The doctor smiled benignantly through the first waves of smoke. "Well, Johnny's an old patient of mine, and he's an old admirer of Thea's. She was born a cosmopolitan, and I expect she learned a good deal from Johnny when she used to run away and go to Mexican Town. We thought it a queer freak then."

The doctor launched into a long story, in which he was often eagerly interrupted or joyously confirmed by Thea, who was drinking her coffee and forcing open the petals of the roses with an ardent and rather rude hand. Fred settled down into enjoying his comprehension of his guests. Thea, watching Dr. Archie and interested in his presentation, was unconsciously impersonating her suave, gold-tinted friend. It was delightful to see her so radiant and responsive again. She had kept her promise about looking her best; when one could so easily get together the colors of an apple branch in early spring, that was not hard to do. Even Dr. Archie felt, each time he looked at her, a fresh consciousness. He recognized the fine texture of her mother's skin, with the difference that, when she reached across the table to give him a bunch of grapes, her arm was not only white, but somehow a little dazzling. She seemed to him taller, and freer in all her movements. She had now a way of taking a deep breath when she was interested, that made her seem very strong, somehow, and brought her at one quite overpoweringly. If he seemed shy, it was not that he was intimidated by her worldly clothes, but that her greater positiveness, her whole augmented self, made him feel that his accustomed manner toward her was inadequate.

Fred, on his part, was reflecting that the awkward position in which he had placed her would not confine or chafe her long. She looked about at other people, at other women, curiously. She was not quite sure of herself, but she was not in the least afraid or apologetic. She seemed to sit there on the edge, emerging from one world into another, taking her bearings, getting an idea of the concerted movement about her, but with absolute self-confidence. So far from shrinking, she expanded. The mere kindly effort to please Dr. Archie was enough to bring her out.

There was much talk of aurae at that time, and Fred mused that every beautiful, every compellingly beautiful woman, had an aura, whether other people did or no. There was, certainly, about the woman he had brought up from Mexico, such an emanation. She existed in more space than she occupied by measurement. The enveloping air about her head and shoulders was subsidized—was more moving than she herself, for in it lived the awakenings, all the first sweetness that life kills in people. One felt in her such a wealth of JUGENDZEIT, all those flowers of the mind and the blood that bloom and perish by the myriad in the few exhaustless years when the imagination first kindles. It was in watching her as she emerged like this, in being near and not too near, that one got, for a moment, so much that one had lost; among other legendary things the legendary theme of the absolutely magical power of a beautiful woman.

After they had left Thea at her hotel, Dr. Archie admitted to Fred, as they walked up Broadway through the rapidly chilling air, that once before he had seen their young friend flash up into a more potent self, but in a darker mood. It was in his office one night, when she was at home the summer before last. "And then I got the idea," he added simply, "that she would not live like other people: that, for better or worse, she had uncommon gifts."

"Oh, we'll see that it's for better, you and I," Fred reassured him. "Won't you come up to my hotel with me? I think we ought to have a long talk."

"Yes, indeed," said Dr. Archie gratefully; "I think we ought."



V

THEA was to sail on Tuesday, at noon, and on Saturday Fred Ottenburg arranged for her passage, while she and Dr. Archie went shopping. With rugs and sea-clothes she was already provided; Fred had got everything of that sort she needed for the voyage up from Vera Cruz. On Sunday afternoon Thea went to see the Harsanyis. When she returned to her hotel, she found a note from Ottenburg, saying that he had called and would come again to-morrow.

On Monday morning, while she was at breakfast, Fred came in. She knew by his hurried, distracted air as he entered the dining-room that something had gone wrong. He had just got a telegram from home. His mother had been thrown from her carriage and hurt; a concussion of some sort, and she was unconscious. He was leaving for St. Louis that night on the eleven o'clock train. He had a great deal to attend to during the day. He would come that evening, if he might, and stay with her until train time, while she was doing her packing. Scarcely waiting for her consent, he hurried away.

All day Thea was somewhat cast down. She was sorry for Fred, and she missed the feeling that she was the one person in his mind. He had scarcely looked at her when they exchanged words at the breakfast-table. She felt as if she were set aside, and she did not seem so important even to herself as she had yesterday. Certainly, she reflected, it was high time that she began to take care of herself again. Dr. Archie came for dinner, but she sent him away early, telling him that she would be ready to go to the boat with him at half-past ten the next morning. When she went upstairs, she looked gloomily at the open trunk in her sitting-room, and at the trays piled on the sofa. She stood at the window and watched a quiet snowstorm spending itself over the city. More than anything else, falling snow always made her think of Moonstone; of the Kohlers' garden, of Thor's sled, of dressing by lamplight and starting off to school before the paths were broken.

When Fred came, he looked tired, and he took her hand almost without seeing her.

"I'm so sorry, Fred. Have you had any more word?"

"She was still unconscious at four this afternoon. It doesn't look very encouraging." He approached the fire and warmed his hands. He seemed to have contracted, and he had not at all his habitual ease of manner. "Poor mother!" he exclaimed; "nothing like this should have happened to her. She has so much pride of person. She's not at all an old woman, you know. She's never got beyond vigorous and rather dashing middle age." He turned abruptly to Thea and for the first time really looked at her. "How badly things come out! She'd have liked you for a daughter-in-law. Oh, you'd have fought like the devil, but you'd have respected each other." He sank into a chair and thrust his feet out to the fire. "Still," he went on thoughtfully, seeming to address the ceiling, "it might have been bad for you. Our big German houses, our good German cooking—you might have got lost in the upholstery. That substantial comfort might take the temper out of you, dull your edge. Yes," he sighed, "I guess you were meant for the jolt of the breakers."

"I guess I'll get plenty of jolt," Thea murmured, turning to her trunk.

"I'm rather glad I'm not staying over until to-morrow," Fred reflected. "I think it's easier for me to glide out like this. I feel now as if everything were rather casual, anyhow. A thing like that dulls one's feelings."

Thea, standing by her trunk, made no reply. Presently he shook himself and rose. "Want me to put those trays in for you?"

"No, thank you. I'm not ready for them yet."

Fred strolled over to the sofa, lifted a scarf from one of the trays and stood abstractedly drawing it through his fingers. "You've been so kind these last few days, Thea, that I began to hope you might soften a little; that you might ask me to come over and see you this summer."

"If you thought that, you were mistaken," she said slowly. "I've hardened, if anything. But I shan't carry any grudge away with me, if you mean that."

He dropped the scarf. "And there's nothing—nothing at all you'll let me do?"

"Yes, there is one thing, and it's a good deal to ask. If I get knocked out, or never get on, I'd like you to see that Dr. Archie gets his money back. I'm taking three thousand dollars of his."

"Why, of course I shall. You may dismiss that from your mind. How fussy you are about money, Thea. You make such a point of it." He turned sharply and walked to the windows.

Thea sat down in the chair he had quitted. "It's only poor people who feel that way about money, and who are really honest," she said gravely. "Sometimes I think that to be really honest, you must have been so poor that you've been tempted to steal."

"To what?"

"To steal. I used to be, when I first went to Chicago and saw all the things in the big stores there. Never anything big, but little things, the kind I'd never seen before and could never afford. I did take something once, before I knew it."

Fred came toward her. For the first time she had his whole attention, in the degree to which she was accustomed to having it. "Did you? What was it?" he asked with interest.

"A sachet. A little blue silk bag of orris-root powder. There was a whole counterful of them, marked down to fifty cents. I'd never seen any before, and they seemed irresistible. I took one up and wandered about the store with it. Nobody seemed to notice, so I carried it off."

Fred laughed. "Crazy child! Why, your things always smell of orris; is it a penance?"

"No, I love it. But I saw that the firm didn't lose anything by me. I went back and bought it there whenever I had a quarter to spend. I got a lot to take to Arizona. I made it up to them."

"I'll bet you did!" Fred took her hand. "Why didn't I find you that first winter? I'd have loved you just as you came!"

Thea shook her head. "No, you wouldn't, but you might have found me amusing. The Harsanyis said yesterday afternoon that I wore such a funny cape and that my shoes always squeaked. They think I've improved. I told them it was your doing if I had, and then they looked scared."

"Did you sing for Harsanyi?"

"Yes. He thinks I've improved there, too. He said nice things to me. Oh, he was very nice! He agrees with you about my going to Lehmann, if she'll take me. He came out to the elevator with me, after we had said good-bye. He said something nice out there, too, but he seemed sad."

"What was it that he said?"

"He said, 'When people, serious people, believe in you, they give you some of their best, so—take care of it, Miss Kronborg.' Then he waved his hands and went back."

"If you sang, I wish you had taken me along. Did you sing well?" Fred turned from her and went back to the window. "I wonder when I shall hear you sing again." He picked up a bunch of violets and smelled them. "You know, your leaving me like this—well, it's almost inhuman to be able to do it so kindly and unconditionally."

"I suppose it is. It was almost inhuman to be able to leave home, too,—the last time, when I knew it was for good. But all the same, I cared a great deal more than anybody else did. I lived through it. I have no choice now. No matter how much it breaks me up, I have to go. Do I seem to enjoy it?"

Fred bent over her trunk and picked up something which proved to be a score, clumsily bound. "What's this? Did you ever try to sing this?" He opened it and on the engraved title-page read Wunsch's inscription, "EINST, O WUNDER!" He looked up sharply at Thea.

"Wunsch gave me that when he went away. I've told you about him, my old teacher in Moonstone. He loved that opera."

Fred went toward the fireplace, the book under his arm, singing softly:—

"EINST, O WUNDER, ENTBLUHT AUF MEINEM GRABE, EINE BLUME DER ASCHE MEINES HERZENS;"

"You have no idea at all where he is, Thea?" He leaned against the mantel and looked down at her.

