Enoch Dunlap

How many times, during the twenty years I was your leader, friends of Spoon River, Did you neglect the convention and caucus, And leave the burden on my hands Of guarding and saving the people's cause?— Sometimes because you were ill; Or your grandmother was ill; Or you drank too much and fell asleep; Or else you said: "He is our leader, All will be well; he fights for us; We have nothing to do but follow." But oh, how you cursed me when I fell, And cursed me, saying I had betrayed you, In leaving the caucus room for a moment, When the people's enemies, there assembled, Waited and watched for a chance to destroy The Sacred Rights of the People. You common rabble! I left the caucus To go to the urinal.



Ida Frickey

NOTHING in life is alien to you: I was a penniless girl from Summum Who stepped from the morning train in Spoon River. All the houses stood before me with closed doors And drawn shades—l was barred out; I had no place or part in any of them. And I walked past the old McNeely mansion, A castle of stone 'mid walks and gardens With workmen about the place on guard And the County and State upholding it For its lordly owner, full of pride. I was so hungry I had a vision: I saw a giant pair of scissors Dip from the sky, like the beam of a dredge, And cut the house in two like a curtain. But at the "Commercial" I saw a man Who winked at me as I asked for work— It was Wash McNeely's son. He proved the link in the chain of title To half my ownership of the mansion, Through a breach of promise suit—the scissors. So, you see, the house, from the day I was born, Was only waiting for me.



Seth Compton

WHEN I died, the circulating library Which I built up for Spoon River, And managed for the good of inquiring minds, Was sold at auction on the public square, As if to destroy the last vestige Of my memory and influence. For those of you who could not see the virtue Of knowing Volney's "Ruins" as well as Butler's "Analogy" And "Faust" as well as "Evangeline," Were really the power in the village, And often you asked me "What is the use of knowing the evil in the world?" I am out of your way now, Spoon River, Choose your own good and call it good. For I could never make you see That no one knows what is good Who knows not what is evil; And no one knows what is true Who knows not what is false.



Felix Schmidt

IT was only a little house of two rooms— Almost like a child's play-house— With scarce five acres of ground around it; And I had so many children to feed And school and clothe, and a wife who was sick From bearing children. One day lawyer Whitney came along And proved to me that Christian Dallman, Who owned three thousand acres of land, Had bought the eighty that adjoined me In eighteen hundred and seventy-one For eleven dollars, at a sale for taxes, While my father lay in his mortal illness. So the quarrel arose and I went to law. But when we came to the proof, A survey of the land showed clear as day That Dallman's tax deed covered my ground And my little house of two rooms. It served me right for stirring him up. I lost my case and lost my place. I left the court room and went to work As Christian Dallman's tenant.



Richard Bone

When I first came to Spoon River I did not know whether what they told me Was true or false. They would bring me the epitaph And stand around the shop while I worked And say "He was so kind," "He was so wonderful," "She was the sweetest woman," "He was a consistent Christian." And I chiseled for them whatever they wished, All in ignorance of the truth. But later, as I lived among the people here, I knew how near to the life Were the epitaphs that were ordered for them as they died. But still I chiseled whatever they paid me to chisel And made myself party to the false chronicles Of the stones, Even as the historian does who writes Without knowing the truth, Or because he is influenced to hide it.



Silas Dement

It was moon-light, and the earth sparkled With new-fallen frost. It was midnight and not a soul abroad. Out of the chimney of the court-house A gray-hound of smoke leapt and chased The northwest wind. I carried a ladder to the landing of the stairs And leaned it against the frame of the trap-door In the ceiling of the portico, And I crawled under the roof and amid the rafters And flung among the seasoned timbers A lighted handful of oil-soaked waste. Then I came down and slunk away. In a little while the fire-bell rang— Clang! Clang! Clang! And the Spoon River ladder company Came with a dozen buckets and began to pour water On the glorious bon-fire, growing hotter Higher and brighter, till the walls fell in And the limestone columns where Lincoln stood Crashed like trees when the woodman fells them. When I came back from Joliet There was a new court house with a dome. For I was punished like all who destroy The past for the sake of the future.



Dillard Sissman

THE buzzards wheel slowly In wide circles, in a sky Faintly hazed as from dust from the road. And a wind sweeps through the pasture where I lie Beating the grass into long waves. My kite is above the wind, Though now and then it wobbles, Like a man shaking his shoulders; And the tail streams out momentarily, Then sinks to rest. And the buzzards wheel and wheel, Sweeping the zenith with wide circles Above my kite. And the hills sleep. And a farm house, white as snow, Peeps from green trees—far away. And I watch my kite, For the thin moon will kindle herself ere long, Then she will swing like a pendulum dial To the tail of my kite. A spurt of flame like a water-dragon Dazzles my eyes— I am shaken as a banner.



E. C. Culbertson

Is it true, Spoon River, That in the hall—way of the New Court House There is a tablet of bronze Containing the embossed faces Of Editor Whedon and Thomas Rhodes? And is it true that my successful labors In the County Board, without which Not one stone would have been placed on another, And the contributions out of my own pocket To build the temple, are but memories among the people, Gradually fading away, and soon to descend With them to this oblivion where I lie? In truth, I can so believe. For it is a law of the Kingdom of Heaven That whoso enters the vineyard at the eleventh hour Shall receive a full day's pay. And it is a law of the Kingdom of this World That those who first oppose a good work Seize it and make it their own, When the corner—stone is laid, And memorial tablets are erected.



Shack Dye

THE white men played all sorts of jokes on me. They took big fish off my hook And put little ones on, while I was away Getting a stringer, and made me believe I hadn't seen aright the fish I had caught. When Burr Robbins, circus came to town They got the ring master to let a tame leopard Into the ring, and made me believe I was whipping a wild beast like Samson When I, for an offer of fifty dollars, Dragged him out to his cage. One time I entered my blacksmith shop And shook as I saw some horse-shoes crawling Across the floor, as if alive— Walter Simmons had put a magnet Under the barrel of water. Yet everyone of you, you white men, Was fooled about fish and about leopards too, And you didn't know any more than the horse-shoes did What moved you about Spoon River.



Hildrup Tubbs

I MADE two fights for the people. First I left my party, bearing the gonfalon Of independence, for reform, and was defeated. Next I used my rebel strength To capture the standard of my old party— And I captured it, but I was defeated. Discredited and discarded, misanthropical, I turned to the solace of gold And I used my remnant of power To fasten myself like a saprophyte Upon the putrescent carcass Of Thomas Rhodes, bankrupt bank, As assignee of the fund. Everyone now turned from me. My hair grew white, My purple lusts grew gray, Tobacco and whisky lost their savor And for years Death ignored me As he does a hog.



Henry Tripp

THE bank broke and I lost my savings. I was sick of the tiresome game in Spoon River And I made up my mind to run away And leave my place in life and my family; But just as the midnight train pulled in, Quick off the steps jumped Cully Green And Martin Vise, and began to fight To settle their ancient rivalry, Striking each other with fists that sounded Like the blows of knotted clubs. Now it seemed to me that Cully was winning, When his bloody face broke into a grin Of sickly cowardice, leaning on Martin And whining out "We're good friends, Mart, You know that I'm your friend." But a terrible punch from Martin knocked him Around and around and into a heap. And then they arrested me as a witness, And I lost my train and staid in Spoon River To wage my battle of life to the end. Oh, Cully Green, you were my savior— You, so ashamed and drooped for years, Loitering listless about the streets, And tying rags round your festering soul, Who failed to fight it out.



