So Ugh-lomi and Eudena came back to the squatting-place from which they had fled many days before from the face of Uya; and by the squatting-place lay a deer half eaten, just as there had been before Ugh-lomi was man or Eudena woman. So Ugh-lomi sat down to eat, and Eudena beside him like a man, and the rest of the tribe watched them from safe hiding-places. And after a time one of the elder girls came back timorously, carrying little Si in her arms, and Eudena called to them by name, and offered them food. But the elder girl was afraid and would not come, though Si struggled to come to Eudena. Afterwards, when Ugh-lomi had eaten, he sat dozing, and at last he slept, and slowly the others came out of the hiding-places and drew near. And when Ugh-lomi woke, save that there were no men to be seen, it seemed as though he had never left the tribe.

Now, there is a thing strange but true: that all through this fight Ugh-lomi forgot that he was lame, and was not lame, and after he had rested behold! he was a lame man; and he remained a lame man to the end of his days.

Cat's-skin and the second red-haired man and Wau-Hau, who chipped flints cunningly, as his father had done before him, fled from the face of Ugh-lomi, and none knew where they hid. But two days after they came and squatted a good way off from the knoll among the bracken under the chestnuts and watched. Ugh-lomi's rage had gone, he moved to go against them and did not, and at sundown they went away. That day, too, they found the old woman among the ferns, where Ugh-lomi had blundered upon her when he had pursued Wau-Hau. She was dead and more ugly than ever, but whole. The jackals and vultures had tried her and left her;—she was ever a wonderful old woman.

The next day the three men came again and squatted nearer, and Wau-Hau had two rabbits to hold up, and the red-haired man a wood-pigeon, and Ugh-lomi stood before the women and mocked them.

The next day they sat again nearer—without stones or sticks, and with the same offerings, and Cat's-skin had a trout. It was rare men caught fish in those days, but Cat's-skin would stand silently in the water for hours and catch them with his hand. And the fourth day Ugh-lomi suffered these three to come to the squatting-place in peace, with the food they had with them. Ugh-lomi ate the trout. Thereafter for many moons Ugh-lomi was master and had his will in peace. And on the fulness of time he was killed and eaten even as Uya had been slain.



A Story of the Days to Come



A STORY OF THE DAYS TO COME

I—THE CURE FOR LOVE

The excellent Mr. Morris was an Englishman, and he lived in the days of Queen Victoria the Good. He was a prosperous and very sensible man; he read the Times and went to church, and as he grew towards middle age an expression of quiet contented contempt for all who were not as himself settled on his face. He was one of those people who do everything that is right and proper and sensible with inevitable regularity. He always wore just the right and proper clothes, steering the narrow way between the smart and the shabby, always subscribed to the right charities, just the judicious compromise between ostentation and meanness, and never failed to have his hair cut to exactly the proper length.

Everything that it was right and proper for a man in his position to possess, he possessed; and everything that it was not right and proper for a man in his position to possess, he did not possess.

And among other right and proper possessions, this Mr. Morris had a wife and children. They were the right sort of wife, and the right sort and number of children, of course; nothing imaginative or highty-flighty about any of them, so far as Mr. Morris could see; they wore perfectly correct clothing, neither smart nor hygienic nor faddy in any way, but just sensible; and they lived in a nice sensible house in the later Victorian sham Queen Anne style of architecture, with sham half-timbering of chocolate-painted plaster in the gables, Lincrusta Walton sham carved oak panels, a terrace of terra cotta to imitate stone, and cathedral glass in the front door. His boys went to good solid schools, and were put to respectable professions; his girls, in spite of a fantastic protest or so, were all married to suitable, steady, oldish young men with good prospects. And when it was a fit and proper thing for him to do so, Mr. Morris died. His tomb was of marble, and, without any art nonsense or laudatory inscription, quietly imposing—such being the fashion of his time.

He underwent various changes according to the accepted custom in these cases, and long before this story begins his bones even had become dust, and were scattered to the four quarters of heaven. And his sons and his grandsons and his great-grandsons and his great-great-grandsons, they too were dust and ashes, and were scattered likewise. It was a thing he could not have imagined, that a day would come when even his great-great-grandsons would be scattered to the four winds of heaven. If any one had suggested it to him he would have resented it. He was one of those worthy people who take no interest in the future of mankind at all. He had grave doubts, indeed, if there was any future for mankind after he was dead.

It seemed quite impossible and quite uninteresting to imagine anything happening after he was dead. Yet the thing was so, and when even his great-great-grandson was dead and decayed and forgotten, when the sham half-timbered house had gone the way of all shams, and the Times was extinct, and the silk hat a ridiculous antiquity, and the modestly imposing stone that had been sacred to Mr. Morris had been burnt to make lime for mortar, and all that Mr. Morris had found real and important was sere and dead, the world was still going on, and people were still going about it, just as heedless and impatient of the Future, or, indeed, of anything but their own selves and property, as Mr. Morris had been.

And, strange to tell, and much as Mr. Morris would have been angered if any one had foreshadowed it to him, all over the world there were scattered a multitude of people, filled with the breath of life, in whose veins the blood of Mr. Morris flowed. Just as some day the life which is gathered now in the reader of this very story may also be scattered far and wide about this world, and mingled with a thousand alien strains, beyond all thought and tracing.

And among the descendants of this Mr. Morris was one almost as sensible and clear-headed as his ancestor. He had just the same stout, short frame as that ancient man of the nineteenth century, from whom his name of Morris—he spelt it Mwres—came; he had the same half-contemptuous expression of face. He was a prosperous person, too, as times went, and he disliked the "new-fangled," and bothers about the future and the lower classes, just as much as the ancestral Morris had done. He did not read the Times: indeed, he did not know there ever had been a Times—that institution had foundered somewhere in the intervening gulf of years; but the phonograph machine, that talked to him as he made his toilet of a morning, might have been the voice of a reincarnated Blowitz when it dealt with the world's affairs. This phonographic machine was the size and shape of a Dutch clock, and down the front of it were electric barometric indicators, and an electric clock and calendar, and automatic engagement reminders, and where the clock would have been was the mouth of a trumpet. When it had news the trumpet gobbled like a turkey, "Galloop, galloop," and then brayed out its message as, let us say, a trumpet might bray. It would tell Mwres in full, rich, throaty tones about the overnight accidents to the omnibus flying-machines that plied around the world, the latest arrivals at the fashionable resorts in Tibet, and of all the great monopolist company meetings of the day before, while he was dressing. If Mwres did not like hearing what it said, he had only to touch a stud, and it would choke a little and talk about something else.

Of course his toilet differed very much from that of his ancestor. It is doubtful which would have been the more shocked and pained to find himself in the clothing of the other. Mwres would certainly have sooner gone forth to the world stark naked than in the silk hat, frock coat, grey trousers and watch-chain that had filled Mr. Morris with sombre self-respect in the past. For Mwres there was no shaving to do: a skilful operator had long ago removed every hair-root from his face. His legs he encased in pleasant pink and amber garments of an air-tight material, which with the help of an ingenious little pump he distended so as to suggest enormous muscles. Above this he also wore pneumatic garments beneath an amber silk tunic, so that he was clothed in air and admirably protected against sudden extremes of heat or cold. Over this he flung a scarlet cloak with its edge fantastically curved. On his head, which had been skilfully deprived of every scrap of hair, he adjusted a pleasant little cap of bright scarlet, held on by suction and inflated with hydrogen, and curiously like the comb of a cock. So his toilet was complete; and, conscious of being soberly and becomingly attired, he was ready to face his fellow-beings with a tranquil eye.

This Mwres—the civility of "Mr." had vanished ages ago—was one of the officials under the Wind Vane and Waterfall Trust, the great company that owned every wind wheel and waterfall in the world, and which pumped all the water and supplied all the electric energy that people in these latter days required. He lived in a vast hotel near that part of London called Seventh Way, and had very large and comfortable apartments on the seventeenth floor. Households and family life had long since disappeared with the progressive refinement of manners; and indeed the steady rise in rents and land values, the disappearance of domestic servants, the elaboration of cookery, had rendered the separate domicile of Victorian times impossible, even had any one desired such a savage seclusion. When his toilet was completed he went towards one of the two doors of his apartment—there were doors at opposite ends, each marked with a huge arrow pointing one one way and one the other—touched a stud to open it, and emerged on a wide passage, the centre of which bore chairs and was moving at a steady pace to the left. On some of these chairs were seated gaily-dressed men and women. He nodded to an acquaintance—it was not in those days etiquette to talk before breakfast—and seated himself on one of these chairs, and in a few seconds he had been carried to the doors of a lift, by which he descended to the great and splendid hall in which his breakfast would be automatically served.

