"Will they treat him well, when he's got no money?"

"As well as if he paid."

"And you will go and see that everything's all right?"

"It'll be a pleasure."

Under a gas lamp he took out a card and gave it to her. She thanked him and put it in the bosom of her blouse where lay all the money they had—the eleven dollars and eighty cents. They walked to the hotel, as cars were few at that hour. He did all the talking—assurances that her "father" could not fail to get well, that typhoid wasn't anything like the serious disease it used to be, and that he probably had a light form of it. The girl listened, but her heart could not grow less heavy. As he was leaving her at the hotel door, he hesitated, then asked if she wouldn't let him call and take her to the hospital the next morning, or, rather, later that same morning. She accepted, she hoped that, if he were with her, she gratefully; would be admitted to see Burlingham and could assure herself that he was well taken care of.

The night porter tried to detain her for a little chat. "Well," said he, "it's a good hospital—for you folks with money. Of course, for us poor people it's different. You couldn't hire me to go there."

Susan turned upon him. "Why not?" she asked.

"Oh, if a man's poor, or can't pay for nice quarters, they treat him any old way. Yes, they're good doctors and all that. But they're like everybody else. They don't give a darn for poor people. But your uncle'll be all right there."

For the first time in her life Susan did not close her eyes in sleep.

The young doctor was so moved by her worn appearance that he impulsively said: "Have you some troubles you've said nothing about? Please don't hesitate to tell me."

"Oh, you needn't worry about me," replied she. "I simply didn't sleep—that's all. Do they treat charity patients badly at the hospital?"

"Certainly not," declared he earnestly. "Of course, a charity patient can't have a room to himself. But that's no disadvantage."

"How much is a room?"

"The cheapest are ten dollars a week. That includes private attendance—a little better nursing than the public patients get—perhaps. But, really—Miss Sackville——"

"He must have a room," said Susan.

"You are sure you can afford it? The difference isn't——"

"He must have a room." She held out a ten-dollar bill—ten dollars of the eleven dollars and eighty cents. "This'll pay for the first week. You fix it, won't you?"

Young Doctor Hamilton hesitatingly took the money. "You are quite, quite sure, Miss Sackville?—Quite sure you can afford this extravagance—for it is an extravagance."

"He must have the best we can afford," evaded she.

She waited in the office while Hamilton went up. When he came down after perhaps half an hour, he had an air of cheerfulness. "Everything going nicely," said he.

Susan's violet-gray eyes gazed straight into his brown eyes; and the brown eyes dropped. "You are not telling me the truth," said she.

"I'm not denying he's a very sick man," protested Hamilton.

"Is he——"

She could not pronounce the word.

"Nothing like that—believe me, nothing. He has the chances all with him."

And Susan tried to believe. "He will have a room?"

"He has a room. That's why I was so long. And I'm glad he has—for, to be perfectly honest, the attendance—not the treatment, but the attendance—is much better for private patients."

Susan was looking at the floor. Presently she drew a long breath, rose. "Well, I must be going," said she. And she went to the street, he accompanying her.

"If you're going back to the hotel," said he, "I'm walking that way."

"No, I've got to go this way," replied she, looking up Elm Street.

He saw she wished to be alone, and left her with the promise to see Burlingham again that afternoon and let her know at the hotel how he was getting on. He went east, she north. At the first corner she stopped, glanced back to make sure he was not following. From her bosom she drew four business cards. She had taken the papers from the pockets of Burlingham's clothes and from the drawer of the table in his room, to put them all together for safety; she had found these cards, the addresses of theatrical agents. As she looked at them, she remembered Burlingham's having said that Blynn—Maurice Blynn, at Vine and Ninth Streets—might give them something at one of the "over the Rhine" music halls, as a last resort. She noted the address, put away the cards and walked on, looking about for a policeman. Soon she came to a bridge over a muddy stream—a little river, she thought at first, then remembered that it must be the canal—the Rhine, as it was called, because the city's huge German population lived beyond it, keeping up the customs and even the language of the fatherland. She stood on the bridge, watching the repulsive waters from which arose the stench of sewage; watching canal boats dragged drearily by mules with harness-worn hides; followed with her melancholy eyes the course of the canal under bridge after bridge, through a lane of dirty, noisy factories pouring out from lofty chimneys immense clouds of black smoke. It ought to have been a bright summer day, but the sun shone palely through the dense clouds; a sticky, sooty moisture saturated the air, formed a skin of oily black ooze over everything exposed to it. A policeman, a big German, with stupid honest face, brutal yet kindly, came lounging along.

"I beg your pardon," said Susan, "but would you mind telling me where—" she had forgotten the address, fumbled in her bosom for the cards, showed him Blynn's card—"how I can get to this?"

The policeman nodded as he read the address. "Keep on this way, lady"—he pointed his baton south—"until you've passed four streets. At the fifth street turn east. Go one—two—three—four—five streets east. Understand?"

"Yes, thank you," said the girl with the politeness of deep gratitude.

"You'll be at Vine. You'll see the name on the street lamp. Blynn's on the southwest corner. Think you can find it?"

"I'm sure I can."

"I'm going that way," continued the policeman. "But you'd better walk ahead. If you walked with me, they'd think you was pinched—and we'd have a crowd after us." And he laughed with much shaking of his fat, tightly belted body.

Susan contrived to force a smile, though the suggestion of such a disgraceful scene made her shudder. "Thank you so much. I'm sure I'll find it." And she hastened on, eager to put distance between herself and that awkward company.

"Don't mention it, lady," the policeman called after her, tapping his baton on the rim of his helmet, as a mark of elegant courtesy.

She was not at ease until, looking back, she no longer saw the bluecoat for the intervening crowds. After several slight mistakes in the way, she descried ahead of her a large sign painted on the wall of a three-story brick building:

MAURICE BLYNN, THEATRICAL AGENT ALL KINDS OF TALENT PLACED AND SUPPLIED

After some investigation she discovered back of the saloon which occupied the street floor a grimy and uneven wooden staircase leading to the upper stories. At the first floor she came face to face with a door on the glass of which was painted the same announcement she had read from the wall. She knocked timidly, then louder. A shrill voice came from the interior:

"The door's open. Come in."

She turned the knob and entered a small, low-ceilinged room whose general grime was streaked here and there with smears of soot. It contained a small wooden table at which sprawled a freckled and undernourished office boy, and a wooden bench where fretted a woman obviously of "the profession." She was dressed in masses of dirty white furbelows. On her head reared a big hat, above an incredible quantity of yellow hair; on the hat were badly put together plumes of badly curled ostrich feathers. Beneath her skirt was visible one of her feet; it was large and fat, was thrust into a tiny slipper with high heel ending under the arch of the foot. The face of the actress was young and pertly pretty, but worn, overpainted, overpowdered and underwashed. She eyed Susan insolently.

"Want to see the boss?" said the boy.

"If you please," murmured Susan.

"Business?"

"I'm looking for a—for a place."

The boy examined her carefully. "Appointment?"

"No, sir," replied the girl.

"Well—he'll see you, anyhow," said the boy, rising.

The mass of plumes and yellow bangs and furbelows on the bench became violently agitated. "I'm first," cried the actress.

"Oh, you sit tight, Mame," jeered the boy. He opened a solid door behind him. Through the crack Susan saw busily writing at a table desk a bald, fat man with a pasty skin and a veined and bulbous nose.

"Lady to see you," said the boy in a tone loud enough for both Susan and the actress to hear.

"Who? What name?" snapped the man, not ceasing or looking up.

"She's young, and a queen," said the boy. "Shall I show her in?"

"Yep."

The actress started up. "Mr. Blynn——" she began in a loud, threatening, elocutionary voice.

"'Lo, Mame," said Blynn, still busy. "No time to see you. Nothing doing. So long."

"But, Mr. Blynn——"

"Bite it off, Mame," ordered the boy. "Walk in, miss."

Susan, deeply colored from sympathy with the humiliated actress and from nervousness in those forbidding and ominous surroundings, entered the private office. The boy closed the door behind her. The pen scratched on. Presently the man said:

"Well, my dear, what's your name?"

With the last word, the face lifted and Susan saw a seamed and pitted skin, small pale blue eyes showing the white, or rather the bloodshot yellow all round the iris, a heavy mouth and jaw, thick lips; the lower lip protruded and was decorated with a blue-black spot like a blood boil, as if to indicate where the incessant cigar usually rested. At first glance into Susan's sweet, young face the small eyes sparkled and danced, traveled on to the curves of her form.

"Do sit down, my dear," said he in a grotesquely wheedling voice. She took the chair close to him as it was the only one in the little room.

"What can I do for you? My, how fresh and pretty you are!"

"Mr. Burlingham——" began Susan.

"Oh—you're the girl Bob was talking about." He smiled and nodded at her. "No wonder he kept you out of sight." He inventoried her charms again with his sensual, confident glance. "Bob certainly has got good taste."

"He's in the hospital," said Susan desperately. "So I've come to get a place if you can find me one."

"Hospital? I'm sorry to hear that." And Mr. Blynn's tones had that accent of deep sympathy which get a man or woman without further evidence credit for being "kind-hearted whatever else he is."

"Yes, he's very ill—with typhoid," said the girl. "I must do something right away to help him."

