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South Wind
by Norman Douglas
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Gu-gu-gu-gu-gu-gu-gu-gu-gu-,

An ambiguous utterance, which was construed by both parties as a verdict in their favour.

Mr. Heard, while conceding that the acting was good—first rate, in fact—could not make up his mind whether to be shocked or pleased. He wondered whether such a play had any features in common with religion. His host, who stood for paganism and nudity and laughter, convinced him that it had.

"You would have seen the same thing in pre-Puritan England," he concluded, at the end of a long exposition. "And now, if you like, we will have a look at that Club. It may amuse you. There is still time for the Duchess."



CHAPTER V



"This is the place," said Mr. Keith.

It was one of a row of tawdry modern buildings, the lower floors of which were utilized as shops—an undistinguished sort of place, in an undistinguished street. They climbed upstairs and wandered through two or three rooms, all alike save that one of them had a balcony; square, white-washed rooms, not very clean, and inadequately furnished with tables, cane-bottomed chairs and a few prints on the walls. There was a lavish display, however, of bottles and glasses, and several shelves were littered with newspapers in different languages. Acetylene lamps hung from the flat ceiling. An odour of stale tobacco and alcohol pervaded the premises. Flies were buzzing against the window-panes.

Half a dozen nondescript members, looking considerably the worse for wear, loafed about moodily or snored in deck chairs. Two or three were writing letters. It was the sulkiest hour of the day. Mr. Heard noticed a slender young Indian and a blond-haired fellow—probably a Scandinavian. They were arguing about cigars with a rosy-cheeked old reprobate whom they called Charlie. An adjoining apartment, the card-room, contained a livelier party, among whom the bishop recognized Mr. Muhlen. He had lost no time in making himself popular. He must have found congenial spirits here.

"Well?" asked Keith.

"Cheap and nasty," suggested the other.

"That's it! They call it the Alpha and Omega Club, to shadow forth its all-embracing international character; it's just a boozing institution, where you run to seed. They come in here, and say the south wind makes them thirsty. Red and Blue Club would be a more appropriate name. That is the whisky they have to drink."

"Why cannot they drink wine or—or ginger beer?"

"He tries to stop that. He would not be able to make any profits on wine."

"Who?"

"The President."

And Mr. Keith proceeded to sketch the history of the establishment.

The Alpha and Omega Club had led a precarious existence. Often its life dangled by a thread for lack of members, or because those members who owed subscriptions were unable or unwilling to pay them. Such had been the case before the accession of the new President. It hung its drooping head; had almost withered away. Mr. Freddy Parker tended the languid flower, and watered it—with whisky of his own composition.

It revived. Or rather (which amounts to the same thing) Mr. Parker revived—sufficiently, at all events, to pay off some of the more pressing of his private debts. Napoleon, or somebody, once remarked: "L'ETAT, C'EST MOI." Mr. Parker thought highly of a strong character like Napoleon. He used to say, when talking things over with his lady in her "boudoir" at the Residency:

"The Club, that's me."

Declaring that wine was the ruin of the place, he imported—it was the lady's idea, originally—the far-famed "Red-and-Blue" brand of whisky in barrels. The liquid was bottled in the cellars of the Residency. What happened during that process was never revealed. It was affirmed, none the less, that one barrel of the original stuff was more than enough for three barrelfuls of the bottled product. Cultured members, on drinking it, were wont to say things about Locusta and Borgia. The commoner sort swore like hell at Freddy Parker. It made you feel squiffy after the sixth glass—argumentative, magisterial, maudlin, taciturn, erotic, sentimental, sea-sick, ecstatic, paralysed, lachrymose, hilarious, pugilistic—according to your temperament. Whatever your temperament it gave you a thundering head next morning, and a throat like Nebuchadnezzar's fiery furnace. It was known as "Parker's poison."

The stuff was served, at an alluring price, out of bottles adorned with a seductive label—a label which had been designed by an impecunious artist who, after running up a rousing bill for drinks, got off payment on the strength of this job. But the prettiest label in the world could not stone for the mixture within. Members often complained of feeling queer. They threatened to resign. Mr. Parker did not want them to resign; he wanted their subscriptions. He had a grand way with him on such occasions. Whenever one of them complained too bitterly or too persistently—became damned abusive, in fact—he would patiently wait and see which was the fellow's favourite newspaper. That point settled—it was his lady's idea, originally—he would stop the supply of the journal in question, alleging insufficiency of Club revenues. These Napoleon-like tactics generally brought the offending member to his senses.

Mr. Frederick Parker spent a good deal of his time in endeavouring to mask, under a cloak of boisterous good humour, a really remarkable combination of malevolence and imbecility. He was what you call a remittance man. He got so much a quarter—a miserable sum it was—to keep out of England. He travelled about formerly. But no amount of travel, no association with his betters, could pierce his stolid pachydermatous obliquity. He was the worst kind of Englishman; he could not even cheat without being found out. But for the wise counsels of his lady he would have been in the lock-up over and over again. Such being the case, he took a justifiable pride in his Anglo-Saxon origin. Whenever a project seemed too risky—not worth while, he called it—he would say:

"It can't be done. That's a job for a Dago. I'm an Englishman, you know."

He had knocked about the world a good bit, had Mr. Parker. His last known domicile was Nicaragua. There he invested in some land affair—a most unfortunate speculation, as it turned out. All his speculation had a way of turning badly. That was because people, even people in Nicaragua, distrusted him for one reason or another; they said his whole existence was a tangle of shady and ignoble transactions—that he looked like a fraud, and behaved like one. He couldn't help his face; but his face, they soon discovered, was not the only, or even the most, evasive and fugitive part of his personality.

At last Nicaragua, even Nicaragua, got too hot for him.

There was Don Pomponio di Vergara y Puyarola, Nicaraguan Minister of Finance; one might come to terms with a man of that kind. It was arranged between them that His Excellency, who had a large family and many poor dependents, should take over Mr. Parker's landed interests; being a native of the place he might succeed in squeezing a little something out of them. In exchange for this concession an unobtrusive Government job was specially created for Mr. Parker. He was appointed Financial Commissioner for South-Eastern Europe, to reside at Nepenthe or wherever else he pleased—unpaid; the exalted social status conferred by such a post being deemed ample compensation. His sole duty consisted of submitting a short annual report, a pure formality, to his Government.

He departed, but not alone. With him went his familiar spirit, his guardian angel, his lady, his step-sister—a dusky dame of barn-like proportions. Arrived at Nepenthe they rented a small villa, rather out of the way, which they called the Residency. The change of climate did them good. So did the appointment. He was now a person of consequence—the sole representative of a Foreign Power on the island. His official rank procured him not only dignity and a new start in life but, what was still more urgent, credit. It brought him into contact with the local authorities—with the red-haired rachitic judge, for instance, between whom and Mr. Parker there sprang up an intimacy which was viewed with vague forebodings. The lady, being a Catholic—Mr. Parker, too, was suspected of Roman proclivities—was confessed by the parish priest. That was a point gained; the PARROCO being above suspicioin, among foreigners at least. She stayed mostly indoors, inventing scandals about people and writing voluminous letters to warn new-comers of the appalling immorality of the place.

To outward appearance the Commissioner and his lady agreed like a brace of turtle-doves. He, too, was a moral and social reformer. But men must live. The refined social status attached to Mr. Parker's honorary post producing nothing tangible in the way of ready cash, he began to cast about for some means of livelihood. They wre getting into debt once more. Something must be done, he declared.

His portly presence, flushed countenance, briar pipe, knickerbockers and white spats had already become a familiar object in the streets of the town, when a terrible uproar at the Club—one of those periodical, approximately monthly, rows at which the police, who hated meddling with foreigners, were reluctantly compelled to intervene—suggested to her that something might be done in that direction. She got him elected President for that year, President for the next, the next, and the next; in spite of the fact that, according to the rules, a new President had to be elected every year. Who cared about rules? He was the Commissioner! People were only too glad to have him there. In fact, like Napoleon, he became a sort of Dictator.

He was now in his element. There were emoluments to be picked up here—percentages, perquisites, and profits of all kinds. He made a little arrangement with the Club laundry-woman to take in his own washing as well, gratis. Under the threat of placing the Club custom elsewhere he concluded a number of treaties, each containing a secret clause which referred to fifteen per cent profit for himself, with the grocer who supplied provisions; and with other tradespeople dealing in stationery, soap, crockery (broken crockery was a heavy item in the accounts) and such—like Club necessaries. Next, he took the landlord in hand. He would clear out, by God, and take more respectable premises if the rent were not reduced by twenty per cent! Scandalous! Downright robbery! The landlord being a reasonable sort of man, it was agreed that the old rate should stand in the contract, while the balance of twenty per cent found its way into Mr. Parker's pockets, and not, as theretofore, into his own. The same with the servants. From the boy who cleaned the rooms, and whom he changed as often as ever possible, he exacted a monetary deposit as a guarantee of good conduct—a deposit which was never returned, whatever his behaviour had been. Then—the subscriptions. For of course the accounts were never audited; nobody bothered about such things on Nepenthe, with all that south wind hanging about. If they had been he would have squared the auditor up to any sum—a hundred francs, almost; it was worth while. Pickings, he called hem. The place, the system suited him down to the ground. He had lived all his life on pickings. He was a retail welsher; he lacked the nerve for sweeping enterprises.