"No, I wish I had. He may be dead by this time. That was five years ago, and he used himself hard. Mrs. Kohler was always afraid he would die off alone somewhere and be stuck under the prairie. When we last heard of him, he was in Kansas."

"If he were to be found, I'd like to do something for him. I seem to get a good deal of him from this." He opened the book again, where he kept the place with his finger, and scrutinized the purple ink. "How like a German! Had he ever sung the song for you?"

"No. I didn't know where the words were from until once, when Harsanyi sang it for me, I recognized them."

Fred closed the book. "Let me see, what was your noble brakeman's name?"

Thea looked up with surprise. "Ray, Ray Kennedy."

"Ray Kennedy!" he laughed. "It couldn't well have been better! Wunsch and Dr. Archie, and Ray, and I,"—he told them off on his fingers,—"your whistling-posts! You haven't done so badly. We've backed you as we could, some in our weakness and some in our might. In your dark hours—and you'll have them—you may like to remember us." He smiled whimsically and dropped the score into the trunk. "You are taking that with you?"

"Surely I am. I haven't so many keepsakes that I can afford to leave that. I haven't got many that I value so highly."

"That you value so highly?" Fred echoed her gravity playfully. "You are delicious when you fall into your vernacular." He laughed half to himself.

"What's the matter with that? Isn't it perfectly good English?"

"Perfectly good Moonstone, my dear. Like the readymade clothes that hang in the windows, made to fit everybody and fit nobody, a phrase that can be used on all occasions. Oh,"—he started across the room again,—"that's one of the fine things about your going! You'll be with the right sort of people and you'll learn a good, live, warm German, that will be like yourself. You'll get a new speech full of shades and color like your voice; alive, like your mind. It will be almost like being born again, Thea."

She was not offended. Fred had said such things to her before, and she wanted to learn. In the natural course of things she would never have loved a man from whom she could not learn a great deal.

"Harsanyi said once," she remarked thoughtfully, "that if one became an artist one had to be born again, and that one owed nothing to anybody."

"Exactly. And when I see you again I shall not see you, but your daughter. May I?" He held up his cigarette case questioningly and then began to smoke, taking up again the song which ran in his head:—

"DEUTLICH SCHIMMERT AUF JEDEM, PURPURBLATTCHEN, ADELAIDE!"

"I have half an hour with you yet, and then, exit Fred." He walked about the room, smoking and singing the words under his breath. "You'll like the voyage," he said abruptly. "That first approach to a foreign shore, stealing up on it and finding it—there's nothing like it. It wakes up everything that's asleep in you. You won't mind my writing to some people in Berlin? They'll be nice to you."

"I wish you would." Thea gave a deep sigh. "I wish one could look ahead and see what is coming to one."

"Oh, no!" Fred was smoking nervously; "that would never do. It's the uncertainty that makes one try. You've never had any sort of chance, and now I fancy you'll make it up to yourself. You'll find the way to let yourself out in one long flight."

Thea put her hand on her heart. "And then drop like the rocks we used to throw—anywhere." She left the chair and went over to the sofa, hunting for something in the trunk trays. When she came back she found Fred sitting in her place. "Here are some handkerchiefs of yours. I've kept one or two. They're larger than mine and useful if one has a headache."

"Thank you. How nicely they smell of your things!" He looked at the white squares for a moment and then put them in his pocket. He kept the low chair, and as she stood beside him he took her hands and sat looking intently at them, as if he were examining them for some special purpose, tracing the long round fingers with the tips of his own. "Ordinarily, you know, there are reefs that a man catches to and keeps his nose above water. But this is a case by itself. There seems to be no limit as to how much I can be in love with you. I keep going." He did not lift his eyes from her fingers, which he continued to study with the same fervor. "Every kind of stringed instrument there is plays in your hands, Thea," he whispered, pressing them to his face.

She dropped beside him and slipped into his arms, shutting her eyes and lifting her cheek to his. "Tell me one thing," Fred whispered. "You said that night on the boat, when I first told you, that if you could you would crush it all up in your hands and throw it into the sea. Would you, all those weeks?"

She shook her head.

"Answer me, would you?"

"No, I was angry then. I'm not now. I'd never give them up. Don't make me pay too much." In that embrace they lived over again all the others. When Thea drew away from him, she dropped her face in her hands. "You are good to me," she breathed, "you are!"

Rising to his feet, he put his hands under her elbows and lifted her gently. He drew her toward the door with him. "Get all you can. Be generous with yourself. Don't stop short of splendid things. I want them for you more than I want anything else, more than I want one splendid thing for myself. I can't help feeling that you'll gain, somehow, by my losing so much. That you'll gain the very thing I lose. Take care of her, as Harsanyi said. She's wonderful!" He kissed her and went out of the door without looking back, just as if he were coming again to-morrow.

Thea went quickly into her bedroom. She brought out an armful of muslin things, knelt down, and began to lay them in the trays. Suddenly she stopped, dropped forward and leaned against the open trunk, her head on her arms. The tears fell down on the dark old carpet. It came over her how many people must have said good-bye and been unhappy in that room. Other people, before her time, had hired this room to cry in. Strange rooms and strange streets and faces, how sick at heart they made one! Why was she going so far, when what she wanted was some familiar place to hide in?—the rock house, her little room in Moonstone, her own bed. Oh, how good it would be to lie down in that little bed, to cut the nerve that kept one struggling, that pulled one on and on, to sink into peace there, with all the family safe and happy downstairs. After all, she was a Moonstone girl, one of the preacher's children. Everything else was in Fred's imagination. Why was she called upon to take such chances? Any safe, humdrum work that did not compromise her would be better. But if she failed now, she would lose her soul. There was nowhere to fall, after one took that step, except into abysses of wretchedness. She knew what abysses, for she could still hear the old man playing in the snowstorm, it was released in her like a passion of longing. Every nerve in her body thrilled to it. It brought her to her feet, carried her somehow to bed and into troubled sleep.

That night she taught in Moonstone again: she beat her pupils in hideous rages, she kept on beating them. She sang at funerals, and struggled at the piano with Harsanyi. In one dream she was looking into a hand-glass and thinking that she was getting better-looking, when the glass began to grow smaller and smaller and her own reflection to shrink, until she realized that she was looking into Ray Kennedy's eyes, seeing her face in that look of his which she could never forget. All at once the eyes were Fred Ottenburg's, and not Ray's. All night she heard the shrieking of trains, whistling in and out of Moonstone, as she used to hear them in her sleep when they blew shrill in the winter air. But to-night they were terrifying,—the spectral, fated trains that "raced with death," about which the old woman from the depot used to pray.

In the morning she wakened breathless after a struggle with Mrs. Livery Johnson's daughter. She started up with a bound, threw the blankets back and sat on the edge of the bed, her night-dress open, her long braids hanging over her bosom, blinking at the daylight. After all, it was not too late. She was only twenty years old, and the boat sailed at noon. There was still time!



PART VI. KRONBORG



I

It is a glorious winter day. Denver, standing on her high plateau under a thrilling green-blue sky, is masked in snow and glittering with sunlight. The Capitol building is actually in armor, and throws off the shafts of the sun until the beholder is dazzled and the outlines of the building are lost in a blaze of reflected light. The stone terrace is a white field over which fiery reflections dance, and the trees and bushes are faithfully repeated in snow—on every black twig a soft, blurred line of white. From the terrace one looks directly over to where the mountains break in their sharp, familiar lines against the sky. Snow fills the gorges, hangs in scarfs on the great slopes, and on the peaks the fiery sunshine is gathered up as by a burning-glass.

Howard Archie is standing at the window of his private room in the offices of the San Felipe Mining Company, on the sixth floor of the Raton Building, looking off at the mountain glories of his State while he gives dictation to his secretary. He is ten years older than when we saw him last, and emphatically ten years more prosperous. A decade of coming into things has not so much aged him as it has fortified, smoothed, and assured him. His sandy hair and imperial conceal whatever gray they harbor. He has not grown heavier, but more flexible, and his massive shoulders carry fifty years and the control of his great mining interests more lightly than they carried forty years and a country practice. In short, he is one of the friends to whom we feel grateful for having got on in the world, for helping to keep up the general temperature and our own confidence in life. He is an acquaintance that one would hurry to overtake and greet among a hundred. In his warm handshake and generous smile there is the stimulating cordiality of good fellows come into good fortune and eager to pass it on; something that makes one think better of the lottery of life and resolve to try again.

When Archie had finished his morning mail, he turned away from the window and faced his secretary. "Did anything come up yesterday afternoon while I was away, T. B.?"

Thomas Burk turned over the leaf of his calendar. "Governor Alden sent down to say that he wanted to see you before he sends his letter to the Board of Pardons. Asked if you could go over to the State House this morning."

Archie shrugged his shoulders. "I'll think about it."

The young man grinned.

"Anything else?" his chief continued.

T. B. swung round in his chair with a look of interest on his shrewd, clean-shaven face. "Old Jasper Flight was in, Dr. Archie. I never expected to see him alive again. Seems he's tucked away for the winter with a sister who's a housekeeper at the Oxford. He's all crippled up with rheumatism, but as fierce after it as ever. Wants to know if you or the company won't grub-stake him again. Says he's sure of it this time; had located something when the snow shut down on him in December. He wants to crawl out at the first break in the weather, with that same old burro with the split ear. He got somebody to winter the beast for him. He's superstitious about that burro, too; thinks it's divinely guided. You ought to hear the line of talk he put up here yesterday; said when he rode in his carriage, that burro was a-going to ride along with him."

Archie laughed. "Did he leave you his address?"

"He didn't neglect anything," replied the clerk cynically.

