human, I mean."

She laughed.

"Many men have thought me inhuman."

"But now," continued Merlin excitedly, "I understand. Understanding is allowed to us old people—after nothing much matters. I see now that on a certain night when you danced upon a table-top you were nothing but my romantic yearning for a beautiful and perverse woman."

Her old eyes were far away, her voice no more than the echo of a forgotten dream.

"How I danced that night! I remember."

"You were making an attempt at me. Olive's arms were closing about me and you warned me to be free and keep my measure of youth and irresponsibility. But it seemed like an effect gotten up at the last moment. It came too late."

"You are very old," she said inscrutably. "I did not realize."

"Also I have not forgotten what you did to me when I was thirty-five. You shook me with that traffic tie-up. It was a magnificent effort. The beauty and power you radiated! You became personified even to my wife, and she feared you. For weeks I wanted to slip out of the house at dark and forget the stuffiness of life with music and cocktails and a girl to make me young. But then—I no longer knew how."

"And now you are so very old."

With a sort of awe she moved back and away from him.

"Yes, leave me!" he cried. "You are old also; the spirit withers with the skin. Have you come here only to tell me something I had best forget: that to be old and poor is perhaps more wretched than to be old and rich; to remind me that my son hurls my gray failure in my face?"

"Give me my book," she commanded harshly. "Be quick, old man!"

Merlin looked at her once more and then patiently obeyed. He picked up the book and handed it to her, shaking his head when she offered him a bill.

"Why go through the farce of paying me? Once you made me wreck these very premises."

"I did," she said in anger, "and I'm glad. Perhaps there had been enough done to ruin me."

She gave him a glance, half disdain, half ill-concealed uneasiness, and with a brisk word to her urban grandson moved toward the door.

Then she was gone—out of his shop—out of his life. The door clicked. With a sigh he turned and walked brokenly back toward the glass partition that enclosed the yellowed accounts of many years as well as the mellowed, wrinkled Miss McCracken.

Merlin regarded her parched, cobwebbed face with an odd sort of pity. She, at any rate, had had less from life than he. No rebellious, romantic spirit popping out unbidden had, in its memorable moments, given her life a zest and a glory.

Then Miss McGracken looked up and spoke to him:

"Still a spunky old piece, isn't she?"

Merlin started.

"Who?"

"Old Alicia Dare. Mrs. Thomas Allerdyce she is now, of course; has been, these thirty years."

"What? I don't understand you." Merlin sat down suddenly in his swivel chair; his eyes were wide.

"Why, surely, Mr. Grainger, you can't tell me that you've forgotten her, when for ten years she was the most notorious character in New York. Why, one time when she was the correspondent in the Throckmorton divorce case she attracted so much attention on Fifth Avenue that there was a traffic tie-up. Didn't you read about it in the papers."

"I never used to read the papers." His ancient brain was whirring.

"Well, you can't have forgotten the time she came in here and ruined the business. Let me tell you I came near asking Mr. Moonlight Quill for my salary, and clearing out."

"Do you mean, that—that you saw her?"

"Saw her! How could I help it with the racket that went on. Heaven knows Mr. Moonlight Quill didn't like it either but of course he didn't say anything. He was daffy about her and she could twist him around her little finger. The second he opposed one of her whims she'd threaten to tell his wife on him. Served him right. The idea of that man falling for a pretty adventuress! Of course he was never rich enough for her even though the shop paid well in those days."

"But when I saw her." stammered Merlin, "that is, when I thought saw her, she lived with her mother."

"Mother, trash!". said Miss McCracken indignantly. "She had a woman there she called 'Aunty', who was no more related to her than I am. Oh, she was a bad one—but clever. Right after the Throckmorton divorce case she married Thomas Allerdyce, and made herself secure for life."

"Who was she?" cried Merlin. "For God's sake what was she—a witch?"

"Why, she was Alicia Dare, the dancer, of course. In those days you couldn't pick up a paper without finding her picture."