Granville Calhoun

I WANTED to be County Judge One more term, so as to round out a service Of thirty years. But my friends left me and joined my enemies, And they elected a new man. Then a spirit of revenge seized me, And I infected my four sons with it, And I brooded upon retaliation, Until the great physician, Nature, Smote me through with paralysis To give my soul and body a rest. Did my sons get power and money? Did they serve the people or yoke them, To till and harvest fields of self? For how could they ever forget My face at my bed-room window, Sitting helpless amid my golden cages Of singing canaries, Looking at the old court-house?



Henry C. Calhoun

I REACHED the highest place in Spoon River, But through what bitterness of spirit! The face of my father, sitting speechless, Child-like, watching his canaries, And looking at the court-house window Of the county judge's room, And his admonitions to me to seek My own in life, and punish Spoon River To avenge the wrong the people did him, Filled me with furious energy To seek for wealth and seek for power. But what did he do but send me along The path that leads to the grove of the Furies? I followed the path and I tell you this: On the way to the grove you'll pass the Fates, Shadow-eyed, bent over their weaving. Stop for a moment, and if you see The thread of revenge leap out of the shuttle Then quickly snatch from Atropos The shears and cut it, lest your sons And the children of them and their children Wear the envenomed robe.



Alfred Moir

WHY was I not devoured by self-contempt, And rotted down by indifference And impotent revolt like Indignation Jones? Why, with all of my errant steps Did I miss the fate of Willard Fluke? And why, though I stood at Burchard's bar, As a sort of decoy for the house to the boys To buy the drinks, did the curse of drink Fall on me like rain that runs off, Leaving the soul of me dry and clean? And why did I never kill a man Like Jack McGuire? But instead I mounted a little in life, And I owe it all to a book I read. But why did I go to Mason City, Where I chanced to see the book in a window, With its garish cover luring my eye? And why did my soul respond to the book, As I read it over and over?



Perry Zoll

MY thanks, friends of the County Scientific Association, For this modest boulder, And its little tablet of bronze. Twice I tried to join your honored body, And was rejected And when my little brochure On the intelligence of plants Began to attract attention You almost voted me in. After that I grew beyond the need of you And your recognition. Yet I do not reject your memorial stone Seeing that I should, in so doing, Deprive you of honor to yourselves.



Magrady Graham

TELL me, was Altgeld elected Governor? For when the returns began to come in And Cleveland was sweeping the East It was too much for you, poor old heart, Who had striven for democracy In the long, long years of defeat. And like a watch that is worn I felt you growing slower until you stopped. Tell me, was Altgeld elected, And what did he do? Did they bring his head on a platter to a dancer, Or did he triumph for the people? For when I saw him And took his hand, The child-like blueness of his eyes Moved me to tears, And there was an air of eternity about him, Like the cold, clear light that rests at dawn On the hills!



Archibald Higbie

I LOATHED YOU, Spoon River. I tried to rise above you, I was ashamed of you. I despised you As the place of my nativity. And there in Rome, among the artists, Speaking Italian, speaking French, I seemed to myself at times to be free Of every trace of my origin. I seemed to be reaching the heights of art And to breathe the air that the masters breathed And to see the world with their eyes. But still they'd pass my work and say: "What are you driving at, my friend? Sometimes the face looks like Apollo's At others it has a trace of Lincoln's." There was no culture, you know, in Spoon River And I burned with shame and held my peace. And what could I do, all covered over And weighted down with western soil Except aspire, and pray for another Birth in the world, with all of Spoon River Rooted out of my soul?



Tom Merritt

AT first I suspected something— She acted so calm and absent-minded. And one day I heard the back door shut As I entered the front, and I saw him slink Back of the smokehouse into the lot And run across the field. And I meant to kill him on sight. But that day, walking near Fourth Bridge Without a stick or a stone at hand, All of a sudden I saw him standing Scared to death, holding his rabbits, And all I could say was, "Don't, Don't, Don't," As he aimed and fired at my heart.



Mrs. Merritt

SILENT before the jury Returning no word to the judge when he asked me If I had aught to say against the sentence, Only shaking my head. What could I say to people who thought That a woman of thirty-five was at fault When her lover of nineteen killed her husband? Even though she had said to him over and over, "Go away, Elmer, go far away, I have maddened your brain with the gift of my body: You will do some terrible thing." And just as I feared, he killed my husband; With which I had nothing to do, before God Silent for thirty years in prison And the iron gates of Joliet Swung as the gray and silent trusties Carried me out in a coffin.



Elmer Karr

WHAT but the love of God could have softened And made forgiving the people of Spoon River Toward me who wronged the bed of Thomas Merritt And murdered him beside? Oh, loving hearts that took me in again When I returned from fourteen years in prison! Oh, helping hands that in the church received me And heard with tears my penitent confession, Who took the sacrament of bread and wine! Repent, ye living ones, and rest with Jesus.



Elizabeth Childers

DUST of my dust, And dust with my dust, O, child who died as you entered the world, Dead with my death! Not knowing Breath, though you tried so hard, With a heart that beat when you lived with me, And stopped when you left me for Life. It is well, my child. For you never traveled The long, long way that begins with school days, When little fingers blur under the tears That fall on the crooked letters. And the earliest wound, when a little mate Leaves you alone for another; And sickness, and the face of Fear by the bed; The death of a father or mother; Or shame for them, or poverty; The maiden sorrow of school days ended; And eyeless Nature that makes you drink From the cup of Love, though you know it's poisoned; To whom would your flower-face have been lifted? Botanist, weakling? Cry of what blood to yours?— Pure or foul, for it makes no matter, It's blood that calls to our blood. And then your children—oh, what might they be? And what your sorrow? Child! Child Death is better than Life.



Edith Conant

WE stand about this place—we, the memories; And shade our eyes because we dread to read: "June 17th, 1884, aged 21 years and 3 days." And all things are changed. And we—we, the memories, stand here for ourselves alone, For no eye marks us, or would know why we are here. Your husband is dead, your sister lives far away, Your father is bent with age; He has forgotten you, he scarcely leaves the house Any more. No one remembers your exquisite face, Your lyric voice! How you sang, even on the morning you were stricken, With piercing sweetness, with thrilling sorrow, Before the advent of the child which died with you. It is all forgotten, save by us, the memories, Who are forgotten by the world. All is changed, save the river and the hill— Even they are changed. Only the burning sun and the quiet stars are the same. And we—we, the memories, stand here in awe, Our eyes closed with the weariness of tears— In immeasurable weariness



Father Malloy

YOU are over there, Father Malloy, Where holy ground is, and the cross marks every grave, Not here with us on the hill— Us of wavering faith, and clouded vision And drifting hope, and unforgiven sins. You were so human, Father Malloy, Taking a friendly glass sometimes with us, Siding with us who would rescue Spoon River From the coldness and the dreariness of village morality. You were like a traveler who brings a little box of sand From the wastes about the pyramids And makes them real and Egypt real. You were a part of and related to a great past, And yet you were so close to many of us. You believed in the joy of life. You did not seem to be ashamed of the flesh. You faced life as it is, And as it changes. Some of us almost came to you, Father Malloy, Seeing how your church had divined the heart, And provided for it, Through Peter the Flame, Peter the Rock.



Ami Green

NOT "a youth with hoary head and haggard eye", But an old man with a smooth skin And black hair! I had the face of a boy as long as I lived, And for years a soul that was stiff and bent, In a world which saw me just as a jest, To be hailed familiarly when it chose, And loaded up as a man when it chose, Being neither man nor boy. In truth it was soul as well as body Which never matured, and I say to you That the much-sought prize of eternal youth Is just arrested growth.



