After the little Nightingale had flown away, the Emperor felt so well and strong that he dressed himself in his royal robes and took his gold sceptre in his hand. And when the courtiers came in to see if he were dead, there stood the Emperor with his sword in one hand and his sceptre in the other, and said, "Good-morning!"

FOOTNOTES:

[25] Adapted from Hans Christian Andersen.



MARGERY'S GARDEN[26]

There was once a little girl named Margery, who had always lived in the city. The flat where her mother and father lived was at the top of a big building, and you couldn't see a great deal from the windows, except chimney-pots on other people's roofs. Margery did not know much about trees and flowers, but she loved them dearly; whenever it was a fine Sunday she used to go with her mother and father to the park and look at the lovely flower-beds. They seemed always to be finished, though, and Margery was always wishing she could see them grow.

One spring, when Margery was nine, her father obtained a new situation and they removed to a little house with a nice big piece of ground a short distance outside the town where his new position was. Margery was delighted. And the very first thing she said, when her father told her about it, was, "Oh, may I have a garden? May I have a garden?"

Margery's mother was almost as eager for a garden as she was, and Margery's father said he expected to live on their vegetables all the rest of his life! So it was soon agreed that the garden should be the first thing attended to.

Behind the cottage were apple trees, a plum tree, and two or three pear trees; then came a stretch of rough grass, and then a stone wall, with a gate leading into the fields. It was on the grass plot that the garden was to be. A big piece was to be used for wheat and peas and beans, and a little piece at the end was to be given to Margery.

"What shall we have in it?" asked her mother.

"Flowers," said Margery, with shining eyes,—"blue, and white, and yellow, and pink,—every kind of flower!"

"Surely, flowers," said her mother, "and shall we not have a little salad garden in the middle?"

"What is a salad garden?" Margery asked.

"It is a garden where you have all the things that make nice salad," said her mother, laughing, for Margery was fond of salads; "you have lettuce, and endive, and mustard and cress, and parsley, and radishes, and beetroot, and young onions."

"Oh! how good it sounds!" said Margery. "I should love a salad garden."

That very evening, Margery's father took pencil and paper, and drew out a plan for her garden; first, they talked it all over, then he drew what they decided on; it looked like the diagram on the next page.

"The outside strip is for flowers," said Margery's father, "and next is a footpath, all the way round the beds; that is to let you get at the flowers to weed and to pick; there is a wider path through the middle, and the rest is for rows of salad vegetables."

"Papa, it is glorious!" said Margery.

Papa laughed. "I hope you will still think it glorious when the weeding time comes," he said, "for you know, you and mother have promised to take care of this garden, while I take care of the big one."

"I wouldn't not take care of it for anything!" said Margery. "I want to feel that it is my very own."



Her father kissed her, and said it was certainly her "very own."

Two evenings after that, when Margery was called in from her first ramble in the fields, she found the postman at the door.

"Something for you, Margery," said her mother, with the look she had when something nice was happening.

It was a box, quite a big box, with a label on it that said:—

MISS MARGERY BROWN, PRIMROSE COTTAGE, 21 NARCISSUS ROAD, COLCHESTER.

From Seeds and Plants Company, Reading.

Margery could hardly wait to open it. It was filled with little packages, all with printed labels; and in the packages, of course, were seeds. It made Margery dance, just to read the names,—nasturtium, giant helianthus, canariensis, calendula, Canterbury bells: more names than I can tell you; and other packages, bigger, that said, "Sweet Peas," "French beans," "Carrots," "Wallflowers," and such things! Margery could almost smell the posies, she was so excited. Only, she had seen so little of flowers that she did not know what all the names meant. She did not know that a helianthus was a sunflower until her mother told her so, and she had never seen the dear, blue, bell-shaped flowers that always grow in old-fashioned gardens, and are called Canterbury bells. She thought the calendula must be a strange, grand flower, by its name; but her mother told her it was the gay, sturdy, everydayish little flower called a marigold. There was a great deal for a little city girl to be surprised about, and it did seem as if morning was a long way off!

"Did you think you could plant them in the morning?" asked her mother. "You know, dear, the ground has to be made ready first; it takes a little time,—it may be several days before you can plant."

That was another surprise. Margery had thought she could begin to sow the seed right off.

But this was what had happened. Early the next morning, a man came driving up to the cottage with two strong white horses; in his wagon was a plough. I suppose you have seen ploughs, but Margery never had, and she watched with great interest, while the man and her father took the plough from the cart and harnessed the horses to it. It was a great, three-cornered piece of sharp steel, with long handles coming up from it, so that a man could hold it in place. It looked like this:—



"I brought a two-horse plough because it's virgin soil," the man said. Margery wondered what in the world he meant; it had not been cultivated, of course, but what had that do with the kind of plough? "What does he mean, father?" she whispered, when she got a chance. "He means that this land has not been ploughed before; it will be hard to turn the soil, and one horse could not pull the plough," said her father.

It took the man two hours to plough the little strip of land. He drove the sharp end of the plough into the soil, and held it firmly so, while the horses drew it along in a straight line. Margery found it fascinating to watch the long line of dark earth and green grass come rolling up and turn over, as the knife passed it. She could see that it took real skill and strength to keep the line even, and to avoid the stones. Sometimes the plough struck a hidden stone, and then the man was jerked almost off his feet. But he only laughed, and said, "Tough piece of land; it will be a lot better next year."

When he had ploughed, the man went back to his cart and unloaded another farm implement. This one was like a three-cornered platform of wood, with a long, curved, strong rake under it. It was called a harrow, and it looked like the diagram on the next page.

The man harnessed the horses to it, and then he stood on the platform and drove all over the strip of land. It was fun to watch, but perhaps it was a little hard to do. The man's weight kept the harrow steady, and let the teeth of the rake scratch and cut the ground up, so that it did not stay in ridges.

"He scrambles the ground, father!" said Margery.

"It needs 'scrambling,'" laughed her father. "We are going to get more weeds than we want on this fresh soil, and the more the ground is broken, the fewer there will be."



After the ploughing and harrowing, the man drove off, and Margery's father said that he himself would do the rest of the work in the late afternoons, when he came home from business; they could not afford too much help, he said, and he had learned to take care of a garden when he was a boy. So Margery did not see any more done until the next day.

But the next day there was hard work for Margery's father! Every bit of that ground had to be broken up still more with a spade, and then the clods which were full of grass-roots had to be taken on a fork and shaken, till the earth fell out; when the grass was thrown to one side. That would not have had to be done if the land had been ploughed in the autumn; the grass would have rotted in the ground, and would have made food for the plants. Now, Margery's father put the fertiliser on the top, and then raked it into the earth.

At last, it was time to make the place for the seeds. Margery and her mother helped. Father tied one end of a cord to a little stake, and drove the stake in the ground at one end of the garden. Then he took the cord to the other end of the garden and pulled it tight, tied it to another stake, and drove that down. That made a straight line. Then he hoed a trench, a few inches deep, the whole length of the cord, and scattered fertiliser in it. Pretty soon the whole garden was lined with little trenches.

"Now for the seed," said father.

Margery ran and brought the seed box. "May I help?" she asked.

"If you watch me sow one row, I think you can do the next," said her father.

So Margery watched. Her father took a handful of peas, and, stooping, walked slowly along the line, letting the seed trickle through his fingers. It was pretty to watch; it made Margery think of a photograph her teacher had, a photograph of a famous picture called "The Sower." Perhaps you have seen it.

Putting in the seed was not so easy to do as to watch; sometimes Margery dropped in too much, and sometimes not enough; but her father was patient with her, and soon she did better.

They planted peas, beans, spinach, carrots, and parsnips. And Margery's father made a row of holes, after that, for the tomato plants. He said those had to be transplanted; they could not be sown from seed.

When the seeds were in the trenches they had to be covered up, and Margery really helped at that. It is fun to do it. You stand beside the little trench and walk backward, and as you walk you hoe the loose earth back over the seeds; the same earth that was hoed up you pull back again. Then you rake very gently over the surface, with the back of a rake, to even it all off. Margery liked it, because now the garden began to look like a garden.

But best of all was the work next day, when her own little particular garden was begun. Father Brown loved Margery and Margery's mother so much that he wanted their garden to be perfect, and that meant a great deal more work. He knew very well that the old grass would begin to come through again on such soil, and that it would make terribly hard weeding. He was not going to have any such thing for his two "little girls," as he called them. So he gave that little garden particular attention. This is what he did.

