"You talk like one upon the verge of it, who hears the beating of Death's wings. It frightens me, Stella."

"I know nothing of that; it may be to-night, or fifty years hence—we are always on the verge, and those Wings I have heard from childhood. Fifty, even seventy years, and after them—all the Infinite; one tiny grain of sand compared to the bed of the great sea, that sea from which it was washed at dawn to be blown back again at nightfall."

"But the dead forget—in that land all things are forgotten. Were you to die I should call to you and you would not answer; and when my time came, I might look for you and never find you."

"How dare you say it? If I die, search, and you shall see. No; do not search, wait. At your death I will be with you."

"Whatever happens in life or death—here or hereafter—swear that you will not forget me, and that you will love me only. Swear it, Stella."

"Come to this altar," she said, when she had thought a moment, "and give me your hand—so. Now, before my Maker and the Presences who surround us, I marry you, Morris Monk. Not in the flesh—with your flesh I have nothing to do—but in the spirit. I take your soul to mine, I give my soul to yours; yours it was from its birth's day, yours it is, and when it ceases to be yours, let it perish everlastingly."

"So be it to both of us, for ever and for ever," he answered.

This, then, was their marriage, and as they walked hand in hand away from the ancient altar, which surely had never seen so strange a rite, there returned to Morris an idle fantasy which had entered his mind at this very spot when they landed one morning half-frozen after that night in the open boat. But he said nothing of it; for with the memory came a recollection of certain wandering words which that same day fell from Stella's lips, words at the thought of which his spirit thrilled and his flesh shuddered. What if she were near it, or he were near it, or both of them? What if this solemn ceremony of marriage mocked, yet made divine, had taken place upon the very threshold of its immortal consummation? She read his thought and answered:

"Remember always, far and near, it is the same thing; time is nothing; this oath of ours cannot be touched by time or earthly change."

"I will remember," he answered.

What more did they say? He never could be sure, nor does it matter, for what is written bears its gist.

"Go away first," she said presently; "I promised your father that I would bring no further trouble on you, so we must not be seen together. Go now, for the gale is rising fast and the darkness grows."

"This is hard to bear," he muttered, setting his teeth. "Are you sure that we shall not meet again in after years?"

"Sure. You look your last upon me, on the earthly Stella whom you know and love."

"It must be done," he said.

"It must be done," she echoed. "Good-bye, husband, till that appointed hour of meeting when I may call you so without shame," and she held out her hand.

He took and pressed it; speak he could not. Then, like a man stricken in years, he passed down the church with bent head and shambling feet. At the door he turned to look at her. She was standing erect and proud as a conqueror, her hand resting upon the altar. Even at that distance their eyes met, and in hers, lit with a wild and sudden ray from the sinking sun, he could see a strange light shine. Then he went out of the door and dragged it to behind him, to battle his way homeward through the roaring gale that stung and buffeted him like all the gathered spites and hammerings of Destiny.

This, then, was their parting, a parting pure and stern and high, unsolaced by one soft word, unsweetened by a single kiss. Yet it seems fitting that those who hope to meet in the light of the spirit should make their last farewells on earth beneath such solemn shadows.

And Stella? After all she was but a woman, a woman with a very human heart. She knew the truth indeed, to whom it was given to see before the due determined time of vision, but still she was troubled with that human heart, and weighed down by the flesh over which she triumphed. Now that he was gone, pride and strength seemed both to leave her, and with a low cry, like the cry of a wounded sea-bird, she cast herself down there upon the cold stones before the altar, and wept till her senses left her.



A great gale roared and howled. The waters, driven onwards by its furious breath, beat upon the eastern cliffs till these melted like snow beneath them, taking away field and church, town and protecting wall, and in return casting up the wrecks of ships and the bodies of dead men.

Morris could not sleep. Who could sleep in such an awful tempest? Who could sleep that had passed through such a parting? Oh! his heart ached, and he was as one sick to death, and with him continually was the thought of Stella, and before him came the vision of her eyes. He could not sleep, so rising, he dressed himself and went to the window. High in the heavens swept clean of clouds by the furious blasts floated a wandering moon, throwing her ghastly light upon the swirling, furious sea. Shorewards rushed the great rollers in unending lines, there to break in thunder and seethe across the shingle till the sea-wall stopped them and sent the spray flying upwards in thin, white clouds.

"God help those in the power of the sea to-night," thought Morris, "for many of them will not keep Christmas here."

Then it seemed to his mind, excited by storm and sorrow, as though some power were drawing him, as though some voice were telling him that there was that which he must hear. Aimlessly, half-unconsciously he wandered to his workshop in the old chapel, turned on one of the lamps, and stood at the window watching the majestic progress of the storm, and thinking, thinking, thinking.

While he remained thus, suddenly, thrilling his nerves as though with a quick shock of pain, sharp and clear even in that roar and turmoil, rang out the sound of an electric bell. He started round and looked. Yes; as he thought in all the laboratory there was only one bell that could ring, none other had its batteries charged, and that bell was attached to the aerophone whereof the twin stood upon the altar in the Dead Church. The instrument was one of the pair with which he had carried out his experiments of the last two months.

His heart stood still. "Great God! What could have caused that bell to ring?" It could not ring; it was a physical impossibility unless somebody were handling the sister instrument, and at four o'clock in the morning, who could be there, and except one, who would know its working? With a bound he was by the aerophone and had given the answering signal. Then instantly, as though she were standing at his side in the room, for this machine does not blur the voice or heighten its tone, he heard Stella speaking.

"Is it you who answer me?" she asked.

"Yes, yes," he said, "but where are you at this hour of the night?"

"Where you left me, in the Dead Church," floated back the quick reply through the raving breadths of storm. "Listen: After you went my strength gave out and I suppose that I fainted; at least, a little while ago I woke up from a deep sleep to find myself lying before the alter here. I was frightened, for I knew that it must be far into the night, and an awful gale is blowing which shakes the whole church. I went to the door and opened it, and by the light of the moon I saw that between me and the shore lies a raging sea hundreds of yards wide. Then I came back and threw out my mind to you, and tried to wake you, if you slept; tried to make you understand that I wished you to go to the aerophone and hear me."

"I will get help at once," broke in Morris.

"I beg you," came back the voice, "I beg you, do not stir. The time is very short; already the waves are dashing against the walls of the chancel, and I hear the water rumbling in the vaults beneath my feet. Listen!" her voice ceased, and in place of it there swelled the shriek of the storm which beat about the Dead Church, the rush, too, of the water in the hollow vaults and the crashing of old coffins as they were washed from their niches. Another instant, and Stella had cut off these sounds and was speaking again.

"It is useless to think of help, no boat, nothing could live upon that fearful sea; moreover, within five minutes this church must fall and vanish."

"My God! My God!" wailed Morris.

"Do not grieve; it is a waste of precious time, and do not stir till the end. I want you to know that I did not seek this death. I never dreamed of such a thing. You must tell my father so, and bid him not to mourn for me. It was my intention to leave the church within ten minutes of yourself. This cup is given to me by the hand of Fate. I did not fill it. Do you hear and understand?"

"I hear and understand," answered Morris.

"Now you see," she went on, "that our talk to-day was almost inspired. My web is woven, my picture is painted, and to me Heaven says, 'Hold.' The thought that it might be so was in your mind, was it not?"

"Yes."

"And I answered your thought, telling you that time is nothing. This I tell you again for your comfort in the days that remain to you of life. Oh! I bless God; I bless God Who has dealt so mercifully to me. Where are now the long years of lonely suffering that I feared—I who stand upon the threshold of the Eternal? . . . I can talk no more, the water is rising in the church—already it is about my knees; but remember every word which I have said to you; remember that we are wed—truly wed, that I go to wait for you, and that even if you do not see me I will, if I may, be near you always—till you die, and afterwards will be with you always—always."

"Stay," cried Morris.

"What have you to say? Be swift, the water rises and the walls are cracking."

"That I love you now and for ever and for ever; that I will remember everything; and that I know beyond a doubt that you have seen, and speak the truth."

"Thank you for those blessed words, and for this life fare you well."



For a moment there was silence, or at least Stella's voice was silent, while Morris stood over the aerophone, the sweat running from his face, rocking like a drunken man in his agony and waiting for the end. Then suddenly loud, clear, and triumphant, broke upon his ears the sound of that song which he had heard her sing upon the sinking ship when her death seemed near; the ancient song of the Over-Lord. Once more at the last mortal ebb, while the water rose about her breast, Stella's instincts and blood had asserted themselves, and forgetting aught else, she was dying as her pagan forefathers had died, with the secret ancient chant upon her lips. Yes, she sang as Skarphedinn the hero sang while the flame ate out his life.

The song swelled on, and the great waters boomed an accompaniment. Then came a sound of crashing walls, and for a moment it ceased, only to rise again still clearer and more triumphant. Again a crash—a seething hiss—and the instrument was silent, for its twin was shattered. Shattered also was the fair shape that held the spirit of Stella.



Again and again Morris spoke eagerly, entreatingly, but the aerophone was dumb. So he ceased at length, and even then well nigh laughed when he thought that in this useless piece of mechanism he saw a symbol of his own soul, which also had lost its mate and could hold true converse with no other.

