Never had Banneker felt in finer fettle for war than when he awoke that Thursday morning. Contrary to his usual custom, he did not even look at the copy of The Patriot brought to his breakfast table; he wanted to have that editorial fresh to eye and mind when Marrineal called him to account for it. For this was a challenge which Marrineal could not ignore. He breakfasted with a copy of "The Undying Voices" propped behind his coffee cup, refreshing himself before battle with the delights of allusive memory, bringing back the days when he and lo had read and discovered together. It was noon when he reached the office.

From the boy at the entrance he learned that Mr. Marrineal had come in. Doubtless he would find a summons on his desk. None was there. Perhaps Marrineal would come to him. He waited. Nothing. Taking up the routine of the day, he turned to his proofs, with a view to laying out his schedule.

The top one was his editorial on the strikers' cause.

Across it was blue-penciled the word "Killed."

Banneker snatched up the morning's issue. The editorial was not there. In its place he read, from the top of the column: "And though all the winds of doctrine blow"—and so on, to the close of Milton's proud challenge, followed by:

"Would You Let Your Baby Drink Carbolic?"

For the strike editorial had been substituted one of Banneker's typical "mother-fetchers," as he termed them, very useful in their way, and highly approved by the local health authorities. This one was on the subject of pure milk. Its association with the excerpt from the Areopagitica (which, having been set for a standing head, was not cut out by the "Killed") set the final touch of irony upon the matter. Even in his fury Banneker laughed.

He next considered the handwriting of the blue-penciled monosyllable. It was not Marrineal's blunt, backhand script. Whose was it? Haring's? Trailing the proof in his hand he went to the business manager's room.

"Did you kill this?"

"Yes." Haring got to his feet, white and shaking. "For God's sake, Mr. Banneker—"

"I'm not going to hurt you—yet. By what right did you do it?"

"Orders."

"Marrineal's?"

"Yes."

With no further word, Banneker strode to the owner's office, pushed open the door, and entered. Marrineal looked up, slightly frowning.

"Did you kill this editorial?"

Marrineal's frown changed to a smile. "Sit down, Mr. Banneker."

"Marrineal, did you kill my editorial?"

"Isn't your tone a trifle peremptory, for an employee?"

"It won't take more than five seconds for me to cease to be an employee," said Banneker grimly.

"Ah? I trust you're not thinking of resigning. By the way, some reporter called on me last week to confirm a rumor that you were about to resign. Let me see; what paper? Ah; yes; it wasn't a newspaper, at least, not exactly. The Searchlight. I told her—it happened to be a woman—that the story was quite absurd."

Something in the nature of a cold trickle seemed to be flowing between Banneker's brain and his tongue. He said with effort, "Will you be good enough to answer my question?"

"Certainly. Mr. Banneker, that was an ill-advised editorial. Or, rather, an ill-timed one. I didn't wish it published until we had time to talk it over."

"We could have talked it over yesterday."

"But I understood that you were busy with callers yesterday. That charming Mrs. Eyre, who, by the way, is interested in the strikers, isn't she? Or was it the day before yesterday that she was here?"

The Searchlight! And now Io Eyre! No doubt of what Marrineal meant. The cold trickle had passed down Banneker's spine, and settled at his knees making them quite unreliable. Inexplicably it still remained to paralyze his tongue.

"We're reasonable men, you and I, Mr. Banneker," pursued Marrineal in his quiet, detached tones. "This is the first time I have ever interfered. You must do me the justice to admit that. Probably it will be the last. But in this case it was really necessary. Shall we talk it over later?"

"Yes," said Banneker listlessly.

In the hallway he ran into somebody, who cursed him, and then said, oh, he hadn't noticed who it was; Pop Edmonds. Edmonds disappeared into Marrineal's office. Banneker regained his desk and sat staring at the killed proof. He thought vaguely that he could appreciate the sensation of a man caught by an octopus. Yet Marrineal didn't look like an octopus.... What did he look like? What was that subtle resemblance which had eluded him in the first days of their acquaintanceship? That emanation of chill quietude; those stagnant eyes?

He had it now! It dated back to his boyhood days. A crawling terror which, having escaped from a menagerie, had taken refuge in a pool, and there fixed its grip upon an unfortunate calf, and dragged—dragged—dragged the shrieking creature, until it went under. A crocodile.

His reverie was broken by the irruption of Russell Edmonds. An inch of the stem of the veteran's dainty little pipe was clenched firmly between his teeth; but there was no bowl.

"Where's the rest of your pipe?" asked Banneker, stupefied by this phenomenon.

"I've resigned," said Edmonds.

"God! I wish I could," muttered Banneker.



CHAPTER XVI

Explanations were now due to two people, Io and Willis Enderby. As to Io, Banneker felt an inner conviction of strength. Hopeless though he was of making his course appear in any other light than that of surrender, nevertheless he could tell himself that it was really done for her, to protect her name. But he could not tell her this. He knew too well what the answer of that high and proud spirit of hers would be; that if their anomalous relationship was hampering his freedom, dividing his conscience, the only course of honor was for them to stop seeing each other at no matter what cost of suffering; let Banneker resign, if that were his rightful course, and tell The Searchlight to do its worst. Yes; such would be Io's idea of playing the game. He could not force it. He must argue with her, if at all, on the plea of expediency. And to her forthright and uncompromising fearlessness, expediency was in itself the poorest of expedients. At the last, there was her love for him to appeal to. But would Io love where she could not trust?... He turned from that thought.

As an alternative subject for consideration, Willis Enderby was hardly more assuring and even more perplexing. True, Banneker owed no explanation to him; but for his own satisfaction of mind he must have it out with the lawyer. He had a profound admiration for Enderby and knew that this was in a measure reciprocated by a patent and almost wistful liking, curious in a person as reserved as Enderby. He cherished a vague impression that somehow Enderby would understand. Or, at least, that he would want to understand. Consequently he was not surprised when the lawyer called him up and asked him to come that evening to the Enderby house. He went at once to the point.

"Banneker, do you know anything of an advertisement by the striking garment-workers, which The Patriot first accepted and afterward refused to print?"

"Yes."

"Are you at liberty to tell me why?"

"In confidence."

"That is implied."

"Mr. Marrineal ordered it killed."

"Ah! It was Marrineal himself. The advocate of the Common People! The friend of Labor!"

"Admirable campaign material," observed Banneker composedly, "if it were possible to use it."

"Which, of course, it isn't; being confidential," Enderby capped the thought. "I hear that Russell Edmonds has resigned."

"That is true."

"In consequence of the rejected advertisement?"

Banneker sat silent so long that his host began: "Perhaps I shouldn't have asked that—"

"I'm going to tell you exactly what occurred," said Banneker quietly, and outlined the episode of the editorial, suppressing, however, Marrineal's covert threat as to Io and The Searchlight. "And I haven't resigned. So you see what manner of man I am," he concluded defiantly.

"You mean a coward? I don't think it."

"I wish I were sure!" burst out Banneker.

"Ah? That's hard, when the soul doesn't know itself. Is it money?" The crisp, clear voice had softened to a great kindliness. "Are you in debt, my boy?"

"No. Yes; I am. I'd forgotten. That doesn't matter."

"Apparently not." The lawyer's heavy brows went up, "More serious than money," he commented.

Banneker recognized the light of suspicion, comprehension, confirmation in the keen and fine visage turned upon him. Enderby continued:

"Well, there are matters that can be talked of and other matters that can't be talked of. But if you ever feel that you want the advice of a man who has seen human nature on a good many sides, and has learned not to judge too harshly of it, come to me. The only counsel I ever give gratis to those who can pay for it"—he smiled faintly—"is the kind that may be too valuable to sell."

"But I'd like to know," said Banneker slowly, "why you don't think me a yellow dog for not resigning."

"Because, in your heart you don't think yourself one. Speaking of that interesting species, I suppose you know that your principal is working for the governorship."

"Will he get the nomination?"

"Quite possibly. Unless I can beat him for it. I'll tell you privately I may be the opposing candidate. Not that the party loves me any too much; but I'm at least respectable, fairly strong up-State, and they'll take what they have to in order to beat Marrineal, who is forcing himself down their throats."

"A pleasant prospect for me," gloomed Banneker. "I'll have to fight you."

"Go ahead and fight," returned the other heartily. "It won't be the first time."

"At least, I want you to know that it'll be fair fight."

"No 'Junior-called-me-Bob' trick this time?" smiled Enderby.

Banneker flushed and winced. "No," he answered. "Next time I'll be sure of my facts. Good-night and good luck. I hope you beat us."

As he turned the corner into Fifth Avenue a thought struck him. He made the round of the block, came up the side of the street opposite, and met a stroller having all the ear-marks of the private detective. To think of a man of Judge Enderby's character being continuously "spotted" for the mean design of an Ely Ives filled Banneker with a sick fury. His first thought was to return and tell Enderby. But to what purpose? After all, what possible harm could Ives's plotting and sneaking do to a man of the lawyer's rectitude? Banneker returned to The House With Three Eyes and his unceasing work.

The interview with Enderby had lightened his spirit. The older man's candor, his tolerance, his clear charity of judgment, his sympathetic comprehension were soothing and reassuring. But there was another trouble yet to be faced. It was three days since the editorial appeared and he had heard no word from Io. Each noon when he called on the long-distance 'phone, she had been out, an unprecedented change from her eager waiting to hear the daily voice on the wire. Should he write? No; it was too difficult and dangerous for that. He must talk it out with her, face to face, when the time came.

Meantime there was Russell Edmonds. He found the veteran cleaning out his desk preparatory to departure.

"You can't know how it hurts to see you go, Pop," he said sadly. "What's your next step?"

"The Sphere. They want me to do a special series, out around the country."

"Aren't they pretty conservative for your ideas?"

