Hazlitt says, in speaking of some of the graceful fancies of some familiar writer of fiction, "How long since I first became acquainted with these characters; what old-fashioned friends they seem; and yet I am not tired of them like so many other friends, nor they of me." In this case the books will not only possess all the attractions of their own friendships and charms, but also the manifold—I may say womanfold—associations connected with their donors. I can imagine how, in fact, from these fanciful associations, some fair Glasgow widow may be taken for the remoter one whom Sir Roger de Coverley could not forget; I can imagine how Sophia's muff may be seen and loved, but not by Tom Jones, going down the High Street on any winter day; or I can imagine the student finding in every fair form the exact counterpart of the Glasgow Athenaeum, and taking into consideration the history of Europe without the consent of Sheriff Alison. I can imagine, in short, how through all the facts and fictions of this library, these ladies will be always active, and that

"Age will not wither them, nor custom stale Their infinite variety."

It seems to me to be a moral, delightful, and happy chance, that this meeting has been held at this genial season of the year, when a new time is, as it were, opening before us, and when we celebrate the birth of that divine and blessed Teacher, who took the highest knowledge into the humblest places, and whose great system comprehended all mankind. I hail it as a most auspicious omen, at this time of the year, when many scattered friends and families are re-assembled, for the members of this institution to be calling men together from all quarters, with a brotherly view to the general good, and a view to the general improvement; as I consider that such designs are practically worthy of the faith we hold, and a practical remembrance of the words, "On earth peace, and good will toward men." I hope that every year which dawns on your Institution, will find it richer in its means of usefulness, and grayer-headed in the honour and respect it has gained. It can hardly speak for itself more appropriately than in the words of an English writer, when contemplating the English emblem of this period of the year, the holly-tree:-

[Mr. Dickens concluded by quoting the last three stanzas of Southey's poem, The Holly Tree.

In acknowledging a vote of thanks proposed by Sir Archibald (then Mr.) Alison, Mr. Dickens said:]

Ladies and Gentlemen,—I am no stranger—and I say it with the deepest gratitude—to the warmth of Scottish hearts; but the warmth of your present welcome almost deprives me of any hope of acknowledging it. I will not detain you any longer at this late hour; let it suffice to assure you, that for taking the part with which I have been honoured in this festival, I have been repaid a thousand-fold by your abundant kindness, and by the unspeakable gratification it has afforded me. I hope that, before many years are past, we may have another meeting in public, when we shall rejoice at the immense progress your institution will have made in the meantime, and look back upon this night with new pleasure and satisfaction. I shall now, in conclusion, repeat most heartily and fervently the quotation of Dr. Ewing, the late Provost of Glasgow, which Bailie Nicol Jarvie, himself "a Glasgow body," observed was "elegantly putten round the town's arms."



SPEECH: LONDON, APRIL 14, 1851.



[The Sixth Annual Dinner of the General Theatrical Fund was held at the London Tavern on the above date. Mr. Charles Dickens occupied the chair, and in giving the toast of the evening said:-]

I have so often had the satisfaction of bearing my testimony, in this place, to the usefulness of the excellent Institution in whose behalf we are assembled, that I should be really sensible of the disadvantage of having now nothing to say in proposing the toast you all anticipate, if I were not well assured that there is really nothing which needs be said. I have to appeal to you on the old grounds, and no ingenuity of mine could render those grounds of greater weight than they have hitherto successfully proved to you.

Although the General Theatrical Fund Association, unlike many other public societies and endowments, is represented by no building, whether of stone, or brick, or glass, like that astonishing evidence of the skill and energy of my friend Mr. Paxton, which all the world is now called upon to admire, and the great merit of which, as you learn from the best authorities, is, that it ought to have fallen down long before it was built, and yet that it would by no means consent to doing so—although, I say, this Association possesses no architectural home, it is nevertheless as plain a fact, rests on as solid a foundation, and carries as erect a front, as any building, in the world. And the best and the utmost that its exponent and its advocate can do, standing here, is to point it out to those who gather round it, and to say, "judge for yourselves."

It may not, however, be improper for me to suggest to that portion of the company whose previous acquaintance with it may have been limited, what it is not. It is not a theatrical association whose benefits are confined to a small and exclusive body of actors. It is a society whose claims are always preferred in the name of the whole histrionic art. It is not a theatrical association adapted to a state of theatrical things entirely past and gone, and no more suited to present theatrical requirements than a string of pack- horses would be suited to the conveyance of traffic between London and Birmingham. It is not a rich old gentleman, with the gout in his vitals, brushed and got-up once a year to look as vigorous as possible, and brought out for a public airing by the few survivors of a large family of nephews and nieces, who afterwards double-lock the street-door upon the poor relations. It is not a theatrical association which insists that no actor can share its bounty who has not walked so many years on those boards where the English tongue is never heard—between the little bars of music in an aviary of singing birds, to which the unwieldy Swan of Avon is never admitted—that bounty which was gathered in the name and for the elevation of an all-embracing art.

No, if there be such things, this thing is not of that kind. This is a theatrical association, expressly adapted to the wants and to the means of the whole theatrical profession all over England. It is a society in which the word exclusiveness is wholly unknown. It is a society which includes every actor, whether he be Benedict or Hamlet, or the Ghost, or the Bandit, or the court-physician, or, in the one person, the whole King's army. He may do the "light business," or the "heavy," or the comic, or the eccentric. He may be the captain who courts the young lady, whose uncle still unaccountably persists in dressing himself in a costume one hundred years older than his time. Or he may be the young lady's brother in the white gloves and inexpressibles, whose duty in the family appears to be to listen to the female members of it whenever they sing, and to shake hands with everybody between all the verses. Or he may be the baron who gives the fete, and who sits uneasily on the sofa under a canopy with the baroness while the fete is going on. Or he may be the peasant at the fete who comes on the stage to swell the drinking chorus, and who, it may be observed, always turns his glass upside down before he begins to drink out of it. Or he may be the clown who takes away the doorstep of the house where the evening party is going on. Or he may be the gentleman who issues out of the house on the false alarm, and is precipitated into the area. Or, to come to the actresses, she may be the fairy who resides for ever in a revolving star with an occasional visit to a bower or a palace. Or the actor may be the armed head of the witch's cauldron; or even that extraordinary witch, concerning whom I have observed in country places, that he is much less like the notion formed from the description of Hopkins than the Malcolm or Donalbain of the previous scenes. This society, in short, says, "Be you what you may, be you actor or actress, be your path in your profession never so high, or never so low, never so haughty, or never so humble, we offer you the means of doing good to yourselves, and of doing good to your brethren."

This society is essentially a provident institution, appealing to a class of men to take care of their own interests, and giving a continuous security only in return for a continuous sacrifice and effort. The actor by the means of this society obtains his own right, to no man's wrong; and when, in old age, or in disastrous times, he makes his claim on the institution, he is enabled to say, "I am neither a beggar, nor a suppliant. I am but reaping what I sowed long ago." And therefore it is that I cannot hold out to you that in assisting this fund you are doing an act of charity in the common acceptation of that phrase. Of all the abuses of that much abused term, none have more raised my indignation than what I have heard in this room in past times, in reference to this institution. I say, if you help this institution you will be helping the wagoner who has resolutely put his own shoulder to the wheel, and who has NOT stuck idle in the mud. In giving this aid you will be doing an act of justice, and you will be performing an act of gratitude; and this is what I solicit from you; but I will not so far wrong those who are struggling manfully for their own independence as to pretend to entreat from you an act of charity.