On his accession, the Club was in such a state of demoralization, had become such a public scandal, that Mr. Parker, in his capacity of moralist, would have been the first person to dissolve that assembly of topers and rakes. As financier, he meant to live by it. But how was the place to be purified?

Parker's poison solved that problem, besides yielding a fine slice of additional revenue. The hardest drinkers, the inveterate rowdies, refused to believe that it was anything but the ordinary whisky to which they had been accustomed from childhood; or believing, refused out of sheer boastfulness, or force of habit, to reduce their doses. While the moderate realized the truth and acted accordingly, these others insisted upon regarding it as genuine Scotch—with inevitable and dire results. They succumbed. During the first year of Freddy Parker's reign, eight of these stubborn sinners were carried to their graves. And year by year, the same causes being in action, the process of betterment went on. Extremists dropped off, moderates survived. The Club was purged of its grosser elements, the moral tone of the establishment was raised, through the operation of Parker's poison. It was Napoleon's way with the Paris Parliament, he once explained to his lady, who wondered vaguely how long the hero himself would have outlived the effects of that mixture which she brewed, with her own fair hands, in the dim vaults of the Residency.

Even now it was a pretty tough place. New crooks, like the dubious Mr. Hopkins, new fire-eaters, new cranks, new sots, were always dropping in from different corners of the globe to spread their infection among the more recent crowd of curio-hunters, gentlemen of commerce, nautical wrecks, decayed missionaries, painters, authors and other vagrant riff-raff who frequented the premises. There were rows going on all the time—insignificant rows, mostly about newspapers and gambling debts. Mr. Samuel got his eye blacked over a harmless game of ecarte; Mr. White, one of the steadiest members, threatened to withdraw his subscription on account of the black-beetles; a Swedish sea-captain smashed nine panes of glass—just by way of a friendly demonstration, he said—because the great Upsala journal, the UTAN STAFVEL, was missing from its shelf; a muscular Japanese made himself distinctly offensive about the NICHI-NICHI-SHIN-BUM being out of date, and was going to twist everybody's head off, if it occurred again; the excellent Vice-President, Mr. Richards, tumbled noisily downstairs, nobody knew how or why—all on a single afternoon. The sirocco happened to be particularly trying that day.

On the whole, there was no denying the fact that the Club flourished under the statesman-like autocracy of Mr. Parker. That was partly because, unlike previous presidents, he was generally on the spot. Some great man once made a remark about the need of "the Master's Eye." He believed in that remark. If you run a place, run it yourself. He was ever-present, absorbing at ogher people's expense his own poison, to the effects of which he seemed to be immune; and borrowing money, on the sly, from the richer and more forgetful members. His uproarious joviality, his echoing ha! ha! became a feature of the place; it deceived the simple, and amused the complex. He was ready to talk about anything with anybody who shoved along; he had a fund of naughty tropical stories for the so-called bawdy section, and could be as sympathetic and pious as you please with a contrite youngster suffering from last night's debauch.

"A hair of the dog," he would suggest with a genial wink, pushing the bottle temptingly nearer.

The regulations had also been improved under his auspices. The entrance fee was imperceptibly raised, while the conditions of entry were relaxed. It was his lady's idea originally. She made it clear that the more numerous the members the greater the quantity of whisky consumed—the greater, therefore, their profits; quite apart from the possibility of additional subscriptions being paid. He agreed. Then, in a sudden glow of commercial enthusiasm, he proceeded to hint that ladies should also be admitted. Regretfully she put her foot down. Anywhere else the proposal would have been welcome. It was out of the question on Nepenthe.

"You're forgetting that Wilberforce woman," she said. "She would have to be carried home every night. It couldn't be done, Freddy. We might as well shut up the shop at once. People would get talking about the place—you know how they talk, as it is."

Miss Wilberforce was a pathetic local figure, a lady by birth, with a ready tongue, wiry limbs, and an insatiable craving for alcohol. She would unavoidably have damaged the reputation of the place, to say nothing of its furniture. She had gone from bad to worse lately.

"Perhaps you're right, Lola. It isn't worth while for those few subscriptions. After all, I'm an Englishman. But how about all those Russians?" he added.

"I've often told you to let them in, Freddy."

"So you have, dear! It was your idea originally. Well, I must think it over again."

He thought it over and regretfully came to the conclusion that it could not be done. Russians were not people of the right kind. They were not honest.

"Russians are too artistic to be honest," he declared.

It was a BON MOT which he had picked up, long ago, from Madame Steynlin, in the days when the lady looked with disfavour on the Muscovite colony. That Lutheran period was over for the present: she was orthodox so far as sentiments were concerned. Nothing could be good enough for the Russians, just then. An acquaintance with Peter, one of the handsomest of the whole batch of religious enthusiasts, had brought about her psychological conversion and altered her outlook upon life. Her heart was in the Urals. But that stupid, malicious epigram had impressed itself on the mind of Mr. Parker, who was hopelessly insensitive to the flaxen curls of Peter.

"No," he decided. "They are not honest. We must draw the line somewhere, Lola. I draw it at Russians. At least I think we ought to. But I'll think it over again."

That was foolish of him, she opined. For the Muscovites would probably have paid their accounts as regularly as other members; and as to their capacity for raising the Club revenues by the destruction of alcohol—why, many people had said unkind things about them, and yet nobody had gone so far as to accuse them of being unable to stow it away in proper Christian style. No wonder. Because there was nothing whatever in their Bible, the GOLDEN BOOK of the divinely inspired Bazhakuloff, to prohibit or even limit the consumption of strong waters. In the matter of dietary he had only bidden them refrain fro the flesh of warm-blooded beasts.

Mr. Parker was always thinking things over and coming to the wrong conclusion. It was foolish of him.

She knew him too well to say anything more for the moment. She would have to bide her time because Freddy, of whom she had made an exhaustive study, was a wobbler, and worse than a wobbler. He was stubborn at the wrong season and difficult to manage. He needed careful motherly guidance. All fools, she reflected, were subject to meteoric gleams of common sense. He was no exception to that rule. But whereas they received such flashes with thankfulness, he persisted in regarding them as inspirations of the devil. That was the tragedy of Freddy Parker. It made him into something quinessential—a kind of super-fool. . . .

Mr. Keith enquired:

"You don't want to become a member of this institution, do you, Bishop?"

The other pondered awhile.

"I am pretty democratic," he replied. "We have some warm places in Africa, you know, and I never allowed myself to be beaten by them. Perhaps I might be of use to some of those poor fellows in there. But I like to do things properly. It would entail at first a little friendly drinking, I'm afraid, in order to gain their confidence. It is not in my character to do one thing and preach another. I cannot pose as an abstainer after the way I enjoyed your luncheon. But the smell of the whisky here—it scares me. My liver—"

"Ah, yes!" said Mr. Keith with a sigh. "No wonder you hesitate. It is quite disheartening, all that drunkenness."



CHAPTER VI



It stands to reason that the Duchess was not a Duchess at all. She was American by birth, from some Western state, and her first husband had been an army man. Her second spouse—he, too, had died long ago—was Italian. In view of his passionate devotion to the Catholic Church and of a further payment of fifty thousand francs, he had been raised to the rank of Papal Marquis. He died relatively young. Had his life been spared, as it ought to have been, he might well have become a Papal Duke in course of time. He was carried off by an accident not of his own contriving—run over by a tramcar in Rome—before that further ducal premium was even expected to be paid. But for this, he ought to have died a Duke. He would have been a Duke, by this time.

His widow, taking these things into consideration, felt it her duty to appropriate the more sonorous of the two titles open to her. Nobody contested her claim. All her friends, on the contrary, declared that she talked like a peeress and behaved like one; and in a world where the few remaining authentic specimens of that class fail to fulfil either the one or the other of these conditions, it was thought meet and proper that somebody should be good enough to carry on, if only in semblance, and if only in Nepenthe, the traditions of a race rapidly approaching extinction. It was pleasant to be able to converse with a Duchess at any hour of the day, and this one was nothing if not accessible so long as you were fairly well clothed, had a reasonably supply of small talk and did not profess violent anti-papal sentiments.

Some people said she dressed like a Duchess, but there was less unanimity on this point. Her handsome oval face and towering grey hair induced her to cultivate an antique pose, with a view to resembling "La Pompadour." La Pompadour stood for something courtly and powdered. She certainly dressed better and on far less money than Madame Steynlin, whose plump figure, round sunburnt cheeks, and impulsive manner would never have done for an old-world beauty, and who cared little what frocks she wore, so long as somebody loved her. The Duchess had all the aplomb of La Pompadour, but not much of her French accent. Her Italian, too, was somewhat embryonic. That mattered little. The external impression, the grand manner, was everything. She was not lame, though she generally leaned on somebody's arm or a stick. It was rather a pretty stick. She would have worm a pomander in her hair, or on a chatelaine, if anybody had told her what a pomander was. As her friends were unable to enlighten her—Mr. Keith even hinting that it was an object which could not be mentioned in polite society—she contented herself with a couple of patches.

Her rooms in that disused convent were an interminable suite of rectangular chambers, unpretentious but solidly built, with straight corridors running alongside. You beheld pretty pavements of old-fashioned tiles, not overmuch furniture, one or two portraits of the Pope, and abundance of flowers and crucifixes. The Duchess specialized in flowers and crucifixes. Everybody, aware of her fondness for them, gave her either the one or the other, or both. An elaborate arrangement for tea occupied one of the rooms; there was also a cold buffet for gentlemen—brandies and wines and iced soda-water and lobster sandwiches and suchlike.