Calvin Campbell

YE who are kicking against Fate, Tell me how it is that on this hill-side Running down to the river, Which fronts the sun and the south-wind, This plant draws from the air and soil Poison and becomes poison ivy? And this plant draws from the same air and soil Sweet elixirs and colors and becomes arbutus? And both flourish? You may blame Spoon River for what it is, But whom do you blame for the will in you That feeds itself and makes you dock-weed, Jimpson, dandelion or mullen And which can never use any soil or air So as to make you jessamine or wistaria?



Henry Layton

WHOEVER thou art who passest by Know that my father was gentle, And my mother was violent, While I was born the whole of such hostile halves, Not intermixed and fused, But each distinct, feebly soldered together. Some of you saw me as gentle, Some as violent, Some as both. But neither half of me wrought my ruin. It was the falling asunder of halves, Never a part of each other, That left me a lifeless soul.



Harlan Sewall

You never understood, O unknown one, Why it was I repaid Your devoted friendship and delicate ministrations First with diminished thanks, Afterward by gradually withdrawing my presence from you, So that I might not be compelled to thank you, And then with silence which followed upon Our final Separation. You had cured my diseased soul. But to cure it You saw my disease, you knew my secret, And that is why I fled from you. For though when our bodies rise from pain We kiss forever the watchful hands That gave us wormwood, while we shudder For thinking of the wormwood, A soul that's cured is a different matter, For there we'd blot from memory The soft—toned words, the searching eyes, And stand forever oblivious, Not so much of the sorrow itself As of the hand that healed it.



Ippolit Konovaloff

I WAS a gun-smith in Odessa. One night the police broke in the room Where a group of us were reading Spencer. And seized our books and arrested us. But I escaped and came to New York And thence to Chicago, and then to Spoon River, Where I could study my Kant in peace And eke out a living repairing guns Look at my moulds! My architectonics One for a barrel, one for a hammer And others for other parts of a gun! Well, now suppose no gun—smith living Had anything else but duplicate moulds Of these I show you—well, all guns Would be just alike, with a hammer to hit The cap and a barrel to carry the shot All acting alike for themselves, and all Acting against each other alike. And there would be your world of guns! Which nothing could ever free from itself Except a Moulder with different moulds To mould the metal over.



Henry Phipps

I WAS the Sunday-school superintendent, The dummy president of the wagon works And the canning factory, Acting for Thomas Rhodes and the banking clique; My son the cashier of the bank, Wedded to Rhodes, daughter, My week days spent in making money, My Sundays at church and in prayer. In everything a cog in the wheel of things—as—they-are: Of money, master and man, made white With the paint of the Christian creed. And then: The bank collapsed. I stood and hooked at the wrecked machine— The wheels with blow-holes stopped with putty and painted; The rotten bolts, the broken rods; And only the hopper for souls fit to be used again In a new devourer of life, When newspapers, judges and money-magicians Build over again. I was stripped to the bone, but I lay in the Rock of Ages, Seeing now through the game, no longer a dupe, And knowing "'the upright shall dwell in the land But the years of the wicked shall be shortened." Then suddenly, Dr. Meyers discovered A cancer in my liver. I was not, after all, the particular care of God Why, even thus standing on a peak Above the mists through which I had climbed, And ready for larger life in the world, Eternal forces Moved me on with a push.



Harry Wilmans

I WAS just turned twenty-one, And Henry Phipps, the Sunday-school superintendent, Made a speech in Bindle's Opera House. "The honor of the flag must be upheld," he said, "Whether it be assailed by a barbarous tribe of Tagalogs Or the greatest power in Europe." And we cheered and cheered the speech and the flag he waved As he spoke. And I went to the war in spite of my father, And followed the flag till I saw it raised By our camp in a rice field near Manila, And all of us cheered and cheered it. But there were flies and poisonous things; And there was the deadly water, And the cruel heat, And the sickening, putrid food; And the smell of the trench just back of the tents Where the soldiers went to empty themselves; And there were the whores who followed us, full of syphilis; And beastly acts between ourselves or alone, With bullying, hatred, degradation among us, And days of loathing and nights of fear To the hour of the charge through the steaming swamp, Following the flag, Till I fell with a scream, shot through the guts. Now there's a flag over me in Spoon River. A flag! A flag!



John Wasson

OH! the dew-wet grass of the meadow in North Carolina Through which Rebecca followed me wailing, wailing, One child in her arms, and three that ran along wailing, Lengthening out the farewell to me off to the war with the British, And then the long, hard years down to the day of Yorktown. And then my search for Rebecca, Finding her at last in Virginia, Two children dead in the meanwhile. We went by oxen to Tennessee, Thence after years to Illinois, At last to Spoon River. We cut the buffalo grass, We felled the forests, We built the school houses, built the bridges, Leveled the roads and tilled the fields Alone with poverty, scourges, death— If Harry Wilmans who fought the Filipinos Is to have a flag on his grave Take it from mine.



Many Soldiers

THE idea danced before us as a flag; The sound of martial music; The thrill of carrying a gun; Advancement in the world on coming home; A glint of glory, wrath for foes; A dream of duty to country or to God. But these were things in ourselves, shining before us, They were not the power behind us, Which was the Almighty hand of Life, Like fire at earth's center making mountains, Or pent up waters that cut them through. Do you remember the iron band The blacksmith, Shack Dye, welded Around the oak on Bennet's lawn, From which to swing a hammock, That daughter Janet might repose in, reading On summer afternoons? And that the growing tree at last Sundered the iron band? But not a cell in all the tree Knew aught save that it thrilled with life, Nor cared because the hammock fell In the dust with Milton's Poems.



Godwin James

HARRY WILMANS! You who fell in a swamp Near Manila, following the flag You were not wounded by the greatness of a dream, Or destroyed by ineffectual work, Or driven to madness by Satanic snags; You were not torn by aching nerves, Nor did you carry great wounds to your old age. You did not starve, for the government fed you. You did not suffer yet cry "forward" To an army which you led Against a foe with mocking smiles, Sharper than bayonets. You were not smitten down By invisible bombs. You were not rejected By those for whom you were defeated. You did not eat the savorless bread Which a poor alchemy had made from ideals. You went to Manila, Harry Wilmans, While I enlisted in the bedraggled army Of bright-eyed, divine youths, Who surged forward, who were driven back and fell Sick, broken, crying, shorn of faith, Following the flag of the Kingdom of Heaven. You and I, Harry Wilmans, have fallen In our several ways, not knowing Good from bad, defeat from victory, Nor what face it is that smiles Behind the demoniac mask.



Lyman King

YOU may think, passer-by, that Fate Is a pit-fall outside of yourself, Around which you may walk by the use of foresight And wisdom. Thus you believe, viewing the lives of other men, As one who in God-like fashion bends over an anthill, Seeing how their difficulties could be avoided. But pass on into life: In time you shall see Fate approach you In the shape of your own image in the mirror; Or you shall sit alone by your own hearth, And suddenly the chair by you shall hold a guest, And you shall know that guest And read the authentic message of his eyes.



