|
"Wait till morning," said Corliss. "I'll take the room next, here, and if you get to feeling bad, call me."
"All right, Jack. I'll cut it out. Maybe I will go back to the Concho; I don't know."
"Wish you would, Will. You'll get on your feet. There's plenty to do and we're short-handed. Think it over."
"Does—Nell—ever say anything?" queried the brother.
"She talks about you often. Yesterday we were talking about you. I told her what Sundown said about—"
"Sundown?"
"Forgot about him. He drifted in a few months ago. I met up with him at the water-hole ranch. He was broke and looking for work. Gave him a job cooking, and he made good. He told me that he used to have a pal named Will Corliss—"
"And Sundown's at the Concho! I never told him where I lived."
"He came into Antelope on a freight. Got side-tracked and had to stay. He didn't know this used to be your country till I told him."
"Well, that beats me, Jack! Say, Sun was just an uncle to me when we were on the road. We made it clear around, freights, cattle-boats, and afoot. I didn't hit the booze then. Funny thing: he used to hit it, and I kind of weaned him. Now it's me. . ."
"He's straight, all right," said Corliss. "He 'tends right to business. The boys like him."
"Everybody liked him," asserted Will Corliss. "But he is the queerest Hobo that ever hit the grit."
"Some queer, at that. It's after nine now, Will. You get to bed. I want to see Banks a minute. I'll be back soon."
When John Corliss had left the room, something intangible went with him. Will felt his moral stamina crumbling. He waited until he heard his brother leave the hotel. Then he went downstairs and returned with a bottle of whiskey. He drank, hid the bottle, and went to bed. He knew that without the whiskey he would have been unable to sleep.
The brothers had breakfast together next morning. After breakfast Corliss went for the team and returned to the hotel, hoping to induce his brother to come home with him. Will Corliss, however, pleaded weariness, and said that he would stay at the Palace until he felt better.
"All right, Will. I'll leave some cash with Banks. He'll give you what you need as you want it."
"Banks? The sheriff?"
"Yes."
"Oh, all right. Suppose you think I'm not to be trusted."
"No. But we'll leave it that way till I see you again. Write in if you need me—and take care of yourself. When you get ready to settle down, I'll turn over your share of the Concho to you. So long, Will."
Will Corliss watched his brother drive away. When the team had disappeared up the road he walked down the street to the sheriff's office. The sheriff greeted him cordially.
"I came for that money, Jim."
"Sure! Here you are," and the sheriff handed him a five-dollar gold-piece.
"Quit kidding and come across," said Corliss, ignoring the significance of the allowance.
"Can't, Will. John said to give you five any time you wanted it, but only five a day."
"He did, eh? John's getting mighty close in his old age, ain't he?"
"Mebby. I don't know."
"How much did he leave for me?"
"Five a day, as I said."
"Oh, you go to hell!"
The sheriff smiled pleasantly. "Nope, Billy! I'm goin' to stay right to home. Have a cigar?"
The young man refused the proffered cigar, picked up the gold-piece and strolled out.
The sheriff leaned back in his chair. "Well if Billy feels that way toward folks, reckon he won't get far with John, or anybody else. Too dinged bad. He used to be a good kid."
CHAPTER VII
FADEAWAY'S HAND
Fadeaway, one of the Concho riders, urged his cayuse through the ford, reined short, and turned to watch Chance, who accompanied him. The dog drew back from the edge of the stream and bunching himself, shot up and over the muddy water, nor did the jump break his stride as he leaped to overtake the rider, who had spurred out of his way. Fadeaway cursed joyously and put his pony to a lope. Stride for stride Chance ran beside him. The cowboy, swaying easily, turned and looked down upon the dog. Chance was enjoying himself. "Wonder how fast the cuss can run?" And Fadeaway swung his quirt. The stride quickened to the rhythmic beat of the cow-horse at top speed. The dog kept abreast without apparent effort. A half-mile beyond the ford the pace slackened as the pony took the hill across which the trail led to the open mesas. As they topped the rise Fadeaway again urged his cayuse to a run, for the puncher had enjoyed the hospitality of his companions of "The Blue," a distant cattle ranch, a day longer than had been set for his return to the Concho. Just then a startled jack rabbit leaped up and bounced down the trail ahead of them. Fadeaway jerked his horse to a stop. "Now we'll see some real speed!" he said. There was a flash of the dog's long body, which grew smaller and smaller in the distance; then a puff of dust spurted up. Fadeaway saw the dog turn end over end, regain his feet and toss something in the air.
"The fastest dog in Arizona," remarked the cowboy. "And you, you glass-eyed son of a mistake, you're about as fast as a fence-post!" This to his patient and willing pony, that again swung into a run and ran steadily despite his fatigue, for he feared the instant slash of the quirt should he slacken pace.
Round a bend in the trail, where an arm of the distant forest ran out into the mesa. Fadeaway again set his horse up viciously. Chance stopped and looked up at the rider. The cowboy pointed through the thin rim of timber beyond which a herd of sheep was grazing. "Take 'em!" he whispered. Chance hesitated, not because he was unfamiliar with sheep, but because he had been punished for chasing and worrying them. "Go to it! Take 'em, Chance!"
The dog slunk through the timber and disappeared. The cowboy rode slowly, peering through the timber. Presently came the trample of frightened sheep—a shrill bleating, and then silence. Fadeaway loped out into the open. The sheep were running in all directions. He whistled the dog to him. Chance's muzzle dripped red. The dog slunk round behind the horse, knowing that he had done wrong, despite the fact that he had been set upon the sheep.
From the edge of the timber some one shouted. The cowboy turned and saw a herder running toward him. He reined around and sat waiting grimly. When the herder was within speaking distance. Fadeaway's hand dropped to his hip and the herder stopped. He gesticulated and spoke rapidly in Spanish. Fadeaway answered, but in a kind of Spanish not taught in schools or heard in indoor conversation.
The herder pressed forward. "Why, how! Fernando. Now what's bitin' you?"
"The sheep! He kill the lamb!" cried the herder.
Fadeaway laughed. "Did, eh? Well, I tried to call him off. Reckon you heard me whistle him, didn't you?"
The cowboy's assertion was so palpably an insult that old Fernando's anger overcame his caution. He stepped forward threateningly. Fadeaway's gun was out and a splash of dust leaped up at Fernando's feet. The herder turned and ran. Fadeaway laughed and swung away at a lope.
When he arrived at the Concho he unsaddled, turned his pony into the corral, and called to Chance. He was at the water-trough washing the dog's muzzle when John Corliss appeared. Fadeaway straightened up. He knew what was coming and knew that he deserved it. The effects of his conviviality at the Blue had worn off, leaving him in an ugly mood.
Corliss looked him over from head to heel. Then he glanced at the dog. Chance turned his head down and sideways, avoiding his master's eye. Fadeaway laughed.
"You get your time!" said Corliss.
"You're dam' right!" retorted Fadeaway.
"And you're damned wrong! Chance knows better than to tackle sheep unless he's put up to it. You needn't explain. Bud will give you your time."
Then Corliss turned to Shoop who had just ridden in.
"Chain that dog up and keep him chained up! And give Fadeaway his time, right up to the minute!"
Shoop dropped easily from the saddle, led his horse toward the corral, and whistled a sprightly ditty as he unsaddled him.
Fadeaway rolled a cigarette and strolled over to the bunk-house where he retailed his visit and its climax to a group of interested punchers.
"So he tied the can onto you, eh? And for settin' Chance on the sheep? He ought to be much obliged to you, Fade. They ain't room for sheep and cattle both on this here range. We're gettin' backed plumb into the sunset."
Fadeaway nodded to the puncher who had spoken.
"And ole man Loring's just run in twenty thousand head from New Mex.," continued the puncher. "Wonder how Corliss likes that?"
"Don' know—and dam' 'f I care. If a guy can't have a little sport without gettin' fired for it, why, that guy don't work for the Concho. The Blue's good enough for me and I can get a job ridin' for the Blue any time I want to cinch up."
"Well, Fade, I reckon you better cinch up pronto, then," said Shoop who had just entered. "Here's your time. Jack's some sore, believe me!"
"Sore, eh? Well, before he gets through with me he'll be sorer. You can tell him for me."
"'Course I can—but I ain't goin' to. And I wouldn't if I was you. No use showin' your hand so early in the game." And Shoop laughed.
"Well, she's full—six aces," said Fadeaway, touching his holster significantly.
"And Jack throws the fastest gun on the Concho," said Shoop, his genial smile gone; his face flushed. "I been your friend, if I do say it, Fade. But don't you go away with any little ole idea that I ain't workin' for Jack Corliss."
"What's that to me? I'm fired, ain't I?"
"Correct. Only I was thinkin' your cayuse is all in. You couldn't get out of sight on him tonight. But you can take one of my string and send it back when you get ready."
"Oh, I ain't sweatin' to hit the trail," said Fadeaway, for the benefit of his audience.
"All right, Fade. But the boss is. It's up to you."
After he had eaten, Fadeaway rolled his few belongings in his slicker and tied it to the saddle. He was not afraid of Corliss, but like men of his stamp he wanted Corliss to know that he was not alone unafraid, but willing to be aggressive. He mounted and rode up to the ranch-house. Corliss, who had seen him approach through the window, sat at his desk, waiting for the cow-boy to dismount and come in. But Fadeaway sat his horse, determined to make the rancher come outside.
Corliss understood, and pushing back his chair, strode to the doorway. "Want to see me?" he asked.