A many-tongued conversation filled the air with pleasant murmurs. Various nationalities were represented, though the Russian colony was conspicuous by its absence. The Duchess, like Mr. Freddy Parker, drew the line at Russians. If only they would not dress so oddly, with those open collars, leathern belts, and scarlet blouses! The judge, also, was never asked to come—he was too outspoken a freethinker, and too fond of spitting on the floor. Nor did Mr. Eames put in an appearance. He avoided social obligations; his limited means preventing him from making any adequate return. But there was an ample display of ecclesiastics, together with a few other notabilities. Mr. Heard encountered some familiar faces, and made new friends. He felt drawn towards Madame Steynlin—she had such a cheerful bright face.

"And how delightfully cool these rooms are!" he was saying to the Duchess. "I wonder how you manage to keep the sirocco out?"

"By closing the windows, Bishop. English people will not believe that. They open their windows. In comes the heat."

"If English people closed their windows they would die," said Don Francesco. "Half the houses in England would be condemned by law in this country and pulled down, on account of their low ceilings. Low ceilings have given the Englishman his cult of fresh air. He likes to be cosy and familiar and exclusive; he has no sense for broad social functions. There is something of the cave-dweller in every Englishman. He may say what he likes, but the humble cottage will always remain his dream. You can tell the ideals of a nation by its advertisements. This country is pastoral. That is why our advertisements are so apt to portray commercial conditions—enormous factories and engines and chimneys; we are dissatisfied with our agricultural state. The Frenchman's aspiration is woman; Paris hoardings will tell you that. England is a land of industrial troglodytes, where every man's cavern is his castle. Its advertisements depict either gross masses of food such as cave-dwellers naturally relish, or else quiet country scenes—green lanes, and sunsets, and peaceful dwellings in the country. Home, sweet home! The cottage! That means open windows or suffocation. . . . I think I see the person who spoke to you on the steamer," he added to Mr. Heard. "I don't like his looks. He is coming our way."

"That must be Mr. Muhlen," exclaimed the Duchess. "They say he played beautifully at the hotel last night. I wonder whether I could induce him to try my Longwood? It's rather an old model, I fear, and out of tune."

The gentleman appeared, ostentatiously dressed and escorted by Mr. Richards, the Vice-President of the Alpha and Omega Club, who seemed to be fairly steady on his legs and was presently absorbed in an artistic examination of a number of silver ornaments, crucifixes, relics and suchlike objects of virtu, which the Duchess had gathered together. He handled them like a connoisseur. Others of that institution had promised to attend the party but, on being overhauled by the conscientious Vice-President, were found to be unpresentable at the last moment.

The Duchess moved away to greet him. Mr. Heard remarked to Don Francesco:

"That middle-aged colleague of yours, yonder—he has an unusual face."

"Our parish priest. A sound Christian!"

The PARROCO'S thin lips, peaked nose, beady eyes and colourless cheeks proclaimed the anchorite, if not the monomaniac. He flitted about like a draught of cold air, refusing all refreshments and not daring to smell the flowers, lest he should derive too much pleasure from them. He was often called Torquemada, from his harsh and abstemious habits. The name had been given him, of course, by his brother priests who knew about such matters, and not by the common people to whom the word Torquemada would have suggested, if anything, a savoury kind of pudding. Torquemada was capable of any sacrifice, of any enormity, in defence of the faith. A narrow medieval type, he was the only person on Nepenthe who would have been hewn in pieces for his God—nobody allowing themselves to be even temporarily incommoded in so visionary a cause. He enjoyed a reputation of perfect chastity which differentiated him from all the remaining priests and contributed, more than anything else, to his unpopularity. It enraged the frankly carnal natives to such an extent that they made insinuations about his bodily health and told other horrible stories, swore they were true, and offered to give statistical figures in confirmation. They said, among other things, that after begging money from wealthy foreigners for alleged repairs to the parish organ and other godly purposes, he kept the proceeds himself on the principle that charity began at home and ought to end there. Nobody could deny his devotion to mother, sisters, and even distant relatives. So much was also certain, that the PARROCO'S family was poor.

Harp-like tinklings arose from an adjoining chamber; a general move took place in that direction. Mr. Keith was there. He sat beside Madame Steynlin who, being a fair performer herself, was listening with rapture to Muhlen's strains. During a pause he said:

"I wish I could make it out. It annoys me, Madame Steynlin, not to comprehend the charm of music. I would give almost anything to the person who can satisfy me that what I hear is not a succession of unnecessary noises."

"Perhaps you are not musical."

"That would not prevent my understanding the feelings of people like yourself. I don't want to be musical. I want to get a grip of this thing. I want to know. Tell me why you like it and why I don't. Tell me—"

The sounds began again.

"Ah!" said the Duchess, "that wonderful ANDANTE CON BRIO!"

Then, as the strains grew louder, she whispered to Don Francesco upon a subject which had always puzzled her.

"I would be glad to learn," she said, "why our parliamentary representative, Commendatore Morena, has never yet visited Nepenthe. Surely it is his duty to show himself now and then to his parishioners—constituents, I mean? This festival of Saint Dodekanus would have been such a good opportunity. His appearance would have been a discomfiture for the free-thinkers. Every year he promises to come. And every year he fails us. Why?"

"I cannot tell," replied the priest. "The animal has probably got other things to do."

"The animal? Ah, don't say that! And such a good Catholic!"

"Foreigners, dear Duchess, I leave to your judgment. They are of little account, anyhow. But you will be guided by me in your appreciation of the worldly qualities of natives. Otherwise, with all your intelligence, it will be impossible for you to avoid mistakes. Let us leave it at that."

"But why—"

"We will leave it at that, dear lady!"

"Indeed we will, Don Francesco," replied the Duchess, who loved to be ruled in matters of this kind.

At this moment, the performer rose from the piano with unexpected suddenness remarking SOTTO VOCE that if he had known he was to play on a spinet he would have brought some Lulli with him. He was beaming all over, none the less, and soon making arrangements with other guests for a series of picnics and boating excursions—getting on swimmingly, in fact, when the thoughtless Madame Steynlin captured him and began to talk music. He repeated that remark, too good to be lost, about the spinet; it led to Scarlatti, Mozart, Handel. He said Handel was the saviour of English music. She said Handel was its blight and damnation. Each being furnished with copious arguments, the discussion degenerated into technicalities.

Denis, meanwhile, was handing round tea-cakes and things, with the double object of making himself useful and of being as near as possible to Angelina, the hand-maiden of the Duchess, a bewitchingly pretty brunette, who was doing the same. Perhaps the existence of Angelin accounted for his respectful attentions and frequent visits to the Duchess. He felt he was really in love for the first time in his life.

He worshipped from afar. He would have liked to worship from a little nearer, but did not know how to set about it; he was afraid of troubling what he called her innocence. Hitherto he had scored no great success. Angelina, aged fifteen, with the figure of a fairy, a glowing complexion, and a rich southern voice, was perfectly aware of his idealistic sentiments. She responded to the extent of gazing at him, now and then, in a most disconcerting fashion. It was as though she cared little about idealism. She did not smile. There was neither love nor disdain in that gaze; it was neither hot nor cold, nor yet lukewarm; it was something else, something he did not want at all—something that made him feel childish and uncomfortable.

And another pair of eyes were watching all the time, her sinuous movements—those of Mr. Edgar Marten. This young scientist, too, cherished loving thoughts about Angelina, thoughts of a more earthly and volcanic tinge; certain definite projects which made him forget, at times, his preoccupation with biotite, perlite, magnetite, anorthite, and pyroxene.

"Denis," said Keith, in his usual pompous fashion. "Do put down that absurd tray and let people help themselves. Listen to me for a moment. How do you like this place? I am not asking out of vulgar curiosity; I am anxious to know the impressions of a person of your age and antecedents. You might collect them for me, will you? Not now. One day when you are in the mood. Somewhat terrestrial and palpitating, is it not, after the cloistered twilight of a University?"

"I came here from Florence," observed Denis.

"And even after Florence! Do you know why? Because mankind dominates in Tuscany. The land is encrusted with ephemeral human conceits. That is not altogether good for a youngster; it disarranges his mind and puts him out of harmony with what is permanent. Just listen a moment. Here, if you are wise, you will seek an antidote. Taken in over-doze, all these churches and pictures and books and other products of our species are toxins for a boy like you. They falsify your cosmic values. Try to be more of an animal. Try to extract pleasure from more obvious sources. Lie fallow for a while. Forget all these things. Go out into the midday glare. Sit among rocks and by the sea. Have a look at the sun and stars for a change; they are just as impressive as Donatello. Find yourself! You know the Cave of Mercury? Climb down, one night of full moon, all alone, and rest at its entrance. Familiarize yourself with elemental things. The whole earth reeks of humanity and its works. One has to be old and tough to appraise them at their true worth. Tell people to go to Hell, Denis, with their altar-pieces and museums and clock-towers and funny little art-galleries."

Everybody is always giving me advice, thought Denis. And the worst of it is, it's often sound.

A melodious voice added:

"If, after that lecture, you still have some crotchety appreciation left for the works of man, you may be interested, when next you visit the Old Town, to look at some busts and other curiosities of mine. There is a little Greek bronze I would like to show you, though perhaps we had better not talk too openly about it. Pray come. You will extract pleasure from that statuette. And I will extract pleasure from your company. Obvious sources of pleasure, aren't they, Keith?"