Edmonds, ruminating over a pipe even smaller and more fragile than the one sacrificed to his rage and disgust, the day of his resignation, gave utterance to a profound truth:

"What's the difference whether a newspaper is radical or conservative, Ban, if it tells the truth? That's the whole test and touchstone; to give news honestly. The rest will take care of itself. Compared to us The Sphere crowd are conservative. But they're honest. And they're not afraid."

"Yes. They're honest, and not afraid—because they don't have to be," said Banneker, in a tone so somber that his friend said quickly:

"I didn't mean that for you, son."

"Well, if I've gone wrong, I've got my punishment before me," pursued the other with increased gloom. "Having to work for Marrineal and further his plans, after knowing him as I know him now—that's a refined species of retribution, Pop."

"I know; I know. You've got to stick and wait your chance, and hold your following until you can get your own newspaper. Then," said Russell Edmonds with the glory of an inspired vision shining in his weary eyes, "you can tell 'em all to go to hell. Oh, for a paper of our own kind that's really independent; that don't care a hoot for anything except to get the news and get it straight, and interpret it straight; that don't have to be afraid of anything but not being honest!"

"Pop," said Banneker, spiritlessly, "what's the use? How do we know we aren't chasing a rainbow? How do we know people want an honest paper or would know one if they saw it?"

"My God, son! Don't talk like that," implored the veteran. "That's the one heresy for which men in our game are eternally damned—and deserve it."

"All right. I know it. I don't mean it, Pop. I'm not adopting Marrineal's creed. Not just yet."

"By the way, Marrineal was asking for you this morning."

"Was he? I'll look him up. Perhaps he's going to fire me. I wish he would."

"Catch him!" grunted the other, reverting to his task. "More likely going to raise your salary."

As between the two surmises, Edmonds's was the nearer the truth. Urbane as always, the proprietor of The Patriot waved his editor to a seat, remarking, "I hope you'll sit down this time," the slightly ironical tinge to the final words being, in the course of the interview, his only reference to their previous encounter. Wondering dully whether Marrineal could have any idea of the murderous hatred which he inspired, Banneker took the nearest chair and waited. After some discussion as to the policy of the paper in respect to the strike, which was on the point of settlement by compromise, Marrineal set his delicate fingers point to point and said:

"I want to talk to you about the future."

"I'm listening," returned Banneker uncompromisingly.

"Your ultimate ambition is to own and control a newspaper of your own, isn't it?"

"Why do you think that?"

Marrineal's slow, sparse smile hardly moved his lips. "It's in character that you should. What else is there for you?"

"Well?"

"Have you ever thought of The Patriot?"

Involuntarily Banneker straightened in his chair. "Is The Patriot in the market?"

"Hardly. That isn't what I have in mind."

"Will you kindly be more explicit?"

"Mr. Banneker, I intend to be the next governor of this State."

"I might quote a proverb on that point," returned the editor unpleasantly.

"Yes; and I might cap your cup-and-lip proverb with another as to the effect of money as a stimulus in a horse-race."

"I have no doubts as to your financial capacity."

"My organization is building up through the State. I've got the country newspapers in a friendly, not to say expectant, mood. There's just one man I'm afraid of."

"Judge Enderby?"

"Exactly."

"I should think he would be an admirable nominee."

"As an individual you are at liberty to hold such opinions as you please. As editor of The Patriot—"

"I am to support The Patriot candidate and owner. Did you send for me to tell me that, Mr. Marrineal? I'm not altogether an idiot, please remember."

"You are a friend of Judge Enderby."

"If I am, that is a personal, not a political matter. No matter how much I might prefer to see him the candidate of the party"—Banneker spoke with cold deliberation—"I should not stultify myself or the paper by supporting him against the paper's owner."

"That is satisfactory." Marrineal swallowed the affront without a gulp. "To continue. If I am elected governor, nothing on earth can prevent my being the presidential nominee two years later."

Equally appalled and amused by the enormous egotism of the man thus suddenly revealed, Banneker studied him in silence.

"Nothing in the world," repeated the other. "I have the political game figured out to an exact science. I know how to shape my policies, how to get the money backing I need, how to handle the farmer and labor. It may be news to you to know that I now control eight of the leading farm journals of the country and half a dozen labor organs. However, this is beside the question. My point with you is this. With my election as governor, my chief interest in The Patriot ceases. The paper will have set me on the road; I'll do the rest. Reserving only the right to determine certain very broad policies, I purpose to turn over the control of The Patriot to you."

"To me!" said Banneker, thunderstruck.

"Provided I am elected governor," said Marrineal. "Which depends largely—yes, almost entirely—on the elimination of Judge Enderby."

"What are you asking me to do?" demanded Banneker, genuinely puzzled.

"Absolutely nothing. As my right-hand man on the paper, you are entitled to know my plans, particularly as they affect you. I can add that when I reach the White House"—this with sublime confidence—"the paper will be for sale and you may have the option on it."

Banneker's brain seemed filled with flashes of light, as he returned to his desk. He sat there, deep-slumped in his chair, thinking, planning, suspecting, plumbing for the depths of Marrineal's design, and above all filled with an elate ambition. Not that he believed for a moment in Marrineal's absurd and megalomaniacal visions of the presidency. But the governorship; that indeed was possible enough; and that would mean a free hand for Banneker for the term. What might he not do with The Patriot in that time!... An insistent and obtrusive disturbance to his profound cogitation troubled him. What was it that seemed to be setting forth a claim to divide his attention? Ah, the telephone. He thrust it aside, but it would not be silenced. Well ... what.... The discreet voice of his man said that a telegram had come for him. All right (with impatience); read it over the wire. The message, thus delivered in mechanical tones, struck from his mind the lesser considerations which a moment before had glowed with such shifting and troublous glory.

D. died this morning. Will write. I.



CHAPTER XVII

Work, incessant and of savage ardor, now filled Banneker's life. Once more he immersed himself in it as assuagement to the emptiness of long days and the yearning of longer nights. For, in the three months since Delavan Eyre's death, Banneker had seen Io but once, and then very briefly. Instead of subduing her loveliness, the mourning garb enhanced and enriched it, like a jet setting to a glowing jewel. More irresistibly than ever she was

"............ that Lady Beauty in whose praise The voice and hand shake still"—

but there was something about her withdrawn, aloof of spirit, which he dared not override or even challenge. She spoke briefly of Eyre, without any pretense of great sorrow, dwelling with a kindled eye on that which she had found admirable in him; his high and steadfast courage through atrocious suffering until darkness settled down on his mind. Her own plans were definite; she was going away with the elder Mrs. Eyre to a rest resort. Of The Patriot and its progress she talked with interest, but her questions were general and did not touch upon the matter of the surrendered editorial. Was she purposely avoiding it or had it passed from her mind in the stress of more personal events? Banneker would have liked to know, but deemed it better not to ask. Once he tried to elicit from her some indication of when she would marry him; but from this decision she exhibited a covert and inexplicable shrinking. This he might attribute, if he chose, to that innate and sound formalism which would always lead her to observe the rules of the game; if from no special respect for them as such, then out of deference to the prejudices of others. Nevertheless, he experienced a gnawing uncertainty, amounting to a half-confessed dread.

Yet, at the moment of parting, she came to his arms, clung to him, gave him her lips passionately, longingly; bade him write, for his letters would be all that there was to keep life radiant for her....

Through some perverse kink in his mental processes, he found it difficult to write to Io, in the succeeding weeks and months, during which she devotedly accompanied the failing Mrs. Eyre from rest cure to sanitarium, about his work on The Patriot. That interplay of interest between them in his editorial plans and purposes, which had so stimulated and inspired him, was checked. The mutual current had ceased to flash; at least, so he felt. Had the wretched affair of his forfeited promise in the matter of the strike announcement destroyed one bond between them? Even were this true, there were other bonds, of the spirit and therefore irrefragable, to hold her to him; thus he comforted his anxious hopes.

Because their community of interest in his work had lapsed, Banneker found the savor oozing out of his toil. Monotony sang its dispiriting drone in his ears. He flung himself into polo with reawakened vim, and roused the hopes of The Retreat for the coming season, until an unlucky spill broke two ribs and dislocated a shoulder. Restless in the physical idleness of his mending days, he took to drifting about in the whirls and ripples and backwaters of the city life, out of which wanderings grew a new series of the "Vagrancies," more quaint and delicate and trenchant than the originals because done with a pen under perfected mastery, without losing anything of the earlier simplicity and sympathy. In this work, Banneker found relief; and in Io's delight in it, a reflected joy that lent fresh impetus to his special genius. The Great Gaines enthusiastically accepted the new sketches for his magazine.

Whatever ebbing of fervor from his daily task Banneker might feel, his public was conscious of no change for the worse. Letters of commendation, objection, denunciation, and hysteria, most convincing evidence of an editor's sway over the public mind, increased weekly. So, also, did the circulation of The Patriot, and its advertising revenue. Its course in the garment strike had satisfied the heavy local advertisers of its responsibility and repentance for sins past; they testified, by material support, to their appreciation. Banneker's strongly pro-labor editorials they read with the mental commentary that probably The Patriot had to do that kind of thing to hold its circulation; but it could be depended upon to be "right" when the pinch came. Marrineal would see to that.