"That's fine—fine," said Mr. Blynn in the same effective tone. "I see you're as sweet as you are pretty. Yes—that's fine—fine!" And the moisture was in the little eyes. "Well, I think I can do something for you. I must do something for you. Had much experience?—Professional, I mean."

Mr. Blynn laughed at his, to Susan, mysterious joke. Susan smiled faintly in polite response. He rubbed his hands and smacked his lips, the small eyes dancing. The moisture had vanished.

"Oh, yes, I can place you, if you can do anything at all," he went on. "I'd 'a' done it long ago, if Bob had let me see you. But he was too foxy. He ought to be ashamed of himself, standing in the way of your getting on, just out of jealousy. Sing or dance—or both?"

"I can sing a little, I think," said Susan.

"Now, that's modest. Ever worn tights?"

Susan shook her head, a piteous look in her violet-gray eyes.

"Oh, you'll soon get used to that. And mighty well you'll look in 'em, I'll bet, eh? Where did Bob get you? And when?" Before she could answer, he went on, "Let's see, I've got a date for this evening, but I'll put it off. And she's a peach, too. So you see what a hit you've made with me. We'll have a nice little dinner at the Hotel du Rhine and talk things over."

"Couldn't I go to work right away?" asked the girl.

"Sure. I'll have you put on at Schaumer's tomorrow night——" He looked shrewdly, laughingly, at her, with contracted eyelids. "If everything goes well. Before I do anything for you, I have to see what you can do for me." And he nodded and smacked his lips. "Oh, we'll have a lovely little dinner!" He looked expectantly at her. "You certainly are a queen! What a dainty little hand!" He reached out one of his hands—puffy as if it had been poisoned, very white, with stubby fingers. Susan reluctantly yielded her hand to his close, mushy embrace. "No rings. That's a shame, petty——" He was talking as if to a baby.—"That'll have to be fixed—yes, it will, my little sweetie. My, how nice and fresh you are!" And his great nostrils, repulsively hairy within, deeply pitted without, sniffed as if over an odorous flower.

Susan drew her hand away. "What will they give me?" she asked.

"How greedy it is!" he wheedled. "Well, you'll get plenty—plenty."

"How much?" said the girl. "Is it a salary?"

"Of course, there's the regular salary. But that won't amount to much. You know how those things are."

"How much?"

"Oh, say a dollar a night—until you make a hit."

"Six dollars a week."

"Seven. This is a Sunday town. Sunday's the big day. You'll have Wednesday, Saturday and Sunday matinees, but they don't pay for them."

"Seven dollars a week." And the hospital wanted ten. "Couldn't I get—about fifteen—or fourteen? I think I could do on fourteen."

"Rather! I was talking only of the salary. You'll make a good many times fifteen—if you play your cards right. It's true Schaumer draws only a beer crowd. But as soon as the word flies round that you're there, the boys with the boodle'll flock in. Oh, you'll wear the sparklers all right, pet."

Rather slowly it was penetrating to Susan what Mr. Blynn had in mind. "I'd—I'd rather take a regular salary," said she. "I must have ten a week for him. I can live any old way."

"Oh, come off!" cried Mr. Blynn with a wink. "What's your game? Anyhow, don't play it on me. You understand that you can't get something for nothing. It's all very well to love your friend and be true to him. But he can't expect—he'll not ask you to queer yourself. That sort of thing don't go in the profession. . . . Come now, I'm willing to set you on your feet, give you a good start, if you'll play fair with me—show appreciation. Will you or won't you?"

"You mean——" began Susan, and paused there, looking at him with grave questioning eyes.

His own eyes shifted. "Yes, I mean that. I'm a business man, not a sentimentalist. I don't want love. I've got no time for it. But when it comes to giving a girl of the right sort a square deal and a good time, why you'll find I'm as good as there is going." He reached for her hands again, his empty, flabby chin bags quivering. "I want to help Bob, and I want to help you."

She rose slowly, pushing her chair back. She understood now why Burlingham had kept her in the background, why his quest had been vain, why it had fretted him into mortal illness. "I—couldn't do that," she said. "I'm sorry, but I couldn't."

He looked at her in a puzzled way. "You belong to Bob, don't you?"

"No."

"You mean you're straight—a good girl?"

"Yes."

He was half inclined to believe her, so impressive was her quiet natural way, in favorable contrast to the noisy protests of women posing as virtuous. "Well—if that's so—why you'd better drop out of the profession—and get away from Bob Burlingham."

"Can't I have a place without—what you said?"

"Not as pretty a girl as you. And if they ain't pretty the public don't want 'em."

Susan went to the door leading into the office. "No—the other door," said Blynn hastily. He did not wish the office boy to read his defeat in Susan's countenance. He got up himself, opened the door into the hall. Susan passed out. "Think it over," said he, eyes and mouth full of longing. "Come round in a day or two, and we'll have another talk."

"Thank you," said Susan. She felt no anger against him. She felt about him as she had about Jeb Ferguson. It was not his fault; it was simply the way life was lived—part of the general misery and horror of the established order—like marriage and the rest of it.

"I'll treat you white," urged Blynn, tenderly. "I've got a soft heart—that's why I'll never get rich. Any of the others'd ask more and give less."

She looked at him with an expression that haunted him for several hours. "Thank you. Good-by," she said, and went down the narrow, rickety stairs—and out into the confused maze of streets full of strangers.



CHAPTER XVII

AT the hotel again; she went to Burlingham's room, gathered his belongings—his suit, his well-worn, twice-tapped shoes, his one extra suit of underclothes, a soiled shirt, two dickeys and cuffs, his whisk broom, toothbrush, a box of blacking, the blacking brush. She made the package as compact as she could—it was still a formidable bundle both for size and weight—and carried it into her room. Then she rolled into a small parcel her own possessions—two blouses, an undervest, a pair of stockings, a nightgown—reminder of Bethlehem and her brief sip at the cup of success—a few toilet articles. With the two bundles she descended to the office.

"I came to say," she said calmly to the clerk, "that we have no money to pay what we owe. Mr. Burlingham is at the hospital—very sick with typhoid. Here is a dollar and eighty cents. You can have that, but I'd like to keep it, as it's all we've got."

The clerk called the manager, and to him Susan repeated. She used almost the same words; she spoke in the same calm, monotonous way. When she finished, the manager, a small, brisk man with a large brisk beard, said:

"No. Keep the money. I'd like to ask you to stay on. But we run this place for a class of people who haven't much at best and keep wobbling back and forth across the line. If I broke my rule——"

He made a furious gesture, looked at the girl angrily—holding her responsible for his being in a position where he must do violence to every decent instinct—"My God, miss, I've got a wife and children to look after. If I ran my hotel on sympathy, what'd become of them?"

"I wouldn't take anything I couldn't pay for," said Susan. "As soon as I earn some money——"

"Don't worry about that," interrupted the manager. He saw now that he was dealing with one who would in no circumstances become troublesome; he went on in an easier tone: "You can stay till the house fills up."

"Could you give me a place to wait on table and clean up rooms—or help cook?"

"No, I don't need anybody. The town's full of people out of work. You can't ask me to turn away——"

"Please—I didn't know," cried the girl.

"Anyhow, I couldn't give but twelve a month and board," continued the manager. "And the work—for a lady like you——"

A lady! She dropped her gaze in confusion. If he knew about her birth!

"I'll do anything. I'm not a lady," said she. "But I've got to have at least ten a week in cash."

"No such place here." The manager was glad to find the fault of uppish ideas in this girl who was making it hard for him to be business-like. "No such place anywhere for a beginner."

"I must have it," said the girl.

"I don't want to discourage you, but——" He was speaking less curtly, for her expression made him suspect why she was bent upon that particular amount. "I hope you'll succeed. Only—don't be depressed if you're disappointed."

She smiled gravely at him; he bowed, avoiding her eyes. She took up her bundles and went out into Walnut Street. He moved a few steps in obedience to an impulse to follow her, to give her counsel and warning, to offer to help her about the larger bundle. But he checked himself with the frown of his own not too prosperous affairs.

It was the hottest part of the day, and her way lay along unshaded streets. As she had eaten nothing since the night before, she felt faint. Her face was ghastly when she entered the office of the hospital and left Burlingham's parcel. The clerk at the desk told her that Burlingham was in the same condition—"and there'll be probably no change one way or the other for several days."

She returned to the street, wandered aimlessly about. She knew she ought to eat something, but the idea of food revolted her. She was fighting the temptation to go to the Commercial office, Roderick Spenser's office. She had not a suspicion that his kindness might have been impulse, long since repented of, perhaps repented of as soon as he was away from her. She felt that if she went to him he would help her. "But I mustn't do it," she said to herself. "Not after what I did." No, she must not see him until she could pay him back. Also, and deeper, there was a feeling that there was a curse upon her; had not everyone who befriended her come to grief? She must not draw anyone else into trouble, must not tangle others in the meshes of her misfortunes. She did not reason this out, of course; but the feeling was not the less strong because the reasons for it were vague in her mind. And there was nothing vague about the resolve to which she finally came—that she would fight her battle herself.

Her unheeding wanderings led her after an hour or so to a big department store. Crowds of shoppers, mussy, hot, and cross, were pushing rudely in and out of the doors. She entered, approached a well-dressed, bareheaded old gentleman, whom she rightly placed as floorwalker, inquired of him:

"Where do they ask for work?"