I have used the word gratitude; and let any man ask his own heart, and confess if he have not some grateful acknowledgments for the actor's art? Not peculiarly because it is a profession often pursued, and as it were marked, by poverty and misfortune—for other callings, God knows, have their distresses—nor because the actor has sometimes to come from scenes of sickness, of suffering, ay, even of death itself, to play his part before us—for all of us, in our spheres, have as often to do violence to our feelings and to hide our hearts in fighting this great battle of life, and in discharging our duties and responsibilities. But the art of the actor excites reflections, sombre or grotesque, awful or humorous, which we are all familiar with. If any man were to tell me that he denied his acknowledgments to the stage, I would simply put to him one question—whether he remembered his first play?

If you, gentlemen, will but carry back your recollection to that great night, and call to mind the bright and harmless world which then opened to your view, we shall, I think, hear favourably of the effect upon your liberality on this occasion from our Secretary.

This is the sixth year of meetings of this kind—the sixth time we have had this fine child down after dinner. His nurse, a very worthy person of the name of Buckstone, who has an excellent character from several places, will presently report to you that his chest is perfectly sound, and that his general health is in the most thriving condition. Long may it be so; long may it thrive and grow; long may we meet (it is my sincere wish) to exchange our congratulations on its prosperity; and longer than the line of Banquo may be that line of figures which, as its patriotic share in the national debt, a century hence shall be stated by the Governor and Company of the Bank of England.



SPEECH: THE ROYAL LITERARY FUND. LONDON, MARCH 12, 1856.



[The Corporation of the Royal Literary Fund was established in 1790, its object being to administer assistance to authors of genius and learning, who may be reduced to distress by unavoidable calamities, or deprived, by enfeebled faculties or declining life, of the power of literary exertion. At the annual general meeting held at the house of the society on the above date, the following speech was made by Mr. Charles Dickens:]

Sir,—I shall not attempt to follow my friend Mr. Bell, who, in the profession of literature, represents upon this committee a separate and distinct branch of the profession, that, like

"The last rose of summer Stands blooming alone, While all its companions Are faded and gone,"

into the very prickly bramble-bush with which he has ingeniously contrived to beset this question. In the remarks I have to make I shall confine myself to four points: —1. That the committee find themselves in the painful condition of not spending enough money, and will presently apply themselves to the great reform of spending more. 2. That with regard to the house, it is a positive matter of history, that the house for which Mr. Williams was so anxious was to be applied to uses to which it never has been applied, and which the administrators of the fund decline to recognise. 3. That, in Mr. Bell's endeavours to remove the Artists' Fund from the ground of analogy it unquestionably occupies with reference to this fund, by reason of their continuing periodical relief to the same persons, I beg to tell Mr. Bell what every gentleman at that table knows—that it is the business of this fund to relieve over and over again the same people.

MR. BELL: But fresh inquiry is always made first.

MR. C. DICKENS: I can only oppose to that statement my own experience when I sat on that committee, and when I have known persons relieved on many consecutive occasions without further inquiry being made. As to the suggestion that we should select the items of expenditure that we complain of, I think it is according to all experience that we should first affirm the principle that the expenditure is too large. If that be done by the meeting, then I will proceed to the selection of the separate items. Now, in rising to support this resolution, I may state at once that I have scarcely any expectation of its being carried, and I am happy to think it will not. Indeed, I consider it the strongest point of the resolution's case that it should not be carried, because it will show the determination of the fund's managers. Nothing can possibly be stronger in favour of the resolution than that the statement should go forth to the world that twice within twelve months the attention of the committee has been called to this great expenditure, and twice the committee have considered that it was not unreasonable. I cannot conceive a stronger case for the resolution than this statement of fact as to the expenditure going forth to the public accompanied by the committee's assertion that it is reasonable. Now, to separate this question from details, let us remember what the committee and their supporters asserted last year, and, I hope, will re-assert this year. It seems to be rather the model kind of thing than otherwise now that if you get 100 pounds you are to spend 40 pounds in management; and if you get 1000 pounds, of course you may spend 400 pounds in giving the rest away. Now, in case there should be any ill-conditioned people here who may ask what occasion there can be for all this expenditure, I will give you my experience. I went last year to a highly respectable place of resort, Willis's Rooms, in St. James's, to a meeting of this fund. My original intention was to hear all I could, and say as little as possible. Allowing for the absence of the younger and fairer portion of the creation, the general appearance of the place was something like Almack's in the morning. A number of stately old dowagers sat in a row on one side, and old gentlemen on the other. The ball was opened with due solemnity by a real marquis, who walked a minuet with the secretary, at which the audience were much affected. Then another party advanced, who, I am sorry to say, was only a member of the House of Commons, and he took possession of the floor. To him, however, succeeded a lord, then a bishop, then the son of a distinguished lord, then one or two celebrities from the City and Stock Exchange, and at last a gentleman, who made a fortune by the success of "Candide," sustained the part of Pangloss, and spoke much of what he evidently believed to be the very best management of this best of all possible funds. Now it is in this fondness for being stupendously genteel, and keeping up fine appearances—this vulgar and common social vice of hanging on to great connexions at any price, that the money goes. The last time you got a distinguished writer at a public meeting, and he was called on to address you somewhere amongst the small hours, he told you he felt like the man in plush who was permitted to sweep the stage down after all the other people had gone. If the founder of this society were here, I should think he would feel like a sort of Rip van Winkle reversed, who had gone to sleep backwards for a hundred years and woke up to find his fund still lying under the feet of people who did nothing for it instead of being emancipated and standing alone long ago. This Bloomsbury house is another part of the same desire for show, and the officer who inhabits it. (I mean, of course, in his official capacity, for, as an individual, I much respect him.) When one enters the house it appears to be haunted by a series of mysterious-looking ghosts, who glide about engaged in some extraordinary occupation, and, after the approved fashion of ghosts, but seldom condescend to disclose their business. What are all these meetings and inquiries wanted for? As for the authors, I say, as a writer by profession, that the long inquiry said to be necessary to ascertain whether an applicant deserves relief, is a preposterous pretence, and that working literary men would have a far better knowledge of the cases coming before the board than can ever be attained by that committee. Further, I say openly and plainly, that this fund is pompously and unnaturally administered at great expense, instead of being quietly administered at small expense; and that the secrecy to which it lays claim as its greatest attribute, is not kept; for through those "two respectable householders," to whom reference must be made, the names of the most deserving applicants are to numbers of people perfectly well known. The members have now got before them a plain statement of fact as to these charges; and it is for them to say whether they are justifiable, becoming, or decent. I beg most earnestly and respectfully to put it to those gentlemen who belong to this institution, that must now decide, and cannot help deciding, what the Literary Fund is for, and what it is not for. The question raised by the resolution is whether this is a public corporation for the relief of men of genius and learning, or whether it is a snug, traditional, and conventional party, bent upon maintaining its own usages with a vast amount of pride; upon its own annual puffery at costly dinner-tables, and upon a course of expensive toadying to a number of distinguished individuals. This is the question which you cannot this day escape.



SPEECH: LONDON, NOVEMBER 5, 1857.