After he had thrown out all the turf, he shovelled clean earth on to the garden,—as much as three solid inches of it; not a bit of grass was in that. Then it was ready for raking and fertilising, and for the lines. The little footpaths were marked out by Father Brown's feet; Margery and her mother laughed well at his actions, for it looked like some kind of dance. Mr Brown had seen gardeners do it when he was a little boy, and he did it very nicely: he walked along the sides of the square, with one foot turned a little out, and the other straight, taking such tiny steps that his feet touched each other all the time. This tramped out a path just wide enough for a person to walk.

The wider path was marked with lines and raked.

Margery thought, of course, all the flowers would be put in as the vegetables were; but she found that it was not so. For some, her father poked little holes with his finger; for some, he made very shallow trenches; and some very small seeds were scattered lightly over the top of the ground.

Margery and her mother had taken so much pains in thinking out the arrangement of the flowers, that perhaps you will like to hear just how they designed that garden. At the back were the sweet peas, which would grow tall, like a screen; on the two sides, for a kind of hedge, were yellow sunflowers; and along the front edge were the gay nasturtiums. Margery planned that, so that she could look into the garden from the front, but have it shut away from the vegetable patch by the tall flowers on the sides. The two front corners had canariensis in them. Canariensis is a pretty creeper with golden blossoms, very dainty and bright. And then, in little square patches all round the garden, were planted London pride, blue bachelor's buttons, yellow marigolds, tall larkspur, many-coloured asters, hollyhocks and stocks. All these lovely flowers used to grow in our grandmothers' gardens, and if you don't know what they look like, I hope you can find out next summer.

Between the flowers and the middle path went the seeds for that wonderful salad garden; all the things Mrs Brown had named to Margery were there. Margery had never seen anything more wonderful than the little round lettuce-seeds. They were so tiny that it did not seem possible that green lettuce leaves could come from them. But they surely would.

Mother and father and Margery were late to supper that evening. But they were all so happy that it did not matter. The last thing Margery thought of, as she went to sleep at night, was the dear, smooth little garden, with its funny footpath, and with the little sticks standing at the ends of the rows, labelled "lettuce," "beets," "helianthus," and so on.

"I have a garden! I have a garden!" was Margery's last thought as she went off to dreamland.

FOOTNOTES:

[26] I have always been inclined to avoid, in my work among children, the "how to make" and "how to do" kind of story; it is too likely to trespass on the ground belonging by right to its more artistic and less intentional kinsfolk. Nevertheless, there is a legitimate place for the instruction-story. Within its own limits, and especially in a school use, it has a real purpose to serve, and a real desire to meet. Children have a genuine taste for such morsels of practical information, if the bites are not made too big and too solid. And to the elementary teacher, from whom so much is demanded in the way of practical instruction, I know that these stories are a boon. They must be chosen with care, and used with discretion, but they need never be ignored.

I venture to give some little stories of this type, which I hope may be of use in the schools where country life and country work is an unknown experience to the children.



THE LITTLE COTYLEDONS

This is another story about Margery's garden.

The next morning after the garden was planted, Margery was up and out at six o'clock. She could not wait to look at her garden. To be sure, she knew that the seeds could not sprout in a single night, but she had a feeling that something might happen at any moment. The garden was just as smooth and brown as the night before, and no little seedlings were in sight.

But a very few mornings after that, when Margery went out, she saw a funny little crack opening up through the earth, the whole length of the patch. Quickly she knelt down on the footpath, to see. Yes! Tiny green leaves, a whole row of them, were pushing their way through the crust! Margery knew what she had put there: it was the radish-row; these must be radish leaves. She examined them very closely, so that she might know a radish next time. The little leaves, no bigger than half your little-finger nail, grew in twos,—two on each tiny stem; they were almost round.

Margery flew back to her mother, to say that the first seeds were up. And her mother, nearly as excited as Margery, came to look at the little crack.

Each day, after that, the row of radishes grew, till, in a week, it stood as high as your finger, green and sturdy. But about the third day, while Margery was stooping over the radishes, she saw something very, very small and green, peeping above ground, where the lettuce was planted. Could it be weeds? No, for on looking very closely she saw that the wee leaves faintly marked a regular row. They did not make a crack, like the radishes; they seemed too small and too far apart to push the earth up like that. Margery leaned down and looked with all her eyes at the baby plants. The tiny leaves grew two on a stem, and were almost round. The more she looked at them the more it seemed to Margery that they looked exactly as the radish looked when it first came up. "Do you suppose," Margery said to herself, "that lettuce and radish look alike while they are growing? They don't look alike when they are on the table!"

Day by day the lettuce grew, and soon the little round leaves were easier to examine; they certainly were very much like radish leaves.

Then, one morning, while she was searching for signs of other seeds, Margery discovered the beets. In irregular patches on the row, hints of green were coming. The next day and the next they grew, until the beet leaves were big enough to see.

Margery looked. Then she looked again. Then she wrinkled her forehead. "Can we have made a mistake?" she thought. "Do you suppose we can have planted all radishes?"

For those little beet leaves were almost round, and they grew two on a stem, precisely like the lettuce and the radish; except for the size, all three rows looked alike.

It was too much for Margery. She ran to the house and found her father. Her little face was so anxious that he thought something unpleasant had happened. "Papa," she said, all out of breath, "do you think we could have made a mistake about my garden? Do you think we could have put radishes in all the rows?"

Father laughed. "What makes you think such a thing?" he asked.

"Papa," said Margery, "the little leaves all look exactly alike! every plant has just two tiny leaves on it, and shaped the same; they are roundish, and grow out of the stem at the same place."

Papa's eyes began to twinkle. "Many of the dicotyledonous plants look alike at the beginning," he said, with a little drawl on the big word. That was to tease Margery, because she always wanted to know the big words she heard.

"What's 'dicotyledonous'?" said Margery, carefully.

"Wait till I come home to-night, dear," said her father, "and I'll tell you."

That evening Margery was waiting eagerly for him. When her father finished his supper they went together to the garden, and father examined the seedlings carefully. Then he pulled up a little radish plant and a tiny beet.

"These little leaves," he said, "are not the real leaves of the plant; they are only little pockets to hold food for the plant to live on till it gets strong enough to push up into the air. As soon as the real leaves come out and begin to draw food from the air, these little substitutes wither up and fall off. These two lie folded up in the little seed from the beginning, and are full of plant food. They don't have to be very special in shape, you see, because they don't stay on the plant after it is grown up."

"Then every plant looks like this at first?" said Margery.

"No, dear, not every one; plants are divided into two kinds: those which have two food leaves, like these plants, and those which have only one; these are called dicotyledonous, and the ones which have but one food leaf are monocotyledonous. Many of the dicotyledons look alike."

"I think that is interesting," said Margery.

"I always, supposed the plants were different from the minute they began to grow."

"Indeed, no," said father. "Even some of the trees look like this when they first come through; you would not think a birch tree could look like a vegetable or a flower, would you? But it does, at first; it looks so much like these things that in the great nurseries, where trees are raised for forests and parks, the workmen have to be very carefully trained, or else they would pull up the trees when they are weeding. They have to be taught the difference between a birch tree and a weed."

"How funny!" said Margery, dimpling.

"Yes, it sounds funny," said father; "but, you see, the birch tree is dicotyledonous, and so are many weeds, and the dicotyledons look so much alike at first."

"I am glad to know that, father," said Margery, soberly. "I believe I shall learn a good deal from living in the country; don't you think so?"

Margery's father took her in his arms. "I hope so, dear," he said; "the country is a good place for little girls."

And that was all that happened, that day.



THE TALKATIVE TORTOISE[27]

Once upon a time, a Tortoise lived in a pond with two Ducks, who were her very good friends. She enjoyed the company of the Ducks, because she could talk with them to her heart's content; the Tortoise liked to talk. She always had something to say, and she liked to hear herself say it.

After many years of this pleasant living, the pond became very low, in a dry season; and finally it dried up. The two Ducks saw that they could no longer live there, so they decided to fly to another region, where there was more water. They went to the Tortoise to bid her good-bye.

"Oh, don't leave me behind!" begged the Tortoise. "Take me with you; I must die if I am left here."

"But you cannot fly!" said the Ducks. "How can we take you with us?"

"Take me with you! take me with you!" said the Tortoise.

The Ducks felt so sorry for her that at last they thought of a way to take her. "We have thought of a way which will be possible," they said, "if only you can manage to keep still long enough. We will each take hold of one end of a stout stick, and do you take the middle in your mouth; then we will fly up in the air with you and carry you with us. But remember not to talk! If you open your mouth, you are lost."

The Tortoise said she would not say a word; she would not so much as move her mouth; and she was very grateful. So the Ducks brought a strong little stick and took hold of the ends, while the Tortoise bit firmly on the middle. Then the two Ducks rose slowly in the air and flew away with their burden.