She had been attracted to him because his was the one face within view not suggesting temper or at least bad humor. It was more than pleasant, it was benign. He inclined toward Susan with an air that invited confidence and application for balm for a wounded spirit. The instant the nature of her inquiry penetrated through his pose to the man himself, there was a swift change to lofty disdain—the familiar attitude of workers toward fellow-workers of what they regard as a lower class. Evidently he resented her having beguiled him by the false air of young lady into wasting upon her, mere servility like himself, a display reserved exclusively for patrons. It was Susan's first experience of this snobbishness; it at once humbled her into the dust. She had been put in her place, and that place was not among people worthy of civil treatment. A girl of his own class would have flashed at him, probably would have "jawed" him. Susan meekly submitted; she was once more reminded that she was an outcast, one for whom the respectable world had no place. He made some sort of reply to her question, in the tone the usher of a fashionable church would use to a stranger obviously not in the same set as the habitues. She heard the tone, but not the words; she turned away to seek the street again. She wandered on—through the labyrinth of streets, through the crowds on crowds of strangers.

Ten dollars a week! She knew little about wages, but enough to realize the hopelessness of her quest. Ten dollars a week—and her own keep beside. The faces of the crowds pushing past her and jostling her made her heartsick. So much sickness, and harassment, and discontent—so much unhappiness! Surely all these sad hearts ought to be kind to each other. Yet they were not; each soul went selfishly alone, thinking only of its own burden.

She walked on and on, thinking, in this disconnected way characteristic of a good intelligence that has not yet developed order and sequence, a theory of life and a purpose. It had always been her habit to walk about rather than to sit, whether indoors or out. She could think better when in motion physically. When she was so tired that she began to feel weak, she saw a shaded square, with benches under the trees. She entered, sat down to rest. She might apply to the young doctor. But, no. He was poor—and what chance was there of her ever making the money to pay back? No, she could not take alms; than alms there was no lower way of getting money. She might return to Mr. Blynn and accept his offer. The man in all his physical horror rose before her. No, she could not do that. At least, not yet. She could entertain the idea as a possibility now. She remembered her wedding—the afternoon, the night. Yes, Blynn's offer involved nothing so horrible as that—and she had lived through that. It would be cowardice, treachery, to shrink from anything that should prove necessary in doing the square thing by the man who had done so much for her. She had said she would die for Burlingham; she owed even that to him, if her death would help him. Had she then meant nothing but mere lying words of pretended gratitude? But Blynn was always there; something else might turn up, and her dollar and eighty cents would last another day or so, and the ten dollars were not due for six days. No, she would not go to Blynn; she would wait, would take his advice—"think it over."

A man was walking up and down the shaded alley, passing and repassing the bench where she sat. She observed him, saw that he was watching her. He was a young man—a very young man—of middle height, strongly built. He had crisp, short dark hair, a darkish skin, amiable blue-gray eyes, pleasing features. She decided that he was of good family, was home from some college on vacation. He was wearing a silk shirt, striped flannel trousers, a thin serge coat of an attractive shade of blue. She liked his looks, liked the way he dressed. It pleased her that such a man should be interested in her; he had a frank and friendly air, and her sad young heart was horribly lonely. She pretended not to notice him; but after a while he walked up to her, lifting his straw hat.

"Good afternoon," said he. When he showed his strong sharp teeth in an amiable smile, she thought of Sam Wright—only this man was not weak and mean looking, like her last and truest memory picture of Sam—indeed, the only one she had not lost. "Good afternoon," replied she politely. For in spite of Burlingham's explanations and cautionings she was still the small-town girl, unsuspicious toward courtesy from strange men. Also, she longed for someone to talk with. It had been weeks since she had talked with anyone nearer than Burlingham to her own age and breeding.

"Won't you have lunch with me?" he asked. "I hate to eat alone."

She, faint from hunger, simply could not help obvious hesitation before saying, "I don't think I care for any."

"You haven't had yours—have you?"

"No."

"May I sit down?"

She moved along the bench to indicate that he might, without definitely committing herself.

He sat, took off his hat. He had a clean, fresh look about the neck that pleased her. She was weary of seeing grimy, sweaty people, and of smelling them. Also, except the young doctor, since Roderick Spenser left her at Carrolltown she had talked with no one of her own age and class—the class in which she had been brought up, the class that, after making her one of itself, had cast her out forever with its mark of shame upon her. Its mark of shame—burning and stinging again as she sat beside this young man!

"You're sad about something?" suggested he, himself nearly as embarrassed as she.

"My friend's ill. He's got typhoid."

"That is bad. But he'll get all right. They always cure typhoid, nowadays—if it's taken in time and the nursing's good. Everything depends on the nursing. I had it a couple of years ago, and pulled through easily."

Susan brightened. He spoke so confidently that the appeal to her young credulity toward good news and the hopeful, cheerful thing was irresistible. "Oh, yes—he'll be over it soon," the young man went on, "especially if he's in a hospital where they've got the facilities for taking care of sick people. Where is he?"

"In the hospital—up that way." She moved her head vaguely in the direction of the northwest.

"Oh, yes. It's a good one—for the pay patients. I suppose for the poor devils that can't pay"—he glanced with careless sympathy at the dozen or so tramps on benches nearby—"it's like all the rest of 'em—like the whole world, for that matter. It must be awful not to have money enough to get on with, I mean. I'm talking about men." He smiled cheerfully. "With a woman—if she's pretty—it's different, of course."

The girl was so agitated that she did not notice the sly, if shy, hint in the remark and its accompanying glance. Said she:

"But it's a good hospital if you pay?"

"None better. Maybe it's good straight through. I've only heard the servants' talk—and servants are such liars. Still—I'd not want to trust myself to a hospital unless I could pay. I guess the common people have good reason for their horror of free wards. Nothing free is ever good."

The girl's face suddenly and startlingly grew almost hard, so fierce was the resolve that formed within her. The money must be got—must!—and would. She would try every way she could think of between now and to-morrow; then—if she failed she would go to Blynn.

The young man was saying: "You're a stranger in town?"

"I was with a theatrical company on a show boat. It sank."

His embarrassment vanished. She saw, but she did not understand that it was because he thought he had "placed" her—and that her place was where he had hoped.

"You are up against it!" said he. "Come have some lunch. You'll feel better."

The good sense of this was unanswerable. Susan hesitated no longer, wondered why she had hesitated at first. "Well—I guess I will." And she rose with a frank, childlike alacrity that amused him immensely.

"You don't look it, but you've been about some—haven't you?"

"Rather," replied she.

"I somehow thought you knew a thing or two."

They walked west to Race Street. They were about the same height. Her costume might have been fresher, might have suggested to an expert eye the passed-on clothes of a richer relative; but her carriage and the fine look of skin and hair and features made the defects of dress unimportant. She seemed of his class—of the class comfortable, well educated, and well-bred. If she had been more experienced, she would have seen that he was satisfied with her appearance despite the curious looking little package, and would have been flattered. As it was, her interest was absorbed in things apart from herself. He talked about the town—the amusements, the good times to be had at the over-the-Rhine beer halls, at the hilltop gardens, at the dances in the pavilion out at the Zoo. He drew a lively and charming picture, one that appealed to her healthy youth, to her unsatisfied curiosity, to her passionate desire to live the gay, free city life of which the small town reads and dreams.

"You and I can go round together, can't we? I haven't got much, but I'll not try to take your time for nothing, of course. That wouldn't be square. I'm sure you'll have no cause to complain. What do you say?"

"Maybe," replied the girl, all at once absent-minded. Her brain was wildly busy with some ideas started there by his significant words, by his flirtatious glances at her, by his way of touching her whenever he could make opportunity. Evidently there was an alternative to Blynn.

"You like a good time, don't you?" said he.

"Rather!" exclaimed she, the violet eyes suddenly very violet indeed and sparkling. Her spirits had suddenly soared. She was acting like one of her age. With that blessed happy hopefulness of healthy youth, she had put aside her sorrows—not because she was frivolous but for the best of all reasons, because she was young and superbly vital. Said she: "I'm crazy about dancing—and music."

"I only needed to look at your feet—and ankles—to know that," ventured he the "ankles" being especially audacious.

She was pleased, and in youth's foolish way tried to hide her pleasure by saying, "My feet aren't exactly small."

"I should say not!" protested he with energy. "Little feet would look like the mischief on a girl as tall as you are. Yes, we can have a lot of fun."

They went into a large restaurant with fly fans speeding. Susan thought it very grand—and it was the grandest restaurant she had ever been in. They sat down—in a delightfully cool place by a window looking out on a little plot of green with a colladium, a fountain, some oleanders in full and fragrant bloom; the young man ordered, with an ease that fascinated her, an elaborate lunch—soup, a chicken, with salad, ice cream, and fresh peaches. Susan had a menu in her hand and as he ordered she noted the prices. She was dazzled by his extravagance—dazzled and frightened—and, in a curious, vague, unnerving way, fascinated. Money—the thing she must have for Burlingham in whose case "everything depended on the nursing." In the brief time this boy and she had been together, he, without making an effort to impress, had given her the feeling that he was of the best city class, that he knew the world—the high world. Thus, she felt that she must be careful not to show her "greenness." She would have liked to protest against his extravagance, but she ventured only the timid remonstrance, "Oh, I'm not a bit hungry."