Since the episode of the killed proof, Marrineal had pursued a hands-off policy with regard to the editorial page. The labor editorials suited him admirably. They were daily winning back to the paper the support of Marrineal's pet "common people" who had been alienated by its course in the strike, for McClintick and other leaders had been sedulously spreading the story of the rejected strikers' advertisement. But, it appeared, Marrineal's estimate of the public's memory was correct: "They never remember." Banneker's skillful and vehement preachments against Wall Street, money domination of the masses, and the like, went far to wipe out the inherent anti-labor record of the paper and its owner. Hardly a day passed that some working-man's union or club did not pass resolutions of confidence and esteem for Tertius C. Marrineal and The Patriot. It amused Marrineal almost as much as it gratified him. As a political asset it was invaluable. His one cause of complaint against the editorial page was that it would not attack Judge Enderby, except on general political or economic principles. And the forte of The Patriot in attack did not consist in polite and amenable forensics. Its readers were accustomed to the methods of the prize-ring rather than the debating platform. However, Marrineal made up for his editorial writer's lukewarmness, by the vigor of his own attacks upon Enderby. For, by early summer, it became evident that the nomination (and probable election) lay between these two opponents. Enderby was organizing a strong campaign. So competent and unbiased an observer of political events as Russell Edmonds, now on The Sphere, believed that Marrineal would be beaten. Shrewd, notwithstanding his egotism, Marrineal entertained a growing dread of this outcome himself. Through roundabout channels, he let his chief editorial writer understand that, when the final onset was timed, The Patriot's editorial page would be expected to lead the charge with the "spear that knows no brother." Banneker would appreciate that his own interests, almost as much as his chief's, were committed to the overthrow of Willis Enderby.

It was not a happy time for the Editor of The Patriot.

Happiness promised for the near future, however. Wearied of chasing a phantom hope of health from spot to spot, the elder Mrs. Eyre had finally elected to settle down for the summer at her Westchester place. For obvious reasons, Io did not wish Banneker to come there. But she would plan to see him in town. Only, they must be very discreet; perhaps even to the extent of having a third person dine with them, her half-brother Archie, or Esther Forbes. Any one, any time, anywhere, Banneker wrote back, provided only he could see her again!

The day that she came to town, having arranged to meet Banneker for dinner with Esther, fate struck from another and unexpected quarter. Such was Banneker's appearance when he came forward to greet her that Io cried out involuntarily, asking if he were ill.

"I'm not," he answered briefly. Then, with a forced smile of appeal to the third member, "Do you mind, Esther, if I talk to Io on a private matter?"

"Go as near as you like," returned that understanding young person promptly. "I'm consumed with a desire to converse with Elsie Maitland, who is dining in that very farthest corner. Back in an hour."

"It's Camilla Van Arsdale," said Banneker as the girl left.

"You've heard from her?"

"From Mindle who looks after my shack there. He says she's very ill. I've got to go out there at once."

"Oh, Ban!"

"I know, dearest, and after all these endless weeks of separation. But you wouldn't have me do otherwise. Would you?"

"Of course not," she said indignantly. "When do you start?"

"At midnight."

"And your work?"

"I'll send my stuff in by wire."

"How long?"

"I can't tell until I get there."

"Ban, you mustn't go," she said with a changed tone.

"Not go? To Miss Camilla? There's nothing—"

"I'll go."

"You!"

"Why not? If she's seriously ill, she needs a woman, not a man with her."

"But—but, Io, you don't even like her."

"Heaven give you understanding, Ban," she retorted with a bewitching pretext of enforced patience. "She's a woman, and she was good to me in my trouble. And if that weren't enough, she's your friend whom you love."

"I oughtn't to let you," he hesitated.

"You've got to let me. I'd go, anyway. Get Esther back. She must help me pack. Get me a drawing-room if you can. If not, I'll take your berth."

"You're going to leave to-night?"

"Of course. What would you suppose?" She gave him her lustrous smile. "I'll love it," she said softly, "because it's partly for you."

The rest of the evening was consumed for Banneker in writing and wiring, arranging reservations through his influence with a local railroad official whom he pried loose from a rubber of bridge at his club; while Io and Esther, dinnerless except for a hasty box of sandwiches, were back in Westchester packing and explaining to Mrs. Eyre. When the three reconvened in Io's drawing-room the traveler was prepared for an indefinite stay.

"If her condition is critical I'll wire for you," promised lo. "Otherwise you mustn't come."

With that he must make shift to be content; that and a swift clasp of her arms, a clinging pressure of her lips, and her soft "Good-bye. Oh, good-bye! Love me every minute while I'm gone," before the tactful Esther Forbes, somewhat miscast in the temporary role of Propriety, returned from a conversation with the porter to say that they really must get off that very instant or be carried westward to the eternal scandal of society which would not understand a triangular elopement.

Loneliness no longer beset Banneker, even though Io was farther separated from him than before in the unimportant reckoning of geographical miles; for now she was on his errand. He held her by the continuous thought of a vital common interest. In place of the former bereavement of spirit was a new and consuming anxiety for Camilla Van Arsdale. Io's first telegram from Manzanita went far to appease that. Miss Van Arsdale had suffered a severe shock, but was now on the road to recovery: Io would stay indefinitely: there was no reason for Banneker's coming out for the present: in fact, the patient definitely prohibited it: letter followed.

The letter, when it came, forced a cry, as of physical pain, from Banneker's throat. Camilla Van Arsdale was going blind. Some obscure reflex of the heart trouble had affected the blood supply of the eyes, and the shock of discovering this had reacted upon the heart. There was no immediate danger; but neither was there ultimate hope of restored vision. So much the eminent oculist whom Io had brought from Angelica City told her.

Your first thought (wrote Io) will be to come out here at once. Don't. It will be much better for you to wait until she needs you more; until you can spend two or three weeks or a month with her. Now I can help her through the days by reading to her and walking with her. You don't know how happy it makes me to be here where I first knew you, to live over every event of those days. Your movable shack is almost as it used to be, though there is no absurd steel boat outside for me to stumble into.

Would you believe it; the new station-agent has a Sears-Roebuck catalogue! I borrowed it of him to read. What, oh, what should a sensible person—yes, I am a sensible person, Ban, outside of my love for you—and I'd scorn to be sensible about that—Where was I? Oh, yes; what should a sensible person find in these simple words "Two horse-power, reliable and smooth-running, economical of gasoline," and so on, to make her want to cry? Ban, send me a copy of "The Voices."

He sent her "The Undying Voices" and other books to read, and long, impassioned letters, and other letters to be read to Camilla Van Arsdale whose waning vision must be spared in every possible way.

Hour after hour (wrote Io) she sits at the piano and makes her wonderful music, and tries to write it down. There I can be of very little help to her. Then she will go back into her room and lie on the big couch near the window where the young, low pines brush the wall, with Cousin Billy's photograph in her hands, and be so deathly quiet that I sometimes get frightened and creep up to the door to peer in and be sure that she is all right. To-day when I looked in at the door I heard her say, quite softly to herself: "I shall die without seeing his face again." I had to hold my breath and run out into the forest. Ban, I didn't know that it was in me to cry so—not since that night on the train when I left you.... This all seems so wicked and wrong and—yes—wasteful. Think of what these two splendid people could be to each other! She craves him so, Ban; just the sound of his voice, a word from him; but she won't break her own word. Sometimes I think I shall do it. Write me all you can about him, Ban, and send papers: all the political matter. You can't imagine what it is to her only to hear about him.

So Banneker had clippings collected, wrote a little daily political bulletin for Io; even went out of his way editorially to pay an occasional handsome tribute to Judge Enderby's personal character, whilst adducing cogent reasons why, as the "Wall Street and traction candidate," he should be defeated. But his personal opinion, expressed for the behoof of his correspondents in Manzanita, was that he probably could not be defeated; that his brilliant and aggressive campaign was forcing Marrineal to a defensive and losing fight.

"It is a great asset in politics," wrote Banneker to Miss Camilla, "to have nothing to hide or explain. If we're going to be licked, there is no man in the world whom I'd as gladly have win as Judge Enderby."

All this, of course, in the manner of one having interesting political news of no special import to the receiver of the news, to deliver; and quite without suggestion of any knowledge regarding her personal concern in the matter.

But between the lines of Io's letters, full of womanly pity for Camilla Van Arsdale, of resentment for her thwarted and hopeless longing, Banneker thought to discern a crystallizing resolution. It would be so like Io's imperious temper to take the decision into her own hands, to bring about a meeting between the long-sundered lovers, to cast into the lonely and valiant woman's darkening life one brief and splendid glow of warmth and radiance. For to Io, a summons for Willis Enderby to come would be no more than a defiance of the conventions. She knew nothing of the ruinous vengeance awaiting any breach of faith on his part, at the hands of a virulent and embittered wife; she did not even know that his coming would be a specific breach of faith, for Banneker, withheld by his promise of secrecy to Russell Edmonds, had never told her. Nor had he betrayed to her the espionage under which Enderby constantly moved; he shrank, naturally, from adding so ignoble an item to the weight of disrepute under which The Patriot already lay, in her mind. Sooner or later he must face the question from her of why he had not resigned rather than put his honor in pawn to the baser uses of the newspaper and its owner's ambitions. To that question there could be no answer. He could not throw the onus of it upon her, by revealing to her that the necessity of protecting her name against the befoulment of The Searchlight was the compelling motive of his passivity. That was not within Banneker's code.

What, meantime, should be his course? Should he write and warn Io about Enderby? Could he make himself explicable without explaining too much? After all, what right had he to assume that she would gratuitously intermeddle in the disastrous fates of others? A rigorous respect for the rights of privacy was written into the rules of the game as she played it. He argued, with logic irrefutable as it was unconvincing, that this alone ought to stay her hand; yet he knew, by the power of their own yearning, one for the other, that in the great cause of love, whether for themselves or for Camilla Van Arsdale and Willis Enderby, she would resistlessly follow the impulse born and matured of her own passion. Had she not once before denied love ... and to what end of suffering and bitter enlightenment and long waiting not yet ended! Yes; she would send for Willis Enderby.