Caroline Branson

WITH our hearts like drifting suns, had we but walked, As often before, the April fields till star—light Silkened over with viewless gauze the darkness Under the cliff, our trysting place in the wood, Where the brook turns! Had we but passed from wooing Like notes of music that run together, into winning, In the inspired improvisation of love! But to put back of us as a canticle ended The rapt enchantment of the flesh, In which our souls swooned, down, down, Where time was not, nor space, nor ourselves— Annihilated in love! To leave these behind for a room with lamps: And to stand with our Secret mocking itself, And hiding itself amid flowers and mandolins, Stared at by all between salad and coffee. And to see him tremble, and feel myself Prescient, as one who signs a bond— Not flaming with gifts and pledges heaped With rosy hands over his brow. And then, O night! deliberate! unlovely! With all of our wooing blotted out by the winning, In a chosen room in an hour that was known to all! Next day he sat so listless, almost cold So strangely changed, wondering why I wept, Till a kind of sick despair and voluptuous madness Seized us to make the pact of death. A stalk of the earth-sphere, Frail as star-light; Waiting to be drawn once again Into creation's stream. But next time to be given birth Gazed at by Raphael and St. Francis Sometimes as they pass. For I am their little brother, To be known clearly face to face Through a cycle of birth hereafter run. You may know the seed and the soil; You may feel the cold rain fall, But only the earth—sphere, only heaven Knows the secret of the seed In the nuptial chamber under the soil. Throw me into the stream again, Give me another trial— Save me, Shelley!



Anne Rutledge

OUT of me unworthy and unknown The vibrations of deathless music; "With malice toward none, with charity for all.', Out of me the forgiveness of millions toward millions, And the beneficent face of a nation Shining with justice and truth. I am Anne Rutledge who sleep beneath these weeds, Beloved in life of Abraham Lincoln, Wedded to him, not through union, But through separation. Bloom forever, O Republic, From the dust of my bosom!



Hamlet Micure

IN a lingering fever many visions come to you: I was in the little house again With its great yard of clover Running down to the board-fence, Shadowed by the oak tree, Where we children had our swing. Yet the little house was a manor hall Set in a lawn, and by the lawn was the sea. I was in the room where little Paul Strangled from diphtheria, But yet it was not this room— It was a sunny verandah enclosed With mullioned windows And in a chair sat a man in a dark cloak With a face like Euripides. He had come to visit me, or I had gone to visit him—I could not tell. We could hear the beat of the sea, the clover nodded Under a summer wind, and little Paul came With clover blossoms to the window and smiled. Then I said: "What is "divine despair" Alfred?" "Have you read 'Tears, Idle Tears'?" he asked. "Yes, but you do not there express divine despair." "My poor friend," he answered, "that was why the despair Was divine."



Mabel Osborne

YOUR red blossoms amid green leaves Are drooping, beautiful geranium! But you do not ask for water. You cannot speak! You do not need to speak— Everyone knows that you are dying of thirst, Yet they do not bring water! They pass on, saying: "The geranium wants water." And I, who had happiness to share And longed to share your happiness; I who loved you, Spoon River, And craved your love, Withered before your eyes, Spoon River— Thirsting, thirsting, Voiceless from chasteness of soul to ask you for love, You who knew and saw me perish before you, Like this geranium which someone has planted over me, And left to die.



William H. Herndon

THERE by the window in the old house Perched on the bluff, overlooking miles of valley, My days of labor closed, sitting out life's decline, Day by day did I look in my memory, As one who gazes in an enchantress' crystal globe, And I saw the figures of the past As if in a pageant glassed by a shining dream, Move through the incredible sphere of time. And I saw a man arise from the soil like a fabled giant And throw himself over a deathless destiny, Master of great armies, head of the republic, Bringing together into a dithyramb of recreative song The epic hopes of a people; At the same time Vulcan of sovereign fires, Where imperishable shields and swords were beaten out From spirits tempered in heaven. Look in the crystal! See how he hastens on To the place where his path comes up to the path Of a child of Plutarch and Shakespeare. O Lincoln, actor indeed, playing well your part And Booth, who strode in a mimic play within the play, Often and often I saw you, As the cawing crows winged their way to the wood Over my house—top at solemn sunsets, There by my window, Alone.



Rutherford McDowell

THEY brought me ambrotypes Of the old pioneers to enlarge. And sometimes one sat for me— Some one who was in being When giant hands from the womb of the world Tore the republic. What was it in their eyes?— For I could never fathom That mystical pathos of drooped eyelids, And the serene sorrow of their eyes. It was like a pool of water, Amid oak trees at the edge of a forest, Where the leaves fall, As you hear the crow of a cock From a far—off farm house, seen near the hills Where the third generation lives, and the strong men And the strong women are gone and forgotten. And these grand—children and great grand-children Of the pioneers! Truly did my camera record their faces, too, With so much of the old strength gone, And the old faith gone, And the old mastery of life gone, And the old courage gone, Which labors and loves and suffers and sings Under the sun!



Hannah Armstrong

I WROTE him a letter asking him for old times, sake To discharge my sick boy from the army; But maybe he couldn't read it. Then I went to town and had James Garber, Who wrote beautifully, write him a letter. But maybe that was lost in the mails. So I traveled all the way to Washington. I was more than an hour finding the White House. And when I found it they turned me away, Hiding their smiles. Then I thought: "Oh, well, he ain't the same as when I boarded him And he and my husband worked together And all of us called him Abe, there in Menard." As a last attempt I turned to a guard and said: "Please say it's old Aunt Hannah Armstrong From Illinois, come to see him about her sick boy In the army." Well, just in a moment they let me in! And when he saw me he broke in a laugh, And dropped his business as president, And wrote in his own hand Doug's discharge, Talking the while of the early days, And telling stories.



Lucinda Matlock

I WENT to the dances at Chandlerville, And played snap-out at Winchester. One time we changed partners, Driving home in the moonlight of middle June, And then I found Davis. We were married and lived together for seventy years, Enjoying, working, raising the twelve children, Eight of whom we lost Ere I had reached the age of sixty. I spun, I wove, I kept the house, I nursed the sick, I made the garden, and for holiday Rambled over the fields where sang the larks, And by Spoon River gathering many a shell, And many a flower and medicinal weed— Shouting to the wooded hills, singing to the green valleys. At ninety—six I had lived enough, that is all, And passed to a sweet repose. What is this I hear of sorrow and weariness, Anger, discontent and drooping hopes? Degenerate sons and daughters, Life is too strong for you— It takes life to love Life.



Davis Matlock

SUPPOSE it is nothing but the hive: That there are drones and workers And queens, and nothing but storing honey— (Material things as well as culture and wisdom)— For the next generation, this generation never living, Except as it swarms in the sun-light of youth, Strengthening its wings on what has been gathered, And tasting, on the way to the hive From the clover field, the delicate spoil. Suppose all this, and suppose the truth: That the nature of man is greater Than nature's need in the hive; And you must bear the burden of life, As well as the urge from your spirit's excess— Well, I say to live it out like a god Sure of immortal life, though you are in doubt, Is the way to live it. If that doesn't make God proud of you Then God is nothing but gravitation Or sleep is the golden goal.



Jennie M'Grew

NOT, where the stairway turns in the dark A hooded figure, shriveled under a flowing cloak! Not yellow eyes in the room at night, Staring out from a surface of cobweb gray! And not the flap of a condor wing When the roar of life in your ears begins As a sound heard never before! But on a sunny afternoon, By a country road, Where purple rag-weeds bloom along a straggling fence And the field is gleaned, and the air is still To see against the sun-light something black Like a blot with an iris rim— That is the sign to eyes of second sight. . . And that I saw!