It was Count Caloveglia. He was referring to the Locri Faun, a wonderful antique which had recently been found on his property near the town of that name on the neighbouring mainland, and was about to be secretly smuggled out of Italy. He smiled in winning fashion as he spoke. Like everyone else, Denis had fallen under the spell of this attractive and courteous old aristocrat who was saturated to the very marrow in the lore of antiquity. There was sunshine in his glance—a lustrous gem—like grace; one realized from his conversation, from his every word, that he had discarded superfluities of thought and browsed for a lifetime, in leisurely fashion, upon all that purifies and exalts the spirit. Nothing, one felt, would avail to ruffle that deep pagan content.

"And how," he continued, addressing Denis, "are your Italian studies progressing?"

"Fairly well, thank you. My French puts me out a little. And I can't yet conjugate properly."

"That is certainly a drawback," said Don Francesco, appearing on the scene. "But don't let it trouble you," he added in paternal tones. "It will come in time. You are still young. You are learning Russian, Madame Steynlin?"

"Only a few words." She blushed becomingly. "There are certain sounds, like water being poured into a jug—neither easy nor pleasant. I am not as quick as some people. Mrs. Meadows always speaks Hindustani to her old Sicilian woman. She comprehends perfectly."

"So clever these people are, at languages!" said the Duchess.

Marten remarked:

"I don't bother to learn Italian. I talk Latin to them. They understand all right."

"And what Latin, Marten!" laughed Denis. "No wonder they understand. I'm coming to you on Thursday morning. Don't forget."

"I have not had your public school advantages. But I manage to get what I want out of them, generally speaking," and he cast a fiery glance in the direction of Angelina, who returned it over her shoulder, unabashed. Denis, fortunately, was looking the other way.

"I wish I had enjoyed all your chances," observed the Duchess, with a little mock-sigh. "We were so carelessly brought up. I learnt practically nothing at school. It is a pity. Ah, Bishop! I forgot to tell you. Such a charming note from your cousin. She cannot come. The baby is teething and troublesome in this heat. You will have to drive up, I'm afraid. . . . Mr. Keith, I have not yet thanked you for those flowers and the book you sent. The flowers are quite too lovely. Look at them! You are spoiling me—you really are! But I don't think I shall like the book. Lady Cecilia and her maid and that man, I forget his name—they do all sorts of things. They don't seem to be very nice people."

"You have nothing but nice people round you, Duchess. Why should you want to read about them? There is so much goodness in real life. Do let us keep it out of our books."

"That sounds a dreadful doctrine. I see the PARROCO is about to take his departure. Why does everybody leave so soon?"

She wandered away.

"The English are supposed to be bad linguists," said Don Francesco. "It is one of those curious international fallacies, like saying the French are a polite nation—"

"Or that home-made marmalade tastes better than the stuff you buy in shops," added Denis. "I must help the Duchess to say good-bye to those people. She likes to have some one handy on such occasions. She needs an echo. I am becoming quite a good echo."

"You are," said Keith, rather sharply. "Quite a pretty echo. And you ought to be a voice. Follow my prescription, Denis. The Cave of Mercury."

Count Caloveglia remarked:

"What a pity that Latin, as scholars' language, for the definition and registration of ideas, was ever abandoned! It has the incalculable advantage that the meanings of words are irrevocably fixed by authority. New ones could be coined as occasion required. Knowledge would gain by leaps and bounds. There would be a cross-fertilization of cultures. As things now stand, half the intellectuals of this world are writing about matters which, unbeknown to themselves, have already been treated by the other half. One would think that Commerce, which has broken down geographical barriers, might have done the same to political ones. Far from it! In sharpening men's lust for gold, it has demarcated our frontiers with a bitterness hitherto unknown. The world of thought has not expanded; it has contracted and grown provincial. Men have lost sight of distant horizons. Nobody writes for humanity, for civilization; they write for their country, their sect; to amuse their friends or annoy their enemies. Pliny or Linneus or Humboldt—they sat on mountain-tops; they surveyed the landscape at their feet, and if some little valley lay shrouded in mist, the main outlines of the land yet lay clearly distended before them. You will say that it is impossible, nowadays, to gather up the threads of learning as did these men; they are too multifarious, too divergent. A greater mistake could not be imagined. For there is a contrary tendency at work—a tendency towards unification. The threads converge. Medieval minds knew many truths, hostile to one another. All truths are now seen to be interdependent; never was synthesis easier of attainment. Conflict of nationality and language hinders the movement. Mankind at large is the loser. The adoption of a universal scholars' tongue would do much to remove the obstacle. When these Southern races coalesce to form the great alliance which I foresee, when the Mediterranean basin is once more the centre of human activity as it deserves to be, some such plan will doubtless be adopted."

"Your notion would suit me down to the ground," said the bishop, who was a good Latinist. "I would love to converse in the old style with a student from Salamanca or Bergen or Khieff or Padua or—"

Don Francesco gave utterance to some wholly unintelligible speech. Then he observed:

"The student might not be able to catch your meaning, Mr. Heard. I was only talking Latin! You see, we would be obliged to standardize our pronunciation. I wonder, by the way, why the old scholars' language was ever discarded?"

"Patriotism destroyed it," replied the Count. "That narrow modern patriotism of the cock-on-the-dung-hill type."

Mr. Keith began:

"It is an atavistic and altogether discreditable phenomenon—this recent recrudescence of monarchical principles—"

"What did you promise about long words?" playfully enquired the Duchess, who had just returned.

"I cannot help it, dear lady. It is my mother's fault. She was so very precise. I was carefully brought up."

"That is a pity, Mr. Keith."

"Northern people are very precise," said Don Francesco, folding his gown around his ample limbs. "Particularly in love affairs. We down here, who live in this sirocco, are supposed to be calculating and mercenary in matters of the heart. We want dowries for our daughters—they say we are always coming to the point: money, money! The capacity of an English girl for coming to the point will take some beating. She paralyses you with directness. I will tell you a true story. There was a young Italian whom I knew—yes, I knew him well. He had just arrived in London; very handsome in the face, though perhaps a little too fat. He fell in love with an elegant young lady who was employed in the establishment of Madame Elise in Bond Street. He used to wait for her to come out at six o'clock and follow her like a dog, not daring to speak. He carried a costly bracelet for her in his pocket, and every day fresh flowers, which he was always too shy and too deeply enamoured to present. She was his angel, his ideal. He dreamt of her by day and night, wondering whether he would ever have the courage to address so tall and queenly a creature. It was his first English love affair, you understand; he learnt the proper technique later on. For five or six weeks this unhappy state of things continued, till one day, when he was running after her as usual, she turned round furiously and said: 'What do you mean, sir, by following me about it this disgusting fashion? How day you? I shall call the police, if it occurs again.' He was deprived of speech at first: he could only gaze in what you call dumb amazement. Then he managed to stammer out something about his heart and his love, and to show her the flowers and the bracelet. She said: 'So that's it, is it? Well of all the funny boys. Why couldn't you speak up sooner? D'you know of a place round here—'"

"Ha, ha, ha!"

It was a formidable explosion on the part of the Commissioner, in an adjoining room.

He was talking to some friends about Napoleon.

They wanted a fellow like that on Nepenthe—a fellow who got things done. Napoleon would have made no bones about the Wilberforce woman over there. It was a scandalous state of affairs. What was the use of a Committee for trying to keep her in order and getting her locked up in a sanatorium? Everybody knew what a Committee meant. Committee! It was a preposterous word. Committees were the same all the world over. Committee! He was in charge of that particular one; they were dong all they could, but what did it amount to? Nothing. To begin with, there was not enough money coming in, unless somebody could wheedle a cheque out of that rich old Koppen sensualist whose yacht might be arriving at any moment. And then her own pig-headedness! She refused to be talked over into doing what was in her own interests. Napoleon, he reckoned, might have talked her over—ha, ha, ha!

The lady in question, all unaware of these humanitarian designs, had taken up a strategic position in the neighbourhood of the drinks, and was glancing shyly round the room in search of a likely male who would fetch her a stiff glass of something from the buffet, and that soon. She was groggy, but not sufficiently primed to go there herself; she knew that everybody's eye would be fixed upon her; she had been much talked about of late. Drunk, she was impossible; dead sober, almost as bad—haughty, sullen, logical, with a grieved and surprised air suggestive of wounded dignity.

People avoided Miss Wilberforce. And yet you could not help liking her in those rare moments when she was just a little disguised. She had a pretty wit, then; a residue of gentle nurture; tender instincts and a winsomeness of manner that captivated you. Nor were appearances against her. That frail, arrowy figure was invariably clothed in black. She wore the colour by instinct. They said she had lost her sailor fiance who was drowned, poor lad, in the Mediterranean; and that now she wandered about at night looking for him, or trying to forget him and seeking oblivion in tipple.

The story happened to be true, for a wonder. She had received a twist for life. The death of this young lover gave to her impressionable being a shock which never passed off again. The world was turned inside out for Amy Wilberforce. She seldom spoke of his fate. But she was always talking about the sea. She tried to drown herself, once or twice. Then, gradually, she put on a new character altogether and relapsed into queer ancestral traits, stripping off, like so many worthless rags, the layers of laboriously acquired civilization. The refined and bashful girl became brusque, supercilious, equivocal. When sympathizing friends said that they had also lost lovers, she laughed and told them to look for new ones. There were better fish in the sea, etc., etc.

Soon she found herself abandoned, in spite of a full banking account. People had dropped her, right and left.

The years went by.

Calmly, without misgivings and without fervour, she took to the bottle.