Merlin sat very quiet, his brain suddenly fatigued and stilled. He was an old man now indeed, so old that it was impossible for him to dream of ever having been young, so old that the glamour was gone out of the world, passing not into the faces of children and into the persistent comforts of warmth and life, but passing out of the range of sight and feeling. He was never to smile again or to sit in a long reverie when spring evenings wafted the cries of children in at his window until gradually they became the friends of his boyhood out there, urging him to come and play before the last dark came down. He was too old now even for memories.

That night he sat at supper with his wife and son, who had used him for their blind purposes. Olive said:

"Don't sit there like a death's-head. Say something."

"Let him sit quiet," growled Arthur. "If you encourage him he'll tell us a story we've heard a hundred times before."

Merlin went up-stairs very quietly at nine o'clock. When he was in his room and had closed the door tight he stood by it for a moment, his thin limbs trembling. He knew now that he had always been a fool.

"O Russet Witch!"

But it was too late. He had angered Providence by resisting too many temptations. There was nothing left but heaven, where he would meet only those who, like him, had wasted earth.



UNCLASSIFIED MASTERPIECES



THE LEES OF HAPPINESS

If you should look through the files of old magazines for the first years of the present century you would find, sandwiched in between the stories of Richard Harding Davis and Frank Norris and others long since dead, the work of one Jeffrey Curtain: a novel or two, and perhaps three or four dozen short stories. You could, if you were interested, follow them along until, say, 1908, when they suddenly disappeared.

When you had read them all you would have been quite sure that here were no masterpieces—here were passably amusing stories, a bit out of date now, but doubtless the sort that would then have whiled away a dreary half hour in a dental office. The man who did them was of good intelligence, talented, glib, probably young. In the samples of his work you found there would have been nothing to stir you to more than a faint interest in the whims of life—no deep interior laughs, no sense of futility or hint of tragedy.

After reading them you would yawn and put the number back in the files, and perhaps, if you were in some library reading-room, you would decide that by way of variety you would look at a newspaper of the period and see whether the Japs had taken Port Arthur. But if by any chance the newspaper you had chosen was the right one and had crackled open at the theatrical page, your eyes would have been arrested and held, and for at least a minute you would have forgotten Port Arthur as quickly as you forgot Chateau Thierry. For you would, by this fortunate chance, be looking at the portrait of an exquisite woman.

Those were tie days of "Florodora" and of sextets, of pinched-in waists and blown-out sleeves, of almost bustles and absolute ballet skirts, but here, without doubt, disguised as she might be by the unaccustomed stiffness and old fashion of her costume, was a butterfly of butterflies. Here was the gayety of the period—the soft wine of eyes, the songs that flurried hearts, the toasts and tie bouquets, the dances and the dinners. Here was a Venus of the hansom, cab, the Gibson girl in her glorious prime. Here was...

...here was you. Find by looking at the name beneath, one Roxanne Milbank, who had been chorus girl and understudy in "The Daisy Chain," but who, by reason of an excellent performance when the star was indisposed, had gained a leading part.

You would look again—and wonder. Why you had never heard of her. Why did her name not linger in popular songs and vaudeville jokes and cigar bands, and the memory of that gay old uncle of yours along with Lillian Russell and Stella Mayhew and Anna Held? Roxanne Milbank-whither had she gone? What dark trap-door had opened suddenly and swallowed her up? Her name was certainly not in last Sunday's supplement on the list of actresses married to English noblemen. No doubt she was dead—poor beautiful young lady—and quite forgotten.

I am hoping too much. I am having you stumble on Jeffrey Curtains's stories and Roxanne Milbank's picture. It would be incredible that you should find a newspaper item six months later, a single item two inches by four, which informed the public of the marriage, very quietly, of Miss Roxanne Milbank, who had been on tour with "The Daisy Chain," to Mr. Jeffrey Curtain, the popular author. "Mrs. Curtain," it added dispassionately, "will retire from the stage."

It was a marriage of love. He was sufficiently spoiled to be charming; she was ingenuous enough to be irresistible. Like two floating logs they met in a head-on rush, caught, and sped along together. Yet had Jeffrey Curtain kept at scrivening for twoscore years he could not have put a quirk into one of his stories weirder than the quirk that came into his own life. Had Roxanne Milbank played three dozen parts and filled five thousand houses she could never have had a role with more happiness and more despair than were in the fate prepared for Roxanne Curtain.