Thus, with the insight of love, he read the heart of the loved one. Self-interest lifted its specious voice now, in contravention. If she did send, and if Judge Enderby went to Camilla Van Arsdale, as Banneker knew surely that he would, and if Ely Ives's spies discovered it, the way was made plain and peaceful for Banneker. For, in that case, the blunderbuss of blackmail would be held to Enderby's head: he must, perforce, retire from the race on whatever pretext he might devise, under threat of a scandal which, in any case, would drive him out of public life. Marrineal would be nominated, probably elected; control of The Patriot would pass into Banneker's hands; The Searchlight would thus be held at bay until he and Io were married, for he could not really doubt that she would marry him, even though there lay between them an unexplained doubt and a seeming betrayal; and he could remould the distorted and debased policies of The Patriot to his heart's desire of an honest newspaper fearlessly presenting and supporting truth as he saw it.

All this at no price of treachery; merely by leaving matters which were, in fact, no concern of his, to the arbitrament of whatever fates might concern themselves with such troublous matters; it was just a matter of minding his own business and assuming that Io Eyre would do likewise. So argued self-interest, plausible, persuasive. He went to bed with the argument still unsettled, and, because it seethed in his mind, reached out to his reading-stand to cool his brain with the limpid philosophies of Stevenson's "Virginibus Puerisque."

"The cruellest lies are often told in silence," he read—the very letters of the words seemed to scorch his eyes with prophetic fires. "A man may have sat in a room for hours and not opened his teeth and yet come out of that room a disloyal friend or a vile calumniator. And how many loves have perished, because from—"

Banneker sprang from his bed, shaking. He dressed himself, consulted his watch, wrote a brief, urgent line to Io, after 'phoning for a taxi; carried it to the station himself, assured, though only by a few minutes' margin, of getting it into the latest Western mail, returned to bed and slept heavily and dreamlessly.... Not over the bodies of a loved friend and an honored foe would Errol Banneker climb to a place of safety for Io and triumph for himself.

Mail takes four days to reach Manzanita from New York.

Through the hot months The House With Three Eyes had kept its hospitable orbs darkened of Saturday nights. Therefore, Banneker was free to spend his week-ends at The Retreat, and his Friday and Saturday mail were forwarded to the nearest country post-office, whither he sent for it, or picked it up on his way back to town. It was on Saturday evening that he received the letter from Io, saying that she had written to Willis Enderby to come on to Manzanita and let the eyes, for which he had filled life's whole horizon since first they met his, look on him once more before darkness shut down on them forever. Her letter had crossed Banneker's.

"I know that he will come," she wrote. "He must come. It would be too cruel ... and I know his heart."

Eight-thirty-six in the evening! And Io's letter to Enderby must have reached him in New York that morning. He would be taking the fast train for the West leaving at eleven. Banneker sent in a call on the long-distance 'phone for Judge Enderby's house. The twelve-minute wait was interminable to his grilling impatience. At length the placid tones of Judge Enderby's man responded. Yes; the Judge was there. No; he couldn't be disturbed on any account; very much occupied.

"This is Mr. Banneker. I must speak to him for just a moment. It's vital."

"Very sorry, sir," responded the unmoved voice. "But Judge Enderby's orders was absloot. Not to be disturbed on any account."

"Tell him that Mr. Banneker has something of the utmost importance to say to him before he leaves."

"Sorry, sir. It'd be as much as my place is worth."

Raging, Banneker nevertheless managed to control himself. "He is leaving on a trip to-night, is he not?"

After some hesitation the voice replied austerely: "I believe he is, sir. Good-bye."

Banneker cursed Judge Enderby for a fool of rigid methods. It would be his own fault. Let him go to his destruction, then. He, Banneker, had done all that was possible. He sank into a sort of lethargy, brooding over the fateful obstacles which had obstructed him in his self-sacrificing pursuit of the right, as against his own dearest interests. He might telegraph Io; but to what purpose? An idea flashed upon him; why not telegraph Enderby at his home? He composed message after message; tore them up as saying too much or too little; ultimately devised one that seemed to be sufficient, and hurried to his car, to take it in to the local operator. When he reached the village office it was closed. He hurried to the home of the operator. Out. After two false trails, he located the man at a church sociable, and got the message off. It was then nearly ten o'clock. He had wasted precious moments in brooding. Well, he had done all and more than could have been asked of him, let the event be what it would.

His night was a succession of forebodings, dreamed or half-wakeful. Spent and dispirited, he rose at an hour quite out of accord with the habits of The Retreat, sped his car to New York, and put his inquiry to Judge Enderby's man.

Yes; the telegram had arrived. In time? No; it was delivered twenty minutes after the Judge had left for his train.



CHAPTER XVIII

Sun-lulled into immobility, the desert around the lonely little station of Manzanita smouldered and slumbered. Nothing was visibly changed from five years before, when Banneker left, except that another agent, a disillusioned-appearing young man with a corn-colored mustache, came forth to meet the slow noon local, chuffing pantingly in under a bad head of alkali-water steam. A lone passenger, obviously Eastern in mien and garb, disembarked, and was welcomed by a dark, beautiful, harassed-looking girl who had just ridden in on a lathered pony. The agent, a hopeful soul, ambled within earshot.

"How is she?" he heard the man say, with the intensity of a single thought, as the girl took his hand. Her reply came, encouragingly.

"As brave as ever. Stronger, a little, I think."

"And she—the eyes?"

"She will be able to see you; but not clearly."

"How long—" began the man, but his voice broke. He shook in the bitter heat as if from some inner and deadly chill.

"Nobody can tell. She hoards her sight."

"To see me?" he cried eagerly. "Have you told her?"

"No."

"Is that wise?" he questioned. "The shock—"

"I think that she suspects; she senses your coming. Her face has the rapt expression that I have seen only when she plays. Has had since you started. Yet there is no possible way in which she could have learned."

"That is very wonderful," said the stranger, in a hushed voice. Then, hesitantly, "What shall I do, Io?"

"Nothing," came the girl's clear answer. "Go to her, that is all."

Another horse was led forward and the pair rode away through the glimmering heat.

It was a silent ride for Willis Enderby and Io. The girl was still a little daunted at her own temerity in playing at fate with destinies as big as these. As for Enderby, there was no room within his consciousness for any other thought than that he was going to see Camilla Van Arsdale again.

He heard her before he saw her. The rhythms of a song, a tender and gay little lyric which she had sung to crowded drawing-rooms, but for him alone, long years past, floated out to him, clear and pure, through the clear, pure balm of the forest. He slipped quietly from his horse and saw her, through the window, seated at her piano.

Unchanged! To his vision the years had left no impress on her. And Io, at his side, saw too and marveled at the miracle. For the waiting woman looked out of eyes as clear and untroubled as those of a child, softened only with the questioning wistfulness of darkening vision. Suffering and fortitude had etherealized the face back to youth, and that mysterious expectancy which had possessed her for days had touched the curves of her mouth to a wonderful tenderness, the softness of her cheek to a quickening bloom. She turned her head slowly toward the door. Her lips parted with the pressure of swift, small breaths.

Io felt the man's tense body, pressed against her as if for support, convulsed with a tremor which left him powerless.

"I have brought some one to you, Miss Camilla," she said clearly: and in the same instant of speaking, her word was crossed by the other's call:

"Willis!"

Sightless though she was, as Io knew, for anything not close before her eyes, she came to him, as inevitably, as unerringly as steel to the magnet, and was folded in his arms. Io heard his deep voice, vibrant between desolation and passion:

"Fifteen years! My God, fifteen years!"

Io ran away into the forest, utterly glad with the joy of which she had been minister.

Willis Enderby stayed five days at Manzanita; five days of ecstasy, of perfect communion, bought from the rapacious years at the price of his broken word. For that he was willing to pay any price exacted, asking only that he might pay it alone, that the woman of his long and self-denying love might not be called upon to meet any smallest part of the debt. She walked with him under the pines: he read to her: and there were long hours together over the piano. It was then that there was born, out of Camilla Van Arsdale's love and faith and coming abnegation, her holy and deathless song for the dead, to the noble words of the "Dominus Illuminatio Mea," which to-day, chanted over the coffins of thousands, brings comfort and hope to stricken hearts.

"In the hour of death, after this life's whim, When the heart beats low, and the eyes grow dim, And pain has exhausted every limb— The lover of the Lord shall trust in Him."

On the last day she told him that they would not meet again. Life had given to her all and more than all she had dared ask for. He must go back to his work in the world, to the high endeavor that was laid upon him as an obligation of his power, and now of their love. He must write her; she could not do without that, now; but guardedly, for other eyes than hers must read his words to her.

"Think what it is going to be to me," she said, "to follow your course; to be able to pray for you, fighting. I shall take all the papers. And any which haven't your name in shall be burned at once! How I shall be jealous even of your public who love and admire you! But you have left me no room for any other jealousy...."

"I am coming back to you," he said doggedly, at the final moment of parting. "Sometime, Camilla."

"You will be here always, in the darkness, with me. And I shall love my blindness because it shuts out anything but you," she said.

Io rode with him to the station. On the way they discussed ways and means, the household arrangements when Io should have to leave, the finding of a companion, who should be at once nurse, secretary, and amanuensis for Royce Melvin's music.

"How she will sing now!" said Io.

As they drew near to the station, she put her hand on his horse's bridle.

"Did I do wrong to send for you, Cousin Billy?" she asked.

He turned to her a visage transfigured.

"You needn't answer," she said quickly. "I should know, anyway. It's her happiness I'm thinking of. It can't have been wrong to give so much happiness, for the rest of her life."

"The rest of her life," he echoed, in a hushed accent of dread.

While Enderby was getting his ticket, Io waited on the front platform. A small, wiry man came around the corner of the station, glanced at her, and withdrew. Io had an uneasy notion of having seen him before somewhere. But where, and when? Certainly the man was not a local habitant. Had his presence, then, any significance for her or hers? Enderby returned, and the two stood in the hard morning sunlight beneath the broad sign inscribed with the station's name.