Something drew her to Nepenthe—dim Mediterranean memories. Arrived there, she used to engulf three pints of Martell and Hennessey, one after the other, and then "wash them out"—such was her phraseology—with a magnum of Perrier Jouet; a proceeding which, while it heightened her complexion and gave a sparkle to her poor flustered eye, was not conducive to the preservation of equilibrium in the lower limbs. There resulted those periodical "nervous breakdowns" which necessitated seclusion and sometimes medical treatment. The collapses had become distressingly frequent with the last year or two. One of her many drawbacks was that she courted publicity in her cups. She was perfectly reckless as to what she then said, and had been known to bring a blush to the seasoned cheek of Don Francesco himself who, unaware of her condition at one particular moment, politely ventured to enquire why she always wore black and was told that she was in mourning, as everybody ought to mourn, for his lost innocence. Being an Englishwoman, she was a thorn in the side of her moral compatriot the Commissioner.

Her noctambulous habits often brought her into contact with the local police and sometimes with His Worship Signor Malipizzo. Greatly to the surprise of Mr. Parker, the magistrate was observed to take a lenient view of the case. None the less, she had passed several nights in the local gaol. Staggering about the lanes of Nepenthe in the silent hours before dawn, she was liable to be driven, at the bidding of some dark primeval impulse, to divest herself of her raiment—a singularity which perturbed even the hardiest of social night-birds who had the misfortune to encounter her. Taxed with this freakish behaviour, she would refer to the example of St. Francis of Assisi who did the same, and brazenly ask whether he wasn't good enough for them? Whether she couldn't give her last shirt to a beggar, as well as anybody else? In short, there was nothing to be done with her.

The dear lady, as Keith often called her, was becoming a real problem.

And now her eye, roving round the room, fixed itself with the drunkard's divine unerring instinct upon Denis. What a nice, modest, gentlemanly-looking boy! Just what she wanted.

"This sirocco!" she sighed, groping dramatically for a chair. "It makes me feel so funny. Oh, dear! I shall go off in a faint. Ah, do be a kind young man and fetch me some brandy and soda. A large tumbler. Ah, do! And very little soda, please—on account of my heart. Only the smallest drop!"

She took two or three sips, paused awhile as though undecided whether she could possibly swallow such nasty stuff and then, with a fine show of reluctance, gulped it all down. Denis was spell-bound; the dose, he artlessly imagined, was enough to kill a horse. Far from being damaged, Miss Wilberforce took a chair beside him, and began to converse. Charmingly she talked; all about England. As he listened he grew delighted, entranced. She was different, somehow, from all the other ladies he had lately met on the Continent. She was altogether different. Whence came it, he wondered?

Then, as the discourse proceeded, he began to realize what was the matter with them. It was odd, he thought, that he had not noticed it before. Miss Wilberforce made him realize wherein the difference lay. They spoke English, it was true; but they had all taken on a Continental outlook; alien phrases, expressions, affectations; cosmopolitan airs and graces that jarred on his frank, untarnished English nature. This one was otherwise. She was old England, through and through. The conversation cheered him to an unusual degree—among all those foreign people he felt strangely drawn towards this wistful lady who could talk so naturally and conjure up, by the mere power of words, a breath of his own homestead in the Midlands. He might have been sitting with an elder sister just then, eating strawberries and cream and watching a tennis match on some shady green lawn. He was happy; happier still when Angelina once more floated into his ken and, noticing Miss Wilberforce, raised her eyebrows mischievously and gave him something that looked like a real smile, for a change.

She had another smile, however, for Mr. Edgar Marten; and yet another one for Don Francesco who, as she passed near him, profited by the occasion to give her a paternal semi-proprietary chuck under the chin, accompanying the indecorous movement with an almost audible wink.

Mr. Heard had noticed everything. He frowned at first. It gave him a little twinge, and some food for thought. He was absurdly sensitive about women.

"A frolicsome child," he mused. "LASCIVA PUELLA. Possibly wanton."

What were this young man's relations with the girl? That contact of hand and chin—what did it imply? Was the action quasi-paternal, or pseudo-paternal? Regretfully he decided that it was only pseudo-paternal.

And yet—it was all so confoundedly natural!

"Nobody but our PARROCO could keep his hands off that girl," blithely remarked the priest.

Another little twinge. . . .



CHAPTER VII



Mr. Heard was not prone to wax enthusiastic over the delights of architecture or natural scenery. He called himself unexpansive and unromantic; he confessed to small understanding, small veneration, for artistic effects. The beauty of a man's character moved him more strongly than the beauty of any picture or any landscape. Yet, on arriving next afternoon at the upper plateau of Nepenthe he could not help being struck by the strange and almost compelling charm of the "Old Town." It was so different from the lower regions—so calm and reposeful.

Down below, in that more accessible modern settlement, everything was bright and many-tinted; there was movement and noise and colour; a dazzling spot! The subtle influence of the sea, though it lay four hundred feet lower down, was ever present; one felt oneself on an island. On reaching these heights that feeling evaporated. You were embowered in mighty trees, in the midst of which stood the Old Town.

Unlike that other one, it faced due North; it lay, moreover, a few hundred feet higher up. That alone could not have explained the difference in temperature, one might say in climate, between the two. To begin with, there was on this tiny upland basin exceptionally deep soil, borne down by the rains of unnumbered centuries from the heights overhead and enabling those shady oaks, poplars, walnuts and apples to shoot up to uncommon size and luxuriance and screen away the sunny beams. From above, meanwhile, a perennial shower descended. The moisture-laden sirocco, tearing itself to shreds against the riven summits of the high southern cliffs, dripped ceaselessly upon this verdant oasis in clouds of invisible dew. You could often enjoy the luxury of a shiver, at night-time, in the Old Town.

It was a stronghold originally; built on these heights for the greater security of the islanders against Saracenic inroads. When a more peaceful era drew night the population began to decline; they found it more convenient to establish themselves in the new settlement lower down. Then came the Good Duke Alfred—that potentate who, as Mr. Eames was wont to say, NIHIL QUOD TETIGIT NON ORNAVIT. He took a fancy to this quaint old citadel which, before his day, could only be reached b a rough mule-track easily defended against invaders. After constructing a fine road of access with many twists and turnings, wide enough to admit the passage of two of his roomy state carriages driving abreast, he turned his mind to other improvements. Professing to be an admirer of the good old times, he decided to keep up its traditional character—it was to remain a fortress, in appearance if not reality. A massive crenellated rampart, furnished with four gateways and watch-towers at convenient intervals but serving no purpose in particular, grew up around the place; every one of its houses which failed to fit in with the design of this battlemented structure—and there were a good many of them—was ruthlessly demolished. The Old Town was enclosed in a ring.

Desirous, next, of putting an end to the annoying exodus of the natives, he fixed by law the number of inhabitants; there were to be five hundred souls, neither more nor less. If in any one year the population exceeded that figure, the surplus was taken away, from among the adult males, to work as galley-slaves in his fleet; a deficiency in the requisite number was met by giving new husbands from the lower town, often three or four at a time "with a view to ensuring good results," to those of the native women who had hitherto failed to produce offspring. The system worked well. With some trifling but reprehensive fluctuations, the birth-rate and the death-rate remained even; things were at a standstill; a fact which caused His Highness to be compared, by a courtly panegyrist, to Joshua who bade the sun arrest his march across the heavens. Another of these gentlemen calls the Duke's action a "triumph of art over nature," adding, not without a grain of malice, that "never have the generative capacities of mankind adapted themselves with more conspicuous success to the shape of an unnecessary wall." Monsignor Perrelli, unfortunately, has nothing whatever to say on the subject. For reasons which will appear anon, he is remarkably silent on all that concerns the reign of his great contemporary.

Even so the Prince was not satisfied. The fastness was yet imperfect; he disliked the variegated hues of the buildings—they reminded him of the garish brilliance in the lower town. Something different had to be contrived. He took thought and, being a man of taste and a decorist where picturesque effects were concerned, decreed that the entire place—walls, houses, the two convents (Benedictine and Carthusian), the church, and even stables and pigsties—was to be painted a uniform pink: "pink," he ordained, "without the slightest admixture of blue." He desired, in fact, a kind of rose or flesh colour, a particular tint which, he foresaw, would look well among the luscious verdure of the surroundings. His behest, as usual, was obeyed without much loss of time.

Then he surveyed his work, and saw that it was good. He had created a gem. The Old Town was a symphony in emerald and coral.

So it remained. The inhabitants grew to be proud of their rosy citadel; it was an unwritten law among them that every new house should adapt itself to this tone. For the rest, there was not much building done after his death, with the exception of a few isolated villas that sprang up, despite his old commands, in the neighbourhood. And the decline in population once more set in. Men forsook the place—all save the peasantry who tilled the surrounding fields. Towers and battlements crumbled to earth; roadways heaved uneasily with grassy tufts that sprouted in the chinks of the old paving-blocks. Sometimes at decline of day a creaking hay-waggon would lumber along, bending towards a courtyard in whose moss-grown recesses you discerned stacks of golden maize and pumpkins; apples and plum-trees, nodding drowsily over walls, littered the streets with snowy blossoms or fallen leaves. Commercial life was extinct. The few remaining shopkeepers wore an air of slumberous benevolence. The very stones suggested peace. A mellow and aristocratic flavour clung to those pink dwellings that nestled, world—forgotten, in a green content. . . .