When they were above the treetops, the Tortoise wanted to say, "How high we are!" But she remembered, and kept still. When they passed the church steeple she wanted to say, "What is that which shines?" But she remembered, and held her peace. Then they came over the village square, and the people looked up and saw them. "Look at the Ducks carrying a Tortoise!" they shouted; and every one ran to look. The Tortoise wanted to say, "What business is it of yours?" But she didn't. Then she heard the people shout, "Isn't it strange! Look at it! Look!"

The Tortoise forgot everything except that she wanted to say, "Hush, you foolish people!" She opened her mouth,—and fell to the ground. And that was the end of the Tortoise.

It is a very good thing to be able to hold one's tongue!

FOOTNOTES:

[27] Very freely adapted from one of the Fables of Bidpai.



ROBERT OF SICILY[28]

An old legend says that there was once a king named Robert of Sicily, who was brother to the Great Pope of Rome and to the Emperor of Allemaine. He was a very selfish king, and very proud; he cared more for his pleasures than for the needs of his people, and his heart was so filled with his own greatness that he had no thought for God.

One day, this proud king was sitting in his place at church, at vesper service; his courtiers were about him, in their bright garments, and he himself was dressed in his royal robes. The choir was chanting the Latin service, and as the beautiful voices swelled louder, the king noticed one particular verse which seemed to be repeated again and again. He turned to a learned clerk at his side and asked what those words meant, for he knew no Latin.

"They mean, 'He hath put down the mighty from their seats, and hath exalted them of low degree,'" answered the clerk.

"It is well the words are in Latin, then," said the king angrily, "for they are a lie. There is no power on earth or in heaven which can put me down from my seat!" and he sneered at the beautiful singing, as he leaned back in his place.

Presently the king fell asleep, while the service went on. He slept deeply and long. When he awoke the church was dark and still, and he was all alone. He, the king, had been left alone in the church, to awake in the dark! He was furious with rage and surprise, and, stumbling through the dim aisles, he reached the great doors and beat at them, madly, shouting for his servants.

The old sexton heard some one shouting and pounding in the church, and thought it was some drunken vagabond who had stolen in during the service. He came to the door with his keys and called out, "Who is there?"

"Open! open! It is I, the king!" came a hoarse, angry voice from within.

"It is a crazy man," thought the sexton; and he was frightened. He opened the doors carefully and stood back, peering into the darkness. Out past him rushed the figure of a man in tattered, scanty clothes, with unkempt hair and white, wild face. The sexton did not know that he had ever seen him before, but he looked long after him, wondering at his wildness and his haste.

In his fluttering rags, without hat or cloak, not knowing what strange thing had happened to him, King Robert rushed to his palace gates, pushed aside the startled servants, and hurried, blind with rage, up the wide stair and through the great corridors, toward the room where he could hear the sound of his courtiers' voices. Men and women servants tried to stop the ragged man, who had somehow got into the palace, but Robert did not even see them as he fled along. Straight to the open doors of the big banquet hall he made his way, and into the midst of the grand feast there.

The great hall was filled with lights and flowers; the tables were set with everything that is delicate and rich to eat; the courtiers, in their gay clothes, were laughing and talking; and at the head of the feast, on the king's own throne, sat a king. His face, his figure, his voice were exactly like Robert of Sicily; no human being could have told the difference; no one dreamed that he was not the king. He was dressed in the king's royal robes, he wore the royal crown, and on his hand was the king's own ring. Robert of Sicily, half naked, ragged, without a sign of his kingship on him, stood before the throne and stared with fury at this figure of himself.

The king on the throne looked at him. "Who art thou, and what dost thou here?" he asked. And though his voice was just like Robert's own, it had something in it sweet and deep, like the sound of bells.

"I am the king!" cried Robert of Sicily. "I am the king, and you are an impostor!"

The courtiers started from their seats, and drew their swords. They would have killed the crazy man who insulted their king; but he raised his hand and stopped them, and with his eyes looking into Robert's eyes he said, "Not the king; you shall be the king's jester! You shall wear the cap and bells, and make laughter for my court. You shall be the servant of the servants, and your companion shall, be the jester's ape."

With shouts of laughter, the courtiers drove Robert of Sicily from the banquet hall; the waiting-men, with laughter, too, pushed him into the soldiers' hall; and there the pages brought the jester's wretched ape, and put a fool's cap and bells on Robert's head. It was like a terrible dream; he could not believe it true, he could not understand what had happened to him. And when he woke next morning, he believed it was a dream, and that he was king again. But as he turned his head, he felt the coarse straw under his cheek instead of the soft pillow, and he saw that he was in the stable, with the shivering ape by his side. Robert of Sicily was a jester, and no one knew him for the king.

Three long years passed. Sicily was happy and all things went well under the king, who was not Robert. Robert was still the jester, and his heart grew harder and more bitter with every year. Many times, during the three years, the king, who had his face and voice, had called him to himself, when none else could hear, and had asked him the one question, "Who art thou?" And each time that he asked it his eyes looked into Robert's eyes, to find his heart. But each time Robert threw back his head and answered, proudly, "I am the king!" And the other king's eyes grew sad and stern.

At the end of three years, the Pope called the Emperor of Allemaine and the King of Sicily, his brothers, to a great meeting in his city of Rome. The King of Sicily went, with all his soldiers and courtiers and servants,—a great procession of horsemen and footmen. Never had there been seen a finer sight than the grand train, men in bright armour, riders in wonderful cloaks of velvet and silk, servants, carrying marvellous presents to the Pope. And at the very end rode Robert, the jester. His horse was poor and old, many-coloured, and the ape rode with him. Every one in the villages through which they passed ran after the jester, and pointed and laughed.

The Pope received his brothers and their trains in the square before Saint Peter's. With music and flags and flowers he made the King of Sicily welcome, and greeted him as his brother. In the midst of it, the jester broke through the crowd and threw himself before the Pope. "Look at me!" he cried; "I am your brother, Robert of Sicily! This man is an impostor, who has stolen my throne. I am Robert, the king!"

The Pope looked at the poor jester with pity, but the Emperor of Allemaine turned to the King of Sicily, and said, "Is it not rather dangerous, brother, to keep a madman as jester?" And again Robert was pushed back among the serving-men.

It was Holy Week, and the king and the emperor, with all their trains, went every day to the great services in the cathedral. Something wonderful and holy seemed to make these services more beautiful than ever before. All the people of Rome felt it: it was as if the presence of an angel were there. Men thought of God, and felt His blessing on them. But no one knew who it was that brought the beautiful feeling. And when Easter Day came, never had there been so lovely, so holy a day: in the great churches, filled with flowers, and sweet with incense, the kneeling people listened to the choirs singing, and it was like the voices of angels; their prayers were more earnest than ever before, their praise more glad; there was something heavenly in Rome.

Robert of Sicily went to the services with the rest, and sat in the humblest place with the servants. Over and over again he heard the sweet voices of the choirs chant the Latin words he had heard long ago: He hath put down the mighty from their seat, and hath exalted them of low degree. And at last, as he listened, his heart was softened. He, too, felt the strange blessed presence of a heavenly power. He thought of God, and of his own wickedness; he remembered how selfish he had been, and how little good he had done; he realised, that his power had not been from himself, at all. On Easter night, as he crept to his bed of straw, he wept, not because he was so wretched, but because he had not been a better king when power was his.

At last all the festivities were over, and the King of Sicily went home to his own land again, with his people. Robert the jester came home too.

On the day of their home-coming, there was a special service in the royal church, and even after the service was over for the people, the monks held prayers of thanksgiving and praise. The sound of their singing came softly in at the palace windows. In the great banquet room, the king sat, wearing his royal robes and his crown, while many subjects came to greet him. At last, he sent them all away, saying he wanted to be alone; but he commanded the jester to stay. And when they were alone together the king looked into Robert's eyes, as he had done before, and said, softly, "Who art thou?"

Robert of Sicily bowed his head. "Thou knowest best," he said, "I only know that I have sinned."

As he spoke, he heard the voices of the monks singing, He hath put down the mighty from their seat,—and his head sank lower. But suddenly the music seemed to change; a wonderful light shone all about. As Robert raised his eyes, he saw the face of the king smiling at him with a radiance like nothing on earth, and as he sank to his knees before the glory of that smile, a voice sounded with the music, like a melody throbbing on a single string,—

"I am an angel, and thou art the king!"

Then Robert of Sicily was alone. His royal robes were upon him once more; he wore his crown and his royal ring. He was king. And when the courtiers came back they found their king kneeling by his throne, absorbed in silent prayer.

FOOTNOTES:

[28] Adapted from Longfellow's poem.