The stranger appeared from behind a freight-car on a siding, and hurried up to within a few yards of them. From beneath his coat he slipped a blackish oblong. It gave forth a click, and, after swift manipulation, a second click. Enderby started toward the snap-shotter who turned and ran.

"Do you know that man?" he asked, whirling upon Io.

A gray veil seemed to her drawn down over his features. Or was it a mist of dread upon Io's own vision?

"I have seen him before," she answered, groping.

"Who is he?"

Memory flashed one of its sudden and sure illuminations upon her: a Saturday night at The House With Three Eyes; this little man coming in with Tertius Marrineal; later, peering into the flowerful corner where she sat with Banneker.

"He has something to do with The Patriot," she answered steadily.

"How could The Patriot know of my coming here?'

"I don't know," said Io. She was deadly pale with a surmise too monstrous for utterance.

He put it into words for her.

"Io, did you tell Errol Banneker that you were sending for me?"

"Yes."

Even in the midst of the ruin which he saw closing in upon his career—that career upon which Camilla Van Arsdale had newly built her last pride and hope and happiness—he could feel for the agony of the girl before him.

"He couldn't have betrayed me!" cried Io: but, as she spoke, the memory of other treacheries overwhelmed her.

The train rumbled in. Enderby stooped and kissed her forehead.

"My dear," he said gently, "I'm afraid you've trusted him once too often."



CHAPTER XIX

Among his various amiable capacities, Ely Ives included that of ceremonial arranger. Festivities were his delight; he was ever on the lookout for occasions of celebration: any excuse for a gratulatory function sufficed him. Before leaving on his chase to Manzanita, he had conceived the festal notion of a dinner in honor of Banneker, not that he cherished any love for him since the episode of the bet with Delavan Eyre, but because his shrewd foresight perceived in it a closer binding of the editor to the wheels of the victorious Patriot. Also it might indirectly redound to the political advantage of Marrineal. Put thus to that astute and aspiring public servant, it enlisted his prompt support. He himself would give the feast: no, on better thought, The Patriot should give it. It would be choice rather than large: a hundred guests or so; mainly journalistic, the flower of Park Row, with a sprinkling of important politicians and financiers. The occasion? Why, the occasion was pat to hand! The thousandth Banneker editorial to be published in The Patriot, the date of which came early in the following month.

Had Ives himself come to Banneker with any such project, it would have been curtly rejected. Ives kept in the background. The proposal came from Marrineal, and in such form that for the recipient of the honor to refuse it would have appeared impossibly churlish. Little though he desired or liked such a function, Banneker accepted with a good grace, and set himself to write an editorial, special to the event. Its title was, "What Does Your Newspaper Mean to You?" headed with the quotation from the Areopagitica: and he compressed into a single column all his dreams and idealities of what a newspaper might be and mean to the public which it sincerely served. Specially typed and embossed, it was arranged as the dinner souvenir.

As the day drew near, Banneker had less and less taste for the ovation. Forebodings had laid hold on his mind. Enderby had been back for five days, and had taken no part whatever in the current political activity. Conflicting rumors were in the air. The anti-Marrineal group was obviously in a state of confusion and doubt: Marrineal's friends were excited, uncertain, expectant.

For three days Banneker had had no letter from Io.

The first intimation of what had actually occurred came to him just before he left the office to dress for the dinner in his honor. Willis Enderby had formally withdrawn from the governorship contest. His statement given out for publication in next morning's papers, was in the office. Banneker sent for it. The reason given was formal and brief; nervous breakdown; imperative orders from his physician. The whole thing was grisly plain to Banneker, but he must have confirmation. He went to the city editor. Had any reporter been sent to see Judge Enderby?

Yes: Dilson, one of the men frequently assigned to do Marrineal's and Ives's special work had been sent to Enderby's on the previous day with specific instructions to ask a single question: "When was the Judge going to issue his formal withdrawal": Yes: that was the precise form of the question: not, "Was he going to withdraw," but "When was he," and so on.

The Judge would not answer, except to say that he might have a statement to make within twenty-four hours. This afternoon (continued the city editor) Enderby, it was understood, had telephoned to The Sphere and asked that Russell Edmonds come to his house between four and five. No one else would do. Edmonds had gone, had been closeted with Enderby for an hour, and had emerged with the brief typed statement for distribution to all the papers. He would not say a word as to the interview. Judge Enderby absolutely denied himself to all callers. Physician's orders again.

Banneker reflected that if the talk between Edmonds and Enderby had been what he could surmise, the veteran would hardly attend the dinner in his (Banneker's) honor. Honor and Banneker would be irreconcilable terms, to the stern judgment of Pop Edmonds. Had they, indeed, become irreconcilable terms? It was a question which Banneker, in the turmoil of his mind, could not face. On his way along Park Row he stopped and had a drink. It seemed to produce no effect, so presently he had another. After the fourth, he clarified and enlarged his outlook upon the whole question, which he now saw in its entirety. He perceived himself as the victim of unique circumstances, forced by the demands of honor into what might seem, to unenlightened minds, dubious if not dishonorable positions, each one of them in reality justified: yes, necessitated! Perhaps he was at fault in his very first judgment; perhaps, had he even then, in his inexperience, seen what he now saw so clearly in the light of experience, the deadly pitfalls into which journalism, undertaken with any other purpose than the simple setting forth of truth, beguiles its practitioners—perhaps he might have drawn back from the first step of passive deception and have resigned rather than been a party to the suppression of the facts about the Veridian killings. Resigned? And forfeited all his force for education, for enlightenment, for progress of thought and belief, exerted upon millions of minds through The Patriot?... Would that not have been the way of cowardice?... He longed to be left to himself. To think it all out. What would Io say, if she knew everything? Io whose silence was surrounding him with a cold terror.... He had to get home and dress for that cursed dinner!

Marrineal had done the thing quite royally. The room was superb with flowers; the menu the best devisable; the wines not wide of range, but choice of vintage. The music was by professionals of the first grade, willing to give their favors to these powerful men of the press. The platform table was arranged for Marrineal in the presiding chair, flanked by Banneker and the mayor: Horace Vanney, Gaines, a judge of the Supreme Court, two city commissioners, and an eminent political boss. The Masters, senior and junior, had been invited, but declined, the latter politely, the former quite otherwise. Below were the small group tables, to be occupied by Banneker's friends and contemporaries of local newspaperdom, and a few outsiders, literary, theatrical, and political. When Banneker appeared in the reception-room where the crowd awaited, smiling, graceful, vigorous, and splendid as a Greek athlete, the whole assemblage rose in acclaim—all but one. Russell Edmonds, somber and thoughtful, kept his seat. His leonine head drooped over his broad shirt-bosom.

Said Mallory of The Ledger, bending over him:

"Look at Ban, Pop!"

"I'm looking," gloomed Edmonds.

"What's behind that smile? Something frozen. What's the matter with him?" queried the observant Mallory.

"Too much success."

"It'll be too much dinner if he doesn't look out," remarked the other. "He's trying to match cocktails with every one that comes up."

"Won't make a bit of difference," muttered the veteran. "He's all steel. Cold steel. Can't touch him."

Marrineal led the way out of the ante-room to the banquet, escorting Banneker. Never had the editor of The Patriot seemed to be more completely master of himself. The drink had brightened his eyes, brought a warm flush to the sun-bronze of his cheek, lent swiftness to his tongue. He was talking brilliantly, matching epigrams with the Great Gaines, shrewdly poking good-natured fun at the stolid and stupid mayor, holding his and the near-by tables in spell with reminiscences in which so many of them shared. Some wondered how he would have anything left for his speech.

While the game course was being served, Ely Ives was summoned outside. Banneker, whose faculties had taken on a preternatural acuteness, saw, when he returned, that his face had whitened and sharpened; watched him write a note which he folded and pinned before sending it to Marrineal. In the midst of a story, which he carried without interruption, the guest of honor perceived a sort of glaze settle over his chief's immobile visage; the next moment he had very slightly shaken his head at Ives. Banneker concluded his story. Marrineal capped it with another. Ives, usually abstemious as befits one who practices sleight-of-hand and brain, poured his empty goblet full of champagne and emptied it in long, eager draughts. The dinner went on.

The ices were being cleared away when a newspaper man, not in evening clothes, slipped in and talked for a moment with Mr. Gordon of The Ledger. Presently another quietly appropriated a seat next to Van Cleve of The Sphere. The tidings, whatever they were, spread. Then, the important men of the different papers gathered about Russell Edmonds. They seemed to be putting to him brief inquiries, to which he answered with set face and confirming nods. With his quickened faculties, Banneker surmised one of those inside secrets of journalism so often sacredly kept, though a hundred men know them, of which the public reads only the obvious facts, the empty shell. Now and again he caught a quick and veiled glance of incomprehension of doubt, of incredulity, cast at him.

He chattered on. Never did he talk more brilliantly.

Coffee. Presently there would be cigars. Then Marrineal would introduce him, and he would say to these men, this high and inner circle of journalism, the things which he could not write for his public, which he could present to them alone, since they alone would understand. It was to be his magnum opus, that speech. For a moment he had lost physical visualization in mental vision. When again he let his eyes rest on the scene before him, he perceived that a strange thing had happened. The table at which Van Cleve had sat, with seven others, was empty. In the same glance he saw Mr. Gordon rise and quietly walk out, followed by the other newspaper men in the group. Two politicians were left. They moved close to each other and spoke in whispers, looking curiously at Banneker.

What manner of news could that have been, brought in by the working newspaper man, thus to depopulate a late-hour dining-table? Had the world turned upside down?