It was a very different meal from a Victorian breakfast. The rude masses of bread needing to be carved and smeared over with animal fat before they could be made palatable, the still recognisable fragments of recently killed animals, hideously charred and hacked, the eggs torn ruthlessly from beneath some protesting hen,—such things as these, though they constituted the ordinary fare of Victorian times, would have awakened only horror and disgust in the refined minds of the people of these latter days. Instead were pastes and cakes of agreeable and variegated design, without any suggestion in colour or form of the unfortunate animals from which their substance and juices were derived. They appeared on little dishes sliding out upon a rail from a little box at one side of the table. The surface of the table, to judge by touch and eye, would have appeared to a nineteenth-century person to be covered with fine white damask, but this was really an oxidised metallic surface, and could be cleaned instantly after a meal. There were hundreds of such little tables in the hall, and at most of them were other latter-day citizens singly or in groups. And as Mwres seated himself before his elegant repast, the invisible orchestra, which had been resting during an interval, resumed and filled the air with music.

But Mwres did not display any great interest either in his breakfast or the music; his eye wandered incessantly about the hall, as though he expected a belated guest. At last he rose eagerly and waved his hand, and simultaneously across the hall appeared a tall dark figure in a costume of yellow and olive green. As this person, walking amidst the tables with measured steps, drew near, the pallid earnestness of his face and the unusual intensity of his eyes became apparent. Mwres reseated himself and pointed to a chair beside him.

"I feared you would never come," he said. In spite of the intervening space of time, the English language was still almost exactly the same as it had been in England under Victoria the Good. The invention of the phonograph and suchlike means of recording sound, and the gradual replacement of books by such contrivances, had not only saved the human eyesight from decay, but had also by the establishment of a sure standard arrested the process of change in accent that had hitherto been so inevitable.

"I was delayed by an interesting case," said the man in green and yellow. "A prominent politician—ahem!—suffering from overwork." He glanced at the breakfast and seated himself. "I have been awake for forty hours."

"Eh dear!" said Mwres: "fancy that! You hypnotists have your work to do."

The hypnotist helped himself to some attractive amber-coloured jelly. "I happen to be a good deal in request," he said modestly.

"Heaven knows what we should do without you."

"Oh! we're not so indispensable as all that," said the hypnotist, ruminating the flavour of the jelly. "The world did very well without us for some thousands of years. Two hundred years ago even—not one! In practice, that is. Physicians by the thousand, of course—frightfully clumsy brutes for the most part, and following one another like sheep—but doctors of the mind, except a few empirical flounderers there were none."

He concentrated his mind on the jelly.

"But were people so sane—?" began Mwres.

The hypnotist shook his head. "It didn't matter then if they were a bit silly or faddy. Life was so easy-going then. No competition worth speaking of—no pressure. A human being had to be very lopsided before anything happened. Then, you know, they clapped 'em away in what they called a lunatic asylum."

"I know," said Mwres. "In these confounded historical romances that every one is listening to, they always rescue a beautiful girl from an asylum or something of the sort. I don't know if you attend to that rubbish."

"I must confess I do," said the hypnotist. "It carries one out of oneself to hear of those quaint, adventurous, half-civilised days of the nineteenth century, when men were stout and women simple. I like a good swaggering story before all things. Curious times they were, with their smutty railways and puffing old iron trains, their rum little houses and their horse vehicles. I suppose you don't read books?"

"Dear, no!" said Mwres, "I went to a modern school and we had none of that old-fashioned nonsense. Phonographs are good enough for me."

"Of course," said the hypnotist, "of course"; and surveyed the table for his next choice. "You know," he said, helping himself to a dark blue confection that promised well, "in those days our business was scarcely thought of. I daresay if any one had told them that in two hundred years' time a class of men would be entirely occupied in impressing things upon the memory, effacing unpleasant ideas, controlling and overcoming instinctive but undesirable impulses, and so forth, by means of hypnotism, they would have refused to believe the thing possible. Few people knew that an order made during a mesmeric trance, even an order to forget or an order to desire, could be given so as to be obeyed after the trance was over. Yet there were men alive then who could have told them the thing was as absolutely certain to come about as—well, the transit of Venus."

"They knew of hypnotism, then?"

"Oh, dear, yes! They used it—for painless dentistry and things like that! This blue stuff is confoundedly good: what is it?"

"Haven't the faintest idea," said Mwres, "but I admit it's very good. Take some more."

The hypnotist repeated his praises, and there was an appreciative pause.

"Speaking of these historical romances," said Mwres, with an attempt at an easy, off-hand manner, "brings me—ah—to the matter I—ah—had in mind when I asked you—when I expressed a wish to see you." He paused and took a deep breath.

The hypnotist turned an attentive eye upon him, and continued eating.

"The fact is," said Mwres, "I have a—in fact a—daughter. Well, you know I have given her—ah—every educational advantage. Lectures—not a solitary lecturer of ability in the world but she has had a telephone direct, dancing, deportment, conversation, philosophy, art criticism ..." He indicated catholic culture by a gesture of his hand. "I had intended her to marry a very good friend of mine—Bindon of the Lighting Commission—plain little man, you know, and a bit unpleasant in some of his ways, but an excellent fellow really—an excellent fellow."

"Yes," said the hypnotist, "go on. How old is she?"

"Eighteen."

"A dangerous age. Well?"

"Well: it seems that she has been indulging in these historical romances—excessively. Excessively. Even to the neglect of her philosophy. Filled her mind with unutterable nonsense about soldiers who fight—what is it?—Etruscans?"

"Egyptians."

"Egyptians—very probably. Hack about with swords and revolvers and things—bloodshed galore—horrible!—and about young men on torpedo catchers who blow up—Spaniards, I fancy—and all sorts of irregular adventurers. And she has got it into her head that she must marry for Love, and that poor little Bindon—"

"I've met similar cases," said the hypnotist. "Who is the other young man?"

Mwres maintained an appearance of resigned calm. "You may well ask," he said. "He is"—and his voice sank with shame—"a mere attendant upon the stage on which the flying-machines from Paris alight. He has—as they say in the romances—good looks. He is quite young and very eccentric. Affects the antique—he can read and write! So can she. And instead of communicating by telephone, like sensible people, they write and deliver—what is it?"

"Notes?"

"No—not notes.... Ah—poems."

The hypnotist raised his eyebrows. "How did she meet him?"

"Tripped coming down from the flying-machine from Paris—and fell into his arms. The mischief was done in a moment!"

"Yes?"

"Well—that's all. Things must be stopped. That is what I want to consult you about. What must be done? What can be done? Of course I'm not a hypnotist; my knowledge is limited. But you—?"

"Hypnotism is not magic," said the man in green, putting both arms on the table.

"Oh, precisely! But still—!"

"People cannot be hypnotised without their consent. If she is able to stand out against marrying Bindon, she will probably stand out against being hypnotised. But if once she can be hypnotised—even by somebody else—the thing is done."

"You can—?"

"Oh, certainly! Once we get her amenable, then we can suggest that she must marry Bindon—that that is her fate; or that the young man is repulsive, and that when she sees him she will be giddy and faint, or any little thing of that sort. Or if we can get her into a sufficiently profound trance we can suggest that she should forget him altogether—"

"Precisely."

"But the problem is to get her hypnotised. Of course no sort of proposal or suggestion must come from you—because no doubt she already distrusts you in the matter."

The hypnotist leant his head upon his arm and thought.

"It's hard a man cannot dispose of his own daughter," said Mwres irrelevantly.

"You must give me the name and address of the young lady," said the hypnotist, "and any information bearing upon the matter. And, by the bye, is there any money in the affair?"

Mwres hesitated.

"There's a sum—in fact, a considerable sum—invested in the Patent Road Company. From her mother. That's what makes the thing so exasperating."

"Exactly," said the hypnotist. And he proceeded to cross-examine Mwres on the entire affair.

It was a lengthy interview.

And meanwhile "Elizebe{th} Mwres," as she spelt her name, or "Elizabeth Morris" as a nineteenth-century person would have put it, was sitting in a quiet waiting-place beneath the great stage upon which the flying-machine from Paris descended. And beside her sat her slender, handsome lover reading her the poem he had written that morning while on duty upon the stage. When he had finished they sat for a time in silence; and then, as if for their special entertainment, the great machine that had come flying through the air from America that morning rushed down out of the sky.

At first it was a little oblong, faint and blue amidst the distant fleecy clouds; and then it grew swiftly large and white, and larger and whiter, until they could see the separate tiers of sails, each hundreds of feet wide, and the lank body they supported, and at last even the swinging seats of the passengers in a dotted row. Although it was falling it seemed to them to be rushing up the sky, and over the roof-spaces of the city below its shadow leapt towards them. They heard the whistling rush of the air about it and its yelling siren, shrill and swelling, to warn those who were on its landing-stage of its arrival. And abruptly the note fell down a couple of octaves, and it had passed, and the sky was clear and void, and she could turn her sweet eyes again to Denton at her side.