Columbus Cheney

THIS weeping willow! Why do you not plant a few For the millions of children not yet born, As well as for us? Are they not non-existent, or cells asleep Without mind? Or do they come to earth, their birth Rupturing the memory of previous being? Answer! The field of unexplored intuition is yours. But in any case why not plant willows for them, As well as for us? Marie Bateson You observe the carven hand With the index finger pointing heavenward. That is the direction, no doubt. But how shall one follow it? It is well to abstain from murder and lust, To forgive, do good to others, worship God Without graven images. But these are external means after all By which you chiefly do good to yourself. The inner kernel is freedom, It is light, purity— I can no more, Find the goal or lose it, according to your vision.



Tennessee Claflin Shope

I WAS the laughing-stock of the village, Chiefly of the people of good sense, as they call themselves— Also of the learned, like Rev. Peet, who read Greek The same as English. For instead of talking free trade, Or preaching some form of baptism; Instead of believing in the efficacy Of walking cracks, picking up pins the right way, Seeing the new moon over the right shoulder, Or curing rheumatism with blue glass, I asserted the sovereignty of my own soul. Before Mary Baker G. Eddy even got started With what she called science I had mastered the "Bhagavad Gita," And cured my soul, before Mary Began to cure bodies with souls— Peace to all worlds!



Imanuel Ehrenhardt

I BEGAN with Sir William Hamilton's lectures. Then studied Dugald Stewart; And then John Locke on the Understanding, And then Descartes, Fichte and Schelling, Kant and then Schopenhauer— Books I borrowed from old Judge Somers. All read with rapturous industry Hoping it was reserved to me To grasp the tail of the ultimate secret, And drag it out of its hole. My soul flew up ten thousand miles And only the moon looked a little bigger. Then I fell back, how glad of the earth! All through the soul of William Jones Who showed me a letter of John Muir.



Samuel Gardner

I WHO kept the greenhouse, Lover of trees and flowers, Oft in life saw this umbrageous elm, Measuring its generous branches with my eye, And listened to its rejoicing leaves Lovingly patting each other With sweet aeolian whispers. And well they might: For the roots had grown so wide and deep That the soil of the hill could not withhold Aught of its virtue, enriched by rain, And warmed by the sun; But yielded it all to the thrifty roots, Through which it was drawn and whirled to the trunk, And thence to the branches, and into the leaves, Wherefrom the breeze took life and sang. Now I, an under—tenant of the earth, can see That the branches of a tree Spread no wider than its roots. And how shall the soul of a man Be larger than the life he has lived?



Dow Kritt

SAMUEL is forever talking of his elm— But I did not need to die to learn about roots: I, who dug all the ditches about Spoon River. Look at my elm! Sprung from as good a seed as his, Sown at the same time, It is dying at the top: Not from lack of life, nor fungus, Nor destroying insect, as the sexton thinks. Look, Samuel, where the roots have struck rock, And can no further spread. And all the while the top of the tree Is tiring itself out, and dying, Trying to grow.



William Jones

ONCE in a while a curious weed unknown to me, Needing a name from my books; Once in a while a letter from Yeomans. Out of the mussel-shells gathered along the shore Sometimes a pearl with a glint like meadow rue: Then betimes a letter from Tyndall in England, Stamped with the stamp of Spoon River. I, lover of Nature, beloved for my love of her, Held such converse afar with the great Who knew her better than I. Oh, there is neither lesser nor greater, Save as we make her greater and win from her keener delight. With shells from the river cover me, cover me. I lived in wonder, worshipping earth and heaven. I have passed on the march eternal of endless life.



William Goode

To all in the village I seemed, no doubt, To go this way and that way, aimlessly. . But here by the river you can see at twilight The soft—winged bats fly zig-zag here and there— They must fly so to catch their food. And if you have ever lost your way at night, In the deep wood near Miller's Ford, And dodged this way and now that, Wherever the light of the Milky Way shone through, Trying to find the path, You should understand I sought the way With earnest zeal, and all my wanderings Were wanderings in the quest.



J. Milton Miles

WHENEVER the Presbyterian bell Was rung by itself, I knew it as the Presbyterian bell. But when its sound was mingled With the sound of the Methodist, the Christian, The Baptist and the Congregational, I could no longer distinguish it, Nor any one from the others, or either of them. And as many voices called to me in life Marvel not that I could not tell The true from the false, Nor even, at last, the voice that I should have known.



Faith Matheny

AT first you will know not what they mean, And you may never know, And we may never tell you:— These sudden flashes in your soul, Like lambent lightning on snowy clouds At midnight when the moon is full. They come in solitude, or perhaps You sit with your friend, and all at once A silence falls on speech, and his eyes Without a flicker glow at you:— You two have seen the secret together, He sees it in you, and you in him. And there you sit thrilling lest the Mystery Stand before you and strike you dead With a splendor like the sun's. Be brave, all souls who have such visions As your body's alive as mine is dead, You're catching a little whiff of the ether Reserved for God Himself.



Willie Metcalf

I WAS Willie Metcalf. They used to call me "Doctor Meyers," Because, they said, I looked like him. And he was my father, according to Jack McGuire. I lived in the livery stable, Sleeping on the floor Side by side with Roger Baughman's bulldog, Or sometimes in a stall. I could crawl between the legs of the wildest horses Without getting kicked—we knew each other. On spring days I tramped through the country To get the feeling, which I sometimes lost, That I was not a separate thing from the earth. I used to lose myself, as if in sleep, By lying with eyes half-open in the woods. Sometimes I talked with animals—even toads and snakes— Anything that had an eye to look into. Once I saw a stone in the sunshine Trying to turn into jelly. In April days in this cemetery The dead people gathered all about me, And grew still, like a congregation in silent prayer. I never knew whether I was a part of the earth With flowers growing in me, or whether I walked— Now I know.



Willie Pennington

THEY called me the weakling, the simpleton, For my brothers were strong and beautiful, While I, the last child of parents who had aged, Inherited only their residue of power. But they, my brothers, were eaten up In the fury of the flesh, which I had not, Made pulp in the activity of the senses, which I had not, Hardened by the growth of the lusts, which I had not, Though making names and riches for themselves. Then I, the weak one, the simpleton, Resting in a little corner of life, Saw a vision, and through me many saw the vision, Not knowing it was through me. Thus a tree sprang From me, a mustard seed.



The Village Atheist

YE young debaters over the doctrine Of the soul's immortality I who lie here was the village atheist, Talkative, contentious, versed in the arguments Of the infidels. But through a long sickness Coughing myself to death I read the Upanishads and the poetry of Jesus. And they lighted a torch of hope and intuition And desire which the Shadow Leading me swiftly through the caverns of darkness, Could not extinguish. Listen to me, ye who live in the senses And think through the senses only: Immortality is not a gift, Immortality is an achievement; And only those who strive mightily Shall possess it.



John Ballard

IN the lust of my strength I cursed God, but he paid no attention to me: I might as well have cursed the stars. In my last sickness I was in agony, but I was resolute And I cursed God for my suffering; Still He paid no attention to me; He left me alone, as He had always done. I might as well have cursed the Presbyterian steeple. Then, as I grew weaker, a terror came over me: Perhaps I had alienated God by cursing him. One day Lydia Humphrey brought me a bouquet And it occurred to me to try to make friends with God, So I tried to make friends with Him; But I might as well have tried to make friends with the bouquet. Now I was very close to the secret, For I really could make friends with the bouquet By holding close to me the love in me for the bouquet And so I was creeping upon the secret, but—



Julian Scott

TOWARD the last The truth of others was untruth to me; The justice of others injustice to me; Their reasons for death, reasons with me for life; Their reasons for life, reasons with me for death; I would have killed those they saved, And save those they killed. And I saw how a god, if brought to earth, Must act out what he saw and thought, And could not live in this world of men And act among them side by side Without continual clashes. The dust's for crawling, heaven's for flying— Wherefore, O soul, whose wings are grown, Soar upward to the sun!