For a year they lived in hotels, travelled to California, to Alaska, to Florida, to Mexico, loved and quarrelled gently, and gloried in the golden triflings of his wit with her beauty—they were young and gravely passionate; they demanded everything and then yielded everything again in ecstasies of unselfishness and pride. She loved the swift tones of his voice and his frantic, if unfounded jealousy. He loved her dark radiance, the white irises of her eyes, the warm, lustrous enthusiasm of her smile.

"Don't you like her?" he would demand rather excitedly and shyly. "Isn't she wonderful? Did you ever see—"

"Yes," they would answer, grinning. "She's a wonder. You're lucky."

The year passed. They tired of hotels. They bought an old house and twenty acres near the town of Marlowe, half an hour from Chicago; bought a little car, and moved out riotously with a pioneering hallucination that would have confounded Balboa.

"Your room will be here!" they cried in turn.

—And then:

"And my room here!"

"And the nursery here when we have children."

"And we'll build a sleeping porch—oh, next year."

They moved out in April. In July Jeffrey's closest friend, Harry Cromwell same to spend a week—they met him at the end of the long lawn and hurried him proudly to the house.

Harry was married also. His wife had had a baby some six months before and was still recuperating at her mother's in New York. Roxanne had gathered from Jeffrey that Harry's wife was not as attractive as Harry—Jeffrey had met her once and considered her—"shallow." But Harry had been married nearly two years and was apparently happy, so Jeffrey guessed that she was probably all right.

"I'm making biscuits," chattered Roxanne gravely. "Can you wife make biscuits? The cook is showing me how. I think every woman should know how to make biscuits. It sounds so utterly disarming. A woman who can make biscuits can surely do no——"

"You'll have to come out here and live," said Jeffrey. "Get a place out in the country like us, for you and Kitty."

"You don't know Kitty. She hates the country. She's got to have her theatres and vaudevilles."

"Bring her out," repeated Jeffrey. "We'll have a colony. There's an awfully nice crowd here already. Bring her out!"

They were at the porch steps now and Roxanne made a brisk gesture toward a dilapidated structure on the right.

"The garage," she announced. "It will also be Jeffrey's writing-room within the month. Meanwhile dinner is at seven. Meanwhile to that I will mix a cocktail."

The two men ascended to the second floor—that is, they ascended half-way, for at the first landing Jeffrey dropped his guest's suitcase and in a cross between a query and a cry exclaimed:

"For God's sake, Harry, how do you like her?"

"We will go up-stairs," answered his guest, "and we will shut the door."

Half an hour later as they were sitting together in the library Roxanne reissued from the kitchen, bearing before her a pan of biscuits. Jeffrey and Harry rose.

"They're beautiful, dear," said the husband, intensely.

"Exquisite," murmured Harry.

Roxanne beamed.

"Taste one. I couldn't bear to touch them before you'd seen them all and I can't bear to take them back until I find what they taste like."

"Like manna, darling."

Simultaneously the two men raised the biscuits to their lips, nibbled tentatively. Simultaneously they tried to change the subject. But Roxanne undeceived, set down the pan and seized a biscuit. After a second her comment rang out with lugubrious finality:

"Absolutely bum!"

"Really——"

"Why, I didn't notice——"

Roxanne roared.

"Oh, I'm useless," she cried laughing. "Turn me out, Jeffrey—I'm a parasite; I'm no goal——"

Jeffrey put his arm around her.

"Darling, I'll eat your biscuits."

"They're beautiful, anyway," insisted Roxanne.

"They're-they're decorative," suggested Harry.

Jeffrey took him up wildly.

"That's the word. They're decorative; they're masterpieces. We'll use them."

He rushed to the kitchen and returned with a hammer and a handful of nails.

"We'll use them, by golly, Roxanne! We'll make a frieze out of them."

"Don't!" wailed Roxanne. "Our beautiful house."

"Never mind. We're going to have the library repapered in October. Don't you remember?"