Their silence ended; and Denton, speaking in a little language of broken English that was, they fancied, their private possession—though lovers have used such little languages since the world began—told her how they too would leap into the air one morning out of all the obstacles and difficulties about them, and fly to a sunlit city of delight he knew of in Japan, half-way about the world.

She loved the dream, but she feared the leap; and she put him off with "Some day, dearest one, some day," to all his pleading that it might be soon; and at last came a shrilling of whistles, and it was time for him to go back to his duties on the stage. They parted—as lovers have been wont to part for thousands of years. She walked down a passage to a lift, and so came to one of the streets of that latter-day London, all glazed in with glass from the weather, and with incessant moving platforms that went to all parts of the city. And by one of these she returned to her apartments in the Hotel for Women where she lived, the apartments that were in telephonic communication with all the best lecturers in the world. But the sunlight of the flying stage was in her heart, and the wisdom of all the best lecturers in the world seemed folly in that light.

She spent the middle part of the day in the gymnasium, and took her midday meal with two other girls and their common chaperone—for it was still the custom to have a chaperone in the case of motherless girls of the more prosperous classes. The chaperone had a visitor that day, a man in green and yellow, with a white face and vivid eyes, who talked amazingly. Among other things, he fell to praising a new historical romance that one of the great popular story-tellers of the day had just put forth. It was, of course, about the spacious times of Queen Victoria; and the author, among other pleasing novelties, made a little argument before each section of the story, in imitation of the chapter headings of the old-fashioned books: as for example, "How the Cabmen of Pimlico stopped the Victoria Omnibuses, and of the Great Fight in Palace Yard," and "How the Piccadilly Policeman was slain in the midst of his Duty." The man in green and yellow praised this innovation. "These pithy sentences," he said, "are admirable. They show at a glance those headlong, tumultuous times, when men and animals jostled in the filthy streets, and death might wait for one at every corner. Life was life then! How great the world must have seemed then! How marvellous! They were still parts of the world absolutely unexplored. Nowadays we have almost abolished wonder, we lead lives so trim and orderly that courage, endurance, faith, all the noble virtues seem fading from mankind."

And so on, taking the girls' thoughts with him, until the life they led, life in the vast and intricate London of the twenty-second century, a life interspersed with soaring excursions to every part of the globe, seemed to them a monotonous misery compared with the daedal past.

At first Elizabeth did not join in the conversation, but after a time the subject became so interesting that she made a few shy interpolations. But he scarcely seemed to notice her as he talked. He went on to describe a new method of entertaining people. They were hypnotised, and then suggestions were made to them so skilfully that they seemed to be living in ancient times again. They played out a little romance in the past as vivid as reality, and when at last they awakened they remembered all they had been through as though it were a real thing.

"It is a thing we have sought to do for years and years," said the hypnotist. "It is practically an artificial dream. And we know the way at last. Think of all it opens out to us—the enrichment of our experience, the recovery of adventure, the refuge it offers from this sordid, competitive life in which we live! Think!"

"And you can do that!" said the chaperone eagerly.

"The thing is possible at last," the hypnotist said. "You may order a dream as you wish."

The chaperone was the first to be hypnotised, and the dream, she said, was wonderful, when she came to again.

The other two girls, encouraged by her enthusiasm, also placed themselves in the hands of the hypnotist and had plunges into the romantic past. No one suggested that Elizabeth should try this novel entertainment; it was at her own request at last that she was taken into that land of dreams where there is neither any freedom of choice nor will....

And so the mischief was done.

One day, when Denton went down to that quiet seat beneath the flying stage, Elizabeth was not in her wonted place. He was disappointed, and a little angry. The next day she did not come, and the next also. He was afraid. To hide his fear from himself, he set to work to write sonnets for her when she should come again....

For three days he fought against his dread by such distraction, and then the truth was before him clear and cold, and would not be denied. She might be ill, she might be dead; but he would not believe that he had been betrayed. There followed a week of misery. And then he knew she was the only thing on earth worth having, and that he must seek her, however hopeless the search, until she was found once more.

He had some small private means of his own, and so he threw over his appointment on the flying stage, and set himself to find this girl who had become at last all the world to him. He did not know where she lived, and little of her circumstances; for it had been part of the delight of her girlish romance that he should know nothing of her, nothing of the difference of their station. The ways of the city opened before him east and west, north and south. Even in Victorian days London was a maze, that little London with its poor four millions of people; but the London he explored, the London of the twenty-second century, was a London of thirty million souls. At first he was energetic and headlong, taking time neither to eat nor sleep. He sought for weeks and months, he went through every imaginable phase of fatigue and despair, over-excitement and anger. Long after hope was dead, by the sheer inertia of his desire he still went to and fro, peering into faces and looking this way and that, in the incessant ways and lifts and passages of that interminable hive of men.

At last chance was kind to him, and he saw her.

It was in a time of festivity. He was hungry; he had paid the inclusive fee and had gone into one of the gigantic dining-places of the city; he was pushing his way among the tables and scrutinising by mere force of habit every group he passed.

He stood still, robbed of all power of motion, his eyes wide, his lips apart. Elizabeth sat scarcely twenty yards away from him, looking straight at him. Her eyes were as hard to him, as hard and expressionless and void of recognition, as the eyes of a statue.

She looked at him for a moment, and then her gaze passed beyond him.

Had he had only her eyes to judge by he might have doubted if it was indeed Elizabeth, but he knew her by the gesture of her hand, by the grace of a wanton little curl that floated over her ear as she moved her head. Something was said to her, and she turned smiling tolerantly to the man beside her, a little man in foolish raiment knobbed and spiked like some odd reptile with pneumatic horns—the Bindon of her father's choice.

For a moment Denton stood white and wild-eyed; then came a terrible faintness, and he sat before one of the little tables. He sat down with his back to her, and for a time he did not dare to look at her again. When at last he did, she and Bindon and two other people were standing up to go. The others were her father and her chaperone.

He sat as if incapable of action until the four figures were remote and small, and then he rose up possessed with the one idea of pursuit. For a space he feared he had lost them, and then he came upon Elizabeth and her chaperone again in one of the streets of moving platforms that intersected the city. Bindon and Mwres had disappeared.

He could not control himself to patience. He felt he must speak to her forthwith, or die. He pushed forward to where they were seated, and sat down beside them. His white face was convulsed with half-hysterical excitement.

He laid his hand on her wrist. "Elizabeth?" he said.

She turned in unfeigned astonishment. Nothing but the fear of a strange man showed in her face.

"Elizabeth," he cried, and his voice was strange to him: "dearest—you know me?"

Elizabeth's face showed nothing but alarm and perplexity. She drew herself away from him. The chaperone, a little grey-headed woman with mobile features, leant forward to intervene. Her resolute bright eyes examined Denton. "What do you say?" she asked.

"This young lady," said Denton,—"she knows me."

"Do you know him, dear?"

"No," said Elizabeth in a strange voice, and with a hand to her forehead, speaking almost as one who repeats a lesson. "No, I do not know him. I know—I do not know him."

"But—but ... Not know me! It is I—Denton. Denton! To whom you used to talk. Don't you remember the flying stages? The little seat in the open air? The verses—"

"No," cried Elizabeth,—"no. I do not know him. I do not know him. There is something.... But I don't know. All I know is that I do not know him." Her face was a face of infinite distress.

The sharp eyes of the chaperone flitted to and fro from the girl to the man. "You see?" she said, with the faint shadow of a smile. "She does not know you."

"I do not know you," said Elizabeth. "Of that I am sure."

"But, dear—the songs—the little verses—"

"She does not know you," said the chaperone. "You must not.... You have made a mistake. You must not go on talking to us after that. You must not annoy us on the public ways."

"But—" said Denton, and for a moment his miserably haggard face appealed against fate.

"You must not persist, young man," protested the chaperone.

"Elizabeth!" he cried.

Her face was the face of one who is tormented. "I do not know you," she cried, hand to brow. "Oh, I do not know you!"

For an instant Denton sat stunned. Then he stood up and groaned aloud.

He made a strange gesture of appeal towards the remote glass roof of the public way, then turned and went plunging recklessly from one moving platform to another, and vanished amidst the swarms of people going to and fro thereon. The chaperone's eyes followed him, and then she looked at the curious faces about her.

"Dear," asked Elizabeth, clasping her hand, and too deeply moved to heed observation, "who was that man? Who was that man?"

The chaperone raised her eyebrows. She spoke in a clear, audible voice. "Some half-witted creature. I have never set eyes on him before."

"Never?"

"Never, dear. Do not trouble your mind about a thing like this."

* * * * *

And soon after this the celebrated hypnotist who dressed in green and yellow had another client. The young man paced his consulting-room, pale and disordered. "I want to forget," he cried. "I must forget."

The hypnotist watched him with quiet eyes, studied his face and clothes and bearing. "To forget anything—pleasure or pain—is to be, by so much—less. However, you know your own concern. My fee is high."