"Well, send him a line and tell him to come in again. I like to hear him. Of all the crazy prospectors I've ever known, he's the most interesting, because he's really crazy. It's a religious conviction with him, and with most of 'em it's a gambling fever or pure vagrancy. But Jasper Flight believes that the Almighty keeps the secret of the silver deposits in these hills, and gives it away to the deserving. He's a downright noble figure. Of course I'll stake him! As long as he can crawl out in the spring. He and that burro are a sight together. The beast is nearly as white as Jasper; must be twenty years old."

"If you stake him this time, you won't have to again," said T. B. knowingly. "He'll croak up there, mark my word. Says he never ties the burro at night now, for fear he might be called sudden, and the beast would starve. I guess that animal could eat a lariat rope, all right, and enjoy it."

"I guess if we knew the things those two have eaten, and haven't eaten, in their time, T. B., it would make us vegetarians." The doctor sat down and looked thoughtful. "That's the way for the old man to go. It would be pretty hard luck if he had to die in a hospital. I wish he could turn up something before he cashes in. But his kind seldom do; they're bewitched. Still, there was Stratton. I've been meeting Jasper Flight, and his side meat and tin pans, up in the mountains for years, and I'd miss him. I always halfway believe the fairy tales he spins me. Old Jasper Flight," Archie murmured, as if he liked the name or the picture it called up.

A clerk came in from the outer office and handed Archie a card. He sprang up and exclaimed, "Mr. Ottenburg? Bring him in."

Fred Ottenburg entered, clad in a long, fur-lined coat, holding a checked-cloth hat in his hand, his cheeks and eyes bright with the outdoor cold. The two men met before Archie's desk and their handclasp was longer than friendship prompts except in regions where the blood warms and quickens to meet the dry cold. Under the general keyingup of the altitude, manners take on a heartiness, a vivacity, that is one expression of the half-unconscious excitement which Colorado people miss when they drop into lower strata of air. The heart, we are told, wears out early in that high atmosphere, but while it pumps it sends out no sluggish stream. Our two friends stood gripping each other by the hand and smiling.

"When did you get in, Fred? And what have you come for?" Archie gave him a quizzical glance.

"I've come to find out what you think you're doing out here," the younger man declared emphatically. "I want to get next, I do. When can you see me?"

"Anything on to-night? Then suppose you dine with me. Where can I pick you up at five-thirty?"

"Bixby's office, general freight agent of the Burlington." Ottenburg began to button his overcoat and drew on his gloves. "I've got to have one shot at you before I go, Archie. Didn't I tell you Pinky Alden was a cheap squirt?"

Alden's backer laughed and shook his head. "Oh, he's worse than that, Fred. It isn't polite to mention what he is, outside of the Arabian Nights. I guessed you'd come to rub it into me."

Ottenburg paused, his hand on the doorknob, his high color challenging the doctor's calm. "I'm disgusted with you, Archie, for training with such a pup. A man of your experience!"

"Well, he's been an experience," Archie muttered. "I'm not coy about admitting it, am I?"

Ottenburg flung open the door. "Small credit to you. Even the women are out for capital and corruption, I hear. Your Governor's done more for the United Breweries in six months than I've been able to do in six years. He's the lily-livered sort we're looking for. Good-morning."

That afternoon at five o'clock Dr. Archie emerged from the State House after his talk with Governor Alden, and crossed the terrace under a saffron sky. The snow, beaten hard, was blue in the dusk; a day of blinding sunlight had not even started a thaw. The lights of the city twinkled pale below him in the quivering violet air, and the dome of the State House behind him was still red with the light from the west. Before he got into his car, the doctor paused to look about him at the scene of which he never tired. Archie lived in his own house on Colfax Avenue, where he had roomy grounds and a rose garden and a conservatory. His housekeeping was done by three Japanese boys, devoted and resourceful, who were able to manage Archie's dinner parties, to see that he kept his engagements, and to make visitors who stayed at the house so comfortable that they were always loath to go away.

Archie had never known what comfort was until he became a widower, though with characteristic delicacy, or dishonesty, he insisted upon accrediting his peace of mind to the San Felipe, to Time, to anything but his release from Mrs. Archie.

Mrs. Archie died just before her husband left Moonstone and came to Denver to live, six years ago. The poor woman's fight against dust was her undoing at last. One summer day when she was rubbing the parlor upholstery with gasoline,—the doctor had often forbidden her to use it on any account, so that was one of the pleasures she seized upon in his absence,—an explosion occurred. Nobody ever knew exactly how it happened, for Mrs. Archie was dead when the neighbors rushed in to save her from the burning house. She must have inhaled the burning gas and died instantly.

Moonstone severity relented toward her somewhat after her death. But even while her old cronies at Mrs. Smiley's millinery store said that it was a terrible thing, they added that nothing but a powerful explosive COULD have killed Mrs. Archie, and that it was only right the doctor should have a chance.

Archie's past was literally destroyed when his wife died. The house burned to the ground, and all those material reminders which have such power over people disappeared in an hour. His mining interests now took him to Denver so often that it seemed better to make his headquarters there. He gave up his practice and left Moonstone for good. Six months afterward, while Dr. Archie was living at the Brown Palace Hotel, the San Felipe mine began to give up that silver hoard which old Captain Harris had always accused it of concealing, and San Felipe headed the list of mining quotations in every daily paper, East and West. In a few years Dr. Archie was a very rich man. His mine was such an important item in the mineral output of the State, and Archie had a hand in so many of the new industries of Colorado and New Mexico, that his political influence was considerable. He had thrown it all, two years ago, to the new reform party, and had brought about the election of a governor of whose conduct he was now heartily ashamed. His friends believed that Archie himself had ambitious political plans.



II

WHEN Ottenburg and his host reached the house on Colfax Avenue, they went directly to the library, a long double room on the second floor which Archie had arranged exactly to his own taste. It was full of books and mounted specimens of wild game, with a big writing-table at either end, stiff, old-fashioned engravings, heavy hangings and deep upholstery.

When one of the Japanese boys brought the cocktails, Fred turned from the fine specimen of peccoray he had been examining and said, "A man is an owl to live in such a place alone, Archie. Why don't you marry? As for me, just because I can't marry, I find the world full of charming, unattached women, any one of whom I could fit up a house for with alacrity."

"You're more knowing than I." Archie spoke politely. "I'm not very wide awake about women. I'd be likely to pick out one of the uncomfortable ones—and there are a few of them, you know." He drank his cocktail and rubbed his hands together in a friendly way. "My friends here have charming wives, and they don't give me a chance to get lonely. They are very kind to me, and I have a great many pleasant friendships."

Fred put down his glass. "Yes, I've always noticed that women have confidence in you. You have the doctor's way of getting next. And you enjoy that kind of thing?"

"The friendship of attractive women? Oh, dear, yes! I depend upon it a great deal."

The butler announced dinner, and the two men went downstairs to the dining-room. Dr. Archie's dinners were always good and well served, and his wines were excellent.

"I saw the Fuel and Iron people to-day," Ottenburg said, looking up from his soup. "Their heart is in the right place. I can't see why in the mischief you ever got mixed up with that reform gang, Archie. You've got nothing to reform out here. The situation has always been as simple as two and two in Colorado; mostly a matter of a friendly understanding."

"Well,"—Archie spoke tolerantly,—"some of the young fellows seemed to have red-hot convictions, and I thought it was better to let them try their ideas out."

Ottenburg shrugged his shoulders. "A few dull young men who haven't ability enough to play the old game the old way, so they want to put on a new game which doesn't take so much brains and gives away more advertising that's what your anti-saloon league and vice commission amounts to. They provide notoriety for the fellows who can't distinguish themselves at running a business or practicing law or developing an industry. Here you have a mediocre lawyer with no brains and no practice, trying to get a look-in on something. He comes up with the novel proposition that the prostitute has a hard time of it, puts his picture in the paper, and the first thing you know, he's a celebrity. He gets the rake-off and she's just where she was before. How could you fall for a mouse-trap like Pink Alden, Archie?"

Dr. Archie laughed as he began to carve. "Pink seems to get under your skin. He's not worth talking about. He's gone his limit. People won't read about his blameless life any more. I knew those interviews he gave out would cook him. They were a last resort. I could have stopped him, but by that time I'd come to the conclusion that I'd let the reformers down. I'm not against a general shaking-up, but the trouble with Pinky's crowd is they never get beyond a general writing-up. We gave them a chance to do something, and they just kept on writing about each other and what temptations they had overcome."

While Archie and his friend were busy with Colorado politics, the impeccable Japanese attended swiftly and intelligently to his duties, and the dinner, as Ottenburg at last remarked, was worthy of more profitable conversation.

"So it is," the doctor admitted. "Well, we'll go upstairs for our coffee and cut this out. Bring up some cognac and arak, Tai," he added as he rose from the table.

They stopped to examine a moose's head on the stairway, and when they reached the library the pine logs in the fireplace had been lighted, and the coffee was bubbling before the hearth. Tai placed two chairs before the fire and brought a tray of cigarettes.

"Bring the cigars in my lower desk drawer, boy," the doctor directed. "Too much light in here, isn't there, Fred? Light the lamp there on my desk, Tai." He turned off the electric glare and settled himself deep into the chair opposite Ottenburg's.

"To go back to our conversation, doctor," Fred began while he waited for the first steam to blow off his coffee; "why don't you make up your mind to go to Washington? There'd be no fight made against you. I needn't say the United Breweries would back you. There'd be some KUDOS coming to us, too; backing a reform candidate."