[At the fourth anniversary dinner of the Warehousemen and Clerks Schools, which took place on Thursday evening, Nov. 5th, 1857, at the London Tavern, and was very numerously attended, Mr. Charles Dickens occupied the chair. On the subject which had brought the company together Mr. Dickens spoke as follows:-]

I must now solicit your attention for a few minutes to the cause of your assembling together—the main and real object of this evening's gathering; for I suppose we are all agreed that the motto of these tables is not "Let us eat and drink, for to-morrow we die;" but, "Let us eat and drink, for to-morrow we live." It is because a great and good work is to live to-morrow, and to-morrow, and to-morrow, and to live a greater and better life with every succeeding to-morrow, that we eat and drink here at all. Conspicuous on the card of admission to this dinner is the word "Schools." This set me thinking this morning what are the sorts of schools that I don't like. I found them on consideration, to be rather numerous. I don't like to begin with, and to begin as charity does at home—I don't like the sort of school to which I once went myself—the respected proprietor of which was by far the most ignorant man I have ever had the pleasure to know; one of the worst-tempered men perhaps that ever lived, whose business it was to make as much out of us and put as little into us as possible, and who sold us at a figure which I remember we used to delight to estimate, as amounting to exactly 2 pounds 4s. 6d. per head. I don't like that sort of school, because I don't see what business the master had to be at the top of it instead of the bottom, and because I never could understand the wholesomeness of the moral preached by the abject appearance and degraded condition of the teachers who plainly said to us by their looks every day of their lives, "Boys, never be learned; whatever you are, above all things be warned from that in time by our sunken cheeks, by our poor pimply noses, by our meagre diet, by our acid-beer, and by our extraordinary suits of clothes, of which no human being can say whether they are snuff-coloured turned black, or black turned snuff-coloured, a point upon which we ourselves are perfectly unable to offer any ray of enlightenment, it is so very long since they were undarned and new." I do not like that sort of school, because I have never yet lost my ancient suspicion touching that curious coincidence that the boy with four brothers to come always got the prizes. In fact, and short, I do not like that sort of school, which is a pernicious and abominable humbug, altogether. Again, ladies and gentlemen, I don't like that sort of school—a ladies' school—with which the other school used to dance on Wednesdays, where the young ladies, as I look back upon them now, seem to me always to have been in new stays and disgrace—the latter concerning a place of which I know nothing at this day, that bounds Timbuctoo on the north-east—and where memory always depicts the youthful enthraller of my first affection as for ever standing against a wall, in a curious machine of wood, which confined her innocent feet in the first dancing position, while those arms, which should have encircled my jacket, those precious arms, I say, were pinioned behind her by an instrument of torture called a backboard, fixed in the manner of a double direction post. Again, I don't like that sort of school, of which we have a notable example in Kent, which was established ages ago by worthy scholars and good men long deceased, whose munificent endowments have been monstrously perverted from their original purpose, and which, in their distorted condition, are struggled for and fought over with the most indecent pertinacity. Again, I don't like that sort of school—and I have seen a great many such in these latter times— where the bright childish imagination is utterly discouraged, and where those bright childish faces, which it is so very good for the wisest among us to remember in after life—when the world is too much with us, early and late {22}—are gloomily and grimly scared out of countenance; where I have never seen among the pupils, whether boys or girls, anything but little parrots and small calculating machines. Again, I don't by any means like schools in leather breeches, and with mortified straw baskets for bonnets, which file along the streets in long melancholy rows under the escort of that surprising British monster—a beadle, whose system of instruction, I am afraid, too often presents that happy union of sound with sense, of which a very remarkable instance is given in a grave report of a trustworthy school inspector, to the effect that a boy in great repute at school for his learning, presented on his slate, as one of the ten commandments, the perplexing prohibition, "Thou shalt not commit doldrum." Ladies and gentlemen, I confess, also, that I don't like those schools, even though the instruction given in them be gratuitous, where those sweet little voices which ought to be heard speaking in very different accents, anathematise by rote any human being who does not hold what is taught there. Lastly, I do not like, and I did not like some years ago, cheap distant schools, where neglected children pine from year to year under an amount of neglect, want, and youthful misery far too sad even to be glanced at in this cheerful assembly.

And now, ladies and gentlemen, perhaps you will permit me to sketch in a few words the sort of school that I do like. It is a school established by the members of an industrious and useful order, which supplies the comforts and graces of life at every familiar turning in the road of our existence; it is a school established by them for the Orphan and Necessitous Children of their own brethren and sisterhood; it is a place giving an education worthy of them— an education by them invented, by them conducted, by them watched over; it is a place of education where, while the beautiful history of the Christian religion is daily taught, and while the life of that Divine Teacher who Himself took little children on His knees is daily studied, no sectarian ill-will nor narrow human dogma is permitted to darken the face of the clear heaven which they disclose. It is a children's school, which is at the same time no less a children's home, a home not to be confided to the care of cold or ignorant strangers, nor, by the nature of its foundation, in the course of ages to pass into hands that have as much natural right to deal with it as with the peaks of the highest mountains or with the depths of the sea, but to be from generation to generation administered by men living in precisely such homes as those poor children have lost; by men always bent upon making that replacement, such a home as their own dear children might find a happy refuge in if they themselves were taken early away. And I fearlessly ask you, is this a design which has any claim to your sympathy? Is this a sort of school which is deserving of your support?

This is the design, this is the school, whose strong and simple claim I have to lay before you to-night. I must particularly entreat you not to suppose that my fancy and unfortunate habit of fiction has anything to do with the picture I have just presented to you. It is sober matter of fact. The Warehousemen and Clerks' Schools, established for the maintaining, clothing, and educating of the Orphan and Necessitous Children of those employed in the wholesale trades and manufactures of the United Kingdom, are, in fact, what I have just described. These schools for both sexes were originated only four years ago. In the first six weeks of the undertaking the young men of themselves and quite unaided, subscribed the large sum of 3,000 pounds. The schools have been opened only three years, they have now on their foundation thirty- nine children, and in a few days they will have six more, making a total of forty-five. They have been most munificently assisted by the heads of great mercantile houses, numerously represented, I am happy to say, around me, and they have a funded capital of almost 14,000 pounds. This is wonderful progress, but the aim must still be upwards, the motto always "Excelsior." You do not need to be told that five-and-forty children can form but a very small proportion of the Orphan and Necessitous Children of those who have been entrusted with the wholesale trades and manufactures of the United Kingdom: you do not require to be informed that the house at New-cross, rented for a small term of years, in which the schools are at present established, can afford but most imperfect accommodation for such a breadth of design. To carry this good work through the two remaining degrees of better and best there must be more work, more co-operation, more friends, more money. Then be the friends and give the money. Before I conclude, there is one other feature in these schools which I would commend to your special attention and approval. Their benefits are reserved for the children of subscribers; that is to say, it is an essential principle of the institution that it must help those whose parents have helped them, and that the unfortunate children whose father has been so lax, or so criminal, as to withhold a subscription so exceedingly small that when divided by weeks it amounts to only threepence weekly, cannot, in justice, be allowed to jostle out and shoulder away the happier children, whose father has had that little forethought, or done that little kindness which was requisite to secure for them the benefits of the institution. I really cannot believe that there will long be any such defaulting parents. I cannot believe that any of the intelligent young men who are engaged in the wholesale houses will long neglect this obvious, this easy duty. If they suppose that the objects of their love, born or unborn, will never want the benefits of the charity, that may be a fatal and blind mistake—it can never be an excuse, for, supposing them to be right in their anticipation, they should do what is asked for the sake of their friends and comrades around them, assured that they will be the happier and the better for the deed.

Ladies and gentlemen, this little "labour of love" of mine is now done. I most heartily wish that I could charm you now not to see me, not to think of me, not to hear me—I most heartily wish that I could make you see in my stead the multitude of innocent and bereaved children who are looking towards these schools, and entreating with uplifted hands to be let in. A very famous advocate once said, in speaking of his fears of failure when he had first to speak in court, being very poor, that he felt his little children tugging at his skirts, and that recovered him. Will you think of the number of little children who are tugging at my skirts, when I ask you, in their names, on their behalf, and in their little persons, and in no strength of my own, to encourage and assist this work?