Fadeaway noticed that Corliss was unarmed, and he twisted the circumstance to suit a false interpretation of the fact. "Playin' safe!" he sneered.
Corliss flushed and the veins swelled on his neck, but he kept silent. He looked the cowboy in the eye and was met by a gaze as steady as his own; an aggressive and insolent gaze that had for its backing sheer physical courage and nothing more. It became a battle of mental endurance and Corliss eventually won.
After the lapse of several seconds, the cowboy spoke to his horse. "Come on, Doc! The son-of-a——- is loco."
Corliss heard, but held his peace. He stood watching the cowboy until the latter was out on the road. He noticed that he took the northern branch, toward Antelope. Then the rancher entered the house, picked up his hat, buckled on his gun, and hastened to the corral. He saddled Chinook and took the trail to the Loring rancho.
He rode slowly, trying to arrive at the best method of presenting his side of the sheep-killing to Loring. He hoped that Eleanor Loring would not be present during the interview with her father. He was disappointed, for she came from the wide veranda as he rode up and greeted him.
"Won't you come in?" she asked.
"I guess not. I'd like to see your father."
She knew that her father had forbidden Corliss the house, and, indeed, the premises. She wondered what urgency brought him to the rancho. "I'll call him, then."
Corliss answered the grave questioning in her eyes briefly. "The sheep," he said.
"Oh!" She turned and stepped to the veranda. "Dad, John is here."
David Loring came to the doorway and stood blinking at Corliss. He did not speak.
"Mr. Loring, one of my men set Chance on a band of your sheep. My foreman tells me that Chance killed a lamb. I want to pay for it."
Loring had expected something of the kind. "Mighty proud of it, I reckon?"
"No, I'm not proud of it. I apologize—for the Concho."
"You say it easy."
"No, it isn't easy to say—to you. I'll pay the damage. How much?"
"Your dog, eh? Well, if you'll shoot the dam' dog the lamb won't cost you a cent."
"No, I won't shoot the dog. He was put up to it. I fired the man that set him on to the sheep."
"That's your business. But that don't square you with me."
"I'll settle, if you'll fix the price," said Corliss.
"You will, eh? Then, mebby you'd think you was square with ole man Loring and come foolin' around here like that tramp brother of yours. Fine doin's in Antelope, from what I hear."
"Dad!" exclaimed the girl, stepping to her father. "Dad!"
"You go in the house, Nellie! We'll settle this."
Corliss dismounted and strode up to Loring. "If you weren't an old man I'd give you the licking of your life! I've offered to settle with you and I've apologized. You don't belong in a white man's country."
"I got a pup that barks jest like that—and he's afraid of his own bark," said Loring.
"Have it your way. I'm through." And Corliss stepped to his horse.
"Well, I ain't!" cried Loring. "I'm jest startin' in! You better crawl your cayuse and eat the wind for home, Mr. Concho Jack! And lemme tell you this: they's twenty thousand head of my sheep goin' to cross the Concho, and the first puncher that runs any of my sheep is goin' to finish in smoke!"
"All right, Loring. Glad you put me on to your scheme. I don't want trouble with you, but if you're set on having trouble, you can find it."
The old man straightened and shook his fist at the rancher. "Fust time you ever talked like a man in your life. Nex' thing is to see if you got sand enough to back it up. There's the gate."
Corliss mounted and wheeled his horse. The girl, who stood beside her father, started forward as though to speak to the rancher. Loring seized her arm. Her face flamed and she turned on her father. "Dad! Let me go!"
He shrunk beneath her steady gaze. He released her arm and she stepped up to Corliss. "I'm sorry, John," she said, and offered her hand.
"You heard it all, Nell. I'd do anything to save you all this, if I could."
"Anything?"
"Yes."
"Well, try and get Will—to—stop drinking. He—I heard all about it. I can't do anything to help. You ought to look after him. He's your brother. He's telling folks in Antelope that you refused to help him. Is that so?"
"I refused to give him two hundred dollars to blow in if that's what you mean."
"Did you quarrel with Will?"
"No. I asked him to come home. I knew he wouldn't."
"Yes. And I think I know how you went at it. I wish I could talk to him."
"I wish you would. You can do more with him than anybody."
Loring strode toward Corliss. The girl turned to her father. He raised his arm and pointed toward the road. "You git!" he said. She reached up and patted his grizzled cheek. Then she clung to him, sobbing.
CHAPTER VIII
AT "THE LAST CHANCE"
The afternoon following the day of his discharge from the Concho, Fadeaway rode into Antelope, tied his pony to the hitching-rail in front of "The Last Chance," and entered the saloon. Several men loafed at the bar. The cowboy, known as "a good spender when flush," was made welcome. He said nothing about being out of employment, craftily anticipating the possibility of having to ask for credit later, as he had but a half-month's pay with him. He was discussing the probability of early rains with a companion when Will Corliss entered the place.
Fadeaway greeted him with loud, counterfeit heartiness, and they drank together. Their talk centered on the Concho. Gradually they drew away from the group at the bar. Finally Corliss mentioned his brother. Fadeaway at once became taciturn.
Corliss noticed this and questioned the puncher. "Had a row with Jack?" he asked.
"Between you and me, I did. He fired me, couple of days ago."
"Full?"
"Nope. Chance killed one of Loring's sheep. John hung it onto me, seein' Chance was with me. Guess John's gettin' religion."
Corliss laughed, and his lips twisted to a sneer. "Guess he is. I tried to touch him for two hundred of my own money and he turned me down. Maybe I like it."
"Turned you down, eh! That's what I call nerve! And you been away three year and more. Reckon, by the way the Concho is makin' good, you got more'n two hundred comin'. She's half yours, ain't she?"
"Yes. And I'm going to get my share. He told me I could have a job—that he was short-handed. What do you think of that! And I own half the Concho! I guess I'd like to ride range with a lot of—well, you understand, Fade. I never liked the Concho and I never will. Let's have another. No. This is on me."
Again they drank and Corliss became more talkative. He posed as one wronged by society in general and his brother especially.
As his talk grew louder, Fadeaway cautioned him. "Easy, Billy. No use advertisin'. Come on over here." And Fadeaway gestured toward one of the tables in the rear of the room.
Corliss was about to retort to the other's apparently good-natured interference with his right to free speech, when he caught Fadeaway's glance. "Well?" he exclaimed.
The cowboy evidently had something to say in confidence. Corliss followed him to one of the tables.
"It's this way," began the cowboy. "You're sore at Jack. Now Jack's got friends here and it won't help you any to let 'em know you're sore at him. I ain't feelin' like kissin' him myself—right now. But I ain't advertisin' it. What you want to do is—"
"What's that got to do with me?" interrupted Corliss.
Fadeaway laughed. "Nothin'—if you like. Only there's been doin's since you lit out." And he paused to let the inference sink in.
"You mean—?"
"Look here, Billy. I been your friend ever since you was a kid. And seein' you're kind of out of luck makes me sore—when I think what's yours by rights. Mebby I'm ridin' over the line some to say it, but from what I seen since you been gone, Jack ain't goin' to cry any if you never come back. Old man Loring ain't goin' to live more'n a thousand years. Mebby Jack don't jest love him—but Jack ain't been losin' any time since you been gone."
Corliss flushed. "I suppose I don't know that! But he hasn't seen the last of me yet."
"If I had what's comin' to you, you bet I wouldn't work on no cattle-ranch, either. I'd sure hire a law-shark and find out where I got off."
Fadeaway's suggestion had its intended effect. The younger man knew that an appeal to the law would be futile so long as he chose to ignore that clause in the will which covered the contingency he was illustrating by his conduct. Fadeaway again cautioned him as he became loud in his invective against his brother. The cowboy, while posing as friend and adviser, was in reality working out a subtle plan of his own, a plan of which Corliss had not the slightest inkling.
"And the Concho's makin' good," said Fadeaway, helping himself to a drink. He shoved the bottle toward Corliss. "Take a little 'Forget-it,' Billy. That's her! Here's to what's yours!" They drank together. The cowboy rolled a cigarette, tilted back his chair, and puffed thoughtfully. "Yes, she's makin' good. Why, Bud is gettin' a hundred and twenty-five, now. Old Hi Wingle's drawin' down eighty—Jack's payin' the best wages in this country. Must of cleaned up four or five thousand last year. And here you're settin', broke."
"Well, you needn't rub it in," said Corliss, frowning.
Fadeaway grinned. "I ain't, Billy. I'm out of a job myself: and nothin' comin'—like you."
Corliss felt that there was something in his companion's easy drift that had not as yet come to the surface. Fadeaway's hard-lined face was unreadable. The cowboy saw a question in the other's eyes and cleverly ignored it. Since meeting the brother he had arrived at a plan to revenge himself on John Corliss and he intended that the brother should take the initiative.
He got up and proffered his hand. "So long, Billy. If you ever need a friend, you know where to find him."
"Hold on, Fade. What's your rush?"
"Got to see a fella. Mebby I'll drop in later."
Corliss rose.
Fadeaway leaned across the table. "I'm broke, and you're broke. The Concho pays off Monday, next week. The boys got three months comin'—close to eighteen hundred—and gold."
"Gold? Thought John paid by check?"
"He's tryin' to keep the boys from cashin' in, here. Things are goin' to be lively between Loring and the Concho before long. Jack needs all the hands he's got."
"But I don't see what that's got to do with it, Fade."
"Nothing 'ceptin' I'm game to stand by a pal—any time."