"If only I can forget—"

"That's easy enough with you. You wish it. I've done much harder things. Quite recently. I hardly expected to do it: the thing was done against the will of the hypnotised person. A love affair too—like yours. A girl. So rest assured."

The young man came and sat beside the hypnotist. His manner was a forced calm. He looked into the hypnotist's eyes. "I will tell you. Of course you will want to know what it is. There was a girl. Her name was Elizabeth Mwres. Well ..."

He stopped. He had seen the instant surprise on the hypnotist's face. In that instant he knew. He stood up. He seemed to dominate the seated figure by his side. He gripped the shoulder of green and gold. For a time he could not find words.

"Give her me back!" he said at last. "Give her me back!"

"What do you mean?" gasped the hypnotist.

"Give her me back."

"Give whom?"

"Elizabeth Mwres—the girl—"

The hypnotist tried to free himself; he rose to his feet. Denton's grip tightened.

"Let go!" cried the hypnotist, thrusting an arm against Denton's chest.

In a moment the two men were locked in a clumsy wrestle. Neither had the slightest training—for athleticism, except for exhibition and to afford opportunity for betting, had faded out of the earth—but Denton was not only the younger but the stronger of the two. They swayed across the room, and then the hypnotist had gone down under his antagonist. They fell together....

Denton leaped to his feet, dismayed at his own fury; but the hypnotist lay still, and suddenly from a little white mark where his forehead had struck a stool shot a hurrying band of red. For a space Denton stood over him irresolute, trembling.

A fear of the consequences entered his gently nurtured mind. He turned towards the door. "No," he said aloud, and came back to the middle of the room. Overcoming the instinctive repugnance of one who had seen no act of violence in all his life before, he knelt down beside his antagonist and felt his heart. Then he peered at the wound. He rose quietly and looked about him. He began to see more of the situation.

When presently the hypnotist recovered his senses, his head ached severely, his back was against Denton's knees and Denton was sponging his face.

The hypnotist did not speak. But presently he indicated by a gesture that in his opinion he had been sponged enough. "Let me get up," he said.

"Not yet," said Denton.

"You have assaulted me, you scoundrel!"

"We are alone," said Denton, "and the door is secure."

There was an interval of thought.

"Unless I sponge," said Denton, "your forehead will develop a tremendous bruise."

"You can go on sponging," said the hypnotist sulkily.

There was another pause.

"We might be in the Stone Age," said the hypnotist. "Violence! Struggle!"

"In the Stone Age no man dared to come between man and woman," said Denton.

The hypnotist thought again.

"What are you going to do?" he asked.

"While you were insensible I found the girl's address on your tablets. I did not know it before. I telephoned. She will be here soon. Then—"

"She will bring her chaperone."

"That is all right."

"But what—? I don't see. What do you mean to do?"

"I looked about for a weapon also. It is an astonishing thing how few weapons there are nowadays. If you consider that in the Stone Age men owned scarcely anything but weapons. I hit at last upon this lamp. I have wrenched off the wires and things, and I hold it so." He extended it over the hypnotist's shoulders. "With that I can quite easily smash your skull. I will—unless you do as I tell you."

"Violence is no remedy," said the hypnotist, quoting from the "Modern Man's Book of Moral Maxims."

"It's an undesirable disease," said Denton.

"Well?"

"You will tell that chaperone you are going to order the girl to marry that knobby little brute with the red hair and ferrety eyes. I believe that's how things stand?"

"Yes—that's how things stand."

"And, pretending to do that, you will restore her memory of me."

"It's unprofessional."

"Look here! If I cannot have that girl I would rather die than not. I don't propose to respect your little fancies. If anything goes wrong you shall not live five minutes. This is a rude makeshift of a weapon, and it may quite conceivably be painful to kill you. But I will. It is unusual, I know, nowadays to do things like this—mainly because there is so little in life that is worth being violent about."

"The chaperone will see you directly she comes—"

"I shall stand in that recess. Behind you."

The hypnotist thought. "You are a determined young man," he said, "and only half civilised. I have tried to do my duty to my client, but in this affair you seem likely to get your own way...."

"You mean to deal straightly."

"I'm not going to risk having my brains scattered in a petty affair like this."

"And afterwards?"

"There is nothing a hypnotist or doctor hates so much as a scandal. I at least am no savage. I am annoyed.... But in a day or so I shall bear no malice...."

"Thank you. And now that we understand each other, there is no necessity to keep you sitting any longer on the floor."

II—THE VACANT COUNTRY

The world, they say, changed more between the year 1800 and the year 1900 than it had done in the previous five hundred years. That century, the nineteenth century, was the dawn of a new epoch in the history of mankind—the epoch of the great cities, the end of the old order of country life.

In the beginning of the nineteenth century the majority of mankind still lived upon the countryside, as their way of life had been for countless generations. All over the world they dwelt in little towns and villages then, and engaged either directly in agriculture, or in occupations that were of service to the agriculturist. They travelled rarely, and dwelt close to their work, because swift means of transit had not yet come. The few who travelled went either on foot, or in slow sailing-ships, or by means of jogging horses incapable of more than sixty miles a day. Think of it!—sixty miles a day. Here and there, in those sluggish times, a town grew a little larger than its neighbours, as a port or as a centre of government; but all the towns in the world with more than a hundred thousand inhabitants could be counted on a man's fingers. So it was in the beginning of the nineteenth century. By the end, the invention of railways, telegraphs, steamships, and complex agricultural machinery, had changed all these things: changed them beyond all hope of return. The vast shops, the varied pleasures, the countless conveniences of the larger towns were suddenly possible, and no sooner existed than they were brought into competition with the homely resources of the rural centres. Mankind were drawn to the cities by an overwhelming attraction. The demand for labour fell with the increase of machinery, the local markets were entirely superseded, and there was a rapid growth of the larger centres at the expense of the open country.

The flow of population townward was the constant preoccupation of Victorian writers. In Great Britain and New England, in India and China, the same thing was remarked: everywhere a few swollen towns were visibly replacing the ancient order. That this was an inevitable result of improved means of travel and transport—that, given swift means of transit, these things must be—was realised by few; and the most puerile schemes were devised to overcome the mysterious magnetism of the urban centres, and keep the people on the land.

Yet the developments of the nineteenth century were only the dawning of the new order. The first great cities of the new time were horribly inconvenient, darkened by smoky fogs, insanitary and noisy; but the discovery of new methods of building, new methods of heating, changed all this. Between 1900 and 2000 the march of change was still more rapid; and between 2000 and 2100 the continually accelerated progress of human invention made the reign of Victoria the Good seem at last an almost incredible vision of idyllic tranquil days.

The introduction of railways was only the first step in that development of those means of locomotion which finally revolutionised human life. By the year 2000 railways and roads had vanished together. The railways, robbed of their rails, had become weedy ridges and ditches upon the face of the world; the old roads, strange barbaric tracks of flint and soil, hammered by hand or rolled by rough iron rollers, strewn with miscellaneous filth, and cut by iron hoofs and wheels into ruts and puddles often many inches deep, had been replaced by patent tracks made of a substance called Eadhamite. This Eadhamite—it was named after its patentee—ranks with the invention of printing and steam as one of the epoch-making discoveries of the world's history.

When Eadham discovered the substance, he probably thought of it as a mere cheap substitute for india rubber; it cost a few shillings a ton. But you can never tell all an invention will do. It was the genius of a man named Warming that pointed to the possibility of using it, not only for the tires of wheels, but as a road substance, and who organised the enormous network of public ways that speedily covered the world.

These public ways were made with longitudinal divisions. On the outer on either side went foot cyclists and conveyances travelling at a less speed than twenty-five miles an hour; in the middle, motors capable of speed up to a hundred; and the inner, Warming (in the face of enormous ridicule) reserved for vehicles travelling at speeds of a hundred miles an hour and upward.

For ten years his inner ways were vacant. Before he died they were the most crowded of all, and vast light frameworks with wheels of twenty and thirty feet in diameter, hurled along them at paces that year after year rose steadily towards two hundred miles an hour. And by the time this revolution was accomplished, a parallel revolution had transformed the ever-growing cities. Before the development of practical science the fogs and filth of Victorian times vanished. Electric heating replaced fires (in 2013 the lighting of a fire that did not absolutely consume its own smoke was made an indictable nuisance), and all the city ways, all public squares and places, were covered in with a recently invented glass-like substance. The roofing of London became practically continuous. Certain short-sighted and foolish legislation against tall buildings was abolished, and London, from a squat expanse of petty houses—feebly archaic in design—rose steadily towards the sky. To the municipal responsibility for water, light, and drainage, was added another, and that was ventilation.