At a later period of the evening Mr. Dickens proposed the health of the President of the Institution, Lord John Russell. He said he should do nothing so superfluous and so unnecessary as to descant upon his lordship's many faithful, long, and great public services, upon the honour and integrity with which he had pursued his straightforward public course through every difficulty, or upon the manly, gallant, and courageous character, which rendered him certain, in the eyes alike of friends and opponents, to rise with every rising occasion, and which, like the seal of Solomon, in the old Arabian story, enclosed in a not very large casket the soul of a giant. In answer to loud cheers, he said he had felt perfectly certain, that that would be the response for in no English assembly that he had ever seen was it necessary to do more than mention the name of Lord John Russell to ensure a manifestation of personal respect and grateful remembrance.



SPEECH: LONDON, MAY 8, 1858.



[The forty-eighth Anniversary of the establishment of the Artists' Benevolent Fund took place on the above date at the Freemasons' Tavern. The chair was taken by Mr. Charles Dickens, who, after having disposed of the preliminary toasts with his usual felicity, proceeded to advocate the claims of the Institution in whose interest the company had assembled, in the following terms:-]

Ladies and gentlemen,—There is an absurd theatrical story which was once told to me by a dear and valued friend, who has now passed from this sublunary stage, and which is not without its moral as applied to myself, in my present presidential position. In a certain theatrical company was included a man, who on occasions of emergency was capable of taking part in the whole round of the British drama, provided he was allowed to use his own language in getting through the dialogue. It happened one night that Reginald, in the Castle Spectre, was taken ill, and this veteran of a hundred characters was, of course, called up for the vacant part. He responded with his usual promptitude, although knowing nothing whatever of the character, but while they were getting him into the dress, he expressed a not unreasonable wish to know in some vague way what the part was about. He was not particular as to details, but in order that he might properly pourtray his sufferings, he thought he should have some slight inkling as to what really had happened to him. As, for example, what murders he had committed, whose father he was, of what misfortunes he was the victim,—in short, in a general way to know why he was in that place at all. They said to him, "Here you are, chained in a dungeon, an unhappy father; you have been here for seventeen years, during which time you have never seen your daughter; you have lived upon bread and water, and, in consequence, are extremely weak, and suffer from occasional lowness of spirits."—"All right," said the actor of universal capabilities, "ring up." When he was discovered to the audience, he presented an extremely miserable appearance, was very favourably received, and gave every sign of going on well, until, through some mental confusion as to his instructions, he opened the business of the act by stating in pathetic terms, that he had been confined in that dungeon seventeen years, during which time he had not tasted a morsel of food, to which circumstance he was inclined to attribute the fact of his being at that moment very much out of condition. The audience, thinking this statement exceedingly improbable, declined to receive it, and the weight of that speech hung round him until the end of his performance.

Now I, too, have received instructions for the part I have the honour of performing before you, and it behoves both you and me to profit by the terrible warning I have detailed, while I endeavour to make the part I have undertaken as plain and intelligible as I possibly can.

As I am going to propose to you that we should now begin to connect the business with the pleasure of the evening, by drinking prosperity to the Artists' Benevolent Fund, it becomes important that we should know what that fund is. It is an Association supported by the voluntary gifts of those who entertain a critical and admiring estimation of art, and has for its object the granting of annuities to the widows and children of deceased artists—of artists who have been unable in their lives to make any provision for those dear objects of their love surviving themselves. Now it is extremely important to observe that this institution of an Artists' Benevolent Fund, which I now call on you to pledge, has connected with it, and has arisen out of another artists' association, which does not ask you for a health, which never did, and never will ask you for a health, which is self-supporting, and which is entirely maintained by the prudence and providence of its three hundred artist members. That fund, which is called the Artists' Annuity Fund, is, so to speak, a joint and mutual Assurance Company against infirmity, sickness, and age. To the benefits it affords every one of its members has an absolute right, a right, be it remembered, produced by timely thrift and self- denial, and not assisted by appeals to the charity or compassion of any human being. On that fund there are, if I remember a right, some seventeen annuitants who are in the receipt of eleven hundred a-year, the proceeds of their own self-supporting Institution. In recommending to you this benevolent fund, which is not self- supporting, they address you, in effect, in these words:- "We ask you to help these widows and orphans, because we show you we have first helped ourselves. These widows and orphans may be ours or they may not be ours; but in any case we will prove to you to a certainty that we are not so many wagoners calling upon Jupiter to do our work, because we do our own work; each has his shoulder to the wheel; each, from year to year, has had his shoulder set to the wheel, and the prayer we make to Jupiter and all the gods is simply this—that this fact may be remembered when the wagon has stopped for ever, and the spent and worn-out wagoner lies lifeless by the roadside.

"Ladies and Gentlemen, I most particularly wish to impress on you the strength of this appeal. I am a painter, a sculptor, or an engraver, of average success. I study and work here for no immense return, while life and health, while hand and eye are mine. I prudently belong to the Annuity Fund, which in sickness, old age, and infirmity, preserves me from want. I do my duty to those who are depending on me while life remains; but when the grass grows above my grave there is no provision for them any longer."

This is the case with the Artists' Benevolent Fund, and in stating this I am only the mouthpiece of three hundred of the trade, who in truth stands as independent before you as if they were three hundred Cockers all regulated by the Gospel according to themselves. There are in existence three artists' funds, which ought never to be mentioned without respect. I am an officer of one of them, and can speak from knowledge; but on this occasion I address myself to a case for which there is no provision. I address you on behalf of those professors of the fine arts who have made provision during life, and in submitting to you their claims I am only advocating principles which I myself have always maintained.

When I add that this Benevolent Fund makes no pretensions to gentility, squanders no treasure in keeping up appearances, that it considers that the money given for the widow and the orphan, should really be held for the widow and the orphan, I think I have exhausted the case, which I desire most strenuously to commend to you.

Perhaps you will allow me to say one last word. I will not consent to present to you the professors of Art as a set of helpless babies, who are to be held up by the chin; I present them as an energetic and persevering class of men, whose incomes depend on their own faculties and personal exertions; and I also make so bold as to present them as men who in their vocation render good service to the community. I am strongly disposed to believe there are very few debates in Parliament so important to the public welfare as a really good picture. I have also a notion that any number of bundles of the driest legal chaff that ever was chopped would be cheaply expended for one really meritorious engraving. At a highly interesting annual festival at which I have the honour to assist, and which takes place behind two fountains, I sometimes observe that great ministers of state and other such exalted characters have a strange delight in rather ostentatiously declaring that they have no knowledge whatever of art, and particularly of impressing on the company that they have passed their lives in severe studies. It strikes me when I hear these things as if these great men looked upon the arts as a sort of dancing dogs, or Punch's show, to be turned to for amusement when one has nothing else to do. Now I always take the opportunity on these occasions of entertaining my humble opinion that all this is complete "bosh;" and of asserting to myself my strong belief that the neighbourhoods of Trafalgar Square, or Suffolk Street, rightly understood, are quite as important to the welfare of the empire as those of Downing Street, or Westminster Hall. Ladies and Gentlemen, on these grounds, and backed by the recommendation of three hundred artists in favour of the Benevolent Fund, I beg to propose its prosperity as a toast for your adoption.



SPEECH: THE FAREWELL READING. ST. JAMES'S HALL, MARCH 15, 1870.