"You mean—?"
"Jest a josh, Billy. I was only thinkin' what could be pulled off by a couple of wise ones. So-long!"
And the cowboy departed wondering just how far his covert suggestion had carried with Will Corliss. As for Will Corliss, Fadeaway cared nothing whatever. Nor did he intend to risk getting caught with a share of the money in his possession, provided his plan was carried to a conclusion. He anticipated that John Corliss would be away from the ranch frequently, owing to the threatened encroachment of Loring's sheep on the west side of the Concho River. Tony, the Mexican, would be left in charge of the ranch. Will Corliss knew the combination of the safe—of that Fadeaway was pretty certain. Should they get the money, people in the valley would most naturally suspect the brother. And Fadeaway reasoned that John Corliss would take no steps to recover the money should suspicion point to his brother having stolen it. Meanwhile he would wait.
Shortly after Fadeaway had gone out, Will Corliss got up and sauntered to the street. He gazed up and down the straggling length of Antelope and cursed. Then he walked across to the sheriff's office.
The sheriff motioned him to a chair, which he declined. "Better sit down, Billy. I want to talk to you."
"Haven't got time," said Corliss. "You know what I came for."
"That's just what I want to talk about. See here, Billy, you've been hitting it up pretty steady this week. Here's the prospect. John told me to hand you five a day for a week. You got clothes, grub, and a place to sleep and all paid for. You could go out to the ranch if you wanted to. The week is up and you're goin' it just the same. If you want any more money you'll have to see John. I give you all he left with me."
"By God, that's the limit!" exclaimed Corliss.
"I guess it is, Billy. Have a cigar?"
Corliss flung out of the office and tramped across to the saloon. He called for whiskey and, seating himself at one of the tables, drank steadily. Fadeaway wasn't such a fool, after all. But robbery! Was it robbery? Eighteen hundred dollars would mean San Francisco . . . Corliss closed his eyes. Out of the red mist of remembrance a girl's face appeared. The heavy-lidded eyes and vivid lips smiled. Then other faces, and the sound of music and laughter. He nodded to them and raised his glass. . . . As the raw whiskey touched his lips the red mist swirled away. The dingy interior of the saloon, the booted and belted riders, the grimy floor littered with cigarette-ends, the hanging oil-lamp with its blackened chimney, flashed up and spread before him like the speeding film of a picture, stationary upon the screen of his vision, yet trembling toward a change of scene. A blur appeared in the doorway. In the nightmare of his intoxication he welcomed the change. Why didn't some one say something or do something? And the figure that had appeared, why should it pause and speak to one of the men at the bar, and not come at once to him. They were laughing. He grew silently furious. Why should they laugh and talk and keep him waiting? He knew who had come in. Of course he knew! Did Fadeaway think to hide himself behind the man at the bar? Then Fadeaway should not wear chaps with silver conchas that glittered and gleamed as he shifted his leg and turned his back. "Said he was my friend," mumbled Corliss. "My friend! Huh!" Was it a friend that would leave him sitting there, alone?
He rose and lurched to the bar. Some one steadied him as he swayed. He stiffened and struck the man in the face. He felt himself jerked backward and the shock cleared his vision. Opposite him two men held Fadeaway, whose mouth was bleeding. The puncher was struggling to get at his gun.
Corliss laughed. "Got you that time, you thief!"
"He's crazy drunk," said one of the men. "Don't get het up, Fade. He ain't packin' a gun."
Fadeaway cursed and wiped the blood from his mouth. He was playing his part well. Accident had helped him. To all intents and purposes they were open enemies.
Still, he was afraid Corliss would talk, so he laughed and extended his hand. "Shake, Billy. I guess you didn't know what you were doin'. I was tryin' to keep you from fallin'."
Corliss stared at the other with unwinking eyes.
Fadeaway laughed and turned toward the bar. "Ought to hand him one, but he's all in now, I reckon. That's what a fella gets for mixin' up with kids. Set 'em up, Joe."
Left to himself Corliss stared about stupidly. Then he started for the doorway.
As he passed Fadeaway, the latter turned and seized his arm. "Come on up and forget it, Billy. You and me's friends, ain't we?"
The cowboy, by sheer force of his personality, dominated the now repentant Corliss, whose stubbornness had given way to tearful retraction and reiterated apology. Of course they were friends!
They drank and Fadeaway noticed the other's increasing pallor. "Jest about one more and he'll take a sleep," soliloquized the cowboy. "In the mornin' 's when I ketch him, raw, sore, and ready for anything."
One of the cowboys helped Corliss to his room at the Palace. Later Fadeaway entered the hotel, asked for a room, and clumped upstairs. He rose early and knocked at Corliss's door, then entered without waiting for a response.
He wakened Corliss, who sat up and stared at him stupidly. "Mornin', Billy. How's the head?"
"I don't know yet. Got any cash, Fade? I'm broke."
"Sure. What you want?"
Corliss made a gesture, at which the other laughed. "All right, pardner. I'll fan it for the medicine."
When he returned to the room, Corliss was up and dressed. Contrary to Fadeaway's expectations, the other was apparently himself, although a little too bright and active to be normal.
"Guess I got noisy last night," said Corliss, glancing at Fadeaway's swollen lip.
"Forget it! Have some of this. Then I got to fan it."
"Where are you going?"
"Me? Over to the Blue. Got a job waitin' for me."
Corliss's fingers worked nervously. "When did you say the Concho paid off?" he queried, avoiding the other's eye.
Fadeaway's face expressed surprise. "The Concho? Why, next Monday. Why?"
"Oh—nothing. I was just wondering . . ."
"Want to send any word to Jack?" asked the cowboy.
"No, I don't. Thanks, just the same, Fade."
"Sure! Well, I guess I'll be goin'."
"Wait a minute. Don't be in a rush. I was thinking . . ."
Fadeaway strode to the window and stood looking out on the street. His apparent indifference was effective.
"Say, Fade, do you think we could—could get away with it?"
"With what?" exclaimed the cowboy, turning.
"Oh, you know! What you said yesterday."
"Guess I said a whole lot yesterday that I forgot this mornin'. I get to joshin' when I'm drinkin' bug-juice. What you gettin' at?"
"The money—at the Concho."
"Oh, that! Why, Billy, I was jest stringin' you! Supposin' somebody was to make a try for it; there's Chance like to be prowlin' around and the safe ain't standin' open nights. Besides, Jack sleeps next to the office. That was a josh."
"Well, I could handle Chance," said Corliss. "And I know the combination to the safe, if it hasn't been changed. You said Jack was likely to be away nights, now."
Fadeaway shook his head. "You're dreamin', Bill. 'Sides, I wouldn't touch a job like that for less'n five hundred."
"Would you—for five hundred?"
"I dunno. Depends on who I was ridin' with."
"Well, I'll divvy up—give you five hundred if you'll come in on it."
Again Fadeaway shook his head. "It's too risky, Billy. 'Course you mean all right—but I reckon you ain't got nerve enough to put her through."
"I haven't!" flashed Corliss. "Try me!"
"And make a get-away," continued the cowboy. "I wouldn't want to see you pinched."
"I'll take a chance, if you will," said Corliss, now assuming, as Fadeaway had intended, the role of leader in the proposed robbery.
"How you expect to get clear—when they find it out?"
"I could get old man Soper to hide me out till I could get to Sagetown. He'll do anything for money. I could be on the Limited before the news would get to Antelope."
"And if you got pinched, first thing you'd sing out 'Fadeaway,' and then me for over the road, eh?"
"Honest, Fade. I'll swear that I won't give you away, even if I get caught. Here's my hand on it."
"Give me nine hundred and I'll go you," said Fadeaway, shaking hands with his companion.
Corliss hesitated. Was the risk worth but half the money involved? "Five's a whole lot, Fade."
"Well, seein' you're goin' to do the gettin' at it, why, mebby I'd risk it for five hundred. I dunno."
"You said you'd stand by a pal, Fade. Now's your chance."
"All right. See here, Bill. You cut out the booze all you can to-day. Foot it out to the Beaver Dam to-night and I'll have a hoss for you. We can ride up the old canon trail. Nobody takes her nowadays, so we'll be under cover till we hit the ford. We can camp there back in the brush and tackle her next evenin'. So-long."
Fadeaway was downstairs and out on the street before Corliss realized that he had committed himself to a desperate and dangerous undertaking. He recalled the expression in Fadeaway's eyes when they had shaken hands. Unquestionably the cowboy meant business.
CHAPTER IX
SUNDOWN'S FRIEND
Bud Shoop was illustrating, with quaint and humorous gestures and adjectives, one of his early experiences as Ranger on the Apache Reservation. The men, grouped around the night-fire, smoked and helped the tale along with reminiscent suggestions and ejaculations of interest and curiosity. In the midst of a vivid account of the juxtaposition of a telephone battery and a curious yet unsuspicious Apache, Shoop paused in the recital and gazed out across the mesa. "It's the boss," he said, getting to his feet. "Wonder what's up?"
Corliss rode into camp, swung from the saddle, and called to Shoop. The men gazed at each other, nodded, and the words "Loring" and "sheep," punctuated their mutterings.
Shoop and Corliss talked together. Then the foreman called to Hi Wingle, asking him how the "chuck" was holding out.
"Runnin' short on flour and beans, Bud. Figured on makin' the Concho to-morrow."
Corliss and his foreman came to the fire. "Boss says we're goin' to bush here the rest of this week," and Corliss nodded.