She thought she was speaking the truth, for the ideas whirling so fast that they were dim quite took away the sense of hunger. But when the food came she discovered that she was, on the contrary, ravenous—and she ate with rising spirits, with a feeling of content and hope. He had urged her to drink wine or beer, but she refused to take anything but a glass of milk; and he ended by taking milk himself. He was looking more and more boldly and ardently into her eyes, and she received his glances smilingly. She felt thoroughly at ease and at home, as if she were back once more among her own sort of people—with some element of disagreeable constraint left out.

Since she was an outcast, she need not bother about the small restraints the girls felt compelled to put upon themselves in the company of boys. Nobody respected a "bastard," as they called her when they spoke frankly. So with nothing to lose she could at least get what pleasure there was in freedom. She liked it, having this handsome, well-dressed young man making love to her in this grand restaurant where things were so good to eat and so excitingly expensive. He would not regard her as fit to associate with his respectable mother and sisters. In the casts of respectability, her place was with Jeb Ferguson! She was better off, clear of the whole unjust and horrible business of respectable life, clear of it and free, frankly in the outcast class. She had not realized—and she did not realize—that association with the players of the show boat had made any especial change in her; in fact, it had loosened to the sloughing point the whole skin of her conventional training—that surface skin which seems part of the very essence of our being until something happens to force us to shed it. Crises, catastrophes, may scratch that skin, or cut clear through it; but only the gentle, steady, everywhere-acting prying-loose of day and night association can change it from a skin to a loose envelope ready to be shed at any moment.

"What are you going to do?" asked the young man, when the acquaintance had become a friendship—which was before the peaches and ice cream were served.

"I don't know," said the girl, with the secretive instinct of self-reliance hiding the unhappiness his abrupt question set to throbbing again.

"Honestly, I've never met anyone that was so congenial. But maybe you don't feel that way?"

"Then again maybe I do," rejoined she, forcing a merry smile.

His face flushed with embarrassment, but his eyes grew more ardent as he said: "What were you looking for, when I saw you in Garfield Place?"

"Was that Garfield Place?" she asked, in evasion.

"Yes." And he insisted, "What were you looking for?"

"What were you looking for?"

"For a pretty girl." They both laughed. "And I've found her. I'm suited if you are. . . . Don't look so serious. You haven't answered my question."

"I'm looking for work."

He smiled as if it were a joke. "You mean for a place on the stage. That isn't work. You couldn't work. I can see that at a glance."

"Why not?"

"Oh, you haven't been brought up to that kind of life. You'd hate it in every way. And they don't pay women anything for work. My father employs a lot of them. Most of his girls live at home. That keeps the wages down, and the others have to piece out with"—he smiled—"one thing and another."

Susan sat gazing straight before her. "I've not had much experience," she finally said, thoughtfully. "I guess I don't know what I'm about."

The young man leaned toward her, his face flushing with earnestness. "You don't know how pretty you are. I wish my father wasn't so close with me. I'd not let you ever speak of work again—even on the stage. What good times we could have!"

"I must be going," said she, rising. Her whole body was alternately hot and cold. In her brain, less vague now, were the ideas Mabel Connemora had opened up for her.

"Oh, bother!" exclaimed he. "Sit down a minute. You misunderstood me. I don't mean I'm flat broke."

Susan hastily reseated herself, showing her confusion. "I wasn't thinking of that."

"Then—what were you thinking of?"

"I don't know," she replied—truthfully, for she could not have put into words anything definite about the struggle raging in her like a battle in a fog. "I often don't exactly know what I'm thinking about. I somehow can't—can't fit it together—yet."

"Do you suppose," he went on, as if she had not spoken, "do you suppose I don't understand? I know you can't afford to let me take your time for nothing. . . . Don't you like me a little?"

She looked at him with grave friendliness. "Yes." Then, seized with a terror which her habitual manner of calm concealed from him, she rose again.

"Why shouldn't it be me as well as another?. . . At least sit down till I pay the bill."

She seated herself, stared at her plate.

"Now what are you thinking about?" he asked.

"I don't know exactly. Nothing much."

The waiter brought the bill. The young man merely glanced at the total, drew a small roll of money from his trousers pocket, put a five-dollar note on the tray with the bill. Susan's eyes opened wide when the waiter returned with only two quarters and a dime. She glanced furtively at the young man, to see if he, too, was not disconcerted. He waved the tray carelessly aside; the waiter said "Thank you," in a matter-of-course way, dropped the sixty cents into his pocket. The waiter's tip was by itself almost as much as she had ever seen paid out for a meal for two persons.

"Now, where shall we go?" asked the young man.

Susan did not lift her eyes. He leaned toward her, took her hand. "You're different from the sort a fellow usually finds," said he. "And I'm—I'm crazy about you. Let's go," said he.

Susan took her bundle, followed him. She glanced up the street and down. She had an impulse to say she must go away alone; it was not strong enough to frame a sentence, much less express her thought. She was seeing queer, vivid, apparently disconnected visions—Burlingham, sick unto death, on the stretcher in the hospital reception room—Blynn of the hideous face and loose, repulsive body—the contemptuous old gentleman in the shop—odds and ends of the things Mabel Connemora had told her—the roll of bills the young man had taken from his pocket when he paid—Jeb Ferguson in the climax of the horrors of that wedding day and night. They went to Garfield Place, turned west, paused after a block or so at a little frame house set somewhat back from the street. The young man, who had been as silent as she—but nervous instead of preoccupied—opened the gate in the picket fence.

"This is a first-class quiet place," said he, embarrassed but trying to appear at ease.

Susan hesitated. She must somehow nerve herself to speak of money, to say to him that she needed ten dollars—that she must have it. If she did not speak—if she got nothing for Mr. Burlingham—or almost nothing—and probably men didn't give women much—if she were going with him—to endure again the horrors and the degradation she had suffered from Mr. Ferguson—if it should be in vain! This nice young man didn't suggest Mr. Ferguson in any way. But there was such a mystery about men—they had a way of changing so—Sam Wright—Uncle George even Mr. Ferguson hadn't seemed capable of torturing a helpless girl for no reason at all——

"We can't stand here," the young man was saying.

She tried to speak about the ten dollars. She simply could not force out the words. With brain in a whirl, with blood beating suffocatingly into her throat and lungs, but giving no outward sign of agitation, she entered the gate. There was a low, old-fashioned porch along the side of the house, with an awning curiously placed at the end toward the street. When they ascended the steps under the awning, they were screened from the street. The young man pulled a knob. A bell within tinkled faintly; Susan started, shivered. But the young man, looking straight at the door, did not see. A colored girl with a pleasant, welcoming face opened, stood aside for them to enter. He went straight up the stairs directly ahead, and Susan followed. At the threshold the trembling girl looked round in terror. She expected to see a place like that foul, close little farm bedroom—for it seemed to her that at such times men must seek some dreadful place—vile, dim, fitting. She was in a small, attractively furnished room, with a bow window looking upon the yard and the street. The furniture reminded her of her own room at her uncle's in Sutherland, except that the brass bed was far finer. He closed the door and locked it.

As he advanced toward her he said: "What are you seeing? Please don't look like that." Persuasively, "You weren't thinking of me—were you?"

"No—Oh, no," replied she, passing her hand over her eyes to try to drive away the vision of Ferguson.

"You look as if you expected to be murdered. Do you want to go?"

She forced herself to seem calm. "What a coward I am!" she said to herself. "If I could only die for him, instead of this. But I can't. And I must get money for him."

To the young man she said: "No. I—I—want to stay."

Late in the afternoon, when they were once more in the street, he said. "I'd ask you to go to dinner with me, but I haven't enough money."

She stopped short. An awful look came into her face.

"Don't be alarmed," cried he, hurried and nervous, and blushing furiously. "I put the—the present for you in that funny little bundle of yours, under one of the folds of the nightgown or whatever it is you've got wrapped on the outside. I didn't like to hand it to you. I've a feeling somehow that you're not regularly—that kind."

"Was it—ten dollars?" she said, and for all he could see she was absolutely calm.

"Yes," replied he, with a look of relief followed by a smile of amused tenderness.

"I can't make you out," he went on. "You're a queer one. You've had a look in your eyes all afternoon—well, if I hadn't been sure you were experienced, you'd almost have frightened me away."

"Yes, I've had experience. The—the worst," said the girl.

"You—you attract me awfully; you've got—well, everything that's nice about a woman—and at the same time, there's something in your eyes—— Are you very fond of your friend?"

"He's all I've got in the world."

"I suppose it's his being sick that makes you look and act so queer?"

"I don't know what's the matter with me," she said slowly. "I—don't know."

"I want to see you again—soon. What's your address?"

"I haven't any. I've got to look for a place to live."

"Well, you can give me the place you did live. I'll write you there, Lorna. You didn't ask me my name when I asked you yours. You've hardly said anything. Are you always quiet like this?"

"No—not always. At Least, I haven't been."

"No. You weren't, part of the time this afternoon—at the restaurant. Tell me, what are you thinking about all the time? You're very secretive. Why don't you tell me? Don't you know I like you?"

"I don't know," said the girl in a slow dazed way. "I—don't—know."

"I wouldn't take your time for nothing," he went on, after a pause. "My father doesn't give me much money, but I think I'll have some more day after tomorrow. Can I see you then?"