[With the "Christmas Carol" and "The Trial from Pickwick," Mr. Charles Dickens brought to a brilliant close the memorable series of public readings which have for sixteen years proved to audiences unexampled in numbers, the source of the highest intellectual enjoyment. Every portion of available space in the building was, of course, last night occupied some time before the appointed hour; but could the St. James's Hall have been specially enlarged for the occasion to the dimensions of Salisbury Plain, it is doubtful whether sufficient room would even then have been provided for all anxious to seize the last chance of hearing the distinguished novelist give his own interpretation of the characters called into existence by his own creative pen. As if determined to convince his auditors that, whatever reason had influenced his determination, physical exhaustion was not amongst them, Mr. Dickens never read with greater spirit and energy. His voice to the last retained its distinctive clearness, and the transitions of tone, as each personage in the story, conjured up by a word, rose vividly before the eye, seemed to be more marvellous than ever. The vast assemblage, hushed into breathless attention, suffered not a syllable to escape the ear, and the rich humour and deep pathos of one of the most delightful books ever written found once again the fullest appreciation. The usual burst of merriment responsive to the blithe description of Bob Cratchit's Christmas day, and the wonted sympathy with the crippled child "Tiny Tim," found prompt expression, and the general delight at hearing of Ebenezer Scrooge's reformation was only checked by the saddening remembrance that with it the last strain of the "carol" was dying away. After the "Trial from Pickwick," in which the speeches of the opposing counsel, and the owlish gravity of the judge, seemed to be delivered and depicted with greater dramatic power than ever, the applause of the audience rang for several minutes through the hall, and when it had subsided, Mr. Dickens, with evidently strong emotion, but in his usual distinct and expressive manner, spoke as follows:-]

Ladies and gentlemen,—It would be worse than idle—for it would be hypocritical and unfeeling—if I were to disguise that I close this episode in my life with feelings of very considerable pain. For some fifteen years, in this hall and in many kindred places, I have had the honour of presenting my own cherished ideas before you for your recognition, and, in closely observing your reception of them, have enjoyed an amount of artistic delight and instruction which, perhaps, is given to few men to know. In this task, and in every other I have ever undertaken, as a faithful servant of the public, always imbued with a sense of duty to them, and always striving to do his best, I have been uniformly cheered by the readiest response, the most generous sympathy, and the most stimulating support. Nevertheless, I have thought it well, at the full flood- tide of your favour, to retire upon those older associations between us, which date from much further back than these, and henceforth to devote myself exclusively to the art that first brought us together. Ladies and gentlemen, in but two short weeks from this time I hope that you may enter, in your own homes, on a new series of readings, at which my assistance will be indispensable; {23} but from these garish lights I vanish now for evermore, with a heartfelt, grateful, respectful, and affectionate farewell.

[Amidst repeated acclamations of the most enthusiastic description, whilst hats and handkerchiefs were waving in every part of the hall, Mr. Charles Dickens retired, withdrawing with him one of the greatest intellectual treats the public ever enjoyed.]



SPEECH: THE NEWSVENDORS' INSTITUTION, LONDON, APRIL 5, 1870.



[The annual dinner in aid of the funds of the Newsvendors' Benevolent and Provident Institution was held on the above evening, at the Freemason's Tavern. Mr. Charles Dickens presided, and was supported by the Sheriffs of the City of London and Middlesex.

After the usual toasts had been given and responded to,

The Chairman said that if the approved order of their proceedings had been observed, the Corporation of the City of London would no doubt have considered themselves snubbed if they were not toasted by themselves. He was sure that a distinguished member of the Corporation who was present would tell the company what the Corporation were going to do; and he had not the slightest doubt they were going to do something highly creditable to themselves, and something highly serviceable to the whole metropolis; and if the secret were not at present locked up in the blue chamber, they would be all deeply obliged to the gentleman who would immediately follow him, if he let them into it in the same confidence as he had observed with respect to the Corporation of the City of London being snubbed. He begged to give the toast of "The Corporation of the City of London."

Mr. Alderman Cotton, in replying to the toast, said for once, and once only, had their chairman said an unkind word about the Corporation of London. He had always reckoned Mr. Dickens to be one of the warmest friends of the Corporation; and remembering that he (Mr. Dickens) did really go through a Lord Mayor's Show in a Lord Mayor's carriage, if he had not felt himself quite a Lord Mayor, he must have at least considered himself next to one.

In proposing the toast of the evening Mr, Dickens said:-]

Ladies and gentlemen,—You receive me with so much cordiality that I fear you believe that I really did once sit in a Lord Mayor's state coach. Permit me to assure you, in spite of the information received from Mr. Alderman Cotton, that I never had that honour. Furthermore, I beg to assure you that I never witnessed a Lord Mayor's show except from the point of view obtained by the other vagabonds upon the pavement. Now, ladies and gentlemen, in spite of this great cordiality of yours, I doubt if you fully know yet what a blessing it is to you that I occupy this chair to-night, because, having filled it on several previous occasions for the society on whose behalf we are assembled, and having said everything that I could think of to say about it, and being, moreover, the president of the institution itself, I am placed to- night in the modest position of a host who is not so much to display himself as to call out his guests—perhaps even to try to induce some among them to occupy his place on another occasion. And, therefore, you may be safely sure that, like Falstaff, but with a modification almost as large as himself, I shall try rather to be the cause of speaking in others than to speak myself to- night. Much in this manner they exhibit at the door of a snuff shop the effigy of a Highlander with an empty mull in his hand, who, having apparently taken all the snuff he can carry, and discharged all the sneezes of which he is capable, politely invites his friends and patrons to step in and try what they can do in the same line.

It is an appropriate instance of the universality of the newsman's calling that no toast we have drunk to-night—and no toast we shall drink to-night—and no toast we might, could, should, or would drink to-night, is separable for a moment from that great inclusion of all possible subjects of human interest which he delivers at our doors every day. Further, it may be worthy the consideration of everybody here who has talked cheerfully to his or her neighbour since we have sat down at the table, what in the name of Heaven should we have talked about, and how on earth could we have possibly got on, if our newsman had only for one single day forgotten us. Now, ladies and gentlemen, as our newsman is not by any means in the habit of forgetting us, let us try to form a little habit of not forgetting our newsman. Let us remember that his work is very arduous; that it occupies him early and late; that the profits he derives from us are at the best very small; that the services he renders to us are very great; that if he be a master, his little capital is exposed to all sorts of mischances, anxieties, and hazards; and if he be a journeyman, he himself is exposed to all manner of weathers, of tempers, and of difficult and unreasonable requirements.

Let me illustrate this. I was once present at a social discussion, which originated by chance. The subject was, What was the most absorbing and longest-lived passion in the human breast? What was the passion so powerful that it would almost induce the generous to be mean, the careless to be cautious, the guileless to be deeply designing, and the dove to emulate the serpent? A daily editor of vast experience and great acuteness, who was one of the company, considerably surprised us by saying with the greatest confidence that the passion in question was the passion of getting orders for the play.

There had recently been a terrible shipwreck, and very few of the surviving sailors had escaped in an open boat. One of these on making land came straight to London, and straight to the newspaper office, with his story of how he had seen the ship go down before his eyes. That young man had witnessed the most terrible contention between the powers of fire and water for the destruction of that ship and of every one on board. He had rowed away among the floating, dying, and the sinking dead. He had floated by day, and he had frozen by night, with no shelter and no food, and, as he told his dismal tale, he rolled his haggard eyes about the room. When he had finished, and the tale had been noted down from his lips, he was cheered and refreshed, and soothed, and asked if anything could be done for him. Even within him that master passion was so strong that he immediately replied he should like an order for the play. My friend the editor certainly thought that was rather a strong case; but he said that during his many years of experience he had witnessed an incurable amount of self-prostration and abasement having no outer object, and that almost invariably on the part of people who could well afford to pay.

This made a great impression on my mind, and I really lived in this faith until some years ago it happened upon a stormy night I was kindly escorted from a bleak railway station to the little out-of- the-way town it represented by a sprightly and vivacious newsman, to whom I propounded, as we went along under my umbrella—he being most excellent company—this old question, what was the one all- absorbing passion of the human soul? He replied, without the slightest hesitation, that it certainly was the passion for getting your newspaper in advance of your fellow-creatures; also, if you only hired it, to get it delivered at your own door at exactly the same time as another man who hired the same copy four miles off; and, finally, the invincible determination on the part of both men not to believe the time was up when the boy called.