Alfonso Churchill

THEY laughed at me as "Prof. Moon," As a boy in Spoon River, born with the thirst Of knowing about the stars. They jeered when I spoke of the lunar mountains, And the thrilling heat and cold, And the ebon valleys by silver peaks, And Spica quadrillions of miles away, And the littleness of man. But now that my grave is honored, friends, Let it not be because I taught The lore of the stars in Knox College, But rather for this: that through the stars I preached the greatness of man, Who is none the less a part of the scheme of things For the distance of Spica or the Spiral Nebulae; Nor any the less a part of the question Of what the drama means.



Zilpha Marsh

AT four o'clock in late October I sat alone in the country school-house Back from the road, mid stricken fields, And an eddy of wind blew leaves on the pane, And crooned in the flue of the cannon-stove, With its open door blurring the shadows With the spectral glow of a dying fire. In an idle mood I was running the planchette— All at once my wrist grew limp, And my hand moved rapidly over the board, 'Till the name of "Charles Guiteau" was spelled, Who threatened to materialize before me. I rose and fled from the room bare-headed Into the dusk, afraid of my gift. And after that the spirits swarmed— Chaucer, Caesar, Poe and Marlowe, Cleopatra and Mrs. Surratt— Wherever I went, with messages,— Mere trifling twaddle, Spoon River agreed. You talk nonsense to children, don't you? And suppose I see what you never saw And never heard of and have no word for, I must talk nonsense when you ask me What it is I see!



James Garber

Do you remember, passer-by, the path I wore across the lot where now stands the opera house Hasting with swift feet to work through many years? Take its meaning to heart: You too may walk, after the hills at Miller's Ford Seem no longer far away; Long after you see them near at hand, Beyond four miles of meadow; And after woman's love is silent Saying no more: "l will save you." And after the faces of friends and kindred Become as faded photographs, pitifully silent, Sad for the look which means: "We cannot help you." And after you no longer reproach mankind With being in league against your soul's uplifted hands— Themselves compelled at midnight and at noon To watch with steadfast eye their destinies; After you have these understandings, think of me And of my path, who walked therein and knew That neither man nor woman, neither toil, Nor duty, gold nor power Can ease the longing of the soul, The loneliness of the soul!



Lydia Humphrey

BACK and forth, back and forth, to and from the church, With my Bible under my arm 'Till I was gray and old; Unwedded, alone in the world, Finding brothers and sisters in the congregation, And children in the church. I know they laughed and thought me queer. I knew of the eagle souls that flew high in the sunlight, Above the spire of the church, and laughed at the church, Disdaining me, not seeing me. But if the high air was sweet to them, sweet was the church to me. It was the vision, vision, vision of the poets Democratized!



Le Roy Goldman

WHAT will you do when you come to die, If all your life long you have rejected Jesus, And know as you lie there, He is not your friend?" Over and over I said, I, the revivalist. Ah, yes! but there are friends and friends. And blessed are you, say I, who know all now, You who have lost ere you pass, A father or mother, or old grandfather or mother Some beautiful soul that lived life strongly And knew you all through, and loved you ever, Who would not fail to speak for you, And give God an intimate view of your soul As only one of your flesh could do it. That is the hand your hand will reach for, To lead you along the corridor To the court where you are a stranger!



Gustav Richter

AFTER a long day of work in my hot—houses Sleep was sweet, but if you sleep on your left side Your dreams may be abruptly ended. I was among my flowers where some one Seemed to be raising them on trial, As if after-while to be transplanted To a larger garden of freer air. And I was disembodied vision Amid a light, as it were the sun Had floated in and touched the roof of glass Like a toy balloon and softly bursted, And etherealized in golden air. And all was silence, except the splendor Was immanent with thought as clear As a speaking voice, and I, as thought, Could hear a Presence think as he walked Between the boxes pinching off leaves, Looking for bugs and noting values, With an eye that saw it all: "Homer, oh yes! Pericles, good. Caesar Borgia, what shall be done with it? Dante, too much manure, perhaps. Napoleon, leave him awhile as yet. Shelley, more soil. Shakespeare, needs spraying—" Clouds, eh!—



Arlo Will

DID you ever see an alligator Come up to the air from the mud, Staring blindly under the full glare of noon? Have you seen the stabled horses at night Tremble and start back at the sight of a lantern? Have you ever walked in darkness When an unknown door was open before you And you stood, it seemed, in the light of a thousand candles Of delicate wax? Have you walked with the wind in your ears And the sunlight about you And found it suddenly shine with an inner splendor? Out of the mud many times Before many doors of light Through many fields of splendor, Where around your steps a soundless glory scatters Like new—fallen snow, Will you go through earth, O strong of soul, And through unnumbered heavens To the final flame!



Captain Orlando Killion

OH, YOU young radicals and dreamers, You dauntless fledglings Who pass by my headstone, Mock not its record of my captaincy in the army And my faith in God! They are not denials of each other. Go by reverently, and read with sober care How a great people, riding with defiant shouts The centaur of Revolution, Spurred and whipped to frenzy, Shook with terror, seeing the mist of the sea Over the precipice they were nearing, And fell from his back in precipitate awe To celebrate the Feast of the Supreme Being. Moved by the same sense of vast reality Of life and death, and burdened as they were With the fate of a race, How was I, a little blasphemer, Caught in the drift of a nation's unloosened flood, To remain a blasphemer, And a captain in the army?



Joseph Dixon

WHO carved this shattered harp on my stone? I died to you, no doubt. But how many harps and pianos Wired I and tightened and disentangled for you, Making them sweet again—with tuning fork or without? Oh well! A harp leaps out of the ear of a man, you say, But whence the ear that orders the length of the strings To a magic of numbers flying before your thought Through a door that closes against your breathless wonder? Is there no Ear round the ear of a man, that it senses Through strings and columns of air the soul of sound? I thrill as I call it a tuning fork that catches The waves of mingled music and light from afar, The antennae of Thought that listens through utmost space. Surely the concord that ruled my spirit is proof Of an Ear that tuned me, able to tune me over And use me again if I am worthy to use.



Russell Kincaid

IN the last spring I ever knew, In those last days, I sat in the forsaken orchard Where beyond fields of greenery shimmered The hills at Miller's Ford; Just to muse on the apple tree With its ruined trunk and blasted branches, And shoots of green whose delicate blossoms Were sprinkled over the skeleton tangle, Never to grow in fruit. And there was I with my spirit girded By the flesh half dead, the senses numb Yet thinking of youth and the earth in youth,— Such phantom blossoms palely shining Over the lifeless boughs of Time. O earth that leaves us ere heaven takes us! Had I been only a tree to shiver With dreams of spring and a leafy youth, Then I had fallen in the cyclone Which swept me out of the soul's suspense Where it's neither earth nor heaven.



Aaron Hatfield

BETTER than granite, Spoon River, Is the memory-picture you keep of me Standing before the pioneer men and women There at Concord Church on Communion day. Speaking in broken voice of the peasant youth Of Galilee who went to the city And was killed by bankers and lawyers; My voice mingling with the June wind That blew over wheat fields from Atterbury; While the white stones in the burying ground Around the Church shimmered in the summer sun. And there, though my own memories Were too great to bear, were you, O pioneers, With bowed heads breathing forth your sorrow For the sons killed in battle and the daughters And little children who vanished in life's morning, Or at the intolerable hour of noon. But in those moments of tragic silence, When the wine and bread were passed, Came the reconciliation for us— Us the ploughmen and the hewers of wood, Us the peasants, brothers of the peasant of Galilee— To us came the Comforter And the consolation of tongues of flame!