"Well——"

Bang! The first biscuit was impaled to the wall, where it quivered for a moment like a live thing.

Bang!...

When Roxanne returned, with a second round of cocktails the biscuits were in a perpendicular row, twelve of them, like a collection of primitive spear-heads.

"Roxanne," exclaimed Jeffrey, "you're an artist! Cook?—nonsense! You shall illustrate my books!"

During dinner the twilight faltered into dusk, and later it was a starry dark outside, filled and permeated with the frail gorgeousness of Roxanne's white dress and her tremulous, low laugh.

—Such a little girl she is, thought Harry. Not as old as Kitty.

He compared the two. Kitty—nervous without being sensitive, temperamental without temperament, a woman who seemed to flit and never light—and Roxanne, who was as young as spring night, and summed up in her own adolescent laughter.

—A good match for Jeffrey, he thought again. Two very young people, the sort who'll stay very young until they suddenly find themselves old.

Harry thought these things between his constant thoughts about Kitty, He was depressed about Kitty. It seemed to him that she was well enough to come back to Chicago and bring his little son. He was thinking vaguely of Kitty when he said good-night to his friend's wife and his friend at the foot of the stairs.

"You're our first real house guest," called Roxanne after him. "Aren't you thrilled and proud?"

When he was out of sight around the stair corner she turned to Jeffrey, who was standing beside her resting his hand on the end of the banister.

"Are you tired, my dearest?"

Jeffrey rubbed the centre of his forehead with his fingers.

"A little. How did you know?"

"Oh, how could I help knowing about you?"

"It's a headache," he said moodily. "Splitting. I'll take some aspirin."

She reached over and snapped out the light, and with his arm tight about her waist they walked up the stairs together.

II

Harry's week passed. They drove about the dreaming lanes or idled in cheerful inanity upon lake or lawn. In the evening Roxanne, sitting inside, played to them while the ashes whitened on the glowing ends of their cigars. Then came a telegram from Kitty saying that she wanted Harry to come East and get her, so Roxanne and Jeffrey were left alone in that privacy of which they never seemed to tire.

"Alone" thrilled them again. They wandered about the house, each feeling intimately the presence of the other; they sat on the same side of the table like honeymooners; they were intensely absorbed, intensely happy.

The town of Marlowe, though a comparatively old settlement, had only recently acquired a "society." Five or six years before, alarmed at the smoky swelling of Chicago, two or three young married couples, "bungalow people," had moved out; their friends had followed. The Jeffrey Curtains found an already formed "set" prepared to welcome: them; a country club, ballroom, and golf links yawned for them, and there were bridge parties, and poker parties, and parties where they drank beer, and parties where they drank nothing at all.

It was at a poker party that they found themselves a week after Harry's departure. There were two tables, and a good proportion of the young wives were smoking and shouting their bets, and being very daringly mannish for those days.

Roxanne had left the game early and taken to perambulation; she wandered into the pantry and found herself some grape juice—beer gave her a headache—and then passed from table to table, looking over shoulders at the hands, keeping an eye on Jeffrey and being pleasantly unexcited and content. Jeffrey, with intense concentration, was raising a pile of chips of all colors, and Roxanne knew by the deepened wrinkle between his eyes that he was interested. She liked to see him interested in small things.

She crossed over quietly and sat down on the arm of his chair.

She sat there five minutes, listening to the sharp intermittent comments of the men and the chatter of the women, which rose from the table like soft smoke—and yet scarcely hearing either. Then quite innocently she reached out her hand, intending to place it on Jeffrey's shoulder—as it touched him he started of a sudden, gave a short grunt, and, sweeping back his arm furiously, caught her a glancing blow on her elbow.

There was a general gasp. Roxanne regained her balance, gave a little cry, and rose quickly to her feet. It had been the greatest shock of her life. This, from Jeffrey, the heart of kindness, of consideration—this instinctively brutal gesture.

The gasp became a silence. A dozen eyes were turned on Jeffrey, who looked up as though seeing Roxanne for the first time. An expression of bewilderment settled on his face.

"Why—Roxanne——" he said haltingly.