But to tell of all the changes in human convenience that these two hundred years brought about, to tell of the long foreseen invention of flying, to describe how life in households was steadily supplanted by life in interminable hotels, how at last even those who were still concerned in agricultural work came to live in the towns and to go to and fro to their work every day, to describe how at last in all England only four towns remained, each with many millions of people, and how there were left no inhabited houses in all the countryside: to tell all this would take us far from our story of Denton and his Elizabeth. They had been separated and reunited, and still they could not marry. For Denton—it was his only fault—had no money. Neither had Elizabeth until she was twenty-one, and as yet she was only eighteen. At twenty-one all the property of her mother would come to her, for that was the custom of the time. She did not know that it was possible to anticipate her fortune, and Denton was far too delicate a lover to suggest such a thing. So things stuck hopelessly between them. Elizabeth said that she was very unhappy, and that nobody understood her but Denton, and that when she was away from him she was wretched; and Denton said that his heart longed for her day and night. And they met as often as they could to enjoy the discussion of their sorrows.

They met one day at their little seat upon the flying stage. The precise site of this meeting was where in Victorian times the road from Wimbledon came out upon the common. They were, however, five hundred feet above that point. Their seat looked far over London. To convey the appearance of it all to a nineteenth-century reader would have been difficult. One would have had to tell him to think of the Crystal Palace, of the newly built "mammoth" hotels—as those little affairs were called—of the larger railway stations of his time, and to imagine such buildings enlarged to vast proportions and run together and continuous over the whole metropolitan area. If then he was told that this continuous roof-space bore a huge forest of rotating wind-wheels, he would have begun very dimly to appreciate what to these young people was the commonest sight in their lives.

To their eyes it had something of the quality of a prison, and they were talking, as they had talked a hundred times before, of how they might escape from it and be at last happy together: escape from it, that is, before the appointed three years were at an end. It was, they both agreed, not only impossible but almost wicked, to wait three years. "Before that," said Denton—and the notes of his voice told of a splendid chest—"we might both be dead!"

Their vigorous young hands had to grip at this, and then Elizabeth had a still more poignant thought that brought the tears from her wholesome eyes and down her healthy cheeks. "One of us," she said, "one of us might be—"

She choked; she could not say the word that is so terrible to the young and happy.

Yet to marry and be very poor in the cities of that time was—for any one who had lived pleasantly—a very dreadful thing. In the old agricultural days that had drawn to an end in the eighteenth century there had been a pretty proverb of love in a cottage; and indeed in those days the poor of the countryside had dwelt in flower-covered, diamond-windowed cottages of thatch and plaster, with the sweet air and earth about them, amidst tangled hedges and the song of birds, and with the ever-changing sky overhead. But all this had changed (the change was already beginning in the nineteenth century), and a new sort of life was opening for the poor—in the lower quarters of the city.

In the nineteenth century the lower quarters were still beneath the sky; they were areas of land on clay or other unsuitable soil, liable to floods or exposed to the smoke of more fortunate districts, insufficiently supplied with water, and as insanitary as the great fear of infectious diseases felt by the wealthier classes permitted. In the twenty-second century, however, the growth of the city storey above storey, and the coalescence of buildings, had led to a different arrangement. The prosperous people lived in a vast series of sumptuous hotels in the upper storeys and halls of the city fabric; the industrial population dwelt beneath in the tremendous ground-floor and basement, so to speak, of the place.

In the refinement of life and manners these lower classes differed little from their ancestors, the East-enders of Queen Victoria's time; but they had developed a distinct dialect of their own. In these under ways they lived and died, rarely ascending to the surface except when work took them there. Since for most of them this was the sort of life to which they had been born, they found no great misery in such circumstances; but for people like Denton and Elizabeth, such a plunge would have seemed more terrible than death.

"And yet what else is there?" asked Elizabeth.

Denton professed not to know. Apart from his own feeling of delicacy, he was not sure how Elizabeth would like the idea of borrowing on the strength of her expectations.

The passage from London to Paris even, said Elizabeth, was beyond their means; and in Paris, as in any other city in the world, life would be just as costly and impossible as in London.

Well might Denton cry aloud: "If only we had lived in those days, dearest! If only we had lived in the past!" For to their eyes even nineteenth-century Whitechapel was seen through a mist of romance.

"Is there nothing?" cried Elizabeth, suddenly weeping. "Must we really wait for those three long years? Fancy three years—six-and-thirty months!" The human capacity for patience had not grown with the ages.

Then suddenly Denton was moved to speak of something that had already flickered across his mind. He had hit upon it at last. It seemed to him so wild a suggestion that he made it only half seriously. But to put a thing into words has ever a way of making it seem more real and possible than it seemed before. And so it was with him.

"Suppose," he said, "we went into the country?"

She looked at him to see if he was serious in proposing such an adventure.

"The country?"

"Yes—beyond there. Beyond the hills."

"How could we live?" she said. "Where could we live?"

"It is not impossible," he said. "People used to live in the country."

"But then there were houses."

"There are the ruins of villages and towns now. On the clay lands they are gone, of course. But they are still left on the grazing land, because it does not pay the Food Company to remove them. I know that—for certain. Besides, one sees them from the flying machines, you know. Well, we might shelter in some one of these, and repair it with our hands. Do you know, the thing is not so wild as it seems. Some of the men who go out every day to look after the crops and herds might be paid to bring us food...."

She stood in front of him. "How strange it would be if one really could...."

"Why not?"

"But no one dares."

"That is no reason."

"It would be—oh! it would be so romantic and strange. If only it were possible."

"Why not possible?"

"There are so many things. Think of all the things we have, things that we should miss."

"Should we miss them? After all, the life we lead is very unreal—very artificial." He began to expand his idea, and as he warmed to his exposition the fantastic quality of his first proposal faded away.

She thought. "But I have heard of prowlers—escaped criminals."

He nodded. He hesitated over his answer because he thought it sounded boyish. He blushed. "I could get some one I know to make me a sword."

She looked at him with enthusiasm growing in her eyes. She had heard of swords, had seen one in a museum; she thought of those ancient days when men wore them as a common thing. His suggestion seemed an impossible dream to her, and perhaps for that reason she was eager for more detail. And inventing for the most part as he went along, he told her, how they might live in the country as the old-world people had done. With every detail her interest grew, for she was one of those girls for whom romance and adventure have a fascination.

His suggestion seemed, I say, an impossible dream to her on that day, but the next day they talked about it again, and it was strangely less impossible.

"At first we should take food," said Denton. "We could carry food for ten or twelve days." It was an age of compact artificial nourishment, and such a provision had none of the unwieldy suggestion it would have had in the nineteenth century.

"But—until our house," she asked—"until it was ready, where should we sleep?"

"It is summer."

"But ... What do you mean?"

"There was a time when there were no houses in the world; when all mankind slept always in the open air."

"But for us! The emptiness! No walls—no ceiling!"

"Dear," he said, "in London you have many beautiful ceilings. Artists paint them and stud them with lights. But I have seen a ceiling more beautiful than any in London...."

"But where?"

"It is the ceiling under which we two would be alone...."

"You mean...?"

"Dear," he said, "it is something the world has forgotten. It is Heaven and all the host of stars."

Each time they talked the thing seemed more possible and more desirable to them. In a week or so it was quite possible. Another week, and it was the inevitable thing they had to do. A great enthusiasm for the country seized hold of them and possessed them. The sordid tumult of the town, they said, overwhelmed them. They marvelled that this simple way out of their troubles had never come upon them before.

One morning near Midsummer-day, there was a new minor official upon the flying stage, and Denton's place was to know him no more.

Our two young people had secretly married, and were going forth manfully out of the city in which they and their ancestors before them had lived all their days. She wore a new dress of white cut in an old-fashioned pattern, and he had a bundle of provisions strapped athwart his back, and in his hand he carried—rather shame-facedly it is true, and under his purple cloak—an implement of archaic form, a cross-hilted thing of tempered steel.

Imagine that going forth! In their days the sprawling suburbs of Victorian times with their vile roads, petty houses, foolish little gardens of shrub and geranium, and all their futile, pretentious privacies, had disappeared: the towering buildings of the new age, the mechanical ways, the electric and water mains, all came to an end together, like a wall, like a cliff, near four hundred feet in height, abrupt and sheer. All about the city spread the carrot, swede, and turnip fields of the Food Company, vegetables that were the basis of a thousand varied foods, and weeds and hedgerow tangles had been utterly extirpated. The incessant expense of weeding that went on year after year in the petty, wasteful and barbaric farming of the ancient days, the Food Company had economised for ever more by a campaign of extermination. Here and there, however, neat rows of bramble standards and apple trees with whitewashed stems, intersected the fields, and at places groups of gigantic teazles reared their favoured spikes. Here and there huge agricultural machines hunched under waterproof covers. The mingled waters of the Wey and Mole and Wandle ran in rectangular channels; and wherever a gentle elevation of the ground permitted a fountain of deodorised sewage distributed its benefits athwart the land and made a rainbow of the sunlight.