"I'm expecting company on the west side," explained Corliss,
The men gazed at each other knowingly.
"All right," said Wingle. "Four sacks of flour and a sack of frijoles'll see us through. Got enough other stuff."
"Send some one in for it," ordered Corliss. "I'm going to stay with the outfit, from now on."
The men cheered. That was the kind of a boss to work for! No settin' back and lettin' the men do the fightin'! Some style to Jack Corliss! All of which was subtly expressed in their applause, although unspoken.
"To see that you boys don't get into mischief," continued Corliss, smiling.
"Which means keepin' other folks out of mischief, eh, patron?" said a cow-puncher.
At the word "patron" the men laughed. "They're talkin' of turnin' this outfit into a sheep-camp," remarked another. "Ba-a-ah!" And again they laughed.
Shoop motioned to Sundown who rose from beside the fire. "You can saddle up, Sun."
Sundown caught up his horse and stood waiting while one of the men saddled two pack-animals. "Tony has the keys. He'll pack the stuff for you," said Corliss. "Keep jogging and you ought to be back here by sunup."
The assistant cook mounted and took the lead-rope of the pack-horses. He was not altogether pleased with the prospect of an all-night ride, but he knew that he had been chosen as the one whose services could most easily be dispensed with at the camp. Silently he rode away, the empty kyacks clattering as the pack-horses trotted unwillingly behind him. Too busy with the unaccustomed lead-rope to roll cigarettes, he whistled, and, in turn, recited verse to keep up his spirits.
About midnight he discerned the outline of the low ranch-buildings and urged his horse to a faster gait. As he passed a clump of cottonwoods, his horse snorted and shied. Sundown reined him in and leaned peering ahead. The pack-animals tugged back on the rope. Finally he coaxed them past the cottonwoods and up to the gate. It was open, an unusual circumstance which did not escape his notice. He drifted through the shadows toward the corral, where he tied the horses. Then he stepped to the bunk-house, found a lantern and lighted it. He hallooed. There was no response. He stalked across to the ranch-house. He found the door unlocked. "Hi! Tony!" he called. No one answered. He pushed the door open and entered. Holding the lantern above his head he peered around the room.
In the dim light of the lantern vague outlines took shape. He noticed that the small safe in the corner was open. He became alarmed and again called. He heard a slight movement behind him and turned to see the door close. From behind stepped a figure, a slender figure that seemed unreal, yet familiar. With a cry of surprise he jumped back and stood facing his old friend and companion of the road, Will Corliss.
"Billy!" he ejaculated, backing away and staring.
"Yes, it's Billy." And Corliss extended his hand.
"But—what, where—?" Sundown hesitated and glanced at the safe. His eyes widened and he lowered the lantern. "Billy!" he said, ignoring the other's proffered hand, "what you doin' here?"
Corliss assumed a nonchalant air. "Shake, pal! It's a long time since we been in a wreck, eh?"
Sundown was silent, studying the other's hardened features. "Billy!" he reiterated, "what you doin' here?"
Corliss laughed nervously. "What are you doing here?" he retorted,—"in the office of the Concho, at midnight?"
"I was comin' to get flour and beans for the camp—" he began.
Corliss interrupted him. "Sounds good, that! But they don't keep the grub here. Guess you made a mistake."
Sundown's face was expressionless. "Guess you made the mistake, Billy. I thought you was—dead."
"Not on your tin-type, Sun."
"I never thought you was crooked, Billy."
"Crooked!" flashed Corliss. "Say, you—you forget it. I'm here to get what's coming to me. Jack turned me down, so I'm going to take what's mine."
"Mebby it's yours, but you ain't gettin' it right," said Sundown. "I—I—never thought you was—"
"Oh, cut that out! You didn't used to be so dam' particular."
"I never swiped a cent in me life, Billy."
"Well, forget it. I'm in a hurry. You go ahead and get the chuck. Here are the keys to the store-room—and beat it. Just forget that you saw me; that's all."
Sundown shook his head. "I ain't forgettin' that easy, Billy. 'Sides, I'm workin' for the Concho, now. They're treatin' me fine—and I reckon I got to be square."
"You mean you're going to squeal—going back on your old pal, eh?"
Sundown's face expressed conflicting emotions. He straightened his lean shoulders. "I tell you, Billy; if you beat it now, they won't be nothin' to squeal about."
"I'm going to." And Corliss stepped toward the safe. "Just hold that light this way a minute."
Sundown complied, and Corliss thought that the other had overcome his scruples. Corliss hastily drew a small canvas sack from the safe and stuffed it into his pocket. Sundown backed toward the door.
Corliss got to his feet. "Well, so-long, Sun. Guess I'll light out."
"Not with that," said Sundown. "I ain't no preacher, but I ain't goin' to see you go straight to hell and me do nothin'. Mebby some of that dough is yourn. I dunno. But somebody's goin' to get pinched for takin' it. Bein' a Bo, it'll be me."
"So that's what's worrying you, eh? Scared you'll get sent over for this. Well, you won't. You haven't got anything on you."
"'T ain't that, Billy. It's you."
Corliss laughed. "You're getting religion, too. Well, I never thought you'd go back on me."
"I ain't. I was always your friend, Billy."
Corliss hesitated. The door behind Sundown moved ever so little. Corliss's eyes held Sundown with unwinking gaze. Slowly the door swung open. Sundown felt rather than heard a presence behind him. Before he could turn, something crashed down on his head. The face of his old friend, intense, hard, desperate, was the last thing imaged upon his mind as the room swung round and he dropped limply to the floor.
"Just in time," said Fadeaway, bending over the prostrate figure. "Get a move, Bill. I followed him from the cottonwoods and heard his talk. I was waitin' to get him when he come out, but I seen what he was up to and I fixed him."
Corliss backed against the wall, trembling and white. "Is he—did you—?"
Fadeaway grinned. "No, just chloroformed him. Get a move, Bill. No tellin' who'll come moseyin' along. Got the stuff?"
Corliss nodded.
Fadeaway blew out the light. "Come on, Bill. She worked slick."
"But—he knows me," said Corliss. "He'll squeal."
"And I reckon Jack'll believe him. Why, it's easy, Bill. They find the Bo on the job and the money gone. Who did it? Ask me."
At the cottonwoods they mounted. "Now, you fan it for Soper's," said Fadeaway. "I'll keep on for the Blue. To-morrow evenin' I'll ride over and get my divvy."
Corliss hesitated.
"You better travel," said Fadeaway, reining his horse around. "So-long."
Chance, a prisoner in the stable, whined and gnawed at the rope with which Corliss had tied him. The rope was hard-twisted and tough. Finally the last strand gave way. The dog leaped through the doorway and ran sniffing around the enclosure. He found Sundown's trail and followed it to the ranch-house. At the threshold the dog stopped. His neck bristled and he crooked one foreleg. Slowly he stalked to the prone figure on the floor. He sniffed at Sundown's hands and pawed at him. Slowly Sundown's eyes opened. He tried to rise and sank back groaning. Chance frisked around him playfully coaxing. Finally Sundown managed to sit up. With pain-heavy eyes he gazed around the room. Slowly he got to his feet and staggered to the doorway. He leaned against the lintel and breathed deeply of the fresh morning air. The clear cold tang of the storm that had passed, lingered, giving a keen edge to the morning. "We're sure in wrong," he muttered, gazing at Chance, who stood watching him with head cocked and eyes eager for something to happen—preferably action. Sundown studied the dog dully. "Say, Chance," he said finally, "do you think you could take a little word to the camp? I heard of dogs doin' such things. Mebby you could. Somebody's got to do 'somethin' and I can't." Painfully he stooped and pointed toward the south. "Go tell the boss!" he commanded. Chance whined. "No, that way. The camp!"
Chance nosed across the yard toward the gate. Then he stopped and looked back. Sundown encouraged him by waving his arm toward the south. "Go ahead, Chance. The boss wants you."
Chance trotted toward the cottonwood, nosed among them, and finally took Sundown's trail to the knoll.
Sundown crept to the bunk-house, wondering what had become of the Mexican, Tony. He determined to search for him, but became dizzy, and, crawling to a bunk, lay back groaning as the dull pain in his head leaped intermittently to blinding stabs of agony. It seemed ages before he heard the quick staccato of hoofs on the road. He raised himself on his elbow as Shoop and Corliss rode up on their mud-spattered and steaming ponies. Sundown called as they dismounted at the corral.
Corliss and Shoop stamped in, breathing hard. "What's up?" questioned Corliss.
"They—they got the money," muttered Sundown, pointing toward the office.
"Who? See what's up, Bud."
Shoop swung out and across the enclosure.
Corliss stooped over Sundown. "What's wrong, Sun? Why, Great God, you're hurt!"
The rancher brought water and bathed Sundown's head. "Who did it?" he questioned.
"I dunno, boss. I come and caught 'em at it. Two of 'em, I guess. I was tryin' to stop one fella from takin' it when the other slips me one on the head, and I takes a sleep. I was lookin' for Tony in the office."
"Where's Tony?"
"I dunno. I was goin' to see—but—my head . . ."
"That's all right. You take it easy as you can. I'll find out."
And Corliss left the room. With Chance he explored the outbuildings and finally discovered the Mexican bound and gagged in the stable. He released him, but could make nothing of his answers save that some one had come at night, tied his hands and feet, and carried him from the ranch-house.
Corliss returned to Sundown. In the bunkhouse he encountered Shoop.
"They robbed the safe," said Shoop, and he spoke with a strange quietness. "Better come and take a look, Jack."