Below him, and but a few paces distant, Tommy Burt was seated. When he, too, got slowly to his feet, Banneker leaned across the strewn, white napery toward him.

"What's up, Tommy?"

For an instant the star reporter stopped, seemed to turn an answer over in his mind, then shook his head, and, with an unfathomable look of incredulity and shrinking, went his way. Bunny Fitch followed; Fitch, the slave of his paper's conventions, the man without standards other than those which were made for him by the terms of his employment, who would go only because his proprietors would have him go: and the grin which he turned up to Banneker was malignant and scornful. Already the circle about Ely Ives, who was still drinking eagerly, had melted away. Glidden, Mallory, Gale, Andreas, and a dozen others of his oldest associates were at the door, not talking as they would have done had some "big story" broken at that hour, but moving in a chill silence and purposefully like men seeking relief from an unendurable atmosphere. The deadly suspicion of the truth struck in upon the guest of honor; they, his friends, were going because they could no longer take part in honoring him. His mind groped, terrified and blind, among black shadows.

Marrineal, for once allowing discomposure to ruffle his imperturbability, rose to check the exodus.

"Gentlemen! One moment, if you please. As soon as—"

The rest was lost to Banneker as he beheld Edmonds rear his spare form up from his chair a few paces away. Reckless of ceremony now, the central figure of the feast rose.

"Edmonds! Pop!"

The veteran stopped, turning the slow, sad judgment of his eyes upon the other.

"What is it?" appealed Banneker. "What's happened? Tell me."

"Willis Enderby is dead."

The query, which forced itself from Banneker's lips, was a self-accusation. "By his own hand?"

"By yours," answered Edmonds, and strode from the place.

Groping, Banneker's fingers encountered a bottle, closed about it, drew it in. He poured and drank. He thought it wine. Not until the reeking stab of brandy struck to his brain did he realize the error.... All right. Brandy. He needed it. He was going to make a speech. What speech? How did it begin.... What was this that Marrineal was saying? "In view of the tragic news.... Call off the speech-making?" Not at all! He, Banneker, must have his chance. He could explain everything.

Brilliantly, convincingly to his own mind, he began. It was all right; only the words in their eagerness to set forth the purity of his motives, the unimpeachable rectitude of his standards, became confused. Somebody was plucking at his arm. Ives? All right? Ives was a good fellow, after all.... Yes: he'd go home—with Ives. Ives would understand.

All the way back to The House With Three Eyes he explained himself; any fair-minded man would see that he had done his best. Ives was fair-minded; he saw it. Ives was a man of judgment. Therefore, when he suggested bed, he must be right. Very weary, Banneker was. He felt very, very wretched about Enderby. He'd explain it all to Enderby in the morning—no: couldn't do that, though. Enderby was dead. Queer idea, that! What was it that violent-minded idiot, Pop Edmonds, had said? He'd settle with Pop in the morning. Now he'd go to sleep....

He woke to utter misery. In the first mail came the letter, now expected, from Io. It completed the catastrophe in which his every hope was swept away.

I have tried to make myself believe (she wrote) that you could not have Betrayed him; that you would not, at least, have let me, who loved you, be, unknowingly, the agent of his destruction. But the black record comes back to me. The Harvey Wheelwright editorial, which seemed so light a thing, then. The lie that beat Robert Laird. The editorial that you dared not print, after promising. All of one piece. How could I ever have trusted you!

Oh, Ban, Ban! When I think of what we have been to each other; how gladly, how proudly, I gave myself to you, to find you unfaithful! Is that the price of success? And unfaithful in such a way! If you had been untrue to me in the conventional sense, I think it would have been a small matter compared to this betrayal. That would have been a thing of the senses, a wound to the lesser part of our love. But this—Couldn't you see that our relation demanded more of faith, of fidelity, than marriage, to justify it and sustain it; more idealism, more truth, more loyalty to what we were to each other? And now this!

If it were I alone that you have betrayed, I could bear my own remorse; perhaps even think it retribution for what I have done. But how can I—and how can you—bear the remorse of the disaster that will fall upon Camilla Van Arsdale, your truest friend? What is there left to her, now that the man she loves is to be hounded out of public life by blackmailers? I have not told her. I have not been able to tell her. Perhaps he will write her, himself. How can she bear it! I am going away, leaving a companion in charge of her.

Camilla Van Arsdale! One last drop of bitterness in the cup of suffering. Neither she nor Io had, of course, learned of Enderby's death, and could not for several days, until the newspapers reached them. Banneker perceived clearly the thing that was laid upon him to do. He must go out to Manzanita and take the news to her. That was part of his punishment. He sent a telegram to Mindle, his factotum on the ground.

Hold all newspapers from Miss C. until I get there, if you have to rob mails. E.B.

Without packing his things, without closing his house, without resigning his editorship, he took the next train for Manzanita. Io, coming East, and still unaware of the final tragedy, passed him, halfway.

While the choir was chanting, over the body of Willis Enderby, the solemn glory of Royce Melvin's funeral hymn, the script of which had been found attached to his last statement, Banneker, speeding westward, was working out, in agony of soul, a great and patient penance, for his own long observance, planning the secret and tireless ritual through which Camilla Van Arsdale should keep intact her pure and long delayed happiness while her life endured.



CHAPTER XX

A dun pony ambled along the pine-needle-carpeted trail leading through the forest toward Camilla Van Arsdale's camp, comfortably shaded against the ardent power of the January sun. Behind sounded a soft, rapid padding of hooves. The pony shied to the left with a violence which might have unseated a less practiced rider, as, with a wild whoop, Dutch Pete came by at full gallop. Pete had been to a dance at the Sick Coyote on the previous night which had imperceptibly merged itself into the present morning, and had there imbibed enough of the spirit of the occasion to last him his fifteen miles home to his ranch. Now he pulled up and waited for the slower rider to overtake him.

"Howdy, Ban!"

"Hello, Pete."

"How's the lady gettin' on?"

"Not too well."

"Can't see much of anythin', huh?"

"No: and never will again."

"Sho! Well, I don't figger out as I'd want to live long in that fix. How long does the doc give her, Ban?"

"Perhaps six months; perhaps a year. She isn't afraid to die; but she's hanging to life just as long as she can. She's a game one, Pete."

"And how long will you be with us, Ban?"

"Oh, I'm likely to be around quite a while yet."

Dutch Pete, thoroughly understanding, reflected that here was another game one. But he remarked only that he'd like to drop in on Miss K'miller next time he rode over, with a bit of sage honey that he'd saved out for her.

"She'll be glad to see you," returned the other. "Only, don't forget, Pete; not a word about anything except local stuff."

"Sure!" agreed Pete with that unquestioning acceptance of another's reasons for secrecy which marks the frontiersman. "Say, Ban," he added, "you ain't much of an advertisement for Manzanita as a health resort, yourself. Better have that doc stick his head in your mouth and look at your insides."

Banneker raised tired eyes and smiled. "Oh, I'm all right," he replied listlessly.

"Come to next Saturday's dance at the Coyote; that'll put dynamite in your blood," prescribed the other as he spurred his horse on.

Banneker had no need to turn the dun pony aside to the branch trail that curved to the door of his guest; the knowing animal took it by habitude, having traversed it daily for a long time. It was six months since Banneker had bought him: six months and a week since Willis Enderby had been buried. And the pony's rider had in his pocket a letter, of date only four days old, from Willis Enderby to Camilla Van Arsdale. It was dated from the Governor's Mansion, Albany, New York. Banneker had written it himself, the night before. He had also composed nearly a column of supposed Amalgamated Wire report, regarding the fight for and against Governor Enderby's reform measures, which he would read presently to Miss Van Arsdale from the dailies just received. As he dismounted, the clear music of her voice called:

"Any mail, Ban?"

"Yes. Letter from Albany."

"Let me open it myself," she cried jealously.

He delivered it into her hands: this was part of the ritual. She ran her fingers caressingly over it, as if to draw from it the hidden sweetness of her lover's strength, which must still be only half-expressed, because the words were to be translated through another's reading; then returned it to its real author.

"Read it slowly, Ban," she commanded softly.

Having completed the letter, his next process was to run through the papers, giving in full any news or editorials on State politics. This was a task demanding the greatest mental concentration and alertness, for he had built up a contemporary history out of his imagination, and must keep all the details congruous and logical. Several times, with that uncanny retentiveness of memory developed in the blind, she had all but caught him; but each time his adroitness saved the day. Later, while he was at work in the room which she had set aside for his daily writing, she would answer the letter on the typewriter, having taught herself to write by position and touch, and he would take her reply for posting. Her nurse and companion, an elderly woman with a natural aptitude for silence and discretion, was Banneker's partner in the secret. The third member of the conspiracy was the physician who came once a week from Angelica City because he himself was a musician and this slowly and courageously dying woman was Royce Melvin. Between them they hedged her about with the fiction that victoriously defied grief and defeated death.

Camilla Van Arsdale got up from her couch and walked with confident footsteps to the piano.

"Ban," she said, seating herself and letting her fingers run over the keys, "can't you substitute another word for 'muffled' in the third line? It comes on a high note—upper g—and I want a long, not a short vowel sound."

"How would 'silenced' do?" he offered, after studying the line.

"Beautifully. You're a most amiable poet! Ban, I think your verses are going to be more famous than my music."

"Never that," he denied. "It's the music that makes them."

"Have you heard from Mr. Gaines yet about the essays?"

"Yes. He's taking them. He wants to print two in each issue and call them 'Far Perspectives.'"

"Oh, good!" she cried. "But, Ban, fine as your work is, it seems a terrible waste of your powers to be out here. You ought to be in New York, helping the governor put through his projects."

"Well, you know, the doctor won't give me my release."