Then he started up, and just as he was, ran out into the raving night.

Three hours later, when the sun rose upon Christmas Day, if any had been there to note him they might have seen a dishevelled man standing alone upon the lonely shore. There he stood, the back-wash of the mighty combers hissing about his knees as he looked seaward beneath the hollow of his hand at a spot some two hundred yards away, where one by one their long lines were broken into a churning yeast of foam.

Morris knew well what broke them—the fallen ruins of the church that was now Stella's sepulchre, and, oh! in that dark hour, he would have been glad to seek her where she lay.



CHAPTER XVII

THE RETURN OF MARY

Curiously enough, indirectly, but in fact, it was the circumstance of Stella's sudden and mysterious death that made Morris a rich and famous man, and caused his invention of the aerophone to come into common use. Very early on the following morning, but not before, she was missed from the Rectory and sought far and wide. One of the first places visited by those who searched was the Abbey, whither they met Morris returning through the gale, wild-eyed, flying-haired, and altogether strange to see. They asked him if he knew what had become of Miss Fregelius.

"Yes," he replied, "she has been crushed or drowned in the ruins of the Dead Church, which was swept away by the gale last night."

Then they stared and asked how he knew this. He answered that, being unable to sleep that night on account of the storm, he had gone into his workshop when his attention was suddenly attracted by the bell of the aerophone, by means of which he learned that Miss Fregelius had been cut off from the shore in the church. He added that he ran as hard as he could to the spot, only to find at dawn that the building had entirely vanished in the gale, and that the sea had encroached upon the land by at least two hundred paces.

Of course these statements concerning the aerophone and its capabilities were reported all over the world and much criticised—very roughly in some quarters. Thereupon Morris offered to demonstrate the truth of what he had said. The controversy proved sharp; but of this he was glad; it was a solace to him, perhaps even it prevented him from plunging headlong into madness. At first he was stunned; he did not feel very much. Then the first effects of the blow passed; a sense of the swiftness and inevitableness of this awful consummation seemed to sink down into his heart and crush him. The completeness of the tragedy, its Greek-play qualities, were overwhelming. Question and answer, seed and fruit—there was no space for thought or growth between them. The curtain was down upon the Temporal, and lo! almost before its folds had shaken to their place, it had risen upon the Eternal. His nature reeled beneath this knowledge and his loss. Had it not been for those suspicions and attacks it might have fallen.

The details of the struggle need not be entered into, as they have little to do with the life-story of Morris Monk. It is enough to say that in the end he more than carried out his promises under the severest conditions, and in the presence of various scientific bodies and other experts.

Afterwards came the natural results; the great aerophone company was floated, in which Morris as vendor received half the shares—he would take no cash—which shares, by the way, soon stood at five and a quarter. Also he found himself a noted man; was asked to deliver an address before the British Association; was nominated on the council of a leading scientific society, and in due course after a year or two received one of the greatest compliments that can be paid to an Englishman, that of being elected to its fellowship, as a distinguished person, by the committee of a famous Club. Thus did Morris prosper greatly—very greatly, and in many different ways; but with all this part of his life we are scarcely concerned.

On the day of his daughter's death Morris visited Mr. Fregelius, for whom he had a message. He found the old man utterly crushed and broken.

"The last of the blood, Mr. Monk," he moaned, when Morris, hoarse-voiced and slow-worded, had convinced him of the details of the dreadful fact, "the last of the blood; and I left childless. At least you will feel for me and with me. You will understand."

It will be seen that although outside of some loose talk in the village, which indirectly had produced results so terrible, no one had ever suggested such a thing, curiously enough, by some intuitive process, Mr. Fregelius who, to a certain extent, at any rate, guessed his daughter's mind, took it for granted that she had been in love with Morris. He seemed to know also by the same deductive process that he was attached to her.

"I do, indeed," said Morris, with a sad smile, thinking that if only the clergyman could look into his heart he would perhaps be somewhat astonished at the depth of that understanding sympathy.

"I told you," went on Mr. Fregelius, "and you laughed at me, that it was most unlucky her having sung that hateful Norse song, the 'Greeting to Death,' when you found her upon the steamer Trondhjem."

"Everything has been unlucky, Mr. Fregelius—or lucky," he added beneath his breath. "But you will like to know that she died singing it. The aerophone told me that."

"Mr. Monk," the old man said, catching his arm, "my daughter was a strange woman, a very strange woman, and since I heard this dreadful news I have been afraid that perhaps she was—unhappy. She was leaving her home, on your account—yes, on your account, it's no use pretending otherwise, although no one ever told me so—and—that she knew the church was going to be washed away."

"She thought you might think so," answered Morris, and he gave him Stella's last message. Moreover, he told him more of the real circumstances than he revealed to anybody else. He told him what nobody else ever knew, for on that lonely coast none had seen him enter or leave the place, how he had met her in the church—about the removal of the instruments, as he left it to be inferred—and at her wish had come home alone because of the gossip which had arisen. He explained also that according to her own story, from some unexplained cause she had fallen asleep in the church after his departure, and awakened to find herself surrounded by the waters with all hope gone.

"And now she is dead, now she is dead," groaned Mr. Fregelius, "and I am alone in the world."

"I am sorry for you," said Morris simply, "but there it is. It is no use looking backward, we must look forward."

"Yes, look forward, both of us, since she is hidden from both. You see, almost from the first I knew you were fond of her," added the clergyman simply.

"Yes," he answered, "I am fond of her, though of that the less said the better, and because our case is the same I hope that we shall always be friends."

"You are very kind; I shall need a friend now. I am alone now, quite alone, and my heart is broken."

Here it may be added that Morris was even better than his word. Out of the wealth that came to him in such plenty, for instance, he was careful to augment the old man's resources without offending his feelings, by adding permanently and largely to the endowment of the living. Also, he attended to his wants in many other ways which need not be enumerated, and not least by constantly visiting him. Many were the odd hours and the evenings that shall be told of later, which they spent together smoking their pipes in the Rectory study, and talking of her who had gone, and whose lost life was the strongest link between them. Otherwise and elsewhere, except upon a few extraordinary occasions, her name rarely passed the lips of Morris.

Yet within himself he mourned and mourned, although even in the first bitterness not as one without hope. He knew that she had spoken truth; that she was not dead, but only for a while out of his sight and hearing.



Ten days had passed, and for Morris ten weary, almost sleepless, nights. The tragedy of the destruction of the new rector's daughter in the ruins of the Dead Church no longer occupied the tongues of men and paragraphs in papers. One day the sea gave up the hood of her brown ulster, the same that Morris had been seen arranging by Stephen and Eliza Layard; it was found upon the beach. After this even the local police admitted that the conjectures as to her end must be true, and, since for the lack of anything to hold it on there could be no inquest, the excitement dwindled and died. Nor indeed, as her father announced that he was quite satisfied as to the circumstances of his daughter's death, was any formal inquiry held concerning them. A few people, however, still believed that she was not really drowned but had gone away secretly for unknown private reasons. The world remembers few people, even if they be distinguished, for ten whole days. It has not time for such long-continued recollection of the dead, this world of the living who hurry on to join them.

If this is the case with the illustrious, the wealthy and the powerful, how much more must it be so in the instance of an almost unknown girl, a stranger in the land? Morris and her father remembered her, for she was part of their lives and lived on with their lives. Stephen Layard mourned for the woman whom he had wished to marry—fiercely at first, with the sharp pain of disappointed passion; then intermittently; and at last, after he was comfortably wedded to somebody else, with a mild and sentimental regret three or four times a year. Eliza, too, when once convinced that she was "really dead," was "much shocked," and talked vaguely of the judgments and dispensations of Providence, as though this victim were pre-eminently deserving of its most stern decrees. It was rumoured, however, among the observant that her Christian sorrow was, perhaps, tempered by a secret relief at the absence of a rival, who, as she now admitted, sang extremely well and had beautiful eyes.

The Colonel also thought of the guest whom the sea had given and taken away, and with a real regret, for this girl's force, talents, and loveliness had touched and impressed him who had sufficient intellect and experience to know that she was a person cast in a rare and noble mould. But to Morris he never mentioned her name. No further confidence had passed between them on the matter. Yet he knew that to his son this name was holy. Therefore, being in some ways a wise man, he thought it well to keep his lips shut and to let the dead bury their dead.

By all the rest Stella Fregelius was soon as much forgotten as though she had never walked the world or breathed its air. That gale had done much damage and taken away many lives—all down the coast was heard the voice of mourning; hers chanced to be one of them, and there was nothing to be said.



On the morning of the eleventh day came a telegram from Mary addressed to Morris, and dated from London. It was brief and to the point. "Come to dinner with me at Seaview, and bring your father.—Mary."

When Morris drove to Seaview that evening he was as a man is in a dream. Sorrow had done its work on him, agonising his nerves, till at length they seemed to be blunted as with a very excess of pain, much as the nerves of the victims of the Inquisition were sometimes blunted, till at length they could scarcely feel the pincers bite or the irons burn. Always abstemious, also, for this last twelve days he had scarcely swallowed enough food to support him, with the result that his body weakened and suffered with his mind.