Isaiah Beethoven

THEY told me I had three months to live, So I crept to Bernadotte, And sat by the mill for hours and hours Where the gathered waters deeply moving Seemed not to move: O world, that's you! You are but a widened place in the river Where Life looks down and we rejoice for her Mirrored in us, and so we dream And turn away, but when again We look for the face, behold the low-lands And blasted cotton-wood trees where we empty Into the larger stream! But here by the mill the castled clouds Mocked themselves in the dizzy water; And over its agate floor at night The flame of the moon ran under my eyes Amid a forest stillness broken By a flute in a hut on the hill. At last when I came to lie in bed Weak and in pain, with the dreams about me, The soul of the river had entered my soul, And the gathered power of my soul was moving So swiftly it seemed to be at rest Under cities of cloud and under Spheres of silver and changing worlds— Until I saw a flash of trumpets Above the battlements over Time.



Elijah Browning

I WAS among multitudes of children Dancing at the foot of a mountain. A breeze blew out of the east and swept them as leaves, Driving some up the slopes. . . . All was changed. Here were flying lights, and mystic moons, and dream-music. A cloud fell upon us. When it lifted all was changed. I was now amid multitudes who were wrangling. Then a figure in shimmering gold, and one with a trumpet, And one with a sceptre stood before me. They mocked me and danced a rigadoon and vanished. . . . All was changed again. Out of a bower of poppies A woman bared her breasts and lifted her open mouth to mine. I kissed her. The taste of her lips was like salt. She left blood on my lips. I fell exhausted. I arose and ascended higher, but a mist as from an iceberg Clouded my steps. I was cold and in pain. Then the sun streamed on me again, And I saw the mists below me hiding all below them. And I, bent over my staff, knew myself Silhouetted against the snow. And above me Was the soundless air, pierced by a cone of ice, Over which hung a solitary star! A shudder of ecstasy, a shudder of fear Ran through me. But I could not return to the slopes— Nay, I wished not to return. For the spent waves of the symphony of freedom Lapped the ethereal cliffs about me. Therefore I climbed to the pinnacle. I flung away my staff. I touched that star With my outstretched hand. I vanished utterly. For the mountain delivers to Infinite Truth Whosoever touches the star.



Webster Ford

Do you remember, O Delphic Apollo, The sunset hour by the river, when Mickey M'Grew Cried, "There's a ghost," and I, "It's Delphic Apollo,". And the son of the banker derided us, saying, "It's light By the flags at the water's edge, you half-witted fools." And from thence, as the wearisome years rolled on, long after Poor Mickey fell down in the water tower to his death Down, down, through bellowing darkness, I carried The vision which perished with him like a rocket which falls And quenches its light in earth, and hid it for fear Of the son of the banker, calling on Plutus to save me? Avenged were you for the shame of a fearful heart Who left me alone till I saw you again in an hour When I seemed to be turned to a tree with trunk and branches Growing indurate, turning to stone, yet burgeoning In laurel leaves, in hosts of lambent laurel, Quivering, fluttering, shrinking, fighting the numbness Creeping into their veins from the dying trunk and branches! 'Tis vain, O youth, to fly the call of Apollo. Fling yourselves in the fire, die with a song of spring, If die you must in the spring. For none shall look On the face of Apollo and live, and choose you must 'Twixt death in the flame and death after years of sorrow, Rooted fast in the earth, feeling the grisly hand, Not so much in the trunk as in the terrible numbness Creeping up to the laurel leaves that never cease To flourish until you fall. O leaves of me Too sere for coronal wreaths, and fit alone For urns of memory, treasured, perhaps, as themes For hearts heroic, fearless singers and livers— Delphic Apollo.



The Spooniad

OF John Cabanis, wrath and of the strife Of hostile parties, and his dire defeat Who led the common people in the cause Of freedom for Spoon River, and the fall Of Rhodes, bank that brought unnumbered woes And loss to many, with engendered hate That flamed into the torch in Anarch hands To burn the court—house, on whose blackened wreck A fairer temple rose and Progress stood— Sing, muse, that lit the Chian's face with smiles Who saw the ant-like Greeks and Trojans crawl About Scamander, over walls, pursued Or else pursuing, and the funeral pyres And sacred hecatombs, and first because Of Helen who with Paris fled to Troy As soul-mate; and the wrath of Peleus, son, Decreed to lose Chryseis, lovely spoil Of war, and dearest concubine. Say first, Thou son of night, called Momus, from whose eyes No secret hides, and Thalia, smiling one, What bred 'twixt Thomas Rhodes and John Cabanis The deadly strife? His daughter Flossie, she, Returning from her wandering with a troop Of strolling players, walked the village streets, Her bracelets tinkling and with sparkling rings And words of serpent wisdom and a smile Of cunning in her eyes. Then Thomas Rhodes, Who ruled the church and ruled the bank as well, Made known his disapproval of the maid; And all Spoon River whispered and the eyes Of all the church frowned on her, till she knew They feared her and condemned. But them to flout She gave a dance to viols and to flutes, Brought from Peoria, and many youths, But lately made regenerate through the prayers Of zealous preachers and of earnest souls, Danced merrily, and sought her in the dance, Who wore a dress so low of neck that eyes Down straying might survey the snowy swale 'Till it was lost in whiteness. With the dance The village changed to merriment from gloom. The milliner, Mrs. Williams, could not fill Her orders for new hats, and every seamstress Plied busy needles making gowns; old trunks And chests were opened for their store of laces And rings and trinkets were brought out of hiding And all the youths fastidious grew of dress; Notes passed, and many a fair one's door at eve Knew a bouquet, and strolling lovers thronged About the hills that overlooked the river. Then, since the mercy seats more empty showed, One of God's chosen lifted up his voice: "The woman of Babylon is among us; rise Ye sons of light and drive the wanton forth!" So John Cabanis left the church and left The hosts of law and order with his eyes By anger cleared, and him the liberal cause Acclaimed as nominee to the mayoralty To vanquish A. D. Blood. But as the war Waged bitterly for votes and rumors flew About the bank, and of the heavy loans Which Rhodes, son had made to prop his loss In wheat, and many drew their coin and left The bank of Rhodes more hollow, with the talk Among the liberals of another bank Soon to be chartered, lo, the bubble burst 'Mid cries and curses; but the liberals laughed And in the hall of Nicholas Bindle held Wise converse and inspiriting debate.