By a great archway in that enormous city wall emerged the Eadhamite road to Portsmouth, swarming in the morning sunshine with an enormous traffic bearing the blue-clad servants of the Food Company to their toil. A rushing traffic, beside which they seemed two scarce-moving dots. Along the outer tracks hummed and rattled the tardy little old-fashioned motors of such as had duties within twenty miles or so of the city; the inner ways were filled with vaster mechanisms—swift monocycles bearing a score of men, lank multicycles, quadricycles sagging with heavy loads, empty gigantic produce carts that would come back again filled before the sun was setting, all with throbbing engines and noiseless wheels and a perpetual wild melody of horns and gongs.

Along the very verge of the outermost way our young people went in silence, newly wed and oddly shy of one another's company. Many were the things shouted to them as they tramped along, for in 2100 a foot-passenger on an English road was almost as strange a sight as a motor car would have been in 1800. But they went on with steadfast eyes into the country, paying no heed to such cries.

Before them in the south rose the Downs, blue at first, and as they came nearer changing to green, surmounted by the row of gigantic wind-wheels that supplemented the wind-wheels upon the roof-spaces of the city, and broken and restless with the long morning shadows of those whirling vanes. By midday they had come so near that they could see here and there little patches of pallid dots—the sheep the Meat Department of the Food Company owned. In another hour they had passed the clay and the root crops and the single fence that hedged them in, and the prohibition against trespass no longer held: the levelled roadway plunged into a cutting with all its traffic, and they could leave it and walk over the greensward and up the open hillside.

Never had these children of the latter days been together in such a lonely place.

They were both very hungry and footsore—for walking was a rare exercise—and presently they sat down on the weedless, close-cropped grass, and looked back for the first time at the city from which they had come, shining wide and splendid in the blue haze of the valley of the Thames. Elizabeth was a little afraid of the unenclosed sheep away up the slope—she had never been near big unrestrained animals before—but Denton reassured her. And overhead a white-winged bird circled in the blue.

They talked but little until they had eaten, and then their tongues were loosened. He spoke of the happiness that was now certainly theirs, of the folly of not breaking sooner out of that magnificent prison of latter-day life, of the old romantic days that had passed from the world for ever. And then he became boastful. He took up the sword that lay on the ground beside him, and she took it from his hand and ran a tremulous finger along the blade.

"And you could," she said, "you—could raise this and strike a man?"

"Why not? If there were need."

"But," she said, "it seems so horrible. It would slash.... There would be"—her voice sank,—"blood."

"In the old romances you have read often enough ..."

"Oh, I know: in those—yes. But that is different. One knows it is not blood, but just a sort of red ink.... And you—killing!"

She looked at him doubtfully, and then handed him back the sword.

After they had rested and eaten, they rose up and went on their way towards the hills. They passed quite close to a huge flock of sheep, who stared and bleated at their unaccustomed figures. She had never seen sheep before, and she shivered to think such gentle things must needs be slain for food. A sheep-dog barked from a distance, and then a shepherd appeared amidst the supports of the wind-wheels, and came down towards them.

When he drew near he called out asking whither they were going.

Denton hesitated, and told him briefly that they sought some ruined house among the Downs, in which they might live together. He tried to speak in an off-hand manner, as though it was a usual thing to do. The man stared incredulously.

"Have you done anything?" he asked.

"Nothing," said Denton. "Only we don't want to live in a city any longer. Why should we live in cities?"

The shepherd stared more incredulously than ever. "You can't live here," he said.

"We mean to try."

The shepherd stared from one to the other. "You'll go back to-morrow," he said. "It looks pleasant enough in the sunlight.... Are you sure you've done nothing? We shepherds are not such great friends of the police."

Denton looked at him steadfastly. "No," he said. "But we are too poor to live in the city, and we can't bear the thought of wearing clothes of blue canvas and doing drudgery. We are going to live a simple life here, like the people of old."

The shepherd was a bearded man with a thoughtful face. He glanced at Elizabeth's fragile beauty.

"They had simple minds," he said.

"So have we," said Denton.

The shepherd smiled.

"If you go along here," he said, "along the crest beneath the wind-wheels, you will see a heap of mounds and ruins on your right-hand side. That was once a town called Epsom. There are no houses there, and the bricks have been used for a sheep pen. Go on, and another heap on the edge of the root-land is Leatherhead; and then the hill turns away along the border of a valley, and there are woods of beech. Keep along the crest. You will come to quite wild places. In some parts, in spite of all the weeding that is done, ferns and bluebells and other such useless plants are growing still. And through it all underneath the wind-wheels runs a straight lane paved with stones, a roadway of the Romans two thousand years old. Go to the right of that, down into the valley and follow it along by the banks of the river. You come presently to a street of houses, many with the roofs still sound upon them. There you may find shelter."

They thanked him.

"But it's a quiet place. There is no light after dark there, and I have heard tell of robbers. It is lonely. Nothing happens there. The phonographs of the story-tellers, the kinematograph entertainments, the news machines—none of them are to be found there. If you are hungry there is no food, if you are ill no doctor ..." He stopped.

"We shall try it," said Denton, moving to go on. Then a thought struck him, and he made an agreement with the shepherd, and learnt where they might find him, to buy and bring them anything of which they stood in need, out of the city.

And in the evening they came to the deserted village, with its houses that seemed so small and odd to them: they found it golden in the glory of the sunset, and desolate and still. They went from one deserted house to another, marvelling at their quaint simplicity, and debating which they should choose. And at last, in a sunlit corner of a room that had lost its outer wall, they came upon a wild flower, a little flower of blue that the weeders of the Food Company had overlooked.

That house they decided upon; but they did not remain in it long that night, because they were resolved to feast upon nature. And moreover the houses became very gaunt and shadowy after the sunlight had faded out of the sky. So after they had rested a little time they went to the crest of the hill again to see with their own eyes the silence of heaven set with stars, about which the old poets had had so many things to tell. It was a wonderful sight, and Denton talked like the stars, and when they went down the hill at last the sky was pale with dawn. They slept but little, and in the morning when they woke a thrush was singing in a tree.

So these young people of the twenty-second century began their exile. That morning they were very busy exploring the resources of this new home in which they were going to live the simple life. They did not explore very fast or very far, because they went everywhere hand-in-hand; but they found the beginnings of some furniture. Beyond the village was a store of winter fodder for the sheep of the Food Company, and Denton dragged great armfuls to the house to make a bed; and in several of the houses were old fungus-eaten chairs and tables—rough, barbaric, clumsy furniture, it seemed to them, and made of wood. They repeated many of the things they had said on the previous day, and towards evening they found another flower, a harebell. In the late afternoon some Company shepherds went down the river valley riding on a big multicycle; but they hid from them, because their presence, Elizabeth said, seemed to spoil the romance of this old-world place altogether.

In this fashion they lived a week. For all that week the days were cloudless, and the nights nights of starry glory, that were invaded each a little more by a crescent moon.

Yet something of the first splendour of their coming faded—faded imperceptibly day after day; Denton's eloquence became fitful, and lacked fresh topics of inspiration; the fatigue of their long march from London told in a certain stiffness of the limbs, and each suffered from a slight unaccountable cold. Moreover, Denton became aware of unoccupied time. In one place among the carelessly heaped lumber of the old times he found a rust-eaten spade, and with this he made a fitful attack on the razed and grass-grown garden—though he had nothing to plant or sow. He returned to Elizabeth with a sweat-streaming face, after half an hour of such work.

"There were giants in those days," he said, not understanding what wont and training will do. And their walk that day led them along the hills until they could see the city shimmering far away in the valley. "I wonder how things are going on there," he said.

And then came a change in the weather. "Come out and see the clouds," she cried; and behold! they were a sombre purple in the north and east, streaming up to ragged edges at the zenith. And as they went up the hill these hurrying streamers blotted out the sunset. Suddenly the wind set the beech-trees swaying and whispering, and Elizabeth shivered. And then far away the lightning flashed, flashed like a sword that is drawn suddenly, and the distant thunder marched about the sky, and even as they stood astonished, pattering upon them came the first headlong raindrops of the storm. In an instant the last streak of sunset was hidden by a falling curtain of hail, and the lightning flashed again, and the voice of the thunder roared louder, and all about them the world scowled dark and strange.

Seizing hands, these children of the city ran down the hill to their home, in infinite astonishment. And ere they reached it, Elizabeth was weeping with dismay, and the darkling ground about them was white and brittle and active with the pelting hail.