THE JEALOUS COURTIERS[29]

I wonder if you have ever heard the anecdote about the artist of Duesseldorf and the jealous courtiers. This is it. It seems there was once a very famous artist who lived in the little town of Duesseldorf. He did such fine work that the Elector, Prince Johann Wilhelm, ordered a portrait statue of himself, on horseback, to be done in bronze. The artist was overjoyed at the commission, and worked early and late at the statue.

At last the work was done, and the artist had the great statue set up in the public square of Duesseldorf, ready for the opening view. The Elector came on the appointed day, and with him came his favourite courtiers from the castle. Then the statue was unveiled. It was very beautiful,—so beautiful that the prince exclaimed in surprise. He could not look enough, and presently he turned to the artist and shook hands with him, like an old friend. "Herr Grupello," he said, "you are a great artist, and this statue will make your fame even greater than it is; the portrait of me is perfect!"

When the courtiers heard this, and saw the friendly hand-shake, their jealousy of the artist was beyond bounds. Their one thought was, how could they safely do something to humiliate him. They dared not pick flaws in the portrait statue, for the prince had declared it perfect. But at last one of them said, with an air of great frankness, "Indeed, Herr Grupello, the portrait of his Royal Highness is perfect; but permit me to say that the statue of the horse is not quite so successful: the head is too large; it is out of proportion."

"No," said another, "the horse is really not so successful; the turn of the neck, there, is awkward."

"If you would change the right hind-foot, Herr Grupello," said a third, "it would be an improvement."

Still another found fault with the horse's tail.

The artist listened, quietly. When they had all finished, he turned to the prince and said, "Your courtiers, prince, find a good many flaws in the statue of the horse; will you permit me to keep it a few days more, to do what I can with it?"

The Elector assented, and the artist ordered a temporary screen to be built around the statue, so that his assistants could work undisturbed. For several days the sound of hammering came steadily from behind the enclosure. The courtiers, who took care to pass that way, often, were delighted. Each one said to himself, "I must have been right, really; the artist himself sees that something was wrong; now I shall have credit for saving the prince's portrait by my artistic taste!"

Once more the artist summoned the prince and his courtiers, and once more the statue was unveiled. Again the Elector exclaimed at its beauty, and then he turned to his courtiers, one after another, to see what they had to say.

"Perfect!" said the first. "Now that the horse's head is in proportion, there is not a flaw."

"The change in the neck was just what was needed," said the second; "it is very graceful now."

"The rear right foot is as it should be, now," said a third, "and it adds so much to the beauty of the whole!"

The fourth said that he considered the tail greatly improved.

"My courtiers are much pleased now," said the prince to Herr Grupello; "they think the statue much improved by the changes you have made."

Herr Grupello smiled a little. "I am glad they are pleased," he said, "but the fact is, I have changed nothing!"

"What do you mean?" said the prince in surprise. "Have we not heard the sound of hammering every day? What were you hammering at then?"

"I was hammering at the reputation of your courtiers, who found fault simply because they were jealous," said the artist. "And I rather think that their reputation is pretty well hammered to pieces!"

It was, indeed. The Elector laughed heartily, but the courtiers slunk away, one after another, without a word.

FOOTNOTES:

[29] Adapted from H.A. Guerber's Maerchen und Erzaehlungen (D.C. Heath & Co.).



PRINCE CHERRY[30]

There was once an old king, so wise and kind and true that the most powerful good fairy of his land visited him and asked him to name the dearest wish of his heart, that she might grant it.

"Surely you know it," said the good king; "it is for my only son, Prince Cherry; do for him whatever you would have done for me."

"Gladly," said the great fairy; "choose what I shall give him. I can make him the richest, the most beautiful, or the most powerful prince in the world; choose."

"None of those things are what I want," said the king. "I want only that he shall be good. Of what use will it be to him to be beautiful, rich, or powerful, if he grows into a bad man? Make him the best prince in the world, I beg you!"

"Alas, I cannot make him good," said the fairy; "he must do that for himself. I can give him good advice, reprove him when he does wrong, and punish him if he will not punish himself; I can and will be his best friend, but I cannot make him good unless he wills it."

The king was sad to hear this, but he rejoiced in the friendship of the fairy for his son. And when he died, soon after, he was happy to know that he left Prince Cherry in her hands.

Prince Cherry grieved for his father, and often lay awake at night, thinking of him. One night, when he was all alone in his room, a soft and lovely light suddenly shone before him, and a beautiful vision stood at his side. It was the good fairy. She was clad in robes of dazzling white, and on her shining hair she wore a wreath of white roses.

"I am the Fairy Candide," she said to the prince. "I promised your father that I would be your best friend, and as long as you live I shall watch over your happiness. I have brought you a gift; it is not wonderful to look at, but it has a wonderful power for your welfare; wear it, and let it help you."

As she spoke, she placed a small gold ring on the prince's little finger. "This ring," she said, "will help you to be good; when you do evil, it will prick you, to remind you. If you do not heed its warnings a worse thing will happen to you, for I shall become your enemy." Then she vanished.

Prince Cherry wore his ring, and said nothing to anyone of the fairy's gift. It did not prick him for a long time, because he was good and merry and happy. But Prince Cherry had been rather spoiled by his nurse when he was a child; she had always said to him that when he should become king he could do exactly as he pleased. Now, after a while, he began to find out that this was not true, and it made him angry.

The first time that he noticed that even a king could not always have his own way was on a day when he went hunting. It happened that he got no game. This put him in such a bad temper that he grumbled and scolded all the way home. The little gold ring began to feel tight and uncomfortable. When he reached the palace his pet dog ran to meet him.

"Go away!" said the prince, crossly.

But the little dog was so used to being petted that he only jumped up on his master, and tried to kiss his hand. The prince turned and kicked the little creature. At the instant, he felt a sharp prick in his little finger, like a pin prick.

"What nonsense!" said the prince to himself. "Am I not king of the whole land? May I not kick my own dog, if I choose? What evil is there in that?"

A silver voice spoke in his ear: "The king of the land has a right to do good, but not evil; you have been guilty of bad temper and of cruelty to-day; see that you do better to-morrow."

The prince turned sharply, but no one was to be seen; yet he recognised the voice as that of Fairy Candide.

He followed her advice for a little, but presently he forgot, and the ring pricked him so sharply that his finger had a drop of blood on it. This happened again and again, for the prince grew more self-willed and headstrong every day; he had some bad friends, too, who urged him on, in the hope that he would ruin himself and give them a chance to seize the throne. He treated his people carelessly and his servants cruelly, and everything he wanted he felt that he must have.

The ring annoyed him terribly; it was embarrassing for a king to have a drop of blood on his finger all the time! At last he took the ring off and put it out of sight. Then he thought he should be perfectly happy, having his own way; but instead, he grew more unhappy as he grew less good. Whenever he was crossed, or could not have his own way instantly, he flew into a passion.

Finally, he wanted something that he really could not have. This time it was a most beautiful young girl, named Zelia; the prince saw her, and loved her so much that he wanted at once to make her his queen. To his great astonishment, she refused.

"Am I not pleasing to you?" asked the prince in surprise.

"You are very handsome, very charming, prince," said Zelia; "but you are not like the good king, your father; I fear you would make me very miserable if I were your queen."

In a great rage, Prince Cherry ordered the young girl to be put in prison; and the key of her dungeon he kept. He told one of his friends, a wicked man who flattered him for his own purposes, about the thing, and asked his advice.

"Are you not king?" said the bad friend. "May you not do as you will? Keep the girl in a dungeon till she does as you command, and if she will not, sell her as a slave."

"But would it not be a disgrace for me to harm an innocent creature?" said the prince.

"It would be a disgrace to you to have it said that one of your subjects dared disobey you!" said the courtier.

He had cleverly touched the prince's worst trait, his pride. Prince Cherry went at once to Zelia's dungeon, prepared to do this cruel thing.

Zelia was gone. No one had the key save the prince himself; yet she was gone. The only person who could have dared to help her, thought the prince, was his old tutor, Suliman, the only man left who ever rebuked him for anything. In fury, he ordered Suliman to be put in fetters and brought before him.

As his servants left him, to carry out the wicked order, there was a clash, as of thunder, in the room, and then a blinding light. Fairy Candide stood before him. Her beautiful face was stern, and her silver voice rang like a trumpet, as she said, "Wicked and selfish prince, you have become baser than the beasts you hunt; you are furious as a lion, revengeful as a serpent, greedy as a wolf, and brutal as a bull; take, therefore, the shape of those beasts whom you resemble!"