Ladies and gentlemen, I have not had an opportunity of verifying this experience with my friends of the managing committee, but I have no doubt from its reception to-night that my friend the newsman was perfectly right. Well, as a sort of beacon in a sufficiently dark life, and as an assurance that among a little body of working men there is a feeling of brotherhood and sympathy- -which is worth much to all men, or they would herd with wolves— the newsvendors once upon a time established the Benevolent and Provident Institution, and here it is. Under the Provident head, certain small annuities are granted to old and hard-working subscribers. Under the Benevolent head, relief is afforded to temporary and proved distress. Under both heads, I am bound to say the help rendered is very humble and very sparing, but if you like it to be handsomer you have it in your power to make it so. Such as it is, it is most gratefully received, and does a deal of good. Such as it is, it is most discreetly and feelingly administered; and it is encumbered with no wasteful charges for management or patronage.

You know upon an old authority, that you may believe anything except facts and figures, but you really may believe that during the last year we have granted 100 pounds in pensions, and some 70 pounds in temporary relief, and we have invested in Government securities some 400 pounds. But, touching this matter of investments, it was suggested at the anniversary dinner, on the high and kind authority of Sir Benjamin Phillips that we might grant more pensions and invest less money. We urged, on the other hand, that we wished our pensions to be certain and unchangeable— which of course they must be if they are always paid out of our Government interest and never out of our capital. However, so amiable is our nature, that we profess our desire to grant more pensions and to invest more money too. The more you give us to- night again, so amiable is our nature, the more we promise to do in both departments. That the newsman's work has greatly increased, and that it is far more wearing and tearing than it used to be, you may infer from one fact, not to mention that we live in railway times. It is stated in Mitchell's "Newspaper Press Directory," that during the last quarter of a century the number of newspapers which appeared in London had more than doubled, while the increase in the number of people among whom they were disseminated was probably beyond calculation.

Ladies and gentlemen, I have stated the newsman's simple case. I leave it in your hands. Within the last year the institution has had the good fortune to attract the sympathy and gain the support of the eminent man of letters I am proud to call my friend, {24} who now represents the great Republic of America at the British Court. Also it has the honour of enrolling upon its list of donors and vice-presidents the great name of Longfellow. I beg to propose to you to drink "Prosperity to the Newsvendors' Benevolent and Provident Institution."



SPEECH: MACREADY. LONDON, MARCH 1, 1851.



[On the evening of the above day the friends and admirers of Mr. Macready entertained him at a public dinner. Upwards of six hundred gentlemen assembled to do honour to the great actor on his retirement from the stage. Sir E. B. Lytton took the chair. Among the other speakers were Baron Bunsen, Sir Charles Eastlake, Mr. Thackeray, Mr. John Forster, Mr. W. J. Fox, and Mr. Charles Dickens, who proposed "The Health of the Chairman" in the following words:-]

Gentlemen,—After all you have already heard, and so rapturously received, I assure you that not even the warmth of your kind welcome would embolden me to hope to interest you if I had not full confidence in the subject I have to offer to your notice. But my reliance on the strength of this appeal to you is so strong that I am rather encouraged than daunted by the brightness of the track on which I have to throw my little shadow.

Gentlemen, as it seems to me, there are three great requisites essential to the perfect realisation of a scene so unusual and so splendid as that in which we are now assembled. The first, and I must say very difficult requisite, is a man possessing the stronghold in the general remembrance, the indisputable claim on the general regard and esteem, which is possessed by my dear and much valued friend our guest. The second requisite is the presence of a body of entertainers,—a great multitude of hosts so cheerful and good-humoured (under, I am sorry to say, some personal inconvenience),—so warm-hearted and so nobly in earnest, as those whom I have the privilege of addressing. The third, and certainly not the least of these requisites, is a president who, less by his social position, which he may claim by inheritance, or by fortune, which may have been adventitiously won, and may be again accidentally lost, than by his comprehensive genius, shall fitly represent the best part of him to whom honour is done, and the best part of those who unite in the doing of it. Such a president I think we have found in our chairman of to-night, and I need scarcely add that our chairman's health is the toast I have to propose to you.

Many of those who now hear me were present, I daresay, at that memorable scene on Wednesday night last, {25} when the great vision which had been a delight and a lesson,—very often, I daresay, a support and a comfort to you, which had for many years improved and charmed us, and to which we had looked for an elevated relief from the labours of our lives, faded from our sight for ever. I will not stop to inquire whether our guest may or may not have looked backward, through rather too long a period for us, to some remote and distant time when he might possibly bear some far-off likeness to a certain Spanish archbishop whom Gil Blas once served. Nor will I stop to inquire whether it was a reasonable disposition in the audience of Wednesday to seize upon the words -

"And I have brought, Golden opinions from all sorts of people, Which would be worn now in their newest gloss, Not cast aside so soon—" {26}

but I will venture to intimate to those whom I am addressing how in my mind I mainly connect that occasion with the present. When I looked round on the vast assemblage, and observed the huge pit hushed into stillness on the rising of the curtain, and that mighty surging gallery, where men in their shirt-sleeves had been striking out their arms like strong swimmers—when I saw that. boisterous human flood become still water in a moment, and remain so from the opening to the end of the play, it suggested to me something besides the trustworthiness of an English crowd, and the delusion under which those labour who are apt to disparage and malign it: it suggested to me that in meeting here to-night we undertook to represent something of the all-pervading feeling of that crowd, through all its intermediate degrees, from the full-dressed lady, with her diamonds sparkling upon her breast in the proscenium-box, to the half-undressed gentleman; who bides his time to take some refreshment in the back row of the gallery. And I consider, gentlemen, that no one who could possibly be placed in this chair could so well head that comprehensive representation, and could so well give the crowning grace to our festivities, as one whose comprehensive genius has in his various works embraced them all, and who has, in his dramatic genius, enchanted and enthralled them all at once.

Gentlemen, it is not for me here to recall, after what you have heard this night, what I have seen and known in the bygone times of Mr. Macready's management, of the strong friendship of Sir Bulwer Lytton for him, of the association of his pen with his earliest successes, or of Mr. Macready's zealous and untiring services; but it may be permitted me to say what, in any public mention of him I can never repress, that in the path we both tread I have uniformly found him from the first the most generous of men; quick to encourage, slow to disparage, ever anxious to assert the order of which he is so great an ornament; never condescending to shuffle it off, and leave it outside state rooms, as a Mussulman might leave his slippers outside a mosque.

There is a popular prejudice, a kind of superstition to the effect that authors are not a particularly united body, that they are not invariably and inseparably attached to each other. I am afraid I must concede half-a-grain or so of truth I to that superstition; but this I know, that there can hardly be—that there hardly can have been—among the followers of literature, a man of more high standing farther above these little grudging jealousies, which do sometimes disparage its brightness, than Sir Edward Bulwer Lytton.

And I have the strongest reason just at present to bear my testimony to his great consideration for those evils which are sometimes unfortunately attendant upon it, though not on him. For, in conjunction with some other gentlemen now present, I have just embarked in a design with Sir Bulwer Lytton, to smoothe the rugged way of young labourers, both in literature and the fine arts, and to soften, but by no eleemosynary means, the declining years of meritorious age. And if that project prosper as I hope it will, and as I know it ought, it will one day be an honour to England where there is now a reproach; originating in his sympathies, being brought into operation by his activity, and endowed from its very cradle by his generosity. There are many among you who will have each his own favourite reason for drinking our chairman's health, resting his claim probably upon some of his diversified successes. According to the nature of your reading, some of you will connect him with prose, others will connect him with poetry. One will connect him with comedy, and another with the romantic passions of the stage, and his assertion of worthy ambition and earnest struggle against those

"twin gaolers of the human heart, Low birth and iron fortune."