Dr. Archie measured his length in his chair and thrust his large boots toward the crackling pitch-pine. He drank his coffee and lit a big black cigar while his guest looked over the assortment of cigarettes on the tray. "You say why don't I," the doctor spoke with the deliberation of a man in the position of having several courses to choose from, "but, on the other hand, why should I?" He puffed away and seemed, through his half-closed eyes, to look down several long roads with the intention of luxuriously rejecting all of them and remaining where he was. "I'm sick of politics. I'm disillusioned about serving my crowd, and I don't particularly want to serve yours. Nothing in it that I particularly want; and a man's not effective in politics unless he wants something for himself, and wants it hard. I can reach my ends by straighter roads. There are plenty of things to keep me busy. We haven't begun to develop our resources in this State; we haven't had a look in on them yet. That's the only thing that isn't fake—making men and machines go, and actually turning out a product."

The doctor poured himself some white cordial and looked over the little glass into the fire with an expression which led Ottenburg to believe that he was getting at something in his own mind. Fred lit a cigarette and let his friend grope for his idea.

"My boys, here," Archie went on, "have got me rather interested in Japan. Think I'll go out there in the spring, and come back the other way, through Siberia. I've always wanted to go to Russia." His eyes still hunted for something in his big fireplace. With a slow turn of his head he brought them back to his guest and fixed them upon him. "Just now, I'm thinking of running on to New York for a few weeks," he ended abruptly.

Ottenburg lifted his chin. "Ah!" he exclaimed, as if he began to see Archie's drift. "Shall you see Thea?"

"Yes." The doctor replenished his cordial glass. "In fact, I suspect I am going exactly TO see her. I'm getting stale on things here, Fred. Best people in the world and always doing things for me. I'm fond of them, too, but I've been with them too much. I'm getting ill-tempered, and the first thing I know I'll be hurting people's feelings. I snapped Mrs. Dandridge up over the telephone this afternoon when she asked me to go out to Colorado Springs on Sunday to meet some English people who are staying at the Antlers. Very nice of her to want me, and I was as sour as if she'd been trying to work me for something. I've got to get out for a while, to save my reputation."

To this explanation Ottenburg had not paid much attention. He seemed to be looking at a fixed point: the yellow glass eyes of a fine wildcat over one of the bookcases. "You've never heard her at all, have you?" he asked reflectively. "Curious, when this is her second season in New York."

"I was going on last March. Had everything arranged. And then old Cap Harris thought he could drive his car and me through a lamp-post and I was laid up with a compound fracture for two months. So I didn't get to see Thea."

Ottenburg studied the red end of his cigarette attentively. "She might have come out to see you. I remember you covered the distance like a streak when she wanted you."

Archie moved uneasily. "Oh, she couldn't do that. She had to get back to Vienna to work on some new parts for this year. She sailed two days after the New York season closed."

"Well, then she couldn't, of course." Fred smoked his cigarette close and tossed the end into the fire. "I'm tremendously glad you're going now. If you're stale, she'll jack you up. That's one of her specialties. She got a rise out of me last December that lasted me all winter."

"Of course," the doctor apologized, "you know so much more about such things. I'm afraid it will be rather wasted on me. I'm no judge of music."

"Never mind that." The younger man pulled himself up in his chair. "She gets it across to people who aren't judges. That's just what she does." He relapsed into his former lassitude. "If you were stone deaf, it wouldn't all be wasted. It's a great deal to watch her. Incidentally, you know, she is very beautiful. Photographs give you no idea."

Dr. Archie clasped his large hands under his chin. "Oh, I'm counting on that. I don't suppose her voice will sound natural to me. Probably I wouldn't know it."

Ottenburg smiled. "You'll know it, if you ever knew it. It's the same voice, only more so. You'll know it."

"Did you, in Germany that time, when you wrote me? Seven years ago, now. That must have been at the very beginning."

"Yes, somewhere near the beginning. She sang one of the Rhine daughters." Fred paused and drew himself up again. "Sure, I knew it from the first note. I'd heard a good many young voices come up out of the Rhine, but, by gracious, I hadn't heard one like that!" He fumbled for another cigarette. "Mahler was conducting that night. I met him as he was leaving the house and had a word with him. 'Interesting voice you tried out this evening,' I said. He stopped and smiled. 'Miss Kronborg, you mean? Yes, very. She seems to sing for the idea. Unusual in a young singer.' I'd never heard him admit before that a singer could have an idea. She not only had it, but she got it across. The Rhine music, that I'd known since I was a boy, was fresh to me, vocalized for the first time. You realized that she was beginning that long story, adequately, with the end in view. Every phrase she sang was basic. She simply WAS the idea of the Rhine music." Ottenburg rose and stood with his back to the fire. "And at the end, where you don't see the maidens at all, the same thing again: two pretty voices AND the Rhine voice." Fred snapped his fingers and dropped his hand.

The doctor looked up at him enviously. "You see, all that would be lost on me," he said modestly. "I don't know the dream nor the interpretation thereof. I'm out of it. It's too bad that so few of her old friends can appreciate her."

"Take a try at it," Fred encouraged him. "You'll get in deeper than you can explain to yourself. People with no personal interest do that."

"I suppose," said Archie diffidently, "that college German, gone to seed, wouldn't help me out much. I used to be able to make my German patients understand me."

"Sure it would!" cried Ottenburg heartily. "Don't be above knowing your libretto. That's all very well for musicians, but common mortals like you and me have got to know what she's singing about. Get out your dictionary and go at it as you would at any other proposition. Her diction is beautiful, and if you know the text you'll get a great deal. So long as you're going to hear her, get all that's coming to you. You bet in Germany people know their librettos by heart! You Americans are so afraid of stooping to learn anything."

"I AM a little ashamed," Archie admitted. "I guess that's the way we mask our general ignorance. However, I'll stoop this time; I'm more ashamed not to be able to follow her. The papers always say she's such a fine actress." He took up the tongs and began to rearrange the logs that had burned through and fallen apart. "I suppose she has changed a great deal?" he asked absently.

"We've all changed, my dear Archie,—she more than most of us. Yes, and no. She's all there, only there's a great deal more of her. I've had only a few words with her in several years. It's better not, when I'm tied up this way. The laws are barbarous, Archie."

"Your wife is—still the same?" the doctor asked sympathetically.

"Absolutely. Hasn't been out of a sanitarium for seven years now. No prospect of her ever being out, and as long as she's there I'm tied hand and foot. What does society get out of such a state of things, I'd like to know, except a tangle of irregularities? If you want to reform, there's an opening for you!"

"It's bad, oh, very bad; I agree with you!" Dr. Archie shook his head. "But there would be complications under another system, too. The whole question of a young man's marrying has looked pretty grave to me for a long while. How have they the courage to keep on doing it? It depresses me now to buy wedding presents." For some time the doctor watched his guest, who was sunk in bitter reflections. "Such things used to go better than they do now, I believe. Seems to me all the married people I knew when I was a boy were happy enough." He paused again and bit the end off a fresh cigar. "You never saw Thea's mother, did you, Ottenburg? That's a pity. Mrs. Kronborg was a fine woman. I've always been afraid Thea made a mistake, not coming home when Mrs. Kronborg was ill, no matter what it cost her."

Ottenburg moved about restlessly. "She couldn't, Archie, she positively couldn't. I felt you never understood that, but I was in Dresden at the time, and though I wasn't seeing much of her, I could size up the situation for myself. It was by just a lucky chance that she got to sing ELIZABETH that time at the Dresden Opera, a complication of circumstances. If she'd run away, for any reason, she might have waited years for such a chance to come again. She gave a wonderful performance and made a great impression. They offered her certain terms; she had to take them and follow it up then and there. In that game you can't lose a single trick. She was ill herself, but she sang. Her mother was ill, and she sang. No, you mustn't hold that against her, Archie. She did the right thing there." Ottenburg drew out his watch. "Hello! I must be traveling. You hear from her regularly?"

"More or less regularly. She was never much of a letter-writer. She tells me about her engagements and contracts, but I know so little about that business that it doesn't mean much to me beyond the figures, which seem very impressive. We've had a good deal of business correspondence, about putting up a stone to her father and mother, and, lately, about her youngest brother, Thor. He is with me now; he drives my car. To-day he's up at the mine."

Ottenburg, who had picked up his overcoat, dropped it. "Drives your car?" he asked incredulously.

"Yes. Thea and I have had a good deal of bother about Thor. We tried a business college, and an engineering school, but it was no good. Thor was born a chauffeur before there were cars to drive. He was never good for anything else; lay around home and collected postage stamps and took bicycles to pieces, waiting for the automobile to be invented. He's just as much a part of a car as the steering-gear. I can't find out whether he likes his job with me or not, or whether he feels any curiosity about his sister. You can't find anything out from a Kronborg nowadays. The mother was different."

Fred plunged into his coat. "Well, it's a queer world, Archie. But you'll think better of it, if you go to New York. Wish I were going with you. I'll drop in on you in the morning at about eleven. I want a word with you about this Interstate Commerce Bill. Good-night."

Dr. Archie saw his guest to the motor which was waiting below, and then went back to his library, where he replenished the fire and sat down for a long smoke. A man of Archie's modest and rather credulous nature develops late, and makes his largest gain between forty and fifty. At thirty, indeed, as we have seen, Archie was a soft-hearted boy under a manly exterior, still whistling to keep up his courage. Prosperity and large responsibilities—above all, getting free of poor Mrs. Archie—had brought out a good deal more than he knew was in him. He was thinking tonight as he sat before the fire, in the comfort he liked so well, that but for lucky chances, and lucky holes in the ground, he would still be a country practitioner, reading his old books by his office lamp. And yet, he was not so fresh and energetic as he ought to be. He was tired of business and of politics. Worse than that, he was tired of the men with whom he had to do and of the women who, as he said, had been kind to him. He felt as if he were still hunting for something, like old Jasper Flight. He knew that this was an unbecoming and ungrateful state of mind, and he reproached himself for it. But he could not help wondering why it was that life, even when it gave so much, after all gave so little. What was it that he had expected and missed? Why was he, more than he was anything else, disappointed?