(Presently he must remember to have a coughing spell. He coughed hollowly and well, thanks to assiduous practice. This was part of the grim and loving comedy of deception: that he had been peremptorily ordered back to Manzanita on account of "weak lungs," with orders to live in his open shack until he had gained twenty pounds. He was gaining, but with well-considered slowness.)

"But when you can, you'll go back and help him, even if I'm not here to know about it, won't you?"

"Oh, yes: I'll go back to help him when I can," he promised, as heartily as if he had not made the same promise each time that the subject came up. There was still a good deal of the wistful child about the dying woman.

Out from that forest hermitage where the two worked, one in serene though longing happiness, the other under the stern discipline of loss and self-abnegation, had poured, in six short months, a living current of song which had lifted the fame of Royce Melvin to new heights: her fame only, for Banneker would not use his name to the words that rang with a pure and vivid melody of their own. Herein, too, he was paying his debt to Willis Enderby, through the genius of the woman who loved him; preserving that genius with the thin, lustrous, impregnable fiction of his own making against threatening and impotent truth.

Once, when Banneker had brought her a lyric, alive with the sweetness of youth and love in the great open spaces, she had said:

"Ban, shall we call it 'Io?'"

"I don't think it would do," he said with an effort.

"Where is she?"

"Traveling in the tropics."

"You try so hard to keep the sadness out of your voice when you speak of her," said Camilla sorrowfully. "But it's always there. Isn't there anything I can do?"

"Nothing. There's nothing anybody can do."

The blind woman hesitated. "But you care for her still, don't you, Ban?"

"Care! Oh, my God!" whispered Banneker.

"And she cares. I know she cared when she was here. Io isn't the kind of woman to forget easily. She tried once, you know." Miss Van Arsdale smiled wanly. "Why doesn't she ever say anything of you in her letters?"

"She does."

"Very little." (Io's letters, passing through Banneker's hands were carefully censored, of necessity, to forefend any allusion to the tragedy of Willis Enderby, often to the extent of being rewritten complete. It now occurred to Banneker that he had perhaps overdone the matter of keeping his own name out of them.) "Ban," she continued wistfully, "you haven't quarreled, have you?"

"No, Miss Camilla. We haven't quarreled."

"Then what is it, Ban? I don't want to pry; you know me well enough to be sure of that. But if I could only know before the end comes that you two—I wish I could read your face. It's a helpless thing, being blind." This was as near a complaint as he had ever heard her utter.

"Io's a rich woman, Miss Camilla," he said desperately.

"What of it?"

"How could I ask her to marry a jobless, half-lunged derelict?"

"Have you asked her?"

He was silent.

"Ban, does she know why you're here?"

"Oh, yes; she knows."

"How bitter and desolate your voice sounds when you say that! And you want me to believe that she knows and still doesn't come to you?"

"She doesn't know that I'm—ill," he said, hating himself for the necessity of pretense with Camilla Van Arsdale.

"Then I shall tell her."

"No," he controverted with finality, "I won't allow it."

"Suppose it turned out that this were really the right path for you to travel," she said after a pause; "that you were going to do bigger things here than you ever could do with The Patriot? I believe it's going to be so, Ban; that what you are doing now is going to be your true success."

"Success!" he cried. "Are you going to preach success to me? If ever there was a word coined in hell—I'm sorry, Miss Camilla," he broke off, mastering himself.

She groped her way to the piano, and ran her fingers over the keys. "There is work, anyway," she said with sure serenity.

"Yes; there's work, thank God!"

Work enough there was for him, not only in his writing, for which he had recovered the capacity after a long period of stunned inaction, but in the constant and unwearied labor of love in building and rebuilding, fortifying and extending, that precarious but still impregnable bulwark of falsehood beneath whose protection Camilla Van Arsdale lived and was happy and made the magic of her song. Illusion! Banneker wondered whether any happiness were other than illusion, whether the illusion of happiness were not better than any reality. But in the world of grim fact which he had accepted for himself was no palliating mirage. Upon him "the illusive eyes of hope" were closed.

While Banneker was practicing his elaborate deceptions, Miss Van Arsdale had perpetrated a lesser one of her own, which she had not deemed it wise to reveal to him in their conversation about Io. Some time before that she had written to her former guest a letter tactfully designed to lay a foundation for resolving the difficulty or misunderstanding between the lovers. In the normal course of events this would have been committed for mailing to Banneker, who would, of course, have confiscated it. But, as it chanced, it was hardly off the typewriter when Dutch Pete dropped in for a friendly call while Banneker was at the village, and took the missive with him for mailing. It traveled widely, amassed postmarks and forwarding addresses, and eventually came to its final port.

Worn out with the hopeless quest of forgetfulness in far lands, Io Eyre came back to New York. It was there that the long pursuit of her by Camilla Van Arsdale's letter ended. Bewilderment darkened Io's mind as she read, to be succeeded by an appalled conjecture; Camilla Van Arsdale's mind had broken down under her griefs. What other hypothesis could account for her writing of Willis Enderby as being still alive? And of her having letters from him? To the appeal for Banneker which, concealed though it was, underlay the whole purport of the writing, Io closed her heart, seared by the very sight of his name. She would have torn the letter up, but something impelled her to read it again; some hint of a pregnant secret to be gleaned from it, if one but held the clue. Hers was a keen and thoughtful mind. She sent it exploring through the devious tangle of the maze wherein she and Banneker, Camilla Van Arsdale and Willis Enderby had been so tragically involved, and as she patiently studied the letter as possible guide there dawned within her a glint of the truth. It began with the suspicion, soon growing to conviction, that the writer of those inexplicable words was not, could not be insane; the letter breathed a clarity of mind, an untroubled simplicity of heart, a quiet undertone of happiness, impossible to reconcile with the picture of a shattered and grief-stricken victim. Yet Io had, herself, written to Miss Van Arsdale as soon as she knew of Judge Enderby's death, pouring out her heart for the sorrow of the woman who as a stranger had stood her friend, whom, as she learned to know her in the close companionship of her affliction, she had come to love; offering to return at once to Manzanita. To that offer had come no answer; later she had had a letter curiously reticent as to Willis Enderby. (Banneker, in his epistolary personification of Miss Van Arsdale had been perhaps overcautious on this point.) Io began to piece together hints and clues, as in a disjected puzzle:—Banneker's presence in Manzanita—Camilla's blindness.—Her inability to know, except through the medium of others, the course of events.—The bewildering reticence and hiatuses in the infrequent letters from Manzanita, particularly in regard to Willis Enderby.—This calm, sane, cheerful view of him as a living being, a present figure in his old field of action.—The casual mention in an early letter that all of Miss Van Arsdale's reading and most of her writing was done through the nurse or Banneker, mainly the latter, though she was mastering the art of touch-writing on the typewriter. The very style of the earlier letters, as she remembered them, was different. And just here flashed the thought which set her feverishly ransacking the portfolio in which she kept her old correspondence. There she found an envelope with a Manzanita postmark dated four months earlier. The typing of the two letters was not the same.

Groping for some aid in the murk, Io went to the telephone and called up the editorial office of The Sphere, asking for Russell Edmonds. Within two hours the veteran had come to her.

"I have been wanting to see you," he said at once.

"About Mr. Banneker?" she queried eagerly.

"No. About The Searchlight."

"The Searchlight? I don't understand, Mr. Edmonds."

"Can't we be open with each other, Mrs. Eyre?"

"Absolutely, so far as I am concerned."

"Then I want to tell you that you need have no fear as to what The Searchlight may do."

"Still I don't understand. Why should I fear it?"

"The scandal—manufactured, of course—which The Searchlight had cooked up about you and Mr. Banneker before Mr. Eyre's death."

"Surely there was never anything published. I should have heard of it."

"No; there wasn't. Banneker stopped it."

"Ban?"

"Do you mean to say that you knew nothing of this, Mrs. Eyre?" he said, the wonder in his face answering the bewilderment in hers. "Didn't Banneker tell you?"

"Never a word."

"No; I suppose he wouldn't," ruminated the veteran. "That would be like Ban—the old Ban," he added sadly. "Mrs. Eyre, I loved that boy," he broke out, his stern and somber face working. "There are times even now when I can scarcely make myself believe that he did what he did."

"Wait," pleaded Io. "How did he stop The Searchlight?"

"By threatening Bussey with an expose that would have blown him out of the water. Blackmail, if you like, Mrs. Eyre, and not of the most polite kind."

"For me," whispered Io.

"He held that old carrion-buzzard, Bussey, up at the muzzle of The Patriot as if it were a blunderbuss. It was loaded to kill, too. And then," pursued Edmonds, "he paid the price. Marrineal got out his little gun and held him up."

"Held Ban up? What for? How could he do that? All this is a riddle to me, Mr. Edmonds."

"Do you think you really want to know?" asked the other with a touch of grimness. "It won't be pleasant hearing."

"I've got to know. Everything!"

"Very well. Here's the situation. Banneker points his gun, The Patriot, at Bussey. 'Be good or I'll shoot,' he says. Marrineal learns of it, never mind how. He points his gun at Ban. 'Be good, or I'll shoot,' says he. And there you are!"

"But what was his gun? And why need he threaten Ban?"

"Why, you see, Mrs. Eyre, about that time things were coming to an issue between Ban and Marrineal. Ban was having a hard fight for the independence of his editorial page. His strongest hold on Marrineal was Marrineal's fear of losing him. There were plenty of opportunities open to a Banneker. Well, when Marrineal got Ban where he couldn't resign, Ban's hold was gone. That was Marrineal's gun."

"Why couldn't he resign?" asked Io, white-lipped.

"If he quit The Patriot he could no longer hold Bussey, and The Searchlight could print what it chose. You see?"

"I see," said Io, very low. "Oh, why couldn't I have seen before!"