"I don't know."

He laughed. "You said that before. Day after tomorrow afternoon—in the same place. No matter if it's raining. I'll be there first—at three. Will you come?"

"If I can."

She made a movement to go. But still he detained her. He colored high again, in the struggle between the impulses of his generous youth and the fear of being absurd with a girl he had picked up in the street. He looked at her searchingly, wistfully. "I know it's your life, but—I hate to think of it," he went on. "You're far too nice. I don't see how you happened to be in—in this line. Still, what else is there for a girl, when she's up against it? I've often thought of those things—and I don't feel about them as most people do. . . . I'm curious about you. You'll pardon me, won't you? I'm afraid I'll fall in love with you, if I see you often. You won't fail to come day after tomorrow?"

"If I can."

"Don't you want to see me again?"

She did not speak or lift her eyes.

"You like me, don't you?"

Still no answer.

"You don't want to be questioned?"

"No," said the girl.

"Where are you going now?"

"To the hospital."

"May I walk up there with you? I live in Clifton. I can go home that way."

"I'd rather you didn't."

"Then—good-by—till day after tomorrow at three." He put out his hand; he had to reach for hers and take it. "You're not—not angry with me?"

"No."

His eyes lingered tenderly upon her. "You are so sweet! You don't know how I want to kiss you. Are you sorry to go—sorry to leave me—just a little?. . . I forgot. You don't like to be questioned. Well, good-by, dear."

"Good-by," she said; and still without lifting her gaze from the ground she turned away, walked slowly westward.

She had not reached the next street to the north when she suddenly felt that if she did not sit she would drop. She lifted her eyes for an instant to glance furtively round. She saw a house with stone steps leading up to the front doors; there was a "for rent" sign in one of the close-shuttered parlor windows. She seated herself, supported the upper part of her weary body by resting her elbows on her knees. Her bundle had rolled to the sidewalk at her feet. A passing man picked it up, handed it to her, with a polite bow. She looked at him vaguely, took the bundle as if she were not sure it was hers.

"Heat been too much for you, miss?" asked the man.

She shook her head. He lingered, talking volubly—about the weather—then about how cool it was on the hilltops. "We might go up to the Bellevue," he finally suggested, "if you've nothing better to do."

"No, thank you," she said.

"I'll go anywhere you like. I've got a little money that I don't care to keep."

She shook her head.

"I don't mean anything bad," he hastened to suggest—because that would bring up the subject in discussable form.

"I can't go with you," said the girl drearily. "Don't bother me, please."

"Oh—excuse me." And the man went on.

Susan turned the bundle over in her lap, thrust her fingers slowly and deliberately into the fold of the soiled blouse which was on the outside. She drew out the money. A ten and two fives. Enough to keep his room at the hospital for two weeks. No, for she must live, herself. Enough to give him a room one week longer and to enable her to live two weeks at least. . . . And day after tomorrow—more. Perhaps, soon—enough to see him through the typhoid. She put the money in her bosom, rose and went on toward the hospital. She no longer felt weary, and the sensation of a wound that might ache if she were not so numb passed away.

A clerk she had not seen before was at the barrier desk. "I came to ask how Mr. Burlingham is," said she.

The clerk yawned, drew a large book toward him. "Burlingham—B—Bu—Bur——" he said half to himself, turning over the leaves. "Yes—here he is." He looked at her. "You his daughter?"

"No, I'm a friend."

"Oh—then—he died at five o'clock—an hour ago."

He looked up—saw her eyes—only her eyes. They were a deep violet now, large, shining with tragic softness—like the eyes of an angel that has lost its birthright through no fault of its own. He turned hastily away, awed, terrified, ashamed of himself.



CHAPTER XVIII

THE next thing she knew, she felt herself seized strongly by the arm. She gazed round in a dazed way. She was in the street—how she got there she had no idea. The grip on her arm—it was the young doctor, Hamilton. "I called you twice," explained he, "but you didn't hear."

"He is dead," said she.

Hamilton had a clear view of her face now. There was not a trace of the child left. He saw her eyes—quiet, lonely, violet stars. "You must go and rest quietly," he said with gentleness. "You are worn out."

Susan took from her bosom the twenty dollars, handed it to him. "It belongs to him," said she. "Give it to them, to bury him." And she started on.

"Where are you going?" asked the young man.

Susan stopped, looked vaguely at him. "Good-by," she said. "You've been very kind."

"You've found a boarding place?"

"Oh, I'm all right."

"You want to see him?"

"No. Then he'll always be alive to me."

"You had better keep this money. The city will take care of the funeral."

"It belong to him. I couldn't keep it for myself. I must be going."

"Shan't I see you again?"

"I'll not trouble you."

"Let me walk with you as far as your place."

"I'm not feeling—just right. If you don't mind—please—I'd rather be alone."

"I don't mean to intrude, but——"

"I'm all right," said the girl. "Don't worry about me."

"But you are too young——"

"I've been married. . . . Thank you, but—good-by."

He could think of no further excuse for detaining her. Her manner disquieted him, yet it seemed composed and natural. Probably she had run away from a good home, was now sobered and chastened, was eager to separate herself from the mess she had got into and return to her own sort of people. It struck him as heartless that she should go away in this fashion; but on second thought, he could not associate heartlessness with her. Also, he saw how there might be something in what she had said about not wishing to have to think of her friend as dead. He stood watching her straight narrow young figure until it was lost to view in the crowd of people going home from work.

Susan went down Elm Street to Garfield Place, seated herself on one of the benches. She was within sight of the unobtrusive little house with the awnings; but she did not realize it. She had no sense of her surroundings, of the passing of time, felt no grief, no sensation of any kind. She simply sat, her little bundle in her lap, her hands folded upon it.

A man in uniform paused before her. "Closing-up time," he said, sharply but in the impartial official way. "I'm going to lock the gates."

She looked at him.

In a softer, apologetic tone, he said, "I've got to lock the gates. That's the law, miss."

She did not clearly understand, but rose and went out into Race Street. She walked slowly along, not knowing or caring where. She walked—walked—walked. Sometimes her way lay through crowded streets, again through streets deserted. Now she was stumbling over the uneven sidewalks of a poor quarter; again it was the smooth flagstones of the shopping or wholesale districts. Several times she saw the river with its multitude of boats great and small; several times she crossed the canal. Twice she turned back because the street was mounting the hills behind the city—the hills with the cars swiftly ascending and descending the inclined planes, and at the crests gayly lighted pavilions where crowds were drinking and dancing. Occasionally some man spoke to her, but desisted as she walked straight on, apparently not hearing. She rested from time to time, on a stoop or on a barrel or box left out by some shopkeeper, or leaning upon the rail of a canal bridge. She was walking with a purpose—to try to scatter the dense fog that had rolled in and enveloped her mind, and then to try to think.

She sat, or rather dropped, down from sheer fatigue, in that cool hour which precedes the dawn. It happened to be the steps of a church. She fell into a doze, was startled back to consciousness by the deep boom of the bell in the steeple; it made the stone vibrate under her. One—two—three—four! Toward the east there shone a flush of light, not yet strong enough to dim the stars. The sky above her was clear. The pall of smoke rolled away. The air felt clean and fresh, even had in it a reminiscence of the green fields whence it had come. She began to revive, like a sleeper shaking off drowsiness and the spell of a bad dream and looking forward to the new day. The fog that had swathed and stupefied her brain seemed to have lifted. At her heart there was numbness and a dull throbbing, an ache; but her mind was clear and her body felt intensely, hopelessly alive and ready, clamorously ready, for food. A movement across the narrow street attracted her attention. A cellar door was rising—thrust upward by the shoulders of a man. It fell full open with a resounding crash, the man revealed by the light from beneath—a white blouse, a white cap. Toward her wafted the delicious odor of baking bread. She rose, hesitated only an instant, crossed the street directly toward the baker who had come up to the surface for cool air.

"I am hungry," said she to him. "Can't you let me have something to eat?"

The man—he had a large, smooth, florid face eyed her in amused astonishment. "Where'd you jump from?" he demanded.

"I was resting on the church steps over there. The smell came to me and—I couldn't stand it. I can pay."

"Oh, that's all right," said the man, with a strong German accent. "Come down." And he descended the steps, she following. It was a large and lofty cellar, paved with cement; floor, ceilings, walls, were whitened with flour. There were long clean tables for rolling the dough; big wooden bowls; farther back, the ovens and several bakers at work adding to the huge piles of loaves the huge baskets of rolls. Susan's eyes glistened; her white teeth showed in a delightful smile of hunger about to be satisfied.

"Do you want bread or rolls?" asked the German. Then without waiting for her to answer, "I guess some of the 'sweet rolls,' we call 'em, would about suit a lady."

"Yes—the sweet rolls," said the girl.

The baker fumbled about behind a lot of empty baskets, found a sewing basket, filled it with small rolls—some crescent in shape, some like lady fingers, some oval, some almost like biscuit, all with pulverized sugar powdered on them thick as a frosting. He set the little basket upon an empty kneading table. "Wait yet a minute," he commanded, and bustled up a flight of stairs. He reappeared with a bottle of milk and a piece of fresh butter. He put these beside the basket of rolls, drew a stool up before them. "How's that?" asked he, his hands on his hips, his head on one side, and his big jolly face beaming upon her. "Pretty good, don't it!"