Then began a strange and terrible night for them. For the first time in their civilised lives they were in absolute darkness; they were wet and cold and shivering, all about them hissed the hail, and through the long neglected ceilings of the derelict home came noisy spouts of water and formed pools and rivulets on the creaking floors. As the gusts of the storm struck the worn-out building, it groaned and shuddered, and now a mass of plaster from the wall would slide and smash, and now some loosened tile would rattle down the roof and crash into the empty greenhouse below. Elizabeth shuddered, and was still; Denton wrapped his gay and flimsy city cloak about her, and so they crouched in the darkness. And ever the thunder broke louder and nearer, and ever more lurid flashed the lightning, jerking into a momentary gaunt clearness the steaming, dripping room in which they sheltered.

Never before had they been in the open air save when the sun was shining. All their time had been spent in the warm and airy ways and halls and rooms of the latter-day city. It was to them that night as if they were in some other world, some disordered chaos of stress and tumult, and almost beyond hoping that they should ever see the city ways again.

The storm seemed to last interminably, until at last they dozed between the thunderclaps, and then very swiftly it fell and ceased. And as the last patter of the rain died away they heard an unfamiliar sound.

"What is that?" cried Elizabeth.

It came again. It was the barking of dogs. It drove down the desert lane and passed; and through the window, whitening the wall before them and throwing upon it the shadow of the window-frame and of a tree in black silhouette, shone the light of the waxing moon....

Just as the pale dawn was drawing the things about them into sight, the fitful barking of dogs came near again, and stopped. They listened. After a pause they heard the quick pattering of feet seeking round the house, and short, half-smothered barks. Then again everything was still.

"Ssh!" whispered Elizabeth, and pointed to the door of their room.

Denton went half-way towards the door, and stood listening. He came back with a face of affected unconcern. "They must be the sheep-dogs of the Food Company," he said. "They will do us no harm."

He sat down again beside her. "What a night it has been!" he said, to hide how keenly he was listening.

"I don't like dogs," answered Elizabeth, after a long silence.

"Dogs never hurt any one," said Denton. "In the old days—in the nineteenth century—everybody had a dog."

"There was a romance I heard once. A dog killed a man."

"Not this sort of dog," said Denton confidently. "Some of those romances—are exaggerated."

Suddenly a half bark and a pattering up the staircase; the sound of panting. Denton sprang to his feet and drew the sword out of the damp straw upon which they had been lying. Then in the doorway appeared a gaunt sheep-dog, and halted there. Behind it stared another. For an instant man and brute faced each other, hesitating.

Then Denton, being ignorant of dogs, made a sharp step forward. "Go away," he said, with a clumsy motion of his sword.

The dog started and growled. Denton stopped sharply. "Good dog!" he said.

The growling jerked into a bark.

"Good dog!" said Denton. The second dog growled and barked. A third out of sight down the staircase took up the barking also. Outside others gave tongue—a large number it seemed to Denton.

"This is annoying," said Denton, without taking his eye off the brutes before him. "Of course the shepherds won't come out of the city for hours yet. Naturally these dogs don't quite make us out."

"I can't hear," shouted Elizabeth. She stood up and came to him.

Denton tried again, but the barking still drowned his voice. The sound had a curious effect upon his blood. Odd disused emotions began to stir; his face changed as he shouted. He tried again; the barking seemed to mock him, and one dog danced a pace forward, bristling. Suddenly he turned, and uttering certain words in the dialect of the underways, words incomprehensible to Elizabeth, he made for the dogs. There was a sudden cessation of the barking, a growl and a snapping. Elizabeth saw the snarling head of the foremost dog, its white teeth and retracted ears, and the flash of the thrust blade. The brute leapt into the air and was flung back.

Then Denton, with a shout, was driving the dogs before him. The sword flashed above his head with a sudden new freedom of gesture, and then he vanished down the staircase. She made six steps to follow him, and on the landing there was blood. She stopped, and hearing the tumult of dogs and Denton's shouts pass out of the house, ran to the window.

Nine wolfish sheep-dogs were scattering, one writhed before the porch; and Denton, tasting that strange delight of combat that slumbers still in the blood of even the most civilised man, was shouting and running across the garden space. And then she saw something that for a moment he did not see. The dogs circled round this way and that, and came again. They had him in the open.

In an instant she divined the situation. She would have called to him. For a moment she felt sick and helpless, and then, obeying a strange impulse, she gathered up her white skirt and ran downstairs. In the hall was the rusting spade. That was it! She seized it and ran out.

She came none too soon. One dog rolled before him, well-nigh slashed in half; but a second had him by the thigh, a third gripped his collar behind, and a fourth had the blade of the sword between its teeth, tasting its own blood. He parried the leap of a fifth with his left arm.

It might have been the first century instead of the twenty-second, so far as she was concerned. All the gentleness of her eighteen years of city life vanished before this primordial need. The spade smote hard and sure, and cleft a dog's skull. Another, crouching for a spring, yelped with dismay at this unexpected antagonist, and rushed aside. Two wasted precious moments on the binding of a feminine skirt.

The collar of Denton's cloak tore and parted as he staggered back; and that dog too felt the spade, and ceased to trouble him. He sheathed his sword in the brute at his thigh.

"To the wall!" cried Elizabeth; and in three seconds the fight was at an end, and our young people stood side by side, while a remnant of five dogs, with ears and tails of disaster, fled shamefully from the stricken field.

For a moment they stood panting and victorious, and then Elizabeth, dropping her spade, covered her face, and sank to the ground in a paroxysm of weeping. Denton looked about him, thrust the point of his sword into the ground so that it was at hand, and stooped to comfort her.

* * * * *

At last their more tumultuous emotions subsided, and they could talk again. She leant upon the wall, and he sat upon it so that he could keep an eye open for any returning dogs. Two, at any rate, were up on the hillside and keeping up a vexatious barking.

She was tear-stained, but not very wretched now, because for half an hour he had been repeating that she was brave and had saved his life. But a new fear was growing in her mind.

"They are the dogs of the Food Company," she said. "There will be trouble."

"I am afraid so. Very likely they will prosecute us for trespass."

A pause.

"In the old times," he said, "this sort of thing happened day after day."

"Last night!" she said. "I could not live through another such night."

He looked at her. Her face was pale for want of sleep, and drawn and haggard. He came to a sudden resolution. "We must go back," he said.

She looked at the dead dogs, and shivered. "We cannot stay here," she said.

"We must go back," he repeated, glancing over his shoulder to see if the enemy kept their distance. "We have been happy for a time.... But the world is too civilised. Ours is the age of cities. More of this will kill us."

"But what are we to do? How can we live there?"

Denton hesitated. His heel kicked against the wall on which he sat. "It's a thing I haven't mentioned before," he said, and coughed; "but ..."

"Yes?"

"You could raise money on your expectations," he said.

"Could I?" she said eagerly.

"Of course you could. What a child you are!"

She stood up, and her face was bright. "Why did you not tell me before?" she asked. "And all this time we have been here!"

He looked at her for a moment, and smiled. Then the smile vanished. "I thought it ought to come from you," he said. "I didn't like to ask for your money. And besides—at first I thought this would be rather fine."

There was a pause.

"It has been fine," he said; and glanced once more over his shoulder. "Until all this began."

"Yes," she said, "those first days. The first three days."

They looked for a space into one another's faces, and then Denton slid down from the wall and took her hand.

"To each generation," he said, "the life of its time. I see it all plainly now. In the city—that is the life to which we were born. To live in any other fashion ... Coming here was a dream, and this—is the awakening."

"It was a pleasant dream," she said,—"in the beginning."

For a long space neither spoke.

"If we would reach the city before the shepherds come here, we must start," said Denton. "We must get our food out of the house and eat as we go."

Denton glanced about him again, and, giving the dead dogs a wide berth, they walked across the garden space and into the house together. They found the wallet with their food, and descended the blood-stained stairs again. In the hall Elizabeth stopped. "One minute," she said. "There is something here."

She led the way into the room in which that one little blue flower was blooming. She stooped to it, she touched it with her hand.

"I want it," she said; and then, "I cannot take it...."

Impulsively she stooped and kissed its petals.

Then silently, side by side, they went across the empty garden-space into the old high road, and set their faces resolutely towards the distant city—towards the complex mechanical city of those latter days, the city that had swallowed up mankind.