Again, another's taste will lead him to the contemplation of Rienzi and the streets of Rome; another's to the rebuilt and repeopled streets of Pompeii; another's to the touching history of the fireside where the Caxton family learned how to discipline their natures and tame their wild hopes down. But, however various their feelings and reasons may be, I am sure that with one accord each will help the other, and all will swell the greeting, with which I shall now propose to you "The Health of our Chairman, Sir Edward Bulwer Lytton."



SPEECH: SANITARY REFORM. LONDON, MAY 10, 1851.



[The members and friends of the Metropolitan Sanitary Association dined together on the above evening at Gore House, Kensington. The Earl of Carlisle occupied the chair. Mr. Charles Dickens was present, and in proposing "The Board of Health," made the following speech:-]

There are very few words for me to say upon the needfulness of sanitary reform, or the consequent usefulness of the Board of Health. That no man can estimate the amount of mischief grown in dirt,—that no man can say the evil stops here or stops there, either in its moral or physical effects, or can deny that it begins in the cradle and is not at rest in the miserable grave, is as certain as it is that the air from Gin Lane will be carried by an easterly wind into Mayfair, or that the furious pestilence raging in St. Giles's no mortal list of lady patronesses can keep out of Almack's. Fifteen years ago some of the valuable reports of Mr. Chadwick and Dr. Southwood Smith, strengthening and much enlarging my knowledge, made me earnest in this cause in my own sphere; and I can honestly declare that the use I have since that time made of my eyes and nose have only strengthened the conviction that certain sanitary reforms must precede all other social remedies, and that neither education nor religion can do anything useful until the way has been paved for their ministrations by cleanliness and decency.

I do not want authority for this opinion: you have heard the speech of the right reverend prelate {27} this evening—a speech which no sanitary reformer can have heard without emotion. Of what avail is it to send missionaries to the miserable man condemned to work in a foetid court, with every sense bestowed upon him for his health and happiness turned into a torment, with every month of his life adding to the heap of evils under which he is condemned to exist? What human sympathy within him is that instructor to address? what natural old chord within him is he to touch? Is it the remembrance of his children?—a memory of destitution, of sickness, of fever, and of scrofula? Is it his hopes, his latent hopes of immortality? He is so surrounded by and embedded in material filth, that his soul cannot rise to the contemplation of the great truths of religion. Or if the case is that of a miserable child bred and nurtured in some noisome, loathsome place, and tempted, in these better days, into the ragged school, what can a few hours' teaching effect against the ever-renewed lesson of a whole existence? But give them a glimpse of heaven through a little of its light and air; give them water; help them to be clean; lighten that heavy atmosphere in which their spirits flag and in which they become the callous things they are; take the body of the dead relative from the close room in which the living live with it, and where death, being familiar, loses its awe; and then they will be brought willingly to hear of Him whose thoughts were so much with the poor, and who had compassion for all human suffering.

The toast which I have to propose, The Board of Health, is entitled to all the honour which can be conferred upon it. We have very near us, in Kensington, a transparent illustration that no very great thing can ever be accomplished without an immense amount of abuse being heaped upon it. In connexion with the Board of Health we are always hearing a very large word which is always pronounced with a very great relish—the word centralization. Now I submit that in the time of the cholera we had a pretty good opportunity of judging between this so called centralization and what I may, I think, call "vestrylisation." I dare say the company present have read the reports of the Cholera Board of Health, and I daresay they have also read reports of certain vestries. I have the honour of belonging to a constituency which elected that amazing body, the Marylebone vestry, and I think that if the company present will look to what was done by the Board of Health at Glasgow, and then contrast those proceedings with the wonderful cleverness with which affairs were managed at the same period by my vestry, there will be very little difficulty in judging between them. My vestry even took upon itself to deny the existence of cholera as a weak invention of the enemy, and that denial had little or no effect in staying the progress of the disease. We can now contrast what centralization is as represented by a few noisy and interested gentlemen, and what centralization is when worked out by a body combining business habits, sound medical and social knowledge, and an earnest sympathy with the sufferings of the working classes.

Another objection to the Board of Health is conveyed in a word not so large as the other,—"Delay." I would suggest, in respect to this, that it would be very unreasonable to complain that a first- rate chronometer didn't go when its master had not wound it up. The Board of Health may be excellently adapted for going and very willing and anxious to go, and yet may not be permitted to go by reason of its lawful master having fallen into a gentle slumber and forgotten to set it a going. One of the speakers this evening has referred to Lord Castlereagh's caution "not to halloo until they were out of the wood." As regards the Board of Trade I would suggest that they ought not to halloo until they are out of the Woods and Forests. In that leafy region the Board of Health suffers all sorts of delays, and this should always be borne in mind. With the toast of the Board of Health I will couple the name of a noble lord (Ashley), of whose earnestness in works of benevolence, no man can doubt, and who has the courage on all occasions to face the cant which is the worst and commonest of all- -the cant about the cant of philanthropy.



SPEECH: GARDENING. LONDON, JUNE 9, 1851.



[At the anniversary dinner of the Gardeners' Benevolent Institution, held under the presidency of Mr., afterwards Sir Joseph Paxton, Mr. Charles Dickens made the following speech:-]

I feel an unbounded and delightful interest in all the purposes and associations of gardening. Probably there is no feeling in the human mind stronger than the love of gardening. The prisoner will make a garden in his prison, and cultivate his solitary flower in the chink of a wall. The poor mechanic will string his scarlet bean from one side of his window to the other, and watch it and tend it with unceasing interest. It is a holy duty in foreign countries to decorate the graves of the dead with flowers, and here, too, the resting-places of those who have passed away from us will soon be gardens. From that old time when the Lord walked in the garden in the cool of the evening, down to the day when a Poet- Laureate sang -

"Trust me, Clara Vere de Vere, From yon blue heaven above us bent The gardener Adam and his wife Smile at the claims of long descent,"

at all times and in all ages gardens have been amongst the objects of the greatest interest to mankind. There may be a few, but I believe they are but a few, who take no interest in the products of gardening, except perhaps in "London Pride," or a certain degenerate kind of "Stock," which is apt to grow hereabouts, cultivated by a species of frozen-out gardeners whom no thaw can ever penetrate: except these, the gardeners' art has contributed to the delight of all men in their time. That there ought to be a Benevolent Provident Institution for gardeners is in the fitness of things, and that such an institution ought to flourish and does flourish is still more so.

I have risen to propose to you the health of a gentleman who is a great gardener, and not only a great gardener but a great man—the growth of a fine Saxon root cultivated up with a power of intellect to a plant that is at this time the talk of the civilized world—I allude, of course, to my friend the chairman of the day. I took occasion to say at a public assembly hard-by, a month or two ago, in speaking of that wonderful building Mr. Paxton has designed for the Great Exhibition in Hyde Park, that it ought to have fallen down, but that it refused to do so. We were told that the glass ought to have been all broken, the gutters all choked up, and the building flooded, and that the roof and sides ought to have been blown away; in short that everything ought to have done what everything obstinately persisted in not doing. Earth, air, fire, and water all appear to have conspired together in Mr. Paxton's favour—all have conspired together to one result, which, when the present generation is dust, will be an enduring temple to his honour, and to the energy, the talent, and the resources of Englishmen.