Susan was laughing with pleasure. He pointed to the place well down in the bottle of milk where the cream ended. "That's the way it should be always—not so!" said he. She nodded. Then he shook the bottle to remix the separated cream and milk. "So!" he cried. Then—"Ach, dummer Esel!" he muttered, striking his brow a resounding thwack with the flat of his hand. "A knife!" And he hastened to repair that omission.

Susan sat at the table, took one of the fresh rolls, spread butter upon it. The day will never come for her when she cannot distinctly remember the first bite of the little sweet buttered roll, eaten in that air perfumed with the aroma of baking bread. The milk was as fine as it promised to be she drank it from the bottle.

The German watched her a while, then beckoned to his fellow workmen. They stood round, reveling in the joyful sight of this pretty hungry girl eating so happily and so heartily.

"The pie," whispered one workman to another.

They brought a small freshly baked peach pie, light and crisp and brown. Susan's beautiful eyes danced. "But," she said to her first friend among the bakers, "I'm afraid I can't afford it."

At this there was a loud chorus of laughter. "Eat it," said her friend.

And when she had finished her rolls and butter, she did eat it. "I never tasted a pie like that," declared she. "And I like pies and can make them too."

Once more they laughed, as if she had said the wittiest thing in the world.

As the last mouthful of the pie was disappearing, her friend said, "Another!"

"Goodness, no!" cried the girl. "I couldn't eat a bite more."

"But it's an apple pie." And he brought it, holding it on his big florid fat hand and turning it round to show her its full beauty.

She sighed regretfully. "I simply can't," she said. "How much is what I've had?"

Her friend frowned. "Vot you take me for—hey?" demanded he, with a terrible frown—so terrible he felt it to be that, fearing he had frightened her, he burst out laughing, to reassure.

"Oh, but I must pay," she pleaded. "I didn't come begging."

"Not a cent!" said her friend firmly. "I'm the boss. I won't take it."

She insisted until she saw she was hurting his feelings. Then she tried to thank him; but he would not listen to that, either. "Good-by—good-by," he said gruffly. "I must get to work once." But she understood, and went with a light heart up into the world again. He stood waist deep in the cellar, she hesitated upon the sidewalk. "Good-by," she said, with swimming eyes. "You don't know how good you've been to me."

"All right. Luck!" He waved his hand, half turned his back on her and looked intently up the street, his eyes blinking.

She went down the street, turned the first corner, dropped on a doorstep and sobbed and cried, out of the fullness of her heart. When she rose to go on again, she felt stronger and gentler than she had felt since her troubles began with the quarrel over Sam Wright. A little further on she came upon a florist's shop in front of which a wagon was unloading the supply of flowers for the day's trade. She paused to look at the roses and carnations, the lilies and dahlias, the violets and verbenas and geraniums. The fast brightening air was scented with delicate odors. She was attracted to a small geranium with many buds and two full-blown crimson flowers.

"How much for that?" she asked a young man who seemed to be in charge.

He eyed her shrewdly. "Well, I reckon about fifteen cents," replied he.

She took from her bosom the dollar bill wrapped round the eighty cents, gave him what he had asked. "No, you needn't tie it up," said she, as he moved to take it into the store. She went back to the bakeshop. The cellar door was open, but no one was in sight. Stooping down, she called: "Mr. Baker! Mr. Baker!"

The big smooth face appeared below.

She set the plant down on the top step. "For you," she said, and hurried away.

On a passing street car she saw the sign "Eden Park." She had heard of it—of its beauties, of the wonderful museum there. She took the next car of the same line. A few minutes, and it was being drawn up the inclined plane toward the lofty hilltops. She had thought the air pure below. She was suddenly lifted through a dense vapor—the cloud that always lies over the lower part of the city. A moment, and she was above the cloud, was being carried through the wide, clean tree-lined avenue of a beautiful suburb. On either side, lawns and gardens and charming houses, a hush brooding over them. Behind these walls, in comfortable beds, amid the surroundings that come to mind with the word "home," lay many girls such as she—happy, secure, sheltered. Girls like herself. A wave of homesickness swept over her, daunting her for a little while. But she fought it down, watched what was going on around her. "I mustn't look back—I mustn't! Nothing there for me." At the main gateway of the park she descended. There indeed was the, to her, vast building containing the treasures of art; but she had not come for that. She struck into the first by-path, sought out a grassy slope thickly studded with bushes, and laid herself down. She spread her skirts carefully so as not to muss them. She put her bundle under her head.

When she awoke the moon was shining upon her face—shining from a starry sky!

She sat up, looked round in wonder. Yes—it was night again—very still, very beautiful, and warm, with the air fragrant and soft. She felt intensely awake, entirely rested—and full of hope. It was as if during that long dreamless sleep her whole being had been renewed and magically borne away from the lands of shadow and pain where it had been wandering, to a land of bright promise. Oh, youth, youth, that bears so lightly the burden of the past, that faces so confidently the mystery of the future! She listened—heard a faint sound that moved her to investigate. Peering through the dense bushes, she discovered on the grass in the shadow of the next clump, a ragged, dirty man and woman, both sound asleep and snoring gently. She watched them spellbound. The man's face was deeply shaded by his battered straw hat. But she could see the woman's face plainly—the thin, white hair, the sunken eyes and mouth, the skeleton look of old features over which the dry skin of age is tightly drawn. She gazed until the man, moving in his sleep, kicked out furiously and uttered a curse. She drew back, crawled away until she had put several clumps of bushes between her and the pair. Then she sped down and up the slopes and did not stop until she was where she could see, far below, the friendly lights of the city blinking at her through the smoky mist.

She had forgotten her bundle! She did not know how to find the place where she had left it; and, had she known, she would not have dared return. This loss, however, troubled her little. Not in vain had she dwelt with the philosopher Burlingham.

She seated herself on a bench and made herself comfortable. But she no longer needed sleep. She was awake—wide awake—in every atom of her vigorous young body. The minutes dragged. She was impatient for the dawn to give the signal for the future to roll up its curtain. She would have gone down into the city to walk about but she was now afraid the police would take her in—and that probably would mean going to a reformatory, for she could not give a satisfactory account of herself. True, her older way of wearing her hair and some slight but telling changes in her dress had made her look less the child. But she could not hope to pass for a woman full grown. The moon set; the starlight was after a long, long time succeeded by the dawn of waking birds, and of waking city, too—for up from below rose an ever louder roar like a rising storm. In her restless rovings, she came upon a fountain; she joined the birds making a toilet in its basin, and patterned after them—washed her face and hands, dried them on a handkerchief she by great good luck had put into her stocking, smoothed her hair, her dress.

And still the sense of unreality persisted, cast its friendly spell over this child-woman suddenly caught up from the quietest of quiet lives and whirled into a dizzy vortex of strange events without parallel, or similitude even, in anything she had ever known. If anyone had suddenly asked her who she was and she had tried to recall, she would have felt as if trying to remember a dream. Sutherland—a faint, faint dream, and the show boat also. Spenser—a romantic dream—or a first installment of a love-story read in some stray magazine. Burlingham—the theatrical agent—the young man of the previous afternoon—the news of the death that left her quite alone—all a dream, a tumbled, jumbled dream, all passed with the night and the awakening. In her youth and perfect health, refreshed by the long sleep, gladdened by the bright new day, she was as irresponsible as the merry birds chattering and flinging the water about at the opposite side of the fountain's basin. She was now glad she had lost her bundle. Without it her hands were free both hands free to take whatever might offer next. And she was eager to see what that would be, and hopeful about it—no—more than hopeful, confident. Burlingham, aided by those highly favorable surroundings of the show boat, and of the vagabond life thereafter, had developed in her that gambler's spirit which had enabled him to play year after year of losing hands with unabating courage—the spirit that animates all the brave souls whose deeds awe the docile, conventional, craven masses of mankind.

Leisurely as a truant she tramped back toward the city, pausing to observe anything that chanced to catch her eye. At the moment of her discovery of the difference between her and most girls there had begun a cleavage between her and the social system. And now she felt as if she were of one race and the rest of the world of another and hostile race. She did not realize it, but she had taken the first great step along the path that leads to distinction or destruction. For the world either obeys or tramples into dust those who, in whatever way, have a lot apart from the common. She was free from the bonds of convention—free to soar or to sink.

Her way toward the city lay along a slowly descending street that had been, not so very long before, a country road. Block after block there were grassy fields intersected by streets, as if city had attempted a conquest of country and had abandoned it. Again the vacant lots were disfigured with the ruins of a shanty or by dreary dump heaps. For long stretches the way was built up only on one side. The houses were for the most part tenement with small and unprosperous shops or saloons on the ground floor. Toward the foot of the hill, where the line of tenements was continuous on either side, she saw a sign "Restaurant" projecting over the sidewalk. When she reached it, she paused and looked in. A narrow window and a narrow open door gave a full view of the tiny room with its two rows of plain tables. Near the window was a small counter with a case containing cakes and pies and rolls. With back to the window sat a pretty towheaded girl of about her own age, reading. Susan, close to the window, saw that the book was Owen Meredith's "Lucile," one of her own favorites. She could even read the words:

The ways they are many and wide, and seldom are two ways the same.