"Didn't blow her," said Shoop, pointing toward the corner as they entered the office.
Corliss knelt and examined the safe. "The man that did it knew the combination," he said. "There isn't a mark on the door."
He rose, and Shoop met his eye. Corliss shook his head. "I don't know," he said, as if in answer to a silent questioning. Then he told Shoop to look for tracks.
"The rain's fixed the tracks," said Shoop, turning in the doorway. "But it ain't drowned out my guess on this proposition."
"Well, keep guessing, Bud, till I talk to Sundown." And Corliss walked slowly to the bunkhouse. He sat on the edge of the bunk and laid his hand on Sundown's sleeve. "Look here, Sun, if you know anything about this, just tell me. The money's gone and you didn't get that cut on the head trying to take it. I guess you're straight, all right, but I think you know something."
Sundown blinked and set his jaw.
Corliss observed and wisely forbore to threaten or command. "Did you recognize either of the men?" he asked, presently.
"No!" lied Sundown. "Wasn't I hit in the back of me head?"
Corliss smiled grimly. "What were you doing when you got hit?"
"Tryin' to stop the other guy—"
"What did he look like?"
"I dunno. Me lantern was on the floor. He was a hefty guy, bigger 'n you. Mebby six feet and pow'ful built. Had whiskers so's I couldn't pipe his face. Big puncher hat down over his eyes and a handkerchief tied like a mask. I was scared of him, you bet!"
Corliss slowly drew a sack of tobacco and papers from his pocket. He rolled a cigarette and puffed reflectively. Then he laughed. "I'm out about eighteen hundred. That's the first thing. Next, you're used up pretty bad and we're short-handed. Then, we're losing time trying to track the thieves. But I'm not riled up a little bit. Don't think I'm mad at you. I'm mighty glad you didn't get put out in this deal. That's where I stand. I want to find out who took the money. I don't say that I'll lift a rein to follow them. Depends on who did it."
Sundown winced, and gazed up helplessly. He felt oppressed by the broad-chested figure near him. He felt that he could not get away from—what? Not Corliss, for Corliss was undoubtedly friendly. In a flash he saw that he could not get away from the truth. Yet he determined to shield his old pal of the road. "You're sure givin' me the third degree," he said with an attempt at humor. "I reckon I got to come through. Boss, are you believin' I didn't take the cash?"
"Sure I am! But that isn't enough. Are you working for the Concho, Sun, or for some other outfit?"
"The Concho," muttered Sundown stubbornly.
"And I'm the Concho. You're working for me. Listen. I've got a yarn to spin. The man that took the money—or one of them—was short, and slim, and clean-shaved, and he didn't wear a puncher hat. You weren't scared of him because he was a coward. You tried to get him to play square and he talked to you while the other man got you from behind. That's just a guess, but you furnished the meat for it."
"Me hands are up," said Sundown.
"All right. I'm not going to get after Billy for this. You lied to me, but you lied to save your pal. Shake!"
CHAPTER X
THE STORM
Will Corliss, riding through the timberlands toward the west, shivered as a drop of rain touched his hand. He glanced up through the trees. The sky seemed clouded to the level of the pine-tops. He spurred his horse as he again felt a spatter of rain. Before him lay several miles of rugged trail leading to an open stretch across which he would again enter the timber on the edge of the hollow where Soper's cabin was concealed. When Corliss had suggested Soper's place as a rendezvous, Fadeaway had laughed to himself, knowing that old man Soper had been driven from the country by a committee of irate ranchers. The illicit sale of whiskey to the cowboys of the Concho Valley had been the cause of Soper's hurried evacuation. The cabin had been burned to the ground. Fadeaway knew that without Soper's assistance Corliss would be unable to get to the railroad—would be obliged either to return to the Concho or starve on the empty mesas.
Corliss bent his head as the rain drove faster. When he arrived at the edge of the mesa, the storm had increased to a steady dull roar of rushing rain. He hesitated to face the open and reined up beneath a spruce. He was drenched and shivered. The fever of drink had died out leaving him unstrung and strangely fearful of the night. His horse stood with lowered head, its storm-blown mane whipping in the wind like a wet cloth. A branch riven from a giant pine crashed down behind him. Corliss jerked upright in the saddle, and the horse, obeying the accidental touch of the spurs, plodded out to the mesa with head held sideways.
The rider's hands grew numb and he dropped the reins over the horn and shoved his hands in his pockets. Unaccustomed to riding he grew weary and, despite the storm, he drowsed, to awaken with a start as gusts of wind swept against his face. He raised his dripping hat and shook the water from it. Then he crouched shivering in the saddle. He cursed himself for a fool and longed for shelter and the warmth of a fire. Slowly a feeling of helplessness stole over him and he pictured himself returning to the Concho and asking forgiveness of his brother. Yet he kept stubbornly on, glancing ahead from time to time until at last he saw the dim edge of the distant timber—a black line against the darkness. He urged his horse to a trot, and was all but thrown as the animal suddenly avoided a prairie-dog hole. The sweep of the storm was broken as he entered the farther timber. Then came the muffled roll of thunder and an instant white flash. The horse reared as a bolt struck a pine. Came the ghastly whistle of flying splinters as the tree was shattered. Corliss grabbed the saddle-horn as the horse bolted through the timberlands, working against the curb to reach the open. Once more on the trail the animal quieted. They topped a gentle rise. Corliss breathed his relief. Soper's cabin was in the hollow below them.
Cautiously the horse worked sideways down the ridge, slipping and checking short as the loose stones slithered beneath his feet. At the bottom of the hollow Corliss reined up and shouted. The wind whipped his call to a thin shred of sound that was swept away in the roar of the storm. Again he shouted. As though in answer there came a burning flash of blue. The dripping trees surrounding the hollow jumped into view to be blotted from sight as the succeeding crash of thunder diminished to far titanic echoes. Where Soper's cabin had stood there was a wet, glistening heap of fallen logs and rafters, charred and twisted. The lightning flash had revealed more to the rider than the desolation of the burned and abandoned homestead. He saw with instant vividness the wrecked framework of his own plans. He heard the echo of Fadeaway's sneering laugh in the fury of the wind. He told himself that he had been duped and that he deserved it. Lacking physical strength to carry him through to a place of tentative safety, he gave up, and credited his sudden regret to true repentance rather than to weakness. He would return to the Concho, knowing that his brother would forgive him. He wept as he thought of his attitude of the repentant and broken son returning in sorrow to atone for his sin and shame. He magnified his wrongdoing to heroic proportions endeavoring to filch some sentimental comfort from the romantic. He it was that needed the sympathy of the world and not his brother John; John was a plodder, a clod, good enough, but incapable of emotion, or the finer feelings. And Eleanor Loring . . . she could have saved him from all this. He had begun well; had written acceptable verse . . . then had come her refusal to marry him. What a fool he had been through it all! The wind and rain chastised his emotional intoxication, and he turned shivering to look for shelter. Dismounting, he crept beneath a low spruce and shivered beneath the scant covering of his saddle-blanket. To-morrow the sun would shine on a new world. He would arise and conquer his temptation. As he drifted to troubled sleep he knew, deep in his heart, that despite his heroics he would at that moment have given the little canvas sack of his brother's money for the obliterating warmth of intoxication.
With the morning sun he rose and saddled. About to mount, his stiffened muscles blundered. He slipped and fell. The horse, keen with hunger, jumped away from him and trotted down the trail. He followed shouting. His strength gave out and he gave up the chase, wondering where the horse would go. Stumbling along the slippery trail, he cursed his clumsiness. A chill sweat gathered on his face. His legs trembled and he was forced to rest frequently. Crossing a stream, he stooped and drank. Then he toiled on, eagerly scanning the hoof-prints in the rain-gutted trail.
The sun was high when he arrived at the wagon-road above the Concho. Dazed and weak, he endeavored to determine which direction the horse had taken. The heat of the sun oppressed him. He became faint, and, crawling beneath the shade of a wayside fir, he rested, promising himself that he would, when the afternoon shadows drifted across the road, make his way to the Concho. He had slept little more than an hour when the swift patter of hoofs wakened him. As he got to his feet, a buckboard, drawn by a pair of pinto range-ponies, drew up. Corliss started back. The Mexican driving the ponies turned toward the sweet-faced Spanish woman beside him as though questioning her pleasure. She spoke in quick, low accents. He cramped the wagon and she stepped to the road. The Senora Loring, albeit having knowledge of his recent return to Antelope, his drinking, and all the unsavory rumors connected with his return, greeted Corliss as a mother greets a wayward son. She set all this knowledge aside and spoke to him with the placid wisdom of her years and nature. Her gentle solicitude touched him. She had been his foster-mother in those years that he and his brother had known no other fostering hand than that of old Hi Wingle, the cook, whose efforts to "raise" the Corliss boys were more largely faithful than discriminating.
Senora Loring knew at a glance that he was in trouble of some kind. She asked no questions, but held out her hands.
Corliss, blind with tears, dropped to his knee: "Madre! Madre!" he cried.
She patted his head. "You come with me. Then perhaps you have to say to me that which now you do not say."
He shook his head, but she paid no attention, leading the way to the buckboard. He climbed beside the driver, then with an ejaculation of apology, leaped to the road and helped her in.
"Where you would like to go?" she asked. "The Concho?"
Again he shook his head. "I can't. I—"
She questioned his hesitation with her eyes.
"I'll tell you when—when I feel better. Madre, I'm sick."