He fell to looking back over his life and asking himself which years of it he would like to live over again,—just as they had been,—and they were not many. His college years he would live again, gladly. After them there was nothing he would care to repeat until he came to Thea Kronborg. There had been something stirring about those years in Moonstone, when he was a restless young man on the verge of breaking into larger enterprises, and when she was a restless child on the verge of growing up into something unknown. He realized now that she had counted for a great deal more to him than he knew at the time. It was a continuous sort of relationship. He was always on the lookout for her as he went about the town, always vaguely expecting her as he sat in his office at night. He had never asked himself then if it was strange that he should find a child of twelve the most interesting and companionable person in Moonstone. It had seemed a pleasant, natural kind of solicitude. He explained it then by the fact that he had no children of his own. But now, as he looked back at those years, the other interests were faded and inanimate. The thought of them was heavy. But wherever his life had touched Thea Kronborg's, there was still a little warmth left, a little sparkle. Their friendship seemed to run over those discontented years like a leafy pattern, still bright and fresh when the other patterns had faded into the dull background. Their walks and drives and confidences, the night they watched the rabbit in the moonlight,—why were these things stirring to remember? Whenever he thought of them, they were distinctly different from the other memories of his life; always seemed humorous, gay, with a little thrill of anticipation and mystery about them. They came nearer to being tender secrets than any others he possessed. Nearer than anything else they corresponded to what he had hoped to find in the world, and had not found. It came over him now that the unexpected favors of fortune, no matter how dazzling, do not mean very much to us. They may excite or divert us for a time, but when we look back, the only things we cherish are those which in some way met our original want; the desire which formed in us in early youth, undirected, and of its own accord.



III

FOR the first four years after Thea went to Germany things went on as usual with the Kronborg family. Mrs. Kronborg's land in Nebraska increased in value and brought her in a good rental. The family drifted into an easier way of living, half without realizing it, as families will. Then Mr. Kronborg, who had never been ill, died suddenly of cancer of the liver, and after his death Mrs. Kronborg went, as her neighbors said, into a decline. Hearing discouraging reports of her from the physician who had taken over his practice, Dr. Archie went up from Denver to see her. He found her in bed, in the room where he had more than once attended her, a handsome woman of sixty with a body still firm and white, her hair, faded now to a very pale primrose, in two thick braids down her back, her eyes clear and calm. When the doctor arrived, she was sitting up in her bed, knitting. He felt at once how glad she was to see him, but he soon gathered that she had made no determination to get well. She told him, indeed, that she could not very well get along without Mr. Kronborg. The doctor looked at her with astonishment. Was it possible that she could miss the foolish old man so much? He reminded her of her children.

"Yes," she replied; "the children are all very well, but they are not father. We were married young."

The doctor watched her wonderingly as she went on knitting, thinking how much she looked like Thea. The difference was one of degree rather than of kind. The daughter had a compelling enthusiasm, the mother had none. But their framework, their foundation, was very much the same.

In a moment Mrs. Kronborg spoke again. "Have you heard anything from Thea lately?"

During his talk with her, the doctor gathered that what Mrs. Kronborg really wanted was to see her daughter Thea. Lying there day after day, she wanted it calmly and continuously. He told her that, since she felt so, he thought they might ask Thea to come home.

"I've thought a good deal about it," said Mrs. Kronborg slowly. "I hate to interrupt her, now that she's begun to get advancement. I expect she's seen some pretty hard times, though she was never one to complain. Perhaps she'd feel that she would like to come. It would be hard, losing both of us while she's off there."

When Dr. Archie got back to Denver he wrote a long letter to Thea, explaining her mother's condition and how much she wished to see her, and asking Thea to come, if only for a few weeks. Thea had repaid the money she had borrowed from him, and he assured her that if she happened to be short of funds for the journey, she had only to cable him.

A month later he got a frantic sort of reply from Thea. Complications in the opera at Dresden had given her an unhoped-for opportunity to go on in a big part. Before this letter reached the doctor, she would have made her debut as ELIZABETH, in "Tannhauser." She wanted to go to her mother more than she wanted anything else in the world, but, unless she failed,—which she would not,—she absolutely could not leave Dresden for six months. It was not that she chose to stay; she had to stay—or lose everything. The next few months would put her five years ahead, or would put her back so far that it would be of no use to struggle further. As soon as she was free, she would go to Moonstone and take her mother back to Germany with her. Her mother, she was sure, could live for years yet, and she would like German people and German ways, and could be hearing music all the time. Thea said she was writing her mother and begging her to help her one last time; to get strength and to wait for her six months, and then she (Thea) would do everything. Her mother would never have to make an effort again.

Dr. Archie went up to Moonstone at once. He had great confidence in Mrs. Kronborg's power of will, and if Thea's appeal took hold of her enough, he believed she might get better. But when he was shown into the familiar room off the parlor, his heart sank. Mrs. Kronborg was lying serene and fateful on her pillows. On the dresser at the foot of her bed there was a large photograph of Thea in the character in which she was to make her debut. Mrs. Kronborg pointed to it.

"Isn't she lovely, doctor? It's nice that she hasn't changed much. I've seen her look like that many a time."

They talked for a while about Thea's good fortune. Mrs. Kronborg had had a cablegram saying, "First performance well received. Great relief." In her letter Thea said; "If you'll only get better, dear mother, there's nothing I can't do. I will make a really great success, if you'll try with me. You shall have everything you want, and we will always be together. I have a little house all picked out where we are to live."

"Bringing up a family is not all it's cracked up to be," said Mrs. Kronborg with a flicker of irony, as she tucked the letter back under her pillow. "The children you don't especially need, you have always with you, like the poor. But the bright ones get away from you. They have their own way to make in the world. Seems like the brighter they are, the farther they go. I used to feel sorry that you had no family, doctor, but maybe you're as well off."

"Thea's plan seems sound to me, Mrs. Kronborg. There's no reason I can see why you shouldn't pull up and live for years yet, under proper care. You'd have the best doctors in the world over there, and it would be wonderful to live with anybody who looks like that." He nodded at the photograph of the young woman who must have been singing "DICH, THEURE HALLE, GRUSS' ICH WIEDER," her eyes looking up, her beautiful hands outspread with pleasure.

Mrs. Kronborg laughed quite cheerfully. "Yes, wouldn't it? If father were here, I might rouse myself. But sometimes it's hard to come back. Or if she were in trouble, maybe I could rouse myself."

"But, dear Mrs. Kronborg, she is in trouble," her old friend expostulated. "As she says, she's never needed you as she needs you now. I make my guess that she's never begged anybody to help her before."

Mrs. Kronborg smiled. "Yes, it's pretty of her. But that will pass. When these things happen far away they don't make such a mark; especially if your hands are full and you've duties of your own to think about. My own father died in Nebraska when Gunner was born,—we were living in Iowa then,—and I was sorry, but the baby made it up to me. I was father's favorite, too. That's the way it goes, you see."

The doctor took out Thea's letter to him, and read it over to Mrs. Kronborg. She seemed to listen, and not to listen.

When he finished, she said thoughtfully: "I'd counted on hearing her sing again. But I always took my pleasures as they come. I always enjoyed her singing when she was here about the house. While she was practicing I often used to leave my work and sit down in a rocker and give myself up to it, the same as if I'd been at an entertainment. I was never one of these housekeepers that let their work drive them to death. And when she had the Mexicans over here, I always took it in. First and last,"—she glanced judicially at the photograph,—"I guess I got about as much out of Thea's voice as anybody will ever get."

"I guess you did!" the doctor assented heartily; "and I got a good deal myself. You remember how she used to sing those Scotch songs for me, and lead us with her head, her hair bobbing?"

"'Flow Gently, Sweet Afton,'—I can hear it now," said Mrs. Kronborg; "and poor father never knew when he sang sharp! He used to say, 'Mother, how do you always know when they make mistakes practicing?'" Mrs. Kronborg chuckled.

Dr. Archie took her hand, still firm like the hand of a young woman. "It was lucky for her that you did know. I always thought she got more from you than from any of her teachers."

"Except Wunsch; he was a real musician," said Mrs. Kronborg respectfully. "I gave her what chance I could, in a crowded house. I kept the other children out of the parlor for her. That was about all I could do. If she wasn't disturbed, she needed no watching. She went after it like a terrier after rats from the first, poor child. She was downright afraid of it. That's why I always encouraged her taking Thor off to outlandish places. When she was out of the house, then she was rid of it."

After they had recalled many pleasant memories together, Mrs. Kronborg said suddenly: "I always understood about her going off without coming to see us that time. Oh, I know! You had to keep your own counsel. You were a good friend to her. I've never forgot that." She patted the doctor's sleeve and went on absently. "There was something she didn't want to tell me, and that's why she didn't come. Something happened when she was with those people in Mexico. I worried for a good while, but I guess she's come out of it all right. She'd had a pretty hard time, scratching along alone like that when she was so young, and my farms in Nebraska were down so low that I couldn't help her none. That's no way to send a girl out. But I guess, whatever there was, she wouldn't be afraid to tell me now." Mrs. Kronborg looked up at the photograph with a smile. "She doesn't look like she was beholding to anybody, does she?"

"She isn't, Mrs. Kronborg. She never has been. That was why she borrowed the money from me."

"Oh, I knew she'd never have sent for you if she'd done anything to shame us. She was always proud." Mrs. Kronborg paused and turned a little on her side. "It's been quite a satisfaction to you and me, doctor, having her voice turn out so fine. The things you hope for don't always turn out like that, by a long sight. As long as old Mrs. Kohler lived, she used always to translate what it said about Thea in the German papers she sent. I could make some of it out myself,—it's not very different from Swedish,—but it pleased the old lady. She left Thea her piece-picture of the burning of Moscow. I've got it put away in moth-balls for her, along with the oboe her grandfather brought from Sweden. I want her to take father's oboe back there some day." Mrs. Kronborg paused a moment and compressed her lips. "But I guess she'll take a finer instrument than that with her, back to Sweden!" she added.