She entered. The girl glanced up, with eyes slowly changing from far-away dreaminess to present and practical—pleasant blue eyes with lashes and brows of the same color as the thick, neatly done yellowish hair.

"Could I get a glass of milk and a roll?" asked Susan, a modest demand, indeed, on behalf of a growing girl's appetite twenty-four hours unsatisfied.

The blonde girl smiled, showing a clean mouth with excellent teeth. "We sell the milk for five cents, the rolls three for a nickel."

"Then I'll take milk and three rolls," said Susan. "May I sit at a table? I'll not spoil it."

"Sure. Sit down. That's what the tables are for." And the girl closed the book, putting a chromo card in it to mark her place, and stirred about to serve the customer. Susan took the table nearest the door, took the seat facing the light. The girl set before her a plate, a knife and fork, a little form of butter, a tall glass of milk, and three small rolls in a large saucer. "You're up and out early?" she said to Susan.

On one of those inexplicable impulses of frankness Susan replied: "I've been sleeping in the park."

The girl had made the remark merely to be polite and was turning away. As Susan's reply penetrated to her inattentive mind she looked sharply at her, eyes opening wonderingly. "Did you get lost? Are you a stranger in town? Why didn't you ask someone to take you in?"

The girl reflected, realized. "That's so," said she. "I never thought of it before. . . . Yes, that is so! It must be dreadful not to have any place to go." She gazed at Susan with admiring eyes. "Weren't you afraid—up in the park?"

"No," replied Susan. "I hadn't anything anybody'd want to steal."

"But some man might have——" The girl left it to Susan's imagination to finish the sentence.

"I hadn't anything to steal," repeated Susan, with a kind of cynical melancholy remotely suggestive of Mabel Connemora.

The restaurant girl retired behind the counter to reflect, while Susan began upon her meager breakfast with the deliberation of one who must coax a little to go a great ways. Presently the girl said:

"Where are you going to sleep tonight?"

"Oh, that's a long ways off," replied the apt pupil of the happy-go-lucky houseboat show. "I'll find a place, I guess."

The girl looked thoughtfully toward the street. "I was wondering," she said after a while, "what I'd do if I was to find myself out in the street, with no money and nowhere to go. . . . Are you looking for something to do?"

"Do you know of anything?" asked Susan interested at once.

"Nothing worth while. There's a box factory down on the next square. But only a girl that lives at home can work there. Pa says the day's coming when women'll be like men—work at everything and get the same wages. But it isn't so now. A girl's got to get married."

Such a strange expression came over Susan's face that the waitress looked apologetic and hastened to explain herself: "I don't much mind the idea of getting married," said she. "Only—I'm afraid I can never get the kind of a man I'd want. The boys round here leave school before the girls, so the girls are better educated. And then they feel above the boys of their own class—except those boys that're beginning to get up in the world—and those kind of boys want some girl who's above them and can help them up. It's dreadful to be above the people you know and not good enough for the people you'd like to know."

Susan was not impressed; she could not understand why the waitress spoke with so much feeling. "Well," said she, pausing before beginning on the last roll, "I don't care so long as I find something to do."

"There's another thing," complained the waitress. "If you work in a store, you can't get wages enough to live on; and you learn things, and want to live better and better all the time. It makes you miserable. And you can't marry the men who work at nice refined labor because they don't make enough to marry on. And if you work in a factory or as a servant, why all but the commonest kind of men look down on you. You may get wages enough to live on, but you can't marry or get up in the world."

"You're very ambitious, aren't you?"

"Indeed I am. I don't want to be in the working class." She was leaning over the counter now, and her blond face was expressing deep discontent and scorn. "I hate working people. All of them who have any sense look down on themselves and wish they could get something respectable to do."

"Oh, you don't mean that," protested Susan. "Any kind of work's respectable if it's honest."

"You can say that," retorted the girl. "You don't belong in our class. You were brought up different. You are a lady."

Susan shrank and grew crimson. The other girl did not see. She went on crossly:

"Upper-class people always talk about how fine it is to be an honest workingman. But that's all rot. Let 'em try it a while. And pa says it'll never be straightened out till everybody has to work."

"What—what does your father do?"

"He was a cabinetmaker. Then one of the other men tipped over a big chest and his right hand was crushed—smashed to pieces, so he wasn't able to work any more. But he's mighty smart in his brains. It's the kind you can't make any money out of. He has read most everything. The trouble with pa was he had too much heart. He wasn't mean enough to try and get ahead of the other workmen, and rise to be a boss over them, and grind them down to make money for the proprietor. So he stayed on at the bench—he was a first-class cabinetmaker. The better a man is as a workman, and the nicer he is as a man, the harder it is for him to get up. Pa was too good at his trade—and too soft-hearted. Won't you have another glass of milk?"

"No—thank you," said Susan. She was still hungry, but it alarmed her to think of taking more than ten cents from her hoard.

"Are you going to ask for work at the box factory?"

"I'm afraid they wouldn't take me. I don't know how to make boxes."

"Oh, that's nothing," assured the restaurant girl. "It's the easiest kind of work. But then an educated person can pick up most any trade in a few days, well enough to get along. They'll make you a paster, at first."

"How much does that pay?"

"He'll offer you two fifty a week, but you must make him give you three. That's right for beginners. Then, if you stay on and work hard, you'll be raised to four after six months. The highest pay's five."

"Three dollars," said Susan. "How much can I rent a room for?"

The restaurant girl looked at her pityingly. "Oh, you can't afford a room. You'll have to club in with three other girls and take a room together, and cook your meals yourselves, turn about."

Susan tried not to show how gloomy this prospect seemed. "I'll try," said she.

She paid the ten cents; her new acquaintance went with her to the door, pointed out the huge bare wooden building displaying in great letters "J. C. Matson, Paper Boxes."

"You apply at the office," said the waitress. "There'll be a fat black-complected man in his shirt with his suspenders let down off his shoulders. He'll be fresh with you. He used to be a working man himself, so he hasn't any respect for working people. But he doesn't mean any harm. He isn't like a good many; he lets his girls alone."

Susan had not got far when the waitress came running after her. "Won't you come back and let me know how you made out?" she asked, a little embarrassed. "I hope you don't think I'm fresh."

"I'll be glad to come," Susan assured her. And their eyes met in a friendly glance.

"If you don't find a place to go, why not come in with me? I've got only a very little bit of a room, but it's as big and a lot cleaner than any you'll find with the factory girls."

"But I haven't any money," said Susan regretfully. "And I couldn't take anything without paying."

"You could pay two dollars and a half a week and eat in with us. We couldn't afford to give you much for that, but it'd be better than what you'd get the other way."

"But you can't afford to do that."

The restaurant girl's mind was aroused, was working fast and well. "You can help in the restaurant of evenings," she promptly replied. "I'll tell ma you're so pretty you'll draw trade. And I'll explain that you used to go to school with me—and have lost your father and mother. My name's Etta Brashear."

"Mine's—Lorna Sackville," said Susan, blushing. "I'll come after a while, and we'll talk about what to do. I may not get a place."

"Oh, you'll get it. He has hard work finding girls. Factories usually pay more than stores, because the work's more looked down on—though Lord knows it's hard to think how anything could be more looked down on than a saleslady."

"I don't see why you bother about those things. What do they matter?"

"Why, everybody bothers about them. But you don't understand. You were born a lady, and you'll always feel you've got social standing, and people'll feel that way too."

"But I wasn't," said Susan earnestly. "Indeed, I wasn't. I was born—a—a nobody. I can't tell you, but I'm just nobody. I haven't even got a name."

Etta, as romantic as the next young girl, was only the more fascinated by the now thrillingly mysterious stranger—so pretty, so sweet, with such beautiful manners and strangely outcast no doubt from some family of "high folks." "You'll be sure to come? You won't disappoint me?"

Susan kissed Etta. Etta embraced Susan, her cheeks flushed, her eyes brilliant. "'I've taken an awful fancy to you," she said. "I haven't ever had an intimate lady friend. I don't care for the girls round here. They're so fresh and common. Ma brought me up refined; she's not like the ordinary working-class woman."

It hurt Susan deeply—why, she could not have quite explained—to hear Etta talk in this fashion. And in spite of herself her tone was less friendly as she said, "I'll come when I find out."



CHAPTER XIX

IN the office of the factory Susan found the man Etta described. He was seated, or, rather, was sprawled before an open and overflowing rolltop desk, his collar and cuffs off, and his coat and waistcoat also. His feet—broad, thick feet with knots at the great toe joints bulging his shoes—were hoisted upon the leaf of the desk. Susan's charms of person and manners so wrought upon him that, during the exchange of preliminary questions and answers, he slowly took down first one foot then the other, and readjusted his once muscular but now loose and pudgy body into a less loaferish posture. He was as unconscious as she of the cause and meaning of these movements. Had he awakened to what he was doing he would probably have been angered against himself and against her; and the direction of Susan Lenox's life would certainly have been changed. Those who fancy the human animal is in the custody of some conscious and predetermining destiny think with their vanity rather than with their intelligence. A careful look at any day or even hour of any life reveals the inevitable influence of sheer accidents, most of them trivial. And these accidents, often the most trivial, most powerfully determine not only the direction but also the degree and kind of force—what characteristics shall develop and what shall dwindle.

"You seem to have a nut on you," said the box manufacturer at the end of the examination. "I'll start you at three."