"How could you, if Ban told you nothing?" reasoned Edmonds. "The blame of the miserable business isn't yours. Sometimes I wonder if it's anybody's; if the newspaper game isn't just too strong for us who try to play it. As for The Searchlight, I've since got another hold on Bussey which will keep him from making any trouble. That's what I wanted to tell you."

"Oh, what does it matter! What does it matter!" she moaned. She crossed to the window, laid her hot and white face against the cool glass, pressed her hands in upon her temples, striving to think connectedly. "Then whatever he did on The Patriot, whatever compromises he yielded to or—or cowardices—" she winced at the words—"were done to save his place; to save me."

"I'm afraid so," returned the other gently.

"Do you know what he's doing now?" she demanded.

"I understand he's back at Manzanita."

"He is. And from what I can make out," she added fiercely, "he is giving up his life to guarding Miss Van Arsdale from breaking her heart, as she will do, if she learns of Judge Enderby's death—Oh!" she cried, "I didn't mean to say that! You must forget that there was anything said."

"No need. I know all that story," he said gravely. "That is what I couldn't forgive in Ban. That he should have betrayed Miss Van Arsdale, his oldest friend. That is the unpardonable treachery."

"To save me," said Io.

"Not even for that. He owed more to her than to you."

"I can't believe that he did it!" she wailed. "To use my letter to set spies on Cousin Billy and ruin him—it isn't Ban. It isn't!"

"He did it, and, when it was too late, he tried to stop it."

"To stop it?" She looked her startled query at him. "How do you know that?"

"Last week," explained Edmonds, "Judge Enderby's partner sent for me. He had been going over some papers and had come upon a telegram from Banneker urging Enderby not to leave without seeing him. The telegram must have been delivered very shortly after the Judge left for the train."

"Telegram? Why a telegram? Wasn't Ban in town?"

"No. He was down in Jersey. At The Retreat."

"Wait!" gasped Io. "At The Retreat! Then my letter would have been forwarded to him there. He couldn't have got it at the same time that Cousin Billy got the one I sent him." She gripped Russell Edmonds's wrists in fierce, strong hands. "What if he hadn't known in time? What if, the moment he did know, he did his best to stop Cousin Billy from starting, with that telegram?" Suddenly the light died out of her face. "But then how would that loathsome Mr. Ives have known that he was going, unless Ban betrayed him?"

"Easily enough," returned the veteran. "He had a report from his detectives, who had been watching Enderby for months.... Mrs. Eyre, I wish you'd give me a drink. I feel shaky."

She left him to give the order. When she returned, they had both steadied down. Carefully, and with growing conviction, they gathered the evidence into something like a coherent whole. At the end, Io moaned:

"The one thing I can't bear is that Cousin Billy died, believing that of Ban."

She threw herself upon the broad lounge, prone, her face buried in her arms. The veteran of hundreds of fights, brave and blind, righteous and mistaken, crowned with fleeting victories, tainted with irremediable errors, stood silent, perplexed, mournful. He walked slowly over to where the girl was stretched, and laid a clumsy, comforting hand on her shoulder.

"I wish you'd cry for me, too," he said huskily. "I'm too old."



CHAPTER XXI

Every Saturday the distinguished physician from Angelica City came to Manzanita on the afternoon train, spent two or three hours at Camilla Van Arsdale's camp, and returned in time to catch Number Seven back. No imaginable fee would have induced him to abstract one whole day from his enormous practice for any other patient. But he was himself an ardent vocal amateur, and to keep Royce Melvin alive and able to give forth her songs to the world was a special satisfaction to his soul. Moreover, he knew enough of Banneker's story to take pride in being partner in his plan of deception and self-sacrifice. He pretended that it was a needed holiday for him: his bills hardly defrayed the traveling expense.

Now, riding back with Banneker, he meditated a final opinion, and out of that opinion came speech.

"Mr. Banneker, they ought to give you and me a special niche in the Hall of Fame," he said.

A rather wan smile touched briefly Banneker's lips. "I believe that my ambitions once reached even that far," he said.

The other reflected upon the implied tragedy of a life, so young, for which ambition was already in the past tense, as he added:

"In the musical section. We've got our share in the nearest thing to great music that has been produced in the America of our time. You and I. Principally you."

Banneker made a quick gesture of denial.

"I don't know what you owe to Camilla Van Arsdale, but you've paid the debt. There won't be much more to pay, Banneker."

Banneker looked up sharply.

"No." The visitor shook his graying head. "We've performed as near a miracle as it is given to poor human power to perform. It can't last much longer."

"How long?"

"A matter of weeks. Not more. Banneker, do you believe in a personal immortality?"

"I don't know. Do you?"

"I don't know, either. I was thinking.... If it were so; when she gets across, what she will feel when she finds her man waiting for her. God!" He lifted his face to the great trees that moved and murmured overhead. "How that heart of hers has sung to him all these years!"

He lifted his voice and sent it rolling through the cathedral aisles of the forest, in the superb finale of the last hymn.

"For even the purest delight may pall, And power must fail, and the pride must fall And the love of the dearest friends grow small— But the glory of the Lord is all in all."

The great voice was lost in the sighing of the winds. They rode on, thoughtful and speechless. When the physician turned to his companion again, it was with a brisk change of manner.

"And now we'll consider you."

"Nothing to consider," declared Banneker.

"Is your professional judgment better than mine?" retorted the other. "How much weight have you lost since you've been out here?"

"I don't know."

"Find out. Don't sleep very well, do you?"

"Not specially."

"What do you do at night when you can't sleep? Work?"

"No."

"Well?"

"Think."

The doctor uttered a non-professional monosyllable. "What will you do," he propounded, waving his arm back along the trail toward the Van Arsdale camp, "when this little game of yours is played out?"

"God knows!" said Banneker. It suddenly struck him that life would be blank, empty of interest or purpose, when Camilla Van Arsdale died, when there was no longer the absorbing necessity to preserve, intact and impregnable, the fortress of love and lies wherewith he had surrounded her.

"When this chapter is finished," said the other, "you come down to Angelica City with me. Perhaps we'll go on a little camping trip together. I want to talk to you."

The train carried him away. Oppressed and thoughtful, Banneker walked slowly across the blazing, cactus-set open toward his shack. There was still the simple housekeeping work to be done, for he had left early that morning. He felt suddenly spiritless, flaccid, too inert even for the little tasks before him. The physician's pronouncement had taken the strength from him. Of course he had known that it couldn't be very long—but only a few weeks!

He was almost at the shack when he noticed that the door stood half ajar.

But here, where everything had been disorder, was now order. The bed was made, the few utensils washed, polished, and hung up; on the table a handful of the alamo's bright leaves in a vase gave a touch of color.

In the long chair (7 T 4031 of the Sears-Roebuck catalogue) sat Io. A book lay on her lap, the book of "The Undying Voices." Her eyes were closed. Banneker reached out a hand to the door lintel for support.

A light tremor ran through Io's body. She opened her eyes, and fixed them on Banneker. She rose slowly. The book fell to the floor and lay open between them. Io stood, her arms hanging straitly at her side, her whole face a lovely and loving plea.

"Please, Ban!" she said, in a voice so little that it hardly came to his ears.

Speech and motion were denied him, in the great, the incredible surprise of her presence.

"Please, Ban, forgive me." She was like a child, beseeching. Her firm little chin quivered. Two great, soft, lustrous tears welled up from the shadowy depths of the eyes and hung, gleaming, above the lashes. "Oh, aren't you going to speak to me!" she cried.

At that the bonds of his languor were rent. He leapt to her, heard the broken music of her sob, felt her arms close about him, her lips seek his and cling, loath to relinquish them even for the passionate murmurs of her love and longing for him.

"Hold me close, Ban! Don't ever let me go again! Don't ever let me doubt again!"

When, at length, she gently released herself, her foot brushed the fallen book. She picked it up tenderly, and caressed its leaves as she adjusted them.

"Didn't the Voices tell you that I'd come back, Ban?" she asked.

He shook his head. "If they did, I couldn't hear them."

"But they sang to you," she insisted gently. "They never stopped singing, did they?"

"No. No. They never stopped singing."

"Ah; then you ought to have known, Ban. And I ought to have known that you couldn't have done what I believed you had. Are you sure you forgive me, Ban?"

She told him of what she had discovered, of the talk with Russell Edmonds ("I've a letter from him for you, dearest one; he loves you, too. But not as I do. Nobody could!" interjected Io jealously), of the clue of the telegram. And he told her of Camilla Van Arsdale and the long deception; and at that, for the first time since he knew her, she broke down and gave herself up utterly to tears, as much for him as for the friend whom he had so loyally loved and served. When it was over and she had regained command of herself, she said:

"Now you must take me to her."

So once more they rode together into the murmurous peace of the forest. Io leaned in her saddle as they drew near the cabin, to lay a hand on her lover's shoulder.

"Once, a thousand years ago, Ban," she said, "when love came to me, I was a wicked little infidel and would not believe. Not in the Enchanted Canyon, nor in the Mountains of Fulfillment, nor in the Fadeless Gardens where the Undying Voices sing. Do you remember?"

"Do I not!" whispered Ban, turning to kiss the fingers that tightened on his shoulder.

"And—and I blasphemed and said there was always a serpent in every Paradise, and that Experience was a horrid hag, with a bony finger pointing to the snake.... This is my recantation, Ban. I know now that you were the true Prophet; that Experience has shining wings and eyes that can lock to the future as well as the past, and immortal Hope for a lover. And that only they two can guide to the Mountains of Fulfillment. Is it enough, Ban?"

"It is enough," he answered with grave happiness.

"Listen!" exclaimed Io.

The sound of song, tender and passionate and triumphant, came pulsing through the silence to meet them as they rode on.

THE END