"I know," she said.
Then, turning to the driver, she gestured down the wagon-trail.
They drove through the morning woodlands, swung to the east, and crossed the ford. The clustered adobes of the Loring homestead glimmered in the sun. Corliss glanced across the river toward the Concho. Again the Senora Loring questioned him with a glance.
He shook his head. "Away—anywhere," he said, gesturing toward the horizon.
"You come home with me," she said quietly. "Nellie is not at the home to-day. You rest, and then perhaps you go to the Concho."
As they entered the gateway of the Loring rancho, Corliss made as though to dismount. The Senora Loring touched his arm. He shrugged his shoulders; then gazed ahead at the peaceful habitation of the old sheep-herder.
The Senora told the driver to tie the team and wait. Then she entered the house. Corliss gazed about the familiar room while she made coffee. Half starved, he ate ravenously the meal she prepared for him. Later, when she came and sat opposite, her plump hands folded in her lap, her whole attitude restful and assuring, he told her of the robbery, concealing nothing save the name of Fadeaway.
Then he drew the canvas sack from his pocket. "I thought I could go back and face it out, but now, I can't. Will you—return it—and—tell John?"
She nodded. "Si! If you wish it so, my son. You would not do that as I would tell you—so I say nothing. I can only—what you say—help, with my hands," and she gestured gracefully as though leading a child. "You have money to go away?"
"No, madre."
"Then I give you the money." And the Senora, ignoring his half-hearted protests, stepped to an adjoining room and returned. "Here is this to help you go. Some day you come back strong and like your father the big John Corliss. Then I shall be much glad."
"I'll pay it back. I'll do anything—"
But she silenced him, touching his lips with her fingers. "No. The promise to make is not so hard, but to keep . . . Ah! When you come back, then you promise; si?"
Not a word of reproof, not a glance or a look of disapproval, yet Corliss knew that the Senora's heart was heavy with sorrow for him. He strode to the doorway. Senora Loring followed and called to the driver. As Corliss shook hands with her, she kissed him.
An anger against himself flushed his cheek. "I don't know which road I'll take, madre,—after I leave here,—this country. But I shall always remember . . . And tell Nell . . . that . . ." he hesitated.
The Senora smiled and patted his arm. "Si! I understand."
"And, madre, there is a man—vaquero, or cook, a big man, tall, that they call Sundown, who works for the Concho. If you see him, please tell him—that I sent it back." And he gestured toward the table whereon lay the little canvas sack of gold. "Good-bye!"
He stepped hurriedly from the veranda, climbed to the seat of the buckboard, and spoke to the driver. For a long time the Senora stood in the doorway watching the glint of the speeding ponies. Then she went to her bedroom and knelt before the little crucifix. Her prayer was, strangely enough, not for Will Corliss. She prayed that the sweet Madonna would forgive her if she had done wrong.
CHAPTER XI
CHANCE—CONQUEROR
Sundown's return to the camp occasioned some indirect questioning and not a little comment. He told the story of his adventure at the Concho in detail up to the point of his conversation with Will Corliss. Then he lapsed into generalities, exhibiting with some little pride the wound on his head as evidence of his attempt to prevent the robbery and incidentally as a reason for being unable to discourse further upon the subject. His oft-repeated recital invariably concluded with, "I steps in and tries to stop the first guy when Wham! round goes the room and I takes a sleep."
The men seemed satisfied with Sundown's graphic account in the main. Hi Wingle, the cook, asked no questions, but did a great deal of thinking. He was aware that Will Corliss had returned to the Concho, and also, through rumor, that Corliss and Fadeaway had been together in Antelope. The fact that the robbers failed to get the money—so it was given out—left the drama unfinished, and as such it lacked sustained interest. There would be no bandits to capture; no further excitement; so the talk eventually drifted to other subjects.
The assistant cook's evident melancholy finally gave place to a happier mood as he realized that he had gained a modicum of respect in a camp where hitherto he had been more or less of a joke. While he grieved over the events which led up to his newly attained prestige as a man of nerve, he was not a little proud of the prestige itself, and principally because he lacked the very quality of courage that he was now accredited with. Perhaps the fact that he had "played square," as he saw it, was the true foundation of his attitude.
He discharged his duties as assistant cook with a new and professional flourish that amused the riders. When they rolled from their blankets in the crisp air of the morning, they were never kept waiting for their coffee, hot bread, and frijoles. Moreover, he always had a small fire going, around which he arranged the tin plates, cups, knives and forks. This additional fire was acceptable, as the cooking was done on a large sheet-iron camp-stove, the immediate territory of which was sacred to Hi Wingle. Wingle, who had been an old-timer when most of the Concho hands were learning the rudiments of the game, took himself and his present occupation seriously. His stove was his altar, though burnt offerings were infrequent. He guarded his culinary precincts with a watchful eye. His attitude was somewhat akin to that of Cardinal Richelieu in the handkerchief scene, "Take but one step within these sacred bounds and on our head I'll lunch the cuss of Rum," or something to that effect. He was short, ruddy, and bald, and his antithesis, Sundown, was a source of constant amazement to him. Wingle had seen many tall men, but never such an elongated individual as his assistant. It became the habit of one or another of the boys to ask the cook the way to the distant Concho, usually after the evening meal, when they were loafing by the camp-fire. Wingle would thereupon scratch his head and assume an air of intense concentration. "Well," he would invariably remark, "you take the trail along Sundown's shadder there, and keep a-fannin' it smart for about three hours. When you come to the end of the shadder, take the right fork of the river, and in another hour you'll strike the Concho. That's the quickest way." And this bit of attenuated humor never failed to produce an effect.
One morning, about a week after Sundown's return to his duties as assistant, while Wingle was drying his hands, preparatory to reading a few pages of his favorite novel, Sundown ambled into camp with an armful of greasewood, dumped it near the wagon, and, straightening up, rolled a cigarette.
Wingle, immersed in the novel, read for a while and then glanced up questioningly.
Sundown shook his head.
"Now this here story," said Wingle; "I read her forty-three times come next round-up, and blamed if I sabe her yet. Now, take it where the perfesser—a slim gent with large round eye-glasses behind which twinkled a couple of deep-set studyus eyes—so the book says; now, take it where he talks about them Hopi graves over there in the valley—"
"This here valley?" queried Sundown, immediately interested.
"Sure! Well, I can sabe all that. I seen 'em."
"Seen 'em?"
"Sure! Why Arizona's got more leavin's of history and dead Injuns and such, right on top of the ground, than any other State in the Union. Why, right over there in the canon of the Concho there's a hull ruined Injun village—stones piled up in little circles, and what was huts and caves and the leavin's of a old irrigatin' ditch and busted ollas, and bones and arrow-heads and picture-writin' on the rocks—bears and eagles and mounting-lions and hosses—scratched right on the rocks. Them cliffs there is covered with it."
"Them?" queried Sundown, pointing toward the canon, "Do they charge anything to see it?"
"Well, seein' they been dead about a thousand years, I reckon not."
"A thousand years! Huh! I ain't scared of no Injuns a thousand years old. How far is it to them picture-things?"
"'Bout three mile. You can take a hoss and mosey over if you like. Figure on gettin' back 'round noon."
"Any snakes over there?"
"Comf'table thick. You might get a pretty good mess of 'em, if you was to take your time. I never bother to look for 'em."
Sundown gazed at his length of nether limb and sighed.
"Snakes won't bother you none," said Wingle, reassuringly. "They get tired, same as anybody, and they'd have to climb too fur to see if you was to home."
Sundown rose and saddled a horse. He mounted and rode slowly toward the rim of the distant canon. At the canon's brink, he dismounted and led his horse down the trail, stopping frequently to gaze in wonderment at the painted cliffs and masses of red rock strewn along the slopes. High up on the perpendicular face of the canon walls he saw many caves and wondered how they came to be there. "Makes a fella feel like sayin' his prayers," he muttered. "Wisht I knowed one."
He drifted on down the trail, which wound around huge fragments of rock riven from the cliffs in prehistoric days. He was awed by the immensity of the chasm and talked continuously to his horse which shuffled along behind paying careful attention to the footing. Arrived at the stream the horse drank. Sundown mounted and rode along the narrow level paralleling the river course. The canon widened, and before he realized it he was in a narrow valley carpeted with bunch-grass and dotted with solitary cypress and infrequent clumps of pine. He paused to inspect a small mound of rock which was partially surrounded by a wall of neatly laid stone. Within the semicircular wall was a hole in the ground—the entrance to a cave. Farther along he came upon the ruins of a walled square, unmistakably of human construction. He became interested, and, tying his horse to a scrub-cedar, began to dig among the loose stones covering the interior of the square. He discovered a fragment of painted pottery—the segment of an olla, smooth, dark red, and decorated with a design in black. He rubbed the earth from the fragment and polished it on his overalls. He unearthed a larger fragment and found that it matched the other piece. He was happy. He forgot his surroundings, and scratched and dug in the ruin until he accumulated quite a little pile of shards, oddly marked and colored. Eventually he gathered up his spoils and tied them in his handkerchief.
Leaving his horse, he meandered down the valley until he came to another and larger cave. "Wonder what's down there?" he soliloquized. "Mebby one of them Injuns. Been there a thousand years waitin' for somethin' to turn up. 'Nough to make a fella tired, waitin' that long." He wanted to explore the cave, but he was afraid. Moreover, the interior was dark. He pondered. Finally his natural fondness for mild adventure overcame his fear. "Got some matches!" he exclaimed, joyfully. "Wonder if it's deep? Guess I could put me legs in first, and if nothin' bites me legs, why, I could follow 'em down to bottom." He put his head in the hole. "Hey!" he hallooed, "are you in there?" He rose to his feet. "Nothin' doin'. Well, here goes. I sure want to see what's down there."