One of those few modern houses was the Villa Mon Repos. There was a curious history attached to the place. It had been built about a century ago at the orders of an eccentric French lady, a lyric poetess, who professed to be tired of life. She had heard that somewhere on Nepenthe was a towering precipice, unique of its kind and convenient for suicidal purposes. She thought she would like to live near that precipice—it might come in handy. There was nothing of the right sort in Paris, she declared; only five-storey hotels and suchlike; the notion of casting herself down from one of those artificial eminences did not appeal to her high-strung temperament; she craved to die like Sappho, her ideal. An architect was despatched, the ground purchased, the house built and furnished. That done, she settled up her affairs in France and established herself at Mon Repos. On the evening of her arrival she climbed the little height at the back of her domain and looked southward, down a sheer wall of rock eight or nine hundred feet high, over the wrinkled ocean. It made her feel queer. Further familiarity with the precipice did not breed contempt; her visits to the site became rarer and rarer. She died, at a patriarchal age, in her bed, after writing a scholarly pamphlet to prove that the tale of Sappho's leap over her famous silvery crag was a myth, the "purest sensationalism," a fable of the grammarians "hopelessly irreconcilable with what we know of that great woman's character."

This much the bishop had learnt from Mr. Keith. That gentleman liked the Sappho story; he called it absolutely true to human nature and so creditable to the old lady's intelligence that he would have insisted upon paying his respects to her had she not expired a good many years before his arrival on the island. And he, of course, got it from Eames who, as annotator of Perrelli's ANTIQUITIES, was in the habit of garnering old details anent private houses and so forth, and had possessed himself, in the course of his researches, of this particular pamphlet which he intended to reprint, together with others of its kind, in an appendix entitled, "Contemporary Social History."

The driving road terminated at the Old Town. Mr. Heard, descending from his carriage, followed a pathway which had been described to him by Denis and soon found himself at the entrance of the Villa Mon Repos. It was an inconspicuous little place, surrounded by three or four chestnut trees and a rose garden. A steep incline at the back of the property ended, abruptly, in air. He concluded that the precipice must be on the other side of that slope and that, if so, it was rather too near the house for his taste. Mr. Heard thoroughly understood the feelings of the French poetess. He, too, was not fond of precipices. It was as much as he could do to look down from a church tower without growing dizzy.

On the house-steps, beside an empty cradle, sat a shrivelled hag—a gaunt, forbidding anatomy, with hooked nose and brown skin. Tousled grey hair, like that of a Skye terrier, hung over her forehead, half concealing a pair of coal-black eyes. She rose up, barred the entrance with one claw-like hand, and scrutinized him distrustfully.

"A Cerberus!" he thought. "This must be the old lady who understands Hindustani. Now I wonder if she knows English?"

She seemed to understand that language too; or perhaps his kindly face disposed her in his favour. He was allowed to pass within.

The house was empty. Mrs. Meadows had presumably gone out for a ramble, taking the child with her. He sat down and waited, glancing round the premises. It was a peaceful sort of abode, pervaded by a strong sense of home. It appealed to the bishop, who had domestic instincts and, despite his youth, was already a little weary of tossing about the world. He envied his cousin's happy married life. Would such an existence ever fall to his own lot? Although, like himself, she was only a bird of passage on Nepenthe, she had succeeded in impressing her personality upon those rather scantily furnished rooms and filling them with an atmosphere of England. Heavy bowls of fresh roses were ranged about. But what was she like, after all these years? Would she recognize him? Had she heard of his arrival on the island?

Mrs. Meadows failed to return. Perhaps she had met some friend of neighbour who was keeping her to dinner together with the child. The old woman seemed unwilling or unable to give him any information as to her whereabouts. After waiting an hour, he scribbled a short note, left it on the writing-table, and took his leave. The eyes of that fierce creature followed him right out of the garden. So did the scent of roses. . . .

The afternoon was drawing to its close as Mr. Heard, in a placid, contemplative frame of mind, once more drew nigh the pink ramparts of the Old Town, purposing to find his way home on foot.

He entered the most westerly of its four gateways. There were stone seats within the structure on either side of the road, convenient for sheltering from sun or rain. Passing under the vaulted roof he met Count Caloveglia, that handsome soldier-like personality, who instantly recognized him and greeted him in friendliest fashion.

"Will you do me the pleasure of coming to my house, and allow me to offer you a cup of tea? It is visible from here—that rounded portal, do you see? with the fig tree leaning over the street. Only a hundred yards. Or perhaps we can rest awhile under this archway and converse. It is always pleasant to watch the movements of the country-folk, and there is a peculiar charm in this evening light. Well, let us sit down then. I observe you are interested in those people. A singular illusion, is it not?"

He referred to a group of men and boys who, stripped to the waist, were bearing aloft immense masses of some argent-coloured rock.

"You've guessed my thoughts," replied the bishop. "How on earth are they able to support such a weight? They remind me of Atlas with the world on his shoulders."

"It is pumice-stone—one of the old industries of the place. They excavate it on the hill-side yonder. Volcanic stuff. There are several suchlike indications of subterranean fires; a hot spring, for instance, which the people regard with a kind of superstitious awe. It is dedicated to Saint Elias and believed to stand in mysterious sympathy with the volcano on the mainland. You will observe too, sooner or later, something fiery and incalculable in the temperament of the natives. Perhaps it is due to the wine grown on these scorching slopes. If geologists are right, we are sitting at this moment on the crater of a volcano—"

"Dear me! That might be rather awkward. I suppose this pumice is very light?"

"Light as foam. But who can believe it? The bearers move within a few feet of us, and yet it resembles the most ponderous limestone or granite. Then you ask yourself: How is it possible? If their burden were what it seems to be, they would be crushed to earth instead of striding proudly along. Admirable figures! As you say, the spectacle takes one back into mythological times. Would you not call it a procession of Titans, children of the Gods, storing up mountain-blocks for some earth-convulsing battle? Your eyes deceive you. Like Thomas, the doubting apostle, you must touch with your hands. And even then you are not wholly convinced. To me, who knows the capacity of human bone and muscle, these men are a daily miracle. They mock my notions of what is permissible. How hard it is, sometimes, to trust the evidence of one's senses! How reluctantly the mind consents to reality! The industry is decaying," he added, "but I hope it will outlive my time."

"Everything seems to decay up here in sober and gracious fashion. I am delighted, Count, with your Old Town. There is an autumnal flavour about the place. It is a poet's dream. Some philosopher might dwell here—some sage who has grown weary of disentangling life's threads."

Rarely did Mr. Heard use florid and sentimental language like this. The soft light, the reposeful surroundings, the homelike influence of the Villa Mon Repos—all had conspired to put him into an uncommonly idyllic mood of mind. He felt disposed to linger with the kindly stranger who seemed so much more communicative and affable than on the occasion of those theatricals. He lit a cigarette and watched, for a while, the flow of life through that gateway. Its passage was pierced, like the eye of a needle, with a slender shaft of light from the westering sun. Fine particles of dust, suspended overhead, enveloped the homeward moving peasantry in a tender mist of gold.

"Yes," replied the Count. "This citadel is a microcosm of what the world might be, if men were reasonable. Not all men! A great proportion must be good enough to remain what they are. We could not live without those whose business it is to bring the reasonableness of the few into its proper relief. Were it otherwise, there would be no more reasonableness on earth, would there?"

"And that would be a pity," observed Mr. Heard. "I was much interested, Count, in what you said yesterday. You spoke of the Mediterranean becoming once more the center of human activity. There is an attraction in the idea to one who, like myself, has been brought up on the classics and has never forgotten his spiritual debt to antiquity. But I question whether the majority of my countrymen would be moved by such considerations."

The old man replied:

"I think we need not trouble about majorities. No one can expect a majority to be stirred by motives other than ignoble. Your English majority, in particular, is quite unaware of its debt to us: why should it turn eyes in our direction? But as for other Northern men, the enlightened ones—I cannot help thinking that they will come to their senses again one of these days. Oh yes! They will recover their sanity. They will perceive under what artificial and cramping conditions, under what false standards, they have been living; they will realize the advantages of a climate where nature meets you half-way. I know little of England, but the United States are pretty familiar to me; the two climates, I imagine, cannot be very dissimilar. That a man should wear himself to the bone in the acquisition of material gain is not pretty. But what else can he do in lands adapted only for wolves and bears? Without a degree of comfort which would be superfluous hereabouts, he would feel humiliated. He must become strenuous if he wishes to rise superior to his inhospitable surroundings."

"We think a good deal of strenuousness," objected the bishop.

"Have you not noticed that whenever anything, however fantastic, is imposed upon men by physical forces, they straightway make a god of it? That is why you deify strenuousness. You dare not forgo it. The Eskimo doubtless deifies seal-blubber; he could not survive without it. Yet nobody would be an Eskimo if he had a chance of bettering his condition. By all means let us take life seriously. But let us be serious about things that matter."

"Things that matter, Count! Is it not creditable for a man to support his wife and family in the best conditions possible?"