Susan, thus suddenly "placed" in the world and ticketed with a real value, was so profoundly excited that she could not even make a stammering attempt at expressing gratitude.

"Do your work well," continued Matson, "and you'll have a good steady job with me till you get some nice young fellow to support you. Stand the boys off. Don't let 'em touch you till you're engaged—and not much then till the preacher's said the word."

"Thank you," said Susan, trying to look grave. She was fascinated by his curious habit of scratching himself as he talked—head, ribs, arm, legs, the backs of his red hairy hands.

"Stand 'em off," pursued the box-maker, scratching his ribs and nodding his huge head vigorously. "That's the way my wife got me. It's pull Dick pull devil with the gals and the boys. And the gal that's stiff with the men gets a home, while her that ain't goes to the streets. I always gives my gals a word of good advice. And many a one I've saved. There's mighty few preachers does as much good as me. When can you go to work?"

Susan reflected. With heightened color and a slight stammer she said, "I've got something to do this afternoon, if you'll let me. Can I come in the morning?" "Seven sharp. We take off a cent a minute up to a quarter of an hour. If you're later than that, you get docked for the day. And no excuses. I didn't climb to the top from spittoon cleaner in a saloon fifteen years ago by being an easy mark for my hands."

"I'll come at seven in the morning," said Susan.

"Do you live far?"

"I'm going to live just up the street."

"That's right. It adds ten cents a day to your wages—the ten you'll save in carfare. Sixty cents a week!" And Matson beamed and scratched as if he felt he had done a generous act. "Who are you livin' with? Respectable, I hope."

"With Miss Brashear—I think."

"Oh, yes—Tom Brashear's gal. They're nice people. Tom's an honest fellow—used to make good money till he had his hard luck. Him and me used to work together. But he never could seem to learn that it ain't workin' for yourself but makin' others work for you that climbs a man up. I never was much as a worker. I was always thinkin' out ways of makin' people work for me. And here I am at the top. And where's Tom? Well—run along now—what's your name?"

"Lorna Sackville."

"Lorny." He burst into a loud guffaw. "Lord, what a name! Sounds like a theayter. Seven sharp, Lorny. So long."

Susan nodded with laughing eyes, thanked him and departed. She glanced up the street, saw Etta standing in the door of the restaurant. Etta did not move from her own doorway, though she was showing every sign of anxiety and impatience. "I can't leave even for a minute so near the dinner hour," she explained when Susan came, "or I'd, a' been outside the factory. And ma's got to stick to the kitchen. I see you got a job. How much?"

"Three," replied Susan.

"He must have offered it to you," said Etta, laughing. "I thought about it after you were gone and I knew you'd take whatever he said first. Oh, I've been so scared something'd happen. I do want you as my lady friend. Was he fresh?"

"Not a bit. He was—very nice."

"Well, he ought to be nice—as pa says, getting richer and richer, and driving the girls he robs to marry men they hate or to pick up a living in the gutter."

Susan felt that she owed her benefactor a strong protest. "Maybe I'm foolish," said she, "but I'm awful glad he's got that place and can give me work."

Etta was neither convinced nor abashed. "You don't understand things in our class," replied she. "Pa says it was the kind of grateful thinking and talking you've just done that's made him poor in his old age. He says you've either got to whip or be whipped, rob or be robbed—and that the really good honest people are the fools who take the losing side. But he says, too, he'd rather be a fool and a failure than stoop to stamping on his fellow-beings and robbing them. And I guess he's right"—there Etta laughed—"though I'll admit I'd hate to be tempted with a chance to get up by stepping on somebody." She sighed. "And sometimes I can't help wishing pa had done some tramping and stamping. Why not? That's all most people are fit for—to be tramped and stamped on. Now, don't look so shocked. You don't understand. Wait till you've been at work a while."

Susan changed the subject. "I'm going to work at seven in the morning. . . . I might as well have gone today. I had a kind of an engagement I thought I was going to keep, but I've about decided I won't."

Etta watched with awe and delight the mysterious look in Susan's suddenly flushed face and abstracted eyes. After a time she ventured to interrupt with:

"You'll try living with us?"

"If you're quite sure—did you talk to your mother?"

"Mother'll be crazy about you. She wants anything that'll make me more contented. Oh, I do get so lonesome!"

Mrs. Brashear, a spare woman, much bent by monotonous work—which, however, had not bent her courage or her cheerfulness—made Susan feel at home immediately in the little flat. The tenement was of rather a superior class. But to Susan it seemed full of noisome smells, and she was offended by the halls littered with evidences of the uncleanness of the tenants. She did not then realize that the apparent superior cleanness and neatness of the better-off classes was really in large part only affected, that their secluded back doors and back ways gave them opportunity to hide their uncivilized habits from the world that saw only the front. However, once inside the Brashear flat, she had an instant rise of spirits.

"Isn't this nice?" exclaimed she as Etta showed her, at a glance from the sitting-room, the five small but scrupulously clean rooms. "I'll like it here!"

Etta reddened, glanced at her for signs of mockery, saw that she was in earnest. "I'm afraid it's better to look at than to live in," she began, then decided against saying anything discouraging. "It seems cramped to us," said she, "after the house we had till a couple of years ago. I guess we'll make out, somehow."

The family paid twenty dollars a month for the flat. The restaurant earned twelve to fifteen a week; and the son, Ashbel, stocky, powerful and stupid, had a steady job as porter at ten a week. He gave his mother seven, as he had a room to himself and an enormous appetite. He talked of getting married; if he did marry, the family finances would be in disorder. But his girl had high ideas, being the daughter of a grocer who fancied himself still an independent merchant though he was in fact the even more poorly paid selling agent of the various food products trusts. She had fixed twenty a week as the least on which she would marry; his prospects of any such raise were—luckily for his family—extremely remote; for he had nothing but physical strength to sell, and the price of physical strength alone was going down, under immigrant competition, not only in actual wages like any other form of wage labor, but also in nominal wages.

Altogether, the Brashears were in excellent shape for a tenement family, were better off than upwards of ninety per cent of the families of prosperous and typical Cincinnati. While it was true that old Tom Brashear drank, it was also true that he carefully limited himself to two dollars a week. While it was true that he could not work at his trade and apparently did little but sit round and talk—usually high above his audience—nevertheless he was the actual head of the family and its chief bread-winner. It was his savings that were invested in the restaurant; he bought the supplies and was shrewd and intelligent about that vitally important department of the business—the department whose mismanagement in domestic economy is, next to drink, the main cause of failure and pauperism, of sickness, of premature disability, of those profound discouragements that lead to despair. Also, old Brashear had the sagacity and the nagging habit that are necessary to keeping people and things up to the mark. He had ideas—practical ideas as well as ideals—far above his station. But for him the housekeeping would have been in the familiar tenement fashion of slovenliness and filth, and the family would have been neat only on Sundays, and only on the surface then. Because he had the habit of speaking of himself as useless, as done for, as a drag, as one lingering on when he ought to be dead, his family and all the neighborhood thought of him in that way. Although intelligence, indeed, virtue of every kind, is expected of tenement house people—and is needed by them beyond any other condition of humanity—they are unfortunately merely human, are tainted of all human weaknesses. They lack, for instance, discrimination. So, it never occurred to them that Tom Brashear was the sole reason why the Brashears lived better than any of the other families and yielded less to the ferocious and incessant downward pressure.

But for one thing the Brashears would have been going up in the world. That thing was old Tom's honesty. The restaurant gave good food and honest measure. Therefore, the margin of profit was narrow—too narrow. He knew what was the matter. He mocked at himself for being "such a weak fool" when everybody else with the opportunity and the intelligence was getting on by yielding to the compulsion of the iron rule of dishonesty in business. But he remained honest—therefore, remained in the working class, instead of rising among its exploiters.

"If I didn't drink, I'd kill myself," said old Tom to Susan, when he came to know her well and to feel that from her he could get not the mere blind admiration the family gave him but understanding and sympathy. "Whenever anybody in the working class has any imagination," he explained, "he either kicks his way out of it into capitalist or into criminal—or else he takes to drink. I ain't mean enough to be either a capitalist or a criminal. So, I've got to drink."

Susan only too soon began to appreciate from her own experience what he meant.

In the first few days the novelty pleased her, made her think she was going to be contented. The new friends and acquaintances, different from any she had known, the new sights, the new way of living—all this interested her, even when it shocked one or many of her senses and sensibilities. But the novelty of folding and pasting boxes, of the queer new kind of girls who worked with her, hardly survived into the second week. She saw that she was among a people where the highest known standard—the mode of life regarded by them as the acme of elegance and bliss—the best they could conceive was far, far below what she had been brought up to believe the scantest necessities of respectable and civilized living. She saw this life from the inside now—as the comfortable classes never permit themselves to see it if they can avoid. She saw that to be a contented working girl, to look forward to the prospect of being a workingman's wife, a tenement housekeeper and mother, a woman must have been born to it—and born with little brains—must have been educated for it, and for nothing else. Etta was bitterly discontented; yet after all it was a vague endurable discontent. She had simply heard of and dreamed of and from afar off—chiefly through novels and poems and the theater—had glimpsed a life that was broader, that had comfort and luxury, people with refined habits and manners. Susan had not merely heard of such a life; she had lived it—it, and no other.