With horror, the prince felt himself being transformed into a monster. He tried to rush upon the fairy and kill her, but she had vanished with her words. As he stood, her voice came from the air, saying, sadly, "Learn to conquer your pride by being in submission to your own subjects." At the same moment, Prince Cherry felt himself being transported to a distant forest, where he was set down by a clear stream. In the water he saw his own terrible image; he had the head of a lion, with bull's horns, the feet of a wolf, and a tail like a serpent. And as he gazed in horror, the fairy's voice whispered, "Your soul has become more ugly than your shape is; you yourself have deformed it."

The poor beast rushed away from the sound of her words, but in a moment he stumbled into a trap, set by bear-catchers. When the trappers found him they were delighted to have caught a curiosity, and they immediately dragged him to the palace courtyard. There he heard the whole court buzzing with gossip. Prince Cherry had been struck by lightning and killed, was the news, and the five favourite courtiers had struggled to make themselves rulers, but the people had refused them, and offered the crown to Suliman, the good old tutor.

Even as he heard this, the prince saw Suliman on the steps of the palace, speaking to the people. "I will take the crown to keep in trust," he said. "Perhaps the prince is not dead."

"He was a bad king; we do not want him back," said the people.

"I know his heart," said Suliman, "it is not all bad; it is tainted, but not corrupt; perhaps he will repent and come back to us a good king."

When the beast heard this, it touched him so much that he stopped tearing at his chains, and became gentle. He let his keepers lead him away to the royal menagerie without hurting them.

Life was very terrible to the prince, now, but he began to see that he had brought all his sorrow on himself, and he tried to bear it patiently. The worst to bear was the cruelty of the keeper. At last, one night, this keeper was in great danger; a tiger got loose, and attacked him. "Good enough! Let him die!" thought Prince Cherry. But when he saw how helpless the keeper was, he repented, and sprang to help. He killed the tiger and saved the keeper's life.

As he crouched at the keeper's feet, a voice said, "Good actions never go unrewarded!" And the terrible monster was changed into a pretty little white dog.

The keeper carried the beautiful little dog to the court and told the story, and from then on, Cherry was carefully treated, and had the best of everything. But in order to keep the little dog from growing, the queen ordered that he should be fed very little, and that was pretty hard for the poor prince. He was often half starved, although so much petted.

One day he had carried his crust of bread to a retired spot in the palace woods, where he loved to be, when he saw a poor old woman hunting for roots, and seeming almost starved.

"Poor thing," he thought, "she is even more hungry than I"; and he ran up and dropped the crust at her feet.

The woman ate it, and seemed greatly refreshed.

Cherry was glad of that, and he was running happily back to his kennel when he heard cries of distress, and suddenly he saw some rough men dragging along a young girl, who was weeping and crying for help. What was his horror to see that the young girl was Zelia! Oh, how he wished he were the monster once more, so that he could kill the men and rescue her! But he could do nothing except bark, and bite at the heels of the wicked men. That did not stop them; they drove him off, with blows, and carried Zelia into a palace in the wood.

Poor Cherry crouched by the steps, and watched. His heart was full of pity and rage. But suddenly he thought, "I was as bad as these men; I myself put Zelia in prison, and would have treated her worse still, if I had not been prevented." The thought made him so sorry and ashamed that he repented bitterly the evil he had done.

Presently a window opened, and Cherry saw Zelia lean out and throw down a piece of meat. He seized it and was just going to devour it, when the old woman to whom he had given his crust snatched it away and took him in her arms. "No, you shall not eat it, you poor little thing," she said, "for every bit of food in that house is poisoned."

At the same moment, a voice said, "Good actions never go unrewarded!" And instantly Prince Cherry was transformed into a little white dove.

With great joy, he flew to the open palace window to seek out his Zelia, to try to help her. But though he hunted in every room, no Zelia was to be found. He had to fly away, without seeing her. He wanted more than anything else to find her, and stay near her, so he flew out into the world, to seek her.

He sought her in many lands, until one day, in a far eastern country, he found her sitting in a tent, by the side of an old, white-haired hermit. Cherry was wild with delight. He flew to her shoulder, caressed her hair with his beak, and cooed in her ear.

"You dear, lovely little thing!" said Zelia. "Will you stay with me? If you will, I will love you always."

"Ah, Zelia, see what you have done!" laughed the hermit. At that instant, the white dove vanished, and Prince Cherry stood there, as handsome and charming as ever, and with a look of kindness and modesty in his eyes which had never been there before. At the same time, the hermit stood up, his flowing hair changed to shining gold, and his face became a lovely woman's face; it was the Fairy Candide. "Zelia has broken your spell," she said to the prince, "as I meant she should, when you were worthy of her love."

Zelia and Prince Cherry fell at the fairy's feet. But with a beautiful smile she bade them come to their kingdom. In a trice, they were transported to the prince's palace, where King Suliman greeted them with tears of joy. He gave back the throne with all his heart, and King Cherry ruled again, with Zelia for his queen.

He wore the little gold ring all the rest of his life, but never once did it have to prick him hard enough to make his finger bleed.

FOOTNOTES:

[30] A shortened version of the familiar tale.



THE GOLD IN THE ORCHARD[31]

There was once a farmer who had a fine olive orchard. He was very industrious, and the farm always prospered under his care. But he knew that his three sons despised the farm work, and were eager to make wealth fast, through adventure.

When the farmer was old, and felt that his time had come to die, he called the three sons to him and said, "My sons, there is a pot of gold hidden in the olive orchard. Dig for it, if you wish it."

The sons tried to get him to tell them in what part of the orchard the gold was hidden; but he would tell them nothing more.

After the farmer was dead, the sons went to work to find the pot of gold; since they did not know where the hiding-place was, they agreed to begin in a line, at one end of the orchard, and to dig until one of them should find the money.

They dug until they had turned up the soil from one end of the orchard to the other, round the tree-roots and between them. But no pot of gold was to be found. It seemed as if some one must have stolen it, or as if the farmer had been wandering in his wits. The three sons were bitterly disappointed to have all their work for nothing.

The next olive season, the olive trees in the orchard bore more fruit than they had ever given before; the fine cultivating they had had from the digging brought so much fruit, and of so fine a quality, that when it was sold it gave the sons a whole pot of gold!

And when they saw how much money had come from the orchard, they suddenly understood what the wise father had meant when he said, "There is gold hidden in the orchard; dig for it."

FOOTNOTES:

[31] An Italian folk tale.



MARGARET OF NEW ORLEANS

If you ever go to the beautiful city of New Orleans, somebody will be sure to take you down into the old business part of the city, where there are banks and shops and hotels, and show you a statue which stands in a little square there. It is the statue of a woman, sitting in a low chair, with her arms around a child, who leans against her. The woman is not at all pretty: she wears thick, common shoes, a plain dress, with a little shawl, and a sun-bonnet; she is stout and short, and her face is a square-chinned Irish face; but her eyes look at you like your mother's.

Now there is something very surprising about this statue: it was the first one that was ever made in America in honour of a woman. Even in Europe there are not many monuments to women, and most of the few are to great queens or princesses, very beautiful and very richly dressed. You see, this statue in New Orleans is not quite like anything else.

It is the statue of a woman named Margaret. Her whole name was Margaret Haughery, but no one in New Orleans remembers her by it, any more than you think of your dearest sister by her full name; she is just Margaret. This is her story, and it tells why people made a monument for her.

When Margaret was a tiny baby, her father and mother died, and she was adopted by two young people as poor and as kind as her own parents. She lived with them until she grew up. Then she married, and had a little baby of her own. But very soon her husband died, and then the baby died, too, and Margaret was all alone in the world. She was poor, but she was strong, and knew how to work.

All day, from morning until evening, she ironed clothes in a laundry. And every day, as she worked by the window, she saw the little motherless children from the orphan asylum, near by, working and playing about. After a while, there came a great sickness upon the city, and so many mothers and fathers died that there were more orphans than the asylum could possibly take care of. They needed a good friend, now. You would hardly think, would you, that a poor woman who worked in a laundry could be much of a friend to them? But Margaret was. She went straight to the kind Sisters who had the asylum and told them she was going to give them part of her wages and was going to work for them, besides. Pretty soon she had worked so hard that she had some money saved from her wages. With this, she bought two cows and a little delivery cart. Then she carried her milk to her customers in the little cart every morning; and as she went, she begged the pieces of food left over from the hotels and rich houses, and brought it back in the cart to the hungry children in the asylum. In the very hardest times that was often all the food the poor children had.

A part of the money Margaret earned went every week to the asylum, and after a few years that was made very much larger and better. Margaret was so careful and so good at business that, in spite of her giving, she bought more cows and earned more money. With this, she built a home for orphan babies; she called it her baby house.