"Assuredly. But chosen spirits will do this in regions where the same results can be obtained with a smaller outlay of vital force. We have only a certain amount of energy at our disposal. It is not seemly to consume every ounce of it in a contest with brute nature. Man is made for better things. Whatever fails to elevate the mind is not truly profitable. Tell me, sir, how shall the mind be elevated if the body be exhausted with material preoccupations? Consider the complex conditions under which a Northern family is obliged to live. Think of the labour expended upon that unceasing duel with the elements—the extra clothing and footwear and mufflers and mantles, the carpets, the rugs, the abundant and costly food required to keep the body in sound working condition, the plumbing, the gas, the woodwork, the paintings and repaintings, the tons of fuel, the lighting in winter, the contrivances against frost and rain, the never-ending repairs to houses, the daily polishings and dustings and scrubbings and those thousand other impediments to the life of the spirit! Half of them are non-existent in these latitudes; half the vitality expended upon them could therefore be directed to other ends. At close of day, your Northerner is pleased with himself. He has survived; he has even prospered. His family is adequately housed and clothed. He feels 'presentable,' as he calls it, in the eyes of those who share his illusions. He fancies he has attained the aim and object of existence. He is too dazed with the struggle to perceive how incongruous his efforts have been. What has he done? He has sacrificed himself on the altar of a false ideal. He has not touched the fringe of a reasonable life. He has performed certain social and political duties—he knows nothing of the duties towards himself. I am speaking of men from whom better things might have been expected. As for the majority, the crowd, the herd—they do not exist, neither here nor anywhere else. They leave a purely physiological mark upon posterity; they propagate the species and protect their offspring. So do foxes. It is not enough for us. Living in our lands, men would have leisure to cultivate nobler aspects of their nature. They would be accessible to purer aspirations, worthier delights. They would enjoy the happiness of sages. What other happiness deserves the name? In the Mediterranean, Mr. Heard, lies the hope of humanity."

The bishop was thoughtful. There occurred to him various objections to this rather fanciful argument. Still, he said nothing. He was naturally chary of words; it was so interesting to listen to other people! And at this particular period he was more than usually reflective and absorbent.

Happiness—an honourable, justifiable happiness—how was it to be attained? Not otherwise, he used to think, than through the twofold agency of Christianity and civilization. That was his old College attitude. Imperceptibly his outlook had shifted since then. Something had been stirring within him; new points of view had floated into his ken. He was no longer so sure about things. The structure of his mind had lost that old stability; its elements seemed to be held in solution, ready to form new combinations. China had taught him that men can be happy and virtuous while lacking, and even scorning the first of these twin blessings. Then had come Africa, where his notions had been further dislocated by those natives who derided both the one and the other—such fine healthy animals, all the same! A candid soul, he allowed his natural shrewdness and logic to play freely with memories of his earlier experiences among the London poor. Those experiences now became fraught with a new meaning. The solemn doctrines he had preached in those days: were they really a panacea for all the ills of the flesh? He thought upon the gaunt bodies, starved souls, and white faces—the dirt, the squalor of it! Was that Christianity, civilization?

The Count, pursuing some other line of thought, broke out into a kind of Delphic rhapsody:

"Folly of men! The wits of our people have been blunted, their habits bestialized, their very climate and landscape ruined. The alert genius of the Greeks is clogged by a barbaric, leaden-hued religion—the fertile plains of Asia Minor and Spain converted into deserts! We begin, at last, to apprehend the mischief; we know who is to blame; we are turning the corner. Enclosed within the soft imagination of the HOMO MEDITERRANEUS lies a kernel of hard reason. We have reached that kernel. The Northerner's hardness is on the surface; his core, his inner being, is apt to quaver in a state of fluid irresponsibility. Yet there must be reasonable men everywhere; men who refuse to wear away their faculties in a degrading effort to plunder one another, men who are tired of hustle and strife. What, sir, would you call the phenomenon of to-day? What is the outstanding feature of modern life? The bankruptcy, the proven fatuity, of everything that is bound up under the name of Western civilization. Men are perceiving, I think, the baseness of mercantile and military ideals, the loftiness of those older ones. They will band together, the elect of every nation, in god-favoured regions round the Inland Sea, thee to lead serener lives. To those how have hitherto preached indecorous maxims of conduct they will say: 'What is all this ferocious nonsense about strenuousness? An unbecoming fluster. And who are you, to dictate how we shall order our day? Go! Shiver and struggle in your hyperborean dens. Trample about those misty rain-sodden fields, and hack each other's eyes out with antideluvian bayonets. Or career up and down the ocean, in your absurd ships, to pick the pockets of men better than yourselves. That is you mode of self-expression. It is not ours.' And Mediterranean people will lead the way. They have suffered more than all from the imbecilities of kinds and priests and soldiers and politicians. They now make an end of this neurasthenic gadding and getting. They focus themselves anew and regain their lost dignity. That ancient individualistic tone reasserts itself. Man becomes a personality once more—"

He continued for some time in this prophetic strain, the bishop listening with considerable approbation though, at a certain point of the discourse, he would have liked to drop a word about Thermopylae and Marathon. He also knew something of the evils of Northern industrialism—how it stunts the body and warps the mind.

"What a charming dreamer!" he thought.

It was rather convenient for the Count to be able to pass, just then, for a dreamer.

As a matter of fact, he was an extremely practical old gentleman.



CHAPTER VIII



"Sanidin?" queried Denis almost flippantly, as he held up a fragment of rock.

He was not particularly eager to hear Marten's answer. He had thought, only a few days ago, that he would like to be a geologist; Marten had inspired him with a fancy for that science. The fit was already passing.

How quickly this geological mood had evaporated. How quickly everything evaporated, nowadays.

All was not well with Denis. Early that morning he had tried his hand at poetry once more, after a long interval. Four words—that was all the inspiration which had come to him.

"Or vine-wreathed Tuscany. . . ."

A pretty turn, in the earlier manner of Keats. It looked well on the snowy paper. "Or vine-wreathed Tuscany." He was content with that phrase, so far as it went. But where was the rest of the stanza?

How easily, a year or two ago, could he have fashioned the whole verse. How easily everything was accomplished in those days. To be a poet: that was a fixed point on his horizon. Any number of joyous lyrics, as well as three plays not intended for the stage, had already dropped from his pen. He was an extraordinary success among his college friends; everybody liked him; he could say and do what he pleased. Was he not the idol of a select group who admired not only one another but also the satanism of Baudelaire, the hieratic obscenities of Beardsley, the mustiest Persian sage, the modernest American ballad-monger? He was full of gay irresponsibility. Ever since, on returning to his rooms after some tedious lecture, he announced to his friends that he had lost an umbrella but preserved, thank God, his honour, they augured a brilliant future for him. So, for other but no less cogent reasons, did his doting, misguided mother.

Both were disappointed. Those sprightly sallies became rarer; epigrams died, still-born, on his lips. He lost his sense of humour; grew mirthless, fretful, self-conscious. He suddenly realized the existence of a world beyond his college walls; it made him feel like a hot-house flower exposed to the blustering winds of March. Life was no longer a hurdle in a steeple-chase to be taken at a gallop; it was a tangle of beastly facts that stared you in the face and refused to get out of the way. With growing years, during vacation, he came in contact with a new set of people; men who smiled indulgently at mention of all he held most sacred—art, classics, literature; men who were plainly not insane and yet took up incomprehensible professions of one kind or another—took them up with open eyes and unfeigned zest, and actually prospered at them in a crude worldly fashion.

He shrank at first from their society, consoling himself with the reflection that, being bounders, it did not matter whether they succeeded or not. But this explanation did not hold good for long. They were not bounders—not all of them. People not only dined with them: they asked them to dinner. Quite decent fellows, in fact. Nothing was wrong with them, save that they held a point of view which was at variance with his own.

It was a rude awakening. Every moment he was up against something new. There were quite a lot of things, he discovered, which a fellow ought to know, and doesn't. Too many of them to assimilate with comfort. They crowded in upon him and unsettled his mind. He kept up a brave exterior, but his inner core was suffering; he was no longer certain of himself. He became easily swayed and changeful in his moods. That sure touch in lyrics, as in daily life, was deserting him. His dreams were not coming true. He was not going to set the Thames on fire with poetry or anything else. He would probably be a failure. Aware of this weakness, he looked up to what was strong. Everything was different from himself, everything forceful, emphatic and clear-cut, exercised a fascination upon him. He tried in an honest, groping fashion, to learn what it was all about. That was why he had taken to Edgar Marten, the antithesis of himself, bright but dogmatic, a slovenly little plebeian but a man who after all had a determined, definite point of view.

Denis repeated:

"Sanidin?"

"Let's have a look at it then," said Marten condescendingly, "though I can't say I'm in a geological temper this morning. The south wind seems to rot one's intelligence somehow. Hand it here. Sanidin be blowed! It's specular iron. Now I wonder why you should hit upon sanidin? Why?"

He, too, did not pause for a reply. He turned his glance once more down the steep hill-side which they had climbed with a view to exploring some instructive exposure of the rock. Marten intended to utilize the site as a text for a lay sermon. Arrived on the spot they had sat down. As if by common consent, geology was forgotten. To outward appearances they were absorbed in the beauties of nature. Sirocco mists rose upwards, clustering thickly overhead and rolling in billowy formations among the dales. Sometimes a breath of wind would convulse their ranks, causing them to trail in long silvery pennants across the sky and, opening a rift in their gossamer texture, would reveal, far down below, a glimmer of olives shining in the sunlight or a patch of blue sea, framed in an aureole of peacock hues. Stones and grass were clammy with warm moisture.

"It's a funny thing," said Marten, after a long pause. "I've often noticed it. When I'm not actually at work, I'm always thinking about girls. I wish I could talk better Latin, or Italian. Not that I should be running after them all day long. I've got other fish to fry. I've got to catalogue my minerals, and I'm only half-way through. For the matter of that, I haven't come across half as many nice ones here as I thought I would."