Her tone fairly startled the doctor, it was so vibrating with a fierce, defiant kind of pride he had heard often in Thea's voice. He looked down wonderingly at his old friend and patient. After all, one never knew people to the core. Did she, within her, hide some of that still passion of which her daughter was all-compact?

"That last summer at home wasn't very nice for her," Mrs. Kronborg began as placidly as if the fire had never leaped up in her. "The other children were acting-up because they thought I might make a fuss over her and give her the big-head. We gave her the dare, somehow, the lot of us, because we couldn't understand her changing teachers and all that. That's the trouble about giving the dare to them quiet, unboastful children; you never know how far it'll take 'em. Well, we ought not to complain, doctor; she's given us a good deal to think about."

The next time Dr. Archie came to Moonstone, he came to be a pall-bearer at Mrs. Kronborg's funeral. When he last looked at her, she was so serene and queenly that he went back to Denver feeling almost as if he had helped to bury Thea Kronborg herself. The handsome head in the coffin seemed to him much more really Thea than did the radiant young woman in the picture, looking about at the Gothic vaultings and greeting the Hall of Song.



IV

ONE bright morning late in February Dr. Archie was breakfasting comfortably at the Waldorf. He had got into Jersey City on an early train, and a red, windy sunrise over the North River had given him a good appetite. He consulted the morning paper while he drank his coffee and saw that "Lohengrin" was to be sung at the opera that evening. In the list of the artists who would appear was the name "Kronborg." Such abruptness rather startled him. "Kronborg": it was impressive and yet, somehow, disrespectful; somewhat rude and brazen, on the back page of the morning paper. After breakfast he went to the hotel ticket office and asked the girl if she could give him something for "Lohengrin," "near the front." His manner was a trifle awkward and he wondered whether the girl noticed it. Even if she did, of course, she could scarcely suspect. Before the ticket stand he saw a bunch of blue posters announcing the opera casts for the week. There was "Lohengrin," and under it he saw:—

ELSA VON BRABANT...Thea Kronborg.

That looked better. The girl gave him a ticket for a seat which she said was excellent. He paid for it and went out to the cabstand. He mentioned to the driver a number on Riverside Drive and got into a taxi. It would not, of course, be the right thing to call upon Thea when she was going to sing in the evening. He knew that much, thank goodness! Fred Ottenburg had hinted to him that, more than almost anything else, that would put one in wrong.

When he reached the number to which he directed his letters, he dismissed the cab and got out for a walk. The house in which Thea lived was as impersonal as the Waldorf, and quite as large. It was above 116th Street, where the Drive narrows, and in front of it the shelving bank dropped to the North River. As Archie strolled about the paths which traversed this slope, below the street level, the fourteen stories of the apartment hotel rose above him like a perpendicular cliff. He had no idea on which floor Thea lived, but he reflected, as his eye ran over the many windows, that the outlook would be fine from any floor. The forbidding hugeness of the house made him feel as if he had expected to meet Thea in a crowd and had missed her. He did not really believe that she was hidden away behind any of those glittering windows, or that he was to hear her this evening. His walk was curiously uninspiring and unsuggestive. Presently remembering that Ottenburg had encouraged him to study his lesson, he went down to the opera house and bought a libretto. He had even brought his old "Adler's German and English" in his trunk, and after luncheon he settled down in his gilded suite at the Waldorf with a big cigar and the text of "Lohengrin."

The opera was announced for seven-forty-five, but at half-past seven Archie took his seat in the right front of the orchestra circle. He had never been inside the Metropolitan Opera House before, and the height of the audience room, the rich color, and the sweep of the balconies were not without their effect upon him. He watched the house fill with a growing feeling of expectation. When the steel curtain rose and the men of the orchestra took their places, he felt distinctly nervous. The burst of applause which greeted the conductor keyed him still higher. He found that he had taken off his gloves and twisted them to a string. When the lights went down and the violins began the overture, the place looked larger than ever; a great pit, shadowy and solemn. The whole atmosphere, he reflected, was somehow more serious than he had anticipated.

After the curtains were drawn back upon the scene beside the Scheldt, he got readily into the swing of the story. He was so much interested in the bass who sang KING HENRY that he had almost forgotten for what he was waiting so nervously, when the HERALD began in stentorian tones to summon ELSA VON BRABANT. Then he began to realize that he was rather frightened. There was a flutter of white at the back of the stage, and women began to come in: two, four, six, eight, but not the right one. It flashed across him that this was something like buck-fever, the paralyzing moment that comes upon a man when his first elk looks at him through the bushes, under its great antlers; the moment when a man's mind is so full of shooting that he forgets the gun in his hand until the buck nods adieu to him from a distant hill.

All at once, before the buck had left him, she was there. Yes, unquestionably it was she. Her eyes were downcast, but the head, the cheeks, the chin—there could be no mistake; she advanced slowly, as if she were walking in her sleep. Some one spoke to her; she only inclined her head. He spoke again, and she bowed her head still lower. Archie had forgotten his libretto, and he had not counted upon these long pauses. He had expected her to appear and sing and reassure him. They seemed to be waiting for her. Did she ever forget? Why in thunder didn't she—She made a sound, a faint one. The people on the stage whispered together and seemed confounded. His nervousness was absurd. She must have done this often before; she knew her bearings. She made another sound, but he could make nothing of it. Then the King sang to her, and Archie began to remember where they were in the story. She came to the front of the stage, lifted her eyes for the first time, clasped her hands and began, "EINSAM IN TRUBEN TAGEN."

Yes, it was exactly like buck-fever. Her face was there, toward the house now, before his eyes, and he positively could not see it. She was singing, at last, and he positively could not hear her. He was conscious of nothing but an uncomfortable dread and a sense of crushing disappointment. He had, after all, missed her. Whatever was there, she was not there—for him.

The King interrupted her. She began again, "IN LICHTER WAFFEN SCHEINE." Archie did not know when his buckfever passed, but presently he found that he was sitting quietly in a darkened house, not listening to but dreaming upon a river of silver sound. He felt apart from the others, drifting alone on the melody, as if he had been alone with it for a long while and had known it all before. His power of attention was not great just then, but in so far as it went he seemed to be looking through an exalted calmness at a beautiful woman from far away, from another sort of life and feeling and understanding than his own, who had in her face something he had known long ago, much brightened and beautified. As a lad he used to believe that the faces of people who died were like that in the next world; the same faces, but shining with the light of a new understanding. No, Ottenburg had not prepared him!

What he felt was admiration and estrangement. The homely reunion, that he had somehow expected, now seemed foolish. Instead of feeling proud that he knew her better than all these people about him, he felt chagrined at his own ingenuousness. For he did not know her better. This woman he had never known; she had somehow devoured his little friend, as the wolf ate up Red Ridinghood. Beautiful, radiant, tender as she was, she chilled his old affection; that sort of feeling was not appropriate. She seemed much, much farther away from him than she had seemed all those years when she was in Germany. The ocean he could cross, but there was something here he could not cross. There was a moment, when she turned to the King and smiled that rare, sunrise smile of her childhood, when he thought she was coming back to him. After the HERALD'S second call for her champion, when she knelt in her impassioned prayer, there was again something familiar, a kind of wild wonder that she had had the power to call up long ago. But she merely reminded him of Thea; this was not the girl herself.

After the tenor came on, the doctor ceased trying to make the woman before him fit into any of his cherished recollections. He took her, in so far as he could, for what she was then and there. When the knight raised the kneeling girl and put his mailed hand on her hair, when she lifted to him a face full of worship and passionate humility, Archie gave up his last reservation. He knew no more about her than did the hundreds around him, who sat in the shadow and looked on, as he looked, some with more understanding, some with less. He knew as much about ORTRUDE or LOHENGRIN as he knew about ELSA—more, because she went further than they, she sustained the legendary beauty of her conception more consistently. Even he could see that. Attitudes, movements, her face, her white arms and fingers, everything was suffused with a rosy tenderness, a warm humility, a gracious and yet—to him—wholly estranging beauty.

During the balcony singing in the second act the doctor's thoughts were as far away from Moonstone as the singer's doubtless were. He had begun, indeed, to feel the exhilaration of getting free from personalities, of being released from his own past as well as from Thea Kronborg's. It was very much, he told himself, like a military funeral, exalting and impersonal. Something old died in one, and out of it something new was born. During the duet with ORTRUDE, and the splendors of the wedding processional, this new feeling grew and grew. At the end of the act there were many curtain calls and ELSA acknowledged them, brilliant, gracious, spirited, with her far-breaking smile; but on the whole she was harder and more self-contained before the curtain than she was in the scene behind it. Archie did his part in the applause that greeted her, but it was the new and wonderful he applauded, not the old and dear. His personal, proprietary pride in her was frozen out.

He walked about the house during the ENTR'ACTE, and here and there among the people in the foyer he caught the name "Kronborg." On the staircase, in front of the coffeeroom, a long-haired youth with a fat face was discoursing to a group of old women about "die Kronborg." Dr. Archie gathered that he had crossed on the boat with her.