Then there was a third trouble to contend with,—the dull and gnawing sense of shame which seemed to eat into his heart. In actual fact, he had been faithful enough to Mary, but in mind he was most unfaithful. How could he come to her, the woman who was to be his wife, the woman who had dealt so well by him, with the memory of that spiritual marriage at the altar of the Dead Church still burning in his brain—that marriage which now was consecrated and immortalised by death? What had he to give her that was worth her taking? he, who if the truth were known, shrank from all idea of union with any earthly woman; who longed only to be allowed to live out his time in a solitude as complete as he could find or fashion? It was monstrous; it was shameful; and then and there he determined that before ever he stood in Monksland church by the side of Mary Porson, at least he would tell her the truth, and give her leave to choose. To his other sins against her deceit should not be added.

"Might I suggest, Morris," said the Colonel, who as they drove, had been watching his son's face furtively by the light of the brougham lamp—"might I suggest that, under all the circumstances, Mary would perhaps appreciate an air a little less reminiscent of funerals? You may recollect that several months have passed since you parted."

"Yes," said Morris, "and a great deal has happened in that time."

"Of course, her father is dead." The Colonel alluded to no other death. "Poor Porson! How painfully that beastly window in the dining-room will remind me of him! Come, here we are; pull yourself together, old fellow."

Morris obeyed as best he could, and presently found himself following the Colonel into the drawing-room, for once in his life, as he reflected, heartily glad to have the advantage of his parent's society. He could scarcely be expected to be very demonstrative and lover-like under the fire of that observant eyeglass.

As they entered the drawing-room by one door, Mary, looking very handsome and imposing in a low black dress, which became her fair beauty admirably, appeared at the other. Catching sight of Morris, she ran, or rather glided, forward with the graceful gait that was one of her distinctions, and caught him by both hands, bending her face towards him in open and unmistakable invitation.

In a moment it was over somehow, and she was saying:

"Morris, how thin you look, and there are great black lines under your eyes! Uncle, what have you been doing to him?"

"When I have had the pleasure of saying, How-do-you-do to you, my dear," he replied in a somewhat offended voice—for the Colonel was not fond of being overlooked, even in favour of an interesting son—"I shall be happy to do my best to answer your question."

"Oh! I am so sorry," she said, advancing her forehead to be kissed; "but we saw each other the other day, didn't we, and one can't embrace two people at once, and of course one must begin somewhere. But, why have you made him so thin?"

The Colonel surveyed Morris critically with his eyeglass.

"Really, my dear Mary," he replied, "I am not responsible for the variations in my son's habit of body." Then, as Morris turned away irritably, he added in a stage whisper, "He's been a bit upset, poor fellow! He felt your father's death dreadfully."

Mary winced a little, then, recovering her vivacity, said:

"Well, at any rate, uncle, I am glad to see that nothing of the sort has affected your health; I never saw you looking better."

"Ah! my dear, as we grow older we learn resignation——"

"And how to look after ourselves," thought Mary.

At that moment dinner was announced, and she went in on Morris's arm, the Colonel gallantly insisting that it should be so. After this things progressed a good deal better. The first plunge was over, and the cool refreshing waters of Mary's conversation seemed to give back to Morris's system some of the tone that it had lost. Also, when he thought fit to use it, he had a strong will, and he thought fit this night. Lastly, like many a man in a quandary before him, he discovered the strange advantages of a scientific but liberal absorption of champagne. Mary noticed this as she noticed everything, and said presently with her eyes wide open:

"Might I ask, my dear, if you are—ill? You are eating next to nothing, and that's your fourth large glass of champagne—you who never drank more than two. Don't you remember how it used to vex my poor dad, because he said that it always meant half a bottle wasted, and a temptation to the cook?"

Morris laughed—he was able to laugh by now—and replied, as it happened, with perfect truth, that he had an awful toothache.

"Then everything is explained," said Mary. "Did you ever see me with a toothache? Well, I should advise you not, for it would be our last interview. I will paint it for you after dinner with pure carbolic acid; it's splendid, that is if you don't drop any on the patient's tongue."

Morris answered that he would stick to champagne. Then Mary began to narrate her experiences in the convent in a fashion so funny that the Colonel could scarcely control his laughter, and even Morris, toothache, heartache, and all, was genuinely amused.

"Imagine, my dear Morris," she said, "you know the time I get down to breakfast. Or perhaps you don't. It's one of those things which I have been careful to conceal from you, but you will one day, and I believe that over it our matrimonial happiness may be wrecked. Well, at what hour do you think I found myself expected to be up in that convent?"

"Seven," suggested Morris.

"At seven! At a quarter to five, if you please! At a quarter to five every morning did some wretched person come and ring a dinner-bell outside my door. And it was no use going to sleep again, not the least, for at half-past five two hideous old lay-sisters arrived with buckets of water—they have a perfect passion for cleanliness—and began to scrub out the cell whether you were in bed or whether you weren't."

Then she rattled on to other experiences, trivial enough in themselves, but so entertaining when touched and lightened with her native humour, that very soon the evening had worn itself pleasantly away without a single sad or untoward word.

"Good night, dear!" said Mary to Morris, who this time managed to embrace her with becoming warmth; "you will come and see me to-morrow, won't you—no, not in the morning. Remember I have been getting up at a quarter to five for a month, and I am trying to equalise matters; but after luncheon. Then we will sit before a good fire, and have a talk, for the weather is so delightfully bad that I am sure I shan't be forced to take exercise."

"Very well, at three o'clock," said Morris, when the Colonel, who had been reflecting to himself, broke in.

"Look here, my dear, you must be down to lunch, or if you are not you ought to be; so, as I want to have a chat with you about some of your poor father's affairs, and am engaged for the rest of the day, I will come over then if you will allow me."

"Certainly, uncle, if you like; but wouldn't Morris do instead—as representing me, I mean?"

"Yes," he answered; "when you are married he will do perfectly well, but until that happy event I am afraid that I must take your personal opinion."

"Oh! very well," said Mary with a sigh; "I will expect you at a quarter past one."



CHAPTER XVIII

TWO EXPLANATIONS

Accordingly, at a quarter past one on the following day the Colonel arrived at Seaview, went in to lunch with Mary, and made himself very amusing and agreeable about the domestic complications of his old friend, Lady Rawlins and her objectionable husband, and other kindred topics. Then, adroitly enough, he changed the conversation to the subject of the great gale, and when he talked of it awhile, said suddenly:

"I suppose that you have heard of the dreadful thing that happened here?"

"What dreadful thing?" asked Mary. "I have heard nothing; you must remember that I have been in a convent where one does not see the English papers."

"The death of Stella Fregelius," said the Colonel sadly.

"What! the daughter of the new rector—the young lady whom Morris took off the wreck, and whom I have been longing to ask him about, only I forgot last night? Do you mean to say that she is dead?"

"Dead as the sea can make her. She was in the old church yonder when it was swept away, and now lies beneath its ruins in four fathoms of water."

"How awful!" said Mary. "Tell me about it; how did it happen?"

"Well, through Morris, poor fellow, so far as I can make out, and that is why he is so dreadfully cut up. You see she helped him to carry on his experiments with that machine, she sitting in the church and he at home in the Abbey, with a couple of miles of coast and water between them. Well, you are a woman of the world, my dear, and you must know that all this sort of thing means a great deal more intimacy than is desirable. How far that intimacy went I do not know, and I do not care to inquire, though for my part I believe that it was a very little way indeed. Still, Eliza Layard got hold of some cock and bull tale, and you can guess the rest."

"Perfectly," said Mary in a quiet voice, "if Eliza was concerned in it; but please go on with the story."

"Well, the gossip came to my ears——"

"Through Eliza?" queried Mary.

"Through Eliza—who said——" and he told her about the incident of the ulster and the dog-cart, adding that he believed it to be entirely untrue.

As Mary made no comment he went on: "I forgot to say that Miss Fregelius seems to have refused to marry Stephen Layard, who fell violently in love with her, which, to my mind, accounts for some of this gossip. Still, I thought it my duty, and the best thing I could do, to give a friendly hint to the old clergyman, Stella's father, a funny, withered-up old boy by the way. He seems to have spoken to his daughter rather indiscreetly, whereon she waylaid me as I was walking on the sands and informed me that she had made up her mind to leave this place for London, where she intended to earn her own living by singing and playing on the violin. I must tell you that she played splendidly, and, in my opinion, had one of the most glorious contralto voices that I ever heard."

"She seems to have been a very attractive young woman," said Mary, in the same quiet, contemplative voice.

"I think," went on the Colonel, "take her all in all, she was about the most attractive young woman that ever I saw, poor thing. Upon my word, dear, old as I am, I fell half in love with her myself, and so would you if you had seen those eyes of hers."

"I remember," broke in Mary, "that old Mr. Tomley, after he returned from inspecting the Northumberland living, spoke about Miss Fregelius's wonderful eyes—at the dinner-party, you know, on the night when Morris proposed to me," and she shivered a little as though she had turned suddenly cold.