Into a dozen minds entered a quick suspicion, a rumor of scandal. Could it be that behind the scenes with this couple, apparently so in love, lurked some curious antipathy? Why else this streak of fire, across such a cloudless heaven?

"Jeffrey!"—Roxanne's voice was pleading—startled and horrified, she yet knew that it was a mistake. Not once did it occur to her to blame him or to resent it. Her word was a trembling supplication—"Tell me, Jeffrey," it said, "tell Roxanne, your own Roxanne."

"Why, Roxanne—" began Jeffrey again. The bewildered look changed to pain. He was clearly as startled as she. "I didn't intend that," he went on; "you startled me. You—I felt as if some one were attacking me. I—how—why, how idiotic!"

"Jeffrey!" Again the word was a prayer, incense offered up to a high God through this new and unfathomable darkness.

They were both on their feet, they were saying good-by, faltering, apologizing, explaining. There was no attempt to pass it off easily. That way lay sacrilege. Jeffrey had not been feeling well, they said. He had become nervous. Back of both their minds was the unexplained horror of that blow—the marvel that there had been for an instant something between them—his anger and her fear—and now to both a sorrow, momentary, no doubt, but to be bridged at once, at once, while there was yet time. Was that swift water lashing under their feet—the fierce glint of some uncharted chasm?

Out in their car under the harvest moon he talked brokenly. It was just—incomprehensible to him, he said. He had been thinking of the poker game—absorbed—and the touch on his shoulder had seemed like an attack. An attack! He clung to that word, flung it up as a shield. He had hated what touched him. With the impact of his hand it had gone, that—nervousness. That was all he knew.

Both their eyes filled with tears and they whispered love there under the broad night as the serene streets of Marlowe sped by. Later, when they went to bed, they were quite calm. Jeffrey was to take a week off all work—was simply to loll, and sleep, and go on long walks until this nervousness left him. When they had decided this safety settled down upon Roxanne. The pillows underhead became soft and friendly; the bed on which they lay seemed wide, and white, and sturdy beneath the radiance that streamed in at the window.

Five days later, in the first cool of late afternoon, Jeffrey picked up an oak chair and sent it crashing through his own front window. Then he lay down on the couch like a child, weeping piteously and begging to die. A blood clot the size of a marble had broken his brain.

III

There is a sort of waking nightmare that sets in sometimes when one has missed a sleep or two, a feeling that comes with extreme fatigue and a new sun, that the quality of the life around has changed. It is a fully articulate conviction that somehow the existence one is then leading is a branch shoot of life and is related to life only as a moving picture or a mirror—that the people, and streets, and houses are only projections from a very dim and chaotic past. It was in such a state that Roxanne found herself during the first months of Jeffrey's illness. She slept only when she was utterly exhausted; she awoke under a cloud. The long, sober-voiced consultations, the faint aura of medicine in the halls, the sudden tiptoeing in a house that had echoed to many cheerful footsteps, and, most of ail, Jeffrey's white face amid the pillows of the bed they had shared—these things subdued her and made her indelibly older. The doctors held out hope, but that was all. A long rest, they said, and quiet. So responsibility came to Roxanne. It was she who paid the bills, pored over his bank-book, corresponded with his publishers. She was in the kitchen constantly. She learned from the nurse how to prepare his meals and after the first month took complete charge of the sick-room. She had had to let the nurse go for reasons of economy. One of the two colored girls left at the same time. Roxanne was realizing that they had been living from short story to short story.

The most frequent visitor was Harry Cromwell. He had been shocked and depressed by the news, and though his wife was now living with him in Chicago he found time to come out several times a month. Roxanne found his sympathy welcome—there was some quality of suffering in the man, some inherent pitifulness that made her comfortable when he was near. Roxanne's nature had suddenly deepened. She felt sometimes that with Jeffrey she was losing her children also, those children that now most of all she needed and should have had.

It was six months after Jeffrey's collapse and when the nightmare had faded, leaving not the old world but a new one, grayer and colder, that she wait to see Harry's wife. Finding herself in Chicago with an extra hour before train time, she decided out of courtesy to call.