After a time, Margaret had a chance to get a bakery, and then she became a bread-woman instead of a milk-woman. She carried the bread just as she had carried the milk, in her cart. And still she kept giving money to the asylum. Then the great war came, the Civil War. In all the trouble and sickness and fear of that time, Margaret drove her cart of bread; and somehow she had always enough to give the starving soldiers, and for her babies, beside what she sold. And despite all this, she earned enough so that when the war was over she built a big steam factory for her bread. By this time everybody in the city knew her. The children all over the city loved her; the business men were proud of her; the poor people all came to her for advice. She used to sit at the open door of her office, in a calico gown and a little shawl, and give a good word to everybody, rich or poor.

Then, by and by, one day, Margaret died. And when it was time to read her will, the people found that, with all her giving, she had still saved a great deal of money, and that she had left every penny of it to the different orphan asylums of the city,—each one of them was given something. Whether they were for white children or black, for Jews, Catholics, or Protestants, made no difference; for Margaret always said, "They are all orphans alike." And just think, dears, that splendid, wise will was signed with a cross instead of a name, for Margaret had never learned to read or write!

When the people of New Orleans knew that Margaret was dead, they said, "She was a mother to the motherless; she was a friend to those who had no friends; she had wisdom greater than schools can teach; we will not let her memory go from us." So they made a statue of her, just as she used to look, sitting in her own office door, or driving in her own little cart. And there it stands to-day, in memory of the great love and the great power of plain Margaret Haughery, of New Orleans.



THE DAGDA'S HARP

You know, dears, in the old countries there are many fine stories about things which happened so very long ago that nobody knows exactly how much of them is true. Ireland is like that. It is so old that even as long ago as four thousand years it had people who dug in the mines, and knew how to weave cloth and to make beautiful ornaments out of gold, and who could fight and make laws; but we do not know just where they came from, nor exactly how they lived. These people left us some splendid stories about their kings, their fights, and their beautiful women; but it all happened such a long time ago that the stories are mixtures of things that really happened and what people said about them, and we don't know just which is which. The stories are called legends. One of the prettiest legends is the story I am going to tell you about the Dagda's harp.

It is said that there were two quite different kinds of people in Ireland: one set of people with long dark hair and dark eyes, called Fomorians—they carried long slender spears made of golden bronze when they fought—and another race of people who were golden-haired and blue-eyed, and who carried short, blunt, heavy spears of dull metal.

The golden-haired people had a great chieftain who was also a kind of high priest, who was called the Dagda. And this Dagda had a wonderful magic harp. The harp was beautiful to look upon, mighty in size, made of rare wood, and ornamented with gold and jewels; and it had wonderful music in its strings, which only the Dagda could call out. When the men were going out to battle, the Dagda would set up his magic harp and sweep his hand across the strings, and a war song would ring out which would make every warrior buckle on his armour, brace his knees, and shout, "Forth to the fight!" Then, when the men came back from the battle, weary and wounded, the Dagda would take his harp and strike a few chords, and as the magic music stole out upon the air, every man forgot his weariness and the smart of his wounds, and thought of the honour he had won, and of the comrade who had died beside him, and of the safety of his wife and children. Then the song would swell out louder, and every warrior would remember only the glory he had helped win for the king; and each man would rise at the great table, his cup in his hand, and shout "Long live the King!"

There came a time when the Fomorians and the golden-haired men were at war; and in the midst of a great battle, while the Dagda's hall was not so well guarded as usual, some of the chieftains of the Fomorians stole the great harp from the wall, where it hung, and fled away with it. Their wives and children and some few of their soldiers went with them, and they fled fast and far through the night, until they were a long way from the battlefield. Then they thought they were safe, and they turned aside into a vacant castle, by the road, and sat down to a banquet, hanging the stolen harp on the wall.

The Dagda, with two or three of his warriors, had followed hard on their track. And while they were in the midst of their banqueting, the door was suddenly burst open, and the Dagda stood there, with his men. Some of the Fomorians sprang to their feet, but before any of them could grasp a weapon, the Dagda called out to his harp on the wall, "Come to me, O my harp!"

The great harp recognised its master's voice, and leaped from the wall. Whirling through the hall, sweeping aside and killing the men who got in its way, it sprang to its master's hand. And the Dagda took his harp and swept his hand across the strings in three great, solemn chords. The harp answered with the magic Music of Tears. As the wailing harmony smote upon the air, the women of the Fomorians bowed their heads and wept bitterly, the strong men turned their faces aside, and the little children sobbed.

Again the Dagda touched the strings, and this time the magic Music of Mirth leaped from the harp. And when they heard that Music of Mirth, the young warriors of the Fomorians began to laugh; they laughed till the cups fell from their grasp, and the spears dropped from their hands, while the wine flowed from the broken bowls; they laughed until their limbs were helpless with excess of glee.

Once more the Dagda touched his harp, but very, very softly. And now a music stole forth as soft as dreams, and as sweet as joy: it was the magic Music of Sleep. When they heard that, gently, gently, the Fomorian women bowed their heads in slumber; the little children crept to their mothers' laps; the old men nodded; and the young warriors drooped in their seats and closed their eyes: one after another all the Fomorians sank into sleep.

When they were all deep in slumber, the Dagda took his magic harp, and he and his golden-haired warriors stole softly away, and came in safety to their own homes again.



THE TAILOR AND THE THREE BEASTS[32]

There was once a tailor in Galway, and he started out on a journey to go to the king's court at Dublin.

He had not gone far when he met a white horse, and he saluted him.

"God save you," said the tailor.

"God save you," said the horse. "Where are you going?"

"I am going to Dublin," said the tailor, "to build a court for the king and to get a lady for a wife, if I am able to do it." For, it seems the king had promised his daughter and a great lot of money to anyone who should be able to build up his court. The trouble was, that three giants lived in the wood near the court, and every night they came out of the wood and threw down all that was built by day. So nobody could get the court built.

"Would you make me a hole," said the old white garraun, "where I could go in to hide whenever the people come to fetch me to the mill or the kiln, so that they won't see me; for they tire me out doing work for them?"

"I'll do that, indeed," said the tailor, "and welcome."

He brought his spade and shovel, and he made a hole, and he asked the old white horse to go down into it so that he could see if it would fit him. The white horse went down into the hole, but when he tried to come up again, he was not able.

"Make a place for me now," said the white horse, "by which I can come up out of the hole here, whenever I am hungry."

"I will not," said the tailor; "remain where you are until I come back, and I'll lift you up."

The tailor went forward next day, and the fox met him.

"God save you," said the fox.

"God save you," said the tailor.

"Where are you going?" said the fox.

"I'm going to Dublin, to try to make a court for the king."

"Would you make a place for me where I can hide?" said the fox. "The rest of the foxes are always beating me, and they will not allow me to eat anything with them."

"I'll do that for you," said the tailor.

He took his axe and his saw, and he made a thing like a crate, and he told the fox to get into it so that he could see whether it would fit him. The fox went into it, and when the tailor had him down, he shut him in. When the fox was satisfied at last that he had a nice place of it within, he asked the tailor to let him out, and the tailor answered that he would not.

"Wait there until I come back again," said he.

The tailor went forward the next day, and he had not walked very far when he met a lion; and the lion greeted him.

"God save you," said the lion.

"God save you," said the tailor.

"Where are you going?" said the lion.

"I'm going to Dublin to make a court for the king if I am able to make it," said the tailor.

"If you were to make a plough for me," said the lion, "I and the other lions could be ploughing and harrowing until we'd have a bit to eat in the harvest."

"I'll do that for you," said the tailor.

He brought his axe and his saw, and he made a plough. When the plough was made he put a hole in the beam of it, and got the lion to go in under the plough so that he might see if he was any good as a ploughman. He placed the lion's tail in the hole he had made for it, and then clapped in a peg, and the lion was not able to draw out his tail again.

"Loose me now," said the lion, "and we'll fix ourselves and go ploughing."

The tailor said he would not loose him until he came back himself. He left him there then, and he came to Dublin.

When he arrived, he engaged workmen and began to build the court. At the end of the day he had the workmen put a great stone on top of the work. When the great stone was raised up, the tailor put some sort of contrivance under it, that he might be able to throw it down as soon as the giants came near to it. The workpeople then went home, and the tailor went in hiding behind the big stone.

When the darkness of the night was come, he saw the three giants arriving, and they began throwing down the court until they arrived at the place where the tailor was in hiding up above, and one of them struck a blow with his sledge on the place where he was. The tailor threw down the stone, and it fell on him and killed him. The other two went home then and left all of the court that was remaining without throwing it down, since their companion was dead.

The workmen came again the next day, and they were working until night, and as they were going home the tailor told them to put up the big stone on the top of the work, as it had been the night before. They did that for him, went home, and the tailor went in hiding the same as he did the evening before.