"But," said a gentleman to me the other day, "no doubt Mr. Paxton is a great man, but there is one objection to him that you can never get over, that is, he is a gardener." Now that is our case to-night, that he is a gardener, and we are extremely proud of it. This is a great age, with all its faults, when a man by the power of his own genius and good sense can scale such a daring height as Mr. Paxton has reached, and composedly place his form on the top. This is a great age, when a man impressed with a useful idea can carry out his project without being imprisoned, or thumb-screwed, or persecuted in any form. I can well understand that you, to whom the genius, the intelligence, the industry, and the achievements of our friend are well known, should be anxious to do him honour by placing him in the position he occupies to-night; and I assure you, you have conferred great gratification on one of his friends, in permitting him to have the opportunity of proposing his health, which that friend now does most cordially and with all the honours.



SPEECH: THE ROYAL ACADEMY DINNER. LONDON, MAY 2, 1870.



[On the occasion of the Second Exhibition of the Royal Academy in their new galleries in Piccadilly, the President, Sir F. Grant, and the council gave their usual inaugurative banquet, and a very distinguished company was present. The dinner took place in the large central room, and covers were laid for 200 guests. The Prince of Wales acknowledged the toast of his health and that of the Princess, the Duke of Cambridge responded to the toast of the army, Mr. Childers to the navy, Lord Elcho to the volunteers, Mr. Motley to "The Prosperity of the United States," Mr. Gladstone to "Her Majesty's Ministers," the Archbishop of York to, "The Guests," and Mr. Dickens to "Literature." The last toast having been proposed in a highly eulogistic speech, Mr. Dickens responded.]

Mr. President, your Royal Highnesses, my Lords and Gentlemen,—I beg to acknowledge the toast with which you have done me the great honour of associating my name. I beg to acknowledge it on behalf of the brotherhood of literature, present and absent, not forgetting an illustrious wanderer from the fold, whose tardy return to it we all hail with delight, and who now sits—or lately did sit—within a few chairs of or on your left hand. I hope I may also claim to acknowledge the toast on behalf of the sisterhood of literature also, although that "better half of human nature," to which Mr. Gladstone rendered his graceful tribute, is unworthily represented here, in the present state of its rights and wrongs, by the devouring monster, man.

All the arts, and many of the sciences, bear witness that women, even in their present oppressed condition, can attain to quite as great distinction, and can attain to quite as lofty names as men. Their emancipation (as I am given to understand) drawing very near, there is no saying how soon they may "push us from our stools" at these tables, or how soon our better half of human nature, standing in this place of mine, may eloquently depreciate mankind, addressing another better half of human nature sitting in the president's chair.

The literary visitors of the Royal Academy to-night desire me to congratulate their hosts on a very interesting exhibition, in which risen excellence supremely asserts itself, and from which promise of a brilliant succession in time to come is not wanting. They naturally see with especial interest the writings and persons of great men—historians, philosophers, poets, and novelists, vividly illustrated around them here. And they hope that they may modestly claim to have rendered some little assistance towards the production of many of the pictures in this magnificent gallery. For without the patient labours of some among them unhistoric history might have long survived in this place, and but for the researches and wandering of others among them, the most preposterous countries, the most impossible peoples, and the absurdest superstitions, manners, and customs, might have usurped the place of truth upon these walls. Nay, there is no knowing, Sir Francis Grant, what unlike portraits you yourself might have painted if you had been left, with your sitters, to idle pens, unchecked reckless rumours, and undenounced lying malevolence.

I cannot forbear, before I resume my seat, adverting to a sad theme (the recent death of Daniel Maclise) to which his Royal Highness the Prince of Wales made allusion, and to which the president referred with the eloquence of genuine feeling. Since I first entered the public lists, a very young man indeed, it has been my constant fortune to number amongst my nearest and dearest friends members of the Royal Academy who have been its grace and pride. They have so dropped from my side one by one that I already, begin to feel like the Spanish monk of whom Wilkie tells, who had grown to believe that the only realities around him were the pictures which he loved, and that all the moving life he saw, or ever had seen, was a shadow and a dream.

For many years I was one of the two most intimate friends and most constant companions of the late Mr. Maclise. Of his genius in his chosen art I will venture to say nothing here, but of his prodigious fertility of mind and wonderful wealth of intellect, I may confidently assert that they would have made him, if he had been so minded, at least as great a writer as he was a painter. The gentlest and most modest of men, the freshest as to his generous appreciation of young aspirants, and the frankest and largest-hearted as to his peers, incapable of a sordid or ignoble thought, gallantly sustaining the true dignity of his vocation, without one grain of self-ambition, wholesomely natural at the last as at the first, "in wit a man, simplicity a child," no artist, of whatsoever denomination, I make bold to say, ever went to his rest leaving a golden memory more pure from dross, or having devoted himself with a truer chivalry to the art goddess whom he worshipped.

[These were the last public words of Charles Dickens.]



Footnotes:



{1} Sir David Wilkie died at sea, on board the Oriental, off Gibraltar, on the 1st of June, 1841, whilst on his way back to England. During the evening of the same day his body was committed to the deep. —ED.

{2} The Britannia was the vessel that conveyed Mr. Dickens across the Atlantic, on his first visit to America—ED.

{3} Master Humphrey's Clock, under which title the two novels of Barnaby Rudge and The Old Curiosity Shop originally appeared.—ED.

{4} "I shall always entertain a very pleasant and grateful recollection of Hartford. It is a lovely place, and I had many friends there, whom I can never remember with indifference. We left it with no little regret." American Notes (Lond. 1842). Vol. I, p. 182.

{5} See the Life and Letters of Washington Irving (Lond. 1863), p. 644, where Irving speaks of a letter he has received "from that glorious fellow Dickens, in reply to the one I wrote, expressing my heartfelt delight with his writings, and my yearnings toward himself." See also the letter itself, in the second division of this volume.—ED.

{6} TENNYSON, Lady Clara Vere de Vere, then newly published in collection of 1842.—ED

{7} "That this meeting, while conveying its cordial thanks to Charles Dickens, Esq., for his presence this evening, and for his able and courteous conduct as President, cannot separate without tendering the warmest expression of its gratitude and admiration to one whose writings have so loyally inculcated the lessons of benevolence and virtue, and so richly contributed to the stores of public pleasure and instructions."

{8} The Duke of Devonshire.

{9} Charlotte Corday going to Execution.

{10} The above is extracted from Mrs. Stowe's "Sunny Memories of Foreign Lands,", a book in which her eaves-dropping propensities were already developed in a sufficiently ugly form.—ED.

{11} Alas! the "many years" were to be barely six, when the speaker was himself destined to write some memorial pages commemorative of his illustrious friend (Cornhill Magazine, February, 1864.)—ED.

{12} Mr. Henry Dodd had proposed to give five acres of land in Berkshire, but, in consequence of his desiring to attach certain restrictions, after a long and unsatisfactory correspondence, the Committee, on 13th January following, rejected the offer. (Communicated.)

{13} Claude Melnotte in The Lady of Lyons, Act iii. sc. 2.

{14} Mr. B. Webster.

{15} Romeo and Juliet, Act III. Sc. 1.

{16} Robert Browning: Bells and Pomegranates.

{17} R. H.

{18} Carlyle's French Revolution. Book X., Chapter I.

{19} Henry Thomas Buckle.

{20} This and the Speeches which follow were accidentally omitted in their right places.

{21} Hazlitt's Round Table (Edinburgh, 1817, vol ii., p. 242), On Actors and Acting.

{22} An allusion to a well-known Sonnet of Wordsworth, beginning— "The world is too much with us—late and soon," &c.—ED.

{23} Alluding to the forthcoming serial story of Edwin Drood.

{24} The Honourable John Lothrop Motley.

{25} February 26th, 1851. Mr. Macready's Farewell Benefit at Drury Lane Theatre, on which occasion he played the part of Macbeth.—ED.

{26} MACBETH, Act I., sc. 7.

{27} The Bishop of Ripon (Dr. Longley).

THE END