"Well, let me go on with my story. After she had told me this, and I had promised to help her with introductions—exactly why or how I forget—but I asked her flat out if she was in love with Morris. Thereon—I assure you, my dear Mary, it was the most painful scene in all my long experience—the poor thing turned white as a sheet, and would have fallen if I had not caught hold of her. When she came to herself a little, she admitted frankly that this was her case, but added—of which, of course, one may believe as much as one likes, that she had never known it until I asked the question."

"I think that quite possible," said Mary; "and really, uncle, to me your cross-examination seems to have been slightly indiscreet."

"Possibly, my dear, very possibly; even Solomon might be excused for occasionally making a mistake where the mysterious articles which young ladies call their hearts are concerned. I tell what happened, that is all. Shall I go on?"

"If you please."

"Well, after this she announced that she meant to see Morris once to say good-bye to him before she went to London, and left me. Practically the next thing I heard about her was that she was dead."

"Did she commit suicide?" asked Mary.

"It is said not; it is suggested that after Morris's interview with her in the Dead Church—for I gather there was an interview though nobody knows about it, and that's where they met—she fell asleep, which sounds an odd thing to do in the midst of such a gale as was raging on Christmas Eve, and so was overwhelmed. But who can say? Impressionable and unhappy women have done such deeds before now, especially if they imagine themselves to have become the object of gossip. Of course, also, the mere possibility of such a thing having happened on his account would be, and indeed has been, enough to drive a man like Morris crazy with grief and remorse."

"What had he to be remorseful for?" asked Mary. "If a young woman chanced to fall in love with him, why should he be blamed, or blame himself for that? After all, people's affections are in their own keeping."

"I imagine—very little, if anything. At least, I know this, that when I spoke to him about the matter after my talk with her, I gathered from what he said that there was absolutely nothing between them. To be quite frank, however, as I have tried to be with you, my dear, throughout this conversation, I also gathered that this young lady had produced a certain effect upon his mind, or at least that the knowledge that she had avowed herself to be attached to him—which I am afraid I let out, for I was in a great rage—produced some such effect. Well, afterwards I believe, although I have asked no questions and am not sure of it, he went and said good-bye to her in this church, at her request. Then this dreadful tragedy happened, and there is an end of her and her story."

"Have you any object in telling it to me, uncle?"

"Yes, my dear, I have. I wished you to know the real facts before they reached you in whatever distorted version Morris's fancy or imagination, or exaggerated candour, may induce him to present them to you. Also, my dear, even if you find, or think you find that you have cause of complaint against him, I hope that you will see your way to being lenient and shutting your eyes a little."

"Severity was never my strong point," interrupted Mary.

"For this reason," went on the Colonel; "the young woman concerned was a very remarkable person; if you could have heard her sing, for instance, you would have said so yourself. It is a humiliating confession, but I doubt whether one young man out of a hundred, single, engaged, or married, could have resisted being attracted by her to just such an extent as she pleased, especially if he were flattered by the knowledge that she was genuinely attracted by himself."

Mary made no answer.

"Didn't you say you had some documents you wanted me to sign?" she asked presently.

"Oh, yes; here is the thing," and he pulled a paper out of his pocket; "the lawyers write that it need not be witnessed."

Mary glanced at it. "Couldn't Morris have brought this?—he is your co-executor, isn't he?—and saved you the trouble?"

"Undoubtedly he could; but——"

"But what?"

"Well, if you want to know, my dear," said the Colonel, with a grave countenance, "just now Morris is in a state in which I do not care to leave more of this important business in his hands than is necessary."

"What am I to understand by that, uncle?" she said, looking at him shrewdly. "Do you mean that he is—not quite well?"

"Yes, Mary, I mean that—he is not quite well; that is, if my observation goes for anything. I mean," he went on with quiet vehemence, "I mean that—just at present, of course, he has been so upset by this miserable affair that for my part I wouldn't put any confidence in what he says about it, or about anything else. The thing has got upon his nerves and rendered him temporarily unfit for the business of ordinary life. You know that at the best of times he is a very peculiar man and not quite like other people.

"Well, have you signed that? Thank you, my dear. By Jove! I must be off; I shall be late as it is. I may rely upon your discretion as to what we have been talking about, may I not? but I thought it as well to let you know how the land lay."

"Yes, uncle; and thank you for taking so much trouble."

When the door had closed behind him Mary reflected awhile. Then she said to herself:

"He thinks Morris is a little off his head, and has come here to warn me. I should not be surprised, and I daresay that he is right. Any way, a new trouble has risen up between us, the shadow of another woman, poor thing. Well, shadows melt, and the dead do not come back. She seems to have been very charming and clever, and I daresay that she fascinated him for a while, but with kindness and patience it will all come right. Only I do hope that he will not insist upon making me too many confidences."

So thought Mary, who by nature was forgiving, gentle, and an optimist; not guessing how sorely her patience as an affianced wife, and her charity as a woman of the world, would be tried within the hour.

From all of which it will be seen that for once the diplomacy of the Colonel had prospered somewhat beyond its deserts. The departed cannot explain or defend themselves, and Morris's possible indiscretions already stood discounted in the only quarter where they might do harm.

Half an hour later Mary, sitting beside the fire with her toes upon the grate and her face to the window, perceived Morris on the gravel drive, wearing a preoccupied and rather wretched air. She noted, moreover, that before he rang the bell he paused for a moment as though to shake himself together.

"Here you are at last," she said, cheerfully, as he bent down to kiss her, "seven whole minutes before your time, which is very nice of you. Now, sit down there and get warm, and we will have a good, long talk."

Morris obeyed. "My father has been lunching with you, has he not?" he said somewhat nervously.

"Yes, dear, and telling me all the news, and a sad budget it seems to be; about the dreadful disasters of the great gale and the death of that poor girl who was staying with you, Miss Fregelius."

At the mention of this name Morris's face contorted itself, as the face of a man might do who was seized with a sudden pang of sharp and unexpected agony.

"Mary," he said, in a hoarse and broken voice, "I have a confession to make to you, and I must make it—about this dead woman, I mean. I will not sail under false colours; you must know all the truth, and then judge."

"Dear me," she answered; "this sounds dreadfully tragic. But I may as well tell you at once that I have already heard some gossip."

"I daresay; but you cannot have heard all the truth, for it was known only to me and her."

Now, do what she would to prevent it, her alarm showed itself in Mary's eyes.

"What am I to understand?" she said in a low voice—and she looked a question.

"Oh, no!" he answered with a faint smile; "nothing at all——"

"Not that you have been embracing her, for instance? That, I understand, is Eliza Layard's story."

"No, no; I never did such a thing in my life."

A little sigh of relief broke from Mary's lips. At the worst this was but an affair of sentiment.

"I think, dear" she said in her ordinary slow voice, "that you had better set out the trouble in your own words, with as few details as possible, or none at all. Such things are painful, are they not—especially where the dead are concerned?"

Morris bowed his head and began: "You know I found her on the ship, singing as she only could sing, and she was a very strange and beautiful woman—perhaps beautiful is not the word—"

"It will do," interrupted Mary; "at any rate, you thought her beautiful."

"Then afterwards we grew intimate, very intimate, without knowing it, almost—indeed, I am not sure that we should ever have known it had it not been for the mischief-making of Eliza Layard——"

"May she be rewarded," ejaculated Mary.

"Well, and after she—that is, Eliza Layard—had spoken to my father, he attacked Mr. Fregelius, his daughter, and myself, and it seems that she confessed to my father that she was—was——"

"In love with you—not altogether unnatural, perhaps, from my point of view; though, of course, she oughtn't to have been so."

"Yes, and said that she was going away and—on Christmas Eve we met there in the Dead Church. Then somehow—for I had no intention of such a thing—all the truth came out, and I found that I was no longer master of myself, and—God forgive me! and you, Mary, forgive me, too—that I loved her also."

"And afterwards?" said Mary, moving her skirts a little.

"And afterwards—oh! it will sound strange to you—we made some kind of compact for the next world, a sort of spiritual marriage; I can call it nothing else. Then I shook hands with her and went away, and in a few hours she was dead—dead. But the compact stands, Mary; yes, that compact stands for ever."

"A compact of a spiritual marriage in a place where there is no marriage. Do you mean, Morris, that you wish this strange proceeding to destroy your physical and earthly engagement to myself?"

"No, no; nor did she wish it; she said so. But you must judge. I feel that I have done you a dreadful wrong, and I was determined that you should know the worst."

"That was very good of you," Mary said, reflectively, "for really there is no reason why you should have told me this peculiar story. Morris, you have been working pretty hard lately, have you not?"

"Yes," he replied, absently, "I suppose I have."

"Was this young lady what is called a mystic?"

"Perhaps. Danish people often are. At any rate, she saw things more clearly than most. I mean that the future was nearer to her mind; and in a sense, the past also."

"Indeed. You must have found her a congenial companion. I suppose that you talked a good deal of these things?"

"Sometimes we did."

"And discovered that your views were curiously alike? For when one mystic meets another mystic, and the other mystic has beautiful eyes and sings divinely, the spiritual marriage will follow almost as a matter of course. What else is to be expected? But I am glad that you were faithful to your principles, both of you, and clung fast to the ethereal side of things."