III—THE WAYS OF THE CITY

Prominent if not paramount among world-changing inventions in the history of man is that series of contrivances in locomotion that began with the railway and ended for a century or more with the motor and the patent road. That these contrivances, together with the device of limited liability joint stock companies and the supersession of agricultural labourers by skilled men with ingenious machinery, would necessarily concentrate mankind in cities of unparallelled magnitude and work an entire revolution in human life, became, after the event, a thing so obvious that it is a matter of astonishment it was not more clearly anticipated. Yet that any steps should be taken to anticipate the miseries such a revolution might entail does not appear even to have been suggested; and the idea that the moral prohibitions and sanctions, the privileges and concessions, the conception of property and responsibility, of comfort and beauty, that had rendered the mainly agricultural states of the past prosperous and happy, would fail in the rising torrent of novel opportunities and novel stimulations, never seems to have entered the nineteenth-century mind. That a citizen, kindly and fair in his ordinary life, could as a shareholder become almost murderously greedy; that commercial methods that were reasonable and honourable on the old-fashioned countryside, should on an enlarged scale be deadly and overwhelming; that ancient charity was modern pauperisation, and ancient employment modern sweating; that, in fact, a revision and enlargement of the duties and rights of man had become urgently necessary, were things it could not entertain, nourished as it was on an archaic system of education and profoundly retrospective and legal in all its habits of thought. It was known that the accumulation of men in cities involved unprecedented dangers of pestilence; there was an energetic development of sanitation; but that the diseases of gambling and usury, of luxury and tyranny should become endemic, and produce horrible consequences was beyond the scope of nineteenth-century thought. And so, as if it were some inorganic process, practically unhindered by the creative will of man, the growth of the swarming unhappy cities that mark the twenty-first century accomplished itself.

The new society was divided into three main classes. At the summit slumbered the property owner, enormously rich by accident rather than design, potent save for the will and aim, the last avatar of Hamlet in the world. Below was the enormous multitude of workers employed by the gigantic companies that monopolised control; and between these two the dwindling middle class, officials of innumerable sorts, foremen, managers, the medical, legal, artistic, and scholastic classes, and the minor rich, a middle class whose members led a life of insecure luxury and precarious speculation amidst the movements of the great managers.

Already the love story and the marrying of two persons of this middle class have been told: how they overcame the obstacles between them, and how they tried the simple old-fashioned way of living on the countryside and came back speedily enough into the city of London. Denton had no means, so Elizabeth borrowed money on the securities that her father Mwres held in trust for her until she was one-and-twenty.

The rate of interest she paid was of course high, because of the uncertainty of her security, and the arithmetic of lovers is often sketchy and optimistic. Yet they had very glorious times after that return. They determined they would not go to a Pleasure city nor waste their days rushing through the air from one part of the world to the other, for in spite of one disillusionment, their tastes were still old-fashioned. They furnished their little room with quaint old Victorian furniture, and found a shop on the forty-second floor in Seventh Way where printed books of the old sort were still to be bought. It was their pet affectation to read print instead of hearing phonographs. And when presently there came a sweet little girl, to unite them further if it were possible, Elizabeth would not send it to a creche, as the custom was, but insisted on nursing it at home. The rent of their apartments was raised on account of this singular proceeding, but that they did not mind. It only meant borrowing a little more.

Presently Elizabeth was of age, and Denton had a business interview with her father that was not agreeable. An exceedingly disagreeable interview with their money-lender followed, from which he brought home a white face. On his return Elizabeth had to tell him of a new and marvellous intonation of "Goo" that their daughter had devised, but Denton was inattentive. In the midst, just as she was at the cream of her description, he interrupted. "How much money do you think we have left, now that everything is settled?"

She stared and stopped her appreciative swaying of the Goo genius that had accompanied her description.

"You don't mean...?"

"Yes," he answered. "Ever so much. We have been wild. It's the interest. Or something. And the shares you had, slumped. Your father did not mind. Said it was not his business, after what had happened. He's going to marry again.... Well—we have scarcely a thousand left!"

"Only a thousand?"

"Only a thousand."

And Elizabeth sat down. For a moment she regarded him with a white face, then her eyes went about the quaint, old-fashioned room, with its middle Victorian furniture and genuine oleographs, and rested at last on the little lump of humanity within her arms.

Denton glanced at her and stood downcast. Then he swung round on his heel and walked up and down very rapidly.

"I must get something to do," he broke out presently. "I am an idle scoundrel. I ought to have thought of this before. I have been a selfish fool. I wanted to be with you all day...."

He stopped, looking at her white face. Suddenly he came and kissed her and the little face that nestled against her breast.

"It's all right, dear," he said, standing over her; "you won't be lonely now—now Dings is beginning to talk to you. And I can soon get something to do, you know. Soon.... Easily.... It's only a shock at first. But it will come all right. It's sure to come right. I will go out again as soon as I have rested, and find what can be done. For the present it's hard to think of anything...."

"It would be hard to leave these rooms," said Elizabeth; "but——"

"There won't be any need of that—trust me."

"They are expensive."

Denton waved that aside. He began talking of the work he could do. He was not very explicit what it would be; but he was quite sure that there was something to keep them comfortably in the happy middle class, whose way of life was the only one they knew.

"There are three-and-thirty million people in London," he said: "some of them must have need of me."

"Some must."

"The trouble is ... Well—Bindon, that brown little old man your father wanted you to marry. He's an important person.... I can't go back to my flying-stage work, because he is now a Commissioner of the Flying Stage Clerks."

"I didn't know that," said Elizabeth.

"He was made that in the last few weeks ... or things would be easy enough, for they liked me on the flying stage. But there's dozens of other things to be done—dozens. Don't you worry, dear. I'll rest a little while, and then we'll dine, and then I'll start on my rounds. I know lots of people—lots."

So they rested, and then they went to the public dining-room and dined, and then he started on his search for employment. But they soon realised that in the matter of one convenience the world was just as badly off as it had ever been, and that was a nice, secure, honourable, remunerative employment, leaving ample leisure for the private life, and demanding no special ability, no violent exertion nor risk, and no sacrifice of any sort for its attainment. He evolved a number of brilliant projects, and spent many days hurrying from one part of the enormous city to another in search of influential friends; and all his influential friends were glad to see him, and very sanguine until it came to definite proposals, and then they became guarded and vague. He would part with them coldly, and think over their behaviour, and get irritated on his way back, and stop at some telephone office and spend money on an animated but unprofitable quarrel. And as the days passed, he got so worried and irritated that even to seem kind and careless before Elizabeth cost him an effort—as she, being a loving woman, perceived very clearly.

After an extremely complex preface one day, she helped him out with a painful suggestion. He had expected her to weep and give way to despair when it came to selling all their joyfully bought early Victorian treasures, their quaint objects of art, their antimacassars, bead mats, repp curtains, veneered furniture, gold-framed steel engravings and pencil drawings, wax flowers under shades, stuffed birds, and all sorts of choice old things; but it was she who made the proposal. The sacrifice seemed to fill her with pleasure, and so did the idea of shifting to apartments ten or twelve floors lower in another hotel. "So long as Dings is with us, nothing matters," she said. "It's all experience." So he kissed her, said she was braver than when she fought the sheep-dogs, called her Boadicea, and abstained very carefully from reminding her that they would have to pay a considerably higher rent on account of the little voice with which Dings greeted the perpetual uproar of the city.

His idea had been to get Elizabeth out of the way when it came to selling the absurd furniture about which their affections were twined and tangled; but when it came to the sale it was Elizabeth who haggled with the dealer while Denton went about the running ways of the city, white and sick with sorrow and the fear of what was still to come. When they moved into their sparsely furnished pink-and-white apartments in a cheap hotel, there came an outbreak of furious energy on his part, and then nearly a week of lethargy during which he sulked at home. Through those days Elizabeth shone like a star, and at the end Denton's misery found a vent in tears. And then he went out into the city ways again, and—to his utter amazement—found some work to do.

His standard of employment had fallen steadily until at last it had reached the lowest level of independent workers. At first he had aspired to some high official position in the great Flying or Wind Vane or Water Companies, or to an appointment on one of the General Intelligence Organisations that had replaced newspapers, or to some professional partnership, but those were the dreams of the beginning. From that he had passed to speculation, and three hundred gold "lions" out of Elizabeth's thousand had vanished one evening in the share market. Now he was glad his good looks secured him a trial in the position of salesman to the Suzannah Hat Syndicate, a Syndicate, dealing in ladies' caps, hair decorations, and hats—for though the city was completely covered in, ladies still wore extremely elaborate and beautiful hats at the theatres and places of public worship.

It would have been amusing if one could have confronted a Regent Street shopkeeper of the nineteenth century with the development of his establishment in which Denton's duties lay. Nineteenth Way was still sometimes called Regent Street, but it was now a street of moving platforms and nearly eight hundred feet wide. The middle space was immovable and gave access by staircases descending into subterranean ways to the houses on either side. Right and left were an ascending series of continuous platforms each of which travelled about five miles an hour faster than the one internal to it, so that one could step from platform to platform until one reached the swiftest outer way and so go about the city. The establishment of the Suzannah Hat Syndicate projected a vast facade upon the outer way, sending out overhead at either end an overlapping series of huge white glass screens, on which gigantic animated pictures of the faces of well-known beautiful living women wearing novelties in hats were thrown. A dense crowd was always collected in the stationary central way watching a vast kinematograph which displayed the changing fashion. The whole front of the building was in perpetual chromatic change, and all down the facade—four hundred feet it measured—and all across the street of moving ways, laced and winked and glittered in a thousand varieties of colour and lettering the inscription—