In his excitement he overlooked the possibility of disturbing a torpid rattler. He slid feet first into the cave, found that he could all but stand upright, and struck a match.
The ancient Hopis buried their dead in a sitting posture on a woven grass mat, with an olla, and frequently a bone dagger, beside them. In the clean, dry air of the uplands of Arizona the process of decay is slow. Sundown, unaware of this, hardly anticipated that which confronted him as the match flamed blue and flared up, lighting the interior of the cave with instant brilliance. About six feet from where he crouched was the dried and shriveled figure of a Hopi chief, propped against the wall of the cave. Beside the figure stood the painted olla untarnished by age. The dead Indian's head was bowed upon his breast, and his skeleton arms, parchment-skinned and rigid, were crossed upon his knees.
Sundown scrambled for the circle of daylight above him. "Gee Gosh!" he panted, as he got to his feet outside the cave. "It was him!" He clambered over the circle of stones and backed away, eyeing the entrance as though he expected to see the Hopi emerge at any moment. He crouched behind a boulder, his pulses racing. He was keyed to a high tension of expectancy. In fact, he was in a decidedly receptive mood for that which immediately happened. He noticed that his horse, a hundred yards or so up the valley, was circling the cedar and pulling back on the reins. He wondered what was the matter with him. The horse was usually a well-behaved animal. The explanation came rapidly. Sundown saw the horse back and tear loose from the cedar; saw him whirl and charge down the valley snorting. "Guess he seen one, too!" said Sundown making no effort to check the frightened animal. Almost immediately came the long-drawn bell of a dog following a hot scent. Sundown turned from watching his vanishing steed and saw a huge timber-wolf leap from a thicket. Behind the wolf came Chance, neck outstretched, and flanks working at top speed. The wolf dodged a boulder, flashing around it with no apparent loss of ground. Chance rose over the boulder as though borne on the wind. The wolf turned and snapped at him. Sundown decided instantly that the sepulcher of the dead Hopi was preferable to the proximity of the live wolf, and he made for the cave.
The wolf circled the wall of stones and also made for the cave. Sundown had arrived a little ahead of him. The top of Sundown's head appeared for an instant; then vanished. The wolf backed snarling against the wall as Chance leaped in. When Sundown's head again appeared, the whirling mass of writhing fur and kicking legs had taken more definite shape. Chance had fastened on the wolf's shoulder. The wolf was slashing effectively at the dog's side. Presently they lay down facing each other. Chance licked a long gash in his foreleg. The wolf snapped as he lay and a red slaver dripped from his fangs. Not twelve feet away, Sundown gazed upon the scene with fear-wide eyes. "Go to it, Chance!" he quavered, and his encouragement was all but the dog's undoing, for he lost the wolf's gaze for an instant, barely turning in time to meet the vicious charge. Sundown groaned as the wolf, with a slashing stroke, ripped the dog's neck from ear to shoulder. The stones in the enclosure were spattered with red as they whirled, each trying to reach the throat of the other. Suddenly Chance leaped up and over the wolf, lunging for his neck as he descended. The wolf rolled from under and backed toward the cave. "Hey!" yelled Sundown. "You can't come in here!"
Chance, weakened from loss of blood, lay watching the wolf as it crouched tensely. Again the great gray shadow lunged and a bright streak sprung up on the dog's side. "Gee Gosh!" whined Sundown; "he can't stand much more of that!" Undoubtedly Chance knew it, for he straight-way gathered himself and leaped in, diving low for the wolf's fore leg. As the wolf turned his shoulder, Chance again sprang over him and, descending, caught him just behind the ear, and held. The wolf writhed and snarled. Chance gripped in and in, with each savage shake of his head biting deeper. In a mighty effort to free himself the wolf surged backward, dragging Chance around the enclosure. Sundown, rising from the cave's mouth, crouched before it. "You got him! You got him!" he cried. "Once more, now!"
The body of the wolf quivered and sagged, then stiffened as if for a last effort. Chance held. They were both lying on the stones now. Chance with fore feet braced against the wolf's chest. Presently the dog gave a final shake, drew back, and lay panting. From head to flanks he was soaked with blood. The wolf was dead.
Sundown stood up. "Good boy, Chance!" he said. The great, gaunt body of the dog raised itself on trembling legs, the pride of the conqueror lighting for a moment his dimming eyes. "It's me, Chance!" said Sundown, stroking the dog's head. Chance wagged his tail and reaching up his torn and bleeding muzzle licked Sundown's hand. Then slowly he sank to the ground, breathed heavily, and rolled to his side. Sundown knelt over him and unaccustomed tears ran down his lean cheeks and dripped on the clotted fur. "You was some fighter, Chance, ole pal! Gee Gosh! He's nothin' except cuts and slashes all over. Gee Gosh!" He drew the dog's head to his lap and sat crooning weird, broken words and stroking the torn ears. Suddenly he stopped and put his hand over the dog's heart. Then he leaped to his feet and, dumping the fragments of pottery from his bandanna, tore it in strips and began bandaging the wounds. The gash on Chance's neck still bled. Sundown drew his knife and cut the sleeve from his shirt. He ripped it open and bound the dog's neck. Realizing that Chance was not dead, he became valiant. "We sure put up the great scrap, didn't we, pal? We licked him! But if he'd 'a' licked you . . ." And Sundown gazed at the still form of the wolf and shuddered, not knowing that the wolf would have fled at sight of him had he been able to get away from Chance.
Two hours later, Eleanor Loring, riding along the canon stream, met a lean giant, one sleeve of his shirt gone, his hat missing, and his hands splotched with blood. His eyes were wild, his face white and set. He carried a great, shaggy dog in his arms.
"Are you hurt?" she asked, swinging from her pony and coming to him.
"Me? No, lady. But me pal here is hurt bad. Jest breathin'. Killed a wolf back there. Mebby I can save him."
"Why, it's Chance—of the Concho!"
"Yes, lady. What is left of him."
"Do you work for the Concho? Won't you take my horse?"
"I'm assistant cook at the camp. No, thanks, lady. Ridin' might joggle him and start him to bleedin'. I can carry him so he'll be easier-like."
"But how did it happen?"
"I dunno. Chance chased the wolf and they went to it where I was explorin' one of them caves. I guess I better be goin'."
The girl reined her horse around and rode down the valley trail, pausing occasionally to watch the tall figure climbing the canon with that shapeless burden in his arms. "I wonder if any other man on the Concho would have done that?" she asked herself. And Sundown, despite his more or less terrifying appearance, won her estimation for kindness at once.
Slowly he climbed the canon trail, resting at each level. The dog hung a limp, dead weight in his arms. Midway up the trail Sundown rested again, and gazed down into the valley. He imagined he could discern the place of the fight. "That there wolf," he soliloquized, "he was some fighter, too. Mebby he didn't like to get licked any more than Chance, here. Wonder what they was fightin' about? I dunno. But, Gee Gosh, she was one dandy scrap!"
At the top of the canon wall he again rested. He expected to be discharged for being late, but solaced himself with the thought that if he could save Chance, it was worth the risk.
The riders had returned to the chuck-wagon when Sundown arrived lugging the inert body of the wolf-dog. They gathered around and asked brief questions. Sundown, busy washing the dog's wounds, answered as well as he could. His account of the fight did not suffer for lack of embellishment, and while he did not absolutely state that he had taken a hand in the fight, his story implied it.
"Don't see nothin' on you to show you been in a scrap," remarked a young puncher.
"That's because you can't see in deep enough," retorted Sundown. "If I wasn't in every jump of that fight, me heart was."
"Better shoot him and put him out of his sufferin'," suggested the puncher.
Sundown rose from beside the dog. Shoot Chance? Not so long as he could keep between the dog and the cowboy's gun. The puncher, half in jest, reached for his holster. Sundown's overwrought nerves gave way. He dropped to his knees and lifted his long arms imploringly. "Don't! Don't!" he wailed. "He ain't dead! Don't shoot my pal!"
Bud Shoop, who had kept silent, shouldered the puncher aside. "Cut it out, Sinker," he growled. "Can't you sabe that Sundown means it?"
Later in the evening, and fortified with a hearty meal. Sundown gave a revised version of the fight, wherein his participation was modified, though the story lost nothing in re-telling. And, indeed, his own achievement, of lugging Chance up the canon trail, awakened a kind of respect among the easy-going cowboys. To carry an eighty-pound dog up that trail took sand! Again Sundown had unconsciously won their respect. Nothing was said about his late return. And his horse had found its way back to the camp.
Sometime in the night, Bud Shoop was awakened by the man next him.
"What's goin' on?" queried Shoop, rising on his elbow.
"Ask me again," said the puncher. "Listen!"
From the vicinity of the wagon came the gurgle of water and then a distinctly canine sneeze.
"Dinged if he ain't fussin' with that dog again!" grumbled Shoop. "The dam' fool!" Which, as it is the spirit which giveth life to the letter, was not altogether uncomplimentary.