Morris writhed beneath this satire, but finding no convenient answer to it, made none.

"Do you remember, my dear?" went on Mary, "the conversation we had one day in your workshop before we were engaged—that's years ago, isn't it—about star-gazing considered as a fine art?"

"I remember something," he said.

"That I told you, for instance, that it might be better if you paid a little more attention to matters physical, lest otherwise you should go on praying for vision till you could see, and for power until you could create?"

Morris nodded.

"Well, and I think I said—didn't I? that if you insisted upon following these spiritual exercises, the result might be that they would return upon you in some concrete shape, and take possession of you, and lead you into company and surroundings which most of us think it wholesome to avoid."

"Yes, you said something like that."

"It wasn't a bad bit of prophecy, was it?" went on Mary, rubbing her chin reflectively, "and you see his Satanic Majesty knew very well how to bring about its fulfilment. Mystical, lovely, and a wonderful mistress of music, which you adore; really, one would think that the bait must have been specially selected."

Crushed though he was, Morris's temper began to rise beneath the lash of Mary's sarcasm. He knew, however, that it was her method of showing jealousy and displeasure, both of them perfectly natural, and did his best to restrain himself.

"I do not quite understand you," he said. "Also, you are unjust to her."

"Not at all. I daresay that in herself she was what you think her, a perfect angel; indeed, the descriptions that I have heard from your father and yourself leave no doubt of it in my mind. But even angels have been put to bad purposes; perhaps their innocence makes it possible to take advantage of them——"

He opened his lips to speak, but she held up her hand and went on:

"You mustn't think me unsympathetic because I put things as they appear to my very mundane mind. Look here, Morris, it just comes to this: If this exceedingly attractive young lady had made love to you, or had induced you to make love to her, so that you ran away with her, or anything else, of course you would have behaved badly and cruelly to me, but at least your conduct would be natural, and to be explained. We all know that men do this kind of thing, and women too, for the matter of that, under the influence of passion—and are often very sorry for it afterwards. But she didn't do this; she took you on your weak side, which she understood thoroughly—probably because it was her own weak side—and out-Heroded Herod, or, rather, out-mysticised the mystic, finishing up with some spiritual marriage, which, if it is anything at all, is impious. What right have we to make bargains for the Beyond, about which we know nothing?"

"She did know something," said Morris, with a sullen conviction.

"You think she did because you were reduced to a state of mind in which, if she had told you that the sun goes round the earth, you would quite readily have believed her. My dearest Morris, that way madness lies. Perhaps you understand now what I have been driving at, and the best proof of the absurdity of the whole thing is that I, stupid as I am, from my intimate knowledge of your character since childhood, was able to predict that something of this sort would certainly happen to you. You will admit that is a little odd, won't you?"

"Yes, it's odd; or, perhaps, it shows that you have more of the inner sight than you know. But there were circumstances about the story which you would find difficult to explain."

"Not in the least. In your own answer lies the explanation—your tendency to twist things. I prophesy certain developments from my knowledge of your character, whereupon you at once credit me with second sight, which is absurd."

"I don't see the analogy," said Morris.

"Don't you? I do. All this soul business is just a love affair gone wrong. If circumstances had been a little different—if, for instance, there had been no Mary Porson—I doubt whether anybody would have heard much about spiritual marriages. Somehow I think that things would have settled down into a more usual groove."

Morris did not attempt to answer. He felt that Mary held all the cards, and, not unnaturally, was in a mood to play them. Moreover, it was desecration to him to discuss Stella's most secret beliefs with any other woman, and especially with Mary. Their points of view were absolutely and radically different. The conflict was a conflict between the natural and the spiritual law; or, in other words, between hard, brutal facts and theories as impalpable as the perfume of a flower, or the sound waves that stirred his aerophone. Moreover, he could see clearly that Mary's interpretation of this story was simple; namely, that he had fallen into temptation, and that the shock of his parting from the lady concerned, followed by her sudden and violent death, had bred illusions in his mind. In short, that he was slightly crazy; therefore, to be well scolded, pitied, and looked after rather than sincerely blamed. The position was scarcely heroic, or one that any man would choose to fill; still, he felt that it had its conveniences; that, at any rate, it must be accepted.

"All these questions are very much a matter of opinion," he said; then added, unconsciously reflecting one of Stella's sayings, "and I daresay that the truth is for each of us exactly what each of us imagines it to be."

"I was always taught that the truth is the truth, quite irrespective of our vague and often silly imaginings; the difficulty being to find out exactly what it is."

"Perhaps," answered Morris, declining argument which is always useless between people are are determined not to sympathise with each other's views. "I knew that you would think my story foolish. I should never have troubled you with it, had I not felt it to be my duty, for naturally the telling of such a tale puts a man in a ridiculous light."

"I don't think you ridiculous, Morris; I think that you are suffering slightly from shock, that is all. What I say is that I detest all this spiritual hocus-pocus to which you have always had a leaning. I fear and hate it instinctively, as some people hate cats, because I know that it breeds mischief, and that, as I said before, people who go on trying to see, do see, or fancy that they do. While we are in the world let the world and its limitations be enough for us. When we go out of the world, then the supernatural may become the natural, and cease to be hurtful and alarming."

"Yes," said Morris, "those are very good rules. Well, Mary, I have told you the history of this sad adventure of which the book is now closed by death, and I can only say that I am humiliated. If anybody had said to me six months ago that I should have to come to you with such a confession, I should have answered that he was a liar. But now you see——"

"Yes," repeated Mary, "I see."

"Then will you give me your answer? For you must judge; I have told you that you must judge."

"Judge not, that ye be not judged," answered Mary. "Who am I that I should pass sentence on your failings? Goodness knows that I have plenty of my own; if you don't believe me, go and ask the nuns at that convent. Whatever were the rights and wrongs of it, the thing is finished and done with, and nobody can be more sorry for that unfortunate girl than I am. Also I think that you have behaved very well in coming to tell me about your trouble; but then that is like you, Morris, for you couldn't be deceitful, however hard you might try.

"So, dear, with your leave, we will say no more about Stella Fregelius and her spiritual views. When I engaged myself to you, as I told you at the time, I did so with my eyes open, for better or for worse, and unless you tell me right out that you don't want me, I have no intention of changing my mind, especially as you need looking after, and are not likely to come across another Stella.

"There, I haven't talked so much for months; I am quite tired, and wish to forget about all these disagreeables. I am afraid I have spoken sharply, but if so you must make allowances, for such stories are apt to sour the sweetest-tempered women—for half an hour. If I have seemed bitter and cross, dear, it is because I love you better than any creature in the world, and can't bear to think——So you must forgive me. Do you, Morris?"

"Forgive! I forgive!" he stammered overwhelmed.

"There," she said again, very softly, stretching out her arms, "come and give me a kiss, and let us change the subject once and for ever. I want to tell you about my poor father; he left some messages for you, Morris."



CHAPTER XIX

MORRIS, THE MARRIED MAN

More than three years had gone by. Within twelve weeks of the date of the conversation recorded in the last chapter Morris and Mary were married in Monksland church. Although the wedding was what is called "quiet" on account of the recent death of the bride's father, the Colonel, who gave her away, was careful that it should be distinguished by a certain stamp of modest dignity, which he considered to be fitting to the station and fortune of the parties. To him, indeed, this union was the cause of heartfelt and earnest rejoicings, which is not strange, seeing that it meant nothing less than a new lease of life to an ancient family that was on the verge of disappearance. Had Morris not married the race would have become extinct, at any rate in the direct line; and had he married where there was no money, it might, as his father thought, become bankrupt, which in his view was almost worse.

The one terror which had haunted the Colonel for years like a persistent nightmare was that a day seemed to be at hand when the Monks would be driven from Monksland, where, from sire to son, they had sat for so many generations. That day had nearly come when he was a young man; indeed, it was only averted by his marriage with the somewhat humbly born Miss Porson, who brought with her sufficient dowry to enable him to pay off the major portion of the mortgages which then crippled the estate. But at that time agriculture flourished, and the rents from the property were considerable; moreover, the Colonel was never of a frugal turn of mind. So it came about that every farthing was spent.

Afterwards followed a period of falling revenues and unlet farms. But still the expenses went on, with the result, as the reader knows, that at the opening of this history things were worse than they had ever been, and indeed, without the help received from Mr. Porson, must ere that have reached their natural end. Now the marriage of his son with a wealthy heiress set a period to all such anxiety, and unless the couple should be disappointed of issue, made it as certain as anything can be in this mutable world, that for some generations to come, at any rate, the name of Monk of Monksland would still appear in the handbooks of county families.

In the event these fears proved to be groundless, since by an unexpected turn of the wheel of chance Morris became a rich man in reward of his own exertions, and was thus made quite independent of his wife's large fortune. This, however, was a circumstance which the Colonel could not be expected to foresee, for how could he believe that an electrical invention which he looked upon as a mere scientific toy would ultimately bring its author not only fame, but an income of many thousands per annum? Yet this happened.