High on a stage that overlooked the chairs Where dozens sat, and where a pop—eyed daub Of Shakespeare, very like the hired man Of Christian Dallman, brow and pointed beard, Upon a drab proscenium outward stared, Sat Harmon Whitney, to that eminence, By merit raised in ribaldry and guile, And to the assembled rebels thus he spake: "Whether to lie supine and let a clique Cold-blooded, scheming, hungry, singing psalms, Devour our substance, wreck our banks and drain Our little hoards for hazards on the price Of wheat or pork, or yet to cower beneath The shadow of a spire upreared to curb A breed of lackeys and to serve the bank Coadjutor in greed, that is the question. Shall we have music and the jocund dance, Or tolling bells? Or shall young romance roam These hills about the river, flowering now To April's tears, or shall they sit at home, Or play croquet where Thomas Rhodes may see, I ask you? If the blood of youth runs o'er And riots 'gainst this regimen of gloom, Shall we submit to have these youths and maids Branded as libertines and wantons?" Ere His words were done a woman's voice called "No!" Then rose a sound of moving chairs, as when The numerous swine o'er-run the replenished troughs; And every head was turned, as when a flock Of geese back-turning to the hunter's tread Rise up with flapping wings; then rang the hall With riotous laughter, for with battered hat Tilted upon her saucy head, and fist Raised in defiance, Daisy Fraser stood. Headlong she had been hurled from out the hall Save Wendell Bloyd, who spoke for woman's rights, Prevented, and the bellowing voice of Burchard. Then, mid applause she hastened toward the stage And flung both gold and silver to the cause And swiftly left the hall. Meantime upstood A giant figure, bearded like the son Of Alcmene, deep-chested, round of paunch, And spoke in thunder: "Over there behold A man who for the truth withstood his wife— Such is our spirit—when that A. D. Blood Compelled me to remove Dom Pedro—" Quick Before Jim Brown could finish, Jefferson Howard Obtained the floor and spake: "Ill suits the time For clownish words, and trivial is our cause If naught's at stake but John Cabanis, wrath, He who was erstwhile of the other side And came to us for vengeance. More's at stake Than triumph for New England or Virginia. And whether rum be sold, or for two years As in the past two years, this town be dry Matters but little— Oh yes, revenue For sidewalks, sewers; that is well enough! I wish to God this fight were now inspired By other passion than to salve the pride Of John Cabanis or his daughter. Why Can never contests of great moment spring From worthy things, not little? Still, if men Must always act so, and if rum must be The symbol and the medium to release From life's denial and from slavery, Then give me rum!" Exultant cries arose. Then, as George Trimble had o'ercome his fear And vacillation and begun to speak, The door creaked and the idiot, Willie Metcalf, Breathless and hatless, whiter than a sheet, Entered and cried: "The marshal's on his way To arrest you all. And if you only knew Who's coming here to—morrow; I was listening Beneath the window where the other side Are making plans." So to a smaller room To hear the idiot's secret some withdrew Selected by the Chair; the Chair himself And Jefferson Howard, Benjamin Pantier, And Wendell Bloyd, George Trimble, Adam Weirauch, Imanuel Ehrenhardt, Seth Compton, Godwin James And Enoch Dunlap, Hiram Scates, Roy Butler, Carl Hamblin, Roger Heston, Ernest Hyde And Penniwit, the artist, Kinsey Keene, And E. C. Culbertson and Franklin Jones, Benjamin Fraser, son of Benjamin Pantier By Daisy Fraser, some of lesser note, And secretly conferred. But in the hall Disorder reigned and when the marshal came And found it so, he marched the hoodlums out And locked them up. Meanwhile within a room Back in the basement of the church, with Blood Counseled the wisest heads. Judge Somers first, Deep learned in life, and next him, Elliott Hawkins And Lambert Hutchins; next him Thomas Rhodes And Editor Whedon; next him Garrison Standard, A traitor to the liberals, who with lip Upcurled in scorn and with a bitter sneer: "Such strife about an insult to a woman— A girl of eighteen "—Christian Dallman too, And others unrecorded. Some there were Who frowned not on the cup but loathed the rule Democracy achieved thereby, the freedom And lust of life it symbolized.

Now morn with snowy fingers up the sky Flung like an orange at a festival The ruddy sun, when from their hasty beds Poured forth the hostile forces, and the streets Resounded to the rattle of the wheels That drove this way and that to gather in The tardy voters, and the cries of chieftains Who manned the battle. But at ten o'clock The liberals bellowed fraud, and at the polls The rival candidates growled and came to blows. Then proved the idiot's tale of yester-eve A word of warning. Suddenly on the streets Walked hog-eyed Allen, terror of the hills That looked on Bernadotte ten miles removed. No man of this degenerate day could lift The boulders which he threw, and when he spoke The windows rattled, and beneath his brows Thatched like a shed with bristling hair of black, His small eyes glistened like a maddened boar. And as he walked the boards creaked, as he walked A song of menace rumbled. Thus he came, The champion of A. D. Blood, commissioned To terrify the liberals. Many fled As when a hawk soars o'er the chicken yard. He passed the polls and with a playful hand Touched Brown, the giant, and he fell against, As though he were a child, the wall; so strong Was hog-eyed Allen. But the liberals smiled. For soon as hog-eyed Allen reached the walk, Close on his steps paced Bengal Mike, brought in By Kinsey Keene, the subtle-witted one, To match the hog-eyed Allen. He was scarce Three-fourths the other's bulk, but steel his arms, And with a tiger's heart. Two men he killed And many wounded in the days before, And no one feared. But when the hog-eyed one Saw Bengal Mike his countenance grew dark, The bristles o'er his red eyes twitched with rage, The song he rumbled lowered. Round and round The court-house paced he, followed stealthily By Bengal Mike, who jeered him every step: "Come, elephant, and fight! Come, hog-eyed coward! Come, face about and fight me, lumbering sneak! Come, beefy bully, hit me, if you can! Take out your gun, you duffer, give me reason To draw and kill you. Take your billy out. I'll crack your boar's head with a piece of brick!" But never a word the hog-eyed one returned But trod about the court-house, followed both By troops of boys and watched by all the men. All day, they walked the square. But when Apollo Stood with reluctant look above the hills As fain to see the end, and all the votes Were cast, and closed the polls, before the door Of Trainor's drug store Bengal Mike, in tones That echoed through the village, bawled the taunt: "Who was your mother, hog—eyed?" In a trice As when a wild boar turns upon the hound That through the brakes upon an August day Has gashed him with its teeth, the hog—one Rushed with his giant arms on Bengal Mike And grabbed him by the throat. Then rose to heaven The frightened cries of boys, and yells of men Forth rushing to the street. And Bengal Mike Moved this way and now that, drew in his head As if his neck to shorten, and bent down To break the death grip of the hog-eyed one; 'Twixt guttural wrath and fast-expiring strength Striking his fists against the invulnerable chest Of hog-eyed Allen. Then, when some came in To part them, others stayed them, and the fight Spread among dozens; many valiant souls Went down from clubs and bricks. But tell me, Muse, What god or goddess rescued Bengal Mike? With one last, mighty struggle did he grasp The murderous hands and turning kick his foe. Then, as if struck by lightning, vanished all The strength from hog—eyed Allen, at his side Sank limp those giant arms and o'er his face Dread pallor and the sweat of anguish spread. And those great knees, invincible but late, Shook to his weight. And quickly as the lion Leaps on its wounded prey, did Bengal Mike Smite with a rock the temple of his foe, And down he sank and darkness o'er his eyes Passed like a cloud. As when the woodman fells Some giant oak upon a summer's day And all the songsters of the forest shrill, And one great hawk that has his nestling young Amid the topmost branches croaks, as crash The leafy branches through the tangled boughs Of brother oaks, so fell the hog—eyed one Amid the lamentations of the friends Of A. D. Blood. Just then, four lusty men Bore the town marshal, on whose iron face The purple pall of death already lay, To Trainor's drug store, shot by Jack McGuire. And cries went up of "Lynch him!" and the sound Of running feet from every side was heard Bent on the



THE END



The late Mr. Jonathan Swift Somers, laureate of Spoon River planned The Spooniad as an epic in twenty-four books, but unfortunately did not live to complete even the first book. The fragment was found among his papers by William Marion Reedy and was for the first time published in Reedy's Mirror of December 18th, 1914.