After the performance was over, Archie took a taxi and started for Riverside Drive. He meant to see it through to-night. When he entered the reception hall of the hotel before which he had strolled that morning, the hall porter challenged him. He said he was waiting for Miss Kronborg. The porter looked at him suspiciously and asked whether he had an appointment. He answered brazenly that he had. He was not used to being questioned by hall boys. Archie sat first in one tapestry chair and then in another, keeping a sharp eye on the people who came in and went up in the elevators. He walked about and looked at his watch. An hour dragged by. No one had come in from the street now for about twenty minutes, when two women entered, carrying a great many flowers and followed by a tall young man in chauffeur's uniform. Archie advanced toward the taller of the two women, who was veiled and carried her head very firmly. He confronted her just as she reached the elevator. Although he did not stand directly in her way, something in his attitude compelled her to stop. She gave him a piercing, defiant glance through the white scarf that covered her face. Then she lifted her hand and brushed the scarf back from her head. There was still black on her brows and lashes. She was very pale and her face was drawn and deeply lined. She looked, the doctor told himself with a sinking heart, forty years old. Her suspicious, mystified stare cleared slowly.

"Pardon me," the doctor murmured, not knowing just how to address her here before the porters, "I came up from the opera. I merely wanted to say good-night to you."

Without speaking, still looking incredulous, she pushed him into the elevator. She kept her hand on his arm while the cage shot up, and she looked away from him, frowning, as if she were trying to remember or realize something. When the cage stopped, she pushed him out of the elevator through another door, which a maid opened, into a square hall. There she sank down on a chair and looked up at him.

"Why didn't you let me know?" she asked in a hoarse voice.

Archie heard himself laughing the old, embarrassed laugh that seldom happened to him now. "Oh, I wanted to take my chance with you, like anybody else. It's been so long, now!"

She took his hand through her thick glove and her head dropped forward. "Yes, it has been long," she said in the same husky voice, "and so much has happened."

"And you are so tired, and I am a clumsy old fellow to break in on you to-night," the doctor added sympathetically. "Forgive me, this time." He bent over and put his hand soothingly on her shoulder. He felt a strong shudder run through her from head to foot.

Still bundled in her fur coat as she was, she threw both arms about him and hugged him. "Oh, Dr. Archie, DR. ARCHIE,"—she shook him,—"don't let me go. Hold on, now you're here," she laughed, breaking away from him at the same moment and sliding out of her fur coat. She left it for the maid to pick up and pushed the doctor into the sitting-room, where she turned on the lights. "Let me LOOK at you. Yes; hands, feet, head, shoulders—just the same. You've grown no older. You can't say as much for me, can you?"

She was standing in the middle of the room, in a white silk shirtwaist and a short black velvet skirt, which somehow suggested that they had 'cut off her petticoats all round about.' She looked distinctly clipped and plucked. Her hair was parted in the middle and done very close to her head, as she had worn it under the wig. She looked like a fugitive, who had escaped from something in clothes caught up at hazard. It flashed across Dr. Archie that she was running away from the other woman down at the opera house, who had used her hardly.

He took a step toward her. "I can't tell a thing in the world about you, Thea—if I may still call you that."

She took hold of the collar of his overcoat. "Yes, call me that. Do: I like to hear it. You frighten me a little, but I expect I frighten you more. I'm always a scarecrow after I sing a long part like that—so high, too." She absently pulled out the handkerchief that protruded from his breast pocket and began to wipe the black paint off her eyebrows and lashes. "I can't take you in much to-night, but I must see you for a little while." She pushed him to a chair. "I shall be more recognizable to-morrow. You mustn't think of me as you see me to-night. Come at four to-morrow afternoon and have tea with me. Can you? That's good."

She sat down in a low chair beside him and leaned forward, drawing her shoulders together. She seemed to him inappropriately young and inappropriately old, shorn of her long tresses at one end and of her long robes at the other.

"How do you happen to be here?" she asked abruptly. "How can you leave a silver mine? I couldn't! Sure nobody'll cheat you? But you can explain everything tomorrow." She paused. "You remember how you sewed me up in a poultice, once? I wish you could to-night. I need a poultice, from top to toe. Something very disagreeable happened down there. You said you were out front? Oh, don't say anything about it. I always know exactly how it goes, unfortunately. I was rotten in the balcony. I never get that. You didn't notice it? Probably not, but I did."

Here the maid appeared at the door and her mistress rose. "My supper? Very well, I'll come. I'd ask you to stay, doctor, but there wouldn't be enough for two. They seldom send up enough for one,"—she spoke bitterly. "I haven't got a sense of you yet,"—turning directly to Archie again. "You haven't been here. You've only announced yourself, and told me you are coming to-morrow. You haven't seen me, either. This is not I. But I'll be here waiting for you to-morrow, my whole works! Goodnight, till then." She patted him absently on the sleeve and gave him a little shove toward the door.



V

WHEN Archie got back to his hotel at two o'clock in the morning, he found Fred Ottenburg's card under his door, with a message scribbled across the top: "When you come in, please call up room 811, this hotel." A moment later Fred's voice reached him over the telephone.

"That you, Archie? Won't you come up? I'm having some supper and I'd like company. Late? What does that matter? I won't keep you long."

Archie dropped his overcoat and set out for room 811. He found Ottenburg in the act of touching a match to a chafing-dish, at a table laid for two in his sitting-room. "I'm catering here," he announced cheerfully. "I let the waiter off at midnight, after he'd set me up. You'll have to account for yourself, Archie."

The doctor laughed, pointing to three wine-coolers under the table. "Are you expecting guests?"

"Yes, two." Ottenburg held up two fingers,—"you, and my higher self. He's a thirsty boy, and I don't invite him often. He has been known to give me a headache. Now, where have you been, Archie, until this shocking hour?"

"Bah, you've been banting!" the doctor exclaimed, pulling out his white gloves as he searched for his handkerchief and throwing them into a chair. Ottenburg was in evening clothes and very pointed dress shoes. His white waistcoat, upon which the doctor had fixed a challenging eye, went down straight from the top button, and he wore a camelia. He was conspicuously brushed and trimmed and polished. His smoothly controlled excitement was wholly different from his usual easy cordiality, though he had his face, as well as his figure, well in hand. On the serving-table there was an empty champagne pint and a glass. He had been having a little starter, the doctor told himself, and would probably be running on high gear before he got through. There was even now an air of speed about him.

"Been, Freddy?"—the doctor at last took up his question. "I expect I've been exactly where you have. Why didn't you tell me you were coming on?"

"I wasn't, Archie." Fred lifted the cover of the chafingdish and stirred the contents. He stood behind the table, holding the lid with his handkerchief. "I had never thought of such a thing. But Landry, a young chap who plays her accompaniments and who keeps an eye out for me, telegraphed me that Madame Rheinecker had gone to Atlantic City with a bad throat, and Thea might have a chance to sing ELSA. She has sung it only twice here before, and I missed it in Dresden. So I came on. I got in at four this afternoon and saw you registered, but I thought I wouldn't butt in. How lucky you got here just when she was coming on for this. You couldn't have hit a better time." Ottenburg stirred the contents of the dish faster and put in more sherry. "And where have you been since twelve o'clock, may I ask?"

Archie looked rather self-conscious, as he sat down on a fragile gilt chair that rocked under him, and stretched out his long legs. "Well, if you'll believe me, I had the brutality to go to see her. I wanted to identify her. Couldn't wait."

Ottenburg placed the cover quickly on the chafing-dish and took a step backward. "You did, old sport? My word! None but the brave deserve the fair. Well,"—he stooped to turn the wine,—"and how was she?"

"She seemed rather dazed, and pretty well used up. She seemed disappointed in herself, and said she hadn't done herself justice in the balcony scene."

"Well, if she didn't, she's not the first. Beastly stuff to sing right in there; lies just on the 'break' in the voice." Fred pulled a bottle out of the ice and drew the cork. Lifting his glass he looked meaningly at Archie. "You know who, doctor. Here goes!" He drank off his glass with a sigh of satisfaction. After he had turned the lamp low under the chafing-dish, he remained standing, looking pensively down at the food on the table. "Well, she rather pulled it off! As a backer, you're a winner, Archie. I congratulate you." Fred poured himself another glass. "Now you must eat something, and so must I. Here, get off that bird cage and find a steady chair. This stuff ought to be rather good; head waiter's suggestion. Smells all right." He bent over the chafing-dish and began to serve the contents. "Perfectly innocuous: mushrooms and truffles and a little crab-meat. And now, on the level, Archie, how did it hit you?"

Archie turned a frank smile to his friend and shook his head. "It was all miles beyond me, of course, but it gave me a pulse. The general excitement got hold of me, I suppose. I like your wine, Freddy." He put down his glass. "It goes to the spot to-night. She WAS all right, then? You weren't disappointed?"

"Disappointed? My dear Archie, that's the high voice we dream of; so pure and yet so virile and human. That combination hardly ever happens with sopranos." Ottenburg sat down and turned to the doctor, speaking calmly and trying to dispel his friend's manifest bewilderment. "You see, Archie, there's the voice itself, so beautiful and individual, and then there's something else; the thing in it which responds to every shade of thought and feeling, spontaneously, almost unconsciously. That color has to be born in a singer, it can't be acquired; lots of beautiful voices haven't a vestige of it. It's almost like another gift—the rarest of all. The voice simply is the mind and is the heart. It can't go wrong in interpretation, because it has in it the thing that makes all interpretation. That's why you feel so sure of her. After you've listened to her for an hour or so, you aren't afraid of anything. All the little dreads you have with other artists vanish. You lean back and you say to yourself, 'No, THAT voice will never betray.' TREULICH GEFUHRT, TREULICH BEWACHT."

Archie looked envyingly at Fred's excited, triumphant face. How satisfactory it must be, he thought, to really know what she was doing and not to have to take it on hearsay. He took up his glass with a sigh. "I seem to need a good deal of cooling off to-night. I'd just as lief forget the Reform Party for once.

"Yes, Fred," he went on seriously; "I thought it sounded very beautiful, and I thought she was very beautiful, too. I never imagined she could be as beautiful as that."