When the people had all gone to rest, the two giants came, and they were throwing down all that was before them, but as soon as they began, the tailor commenced manoeuvring until he was able to throw down the great stone, so that it fell upon the skull of the giant that was under him, and it killed him. After this there was only the one giant left, and he never came again until the court was finished.

Then when the work was over, the tailor went to the king and told him to give him his wife and his money, as he had the court finished; and the king said he would not give him any wife until he had killed the other giant, for he said that it was not by his strength he had killed the two giants before, and that he would give him nothing now until he killed the other one for him. Then the tailor said that he would kill the other giant for him, and welcome; that there should be no delay at all about that.

The tailor went then till he came to the place where the other giant was, and asked did he want a servant-boy. The giant said he did want one, if he could get one who would do everything that he would do himself.

"Anything that you will do, I will do," said the tailor.

They went to their dinner then, and when they had eaten it, the giant asked the tailor "would he dare to swallow as much boiling broth as himself." The tailor said, "I will certainly do that, but you must give me an hour before we commence." The tailor went out then, and he got a sheepskin, which he sewed up until he made a bag of it, and he slipped it down under his coat. He came in then and told the giant first to drink a gallon of the broth himself. The giant drank that up while it was boiling. "I'll do that," said the tailor. He went on until it was all poured into the skin, and the giant thought he had drunk it. The giant drank another gallon then, and the tailor let another gallon down into the skin, but the giant thought he was drinking it.

"I'll do a thing now that you will not dare to do," said the tailor.

"You will not," said the giant. "What is it you would do?"

"Make a hole and let out the broth again," said the tailor.

"Do it yourself first," said the giant.

The tailor gave a prod of the knife, and he let the broth out of the skin.

"Now you do that," said he.

"I will," said the giant, giving such a prod of the knife into his own stomach that he killed himself. That is the way the tailor killed the third giant.

He went to the king then, and desired him to send him out his wife and his money, saying that he would throw down the court again if he did not do so immediately. They were afraid then that he would throw down the court, and they sent the wife to him.

When the tailor was a day gone, himself and his wife, they repented and followed him to take his wife away from him again. The people who went after him followed him until they came to the place where the lion was, and the lion said to them, "The tailor and his wife were here yesterday. I saw them going by, and if you will loose me now, I am swifter than you, and I will follow them until I overtake them." When they heard that, they released the lion.

The lion and the people of Dublin went on, and pursued the tailor, until they came to the place where the fox was, and the fox greeted them, and said, "The tailor and his wife were here this morning, and if you will loose me, I am swifter than you, and I will follow them, and overtake them." They therefore set the fox free.

The lion and the fox and the army of Dublin went on then, trying to catch the tailor, and they kept going until they came to the place where the old white garraun was, and the old white garraun told them that the tailor and his wife were there in the morning, and "Loose me," said he; "I am swifter than you, and I'll overtake them." They released the old white garraun then, and the old white garraun, the fox, the lion, and the army of Dublin pursued the tailor and his wife, and it was not long before they came up with them.

When the tailor saw them coming, he got out of the coach with his wife, and he sat down on the ground.

When the old white garraun saw the tailor sitting on the ground, he said, "That's the position he was in when he made the hole for me, that I couldn't get out of, when I went down into it. I'll go no nearer to him."

"No!" said the fox, "but that's the way he was when he was making the thing for me, and I'll go no nearer to him."

"No!" says the lion, "but that's the very way he had, when he was making the plough that I was caught in. I'll go no nearer to him."

They all left him then and returned. The tailor and his wife came home to Galway.

FOOTNOTES:

[32] From Beside the Fire, Douglas Hyde (David Nutt).



HOW THE SEA BECAME SALT

This story was told long ago by our Northern forefathers who brought it with them in their dragon ships when they crossed the North Sea to settle in England. In those days men were apt to invent stories to account for things about them which seemed peculiar, and loving the sea as they did, it is not strange that they had remarked the peculiarity of the ocean water and had found a reason why it is so different from the water in the rivers and steams.

This is not the only story that has come down to tell us how people of old accounted for the sea being salt. There are many such stories, each different from the other, all showing that the same childlike spirit of inquiry was at work in different places, striving to find an answer to this riddle of nature.

* * * * *

There sprang from the sons of Odin a race of men who became mighty kings of the earth, and one of these, named Frode, ruled over the lands that are called Denmark.

Now about this time were found in Denmark two great millstones, so large that no one had the strength to turn them. So Frode sent for all the wise men of the land and bade them examine the stones and tell him of what use they were, since no one could grind with them.

And after the wise men had looked closely at them and read the magic letters which were cut upon their edge, they said that the millstones were precious indeed, since they would grind out of nothing anything that the miller might wish.

So King Frode sent messengers over the world to find for him two servants who would be strong enough to grind with the millstones, and after a long, long time his messengers found him two maid-servants, who were bigger and stronger than anyone in Denmark had ever seen. But no one guessed that these were really Giant-Maidens who bore a grudge against all of the race of Odin.

Directly the Giant-Maidens were brought before Frode, and before they had rested after their long journey, or satisfied their hunger, he bade them go to the mill, and grind for him gold and peace and happiness.

"They sang and swung The swift mill stone, And with loud voice They made their moan. 'We grind for Frode Wealth and gold Abundant riches He shall behold.'"

Presently Frode came into the mill to see that the new servants were performing their task diligently. And as he watched them from the shadow by the door, the maidens stayed their grinding for a while to rest.

The greedy man could not bear to see even an instant's pause, and he came out of the shadow, and bade them, with harsh words, go on grinding, and cease not except for so long as the cuckoo was silent, or while he himself sang a song. Now it was early summer-time, and the cuckoo was calling all the day and most of the night.

So the Giant-Maidens waxed very wroth with King Frode, and as they resumed their labours they sang a song of the hardness of their lot in the household of this pitiless King.

They had been grinding out wealth and happiness and peace, but now they bade the magic stones to grind something very different.

Presently, as the great stones moved round and round, Frode, who still stood by, heard one chant in a low, sing-song voice,—

"I see a fire east of the town—the curlews awake and sound a note of warning. A host approaches in haste, to burn the dwelling of the king."

And the next took up her song,—

"No longer will Frode sit on his throne, and rule over rings of red gold and mighty millstones. Now must we grind with all our might—and, behold! red warriors come forth—and revenge, and bloodshed, and ruin."

Then Frode shook from head to foot in his terror, for he heard the tramp of a mighty host of warriors advancing from the sea. And as he looked for a way of escape, the braces of the millstones broke with the strong grinding, and fell in two. And the whole world shook and trembled with the mighty shock of that breaking.

But through the crash and din came the voices of the Giant-Maidens, loudly chanting,—

"We have turned the stone round; Though weary the maidens, See what they have ground!"

And that same night a mighty sea-king came up and slew Frode and plundered his city.

When he had sacked the city, the sea-king took on board his ship the two Giant-Maidens, and with them the broken millstones. And he bade them begin at once to grind salt, for of this he had very scanty store.

So they ground and ground; and in the middle of the night, being weary, they asked the sea-king if he had not got salt enough.

But the sea-king was hard of heart, like Frode, and he roughly bade them go on grinding. And the maidens did so, and worked to such effect that within a short time the millstones had ground out so much salt that the weight of it began to sink the ship. Down, down it sank, ship and giants and millstones, and in that spot, in the very middle of the ocean, arose a whirlpool, from whence the salt is carried north and south, east and west, throughout the waters of the earth.

And that is how the sea became salt.



THE CASTLE OF FORTUNE[33]

One lovely summer morning, just as the sun rose, two travellers started on a journey. They were both strong young men, but one was a lazy fellow and the other was a worker.

As the first sunbeams came over the hills, they shone on a great castle standing on the heights, as far away as the eye could see. It was a wonderful and beautiful castle, all glistening towers that gleamed like marble, and glancing windows that shone like crystal. The two young men looked at it eagerly, and longed to go nearer.

Suddenly, out of the distance, something like a great butterfly, of white and gold, swept toward them. And when it came nearer, they saw that it was a most beautiful lady, robed in floating garments as fine as cobwebs and wearing on her head a crown so bright that no one could tell whether it was of diamonds or of dew. She stood, light as air, on a great, shining, golden ball, which rolled along with her, swifter than the wind. As she passed the travellers, she turned her face to them and smiled.

"Follow me!" she said.

The lazy man sat down in the grass with a discontented sigh. "She has an easy time of it!" he said.

But the industrious man ran after the lovely lady and caught the hem of her floating robe in his grasp. "Who are you, and whither are you going?" he asked.

"I am the Fairy of Fortune," the beautiful lady said, "and that is my castle. You may reach it to-day, if you will; there is time, if you waste none. If you reach it before the last stroke of midnight, I will receive you there, and will be your friend. But if you come one second after midnight, it will be too late."