Other things happened also which, under the circumstances, were quite as satisfactory, seeing that within two years of his marriage Morris was the father of a son and daughter, so that the old Abbey, where, by the especial request of the Colonel, they had established themselves, once more echoed to the voices of little children.



In those days, if anyone among his acquaintances had been asked to point out an individual as prosperous and happy as, under the most favoured circumstances, it is given to a mortal to be, he would unhesitatingly have named Morris Monk.

What was there lacking to this man? He had lineage that in his own neighbourhood gave him standing better than that of many an upstart baronet or knight, and with it health and wealth. He had a wife who was acknowledged universally to be one of the most beautiful, charming, and witty women in the county, whose devotion to himself was so marked and open that it became a public jest; who had, moreover, presented him with healthy and promising offspring. In addition to all these good things he had suddenly become in his own line one of the most famous persons in the world, so that, wherever civilized man was to be found, there his name was known as "Monk, who invented that marvellous machine, the aerophone." Lastly, there was no more need for him, as for most of us, to stagger down his road beneath a never lessening burden of daily labour. His work was done; a great conception completed after half a score of years of toil and experiment had crowned it with unquestionable success. Now he could sit at ease and watch the struggles of others less fortunate.

There are, however, few men on the right side of sixty whose souls grow healthier in idleness. Although nature often recoils from it, man was made to work, and he who will not work calls down upon himself some curse, visible or invisible, as he who works, although the toil seem wasted, wakes up one day to find the arid wilderness where he wanders strown with a manna of blessing. This should be the prayer of all of understanding, that whatever else it may please Heaven to take away, there may be left to them the power and the will to work, through disappointment, through rebuffs, through utter failure even, still to work. Many things for which they are or are not wholly responsible are counted to men as sins. Surely, however, few will press more heavily upon the beam of the balance, when at length we are commanded to unfold the talents which we have been given and earned, than those fateful words: "Lord, mine lies buried in its napkin," or worse still: "Lord, I have spent mine on the idle pleasures which my body loved."

Therefore it was not to the true welfare of Morris when through lack of further ambition, or rather of the sting of that spur of necessity which drives most men on, he rested upon his oars, and in practice abandoned his labours, drifting down the tide. No man of high intelligence and acquisitive brain can toil arduously for a period of years and suddenly cease from troubling to find himself, as he expects, at rest. For then into the swept and garnished chambers of that empty mind enter seven or more blue devils. Depression marks him for its own; melancholy forebodings haunt him; remorse for past misdeeds long repented of is his daily companion. With these Erinnyes, more felt perhaps than any of them, comes the devastating sense that he is thwarting the best instinct of his own nature and the divine command to labour while there is still light, because the night draws on apace in which no man can labour.

Mary was fond of society, in which she liked to be accompanied by her husband, so Morris, whose one great anxiety was to please his wife and fall in with her every wish, went to a great many parties which he hated. Mary liked change also, so it came about that three months in the season were spent in London, where they had purchased a house in Green Street that was much frequented by the Colonel, and another two, or sometimes three, months at the villa on the Riviera, which Mary was very fond of on account of its associations with her parents.

Also in the summer and shooting seasons, when they were at home, the old Abbey was kept full of guests; for we may be sure that people so rich and distinguished did not lack for friends, and Mary made the very best of hostesses.

Thus it happened that except at the seasons when his wife retired under the pressure of domestic occurrences, Morris found that he had but little time left in which to be quiet; that his life in short was no longer the life of a worker, but that of a commonplace country gentleman of wealth and fashion.

Now it was Mary who had brought these things about, and by design; for she was not a woman to act without reasons and an object. It is true that she liked a gay and pleasant life, for gaiety and pleasure were agreeable to her easy and somewhat indolent mind, also they gave her opportunities of exercising her faculties of observation, which were considerable.

But Mary was far fonder of her husband than of those and other vanities; indeed, her affection for him shone the guiding star of her existence. From her childhood she had been devoted to this cousin, who, since her earliest days, had been her playmate, and at heart had wished to marry him, and no one else. Then he began his experiments, and drifted quite away from her. Afterwards things changed, and they became engaged. Again the experiments were carried on, with the aid of another woman, and again he drifted away from her; also the drifting in this instance was attended by serious and painful complications.

Now the complications had ceased to exist; they threatened her happiness no more. Indeed, had they been much worse than they were she would have overlooked them, being altogether convinced of the truth of the old adage which points out the folly of cutting off one's nose to spite one's face. Whatever his failings or shortcomings, Morris was her joy, the human being in whose company she delighted; without whom, indeed, her life would be flat, stale, and unprofitable. The stronger then was her determination that he should not slip back into his former courses; those courses which in the end had always brought about estrangement from herself.

Inventions, the details of which she could not understand, meant, as she knew well, long days and weeks of solitary brooding; therefore inventions, and, indeed, all unnecessary work, were in his case to be discouraged. Such solitary brooding also drew from the mind of Morris a vague mist of thought about matters esoteric which, to Mary's belief, had the properties of a miasma that crept like poison through his being. She wished for no more star-gazing, no more mysticism, and, above all, no more memories of the interloping woman who, in his company, had studied its doubtful and dangerous delights.

Although since the day of Morris's confession Mary had never even mentioned the name of Stella to him, she by no means forgot that such a person once existed. Indeed, carelessly and without seeming to be anxious on the subject, she informed herself about her down to the last possible detail; so that within a few months of the death of Miss Fregelius she knew, as she thought, everything that could be known of her life at Monksland. Moreover, she saw three different pictures of her: one a somewhat prim photograph which Mr. Fregelius, her father, possessed, taken when she was about twenty; another, a coloured drawing made by Morris—who was rather clever at catching likenesses—of her as she appeared singing in the chapel on the night when she had drawn the page-boy, Thomas, from his slumbers; and the third, also a photograph, taken by some local amateur, of her and Morris standing together on the beach and engaged evidently in eager discussion.

From these three pictures, and especially from Morris's sketch, which showed the spiritual light shining in her eyes, and her face rapt, as it were, in a very ecstasy of music, Mary was able to fashion with some certainty the likeness of the living woman. The more she studied this the more she found it formidable, and the more she understood how it came about that her husband had fallen into folly. Also, she learned to understand that there might be greater weight and meaning in his confession than she had been inclined to allow to it at the time; that, at any rate, its extravagances ought not to be set down entirely, as her father-in-law had suggested with such extreme cleverness, to the vagaries of a mind suffering from sudden shock and alarm.

All these conclusions made Mary anxious, by wrapping her husband round with common domestic cares and a web of daily, social incident, to bury the memory of this Stella beneath ever-thickening strata of forgetfulness; not that in themselves these reminiscences, however hallowed, could do her any further actual harm; but because the train of thought evoked thereby was, as she conceived, morbid, and dangerous to the balance of his mind.

The plan seemed wise and good, and, in the case of most men, probably would have succeeded. Yet in Morris's instance from the commencement it was a failure. She had begun by making his story and ideas, absurd enough on the face of them, an object of somewhat acute sarcasm, if not of ridicule. This was a mistake, since thereby she caused him to suppress every outward evidence of them; to lock them away in the most secret recesses of his heart. If the lid of a caldron full of fluid is screwed down while a fire continues to burn beneath it, the steam which otherwise would have passed away harmlessly, gathers and struggles till the moment of inevitable catastrophe. The fact that for a while the caldron remains inert and the steam invisible is no indication of safety. To attain safety in such a case either the fire must be raked out or the fluid tapped. Mary had screwed down the lid of her domestic caldron, but the flame still burned beneath, and the water still boiled within.

This was her first error, and the second proved almost as mischievous. She thought to divert Morris from a central idea by a multitude of petty counter-attractions; she believed that by stopping him from the scientific labours and esoteric speculation connected with this idea, that it would be deadened and in time obliterated.

As a matter of fact, by thus emptying his mind of its serious and accustomed occupations, Mary made room for the very development she dreaded to flourish like an upas tree. For although he breathed no word of it, although he showed no sign of it, to Morris the memory of the dead was a constant companion. Time heals all things, that is the common saying; but would it be possible to formulate any fallacy more complete? There are many wounds that time does not heal, and often enough against the dead it has no power at all—for how can time compete against the eternity of which they have become a part? The love of them where they have been truly loved, remains quite unaltered; in some instances, indeed, it is emdued with a power of terrible and amazing growth.

On earth, very probably, that deep affection would have become subject to the natural influences of weakening and decay; and, in the instance of a man and woman, the soul-possessing passion might have passed, to be replaced by a more moderate, custom-worn affection. But the dead are beyond the reach of those mouldering fingers. There they stand, perfect and unalterable, with arms which never cease from beckoning, with a smile that never grows less sweet. Come storm, come shine, nothing can tarnish the pure and gleaming robes in which our vision clothes them. We know the worst of them; their faults and failings cannot vex us afresh, their errors are all forgiven. It is their best part only that remains unrealised and unread, their purest aspirations which we follow with leaden wings, their deepest thoughts that we still strive to plumb with the short line of our imagination or experience, and to weigh in our imperfect balances.