"Minerals?"

"Girls. I don't seem to take to these foreigners. But there's one—"

"Go on."

"You're a queer fellow, Phipps. Don't you ever look at women? I believe you have the making of a saint in you. Fight against it. A fellow can't live without vices. Here you are, with lots of money, stewing in a back bedroom of a second-class hotel and getting up every morning at five o'clock because you like lying in bed late. Is that your way of mortifying the flesh? Got a soul, eh? Get rid of it. The soul! That unhappy word has been the refuge of empty minds ever since the world began. You're just like a man I used to know at Newcastle. You can't think what an ass he was. A sort of eugenical crank, who talked about the City Beautiful where everybody would lead regenerated lives like a flock of prize sheep. Everything sanitary and soulful; nothing but pure men and pure women. An addle-headed theorist, he was, till a woman got hold of him—one of the other kind, you know—and gave him something practical to think about. That's what will happen to you, Phipps. I can see it coming."

"I've been analysing myself lately. I find I have too much romance in my composition, as it is."

"What do you call romance?"

Denis thought awhile. Then he said:

"When a man invests ordinary people or objects or occurrences with an extraordinary interest. When he reads attributes into them which they don't possess, or exaggerates those which they do possess. When he looks at a person and can't help thinking that there is nobody on earth quite like her."

"Too celestial for me, on the whole. But I'm glad you said that last part. Glad for your sake, I mean. It shows that you've perhaps got something better than a soul, after all."

"What is that?"

"A body. Look here, Phipps. I also have my romantic moments, though you wouldn't believe it. I can be as romantic as ever you please. But not when I'm alone."

"I should like to see you in that condition. And talking Latin, no doubt?" he added with a laugh.

"I daresay you would," replied the scientist. "Given the circumstances under which I become romantic, you'll find it a little difficult. But there's no knowing. Funny things happen sometimes!"

Denis had picked up another stone. He scrutinized it with close attention, and then began to turn it round and round in his hand in an absent-minded fashion. At last he remarked:

"We are not doing much mineralogy, are we? What do you think of chastity, Marten?"

"Chastity be blowed. It's an unclean state of affairs, and dangerous to the community. You can't call yourself a good citizen till you have learnt to despise it from the bottom of your heart. It's an insult to the Creator and an abomination to man and beast."

"Perhaps you never gave it a fair trial," suggested Denis.

"Perhaps I'm not quite such a damned fool as all that. A man needn't handle everything dirty in order to be doubly sure about it. If you tell me that a dead donkey smells bad, I'm quite prepared to believe you without poking my nose into it. Chastity is a dead donkey. No beating will bring it to life again. Who killed it? The experience of every sane man and woman on earth. It's decayed; it ought to be buried. You ask me to give it a trial. Perhaps I will, when I'm in the same mellow condition myself. Everything in its proper season. Don't let us reverse the natural order of things. When we cease to practise, then is the time to preach. A fellow of your size! And with your good looks, too. Who knows how many golden opportunities you've missed. Try to make up for lost time, Phipps. Get rid of conventional notions, if you value your health."

"I will, when I find them wrong. What do you think of women—generally speaking, I mean?"

Marten replied, without a moment's hesitation:

"Thank God I'm a Jew. You must take that into consideration. I think the Mormons have made a good shot at solving the woman question, if the question exists at all. Mormonism is a protest against monogamy. And please observe that it's a protest not on the part of man alone. It's a protest on the part of woman. Never forget that. In fact, I don't believe any woman would ever bind herself to one fool of a man if she had her own way. She wouldn't marry at all. She needn't, nowadays. She won't, very soon. A man who marries—well, there may be some excuse for him, though a love-match is generally a failure and a money-match always a mistake. The heroes, the saints and sages—they are those who face the world alone. A married man is half a man."

"Ahem!"

Marten was silent.

"I did not ask you to stop," said Denis. "You've got it very pat!"

"Plain sailing, my boy. It's the social reformers and novelists who create these artificial conundrums; they want to sell their rotten literature; they want to make us forget that the only interesting and important part of the business is what nobody talks or writes about. What does it all amount to? Man creates intellectually and physically. He classifies minerals or blasts out a tunnel. Woman creates physiologically; she supplies the essential, the raw material; her noblest product is a child. I get on splendidly with women, because we both realize the stupidity of the average sex-twaddle. We have no illusions about each other. We know exactly what we are after. We know exactly how to attain it. I tell you what, Phipps, Female Emancipation is going to do away with a lot of cant and idealism. Knock the silly male on the head. There'll be an end of your chastity-worship, once women are fairly started on the game. They won't put up with it."

"Disgusting," said Denis. "Go on."

"I'm done. What, sanidin again?"

Denis still held the stone in his hand. He was thinking, however, of other things. He liked to collect fresh ideas, to be impregnated with the mentality of other people—he knew how much he had to learn. But he would have preferred his mind to be moulded gently, in artistic fashion. Marten's style was more like random blows from a sledge-hammer, half of them wide of the mark. It was not very edifying, or even instructive. Keith was the same. Why was everybody so violent, so extreme in their views?

Marten repeated:

"Sanidin?"

"It might be sanidin in places," replied Denis. "I do know a little something about crystals, Marten. I have read Ruskin's ETHICS OF THE DUST."

"Ruskin. Good god! He's not a man; he's an emetic. But you never answered my first question. You always hit upon sanidin. Why?"

"Oh, I don't know. It's rather a pretty word, don't you think? It would do for a Christian name. Girls' names are so terribly commonplace. They are always Marjorie, or something. If I had a daughter, I should call her Sanidin."

"You're not likely to find yourself in that position at this rate. If I had a daughter, I know perfectly well what I should call her."

"What?"

"Angelina."

"You would?" asked Denis slowly. "And why?"

"Oh, it's rather a pretty name, don't you think?"

"Not a bad name at all, now I come to think of it. But it sounds foreign. I thought you did not care about foreigners."

"I don't. But there's one—"

"Go on," said Denis.

Mr. Marten winked.

The mists had fled from the hilltops; rocks and vineyards, and the sea at their foot, lay flooded in sunshine. With one accord, the two young men rose from the ground and turned their steps homewards. The mineralogical lesson was over.

"Coming to Keith's to-night?" enquired Marten with a fine show of nonchalance.

"I don't know."

"I would if I were you. They say he does things properly. There'll be an awful crowd—a regular bust-up. He only gives one of these entertainments a year. Dancing and Chinese lanterns and champagne in torrents. Won't you go?"

"Perhaps later in the evening."

Denis was perturbed. He scented a rival in this brutalitarian, though it seemed hardly possible that Angelina should take much notice of him. Meanwhile, he felt in need of some gentlemanly and soothing influence, after such an outpouring of vulgarity. He thought of the bibliographer. He liked Eames; he admired that scholarly detachment. He, too, might end in annotating some masterpiece—who knows? To be a bibliographer—what a calm, studious life!

"I think I'll go to Eames," he remarked.

"Really? A colourless creature, that Eames. As dry as a stick; a typical Don. I promised him a mineralogical map, by the way. You might tell him I haven't forgotten, will you? I wonder what you can see in the man?"

"I rather like him," said Denis. "He knows what he wants."

"That is not enough, my young friend!" replied Marten with decision. "A fellow must want something sensible."

"What do you call sensible?"

"Sanidin, and things like that. Things with pretty names. Eh, Phipps?"

Denis said nothing.

His friend continued jovially:

"The tavern mood is upon me. I am going to Luisella's to get a drink. One gets sick of that Club. Besides, I've taken rather a fancy to that younger sister. The second youngest, I mean; the one with the curly hair—you know! I only wish I knew a bit more Latin."

Luisella's grotto-tavern had become quite a famous rendezvous. You could drop in there at any hour and always find company to your liking. Don Francesco had a good deal to do with its discovery; he discovered, at all events, the second eldest of the four orphan sisters who managed the house. After a time, having convinced himself that they were all good penitents and being a kindly sort of man, he thought that other people might like to share in the seductions which the place afforded. He took foreign friends there from time to time, and none were disappointed. The wine was excellent. Russians, excluded from the Club by Mr. Parker's severity, frequented the spot in considerable numbers. They were nicely treated there. Not many nights previously one of the Master's disciples, the athletic young Peter Krasnojabkin, who was credited with being a protege of Madame Steynlin's, had distinguished himself by drinking sixteen bottles at a sitting. He afterwards smashed a few chairs and things, for which he apologized so prettily next morning that the girls would not hear of his paying for the damage.

"It's all in the family," they said. "Come and break some more!"

That was the way they ran the place, as regards drinks. The quality of the refreshments, too, was quite out of the common. As for the girls themselves—their admirers were legion. They could have married anyone they pleased, had it not been more in accordance with the interests of their business, to say nothing of the personal inclinations, to have only lovers.

As Marten disappeared under that hospitable doorway, I flashed through the mind of Denis that Eames was a confirmed recluse; he might not like being disturbed in the morning.

Besides, he was probably at work.

He thought of going to see the bishop. There was a glamour in the name. To be a bishop! His mother had sometimes suggested the Church, or at least politics as a career for him, if poetry should fail. But this one was so matter-of-fact and unpretentious in his clothing, his opinions. A broken-down matrimonial agent, Don Francesco had called him. Mr. Heard was not his idea of a shepherd of souls; he was only a colonial, anyhow. A grey type of man—nothing purple about him, nothing glowing or ornate. He did not get on particularly well with him either.

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