When she had said this, her robe slipped from the traveller's hand and she was gone.

The industrious man hurried back to his friend, and told him what the fairy had said.

"The idea!" said the lazy, man, and he laughed; "of course, if we had a horse there would be some chance, but walk all that way? No, thank you!"

"Then good-bye," said his friend, "I am off." And he set out, down the road toward the shining castle, with a good steady stride, his eyes straight ahead.

The lazy man lay down in the soft grass, and looked rather wistfully at the far-away towers. "If only I had a good horse!" he sighed.

Just at that moment he felt something warm nosing about at his shoulder, and heard a little whinny. He turned round, and there stood a little horse! It was a dainty creature, gentle-looking, and finely built, and it was saddled and bridled.

"Hello!" said the lazy man. "Luck often comes when one isn't looking for it!" And in an instant he had leaped on the horse, and headed him for the castle of fortune. The little horse started at a fine pace, and in a very few minutes they overtook the other traveller, plodding along on foot.

"How do you like shank's pony?" laughed the lazy man, as he passed his friend.

The industrious man only nodded, and kept on with his steady stride, eyes straight ahead.

The horse kept his good pace, and by noon the towers of the castle stood out against the sky, much nearer and more beautiful. Exactly at noon, the horse turned aside from the road, into a shady grove on a hill, and stopped.

"Wise beast," said his rider: "'haste makes waste,' and all things are better in moderation. I'll follow your example, and eat and rest a bit." He dismounted and sat down in the cool moss, with his back against a tree. He had a lunch in his traveller's pouch, and he ate it comfortably. Then he felt drowsy from the heat and the early ride, so he pulled his hat over his eyes, and settled himself for a nap. "It will go all the better for a little rest," he said.

That was a sleep! He slept like the seven sleepers, and he dreamed the most beautiful things you could imagine. At last, he dreamed that he had entered the castle of fortune and was being received with great festivities. Everything he wanted was brought to him, and music played while fireworks were set off in his honour. The music was so loud that he awoke. He sat up, rubbing his eyes, and behold, the fireworks were the very last rays of the setting sun, and the music was the voice of the other traveller, passing the grove on foot!

"Time to be off," said the lazy man, and looked about him for the pretty horse. No horse was to be found. The only living thing near was an old, bony, grey donkey. The man called, and whistled, and looked, but no little horse appeared. After a long while he gave it up, and, since there was nothing better to do, he mounted the old grey donkey and set out again.

The donkey was slow, and he was hard to ride, but he was better than nothing; and gradually the lazy man saw the towers of the castle draw nearer.

Now it began to grow dark; in the castle windows the lights began to show. Then came trouble! Slower, and slower, went the grey donkey; slower, and slower, till, in the very middle of a pitch-black wood, he stopped and stood still. Not a step would he budge for all the coaxing and scolding and beating his rider could give. At last the rider kicked him, as well as beat him, and at that the donkey felt that he had had enough. Up went his hind heels, and down went his head, and over it went the lazy man on to the stony ground.

There he lay groaning for many minutes, for it was not a soft place, I can assure you. How he wished he were in a soft, warm bed, with his aching bones comfortable in blankets! The very thought of it made him remember the Castle of Fortune, for he knew there must be fine beds there. To get to those beds he was even willing to bestir his poor limbs, so he sat up and felt about him for the donkey.

No donkey was to be found.

The lazy man crept round and round the spot where he had fallen, scratched his hands on the stumps, tore his face in the briers, and bumped his knees on the stones. But no donkey was there. He would have laid down to sleep again, but he could hear now the howls of hungry wolves in the woods; that it did not sound pleasant. Finally, his hand struck against something that felt like a saddle. He grasped it, thankfully, and started to mount his donkey.

The beast he took hold of seemed very small, and, as he mounted, he felt that its sides were moist and slimy. It gave him a shudder, and he hesitated; but at that moment he heard a distant clock strike. It was striking eleven! There was still time to reach the castle of fortune, but no more than enough; so he mounted his new steed and rode on once more. The animal was easier to sit on than the donkey, and the saddle seemed remarkably high behind; it was good to lean against. But even the donkey was not so slow as this; the new steed was slower than he. After a while, however, he pushed his way out of the woods into the open, and there stood the castle, only a little way ahead! All its windows were ablaze with lights. A ray from them fell on the lazy man's beast, and he saw what he was riding: it was a gigantic snail! a snail as large as a calf!

A cold shudder ran over the lazy man's body, and he would have got off his horrid animal then and there, but just then the clock struck once more. It was the first of the long, slow strokes that mark midnight! The man grew frantic when he heard it. He drove his heels into the snail's sides, to make him hurry. Instantly, the snail drew in his head, curled up in his shell, and left the lazy man sitting in a heap on the ground!

The clock struck twice. If the man had run for it, he could still have reached the castle, but, instead, he sat still and shouted for a horse.

"A beast, a beast!" he wailed, "any kind of a beast that will take me to the castle!"

The clock struck three times. And as it struck the third note, something came rustling and rattling out of the darkness, something that sounded like a horse with harness. The lazy man jumped on its back, a very queer, low back. As he mounted, he saw the doors of the castle open, and saw his friend standing on the threshold, waving his cap and beckoning to him.

The clock struck four times, and the new steed began to stir; as it struck five, he moved a pace forward; as it struck six, he stopped; as it struck seven, he turned himself about; as it struck eight, he began to move backward, away from the castle!

The lazy man shouted, and beat him, but the beast went slowly backward. And the clock struck nine. The man tried to slide off, then, but from all sides of his strange animal great arms came reaching up and held him fast. And in the next ray of moonlight that broke the dark clouds, he saw that he was mounted on a monster crab!

One by one, the lights went out, in the castle windows. The clock struck ten. Backward went the crab. Eleven! Still the crab went backward. The clock struck twelve! Then the great doors shut with a clang, and the castle of fortune was closed for ever to the lazy man.

What became of him and his crab no one knows to this day, and no one cares. But the industrious man was received by the Fairy of Fortune, and made happy in the castle as long as he wanted to stay. And ever afterward she was his friend, helping him not only to happiness for himself, but also showing him how to help others, wherever he went.

FOOTNOTES:

[33] Adapted from the German of Der Faule und der Fleissige, by Robert Reinick.



DAVID AND GOLIATH[34]

A long time ago, there was a boy named David, who lived in a country in the Far East. He was good to look upon, for he had fair hair and a ruddy skin; and he was very strong and brave and modest. He was shepherd-boy for his father, and all day—often all night—he was out in the fields, far from home, watching over the sheep. He had to guard them from wild animals, and lead them to the right pastures, and care for them.

By and by, war broke out between the people of David's country and a people that lived near at hand; these men were called Philistines, and the people of David's country were named Israelites. All the strong men of Israel went up to the battle, to fight for their king. David's three older brothers went, but he was only a boy, so he was left behind to care for the sheep.

After the brothers had been gone some time, David's father longed very much to hear from them, and to know if they were safe; so he sent for David, from the fields, and said to him, "Take now for thy brothers an ephah of this parched corn, and these ten loaves, and run to the camp, where thy brothers are; and carry these ten cheeses to the captain of their thousand, and see how thy brothers fare, and bring me word again." (An ephah is about three pecks.)

David rose early in the morning, and left the sheep with a keeper, and took the corn and the loaves and the cheeses, as his father had commanded him, and went to the camp of the Israelites.

The camp stood on a mountain on the one side, and the Philistines stood on a mountain on the other side; and there was a valley between. David came to the place where the Israelites were, just as the host was going forth to the fight, shouting for the battle. So he left his gifts in the hands of the keeper of the baggage, and ran into the army, amongst the soldiers, to find his brothers. When he found them, he saluted them and began to talk with them.

But while he was asking them the questions his father had commanded, there arose a great shouting and tumult among the Israelites, and men came running back from the front line of battle; everything became confusion. David looked to see what the trouble was, and he saw a strange sight: down the slope of the opposite mountain came striding a Philistine warrior, calling out something in a taunting voice; he was a gigantic man, the largest David had ever seen, and he was covered with armour, that shone in the sun: he had a helmet of brass upon his head, and he was armed with a coat of mail, and he had greaves of brass upon his legs, and a target of brass between his shoulders; his spear was so tremendous that the staff of it was like a weaver's beam, and his shield so great that a man went before him, to carry it.

"Who is that?" asked David.

"It is Goliath, of Gath, champion of the Philistines," said the soldiers about. "Every day, for forty days, he has come forth, so, and challenged us to send a man against him, in single combat; and since no one dares to go out against him alone, the armies cannot fight." (That was one of the laws of warfare in those times.)