Yes, there they stand, and smile, and beckon, while ever more radiant grow their brows, and more to be desired the knowledge of their perfect majesty. There is no human passion like this passion for the dead; none so awful, none so holy, none so changeless. For they have become eternal, and our desire for them is sealed with the stamp of their eternity, and strengthens in the shadow of its wings till the shadows flee away and we pass to greet them in the dawn of the immortal morning.

Yes, within the secret breast of Morris the flame of memory still burned, and still seethed those bitter waters of desire for the dead. There was nothing carnal about this desire, since the passions of the flesh perish with the flesh. Nor was there anything of what a man may feel when he sees the woman whom he loves and who loves him, forced to another fate, for to those he robs death has this advantage over the case of other successful rivals: his embrace purifies, and of it we are not jealous. The longing was spiritual, and for this reason it did not weaken, but, indeed, became a part of him, to grow with the spirit from which it took its birth. Still, had it not been for a chance occurrence, there, in the spirit, it might have remained buried, in due course to pass away with it and seek its expression in unknown conditions and regions unexplored.

In a certain fashion Morris was happy enough. He was very fond of his wife, and he adored his little children as men of tender nature do adore those that are helpless, and for whose existence they are responsible. He appreciated his public reputation, his wealth, and the luxury that lapped him round, and above all he was glad to have been the means of restoring, and, indeed, of advancing the fortunes of his family.

Moreover, as has been said, above all things he desired to please Mary, the lovely, amiable woman who had complimented him with her unvarying affection; and—when he went astray—who, with scarcely a reproach, had led him back into its gentle fold. Least of all, therefore, was it his will to flaunt before her eyes the spectre from a past which she wished to forget, or even to let her guess that such a past still permeated his present. Therefore, on this subject settled the silence of the dead, till at length Mary, observant as she was, became well-nigh convinced that Stella Fregelius was forgotten, and that her fantastic promises were disproved. Yet no mistake could have been more profound.

It was Morris's habit, whenever he could secure an evening to himself, which was not very often, to walk to the Rectory and smoke his pipe in the company of Mr. Fregelius. Had Mary chanced to be invisibly present, or to peruse a stenographic report of what passed at one of these evening calls—whereof, for reasons which she suppressed, she did not entirely approve—she might have found sufficient cause to vary her opinion. On these occasions ostensibly Morris went to talk about parish affairs, and, indeed, to a certain extent he did talk about them. For instance, Stella who had been so fond of music, once described to him the organ which she would like to have in the fine old parish church of Monksland. Now that renovated instrument stood there, and was the admiration of the country-side, as it well might be in view of the fact that it had cost over four thousand pounds.

Again, Mr. Fregelius wished to erect a monument to his daughter, which, as her body never had been found, could properly be placed in the chancel of the church. Morris entered heartily into the idea and undertook to spend the hundred pounds which the old gentleman had saved for this purpose on his account and to the best advantage. In affect he did spend it to excellent advantage, as Mr. Fregelius admitted when the monument arrived.

It was a lovely thing, executed by one of the first sculptors of the day, in white marble upon a black stone bed, and represented the mortal shape of Stella. There she lay to the very life, wrapped in a white robe, portrayed as a sleeper awakening from the last sleep of death, her eyes wide and wondering, and on her face that rapt look which Morris had caught in his sketch of her, singing in the chapel. At the edge of the base of this remarkable effigy, set flush on the black marble in letters of plain copper was her name—Stella Fregelius—with the date of her death. On one side appeared the text that she had quoted, "O death, where is thy sting?" and on the other its continuation, "O grave, where is thy victory?" and at the foot part of a verse from the forty-second psalm: "Deep calleth unto deep. . . . All Thy waves and storms have gone over me."

Like the organ, this monument, which stood in the chancel, was much admired by everybody, except Mary, who found it rather theatrical; and, indeed, when nobody was looking, surveyed it with a gloomy and a doubtful eye.

That Morris had something to do with the thing she was quite certain, since she knew well that Mr. Fregelius would never have invented any memorial so beautiful and full of symbolism; also she doubted his ability to pay for a piece of statuary which must have cost many hundreds of pounds. A third reason, which seemed to her conclusive, was that the face on the statue was the very face of Morris's drawing, although, of course, it was possible that Mr. Fregelius might have borrowed the sketch for the use of the sculptor. But of all this, although it disturbed her, occurring as it did just when she hoped that Stella was beginning to be forgotten, she spoke not a word to Morris. "Least said, soonest mended," is a good if a homely motto, or so thought Mary.

The monument had been in place a year, but whenever he was at home Morris's visits to Mr. Fregelius did not grow fewer. Indeed, his wife noticed that, if anything, they increased in number, which, as the organ was now finished down to the last allegorical carvings of its case, seemed remarkable and unnecessary. Of course, the fact was that on these occasions the conversation invariably centred on one subject, and that subject, Stella. Considered in certain aspects, it must have been a piteous thing to see and hear these two men, each of them bereaved of one who to them above all others had been the nearest and dearest, trying to assuage their grief by mutual consolations. Morris had never told Mr. Fregelius all the depth of his attachment to his daughter, at least, not in actual, unmistakable words, although, as has been said, from the first her father took it for granted, and Morris, tacitly at any rate, had accepted the conclusion. Indeed, very soon he found that no other subject had such charms for his guest; that of Stella he might talk for ever without the least fear that Morris would be weary.

So the poor, childless, unfriended old man put aside the reserve and timidity which clothed him like a garment, and talked on into those sympathetic ears, knowing well, however—for the freemasonry of their common love taught it to him—that in the presence of a third person her name, no allusion to her, even, must pass his lips. In short, these conversations grew at length into a kind of seance or solemn rite; a joint offering to the dead of the best that they had to give, their tenderest thoughts and memories, made in solemn secrecy and with uplifted hearts and minds.

Mr. Fregelius was an historian, and possessed some interesting records, upon which it was his habit to descant. Amongst other things he instructed Morris in the annals of Stella's ancestry upon both sides, which, as it happened, could be traced back for many generations. In these discourses it grew plain to his listener whence had sprung certain of her qualities, such as her fearless attitude towards death, and her tendency towards mysticism. Here in these musty chronicles, far back in the times when those of whom they kept record were half, if not wholly, heathen, these same qualities could be discovered among her forbears.

Indeed, there was one woman of whom the saga told, a certain ancestress named Saevuna, whereof it is written "that she was of all women the very fairest, and that she drew the hearts of men with her wonderful eyes as the moon draws mists from a marsh," who, in some ways, might have been Stella herself, Stella unchristianized and savage.

This Saevuna's husband rebelled against the king of his country, and, being captured, was doomed to a shameful death by hanging as a traitor. Thereon, under pretence of bidding him farewell, she administered poison to him, partaking of the same herself; "and," continues the saga, "they both of them, until their pains overcame them, died singing a certain ancient song which had descended in the family of one of them, and is called the Song of the Over-Lord, or the Offering to Death. This song, while strength and voice remained to them, it is the duty of this family to say or sing, or so they hold it, in the hour of their death. But if they sing it, except by way of learning its words and music from their mothers, and escape death, it will not be for very long, seeing that when once the offering is laid upon his altar, the Over-Lord considers it his own, and, after the fashion of gods and men, takes it as soon as he can. So sweet and strange was the singing of this Saevuna until she choked that the king and his nobles came out to hear it, and all men thought it a great marvel that a woman should sing thus in the very pains of death. Moreover, they declared, many of them, that while the song went on they could think of nothing else, and that strange and wonderful visions passed before their eyes. But of this nobody can know the truth for certain, as the woman and her husband died long ago."

"You see," said Mr. Fregelius, when he had finished translating the passage aloud, "it is not wonderful that I thought it unlucky when I heard that you had found Stella singing this same song upon the ship, much as centuries ago her ancestress, Saevuna, sang it while she and her husband died."

"At any rate, the omen fulfilled itself," answered Morris, with a sigh, "and she, too, died with the song upon her lips, though I do not think that it had anything to do with these things, which were fated to befall."

"Well," said the clergyman, "the fate is fulfilled now, and the song will never be sung again. She was the last of her race, and it was a law among them that neither words nor music should ever be written down."

When such old tales and legends were exhausted, and, outside the immediate object of their search, some of them were of great interest to a man who, like Morris, had knowledge of Norse literature, and was delighted to discover in Mr. Fregelius a scholar acquainted with the original tongues in which they were written, these companions fell back upon other matters. But all of them had to do with Stella. One night the clergyman read some letters written by her as a child from Denmark. On another he produced certain dolls which she had dressed at the same period of her life in the costume of the peasants of that country. On a third he repeated a piece of rather indifferent poetry composed by her when she was a girl of sixteen. Its strange title was, "The Resurrection of Dead Roses." It told how in its author's fancy the flowers which were cut and cast away on earth bloomed again in heaven, never to wither more; a pretty allegory, but treated in a childish fashion.

Thus, then, from time to time, as occasion offered, did this strange pair celebrate the rites they thought so harmless, and upon the altar of memory make offerings to their dead.