"Wasn't she? Every attitude a picture, and always the right kind of picture, full of that legendary, supernatural thing she gets into it. I never heard the prayer sung like that before. That look that came in her eyes; it went right out through the back of the roof. Of course, you get an ELSA who can look through walls like that, and visions and Grail-knights happen naturally. She becomes an abbess, that girl, after LOHENGRIN leaves her. She's made to live with ideas and enthusiasms, not with a husband." Fred folded his arms, leaned back in his chair, and began to sing softly:—

"Ein Ritter nahte da."

"Doesn't she die, then, at the end?" the doctor asked guardedly.

Fred smiled, reaching under the table. "Some ELSAS do; she didn't. She left me with the distinct impression that she was just beginning. Now, doctor, here's a cold one." He twirled a napkin smoothly about the green glass, the cork gave and slipped out with a soft explosion. "And now we must have another toast. It's up to you, this time."

The doctor watched the agitation in his glass. "The same," he said without lifting his eyes. "That's good enough. I can't raise you."

Fred leaned forward, and looked sharply into his face. "That's the point; how COULD you raise me? Once again!"

"Once again, and always the same!" The doctor put down his glass. "This doesn't seem to produce any symptoms in me to-night." He lit a cigar. "Seriously, Freddy, I wish I knew more about what she's driving at. It makes me jealous, when you are so in it and I'm not."

"In it?" Fred started up. "My God, haven't you seen her this blessed night?—when she'd have kicked any other man down the elevator shaft, if I know her. Leave me something; at least what I can pay my five bucks for."

"Seems to me you get a good deal for your five bucks," said Archie ruefully. "And that, after all, is what she cares about,—what people get."

Fred lit a cigarette, took a puff or two, and then threw it away. He was lounging back in his chair, and his face was pale and drawn hard by that mood of intense concentration which lurks under the sunny shallows of the vineyard. In his voice there was a longer perspective than usual, a slight remoteness. "You see, Archie, it's all very simple, a natural development. It's exactly what Mahler said back there in the beginning, when she sang WOGLINDE. It's the idea, the basic idea, pulsing behind every bar she sings. She simplifies a character down to the musical idea it's built on, and makes everything conform to that. The people who chatter about her being a great actress don't seem to get the notion of where SHE gets the notion. It all goes back to her original endowment, her tremendous musical talent. Instead of inventing a lot of business and expedients to suggest character, she knows the thing at the root, and lets the musical pattern take care of her. The score pours her into all those lovely postures, makes the light and shadow go over her face, lifts her and drops her. She lies on it, the way she used to lie on the Rhine music. Talk about rhythm!"

The doctor frowned dubiously as a third bottle made its appearance above the cloth. "Aren't you going in rather strong?"

Fred laughed. "No, I'm becoming too sober. You see this is breakfast now; kind of wedding breakfast. I feel rather weddingish. I don't mind. You know," he went on as the wine gurgled out, "I was thinking to-night when they sprung the wedding music, how any fool can have that stuff played over him when he walks up the aisle with some dough-faced little hussy who's hooked him. But it isn't every fellow who can see—well, what we saw tonight. There are compensations in life, Dr. Howard Archie, though they come in disguise. Did you notice her when she came down the stairs? Wonder where she gets that bright-and-morning star look? Carries to the last row of the family circle. I moved about all over the house. I'll tell you a secret, Archie: that carrying power was one of the first things that put me wise. Noticed it down there in Arizona, in the open. That, I said, belongs only to the big ones." Fred got up and began to move rhythmically about the room, his hands in his pockets. The doctor was astonished at his ease and steadiness, for there were slight lapses in his speech. "You see, Archie, ELSA isn't a part that's particularly suited to Thea's voice at all, as I see her voice. It's over-lyrical for her. She makes it, but there's nothing in it that fits her like a glove, except, maybe, that long duet in the third act. There, of course,"—he held out his hands as if he were measuring something,—"we know exactly where we are. But wait until they give her a chance at something that lies properly in her voice, and you'll see me rosier than I am to-night."

Archie smoothed the tablecloth with his hand. "I am sure I don't want to see you any rosier, Fred."

Ottenburg threw back his head and laughed. "It's enthusiasm, doctor. It's not the wine. I've got as much inflated as this for a dozen trashy things: brewers' dinners and political orgies. You, too, have your extravagances, Archie. And what I like best in you is this particular enthusiasm, which is not at all practical or sensible, which is downright Quixotic. You are not altogether what you seem, and you have your reservations. Living among the wolves, you have not become one. LUPIBUS VIVENDI NON LUPUS SUM."

The doctor seemed embarrassed. "I was just thinking how tired she looked, plucked of all her fine feathers, while we get all the fun. Instead of sitting here carousing, we ought to go solemnly to bed."

"I get your idea." Ottenburg crossed to the window and threw it open. "Fine night outside; a hag of a moon just setting. It begins to smell like morning. After all, Archie, think of the lonely and rather solemn hours we've spent waiting for all this, while she's been—reveling."

Archie lifted his brows. "I somehow didn't get the idea to-night that she revels much."

"I don't mean this sort of thing." Fred turned toward the light and stood with his back to the window. "That," with a nod toward the wine-cooler, "is only a cheap imitation, that any poor stiff-fingered fool can buy and feel his shell grow thinner. But take it from me, no matter what she pays, or how much she may see fit to lie about it, the real, the master revel is hers." He leaned back against the window sill and crossed his arms. "Anybody with all that voice and all that talent and all that beauty, has her hour. Her hour," he went on deliberately, "when she can say, 'there it is, at last, WIE IM TRAUM ICH. As in my dream I dreamed it, as in my will it was.'"

He stood silent a moment, twisting the flower from his coat by the stem and staring at the blank wall with haggard abstraction. "Even I can say to-night, Archie," he brought out slowly, "'As in my dream I dreamed it, as in my will it was.' Now, doctor, you may leave me. I'm beautifully drunk, but not with anything that ever grew in France."

The doctor rose. Fred tossed his flower out of the window behind him and came toward the door. "I say," he called, "have you a date with anybody?"

The doctor paused, his hand on the knob. "With Thea, you mean? Yes. I'm to go to her at four this afternoon—if you haven't paralyzed me."

"Well, you won't eat me, will you, if I break in and send up my card? She'll probably turn me down cold, but that won't hurt my feelings. If she ducks me, you tell her for me, that to spite me now she'd have to cut off more than she can spare. Good-night, Archie."



VI

IT was late on the morning after the night she sang ELSA, when Thea Kronborg stirred uneasily in her bed. The room was darkened by two sets of window shades, and the day outside was thick and cloudy. She turned and tried to recapture unconsciousness, knowing that she would not be able to do so. She dreaded waking stale and disappointed after a great effort. The first thing that came was always the sense of the futility of such endeavor, and of the absurdity of trying too hard. Up to a certain point, say eighty degrees, artistic endeavor could be fat and comfortable, methodical and prudent. But if you went further than that, if you drew yourself up toward ninety degrees, you parted with your defenses and left yourself exposed to mischance. The legend was that in those upper reaches you might be divine; but you were much likelier to be ridiculous. Your public wanted just about eighty degrees; if you gave it more it blew its nose and put a crimp in you. In the morning, especially, it seemed to her very probable that whatever struggled above the good average was not quite sound. Certainly very little of that superfluous ardor, which cost so dear, ever got across the footlights. These misgivings waited to pounce upon her when she wakened. They hovered about her bed like vultures.

She reached under her pillow for her handkerchief, without opening her eyes. She had a shadowy memory that there was to be something unusual, that this day held more disquieting possibilities than days commonly held. There was something she dreaded; what was it? Oh, yes, Dr. Archie was to come at four.

A reality like Dr. Archie, poking up out of the past, reminded one of disappointments and losses, of a freedom that was no more: reminded her of blue, golden mornings long ago, when she used to waken with a burst of joy at recovering her precious self and her precious world; when she never lay on her pillows at eleven o'clock like something the waves had washed up. After all, why had he come? It had been so long, and so much had happened. The things she had lost, he would miss readily enough. What she had gained, he would scarcely perceive. He, and all that he recalled, lived for her as memories. In sleep, and in hours of illness or exhaustion, she went back to them and held them to her heart. But they were better as memories. They had nothing to do with the struggle that made up her actual life. She felt drearily that she was not flexible enough to be the person her old friend expected her to be, the person she herself wished to be with him.

Thea reached for the bell and rang twice,—a signal to her maid to order her breakfast. She rose and ran up the window shades and turned on the water in her bathroom, glancing into the mirror apprehensively as she passed it. Her bath usually cheered her, even on low mornings like this. Her white bathroom, almost as large as her sleeping-room, she regarded as a refuge. When she turned the key behind her, she left care and vexation on the other side of the door. Neither her maid nor the management nor her letters nor her accompanist could get at her now.

When she pinned her braids about her head, dropped her nightgown and stepped out to begin her Swedish movements, she was a natural creature again, and it was so that she liked herself best. She slid into the tub with anticipation and splashed and tumbled about a good deal. Whatever else she hurried, she never hurried her bath. She used her brushes and sponges and soaps like toys, fairly playing in the water. Her own body was always a cheering sight to her. When she was careworn, when her mind felt old and tired, the freshness of her physical self, her long, firm lines, the smoothness of her skin, reassured her. This morning, because of awakened memories, she looked at herself more carefully than usual, and was not discouraged. While she was in the tub she began to whistle softly the tenor aria, "AH! FUYEZ, DOUCE IMAGE," somehow appropriate to the bath. After a noisy moment under the cold shower, she stepped out on the rug flushed and glowing, threw her arms above her head, and rose on her toes, keeping the elevation as long as she could. When she dropped back on her heels and began to rub herself with the towels, she took up the aria again, and felt quite in the humor for seeing Dr. Archie. After she had returned to her bed, the maid brought her letters and the morning papers with her breakfast.