CHAPTER XII
A GIFT
Warned by John Corliss of Loring's evident intent to graze his sheep on the west side of the Concho River, the cattle-men held a quiet meeting at the ranch of the Concho and voted unanimously to round up a month earlier than usual. The market was at a fair level. Beef was in demand. Moreover, the round-up would, by the mere physical presence of the riders and the cattle, check for the time being any such move as Loring contemplated, as the camps would be at the ford. Meanwhile the cattle-men again petitioned the Ranger at Antelope to stir up the service at Washington in regard to grazing allotments.
The round-up began. The Concho outfit moved camp to the ford and Sundown had his first introduction to real work. From morning till night and far into the night the fires were going. Groups of belated riders swung in and made for the chuck-wagons. Sundown, following a strenuous eighteen hours of uninterrupted toil, solemnly borrowed a piece of "tarp" from his outfit on which he lettered the legend:—
"CAFE DE CONCHO—MEELS AT ALL HOURS—PRIVIT TABELS FOR LADYS"
He hung the tarp in a conspicuous place and retired to rest. The following morning his efforts were applauded with much picturesque expletive, and even criticism was evoked by a lean puncher who insisted "that the tall guy might be a good cook all right, but he sure didn't know how to spell 'calf.'" Naturally the puncher's erudition leaned toward cattle and the range.
At all times conspicuous, for he topped by a head and shoulders the tallest rider on the range. Sundown became doubly conspicuous as the story of his experience with the hold-ups and his rescue of Chance became known. If he strutted, it was pardonable, for he strutted among men difficult to wrest approval from, and he had won their approval.
At Hi Wingle's suggestion, he "packed a gun"—a formidable .45 lent him by that gracious individual, for it grieved the solid Wingle's soul to see so notable a character go unarmed. Sundown, like many a wiser man, was not indifferent to the effect of clothing and equipment. Obliged frequently to relate his midnight adventure with the robbers, he became a past-master in the art of dramatic expression. "If I'd 'a' had me gun with me," he was wont to say, slapping the holster significantly, "the deal might 'a' turned out different. I reckon it's luck I didn't." Which may have been true enough, for Sundown would undoubtedly have been afraid to use the weapon and Fadeaway might have misunderstood his bungling.
In his spare time he built a lean-to of odds and ends, and beneath it Chance drowsed away the long, sunny hours while Sundown was rustling firewood or holding hot argument with an obstreperous dutch-oven. And Chance became the pet and the pride of the outfit. Riders from distant ranches would stray over to the lean-to and look at him, commenting on his size and elaborating on the fact that it usually took two of the best dogs ever whelped to pull down a timber-wolf.
Even Fadeaway, now riding for the Blue, became enthusiastic and boasted of his former friendship with Chance. When he essayed the intimacy of patting the dog's head, some of the onlookers doubted him, for Chance received these overtures with a deep-throated growl.
"He won't let nobody touch him but that Sundown gent," cautioned a bystander.
"Guess he's loco since he got chewed up," said Fadeaway, retreating.
Chance licked his wounds and recovered slowly. He would lie in the sun, watching with unwinking gaze the camp and the cluster of men about it until the form of Sundown loomed through the mass. Then he would beat the ground with his tail and whine expectantly. As he became stronger, he ventured to stretch his wound-stiffened muscles in short pilgrimages to the camp, where the men welcomed him with hearty and profane zest. Was he not the slayer of their enemy's sheep and the killer of the timber-wolf? Eventually he was presented with a broad collar studded with brass spikes, and engraved upon it was the sanguinary and somewhat ambiguous legend: "Chance—The Killer of the Concho."
John Corliss, visiting the round-up, rode over to Sundown's tepee, as it was called. The assistant cook was greasing Chance's wounds.
"How is he getting along?" asked Corliss.
"Fine, boss, fine! This here is some little ole red-cross ward, believe me! He's gettin' over bein' lame and he eats regular."
"Here, Chance!" called Corliss.
The dog rose stiffly and stalked to his master, smelt of him and wagged his tail, then stood with lowered head as though pondering some serious dog-logic.
"He's kind of queer," explained Sundown, "but he's a whole pile better than he was a spell ago. Had to bring him water and feed him like a baby cuttin' teeth—though I never seen one doin' that. He wouldn't let nobody touch him 'ceptin' me."
"Is he able to travel?"
"Oh, some."
"Think he could make it to the Concho?"
Sundown hesitated. "Mebby. Yes, I reckon he could. He can run all right, only I guess he kind of likes hangin' around me." And Sundown glanced sideways at Corliss.
"He seems all right. I guess I'll take him back with me. I don't like the idea of his running loose here."
"He ain't bitin' nobody," assured Sundown.
Corliss glanced shrewdly at the other's lean, questioning face. "Guess you won't miss him much. How are you making it?"
"Me? Fine! Reckon I'll take out me papers for a full-chested range cook afore long. You see the L.D. outfit says that I could have a job with them after the round-up. It kind of leaked out about them pies. 'Course they was joshin', mebby. I dunno."
"The L.D. boys are all right," said Corliss. "If you want to make a change—"
"See here, boss! I done some ramblin' in my time. Guess because I was lookin' for somethin' new and excitin'. Well, I reckon they's plenty new and excitin' right to home on the Concho. Any time I get tired of fallin' off hosses, and gettin' beat up, and mixin' up in dog and wolf fights, why, I can go to bustin' broncos to keep me from goin' to sleep. Then Chance there, he needs lookin' after."
Corliss seemingly ignored the gentle hint. He mounted and called to the dog. Chance made no movement to follow him. Corliss frowned. "Here, Chance!" he commanded, slapping his thigh with his gauntleted hand. The dog followed at the horse's heels as Corliss rode across the hard-packed circle around the camp. Sundown's throat tightened. His pal was gone.
He puttered about, straightening the blankets. "Gee Gosh! but this here shack looks empty! Never knowed sick folks could be so much comp'ny. And Chance is folks, all right. Talk about blue blood! Huh! I reckon a thoroughbred dog is prouder than common folks, like me. Some king, he was! Layin' there lookin' out at them punchers and his eyes sad-like and proud, and turnin' his head slow, watchin' 'em like they was workin' for him. They's somethin' about class that gets a fella, even in a dog. And most folks knows it, but won't let on."
He took Chance's drinking-basin—a bread-pan appropriated from the outfit—and the frayed saddle-blanket that had been the dog's bed, and carried them to the cottonwoods edging the river. There he hid the things. He returned to the lean-to and threw himself on his blankets. He felt as though he had just buried a friend. A cowboy strolled up and squatted in front of the lean-to. He gazed at the interior, nodded to Sundown, and rolled a cigarette. He smoked for a while, glanced up at the sky, peered round the camp, and shrugged his shoulders.
Sundown nodded. "You said it all, Joe. He's gone."
The cowboy blew rings of smoke, watching them spread and dissolve in the evening air. "Had a hoss onct," he began slowly,—"ornery, glass-eyed, she-colt that got mixed up in a bob-wire fence. Seein' as she was like to make the buzzards happy 'most any day, I took to nussin' her. Me, Joe Scott, eh? And a laugh comin'. Well, the boys joshed—mebby you hearn some of 'em call me Doc. That's why. The boys joshed and went around like they was in a horsepital, quiet and steppin' catty. I could write a book out of them joshin's and sell her, if I could write her with a brandin'-iron or a rope. Anyhow, the colt she gets well and I turns her out on the range, which ought to be the end of the story, but it ain't. She come nickerin' after me like I was her man, hangin' around when I showed up at the ranch jest like I was a millionaire and she wantin' to get married. Couldn't get shet of her. So one day I ropes her and says to myself I'll make a trick hoss of her and sell her. The fust trick she done wasn't the one I reckoned to learn her. She lifted me one in the jeans and I like to lost all the teeth in my head. 'You're welcome, lady,' says I, 'for this here 'fectionate token of thanks for my nussin' and gettin' joshed to fare-ye-well. Bein' set on learnin' her, I shortened the rope and let her kick a few holes in the climate. When she got tired of that, I begins workin' on her head, easy-like and talkin' kind. Fust thing I knowed she takes a san'wich out of my shirt, the meat part bein' a piece of my hide. Then I got riled. I lit into her with the boots, and we had it. When I got tired of exercisin' my feet, she comes to me rubbin' her nose ag'in' me and kind of nickerin' and lovin' up tremendous, bein' a she-hoss. 'Now,' says I, 'I'm goin' to do the courtin', sister.' And I sot out to learn her to shake hands. She got most as good as a state senator at it: purfessional-like, but not real glad to see you. Jest put on. Then I learns her to nod yes. That was hard. Then I gets her so she would lay down and stay till I told her to get up. 'Course it takes time and I didn't have the time reg'lar. I feeds her every time, though. Then she took to sleepin' ag'in' the bunk-house every night, seein' as she run loose jest like a dog. When somebody'd get up in the mornin', there she would be with her eyes lookin' in the winder, shinin', and her ears lookin' in, too. You see she was waitin' for her beau to come out, which was me. She took to followin' me on the range when I rid out, and she got fat and sizable. The boys give up joshin' and got kind of interested. But that ain't what I'm gettin' at. Come one day, about two year after I'd been monkeyin' with learnin' her her lessons, when I thinks to break her to ride. I got shet of the idea of sellin' her and was goin' to keep her myself. The boys was lookin' for to see me get piled, always figurin' a pet hoss was worse to break than a bronc. She did some fussin', but she never bucked—never pitched a move. Thinks I, I sure got a winner. Next day she was gone. Never seen her after that. Trailed all over the range, but she sure vamoosed. And nobody never seen her after that. She sure made a dent in my feelin's." |
|