CHAPTER XX

STELLA'S DIARY

It seems to be a law of life that nothing can stand completely still and changeless. All must vary, must progress or retrograde; the very rocks in the bowels of the earth undergo organic alterations, while the eternal hills that cover them increase or are worn away. Much more is this obvious in the case of ephemeral man, of his thoughts, his works, and everything wherewith he has to do, he who within the period of a few short years is doomed to appear, wax, wane, and vanish.

Even the conversations of Mr. Fregelius and Morris were subject to the working of this universal rule; and in obedience to it must travel towards a climax, either of fruition, however unexpected, or, their purpose served, whatever it may have been, to decay and death, for lack of food upon which to live and flourish. The tiniest groups of impulses or incidents have their goal as sure and as appointed as that of the cluster of vast globes which form a constellation. Between them the principal distinction seems to be one of size, and at present we are not in a position to say which may be the most important, the issue of the smallest of unrecorded causes, or of the travelling of the great worlds. The destiny of a single human soul shaped or directed by the one, for aught we know, may be of more weight and value than that of a multitude of hoary universes naked of life and spirit. Or perhaps to the Eye that sees and judges the difference is nothing.

Thus even these semi-secret interviews when two men met to talk over the details of a lost life with which, however profoundly it may have influenced them in the past, they appeared, so far as this world is concerned, to have nothing more to do, were destined to affect the future of one of them in a fashion that could scarcely have been foreseen. This became apparent, or put itself in the way of becoming apparent, when on a certain evening Morris found Mr. Fregelius seated in the rectory dining-room, and by his side a little pile of manuscript volumes bound in shabby cloth.

"What are those?" asked Morris. "Her translation of the Saga of the Cave Outlaws?"

"No, Morris," answered Mr. Fregelius—he called him Morris when they were alone—"of course not. Don't you remember that they were bound in red?" he added reproachfully, "and that we did them up to send to the publisher last week?"

"Yes, yes, of course; he wrote to me yesterday to say that he would be glad to bring out the book"—Morris did not add, "at my risk."—"But what are they?"

"They are," replied Mr. Fregelius, "her journals, which she appears to have kept ever since she was fourteen years of age. You remember she was going to London on the day that she was drowned—that Christmas Day? Well, before she went out to the old church she packed her belongings into two boxes, and there those boxes have lain for three years and more, because I could never find the heart to meddle with them. But, a few nights ago I wasn't able to sleep—I rest very badly now—so I went and undid them, lifting out all the things which her hands had put there. At the bottom of one of the boxes I found these volumes, except the last of them, in which she was writing till the day of her death. That was at the top. I was aware that she kept a diary, for I have seen her making the entries; but of its contents I knew nothing. In fact, until last night I had forgotten its existence."

"Have you read it now?" asked Morris.

"I have looked into it; it seems to be a history of her thoughts and theories. Facts are very briefly noted. It occurred to me that you might like to read it. Why not?"

"Yes, yes, very much," answered Morris eagerly. "That is, if you think she will not mind. You see, it is private."

Mr. Fregelius took no notice of the tense of which Morris made use, for the reason that it seemed natural to him that he should employ it. Their strange habit was to talk of Stella, not as we speak of one dead, but as a living individuality with whom they chanced for a while to be unable to communicate.

"I do not think that she will mind," he answered slowly; "quite the reverse, indeed. It is a record of a phase and period of her existence which, I believe, she might wish those who are—interested in her—to study, especially as she had no secrets that she could desire to conceal. From first to last I believe her life to have been as clear as the sky, and as pure as running water."

"Very well," answered Morris, "if I come across any passage that I think I ought not to read, I will skip."

"I can find nothing of the sort, or I would not give it to you," said Mr. Fregelius. "But, of course, I have not read the volumes through as yet. There has been no time for that. I have sampled them here and there, that is all."



That night Morris took those shabby note-books home with him. Mary, who according to her custom went to bed early, being by this time fast asleep, he retired to his laboratory in the old chapel, where it was his habit to sit, especially when, as at the present time, his father was away from home. Here, without wasting a moment, he began his study of them.

It was with very strange sensations, such as he had never before experienced, that he opened the first of the volumes, written some thirteen years earlier, that is, about ten years before Stella's death. Their actual acquaintance had been but brief. Now he was about to complete his knowledge of her, to learn many things which he had found no time, or had forgotten to inquire into, to discover the explanation of various phases of her character hitherto but half-revealed; perhaps to trace to its source the energy of that real, but mystic, faith with which it was informed. This diary that had come—or perhaps been sent to him—in so unexpected a fashion, was the key whereby he hoped to open the most hidden chambers of the heart of the woman whom he loved, and who loved him with all her strength and soul.

Little wonder, then, that he trembled upon the threshold of such a search. He was like the neophyte of some veiled religion, who, after long years of arduous labour and painful preparation, is at length conducted to the doors of its holy of holies, and left to enter there alone. What will he find beyond them? The secret he longed to learn, the seal and confirmation of his hard-won faith, or empty, baulking nothingness? Would the goddess herself, the unveiled Isis, wait to bless her votary within those doors? Or would that hall be tenanted but by a painted and bedizened idol, a thing fine with ivory and gold, but dead and soulless?

Might it not be better indeed to turn back while there was yet time, to be content to dwell on in the wide outer courts of the imagination, where faith is always possible, rather than to hazard all? No; it would, Morris felt, be best to learn the whole truth, especially as he was sure that it could not prove other than satisfying and beautiful. Blind must he have been indeed, and utterly without intuition if with every veil that was withdrawn from it the soul of Stella did not shine more bright.

Another question remained. Was it well that he should read these diaries? Was not his mind already full enough of Stella? If once he began to read, might it not be overladen? In short, Mary had dealt well by him; when those books were open in his hand, would he be dealing well by Mary? Answers—excellent answers—to these queries sprang up in his mind by dozens.

Stella was dead. "But you are sworn to her in death," commented the voice of Conscience. "Would you rob the living of your allegiance before the time?"

There was no possible harm in reading the records of the life and thoughts of a friend, or even of a love departed. "Yet," suggested the voice of Conscience, "are you so sure that this life is departed? Have you not at whiles felt its presence, that mysterious presence of the dead, so sweet, so heavy, and so unmistakable, with which at some time or other in their lives many have made acquaintance? Will not the study of this life cause that life to draw near? the absorption of those thoughts bring about the visits of other and greater thoughts, whereof they may have been, as it were, the seed?"

Anyone who knew its author would be interested to read this human document, the product of an intelligence singularly bright and clear; of a vision whose point of outlook was one of the highest and most spiritual peaks in the range of our human imaginings. "Quite so," agreed the voice of Conscience. "For instance, Mary would be delighted. Why not begin with her? In fact, why not peruse these pages together—it would lead to some interesting arguments? Why pore over them in this selfish manner all alone and at the dead of night when no one can possibly disturb you, or, since you have blocked the hagioscope, even see you? And why does the door of that safe stand open? Because of the risk of fire if anyone should chance to come in with a candle, I suppose. No, of course it would not be right to leave such books about; especially as they do not belong to you."

Then enraged, or at least seriously irritated, by these impertinent comments of his inner self upon himself, Morris bade Conscience to be gone to its own place. Next, after contemplating it for a while as Eve might have contemplated the apple, unmindful of a certain petition in the Lord's Prayer, he took up the volume marked I, and began to read the well-remembered hand-writing with its quaint mediaeval-looking contractions. Even at the age when its author had opened her diary, he noted that this writing was so tiny and neat that many of the pages might have been taken from a monkish missal. Also there were few corrections; what she set down was already determined in her mind.

From that time forward Morris sat up even later than usual, nor did he waste those precious solitary hours. But the diary covered ten full years of a woman's life, during all of which time certainly never a week passed without her making entries in it, some of them of considerable length. Thus it came about—for he skipped no word—that a full month had gone by before Morris closed the last volume and slipped it away into its hiding-place in the safe.

As Mr. Fregelius had said, the history was a history of thoughts and theories, rather than of facts, but notwithstanding this, perhaps on account of it, indeed, it was certainly a work which would have struck the severest and least interested critic as very remarkable. The prevailing note was that of vividness. What the writer had felt, what she had imagined, what she had desired, was all set out, frequently in but few words, with such crystal clearness, such incisive point, that it came home to the reader's thought as a flash of sudden light might come home to his eye. In a pre-eminent degree Stella possessed the gift of expression. Even her most abstruse self-communings and speculations were portrayed so sharply that their meaning could not possibly be mistaken. This it was that gave the book much of its value. Her thoughts were not vague, she could define them in her own consciousness, and, what is more rare, on paper.

So much for the form of the journal, its matter is not so easy to describe. At first, as might be expected from her years, it was somewhat childish in character, but not on that account the less sweet and fragrant of a child's poor heart. Here with stern accuracy were recorded her little faults of omission and commission—how she had answered crossly; how she had not done her duty; varied occasionally with short poems, some copied, some of her own composition, and prayers also of her making, one or two of them very touching and beautiful. From time to time, too—indeed this habit clung to her to the last—she introduced into her diary descriptions of scenery, generally short and detached, but set there evidently because she wished to preserve a sketch in words of some sight that had moved her mind.